Guide to the Jacques-Louis Monod papers M1968
Note
Immediate Source of Acquisition
Subjects and Indexing Terms
Accession 2013-112
Correspondence. Monod, Jacques-Louis 2165635
Correspondence. Babbitt, Milton to Jacques Louis Monod 2167211
Correspondence. Berger, Arthur to Jacques Louis Monod 2167213
Correspondence. Carter, Elliott and Helen to Jacques Louis Monod 2167215
Correspondence. Leibowitz, René to Jacques Louis Monod 2167217
Correspondence. Philippot, Michel 2167219
Correspondence. Schoenberg Family to Jacques Louis Monod 2167221
Correspondence. Shifrin, Seymour and Miriam to Jacques Louis Monod 2167223
Correspondence. Bomart Music Publishers (Boelke-Bomart, Inc.) 2167225
Correspondence. Schoenberg Family to Bomart 2167227
Philippot, Michael P. Documents, Resume, Works List 2167229
Schoenberg, Arnold. Kol nidre errata list 2167255
Schoenberg, Arnold. Chamber Symphony no. 2 errata list 2167257
Schoenberg, Arnold. Erwartung. Libretto. English translation by Louis Stanley with dedication by Stanley to Margot and Walter Bomart 2167259
Editorial notes for Schoenberg pieces - Violin Concerto, Three Songs op. 48, A Survivor from Warsaw, String Trio op. 45 2167311
Monod, Jacques Louis. A Survivor from Warsaw: A Pitch Groups Survey 2167313
Monod, Jacques Louis. Analysis of Schoenberg Trio for Strings, op. 45. Ms notes. 2167315
Monod, Jacques Louis Editorial notes and analyses for Schoenberg Trio for Strings, op. 45. Typescripts 2167317
Monod, Jacques Louis. Interview with Patricia Carpenter on Studies with Schoenberg. Gamut 7(1997): 61-74 2167319
Reviews of Editions by Jacques Louis Monod 2167321
Carter, Elliott. The Minotaur. Suite. Associated Music Pub. Study score with dedication to Monod. 2167323
Carter, Elliott. Pocahontas. Associated Music edition. Dedication to Monod from Carter. 2167325
Carter, Elliott. Pocahontas. Suite. Kalmus edition with annotations 2167327
Leibowitz, René. Sonata, piano, op. 1. Ms. facsim. with autograph signature 2167329
Leibowitz, René. Sonata, violin, piano, op. 12. Ms. facsim. with autograph signature 2167331
Schoenberg, Arnold. A Survivor from Warsaw. Annotated score, changes copied by Monod 2167333
Schoenberg, Arnold. A Survivor from Warsaw. Vocal score ms. by René Leibowitz (French translation) 2167335
Schoenberg, Arthur. A Survivor from Warsaw. Vocal score for piano 4-hands ms. Arr. by René Leibowitz (French translation) 2167337
Schoenberg, Arnold. A Survivor from Warsaw. Facsim. autograph full score with annotations 2167339
Schoenberg, Arnold. Trio, strings, op. 45. Analyses by Jacques Louis Monod 2167341
Schoenberg, Arnold. Trio for strings, op. 45. 2nd proof with annotations by Schoenberg, and edited by Walter Boelke 2167343
Zenk, Ludwig. Quartet, strings, op. 2. Ms. facsim 2167345
Zenk, Ludwig. 3 Lieder nach Georg Trakl, op. 3. Ms. facsim. 2167347
Zenk, Ludwig. 4 Lieder nach Berthold Viertel, op. 5. Ms. facsim. 2167349
Zenk, Ludwig. 9 Lieder nach Georg Trakl, op. 9. Ms. facsim. 2167351
Accession 2016-177
Musical Scores
Johann Sebastian Bach: Fugue in F# minor Harmonic Display. Analysis of BWV 859? Photocopy music ms.
Chant: Analytic Study: Gregorian Chant, Alma pater (XI c.). Photocopy music ms. by Monod, 1925, rev. 1980 and 1989
Charles Ives: Central Park in the Dark. Full Score. International Contemporary Series. Hillsdale, N.Y.: Boelke-Bomart, 1973.
René Leibowitz: Klavierstück (1949). Ink ms. dedicated to Monod.
Artur Schnabel: Duodecimet, op. post. (for orchestra). Full score ms. in ink with annotations in different colors of ink. Copied from a set of parts probably by Monod.
Arnold Schoenberg, Beglietungsmusik zu einer Lichtspielscene, op. 34: Beglietungsmusik zu einer Lichtspielscene (drohende Gefahr, Angst, Katastrophe), op. 34. Magdeburg: Heinrichshofen's Verlag, [s.d.]. Photocopy score with ms. musical analysis by Monod in pencil and various colors of ink.
Arnold Schoenberg, Klavierstück, op. 33a: Piano solo. Vienna: Universal-Edition, 1929. Ms. analytical annotations by Monod, March 1951
Schoenberg, Arnold: Kleine Klavierstücke, op. 19, musical analysis. Photocopy music ms.
Arnold Schoenberg, Kol nidre, op. 39: Full score. Hillsdale, N.Y.: Boelke-Bomart 1967
Arnold Schoenberg, Kol nidre, op. 39: for Rabbi-Narrator, Mixed Chorus, and Orchestra. Photocopy ms. score.
Arnold Schoenberg: Notes for Schoenberg's String Trio, op. 45. Ms. written notes and ms. musical analysis in pencil and various colors of ink.
Arnold Schoenberg. String Trio, op. 45. International Contemporary Series. Hillsdale, N.Y.: Boelke-Bomart, 1950.
Arnold Schoenberg. String Trio, op. 45. International Contemporary Series. Hillsdale, N.Y.: Boelke-Bomart, 1950. With analysis in color pencils and signed by Monod. Preparation for the 1977 ed.
Arnold Schoenberg: "First Notes for the Reprinting of the Schoenberg's Trio for Boelke-Bomart." Music ms. analytical notes in pencil and color pencils. Signed by J.L. Monod.
Arnold Schoenberg. String Trio, op. 45. Rev. ed. (1976) by Monod. Hillsdale, N.Y.: Boelke-Bomart, 1977.
Arnold Schoenberg, A Survivor from Warsaw, op. 46: A Pitch-Groups' Survey. New ed. by J.-L. Monod. Signed typescript analysis.
Arnold Schoenberg, A Survivor from Warsaw, op. 46. From The Norton Scores: An Anthology to Learning. 3rd ed. Standard, p. 908-937. Photocopy. Signed by J.-L. Monod.
Arnold Schoenberg, A Survivor from Warsaw. Piano reduction by René Leibowitz. Bomart Music Publications. Not published.
Arnold Schoenberg. Three Songs for Low Voice and Piano, op. 48. International Contemporary Series. Hillsdale, N.Y.: Boelke-Bomart, 1952. With ms. annotations by Monod in red ink and correction fluid.
Arnold Schoenberg. Three Songs for Low Voice and Piano, op. 48. Rev. ed. (1979) by Monod. Hillsdale, N.Y.: Boelke-Bomart, 1979.
Anton Webern: Variations for Piano, op. 27. Movement 3, Ruhig fließend, meas. 1-27. Vienna: Universal-Edition, 1937. Photocopy 12-tone and formal analysis by Monod.
Music Scores by Jacques-Louis Monod
Canonic Vocalise (1977-1988): For Soprano Solo and Mixed Chamber Choir (T.B. and A.B.). Photocopy music ms.
Cantus Contra Cantum I: Sur le volet d'une fenêtre : Visage. For voice and orchestra. Text by René Char. Ms. score in pencil ; Photocopy ms. score with title: Monod's René Char.
Cantus contra cantum I. Texts by René Char, Paul Eluard and Jean Sénac. (Oct 67/Nov 67) (7 double) 14 pages – incomplete – pencil manuscript. (Last page missing) Ms. score in pencil.
Cantus contra cantum I (1968): (song-cycle). Version for voice and piano. Texts by Paul Eluard and Jean Sénac. Ms. score in pencil.
Cantus contra cantum I: for soprano and chamber orchestra. Full score. Hillsdale, N.Y.: Boelke-Bomart, 1972.
Cantus Contra Cantum I: Score, orchestra 2 staves. Texts by René Char, Paul Eluard and Jean Sénac. (Oct 67/May 68) (#6 revised 1969). Photocopy ms. score.
Cantus Contra Cantum II (71/73): (duo for violin and cello). Photocopy ms. score.
Cantus contra cantum II: duo for violin and cello. Hillsdale, N.Y.: Boelke-Bomart, 1975. (2 copies) Copy 2 with corrections and annotations in pencil and color pencil.
Cantus Contra Cantum III: ODE -. Analytical music ms. sketches in various colors of ink and pencil.
Cantus Contra Cantum III: Analysis. Analytical music ms. sketches in ink and pencil.
Cantus Contra Cantum III: Materials: C.C.C. III. Music ms. in pencil and various colors of ink.
Cantus Contra Cantum III (1976): vocalise in three parts for double chorus a cappella (with piano reduction). Photocopy ms. score.
Cantus contra cantum III: vocalise in 3 parts for double chorus (SSAATTBB) a cappella. 20th Century Choral Music Series. Hillsdale, N.Y.: Boelke-Bomart, 1976. "Master corrected copy, 1989." With ms. annotations in pencil, blue and red ink.
Cantus Contra Cantum IV (1978): "Tränen des Vaterlandes" Anno, 1636: for baritone solo, 6 sackbuts (or trombones), timpani, and mixed chorus (SATB). Ms. score ink with 2 page ms. pencil analysis
Cantus Contra Cantum IV (1978): "Tränen des Vaterlandes" Anno, 1636. Fair copy ms. score ink.
Cantus Contra Cantum IV (1978): "Tränen des Vaterlandes" Anno, 1636. Piano reduction ms. analysis with photocopy ms. score and 2 page ms. analysis.
Cantus Contra Cantum IV (1978): "Tränen des Vaterlandes" Anno, 1636. Photocopy piano reduction ms. analysis (c. 1)
Cantus Contra Cantum IV (1978): "Tränen des Vaterlandes" Anno, 1636. Photocopy piano reduction ms. analysis (c. 2)
Cantus Contra Cantum V (1981): Ode XXXVIII (1575 ?): for man's voice and 3 saxophones (TBarB), viola, double bass, 2 horns and 2 trombones. Incomplete ms. score in ink (measures 80 [beginning] to 145). [Earlier version]
Cantus Contra Cantum V (1981): Ode XXXVIII (1575 ?): for tenor solo and 3 'cellos; and men's chorus (TB). Photocopy ms. score with corrections.
Cantus Contra Cantum VI (1981): Le débat du cœur et du corps de Villon: for alto and tenor soli, 12-part mixed Choir, horn, clarinet/bass clarinet, bassoon and 'cello. Photocopy ms. full score.
Cantus Contra Cantum VI (1981): Le débat du cœur et du corps de Villon: Photocopy ms. vocal score.
Cantus Contra Cantum VI (1981): Le débat du cœur et du corps de Villon: for alto and tenor soli, 12-part mixed Choir, horn, clarinet/bass clarinet, bassoon and 'cello. Photocopy full score. [Verona, N.J.] : APNM [Association for the Promotion of New Music], c1989.
Cantus Contra Cantum VII (2015): For mixed chorus (SATB) and 4 trombones (STTB). Music ms. in ink.
The Cat Quartet (2014-2015): For baritone or alto saxophone, trumpet, guitar, and piano. Music ms. in various colors of ink.
Detail (orchestra) (end) 3 pages. Photocopy ms. score.
[Elegy] Canonic Vocalise for Soprano Solo and Mixed Chamber Choir (T.B. and A.B.). Pencil and ink ms.
Elegy: Canonic Vocalise for Soprano Solo and Mixed Chamber Choir (A.T.B.). 20th Century Choral Music Series. Hillsdale, N.Y.: Mobart Music, 1978. Photocopy.
Five Progressionally Decontracted Serial English Settings (2013): For contralto and instruments. On texts by Thoreau, Emerson, and Keats. Photocopy ms. score with corrections.
Fractures (2014): For voice and piano. 2 versions from one text, no. 13 and 13'. Photocopy music ms.
Missa brevis (2015): For mixed chorus (SATB). Music ms. in various colors of ink.
Organ Composition ( 2013, rev. 2014): In three movements. Photocopy ms. score.
Shoah (2012-2015): First part: Todesfuge and Strette. Text by Paul Celan. Photocopy music ms. with corrections.
Shoah (2012-2015): Second part: Strette. Text by Paul Celan. Music ms. in various colors of ink with corrections.
Shoah (2012-2015): Children Chorus (from Shoah). Music ms. in ink with corrections.
Sketches: Materials. Music ms. in pencil and various colors of ink.
[Songs] 1. Gilgamesh (2014): For contralto and piano. Photocopy ms. score.
[Songs] 2. Gargantua (2014): For contralto and instruments (flute, clarinet, bass clarinet, harp, piano, strings). Text by Rabelais. Photocopy ms. score.
[Songs] 3. Quand (2014): For soprano solo. Text from French radio. Photocopy music ms.
[Songs] 4. Je voudrais (2014): For baritone, tenor saxophone, piano, and bass. Text by Pierre Dac. Photocopy ms. score with corrections.
[Songs] 5. The Death of Juses II (2014): For contralto and piano. Text by Rabelais. Photocopy ms. score.
[Songs] 6. The Death of Badebec (2014): For mezzo-soprano, piccolo and viola. Text by Rabelais. Photocopy ms. Score
[Songs] 7. The Nation (2014): For contralto and instruments (flute, clarinet, violin, and piano). Text by Rabelais. Photocopy ms. score
[Songs] 8. Gargantua, Badebec, and Pantagruel (2014): For mezzo-soprano and instruments (flute, clarinet/bass clarinet, harp, piano, and strings). Text by Rabelais, J.-Ch. Dumont, and Monod. Ms. score with corrections.
[Songs] 9. Le chat et les deux moineaux (2015): For contralto and chamber orchestra or ensemble. Text by La Fontaine. Photocopy ms. score.
[Songs] 10. Esprit and Works (2014): For contralto, string trio and piano. Photocopy ms. score.
[Songs] 11. Le cœur supplicié, ou, Le cœur du pitre (2015): For bass-baritone, English horn, clarinet, cello, bass clarinet and bassoon. Text by Rimbaud. Photocopy ms. score.
[Songs] 12. François I and Henri VIII (2014): For contralto and instruments (flute, clarinet/bass clarinet, piano, viola, and cello). Text by Rabelais. Photocopy ms. score.
[Songs] 13. Les rois … (2015): For contralto and instruments (flute, clarinet/bass clarinet, horn, piano, and strings). Photocopy ms. score with corrections.
[Songs] 14. Paysage historique (2016): For contralto and chamber orchestra. Text by Paul Verlaine. Photocopy ms. score.
[Songs] 15. Sur l'herbe (2016): For contralto solo and 11 instruments. Text by Paul Verlaine. Ms. score with corrections.
String Trio (2015): Music ms. in several colors of ink.
Variations for Keyboard (2015): 1st movement: photocopy. 2nd-4th movements: music ms. in several colors of ink.
Incomplete music by Jacques-Louis Monod
Sketch for a Song and Variations with analysis: For voice, flute clarinet, soprano saxophone, horn, piano, bass trombone, violin, viola, cello, and bass. Ms. score sketch in various colors of ink with corrections.
Unidentified score pages (2014 and 2015): For flute, clarinet, violin, cello, and piano (1 October 2015), p. 2, meas. 29-53. Ms. score in ink with corrections.
Catalogs
Boelke-Bomart and Mobart Music Publications. Complete Catalogue 1982. Hackensack, N.J.: Jerona Music, 1982
Chamber Music for Strings 1980. Hillsdale, N.Y.: Boelke-Bomart, 1980.
Choral Music 1980. Hillsdale, N.Y.: Boelke-Bomart, 1980.
Piano Music 1980. Hillsdale, N.Y.: Boelke-Bomart, 1980.
Solo and Chamber Music for Strings, and with Piano: Concertos 1980. Hillsdale, N.Y.: Boelke-Bomart, 1980.
Documents
Jacques-Louis Monod DMA diploma from Columbia 1975
Prefatory notes (performance instructions). Typescript.
Milton Babbitt. Photocopy A.L. to Monod (incomplete) 1 June 2001
Christoph Neidhöfer and Peter Schubert, Chapter 12, "Form and Serial Function in Leibowitz's Trois Poèmes de Pierre Reverdy." Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno. New ed. Ed. by Steven Vande Moortele, Julie Pedneault-Deslauriers, and Nathan John Martin. Eastman Studies in Music. Rochester, N.Y.: University of Rochester Press (photocopy) 2015
Accession 2017-140 (Music scores by Jacques-Louis Monod)
Air Quintet (2016): For flute, alto flute, bass clarinet, and bassoon. Photocopy ms., full score, 10 leaves
Art poétique (2016): For alto voice, clarinet, bass clarinet, violin, cello, and piano; text by Eugène Guillevic. Ms., full score, 23 leaves
Avis from Au rendez-vous Allemand (2016 version): text by Paul Eluard - for alto voice, oboe, English horn, 2 trumpets, 2 horns, and trombone
Berceuse (2016): For piano. Ms. score, ink with corrections, 4 leaves
Le Chat (2016): For alto voice, clarinet and bass clarinet; text by Charles Baudelaire. Photocopy full score ms., 8 leaves
Le coeur supplicié (2016): For alto voice, flute clarinet, bassoon trumpet, horn, trombone, violin, viola, and cello; text by Arthur Rimbaud. Photocopy ms. full score, 24 leaves (2nd ms.)
Composition for cello (2016): Photocopy ms. score, 9 leaves
Le Faune (2016): For alto voice, bass clarinet, bassoon, tambourine, and snare drum; text by Paul Verlaine. Photocopy ms. full score, 5 leaves
Honte (2016): For alto voice, oboe, English horn, bassoon, and contra bassoon; text by Arthur Rimbaud. Photocopy ms. full score, 9 leaves
L'idéal (2016): For alto voice, flute, clarinet, bass clarinet, violin, and cello; text by Charles Baudelaire. Ms. ink score with corrections, 11 leaves
Keybord [sic] Period (2016): For piano. Ms. score, ink with corrections, 12 leaves
Missa Brevis (2015): For mixed chorus (SATB). Photocopy ms. full score, 23 leaves
On dernier poème (2016): For alto voice and orchestra; text by Paul Eluard. Ms. full score, ink with corrections, 16 leaves
Pour un livre condamné (2016): For alto voice, horn, and bassoon; text by Charles Baudelaire. From Les fleurs du mal. Photocopy ms. full score, 10 leaves
Sonata for Clarinet and Piano (2011): Ms. score, ink with corrections, 15 leaves
String Quartet (2016): Photocopy ms. full score, 21 leaves
String Trio (2016): Photocopy ms. full score, 13 leaves
Two Spanish decontracted 12-tone lieder (2016): Settings from Octavio Paz's "La palabra dicha" and "Dias habiles", for alto voice, xylophone, marimba, guitar, and oboe. Photocopy ms. full score, 44 leaves
Sur l'herbe (2016): For alto voice, oboe, clarinet, bassoon, and bass clarinet; text by Paul Verlaine. Photocopy ms. full score, 6 leaves
Cantus Contra Cantum VI (1981) - Le debat du coeur et du corps de Villon: for alto and tenor soli, 12-part mixed choir, horn, clarinet/bass clarinet, bassoon and 'cello. Full score ms., pencil 35 leaves
Cantus Contra Cantum VI (1981) - Le debat du coeur et du corps de Villon: for alto and tenor soli, 12-part mixed choir, horn, clarinet/bass clarinet, bassoon and 'cello
Cantus Contra Cantum VI (1981) - Le debat du coeur et du corps de Villon: for alto and tenor soli, 12-part mixed choir, horn, clarinet/bass clarinet, bassoon and 'cello. Compositional sketches.
Accession 2017-323
Analyses
Georges Bizet: Carmen. La fleur que tu m'avais jetée. Photocopy ms., harmonic and structural analysis, 6 leaves
Frédéric Chopin: Prelude for piano, op. 28. No. 4. Photocopy ms., harmonic and structural analysis, 2 leaves [Version A]
Frédéric Chopin: Prelude for piano, op. 28. No. 4. Photocopy ms., harmonic and structural analysis, 2 leaves [Version B]
Musical scores
Charles Ives: Central Park in the Dark. Full score. International Contemporary Series. Hillsdale, N.Y.: Boelke-Bomart. With errata list glued to p.[2] 1973
Music scores by Jacques-Louis Monod
Air Quintet (2016): For flute, alto flute, clarinet, bass clarinet, and bassoon. Ms. full score, black ink with corrections, [2], 7 leaves
Art Poétique (2016): For alto voice, clarinet, bass clarinet, violin, cello, and piano; text by Eugène Guillevic. Photocopy ms. full score, [4], 15 leaves
Cantus Contra Cantum IV (1978): "Tränen des Vaterlandes" Anno, 1636: for baritone solo, 6 sackbuts (or trombones), timpani, and mixed chorus (SATB). Text by A[ndreas] Gryphius. Ms. vocal score, black ink, 7 leaves
Cantus Contra Cantum IV (1978): "Tränen des Vaterlandes" Anno, 1636: for baritone solo, 6 sackbuts (or trombones), timpani, and mixed chorus (SATB). Text by A[ndreas] Gryphius. Photocopy Ms. vocal score, 7 leaves
Cantus Contra Cantum IV (1978): "Tränen des Vaterlandes" Anno, 1636: for baritone solo, 6 sackbuts (or trombones), timpani, and mixed chorus (SATB). Text by A[ndreas] Gryphius. Photocopy corrected ms. 17 leaves with analysis [2] leaves
Cantus Contra Cantum VI (2015): For mixed chorus (STAB) and 4 trombones (STTB). Photocopy ms., [3] leaves
Detail (2014 or 2015): Detail (orchestra) (ending). Ms. score, 3 leaves
Five Progressionally Deconstructed Serial English Settings (2013): For contralto and instruments. On texts by Thoreau, Emerson, and Keats. Photocopy ms. score with corrections.
Honte (2016): For alto voice, oboe, English horn, bassoon, and contra bassoon; text by Arthur Rimbaud. Photocopy ms. full score, [3], 5 leaves
Missa brevis (2015): For mixed chorus (SATB). Photocopy ms. with corrections, 21 leaves
Les Pas (2017): For mezz-soprano and 2 pianos; text by Paul Valery. Ms. score, black ink with corrections, [3], 7 leaves
Pour un livre conamné (2016): For alto voice, horn, and bassoon; text by Charles Baudelaire. From Les Fleurs du Mal. Photocopy ms. full score, 7 leaves. Incomplete, missing pages
String Quartet (2016): Ms. score, in black, blue, green, and red ink with corrections, [2], 18 leaves
String Trio (2016): Ms. score, black ink with corrections, [2], 10 leaves
Two Songs (2014): "To the Evening Star" and "A Tirzah". Texts by William Blake. For alto voice, clarinet, bass clarinet, piano, violin, viola, and cello. Photocopy ms. with corrections, [31] leaves
Miscellaneous materials
Biographical entry for Monod from the International Who's Who in Music, 8th edition (1977)
Biographical entry for Monod by Michael Steinberg from The New Grove Dictionary of Music and Musicians (1980). Photocopy, 1 p
Letter from Robert Pollock, Administrateur Général, Association for the Promotion of New Music. Typescript photocopy, 1 p 13 November 1982
Poésies de Chamisso. "Der Invalid im Irrenhaus" and "Der Bettler und sein Hund" in German and French. Photocopy, 1 leaf
Fragments relating to Monod's compositions: Cantus Contra Cantum V and Shoah
Accession 2018-166
Analyses
Bach, Johann Sebastian. (I.5a). Analysis of piece in e minor, measures 23-41.
Bizet, Georges. Carmen. La fleur que to m'avais. Photocopy for analysis, 2 leaves.
Bizet, Georges. Carmen. La fleur que to m'avais. Photocopy piano reduction with ms. musical analysis, ink, 6 leaves, comb bound. Edited august 1994.
Brahms, Johannes. 4 Lieder, op. 96, no. 1. Der Tod, das ist die kühle Nacht. Typescript with numerous corrections, 64 leaves, in comb binding labeled "B."
Chopin, Frédéric. Prelude for piano, op. 28, no. 4 in e minor (rev. 1978); Ms. analysis, black ink, [2] leaves (numbered 4 and 5). Photocopy ms. analysis, [2] leaves (numbered 6 and 7).
Chopin, Frédéric. Prelude for Piano, op. 28. No. 4 in e minor. Typescript with numerous corrections, 67 leaves, in comb binding labeled "C."
Chopin, Frédéric. Prelude for piano, op. 28, no. 4 in e minor (1982): Ms. analysis, pencil and blue ink, 7 leaves.
Monod, Jacques-Louis. Analytic Study: Gregorian Chant. Alma pater (XI c.). (1975, rev. 1960, 1989): Photocopy typescript and ms. black ink and pencil, [6], 7, [1] leaves.
Monod, Jacques-Louis. Intervals: Ms. analysis, pencil and green ink, [2] leaves.
Monod, Jacques-Louis. Analytic Study: Gregorian Chant. Alma pater (XI c.). (1975, rev. 1980): Ms. Analysis, pencil, 4 leaves.
Monod, Jacques-Louis. Analytic Study: Gregorian Chant. Alma pater (XI c.). (1975, rev. 1980): Typescript with ms. annotations and corrections, 29 leaves, in comb binding labeled "A."
Monod, Jacques-Louis. Analytic Study: Gregorian Chant. Alma pater (XI c.). (1975, rev. 1960, 1989): Typescript, 13 leaves.
Monod, Jacques-Louis. Analytic Study: Gregorian Chant. Alma pater (XI c.). (1975, rev. 1960, 1989): Ms. black ink, 11 leaves.
Monod, Jacques-Louis. Analytic Study: Gregorian Chant. Alma pater (XI c.). (1975, rev. 1960, 1989): Photocopy typescript and ms. black ink and pencil, [6], 7, [1] leaves.
Monod, Jacques-Louis. [Cantus contra Cantum I Analysis]. Typescript, v, 104 leaves.
Schoenberg, Arnold. A Survivor from Warsaw, op. 46: A Pitch-Groups' Survey. Typescript, [2], 12 leaves.
Music scores by Jacques-Louis Monod
The Air and Space of the Roi Arthur (2017): For flute, bass flute, clarinet, bass clarinet, horn, and bassoon. Ms. full score, black, blue, red, and green ink with pencil; [2], 13 [numbered 14 p.], [1] p.
Art poétique (2017): 5 songs for soprano, flute, clarinet and bass clarinet, trumpet, horn, violin, and cello; text by Eugène Guillevic. Ms. full score, black and blue ink with pencil; [2], 13, [1] p.
Avis: Au rendez-vous Allemand (2016): 4th version. For alto voice, oboe, English horn, 2 trumpets, horn, and trombone; text by Paul Eluard. Ms. full score, black, blue, red and brown ink with pencil annotations, [3], 10, [1] leaves.
Cantus Contra Cantum IV (1977-78): For soli double chorus and orchestra. (Nachkriegslied). "Tränen des Vaterlandes" Anno, 1636, [for baritone solo, soli double chorus (SSAATTBB), 6 trombones (AATTBB), and timpani; text by A. Gryphius. Ms. fair score, pencil, 10 p.
Cantus Contra Cantum IV (1977-78): [Unidentified movement], for alto voice, 2 unidentified bass instruments, bass clarinet, 2 bassoons, 2 horns, trumpet, 2 trombones, and tuba; French text. Ms. fair score, pencil, p. [19]-27, and 5 blank pages. Dated Oct. 1977. Pages 1-19 of this movement are missing.
Cantus Contra Cantum IV (1977-78): "Tränen des Vaterlandes" Anno, 1636, for bass solo, double chorus (SSAATTBB), trombones (TTB), and timpani (medium and large); text by A. Gryphius. Ms. fair score, black ink on onion skin paper, 18 leaves and 1 leaf of text.
Cantus Contra Cantum IV and V (1980-81): "Tränen des Vaterlandes" Anno, 1636, for bass solo, double chorus (SSAATTBB), trombones (TTB), and timpani (medium and large); text by A. Gryphius. And Ode XXXVIII (1575?), for mezzo-soprano solo, tenor solo double chorus (SSAATTBar. Solo BB) and orchestra; text by Agrippa d'Aubigné. Ozalid reproduction, ms. score with piano reduction, 70 p
Cantus Contra Cantum V (1980-81): Ode XXXVIII (1575?), for tenor and 3 cellos (1st movt.) and men's chorus (TB) (2nd movt.); text by Agrippa d'Aubigné. Ms. score, black ink, with red ink and pencil, [4], 26 (numbered 1-10, (11-13), 14-30 leaves), [1] leaves
Cantus Contra Cantum V (1980-81): Ode XXXVIII (1575?), for tenor and 3 cellos (1st movt.) and men's chorus (TB) (2nd movt.); text by Agrippa d'Aubigné. Ms. score, black, blue, and red ink, with pencil, [37] leaves (numbered 46, [5] leaves)
Cantus Contra Cantum V (1980-81): Ode XXXVIII (1575?), for tenor and 3 cellos (1st movt.) and men's chorus (TB) (2nd movt.); text by Agrippa d'Aubigné. Ms. score, black, blue, and red ink, with pencil, [37] leaves (numbered 46, [5] leaves)
Cantus Contra Cantum V (1980-81): Ode XXXVIII (1575?), for tenor and 3 cellos (1st movt.) and men's chorus (TB) (2nd movt.); text by Agrippa d'Aubigné. Ms. score, pencil and ink, t.p., leaves 1-5, 7-24, 31. (Work ends with leaf 24; leaf 6 missing. Leaf 31 is 3 extra unused measures.
Cantus Contra Cantum V (1980-81): Ode XXXVIII (1575?), for tenor and 3 cellos (1st movt.) and men's chorus (TB) (2nd movt.); text by Agrippa d'Aubigné. Photocopy ms. vocal score, [2], 22, [1] leaves.
Le débat du cœur et du corps de Villon (1981): For alto voice, tenor, triple chorus a cappella, clarinet/bass clarinet, bassoon, horn, and cello; text by François Villon (1461). Ms. vocal score, pencil, [3], 10, [1] leaves
Le débat du cœur et du corps de Villon (1981): For alto voice, tenor, triple chorus a cappella, clarinet/bass clarinet, bassoon, horn, and cello; text by François Villon (1461). Photocopy ms. full score with piano reduction, 35 leaves.
The Deformation of Silence (2017): For string quartet (violin, viola, cello, bass). Ms. full score, black, blue, and red ink with pencil, [2], 10, [1] leaves.
Duo (2017): For violin and cello. Ms. full score, black, blue, green, and red ink with pencil, [2], 13, [1] leaves.
Chanson Dada (I, II, III) (2016): For alto voice [baritone] and chamber ensemble (marimba, glockenspiel, vibraphone, viola (pizz.), and bass (pizz.); text by Tristan Tzara. Ms. full score, black, blue, red ink, and pencil, [3], 23, [1] leaves.
Le chat (2016): For alto voice, clarinet, and bass clarinet; text by Charles Baudelaire. Ms. full score, black ink, [2] p. and 5, [1] leaves.
Le chat et les deux moineau (2015): For voice (alto) and instruments (chamber orchestra); text by Jean la Fontaine. Ms. full score, black, blue, and red ink, with pencil, and red and green pencil, [3], 20, [1] leaves.
Le cœur de pitre (et Le cœur supplicié) (2016): For alto voice and 9 instruments (flute, clarinet, bassoon, trumpet, horn, trombone, violin, viola, cello); text by Arthur Rimbaud. 2nd manuscript. Ms. full score, [3], 20, [1] leaves.
Composition for 'Cello (2016): Ms. score, black ink, [2], 5, [1]1 leaves.
Da Capo Quintet (2016): For flute, clarinet, violin, cello, and piano. Ms. full score, black and blue ink with pencil, [2], 10, [1] leaves.
Fractures (2014): For contralto and piano; text by Eugène Guillevic. Photocopy ms. score, 44 leaves. Including 9 and 9', and 13 and 13'.
Fractures (2014): 2 versions from one text (derived from #13 and 13'). Photocopy ms. score, 9, [1] leaves.
Le faune (2016): For alto voice, bass clarinet, bassoon, and snare drum; text by Paul Verlaine. Ms. score, black and blue ink, [2], 8 leaves.
Partita for Viola (2016): Ms. score, [2], 5 leaves.
Les pas (2017): For mezzo-soprano and 2 pianos; text by Paul Valery. Ms. score, black and red ink, [3], 7, [1] leaves.
Violin Sonata (2016): For violin solo. Ms. score, [1], 7, [1] leaves.
Shoah: Todesfuge and Strette (2012-2015): For soprano, 2 alto, tenor, and baritone, bass saxophones; flute, oboe, English horn, clarinet, bass clarinet, bassoon, trumpet, 2 horns, 2 trombones, bass trombone, clavichord, piano, harp, marimba, drums, timpani, 2 violins, 2 violas, 2 cellos, 2 double basses; soprano, alto, tenor, baritone, and bass voices; chorus (SABarB), women's chorus (SMzAA), men's chorus (ATBB); text by Paul Celan.
Shoah: Todesfuge and Strette (2012-2015): Part 1. Ms. score, in black, blue, green, red, and orange ink, [3], II, 62, [1] leaves. Part 2. Photocopy ms. score, [2], 102, [1] leaves.
Shoah. Children Chorus (2014): For flute, alto flute, oboe, English horn, clarinet, bass clarinet, drums, timpani, solo viola, double basses, and children's chorus (SSAA). Photocopy ms., [1], 7, [1] leaves.
Two Songs (2014): "To the Evening Star," and "A Tirzah." Texts by William Blake. For alto voice, clarinet, bass clarinet, piano, 2 violins, viola, and cello. Photocopy ms., [3], 9, [4], 18, [2] leaves.
Two Spanish Deconstructed 12-tone Lieder (2014): Song 2. "La palabra escrita;" text by Octavio Paz. For alto voice, xylophone, marimba, guitar, vibraphone, piano, violin, cello, and bass. Ms. score, black, blue, and red ink, pencil, and red pencil, [6], 20, [1] leaves.
Two Spanish Deconstructed 12-tone Lieder (2014): Song 2. "La palabra escrita;" text by Octavio Paz. For alto voice, xylophone, marimba, guitar, vibraphone, piano, violin, cello, and bass. Photocopy score, with ms. corrections in black and blue ink, [4], 18, [1] leaves.
The Steppe (2017): For baritone, brass trio, and 2 timpani; text by Boris Pasternak. Ms. score, black ink, [3], 10, [1] leaves.
Cello Suite (2016): For cello solo. Ms. score, black ink, [2], 6, [1] leaves.
Sur l'herbe (2016): For alto voice, oboe, clarinet, bass clarinet, and bassoon; text by Paul Verlaine. Ms. score, black, blue and green ink with pencil, [2], 3, [1] leaves.
Variations for Keyboard (2015): Ms. score, black, blue, red and green ink, [2], 9 leaves; photocopy ms. pages 10-23.
Pour un livre condamné (2016): For alto, horn, and bassoon; text by Charles Baudelaire. Ms. score, pencil, black and blue ink, [3], 6, [1] leaves
Pour un livre condamné (2016): For alto, horn, and bassoon; text by Charles Baudelaire. Photocopy ms., [3], 6, [1] leaves
La victoire de Guernica (2017): For contralto and orchestra; text by Paul Eluard. Photocopy ms. score, [4], 35 [numbered 33], [1] leaves.
La victoire de Guernica (2017): For contralto and orchestra; text by Paul Eluard. Partial ms. (blue ink) and photocopy ms. score, [4], 35 [numbered 33], [1] leaves.
Miscellaneous materials
Lyrics: Shoah: Todesfuge. Text photocopy with annotations in black, blue, green, and red ink.
Jacques-Louis Monod career notebook
Milton Babbitt
Bach, Johann Sebastian: Offprint. Wolff Christoph. "Bach Handexemplar of the Goldberg Variations: A New Source." Journal of the American Musicological Society 29, no. 2 (1976): [224]-241.
Beardslee, Bethany: "Handwriting from Bethany Beardslee." Unknown poem in English translation, ms., blue and red ink, [1] leaf.
Beethoven, Ludwig van: Beethovens Heiligenstädter Testament: Faksimile-Druck. Berlin Schuster & Loeffler, s.d.
Berg, Alban: Offprint. Perle, George. "Lulu: The Formal Design." Journal of the American Musicological Society 18, no. 2 (1964): [179]-192.
Berger, Arthur. Ideas of Order. Miniature score. Edition Peters No. 6080.New York: C.F. Peters, 1956. Dedication to Monod signed by Berger, June 1960. Minor annotations by Monod.
Haringer, Jakob
René Leibowitz: Monod, Jacques-Louis, ed. René Leibowitz 1913-1972: A Register of His Music and Writings. Hillsdale, N.Y.: Mobart Music, 1983.
Materials by and about René Leibowitz
Michel P. Philippot
Arnold Schoenberg: "Arnold Schoenberg's Ode to Napoleon. Critical notes. Typescript, [3] leaves.
Shifrin, Seymour. Quartet #3. Typescript, [1], 2 leaves.
Igor Stravinsky: Drew, David. "Stravinsky's Revisions." The Score and I.M.A. Magazine, no. 20 (June 1957): 47-58. Photocopy article with annotations.
Programs
Music score: Chernov, Eric B. Le Lâcher Prise, for baritone, clarinet, violin, viola and cell,. 2014. 78 p.
Accessions 2019-293, 2019-295 and 2019-519
Music scores by Jacques-Louis Monod
Abbattimento (2018): For violin. Photocopy manuscript score, 5 leaves
Arabesque (2018): For bass clarinet. Photocopy manuscript score, 4 leaves
Auge der Zeit/Del du temps (2018): For soprano and piano; text by Paul Celan. Photocopy manuscript score, 7 leaves
Automne (2018): For soprano and orchestra; text by G. Apollinaire. Manuscript score, in black and red ink with corrections, [2], 11 leaves.
Avis (2017): For soprano and 12 instruments (flute, oboe, clarinet, bassoon, trumpet, horn, cornet, brombone, violin viola, cello, and double bass); text by Paul Eluard. Manuscript score, in black ink with corrections, [4] p., 9 leaves.
Ballad (2018): For bassoon. Manuscript score, black ink, 4 leaves
Barcarole (2018): For trumpet. Manuscript score, black ink, 5 leaves
Barytons I and II (2019): For two baritone horns. Manuscript score, black ink, 5 leaves
Canticum canticorum (2018): For flute solo. Manuscript score, in black ink with corrections, [2] p., 3 leaves.
Cantus contra cantum III (1975): Vocalise in 3 Parts for Double Chorus (SSAATTBB) a cappella. Full score. Hillsdale, N.Y.: Boelke-Bomart, 1976. Ozalid reproduction with corrections in red ink and pencil, 32 pages
Cantus contra cantum IV (1978): Tränen des Vaterlandes, anno 1636. For bass solo, double chorus (SSAATTBB), trombones (TTB) or preferably sackbuts (and timpani (lower G-sharp/A-flat and D) when performed together with Cantus contra cantum V (1980-81)); text by A. Gryphius. Ms. full score including piano reduction for rehearsals, pencil, [2], 16 leaves
Cantus contra cantum IV (1978); Cantus contra cantum V (1980)
Cello Solo (2018): Manuscript score, black ink with corrections, [2], 4, [1] p.
Chant (2018): For double bass. Manuscript score, black ink, 4 leaves
Clarinet Solo Sonata (2018): Manuscript score, in black ink with corrections, [2] p., 5, [1] leaves
Concertante (2018): For celeste. Manuscript score, black ink, 5 leaves
Cor Anglais: Novellette (2019): For English horn. Manuscript score, black ink, 5 leaves
Cornophone en UT (2019): For cornoophone in C. Manuscript score, black ink, 5 leaves
Eurycius cordus (2018): For baritone, piccolo, oboe, clarinet, bass clarinet, bassoon, trumpet, horn, trombone, violin, cello, and double bass. Manuscript score, black, blue, red, and green ink, 11 leaves
Eurycius cordus (2018): For baritone, flute, clarinet, violin, and cello. Manuscript score, black ink and pencil, 7 leaves
Fétiche (2019): For soprano, flute, bassoon, piano and accordion; text by Pierre Reverdy. Manuscript score, black and red ink and pencil with corrections, [2], 6, [1] leaves
Gargantua (2016): Photocopy of the "Chronologie," p. 15-[41], from Gargantua by François Rabelais (Paris: Editions du Seuil, 1996). [See manuscript song from 2016 Addition.]
Hesiode, Pan, et les autre (2017): For flute solo. Manuscript score, in black ink with corrections, [2], 3, [1] leaves
L'héautontimorouménos (2017): For baritone, marimba, harp, xylophone, and harpsichord; text by Charles Baudelaire from Les fleurs du mal. Manuscript score, black ink with corrections, [2], 4, [1] leaves
Impromtu (2018): For trombone. Manuscript score, black, blue, green, and red ink, 5 leaves
Intermezzo (2018): For piano. Manuscript score, in black ink with corrections, [2] p., 5, [1] leaves
Interruptions from the West (Mexican Song) (2018): For tenor, harp, and cello; text by Octavio Paz, trans. by Frederick Nims and Charles Tomlinson. Manuscript score, in black ink with corrections, [2], 8 leaves
Intrada (2018): For marimbaphone. Manuscript score, black and blue ink with pencil, 6 leaves
Invention (2018): For oboe. Photocopy manuscript score, 4 leaves
Max Jacob (1876-1944 (2018): For baritone, clarinet, bass clarinet, bassoon, and horn. Manuscript score, black and red ink, 8 leaves
Movements for Sextet (2017): For soprano and orchestra; text by James Joyce. Manuscript score, in black ink with corrections, [2], 12, [1] leaves
Nocturne (June 2018): Photocopy manuscript score, in black ink with corrections, [4], 15, [1] leaves
Nocturne (2018): For horn. Manuscript score, black ink, 3 leaves
Phantasie (2018): For harp. Manuscript score, black ink and pencil, 6 leaves
Piccolo: Cantilena (2019): For piccolo. Manuscript score, black ink, 5 leaves
Savoir s'arrêter (2018): For soprano, flute, clarinet, violin and cello. Manuscript score, black ink, 6 leaves
Saxhorn in B-flat Bass (2019): For bass saxhorn. Manuscript score, black ink, 6 leaves
Saxophone (2018): For saxophone. Photocopy manuscript score, 5 leaves
Serenade (2018): For cornet. Manuscript score, black ink, 4 leaves
Shoah: Todesfuge and Strette (2012-2015)
Sonata for Violin and Cello (June 2018): Manuscript score, in black ink with corrections, [2] p., 6, [1] leaves
Sonata for Violin and Cello (June 2018): Photocopy manuscript score, [2], 6, [1] leaves
Sonata for Violin and Cello (February 2018): Manuscript score, in black ink with corrections, [2], 8 leaves
Sonatina (s.d.): For accordion. Manuscript score, black ink and pencil with corrections, [2], 13, [1] leaves
String Trio (2018): For violin, viola, and cello. Photocopy manuscript score, 16 leaves
Timpano (2019): For timpani. Manuscript score, black ink, 6 leaves
Voyelles (2017): For soprano, flute, clarinet (B-flat), violin, and cello. [2], 10, [1] leaves
Wood-wind Trio (2018): For flute, clarinet, and bassoon. Manuscript score, in black, blue, and red ink with corrections, [2], 8, [1] leaves
Zwiegestalt/Forme double (2018): For soprano and alto flute; text by Paul Celan. Manuscript score, black ink, 6 leaves
Analyses
Bach: "A Compositional Investigation". Volume I. Essay number 1.
Jacques-Louis Monod (1 of 2)
Jacques-Louis Monod (2 of 2)
Arnold Schoenberg
Miscellaneous
Jacques-Louis Monod bibliographies
Musis score: Reger, Max. Romantische Suite. [arranged by Rudolf Kolisch]
Letters, biographical information and other materials
Cantus Contra Cantum III (1976) Vocalise in 3 parts for double chorus (SSAATTBB) a capella. Boelke-Bomart Publications
Cantus Contra Cantum III (1976) Vocalise in 3 parts for double chorus (SSAATTBB) a capella. Boelke-Bomart Publications
Cantus Contra Cantum III (1976) Vocalise in 3 parts for double chorus (SSAATTBB) a capella. Boelke-Bomart Publications
Cantus Contra Cantum III (1980) for piano. Mobart Music Publications
Cantus Contra Cantum I (1980) study score. Mobart Music Publications
L'eau et les rêves. Gaston Bachelard. Le livre de poche (photocopy)
Les eaux profondes (2017) soprano and orchestra. Gaston Bachelard
Chamber Aria (1973). Chamber Aria full score. Boelke-Bomart Publications
Arnold Schoenberg. A Survivor from Warsaw (1973). Full score. Boelke-Bomart Publications
Arnold Schoenberg. The orchestral variations, Op. 31: a radio talk
Arnold Schoenberg. Modern music: problems of harmony
Jerona Music Corporation catalog 1982
Alban Berg. Quatre mélodies, pour chant et piano, Op. 2
Arthur Berger. Perspectives of new music
Le débat du coeur et du corps de Villon (Cantus Contra Cantum VI) for alto and tenor soli, 12-part mixed choir, horn in F, clarinet/bass clarinet in b, basson and violoncello (1989)
Le débat du coeur et du corps de Villon (Cantus Contra Cantum VI) for alto solo, tenor solo, triple chorus a cappella, horn, clarinet/bass clarinet, bassoon and 'cello - piano reduction (1981)
Cantus Contra Cantum III. Vocalise for double mixed chorus (SRTB) - score with piano
Cantus Contra Cantum IV - score
Cantus Contra Cantum IV - APNM, tranen des vaterlandes, for mixed chorus, bass baritone solo, 3 tenor-trombones and one bass trombone
Cantus Contra Cantum IV. Tranen des vaterlandes. Piano score and text
Cantus Contra Cantum V, Ode XXXVIII
Cantus Contra Cantum V. Ode XXXVIII - score and vocal score
Cantus Contra Cantum VI (1981). Le débat du coeur et du corps de Villon - for triple chorus a cappella, alto solo, tenor solo, horn, clarinet/bass clarinet, bassoon, and 'cello. Full score with piano reduction
Cantus Contra Cantum VI (1981). Le débat du coeur et du corps de Villon - for triple chorus a cappella, alto solo, tenor solo, clarinet/bass clarinet, bassoon, and 'cello - full score with piano reduction
Cantus Contra Cantum VI (1981). Le débat du coeur et du corps de Villon - for triple chorus a cappella, alto solo, tenor solo, horn, clarinet/bass clarinet, bassoon, and 'cello - full score with piano reduction
Cantus Contra Cantum VI (1989). Le débat du coeur et du corps de Villon - for alto and tenor soli, 12-part mixed choir, horn in F, clarinet/bass clarinet in b, basson and violoncello - with piano reduction
Cantus Contra Cantum VI (1981). Le débat du coeur et du corps de Villon - for alto solo, tenor solo, triple chorus a cappella, horn, clarinet/bass clarinet, bassoon, and 'cello - piano reduction
Cantus Contra Cantum VII (2015). Chorus (SATB) and trombone (4)
Jacques-Louis Monod. A compositional investigation
Guillevic. Fractures (2014) - voice and piano
Guillevic. Fractures
Artur Schnabel. Duodecimet, Op post 6
Bach. Fugue in f minor.
Schoenberg
Kyrie (2013) - for choir SATB
Gloria (2014) - for choir (SATB)
Gaston Bachelard. L'eau et les rêves - soprano and orchestra
Bach. 1st volume - e minor/major. Analysis J-L Monod
Notes for Schoenberg
Examples of Gregorian chant and works by Orlandus Lassus. Giovanni Pierluigi Palestrina and Marc Antonio Ingegneri
Photocopy of Jacques-Louis Monod's Doctor of Musical Arts degree from Columbia University (1975)