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Table of contents What's This?
  • Publication Rights
  • Preferred Citation
  • Arrangement
  • Biographical / Historical
  • Conditions Governing Access
  • Digitized Material
  • Immediate Source of Acquisition
  • Processing Information
  • Scope and Content of Collection

  • Contributing Institution: Special Collections
    Title: Antoin Sevruguin photographs of Persia
    Creator: Sevruguin, Antoin, 1851-1933
    Identifier/Call Number: 2017.R.25
    Physical Description: 3.5 Linear Feet(97 photographs in 2 boxes)
    Date (inclusive): 1880s-1890s
    Physical Location: Request access to the physical materials described in this inventory through the catalog record  for this collection. Click here for the access policy .
    Abstract: The 97 photographs in this collection are representative of Antoin Sevruguin's all-encompassing documentation of Persia, and comprise a mixture of studio portraits, outdoor vernacular scenes and landscapes.
    Language of Material: French
    Language of Material: Collection material is in French.

    Publication Rights

    Preferred Citation

    Antoin Sevruguin photographs of Persia, 1880s-1890s, The Getty Research Institute, Los Angeles, Accession no. 2017.R.25.
    http://handle.net/10020/cifa2017r25

    Arrangement

    The collection is arranged in a single series: Series I, Photographs, 1880s-1890s.

    Biographical / Historical

    Antoin Sevruguin (1851-1933) was the first successful commercial photographer in Iran. Russian by birth (he was born in the Russian embassy in Tehran), Sevruguin nevertheless had a deep and passionate commitment to Persia and its culture. Sevruguin opened his first photography studio in Tbilisi in 1870 with Dmitri Ivanovitch Yermakov, and shortly thereafter undertook an expedition to Iran with his brothers, Kolia and Emmanuel, to document the ancient monuments, landscapes and peoples of Azerbaijan, Kurdistan and Lorestan. The photographic images from this trip supplied the first stock for the studio they subsequently established in Tehran. Sevruguin made over 7,000 glass plate negatives in the course of his career, most of which were destroyed in the early twentieth century — fewer than 700 of his negatives are known to have survived.

    Conditions Governing Access

    Open for use by qualified researchers.

    Digitized Material

    The collection was digitized in 2017 and the images are available online:
    http://hdl.handle.net/10020/aspace_3dda0882d23566b28c864cf628feaee0

    Immediate Source of Acquisition

    Acquired in 2017.

    Processing Information

    Processed by Beth Ann Guynn and Linda Kleiger in 2017, who also wrote and encoded the finding aid.

    Scope and Content of Collection

    The 97 albumen photographs in this collection are representative of Antoin Sevruguin's all-encompassing documentation of Persia, and comprise a mixture of studio portraits, outdoor vernacular scenes and landscapes. Portraits of "types" include "Persan(es)" (Persians); professions such as tea seller, druggist, fig vendor and street banker; mendicants; dervishes; courtesans and prostitutes, shot in the studio or in their typical locales. All levels of society are present here from court treasurers, represented by the retinue of Ghavam-al-Dowleh, to unnamed opium smokers, and to a portrait of a Chaldean Christian woman.
    There are numerous views of Tehran, including views of four of the city's six gates; the English legation; arsenal; gas factory; and the Place des Canons. A photograph captioned "Mosquée de Khoum" provides an intimate glimpse of two men sitting on an open balcony with the impressive mosque as their backdrop. Daily life is represented in views of Tehran's markets and street life.
    Other locales represented include Anzalī Lagoon with views of its shores and the shah's palace, and the province of Gīlān, especially local industry and life in the town of Rasht. Trade routes in the environs of Gīlān and other areas to the north and west of Tehran are also pictured, with a focus on way stations; bridges leading to trade centers; and the movement of the goods themselves in covered wagons, on camels and in caravanserai. From further afield come images of the nomads of Taliche in Mazandaran province and from Lorestan in the west, as well as of the inhabitants of Imamzadeh, Kurdistan. Also included are a few views of bas-reliefs at Persepolis and other ancient sites.

    Subjects and Indexing Terms

    Indigenous peoples -- Iran
    Occupations -- Iran
    Relief (Sculpture), Ancient -- Iran -- Persepolis
    Streets -- Iran
    Trade routes -- Iran
    Anzalī Lagoon (Iran) -- Description and travel
    Gīlān (Iran : Province) -- Description and travel
    Persepolis (Iran) -- Antiquities
    Iran -- Description and travel
    Rasht -- Description and travel
    Tehran (Iran) -- Description and travel
    Albumen prints -- Iran -- 19th century
    Studio portraits -- Iran -- 19th century
    Photographs, Original