Description
Large
photographs (23 x 29.5 cm) are mounted to rectos and versos of 33 leaves of heavy white cardboard, one to a page; smaller
photographs (13 x 18 cm or smaller) are mounted two, three, or five to a page; two photographic panoramas, one of Porto Alegre (12 x
62 cm), and one of Sa~o Paulo (21 x 80 cm) are folded into segments, each panorama mounted across two facing pages so it can
be unfolded to its full extension; each
photograph has detailed caption added in pen; last four leaves are blank.
Background
Album of
photographs of cities and landscapes of Brazil from 1890-1910, including 23 large-format
photographs, two signed by the Gaensly & Lindemann studio of Guilherme Gaensly and Rodolfo Lindemann. The album, purchased from a Glasgow
stationer, and perhaps compiled by a Scottish Presbyterian missionary to Brazil, contains
photographs of many different Brazilian cities, documenting their streets, civic and commercial buildings, churches, residences, public
parks and botanical gardens, municipal waterworks, trolley cars, and railroads: Rio de Janeiro, São Paulo, Pernambuco (Recife),
Bahía (Salvador de Bahía), and Porto Alegre. Also included are photos of the states of Para, and Parana. Outside the cities,
the photographer has captured views of the countryside and jungle, including rivers--the Tocantins, the São Joao--waterfalls,
fishing boats and ferries, and dense jungles of ferns, coconut palms, and bamboo, and the curious rock formations of Vila
Velha. The photos of native peoples such as the Amazonian Indians, and the Gavião or Urubu Kaapor Indians, as well as Brazilian
blacks, posing in front of their mud and thatch huts, and selling water, pineapples, bananas, and bread in the streets and
open air markets. There are some excellent images of Guarani Indians in full war costume, wearing bracelets and necklaces
made of human teeth, and Gavião Indians, some wearing feather headresses, others clothed in straw costumes and towering straw
and feather headresses. Also included are photos of churches in various cities: Penha Church in Pernambuco; the Italian church
and the English church in Bahía, and a large Italianate church in Pará. In Novo Friburgo, near Rio, a small house with elaborate
gingerbread work is identified as the house of Rev. Dr. Kyle; Rev. John M. Kyle and his wife served as missionaries to Brazil
for the Presbyterian Church in America, in the 1880s and 1890s, and were posted to Novo Friburgo in 1891. There also two spectacular
large
photographs of the São Paulo Railway, a privately owned British railway company which operated the route from the seaport of Santos via
São Paulo to Jundiaí. Although only two of the large
photographs are signed "Gaensly & Lindemann," with their studio address at Rua 15 de Novembro in São Paulo, many others in the album,
including the two three-part city panoramas of Porto Alegre and São Paulo, also appear to be the work of the Swiss-born Brazilian
photographer Guilherme Gaensly who opened a studio in São Paulo in 1894. Some of the smaller
photographs may have been taken by the amateur photographer who compiled the album.
Restrictions
Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the
creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright
owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.