Finding aid for the Ruth Weisberg papers 0360
Sue Luftschein
USC Libraries Special Collections
2015 October
Doheny Memorial Library 206
3550 Trousdale Parkway
Los Angeles, California 90089-0189
specol@usc.edu
Language of Material:
English
Contributing Institution:
USC Libraries Special Collections
Title: Ruth Weisberg papers
creator:
Weisberg, Ruth
Identifier/Call Number: 0360
Physical Description:
58.78 Linear Feet
84 boxes
Date (inclusive): 1963-2014
Abstract: Ruth Weisberg, former Dean of the USC Roski School of Fine Arts and long time USC School of Fine Arts faculty member, is a
renowned and respected artist and educator. Her work explores issues surrounding women artists and Judaism, and she is especially
interested in the techniques of printmaking. Her papers consist primarily of correspondence, both personal and professional,
and also contain notebooks, memorandums, reports, photographs, slides, audio visual materials, ephemera and realia, manuscripts
and typescripts of articles and essays, teaching materials, records of sales of art, exhibition announcements, and clippings.
Organization
The Ruth Weisberg papers have been organized into the following series: 1. Correspondence; 2. Art; 3. Professional activities;
4. Education and teaching; 5. Daybooks, notebooks, and sketchbooks; 6. Clippings; 7. Audio/Visual; 8. Ephemera and realia;
9. Personal.
Weisberg's original arrangement was primarily chronological; each series has generally been organized to maintain this arrangement.
Scope and Contents
The Ruth Weisberg papers, 1963-2014, consist of correspondence, notebooks, memorandums, reports, photographs, slides, audio
visual materials, ephemera and realia, manuscripts and typescripts of articles and essays, teaching materials, records of
sales of art, exhibition announcements, and clippings, created and collected by Ruth Weisberg, and documenting her long career
as both an artist and educator. Correspondence makes up the bulk of the papers, and includes both personal and professional
letters. Some of Weisberg's correspondents include artists June Wayne and Gila Yellin Hirsch; and organizations from the
College Art Association to the Women's Caucus for Art. The papers also include reports, correspondence, and other materials
relating to Weisberg's teaching and administrative career at USC; manuscripts and typescripts of essays and articles (published
and unpublished); records of Weisberg's career as an artist, including research materials, inventories, and receipts for works
sold; and records of exhibitions curated by Weisberg.
Biographical / Historical
Ruth Weisberg, artist and educator, received her BS in Design, 1963, and MA in Art, 1964, both from the University of Michigan.
She has had a long and distinguished career as both artist and educator. As an artist, she works in painting, lithography,
and drawing. She has had over 80 solo and 190 group exhibitions at institutions ranging from the Norton Simon Museum to the
Whitney Museum of American Art. Her work is included in the permanent collections of 60 major museums, including the Art
Institute of Chicago, the Detroit Institute of Arts, the Los Angeles County Museum of Art, the Norwegian National Museum in
Oslo, the National Gallery (Washington, D.C.), the Metropolitan Museum of Art, and the Whitney Museum of American Art. She
is particularly interested in incorporating Judaism and Jewish themes in her work, and also explores issues surrounding women
artists and feminism. Weisberg began teaching at USC's School of Fine Arts in 1970; she was named Dean of the School of Fine
Arts in 1995 (retiring from that position in 2010).
Weisberg has received numerous awards and recognitions throughout her career, including the Women's Caucus for Art Lifetime
Achievement Award, 2009; Doctor of Humane Letters, Hebrew Union College, 2001; College Art Association Distinguished Teaching
of Art Award, 1999; Fulbright Award, 1992; School of Art University of Michigan Distinguished Alumni/AE Award, 1992. She
was also President of the College Art Association, 1990-1992, Vice-President of the Women's Caucus for Art Western Region,
President of the Los Angeles Printmaking Society, and was a Visiting Artist at the American Academy in Rome in 1995.
She is a prolific author, writing dozens of articles and reviews, as well as several book chapters and catalog essays.
Conditions Governing Access
COLLECTION STORED OFF-SITE. Advance notice required for access.
Conditions Governing Use
All requests for permission to publish or quote from manuscripts must be submitted in writing to the Manuscripts Librarian.
Permission for publication is given on behalf of Special Collections as the owner of the physical items and is not intended
to include or imply permission of the copyright holder, which must also be obtained.
Preferred Citation
[Box/folder no. or item name], Ruth Weisberg papers, Collection no. 0360, University Archives, Special Collections, USC Libraries,
University of Southern California
Processing Information
Processed by Sue Luftschein, Meghan Stephens, Marinela Zubovic, and Stephanie Cipres.
Subjects and Indexing Terms
Art, American -- 20th century -- Archival resources
Art -- Study and teaching -- California -- Los Angeles -- Archival resources
Art criticism -- California -- Los Angeles -- Archival resources
Artists -- California -- Los Angeles -- 20th century -- Archival resources
Feminism -- Study and teaching -- California -- Archival resources
Feminism and art -- California -- Los Angeles -- Archival resources
Feminists -- California -- Los Angeles -- Archival resources
Jewish artists -- California -- Los Angeles -- Archival resources
Jewish arts -- California -- Los Angeles -- Archival resources
Jewish women artists -- California -- Los Angeles -- Archival resources
Prints -- Technique -- Archival resources
Women artists -- California -- Los Angeles -- Archival resources
Women printmakers -- California -- Los Angeles -- Archival resources
Clippings
Correspondence
Ephemera
Memorandums
Notebooks
Notes
Photographs
Realia
Reports
Slides (photographs)
Weisberg, Ruth -- Archives
Hirsch, Gilah Yelin -- Archives
Wayne, June, 1918-2011 -- Archives
College Art Association (U.S.) -- Archives
Jack Rutberg Fine Arts (Los Angeles, Calif.) -- Archives
University of Michigan -- Alumni and alumnae
University of Southern California. Roski School of Fine Arts -- Archives
University of Southern California. Roski School of Fine Arts -- Faculty
University of Southern California. Roski School of Fine Arts -- Students
Woman's Building (Los Angeles, Calif.) -- Archives
Women's Caucus for Art -- Archives
Correspondence
1967-2014
Scope and Contents
The Correspondence series consists of correspondence, notes, clippings, exhibition announcements, and catalogs. It also consists
of both personal and professional correspondence, since Weisberg did not distinguish between the two. See also the Art, Professional
activities, and Education and teaching series.
Arrangement
The Correspondence is arranged chronologically.
Box 24, Folder 2-3, Box 81, Folder 1
Box 24, Folder 5, Box 61, Folder 2
Box 1, Folder 5-6, Box 24, Folder 6, Box 61, Folder 3, Box 81, Folder 2
Box 1, Folder 7-9, Box 25, Folder 1, Box 61, Folder 4, Box 81, Folder 3
Box 1, Folder 10, Box 2, Folder 1-2, Box 25, Folder 2, Box 61, Folder 5, Box 81, Folder 4
Box 2, Folder 3-4, Box 25, Folder 3, Box 61, Folder 6, Box 81, Folder 5
Box 2, Folder 5-7, Box 25, Folder 4, Box 61, Folder 7, Box 81, Folder 6
Box 3, Folder 1
Correspondence
circa 1976
Box 3, Folder 2-4, Box 25, Folder 5, Box 67, Folder 8, Box 81, Folder 7
Box 3, Folder 5-6, Box 25, Folder 6-7, Box 61, Folder 9, Box 81, Folder 8
Box 3, Folder 7, Box 25, Folder 8-11, Box 26, Folder 1, Box 61, Folder 10
Box 4, Folder 1
Correspondence
circa 1970s
Box 29, Folder 3
Correspondence
1970s-1980s
Box 4, Folder 2
Feminist Art Institute
1980
Box 4, Folder 3, Box 26, Folder 2-7, Box 27, Folder 1-2, Box 61, Folder 11, Box 81, Folder 9
Box 4, Folder 4-5, Box 27, Folder 3-8, Box 28, Folder 1, Box 61, Folder 12, Box 81, Folder 10
Box 4, Folder 6-7, Box 28, Folder 2-5, Box 61, Folder 13, Box 81, Folder 11
Box 4, Folder 8-9, Box 5, Folder 1-3, Box 28, Folder 6, Box 61, Folder 14, Box 81, Folder 12
Box 5, Folder 4-7, Box 6, Folder 1, Box 28, Folder 7, Box 61, Folder 15, Box 81, Folder 13
Box 6, Folder 2-6, Box 7, Folder 1-6, Box 28, Folder 8, Box 61, Folder 16, Box 81, Folder 14
Box 8, Folder 1-7, Box 9, Folder 1, Box 61, Folder 17-18, Box 81, Folder 15
Box 9, Folder 2, Box 28, Folder 9, Box 61, Folder 19
Box 9, Folder 3, Box 28, Folder 10
Box 9, Folder 4, Box 29, Folder 1-2, Box 61, Folder 20
Box 9, Folder 5
Correspondence
circa 1980s
Box 29, Folder 4
Correspondence
circa 1990s
Box 9, Folder 6, Box 29, Folder 5, Box 61, Folder 21, Box 81, Folder 16
Box 9, Folder 7, Box 10, Folder 1, Box 29, Folder 6-7, Box 62, Folder 1
Box 9, Folder 8
Significant personal correspondence
1991-1994
Box 10, Folder 2-3, Box 29, Folder 8, Box 62, Folder 2
Box 10, Folder 4, Box 29, Folder 9-10, Box 62, Folder 3
Box 10, Folder 5, Box 29, Folder 11, Box 30, Folder 1-3, Box 62, Folder 4
Box 10, Folder 6
[Photographs from Rome]
circa 1994
Box 10, Folder 7-8, Box 30, Folder 4-7, Box 62, Folder 5
Box 11, Folder 1-2, Box 31, Folder 1-4, Box 62, Folder 6
Box 11, Folder 3-6, Box 31, Folder 5-6, Box 62, Folder 7
Box 12, Folder 1-5, Box 31, Folder 7-8, Box 62, Folder 8
Box 12, Folder 6, Box 62, Folder 9-12, Box 63, Folder 1-2
Box 63, Folder 3-5, Box 64, Folder 1-3
Box 65, Folder 5, Box 66, Folder 1-3
Box 66, Folder 6, Box 67, Folder 1
Box 67, Folder 6-7, Box 68, Folder 1-2
Box 68, Folder 5-6, Box 69, Folder 1
Art
1960s-2010s
Scope and Contents
The Art series consists of materials pertaining to Weisberg's career as an artist. There is overlap with the Correspondence.
Box 55, Folder 1-13
[Biographical information, resumes, timelines, vitae]
1960s-1990s
Exhibitions and commissions
Box 55, Folder 14
Frontispiece commissions
1969-1971
Box 21, Box 22, Box 23, Box 81, Folder 22
Exhibition announcements, illustrations, articles and essays about Weisberg's art
1970s-1990s
Scope and Contents
Also includes announcements about appearances made by Weisberg as a lecturer.
Box 81, Folder 27
Graphic Arts Council
1980
Box 55, Folder 16
Loyola Marymount project
1990
Box 55, Folder 17
[Anne Arbor Holocaust Memorial]
1991
Box 58, Folder 22
Salute to Feminist Artsts
2003
Inventories, price lists, purchase records
Box 59, Folder 1
Purchases, Museums, Prices
1966-1976, 1986
Box 59, Folder 2
[Lists of works/Prices/Inventories]
circa 1966-1981, undated
Box 59, Folder 3
Purchases--My prints--History
1967-1970
Box 59, Folder 4
[Inventory/Prints]
circa 1971-1998
Box 59, Folder 6
Old financial records
1977-1999
Box 59, Folder 8
[Invoices/Price lists]
1985, undated
Box 59, Folder 9
[Inventory/Acquisition lists]
1985, undated
Box 59, Box 72
[Prints inventory and sales ledgers]
undated
Box 56, Folder 1-9
[Jewish sources, art, and readings]
1960s-1990s
Box 56, Folder 10
[Jewish conferences and organizations]
2000-2006
Box 55, Folder 19
[Performance notes]
undated
Box 58, Folder 1
[Interview]
1999
Scope and Contents
Includes audiocassette and transcript.
Box 57, Folder 1
Kelyn Press letterhead
undated
Box 60
[Guest books]
1997, undated
Box 84
Julia Myers' research files
circa 1980-2009
Scope and Contents
Copies of newspaper and journal articles about Ruth Weisberg, dated 1960-2009; price lists for Weisberg's prints; information
about Weisberg's prints in private collections; exhibit information; University of Michigan loan agreement forms; Weisberg
bibliography; Weisberg interview notes.
Processing Information
Box 84 is unprocessed.
Professional activities
1968-2013
Scope and Contents
The Professional activities series consists of materials pertaining to Weisberg's work as a curator and critic; her affiliations
with professional organizations, including the College Art Association; her involvement with feminist art and organizations;
and her involvement with Jewish arts organizations. There is overlap with the Correspondence.
College Art Association
1981-2002
Box 39, Folder 1
CAA panel--Speak-Out
undated
Box 39, Folder 8
CAA participants 1985-1988
1988
Box 39, Folder 11
Lark and Weisberg CAA/Travel
1988-1989
Box 40, Folder 1
CAA Committees and other stuff
1991
Box 40, Folder 4-5
Emulation versus Appropriation
1993
Box 40, Folder 8
[Alicia Weisberg-Roberts proposal]
2002
Box 41
[Programs, proceedings and newsletters]
1986-1995
Curatorial and critical work
1968-1998
Box 42, Folder 1
Portfolio of Nine
1968-1969
Box 42, Folder 2
Los Angeles Prints, 1883-1980
1981
Box 42, Folder 3-4
LA and Italian Shows
circa 1985
Box 42, Folder 7
Changing Media: Books and Print
circa 1992
Box 42, Folder 8
"Changing Media" Intro
circa 1992
Box 42, Folder 9
Santa Barbara Community Arts Forum
1992
Box 42, Folder 10
S.B. Show [In Terms of Time]
1992-1993
Box 42, Folder 12
Budgets [In Terms of Time]
1992-1993
Box 42, Folder 14
Resumes [In Terms of Time]
circa 1993
Box 42, Folder 15
In Terms of Time exhibit Fresno Art Museum
1994
Box 43, Folder 2
Mario Teleri with slides
circa 1993
Box 43, Folder 4
[Italian printmaking show]
1993
Box 43, Folder 5
La Scuola Romana
circa 1992
Box 43, Folder 6
Italo-Americano show
1992-1993
Box 43, Folder 7-8
Giancarla Frare
circa 1993
Box 43, Folder 10
Temple Exhibition, Rome
1997-1998
Box 58, Folder 19
Avoda: Objects of the Spirit
circa 2000
Essays and articles
1970-2013
Box 44, Folder 1
Hoyningen-Huene photography
1970
Box 44, Folder 2-3
Judaica and my next book
1971-1993
Box 44, Folder 4
Dali case and prints
circa 1979
Box 44, Folder 5
[Bruria porcelains manuscript]
circa 1981
Box 44, Folder 6
[Essays]
1981, 1988, undated
Box 44, Folder 8
Gerard Haggerty
circa 1983
Box 44, Folder 9
[Autobiographical statement/Essay about Ruth]
circa 1984
Box 44, Folder 11
Madden Harkness
circa 1990
Box 81, Folder 18
[June Wayne essays]
1990, undated
Box 44, Folder 12
[Notes for Bethel College symposium]
1991
Box 44, Folder 13
Patrick Graham Exhibition, Moderated by Ruth Weisberg
1991
Box 44, Folder 14
[Printmaking--notes]
circa 1991
Box 44, Folder 15
[Printmaking, Critical Theory notes]
1991
Box 45, Folder 1
Printmaking in the Expanded Field
1991
Box 45, Folder 2
Southern Graphics Council
1992
Box 45, Folder 4-6
[Printmaking research and publication]
1993-1997
Box 45, Folder 8
[Los Angeles Times op-ed]
1999
Box 58, Folder 23
[Comments on Elaine K. Gazda, "The Limits of Originality" essay]
1999
Box 45, Folder 10
A Gathering of Sparks
2011
Box 45, Folder 12
[Bruna manuscript]
undated
Box 45, Folder 13
The Critic is Damned
undated
Box 45, Folder 14
Gelah Yelin-Hirsch
undated
Box 72, Folder 1
Flesh and Spirit: Middle European Reflections on Mythology
undated
Box 58, Folder 21
Irony Chef presentation
undated
Box 58, Folder 20
[Notes for lectures, presentations and trips]
undated
Box 58, Folder 3
Book projects--Suggested writers
undated
Box 58, Folder 4
[Margit Omar essay]
undated
Box 58, Folder 5
[Mary Lowenthal Felstiner draft]
undated
Box 58, Folder 6
[Michelangelo typescript]
undated
Box 58, Folder 7
[Nancy Spero notes]
undated
Box 58, Folder 8, Box 81, Folder 24
Box 58, Folder 9
Performance notes--Toti Mercadante
undated
Box 72, Folder 2
Six Artists Tackle the Machine
undated
Box 58, Folder 10
[Southern California figurative artists]
undated
Box 58, Folder 11
The Syntax of a Print in Search of an Aesthetic Concept
undated
Box 58, Folder 12
Visual Arts as Midrashic Commentary
undated
Box 50, Folder 6
[Women's arts organizations]
1971-1994
Box 50, Folder 7
National Women's Studies Association conference
1979
Box 49, Folder 1
Women's Caucus for Art
1975-1977
Box 49, Folder 2
Women's Caucus for Art
1976-1980
Box 49, Folder 3
Women's Caucus for Art
1978
Box 49, Folder 5
Women's Caucus for Art
1979
Box 49, Folder 6
Women's Caucus for Art
1979-1980
Box 49, Folder 8, Box 81, Folder 25
Women's Caucus for Art
1980
Box 49, Folder 10
Women Artists in History
1981
Box 50, Folder 2
Women's Caucus for Art
1981-1987
Box 50, Folder 3-4
1985 WCA Conference
1983-1987
Box 50, Folder 8
[Women's art/Feminism/Judaism]
1990
Box 50, Folder 9
Artists' rights
1975-1981
Box 50, Folder 10
[Los Angeles Printmaking Society]
1975, 1992-1993
Box 50, Folder 11
[LACMA information]
1981-1982
Box 58, Folder 15
The Arts and Public Policy in the US [report]
1984
Box 58, Folder 18
[John Grabel thesis]
1986
Box 58, Folder 16
[Council on Jewish Life Commission on the Arts] Meeting Minutes
1986
Box 57, Folder 8
Reports/Proposals
1992-1993
Box 58, Folder 17
Art and Identity in the American Jewish Community conference
1987
Box 58, Folder 13
[Los Angeles Ad Hoc Arts Committee]
1988
Box 72, Folder 5
Seminar on Jewish Art
1993-1994
Box 57, Folder 4-7
CGU Octennial review
1998 November
Box 57, Folder 2
Burkhardt Foundation materials
1999
Box 58, Folder 24, Box 81, Folder 21
[Jewish art and artists]
1999-2000, undated
Education and teaching
1964-2014
Scope and Contents
The Education and Teaching series consists of materials related to Weisberg's tenure at USC, and consists of both administrative
and academic materials. There is overlap with the Correspondence series.
Box 13, Folder 1
USC administrative memos
1971, 1973
Box 13, Folder 2
Academic Dean appointment
1974
Box 19
[Promotion dossiers]
1975, 1981
Box 47, Folder 11
[Programs and brochures]
1982-1997
Box 47, Folder 12
[Newsletters and flyers]
1984-2008
Box 46, Folder 7
Hillel
1990-1997, undated
Box 46, Folder 2
Activities reports
1982-1994
Box 47, Folder 14
School of Fine Arts speakers
1989
Box 13, Folder 3
Graduate School guidelines
1985
Box 13, Folder 4
[USC correspondence]
1991
Box 81, Folder 19
Institute for the Study of Women and Man/Feminist Council
1991
Box 13, Folder 6-7
Feminist Council
1991-1994
Box 46, Folder 12
[School of Fine Arts packet]
1995
Box 46, Folder 15
Faculty Activity Report template
1995
Box 47, Folder 1
[Steven Sample remarks]
1999 November 6
Box 47, Folder 15
USC Digital Design and Communication Summit
1999
Box 47, Folder 2
Things written to the Dean
2002-2010
Box 47, Folder 4
Things written by the Dean
2006-2010
Box 47, Folder 5
Dean--Itineraries and Directories
2006-2010
Box 47, Folder 6
Dean--Programs and Events
2006-2008
Box 47, Folder 7
Invitations to Private Events Held by Board Membes and Trustees
2008-2010
Box 72, Folder 3
Dean--Programs and Events
2008
Box 14, Folder 7
[Teaching questions]
circa 1975
Box 14, Folder 10
[Teaching and reference materials]
1984-1986
Box 15, Folder 1-2
[Reference and teaching materials]
1985
Box 15, Folder 3-5
[Reference and teaching materials]
circa 1985
Box 16, Folder 1
[Reference and teaching materials]
circa 1985
Box 16, Folder 3
[Reference and teaching materials]
circa 1985
Box 16, Folder 4
[Teaching and reference materials]
1985-1986
Box 16, Folder 5
[Teaching and reference materials]
1986
Box 16, Folder 6
[Teaching notes and reference materials]
1986
Box 46, Folder 6
[Teaching notes and materials]
1988, undated
Box 16, Folder 10
S.C. print lecture notes
undated
Box 16, Folder 11
[Isabel Bishop photographs]
undated
Box 17, Folder 2
Factors or Seminar
1975-1987
Box 17, Folder 5
Time Management
circa 1983
Box 17, Folder 10
Senoir Seminar Funding
1983-1984
Box 18, Folder 5
Senior Seminar: Resumes
circa 1990
Box 18, Folder 11
Graduate Seminar Assignment
1988
Box 18, Folder 13
[Notes on Anselm Kiefer]
circa 1990
Box 18, Folder 14
[Notes on teaching philosophy]
undated
Box 47, Folder 8
[Printmaking proposals]
undated
Box 47, Folder 9
[Readings/clippings]
undated
Box 14, Folder 1
Revolutionary Music
circa 1964
Scope and Contents
Paper and source material written and collected by Weisberg during graduate school.
Box 14, Folder 2
Appointments and credentials
1965-1973
Scope and Contents
Appointment letters for both Weisberg and Kelyn Roberts, for University of California, Santa Barbara; USC; UCLA; Eastern Michigan
University; Wayne State University. Credential letters for Huntington Library, Musee du Louvre.
Teaching and research resources
Scope and Contents
The materials in this sub-series consist primarily of clippings.
Box 14, Folder 3
Education Technical
1965-1968
Box 14, Folder 4
Education Political
1968-1971
Box 48
Daybooks, notebooks, and sketchbooks
1970-1990s
Box 32, Box 33, Box 34, Box 35, Box 36, Box 80
Clippings
1965-2014
Scope and Contents
Weisberg collected and received clippings on all manner of subjects--reviews of her work/shows, other artists, feminist and
Jewish art and artists. The majority of these clippings were in no order, and they have been physically separated from the
rest of the papers for preservation purposes.
Box 37
VHS, audiocassettes, U-matic tapes
Scope and Contents
VHS, audiocassette, and Umatic tapes. Contents include:
VHS and Umatic:
Ruth Wesiberg-Eric Yake Kenagy Visiting Artists 1993: Art, Theology and Audience Convocation/Architecture and Narrative, A
New Synthesis (Department of Art, Goshen College)
Poverty Outlaw-Welfare; Homeless in Philadelphia
Tribute to Emmet Wemple (USC Architectural Guild)
Touch (2 VHS copies, 3 Umatic copies)
Holocaust Education Center/Shinonome Chorus Concert Tour
The Venice Art Mecca, narrated by Angelica Huston
On the Edge (1988), Carol Neiman and Ruth Weisberg
Wrestling with the Messenger
Genesis: Culture, Continuity and Community, Tucson, October 1995
Venice Family Art Walk '94
Ruth Weisberg (Rough), Al Hinton
USC Building on Excellence
Unlabeled or unidentified VHS and Umatic tapes
Audiocassette:
Ruth Weisberg, 1988
Whose Story Now? The Artist as Authority (2 tapes)
Emulation versus Appropriation: New Uses of Art Historical Sources (2 tapes)
Theresa Weisberg's Best Stories (4 copies)
Ruth Weisberg, KCRW, November 22, 1988
Zari's [?] homemade bar mitzvah tape
3 unidentified tapes
Arts/LA on KCRW Ruth Weisberg segment
Spiritual Journeys, B. Greenberg, D. Metzger, R. Weisberg (2 tapes)
Arlene Raven/Suzanne Loey dialogue
Subject Matter: New Frontier, February 25, 1981
Ruth Weisberg, April 25, 1981
Ruth Weisberg, Printmaker's Conference, February 5, 1984
Weisberg Loyola Marymount
Sandra Hall, Eloise Klein Healy
Judy Pecal/Suzanne Lacey, Mary Beth W.
Lucy Lippard/Cheri G.
Film:
2 unidentified film reels
CDs:
Megan Cavallari and David Golsmith, Pepita: A Musical
Box 38
Slides
Scope and Contents
Slides of Weisberg's work, work of other artists, commercial slides, Weisberg's slides for lectures, Weisberg's personal slides.
Box 77, Box 78, Box 81, Folder 23
Box 51, Box 52, Box 53, Box 54, Box 78, Box 82-83
Exhibition announcements, publications, ephemera about other artists' work
1970s-2010s
Scope and Contents
Box 51 contains files on the following artists: Harvey Breverman; Hans Burkhardt; Anselm Kiefer; Janet Mackaig; John O'Brien;
Adrienne Rich; Charlotte Salomon; Frank Smith; Beth Ames Swarts. Box 52 contains files on the following artists: Tamarind
Lithography Workshop; June Wayne; Jerome Witkin. Boxes 53 and 54 contains unsorted exhibition announcements, catalogs, photographs,
and ephemera.
Box 20
Diplomas and awards/plaques
1963-1992
Box 75, Box 76, Box 80
Miscellaneous art related newsletters, journals, magazines, and book catalogs
1970s-2000s
Personal
Scope and Contents
The Personal series contains miscellaneous materials unrelated to Weisberg's professional activities.
Box 73, Folder 1
Children's thank you letters
undated
Box 73, Folder 4
Jewish organizations
undated
Box 73, Folder 6
Katherine Mansfield/Alicia
undated
Box 73, Folder 7
[Laura Geller speech]
undated
Box 73, Folder 10
[Speeches and eulogies]
undated
Box 73, Folder 11
[University of Michigan]
undated
