Roland Jackson Papers
Natalie Rocha, CGU
Special Collections, Honnold/Mudd Library
September 2017
800 North Dartmouth Ave
Claremont 91711
Email: spcoll@claremont.edu
URL: https://library.claremont.edu/scl/
© 2019
The Claremont Colleges Library. All rights reserved.
Descriptive Summary
Title: Roland Jackson Papers
Dates: 1943 - 2015
Collection number: H.Mss.0435
Creator:
Jackson, Roland John
Extent:
9 Linear Feet
(6 record boxes + 5 document boxes + 1 oversized
document box)
Repository:
Claremont Colleges. Library. Special Collections, Honnold/Mudd Library. Claremont, CA 91711
Abstract: The collection contains
correspondence and personal papers relating to the academic research, teachings, and
career of Roland John Jackson. Jackson was a professor at Claremont Graduate School
(CGS) from 1970 to 1994. During the 1980s, Jackson contributed to expanding the
graduate music curriculum and organizing three new doctoral programs. In 1988,
Jackson founded the scholarly journal
Performance Practice Review and
was editor until 1997. Jackson was an active member of the Pacific Southwest Chapter
of the Musicological Society and the Southern California Chapter of American Music
Society; attending chapter meetings and presenting at their conferences and
seminars. As a music historian, Jackson's research, teachings, and publications
ranged from computer music studies, early music, 19th century music, film music,
music analysis, and performance practice. In addition, the collection contains
personal correspondence between Jackson and his wife, children, and grandchildren,
colleagues, and close friends. They contain discussions related to current events,
religion, literature, poetry, music, and film.
Physical Location: Please consult repository.
Language of Material: Languages represented in the collection: English, German, Italian, and Spanish.
Administrative Information
Access
Collection is open for research.
Technical Access
The collection contains video cassette tapes and the reading room does not have
access to a VHS player. The materials may be digitized upon request.
Preferred Citation
[Identification of item], Roland Jackson Papers (H.Mss.0435). Special Collections,
The Claremont Colleges Library, Claremont, California.
Immediate Source of Acquisition
Donated by Roland Jackson between 1995 – 2015.
Accruals
No additions to the collection are anticipated.
Processing Information
Processed by Natalie Rocha in 2017 in the Claremont Center for Engagement with
Primary Sources (CCEPS), with assistance from Lisa Crane. Overall the collection is
in good condition. Newspaper clippings were photocopied onto acid free paper, and
the originals were discarded. Damaged and rusty staples were removed, and
photographs were placed in mylar sleeves. Materials in binders were placed into acid
free folders, and the binders were discarded. Duplicates of correspondence and
published writings were removed from the collection. Jackson's academic materials
did not have an arrangement prior to being received by Honnold/Mudd Library Special
Collections, therefore an arrangement was created by the processor. Correspondence
were kept in their original chronological arrangement. Books were removed from the
collection and cataloged online for the Claremont Colleges Library. Materials of a
personal and private nature were deaccessioned from the collection.
Biographical Information
Roland John Jackson was born in Milwaukee, Wisconsin in 1925. His mother was an
amateur pianist and his father was a public-school teacher. As a child, Jackson was
attracted to music, books, and learning. This continued into adolescence, where his
experiences revolved around playing the piano and traveling weekly to Chicago for
lessons. He continued studying piano music at Northwestern University where he
received his Bachelor and Master of Music in 1947 and 1948, respectively. After
graduating he taught music history at Northland College (1948-1950) where he
developed the desire to become a musicologist.
Jackson spent the next two years in Europe on a research fellowship studying in
Paris, Freiburg, Basel, and Florence. He received lessons and teachings from Olivier
Messiaen, Genevieve Thibault, Willibald Gurlitt, and Jacques Handschin. After
Europe, Jackson entered the doctoral program in musicology at the University of
California Berkeley, and completed his Ph.D. in 1964. He taught at the University of
Arkansas (1958-1960), Ohio University (1961-1962), and Roosevelt University
(1962-1970), before his appointment at the Claremont Graduate School (1970-1994).
Jackson introduced new curriculum to the Claremont Graduate School, and organized
three new doctoral programs. In 1988, Jackson established the scholarly journal
Performance Practice Review and served as the founding
Editor-in-Chief until his retirement. Jackson's research and publications in this
journal, among others, ranged from computer music studies, early music, 19th century
music, film music, music analysis, and performance practice.
Jackson met his wife Brenda, a musician and music educator, when she was studying at
the Claremont Graduate School; they married in July 1975 and were married for 39
years. Together the couple traveled extensively throughout Europe researching topics
related to music. Jackson passed away June 4th, 2015 in Fallbrook, California.
Scope and Contents of Collection
The collection consists of correspondence, research materials, teaching materials,
newspaper clippings, sheet music, photographs, newsletters, and memorabilia from the
life and academic career of Roland John Jackson. The bulk of the collection is
comprised of professional and personal correspondence (1949-2013) between Jackson
and his students, colleagues, friends, and family. They cover Jackson's work as
creator and editor of the Performance Practice Review, as well as his involvement
with the Pacific Southwest Chapter of the Musicological Society and the Southern
California Chapter of American Music Society. In addition, the collection covers
Jackson efforts to expand the Music Department at Claremont Graduate School.
Professional correspondence includes letter from his colleagues Gilbert Reaney, Mark
Lindley, and John Koegel. Personal correspondence includes letters from Jackson to
his wife, Brenda Montiel; children, Martin, Karen, and Ruth Jackson; and
grandchildren, Sara, Jaimie, Michael and Judy Jackson.
The rest of the collection contains Jackson's published and unpublished writings,
with topics related to musicology, music history, and various composers. Teaching
materials Jackson used in lectures and in the classroom are also found within the
collection.
Jackson's student life is shown in newspaper clippings, photographs, and ephemera
from when he was at Northwestern and Northland College. There is also handwritten
sheet music (1945-1948) composed by Jackson when he was attending Northwestern
University.
Organization and Arrangement
This collection has been arranged in the following series:
Series 1: Correspondence, 1949 September - 2013 December
Series 2: Memorabilia, 1943 - 2015
Series 3: Published Works and Writings, 1944 - 2012, undated
Series 4: Research and Teaching Materials, 1952 - 2013, undated
Series 5: Sheet Music, 1945 - 1948
Related Materials
Performance Practice Review in Scholarship at Claremont
http://scholarship.claremont.edu/ppr/
Indexing Terms
The following terms have been used to index the description of this collection in the library’s online public access catalog.
Subject Terms
Music
Composers -- United States
Claremont Graduate University
Teachers
Genre and Form of Materials
Clippings (Books, newspapers, etc.)
Correspondence
Orchestral music, Arranged -- Scores
Periodicals
Photographs
Poetry
Programs
Publications
Research notes and studies
Sheet music
Video recordings
Series: 1
Correspondence
1949 September - 2013
December
Arrangement
Chronological by date.
Scope and Contents
This series contains typed, handwritten, and printed e-mail correspondence,
as well as newspaper clippings, newsletters, fliers, and photographs related
to Jackson's academic work related to the fields of Musicology and Music
History. The series span over three decades (1949-2013) and includes
Jackson's work as creator and editor of Performance Practice Review,
chairman of the Pacific Southwest Chapter of the Musicological Society,
member of the Southern California Chapter of American Music Society, and
faculty at Claremont Graduate School. The series contains correspondence
from colleagues Gilbert Reaney, Mark Lindley, and John Koegel. In addition,
the series contains personal family correspondence from Jackson wife,
children, and grandchildren.
Box 1, Folder 1
Correspondence
1949 September - 1956
Septemeber
Box 1, Folder 2
Correspondence
1957 April - 1959
November
Box 1, Folder 3
Correspondence
1960 January - 1961
December
Box 1, Folder 4
Correspondence
1962 January - 1963
November
Box 1, Folder 5
Correspondence
1964 March - 1965
December
Box 1, Folder 6
Correspondence
1966 January - December
Box 1, Folder 7
Correspondence
1967 January - 1967
December
Box 1, Folder 8
Correspondence
1968 February - 1969
December
Box 1, Folder 9
Correspondence
1970 January -
August
Box 1, Folder 10
Correspondence
1970 September -
December
Box 1, Folder 11
Correspondence
1971 January -
June
Box 1, Folder 12
Correspondence
1971 July -
October
Box 1, Folder 13
Correspondence
1971 November -
December
Box 1, Folder 14
Correspondence
1972 January -
June
Box 1, Folder 15
Correspondence
1972 July -
December
Box 1, Folder 16
Correspondence
1973 January -
June
Box 1, Folder 17
Correspondence
1973 July -
September
Box 1, Folder 18
Correspondence
1973 October -
December
Box 1, Folder 19
Correspondence
1974 January -
March
Box 1, Folder 20
Correspondence
1974 April -
June
Box 1, Folder 21
Correspondence
1974 July -
December
Box 1, Folder 22
Correspondence
1975 January -
April
Box 1, Folder 23
Correspondence
1975 May -
September
Box 1, Folder 24
Correspondence
1975 October -
December
Box 1, Folder 25
Correspondence
1976 January -
June
Box 1, Folder 26
Correspondence
1976 July -
December
Box 1, Folder 27
Correspondence
1977 January -
February
Box 1, Folder 28
Correspondence
1977 March -
April
Box 1, Folder 29
Correspondence
1977 May -
September
Box 1, Folder 30
Correspondence
1977 October -
December
Box 1, Folder 31
Correspondence
1978 January -
May
Box 1, Folder 32
Correspondence
1978 June -
December
Box 1, Folder 33
Correspondence
1979 January -
July
Box 1, Folder 34
Correspondence
1979 August -
December
Box 1, Folder 35
Correspondence
1980 January -
July
Box 1, Folder 36
Correspondence
1980 September -
December
Box 1, Folder 37
Correspondence
1981 January -
December
Box 1, Folder 38
Correspondence
1982 January -
November
Box 2, Folder 1
Correspondence
1983 January -
December
Box 2, Folder 2
Correspondence
1984 January -
December
Box 2, Folder 3
Correspondence
1985 January -
May
Box 2, Folder 4
Correspondence
1985 June -
December
Box 2, Folder 5
Correspondence
1986 January -
July
Box 2, Folder 6
Correspondence
1986 August -
December
Box 2, Folder 7
Correspondence
1987 January -
April
Box 2, Folder 8
Correspondence
1987 May -
July
Box 2, Folder 9
Correspondence
1987 August -
October
Box 2, Folder 10
Correspondence
1987 November -
December
Box 2, Folder 11
Correspondence
1988 January -
March
Box 2, Folder 12
Correspondence
1988 April -
June
Box 2, Folder 13
Correspondence
1988 July -
September
Box 2, Folder 14
Correspondence
1988 October -
November
Box 2, Folder 15
Correspondence
1988 December
Box 2, Folder 16
Correspondence
1989 January -
February
Box 2, Folder 17
Correspondence
1989 March -
April
Box 2, Folder 18
Correspondence
1989 May -
June
Box 2, Folder 19
Correspondence
1989 July -
September
Box 2, Folder 20
Correspondence
1989 October -
December
Box 2, Folder 21
Correspondence
1990 January -
February
Box 2, Folder 22
Correspondence
1990 March -
April
Box 2, Folder 23
Correspondence
1990 May -
June
Box 2, Folder 24
Correspondence
1990 July -
August
Box 2, Folder 25
Correspondence
1990 September -
October
Box 2, Folder 26
Correspondence
1990 November -
December
Box 2, Folder 27
Correspondence
1991 January -
February
Box 2, Folder 28
Correspondence
1991 March -
April
Box 2, Folder 31
Correspondence
1991 July -
August
Box 3, Folder 1
Correspondence
1991 September -
October
Box 3, Folder 2
Correspondence
1991 November -
December
Box 3, Folder 3
Correspondence
1992 January -
February
Box 3, Folder 4
Correspondence
1992 March -
April
Box 3, Folder 5
Correspondence
1992 May -
June
Box 3, Folder 6
Correspondence
1992 July -
September
Box 3, Folder 7
Correspondence
1992 October -
December
Box 3, Folder 8
Correspondence
1993 January -
Fenruary
Box 3, Folder 9
Correspondence
1993 March -
April
Box 3, Folder 12
Correspondence
1993 July -
August
Box 3, Folder 13
Correspondence
1993 September -
October
Box 3, Folder 14
Correspondence
1993 November
Box 3, Folder 15
Correspondence
1993 December
Box 3, Folder 16
Correspondence
1994 January -
February
Box 3, Folder 17
Correspondence
1994 March -
April
Box 3, Folder 20
Correspondence
1994 July -
August
Box 3, Folder 21
Correspondence
1994 September -
October
Box 3, Folder 22
Correspondence
1994 November -
December
Box 3, Folder 23
Correspondence
1995 January -
February
Box 3, Folder 24
Correspondence
1995 March -
April
Box 3, Folder 25
Correspondence
1995 May -
June
Box 3, Folder 26
Correspondence
1995 July -
August
Box 3, Folder 27
Correspondence
1995 September
Box 3, Folder 28
Correspondence
1995 October
Box 3, Folder 29
Correspondence
1995 November
Box 3, Folder 30
Correspondence
1995 December
Box 3, Folder 31
Correspondence
1996 January -
February
Box 3, Folder 32
Correspondence
1996 March
Box 3, Folder 33
Correspondence
1996 April
Box 4, Folder 3
Correspondence
1996 July -
August
Box 4, Folder 4
Correspondence
1996 September -
October
Box 4, Folder 5
Correspondence
1996 November -
December
Box 4, Folder 6
Correspondence
1997 January
Box 4, Folder 7
Correspondence
1997 February
Box 4, Folder 8
Correspondence
1997 March
Box 4, Folder 9
Correspondence
1997 April
Box 4, Folder 12
Correspondence
1997 July -
August
Box 4, Folder 13
Correspondence
1997
September
Box 4, Folder 14
Correspondence
1997 October -
December
Box 4, Folder 15
Correspondence
1998 January -
March
Box 4, Folder 16
Correspondence
1998 April -
July
Box 4, Folder 17
Correspondence
1998 August
Box 4, Folder 18
Correspondence
1998 September
Box 4, Folder 19
Correspondence
1998 October
Box 4, Folder 20
Correspondence
1998 November -
December
Box 4, Folder 21
Correspondence
1999 January -
April
Box 4, Folder 22
Correspondence
1999 May -
June
Box 4, Folder 24
Correspondence
1999 August
Box 4, Folder 25
Correspondence
1999 September
Box 4, Folder 26
Correspondence
1999 October -
December
Box 4, Folder 27
Correspondence
2000 January -
February
Box 4, Folder 28
Correspondence
2000 March -
April
Box 4, Folder 29
Correspondence
2000 May -
July
Box 4, Folder 30
Correspondence
2000 August -
October
Box 4, Folder 31
Correspondence
2000 November -
December
Box 4, Folder 32
Correspondence
2001 January -
February
Box 4, Folder 33
Correspondence
2001 March -
May
Box 4, Folder 34
Correspondence
2001 June -
July
Box 4, Folder 35
Correspondence
2001 August -
October
Box 4, Folder 36
Correspondence
2001 November -
December
Box 4, Folder 37
Correspondence
2002 January -
April
Box 4, Folder 38
Correspondence
2002 May -
December
Box 4, Folder 39
Correspondence
2003 January -
April
Box 5, Folder 1
Correspondence
2003 May -
July
Box 5, Folder 2
Correspondence
2004 April -
December
Box 5, Folder 3
Correspondence
2004 January -
April
Box 5, Folder 4
Correspondence
2004 May -
June
Box 5, Folder 6
Correspondence
2004 August
Box 5, Folder 7
Correspondence
2004 September -
October
Box 5, Folder 8
Correspondence
2004 November
Box 5, Folder 9
Correspondence
2004 December
Box 5, Folder 10
Correspondence
2005 January -
February
Box 5, Folder 11
Correspondence
2005 March -
May
Box 5, Folder 12
Correspondence
2005 June -
July
Box 5, Folder 13
Correspondence
2005 August -
September
Box 5, Folder 14
Correspondence
2005 October -
December
Box 5, Folder 15
Correspondence
2006 January -
March
Box 5, Folder 16
Correspondence
2006 April -
June
Box 5, Folder 17
Correspondence
2006 July -
August
Box 5, Folder 18
Correspondence
2006 September -
October
Box 5, Folder 19
Correspondence
2006 November -
December
Box 5, Folder 20
Correspondence
2007 January -
March
Box 5, Folder 21
Correspondence
2007 April -
June
Box 5, Folder 22
Correspondence
2007 July -
August
Box 5, Folder 23
Correspondence
2007 September -
October
Box 5, Folder 24
Correspondence
2007 November -
December
Box 5, Folder 25
Correspondence
2008 January -
February
Box 5, Folder 26
Correspondence
2008 March -
April
Box 5, Folder 27
Correspondence
2008 May -
June
Box 5, Folder 28
Correspondence
2008 July -
August
Box 5, Folder 29
Correspondence
2008 September -
October
Box 5, Folder 30
Correspondence
2008 November -
December
Box 5, Folder 31
Correspondence
2009 January
Box 5, Folder 32
Correspondence
2009 March -
April
Box 5, Folder 33
Correspondence
2009 May -
July
Box 5, Folder 34
Correspondence
2009 August -
September
Box 5, Folder 35
Correspondence
2009 October -
December
Box 5, Folder 36
Correspondence
2010 January -
May
Box 5, Folder 37
Correspondence
2010 June -
August
Box 5, Folder 38
Correspondence
2010 September -
October
Box 5, Folder 39
Correspondence
2010 November -
December
Box 5, Folder 40
Correspondence
2011 January -
March
Box 6, Folder 1
Correspondence
2011 April -
June
Box 6, Folder 2
Correspondence
2011 July -
September
Box 6, Folder 3
Correspondence
2011 October -
December
Box 6, Folder 4
Correspondence
2012 January -
March
Box 6, Folder 5
Correspondence
2012 April -
June
Box 6, Folder 6
Correspondence
2012 July -
August
Box 6, Folder 7
Correspondence
2012 September -
October
Box 6, Folder 8
Correspondence
2012 November -
December
Box 6, Folder 9
Correspondence
2013 January -
February
Box 6, Folder 10
Correspondence
2013 March -
June
Box 6, Folder 11
Correspondence
2013 July -
August
Box 6, Folder 12
Correspondence
2013 September -
October
Box 6, Folder 13
Correspondence
2013 November -
December
Series: 2
Memorabilia
1943 - 2015
Arrangement
Alphabetical by folder title.
Scope and Contents
This series contains newspaper clippings and photographs of Jackson from the
1940s and 1950s. The newspapers clippings cover Jackson's reunion at
Wauwatosa High School, his appointment at Northland College, and fellowship
to study in Paris. The series contains a photograph and two handwritten
letters to Jackson's mother, Ruth Jackson. The series contains programs from
the Fallbrook Music Society and Brenda Montiel's funeral. The series
contains an academic journal, Musica Disciplina, dedicated to Jackson's good
friend Gilbert Reaney. In addition, the series contains Jackson's final
work, in Studi Musicali, which was published posthumous in 2015. The series
also contains two VHS tapes.
Box 6, Folder 16
Programs for Fallbrook Music Society
2008 - 2013
Box 6, Folder 17
Program for Brenda Montiel's Memorial
2013 September
Box 6, Folder 19
Videocassettes (2), panel discussion, performance practice
historical harp conference
1996 July
Series: 3
Published Works and Writings
1944 - 2012, undated
Arrangement
Alphabetical by folder title.
Scope and Contents
This series contains published articles, abstracts, short studies, papers,
reviews, and drafts written by Jackson. The series covers topics ranging
from computer music studies, film music, early music, 19th century music,
church music, music analysis and performance practice. The series also
contains topics related to composers Frederic Chopin, Wolfgang Amadeus
Mozart, Luca Marenzio, Saverio Mercadante, Girolamo Frescobaldi, and Arnold
Schoenberg.
Box 6, Folder 20
Curriculum vitae, lists of publications
1992, 1973, 1979,
1994
Box 6, Folder 21
Abstract and communications written by Roland Jackson
1965 - 1973
Box 6, Folder 22
"The Computer as a 'Student' of Harmony" by Jackson
1970
Box 6, Folder 23
"Concerning Chopin's 'Enigmatical' Finale in the Sonata in Bb
Minor, Op. 35" by Jackson
2012
Box 6, Folder 24
"Concerning Earlier and Later Gregorian Chant" by
Jackson
1988
Box 6, Folder 25
"Counterpoint" by Jackson
1974
Box 6, Folder 26
"Domenico Scarlatti's Acciaccaturas and their Role in the Design
of his keyboard Sonatas" by Jackson
2006
Box 6, Folder 22
"Further Observations on Mozart's Menuetto in D Major" by
Jackson
1967
Box 6, Folder 27
"Gesualdo's Cadences: Innovation Set Against Convention" by
Jackson
undated
Box 6, Folder 28
"Guillaume de Machaut and Dissonance in Fourteenth Century French
Music" by Jackson
2008
Box 6, Folder 29
"Harmony Before and After 1910: A Computer Comparison" by
Jackson
1970
Box 6, Folder 30
"The Historical Styles of Music- A New Interpretation" by
Jackson
undated
Box 6, Folder 31
"I primi mottetti di Marenzio" by Jackson
1979 August
Box 6, Folder 22
"The Inganni and the Keyboard Music of Trabaci" by
Jackson
1968
Box 6, Folder 32
"It Can 'spoil all the beauty': the Duplicating of Solo
Dissonances in Seventeenth-Century Through-bass Accompaniment" by
Jackson
2006
Box 6, Folder 33
"Leitmotive and Form in the Tristan Prelude" by
Jackson
1975 February
Box 6, Folder 27
"Manuscript Oxford Bodleian Library, Canonici Misc. 213" by
Gilbert Reaney
undated
Box 6, Folder 33
"Marenzio, Poland and the Late Polychoral Sacred Style" by
Jackson
1980
Box 6, Folder 34
"Marenzio's Polish Sojourn and His Polychoral Motets" by
Jackson
1985
Box 6, Folder 26
"Mercadante's Resume of Opera Reform" by Jackson
undated
Box 6, Folder 35
"Music in Christian Liturgy: a Background Survey" by
Jackson
1989
Box 6, Folder 25
"Music Theory: A Single or Multiple View?" by Jackson
1973
Box 6, Folder 36
"A Musical Input Language and a Sample Program for Musical
Analysis" by Jackson and Philip Bernzott
1975
Box 6, Folder 37
"Musical Interrelations Between Fourteenth Century Mass Movement"
by Jackson
1971
Box 6, Folder 38
"Neapolitan Keyboard Composers Circa 1600"
1967
Box 6, Folder 39
"The 'Neapolitan Progression' in the Nineteenth Century" edited
by Jackson
1969
Box 6, Folder 37
"On Frescobaldi's Chromaticism and It's Background" by
Jackson
1957
Box 6, Folder 40
"Once Again, the 'Enigmatical Finale of Chopin's Sonata in B-flat
Minor, Op. 35" (30th revision) by Jackson
2012
Box 6, Folder 41
"Performance Practice and Musical Expressivity" (8 drafts) by
Jackson
1995
Box 6, Folder 42
Poem written by Roland Jackson age 18
1944
Box 6, Folder 33
"Polarities, Sound-masses and Intermodulations: A View of the
Recent Music" by Jackson
1999
Box 6, Folder 43
"A Propos De L'Analyse Musicale Avec L'Ordinateur" by
Jackson
1974
Box 6, Folder 44
"Realizing the Continuo in Monteverdi's Lamento della ninfa and
It's Implications for Early Seventeenth-Century Italian Through
Practice" (draft) by Jackson
2009
Box 6, Folder 45
Review of Jackson's book Performance Practice: A Dictionary-Guide
for Musicians
2007
Box 6, Folder 46
Reviews of Jackson's book Performance Practice, Medieval to
Contemporary: A Bibliographic Guide
1988, 1989, 1991, undated
Box 6, Folder 47
Reviews written by Roland Jackson
1955 - 2007
Box 6, Folder 48
"Schoenberg After 1908: Combined Chords, Abbreviated Keys, and
Tonality"(2 drafts) by Jackson
undated
Box 6, Folder 26
"Schoenberg as Performer of His Own Music" by Jackson
2005
Box 6, Folder 49
"Towards a Chronology of Marenzio's Sacred Music" by
Jackson
undated
Box 6, Folder 25
"Two Newly-Found Motets by Marenzio (?)" by Jackson
1971
Box 6, Folder 44
"The Vision Scenes in Bernadette: Newman's and Powell's
Contributions" by Jackson
2011
Journals and Periodicals
1957-2011
Box 10, Folder 1
Acta Musicologica, volume 29, number 2/3, 1957
April-September, article reprint, pages 54-64
Note
"Musical interrelations between fourteenth century mass movements (a
preliminary study)," by Jackson, pages 54-65.
Box 10, Folder 2
College Music Symposium, Journal of he College Music Society,
volume 13, 1973 Fall
Note
"Music theory: a single or multiple view?" by Jackson, pages
65-67.
Box 10, Folder 3
Current Musicology, volume 19, 1975
Note
Review by Jackson of Caroline Brown Miller's, "Chiavette: a new
approach," pages 113-116.
Box 10, Folder 4
Early Keyboard Journal, The Southeastern Historical Keyboard
Society and The MIdwestern Historical Keyboard Society, volume 23,
2005
Note
"Domenico Scarlatti's acciaccaturas and their role in the design of
his keyboard sonatas" by Jackson, pages 93-124.
Box 10, Folder 5
Journal of Film Music, volume 3, number 2, 2011
Spring
Note
"The vision scenes in
Bernadette: Newman's and
Powell's contributions" by Jackson, pages 111-125.
Box 10, Folder 6
Journal of Musicological Research, volume 24, number 1, 2005
January-March
Note
"Schoenberg as performer of his own music" by Jackson, pages
49-69.
Box 10, Folder 7
Luca Marenzio: poetica, stile e tecnica dell'opera profana e
sacra, 1979
Note
"I primi mottetti di Marenzio (trattamento del testo e mutamento di
stile)" by Jackson, pages 23-49.
Box 10, Folder 8
Music Review, volume 30, number 1, 1969 February
Note
"The 'Neapolitan Progression' in the nineteenth century" by Jackson,
pages 35-46.
Box 10, Folder 9
Music Review, volume 36, number 1, 1975 February
Note
"Leitmotive and form in the Tristan prelude" by Jackson, pages 42-53.
Laid in is table of contents for The Music Review, volume 35,
1974.
Box 10, Folder 10
Music Review, volume 41, number 2, 1980 May
Note
"Polarities, sound masses and intermodulations: a view of the recent
music" by Jackson, pages 127-141.
Box 10, Folder 11
Musica Disciplina: a yearbook of the history of music,
American Institute of Musicology, volume 53, 2003-2008
Note
"Guillaume de Machaut and dissonance in fourteenth century French
music" by Jackson, pages 7-49.
Box 10, Folder 12
NATS Bulletin, National Association of Teachers of Singing,
Inc., volume 27, number 4, 1971 May/June
Note
Review by Jackson of Alberto Zedda's (editor), "Gioacchino Rossini,
Il Barbiere di Siviglia," pages 33 and 42.
Box 10, Folder 13
Performance Practice Review, volume 1, number 1/2, 1988
Spring/Fall
Box 11, Folder 1
Performance Practice Review, volume 2, number 1, 1989
Spring
Box 11, Folder 2
Performance Practice Review, volume 2, number 2, 1989
Fall
Note
Jackson is editor. See also, "A pioneering organologist: Karl
Geiringer, 1899-1989" by Jackson, pages 145-146.
Box 11, Folder 3
Performance Practice Review, volume 3, number 1, 1990
Spring
Box 11, Folder 4
Performance Practice Review, volume 3, number 2, 1990
Fall
Box 11, Folder 5
Performance Practice Review, volume 4, number 1, 1991
Spring
Box 11, Folder 6
Performance Practice Review, volume 4, number 2, 1991
Fall
Box 11, Folder 7
Performance Practice Review, volume 5, number 1, 1992
Spring
Box 11, Folder 8
Performance Practice Review, volume 5, number 2, 1992
Fall
Box 11, Folder 9
Performance Practice Review, volume 6, number 1, 1993
Spring
Box 11, Folder 10
Performance Practice Review, volume 6, number 2, 1993
Fall
Note
Jackson is editor. See also, "Pathfinder in performance practice:
Howard Mayer Brown, 1930-1993" by Jackson, pages 107-112.
Box 11, Folder 11
Performance Practice Review, volume 7, number 1, 1994
Spring
Box 11, Folder 12
Performance Practice Review, volume 7, number 2, 1994
Fall
Note
Jackson is editor. See also, "Frederick Neumann: challenger of held
opinion" by Jackson, pages 108-115.
Box 12, Folder 1
Performance Practice Review, volume 8, number 1, 1995
Spring
Note
Jackson is editor. See also, "Performance practice and musical
expressivity" editorial by Jackson, pages 1-4.
Box 12, Folder 2
Performance Practice Review, volume 8, number 2, 1995
Fall
Box 12, Folder 3
Performance Practice Review, volume 9, number 1, 1996
Spring
Note
Jackson is editor. See also, "Invoking a past or imposing a present?
Two views of performance practice" by Jackson, pages 1-15 and "José
Bowen's essay: a few afterthoughts" by Jackson pages, 36-38.
Box 12, Folder 4
Performance Practice Review, volume 9, number 2, 1996
Fall
Box 12, Folder 5
Performance Practice Review, volume 10, number 1, 1997
Spring
Note
Jackson is editor. See also, "Authenticiy or authenticities?
Performance practice and the mainstream" editorial by Jackson, pages
1-10.
Box 12, Folder 6
Performance Practice Review, volume 10, number 2, 1997
Fall
Note
Jackson is editor. See also, "From
PPR to
PPO: new directions, new challenges" by Jackson,
pages 137-151 and "
PPR (1988-1997): résumé and index"
by Jackson pages 331-389.
Series: 4
Research and Teaching Materials
1952 - 2013, undated
Arrangement
Alphabetical by folder title.
Scope and Contents
The series includes research material related to using famous composer's
horoscopes to describe their writing and composing styles. In addition, the
series contains unpublished materials Jackson used for teaching. The
unpublished materials cover topics on how to do research in music and
techniques in composing music.
Box 6, Folder 50
Horoscopes of famous composers research material
1969, undated
Box 6, Folder 51
Horoscopes of famous composers research material (part
1)
undated
Box 6, Folder 52
Horoscopes of famous composers research material (part
2)
undated
Box 6, Folder 53
Notes on Alfred Newman
undated
Box 6, Folder 54
Poems and sayings memorized since 1994
2003 April
Box 7, Folder 1
Poems and sayings memorized since 1994 (part 1)
2008 - 2013
Box 7, Folder 2
Poems and sayings memorized since 1994 (part 2)
2008 - 2013
Box 7, Folder 3
Poems and sayings memorized since 1994 (part 3)
2008 - 2013
Box 7, Folder 4
Research activities in music
undated
Box 7, Folder 5
Research activities in music: introduction
undated
Box 7, Folder 6
Research activities in music: overview
undated
Box 7, Folder 7
Research activities in music: librarian
undated
Box 7, Folder 8
Research activities in music: pedagogue
undated
Box 7, Folder 9
Research activities in music: paleographer
undated
Box 7, Folder 10
Research activities in music: editor
undated
Box 7, Folder 11
Research activities in music: indexer
undated
Box 7, Folder 12
Research activities in music: discographer
undated
Box 7, Folder 13
Research activities in music: bibliographer
undated
Box 7, Folder 14
Research activities in music: biographer
undated
Box 7, Folder 15
Research activities in music: philologist
undated
Box 7, Folder 16
Research activities in music: iconographer
undated
Box 7, Folder 17
Research activities in music: organologist
undated
Box 7, Folder 18
Research activities in music: historian
undated
Box 7, Folder 19
Research activities in music: performance critic
undated
Box 7, Folder 20
Research activities in music: analyst
undated
Box 7, Folder 21
Research activities in music: evaluator
undated
Box 8, Folder 1
Research activities in music: correlator
undated
Box 8, Folder 2
Seminar and lecture notes
1952, 1953, undated
Box 8, Folder 3
Techniques of musical composition: table of contents
undated
Box 8, Folder 4
Techniques of musical composition: introduction
undated
Box 8, Folder 5
Techniques of musical composition: I. melodies on central
tones
undated
Box 8, Folder 6
Techniques of musical composition: I-1. reciting
tones
undated
Box 8, Folder 7
Techniques of musical composition: I-2. melodic
patterns
undated
Box 8, Folder 8
Techniques of musical composition: I-3. poetic phrase
forms
undated
Box 8, Folder 9
Techniques of musical composition: II. rhythmic
polyphony
undated
Box 9, Folder 10
Techniques of musical composition: II-4. organum
undated
Box 8, Folder 11
Techniques of musical composition: II-5. rhythmic
modes
undated
Box 8, Folder 12
Techniques of musical composition: II-6. motet
undated
Box 8, Folder 13
Techniques of musical composition: II-7. rhythmic
variability
undated
Box 8, Folder 14
Techniques of musical composition: III. linear
polyphony
undated
Box 8, Folder 15
Techniques of musical composition: III-8. cantus-tenor
framework
undated
Box 8, Folder 16
Techniques of musical composition: III-9. cantus
firmus
undated
Box 8, Folder 17
Techniques of musical composition: III-10. canon
undated
Box 8, Folder 18
Techniques of musical composition: III-11. imitation
undated
Box 8, Folder 19
Techniques of musical composition: III-12. parody
undated
Box 8, Folder 20
Techniques of musical composition: III-13. contrasting
textures
undated
Box 8, Folder 21
Techniques of musical composition: IV. concertato
principle
undated
Box 8, Folder 22
Techniques of musical composition: IV-14. tone-color
contrast
undated
Box 8, Folder 23
Techniques of musical composition: IV-15. chordal
background
undated
Box 8, Folder 24
Techniques of musical composition: IV-16. movements
undated
Box 8, Folder 25
Techniques of musical composition: IV-17. dramatic
continuities
undated
Box 8, Folder 26
Techniques of musical composition: IV-18. contrapuntal
forms
undated
Box 9, Folder 1
Techniques of musical composition: IV-19. concerto
form
undated
Box 9, Folder 2
Techniques of musical composition: V. center
contrasts
undated
Box 9, Folder 3
Techniques of musical composition: V-20. harmonic
phrases
undated
Box 9, Folder 4
Techniques of musical composition: V-21. aria and
ensemble
undated
Box 9, Folder 5
Techniques of musical composition: V-22. grand instrumental
forms
undated
Box 9, Folder 6
Techniques of musical composition: V-23. tonal
expansiveness
undated
Box 9, mixedmaterials 7
Techniques of musical composition: V-24. colorful
progressions
undated
Box 9, Folder 8
Techniques of musical composition: V-25. extended choral
possibilities
undated
Box 9, Folder 9
Techniques of musical composition: VI. thematic-motivic
design
undated
Box 9, Folder 10
Techniques of musical composition: VI-26. programmatic
idea
undated
Box 9, Folder 11
Techniques of musical composition: VI-26. music drama
undated
Box 9, Folder 12
Techniques of musical composition: VI-28. motives and
cells
undated
Box 9, Folder 13
Techniques of musical composition: VI-29. twelve-note
composition
undated
Box 9, Folder 14
Techniques of musical composition: IV-30. combined
parameters
undated
Box 9, Folder 15
Techniques of musical composition: VII. sound
entities
undated
Box 9, Folder 16
Techniques of musical composition: VII-31. pitch
entities
undated
Box 9, Folder 17
Techniques of musical composition: VII-32. tone-color
entities
undated
Series: 5
Sheet Music
1945 - 1948
Arrangement
Alphabetical by folder title.
Scope and Contents
This series contains handwritten sheet music composed by Jackson (1945-1948)
while he was attending Northwestern University. The sheet music is written
for piano, violin, viola, and cello. Most of the sheet music is written for
piano and there is one written for a string quartet.
Box 9, Folder 18
"A Autumn Prelude" by Jackson
1945
Box 9, Folder 19
"String Quartet" by Jackson (part 1)
1948
Box 9, Folder 20
"String Quartet" by Jackson (part 2)
1948
Box 9, Folder 21
"Structures" by Jackson (part 1)
1947
Box 9, Folder 22
"Structures" by Jackson (part 2)
1947
