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Stanford Honors Essay in Humanities
SC1222  
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Essays

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J. M. Keynes, Vision and Technique/ Helen Phillips 1951

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Graham Greene, the Major Novels/ Lynette Kohn 1961

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Pacifism and Democracy in Colonial Pennsylvania/ Brent E. Barksdale 1961

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The Sin and Pride in "The Pardoner's Tale"/ Betty Kantor; Theology in the Novels of Charles Williams/ Elizabeth Wright 1962

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Love and Marriage in Three English Authors: Chaucer, Milton, and Eliot/ Willene van Loenen Pursell 1963

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A Kingdom Not of This World, A Quest for a Christian Ethic of Revolution with Reference to the Thought of Dostoyevsky, Berdyaev, and Camus/ Garrett Green 1964

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Metaphysical Symbolism in T. S. Eliot's "Four Quartets"/ Ronald Moore 1965

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Bertolt Brechts Hauspostille, Introduction and Selected Translations/ Sidney Hillyer Bremer 1967

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The Entrance Way: The Early Dialectics Within Husserl's Transcendental Phenomenology/ Rick Sprague 1968

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Kierkegaard, Heidegger, and the Concept of Death/ George Hunsinger 1969

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The Motley Crew: Audience as Fool in "Tristam Shandy"/ Barbara Parker 1969

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Surrealism and the Painting of Matta and Magritte/ Irene Clurman 1970

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The Nation Triumphant, The Historical Writings of Henry Adams, Theodore Roosevelt, and Woodrow Wilson/ Stephen A. Moe 1971

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The Dialectics of Eden/ Andrew Walkover 1974

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The Political Economy of Thorstein Veblen and John Kenneth Galbraith/ Jonathan Kahn 1974

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Challenging the Norm: The Dialect Question in the Works of Gadda and Pasolini/ Laurie Jane Anderson 1977

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Haiku in English/ Barbara Ungar 1978

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Approaching Mother Courage or Who's Afraid of Bertolt B.?/ Christopher Michael Sperberg 1979

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Peter Handke: The First Five Plays/ Amy Klatzkin 1979

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Vers Le Theatre Interieur: Elements of Mallarme's Total Art Form/ William Carpenter 1981

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Constructing Reality: Multiple Perspectives in "Ulysses" and "The Waves"/ Anthony Back 1983

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"Die Rose Schonheit Soll Nicht Sterben: Paul Celan's Translations of Shakespeare's Sonnets/ Claire Oshetsky 1984

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An Edge of History: The Implicit Feminism of Doris Lessing's "The Four-Gated City"/ Lisa Maria Hogeland 1984

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The Political Origins of Abstract-Expressionist Art Criticism, The Early Theoretical and Critical Writings of Clement Greenberg and Harold Rosenberg/ James D. Herbert 1985

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Finding a City to Live in: Metaphor and Urban Subjectivity in Baudelaire and Mayakovsky/ Daniel L. Potter 1986

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Elective Affinities: An Essay on Textured Forces and Forms of Desire/ Greg Watkins 1987

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Virginia Woolf: The Politics of Narration/ William R. Handley 1988

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The Significance of Artistic Affirmation in Nietzsche and Joyce/ Maren E. Ormseth 1989

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Time and the Problems of Self-Definition and Uncertainty: Proust, Beckett, and Stravinsky/ Susan Silverman 1989

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Reweaving the Violated Narrative: Strategies for Confronting the Discourse of Political Terror in Luisa Valenzuela's "The Lizard Tail"/ Victoria Guest 1990

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The Opposing Voice: Christine de Pisan's Criticism of Courtly Love/ Sydney E. Smith 1990

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Terrible Swift Sword: The Action of Grace in Three Stories by Flannery O'Connor/ Simon W. Beaven 1992

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The Making of the Cauldron: An Analysis of With and Witchcraft Power in "Macbeth"/ William J. Neuenfeldt 1994

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Homing Pidgins: immigrant Tongues, Immanent Bodies in Abraham Cahan's "Yekl"/ Scott Saul 1995

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The Phenomenon of the Voice and the Listening "I": The Subject in Beckett's Later Prose and Drama/ Ian C. McCrudden 1995

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Umbuji Wa Mnazi and the Poetics of Anthropology/ Nicholas Brown 1995

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Double-Consciousness and the Protean Self in Sylvia Plath's "Ariel"/ Sandra Lim 1997

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Pseudonymous Authorship and Kierkegaard's "Either/Or": The Anxiety of the Aesthetic/ Chi-ming Yang 1998

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Dress Codes: Reading Nineteenth Century Fashion/ Rula Razek 1999

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Cyborgs and Nomads: A Vision of Identity for the Information Age/ Brian Babcock 2001

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Technology Transformation: The Anime Cyberbabe/ Michelle Tung 2001

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An Aesthetic Portrait of Stephen Dedalus: Epiphany and Idolatry/ Karsten Scott Schoellner 2003

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Dark Matters: Death, Language, and Human Limitation in British First World War Poetry/ Matthew D. Coffman 2003

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The Faith of Nonsense: The Analogy of God and the Faith of James Joyce's "Finnegans Wake"/ Josephine Hiu Yen Lau 2004

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Where Nothing Needs to be Said, Heidegger, Walden, and the "Odas Elementales" of Pablo Neruda/ Nico Slate 2004

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As Far as Cho-fu-Sa: The Anxiety of Translation in Ezra Pound's "Cathay"/ Chuan-Mei Lee 2005

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Spaces of Accommodation, a Study of Central Park for the 21st Century/ Casy R. Riffel 2005

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Additional Essays Accession ARCH-2017-085

Box 1, Folder 1

In Search of Humor: Myth and Memory of Odessa - Alex Lerner 2010

 

Additional Essays Accession ARCH-2017-313

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Reweaving the Violated Narrative: Strategies for Confronting the Discourse of Political Terror in Luisa Valenzuela's The Lizard's Tale - Victoria Guest 1990

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Homing Pudgins: Immigrant Tongues, Immanent Bodies in Abraham Cahan's Yekl - Scott Saul 1995

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The Political Origins of Abstract-Expressionaist Art Criticism: The Early Theoretical and Critical Writings of Clement Greenberg and Harold Rosenberg - James D. Herbert 1985

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Umbuzi Wa Mnazi and the Poetics of Anthropology - Nicholas Brown 1995

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Double-Consciousness and the Protean Self in Sylvia Plath's Arial - Sandra Lim 1997

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The Phenomenon of the Voice and the Listening "I": The Subject in Beckett's Later Prose and Drama - Ian C. McCrudden 1995

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Dress Codes: Reading Nineteenth Century Fashion - Rula Razek 1999

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Terrible Swift Sword: The Action of Grace in Three Stories by Flannery O'Connor - Simon W. Beaven 1992