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Ward (Max) Collection of Powerviolence Material
LSC.2345
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Contributing Institution:
UCLA Library Special Collections
Title: Max Ward Collection of Powerviolence Material
Creator:
Ward, Max
Identifier/Call Number: LSC.2345
Physical Description:
5.6 linear feet
(10 boxes, 2 flat oversize boxes)
Date (inclusive): 1990s-early 2000s
Abstract: The collection documents the emergence of the Powerviolence music scene, a little known subgenre of hardcore punk, which was
primarily active in the 1990s through the early 2000s. Materials consists of original fliers, posters, handbills, correspondence,
photographs, stickers, zines, and patches collected by San Francisco Bay Area drummer, Max Ward.
Physical Location: Stored off-site. All requests to access special collections material must be made in advance using the request button located
on this page.
Language of Material: Materials are primarily in English, some materials in Japanese.
Open for research. All requests to access special collections materials must be made in advance using the request button located
on this page.
Conditions Governing Reproduction and Use
Property rights to the objects belong to UCLA Library Special Collections. All other rights, including copyright, are retained
by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue
the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
Provenance/Source of Acquisition
Purchase, Johnson Rare Books & Archives, 2017.
UCLA Catalog Record ID:
9982292043606533
[Identification of item], Max Ward Collection of Powerviolence Material (Collection 2345). UCLA Library Special Collections,
Charles E. Young Research Library, University of California, Los Angeles.
Processed by Kuhelika Ghosh under the supervision of Courtney Dean in the Center for Primary Research and Training (CFPRT),
2017.
Collections are processed to a variety of levels depending on the work necessary to make them usable, their perceived user
interest and research value, availability of staff and resources, and competing priorities. Library Special Collections provides
a standard level of preservation and access for all collections and, when time and resources permit, conducts more intensive
processing. These materials have been arranged and described according to national and local standards and best practices.
We are committed to providing ethical, inclusive, and anti-racist description of the materials we steward, and to remediating
existing description of our materials that contains language that may be offensive or cause harm. We invite you to submit
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Powerviolence is a subgenre of hardcore punk known for dissonant, fast, and short songs with constant tempo changes. It emerged
in the early 1990s, primarily on the West Coast of the United States, with bands like Man is the Bastard, Spazz, and Capitalist
Casualties. Some trace the origins of powerviolence back to late 1980s hardcore bands such as Siege and SSD. Many of the leading
powerviolence bands had dissolved by the early 2000s but some some continue to tour.
Max Ward, sometimes known as Hirax Max, was a San Francisco Bay Area drummer who played in the bands Spazz, Plutocracy, Capitalist
Casualties, What Happens Next?, Bombs of Death, and Scholastic Deth[sic]. He was a major influence in the powerviolence scene.
Ward was also the founder of 625 Thrashcore Records, which booked tours and released records for local, national, and international
powerviolence bands. He produced the zine
Mosh of Ass and contributed to the zine
Maximumrocknroll. As of 2017, Ward is a professor of History at Middlebury College in Vermont.
The collection consists of materials collected by drummer Max Ward related to the powerviolence scene from the 1990s to early
2000s. Includes original fliers, posters, handbills, correspondence, photographs, stickers, zines and patches, documenting
the emergence of the scene in the San Francisco Bay Area through to when Ward moved to Japan in the early 2000s.
Arranged in the following series:
- Series 1: Correspondence, photographs, and zines, 1990s-early 2000s
- Series 2: Fliers and stickers, 1990s-early 2000s
Original order of materials was maintained.
- Punk zines and ephemera collection (Collection 2276) Available at Library Special Collections, Charles E. Young Research Library, UCLA.
- The American Hotel and Al's Bar Project records (Collection 2305) Available at Library Special Collections, Charles E. Young Research Library, UCLA.
- S.A. Griffin collection of underground poetry, Scott Wannberg, and The Carma Bums (Collection 2248) Available at Library Special Collections, Charles E. Young Research Library, UCLA.
- Craig Michael Lee papers (Collection 2016-013) Available at ONE National Gay and Lesbian Archives, USC Libraries, University of Southern California.
- San Francisco Bay Area punk rock fliers and posters collected by Marshall Weber. (Collection BANC PIC 2009.057) Available at The Bancroft Library, University of California, Berkeley.
Subjects and Indexing Terms
Zines
Punk culture -- California -- 20th century
Hardcore (Music)
Ward, Max -- Archives