The Claremont Colleges Special Collections Visual Materials Collection

Sara Chetney, MA
Special Collections, Honnold/Mudd Library
800 North Dartmouth Avenue
Claremont, CA 91711
Phone: (909) 607-3977
Email: specialcollections@claremont.edu
URL: http://library.claremont.edu/scl
© 2023
The Claremont Colleges Library. All rights reserved.


Descriptive Summary

Title: The Claremont Colleges Special Collections Visual Materials Collection
Dates: 1864-2022 and undated
Collection number: H.Mss.1077
Extent: 13.5 Linear Feet (4 oversize flat boxes, 1 document box, 1 oversize document box, 2 map drawer folders)
Repository: Claremont Colleges. Library. Special Collections, The Claremont Colleges Library, Claremont, CA 91711.
Abstract: This is an artificial collection created by Special Collections staff to contain the various visual materials purchased or donated that do not fit into other collections. Currently, the collection contains photographs, artist screenprints and photos, posters, historical broadsides, and artifacts. This is a growing collection and new materials will be added as they are acquired.
Physical Location: Please consult repository.
Language of Material: Languages represented in the collection: English, Spanish.

Administrative Information

Access

Collection open for research.

Publication Rights

All requests for permission to reproduce or to publish must be submitted in writing to Special Collections.

Preferred Citation

[Identification of item], The Claremont Colleges Special Collections Visual Materials Collection (H.Mss.1077), Special Collections, The Claremont Colleges Library, The Claremont Colleges Services, Claremont, California.

Provenance / Immediate Source of Acquisition

Items acquired through various gifts and purchases.

Accruals

Additions to the collection are anticipated.

Processing Information

Collection is processed at the item level. Materials were placed in folders, with images and photographs sleeved in mylar.

Biography / Administrative History

This is an artificial collection created by Special Collections of The Claremont Colleges Library to contain various singular visual materials. The collection includes photographs, posters, artist prints, historic political cartoons, broadsides, and artifacts.

Scope and Contents

The focus of this collection is the acquisition of visual materials that support the curriculum of The Claremont Colleges. Currently, the collection includes materials relating to California history and locations, historic photographic materials, materials related to social, immigration, and climate justice movements and organizations, and assorted artist prints and posters. Growth is anticipated for this collection.

Organization and Arrangement

The collection is arranged into the following series:
  • Series 1: Artifacts, 1960-2022
  • Series 2: Photographs, 1864-2018 and undated
  • Series 3: Posters, 1968-2019
  • Series 4: Prints, 1877-2019 and undated
Materials are described at the item level.

Indexing Terms

The following terms have been used to index the description of this collection in the library’s online public access catalog.

Subject Terms

African Americans
California -- History
California, Southern
Chinese Americans
Climate justice
Emigration and immigration
Immigrants
Kennedy, Amos Paul, Jr.
Outsider art
Photography
San Bernardino County (Calif.)
Slavery
Voces de la Frontera (Milwaukee, Wis.)
Water consumption
Water rights
Watkins, Carleton (1829-1916)
Women employees -- United States
Women -- Employment
World War, 1939-1945
World War, 1939-1945 -- Sources

Genre and Form of Materials

Art
Banners
Broadsides
Buttons
Ephemera
Flyers
Photographs
Posters
Prints


 

Series 1:  Artifacts 1960-2022

Box 6

Like The Waters We Rise, 1968-2022 box set

Note

The Like The Waters We Rise box set is a collection of posters, photos, and objects from the front lines of the climate justice movement, 1968-2002. Like The Waters We Rise was created as part of a larger exhibition and event series developed with the Nathan Cummings Foundation (New York City) and Interference Archive (Brooklyn) in 2019-2020. The box set was created in 2022 in collaboration with Booklyn, an artist-run non-profit which addresses and distributes the work of artists and social justice groups that address urgent cultural issues. The set includes posters, banners, and buttons selected and organized by Raquel de Anda and Josh MacPhee; A color printed monograph is also included. Proceeds from the project were donated to the Climate Justice Alliance to support frontline climate justice organizing.
Box 6, Item 1

Climate Justice button 2016

Note

Jesse Purcell, artist.
Box 6, Item 2

Land Back button 2018

Note

NDN Collective.
Box 6, Item 3

Like The Waters We Rise monograph 2022

Note

Monograph accompanying the Like The Waters We Rise box set, including photos, histories, and images of prints, posters, and objects from the front lines of the climate justice movement, 1968-2002. The monograph also includes a range of adaptable, hands-on activities for use in educational and community settings. The publication was written by Raquel de Anda, LJ Amsterdam, and Josh MacPhee. Educational activities were created by LJ Amsterdam. Photographic research and image permissions were facilitated by Breanna Denney. 100 pages.
Box 6, Item 4

No Compromise is Defense of Mother Earth button circa 1990

Note

Earth First!
Box 6, Item 5

No Prison in East Los Angeles button 1985

Note

Mothers of East Los Angeles.
Box 6, Item 6

Stop Black Lung Murder button circa 1960-1969

Note

Artist unknown.
Box 3

Voces de la Frontera box set 2016-2018

Note

Voces de los Aristas box set: 2016-2018 art from the Voces de la Frontera art affinity group. 25.75" x 18.75" x 2.5," boxed portfolio containing 61 items: 16 screenprinted picket signs (screenprinted on muslin fabric), 6 screenprinted prints, 2 screenprinted pennants, 2 offset posters, 1 butterfly pennant, 30 photographs by Joe Brusky, 2 flyers, a 32-page catalog documenting the history of Voces de la Frontera and Voces de los Artistas, and a flashdrive with digital files, including 23 videos of actions, marches, and art builds by VDLF/VDLA. Limited edition, copy 5 of 15.
Voces de la Frontera began as a bilingual newspaper in Austin, Texas, subtitled "a voce of the voiceless" and championing immigrant rights and wider social justice issues. It was edited by Christine Neumann-Ortiz and allied itself with the Coalition for Justice in the Maquiladoras (multinational factories in Mexican border towns). Currently, this group focuses on protecting refugee families and 'undocumented' immigrants, and has collaborated with migrant, immigrant, refugee and student communities for decades.
In 1998, both Christine and the newspaper relocated to Wisconsin, where they continued to turn the spotlight on injustice and steadily helped build the emerging immigrant rights movement. By 2000, Voces de la Frontera initiated a statewide campaign to fight for the legalization of undocumented workers in the United States. These organizing efforts also called attention to the need for a worker's center that could respond to the immediate problems that confronted low wage and immigrant workers.
Voces de la Frontera's Milwaukee Workers' Center opened its doors in 2001 and was initially run by volunteers. In 2004, they grew significantly with the opening of an additional office in Racine and the formation of a student chapter, Students United for Immigrant Rights (SUFRIR). Since that time, "Voces" has been a leader in organizing for social justice and human rights for migrants, immigrants, Latinx and student communities across the Midwest and US.
Box 3, Item 1

"Butterfly" 2018

Note

Ceci Tejada, artist. Day Without Latinxs & Immigrants (Waukesha, WI), May 1, 2018. Screenprint on paper with wooden stick. 7 x 7 inches.
Box 3, Item 2

"Day Without Latinxs & Immigrants" flyer 2018

Note

Pete Railand, artist. Day Without Latinxs & Immigrants 2018 (Waukesha, WI), May 1, 2018. 5 x 7 inches.
Box 3, Item 3

"Here to Stay" pennant 2018 January

Note

Nicolas Lampert, artist. Screenprint on felt. 7 x 21 inches.
Box 3, Item 4

Voces de los Artistas catalog 2018

Note

32-page catalog documenting the history of Voces de la Frontera and Voces de los Artistas.
Box 3, Item 5

Voces de los Artistas flashdrive 2018

Note

Flashdrive accompanying box set that includes: 12 large banner designs; High and low resolution catalog PDFs; Exhibition labels; Joe Bruskey photos - 30 digital files; PDFs of all catalog text; 17 JPEGs of VDLF fliers (physical copies not included in box set); 23 video files about VDLF; VDLF box set cover sticker.
Box 3, Item 6

"Voces de la Frontera Asamblea Anual" flyer 2018

Note

Joe Brusky, photographer. 5 x 7 inches.
Box 3, Item 7

"Voces de la Frontera" pennant 2018 January

Note

Nicolas Lampert, artist. Screenprint on felt. 7 x 21 inches.
 

Photographs 1864-2018 and undated

 

African-American stereoview photographs (3 photos) circa 1880 and 1895

Box 2, Folder 20, Item 1

"No. 26 Negro Huts", D. J. Ryan (publisher), Savannah, Georgia circa 1880

Physical Description: Stereoview. Albumen photograph [9.5 cm x 15.5 cm] on an orange/salmon mount [10 cm x 18 cm]. Penciled title on the revews at the head.

Note

Image of a group of African-Americans seated and standing in front of a house. "A large assortment of Negro Groups, Cotton Fields, & c. A full stock of Florida and Georgia Scenery kept constantly on hand. Yosemite Valley and Niagara Falls, and Full Views of all Countries on the Globe." is printed on back of stereoview card.
Box 2, Folder 20, Item 2

"No. 168 Cotton Haulers", D. J. Ryan (publisher), Savannah, Georgia circa 1880

Physical Description: Stereoview. Albumen photograph [9.5 cm x 15.5 cm] on an orange/salmon mount [10 cm x 18 cm]. Penciled title on the reverse at the head.

Note

Image of four African-Americans carrying baskets of cotton on their heads. "A large assortment of Negro Groups, Cotton Fields, & c. A full stock of Florida and Georgia Scenery kept constantly on hand. Yosemite Valley and Niagra Falls, and Full Views of all Countries on the Globe." is printed on back of stereoview card.
Box 2, Folder 20, Item 3

"A Still Hunt", Henry A. Strohmeyer (photographer), Underwood & Underwood Publisher, New York 1895

Physical Description: Stereoview. Silver gelatin photograph [8 cm x 15.5 cm] on light gray "Underwood & Underwood" curved mount [9 cm x 18 cm].

Note

Image of an African-American couple seated on steps and picking at the heads of two children. The title on the reverse in English, French, German, Spanish, Swedish, and Russian.
 

Jacob Berger collection of World War II photographs 1944-1946 and undated

 

Austria

Box 2, Folder 1, Item 1

Bridge over the river at Salzburg 1945 June

 

Belgium

Box 2, Folder 1, Item 2

Command post of the 106th infantry division in Hunningen 1945 February

Note

The G-2 section used the cellar.
 

France

Box 2, Folder 1, Item 3

Business section of Nancy 1945 June

Box 2, Folder 1, Item 4

East of Strasbourg 1945 June

Box 2, Folder 1, Item 5

Octogonal shack at prisoner of war labor enclosure number 112 at Cherbourg 1944 November

Note

Jacob Berger's shack in which two, and sometimes three people lived in with "primitive" comfort.
Box 2, Folder 1, Item 6

Officers' quarters at prisoner of war labor enclosure number 112 at Cherbourg 1944 November

Box 2, Folder 1, Item 7

Prisoner of war labor enclosure number 112 construction in Cherbourg 1944 December

Note

Construction of mess hall and quarters.
Box 2, Folder 1, Item 8

Prisoner of war labor enclosure number 112 octagonal shack in Cherbourg 1944 December

Note

Jacob Berger spent the winter living in an octagonal shack.
Box 2, Folder 1, Item 9

Torch parade of a local garrison company 1945 June

Note

French troops on a Saturday night at Strasbourg.
 

Germany

Box 2, Folder 1, Item 10

The Autobahn in Bavaria twists around a mountainside 1945 June

Box 2, Folder 1, Item 11

A Bavarian "alp" 1945 May

Box 2, Folder 1, Item 12

Bridge at Altenmarkt 1945 May

Box 2, Folder 1, Item 13

General Spaatz visits Fritzlar Air Base 1946 July

Note

Looking at General Spaatz from Lieutenant H. (Herbert) L. Meyer's office window.
Box 2, Folder 1, Item 16

I. G. (Interessen-Gemeinschaft) Farben buildings in Frankfurt am Main 1945 May

Box 2, Folder 1, Item 14

P-47s at Fritzlar Air Base 1946 June

Note

From office window of Lieutenant Herbert L. Meyer.
Box 2, Folder 1, Item 15

P-47s on airfield in Fritzlar 1946 June

Box 2, Folder 1, Item 17

Residential street in Munich 1945 June

Box 2, Folder 1, Item 18

A stretch of Autobahn road in Bavaria 1945 June

 

Unnamed area

Box 2, Folder 1, Item 22

Airfield

Box 2, Folder 1, Item 20

Remains of a railway station in the Siegfried Line 1945 March

Box 2, Folder 1, Item 19

Saar industry 1945 June

Box 2, Folder 1, Item 21

Portrait of soldier with the name of McTaggart

Box 1, Folder 11

California Street, San Francisco circa 1865

Note

8 x 12 inch photograph the northwest side of California Street in San Francisco. Photograph is unsigned but attributed to Carleton Watkins. Number 23.
Box 2, Folder 10

Cartes de visite, Louisiana slave children 1864

Note

Three albumen carte de visite photographs, 2.5" x 4", depicting light-skinned, presumably mixed-race slave children from Louisiana. These cards were produced as part of the abolition movement for publicity and fundraising purposes. Images include "No. 2: Rebecca: A Slave Girl from New Orleans," "No.6: Wilson, Charley, Rebecca and Rosa," and "No. 9: Rosa, Charley, Rebecca."
Box 2, Folder 3

Charcoal Ovens No. 1 2002 March 17

Creator: Buswell, Richard S., 1945 -

Note

10" x 8" black and white glossy print. Depicts four outdoor rounded brick ovens for charcoal-making, pine trees visible in background and shrubs in foreground. Signed and dated on verso by artist.

Subjects and Indexing Terms

Western Americana, 1850-1999
 

San Bernardino photographs 1912-1922 and undated

Box 1, Folder 5, Item 1

Baldwin Lake

Box 1, Folder 5, Item 2

Big Bear 1914

Box 1, Folder 5, Item 3

Cabin 1921

Box 1, Folder 6, Item 1

Cabin with chimney

Box 1, Folder 6, Item 2

Cajon Pass

Box 1, Folder 6, Item 3

Covina ranch

Box 1, Folder 7, Item 1

Fenced buildings

Box 1, Folder 7, Item 2

From Mt. Wilson trail

Box 1, Folder 7, Item 3

Going out 1922 December

Box 1, Folder 8, Item 1

Little Bear camp 1920

Box 1, Folder 8, Item 2

Man on porch

Box 1, Folder 8, Item 3

Pine Knot 1912

Box 1, Folder 9, Item 1

Pioneer store

Box 1, Folder 9, Item 2

Snow-capped mountain

Box 1, Folder 9, Item 3

Snow-covered cabin

Box 1, Folder 10, Item 1

Uncle Ed's ranch

Box 1, Folder 10, Item 2

West Walker river

Box 1, Folder 10, Item 3

Western Pacific

Box 2, Folder 19

Solar power motor at South Pasadena ostrich farm undated

Note

5 x 8 inch boudoir albumen photo mounted on 5.25 x 8.5 inch advertising card with promotional information on the back. Photograph depicts a group of ostriches and a solar power motor used for pumping well water at the Cawston Ostrich Farm, a tourist attraction in South Pasadena, California. Photograph by Graham Photo Company.
Box 3

Voces de la Frontera box set 2016-2018

Note

All photographs by Joe Brusky, 10 x 13 inches.
Voces de los Aristas box set: 2016-2018 art from the Voces de la Frontera art affinity group. 25.75" x 18.75" x 2.5," boxed portfolio containing 61 items: 16 screenprinted picket signs (screenprinted on muslin fabric), 6 screenprinted prints, 2 screenprinted pennants, 2 offset posters, 1 butterfly pennant, 30 photographs by Joe Brusky, 2 flyers, a 32-page catalog documenting the history of Voces de la Frontera and Voces de los Artistas, and a flashdrive with digital files, including 23 videos of actions, marches, and art builds by VDLF/VDLA. Limited edition, copy 5 of 15.
Voces de la Frontera began as a bilingual newspaper in Austin, Texas, subtitled "a voce of the voiceless" and championing immigrant rights and wider social justice issues. It was edited by Christine Neumann-Ortiz and allied itself with the Coalition for Justice in the Maquiladoras (multinational factories in Mexican border towns). Currently, this group focuses on protecting refugee families and 'undocumented' immigrants, and has collaborated with migrant, immigrant, refugee and student communities for decades.
In 1998, both Christine and the newspaper relocated to Wisconsin, where they continued to turn the spotlight on injustice and steadily helped build the emerging immigrant rights movement. By 2000, Voces de la Frontera initiated a statewide campaign to fight for the legalization of undocumented workers in the United States. These organizing efforts also called attention to the need for a worker's center that could respond to the immediate problems that confronted low wage and immigrant workers.
Voces de la Frontera's Milwaukee Workers' Center opened its doors in 2001 and was initially run by volunteers. In 2004, they grew significantly with the opening of an additional office in Racine and the formation of a student chapter, Students United for Immigrant Rights (SUFRIR). Since that time, "Voces" has been a leader in organizing for social justice and human rights for migrants, immigrants, Latinx and student communities across the Midwest and US.
Box 3, Item 8

"Painting 100-Yard Banner" 2018 January 20

Note

Community Art Build, Milwaukee, WI.
Box 3, Item 9

"Shutting Down Milwaukee ICE Office" 2014 May 29

Note

Milwaukee, WI.
Box 3, Item 10

"Arrested Defending Dreamers" 2018 March 5

Note

Time's Up! Paul Ryan - Clean Dream Act Now! (Racine, WI).
Box 3, Item 11

"Day Without Latinx Rally at Wisconsin Capitol" 2016 February 18

Note

Día sin Latinos e Inmigrantes / Day without Latinx and Immigrants (Madison, WI).
Box 3, Item 12

"Beautiful Endeavor" 2016 February 18

Note

Día sin Latinos e Inmigrantes / Day without Latinx and Immigrants (Milwaukee, WI).
Box 3, Item 13

"Migration is Beautiful" 2016 May 1

Note

May Day March for Immigrant Worker Rights / Marcha Estatal del 1ro de Mayo para los Derechos de lxs Trabajadorxs e Inmigrantes (Milwaukee, WI).
Box 3, Item 14

"We Are a Sanctuary District" 2017 April 30

Note

Rally & Testify in Support of MPS Sanctuary District Resolution (Milwaukee, WI).
Box 3, Item 15

"Not One More!" 2014 June 19

Note

Lockdown In front of ICE Office (Milwaukee, WI).
Box 3, Item 16

"Students Lead the Way" 2017 September 16

Note

Rally & Testify in Support of MPS Sanctuary District Resolution (Milwaukee, WI).
Box 3, Item 17

"Day Without Latinx and Immigrants" 2016 February 18

Note

Día sin Latinos e Inmigrantes / Day without Latinx and Immigrants (Madison, WI).
Box 3, Item 18

"Have You Seen My Dad?" 2014 May 29

Note

¡Ya Basta! Stop the Raids! (Milwaukee, WI)
Box 3, Item 19

"Fist Up for Justice" 2017 April 26

Note

Capitol Press Conference and Delegations to Madison Electeds (Madison, WI).
Box 3, Item 20

"Marching for Immigrants and Refugees" 2015 May 1

Note

May Day / 1 de Mayo 2015 (Milwaukee, WI)
Box 3, Item 21

"Resign Sheriff Clarke!" 2017 February 2

Note

Art Build for May Day / Hacer arte para el 1ro de mayo (Milwaukee, WI)
Box 3, Item 22

"Jesus Was an Undocumented Immigrant" 2017 August 20

Note

Paul Ryan see you in mass! / ¡Paul Ryan nos vemos en misa! (Janesville, WI).
Box 3, Item 23

"Packed City Hall to Keep Families Together" 2017 July 15

Note

Rally: Mayor Barrett – Stop MPD from Acting like ICE! (Milwaukee, WI).
Box 3, Item 24

"Victoria and Dad with Banner" 2018 January 21

Note

Community Art Build (Milwaukee, WI).
Box 3, Item 25

"Milwaukee Says NO to Deportation" 2017 February 13

Note

Day without Latinxs, Immigrants & Refugees (Milwaukee, WI).
Text 3, Item 26

"SB287/AB190 Public Hearing" 2017 October 12

Note

Senate Hearing on AB190 / SB275 / Audiencia sobre AB190 / SB275 (Madison, WI).
Box 3, Item 27

"Milwaukee Says NO to Sheriff Clarke & 287g" 2017 May 1

Note

May 1st Day without Latinxs, Immigrants & Refugees (Milwaukee, WI).
Box 3, Item 28

"Milwaukee Says NO to Deportation" 2017 November 14

Note

Sheriff Schmidt: Keep Immigrant Families Together, No 287g! (Milwaukee, WI).
Box 3, Item 29

"The Day the Anti-Sanctuary Bill was Defeated" 2016 February 9

Note

¡URGENTE: Acompáñanos al Capitolio para Resistir AB 450 Tipo Arizona! / URGENT! All Out to the Capitol to Resist Arizona-type AB 450! (Madison, WI).
Box 3, Item 30

"Stop the Raids!" 2017 March 4

Note

Bringing Love & Light for Wisconsin's Immigrant Community (Madison, WI).
Box 3, Item 31

"Unfurling Parachute Over Walker's Office" 2017 April 26

Note

Capitol Press Conference and Delegations to Madison Electeds (Madison, WI).
Box 3, Item 32

"Solidarity Among Milwaukee Movements" 2018 January 21

Note

Community Art Build (Milwaukee, WI).
Box 3, Item 33

"Stop Clarke!" 2017 February 13

Note

Día sin Latinos, Inmigrantes y Refugiados / Strike Against Clarke (Milwaukee, WI).
Box 3, Item 34

"YES Students Surround Paul Ryan's Office" 2018 March 5

Note

Time's Up! Paul Ryan – Clean Dream Act Now! (Racine, WI).
Box 3, Item 35

"YES Students March to Paul Ryan's" 2018 March 5

Note

Time's Up! Paul Ryan – Clean Dream Act Now! (Racine, WI).
Box 3, Item 36

"Through the Streets of Waukesha" 2018 May 1

Note

May 1st Day without Latinxs & Immigrants: No 287g in Wisconsin! (Waukesha, WI).
Box 3, Item 37

"Demonstration in front of ICE Milwaukee" undated

 

Women in the workplace during World War II photo archive 1942-1945

Note

An evocative collection of professional press photographs documenting a key transitional period in American women's history.
Collection of 38 black and white still photographs of women at work in American factories during WWII; measuring approximately 15 x 20.5 cm to 20.5 x 26 cm, almost all with rubberstamps and mounted mimeographic journalism captions to versos.
The United States government during WWII issued extensive propaganda encouraging women to take over industry jobs previously held by men who had entered military service. This assembled collection of photographs, all issued in the general context of this government campaign, depict the new women employees of Goodyear, Boeing, Firestone, Westinghouse and other industrial giants, all engaged in work that had formerly been the strict provenance of men: machinists, fire and rescue workers, bomb and ammunition manufacturers, chemists, radio engineers, and riveters, and many others.

Processing Information

Collection was removed from the plastic presentation booklet it was delivered in, photos were encased in mylar sleeves and then refoldered and added to the Visual Materials collection. Original order maintained.
Box 2, Folder 4

Women in the workplace during WWII photo archive (Folder 1 of 5) 1942-1945

Box 2, Folder 5

Women in the workplace during WWII photo archive (Folder 2 of 5) 1942-1945

Box 2, Folder 6

Women in the workplace during WWII photo archive (Folder 3 of 5) 1942-1945

Box 2, Folder 7

Women in the workplace during WWII photo archive (Folder 4 of 5) 1942-1945

Box 2, Folder 8

Women in the workplace during WWII photo archive (Folder 5 of 5) 1942-1945

Box 2, Folder 9

Carleton Watkins photographs, California

Box 2, Folder 9, Item 1

El Capitan, Yosemite

Box 2, Folder 9, Item 2

The Bridal Veil Fall, Yosemite

Box 2, Folder 9, Item 3

North Dome, Yosemite

Box 2, Folder 9, Item 4

Big Trees Calaveras Grove

Box 2, Folder 9, Item 5

Big Trees "Sequoia Gigantea," Maraposa Grove

Box 2, Folder 9, Item 6

View on San Lorenzo Creek, Santa Cruz Mountains undated

Note

Large cabinet photograph, 5.25 x 8.5 inches. Part of Carleton Watkins' New Boudoir Series.
Folder O/S 2

Young Buddhist Association panoramic photographs 1934 January - 1939 July

Note

A collection of four panoramic photographs of gatherings of the Young Buddhist Association in California held on the eve of the Second World War, during which the Golden State's Japanese American population was forced into incaceration camps in the western interior of the United States.
The history of the Young Buddhist League is closely associated with the arrival of Revs. Sonoda Shuye (1863-1922) and Nishijima Kakuryo (1873-1942) in San Francisco in 1899, marking the beginning of of the Buddhist Churches of America (BCA). Their arrival was prompted by a plea by Hirano Nisaburo to the Honpa Hongwanji Sect in Kyoto to dispatch priests to the growing Japanese Immigrant community in the U.S. This led to the establishment of the Bukkyo Seinenkai (Young Men's Buddhist Association), the first Jodo Shinshu Buddhist organization in the continental United States. With its counterpart, the Young Women's Buddhist Association, the organization spread to Sacramento, Vancouver, Seattle, and other West Coast communities. During the decades that followed, the organization played in an important role in establishing the foundation of Nisei culture.

Subjects and Indexing Terms

Buddhism
World War II USE: World War, 1939-1935
California, Southern
California -- Religion -- Sources
Honda, Eryū, 1876-1944
Young Men's Buddhist Association
Miyatake, Tōyō
Folder O/S 2, Item 1

10th Anniversary North American Federation of Young Women Buddhist Association League's Conference, Los Angeles, California 1936 July

Note

8" x 32 3/8" panoramic photograph shot by Toyo Miyatake (1895-1979), the Japanese American photographer noted for his work documenting the incarceration at Manzanar during World War II.
Folder O/S 2, Item 2

Second annual conference of the California Young Buddhist League, Fresno, California 1938 April

Note

10" x 41" panoramic photograph by Kamiyama Photo in Fresno, California.
Folder O/S 2, Item 3

16th Annual Young Buddhist Summer Session and 3rd North American Buddhist Society Teachers League Conference, San Francisco, California 1939 July

Note

11 1/2" x 19 1/4" panoramic photograph produced by the Wakasa Photo Studio.
Folder O/S 2, Item 4

Young Japanese Americans [titled in Japanese, untranslated] 1934 January

Note

8" x 22 3/8" panoramic photograph with ink stamp of Shirao Studio of Hollywood, California on verso.
 

Posters 1968-2019

 

Calisphere Posters 2017

Processing Information

The posters arrived in a mailing tube. Posters were removed and flattened, then placed into an oversize archival folder.
Box 1, Folder 2, Item 1

Yosemite poster 2017

Creator: Calisphere University of California

Note

14.75" x 24". Depicts a man sitting on a rock formation in the foreground, with Half-Dome in the background. Quote on the front states "The Deeper you Look, the More you Discover." Poster is advertising Calisphere's digital collections.

Subjects and Indexing Terms

Yosemite National Park (Calif.)
Posters
Box 1, Folder 2, Item 2

Japanese-American World War II veterans poster 2017

Note

14.75" x 24". Depicts Japanese American soldiers in uniform. Titled "American Heroes," with a quote beneath stating "Thousand of Japanese Americans - many of them recruited from internment camps - fought in World War II, in a separate unit called the 442nd Regimental Combat Team. It was the most decorated American military unit in the war." Poster is advertising Calisphere's digital collections.

Subjects and Indexing Terms

Japanese Americans
World War, 1939-1945 -- Japanese Americans
Japanese American soldiers
Box 1, Folder 2, Item 3

Who Owns California? poster 2017

Creator: Calisphere University of California

Note

14.75" x 24". Depicts a wealthy Californio family in various types of dress. Titled "Who Owns California?," with a quote beneath stating "In the 19th century, landowning families called Californios were the elites of California. But their fortunes turned when California became a U.S. territory in 1848. Legal battles erupted over their land and property, forcing many Californios into bankruptcy." Poster is advertising Calisphere's digital collections.

Subjects and Indexing Terms

California -- History
Californios
Box 1, Folder 2, Item 4

Golden Gate Bridge poster 2017

Creator: Calisphere University of California

Note

14.75" x 24". Depicts a colorized image of the Golden Gate Bridge. Quote on the front states "The Deeper you Look, the More you Discover." Poster is advertising Calisphere's digital collections.

Subjects and Indexing Terms

San Francisco (Calif.)
Golden Gate Bridge (San Francisco, Calif.)
Box 1, Folder 2, Item 5

California Eagles baseball team poster 2017

Note

14.75" x 24". Team photo of Berkeley's California Eagles. Titled "State Champs," with quote underneath stating "Baseball was a popular American pastime in the early 20th century. Minor league games drew big crowds up and down the coast. Berkeley's California Eagles were the first African-American team to win the state semi-pro championship (in 1940)." Poster is advertising Calisphere's digital collections.

Subjects and Indexing Terms

African Americans
African American baseball players
Box 1, Folder 2, Item 6

Women in the workplace in World War II poster 2017

Creator: Calisphere University of California

Note

14.75" x 24". Black and white photo of a female industrial worker in WWII. Titled "We Can Do It!," with quote underneath stating "When American men went off to war in 1941, they left behind their jobs. That's when women stepped in. "Rosie the Riveter" kept the economy going, boosted the war effort, and proved she could do anything." Poster is advertising Calisphere's digital collections.

Subjects and Indexing Terms

Women -- Employment
Women employees -- United States
World War, 1939-1945
World war II
Box 6

Like The Waters We Rise, 1968-2022 box set

Note

The Like The Waters We Rise box set is a collection of posters, photos, and objects from the front lines of the climate justice movement, 1968-2002. Like The Waters We Rise was created as part of a larger exhibition and event series developed with the Nathan Cummings Foundation (New York City) and Interference Archive (Brooklyn) in 2019-2020. The box set was created in 2022 in collaboration with Booklyn, an artist-run non-profit which addresses and distributes the work of artists and social justice groups that address urgent cultural issues. The set includes posters, banners, and buttons selected and organized by Raquel de Anda and Josh MacPhee; A color printed monograph is also included. Proceeds from the project were donated to the Climate Justice Alliance to support frontline climate justice organizing.
Box 6, Item 7

Carnival Against Capitalism 2001

Note

Rocky Dobey/Convergence des Luttes Anti-Capitalistes, Quebec City, April 20. Reprint. 13 x 19 inches.
Box 6, Item 8

Cotton Dust Kills 1976

Note

Frank Blechman Jr. and Charlotte Brody/Carolina Brown Lung Association. Reprint. 13 x 19 inches.
Box 6, Item 9

I Am A Man 1968

Note

United Auto Workers. Reprint. 13 x 19 inches.
Box 6, Item 10

I Love New York 2014

Note

Cesar Maxit/People's Climate March. New York City, September 21. Reprint. 13 x 19 inches.
Box 6, Item 11

Land Gives Life circa 1974-1976

Note

Northern California Land Trust. Reprint. 19 x 13 inches.
Box 6, Item 12

Katrina Was A Problem 2006

Note

John Fitzgerald, artist. "Katrina Was a Problem, Hud is a Disaster." Reprint. 13 x 19 inches.
Box 6, Item 13

March for Nuclear Disarmament and Human Needs 1982

Note

Third World and Progressive Peoples Coalition, et. al. June 12, U.N. Special Session on Disarmament, U.N. Plaza - Central Park (New York). Reprint. 13 x 19 inches.
Box 6, Item 14

Navajos Resist Forced Relocation 1983

Note

Rini Templeton/Big Mountain Support Group. Big Mountain & Joint use area communities fight removal. Reprint. 13 x 19 inches.
Box 6, Item 15

No Broad Form Deeds 1988

Note

Jeff Chapman-Crane/Kentuckians for the Commonwealth. "Save The Homeplace...Vote yes on constituional amendment #2." Reprint. 13 x 19 inches.
Box 6, Item 16

No PCB 1982

Note

Joint Warren County State PCB Landfill Working Group. Reprint. 13 x 19 inches.
Box 6, Item 17

No Pipelines on Indigenous Land 2016

Note

Dylan Miner, artist. Reprint. 13 x 19 inches.
Box 6, Item 18

No Prison in ELA 1985

Note

Mothers of East LA. Reprint. 13 x 19 inches.
Box 6, Item 19

Protect What You Love 2018

Note

Hannah Chalew, artist. "Protect what you love...Stop the Bayou Bridge pipeline." Reprint. 13 x 19 inches.
Box 6, Item 20

Redwood Summer 1990

Note

Earth First! Redwood Summer 1990, "This is Where the 90s Begin." Reprint, 13 x 19 inches.
Box 6, Item 21

Refugees Are Welcome Here 2015

Note

Micah Bazant/Jewish Voice for Peace Artist Council. "Refugees and Immigrants are Welcome Here." Reprint. 13 x 19 inches.
Box 6, Item 22

Say No To Uranium 1980

Note

American Indian Environmental Council. Dalton Pass/Mt. Taylor protest, Standing Rock, New Mexico, April 26-28, 1980. Reprint. 13 x 19 inches.
Box 6, Item 23

Struggle 1971

Note

Young Lords Party. Reprint. 13 x 19 inches.
Box 6, Item 24

Sun Mad 1982

Note

Ester Hernandez, artist. Reprint. 13 x 19 inches.
Box 6, Item 25

Tierra Indigena 2019

Note

Jesus Barraza, artist. Reprint. 13 x 19 inches.
Box 6, Item 26

Women's Encampment for a Future of Peace and Justice 1983

Note

Bonnie Acker/Seneca Women's Peace Encampment. Summer 1983, Seneca Army Depot, New York. "Women Creating a Community of Resistance to Nuclear Weapons & All Ways of War." Reprint. 13 x 19 inches.
Folder O/S 1

Nicaraguan Mother's Day poster 1983 May 30

Note

30" x 19.5", photographic poster. Caption says "Madre, tu heroísmo sustena la moral del Combatiente." Produced by the "Departmento de Propaganda y Educatión Politica del FSLN" for "día de la Madre Nicaragüensa." Background is a black and white photograph of two women, with superimposed orange photographic illustration of a soldier and orange caption text.
Box 3

Voces de la Frontera box set 2016-2018

Note

Voces de los Aristas box set: 2016-2018 art from the Voces de la Frontera art affinity group. 25.75" x 18.75" x 2.5," boxed portfolio containing 61 items: 16 screenprinted picket signs (screenprinted on muslin fabric), 6 screenprinted prints, 2 screenprinted pennants, 2 offset posters, 1 butterfly pennant, 30 photographs by Joe Brusky, 2 flyers, a 32-page catalog documenting the history of Voces de la Frontera and Voces de los Artistas, and a flashdrive with digital files, including 23 videos of actions, marches, and art builds by VDLF/VDLA. Limited edition, copy 5 of 15.
Voces de la Frontera began as a bilingual newspaper in Austin, Texas, subtitled "a voce of the voiceless" and championing immigrant rights and wider social justice issues. It was edited by Christine Neumann-Ortiz and allied itself with the Coalition for Justice in the Maquiladoras (multinational factories in Mexican border towns). Currently, this group focuses on protecting refugee families and 'undocumented' immigrants, and has collaborated with migrant, immigrant, refugee and student communities for decades.
In 1998, both Christine and the newspaper relocated to Wisconsin, where they continued to turn the spotlight on injustice and steadily helped build the emerging immigrant rights movement. By 2000, Voces de la Frontera initiated a statewide campaign to fight for the legalization of undocumented workers in the United States. These organizing efforts also called attention to the need for a worker's center that could respond to the immediate problems that confronted low wage and immigrant workers.
Voces de la Frontera's Milwaukee Workers' Center opened its doors in 2001 and was initially run by volunteers. In 2004, they grew significantly with the opening of an additional office in Racine and the formation of a student chapter, Students United for Immigrant Rights (SUFRIR). Since that time, "Voces" has been a leader in organizing for social justice and human rights for migrants, immigrants, Latinx and student communities across the Midwest and US.
Box 3, Item 38

"Day Without Latinxs, Immigrants, & Refugees" 2017

Note

Claudio Martinez, artist. Day Without Latinxs & Immigrants 2017 (Milwaukee, WI), May 1, 2017. Offset print. 11 x 17 inches.
Box 3, Item 39

"Day Without Latinxs & Immigrants" 2018

Note

Pete Railand, artist. Day Without Latinxs & Immigrants 2018 (Waukesha, WI), May 1, 2018. Offset poster. 12 x 18 inches.
 

Prints 1877-2019 and undated

 

Amos Kennedy "Alabama Photobook Series" 2005-2008

Note

Collection of twenty-nine hand printed pamphlets issued as part of the Alabama Book Arts Collective's affordable art projects. Each pamphlet measures approximately 19.5-20cm. First editions limited to 50 copies. Numbers 1 and 10 are not present in this collection.
Box 2, Folder 11, Item 1

No. 2, "Grand Canyon," Steven Savage 2005 January

Note

Contains 11.5 x 11cm black & white photograph.
Box 2, Folder 11, Item 2

No. 3, "The Muse," Catt Sirten 2005 January

Note

Contains 12.5 x 10 cm black & white photograph.
Box 2, Folder 11, Item 3

No. 4, "Katrina," Kim Pearson 2005 October

Note

Contains 15 x 10cm color photograph.
Box 2, Folder 12, Item 1

No. 5, "Sez Who?," Kim Pearson 2005 October

Note

Contains 11 x 11 cm black & white photograph.
Box 2, Folder 12, Item 2

No. 6, "Boulevard Saint-Michel," Kim Pearson 2005 October

Note

Contains 11.5 x 11.5cm black & white photograph.
Box 2, Folder 12, Item 3

No. 7, "Wooden Row Boat," Susan Steber Kangal 2005 October

Note

Contains 11 x 12.5cm color photograph.
Box 2, Folder 13, Item 1

No. 8, "Sociobiology," Stephen Savage 2005 October

Note

Contains 10 x 10cm black & white photograph.
Box 2, Folder 13, Item 2

No. 9, "Discovery," Stephen Savage 2005 October

Note

Contains 11 x 11.5cm black & white photograph.
Box 2, Folder 13, Item 3

No. 11, "Baldwin County Alabama," Stephen Savage undated

Note

Color printed broadsheet folded into oblong pamphlet. Contains 10 x 15.5cm color photograph.
Box 2, Folder 14, Item 1

No. 12, "Take a Walk with Me," Molly Dugan 2006

Note

Color-printed broadsheet folded into oblong pamphlet. Contains 10 x 15cm color photograph.
Box 2, Folder 14, Item 2

No. 13, "Fading Man," Catt Sirten undated

Note

Color-printed broadsheet folded into a pamphlet. Contains 12.5 x 9.5 cm black & white photograph.
Box 2, Folder 14, Item 3

No. 14, "Tentative Steps," Tom Loehr undated

Note

Color-printed broadsheet folded into a pamphlet. Contains 12.5 x 10.5cm color photographs.
Box 2, Folder 15, Item 1

No. 15, "Tranquility," Martha Davidson undated

Note

Color printed broadsheet folded into a pamphlet. Contains 10 x 12.5cm color photograph.
Box 2, Folder 15, Item 2

No. 16, "Akin," Kim Pearson circa 2006

Note

Color-printed broadsheet folded into a pamphlet. Contains 10 x 10cm black & white photograph.
Box 2, Folder 15, Item 3

No. 17, "Live in Your Own Mind," Mary Riser 2006 September

Note

Contains 8.5 x 11.5cm black & white photograph.
Box 2, Folder 16, Item 1

No. 18, "Hooray," William Bunce 2006 September

Note

Contains 12 x 10cm black & white photograph.
Box 2, Folder 16, Item 2

No. 19, "Image 4 Lust Series," Erin Hilburn 2006 September

Note

Contains 15 x 10cm black & white photograph.
Box 2, Folder 16, Item 3

No. 20, "Royal Street," Keith Necaise 2006 September

Note

Contains 10 x 8cm black & white photograph.
Box 2, Folder 17, Item 1

No. 21, "The Nature of the Flower is to Bloom," McLeod Turner 2006 September

Note

Contains 15 x 10cm color photograph.
Box 2, Folder 17, Item 2

No. 22, "My Home is My Thought," Kelly Kleinschrodt 2006 September

Note

Contains 8.5 x 10.5 cm black & white photograph.
Box 2, Folder 17, Item 3

No. 23, "Eradicat," Kristy Johnson-Snell 2006 September

Note

Contains 10 x 13cm color photograph.
Box 2, Folder 18, Item 1

No. 24, "Open Heart," Pink & M. M. Bass 2006 September

Note

Contains 16 x 10cm color photograph.
Box 2, Folder 18, Item 2

No. 25, "Detour on the Highway to Heaven!," Glenn House 2007 February

Note

Contains 16.5 x 11 cm color photograph.
Box 2, Folder 18, Item 3

No. 26, "Hey Diddle Diddle?," Kathleen Fetters 2007 February

Note

Contains 16.5 x 11 cm color photograph.
Box 5, Folder 1, Item 1

No. 27, "Central Park in Winter," J. Russell Goodloe, Jr. 2007 May

Note

Contains 8.5 x 9 cm black & white photograph.
Box 5, Folder 1, Item 2

No. 28, "Summer Showers," Rebekah Phillips 2007 May

Note

Contains 10 x 10.5cm black & white photograph.
Box 5, Folder 1, Item 3

No. 29, "Wrapped in Joyful Flesh," Lindy Hawthorne 2007 May

Note

Contains 15 x 10cm black & white photograph.
Box 5, Folder 2, Item 1

No. 30, "The Untitled Book," Adair Freeman 2008 May

Note

Contains 13 x 11cm color photograph.
Box 5, Folder 2, Item 2

No. 31, "Bus Station Blues or Gone Greyhound," Fred Marchman 2008 May

Note

Contains two 10 x 15cm color photographs.
 

Amos Kennedy "Rosa Parks Series" 2016

Note

Shortly after the death of civil rights activist Rosa Parks in 2005, letterpress artist Amos Paul Kennedy, Jr., began a print series featuring quotes by Parks, which highlight the power, humanity, and determination in her voice. Kennedy is known for his layering technique that creates shimmering composition of words, forms, and ideas. His use of font and color pulls Parks's words forward as moral lessons that are still relevant today. Printed by Kennedy and Sons Fine Printing.
Box 4, Folder 1, Item 1

Title Page 2016

Box 4, Folder 1, Item 2

"All I was doing was trying to get home from work" 2016

Box 4, Folder 1, Item 3

"The time had just come when I had been pushed as far I could stand to be pushed, I suppose" 2016

Box 4, Folder 2, Item 1

"Our mistreatment was just not right and I was tired of it" 2016

Box 4, Folder 2, Item 2

"I knew someone had to take the first step and I made up my mind not to move"

Box 4, Folder 2, Item 3

"Each person must live their life as a model for others"

Box 4, Folder 3, Item 1

"I would like to be remembered as a person who wanted to be free" 2016

Box 4, Folder 3, Item 2

"The only tired I was, was tired of giving in" 2016

Box 4, Folder 3, Item 3

"You must never be fearful about what you are doing when it is right" 2016

Box 4, Folder 4, Item 1

"I was just trying to let them know how I feel about being treated as a human being" 2016

Box 4, Folder 4, Item 2

"Racism is still with us, but it is up to us to prepare our children for what they have to meet and hopefully we shall overcome" 2016

Box 4, Folder 4, Item 3

"I would like to be known as a person who in concerned about freedom & equality & justice & prosperity for all people" 2016

Box 4, Folder 5, Item 1

"I have learned over the years that when one's mind is made up, this diminishes fear; knowing what must be done does away with fear" 2016

Box 4, Folder 5, Item 2

"Whatever my individual desires were to be free I was not alone. There were many others who felt the same way" 2016

Box 4, Folder 5, Item 3

"No." 2016

Box 4, Folder 5, Item 4

"Memories of our lives, of our works and our deeds will continue in others" 2016

Box 1, Folder 4

"Commonwealth" water-themed art prints 2017

Note

17.5" x 11.5," navy blue folder. Paper folder containing 12 art prints created by various artists regarding water rights, as well as an informational sheet on the creators. Front cover has cutouts revealing the two water droplets of the first print, which contain the words "Common Wealth." Artists represented are Leila Abdelrazaq, Ali Cat. Leeds, Fiona Avocado, Flavia Lo'pez, Nani Chacon, Josh MacPhee, Alec Dunn, Helen Pen~a, Ganzeer, Sam Spetner, Chip Thomas, and the Jamaa Al-Yad Artists' Collective.
Box 1, Folder 12

Gary Snyder, "Axe Handles" broadside 2011

Note

11 x 17 broadside for poet Gary Snyder's book "Axe Handles." The poster includes a poem by Snyder, his printed signature, and a painting by signed and stamped by "DH fec." A caption on the back reads, "The broadside printed on the occassion of an evening celebrating the life and work of poet Lew Welch, presented by the Library Foundation of Los Angeles, 2011." The broadside is number 93 in an edition of 110.
Box 2, Folder 2

Kearney Chinese broadside circa 1877-1879

Box 6

Like The Waters We Rise, 1968-2022 box set

Note

The Like The Waters We Rise box set is a collection of posters, photos, and objects from the front lines of the climate justice movement, 1968-2002. Like The Waters We Rise was created as part of a larger exhibition and event series developed with the Nathan Cummings Foundation (New York City) and Interference Archive (Brooklyn) in 2019-2020. The box set was created in 2022 in collaboration with Booklyn, an artist-run non-profit which addresses and distributes the work of artists and social justice groups that address urgent cultural issues. The set includes posters, banners, and buttons selected and organized by Raquel de Anda and Josh MacPhee; A color printed monograph is also included. Proceeds from the project were donated to the Climate Justice Alliance to support frontline climate justice organizing.
Box 6, Item 27

Defund Line 3 banner 2019

Note

Dio Cramer, artist. "We Are Here to Protect the Water, Defund Line 3!" Print on cloth banner. 19 x 27.25 inches
Box 6, Item 28

Sunflower banner 2010

Note

David Solnit, artist. "Climate Justice." Print on cloth banner. 19 x 29.5 inches.
Box 6, Item 29

Thunderbird Woman banner 2016

Note

Isaac Murdoch, artist. "Water is Sacred, No Pipelines!" Print on cloth banner. 19 x 29 inches.
Box 1, Folder 1

Murals of Northern Ireland prints undated

Subjects and Indexing Terms

Northern Ireland
Murals
Box 3

Voces de la Frontera box set 2016-2018

Note

Voces de los Aristas box set: 2016-2018 art from the Voces de la Frontera art affinity group. 25.75" x 18.75" x 2.5," boxed portfolio containing 61 items: 16 screenprinted picket signs (screenprinted on muslin fabric), 6 screenprinted prints, 2 screenprinted pennants, 2 offset posters, 1 butterfly pennant, 30 photographs by Joe Brusky, 2 flyers, a 32-page catalog documenting the history of Voces de la Frontera and Voces de los Artistas, and a flashdrive with digital files, including 23 videos of actions, marches, and art builds by VDLF/VDLA. Limited edition, copy 5 of 15.
Voces de la Frontera began as a bilingual newspaper in Austin, Texas, subtitled "a voce of the voiceless" and championing immigrant rights and wider social justice issues. It was edited by Christine Neumann-Ortiz and allied itself with the Coalition for Justice in the Maquiladoras (multinational factories in Mexican border towns). Currently, this group focuses on protecting refugee families and 'undocumented' immigrants, and has collaborated with migrant, immigrant, refugee and student communities for decades.
In 1998, both Christine and the newspaper relocated to Wisconsin, where they continued to turn the spotlight on injustice and steadily helped build the emerging immigrant rights movement. By 2000, Voces de la Frontera initiated a statewide campaign to fight for the legalization of undocumented workers in the United States. These organizing efforts also called attention to the need for a worker's center that could respond to the immediate problems that confronted low wage and immigrant workers.
Voces de la Frontera's Milwaukee Workers' Center opened its doors in 2001 and was initially run by volunteers. In 2004, they grew significantly with the opening of an additional office in Racine and the formation of a student chapter, Students United for Immigrant Rights (SUFRIR). Since that time, "Voces" has been a leader in organizing for social justice and human rights for migrants, immigrants, Latinx and student communities across the Midwest and US.
Box 3, Item 40

"Have You Seen My Dad? Stop the Raids!" 2014

Note

Josiah Werning, artist. Screenprint on paper. 18 x 25 inches.
Box 3, Item 41

"Keep Families Together" (Hands) 2018

Note

Nicolas Lampert, artist. Screenprint on paper, 12 x 16 inches.
Box 3, Item 42

"Keep Families Together No. 287g" 2018 January

Note

Pete Railand, artist. Screenprint on paper. 12.5 x 19 inches.
Box 3, Item 43

"Organize Immigrants, Workers, Students" 2016

Note

John Fleissner, artist. Linolium print on paper. 14 x 23 inches.
Box 3, Item 44

"No Trabajo, No Escuela, No Consumo, No 287g" 2017

Note

Pete Railand, artist. Screenprint on paper, 11 x 25 inches.
Box 3, Item 45

"You Can't Deport a Movement" 2018

Note

Nicolas Lampert, artist. Screenprint on paper. 17.25 x 25 inches.
Box 3, Item 46

"Immigrant Youth Here to Stay" banner undated

Note

Nicolas Lampert, artist. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 47

"Keep Families Together" banner 2018

Note

Paul Kjelland, artist. Day Without Latinxs & Immigrants. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 48

"Keep Families Together, No 287g" banner undated

Note

Artist unknown. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 49

"Keep Families Together" (Badger) banner 2017

Note

Ceci Tejada, artist. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 50

"Keep Families Together" (Mother and Child) banner 2018

Note

Pete Railand, artist. Screenprint on muslin, 23 x 40 inches.
Box 3, Item 51

"Migration is Beautiful" banner 2017

Note

Nicolas Lampert, artist. May Day 2017. Screenprint on painted muslin. 23 x 40 inches.
Box 3, Item 52

"No Papers, No Fear, Dignity is Here" banner undated

Note

Celeste Contreras, artist. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 53

"No Police - ICE Collaboration" banner 2018

Note

Susan Simensky Bietila, artist. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 54

"Sanctuary Cities Now" banner 2017

Note

Pete Railand, artist. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 55

"Sin Papeles Sin Miedo" banner undated

Note

Celeste Contreras, artist. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 56

"Solidarity" banner 2018

Note

Nicolas Lampert, artist. Day Without Latinxs & Immigrants. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 57

"They Tried to Bury Us. They Didn't Know We Were Seeds" banner 2018

Note

Claudio Martinez, artist. Day Without Latinxs & Immigrants. Screenprint on Muslin. 23 x 40 inches.
Box 3, Item 58

"Todxs Somos Wisconsin" banner 2017

Note

Faviana Rodriguez, artist. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 59

"Todxs Somos Wisconsin" banner 2018

Note

Jeanette Arellano, artist. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 60

"Voces de la Frontera: Immigrants, Students, Workers" banner 2017

Note

Nicolas Lampert, artist. Screenprint on muslin. 23 x 40 inches.
Box 3, Item 61

"We Are All Wisconsin" banner 2017

Note

Favianna Rodriguez, artist. Screenprint on muslin. 23 x 40 inches.
Box 1, Folder 3

"Wellspring" water-themed art prints 2016

Creator: Justseeds Artists' Cooperative

Note

17" x 11". Item is a fabric-covered portfolio containing 12 art prints described as "celebrating water." The green and blue fabric covering is printed with a wave motif and "Water is Life" in multiple languages. Artists represented are Kevin Caplicki, Molly Fair, Pete Railand, Roger Peet, Sanya Hyland, Thea Gahr, Aaron Hughes, Bec Young, Colin Matthes, Erik Ruin, Jesus Barraza, and Josh MacPhee.