Description
This collection includes digitized negatives, photographs, and presentation board from the Blue Circles, Little Misses, and
Jr. Misses social organizations. The presentation board consists of images from the 1930s and 1990s of the Blue Circles, a
Young Women's Christian Girl Reserves group affiliated with the Centenary Church in Los Angeles. The negatives in the collection
are of the Little Misses and Jr. Misses social organization, which were also part of the Young Women's Christians Association
Girl Reserves group. The negatives include images of picnics, holiday events, slumber parties, and camping trips. All of the
collection has been digitized, and some of the photographs are available online.
Background
Kiyoko Kay Komai was born on December 4, 1920. She grew up in Berkeley, California, until she moved to Los Angeles with her
aunt and uncle, Fumiko and Frank Nagata. They became her adoptive parents. While living in Los Angeles, she joined the Blue
Circles, a Young Women's Christian Association Girl Reserves group. She married her husband, Khan Komai before World War II,
and was pregnant when she left with her husband's family to the Santa Anita racetrack and then to the Granada incarceration
camp. They left the incarceration camp in 1944 and moved to Ohio before eventually returning to Los Angeles. They raised four
children together. During this time, Kay also worked at local universities until she retired in the 1980s. She spent her
spare time doing bonsai, something she learned from her aunt and uncle. Kay continued doing bonsai and meeting with the Blue
Circles after she retired.
Extent
229 Megabytes
231 jpeg files
Restrictions
All requests for permission to publish or quote from manuscripts must be submitted in writing to the Director of Archives
and Special Collections. Permission for publication is given on behalf of Special Collections as the owner of the physical
materials and not intended to include or imply permission of the copyright holder, which must also be obtained.
Availability
There are no access restrictions on this collection.