Guide to the Ray Rice films MS.180

Special Collections and Archives
University of California, Santa Cruz
2007
1156 High Street
Santa Cruz 95064
speccoll@library.ucsc.edu


Contributing Institution: University of California, Santa Cruz
Title: Ray Rice films
Creator: Rice, Ray, 1916-2001
Identifier/Call Number: MS.180
Physical Description: 1 Linear Feet 1 box
Date (bulk): 1964-1983
Abstract: This collection consists of short animated films created and produced by Ray Rice.
Physical Location: Collection stored off-site at NRLF: Advance notice is required for access.
Language of Material: English .

Access Restrictions

Access to the archival DVDs stored at NRLF is RESTRICTED. Public copies have been cataloged separately and are available at the UCSC University Library Digital Scholarship Commons. Please see the Library's online catalog for call numbers.

Publication Rights

Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user.

Preferred Citation

Ray Rice films. MS 180. Special Collections and Archives, University Library, University of California, Santa Cruz.

Acquisition Information

Gift of the Rice Family.

Existence and Location of Copies

The films listed are available to the public through the Digital Scholarship Commons. Please consult the online catalog for call numbers.

Biography

Born April 24, 1916 in Elkhart, Indiana. Studied at the Chicago Academy of Fine Arts, Art Students League of New York, Claremont Graduate School, New School for Social Research.
Ray Rice spent over fifty years on the modern American art scene as painter, mosaicist and animator of experimental films. Rice moved early from Chicago to New York during the WPA period and then to California. In 1961 he helped found the Art Center in Mendocino.
Between 1965 and 1983, Ray Rice explored the projection of painting and drawing with sound and poetry in film. working as an individual, he produced over thirty animated films from three to twenty minutes in length. His films first emerged into the underground scene of the 1960s and have since been shown at universities, major art institutions, theaters and on television throughout the country.
"I have been a working artist all of my adult life, interrupted only by service as an officer of black troops during World War II. After the war I worked with architects on a large scale making mosaic murals and sculpture. During the 1960's my attention shifted to working independently and on a small scale making pictures that move. My records show approximately 45 16mm films with optical sound, usually in color and using acetate ink on acetate. The films range in length from 2-14 minutes. There was a continuous market for my experimental films on a national circuit of after-hours venues, and I lectured and showed in the United States and Canada through the 1970s. Even though there were still commercial opportunities, I decided not to go that way when the market change affected outlets and my equipment needed refurbishing. My work has now gone to pen and ink drawings and painting, for some reason, on hanging wood strips. Over the years I have also written articles, published poetry under several names, and illustrated a number of fine press books. I am no longer doing film, but there are good pictures there. In 1996 the town of Mendocino kindly celebrated my 80th birthday with a birthday party, one-man show for six weeks and two film showings. These activities ignited interest among young adults in these experimental art films from the sixties and seventies."
"Some of these little films may be likened to an extension of visual free association; others have had some sort of concept laid out in advance. Both depend greatly on the element of spontaneity and all steps in the making are left open for improvisation." - Ray Rice

Scope and Content of Collection

This collection consists of 36 short animated films created and produced by Ray Rice. Titles and descriptions are original to the artist.

Arrangement

The films are arranged alphabetically by title.

Processing Information

Processed by: Special Collections and Archives staff. Processing completed: Winter 2006. EAD encoded finding aid by: UCSC OAC Unit.

Related Materials

MS277 Miriam C. and Raymond Rice Papers. Special Collections and Archives, University Library, University of California, Santa Cruz.

Subjects and Indexing Terms

Cinematography, Abstract
Experimental films
Animated films
Short films

Box 1:1

4 Short Scenes with titles 1975

Scope and Contents

4 min. - B/W, optical sound
Box 1:2

7 for a Magician 1983

Scope and Contents

11 min. - Color, optical sound
Based on the poem of that name by William Pitt Root. Here magic seems to result from artifice, industry and fantasy. Mr. Root reads the poem.
AWARD: San Francisco Poetry Film Festival 1967-68
Box 1:3

After the Old Mill at Caspar 1973

Scope and Contents

11 min. - Color (colored ink on acetate and outdoor photography), optical sound.
Memories of a Lincoln Brigade veteran, his life and death, are somehow found at an old mill site on an October afternoon.
Box 1:4

Bayeaux Tapestry Undated

Scope and Contents

3 min. - B/W, optical print
Condensed account of the Norman Invasion in 1066 taken from the Bayeux Tapestry.
Box 1:5

Can & Country 1972

Scope and Contents

6 min. - Color, silent
Box 1:6

The Coast [and] The Woods 1972

Scope and Contents

6 min. - Color, optical sound
Box 1:7

Faces 1972

Scope and Contents

3 min. - Color, optical sound
Impressions of a variety of human faces
Box 1:8

Hello 1969

Scope and Contents

6 min. - B/W, optical sound
All beings and things say "hello" except a black woman who just looks down. Pencil and ink on acetate.
Box 1:9

Help 1976

Scope and Contents

5 min. - Color, optical sound
A 'pre-film' outlining some means and methods in preparation for a longer film about the Bayeaux Tapestry.
Box 1:10

In a Box 1971

Scope and Contents

5 min. - Color, optical sound
If evolution and feeling seem to put a man 'in a box', the cessation of activity puts him there surely.
Box 1:11

Lead Kindly Light 1968

Scope and Contents

8 min. - Color, optical sound
This ironic film explores the unfulfilled promises of religion and society.
Box 1:12

Little White Waiting 1976

Scope and Contents

8 min. - Color, optical sound
The young await the passage of the previous generation.
Box 1:13

Loose/Open 1968

Scope and Contents

5 min. - Color, optical sound
The film-maker poses questions about life, age, and death in an unusual interior monologue.
Box 1:14

Mendocino & Canmore 1974

Scope and Contents

7 min. - Color, optical sound
Fifteen hundred miles separate the locales for this film, which seems to say that insects are very durable creatures.
Box 1:15

Paper Birds 1971

Scope and Contents

8 min. - Color, optical sound
Words interjected with images suggest the futility of ideas to explain experience.
Box 1:16

Recognition 1974

Scope and Contents

6 min. - Color, silent
Box 1:17

Ribs 1969

Scope and Contents

6 min. - B/W, silent
Problems of sexual identity are examined in an abstract manner through a series of drawings and paintings superimposed on x-ray film.
Box 1:18

Rough/Sleep 1975

Scope and Contents

6 min. - B/W, optical sound
Box 1:19

Silently 1973

Scope and Contents

6 min. - Color, optical sound
Pictures of a tidal river on a gray day are accompanied by titles providing tension between scientific certainty and the random qualities of nature.
Box 1:20

Sleep 1975

Scope and Contents

3 min. - Color - Uncompleted film - silent
Box 1:21

Song of the Woman and Butterfly Man 1975

Scope and Contents

12 min. - Color, optical sound
Based on the poem of that name by William Pitt Root. The poem and film enlarge a Maidu Indian story about a woman's pursuit of her destiny.
AWARD: 1st prize San Francisco Poetry Film Festival, 1967-1968
Box 1:22

Stars 1969

Scope and Contents

6 min. - Color, optical sound
The stars come to life in this exploration of ways of prediction and knowledge: astrology, divination and rationality among them.
Box 1:23

Stations of the Cross 1974

Scope and Contents

11 min. - Color, optical sound
Metal sculptures by Fran Mayer are the theme of this film about the crucifixion of Christ. Sound by the Mendocino Troubadours.
Box 1:24-25

Still Life [1968]

Scope and Contents

7 min. - #1C & 1D, Color, optical sound
Arrangements of natural materials along with animation show the results of man's activity on earth. At the end, there is 'still life'.
Box 1:26

Stop 1967

Scope and Contents

10 min. - Color, optical sound
Deals with the theme of origin.
Box 1:27

Strangers 1977

Scope and Contents

4 min. - Color, optical sound
Box 1:28

This, That 1972

Scope and Contents

9 min. - Color, optical sound
Four pieces of response to rural growth: Waiting, Paving, Hiding, and Facing. Drawn in color and again in black and white.
Box 1:29

Today I Saw 1978

Scope and Contents

12 min. - Color, optical sound
Ranging the summer countryside one sees flowers, trees, road signs, and the county dump among a profusion of images. Sound by local musicians. Early 1970s.
Box 1:30

War & Tigers 1965

Scope and Contents

8 min. - Color, optical sound
A roll of continuous images. One brother's awareness of his perfidy in regard to another.
Box 1:31

Waves 1972

Scope and Contents

6 min. - Color, optical sound
A study of motion.
Box 1:32

What? 1967

Scope and Contents

3 min. - B/W, optical sound
Box 1:33

Why Me? 1966

Scope and Contents

7 min. - B/W, optical sound
Ruminations on technology.
Box 1:34

Y 1968

Scope and Contents

6 min. - Color, optical sound
Snakes, faces and various abstract forms evolve, vanish and reappear in this film based on the medieval symbol for man's ability to choose.
Box 1:35

Yes, Yes! 1966

Scope and Contents

9 min. - #11C, B/W, optical sound
Version 2 - Film of acceptance as symbolized by a small animal nodding in approval.
Box 1:36

Yes, Yes, Yes, Yes! 1966-67

Scope and Contents

10 min. - #11D, B/W, optical sound
Version 1 - Film of acceptance as symbolized by a small animal nodding in approval.