Lisa See Collection photCL 624
Suzanne Oatey
The Huntington Library
December 2021
1151 Oxford Road
San Marino, California 91108
Business Number: (626) 405-2191
reference@huntington.org
Contributing Institution:
The Huntington Library
Title: Lisa See collection
Identifier/Call Number: photCL 624
Physical Description:
4.97 Linear Feet
(9 boxes)
Date (inclusive): approximately 1881-1910
Date (bulk): 1890s-1900s
Abstract: A collection of photographs primarily
of Los Angeles' Old Chinatown and portraits of its Chinese residents, dating from
approximately 1881 to 1910.
Language of Material: Materials are in
English.
Conditions Governing Access
Open for use by qualified researchers and by appointment. Please contact Reader Services at
the Huntington Library for more information. RESTRICTED: Photograph album (Box 9): Fragile;
available with curatorial approval.
Conditions Governing Use
The Huntington Library does not require that researchers request permission to quote from
or publish images of this material, nor does it charge fees for such activities. The
responsibility for identifying the copyright holder, if there is one, and obtaining
necessary permissions rests with the researcher.
Preferred Citation
[Identification of item]. Lisa See collection, The Huntington Library, San Marino,
California.
Immediate Source of Acquisition
Gift of Lisa See, December 2020 and February 2021.
Custodial History
The photographs were found in the 1940s by donor Lisa See's father, Richard See, and her
grandfather, Eddy See, in or around their family's antique business, F. Suie One Company,
when it was located at 510 Los Angeles Street. The store was located on one of the last
blocks of Old Chinatown to be demolished. One cabinet card photograph in the collection is
stamped "Yee, Photo / 510 North Los Angeles Street," the same address, so possibly the
location was formerly a photography studio.
Biographical / Historical
Old Chinatown refers to the original Chinatown of Los Angeles, which thrived mainly from
1890 to 1910, before it was largely cleared in the 1930s for the building of Union Station
and other civic development. In 1938, New Chinatown opened several blocks away in downtown
Los Angeles.
Biographical / Historical
American author Lisa See was born in Paris in 1955 but grew up in Los Angeles. She lived
with her mother, author Carolyn See, but spent much of her time with her father's family in
Chinatown. Her first book, "On Gold Mountain: The One-Hundred-Year Odyssey of a
Chinese-American Family" (1995) tells the story of her great-grandfather, Fong See, who
eventually became the godfather of Los Angeles' Chinatown.
Scope and Contents
This collection contains photographs of Los Angeles' Old Chinatown and portraits of its
Chinese residents, most dating from the 1890s to the 1900s. Together there are 116 glass
plate negatives ranging in size from 3 1/4 x 4 1/4 inches to 5 x 7 inches, an ornate
photograph album containing 12 studio portraits of Chinese men and women, and six additional
card photograph portraits. Some of the card photographs have the imprint of professional
photographers, but it is unclear who took the glass plate negatives, or if there was more
than one photographer. They may be connected to a photographer "Yee" who at one time had a
studio at 510 North Los Angeles Street in Old Chinatown (see photograph Box 8 (1)). This
could possibly be Wy Yee, a photographer during the same time period. In addition, there are
two glass plate images of a photographer's storefront with a sign in Chinese that translates
to Jinghua Photo Studio.
Scenes in Old Chinatown include: street views of buildings and storefronts; Chinese and a
few white people walking in the streets; the interior of a restaurant and three Chinese
workers posing for the camera; two men on bicycles; and other candid photographs of people
in daily activities. Some buildings have store signs in English and Chinese.
The majority of photographs are portraits of primarily Chinese sitters. Several are posed
studio portraits of men, women, or children, wearing traditional or western clothing, with
elaborate props and backdrops. Other portraits are simple head shots of Chinese men, one of
which has the handwritten date "1902," the year that the Chinese Exclusion Act of 1882 was
made permanent and required Chinese residents to register and obtain immigration documents.
The portraits of Chinese women are mostly elegant studio portraits with props, except for
two head shot images of a woman with bare shoulders.
Photographer imprints on card photographs are: Bijou Studio, James Blanchard, George Dewey,
J. H. Lamson Company, Michael A. Wesner, and "Yee," who may be photographer Wy Yee, all of
Los Angeles. There is one portrait of a Chinese woman by William Shew, San Francisco.
Processing Information
Processed by Suzanne Oatey in December 2021.
Arrangement
Organized in three series:
- Series 1. Glass plate negatives, approximately 1890s-1900s
- Subseries 1. Views of Los Angeles' Old Chinatown and vicinity
- Subseries 2. Portraits
- Series 2. Photograph album, approximately 1890s-1900s
- Series 3. Loose photographs, approximately 1881-1910
Existence and Location of Copies
Subjects and Indexing Terms
Chinatown (Los Angeles, Calif.) -- Photographs
Chinese -- California -- Los Angeles -- Photographs
Chinese Americans -- California -- Los Angeles -- Photographs
Los Angeles (Calif.) -- History -- 19th century --
Photographs
Los Angeles (Calif.) -- History -- 20th century --
Photographs
Photography -- Studios and dark rooms
Card
photographs (photographs)
Glass plate negatives
Photograph albums
Photographs
Portraits
Blanchard, James B., photographer
Dewey, George N., photographer
Lamson, Joseph Harrison, 1840-1902,
photographer
Shew, William J., 1820-1903
Wesner, Michael A., photographer
Glass plate negatives Series 1
approximately 1890s-1900s
Physical Description: 2.3 Linear
Feet (7 boxes)
Arrangement
Organized in two subseries:
1. Views of Los Angeles' Old Chinatown and vicinity, approximately 1890s-1900s
2. Portraits, approximately 1890s-1900s
Scope and Contents
A group of 116 glass plate negatives depicting scenes in and around Los Angeles' Old
Chinatown, and portraits of its Chinese residents. Only two plates have dates written on
them: 1901 and 1902. The portrait sitters are unidentified except for two that have
names written in Chinese.
Views of Los Angeles' Old Chinatown and vicinity Subseries 1
approximately 1890s-1900s
Physical Description: 0.83 Linear
Feet(2 boxes)
Scope and Contents
Images include street scenes, buildings, and various residents in Old Chinatown, Los
Angeles. There are two interior views of a restaurant, and a church. Some images have
street addresses and business names known to be in Old Chinatown; others may be in the
vicinity.
Box 1, Item 1
Two Chinese men posing in front of a building, wearing western
suits
Box 1, Item 2
Man carrying bundles, under advertisement for "Lee Kwai Sing, No. 520,
Chinese and Japanese Bazaar"
Box 1, Item 3
Three Chinese men inside a restaurant
Box 1, Item 4
Three Chinese men and one white man inside a restaurant
Box 1, Item 5
Young man sitting on stool in front of store
Box 1, Item 6
Exterior of photographer's studio, with signs in English and
Chinese
Scope and Contents
Storefront has sign in English that says "Photographer" and a sign in Chinese that
translates to Jinghua Photo Studio.
Box 1, Item 7
Exterior of photographer's studio, with signs in English and
Chinese
Scope and Contents
Variant of Box 1 (6).
Box 1, Item 8
Detail of brick building with banners in Chinese
Box 1, Item 9
Interior of church with banners in English and Chinese
11 October 1901
Scope and Contents
View of an empty sanctuary with signs that say "China for Christ" and "20th
anniversary." The glass plate has a date written on it: "Oct. 11th 1901." Research
shows that this may be the Chinese Presbyterian Church at First and Wilmington
streets, Los Angeles. A Los Angeles Times article, "Chinese Honor Teacher" published
October 12, 1901, reported that a reception was held at that church on October 11th
for missionary teacher Miss Ida Boone, in honor of the 20th anniversary of her work
in the Sunday school.
Box 1, Item 10
White woman posing on ceremonial handcart, with street and advertisements
in background
1902 or later
Scope and Contents
Image includes advertising poster for Florence Roberts in "Zaza" at Morosco's
Burbank Theater. An article in the Los Angeles Herald, April 27, 1903, says "Zaza"
first played at that theater beginning in 1902. An advertisement for Levi, Strauss
& Co., San Francisco, also appears in the image.
Box 1, Item 11
Boy standing in front of building on Ferguson Alley
Scope and Contents
Sign above doorway reads "Wing Hong Sun Fat Kee" and "205." Research shows this
shop owner appears in the 1901 Los Angeles City Directory at 205 N. Ferguson Alley
(Chinatown).
Box 1, Item 12
Street view of horse-drawn carts and building with balconies
Box 1, Item 13
Copy photograph of a three-story building with hanging lanterns
Box 1, Item 14
Chinese men holding a pig down in a fenced area
Box 1, Item 15
Man posed on a sailing ship's deck
Box 1, Item 16
Copy photograph of men posed as the Eight Immortals from Chinese
mythology
Box 1, Item 17
Detail of a hand with very long nails
Box 2, Item 1
Two Chinese men on bicycles
Box 2, Item 2
Man sitting on horse-drawn wagon painted with lettering: "Commission
Merchants"
Box 2, Item 3
Man standing in front of store, Sang Yuen & Co., with bottled goods in
window
Scope and Contents
A box on the ground is marked "F.A. Heim Bottling Works, Los Angeles."
Box 2, Item 4
Person with long ponytail walking down street
Box 2, Item 5-8
Street scenes in Old Chinatown
Physical Description: Four glass plate
negatives.
Conditions Governing Access
Unavailable for paging. These four glass plate negatives were received fused
together and the Conservation Department advises the emulsion layers will be
destroyed if they are separated. See digitized versions in the Huntington Digital
Library.
Box 2, Item 9-13
Views of the intersection of Alameda Street and Marchessault Street in Old
Chinatown
Scope and Contents
Five photographs taken from the same location on Alameda Street, showing buildings
and various people in the street.
Box 2, Item 14
Man and four children outside store, Kwong On & Co., address number
432
Box 2, Item 15
Boy standing on pile of rubble
Box 2, Item 16
Group of Chinese children outside with two women
Box 2, Item 17
Street scene of storefronts and horse-drawn wagon
Box 2, Item 18
Boy standing in front of building, holding basket
Box 2, Item 19
Adult and child walking on street, near building
Box 2, Item 20
Adults and children walking by wooden buildings
Portraits Subseries 2
approximately 1890s-1900s
Physical Description: 1.46 Linear
Feet (5 boxes)
Scope and Contents
There are two styles of portraits represented: Full-length studio portraits, seated
or standing, with props and elaborate dress, and simple head-shot portraits, mostly of
Chinese men. Chinese women appear in eight portraits, and there is one group portrait
of three Chinese children.
Arrangement
Arranged by subject: group portraits, followed by individual men, then individual
women.
Box 3, Item 1
Portrait of two Chinese men seated on either side of a small
table
Box 3, Item 2
Portrait of two young Chinese men
Box 3, Item 3
Portrait of two Chinese men standing, both wearing glasses
Box 3, Item 4
Portrait of two Chinese men, standing, looking at a newspaper
Box 3, Item 5
Portrait of two Chinese men, seated
Box 3, Item 6
Portrait of two Chinese men, seated, holding incense and pipes
Box 3, Item 7
Portrait of four men with musical instruments
Box 3, Item 8
Portrait of four men with musical instruments, alternate pose
Scope and Contents
Variant pose of Box 3 (7).
Box 3, Item 9
Portrait of three Chinese children
Box 3, Item 10
Head-shot portrait of a Chinese man, Senying? Huang
1902
Scope and Contents
The date "1902" is written on plate, and Chinese writing that translates to the
surname Huang and possibly Senying (difficult to read).
Box 3, Item 11
Head-shot portrait of a Chinese man, Ke Hu
1902? April 26
Scope and Contents
The date "April 26, 19" (last two digits missing) is written on the plate, and
Chinese writing that translates to "Hu Ke." (Surname: Hu.)
Box 3, Item 12-16
Head-shot portraits of Chinese men
Physical Description: 9
Items
Scope and Contents
Five men are wearing western-style suits.
Box 4, Item 1-8
Head-shot portraits of Chinese men
Physical Description: 8
Items
Box 5
Head-shot portraits of Chinese men
Physical Description: 15
Items
Box 6
Head-shot portraits of Chinese men
Physical Description: 16
Items
Box 7
Head-shot portraits of Chinese men
Physical Description: 15
Items
Box 4, Item 9-10
Head-shot portraits of a woman, with bare shoulders
Scope and Contents
Two variant views of the same woman.
Box 4, Item 11
Portrait of a Chinese woman standing and holding parasol, with a small dog
on a chair
Box 4, Item 12
Portrait of a Chinese woman standing, with small dog on leash
Box 4, Item 13
Portrait of a Chinese woman seated, wearing pleated dress and striped
stockings
Box 4, Item 14
Portrait of a Chinese woman, standing, wearing dress with
ruffles
Box 4, Item 15
Portrait of a Chinese woman, seated, wearing dress with ruffles
Box 9
Photograph album Series 2
approximately 1890s-1900s
Physical Description: 1.5 Linear
Feet (1 album in an oversize
box)
Physical Description: An ornate photograph album wrapped
in green velvet and attached to a wooden display stand. The album folds down for opening
and reveals a mirror on the stand. The pages are decorated paper, with inserts for
photographs.
Scope and Contents
A photograph album containing 12 photographs of Chinese men and women, with several
empty pages. Eight cabinet card portraits have the imprint of professional photographers
in Los Angeles: James B. Blanchard, Blanchard & Konold, George N. Dewey, Lamson
Studio, J. A. Reynolds, and Michael A. Wesner. Based on known years of activity for
these photographers, these portraits were most likely taken between 1891 and 1902.
Conditions Governing Access
RESTRICTED: Album is fragile; available with curatorial approval.
Box 8
Loose photographs Series 3
approximately 1881-1910
Physical Description: 6 Photographic
Prints
Scope and Contents
Six studio portraits: four of Chinese and non-Chinese women, and two of Chinese
children. These card photographs have the imprints of five different photographers in
Los Angeles, and one in San Francisco. Dates are estimated based on years the
photographers operated at their imprinted addresses. Source: Mautz, Carl.
Biographies of Western Photographers: A Reference Guide to Photographers
Working in the 19th Century American West,
(Nevada City, Calif: Carl Mautz
Publishing, 2018).
Box 8, Item 1
Portrait of a Chinese woman standing next to table and chair
approximately 1890-1910
Scope and Contents
Cabinet card stamped in red ink: "Yee, Photo / 510 N. Los Angeles St. / Los Angeles,
Cal." Possibly Wy Yee, a photographer active in Los Angeles at this time.
Box 8, Item 2
Portrait of a Chinese woman, seated, holding objects
approximately 1881-1900
Scope and Contents
Cabinet card with photographer's imprint on back: William Shew's Photographic
Establishment, San Francisco.
Box 8, Item 3
Portrait of a white woman, in profile
approximately 1892
Scope and Contents
Cabinet card with photographer's imprint: Lamson Studio, Los Angeles.
Box 8, Item 4
Portrait of four Chinese children
approximately 1896-1907 or
later
Scope and Contents
Cabinet card with photographer's imprint: Wesner / 120 North Spring St. / Los
Angeles.
Box 8, Item 5
Portrait of a Chinese boy, standing
approximately 1895-1899
Scope and Contents
Cabinet card with photographer's imprint: Plaza Gallery / 513 N. Main Street, Los
Angeles. This same boy appears in a thumbnail portrait in the photograph album (Box
9).
Box 8, Item 6
Portrait of Miss Dora Warner
approximately 1896
Scope and Contents
Cabinet card portrait of a woman with photographer's imprint: Bijou Studio, Los
Angeles. Handwritten inscription on back of photograph: "Miss Dora Warner, University
Place / To Her Friend, Mrs? Gluck."