Finding Aid for the June Wayne Papers LSC.0562
Finding aid prepared by Marisol Ramos-Lum and Christine M. Figueroa, 2002, additions by Elizabeth Spatz, 2005, reprocessed
by Heather Lowe, 2011, and Jasmine Jones and Mike D'Errico with assistance from Jillian Cuellar in the Center for Primary
Research and Training (CFPRT), 2012; machine-readable finding aid created by Caroline Cubé.
Portions of the processing of this collection was generously supported by Arcadia Foundation.
UCLA Library Special Collections
Online finding aid last updated 2023 June 23.
Room A1713, Charles E. Young Research Library
Box 951575
Los Angeles, CA 90095-1575
Business Number: 310-825-4988
Fax Number: 310-206-1864
AskLSC@library.ucla.edu
Contributing Institution:
UCLA Library Special Collections
Title: June Wayne papers
source:
Wayne, June
Identifier/Call Number: LSC.0562
Physical Description:
114.0 linear feet
(228 document boxes, 10 oversize boxes, and 25 boxes of audiovisual materials)
Date (inclusive): 1909-2012
Abstract: June Claire Wayne was born on March 7, 1918 in Chicago, Illinois, where at the age of 15 she dropped out of high school to
pursue her career as an artist. In addition to her work in lithography, which revitalized the art of printmaking in America,
Wayne is well-known for her tapestries and visual explorations of optics and scientific themes. The collection consists of
correspondence, manuscripts, ephemera, and photographs related to the creation and exhibition of Wayne's work, including the
production of The Dorothy Series lithographs and film about the artist, Matsumi (Mike) Kanemitsu,
Four Stones for Kanemitsu.
Physical Location: Portions of the collection stored off-site. Advance notice is required for access to the collection. All requests to access
special collections materials must be made in advance using the request button located on this page.
Language of Material: Materials are in English.
Conditions Governing Access
Open for research. All requests to access special collections materials must be made in advance using the request button located
on this page. Boxes 49-103 are closed until the year 2015.
Conditions Governing Access
Property rights to the physical objects belong to UCLA Library Special Collections. All other rights, including copyright,
are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright
and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
Physical Characteristics and Technical Requirements
CONTAINS DIGITAL AND AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed digital and audiovisual
materials. Digital and audiovisual materials are not currently available for access, unless otherwise noted in a Physical
Characteristics and Technical Requirements note at the series and file levels. All requests to access processed digital materials
must be made in advance using the request button located on this page.
Provenance/Source of Acquisition
Gift of June Wayne, 2000, 2011, 2012.
UCLA Catalog Record ID
Preferred Citation
[Identification of item], June Wayne Papers (Collection 562). UCLA Library Special Collections, Charles E. Young Research
Library, University of California, Los Angeles.
Processing Note
Collection was initially processed by Marisol Ramos-Lum and Christine M. Figueroa, 2002. With the additions in 2005, the entire
collection was reprocessed by Elizabeth Spatz. This reprocessing of the June Wayne papers was funded by a grant from the Getty
Research Institute. A 2011 addition of the collection was processed by Heather Lowe. Another addition was processed in July
2012 by Jasmine Jones and Mike D'Errico with assistance by Jillian Cuellar in the Center for Primary Research and Training
(CFPRT).
Collections are processed to a variety of levels depending on the work necessary to make them usable, their perceived user
interest and research value, availability of staff and resources, and competing priorities. Library Special Collections provides
a standard level of preservation and access for all collections and, when time and resources permit, conducts more intensive
processing. These materials have been arranged and described according to national and local standards and best practices.
Portions of the processing of this collection was generously supported by
Arcadia
funds.
We are committed to providing ethical, inclusive, and anti-racist description of the materials we steward, and to remediating
existing description of our materials that contains language
that may be offensive or cause harm. We invite you to submit feedback about how our collections are described, and how they
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Biography
Visual artist June Claire Wayne was born on March 7, 1918 in Chicago, Illinois, where she was raised by her divorced mother,
Dorothy Alice Kline. At age 15, Wayne dropped out of high school to pursue a career as an artist. She had her first solo exhibition
under the name of June Claire in Chicago only two years later, followed in 1936 by a second exhibition at the Palacio de Bellas
Artes in Mexico City. By 1938 she was already on the WPA Easel Project in Chicago and had achieved prominence among world-famous
writers, actors, artists, and scientists in an international milieu in which Wayne is still active.
Around 1939, Wayne moved to New York, where she worked as a costume jewelry designer while continuing to paint at night and
on weekends. In the 1940s, she began to work under the name of June Claire Wayne. After Pearl Harbor, she moved to Los Angeles
and became certified in production illustration, intending to work in the aircraft industry. However, when she was offered
a job in radio writing at WGN in Chicago, Wayne seized this opportunity instead, scripting several programs a day and honing
a literary talent that would later produce influential essays on art criticism, artists' rights, and feminism.
When WWII ended, Wayne left Chicago to settle in Los Angeles, where she became an integral part of the California art scene.
Inspired by her training in production illustration, Wayne began to produce seminal works of optical art, including
The Tunnel and the Kafka series, in the mid 1940s. She continued to expand her artistic horizons, taking up lithography at Lynton Kistler's
facility in 1947. Ten years later, she began collaborating with master printer Marcel Durassier in Paris. In their groundbreaking
work on the John Donne suite, Wayne invented many of lithography's current techniques, vastly expanding the aesthetic potential
of the medium. In order to restore the art of lithography in the United States, she founded the Tamarind Lithography Workshop
with the support of the Ford Foundation in 1960. Now known as the Tamarind Institute of the University of New Mexico, this
organization continues to thrive and help artists become free enterprise workers in the print world.
Wayne began designing large-scale tapestries in France in 1970, once again embracing a new mode of artistic expression. In
this and many other media, Wayne explored avant-garde connections between science, art, and contemporary issues. Motifs as
varied as optics, the genetic code, stellar winds, magnetic fields, tsunamis, and temblors figure in her work as complex metaphors
for the human condition.
Wayne's art is represented in many museum collections in the USA and abroad, and she has received dozens of awards as well
as honorary doctorates in recognition of her innovative and prolific contributions to her artistic fields.
Scope and Content
The collection consists of June Wayne's personal and professional correspondence and documents pertaining to her career as
a painter, lithographer, weaver, writer and political and civil activist. Different aspects of her career are highlighted,
e.g. her relationship with the Ford Foundation and the Tamarind Lithography Workshop; the process of working on the Dorothy
series and the John Donne's book lithographs; events such as exhibits and trips; the filming of the movie,
Four Stones For Kanemitsu, that later resulted in litigation; participation in radio and TV broadcasts, such as
You and Modern Art; and her involvement in the feminist art movement, e.g. the creation of the
Joan of Art seminar series, as well as politics and art when lobbying for better legislation for artists.
Organization and Arrangement
The collection is arranged in the following series:
- Correspondence
- Court Cases (Restricted)
- Dorothy's Possessions
- Employment Reports
-
Four Stones for Kanemitsu
- June Wayne's Events
- Press and Publications
- Tamarind Lithography Workshop
- Photographs
- Audiovisual Materials
- Slides
- Artwork Photographs
- Writings and Public Speaking
Arrangement follows original order of collection.
Items Removed from the Collection
Rand McNally Guide to Chicago and Environs (Chicago: Rand McNally, 1924), catalogued and added to general library collection.
Related Material
Subjects and Indexing Terms
Lithographers -- California -- Los Angeles -- Archives.
Audiovisual materials.
Photographs.
Women artists -- California -- Los Angeles -- Archives.
Tamarind Lithography Workshop.
Wayne, June, 1918- --Archives.
Wayne, June
Series 1: Correspondence
1942-1997
Scope and Contents note
This series includes Wayne's correspondence with friends, family members, politicians, and colleagues in the field of print
making. Topics include Wayne's philosophies on artists' rights, women's rights, and Wayne's creative work. This series is
organized into thirteen subseries.
Subseries 1: Business
1942-1999
Scope and Contents note
This subseries includes Wayne's correspondence regarding various exhibitions of her work in the United States, Australia and
Japan, the establishment of the Tamarind Lithography Workshop, the "June Wayne" television series broadcast on KCET, and her
activities in the Women In Business and Women's Caucus for Art organizations. Also included are documents regarding Wayne's
biographical entries in the Who's Who publications, Wayne's Honorary Doctor of Fine Arts degree from the Rhode Island School
of Design, and correspondence regarding Wayne's concerns for the National Endowment for the Arts and artists' rights.
Organization and Arrangement
After "Shedletsky, Stuart," additional folders have been arranged alphabetically
Processing Information
Includes materials from the July 2012 addition.
box 5, folder 1
Lowry, MacNeil Correspondence (Ford Foundation)
1959-1964, 1969-1970
Scope and Contents note
Correspondents include: W. McNeil Lowry (Director, Program in Humanities and the Arts, Ford Foundation) re: establishment
of Tamarind Lithography Workshop; Adja Junkers re Wayne's exhibition at Los Angeles County Museum of Art (LACMA); Clinton
Adams (head of the Department of Art, University of Florida, Gainesville) re LACMA catalogue; Wayne's written proposal, "Tamarind
Lithography Workshop, Inc.: Project prepared for the Program in Humanities and the Arts of the Ford Foundation"; list of names
to whom Lowry submitted Wayne's proposal for review and their responses, which include Josef Albers, Garo Z. Antreasian, Will
Barnet, Vernon L. Bobbitt, Adelyn D. Breeskin, Lamar Dodd, Ebria Feinblatt, Ernest Freed, Gustave von Groschwitz, Theodore
J.H. Gusten, Bartlett Hayes, Arthur W. Heintzelman, Harold Joachim, Una E. Johnson, Jules Langsner, A. Hyatt Mayor, Andrew
C. Ritchie, Lessing Rosenwald, Henry J. Seldis, Ben Shahn, Benton Spruance, Frederick S. Wight, and Carl Zigrosser.
box 5, folder 11
Hicks, Price (KCET)
1970-1975, 1978, 1980, 1983
Scope and Contents note
Price Hicks (producer, KCET) re taping arrangements for Wayne's "Speculation: A Conversation with June Wayne"; Wayne's request
to Hicks re purchasing copies of the "June Wayne" series; "June Wayne" television series summary; guest lists; introductions;
Dorothy Kemps (director, KCET Volunteer Center) re Wayne's Achievement Award speech at YWCA Leadership Luncheon (1983.)
box 5, folder 12
Kubasik, Ben (Public Relations)
1968-1974
Scope and Contents note
Wayne's views re role of the National Citizens Committee for Public Television; press release re committee receiving grant
from Benton Foundation; Wayne utilizes Ben Kubasik and his newly established communications/public relations firm; invitation
to party and preview of Wayne's television series, "June Wayne"; tape of Wayne's talk at College Art Association meeting;
Kubasik to Otis Chandler re Wayne's exhibition at the Los Angeles Municipal Art Gallery.
box 5, folder 13
Whitney Museum of American Art
1990
Scope and Contents note
Linda Daita (Adult Education Coordinator, Public Education Department, Whitney Museum of American Art) re request for Wayne's
participation in their 1990-1991 seminar series, "Seminars with Artists."
box 5, folder 15
Maison Odoul & Co.
1976-1978
Scope and Contents note
Shipping documents for Wayne's exhibition at La Demeure, Paris ("June Wayne: An Exhibition of Paintings, Tapestries, Lithographs,
Los Angeles Municipal Art Gallery, Barnsdall Park, 1973 November 1-December 2, and La Demeure, Paris, 1974 December 1-31.)
box 6, folder 2
Publisher Group West; Pucciani, Oreste
1985, 1990
Scope and Contents note
Kathleen Kennedy (advertising, Publishers Group West Inc.) re including Wayne's work in Fall 1990 catalogue; Publishers Group
West Spring 1990 Audio catalogue; Oreste F. Pucciani re Scholarship Fund evening and Special Tribute Award to Rudi Gernreich
by the Council of Fashion Designers of American (New York, 1986 January 19); Wayne's paper at conference, The Avant-garde
in Literature, Hofstra University (Long Island, 1985 November.)
box 6, folder 3
Smith, Benjamin 1969-86
1969, 1974, 1976, 1979-1981, 1986
Scope and Contents note
Benjamin B. and Dorothy Smith re valuations of Wayne's prints and gifting their Tamarind Lithography Collection to the National
Gallery of Art, Washington, D.C.; 1976 valuation of Wayne's painting, "Sanctified"; J. Carter Brown (Director, National Gallery
of Art), Andrew Robinson (Curator of Graphic Arts, National Gallery of Art) and U.S. Senator Alan Cranston re gift of Tamarind
prints.
box 7, folder 2
Rancho Santiago College
1986
Scope and Contents note
Gene Isaacson (Gallery Director, Rancho Santiago College Art Gallery, Santa Ana, CA) and Tobey C. Moss Gallery re including
Wayne's work in exhibition, "New California Painting: Dealer's Choice" (1986 February 24-March 20); exhibition reviews by
Suvan Greer (
Orange County Register) and John Hamilton (staff writer, Rancho Santiago College student newspaper.)
box 7, folder 3
International College
1974-1975, 1978, 1984
Scope and Contents note
Independent Study Program materials, International College (Los Angeles, CA); Barbara Kibbe re use of Wayne's mailing list
and invitation for Wayne to act as tutor.
box 7, folder 4
Morrison, Rita (Bequest of "The Advocate")
1994-1995
Scope and Contents note
Last Will and Testament of Rita J. Morrison (1989 March 17); correspondents include: Michael J. Fasman and City National Bank
(co-executors), Peggy Ornelas (Vice President and Senior Trust Officer, City National Bank), and Burt Levitch, Rosenfeld,
Meyer & Susman (attorneys) re distribution of Rita J. Morrison estate; proceeds from the sale of Wayne's painting, "The Advocate."
box 7, folder 5
Public Corporation For Arts, Long Beach
1990-1991
Scope and Contents note
Correspondents include: Harriet Williams (chair, Public Corporation for the Arts, Long Beach, CA) re Wayne's lecture, "The
Artists' World--Inside and Outside the Studio" presented (1991 April 30) as part of their 1991 Lecture Series.
box 7, folder 7
Inlander, Gail
1982
Scope and Contents note
Gal Achtenberg Inlander (Flood Gallery, San Francisco) re acting as agent for Wayne's prints and tapestries.
box 7, folder 8
Daquin, Pierre
1975-1976
Scope and Contents note
Pierre Daquin (artist) re contract problems with Arras Gallery (New York); Wayne offers legal assistance of Joseph Rothman
through the Artist's Equity union of New York; "Free Unicorn..." exhibition catalogue of Daquin tapestry show at Arras (New
York, 1971.)
box 8, folder 3
Miscellaneous Correspondence (Art Express)
1981
Scope and Contents note
Art Express (Kenneth S. Friedman, editor) re advisory board, law suit filed by publisher, Bruce Helander, and Wayne's request
to remove her name from the magazine's masthead.
box 8, folder 4
American Federation of Television and Radio Artists
1983
Scope and Contents note
Letter re request for inactive status in AFTRA.
box 8, folder 5
Artists Equity Association of Los Angeles (AEA)
1981
Scope and Contents note
AEA (Bill Lasarow, Vice President) re fundraising activities and protocols; letter of recommendation for CCA from Lani Lattin
Duke (Executive Director, California Confederation of the Arts)
box 9, folder 3
Heckscher Museum
1976, 1977, 1980, 1987,1988
Scope and Contents note
Correspondents include: Barbara Coller (guest curator for exhibition), Christopher B. Crosman (Director) re Wayne lending
to exhibition, "The Artist's Mother: Portraits and Homages", (1987 November 14-1988 January 3, and The National Portrait Gallery,
1988 April 1-June 5); also includes loan agreement forms.
box 9, folder 4
Women's International Center
1987-1989, 1993, 1995
Scope and Contents note
Correspondents include: Gloria Lane (founder, President, Women's International Center, San Diego, CA) re Living Legacy Award;
fundraising for Designated SAFE Fund.
box 9, folder 5
Women's International Center
1987-1989
Scope and Contents note
Living Legacy Awards Program (Hotel del Coronado, 1987 March 7); Correspondents include: Antoinette Fouque re Wayne's friend,
Nancy Reeves; Gloria Lane (founder, President, Women's International Center, San Diego, CA) re Living Legacy Award; Communiqué
newsletter of the Women's International Center (1988 January)
box 9, folder 8
Rockwell International
1985, 1988, undated
Scope and Contents note
Correspondents include: Ed Longarini re Wayne submitting slides of her work for possible acquisition by Rockwell; discussion
of Rockwell pursuing corporate art collection focusing on space subjects; map and directions to Rockwell's Seal Beach location;
layout of the Strategic Defense Center building.
box 9, folder 9
Rockwell International Re: Bid Raw Materials
1988
Scope and Contents note
Business card of E.C. "Ed" Longarini (manager, Facilities Services, Rockwell International Corporation, El Segundo, CA); price
quotes, layout illustrations, and installation instructions for a selection of Wayne's lithographs and paintings.
box 9, folder 12
Women For:
1980, 1983, 1985
Scope and Contents note
Correspondents include: Georgia Mercer and Marilyn Kizziah (coordinators) re Wayne's proposal of auctioning a visit to her
studio for the National Women's Campaign Fund fund-raising event; invitations to Women For: Women of Achievement Awards Luncheons
(1980 August 26, and 1985 September 11); also includes Wayne's certificate, "In Celebration of Women's Equality Day" (1980
August 26.)
box 9, folder 13
RO Miscellaneous
1975, 1976, 1981
Scope and Contents note
Correspondents include: Joseph Rothman (former special Assistant Attorney General, New York) to Dr. Andrew Robison (Curator
of Graphic Arts, National Gallery of Art, Washington D.C.) and Anne Stele Marsh (President, Society of American Graphic Artists,
i.e. SAGA) re SAGAS's and the Print Council of America's definition of "original print" and legislation on limited editions;
Marsha Melnick and Susan E. Meyer re establishment of Roundtable Press Inc., New York (1981 April 6.)
box 10, folder 1
Rockwell International
1988
Scope and Contents note
Correspondents include: Ed Longarini (manager, Facilities Services, Rockwell International Corporation, El Segundo, CA) re
price quotes No. 1 through 6, layout illustrations, and installation instructions for a selection of Wayne's lithographs,
paintings and tapestries; also includes 35mm Kodachrome slides of Wayne's "Lemmings Day " tapestry, wall color sample paint
chips, exhibition catalogue "June Wayne: Tapisseries Lithographies 1978-1980", 35mm color negatives of various works, photocopies
of articles about Wayne and her work.
box 10, folder 2
Rockwell International
1988
Scope and Contents note
Correspondents include: Ed Longarini (manager, Facilities Services, Rockwell International Corporation, El Segundo, CA) re
price quotes No. 1 through 8, layout illustrations, and installation instructions for a selection of Wayne's lithographs,
paintings and tapestries; also includes exhibition announcement for Wayne's "My Palomar" lithograph series (1985 April 18-June
15, Galerie des Femmes, Paris) with reviews by Merle Schipper and others; photocopy of Louise Lewis' PrintNews article, "June
Wayne's Investigations of Time"; photocopies of articles about Wayne and her work.
box 10, folder 11
Rockwell International
1987-1988
Scope and Contents note
Correspondents include: Patti F. Mancini (Vice President, External Affairs & Communications, North American Space Operations,
Rockwell International Corporation, Downey, CA) re biographies on Rockwell vice presidents, George Jeffs and George Merrick;
E.C. Longarini (manager, Support Services, Rockwell International) re Wayne's proposals and quotes; business card for Marinus
Welman, Fine Art (Fullerton, CA.)
box 11, folder 1
Women in Business
1982-1984 -1987
Scope and Contents note
Includes Women in Business (WIB) rosters (1985-1986; 1987); WIB announcement of Convention '86 with brief description of Wayne's
current activities; correspondents include: Ceciley Bachnik; Laura Shields; Julie Bornstein (president, WIB) re Wayne's award
and request for biographical information and photograph; Rebekah Verdon (honoree chair) and Ann Luke (president, WIB) re 10th
Anniversary Dinner (1984 December 1) and Wayne's award as "Woman of the Decade"; Sandy Grant re photos of Wayne; Marilyn Miller
(program chair, WIB) re Wayne's speech for anniversary party; Sunny Bernstein (public relations) re Wayne's WIB presentation
(1986 June 16); Catherine Wagner; Phyllis E. Manger (Vice President, Shearson Lehman, Hutton, Beverly Hills, CA.)
box 11, folder 2
Women In Business
1982-1989
Scope and Contents note
WIB membership, dinner and conference materials; "Contact" WIB newsletter (1983 June, July; 1984 May, June.)
box 11, folder 4
Isolde, Ann
1995
Scope and Contents note
Correspondence re Southern California Women's Caucus for Art Equity Committee's Survey of Southern California Museums and
Community Galleries; Ann Isolde (Co-chair, Equity in the Arts Committee) re request for Wayne's Sex Differential in Art Exhibition
Reviews"; includes draft of "Museum Policies: Equity for Women and People of Color" (M. Adams, 4/94.)
box 11, folder 5
Walker Art Center
1981, 1984, 1986, 1988, 1989, 1992
Scope and Contents note
Correspondents include: Carolyn Clark DeCato (registrar, Walker Art Center, Minneapolis, MN) re questionnaire for conservation
program; Mary Mancuso re "The Art of June Wayne"; Elizabeth Armstrong (assistant curator) re Grunwald and Tyler Graphics catalogues,
Judith Goldman essay on Tyler Graphics, including copy with Wayne's edits; Diana Gaston (curatorial intern) re slides of Tamarind
Lithography Workshop for print exhibition, "First Impressions"; FAX to Walker Art Center registrar re edition of Wayne's "Adam
Tempted and Eve Waiting."
box 12, folder 4
Ocean Works
1980-1983
Scope and Contents note
Correspondents include: Conrad Schwable (master printer) and Steve Andrews (director) re: Wayne visiting Ocean Works studio;
acquiring lithography stones; opening of Wayne's "Dorothy Series" at UCLA (1982 April 4); Alexandra Yakutis (publications)
re request for brief appointment; also includes two 8 x 10 inch black and white photographs of Conrad and Steve in Ocean Works
studio.
box 12, folder 5
Odoroff, Minnie
1991
Scope and Contents note
Correspondence re Odoroff's qualifications and charges for appraising 50 prints and one painting being donated by Wayne to
the National Museum of American Art, Washington, D.C.
box 12, folder 6
Oregon Art Institute
1988, 1990
Scope and Contents note
Correspondents include: Gordon W. Gilkey (curator, prints and drawings) re: Wayne's "Djuna Set" catalog; letter sent to congressmen
requesting support for the National Endowment for the Arts (NEA) and National Endowment for the Humanities (NEH.)
box 12, folder 8
Printworld
1989, 1990, 1992, 1995
Scope and Contents note
Correspondents include: Selma Smith (editor) re inclusion and corrections for Wayne's lithograph entries in Printworld Directory,
6th and 7th editions.
box 12, folder 9
Printworld
1986
Scope and Contents note
Documentation forms for Wayne's lithograph entries in Printworld Directory 1987/1988.
box 12, folder 10
Printworld
1981, 1988-1990
Scope and Contents note
Correspondents include: Selma Smith (editor) re inclusion and corrections for Wayne's lithograph entries in Printworld Directory,
6th and 7th editions.
box 12, folder 11
Women's Caucus for Art 1983-85 (W.C.A.).
1984, 1985
Scope and Contents note
Correspondents include: Carol H. Neiman (President) re membership roster and officer election proxy, and visit to Wayne's
studio during 1985 annual conference; Ilee Kaplan (Fundraising Committee Chair) re 13th Annual National Conference in conjunction
with the College Art Association (CAA), (February, 1985, Los Angeles); also includes WCA membership directory 1984-1985.
box 12, folder 12
Women's Caucus for Art
1983-1985
Scope and Contents note
Correspondents include: Eleanor Dickinson re identifying Wayne's prints; Ofelia Garcia (President) re Wayne's selection as
recipient of WCA's Honor Award for Professional Achievement in the Visual Arts, 1985; also includes membership roster, 1983
and issue of WCA's newsmagazine, "Hue Points", vol. XII, no. 1 and 2, spring/summer 1983.
box 12, folder 13
Women's Caucus for Art
1978, 1982, 1983
Scope and Contents note
Correspondents include: Burt Pines (City Attorney, Los Angeles) re taxation and women's civil rights issues; Carol H. Neiman
(Liaison from SC/WCA to Arts Coalition for Equality, aka "ACE") and Rita Starpattern (Vice President for Programs and Goals,
CWAO) re Coalition of Women's Art Organizations (CWAO) 1983 Philadelphia conference panel discussion; Ellouise Schoettler
Artists Equity and attending WCA conference; Ofelia Garcia (Director, The Print Club) re submitting Wayne's print for WCA
conference exhibition; Linda Cunningham (Department of Art, Franklin and Marshall College, Lancaster, PA) re conference panel;
Gayle Vernon re meeting at conference; WCA National Advisory Board meeting agenda (1983 February 5); WCA Fundraising Committee
member roster and meeting announcement; also included is WCA National Conference program (1983 February 15-18, Philadelphia,
PA.)
box 12, folder 14
Women's Caucus for Art
1986, 1987
Scope and Contents note
Correspondents include: Janet Miller (project archivist) re: processing WCA records at Philadelphia Office in preparation
for transfer to Rutgers University Special Collections and Archives; request from officers and committee members for materials
for WCA archives; also includes WCA 1986 membership directory and Southern California WCA 1987 membership roster.
box 12, folder 15
Women In Film
1975, 1977-1980, 1982
Scope and Contents note
Women in Film member rosters, meeting notices, "memos from members" announcements, amendments to by- laws, newsletters, statements
from nominees for board of directors, 1982.
box 13, folder 1
Women's Caucus for Art
1981
Scope and Contents note
Correspondents include: Georgia Ross and Miriam Hirsch (coordinators, Juried Exhibition for the New Orleans WCA) re Wayne's
participation as juror for exhibition; curriculum vitae of Lee Anne Miller (Chair, Department of Art and Art History, Wayne
State university, Detroit, MI, and program coordinator for WCA conference sessions held there, 1978 October 25-27.)
box 13, folder 4
Writer's Guild of America, West, Inc.
1981-1983
Scope and Contents note
Correspondents include: Melville Shavelson (President) re management offer and WGA strike bulletin; Leonard Chassman (Executive
Director) re network television prime time minimums; Frank Pierson (President) re proposed constitutional amendments; Naomi
Gurian (Executive Director) re candidate's statements for board election; William Ludwig (Secretary-treasurer) and Corinne
Tippin (Membership Administrator) re Wayne's membership; also includes list of credit arbiters.
box 13, folder 5
Y.W.C.A.
1983, 1984
Scope and Contents note
Correspondents include: Donna Ellman (Chairperson), Winifred R. Hessinger (Executive Director), Laura S. Wiltz (President),
and Maura Walsh (Director of Financial Development) re YWCA Leadership Luncheons.
box 13, folder 7
Writer's Guild of America, West, Inc.
1979, 1980
Scope and Contents note
Correspondents include: Film Society Committee re film screenings and WGA Film Society rules; Leonard Chassman (Executive
Director) re strike and unfair lists, list of TV credit arbiters, and candidates' statements for board elections; also includes
WGA West newsletters (1979 March, April, May.)
box 13, folder 10
Women's Caucus for Art
1987, 1988
Scope and Contents note
Correspondents include: Annie Shaver-Crandell (President, WCA) re national update (winter 1987) and Ruth Weisberg mid-career
achievement award presentation; Diane Burko re meeting at WCA dinner in Houston; Wayne's presentation speech on Ruth Weisberg;
WCA National Conference program (1988 February 8-12, Houston, TX); Christine Havice (President, WCA.)
box 13, folder 11
The Women's Building
1979, 1980, 1982, 1985-1988, 1991
Scope and Contents note
Correspondents include: Maurine Renville (Executive Director) re advisory board members and meeting; Cheri Gaulke (Manager)
re Vesta Awards (1982 September 12); Terry Wolverton (Membership Coordinator) re newly elected board of directors (1982-83),
program activities, request for Wayne to participate in video on women's art movement in Southern California, and Wayne's
participation in Vesta awards; list of magazines donated by Wayne to Woman's Building; brochure, "Women Reconstructing the
World: A Month of Writers Events Sept. 14 - Oct. 7 [1984]; Eliose Klein Healy (Chair, 1991 Vesta Committee) re 10th Annual
Vesta Awards and form with Wayne's nomination of Judith Hoffberg; Linda Higgins re Wayne's membership renewal.
box 13, folder 13
Women's Art Registry of Minnesota
1986, 1987
Scope and Contents note
Correspondents include: Pamela Zwehl Burke (Assistant Professor, School of Fine Arts, University of Wisconsin-Milwaukee) re
research project questionnaire and borrowing copy of "Dorothy Series" video tape; Susan McDonald re Wayne's participation
in WARM's 10th Anniversary Conference (1986 October 16-19, Minneapolis, MN); also includes issue of Artpaper (1986 October,
vol. 6, no. 2, Visual Arts Information Service, Minneapolis, MN)
box 13, folder 14
Women's Art Registry of Minnesota
1984-1986
Scope and Contents note
Correspondents include: Susan McDonald re Wayne's participation in WARM's 10th Anniversary Conference, "The Contemporary Woman
in the Visual Arts" (1986 October 16-19, Minneapolis, MN); copy of WARM's "A Landmark Exhibition" catalogue, 1984; also includes
color poster for WARM 10th Anniversary Conference.
box 13, folder 15
Women's Art Registry of Minnesota
1983, 1985
Scope and Contents note
Includes three WARM Journals: Spring 1983, vol. 4, no. 2; Autumn 1983, vol. 4, no. 3; Summer 1985, vol. 6, no. 2.
box 13, folder 16
WOM Miscellaneous
1981, 1984, 1985, 1992-1994
Scope and Contents note
Correspondents include: Bertha Nepove; Therese Weisberg re her contribution in Wayne's name to Women's American Organization
for Rehabilitation through Training; Jodie Krajewski and Marcia Medavoy (Women's Campaign Fund, Los Angeles) re Wayne's participation
in "Dinner of Your Choice" (1984 May 23); Bettyanne Lambert-Bussoff (Women's Pavilion, 1984 World's Fair in New Orleans) re
Wayne's honor as woman of accomplishment in the field of art and request for biographical information and photograph; Pauline
Barrie (Women Artists Slide Library, London) re Wayne's contribution of documentation, slides and subscription to Women's
Art magazine; Gloria Lane (Women's International Center) re 11th Annual Living Legacy Awards presentation.
box 13, folder 21
Who's Who In The West
1968-1971, 1977, 1981-1983, 1985, 1990
Scope and Contents note
Biographical data form for 23rd edition; Wayne's suggestions to their style manual and edits to her bio; copies of Wayne's
basic file data.
box 13, folder 22
World Who's Who of Women
1977-1980
Scope and Contents note
Correspondents include: Ernest Kay (Hon. General Editor), Melody Bradley (Head of Research and Records) and Sheila Ellwood
(research assistant) re questionnaire and Wayne's biographical information for entry in 4th and 5th editions.
box 14, folder 1
Who's Who In American Art
1969, 1972, 1975, 1988
Scope and Contents note
Correspondents include: Amy Furman (Senior Editor) re corrections to Wayne's biographical information; also includes brochures
and forms from Jaques Cattell Press and R.R. Bowker Company
box 14, folder 2
Who's Who In America
1973-1975, 1977-1981, 1984-1986
Scope and Contents note
Brochures, forms and updates to Wayne's biographical information for the International Directory of Arts (15th edition), Who's
Who in America (39th - 44th edition), Who's Who in American Art (13th and 14th editions), Who's Who of American Women (9th,
11th and 12th editions), Who's Who in the World (4th and 5th editions), and The World Who's Who of Women (2nd and 5th editions.)
box 14, folder 3
Who's Who In America
1958-1963,1966-1969,1978-1981
Scope and Contents note
Brochures, forms and updates to Wayne's biographical information for Who's Who in the West and Who's Who of American Women.
box 14, folder 4
RO Miscellaneous
1982, 1984, 1989, 1990,
Scope and Contents note
Correspondents include: David Roberti (California State Senator) re abortion issues; Donald Roberts (College of Fine Arts,
Ohio University, Athens, OH) re article on Wayne's work in "Modern Maturity" magazine and copy of "The Trisolini Print Project"
exhibition catalogue; Esther Robles (appraiser); Sarah Robinson (Richmond Art Center, Richmond, CA) re slides of Wayne's work;
Stephen F. Rohde (attorney) re censorship and NEA controversy.
box 14, folder 5
Rhode Island School of Design (Frank Robbins Dir.)
1982, 1988, 1993
Scope and Contents note
Correspondents include: Lee Hall (President, RISD) re Athena Award ceremony and Lee's resignation; Franklin W. Robinson (Director,
RISD) re Wayne's "The Djuna Set" exhibition catalogue; Roger Mandle (President, RISD) re Wayne accepting Honorary Doctor of
Fine Arts degree from RISD.
box 14, folder 6
Rhode Island School of Design
1993, 1994
Scope and Contents note
Correspondents include: Roger Mandle (President, RISD), Cindy Moravec (Executive Secretary to Mr. Mandle), and Nancy Friese
(Head, Department of Printmaking, RISD) re Wayne accepting Honorary Doctor of Fine Arts degree from RISD, exhibition catalogue
"Generation of Mentors."
box 14, folder 7
PI Miscellaneous
1983-1985, 1988-1990, 1993
Scope and Contents note
Correspondents include: Christiane Picard re Wayne visiting Paris; Irene Picard re Wayne's exhibition at Galerie/Librarie
des Femmes, Paris (1985 April 15-June 15); Otto Piene and his wife, Elizabeth Goldring, re Wayne's participation in Otto Piene's
"Skywork" project; Joy Picus (Public Policy Advocate, Woodland Hills, CA) re her work on the Los Angeles City Council; also
includes catalogue for "Sky Art Conference '83" held at the Center for Advanced Visual Studies, Massachusetts Institute of
Technology (1983 September 24-27); includes Manila folder with notes and doodle by Wayne in black ink.
box 14, folder 8
PR Miscellaneous
1969, 1978, 1979, 1981, 1982, 1985, 1989
Scope and Contents note
Correspondents include: Yvonne and Burt Prelutsky re invitation to Wayne's exhibition; The Print Club of Albany, Inc (Charles
Semowich, President) re Wayne's interest in creating print for Print Club; The Print Exchange (Connie Harris, Beverly Hills,
CA) re available prints for sale; Printmaker's Journal (California Society of Printmakers, Sausalito, CA) re questionnaire;
Projection Systems International (Bill Bosga, New York) re equipment rental for Wayne's exhibition at the Jewish Museum; Dorothy
Provis (Legislative Liaison, Wisconsin Women in the Arts) re "Artist Consignment Bill Progress Report" (1978 December); Donna
Pruitt (Gallery of Western Art, Taos, NM) re list of Wayne's lithographs and book, "Art of June Wayne";
box 14, folder 9
Pink, Marilyn
1984, 1988, 1990, 1995, 1996
Scope and Contents note
Re: Pink's Fine Arts opening reception (1984); catalogue of Wayne's work; memorial service for Ebria Feinblatt (curator of
Prints and Drawings at Los Angeles County Museum of Art); Wayne lecture on printmaking (14 January 1996.)
box 14, folder 11
Pasadena Museum of Modern Art
1974, 1975
Scope and Contents note
Correspondents include: Alfred M. Esberg (Chairman of the Board of Trustees) re agreement with the Norton Simon Foundation
and Norton Simon Museum of Art to combine art collections (1974 May 13); George T. Peters (Executive Director) re reopening
of the museum and first exhibition.
box 14, folder 12
Phillips Collection (Correspondence and Detail)
1972, 1975, 1980, 1988, 1989, 1991
Scope and Contents note
Correspondents include: Peter Plone and Stephen M. Dobbs (Director, Center for Experimental and Interdisciplinary Arts, aka
"CEIA", San Francisco State University) re selection of prints for Goldstein & Phillips law firm and biographies of Tamarind
printmakers; David C. Phillips (attorney) re appraising and selling their collection of Wayne prints.
box 14, folder 13
Phillips Collection (Correspondence and Detail)
1979, 1980
Scope and Contents note
Correspondents include: Peter Plone and Stephen M. Dobbs (Director, Center for Experimental and Interdisciplinary Arts, aka
"CEIA", San Francisco State University) re selection of prints for Goldstein & Phillips law firm and biographies of Tamarind
printmakers.
box 14, folder 15
Moore College of Art & Design
1991
Scope and Contents note
Correspondents include: Janet Kaplan re Wayne's honorary degree and commencement speech; John R. Van Ness (Acting President,
Moore College) re commencement schedule and reimbursement for expenses; Frederick S. Osborne (Dean and Director of the Schools,
Pennsylvania Academy of the Fine Arts) re also speaking at their commencement.
box 14, folder 18
Graphic Arts Council
1983,1985, 1986
Scope and Contents note
Correspondents include: Pam Berg (Chairperson, GAC, Los Angeles County Museum of Art); Julius L. Zelman (Chairman, Graphic
Arts Council) and Isabel Anderson (instructor, Pasadena City College) re the GAC artist-membership category; also included
is the 1985-1986 GAC board of directors list and membership roster.
box 14, folder 19
Kerslake, Ken
1994, 1995
Scope and Contents note
Correspondence re: Wayne honored with Printmaker Emeritus Award; Wayne contributing article for SGC Newsletter; death of Bernie
Solomon and illness of Boyd Saunders; SGC Newsletter delay; also includes issues of SGC Newsletter (fall 1994 and spring 1995.)
box 14, folder 20
Who's Who of American Women
1969, 1970, 1978
Scope and Contents note
Correspondents include: Jackson Martindell (publisher) re corrections to Wayne's biographical information.
box 15, folder 1
WI Miscellaneous
1981, 1982, 1986
Scope and Contents note
Correspondents include: Marilyn E. Wilhelm (founder, The Wilhelm Scholê, Houston, TX) re rescheduling of exhibit, "Diary of
a Painter, Picasso and His Friends" at the California Museum of Science and Industry, Los Angeles and scheduling a student
group to visit Wayne's studio; Ulfert Wilke re Wayne's exhibition of "The Dorothy Series;" Elfie Wilkins-Nacht postcard of
her mother, Berti Wilkins, from "The Postcard Project: Celebrating Our Heroines," directed by Cheri Gaulke, The Woman's Building.
box 15, folder 2
Woelffer, Emerson
1983, 1985, 1986, 1989
Scope and Contents note
Re: Wayne considering closing down her print shop; Woelffer's award (1987); Kim Eagles-Smith (director, Harcourts Gallery,
San Francisco) re invitation to reception for exhibition of work by Woelffer and Richard Bowman (1989.)
box 15, folder 3
Williams Waterproofing Co.
1984-1986, 1988
Scope and Contents note
Correspondents include: Harlan W. Lawson, James E. Booth (President), and David N. Jaffe (Vice President) re Tamarind studio's
roof inspection and repair, repairs to cement patio and wall leaks; documents include proposals, lien releases, and photocopies
of studio layout drawings from spiral notebook.
box 15, folder 4
K people
1973, 1983, 1986, 1987, 1990
Scope and Contents note
Correspondents include: Marjorie Kelly (Editor, Business Ethics) re use of Wayne's lithograph in publication; William Kelly
(artist) re visiting Wayne in Los Angeles, three 4 x 6 inch color photographs and catalogue of his exhibition, "William Kelly:
Cologne Cathedral Series and Works in Collaboration" (1990 March 23-May 11, Wilson Gallery, Lehigh University, Bethlehem,
PA), and brochure from "Real Drawing: Intimate Images Over Thirty Years" (1996 November 14-December 7, Stephen McLaughlan
Gallery, Melbourne, Australia); Mary Jean Kenton re Wayne's response to question, "How do you recognize a work of art when
you see one?"; Helene J. Kosher (Curator of Slides and Photographs, University of California, Riverside) re information packet
for "Conference on Photographic Collections Administration: Using a Personal Computer to Manage Your Images" (1986).
box 15, folder 5
Macquarie Galleries 1991
1991
Scope and Contents note
Correspondents include: Eileen Chanin (director) and Stella Downer (gallery manager) re commission, expired contract, and
the return of Wayne's consigned lithographs; damage to lithographs and frames during shipment.
box 15, folder 6
Macquarie Galleries 1990
1990
Scope and Contents note
Correspondents include: Anne Kirker (Curator of Prints, Drawings and Photography, Queensland Art Gallery, Brisbane, Australia)
re purchasing Wayne's print, "At Last a Thousand III" for the museum; Eileen Chanin (Director) re return of Wayne's art work,
price lists, and accounting issues; Stella Downer (Gallery Manager) re accounting issues, price increases for Wayne's art
work, tour of "The Dorothy Series," and the acquisition of Wayne's entire series of prints (1948-1990) by the Bibliothèque
nationale de France, Paris.
box 15, folder 7
Macquarie Galleries 1990
1989
Scope and Contents note
Correspondents include: Eileen Chanin (director) re Wayne's trip to Australia and Japan; accounting issues; Stella Downer
(gallery manager) re exhibition of Wayne's prints at Brisbane City Art Gallery and McKay Art Gallery; Geoffrey Cousins (Regional
Director and Chairman, Backer Spielvogel Bates Worldwide Inc.) re dinner at the Art Gallery, Sydney; Ed Hamilton re sending
prints to Australia;
box 15, folder 8
Macquarie Galleries 1988
1988
Scope and Contents note
Correspondents include: Eilene Chanin (director) re "The Dorothy Series"; arrangements for exhibition of Wayne's work; Wayne's
representation agreement/contract draft with Macquarie Galleries; layout of gallery space; shipping lists.
box 15, folder 10
MO Miscellaneous
1984, 1991
Scope and Contents note
Correspondents include: Linda Hubbard (senior editor, Modern Maturity) re article on Wayne's "Dorothy Series"; Joan Adams
Mondale (wife of Walter Mondale) re meeting Wayne; Thomas Logan and Rick Deragon (assistant Curator/Registrar, Monterey Peninsula
Museum of Art) re slides of Wayne's work; Diana Morris.
box 15, folder 11
Mount St. Mary's College
1989
Scope and Contents note
Correspondents include: Olga Seem (Exhibitions Curator) re retrospective exhibition of Wayne's work (proposed for 1990 November
5-December 14, Jose Drudis-Biada Art Gallery, Chalon Campus, Los Angeles.)
box 15, folder 14
Museum of Contemporary Art - Los Angeles
1982-1984, 1987, 1988, 1993
Scope and Contents note
Correspondents include: Bob Kitzmiller (Coordinator, First Visit and Beyond, Education Department, Museum of Contemporary
Art (MOCA), Los Angeles) re Wayne's participation in the museum's outreach education program; Amelia G. Jones (assistant to
Elizabeth Smith, Assistant Curator) re meeting with Wayne to discuss "Blueprints for Modern Living: History and Legacy of
the Case Study Houses" exhibition; Julie Brown (curator) re slides of Wayne's work; Richard Koshalek (director) re visiting
Wayne.
box 15, folder 15
Music Center of Los Angeles
1981, 1982, 1984, 1986-1988, 1990, 1996
Scope and Contents note
Correspondents include: Joan Reynolds Boyett (Director, Music Center Education Division) re Wayne's participation in Summer
Arts Institute; Eva G. Fremont re invitations to luncheon and panel discussion, "The Art of Criticism" (Dorothy Chandler Pavilion,
1996 April 26); Bella Kallick (Bravo Award Chairperson, Music Center Education Division) re Wayne's participation as judge
for Bravo competition; Michael Newton (President, Performing Arts Council of the Music Center) re possible tapestry commission
for Wayne; Claire Segal re Women In Business dinner, agreement for Wayne's lithograph commission for the Music Center, description
of "Curtain Time" lithograph; Esther Wachtell re Wayne's participation in "Live from Trumps" KUSC radio broadcast on "Marketing
the Arts" topic, letter to Friends of the Music Center about the National Endowment for the Arts (NEA), and the Distinguished
Artist Award; also included are a 8 x 10 inch, black and white aerial photograph of the Music Center from Aerial Maps Industries,
and a 1987 Music Center Unified Fund annual report.
box 15, folder 16
Newport Harbor Art Museum
1992
Scope and Contents note
Correspondents include: Joan Beall (President, NHAM) re visiting Wayne's studio; Ellen Breitman (Director of Education) re
Wayne's loan of film, "Four Stones for Kanemitsu"; Bruce Guenther (Chief Curator) re visiting Wayne's studio, catalogue raisonné
of Wayne's prints published in Print Quarterly; also includes NHAM Calendar, 1992 September/October.
box 15, folder 17
National Register of Prominent Americans
1969, 1971
Scope and Contents note
Correspondents include: P. Barker Burt (Executive Director) re Wayne's biographical entry; C. Maxwell Stewart (Executive Secretary)
re biographical material on Wayne, and lack of women on executive Advisory Council of the Register; also includes Wayne's
membership card and certificates.
box 16, folder 1
Nodal, Al
1989, 1990
Scope and Contents note
Correspondents include: Tom Bradley (Mayor of Los Angeles) re inviting Wayne to become member of the Arts Advisory Committee;
Adolfo V. Nodal (General Manager, Cultural Affairs Department) re notes on Los Angeles cultural policy; Karen Hill-Scott,
Alice Walker Duff and Marc Pally (Morris McNeill, Los Angeles consulting firm) re upcoming committee and subcommittee meetings;
also includes Arts Advisory Committee meeting minutes (1990 March 21); Art Table/West, Inc. Program Committee meeting minutes
(1988 November 29) and announcement re lecture by Al Nodal; application package for City of Los Angeles Cultural Grant Program.
box 16, folder 2
Nodal, Al
1990
Scope and Contents note
Folder entitled, "Los Angeles Endowment for the Arts: Cultural Masterplan and Nexus Studies - Arts Advisory Committee Meeting
February 20, 1990" prepared by Morris McNeill consulting firm; contains Advisory Committee activities timeline, meeting agenda
and notes, member roster, copy of Los Angeles Ordinance No. 164,244, establishing an "Arts and Cultural Facilities and Services
Trust Fund" and describing city allocation for public works of art, description of subcommittee work and Cultural Masterplan
Study.
box 16, folder 3
National Endowment for the Arts (Joan Shantz) 1979-May/1985-1991
1985, 1986, 1989, 1990-1993
Scope and Contents note
Correspondents include: Jane Alexander (NEA Chairman, 1993-1997) re Wayne's remarks on W. McNeil Lowry at Lincoln Center;
John E. Frohnmayer (NEA Chairman,1989-1992) re Artists Space exhibition grant and Wayne's 1990 College Art Association (CAA)
convocation speech; Theresa Markiw; Joan Shantz La Rocca (Director, Public Information Office, NEA); also includes Wayne's
1991 National Medal of Arts Nomination form, NEA Artifacts newsletters (1992 May, June, July/August, September, November,
and 1993 February.)
box 16, folder 4
National Endowment for the Arts (Joan Shantz)
1985
Scope and Contents note
Study report, "Supporting the Arts: An International Comparative Study" by Dr. J. Mark Davidson Schuster, Department of Urban
Studies and Plannin, Massachusetts Institute of Technology, March 1985.
box 16, folder 5
National Endowment for the Arts (Joan Shantz)
1979-1985
Scope and Contents note
Correspondents include: Michael Giza (Visual Arts Program) re slides of Wayne's "Stellar Winds"; Malcolm Ryder re Wayne's
NEA Fellowship Acceptance Agreement (1980 September-1981 June); Jim Melchert re grant money; Joan Shantz La Rocca (Director,
Public Information Office, NEA) re Wayne's exhibition opening of "The Dorothy Series" in New York (1982); Kathleen Bannon
(International Program Officer) re Wayne's application for US/Japan Exchange Fellowship (1982-1983); Andera Neiman (assistant
to Wayne) to Joan Schantz re biographical information on Wayne; also includes 1982 Visual Arts Grant Application Guidelines,
NEA press release (1984 December 12) re Richard Andrews chosen as Director of Visual Arts Program, and Wayne's application
for fellowship in painting (1985.)
box 16, folder 6
National Endowment for the Arts 1993 Application
1992-1994
Scope and Contents note
Includes Wayne's 1993 Individual Grant Application form and guidelines for Visual Artists Fellowship; Overview of Endowment
Programs, July 1992; NEA press release (1992 August 10) re Rosilyn Alter named director of Visual Arts Program.
box 16, folder 7
NO Miscellaneous
1976, 1981, 1982, 1991, 1992, 1993
Scope and Contents note
Correspondents include: Carol Phillips (Norman MacKenzie Art Gallery, Regina, Canada) re exhibition; Collette North; Harry
A. Broadd (Professor Emeritus of Art History, Northeastern Illinois University) re tear sheets from Arts and Activities Magazine;
Robert L. Even (Chairman, Department of Art, Northern Illinois University) re catalogue and Wayne's participation in exhibition,
"The Printmaker and Life on This Planet"; John Dasburg (President and CEO, Northwest Airlines), Hector Adler (Vice President),
and Cynthia M. Thompson (Executive Staff Assistant) re Wayne's complaints about in-flight meal quality; Jeffrey Norton Publishers
re publishing agreement (1976); Peter Norton re invitation; Gloria Williams (Curator, Norton Simon Museum, Pasadena) re Wayne's
gift of books, catalogues and articles; Gérard Sourd (Editor in Chief, Nouvelles de l'estampe) re Wayne's suggestions for
contributors to article on American printing; Sandra H. Elstein (Project Director, Norwalk Community College) re information
for plaque for Wayne's "Visa/Monday" lithograph.
box 16, folder 8
JO Miscellaneous
1981-1985, 1988, 1990, 1992, 1994-1996
Scope and Contents note
Correspondents include: Jean H. Johnson (Art Director, Southeast Bank, Coral Gables, FL); Una E. Johnson (New York) re returning
photographs of Wayne's work and gratitude for catalogue of Wayne's "Djuna Set"; Ynez Johnston; Amelia Jones (Research Assistant
to Elizabeth Smith, Museum of Contemporary Art, Los Angeles) re materials for Case Study House exhibition program and Dorothy
Series; Douglas M. Jones (appraiser, Jones Gallery, La Jolla, CA) re appraisal value for Wayne's lithograph, "The Travelers";
Jerry Anderson (Chair, Studio Art Program, University of California, Irvine) re John Paul Jones; John Paul Jones re Wayne's
gift of his print to Fresno Museum and exhibition of his work at Municipal Art Gallery, Barnsdall Park, Los Angeles; Journal
of the Print World re issue with article on Wayne.
box 16, folder 12
National Organization for Women Inc. (N.O.W.)
1978, 1979, 1981
Scope and Contents note
Correspondents include: Jeane K. Bendorf (Director, Southwest Region) re signature campaign; Bella S. Abzug and Carmen Delgado
Votaw (co-chairs) re "Spirit of Houston" report; Tony Carabillo re Jean Neitdetch (founder of Weight Watchers) as public speaker
for N.O.W.
box 16, folder 13
Political-NEA
1989, 1990, 1995
Scope and Contents note
Correspondents include: Senator Pete Wilson, Rep. Dick Durbin, Sen. Claiborn Pell, Sen. Bob Backwood, Rep. Les AuCoin, Rep.
Pat Schroeder, Rep. Tom Coleman, Congressman Henry Waxman, Rep. Fred Grandy, Senator Alan Cranston, Congressman Edward R.
Roybal, Senator James McClure, and Senator Daniel Patrick Moynihan re Wayne's College Art Association (CAA) convocation speech
(New York, 1990); Shirley M. Green (Special Assistant to the President for Presidential Messages and Correspondence) re Wayne's
concerns about the National Endowment for the Arts (NEA); Democratic Party of North Carolina re check for Gant campaign against
Senator Jesse Helms; also includes lists of congressmen and women to whom Wayne sent copies of her CAA speech; article on
NEA plans to cut nearly 50% of staff (Los Angeles Times, 1995 October 19.)
box 17, folder 1
NE Miscellaneous
1978, 1979, 1982, 1983, 1985, 1986, 1989, 1990
Scope and Contents note
Correspondents include: Norman H. Neblett (Piano Service, Redondo Beach, CA) re repairing Wayne's piano; Darlene Neiman re
dinner at Wayne's; Neiman-Marcus (Cheryl D. Ayers, Public Relations Director) re Christmas ornament for Children's Home Society
of California charity benefit; Dr. David Nellis re derogatory comments made on flyer for Wayne's "Solar Flares"; Leonard Neubauer
(screenwriter) re implementing Wayne's script for "The Dorothy Series"; New York Art Review (Les Krantz, President and Publisher)
re Wayne's updated career information; Cynthia Newby Luce-Sitio Tibet (Petrópolis, Brazil) re Newby's autobiographical manuscript
and current state of feminist art movement in Brazil.
box 17, folder 2
NE Miscellaneous
1973, 1977, 1981-1987, 1989, 1991, 1992
Scope and Contents note
Correspondents include: The New Museum of Contemporary Art, New York (Brian Wallis, Editor) re compiling source materials
for anthology of artists' writings; Peter Plone to New Orleans Museum of Art (E. John Bullard, Director) re traveling exhibition
of Wayne's paintings, tapestries, and lithographs; New World Records (Karl Hereim and Fred Lonberg-Holm) re slides of Wayne's
work; New York Public Library (Carolyn Lane, Administrative Assistant and Robert Rainwater, Curator of Prints) re showing
Wayne's "Stellar Winds" lithograph series in the library's "Suites & Series" exhibition (1982 March 12-June 2); New York State
Commission on Cultural Resources (Janet I. Harris, Associate Director) re Wayne's participation on panel discussion, "The
Arts: Planning for Alternative Life Styles I" for 1973 American Society of Planning Officials (ASPO) National Planning Conference
(1973 April 7-12, Biltmore Hotel, Los Angeles, CA); Edward Newman re meeting Wayne in Paris; Harry Newman (American Institute
of Architects (AIA) re award for John Entenza, and includes two signed limited edition geometric prints on vellum by Newman;
Louis Newman (Louise Newman Galleries, Beverly Hills, CA) re Wayne's appearance at Tamarind exhibition reception at UCLA;
Newport Harbor Art Museum (Paul Schimmel, Curator) re slides of Wayne's paintings; Adrian Newstead (Coo-ee Aboriginal Art
Gallery, Sydney, Australia) re exhibition of Australian Aboriginal prints at Massachusetts College of Art, Boston, MA; Lillion
Newton (Del Rio, TX) re visiting Wayne's studio.
box 17, folder 3
Yale University Art Gallery/Press
1963, 1981
Scope and Contents note
Correspondents include: Chester Kerr (Director) re Josef Alber lecture at the University of Southern California (USC) and
inviting Wayne to pre-lecture dinner at the California Club (1963 October 17); Richard S. Field (Curator of Prints and Photographs)
re symposium at Tamarind Institute, Albuquerque, and Wayne visiting New York for opening of "The Dorothy Series" at the Jewish
Museum.
box 17, folder 4
Goodwin & Goodwin
1990, 1991
Scope and Contents note
Correspondents include: Diana Gaston (Curator of Prints and Photographs) to James Goodwin re sending biographical material
on Wayne; status of package sent; invoice for expenses due.
box 17, folder 6
American Heart Association
1988-1990
Scope and Contents note
Correspondents include: Susan Burry (Office of Public Affairs) re data for Wayne's College Art Association speech given in
New York; also includes copy of the Surgeon General's 1989 Executive Summary report, "Reducing the Health Consequences of
Smoking: 25 Years of Progress", final report from "Tobacco Use in America Conference" (January 27-28, 1989, Anderson Cancer
Center, Houston, TX), and the American Heart Association's "Washington Report" (vol. 8, no 2, Fall 1989.)
box 17, folder 9
AR Miscellaneous
1984, 1985, 1992
Scope and Contents note
Re Art & Auction articles on artist royalties and Wayne's work; exhibitions for Arts Club of Chicago; includes correspondents
Alexandra Armstrong; Art in America; Arts Club of Chicago (Gerald and Jan Aronson, Patricia Schneidt, Steven Vincent); Art
Gallery of Nova Scotia (Bernard Riordon); Art Institute of Chicago (Suzanne Folds McCullagh); Art Week; and Art & Auction.
box 17, folder 10
Associated American Artists Documentation Sheets
1984-1985
Scope and Contents note
Correspondents include: Robert Conway (Director) re Wayne's looking for representation in New York for her prints; exhibition
catalogue for "Fifty Years of Fine Prints: An Anniversary Celebration of Associated American Artists (1984 November 7-December
29); Conway visiting Los Angeles; four Polaroid color photographs of AAA smaller exhibition area; exhibition of Wayne's "Palomar"
series.
box 17, folder 11
Associated American Artists
1986-1992
Scope and Contents note
Correspondents include: Robert Conway (Director) re Margo Dolan (print dealer); loaning Wayne's paintings for exhibition at
National Museum of Women Artists; Robert Barrett (Director, Fresno Arts Center and Museum) and purchase of Wayne's "Silent
Wind"; Wayne's litigation; price lists; shipping lists; "Palomar" series; slides of Wayne's work; Barbaralee Dimonstein- Spielfogel;
Ruth Weisberg award in Houston; inventory of Wayne's work at AAA; Ailene Bujese; birth of Tyrell Collins and Conway's son
Alexander; Eileen Chanin (Director, MacQuarie Gallery, Sydney, Australia) and exhibiting Wayne's work; Judy Brodsky (Rutgers
Center for Innovative Print and Paper) and doctorate for Wayne; submitting information on Wayne's work to Print Collector's
Newspaper; acquisition of Wayne's archives by the Bibliothèque nationale de France, Paris; Toby Michel; Wayne's commencement
speech for UCLA College of Fine Art; Wayne's speech at College Art Association (CAA) conference in New York, article in Women's
Art Journal; Tamarind Symposium, Ruth Weisberg's "The Scroll" exhibition at Hebrew Union College-Jewish Institute of Religion,
New York; Wayne's trips to Paris; gift of Wayne's "Stellar Winds" to National Gallery of Art, Washington D.C.; Conway's resignation
from AAA; death of Joyce Treiman.
box 17, folder 12
Associated American Artists
1985-1987, 1991, 1992
Scope and Contents note
Correspondents include: Lillian Berkman (Chairman) and Roberta Lehman (Registrar) re shipping lists, price lists of Wayne's
work on consignment at AAA, and Wayne's exhibition in Tokyo; Susan Teller (Gallery Director) re exhibition of Wayne's work,
copies of "The Print Collector" (vol. 5, no. 2, Fall 1985), Werner Drewes exhibition catalogue (1985 September 7-October 5),
Wayne's "The Dorothy Series"; sponsoring Teller for membership in the Art Table; updating Wayne's biographical information
in Print World Directory; Women's Causuc; shipping lists.
box 17, folder 13
Associated American Artists 1985-1987
1985-1987
Scope and Contents note
Various AAA exhibition catalogues: "Barbizon Prints and Drawings" (1985 February 13-March 16); "Armin Landeck: A Memorial
Exhibition" (1985 March 20-April 20); "Jacques Hnizdovsky: A Memorial Exhibition" (1986 February 5-March 1); "Prints by Women"
(1986 February 5-March 1); "Karl Schrag: A Retrospective Exhibition of Prints 1939-1986" (1986 April 29-May 30); "The Discerning
Eye: An Exhibition about Print Collecting" (1986 September 30-October 31); "American Master Prints 1900-1950" (1986 November
1-26); "Abstract Expressionist Prints" (1986 November 28-December 31); "Fritz Eichenberg: A Retrospective of Prints 1922 to
1986" (1987 January 6-31); "Woodstock: Fifty Years of Printmaking" (1987 February 3-28); "Rockwell Kent: Prints and Drawings
1904-1962" (1987 March 3-28); "New Abstract Prints" (1987 April 7-May 2); also includes announcements for "Robert Motherwell:
A Selection of Prints 1965-1985" (1985 June 4-28), "Isabel Bishop: A Retrospective of Prints and Drawings" and "Janet Stayton:
Recent Works on Paper" (both 1985 November 7-26) and AAA holiday card and invitation (1986) with list of current staff members.
box 17, folder 14
Associated American Artists 1989-1991
1989-1991
Scope and Contents note
Various AAA exhibition catalogues: "Miklos Pgoany: Collage Monotypes 1980-1989" (1989 December 5-30); "The Development of
Sculptural Form" (1989 December 5-30); "Sam Francis: Prints and Drawings 1957-1989" (1990 January 6 -February 3); "Stanley
Boxer: A Retrospective of Prints" (1990 March 14-April 7); "The People Work" (1990 June 6-29); "Ed Baynard: New Watercolors"
(1990 October 3-27); "The Prints of Louis Lozowick" (1990 October 3-27); "Richard Diebenkorn: Monochrome/Almost Monochrome"
(1991 March 6-April 6); "Federal Art Project NYC WPA: Prints from the Federal Art Project, 1935-1943" (1991 June 11- July
3); also includes invitation to "Angeles Press: 10th Anniversary Exhibition" (1990 March 14-April 7), a flyer "Recent Experiments
in Printmaking" (1985 June 4-28), and two copies of the AAA newsletter, "Hot Off the Press" (Spring 1986, and June 1986.)
box 18, folder 1
Association Internationale des Critiques d'Art
1990, 1991
Scope and Contents note
Correspondents include: Phyllis Braff (Secretary) re Wayne as guest speaker for the AICA 25th Congress, "Beyond Walls and
Wars: Art, Politics and Multiculturalism" (1991 October 10-14, Los Angeles); Kim Levin (President) re attending Women's Caucus
for Art (WCA) and College Art Association (CAA) conferences in Washington D.C. (1991.)
box 18, folder 2
Alkire, David
1981, 1983-1987, 1989, 1990
Scope and Contents note
Correspondents include: David Alkire (attorney) re attending Boris Lipar exhibition, Wayne's engaging Arthur Leeds, Esq. for
her continuing insurance litigation and Terry Sanders, Alkire's newsletters (1984-1990); Jessica Darraby (School of Law, Pepperdine
University, Malibu, CA) re Wayne's paper on full disclosure and certification of art works.
box 18, folder 3
AL Miscellaneous
1981, 1982, 1984, 1985, 1990, 1991
Scope and Contents note
Correspondents include: Hans and Christine Albers re acquiring some Wayne prints; Aldine Publishing Co. (Robin G. Solinger
and Kyle Wallace, editorial department) re use of Wayne's "Eve" for cover of Nancy Reeves' book, "Womankind"; Alexandria Museum
of Art (William Steven Bradley, Executive Director) re Wayne's speech at College Art Association (CAA); Joseph P. Allen (Lyndon
B. Johnson Space Center, National Aeronautics and Space Administration (NASA)) re Carl Sagan and Allen's book, "Entering Space:
An Astronaut's Odyssey"; Martha Alf (artist) re her exhibition at NewSpace, Los Angeles (1991 March 5-30.)
box 18, folder 4
American Academy and Institute of Arts and Letters
1982, 1990, 1991, 1992
Scope and Contents note
Correspondents include: Virginia Dajan (Executive Director), Larry Landon (Coordinator, Art Programs and Exhibitions) and
Margaret M. Mills (Executive Director) re slides sent of Wayne's paintings for purchase consideration, biography, applications,
and catalogue raisonné.
box 18, folder 6
American Academy in Rome
1990
Scope and Contents note
Correspondents include: Jane Friedman (Fellowships Coordinator) re invitation to apply for Rome Prize Fellowship, American
Academy in Rome; also includes information on fellowships offered and application form.
box 18, folder 7
American Color Print Society
1981
Scope and Contents note
Correspondents include: Richard Hood (President) re submission of Wayne's print, "Merry Widow" for 39th National Exhibition;
dues, and invitation to attend reception of Philadelphia Art Alliance.
box 18, folder 8
American Gallery
1990
Scope and Contents note
Correspondents include: Katie Crow and Marc Kreisel re Wayne's participation in exhibition; loan agreements for Wayne's lithographs,
"Ankidor" and "Sea Change."
box 18, folder 9
The Art Museum Association (T.A.M.A.) (formerly W.A.A.M.) 1981-1983
1981-1983
Scope and Contents note
Correspondents include: Susan Alberth (Exhibitions Assistant, Western Association of Art Museums, e.g. "WAAM") re "Dorothy
Series" exhibition; Terri Cohn Savitsky (Associate Curator) re shipping expenses for "Dorothy Series" exhibition at the Jewish
Museum, New York, damage to shipping crates, and possible show of Wayne's "Stellar Winds"; Mariane Eber (Grunwald Center for
the Graphic Arts, UCLA) re "Dorothy Series" exhibition, shipping bills; Rebecca Danvers (Historical Collection, North Texas
State University) re "Dorothy Series" PBS television program; Tina Garfinkel (Registrar) re conclusion of "Dorothy Series"
tour; also includes Wayne bibliography, (1950-1982 July) and WAAM/The Art Museum Association "Catalogue of Exhibitions 1982."
box 18, folder 10
The Art Museum Association (T.A.M.A.)
1981, 1982
Scope and Contents note
Correspondents include: Terri Cohn Savitsky (Associate Curator) re WAAM Annual Conference in San Antonio, Texas (1981 October
25-29); exhibition of Wayne's "Dorothy Series" at the Jewish Museum, New York; also includes WAAM/The Art Museum Association
"Catalogue of Exhibitions 1981."
box 18, folder 11
American Centers/Arts America
1992, 1993
Scope and Contents note
Correspondents include: Robin Berrington (Cultural Attaché, American Embassy, Tokyo, Japan) re catalogues and Wayne's exhibition
at the Bunkamura, Wayne's proposal for an exhibition to travel the American Centers in Japan, Wayne giving slide lecture to
the United States Information Service (USIS); Kyoko "Michi" Michishita re correspondence with Robin Berrington; Judith Bryan
(Program Development Office, United States Information Agency) and Alexander Almasov (American Center, USIS) re Wayne canceling
Bukamura exhibition; Evangeline J. Montgomery (Program Officer, Arts America, US Information Agency, Washington D.C.) re developing
an exhibition with Arts America; Lucinda H. Gedeon (Director, Neuberger Museum of Art, State University of New York, Purchase,
NY) re proposals for Wayne exhibition.
box 18, folder 12
The Art Museum Association (T.A.M.A.)
1977, 1979
Scope and Contents note
Catalogues and brochures, including, "Options for Workshops in Relief Print Making" (no date); "The Collagraph: A New Print
Medium" exhibition by Pratt Graphics Center Gallery (1975 December 15-1976 January 21); "Condensed Space" exhibition by the
Nassau County Museum of Fine Arts (1977 September18-November 20); "Prints: New Points of View" exhibition circulated by the
Western Association of Art Museums (1979); "The Art Museum Association: Exhibitions Program (1983-1984); also includes condition
report sheets, notes on WAAM specifications for construction crates, and inventory of prints in Wayne's "Dorothy Series."
box 18, folder 13
The Art Museum Association (T.A.M.A.)
1977, 1980
Scope and Contents note
Correspondents include: Gigi Dobbs (Exhibitions Program Director, Western Association of Art Museums (WAAM)) re exhibition
of Wayne's "The Dorothy Series"; Terri Cohn Savitsky (Registrar) re condition report booklet and WAAM sales policy; Michael
P. Crane (Art Galleries, San Jose State University, CA) re "The Dorothy Series" exhibition and slide show; Christine Robbins
(Associate Curator) re article for Print News on "The Dorothy Series"; also includes Western Association of Art Museums (WAAM)
condition report sheets for Wayne's "The Dorothy Series," WAAM Visiting Specialist Program (1977), and catalogue, "Traveling
Exhibitions" (1978.)
box 18, folder 14
ArtTable Inc. (L.A. and N.Y.)
1985, 1986, 1988, 1991-1993
Scope and Contents note
Re Wayne selected to be honored at ArtTable 10th Anniversary Gala Awards dinner; copy of Wayne's keynote address, "Walking
Backward into the 21st Century" given at the Conference of the International Association of Art Critics (1991 October 10,
Barnsdall Park Theater, Los Angeles, CA); Wayne terminates her ArtTable membership; rosters of ArtTable members (1986, 1991);
ArtWire issues; correspondents include Kinshasha Conwill, Patricia Cruz, Nancy Escher, Caroline Goldsmith, Karen McCready,
Serena Rattazzi.
box 18, folder 15
ArtTable Inc. (L.A. and N.Y.)
1981-1987, 1990-1993
Scope and Contents note
Includes California/International Arts Foundation (Lyn Kienholz, founder), Craft & Folk Art Museum, Los Angeles (Joan M. Benedetti)
re ArtTable Inc. meetings, membership letters, Elizabeth Robbins presidency, 1990 Strategic Plan, and bylaws; also includes
MoMA, New York (Luisa Kreisberg); Caroline Lerner Goldsmith, James Goodwin, Maria Luisa de Herrera, Tressa R. Miller, and
Carol Morgan.
box 18, folder 16
ARTISTS/USA Inc.
1970
Scope and Contents note
Re Wayne corrections, proofs, and payment for inclusion in ARTISTS/USA listing.
box 19, folder 1
Jewish Museum
1979-1982
Scope and Contents note
Correspondents include: Susan T. Goodman (Chief Curator), Carolyn Cohen (Research Associate), Margo Bloom (Coordinator of
Public Programs), and Rita Feigenbaum (Registrar) re the exhibition of Wayne's "The Dorothy Series" at the Jewish Museum.
box 19, folder 2
Abakanowicz, Magda
1985, 1986, 1988,
Scope and Contents note
Re Abakanowicz's exhibitions at the Palace of Exhibitions, Budapest, Hungary (1988); announcement for exhibit at Hamburger
Kunsthalle, Germany; "About Men" sculpture exhibit at Xavier Fourcade, New York (1985); and Galerie Alice Pauli, Lausanne,
Switzerland. Letter from Wayne re her speech given at Hofstra Museum, Hofstra University Conference on The Avant-garde in
Literature and Art (1985 November), Long Island.
box 19, folder 3
AB Miscellaneous
1970, 1984, 1993 1994
Scope and Contents note
Includes Harry N. Abrams, Inc. (Frank Gruler, Myrna Smoot, and Jennifer Strauss) re Wayne's inclusion in "The Power of Feminist
Art" (Abrams, 1994) and royalty check for art sales; Interior Design magazine re request for written piece (Stanley Abercrombie.)
box 19, folder 4
AC Miscellaneous
1981
Scope and Contents note
Correspondents include Martin S. Ackerman (attorney) re: Joan Firestone and visit to Los Angeles; Internal Revenue Service
(IRS) disallowing gifts to museums; Wayne's frequency of contributions.
box 19, folder 5
Adams, Scott
1982, 1983, 1990
Scope and Contents note
Re copyright on "The Dorothy Series"; proof of receipt for "Floating by Ten"; update on bill for bookkeeper; copyright for
five prints of "Solar Flares Suite."
box 19, folder 6
AE Miscellaneous
1987
Scope and Contents note
Includes Aesthetic Creations Inc. (Roy) re Wayne showing work to clients.
box 19, folder 7
AI Miscellaneous
1986
Scope and Contents note
Correspondents include Joyce Aiken re Wayne's visit to New York and exhibiting Wayne's "Palomar Series" at the Fresno Arts
Center; request for photos for book.
box 19, folder 8
AK Miscellaneous
1986, 1995
Scope and Contents note
Correspondents include: Kinji Akagawa (sculptor, Minnesota) re Tamarind experience; Karen Atkinson (Director, Side Street
Projects, Santa Monica, CA) re Wayne's acceptance of First Annual Artist Nominated Award.
box 19, folder 15
KO Miscellaneous
1981, 1984, 1985, 1988
Scope and Contents note
Correspondents include: John Franklin Koenig (artist); Pierre Koenig (architect); Françoise Kourilsky (Artistic Director,
UBU Repertory Theater, New York.)
box 19, folder 16
LE Miscellaneous: Leaf, Bill; Lear, Norman; Leading Edge; Lederer, Carrie; Lee, Helen; Lefcoe, George; Lehrer, Leonard
1981, 1982, 1984, 1990, 1995, 1996
Scope and Contents note
Correspondents include: Marilyn Ferguson (Leading Edge: A Bulletin of Social Transformation); Bill Leaf (Art Department, University
of Nevada, Las Vegas); Norman Lear re his remarks to the National Education Association, National Convention, Kansas City,
Missouri; Carrie Lederer; Jenny Lederer; Helen Lee; George Lefcoe (The Law Center, University of Southern California); Leonard
Lehrer (Department of Art and Art Professions, New York University); Michael Leopold (Louisiana Delectables bakery, Los Angeles,
CA); Lori LeRoy; Marie Leroy-Crevecoeur (Secrétaire Général, Centre International de l'Estampe Contemporaine, aka "CIEC");
Ruth Lewitzky.
box 19, folder 17
Library of Congress (Sale of My Palomar)
1983-1985, 1990-1992
Scope and Contents note
Correspondents include: Renata V. Shaw (Acting Chief) re consideration of acquiring Wayne's works, "Solar Flares" and "A Day
Off"; Stephen Ostrow (Chief, Prints and Photographs Division) re acquisition of Wayne's "My Palomar" suite; Carol Pulin (Curator
of Fine Prints) re meeting Wayne, attending College Art Association (CAA) conference in Los Angeles, delivery of new state
of Wayne's print, "Meridian"; also includes Print Workshop questionnaire (in English and French), organizational description
of The Print Alliance, and the Library of Congress "Fine Print Acquisitions" lists, 1984-1986 and 1987-1990.
box 19, folder 18
Museum of Modern Art (MOMA)
1965-1997
Scope and Contents note
Correspondents include: Virginia Allen (Department of Drawings and Prints) re production questions about Tamarind; Riva Castleman
(Director) re acquisition of Wayne's "Stellar Winds" via Joan Palevsky and reproducing Wayne's "The Travellers" print in Castleman's
book "American Impressions: Prints Since Pollack"; Starr Figura (Curatorial Assistant) re edition number of Wayne's "Songs
and Sonets" suite; Agnes Gund (President) re Trustees' receptions; William S. Lieberman (Department of Drawings) re joining
the Board of Directors of Tamarind Lithography Workshop, "Tamarind: Homage to Lithography" exhibition at MoMA (1969), and
acquiring lithography stones; Howardena Pindell (Curator) re inclusion of Wayne's work in MoMA's California Printmakers exhibition;
Deborah Wye (Chief Curator of Prints and Illustrated Books) re her promotion.
box 19, folder 19
Museum of Modern Art (MOMA)
1964-1969
Scope and Contents note
Correspondents include: Virginia Allen (Department of Drawings and Prints) re arrangements for MoMA cocktail/dinner/preview
event of April 28, 1969, catalogue production and orders; Martha Beck (Registration Assistant); Kleiner, Bell & Co. re MoMA's
interest in complete edition of Tamarind Collection of lithographs; Marna Thoma (Sales Manager) re price of Tamarind catalogue;
Elizabeth Shaw re Tamarind exhibition; Donna M. Stein (reference consultant) re Wayne's Conner Everts drawing.
box 19, folder 20
David Wallace & Co. Inc.
1969-1971, 1974
Scope and Contents note
Correspondents include: David Wallace (David Wallace & Co. Public Relations) and Michael Gifford (Gifford/Wallace Inc.) re
performing public relations work for Wayne.
box 19, folder 21
Mary Rouse, University of Iowa
1970, 1973
Scope and Contents note
Correspondents include Mary Rouse (Associate Editor, University of Iowa News Service) re Wayne's lecture and Wayne's gift
of prints to the university.
box 20, folder 1
Los Angeles Institute of Contemporary Art
1974-1978, 1980, 1982, 1983
Scope and Contents note
Include Artists Registry Log Sheet form, LAICA Journal rate card, meeting minutes from LAICA Journal Editorial Board (1974
July 16), and LAICA Newsletters (1975-1978.)
box 20, folder 2
Ball, Sybil
1985
Scope and Contents note
Re Wayne's trip to Europe for her exhibition, framing services of Stephen Buccola, list of 15 prints selected by Wayne from
her collection for Hall, Hunt, Brown Baerwitz offices.
box 20, folder 4
BE Miscellaneous
1982, 1984, 1985, 1987-1992, 1995
Scope and Contents note
Correspondents include: Laure Beaumont-Maillet re exhibition, "La Gravure française à la Renaissance" (Bibliothèque nationale
de France, 1995 April 20-July 10), Carole Bernstein (and Andree Vilar) re Wayne's visits to Paris; Joan M. Benedetti (Museum
Librarian, Craft & Folk Museum, Los Angeles) re Wayne's gift of books, "The Art of June Wayne" and "June Wayne: The Djuna
Set"; Julian Berliansky postcard from Hawaii; Judith Bettelheim re publications; Marilyn Bergman re party for Murph and Mildred
Goldberger; Carl Belz (Director, Rose Art Museum, Waltham, MA) re Wayne's work; Ruth Bernstein re artist royalty legislation;
Travis Beck re Wayne's work; Joan Beall (President, Newport Harbor Museum of Art, Newport, CA) re invitation to visit Wayne's
studio.
box 20, folder 5
BL Miscellaneous
1982, 1984, 1987, 1988, 1992, 1993
Scope and Contents note
Correspondents include: Jacqueline Stanley (Black Church Print Studio, Dublin, Ireland) re Wayne's writings; also includes
Black Church Print Studio exhibition catalogue, "European Large Format Printmaking"; Andrea Blake (Turkana Primitive Fine
Arts, Los Angeles, CA) re visit to Wayne's studio; Lucy Blake-Elahi re grant resources; Rachel Blackburn (Fort Worth Art Museum,
TX) re information on Wayne's "Songs and Sonets"; Ruth Blumberg re Wayne's work; Harvey Tucker (Black Sun Books) re error
in flyer listing "Songs and Sonets"; George Y. Blaire re visit to Wayne's studio; Bill Bloom re adding codicil to Wayne's
will re leaving her papers to the Archives of American Art.
box 20, folder 6
Benton Gallery
1988, 1989
Scope and Contents note
Correspondents include: Arlene Bujese (Benton Gallery, Southampton, NY) and Robert Conway (Associated American Artists, aka
"AAA") re exhibiting Wayne's work.
box 20, folder 9
Brown, Suzanne (Gallery)
1981, 1983
Scope and Contents note
Correspondents include: Frank McKemy (Director) and Suzanne Brown re benefit exhibition, "Woman and Art" (1981 January 21-February
14, Susanne Brown Gallery, Scottsdale, AZ); also includes press clippings and information on the Crisis Nursey.
box 20, folder 10
Brundage, Martha L.
1984
Scope and Contents note
Re use of Wayne's quote from her UCLA oral history transcript in Brundage's graduate seminar paper, "The Reasons Why Artists
Choose to Make Prints"; also includes copy of Brundage's paper.
box 20, folder 11
Buck, Pauline
1991
Scope and Contents note
Notes re conversation with Natalie Goodman re speaking engagement in Corvallis, Oregon to audience of scientists, and with
Pauline Buck re speaking engagement for an Orange County cultural organization.
box 20, folder 12
Budek Films & Harvest Labs (Elizabeth Allen)
1981-1983
Scope and Contents note
Correspondents include: Elizabeth Allen (Budek Films and Slides, Newport, RI) re Wayne's slide show and cassette presentation
for "The Dorothy Series"; Harry Broadd compiling list of artists for slide series.
box 20, folder 13
BU Miscellaneous
1981, 1983, 1985, 1987-1993
Scope and Contents note
Correspondents include: Diane Burko (artist) re exhibiting Wayne's "The Dorothy Series", College Art Association (CAA), and
meeting in Washington D.C., copy of Burko catalogue of paintings exhibited at Marian Locks Gallery (Philadelphia, PA) ; Jean
Burg re award luncheon for Lynton Kistler; Annick Bureaud (via Janet Saad-Cook) re including information on Wayne's work in
the "Guide international des arts electroniques" (IDEA); Lee Burns re party for d'Arcy Sanger Hayman; JoAnne Buccola re the
death of her son, Stephen Allen Buccola (Wayne's framer); Helen Buckley re Internal Revenue Service (IRS) taxation legislation;
Sally and Bob Burdett re Wayne's pre-publication announcement; Marjorie Kelly (editor, Business Ethics) re using Wayne's "Goe
and Catch a Falling Starre" as cover art, including two issues of Business Ethics, vol. 1, no. 2 (1987 July) and vol. 1, no.
4 (1987 October); Jan Butterfield (Lapis Press, San Francisco) re Wayne's work and upcoming trips to Australia and Japan;
Bill Bushnell (Artistic Director, Los Angeles Theater Center) re Wayne's participation as panelist in symposium, "Art in Chaos:
The Political Struggle" (1990 March 3); Marge Bulmer re speech by Luchezar Boyadjiev, "The Situation 'Beyond' as a Situation
'Behind'", Bulmer's poetry, and visiting Wayne's studio.
box 20, folder 16
California College of Arts & Crafts
1988
Scope and Contents note
Correspondents include: Suzanne Lacy (Dean, School of Fine Arts) re Wayne's participation in panel for College Association
Conference (Feb. 1989, San Francisco, CA ); Neil Hoffman (President) re Wayne's Honorary Doctorate award and attending commencement
ceremony.
box 21, folder 2
Ca. State Univ. May 16 Dominguez Hills
1995
Scope and Contents note
Correspondents include: Kathy Zimmerer (Director, University Art Gallery) re Wayne's speech, "Real or Virtual Reality in 1995",
given at California State University Dominguez Hills Art Department (1995 May 16.)
box 21, folder 3
CA Miscellaneous
1980-1984, 1986-1990
Scope and Contents note
Correspondents include: California Confederation of the Arts (June Gutfleisch, Executive Director) re asking Wayne to participate
in panel discussion at sixth annual Congress (1982 October 15, Casa del Prado, Balboa Park, San Diego); California State College,
San Bernardino (Joe Moran, Printmaker & Exhibition Curator, Department of Art) re Wayne's participation in exhibition, "National
Print Invitational" (1983 April 20-May 27 at the Art Gallery); Carole Calo re interviewing Wayne for Woman's Art Journal article
on Anni and Josef Albers; Claire Cantor (Cantor Lemberg Gallery, Birmingham, MI) re exhibiting and selling Wayne's work; Lee
Evan Caplin (Assistant to the Chairman, National Endowment for the Arts) re meeting with Wayne, and Clinton Adams' chapter
for his book, "American Lithographers, 1900-1960"; Caprice magazine (James Mecham) re Wayne's article on Louise Nevelson;
Carnegie Mellon University (Akram Midani, Dean, College of Fine Arts) re Wayne as potential candidate for Head of the Art
Department; Jack Carter re installation of Wayne's work for exhibition at Armstrong Gallery, New York.
box 21, folder 6
Citadel Print Center
1989
Scope and Contents note
Correspondents include: Betty Bates and Glen Rogers Perrotto (Directors) re visiting Wayne's studio.
box 21, folder 10
AT Miscellaneous: Atelier de Laurenque; Atlanta College of Art
1983, 1990
Scope and Contents note
Correspondents include: Norma A. Hecker (Atelier de Laurenque); also includes brochure for The Atelier Program, East Los Angeles
(Self-Help Graphics, Los Angeles, CA.)
box 22, folder 2
Gainesville Show 1987
1986, 1987
Scope and Contents note
Correspondents include: Mallory McCane O'Conner (Director, Thomas Center Gallery, Gainesville, FL) re Wayne's participation
in the exhibition, "10 + 5 from California: An Exhibition of Prints by Fifteen Artists from California" (Thomas Center Gallery,
1987 March 1-25; Gallery at Center of Contemporary Art, University City, MO, 1987 April 14-May 27); Karen Schmitendorg (Gallery
Assistant, Saint Louis Gallery of Contemporary Art, Saint Louis, MO) re returning Wayne's prints from the exhibition; also
includes exhibition brochures and reviews.
box 22, folder 5
Gorse, Naomi Sawelson
1987, 1989, 1990
Scope and Contents note
Correspondents include: Naomi Sawelson-Gorse re her research on Louise and Walter Arensberg for her thesis, "The Arensberg
Circle: The California Years, 1921-1954" (Department of the History of Art, University of California, Riverside); Ronald Gottesman
(Professor of English, University of Southern California) re Senator Jesse Helms and review of Anna Silvers ceramic exhibition.
box 22, folder 6
Hamasaki, Les (Otsuko Ceramics)
1982
Scope and Contents note
Correspondents include: Les Hamasaki (Public Art Associates, Los Angeles, CA) re artists who may be interested in working
with Otsuka Ceramics; also includes brochures of Ceramic Plates for Fine Arts, and two catalogues of Otsuka Ceramics
box 22, folder 9
CO Miscellaneous: Cockrell, Beth; Cohen, Cookie; Colman, Mona; Colhert, Anca; Cohen, Sigmund.
1984, 1985, 1988, 1990
Scope and Contents note
Correspondents include: Beth Cockrell re Wayne providing biographical information for Cockrell's lecture to art group; [Sigmund]
Cookie Cohen re Henny Haas; Madeleine Coit re telephone interview with Wayne in preparation for lecture on Jewish women artists;
Anca Colhert holiday card (1990); College Art Association (CAA) conference program (1988 February 10-13, Houston, TX); Mona
Colman re Wayne interview in Los Angeles Times (1990 July 1.)
box 22, folder 10
CO Miscellaneous
1982, 1983, 1990, 1993, 1995
Scope and Contents note
Correspondents include: Howard Conant (Head, Department of Art, University of Arizona) re Wayne recommendations of artists
for their Visiting Artist position; Kathleen Connell re receiving Wayne's lithograph; Robert Conway re computers and art agent
for Wayne in San Francisco; Ronald V. Cook re dinner; Cynthia Cooper (Assistant Vice Chancellor, Academic and Cultural Support
Programs, University of California, Los Angeles) re Ford Foundation grant application, and Wayne's talk to members of California
Concerns, "Between the Last Word and the First Blow: Freedom of Expression as Experienced by This Artist"; Pravina and Darius
Cooper re meeting Wayne.
box 22, folder 11
CR Miscellaneous
1982, 1985, 1987, 1994
Scope and Contents note
Correspondents include: Russell Craig (Lecturer, Printmaking and Drawing, Griffith University, Queensland, Australia) re exhibition
"A Tamarind Experience"; Annie Shaver-Crandell re slides; Jane Creel re meeting Wayne and articles on Wayne; Crocker Art Museum
(Richard West) re exhibition and video tape of Wayne's work and broadcast on local PBS television station; Susan Crowe re
broadcast of Wayne's "The Dorothy Series" on KCET;
box 22, folder 12
Crutchfield, Bill
1974, 1983, 1984, 1986, 1995
Scope and Contents note
Includes holiday notes and greeting cards; "William Crutchfield: 8 Postcards 1974" for the retrospective exhibition of prints
by Crutchfield at the Print Club, Philadelphia, PA (1974 October 4-November); brochure for exhibition, "William Crutchfield:
Sculpture and Plans" (1983 May 18-June 10, Harbor College, Harbor City, CA.)
box 22, folder 13
CU Miscellaneous
1987-1990, 1992, 1995, 1996
Scope and Contents note
Correspondents include: Karen Hill-Scott and Alice Walker Duff (Morris McNeill, firm hired by Cultural Affairs Department,
City of Los Angeles) re reception for members of Cultural Masterplan for the City team; Paul Cummings (Dictionary of American
Art) re updating Wayne's biographical information; Linda Cunningham re change of her address to New York City; James Cuno
re wine, forming committee to include Norma Bartman and Lloyd Rigler, Wayne's trips to Australia and Japan; Allison Curtis
re Wayne's speaking at "Beyond Labels" printmakers conference (Knoxville, TN) and Wayne's "Songs and Sonets of John Donne"
and writing paper on Wayne; also includes announcements for Joyce Cutler-Shaw exhibition, "Body Archaeology from 'The Anatomy
Lesson' (1996 September 21-November 17, Huntington Beach Art Center, Huntington Beach, CA), inscribed by the artist to Wayne.
box 22, folder 14
Data Bank - The Art Institute of Chicago
1977
Scope and Contents note
Correspondents include: Nancy Bowen (Assistant to Databank) re Wayne purchasing a video tape copy of her interview with Horsfield/Blumenthal.
box 22, folder 15
DE Miscellaneous
1979, 1980, 1982, 1984, 1985, 1988
Scope and Contents note
Correspondents include: Sheila Levrant de Bretteville (Communication Design & Illustration, Otis Art Institute of Parsons
School of Design); Nat Dean revisiting Southern California; Julia W. Harrison (Associate Director, Twining Gallery) re artist,
Dorothy Dehner; Mary M. Dennison (Art Consultant, Birmingham, MI) re meeting Wayne, receiving slides and biographical materials
to present to prospective buyers; Polly DeWine (Westlake School for Girls) re request of Wayne speaking to the school's art
graduates; Susan Melin/Susan Levitan (Assistant Curator, M.H. de Young Memorial Museum, San Francisco, CA) re meeting Wayne,
biographical materials.
box 22, folder 16
Dictionary of Contemporary American Artists
1969, 1970, 1975
Scope and Contents note
Correspondents include Paul Cummings re updating biographical information on Wayne.
box 22, folder 17
Dimensions (San Diego)
1982
Scope and Contents note
Correspondents include: Peggy Budd (Executive Director) re Wayne's visit with Dimensions' members and information on air date
for Wayne's PBS television program; also includes copies of Dimension' Networker newsletter.
box 22, folder 18
Michele Oka Doner
1989, 1990, 1992
Scope and Contents note
Includes a card, exhibition catalogue (1990 November 7-December 8, Art et Industrie, New York), issue of LSA magazine (College
of Literature, Science, and the Arts, University of Michigan, Spring, 1989) with article on Michele Oka Doner, and article
on Doner from Contemporanea International Art Magazine (1990 December, no. 23.)
box 22, folder 19
Dorsey, Dia
1991, 1992
Scope and Contents note
Correspondents include: Dia Dorsey (Dorsey & Myers) in collaboration with American Express re underwriting and promoting catalogue
and national exhibition of Wayne's work; Lloyd [Rigler] re underwriting the costs of microfilming Wayne's archives at the
Archives of American Art, and a catalogue raisonné of Wayne's work; Signe J. Gallagher (Director, Sales and Travel Management
Services, American Express) re article in Los Angeles Times (1991 July 28) on Wayne; also includes letter from Michael A.
Botwinick (Director, Newport Harbor Art Museum) to Gallagher re American Express sponsoring Wayne's exhibition, "June Wayne:
An American Treasure" at the Newport Harbor Art Museum.
box 23, folder 1
Downey Museum of Art
1981
Scope and Contents note
Correspondents include: Lukman Glasgow (Director) re Wayne's participation in group exhibition, "Four Printmakers" (1981 August
21-September 25.)
box 23, folder 3
EH Miscellaneous
1985, 1988-1990
Scope and Contents note
Correspondents include: Amaranth Roslyn Ehrenhalt (tapestries, paintings, graphics, New York, Los Angeles, and Paris); Susan
Ehrlich (Beverly Hills, CA) re slides of Wayne's work, inclusion of Wayne's work in exhibition, Wayne's convocation speech
at College Art Association (CAA) conference in New York (1990), Wayne's participation in panel discussion at Laguna Art Museum
(1990 July 14.)
box 23, folder 4
EI Miscellaneous
1985, 1988
Scope and Contents note
Correspondents include: Cheryl Barton (18th Street Gallery, Santa Monica, CA) re Wayne's work; Susan Einstein (photographer)
re photographing Wayne's work.
box 23, folder 6
EN Miscellaneous
1986, 1990, 1991, 1994, 1996
Scope and Contents note
Correspondents include: Gita Endore; Jules Engle; Brenda French.
box 23, folder 7
FE Miscellaneous
1972, 1980, 1983, 1985, 1987, 1992, 1993
Scope and Contents note
Correspondents include: Julian F. Feingold (Curator, Senior Eye Gallery, Long Beach, CA) re exhibiting Wayne's work; Jim Felici
(World Print) re meeting Wayne at Boston Art Expo (1979), and working with Bob Serpa at Imago Hand Paper Mill; Jane Fellman
re Ethiopian Jews; Elen Feinberg (artist) re articles and meeting Wayne; Eddy Feldman; Robert Feldman (sic; i.e. "Robert C.
Fellmeth", professor, University of San Diego School of Law) re his "60 Minutes" television program segment; also includes
Lorser Feitelson exhibition catalogue (1972 August 16-September 17, Municipal Arts Department, Barnsdall Park.)
box 23, folder 8
Federal Reserve System
1982, 1983
Scope and Contents note
Correspondents include: Mary Anne Goley (Director) re meeting Wayne, Wayne's tapestry work, and considering Wayne's work for
future exhibitions; also includes exhibition catalogues from "Made in L.A.: Contemporary Crafts '81" (1982 January 15-March
17, Federal Reserve Board Galleries, Washington, D.C.), "Zapotec Weavings" (1982 July 21-September 24), and "Jan Dibbets,
Ger van Elk, Hans van Hoek: Contemporary Dutch Artists" (1983 June 8-August 24.)
box 23, folder 10
Fishback, Joan & Kurt
1980-1982, 1984, no date
Scope and Contents note
Re Kurt's photographs of Wayne; also includes four black and white portrait photographs (two 7 x 10 inch, two 8 x 10 inch)
of Wayne, release form, and holiday cards.
box 23, folder 11
FL Miscellaneous
1983, 1985
Scope and Contents note
Correspondents include: Norman Fleishman (Director, Microsecond, Malibu, CA) re his nonprofit organization for nonviolent
conflict resolution; Lynda Fluent.
box 23, folder 12
FO Miscellaneous
1982, 1983, 1988, 1992, 1995
Scope and Contents note
Correspondents include: Jean Conger re Ginny Foat Defense Fund; Cappy Fogel re visit to Wayne's studio; Darice Fohrman (freelance
curator) re catalogue of Wayne's work; June Follis re meeting Wayne at event for John Entenza (Editor, Art & Architecture,
1938-1962); Christine and Russell Forester re their open house in La Jolla, announcement of exhibition of Russell's work,
"The Gallium Phosphide Series" (1982 March 16-April 10, Thomas Babeor Gallery, La Jolla, CA); Eileen Foti re printing paper;
Danielle Fox (graduate student in art history, Northwestern University) re her dissertation research on art publishing in
the United States during the 1960s; Herb Fox (Fox Graphics, Merrimac, MA) re The Hat Factory Art Institute, Amesbury, MA;
Miriam Fox re receiving announcements of Wayne's work.
box 23, folder 13
Friedman, Kenneth
1981, 1982
Scope and Contents note
Re Friedman illustrating new book by Dick Higgins; launch of Art Express Magazine; also includes two issues of "The Art Economist:
The Art Information Service" newsletter (1982) published by Friedman.
box 23, folder 14
Fresno Metropolitan Museum
1981, 1982, 1984, 1986, 1994
Scope and Contents note
Correspondents include: Donald J. Brewer (Director, Fresno Metropolitan Museum, Fresno, CA) re building a graphic art collection
for Fresno; Brewer to Dr. and Mrs. Milton Lane re donating some of their lithographs to the museum; Brewer to Marvin Goodson
re donating a selection of [Mario] Avati mezzoprints to the museum; Jane Cleave re Wayne's visit to Fresno Museum; also includes
Fresno Museum promotional brochure and catalogue for "MetroDrive 82" and exhibition catalogue, "The Elisabeth Dean Collection:
French prints from the Belle Epoque" (1986 January 19-April 17, Fresno Arts Center and Museum.)
box 23, folder 15
Armstrong Gallery Exhibition
1983, 1984
Scope and Contents note
Correspondents include: Harriet Lebish (Gallery Director) re Wayne's absence from opening exhibition; also includes exhibition
announcements and drawings of gallery layout and specifications, "Gatorboard Log", shipping invoices, and photocopy of floor
plans for Aaron Berman Gallery (New York, NY), 1976 June 30, with new construction on 14th floor, executed by designer Ronald
Williams.
box 23, folder 16
Armstrong Gallery 1983
1983
Scope and Contents note
Correspondents includes Harriet Lebish Armstrong (Director), Patricia Failing and Ruth Iskin (Program Specialist, Department
of the Arts, UCLA Extension) re 1983 World Art Market Conference, Los Angeles, sponsored by Artnews and UCLA Extension (1983
March 16-17, Century Plaza Hotel, Los Angeles.)
box 23, folder 17
Armstrong Gallery 1984-85
1984, 1985
Scope and Contents note
Includes Armstrong Gallery (Phillip Bloom and Harriet Lebish, director) re shipping, consignment papers, lists of works, details
of Armstrong Gallery show; Fine Art Shipping (Victor Hack and Gustave Harrow) re business relations with Lebish; The Monitor
(Theodore Wolf) and Andrea Neiman (Wayne's assistant); Newspaper sheet with "Winter Art Showcase" section of museum, gallery,
exhibition, and auction listings (New York Times, 1985 Jan 27.)
box 23, folder 18
Arts & Architecture
1981, 1984-1986
Scope and Contents note
Correspondents include: Laurie Garris and Barbara Goldstein (editor-in-chief, 1981-1985) re revival of magazine; writers Merle
Schipper and Arlene Raven; New York lecture; event honoring John Entenza (editor of Art & Architecture, 1938-1962.)
box 23, folder 19
Art Dealers Association
1978-1980
Scope and Contents note
Correspondents include: Donna Carlson to Benjamin Horowitz of Art Dealers Association re theft and details of Wayne's tapestry,
"La Journee des Lemmings"; also includes membership roster for Art Dealers Association of America (1978-1980.)
box 23, folder 20
Artist's Tax Deductible Rights 1969
1969
Scope and Contents note
Documents re artists tax deductions; reference, "Foundation and the Tax Bill" (1969); Senate Finance Committee member list;
preliminary draft of "Statement of the Trustees of The Association of Art Museum Directors, speaking also for the College
Art Association and The National Trust of Historic Preservation."
box 23, folder 22
TU Miscellaneous
1983, 1985, 1987, 1991
Scope and Contents note
Correspondents include: Eleanor Tufts (Department of Art History, Southern Methodist University, Dallas, TX) re visit to Wayne's
studio, Women's Caucus for Art (WCA); Gerald B. Dale Turbow re Wayne's "The Dorothy Series"; Jan Turner (Jan Turner Gallery)
re availability of Wayne's lithograph, "Omniwave"; Nancy Kay Turner (instructor) re slides of Wayne's work for her course,
"Women in the Visual Arts" at the University of Southern California (USC); also includes obituaries, memorial service program,
and one color 2.5 x 3.5 inch photograph of Tufts.
box 23, folder 23
Tsuji
1988
Scope and Contents note
Correspondents include: Bernard Kester (Acting Dean, College of Fine Arts, University of California, San Diego, CA) to Kiyoji
Tsuji re introduction of Wayne.
box 23, folder 24
TR Miscellaneous
1959, 1986, 1990
Scope and Contents note
Correspondents include: Joyce Treiman re 1991 National Medal of Arts Nomination form for Wayne; Eduoard Trier re sculpture
by Cornelia Runyan; includes photographic postcard of Notre Dame, Paris; Roberta Loach (Guest Curator, Triton Museum of Art,
Santa Clara, CA) re invitation to Wayne to participate in exhibition, "The 500th Anniversary of Columbus' Discovery of America";
business card and flyer from Tram Way: Atelier de Tapisserie Base Lise, Lyon, France.
box 24, folder 1
TH Miscellaneous
1984, 1990, 1993
Scope and Contents note
Correspondents include: Michel Thomas (Director, Textile/Art/Language, Paris) re photographs of Wayne's work for book, "Textile
Art"; Leonard R. Vignola (President and CEO, National Arts Stabilization Fund) re Wayne's contribution to memorial book honoring
Marcia Thompson's retirement; Sandra A. Thompson re value of Wayne's lithograph "Burning Helix", which was lost in a fire.
box 24, folder 7
Lucy Kuniko Kato
1988, 1989
Scope and Contents note
Re Wayne's visit to Japan (1989 April.)
box 24, folder 8
Tokoro Gallery
1987-1993
Scope and Contents note
Correspondents include: Akiyoshi Tokoro (Tokoro Gallery, Japan) re article on Wayne; Kerry Tomlinson (Tokoro Gallery, Los
Angeles) re visiting Tamarind in New Mexico, and exhibitions at Tokoro Gallery; also includes photographic holiday and greeting
cards.
box 24, folder 9
Book Inventory
1969-1973
Scope and Contents note
Inventories and invoices for books, primarily Mary W. Baskett's "The Art of June Wayne" (1969), sent by Wayne to various people
and institutions; also includes correspondence re Wayne's work and other biographical materials.
box 24, folder 10
Boston Exhibition 1979
1979
Scope and Contents note
Correspondents include: Herbert A. Fox (President, World Art Exposition) re Wayne's participation in World Art Exposition
(1979 September 26-30, Hynes Auditorium, Boston, MA); also includes World Art Exposition program.
box 24, folder 11
Bowker Who's Who
1994
Scope and Contents note
Correspondents include: Carole Kim re updating Wayne's biographical information for the 21st edition of "Who's Who in American
Art."
box 24, folder 12
Tabak/Rosenberg
1969
Scope and Contents note
Correspondents include: Harold Rosenberg and wife, May Natalie Tabak re Willem de Kooning 1968 retrospective at Museum of
Modern Art, New York (MoMA); William S. Lieberman and the Tamarind show; list of names and addresses.
box 24, folder 14
The California Art Review
1988
Scope and Contents note
Re Wayne's inclusion in the third edition of "The California Art Review."
box 24, folder 17
UCLA Department of the Arts 1986
1984-1986
Scope and Contents note
Correspondents include: Jeanne Meyers re Wayne's participation in panel discussion, moderated by Josine Starels (1984 July
25, UCLA); Ruth Iskin (Program Specialists, Department of the Arts, UCLA Extension) re Wayne as guest speaker in lecture series,
"Dialogues on Contemporary Art Issues" (1984 July 25, UCLA); Barbara Weinstock (Conference Coordinator, UCLA Extension) re
Project Zero, and Wayne's participation in panel, "The Aesthetic Perspective: Can it be Developed and Transmitted" for conference,
"Talent and Intelligence: Unlocking Creativity" (1986 November 1-2); also includes "Talent & Intelligence" program.
box 24, folder 18
UCLA Center for the Study of Women
1982, 1986, 1989, 1990
Scope and Contents note
Correspondents include: Carole Magnuson (Public Information Representative, UCLA) re availability of tape of news coverage
for Wayne's "The Dorothy Series"; Adele Scheele and Clarie Segal re UCLA Center for the Study of Women and invitation to membership
tea; Cynthia Cooper (Assistant Vice Chancellor, Academic and Cultural Support Programs, UCLA) re invitation for Wayne to speak
at California Concerns Fall Conference (1990 November 2); also includes documentation on University of California's Student
Conduct Policy, "California Concerns" (bylaws, membership directory, meeting agenda), and copy of Wayne's speech, "Between
the Last Word and the First Blow: Freedom of Expression as Experienced by an Artist."
box 25, folder 1
UCLA Anni Albers Lecture Sept. 1986
1986
Scope and Contents note
Re Wayne's participation in UCLA Art Council's symposium on Anni Albers (née Fleischmann, German-born American textile artist,
1899-1994, and wife of Josef Albers.)
box 25, folder 2
UCLA Advisory Committee
1973, 1974
Scope and Contents note
Includes paper by Ichak Adizes (Association Professor of Managerial Studies, UCLA), "The Cost of Being an Artist: An Argument
for the Public Support of the Arts" (Research Paper No. 25, Management in the Arts Research Program, Graduate School of Management,
UCLA) and reprint of article by Adizes and J. Fred Weston from Academy of Management Journal (vol. 16, no. 1. March 1973),
"Comparative Models of Social Responsibility."
box 25, folder 3
UCLA Grunwald Center
1983, 1984
Scope and Contents note
Correspondents include: Karen Costello (Associate Coordinator, The Writer's Program, UCLA Extension) re Wayne's disappointment
in extension class and request for refund; Lucinda H. Gedeon (Acting Curator, The Grunwald Center for the Graphic Arts, UCLA)
re Wayne's participation in reception and catalogue for exhibition, "Tamarind: A 25 Year Retrospective"; also includes copy
of Wayne's talk, and first draft (with edits) of the catalogue entry, "Tamarind: From L.A. to Albuquerque: A 25 Year Retrospective."
box 25, folder 4
U Miscellaneous
1981, 1982, 1984, 1995
Scope and Contents note
Correspondents include: Bill Ullman; Chris Unger; Melva Unter re Wayne's "The Dorothy Series" television program; Urs-Schuman
Fine Arts Ltd. (Paula Schuman) re slides of Wayne's work; U.S. Post Office re Express Mail refund.
box 25, folder 5
United States Customs
1959, 1971, 1976, 1979
Scope and Contents note
Includes U.S. Customs forms and Certificates of Registration re exporting and importing Wayne's work.
box 25, folder 6
United States Information Agency (USIA)
1992
Scope and Contents note
Correspondents include E.J. Montgomery (Program Officer, USIA - Arts America, Washington D.C.) re Wayne's attendance at reception
honoring Earl Powell and J. Carter Brown at the National Gallery of Art, Washington D.C., and meeting to discuss possibilities
of USIA's assistance in helping Wayne's retrospective exhibition travel to Japan, London, and/or Paris.
box 25, folder 7
BA Miscellaneous
1978, 1983, 1985-1987, 1989, 1992, 1994-1997
Scope and Contents note
Correspondents include: Thomas E. Backer (Human Interaction Research Institute, Los Angeles, CA) re his articles and one-act
play; Teresa Bailey re her marriage to Gary Johnson (includes wedding invitation); Mary Anderson Bain biographical information;
James Barber (graduate student, University of Southern California) re discussing Wayne's arts-advocacy activities; Claude
Bardin re meeting Wayne at a conference; Will Barnet; Max (Robert) Barrett (Director/Chief Curator, Fresno Art Museum) re
Rush Limbaugh, Barrett's application to Big Brothers of Greater Los Angeles, and Wayne's computer problems; Patricia Barrow
(Curatorial/Education Assistant, Newport Harbor Art Museum) re returning Wayne's slides and catalogues; Ivy L. Barsky (NEA
Curatorial Intern, Department of Prints, Drawings and Photographs, Philadelphia Museum of Art) re exhibition, "Women's Work:
American Printmakers of the 1930s" and the work of Shirley Julian; Norma Bartman re Wayne's speech given at Hofstra Museum,
Hofstra University Conference on The Avant-garde in Literature and Art (1985 November), Long Island; Gregg and Cathy Bayne
photographic holiday card depicting Frederick Lightfoot Bayne.
box 25, folder 8
Hadid, Zaha
1984
Scope and Contents note
Includes Hadid's curriculum vitae, one 7 x 9 inch black and white photograph of Hadid, three color slides, and two articles
on Hadid's work.
box 25, folder 9
Hofstra University
1985-1987
Scope and Contents note
Correspondents include: Barbara Lekatsas (Coordinator, Avant-Garde Art and Literature Conference, Hofstra University Cultural
Center) re Wayne's participation in the conference; performance of Picasso's play, "Catch Desire by the Tail"; also includes
edited copy of Wayne's speech, "Avant-Garde Mindset in the Artist's Studio" given at Hofstra University Conference on the
Avant-garde in Literature and Art; and conference program.
box 25, folder 10
Hillsdale College (Trip)
1985-1987
Scope and Contents note
Correspondents include: Joseph S. McNamara (Vice President for External Affairs, Hillsdale College, MI), Lissa Roche (Director
of Research), and Sam Knecht (professor) re Wayne's lecture, "View from Inside the Outside" in the Center for Construction
Alternatives seminar, "The Dream and the Deal: The Arts After FDR" (1987 February 8-12); also includes poster and transcript
from Wayne's talk, "Inside the Outside: An Artist's New Deal Heritage", two issues of the Hillsdale College publication, Imprimis,
a brochure on Hillsdale College and President's Report (1985/86), and brochure for Henry Bernsteain exhibition, "Paintings,
Drawings & Mural Studies" (1986 October 26-November 22, Arnold Klein Gallery, Royal Oak, MI.)
box 25, folder 11
Los Angeles Task Force On The Arts
1990
Scope and Contents note
Contains Morris McNeill, Inc. draft report, "The Los Angeles Cultural Masterplan" submitted to the City of Los Angeles Cultural
Affairs Department (1990 November.)
box 25, folder 12
Los Angeles Task Force On The Arts
1986, 1990
Scope and Contents note
Correspondents include: Laurie Garris (Project Administrator, L.A. Task Force on the Arts), Barbara Goldstein (Deputy Director),
Michael Pittas (Executive Director), and Karen Hill-Scott and Alice Walker Duff (Morris McNeill) re Wayne's participation
in the L.A. Task Force on the Arts, and the Arts Advisory Committee work; includes correspondence, meeting minutes, and summaries.
box 25, folder 13
Coleman, Lee & (sisters) Judith & Manny Zane
1955, 1980-1982, 1988
Scope and Contents note
Re Lee Colman's health issues, Wayne's litigation, "The Dorothy Series" tour, and catalogue of Wayne's exhibition at Fresno
Art Museum; also includes three black and white 2.5 x 3.5 inch photographs and Atlantic City photobooth photograph of members
of the Zane family.
box 25, folder 14
Victoria Paper Company
1981, 1992, 1993
Scope and Contents note
Correspondents include: Aimee Kligman (President) re the National Arts Materials Trade Association (NAMTA) Conference in Las
Vegas (1992 May); Victoria Paper Company paper samples; Wayne's speech at W. McNeil Lowry memorial (1993 September 27, Lincoln
Center Plaza, New York); also includes press releases and articles about Kligman and the paper industry; four issues of Victoria
Paper Company's "Paperceptions" newsletter (1992 January, June, and October; 1993 April.)
box 26, folder 1
Associated American Artists Show New York 1988
1986, 1988, 1989
Scope and Contents note
Correspondents include: Lillian Berkman; Robert Conway (Director) re Wayne's print, "Witnesses", price lists of Wayne's work,
shipping lists, exhibition of Wayne's work, print dealers in Chicago, Arlene Bujese, Wayne's trip to Japan, Wayne's speech
at College Art Association (CAA) Conference in New York (1990 February); Susan Teller; also includes clippings from New York
Times advertising Wayne's lithographs from the "Djuna Set."
box 26, folder 3
New York Show Lists, Sign of The Dove, 1969
1969
Scope and Contents note
Includes lists of "Collectors and Personalities," artists, and dealers with names and addresses.
box 26, folder 4
Mailing Lists for Show, Nov. '73 Barnsdall Park. Master
1969, 1973
Scope and Contents note
Includes press release and mailing lists for invitations to Wayne's exhibition at the Municipal Art Gallery of Los Angeles,
Barnsdall Park (1973 October 30.)
box 26, folder 5
New York Show List 1969. Far Gallery.
1969
Scope and Contents note
Includes mailing lists for invitations to Wayne's exhibition at the FAR Gallery, New York (1969.)
box 26, folder 6
New York Show List, Master List 1969
1969
Scope and Contents note
Master mailing list of collectors, personalities, and dealers.
box 28, folder 2
Kentucky Miscellaneous Museums
1960
Scope and Contents note
Correspondents includes: Theodore J.H. Gusten (Executive Secretary, Print Council of America) and John Harris (Director, J.B.
Speed Art Museum, Louisville, KY) re edition numbers for Wayne's pair of prints, "Adam" and "Eve" in Speed Museum.
box 28, folder 3
California Palace Legion of Honor Calif.
1950-1953, 1956
Scope and Contents note
Correspondents include: Jerry Maclegg (Orbit Films, San Francisco; California Palace of the Legion of Honor) re visiting Wayne,
Wayne's comments on Rico LeBrun's exhibition; Thomas C. Howe, Jr. (Director, California Palace of the Legion of Honor, San
Francisco) re including Wayne's painting, "The Sanctified" and painting by William Millarc in 5th Annual Exhibition of Contemporary
American Painting; exhibition catalogue; inclusion of Wayne's print, "Last Chance" in Philadelphia Print Club "Curator's Choice"
exhibition (1956.)
box 28, folder 4
Joan of Art List - other women
no date
Scope and Contents note
Contains name and address list for four "Joan of Art" seminars (1970s.)
box 28, folder 5
Register of Women Artists
1973
Scope and Contents note
Contains "Register of Women Artists" compiled and edited by Connie Jenkins with the assistance of Vaughan Kaprow from the
Women Artists' Slide Collection, California Institute of the Arts, Valencia, CA; published by the Feminist Art Program, Miriam
Shapiro (Director.)
box 28, folder 6
Artists Councils of the Arts ACA Mailing List
1975
Scope and Contents note
Contains photocopy of Wayne's personal address book; Associated Councils of the Arts (ACA), Delegates' List to 1975 Annual
Meeting, Cleveland, OH, July 10-12.
box 28, folder 7
Washington: Miscellaneous Museums, Art Institutes, Studios, Etc.
1963, 1966-1970
Scope and Contents note
Correspondents include: William Matheson (Chief, Rare Book Department, Washington University Libraries) to Orrel P. Reed re
receiving copy of Wayne's exhibition catalogue, and decline to purchase Wayne's "Songs and Sonets of John Donne"; Lois A.
Bingham, Barbara Fendrick, and Robert Sivard (Fine Arts Section, Exhibitions Division, United States Information Agency) re
purchase of Wayne's prints, "Adam and Eve" and "Tower of Babel #A"; Frances Smyth (Program Assistant, Traveling Exhibition
Service, Smithsonian Institution) to Wally Dunbar (Tamarind Press) re loan extension for Wayne's print "At Last a Thousand
III" in Library of Congress traveling exhibition, "20th Print National"; Prentiss Taylor (President, Society of Washington
Printmakers) re Wayne's recent exhibition, Tamarind exhibition at Museum of Modern Art, New York, making Wayne an Honorary
Member of the Society and including her print, "The Tenth Memory" in a future show; Jacob Kainen (Curator, Prints and Drawings,
Smithsonian Institution, Washington D.C.) re visiting Wayne's studio, Kainen's departure from the Smithsonian and his successor,
Janet Flint.
box 28, folder 8
Los Angeles Art Committee Calif.
1954, 1955
Scope and Contents note
Correspondence re controversy over installation of Bernard Rosenthal bronze sculpture, "The Family Group" in front of the
Los Angeles Police Facilities Building and creation of the Los Angeles Art Committee (founded 1955 February 7); includes Wayne's
letters to the editors of the Los Angeles Mirror, Daily News, Los Angeles Times, as well as Los Angeles City Council, Board
of Public Works, Municipal Art Commission, and Canyon Crier; other correspondents include Mrs. Hoffman, Marguerite Scully
Fanning, Faie Joyce, Hugh Tiner, John S. Gibson, Jr. (President, Los Angeles City Council), and Earle D. Baker; also includes
City of Los Angeles Resolution (1954 August 16) issued by Earle D. Baker (Councilman, Second District) re removal of the sculpture;
March 1955 issue of Frontier magazine with article on Rosenthal controversy by Jules Langsner, "That Police Building Statue"
(pp. 20-21.)
box 28, folder 9
State of Cal. Conference on Good Design
1964
Scope and Contents note
Correspondents include: Edmund G. Brown (Governor of California, 1959-1967) and John H. Stanford (Vice Chairman, Governor's
Conference on Good Design) re Governor's Conference on Good Design (planned for early December 1964); also includes projected
conference outline.
box 28, folder 10
People to People Office of the Mayor Correspondence
1962, 1963
Scope and Contents note
Correspondents include: Karl L. Rundberg (Los Angeles City Councilman, 11th district, 1957-1963) re formation of the Nagoya-Los
Angeles Sister Committee; Mayor Sam Yorty (Mayor, Los Angeles, 1961-1973) to Honorable Kiyoshi Sugito (Mayor of Nagoya) re
four students from Sakuradai High School visiting Los Angeles, and May Sugito's visit during Los Angeles Nisei Week Festival
(1962 August 9-20); Frank P. O'Sullivan (Assistant to Mayor Yorty) re Los Angeles-Salvador Sister Cities Committee and Los
Angeles-Nagoya Sister City Committee general election meeting; also includes: "News Memorandum" from Mayor Yorty on proposed
trade-stimulating programs for 1962-63 budget; People-to-People Program "Sister city Committee Procedure."
box 28, folder 11
Pacific Arts Association Arizona
1955, 1959
Scope and Contents note
Correspondents include: Ray Fink (Associate Professor of Art, Pacific Arts Association) re reproducing Wayne's drawing in
PAA bulletin; Dorothy J. Begarmo (Director, Phoenix Fine Arts Association) re Wayne's possible participation in Solar Energy
exhibition (1955 October 17-November 16) in coordination with the World Symposium on Applied Solar Energy, Phoenix, AZ; also
includes symposium brochure.
box 28, folder 12
Eric Locke Gallery
1962
Scope and Contents note
Correspondents include: Eric J.H. Locke (owner) and George Sweeney re including Wayne's prints and prints from members of
Tamarind Lithography Workshop in exhibition of California Printmakers.
box 28, folder 13
Art Other than Painting, Prints
1963
Scope and Contents note
Correspondents includes: Rhea Laskin Wachsman to Wayne re help in acquiring support for establishing a social and jazz dance
film library; also includes copy of Wachsman's letter to W. McNeil Lowry (Director, Center of the Humanities & Art, Ford Foundation)
with her foreword, and a brochure for her "Dance through the Ages" lecture-dance.
box 28, folder 14
California State Fair
1953, 1955-1957
Scope and Contents note
Correspondents include: E.P. Green (Secretary-Manager, California State Fair) re Wayne's being selected to contribute a print
for the 1953 "Art and Good Design Exhibition"; Wayne's print, "Study for a Messenger" being awarded honorable mention in the
State Fair's 1955 Art Competition; Wayne's participation in meeting of the Artists Advisory Board (1957 February 5, Los Angeles
County Museum.)
box 28, folder 15
Salzer Galleries Calif.
1958, 1959
Scope and Contents note
Correspondents include: Maria and Oscar Salzer (Salzer Galleries, Los Angeles, CA) re sales results of Wayne's work; Wayne
starting work on portfolio for poems of John Donne; Wayne's contract with Zeitlin and Ver Brugge to handle world distribution
on her book; also includes sales receipts and invoices for Wayne's work sold by Salzer Galleries.
box 28, folder 16
International Student Center Calif.
1963
Scope and Contents note
Correspondents include: Arthur Millier (Co-Chairman Pro Tem, Art and Music Friends, International Student Center) re Wayne
agreeing to serve as member of founding committee for the Arts and Music Friends of International Student Center; also includes
brochure on the Center and list of committee members.
box 28, folder 17
California Miscellaneous Museums, Art Institutes Etc.
1961-1965
Scope and Contents note
Correspondents include: Jarvis Barlow (Director, Los Angeles County Art Institute [interim name for Otis Art Institute]) re
Wayne's participation in exhibition "Contemporary Religious Art" by Southern California Artists (1960 December 15 - 1961 January
15); Millard Sheets (Director, Otis Art Institute) re Wayne's participation in annual print exhibition (1962 and 1963); Mrs.
Franklin V. Walker (Program Chairman, Art Department, Pomona College, Claremont, CA) re Wayne speaking to members of the Rembrandt
Club (1963 January 17); Dr. Donald W. Schafer (Pasadena, CA) re Wayne's book, "Songs and Sonets of John Donne"; Sylvia Meller
(Zeitlin & Ver Brugge Booksellers, Los Angeles, CA) re exhibition catalogue "Printing and the Mind of Man" (1963 July 16-
27, British Museum, London), Wayne attending the Book Fair, and Wayne's message to Jake Zeitlin about John Donne; Miki Benoff
(Beverly Hills, CA) re sending material to Pete Pollack; Shibley Bayes (Los Angeles, CA) re her hand-made cards and Wayne's
suggestion for her to contact the Joseph Press; William Firschein (artist) re Wayne's help, representation at Ankrum and Salzer
galleries; Robert Logan and Robert Cugno (Yorkshire Antiques, Santa Ana, CA) exhibiting Wayne's work at their newly opened
Contemporary Arts and Crafts Gallery; Felix Landau (Los Angeles, CA) re article in Art Forum; H.C. Schwarm (Associate Professor
of Art, San Fernando Valley State College, Northridge, CA) re request of Wayne to speak at college lecture series; Glen Burch
(Director, University Extension, University of California, Davis) re Wayne's lecture at workshop, "Original Prints and their
Place in the Art of Today" (1965 November 18); William Goodman (Gallery Assistant, San Francisco Art Institute) re price and
availability of Wayne's prints, "Dorothy the Last Day", "Dead Center II" and "Tenth Memory" included in exhibition, "California
Printmakers."
box 28, folder 18
Koslow-Gleaves Gallery
1965
Scope and Contents note
Correspondents include: Beverly Kozlow-Gleaves (Kozlow Gallery, Encino, CA) re Wayne's possible participation in venture corporation,
American Graphic Arts, whose function would be as a national retail outlet for American graphic artists; Wayne declined.
box 28, folder 19
Mt. San Antonio College
1969
Scope and Contents note
Correspondents includes: Richard L. Raynard and Carl Kniting (Co-chairmen, Bijutsu, San Antonio College, Walnut, CA) re Wayne
participating in convocation lecture and loaning her work for exhibition during Bijutsu Shukujitsu, the college's Fine Arts
Feast.
box 28, folder 20
Art Rental Gallery of the Junior Art Council of the L.A. County Museum. Calif.
1953-1956
Scope and Contents note
Correspondents include: Mary Griffith (Chairman, Art Rental Gallery) and Virginia S. Weaver (President, Junior Art Council)
re details of Art Rental Gallery functions (established October 1953); other correspondents include Grace E. Boles, Jeanette
Garnier, Priscilla Maughan, Phoebe L. Leiby, Aileen B. Lumley (treasurer), Dorothy Sherwood, and Lillian Weiner re Wayne consigning
various works to the gallery.
box 28, folder 21
Correspondence with European Galleries and Museums
1971, 1974
Scope and Contents note
Re Wayne seeking representation/exhibitions of her work in Europe; correspondents include: Bibliothèque nationale, Brussels;
Galerie d'art modern (Jeanne Wiebenga), Lausanne; Victoria and Albert Museum, London; other correspondents include: Alfredo
Paglione (Milan); Franz Larese (Galerie im Erker, St. Gallen, Switzerland); Rudolf Raubach (Kunsthandlung, St. Gallen, Switzerland);
Galerie Renée Ziegler (Zurich, Switzerland); Edwin Engelberts Galerie d'Art (Geneva, Switzerland); Dr. Fritz Nathan (Zurich);
Dr. H. Von Matt (Zurich); Kupferstich Boutique (Zurich); Galerie Gérald Cramer (Geneva); Anlikerkeller Bern (Bern, Switzerland);
I. Auerbach (Neue Galerie, Zurich); Socrate (J. Spoorenberg, Bienne, Switzerland); M. Flury (Kunsthandlung, Bienne); Galerie
Daniel Keel (Zurich); Gallerie d'Arte Moderna (Milan); Dr. Andreson (Lausanne, Switzerland); Galerie Wolfgang Ketterer (Munich,
Germany.)
box 28, folder 22
John Donne Book Correspondence
1963
Scope and Contents note
Includes announcement from for exhibition of Contemporary Prints by Southern California artists at the Fine Arts Gallery of
Fullerton Junior College (1963 November 18-December 13); list of institutions interested in Wayne's livre de luxe book; photocopy
of Los Angeles Times article (1963 November 20) about Tamarind Lithography Workshop hosting workshop for Contemporary Art
Council members.
box 28, folder 23
Paris & France Mailing List
1974
Scope and Contents note
Name and address list used for 1974 Paris show invitations.
box 28, folder 24
Colorado Springs Fine Art Center
1950, 1951, 1953, 1954, 1957
Scope and Contents note
Correspondents include: Fred Bartlett (curator, Colorado Springs Fine Arts Center, Colorado Springs, CO) re Wayne's suggestions
for artists to be included in annual exhibition, "West of the Mississippi", as well as including Wayne's work.
box 28, folder 25
Pensacola Art Center Florida
1956, 1957
Scope and Contents note
Correspondents include: Richard Hirsch (Director) re possible exhibition of Wayne's work.
box 28, folder 27
Devorah Sherman Gallery Illinois
1960
Scope and Contents note
Correspondents include: Devorah Sherman (Chicago, IL) re representing Wayne's work in Chicago; Wayne's prints, "Adam and Eve"
sent on consignment.
box 28, folder 28
ILLINOIS - Miscellaneous Art Museums, Institutions, etc.
1962
Scope and Contents note
Correspondents include: Bernard F. Rogers (Chicago, IL) re acquiring Wayne's print, "All Day, the Same."
box 28, folder 29
Percival Galleries
1969
Scope and Contents note
Correspondents include: Shirley Percival, Jr. re visiting Wayne at Tamarind; also includes exhibition announcements for Percival
Galleries (Des Moins, Iowa) and Percival's business card.
box 28, folder 30
Maryland Miscellaneous Museums
1960, 1962, 1963
Scope and Contents note
Correspondents include: Grace Oehser re inclusion of Wayne's "Twelfth Memory" in traveling show of prints selected from Twenty-Fourth
Exhibition of the Society of Washington Printmakers (Smithsonian, Washington D.C.); Barbara Fendrick (Fendrick Gallery, Chevy
Chase, MD) re show's status and return of Wayne's print; Ferdinand Roten (Roten Art Frame Studio, Baltimore, MD) re returning
Wayne's prints "Adam and Eve."
box 28, folder 31
Light, Robert M. Mass.
1959-1962
Scope and Contents note
Correspondents include: Robert M. Light (R.M. Light & Co., Fine Prints, Boston, MA) re representing Wayne in New York, including
her work in an exhibition with [Leonard] Baskin and [Gabor F.] Peterdi, and purchasing a lithograph of Wayne's for museum
in Oberlin; list of Wayne's prints [40] on consignment with Light, including total retail value; establishment of Tamarind
Lithography Workshop through Ford Foundation grant; list of prints sold (as of 1960 March 8); Light's visit to Wayne's studio;
return of Wayne's unsold prints and copies of "Songs and Sonets of John Donne" book.
box 28, folder 32
American Federation of Arts N.Y.
1956, 1957, 1960-1963
Scope and Contents note
Correspondents include: Jean Lipman (Editor, Art in America) re Wayne submitting materials for inclusion in "New Talent in
the U.S.A." issue, and American Federation of Arts (AFA) traveling exhibition of artists featured in the issue; Sanna Saks
(Special Projects, American Federation of Arts) re loan of Wayne's "Final Jury" lithograph for "New Talent in the U.S.A.,
1957" exhibition; Virginia Field (Secretary for Exhibitions) re Wayne's inclusion in the American Federation of Arts (AFA)
traveling "Eleventh National Print Exhibition"; Elaine Taylor (Exhibitions, AFA) re Wayne's inclusion in traveling exhibition,
"Twelfth National Print Exhibition"; Harris K. Prior (Director, AFA) re returning Wayne's print, Hommage a Autun" from Eleventh
National Print Exhibition; Norma Guinchi (Assistant Registrar, AFA) re returning Wayne's work lent to Twelfth National Print
Exhibition; Peter Pollack (Director, AFA) re payment for Wayne's prints purchased by Gray Foundation, suggestion for exhibition
in France of Tamarind artists; the prints of Ivan Albright.
box 29, folder 1
Price, Geraldine
1963, 1964
Scope and Contents note
Correspondents include: Geraldine Price (Director, Aspen School of Art and Aspen Art Gallery, Contemporary Art Associates,
Inc., Aspen, CO) re Wayne's comments on first draft for school's presentation materials and brochure; Ernest L. Tross (art
historian, Denver, CO) re materials for illustrations of ["Songs and Sonets of John Donne"] book for his lectures.
box 29, folder 2
Assoc. American Artist N.Y.
1960, 1961, 1963
Scope and Contents note
Correspondents include: Sylvan Cole Jr. (President, Associated American Artists (AAA)) re Wayne's sending several prints,
among them "Adam and Eve," "Memory of a Tanagra," "The Man" and "The Woman"; includes price list for prints and invoices;
replacement request from United States Information Agency via AAA for Wayne's print "Hommage a Autun," owned by Library of
Congress and lost in shipping accident.
box 29, folder 3
Brooklyn Museum N.Y.
1952, 1954, 1958, 1961
Scope and Contents note
Correspondents include: Una E. Johnson (Curator, Department of Prints and Drawings, Brooklyn Museum, NY) re Wayne's participation
in exhibition, "New Expressions in Fine Printmaking: How Modern Prints are Made"; Wayne's entries for 1954 print annual; return
of Wayne's rejected print from submission to American Federation of Arts (AFA.)
box 29, folder 4
Contemporaries New York
1957, 1958
Scope and Contents note
Correspondents include: Wayne to Contemporaries gallery (New York) re status and return of Wayne's prints since death of previous
gallery owner, Margaret Lowengrund, and sale of gallery; Karl Lunde (manager) re new owner's primary interest in paintings
and return of Wayne's work; Mrs. Kevin Sweeney (Lowengrund's daughter) re Wayne's sympathies in loss of her mother.
box 29, folder 5
Rogue Valley Art Assoc. Oregon
1962
Scope and Contents note
Correspondents include: Ben J. Trowbridge, Jr. (Member of the Board and Exhibition Chairman, Rogue Valley Art Association
Inc., Medford, OR) re inclusion of Wayne's work in "Human Condition" exhibition of selected American artists; E. Theodore
Lindberg (Director) re extending loan of Wayne's work due to rescheduling of exhibition.
box 29, folder 6
Texas: Miscellaneous Museums
1953, 1956, 1957, 1960, 1978
Scope and Contents note
Correspondents include: Carroll E. Hogan (Curator of Prints, Dallas Museum of Fine Arts, Dallas, TX) re inclusion of Wayne's
print, "The Witness" in the First Annual Dallas National Print Exhibition; Henry B. Caldwell (Director, Fort Worth Art Center)
re insurance coverage for damage to Wayne's painting, "The Dark One," "The Elements" and "The Messenger"; Helen Susi (Black
Tulip Galleries, Inc., Dallas, TX) re Wayne's work.
box 29, folder 7
Main Place Gallery Dallas, Texas
1969, 1970
Scope and Contents note
Correspondents include: Violet Hayden Dowell (Main Place Gallery, Dallas, TX) re request for copy of "Tamarind Facts" for
the gallery; Wayne's visit to Dallas; Wayne's request for information on tapestry weaver in Guadalajara, Mexico.
box 29, folder 8
Pennsylvania: Miscellaneous Museums
1959, 1964
Scope and Contents note
Correspondents include: Lessing J. Rosenwald (Alverthrope Gallery, Jenkintown, PA) re showing Wayne's "Songs and Sonets of
John Donne" book, and his purchase of Wayne's "Adam and Eve" for the National Gallery in Washington; Dorothy Hale Litchfield
(Head, Print and Picture Department, Free Library of Philadelphia, PA) re inclusion of Wayne's lithograph, "Goe and catch
a falling starre" in exhibition, "The Fabulous Decade" and acquisition of Wayne's print, "Dorothy the last day."
box 29, folder 9
Philadelphia Art Alliance Pennsylvania
1959, 1960, 1965
Scope and Contents note
Correspondents include: Stella Drabkin (Chairman, Print Committee, Philadelphia Art Alliance, PA) re exhibition of Wayne's
work (1959 November 4-29); Andrew J. Seraphin (publicity director) re publicity for the exhibition; also includes diagram
of gallery space, price list of works loaned for the exhibition, and shipping invoice; Dorothy Kohl (Executive Director) re
November House Opening and Reception (1959 November 13); Mildred Dillon (American Color Print Society, Philadelphia, PA) re
damage to one of Wayne's prints.
box 29, folder 10
Alverthorpe Gallery (Mongan & Rosenwald)
1955, 1959
Scope and Contents note
Correspondents include Elizabeth Mongan (Curator, Alverthorpe Gallery, Jenkintown, PA) re appointment to see Lessing J. Rosenwald
collection; acquisition of two of Wayne's prints, "Second Jury" and "Study for a Messenger"; Wayne working on Fable series
of prints; also includes fund raising form from Print Club (Lessing J. Rosenwald, Chairman, Committee on Permanent Collection),
supporting the Philadelphia Museum of Art.
box 29, folder 11
Philadelphia Museum Pennsylvania
1959-1961
Scope and Contents note
Correspondents include: Carl Zigrosser (Curator of Prints and Drawings) re Wayne's "Songs and Sonets of John Donne" book;
Zigrosser contacting Stella Drabkin (Art Alliance, Philadelphia) re hosting exhibition of Wayne's work; replacing Wayne portfolio
with newly printed version; approval of Ford Foundation grant for Tamarind Workshop; Wayne's visit to Philadelphia; production
methods for Wayne's "Anniversairie" print.
box 29, folder 12
Philadelphia Print Club Pennsylvania
1955-1963, 1969
Scope and Contents note
Correspondents include: Carl Zigrosser (Curator of Prints and Drawings) re meeting with Wayne during her visit to Philadelphia;
Bertha von Moschzisker (Director, The Print Club, Philadelphia) re acquiring Wayne's triptych "Bride, Advocate, Suitor," the
study for "Messenger V" and "The Tunnel" for the Philadelphia Museum of Art; Wayne's print, "Study for a Messenger" being
awarded the Mary C. Collins Prize and being given to the Philadelphia Museum of Art (later exchanged for Wayne's "Tower of
Babel", since the "Messenger" print was already in the museum's collection); acquisition of Wayne's print, "Last Chance" for
California Legion of Honor, San Francisco and inclusion in Curator's Choice exhibition (1956); Wayne's participation in three-artist
exhibition in Print Club's gallery with Romas Viesulas and Jeremy Bentilli (1960); Mildred Dillon (American Color Print Society
(ACPS)) re Wayne's print, "Goe and catch a Falling Starre" selected for ACPS 19th Travel Exhibit; Margaretta Wright (President,
The Print Club) and Moschzisker re inclusion of Wayne's print, "Last Chance" in exhibition for employee pension fund; also
includes Print Club invoices for acquisitions of Wayne's prints by Philadelphia Museum of Art; Robert Erskine (St. George's
Gallery Prints, London, England) re Wayne's participation in exhibition, "Prints of the World" (1962 June, South London Art
Gallery, Camberwell.)
box 29, folder 13
Prentiss Taylor Soc. Of Washington Printmakers
1957-1961, 1963
Scope and Contents note
Correspondents include: Leslie Judd Portner (art critic, Washington Post and Times Herald) re review (1957 January 20) of
Society of Washington Printmakers exhibition; [Eleanor] Van Swearingen re Portner review; Prentiss Taylor (printmaker and
President, SWP) re sale of Wayne's print, "Tower of Babel A"; Dr. Benjamin Jurin's purchase of Wayne's print, "Goe and Catch
a Falling Starre"; Wayne's prints "Goe and Catch a Falling Starre" and "Hommage a Autun" being selected as Purchase Award
to Smithsonian Institute; Ford Foundation grant for Tamarind Workshop; Wayne's move to her new studio; Inez M. Demonet (Treasurer,
SWP) re sale of Wayne's print "A Winter-seeming Summer's Night" to the Library of Congress; also includes a 3 x 3 inch black
and white photograph of Wayne's "Hommage a Autun" in situ at SWP 23rd Exhibition, an SWP membership roster (1963 January),
and spring issue of "Eye on the Arts in Washington" [1958] with illustration of Wayne's "Goe and Catch a Falling Starre."
box 29, folder 14
Original Graphics N.Y.
1958-1960, 1962
Scope and Contents note
Correspondents include: Adele Lewis (Original Graphics, New York) re selection of Wayne's print, "The Wall" for Print Fair;
Original Graphics newsletter (1960 May 8); First Prize awarded to Wayne's print, "Tenth Memory"; notice of discontinuation
of Original Graphics organization (1962 October 11); also includes poster comprised of publicity articles from three arts
events arranged in Florida (1959, September-October), being a gallery talk by Adele Lewis (Director, Original Graphics Art
Gallery, New York, NY), a three-man exhibition at the Sun Art Theater, and group show at Contemporary Arts Gallery.
box 29, folder 15
Basil Vlavianos Arts Inc. N.Y.
1961
Scope and Contents note
Basil J. Vlavianos (Arts Inc. Publishers, New York) re return of Wayne's book, "Songs and Sonets of John Donne."
box 29, folder 16
Bradley University
1985-1987
Scope and Contents note
Correspondents include: Elaine Brinkman (graduate student), Charles E. Meyer (Director, Division of Art) and Pamela J. Held
(art history student) re information on Wayne's print, "Tower of Babel" from Fable Series C for inclusion in exhibition of
early prints from the Bradley National Print Collection; Robert A. Jones (Director, Cullom-Davis Library, Bradley University)
re Wayne's donation of book, "The Art of June Wayne" (by Mary W. Baskett) to art department library.
box 29, folder 17
Library: gift sent No acknowledgement
1978-1980
Scope and Contents note
Re gift copies of the book, "The Art of June Wayne" (by Mary W. Baskett) to various institutions: Arkansas Arts Center Library
(Little Rock, AR); Bartlesville Public Library (Bartlesville, OK); Birmingham Museum of Art (Birmingham, AL); Brigham Young
University (Provo, UT); Fresno Art Center (Fresno, CA); Gibbes Art Gallery (Charleston, SC); Idaho State University Library
(Pocatello, ID); Louisville School of Art (Louisville, KY); Maryland Institute, College of Art (Baltimore, MD); Minneapolis
Institute of Arts (Minneapolis, MN); Le Brun Library, Montclair Art Museum (Montclair, NJ); Northwestern University Library
(Evanston, IL); Gardiner Art Gallery, Oklahoma State University (Stillwater, OK); Pensacola Art Association/Pensacola Museum
of Art (Pensacola, FL); Portland Art Museum library (Portland, OR); Marquand Library, Princeton University (Princeton, NJ);
Quincy College Library (Quincy, IL); Seattle Public Library (Seattle, OR); Skidmore College (Saratoga Springs, NY); College
at Purchase, State University of New York (Purchase, NY); Tampa Museum of Art (Tampa, FL); Tyler School of Art, Temple University
(Philadelphia, PA); Toledo Museum of Art (Toledo, OH); Topeka Public Library (Topeka, KS); Triton Museum of Art (Santa Clara,
CA); Art and Architecture Library, University of Colorado Libraries (Boulder, CO); University of Georgia Libraries (Athens,
GA); University Library, University of Illinois at Urbana-Champaign (Urbana, IL); McKeldin Library, University of Maryland
(College Park, MD); Lowe Art Museum, University of Miami (Coral Gables, FL); Tweed Museum of Art Library, University of Minnesota
Duluth (Duluth, MN); University Art Galleries, University of North Dakota (Grand Forks, ND); Architecture & Allied Arts Library,
University of Oregon (Eugene, OR); Department of Art, University of South Dakota (Vermillion, SD); Utah Museum of Fine Arts,
University of Utah (Salt Lake City, UT); Library, University of South Florida (Tampa, FL); University of Wyoming Art Museum
(Laramie, WY); Department of Art, Vassar College (Poughkeepsie, NY); James Branch Cabell Library, Virginia Commonwealth University
(Richmond, VA.)
box 29, folder 18
Library: gift sent No acknowledgement
1978-1980
Scope and Contents note
Re gift copies of the book, "The Art of June Wayne" (by Mary W. Baskett) to various institutions: Amon Carter Museum (Fort
Worth, TX); Art Institute of Boston (Boston, MA); The Athenaeum, Music & Arts Library (La Jolla, CA); Berkeley Public Library
(Berkeley, CA); Boston Public Library (Boston, MA); Mugar Memorial Library, Boston University (Boston, MA); University Libraries,
Bowling Green State University (Bowling Green, OH); Brand Library (Glendale, CA); California Institute of the Arts (Valencia,
CA); Cleveland Institute of Art Library (Cleveland, OH); Crocker Art Museum (Sacramento, CA); Denver Public Library (Denver,
CO); Detroit Institute of Arts (Detroit, MI); Detroit Public Library (Detroit, MI); Fairfield Public Library (Fairfield, CT);
Elvehjem Art Center, University of Wisconsin (Madison, WI); Fort Wayne Museum of Art (Fort Wayne, IN); Fresno Art Center (Fresno,
CA); Glendale Community College (Glendale, CA); University Libraries, Indiana University (Bloomington, IN); Art Library, Iowa
State University (Iowa City, IA); Kansas City Art Institute (Kansas City, MO); Fine Arts Library, Lake Placid School of Art
(Lake Placid, NY); Los Angeles Public Library (Los Angeles, CA); Munson-Williams-Proctor Institute (New York, NY); Museum
of Fine Arts (Springfield, MA); Museum of Fine Arts (St. Petersburg, FL); Fine Arts Library, Ohio State University (Columbus,
OH); Anne Bremer Memorial Library, San Francisco Art Institute (San Francisco, CA); San Francisco Museum of Modern Art (San
Francisco, CA); San Jose State University (San Jose, CA); Santa Barbara Public Library (Santa Barbara, CA); E.S. Bird Library,
Syracuse University (Syracuse, NY)'; Tucson Museum of Art (Tucson, AZ); General Library, University of California, Berkeley
(Berkeley, CA); University Library, University of California, Riverside (Riverside, CA); Resource Center, University of Illinois
at Chicago Circle (Chicago, IL); Art Library, University of Kentucky Libraries (Lexington, KY); Department of Art, University
of North Carolina at Chapel Hill (Chapel Hill, NC); Fine Arts Library, University of Texas at Austin (Austin, TX); Wadsworth
Atheneum (Hartford, CT); William A. Farnsworth Library and Art Museum (Rockland, ME.)
box 29, folder 19
Libraries (Letters for Update) 1994
1994
Scope and Contents note
Includes list of U.S. museums and libraries to whom a letter of inquiry was sent re updating their references on Wayne; responses
from James Branch Cabell Library, Virginia Commonwealth University (Richmond, VA); Brooklyn Museum Libraries (Brooklyn, NY);
Dayton Art Institute Library (Dayton, OH); Northwestern University Library (Evanston, IL.)
box 29, folder 20
Library: Gift unaccepted or unanswered
1979, 1980
Scope and Contents note
Correspondence with museums and libraries to whom a letter of inquiry was sent re updating their references on Wayne, with
responses from: Adelphi University (Long Island, NY); Wakako Yasunari (of Art Center, Pasadena, CA); California State University,
Hayward (Hayward, CA); California State University, Long Beach (Long Beach, CA); Cedar Rapids Art Center (Cedar Rapids, IA);
Columbia University (New York, NY); de Young Memorial Museum (San Francisco, CA); Hirshhorn Museum and Sculpture Garden (Smithsonian
Institution, Washington D.C.); Honolulu Academy of Arts (Honolulu, HI); Milton S. Eisenhower Library, John Hopkins University
(Baltimore, MD); Kimbell Art Museum (Fort Worth, TX); Miami-Dade Public Library System (Miami, FL); New York Public Library
(New York, NY); Norton Simon Museum of Art at Pasadena (Pasadena, CA); Padua Academy (Wilmonton, DE); Quincy Art Club (Quincy,
IL); Stanford University (Stanford, CA); Wesleyan University (Middletown, CT); Winterthur Museum (Winterthur, DE); Wyoming
State Archives Museums & Historical Department (Cheyenne, WY.)
box 29, folder 21
Libraries - Reply Received 1994
1994, 1995
Scope and Contents note
Correspondence with museums and libraries to whom a letter of inquiry was sent re updating their references on Wayne, with
responses from: Amon Carter Museum (Fort Worth, TX); Boston Public Library (Boston, MA); The Brooklyn Museum (Brooklyn, NY);
Ella Strong Denison Library, Claremont Colleges (Claremont, CA); Dayton Art Institute (Dayton, OH); Farnsworth Art Museum
(Rockland, ME); Indiana University (Bloomington, IN); Kohler Art Library (Madison, WI); Los Angeles Public Library (Los Angeles,
CA); LeBrun Library, Montclair Art Museum (Montclair, NJ); Museum of Fine Arts, Boston (Boston, MA); Museum of Modern Art
(New York, NY); North Carolina Museum of Art (Raleigh, NC); Philbrook Museum of Art (Tulsa, OK); Arthur and Elizabeth Schlesinger
Library on the History of Women in America, Radcliff College (Cambridge, MA); Smith College (Northampton, MA); Toledo Museum
of Art (Toledo, OH); University of Illinois at Urbana-Champaign (Champaign, IL); Art Library, University of Louisville (Louisville,
KY); University of Nebraska (Lincoln, NE.)
box 30, folder 1
Libraries - 1994 Thank You Replies
1994
Scope and Contents note
Correspondence with museums and libraries to whom a letter of inquiry was sent re updating their references on Wayne, with
responses from: Indiana University (Bloomington, IN); Philbrook Museum of Art (Tulsa, OK); Smith College (Northampton, MA);
University of Colorado at Boulder (Boulder, CO.)
box 30, folder 2
Library: Gift Acknowledgements
1978-1981
Scope and Contents note
Correspondence with museums and libraries to whom a letter of inquiry was sent re updating their references on Wayne, with
responses from: Anchorage Historical and Fine Arts Museum (Anchorage, AL); Art Institute of Chicago (Chicago, IL); Boston
Athenaeum (Boston, MA); California State University, Los Angeles (Los Angeles, CA); Charles H. MacNider Museum (Mason City,
IA); Ella Strong Denison Library, Claremont Colleges (Claremont, CA); Fine Arts Gallery of San Diego (San Diego, CA); Fine
Arts Museum of the South at Mobile (Mobile, AL); Herron School of Art IUPUI (Indiana University-Purdue University Indianapolis,
Indianapolis, IN); J.B. Speed Art Museum (Louisville, KY); La Jolla Museum of Contemporary Art (La Jolla, CA); Lauren Rogers
Library and Museum of Art (Laurel, MS); Los Angeles County Museum of Art (Los Angeles, CA); Meridian Museum of Art (Meridian,
MS); Museum of Fine Arts, Boston (Boston, MA); Pasadena Public Library (Pasadena, CA); Philbrook Art Center Library (Tulsa,
OK); Portland School of Art (Portland, ME); Arthur and Elizabeth Schlesinger Library on the History of Women in America, Radcliff
College (Cambridge, MA); Hillyer Art Library, Smith College Library (Northampton, MA): Sioux City Art Center (Sioux City,
NE); Southern Illinois University at Carbondale (Carbondale, IL); Richardson Memorial Library, St. Louis Art Museum (St. Louis,
MO); Sterling and Francine Clark Art Institute; Tulane University Library (New Orleans, LA); University of California, Davis
(Davis, CA); University of California, Irvine (Irvine, CA); University of Louisville (Louisville, KY); University of Nebraska
(Lincoln, NE); Worchester Art Museum (Worcester, MA); Art and Architecture Library, Yale University (New Haven, CT.)
box 30, folder 3
Library: Gift Acknowledgements
1978-1981
Scope and Contents note
Correspondence with museums and libraries to whom a letter of inquiry was sent re updating their references on Wayne, with
responses from: Albright-Knox Art Gallery (Buffalo, NY); Art Gallery of Ontario (Toronto, Canada); Beverly Hill Public Library
(Beverly Hills, CA); Brooklyn Museum (Brooklyn, NY); Brooklyn Public Library (Brooklyn, NY); Carnegie Library of Pittsburgh
(Pittsburgh, PA); Cincinnati Art Museum (Cincinnati, OH); Cleveland Museum of Art (Cleveland, OH); Concordia College (Seward,
NE); Cooper-Hewitt Museum (New York, NY); Cornell University Libraries (Ithaca, NY); Dallas Museum of Fine Arts (Dallas, TX);
Dartmouth College Library (Hanover, NH); Dayton Art Institute (Dayton, OH); Duke University (Durham, NC); Museum of Modern
Art (New York, NY); Metropolitan Museum of Art (New York, NY); Milwaukee Art center (Milwaukee, WI); Minneapolis College of
Art and Design (Minneapolis, MN); Montana State University (Bozeman, MT); Museum of Fine Arts (Houston, TX); Library of North
Carolina Museum of Art (Raleigh, NC); Oberline College Library (Oberlin, OH); Philadelphia College of Art (Philadelphia, PA);
Pratt Institute Library (Brooklyn, NY); Rhode Island School of Design (RISD, Providence, RI); Smithsonian Institution Libraries
(Washington, D.C.); Tacoma Art Museum (Tacoma, WA); Tacoma Public Library (Tacoma, WA); University of New Mexico (Albuquerque,
NM); University of Pennsylvania (Philadelphia, PA); University of Washington (Seattle, WA); University of Wisconsin (Milwaukee,
WI); University of Wyoming Art Museum (Laramie, WY); (Whitney Museum of American Art (New York, NY.)
box 30, folder 4
Libraries
1978-1980
Scope and Contents note
Correspondents include: Linda Larouch requesting information on Wayne's work; Stephanie Chiacos (assistant to Wayne) to Muckenthaler
Cultural Center (Fullerton, CA) requesting additional copies of Wayne exhibition catalogue, "June Wayne: An Exhibition of
Lithographs and Tapestries, August 31 through October 6, 1974"; also includes list of U.S. libraries to whom a letter of inquiry
was sent re acquiring reference materials on Wayne for their institutions and copies of letters sent; list of libraries with
June Wayne materials as of 4/27/81; two brochures from The Archives of American Art, Smithsonian Institution (Washington D.C.)
box 30, folder 5
Correspondence from Europe 1971
1971
Scope and Contents note
Photocopies of correspondence with: Norma Neiman (Wayne's assistant) re medical bills; instructions for shipping five of Wayne's
prints to Max Flury in Switzerland; Wayne's visit to Aubusson, France; hotel and flight information for Wayne's travels in
France, Switzerland, the Netherlands, Denmark, Italy, and England; payment to Pierre Daquin for weaving Wayne's "St. lash
a Thousand"; Betty [Fiske?] and Linda re reports, letters and errata sheet for exhibition catalogue; difficulties with Wayne's
daughter, Robin.
box 30, folder 6
Commission on the Status of Women
1978-1980
Scope and Contents note
Correspondents include: Betty Stephens (Chairperson, California Commission on the Status of Women) re Hearing Transcript,
"Women in the Visual Arts" (1978 February 24, Auditorium, State Building, Los Angeles, CA, 149 pp.), letter from Stephens
to California Senator Alan Sieroty re bill, SB 669, Personal Income Taxes, Charitable Contributions, Artistic Property; also
includes issue of "California Women" (1980 August.)
box 30, folder 7
Commission on the Status of Women
1977-1979
Scope and Contents note
Correspondents include: Betty Stephens (Chairperson, California Commission on the Status of Women) re agenda and press release
for hearing, "Women in the Visual Arts" (1978 February 24, Auditorium, State Building, Los Angeles, CA); Vicki L. Caron (Resource
Specialist) re Wayne's testimony at hearing; includes copy of testimony of Ellouise Schoettler (Director of Exhibitions, Washington
Women's Art Center and Director of the Washington Office of the Coalition of Women's Art Organizations) before the House Subcommittee
on Select Education (1978 January 23); Wayne's speech at Coalition of Women's Art Organizations conference, "The Artist and
the Government" at Rayburn Dining Room, Washington (1979 February); also includes transcripts of testimonies by Wayne and
Women's Caucus in Art; speech by Ruth Weisberg, "Training: Undergraduate, Graduate, and Art Schools"; issues of "California
Women" (1978 July; 1978 October & November; 1979 January & February); photocopies of articles: Barbara Isenberg on the hearing
(Los Angeles Times, 1978 February 28); Patricia Failing, "Splashes in the Mainstream: The Portland Center for the Visual Arts";
table, "Male/Female Ratio in Selected N.Y.C Gallery Stables" (Art Workers News, 1977 November, p. 11); Norma Broude, "Women's
Caucus for Art: Affirmative Action Questionnaire"; CAC Newsletter (1977 December); Linda Blumberg, "An Alternative Space:
The Institute for Art."
box 30, folder 8
Commission on the Status of Women
1978, 1979
Scope and Contents note
Recommendations on talking points for speakers and transcript of hearing, "Women in the Visual Arts" (1978 February 24, Auditorium,
State Building, Los Angeles, CA); correspondence from Betty Stephens re bills SB 812 and SB 669, which enable local governments
to rezone commercial and industrial areas for use as both living and working space for artists; invitation to next meeting
of California Commission on the Status of Women; also includes report of "Eleanore Dickinson, Associate Professor of Art,
California College of Arts and Crafts, Oakland, CA. Topic: One-Person Shows and Display Policies."
box 30, folder 9
Philadelphia Show 1985
1985
Scope and Contents note
Correspondents include: Ofelia Garcia (Director, The Print Club) re Wayne's print exhibition (1985 December 2 to 1986 January
4); also includes floor plan of gallery space, packing list and price list for the 44 prints involved, and Wayne's instructions
for hanging the show; consignment forms; exhibition announcement card.
box 30, folder 10
Goodwin, James
1987,1989, 1990, 1992
Scope and Contents note
Correspondents include: James Goodwin (Goodwin + Goodwin, Marketing, Communications and Design firm) re copies of letters
sent to various galleries regarding possibility of representing Wayne's work; includes transcript of KCRW National Public
Radio "Art Talk" broadcasts by Edward Goldman; Goodwin + Goodwin's press release re Bibliothèque nationale de France in Paris
acquiring 248 of Wayne's works (1990 April 6.)
box 31, folder 1
Goodwin, James
1987-1990, 1994
Scope and Contents note
Correspondents include: Janice and Murray Feldman (Executive Director, Pacific Design Center, Los Angeles, CA) re gift of
music CDs from Wayne; James Goodwin (Director, Marketing Communications, Pacific Design Center) re WestWeek 1987; press release
re death of Murray Feldman (1987 July 28); plans for Murray Feldman Gallery at the Pacific Design Center; John D. and Catherine
T. MacArthur Foundation Fellows List (1985); report by W. McNeil Lowry (Director, Program in Humanities and the Arts, Ford
Foundation), "The Art and Design Forum, Inc., The Murray Feldman Gallery, Pacific Design Center, Issues in the Development
of Same: A Chronology" (1987 December 11); John R. Berry (Director, Corporate Communications, Herman Miller) to Dick Norfolk
(President, Pacific Design Center) re support of nonprofit gallery at PDC; Eudorah M. Moore to Wayne re resignation of Jim
Goodwin from Pacific Design Center; PDC press releases, advertising sample from Westweek publication, and program overview
for Westweek 1988; Chrysler Building thank you card and postcard of Great Ocean Road, Australia, from Sushiela [Goodwin];
press release re James Goodwin's appointment as Senior Vice President, Institution Affairs at Art Center College of Design
(1988 September 1, Pasadena, CA); Goodwin's press releases re Wayne's keynote address, "Broken Stones and Whooping Cranes:
Thoughts of a Willful Artist" given at National Print Symposium, Australian National Gallery, Canberra (1989 March 25) and
Wayne's exhibition opening, Benton Gallery, South Hampton; biography of Wayne; press release re exhibition proposed for Tokyo,
Japan, spring 1990; includes hand-made holiday card from Jim and Sushiela Goodwin.
box 31, folder 2
Goodwin, James 1983 - 1986
1983-1986, 1988, 1989
Scope and Contents note
Correspondents include: James Goodwin (Director, Marketing Communications, Pacific Design Center) and Murray Feldman (Executive
Director, Pacific Design Center) re meeting to discuss creation of major design conference in Los Angeles; formation of executive
committee, Los Angeles Design Alliance (L.A.D.A), with list of board members and meeting minutes (1984 January 11); 8 x 10
inch black and white photograph of Wayne with Jack Larson, Eudie Moore, Carole Soucek King and editor of Design Interiors
at WestWeek (1984 March); L.A.D.A. meeting agenda 1984 May 31; Jean Firstenberg (Director, American Film Institute) re association
with PDC; James Goodwin to Dr. Jonas Salk re invitation to opening of WestWeek (1985 March 27); draft of L.A.D.A. Manifesto;
Tom Van Sant to Wayne re formal invitation to participate in his program, "Eyes of Earth from Space" at WestWeek 1986; program
and press release for WestWeek 1986, letter from Goodwin to Lina Wertmüller (film director) re invitation to PDC program,
"Image Making as Conceptual Process in Architecture, Film, and Design" (1986 March 20); WestWeek 1986 welcome letters to Wayne,
Albert R. Hibbs (Manager, Space Science & Applications, Jet Propulsion Laboratories, Pasadena, CA), and Richard Reynman (California
Institute of Technology, Pasadena, CA); announcement card for WestWeek 1986; Goodwin's letter of resignation from Pacific
Design Center (1988 May 12); flyer for Wayne's keynote address, "Broken Stones and Whooping Cranes: Thoughts of a Willful
Artist" given at National Print Symposium, Australian National Gallery, Canberra (1989 March 25) and press release re Wayne's
exhibition opening, Benton Gallery, South Hampton; Goodwin's first impressions of working at Art Center College of Design
to David Brown (1988 September 30, Pasadena, CA); memo from Goodwin to Brown re trip to Europe and New York (1988 October
29 - November 12); holiday cards and brochure for Pacific Design Center Professional Design Services.
box 31, folder 3
Gottlieb Foundation
1993
Scope and Contents note
Correspondents include: Jenny Gillis (Grants Manager, Adolph and Esther Gottlieb Foundation, Inc., New York, NY) re Wayne
possibly applying for Individual Support Grant (1993 September 10); Wayne declines, and urges the foundation to reconsider
grant application from Norman Zammitt.
box 31, folder 4
Gross, Suzanne (Gallery)
1981, 1982
Scope and Contents note
Correspondents include: Suzanne Gross (Suzanne Gross Gallery, Philadelphia, PA) re exhibiting Wayne's "Dorothy Series" or
other works; includes layout of the gallery space; also includes Gross Gallery exhibition announcements for Gunter Grass etchings,
Andy Warhol silkscreens, Christo collages, and paintings of Diane Keller, Jacqueline Wilnetz, Barbara Minch, and Rita Barnett.
box 31, folder 5
Grynpas-Nguyen, Alberte
1985
Scope and Contents note
Correspondents include: Alberte Grynpas Nguyen re box of photographs and other materials about Wayne's work; includes 8 x
10 inch black and white photograph of Wayne, Christiane Botrel (Assistant, Cultural Services, U.S. Embassy, Paris), and Nguyen
[?] in Galerie des Femmes, Paris (1985 May 3.)
box 31, folder 7
Radici, Anne Imelda
1983, 1992
Scope and Contents note
Correspondents include: Anne Imelda Marino Radice re visit to Wayne's studio; Wayne's trips to New York to speak at memorial
for W. McNeil Lowry (Director, Program in Humanities and the Arts, Ford Foundation) (1993 September 27), and Washington D.C.
to attend International Women's Forum meeting; acquisition of Wayne's collage by the Forum for the National Museum for Women
in the Arts.
box 31, folder 8
Dedieu, Marie
1980-1986, 1993
Scope and Contents note
Re exhibition of Wayne's lithographs from "My Palomar" at Galerie des Femmes, Paris (1985 April 15 - June 15); includes shipping
invoices and lists of works sent; fax from Christian Janicot and Anne Jaffrennou (Mikros Image, Paris) re Wayne's advice on
"Cinépoèmes" project and book publication; catalogues Des Femmes "Catalogue 82-83", "une année à la galerie des femmes", and
"Paris exiles" (vol. 1, no. 1, winter 84.)
box 31, folder 9
Dedieu, Marie
1980-1986
Scope and Contents note
Correspondents include: Marie Dedieu and Michele re exhibition of Wayne's lithographs from "My Palomar" at Galerie des Femmes,
Paris (1985 April 15 - June 15); includes drawing of gallery layout; Marcelle Gautrot re copy of Nouvelles de l'estampe; includes
Paris mailing list (1985 April); also includes issue of "des femmes en mouvements hebdo" (no. 61, 1981 October 16.)
box 31, folder 10
Bellagio
1993, 1994
Scope and Contents note
Correspondents include: Susan E. Garfield (Manager, Bellagio Center Office) re Wayne's application to Rockefeller Foundation's
residency program at Bellagio Study and Conference Center to work on compilation of Wayne's lecture and essays, "Broken Stones
and Whooping Cranes: Thoughts of a Willful Artist"; includes letter of recommendation from David S. Rodes (Director, Grunwald
Center for the Graphic Arts, University of California, Los Angeles (UCLA.))
box 31, folder 11
Cody, Frances
1970
Scope and Contents note
Re Cody's research for book on American Printmaking since 1940 and request for information and photograph of Wayne's work.
box 31, folder 12
Massachusetts Miscellaneous Art Institutes
1955, 1956, 1959, 1960
Scope and Contents note
Correspondents include: Arthur W. Heintzelman (Boston Public Library) re Wayne's participation in exhibition, "French-American
Exchange Exhibition of Drawings by Living Artists" and damage to her drawing; Philip Hofer (Houghton Library, Harvard University,
Cambridge, MA) re replacement for Wayne's portfolio for "Songs and Sonets of John Donne"; Helen Willard and Peter A. Wick
(Museum of Fine Arts, Boston) re Wayne's exhibition in Paris, consideration of MFA acquiring some of Wayne's prints or drawings,
and the museum's policy re one-man shows; Marjorie F. Hill and Charles C. Lederer re consigning Wayne's work for possible
opening of art gallery in Springfield, MO.
box 31, folder 13
Material from Previous Shows-Exhibitions 1964-67
1963-1970
Scope and Contents note
Correspondents include: American Color Print Society (ACPS) re 25th Annual Exhibition (1964 March 6-26); Brooklyn Museum re
14th National Print Biennial (1964 March 2-August 16); California Society of Etchers 50th Anniversary Exhibition at California
Palace of the Legion of Honor, San Francisco, CA (1964 April 4-May 10); David Brockmann (Director, Canoga Mission Gallery,
Canoga Park, CA) re inclusion of Wayne's work in exhibition of Ernest Freed intaglio prints; FAR Gallery (New York NY) re
exhibition sales of Wayne's work (1969 March 24-April 12) and price list of works in exhibition (as of 1968 December 31);
William Walmsley (Assistant Professor, Department of Art, Florida State University, Tallahassee, FL) re Wayne's participation
in Invitational Lithography Exhibition and symposium (1967 February 9-28); Iowa Art Museum (University of Iowa, Iowa City,
IA) re list of Wayne's work on loan for exhibition (1969 December-1970 January); Peter Plagens (Assistant Curator, Long Beach
Museum of Art, Long Beach, CA) re biographical information on Wayne for exhibition catalogue, "Arts of Southern California";
William M. Hill (Director, Art Galleries, Long Beach State College, Long Beach, CA) re Wayne's participation in National Invitational
Print Exhibition (1964 April 1-May 1); Northwest Printmakers re 35th and 37th International Exhibitions; Stella Drabkin (Chairman,
Print Committee, Philadelphia Art Alliance, Philadelphia, PA) and James Kirk Merrick (Executive Director) re Wayne's participation
in exhibition, "Return Engagement" (1966 February 21-March 20); Smithsonian Institution (Washington D.C.) re inclusion of
Wayne's print, "At Last a Thousand III" in Library of Congress 20th National Exhibition of Prints (1966 May 2-September 5)
and traveling exhibition itinerary; Society of American Graphic Artists (S.A.G.A.) re inclusion of Wayne's "The Orator" in
45th Annual Exhibition; Society of Washington Printmakers re inclusion of Wayne's print, "Dead Center #2" in 25th National
Exhibition at United States National Museum (1964 February 8-27); Lois A. Bingham (Chief, Fine Arts Section, Exhibition Section,
United States Information Agency, Washington D.C.) re Wayne's participation in Grenchen Art Society's Third International
Exhibition (Park Theater, Grenchen, Switzerland, 1964 June 13-July 18.)
box 31, folder 14
Slivka, Rose 1977-1981, 1982, 1983-1992
1977, 1980-1984, 1988, 1992
Scope and Contents note
Correspondents include: Rose Slivka (author, editor and art critic) re opening of Wayne's exhibition of "The Dorothy Series"
at the Jewish Museum (1982 January 19), and next issue of Slivka's magazine, "Craft International"; Wayne's participation
as panelist in symposium "The Art/Craft Connection U.S.A.: California & The Culture" (1982 May 21 at the Faculty Center, University
of California, Los Angeles (UCLA)); includes copy of Slivka's talk, "The Art/Craft Connection U.S.A.: California" and her
article "Elaine de Kooning: The Bacchus Paintings" from Arts Magazine (1982 October); Wayne's exhibition at Fresno Museum
of Art (1988); possible exhibition of Wayne's prints at Benton Gallery (Southampton, NY); Wayne's upcoming trips to Australian
and Japan.
box 105, folder 2
Pasadena Museum of Modern Art
1975
Scope and Contents note
Photocopies of Art Forum article, "Pasadena's Collapse & The Simon Takeover: Diary of A Disaster" by John Coplans (1975 February),
and published letters to the editor from Monroe E. Price, Mrs. Jack Padve, and Robert Heinecken re the article.
box 105, folder 7
Associated American Artists 1988
1942
Scope and Contents note
Photocopy of black and white print [untitled.]
box 105, folder 10
Slivka, Rose 1977-1981, 1982, 1983-1992
1980, 1981
Scope and Contents note
Two issues of Craft International (Rose Slivka, Editor-in-Chief), 1980, 1981 Autumn.
box 105, folder 11
Slivka, Rose 1977-1981, 1982, 1983-1992
1982 Oct, 1983 Apr
Scope and Contents note
Two issues of Craft International (Rose Slivka, Editor-in-Chief), 1982 October, 1983 April.
box 105, folder 14
Armstrong Gallery Exhibition
1976
Scope and Contents note
Floor plans for Aaron Berman Gallery (New York, NY), 1976 June 30, with new construction on 14th floor, executed by designer
Ronald Williams.
box 107, folder 8
Maison Odoul & Co.
1976-1978
Scope and Contents note
Correspondents re shipping and storage of Wayne's lithographs and tapestries include: C. Dufour, J. Bringart , and A. Hauswirt
(Panalpina Transports Internationaux, Paris); Maison Odoul & Cie (Paris.)
box 160, folder 4
Canavier, Elena and Carmichael, Jae
1973-1999
Language of Material: English.
box 160, folder 5
CBS Cable TV
1981
Language of Material: English.
box 161, folder 8
Flintridge Foundation
2001
box 161, folder 9
Graphic Arts Council Mailing List
1983-1999
box 163, folder 5
Getty: Hurley, Marybeth and Hymans
1985-1990
box 229, box 1
Afternoons with June: Brown, Betty
2012
box 229, box 2
Afternoons with June: Kashef, Niku
2012
box 229, box 3
Afternoons with June: Weisberg, Ruth
2012
box 202, folder 1
Annenberg CPB Project: Pelizzari, David
1997-1998
box 202, folder 2
Art Institute of Chicago
1994
box 229, box 5
Baskett, Mary Lou
1980-2007
box 229, box 6
Ba-Be Miscellaneous
2003-2011
box 229, box 7
Beach Museum of Art: "Paths to the Press"
Sep 2005-Dec 2005
box 229, box 10
Bentivoglio, Mierella
1992-1993
box 229, box 11
Berendzen, Gail and Berenson, Eleanor
1998-2002
box 229, box 12
Berman, Avis and Nancy: 1 of 2
1997-2005
box 230, box 1
Berman, Avis and Nancy: 2 of 2
1997-2005
box 230, box 2
Bernstein, Carol
1985-1997
box 230, box 4
Bi-Bl Miscellaneous
1987-2011
box 230, box 5
Bibliotheque Nationale: Beaumont-Maillet, Laure
1988-2008
box 230, box 6
Bibliotheque Nationale: Copy of Alphabetical List and Suites
1995-1996
box 230, box 7
Bibliotheque Nationale: Originals of All Lists
1995-1996
box 230, box 8
Bibliotheque Nationale: Worksheets
1990-1996
box 230, box 9
Bibliotheque Royale: Walch, Nicole
Jun 1995
box 230, box 10
Birmingham Museum and Art Gallery England: Sidey, Tessa
1997-2007
box 230, box 12
Bouret, Claude and Blandine
1999-2001
box 230, box 13
Bo-Bt Miscellaneous
1955-2011
box 230, box 17
Boxer, Devorah and Goldberg, Serge
1995-2011
box 230, box 20
British Museum: Carey, Frances
1993-2001
box 231, box 1
Brindel: 1 of 2
1983-2010
box 231, box 2
Brindel: 2 of 2
1983-2010
box 231, box 3
Brindel, June and Bernard
1981-2008
box 202, folder 4
California State University, Fullerton
1983-2009
box 202, folder 5
California State University, Long Beach: Bicentennial
1992-2000
box 202, folder 6
California State University, Long Beach (1 of 2)
1987-1999
box 202, folder 7
California State University, Long Beach (2 of 2)
1984-1990
box 202, folder 8
California State University, Northridge (1 of 3)
1984-1998
box 202, folder 9
California State University, Northridge (2 of 2)
2008
box 202, folder 10
California State University, Northridge (3 of 3)
2007
box 202, folder 11
California Lawyers for the Arts: Honoree of the National Women's History Project
2007-2010
box 231, box 5
Chicago in the '30s: The WPA, Marshall Field's, and the Launch of My Zany Career (Presentation)
Nov 2010
box 202, folder 12
Dickinson, Eleanor
1989-2008
box 202, folder 14
Fresno Town Hall
1993-1995
box 202, folder 15
Gardner-Huggett, Joanna
2005-2006
box 202, folder 18
Hollywood Primary
2005-2010
box 202, folder 19
Hollywood Primary: June Wayne Auditorium
2009
box 202, folder 20
John Herron School of Art
2002
box 202, folder 21
Kansas City Art Institute
2008-2009
box 202, folder 24
Klastoo Gallery
2008-2011
box 231, box 6
Kn-Ko Miscellaneous
1985-2011
box 202, folder 25
Marquis Who's Who
2003-2007
box 203, folder 4
Nancy Graves Foundation: Kramer, Linda Konheim
1993
box 203, folder 5
National Association for Schools of Art and Design
1990
box 203, folder 6
National Association of Women Artists
2006-2007
box 203, folder 7
National Museum of Women in the Arts: Jason Stieber
2008
box 203, folder 8
National Women's History Project
2008
box 203, folder 9
Norman Zammitt Elysium Project: Budgets
1999-2000
box 203, folder 10
Norman Zammitt Elysium Project: California Community Foundation
1999
box 203, folder 11
Norman Zammitt Elysium Project: California Community Foundation
2000
box 203, folder 12
Norman Zammitt Elysium Project: Notes
undated
box 203, folder 13
Norman Zammitt Elysium Project: Chronological File
1998-2000
box 203, folder 14
Norman Zammitt Elysium Project: Fundraising
2000
box 203, folder 15
Norman Zammitt Elysium Project: Photos
undated
box 203, folder 16
Norman Zammitt Elysium Project: Preliminary Proposal
1998
box 203, folder 17
Norman Zammitt Elysium Project: Press Kit
undated
box 203, folder 18
Norman Zammitt Elysium Project: Rose and Kindel
1999
box 203, folder 19
Norton Simon Museum
1981-2010
box 204, folder 1
Norton Simon Museum
2006-2007
box 204, folder 2
Norton Simon Museum: Interview
2009
box 204, folder 3
Orange County Museum of Art
2003
box 204, folder 4
Otis College of Art and Design
1982-2001
box 204, folder 5
Palm Springs Desert Museum (1 of 2)
1977-2006
box 204, folder 6
Palm Springs Desert Museum (2 of 2)
1977-2006
box 204, folder 7
Pennsylvania Academy of the Fine Arts
1991-1998
box 204, folder 8
Philadelphia Museum of Art
1991-1998
box 204, folder 9
Pollock/Krasner Foundation: Application
2009
box 204, folder 10
Pollock/Krasner Foundation: Final Grant Application
undated
box 204, folder 11
Pollock/Krasner Foundation: Grant
2008-2010
box 204, folder 12
Pollock/Krasner Foundation: Grant Application Response
2009-2012
box 204, folder 13
Pollock/Krasner Foundation: Grant Financials
2007-2008
box 204, folder 14
Rigler, Lloyd: Catalogue Raisonne
1996-1998
box 205, folder 2
Sackett, Mary Reinsch and Soch, Adam
2000-2002
box 205, folder 3
San Jose University
1957-1983
box 205, folder 4
Santa Monica Commission of Cultural Affairs
2001-2002
box 205, folder 5
Scripps College
1988-1989
box 205, folder 8
Southern California Women's Caucus for Art: Isolde, Ann
2009
box 205, folder 11
United States Artists
2010
box 205, folder 12
University of Dallas
1999
box 205, folder 13
University of Maryland
1988-1990
box 205, folder 14
University of Nevada, Las Vegas
1981
box 205, folder 15
University of New Mexico
1979-1994
box 205, folder 16
University of Southern California
2008
box 205, folder 17
University of Texas, Austin
1983-1989
box 205, folder 18
University of Washington Press
1997-1999
box 205, folder 19
University of Washington Press: Rigler, Lloyd
1997
box 205, folder 20
University of Wisconsin
1978-2004
box 205, folder 21
University of Wisconsin, Green Bay: Lautner
1982-1984
box 205, folder 22
Visual Artists and Galleries Association
1984-1992
box 205, folder 23
Wakeforest University
1985
Subseries 2: Dorothy Kline
1909-1981
Scope and Contents note
This subseries includes correspondence from Wayne's family, family photographs, negatives, and artifacts, some of which were
used in creating Wayne's portfolio of 20 lithographs, "The Dorothy Series." Also included are Wayne's correspondence regarding
research on her family's history, family legal documents, certificates, and clippings.
box 44, folder 15
Photographs used and unused from Family Archive
1936
Scope and Contents note
Includes "Communist Party of the U.S.A. Membership Book" for Harry M. Wicks (Dorothy's second husband) issued Philadelphia,
PA, 1936 January 1 (used in creating Wayne's print, "Whose White Knight Was He" from "The Dorothy Series"); 4 x 5 inch, black
and white negative of Wicks and Dorothy Kline (used in creating Wayne's print, "The White Knight" from "The Dorothy Series.")
box 44, folder 16
Photographs used and unused from Family Archive
1912, 1913, 1914, 1922, 1937, 1960
Scope and Contents note
Documents and photographs of Wayne's mother, Dorothy Alice Kline, including: Ray School monthly report cards (1912-1914),
used in creating Wayne's print "Report Card" from "The Dorothy Series"; Social Security Act card (issued 1937 January 13)
used in creating Wayne's print, "Winter of '37" from "The Dorothy Series"; birthday check from Dorothy to June Wayne (1960
March 8) used in creating Wayne's print, "Last Time" from "The Dorothy Series"; 7 x 9.5 inch sepia-toned photograph of Dorothy
as a child, inscribed "To my best Pal Grandma" used in creating Wayne's print, "Coming Out" from "The Dorothy Series"; 3.5
x 5.5 inch photographic postcard of Dorothy as young girl, used for "Report Card" from "The Dorothy Series"; 8 x 9.5 inch
sepia-toned photograph (inscribed in lower left corner, "De Haven / Chicago") of Dorothy as a young woman wearing veil and
off-the-shoulder pink taffeta dress sewn by Florence and embroidered by Dorothy, used in creating Wayne's print, "Coming Out"
from "The Dorothy Series"; cut-out photograph of "Bien Jolie Sales Convention" with Dorothy standing in center of table among
group of seated sales representatives, used in creating Wayne's print, "Dorothy and the IRS" from "The Dorothy Series."
box 44, folder 17
Photographs used and unused from Family Archive
1920, 1921, 1924, 1931, 1957
Scope and Contents note
Photographs of Wayne's mother, Dorothy Alice Kline, and family members, including: Two cartes-de-visite (4 x 6.5 inch, created
in Minsk, Belarus, by M. Nappelbaum. [Moisei Nappelbaum (1869-1958), Russian photographer] of Wayne's grandmother, Florence
Klein, with two young girls [Helen and Dorothy] and little boy [Paul], used in creating Wayne's prints "Leaving, 1907" and
"Arriving, 1907" from "The Dorothy Series"; two 8 x 10 inch, black and white enlargements of the front and back of carte-de-
visite, with glassine sheet marked with cropping instructions; 6.5 x 8.5 inch, sepia-toned bust portrait of Florence Klein,
inscribed by Dorothy, "Mother 12-20-21"; 7 x 9.5 inch, sepia-toned photograph, half-length portrait of Dorothy as a child,
inscribed "Grandma Kline / With all the love in my little heart / Your baby", used in creating Wayne's print "Coming Out"
from "The Dorothy Series"; 2.5 x 4.5 inch, sepia-toned photograph of Dorothy as young woman [at Niagara Falls]; 8 x 10 inch,
black and white enlargement of photograph of Dorothy as a young woman, used in creating Wayne's print "Palmer Method" from
"The Dorothy Series"; 8 x 10 inch, black and white enlargement of photograph of Dorothy seated with another woman [sister
Helen?], used in creating Wayne's print, "Secretary to a Publisher" from "The Dorothy Series; 5 x 7 inch, black and white
photograph, half-length portrait of Dorothy (1957); also includes printed microfilm page from New York Times (1931 September
20) with article, "Jobless Women in Parks."
box 44, folder 18
Negatives: Dorothy docs, etc..USED
no date
Scope and Contents note
4 x 5 inch, black and white negative and 8 x 10 inch photograph of detail from carte-de-visite (4 x 6.5 inch, created in Minsk,
Belarus) of Wayne's grandmother, Florence Klein, with two young girls [Helen and Dorothy] and little boy [Paul], used in creating
Wayne's prints "Leaving, 1907" and "Arriving, 1907" from "The Dorothy Series"; detail shows Florence's neckline, with photographic
button of Wayne's grandfather.
box 44, folder 19
Photographs used and unused from Family Archive
1920
Scope and Contents note
8 x 10 black and white negative of group portrait of Wayne's second birthday party, inscribed in lower left corner, "Grown
up Babies / Mar 7 1920"; 5 x 7 inch black and white print of the same group, different pose, inscribed in lower left corner,
"Why Do They Call Them Babies Mar 7 1920", with Wayne sitting in Dorothy's lap (center, right), Dorothy's youngest brother
Chuck Kline (front row, far right), and Dorothy's sister, Helen Kline (front row, far left); 5 x 7 inch black and white print
of the same group, different pose, inscribed in center, "JUNE CLARES 2nd ANN PARTY / MAR 7 1920", with Wayne standing in foreground
in center of group, above her mother, Dorothy (left) reaches for the hands of her sister, Helen (right.)
box 44, folder 20
Photographs used and unused from Family Archive
1917
Scope and Contents note
6.25 x 7 inch photograph of group portrait of eight women and one young boy dressed in their night clothes; identified are
Florence Kline (back row, center), her sister Helen Kline (front row, far right), and youngest brother Chuck Kline (front
row, center); inscribed in lower right corner, "R. FROLICK / Dec. 31, 1917"; 4 x 5 inch black and white negative enlargement
of unidentified girl sitting at far right by piano.
box 44, folder 21
Photographs used and unused from Family Archive
1922
Scope and Contents note
8 x 10 inch sepia-toned photograph of half-length portrait of Dorothy Kline as a young woman wearing off-the- shoulder pink
taffeta dress sewn by Florence and embroidered by Dorothy; photo is inscribed in lower left corner, "De Haven / Chicago."
box 44, folder 22
Photographs used and unused from Family Archive
1917
Scope and Contents note
6.5 x 8 inch black and white photograph of group portrait of five women dressed in night cloths, sitting in brass bed; identified
are Dorothy Kline, age 16 (front row, far left) and her sister, Helen (front row, far right.)
box 44, folder 23
Photographs used and unused from Family Archive
1917
Scope and Contents note
6 x 7.5 inch black and white photo of group portrait of seven women and one young boy dressed in their night clothes in Kline
apartment; identified are Dorothy's sister, Helen Kline (back row, far right), and her youngest brother, Chuck Kline (back
row, center); inscribed in lower left corner, "R. FROLICK / Dec. 31, 1917."
box 44, folder 24
Photographs used and unused from Family Archive
1917
Scope and Contents note
6 x 7.5 inch black and white photo of group portrait of seven women and one young boy dressed in their night clothes in large
brass bed; identified are Dorothy's sister Helen Kline (reaching up towards gas light, far right), and her youngest brother,
Chuck Kline (back row tucked in bed, second from left.)
box 44, folder 25
Photographs used and unused from Family Archive
1919
Scope and Contents note
5 x 7 inch sepia-toned photograph of group portrait of 14 women and a child dressed in night clothes, posed in parlor room
beneath fringed lamp; photo inscribed in lower right corner with "READY FOR SLUMBER LAND JULY 24 1919: Dorothy is sitting
in center, front row, with her sister Helen holding a ukulele in back row, far right.
box 44, folder 26
Photographs used and unused from Family Archive
1947, 1955, no date
Scope and Contents note
Three 2.5 x 4.5 inch sepia-toned photographs showing Dorothy standing in front of the Kline apartment on Blackstone Avenue
in Chicago, with mother Florence in window; Dorothy in hat and coat by a riverbank; Dorothy and unidentified woman standing
in grassy field.
box 44, folder 27
Research letters: Life of Dorothy Kline
1946, 1956, 1959, 1960, 1968, 1973, 1975-1978
Scope and Contents note
Wayne's notes on conversation with her uncle, Chuck Kline (Wayne's mother's youngest brother) (1978 February 6); correspondents
include: Mrs. J.W. Cohen (Wilmette, IL) re sending Wayne a box of Dorothy's tax documents; Dorothy Detzer Denny re records
of the "Women's International League for Peace and Freedom" (W.I.L.P.F.) (1977 January 17); Naomi Risdon; Sharon Chickanzeff
(Wayne's assistant) to A. Stein & Co., Inc. re information on Dorothy's employment at the Paris Garter Company; Lake County
Department of Vital Statistics (Gary, IN) re Dorothy's marriage and divorce records; Robert Baumruk (Chief, Social Sciences
and History Division, Chicago Public Library, Chicago, IL) re Chicago city directory information; Chicago Historical Society
re obtaining photographs of specific Chicago addresses; Sharon Lavine (Elmwood Park, IL) re information on Wayne's father,
Albert Lavine; Marshall M. Holleb (of Holleb, Gerstein & Glass Attorneys at Law, Chicago, IL) to Samuel S. Berger (Cohen &
Berger, Chicago, IL) re documents prepared in conjunction with Dorothy's last will and testament; Clara Yelich (Register of
Deeds, Hurley, WI) re Wayne's father's death certificate; Joyce Robbins re family photos; Harry Wyatt re documentation about
Dorothy Kline's marriage to Harry M. Wickes; Clara Yelich (Register of Deeds, Hurley, WI) re request for death certificate
of Wayne's father, Alfred Lavine; Cook County Department of Vital Statistics (Chicago, IL) re request for cop of Wayne's mother's
divorce papers from her first husband, Alfred Lavine, and death certificate for Wayne's grandmother, Florence Kline; Sharon
Chickanzeff (Wayne's assistant) to Chicago Public Library re request for photocopies from telephone book with Chicago addresses
for Nathan Kline, Dorothy Kline, and Albert Lavine, and documentation on the Rembrandt Lamp Company; Florence Lavine re request
for information on her father, Albert Lavine; Mary A. Severson (Archivist, Rand McNally, Chicago, IL) re request to purchase
copy of "Rand McNally Chicago Guide," published in 1924; Naomi S. Risdon re copy of "Daily Wear" magazine with article and
illustration of Wayne (1976); Chickanzeff to A. Steain & Company, Inc. (Des Plaines, IL) re information on Dorothy Kline's
employment with the Paris Garter Company between 1920-1932; also includes Dorothy's tax returns (1946), cancelled checks (1956-1957),
car garage receipts (1959), and hand-written notes on travel to New York City (1959.)
box 44, folder 28
Dorothy- transcribed correspondence
1949, 1951, 1957, 1958, 1960
Scope and Contents note
Correspondents include: Dorothy Alice Kline re her relationship with her second husband, Harry Wicks, her financial status,
and instructions for distribution of her personal possessions; Wayne to Dorothy re her work; George Wayne (Wayne's first husband)
to Helen Kline Holleb (Dorothy's sister) re Dorothy's death (1960.)
box 44, folder 29
Dorothy: Original Documents
1912-1977
Scope and Contents note
Includes: Union Bank bankbook for Dorothy Kline and June Wayne account; 4 x 5 inch black and white negative of Dorothy Kline's
Social Security card (used in creating Wayne's print "Winter of '37" from "The Dorothy Series"); University of Chicago Clinic
appointment card for Dorothy A. Kline (1955 October 19); Ray School monthly report cards (1912), used in creating Wayne's
print "Report Card" from "The Dorothy Series"; Social Security Administration claim forms (1960 April 29); clipping of "TV
and Me" review of Dorothy Stickney's dramatic reading of Edna St. Vincent Millay's poems and letters, and typed transcription
of Millay's, "Pity Me Not Because the Light of Day"; Glasband Mortuaries invoice for Dorothy Kline (1960 June 25); facsimiles
from Lake County Department of Vital Statistics (Gary, IN) of marriage and divorce documents for Dorothy Alice Kline and Abe
[Albert] Lavine (1922 May 21); Dorothy Kline obituary from Los Angeles Times (1960 June 27); notice of probate hearing, Metropolitan
News (Los Angeles, CA) (1960 July 20); condolence card from Samuel Yaffe (Bien Jolie, New York, NY); Cook County (Chicago,
IL) certificates stating marriage records were not found for Dorothy's two marriages; David Binder article, "Women Pictured
as Facing Conflict In Favoring Pacifism and Feminism" from New York Times (1976 December 29.)
box 44, folder 30
Dorothy: Work Era
1949
Scope and Contents note
Letter from Helen Kline Holleb (Dorothy's sister) to Wayne (1949 September 14) re Dorothy.
box 44, folder 31
Dorothy: Legal Documents
1938, 1960-1964
Scope and Contents note
Includes: facsimiles of United States Certificate of Citizenship for Rudolph Edelstein and change of name from "Riwlu Edelstein"
(1938 April 26); correspondents include: J.W. Cohen (accountant) re copies of Dorothy Kline's income tax documents from 1959
and 1960 tax filing; Mrs. Louise Brannen (Social Security Administration, Hollywood, CA) re Statement Regarding Contributions
for Dorothy Kline (1960 June 22); Jules H. Jacobson (Bien Jolie, World's Finest Corsetry, Newark, NJ) re copy of Dorothy Kline's
W-2 tax statement for 1960; Allan J. Greenberg (Attorney at Law, Los Angeles, CA) re estate of Dorothy Kline and inheritance
tax affidavit; Paul Gottlieb (Wayne's assistant) to Les Taylor (Mitchum, Jones and Templeton, Los Angeles, CA) re death certificate
for Dorothy Kline.
box 44, folder 32
Negatives: Dorothy docs, etc. ...NOT USED
1936, 1955
Scope and Contents note
Includes: photocopy of excerpt from Dorothy Kline's letter to Wayne re Palmer Method diploma; black and white print of half-length
portrait of Dorothy; five 4 x 5 inch black and white negatives of half-length portrait of Dorothy as young girl, full-length
reclining portrait of Dorothy [?] at the beach, three-quarter portrait of Dorothy with tree in background (used in creating
Wayne's print, "Palmer Method" from "The Dorothy Series"), two details of Harry M. Wicks' Communist Party membership book
(used in creating Wayne's print, "Whose White Knight Was He" from "The Dorothy Series"); two 8 x 10 inch black and white negatives
of typed letter from Dorothy to Wayne (1955 November 16); cropped 5 x 7 inch black and white negative of excerpt of text and
two cropped 8 x 10 inch [?] portraits of Bernarr Macfadden, "The Father of Physical Culture", used in creating Wayne's print,
"Secretary to a Publisher" from "The Dorothy Series"; two cropped 8 x 10 inch negatives of published photograph with caption,
"Ellis Island, New York's Port of Entry"; photo enlargement of half-length portrait of Dorothy as young girl.
box 44, folder 33
Negatives: Dorothy docs, etc. ... USED
1937,1947, 1960
Scope and Contents note
Includes: 4 x 5 inch black and white negative of double portrait of Dorothy Kline and her second husband, Harry M. Wicks sitting
on bench with house in background; 4 x 5 inch black and white negative of carte-de-visite depicting Dorothy with her mother
Florence, brother Paul, and sister Helen (used in creating Wayne's prints, "Leaving, 1907" and "Arriving, 1907" from "The
Dorothy Series"); 4 x 5 inch black and white negative and 8 x 10 inch black and white photograph of Dorothy's Social Security
card (used in creating Wayne's print, "Winter of '37" from "The Dorothy Series"); 4 x 5 inch black and white negative of Dorothy
sitting with another woman [Helen?] (used in creating Wayne's print, "Secretary to a Publisher" from "The Dorothy Series");
cropped and cut 4 x 6 inch black and white negative of handwritten letter from Dorothy to J.C. [Cohan?] re problems with the
U.S. Treasury Department (1959 March 23); 5 x 7 inch black and white negative of Dorothy's Ray School Monthly Report to Parents
(1912 January) (used in creating Wayne's print, "Report Card" from "The Dorothy Series"); 8 x 10 inch black and white negative
with two images, one of a group of seated sales representatives and another of Dorothy standing with another woman in the
background, both images used in creating Wayne's print, "Dorothy and the IRS" from "The Dorothy Series"; 8 x 10 inch black
and white negative and transparency of profile portrait of Dorothy wearing hat, used in creating Wayne's print, "The Desire
to Write" from "The Dorothy Series"; 8 x 10 inch black and white photograph of the birthday check from Dorothy to June Wayne
(1960 March 8) used in creating Wayne's print, "Last Time" from "The Dorothy Series."
box 46, folder 1
Dorothy: Estate Papers
1951, 1959-1963, 1976
Scope and Contents note
Includes: Business card for Julius Mayer (Glasband Mortuary, Van Nuys, CA); handwritten and typed lists of charitable gifts
and their values from Dorothy Kline (1959, 1960); Certificate of Social Insurance Award disability benefits for Dorothy (1960
March 29); Autopsy Report from Cedars of Lebanon Hospital for Dorothy Kline (1960 June 26); letter from Wayne to Memorial
Park Cemetery, Evanston, IL, re interment arrangements for Dorothy (1960 July 22); Memorial Park Cemetery interment receipt
and "Rules and Regulations" booklet; invoice from Trinity Bronze Memorial (Chicago, IL) for Dorothy's memorial plaque, with
inscription excerpted from Edna St. Vincent Millay's, "Pity Me Not Because the Light of Day"; Superior Court of the State
of California and County of Los Angeles Inventory and Appraisement documents for Dorothy Kline; statements from Bank of America
re joint savings account of Dorothy Kline and June Wayne; letter from J.W. Cohen ( J.W. Cohen & Associates, Chicago, IL) to
Wayne re 1960 Income Tax Return for Dorothy Kline; U.S. Treasury Department documents re estate taxes; Inheritance Tax Affidavit
form (1961 February 10); Dorothy Kline's last will and testament; Petition for Distribution; copies of Dorothy's state and
federal income tax returns (1961); Affidavit for Final Discharge of estate of Dorothy Kline; letter from Nathan Schwartz (Samuel
Pop & Co, Certified Public Accountants, Beverly Hills, CA) to Wayne re estate of Dorothy Kline and tax returns for 1957, 1958,
and 1959; Consent to Transfer form from State of California Office of State Controller, Inheritance and Gift Tax Division
(1963 November 12); certified copy of Dorothy Kline's death certificate; copy of check from Dorothy Kline and June Wayne's
joint account at Bank of America.
box 46, folder 2
Tapes
1977
Scope and Contents note
Includes two audio cassette tapes labeled, "Kline, Edelstein, Palm Springs" and "Rudolph Edelstein, Chuck Kline, June Wayne"
(1977 December 3.)
box 46, folder 3
Letters: Sympathy
1960
Scope and Contents note
Correspondents include: Helen Kline Holleb to Wayne re notices [of Dorothy Kline's death] in newspapers; Anna Bing Arnold;
Nan Dowling; Fred and Saidee Grunwald; Chicago Daily Tribune and Chicago Daily News newspapers pages with Dorothy Kline's
obituary listing, 1960 June 29.
box 46, folder 4
Dorothy-- 1960
1959, 1960
Scope and Contents note
Correspondents include: Myles S. Friedman (Bien Jolie World's Finest Corsetry, Newark, NY) to Dorothy Kline and Wayne; George
E. Kenney (Draper and Kramer, Real Estate Management, Chicago, IL) re Dorothy's apartment; Dr. Henry L. Jaffee (Cedars of
Lebanon Hospital, Los Angeles, CA) re Wayne's gift; Dr. Leon Krohn (Beverly Hills, CA) re gift of Wayne's print; Dr. Marcus
Rabwin (Beverly Hills, CA) re gift of Wayne's print; J.W. Cohen ( J.W. Cohen & Associates, Chicago, IL) re Dorothy's income
tax data for 1960; Claire and Robert Blaskovitz (Berwyn, IL) re Dorothy's death; Sally [last name unknown] re Social Security
benefits for Wayne's grandmother, Florence Kline; Wayne's father [Albert Lavine] re Dorothy's death; Rosemary [last name unknown]
re Dorothy's death; Elise and Potentate re Dorothy's death.
box 46, folder 5
Narration by Sophia Lakin
no date
Scope and Contents note
Includes typed transcript and photocopy of handwritten narrative by Sophie Laken, wife of Sam Lakin (brother of Wayne's material
grandmother, Florence Lakin) describing her childhood in Minsk, Russia, marriage, and the family's emigration to the United
States.
box 46, folder 6
Dorothy: Letters
1948-1953, 1955-1959, 1962
Scope and Contents note
Letters from Dorothy Kline to Wayne.
box 46, folder 7
Dorothy Kline's Medical Documents
1960
Scope and Contents note
Includes: Dorothy's check to Internal Revenue Service (1960 January 21); bills and payment receipts from Cedars of Lebanon
Hospital (1960 May); invoices and Wayne's checks to Cedars of Lebanon and Memorial Park Cemetery.
box 46, folder 8
Dorothy-- Letters TO
1960
Scope and Contents note
Includes: Handwritten notes from Wayne's daughter, Robin Wayne, to Dorothy Kline; letter from Edgar Kadden (Chicago, IL) to
Dorothy (1960 June 1); get well card from Claire and Robert Blaskovitz (Claire's Corset Shop, Chicago, IL) (1960 June 27.)
box 46, folder 9
Music
1975
Scope and Contents note
Includes: List of song titles, composers and publishers used in Wayne's "The Dorothy Series"; sheet music for "My Melancholy
Baby" and "September Song."
box 46, folder 10
CHICAGO
1909, 1917, 1924, 1931, 1950-1962
Scope and Contents note
Includes: Printed microfilm page from New York Times (1931 September 20) with article, "Jobless Women in Parks"; photocopies
from the Chicago Historical Society of photographs by Mildred Mead of Chicago street scenes where Wayne's family lived, including
Lake Park Avenue, Cable Court, Kimbark Avenue, and Spaulding; also contained guide book, "Rand McNally Guide to Chicago and
Environs," (Chicago, 1924), removed to UCLA Special Collections.
box 46, folder 11
Kline Family Documents
1955, 1960, 1961
Scope and Contents note
Includes: Certified copy of Dorothy Kline's death certificate; letter from Dr. Lester M. Morrison to J.W. Cohen (accountant,
Chicago, IL) re determination of Florence Kline's health status (1955 August 18); photocopy of coroner's certificate of death
for Florence Kline (1961 April 4.)
box 46, folder 12
June: Original Documents
1930, 1957
Scope and Contents note
Includes: Avondale School certificate for services of June Kline [Wayne] as Monitor on the Avondale Junior Patrol, signed
by Gertrude S. Pease (1930 June); Wayne's passport application (1957?)
box 46, folder 13
Al Lavine
1917, 1949, 1956, 1976
Scope and Contents note
Includes: Empty glassine envelope with note re photo blow up of Abe Lavine; photographic enlargement and photocopies of wedding
portrait of Wayne's parents, Abe [Albert] Lavine and Dorothy Kline; handwritten letters from Abe Levine (1949, 1956); 3 x
5 inch sepia-toned photograph of Lavine (1939 October); business card for Albert Lavine, Fire and Police Commissioner; 4 x
5 inch black and white negative and photograph of Lavine's business card; photocopies of death certificate (certified 1976
July 8) for Albert Lavine (d. 1967 August 13); letters from Wayne to Bureau of Vital Statistics, Hurley Wisconsin re birth
certificate for Abe Lavine.
box 46, folder 14
Ambivalence SA (Slide Sales)
1979, 1980, 1981
Scope and Contents note
Includes: Letters and invoices for purchases of Wayne's slide cassette presentation on "The Dorothy Series"; brochure from
Audio/Visual Unlimited (Hollywood, CA) on slide and filmstrip presentations; brochure, "Teacher's Guide: Art Work, Careers
in the Arts"; clipping from unidentified classified ad for slide/Audio-Cassette of "The Dorothy Series" [ca. 1980]; photocopy
of production notes for "The Dorothy Series."
box 105, folder 1
Negatives: Dorothy docs, etc. ...NOT USED
1923, no date
Scope and Contents note
Sheet music for "My Sweetie Went Away" by Roy Turk & Lou Handman (c1923); two 5 x 7 inch black and white negatives taped together,
one with typed definition of the word "pogrom", the other an image of the Ellis Island Immigration Center building with caption,
"Ellis Island--New York's Port of Entry."
box 105, folder 3
Photographs used and unused from Family Archive
1947, no date
Scope and Contents note
Two 11 x 14 inch black and white photographic enlargements, one of Dorothy Kline as a young girl (used in creating Wayne's
print, "Report Card" from "The Dorothy Series"), and the other with two images of Dorothy at a "Bien Jolie Sales Convention"
for sales representatives (used in creating Wayne's print, "Dorothy and the IRS" from "The Dorothy Series.")
box 105, folder 4
Photographs used and unused from Family Archive
1955, no date
Scope and Contents note
Contains one 11 x 14 inch black and white photographic enlargement of a Bien Jolie Sales & Executive Dinner (1955 November
26), and one 11 x 14 inch black and white negative of Dorothy Kline as a young girl.
box 105, folder 6
June: Original Documents
1930 June 27
Scope and Contents note
Wayne's certificate of completion and admission to high school issued by the Board of Education of the City of Chicago, Avondale
School, Grammar Department (1930 June 27.)
box 105, folder 9
Dorothy: Original Documents
1952, 1960, 1976
Scope and Contents note
Contains: Marriage license for Wayne's parents, Abe Lavine and Dorothy A. Kline (1917 May 24), and their divorce decree (1952
December 3); obituaries of Wayne's mother, Dorothy Kline (Chicago Sun-Times, 1960 June 30; Los Angeles Herald- Express, no
date.)
box 105, folder 12
Photographs used and unused from Family Archive
1914, 1920, 1924 no date
Scope and Contents note
Family documents, including: Dorothy Kline's certificate, "Palmer Method of Business Writing" (1914 January 21), used in creating
Wayne's print, "Palmer Method" from "The Dorothy Series"; and Dorothy Kline's certificate of completion and admission to high
school issued by the Board of Education of the City of Chicago, Ray School, Grammar Department (1914 January 30); Nathan Kline's
[Dorothy's brother] certificate of completion and admission to high school issued by the Board of Education of the City of
Chicago, Scott School, Grammar Department (1924 June 20); Nathan R. Kline Jr.'s Hyde Park High School diploma (issued 1920
June 25); 12 x 17 inch black and white photographic enlargement of full-length portrait of Nathan Kline [Wayne's maternal
grandfather], used in creating Wayne's print, "Desire to Write" from "The Dorothy Series."
Subseries 3: Exhibits
1959-2006
Scope and Contents note
This subseries includes correspondence regarding exhibitions of Wayne's work.
Processing Information
Includes materials from the July 2012 addition.
box 205, folder 26
Armory Center for the Arts
2005-2008
box 21, folder 11
Atlanta College of Art: Herstory Exhibition
1987, 1988
Scope and Contents note
Correspondents include: Lisa Tuttle (Gallery Director, Atlanta College of Art) re Wayne's inclusion of "Arriving" from "The
Dorothy Series" in the touring exhibition, "American Herstory: Women and the U.S. Constitution"; Ofelia Garcia (President,
Atlanta College of Art) re Wayne's honorary doctorate of fine arts and acceptance speech; also includes press releases and
reviews about the exhibition.
box 205, folder 27
Centre Pompidou: "Los Angeles 1955-1985"
2005-2006
box 21, folder 4
Cerritos Show Feb. 19, 1991 (Gail Jacobs)
1990, 1991
Scope and Contents note
Correspondents include: Gail Jacobs (Art Gallery Director, Cerritos Community College District) re Wayne's participation in
1991 Invitational exhibition; also includes announcements from recent exhibitions and information on artist, Sandra Rowe.
box 21, folder 5
Charleston Heights Art Center
1981
Scope and Contents note
Correspondents include: Patricia Harris (Gallery Director) re Wayne's participation in panel discussion, "Today's Woman: The
Changing Image" at Charleston Heights Art Center's Clark Library, Las Vegas (1981 December 1.)
box 205, folder 28
Claremont Colleges
1979-1992
box 206, folder 1
Des Moines Art Center: Demetrion, Jim
1980-1982
box 206, folder 2
Farnsworth Art Museum
2010
box 206, folder 3
Fresno Art Museum's Council of 100
2006
box 206, folder 4
Hunterdon Museum of Art
2007
box 206, folder 5
Jack Ruthberg Fine Arts
2005-2006
box 164, folder 3
LACMA 1999, 2000, 2001
2001-2006
box 164, folder 5
LACMA: Made in California 2000 Show
2000
box 164, folder 7, folder 8
LACMA: November 1998 Show
1959-1999
box 206, folder 7
Minneapolis College of Art
1983-1984
box 206, folder 8
National Museum of Women in the Arts
1994-2008
box 206, folder 9
National Museum of Women in the Arts: Pomeroy, Jordana
2009-2010
box 206, folder 10
Neuberger Museum
1998-2004
box 206, folder 11
Neuberger Retrospective Materials
1969-1999
box 206, folder 12
New Orleans Museum
2001-2002
box 206, folder 14
Portland Art Museum: Gilkay, Gordon
1996-2006
box 206, folder 15
Print Club of Philadelphia
1980-2008
box 206, folder 16
Riverside Museum
2008-2009
box 206, folder 17
Roski Arts and Science Award: Stein, Donna
2009
box 206, folder 19
Sierra Nevada College
1985
box 206, folder 20
Solway Jones Gallery
2008-2009
box 206, folder 21
Southern California Women's Caucus for Art: Barnsdall Show
2005-2007
box 206, folder 22
Stanford University of Art
1992
box 206, folder 25
State University of New York at Albany: Bernstein, R.
1981-1983
box 206, folder 26
State University of New York at Albany: Fasulo, Marijo
1983
box 206, folder 24
Steinbaum Gallery
1993-2004
box 207, folder 1
State University of New York at Purchase
1982
box 207, folder 2
Then and Now: Funkel, Bruria
2006-2009
box 207, folder 3
University of California, Los Angeles: Grunwald Center, Photo Loans
1995
box 207, folder 5
Westerman, Donna: Orange Coast College
2009
box 207, folder 7
Zimmer Children's Museum
2008-2010
Subseries 4: Fan Mail
1968-1974
Scope and Contents note
This subseries includes cards, memos, and letters to Wayne and KCET, expressing opinions on Wayne's television series, "June
Wayne" (1972-1973).
box 2, folder 38
KCET Fan Mail (TV Series)
1972-1974
Scope and Contents note
Cards, memos and letters to Wayne and KCET expressing opinions on Wayne's television series, "June Wayne" (1972-1973). Correspondents
include: Los Angeles Civic Light Opera Association (Eleanor Pinkham); Jan Stussy (UCLA art instructor); Artists Equity Association
(Molly Brylawski, executive secretary); Dorothy Dehner; Edgar Ewing; Lillian Paley; Whitney Museum of American Art (Elke Solomon,
curator); Ethel Shapiro Bertolini; Society of American Graphic Artists (SAGA) (Martin Barooshian, president); Helen Aylon;
UCLA Dickson Art Center Video Laboratory (Bob Jacobson, video committee); Rachel Rosenthal; Belle Osipow; Jill Giegerich;
UCLA Frederick S. Wight Galleries (Frederick S. Wight, director); Ross-Freeman Gallery (Diane Ross, owner); Artists for Economic
Action (Ron Blumberg, president.)
box 3, folder 1
KCET TV Series (Fan Mail)
1972-1973
Scope and Contents note
Cards, memos and letters to Wayne and KCET expressing opinions on Wayne's television series, "June Wayne" (1972-1973.) Correspondents
include: Robert Bruce Rogers, including photograph and two R.B. Rogers print images; Fay Lansner; Martha Padve (Pasadena Museum
of Art board member); Gilberto Lujan; biographical material about artist Toby Judith Klayman; Jane Besen (commissioner, Monterey
Park Arts and Culture Commission.)
box 28, folder 26
Sobanski, Lee
1969, 1971
Scope and Contents note
Includes letter about his poetry, and Sobanski's poem, "To June Wayne The Graphic Artist."
box 105, folder 5
Sobanski, Lee
1968 Apr
Scope and Contents note
Drawing (signed and dated) by Lee S. Sobanski of buildings from corner perspective, executed in ink on a paper towel.
Subseries 5: IRS
1970-1997
Scope and Contents note
This subseries includes correspondence regarding the Internal Revenue Service's Revenue Ruling 79-256 on charitable contributions.
Also included are Wayne's correspondence with attorney Marvin Goodson regarding Wayne's litigation with the Commercial Union
Insurance Company and appraisals of her charitable contributions of art work (1970-1978).
box 32, folder 1
Revenue Ruling 79-256
1980
Scope and Contents note
Correspondents re IRS Revenue Ruling 79-256 on charitable contributions include: Elena Canavier [ceramicist, later known as
Elena Karina]; James T. Demetrion (President, The Association of Art Museum Directors); Grace Glueck (New York Times); Milt
Esterow (Editor & Publisher, Art News); Marshall M. Holleb (Holleb, Gerstein & Glass, Ltd, Attorneys at Law, Chicago, IL);
Barbara Isenberg (theater writer and Los Angeles Times correspondent); James Melchart (National Endowment for the Arts); Joan
A. Mondale (wife of Walter Mondale); Franklin Murphy (Times Mirror Company, Los Angeles, CA); William Norris (Tuttle & Taylor,
Attorneys at Law, Los Angeles, CA); Max Palevsky (American art collector, venture capitalist, philanthropist, Malibu, CA);
Senator Claiborne Pell (Rhode Island); Andrew Robison (Curator of Prints and Drawings, National Gallery of Art, Washington
D.C.); Senator Alan Sieroty (California); Ben Smith (Beverly Hills, CA); David Steadman (Galleries of the Pomona Colleges,
Claremont, CA); Congressman Frank Thompson, Jr.; Mary Ann Tighe (Deputy Chairman for Programs, National Endowment for the
Arts, Washington D.C.); Marcia Weisman (collector of modern and contemporary art with husband, Frederick Weisman); Senator
Harrison A. Williams, Jr. (New Jersey); Edith Wylie (Craft and Folk Museum, Los Angeles, CA); Congressman Sidney R. Yates;
also includes newspaper clippings of articles by Herbert Mitgang, "Book Publishers See Peril To Old Stock in Tax Rule" (New
York Times, 1980 September 3) and Michiko Kakutani, "Millions of Books Endangered as Result of Tax Ruling" (New York Times,
1980 October 5.)
box 32, folder 2
Goodson, Marvin
1981, 1983-1985, 1991-1994, 1997
Scope and Contents note
Correspondents include Marvin Goodson (Goodson and Wachtel Law Offices, Los Angeles, CA) re: Wayne's litigation with Commercial
Union Insurance Company; acquisition of Judith A. Hoffberg collection of artists' books by University of California, Los Angeles
(UCLA); Wayne's recommendations for print appraisers, Nancy Escher and Orrel P. Reed; description and appraisal of Wayne's
"Songs and Sonets of John Donne" by Orrel P. Reed; revision of Wayne's Trust; copy of decision on Estate of Georgia T. O'Keeffe,
Tax Court Memorandum Decisions (1992 April 16); Daniel Golubev re contact information for Dr. Jonas Salk; pages from the Los
Angeles Times with article about Jonas Salk by Sheryl Stolberg, "Hero With Something to Prove" (1993 March 7); Wayne's letter
to the editor of the Los Angeles Times re article on Dr. Salk; Wayne's gift of prints to the Neuberger Museum of Art (State
University of New York, Purchase, NY.)
box 32, folder 3
Goodson 1984 Summation + Case re IRS
1970-1980, 1983, 1984
Scope and Contents note
Includes list of lithographs sold to Goldstein & Phillips, Counselors at Law (San Francisco, CA) as of 1980 January 20; list
of Tamarind subscription prints (1970-1979); Disposition of works of art sold to June Wayne from Tamarind Subscription Collection
(1974-1978); summaries of 1973-1979 collections of Tamarind Institute subscription; Fair Market Value of Tamarind Impressions
lithographs gifted to Claremont Colleges (Claremont, CA) executed by O.P. Reed Jr., as of 1976 December 6; appraisals of Wayne's
charitable contributions of art work, 1970, 1972-1978.
box 32, folder 4
Goodson IRS Tax Court Case 76' 77' 78'
1972, 1977, 1978, 1980-1984
Scope and Contents note
Includes Wall Street Journal clipping on artist, Gloria Churchman and Tax Court ruling (1977 August 17); Washington Post clipping
of article by Paul Richard, "A Taxing Problem: How to Tax the Sculpture in David Smith's Estate" (1972 February 17); Wayne's
original receipts for professional services (1978, 1980); Wayne's litigation with IRS and tax liability for 1976 and 1977;
photocopy of Saturday Review article by Blake Fleetwood, "The Tax Police: Trampling Citizens' Rights" (1980 May); 30-Day Letters
and IRS Examination Report (1980 November 25); correspondents include Marvin Goodson (attorney) re Wayne's IRS tax audit for
1976, 1977, and 1978.
Subseries 6: John Donne's Book
1958-2009
Scope and Contents note
This subseries includes correspondence regarding the production of Wayne's book, "The Songs and Sonets of John Donne" (1983).
Processing Information
Includes materials from the July 2012 addition.
box 155, folder 8
Donne Book: Inventory 908
2008
box 155, folder 2
Donne Book: Making of
1997
box 155, folder 5
John Donne, 10-23-08: Bonnie Cashin Lecture
2008
box 155, folder 7
John Donne, 10-23-08: Invites, Drafts
2008
box 155, folder 3
John Donne, 10-23-08: Mailer
2008
box 155, folder 6
John Donne, 10-23-08: Programs, Fashion Event
2008
box 155, folder 9
John Donne, Cashin Event 2008: Paul Parrish, UCLA
2008
box 155, folder 10
John Donne, Cashin Event 2008: Maylee Witham
2008
box 156, folder 1
John Donne, Cashin 2-15-09: Drafts, Print Lists
2009
box 156, folder 4
John Donne, Cashin 10-23-09: V. Steele
2009
box 207, folder 8
John Donne: Journal
2008-2009
box 156, folder 3
John Donne Lecture: Jonathan F.S. Post, UCLA, 2-15-09
2009
box 32, folder 9
John Donne, Songs + Sonnets. Correspondence: Bruder Hartmann.
1958-1960
Scope and Contents note
Correspondents include: Kurt and Fritz Hartmann (Brüder Hartmann, Buchdruckerei [letterpress printing] Berlin- Schöneberg)
re production and shipping of Wayne's book, "Songs and Sonets of John Donne"; Japanpapier Import Gessellschaft (Frankfurt)
re Wayne's request for lithography paper for the book; Ernes Freed (Professor, Graphics Department, Los Angeles County Art
Institute [interim name for Otis Art Institute]) re exchange exhibition of the Graphic Workshop of Pratt at the Art Institute;
W. McNeil Lowry (Director, Program in Humanities and the Arts, Ford Foundation), William S. Lieberman (Curator, Department
of Drawings, Museum of Modern Art, New York), Bertha von Moschzisker (Director, The Print Club, Philadelphia), Karl Kup (Curator
of Prints, New York Public Library), and Una E. Johnson (Curator of Prints and Drawings, Brooklyn Museum of Art) re Wayne's
visit to New York with "Songs and Sonets" book; also includes: shipping invoices from Schenker & Co. (Berlin) and Holland-Amerika
Lijn (Rotterdam, Netherlands); black and white photographic postcard of Fritz and Barbara Hartmann at their wedding, with
Fritz' father, Kurt Hartmann (1960)
box 32, folder 10
John Donne, Songs + Sonnets. Correspondence: General.
1958-1961
Scope and Contents note
Correspondents include: R.B. Beaman (Exhibition Chairman, Carnegie Institute of Technology, Pittsburgh, PA) re borrowing about
12 of Wayne's prints for exhibition with Inez Johnston and Edmondson (reverse includes handwritten list of prints Wayne sent);
Wayne to Westminster Recording Sales Corp. (New York, NY) and Music Masters (New York, NY) re acquiring copies of vinyl record
album, "Poems by John Donne and William Wordsworth" read by Christopher Hassall; Ruth Feder; Mae [last name unknown]; Margery
Nemeth, Sigmund and Florence Theil, and Anita and Leo Rangell re purchasing copy of Wayne's "Songs and Sonets"; Jake Zeitlin
(Zeitlin & Ver Brugge Booksellers, Los Angeles, CA) to Theodore J.H. Gusten (Print Council of America) re distributing circulars
on Wayne's John Donne portfolio to Print Council members; Zeitlin to Wayne re consignment copies of "Songs and Sonets"; also
includes biographical material [in English and French, written by Pierre Courthion] on Wayne for promotion of her book, "Songs
and Sonets of John Donne"; list of names to be printed on "Songs and Sonets" dedication page.
box 33, folder 1
John Donne, Songs + Sonnets. Correspondence: E. Lustig Cohen, G. Braziller
1958
Scope and Contents note
Correspondents include: Elaine Lustig Cohen (graphic designer) re Kono mask, layout and production of Wayne's "Songs and Sonets
of John Donne", American printers, Hartmann in Berlin; George Braziller, Inc. (New York, NY) re production agreement of "Songs
and Sonets."
box 33, folder 2
John Donne, Songs + Sonnets Subscribers
1958, 1960, 1961, 1974, 1975
Scope and Contents note
Correspondents re replacement covers and purchases of Wayne's "Songs and Sonets of John Donne" include: Dr. Elmer Belt; Alexander
M. Bing; Jerome Allan Dodson (Long Beach Museum of Art) re order for Doris Maxwell; Ebria Feinblatt (Curator of Prints and
Drawings, Los Angeles County Museum of Art, Los Angeles, CA); Meyer Flax (Flax Art Supplies, Westwood); Fred Grunwald; Jack
and Fran Harrison; Brüder Hartman (Berlin, German); John Howell; Warren R. Howell; Deborah A. Hughes; Dr. Benjamin M. Jurin;
Dr. and Mrs. John C. Mergener; Dr. Lester M. Morrison; Gifford Philips; Chief Librarian, Reed College Bookstore (Portland,
OR); Helen and Josephus Reynolds; Albert Roncey re receiving artist's proof print and copy of "Songs and Sonets" for Baron
Edmond Adolphe Maurice Jules Jacques de Rothschild (1926-1997) on the occasion of the baron's marriage (1958 November 4) to
Veselinka Vladova Gueorguieva; Benjamin B. Smith; Dr. A.M. Targow; Philip Wain; Dr. Milton Wexler; Yale Wexler (Wexler Brothers
Productions); also includes list of subscribers for Wayne's "Songs and Sonets of John Donne" and names for the book's nominative
(dedication) page.
box 33, folder 3
John Donne, Songs + Sonnets Invoices
1959-1963, 1965
Scope and Contents note
Invoices for sales of Wayne's "Songs and Sonets of John Donne" to: Mrs. Moore S. Achenbach; Mrs. Miki Benoff; Alexander M.
Bing; Jane Darvin; Daniel and Ruth Feder; Fred Grunwald; Mr. and Mrs. Felix Juda; Dr. Benjamin Jurin; Mr. and Mrs. Edgar Kadden;
Gladys Kaufman; Lewis Kaufman; Mrs. Alvin Kleeb; Karl Kup (Curator of Prints, New York Public Library); Dr. and Mrs. Milton
Lane; Los Angeles County Museum of Art; Abe Lubin; Samuel Lustgarten; Doris Maxwell; Dr. and Mrs. John C. Mergener; Dr. and
Mrs. Milton Miller; Dr. Lester M. Morrison; Margery Nemeth; Ruth and Harry Nierenberg; Dr. and Mrs. Aaron Nisenson; Rochelle
Orchard; Agnes Plumb; Dr. Marcus H. Rabwin; Anita and Leo Rangell; Dan Rosen; Halina and Bernard Rosenthal; Allan P. Sindler;
Ben and Dorothy Smith; Dr. Philip Solomon; Dr. A.M. Targow; Dr. Helen Tausend; Mr. and Mrs. Sig Theil; Mr. and Mrs. Philip
Wain; Dr. Milton Wexler; Yale Wexler; Zeitlin & Ver Brugge.
box 33, folder 4
John Donne, Songs + Sonnets Public Collections, Libraries.
1958, 1960
Scope and Contents note
Correspondents re replacement covers and purchases of Wayne's "Songs and Sonets of John Donne" include: Mrs. Moore S. Achenbach;
Jenx Nyholm (Northwestern University Library, Evanton, IL); Robert Honeyman, Jr.; Frank S. Hanlin (Head, Acquisitions Department,
State University of Iowa, Iowa City, IA); Mrs. P.B. Haga (Acquisitions Department, University of Minnesota Library, Minneapolis,
MN); Wilkie Foundation (Des Plaines, IL); Zeitlin & Ver Brugge; also includes list of names and addresses of subscribers.
box 155, folder 11
John Donne: "Friends of English"
2008-2009
box 156, folder 2
John Donne: "Friends of English" Invite Info 2-15-09
2009
Subseries 7: Legislation
1973-2011
Scope and Contents note
This subseries includes correspondence regarding a zoning amendment to the Los Angeles Municipal Code, and Wayne's statement
presented at a public hearing (1981) in support of the amendment. Also includes correspondence from Artists for Tax Equity
and various U.S. and California state senators regarding Section 263(A) of the Internal Revenue Code of 1986 and Assembly
Bill 1054.
box 41, folder 18
Art Organizations and Workshops AB1054
1975
Scope and Contents note
Correspondents re Assembly Bill 1054 include: Gathy Fels (Secretary, Los Angeles Chapter, Artists Equity Association, Inc.,
Long Beach, CA); Rob Blumberg (President, Artists for Economic Action); Hamish Sandison (Executive Director, Bay Area Lawyers
for the Arts, Berkeley, CA); Judy Baca (Director, Citywide Murals, Mural Resource Center, Los Angeles, CA); Terry Inch (Cirrus
Editions, Los Angeles, CA); Fidel Danieli (Associate Professor of Art & Art Department Chairman, Los Angeles Valley College,
Van Nuys, CA); Stanley Grensteine (Gemini); Ben Horowitz (Heritage Gallery, Art Dealers Association); Leith Johnson (painter
and graphic artist); Bob Smith (Los Angeles Institute of Contemporary Art (L.A.I.C.A.), Los Angeles, CA); Werner Z. Hirsh
and Bonnie Thompson (Friends of the Graphic Arts at UCLA); Henry S. Parrish (Waller's Fine Custom Framing, Tamarind Institute,
University of New Mexico, Albuquerque, NM); also includes brochure for Californians and the Arts (California Arts Commission,
1975 January) and press release from Los Angeles Printmaking Society re formation of Ad Hoc Committee of artists, dealers,
scholars and art collectors to oppose Assembly Bill 1054.
box 41, folder 19
Political People re: AB1054 Directory of Gov Services
1975, 1978
Scope and Contents note
Correspondents re Assembly Bill 1054 include: John Brademas (Congressman, U.S. House of Representatives) to Lloyd Rigler (Associated
Councils of the Arts, New York, NY); Peter H. Behr (California State Senator); Lawrence Briskin (Administrative Assistant,
California State Assembly); Dennis E. Carpenter (California State Senator); Jim Cathcart (California State Senator); Randolph
Collier (California State Senator); Robert E. Duffy, Jr. (attorney, McKenna & Fitting, Los Angeles, CA); Arlen Gregorio (California
State Senator); Joint Committee on The Arts, California Legislature re proposal by Governor Edmund G. Brown Jr. for creation
of California Arts Council (1975 June 6), and appointment of Jacques Barzaghi as Special Assistant to the Governor for the
Arts (1975 August 25); James R. Mills (President Pro Tempore, California Senate); Omer L. Rains (California State Senator);
Newton R. Russell (California State Senator); Jack Schrade (California State Senator); Alan Sieroty (California State Assembly);
Robert S. Stevens (California State Senator); Walter W. Stiern (California State Senator); John Stull (California State Senator);
James Q. Wedworth (California State Senator); George N. Zenovich (California State Senator); also includes booklet, "A Directory
of Government Services from Councilwoman Peggy Stevenson, 13th District [Los Angeles, CA]", revised 1978.
box 41, folder 20
Political Testimony re artist zoning/1981
1981
Scope and Contents note
Includes notice from Raymond I. Norman (Secretary, City Planning Commission, City of Los Angeles, CA) of public hearing re
proposed amendment to Los Angeles Municipal Code to permit consideration of applications involving mixed residential and industrial
or commercial uses for artists and artisans in the commercial and industrial zones; summary and recommendations from Los Angeles
City Planning Department; statement by June Wayne given at public hearing (1981 June 4) in support of the amendment.
box 41, folder 21
Re 263A Polit 04 1987
1987, 1988
Scope and Contents note
Correspondents re Section 263(a) of Internal Revenue Code of 1986 include: Darla R. Andersz [?]; Artists for Tax Equity (AFTE,
New York, NY) press release re repeal of tax code provision in Congress (1988 October 24); Paul Basista (AFTE); Senator William
Bradley; Rep. Philip M. Crane; Senator Alan Cranston; Lee Crystal (MacNeil/Lehrer News Hour, New York, NY); Senator Bob Dole
re revision of uniform capitalization rules; Representative Thomas J. Downey re passage of Miscellaneous Revenue Act of 1987
by House of Representatives; Gilbert S. Edelson (attorney, Rosenman & Colin, New York, NY) to Joyce Kozloff (artist); Susan
Einstein (photographer); Milton Esterow (editor, ARTnews); Congressman Harold Ford; Vida Ratzlaff Hackman to Senator Bob Packwood;
Senator John Heinz; [William H.] Honan (writer, New York Times); Mr. Katz; Lee Kessler (American Arts Alliance, Washington
D.C.); Shelley Lee (Visual Artists & Galleries Association (VAGA), New York, NY) re United States applying to join the Berne
Convention for the Protection of Literary and Artistic Works (1988 November 1); Los Angeles Ad Hoc Art Committee; Loren Madsen
(artist); Senator Daniel Patrick Moynihan; Franklin D. Murphy (Chairman, Times Mirror Company, Los Angeles, CA); Senator Claude
Pepper; Joy Picus (Councilwoman, Los Angeles, CA); Lloyd Rigler; Katherine Rowe (Director of Legal Services, Volunteer Lawyers
for the Arts (VLA)); Paul Skrabut (AFTE); Larry Stein (Producer, "Arts L.A.", KCRW Radio 89.9, Santa Monica, CA); Rep. William
M. Thomas; Joel Wachs (Los Angeles City Councilman); Rep. Henry A. Waxman; Senator Pete Wilson; Congressman Sidney R. Yates;
also includes: letter from Caroline L. Ahmanson (philanthropist) thanking Wayne for the Fresno exhibition catalogue, "June
Wayne--The Djuna Set: Fresno Art Museum, May 3 Through August 4, 1988"; American Council for the Arts "Update" newsletter,
vol. 9, no. 5 (1988 May 31); issue of The Hollywood Reporter (Vol. CCCIII, no. 13, Thursday, 1988 July 14) with article by
James Ulmer, "Hollywood attacks tax law change" on p. 2; photocopies of articles by Amei Wallach, "Museums Hear the Tax Man
Knocking" (New York Newsday, 1988 September 28); Grace Glueck, "Museums Feel the Pinch of Tax Law Changes" (New York Times,
1988 October 3), Irvin Molotsky, "Tax Bill Is Lifting Curbs On Julia Child's Oregano" (New York Times, 1988 November 6); and
a Legislative Alert from Senator Pete Domenici, "Easing Taxes on Artists and Writers (1988 August 9); various phone message
slips to Wayne, and postcard from Mina Tang Kan with photocopy of article, "Bill Would Aid Artists Selling Their Work" (Insight,
1988 May 30.)
box 41, folder 22
Polit 05: 263A Documentation
1987, 1988
Scope and Contents note
Reference material re Section 263A uniform capitalization rules for artists, authors, photographers, and others; includes
photocopies of articles from magazines, newspapers, Congressional Record (1988 April 29), press releases, radio broadcast
transcripts (Backstage at Royce, "Tax Talk", 91.5 KUSC FM), a motion introduced by Joel Wachs (Los Angeles City Councilman),
and announcements from the National Academy of Songwriters (NAS), Volunteer Lawyers for the Arts (VLA), Los Angeles Ad Hoc
Art Committee, National Endowment for the Arts (NEA), Liz Robbins Associates, Graphic Arts Guild of New York, Richard Aaron
C.P.A., National Artists Equity News (Winter 1988), and Artists for Tax Equity (AFTE.)
box 42, folder 1
Polit 06: 236A Correspondence
1987, 1988
Scope and Contents note
Correspondents re Section 236A of Internal Revenue Code of 1986 include: Caroline L. Ahmanson (philanthropist); Senator William
Bradley; Rudd Brown; Selma [Holo?] (Director, Fisher Gallery, University of Southern California (USC), Los Angeles, CA); Lee
Kessler (American Arts Alliance, Washington D.C.); Loren Madsen (artist); Judith Michaelson (writer, Los Angeles Times); Eudie
Moore; Senator Daniel Patrick Moynihan; Franklin D. Murphy (Chairman, Times Mirror Company, Los Angeles, CA) and wife, Judy;
Katherine Rowe (Director of Legal Services, Volunteer Lawyers for the Arts (VLA)); Claire Segal; Paul Skrabut (Artists for
Tax Equity (AFTE), New York, NY); Robin Vaccarino (artist and faculty member, Otis Art Institute of Parsons School of Design,
Los Angeles, CA); Bill Wilson (writer, Los Angeles Times); Theodore F. Wolff (art critic, Christian Science Monitor); Senator
Sidney R. Yates; also includes list of "key players to whom to write" and photocopies of articles about the Tax Reform Act
of 1986 and uniform capitalization rules published in Art in America, ARTnews, Graphic Artists Guild of New York, Hollywood
Reporter, The Independent, Los Angeles Times, Newsweek, New York Times, Pasadena Star News, and Time; page from the Los Angeles
Times with article, "House Passes Minor Changes in '86 Tax Law" (1988 August 5.)
box 42, folder 2
Polit 07: Phone nos. re:263A
1988
Scope and Contents note
Includes lists of contacts re Section 236A of Internal Revenue Code of 1986; list of attendees at meeting held at Wayne's
studio (1988 April 23); list of names, addresses and telephone numbers for "Constitutional Officers"; various pieces of paper
and Post-it notes with names and telephone numbers; telephone message notes.
box 42, folder 3
Polit 08 re: 263A Misc. undated material
1986, 1988
Scope and Contents note
Various materials re Section 236A of Internal Revenue Code of 1986, including meeting notices, agenda notes, sample letters,
articles, text of "Internal Revenue Service's Notice of Proposed Rulemaking and Temporary Regulations on Capitalization and
Inclusion in Inventory of Certain Costs" (1987 August 4), text of Tax Reform Act of 1986 Conference Report (1986 September
18), Artists for Tax Equity (AFTE) brochure, "Fair Taxes for Artists," and contact information for Congressmen.
box 42, folder 4
Original Newspaper Articles Polit 09
1988
Scope and Contents note
Newspaper articles re Section 236A of Internal Revenue Code of 1986: William H. Honan, "Artists of All Disciplines, Newly
Militant, Are Fighting for Their Rights" (New York Times, March 3, 1988); Andrew L. Yarrow, "Harris Poll Finds Arts Attendance
Has Declined" (New York Times, 1988 March 16); Judith Michaelson, "The Boston Tea Party of the Arts' Visual and Free- Lance
Artists Claim New Tax Law Unfairly Limits Deductions" (Los Angeles Times, 1988 March 29); Douglas C. McGill, "Artists Fear
Impact of Curb on Tax Writeoffs" (New York Times, 1988 April 7); Ellen Lubell "Painting by Numbers: Under the New Tax Rules,
Art Doesn't Count If It Doesn't Sell" (Village Voice, 1988 April 12); Gary Klott, "I.R.S. Changes Rule to Ease Burden on Artists
and Writers" (New York Times, 1988 May 14); Judith Michaelson, "IRS Grants Artists Partial Tax Relief" (Los Angeles Times,
1988 May 14); James Ulmer, "Hollywood attacks tax law change" (Hollywood Reporter, Thursday, 1988 July 14); Jan M. Rosen,
"Tax Watch: Changes Allow Refunds for 1987" (New York Times, 1988 November 21.)
box 42, folder 5
Congress 1998 Polit 10
1998
Scope and Contents note
Letter from Wayne "To all Representatives and Senators of the United States" re impeachment process of President Bill Clinton,
and the "Starr Report" issued by Independent Counsel Kenneth W. Starr; includes copy of letter with personal message from
Wayne to Senator Daniel Patrick Moynihan.
box 42, folder 6
Political Letters Polit 011
1973, 1975, 1988
Scope and Contents note
Correspondents re the Sieroty Print Disclosure Bill AB 1054 include: Robert E. Duffy, Jr. (attorney, McKenna & Fitting, Los
Angeles, CA); Milton [Esterow] (editor, ARTnews); Grace Glueck (writer, New York Times); Senator Arlen Gregorio (California
State Senate); Terry Inch (Cirrus Editions, Los Angeles, CA); Max Kozloff (artist); Senator Omer L. Rains (California State
Senate); Rep. Henry [Waxman].
box 42, folder 7
Polit 12
1977, 1988
Scope and Contents note
Two issues of ARTnews with articles re Alan Sieroty bill S.B. 1021 by Albert Elsen, "The art bills: pluses and minuses" (vol.
76, no. 8, 1977 October, pp. 52-54); Senator Daniel Patrick Moynihan, "Don't Turn Artists into Accountants" (vol. 87, no.
6, 1988 Summer, p. 214.)
box 42, folder 8
Polit 12
1988
Scope and Contents note
Issue of Art in America with article on Section 263A of the Tax Reform Act of 1986 by Walter Robinson, "Taxing the Imagination"
(1988 July, p. 41.)
Subseries 8: Mixed
1951-2009
Scope and Contents note
This subseries includes miscellaneous correspondence from friends and colleagues regarding Wayne's work, acquisition of printing
supplies and equipment, arrangements for establishing the Tamarind Lithography Workshop at the University of New Mexico, Wayne's
"Dorothy Series" exhibition opening at the Jewish Museum in New York (1982), and Wayne's appearance in the Picasso play, "Catch
Desire by the Tail" at the Guggenheim Museum (1984 October 25, 26) with Jeanne Moreau, David Hockney and others. Also includes
correspondence regarding the proposed removal of Richard Serra's "Tilted Arc" sculpture in Federal Plaza, New York, Wayne's
convocation speech at College Art Association (CAA), New York (1990 February 16), and Wayne's trips to Australia.
Organization and Arrangement
After "Wayne miscellaneous," subseries is arranged alphabetically. After "ZI Miscellaneous," legal-sized boxes are listed
alphabetically.
Processing Information
Includes materials from the July 2012 addition.
box 4, folder 2
Seidenman, Stella & Lenny 1970s
1969, 1970-1972, 1975-1977
Scope and Contents note
Tamarind Lithography Workshop expenses, Munich trip and Dublin stone trip (1970); Garo Antreasian (Tamarind Lithography Workshop,
University of New Mexico) w/ Graphic Chemical & Ink Company re lithography stones; announcement re availability of loan exhibition
from the Tamarind Collection, "Tamarind: A Renaissance of Lithography" (1971 March); Wayne's arrangements for establishing
the Tamarind Lithography Workshop at the University of New Mexico; Wayne's discussion w/ Leonard Seidenman re Alois Senefelder
catalogue; Stella Seidenman re: Dublin auction of Irish stones; Wayne's PBS television show experience; Wayne's plans for
exhibition in Paris (1974); Wayne's article, "The Creative Process: Artists, Carpenters and the Flat Earth Society"; letter
from Hank Plone to Stella and Lennie re Wayne's exhibition at International Art Fair in Basel (1976 June) and Wayne being
awarded an honorary doctorate from the International College of Advanced Studies; acquisition of Wayne's "Lemmings" tapestry
by UCLA Institute for Molecular Biology, funded by Lloyd Rigler.
box 4, folder 3
Seidenman Correspondence, 1966-1967
1965-1968
Scope and Contents note
Acquisition of lithography stones; correspondents include Stella Seidenman (acting as agent), Henry Geldzahler (National Foundation
on the Arts and Humanities), Douglas MacAgy, Tatanya Grossman, and Roger L. Stevens (Chairman, National Foundation of the
Arts and the Humanities)
box 4, folder 4
Seidenman Correspondence, 1961, 1964-1967
1961, 1964-1967
Scope and Contents note
Acquisition of lithography stones and paper; correspondents include Stella Seidenman (acting as agent), Herbert Bayer, Marcel
Durassier (master printer), Vera Freeman (Andrew/Nelson/Whitehead Inc., New York), Romas Viesulas (lithographer), Mariani
& de Colombari (Cartiere Burgo, Rome), Pierre Heissat (Papeteries de Lana, Maurice Lécole & Cie.), E. Souze and A. Peraudeau
(Moulins a Papier du Val-de-Laga, Paris); discussion of Wayne's marriage to Hank Plone (1964 December 26.)
box 4, folder 5
Seidenman Correspondence, 1969
1961, 1965, 1966, 1969
Scope and Contents note
Acquisition of lithography stones; correspondents include: Dr. Theo Kress (Solenhofer Aktien-Verrin, Solenhofen, Germany);
Stella Seidenman (acting as agent.); Cliff Smith. Print exhibition at Palazzo Strozzi in Florence (1968 December-1969 January);
correspondents include: Armando Nocentini (Mostra Internazionale della Grafica, Florence, Italy), Dr. Vittorio Sanguineti,
and Joseph C. Wheeler (American Consulate) re shipping of catalogues and prints; Stella Seidenman re translation of catalogue
by Marie Claire Vitale. Leonardo Magini (Il Torcoliere art gallery and print workshop, Rome) re translation and publishing
of Wayne publications.
box 4, folder 6
Seidenman Correspondence, 1968
1968
Scope and Contents note
Print exhibition at Palazzo Strozzi in Florence (1968 December-1969 January); correspondents include: Armando Nocentini (Mostra
Internazionale della Grafica, Florence, Italy). Acquisition of lithography stones; correspondents include: Stella Seidenman
(acting as agent); Roger L. Stevens (Chairman, National Council on the Arts, Washington D.C.); and Cliff Smith. Other subjects
include: Elsa and W. McNeil ("Mac") Lowry (Director, Program in Humanities and the Arts, Ford Foundation); Renzo and Flavia
Romero.
box 4, folder 7
Seidenman Archive Addendum 1968-1995
1968, 1971, 1988, 1995, no date
Scope and Contents note
Documents sent by Nina Seidenman after the death of her father, Leonard Seidenman in May 1995. Subjects include: Acquisition
of lithography stones w/ correspondence from Cliff Smith, Stella Seidenman, and Manlio Pasquetti (Director, Touring Club Italiano).
Print exhibition at Palazzo Strozzi in Florence (1968 December-1969 January); correspondents include: Armando Nocentini (Mostra
Internazionale della Grafica, Florence, Italy.) New York Times obituary for Leonard Seidenman.
box 4, folder 8
Jarry, Madeleine Correspondence, 1970-82
1970, 1980-1982
Scope and Contents note
Madeleine Jarry re Wayne's "Dorothy" exhibition; stained glass project; Madeline's "Chinoiserie" book; Madeleine's illness.
box 4, folder 9
Freeman, Vera Correspondence 1959-1993
1965-1967, 1970-1972, 1980-1982, 1984
Scope and Contents note
Correspondence w/ Vera G. Freeman, re Wayne's acquiring lithography paper from Andrews/Nelson/Whitehead (New York), w/ some
paper samples included; Wayne's continuing litigation; Wayne's "Dorothy Series" exhibition; purchase of Tamarind brochures,
"The Beauty and Longevity of the Original Printing"; Wayne's purchase award of the Biennale d'Epinal, France.
box 4, folder 10
Freeman, Vera Correspondence 1959-1993
1959-1961, 1964-1965
Scope and Contents note
Correspondence w/ Vera G. Freeman, re Wayne's acquiring lithography paper from Andrews/Nelson/Whitehead (New York); subjects
include paper test analysis; master printer Marcel Durassier; Mr. Mariani (Cartiere Burgo, Rome); Mr. Roverelli (Fabriano,
Rome), Mr. Tonalini and Mr. Padetti; E. Souze and A. Peradreau (Moulins a Papier du Val-de-Laga, Paris).
box 5, folder 3
MacNeil, Lowry Estate Correspondence 1964-1993
1986-1990, 1992
Scope and Contents note
New Yorker magazine (1986 December 22) containing article, "Conversations with Kirstein -- II", an interview by W. McNeil
Lowry of Lincoln Kirstein (president, School of American Ballet; director, New York City Ballet); articles on the National
Endowment for the Arts (NEA); Tamarind situation at the University of New Mexico (1992); note from Elsa Lowry; photographs
of Congressman Frank Thompson, House of Representatives.
box 5, folder 9
Feinblatt, Ebria (LACMA) 1981-1990
1981-1985, 1990
Scope and Contents note
Les Estrin (Ledler Corporation) and Lloyd E. Rigler re Los Angeles County Museum of Art (LACMA) acquisition of Tamarind prints;
Wayne's request to Ebria to write essay for UCLA Grunwald Center for the Graphic Arts exhibition honoring Tamarind's 25th
anniversary; invitation and text by Gerard Pinkus honoring Ebria at reception for LACMA's Graphic Arts Council exhibition
"In Honor of Ebria Feinblatt Curator of Prints and Drawings 1947-1985"; Wayne's text for LACMA's Graphic Arts Council memorial
tribute to Ebria Feinblatt (1990 September 9.)
box 6, folder 5
Correspondence--"K"
1982-1983, 1985, 1991, no date
Scope and Contents note
Correspondents include: Alex Kahn; Jacob Kainen; Kalamazoo Handmade Papers (Timothy Barrett, proprietor); Mike and Faye Kanin
(screenwriters); Jalona Goldstein Kantor; Jessica Karraker.
box 6, folder 6
Correspondences--"K"
1980-1981, 1984-1986, 1988
Scope and Contents note
Correspondents include: Flora L. Kaplan; Gertrude Kasle (dealer, Bloomington, MI); Kathy Kauffman (Assistant Professor of
Art, Sierra Nevada College, Lake Tahoe, CA); Barbara Kaufman; Nancy Kaufman; Nancy Kaukas (book dealer); Eudice Shapiro Kast
(wife of George Kast, musician and chairman of the L.A. Philharmonic orchestra committee.)
box 6, folder 7
Miscellaneous Correspondences (A-C)
1965-1991
Scope and Contents note
Correspondents include: Laura Andreson; Ira and Muriel Bach; Hélène Baltrušaitis (daughter of art historian H. Focillon, wife
of Jurgis Baltrusaitis, art critic and president of Lithuania); David Barajas; Hank Baum Gallery (San Francisco, CA); Edward
Biberman (artist); Dorothy and Michael Blankfort; Maurice Bloch; Mischa Borodkin; Christiane Botrel (Assistant, Cultural Services,
U.S. Embassy, Paris); Sara Holmes Boutelle (University of California, Santa Cruz) re Wayne's participation in "Women and the
Visual Arts" course (1983 June); Hans Burkhardt re Mark Tobey exhibition (1991, Los Angeles); Betty Chamberlain (writer, American
Artist magazine; director, Art Information Center, New York); Chrysalis Gallery, Claremont, CA (Dennis Garcia, owner) re Wayne's
exhibition of four lithographs (1982 November 30-December); Charles Champlin (entertainment editor, Los Angeles Times); Mae
Churchill (Los Angeles civil-liberties activist); Sylvan Cole (Associated American Artists, New York); Edgardo Contini (architect);
Jack Berkman (Associated American Artists) re Gloria Cortella; Norman Corwin (writer, film director, producer) re Wayne's
film, "Four Stones for Kanemitsu"; Deborah Cotton (Cotton & Bass, Public Relations, New York.)
box 6, folder 8
Miscellaneous Correspondences (D-G)
1972-1987
Scope and Contents note
Correspondents include: Elaine de Kooning (artist; wife of Willem de Kooning); Phyllis Dennercy; Burhan Dogançay (artist);
Milt and Harriet Dienas; Stephen Doherty (editor, American Artist); Lani Lattin Duke (director, Center for Education in the
Arts, J. Paul Getty Trust, Santa Monica, CA); Debby B. Edelsohn (public relations); Mr. & Mrs. Leo Ettleson re Bar Mitzvah
invitation for their son, Bruce J. Ettleson; Marta Feuchtwanger (widow of German exile writer Lion Feuchtwanger); Richard
P. Feynman (physicist); Robert Finn (music critic, The Plain Dealer, Cleveland, OH); Jean Fox re Mischa Borodkin's address;
Sonia Gechtoff (artist); Emily Genauer (art critic); Henry Green; Carlo P. Giuntini; also includes photocopy from the Reader:
Los Angeles' Free Weekly with article by Lawrence Weschler, "Twentieth-Century Woman: Marta Feuchtwanger's Extraordinary Journey"
(1979 September 14.)
box 6, folder 9
Miscellaneous Correspondences (H-L)
1971-1991
Scope and Contents note
Correspondents include: Juliette Halioua (New York) re exhibiting Wayne's work; Marie Hall; Daniel K. Herrick (Vice Director
for Finance, Metropolitan Museum of Art, New York); John Hess (journalist, New York Times); Thomas B. Hess (editor, ART News)
re Wayne's exhibition at the Dickson Art Center, UCLA (1970 November 1-1971 February 14); Identicolor; John Jay Iselin (President,
WNET, New York); Michelle Isenberg (Corporate Art Consultants); Ruth Iskin (Program Specialist, Department of The Arts, UCLA
Extension) re Wayne's participation in "Dialogues on Contemporary Art Issues" lecture series; Beatrice A. Kaplan re Wayne's
"Dorothy Series"; obituary for Lynton R. Kistler (lithographer); Toby Judith Klayman re artist questionnaire; Ben Kubasik
(New York); Lillian Lesser; Esther and Al Lewin; Arthur Lidov (painter, illustrator, inventor, New York); Carl E. Loeffler
(La Mamelle, San Francisco) re statement written by Wayne and Joyce Treiman re exhibition, "75 Years of California Art" at
the San Francisco Museum of Art (1976); Long Beach Museum of Art (Kent Smith; Connie Fitzsimons, curator.)
box 6, folder 10
Miscellaneous Correspondences (M)
1979-1991
Scope and Contents note
Correspondents include: Mary M. Malott (artist); Ilse M. Jouette (IMJ Advertising and Public Relations, Sherman Oaks, CA)
and Mardi May (Specialized Personnel Agency) re Wayne's Outstanding Communicator Award from Women in Advertising group; Mary
Abbe Martin (art critic, Minneapolis Star and Tribune) re review of Wayne's exhibition; Esther McCoy (author); David Travers
(administrator of the Estate of Esther McCoy); Rita and Lester Morrison; transcript of interview by Steve Mullen (editor,
Artsmarket) with Wayne; also includes issue of art$market (published by California Confederation of the Arts, Vol. 1, No.
2, 1979 February.)
box 6, folder 11
Miscellaneous Correspondences (P-Z)
1982-1991, 1993
Scope and Contents note
Correspondents include: Robert Panza (Visual Artists and Galleries Association (VAGA), New York, NY) re artists' copyright
issues; Ray Parker (artist); Jon Phillips (senior researcher, Arts Newsmagazine, WGBH TV, New York) re "Signals: A Weekly
Arts Newsmagazine" development proposal; Peter Pollack and Frederick Pollack (Peter's son); Rita Pynoos re film on Louise
Nevelson; Gordon Quartermain; obituary for Juliet Man Ray (widow of Man Ray);
box 6, folder 12
Miscellaneous Correspondences (P-Z)
1963-1993
Scope and Contents note
Correspondents include: Arnold Schifrin (artist) re Wayne's College Art Association speech (1990); Art Seidenbaum (writer
and editor, Los Angeles Times); Dee Sherwood re memorial for her husband, Richard, at the Los Angeles County Museum of Art
(LACMA), 1993 April 18; Camilla Synder (art reporter, Los Angeles Herald Examiner); Arthur Millier (Art Department, Herald
Examiner), Jackie Dashiell (editor, Women's World, Herald Examiner); Florence Theil; Beatrice Warde aerogramme to Jake Zeitlin
re Wayne's "John Donne" series; Mimi and David White; Max Yavno (photographer), G. Ray Hawkins (photography dealer.)
box 7, folder 1
Entenza, John 1981-87
1965, 1979, 1981-1984, 1987
Scope and Contents note
John D. Entenza (director, Graham Foundation for Advanced Studies in the Fine Arts; editor, Arts & Architecture) re being
awarded a distinguished service medal by the American Institute of Architects (AIA); Elaine K.S. Jones (Mrs. A. Quincy Jones)
re acquiring a color television for Mr. Entenza; map of La Jolla; Thornton Abel, Saul Bass, Geri Cavanaugh, Edgardo Contini,
Ray Eames, Craig Elwood, Barbara Goldstein, Elaine Jones, Bernard Kester, Pierre Koenig, Jeffrey Lindsey, Sam Maloof, Esther
McCoy, Eudorah Moore, Harry Newman, John Pastier, Paul Prezja, Julius Schulman, Deb Sussman, and Frank and Edith Wylie re
AIA banquet for Entenza (1984 January 21); invitations to Graham Foundation tribute for Entenza (1984 June 26); resolution
of recognition from Harold Washington (mayor of Chicago); Peter C. Papademetriou (professor of architecture, Rice University)
re location of Entenza papers.
box 7, folder 6
Tabak, May Natalie and Rosenberg, Patia
1969, 1973, 1981, 1982, 1984, 1987, 1991, no date
Scope and Contents note
Correspondents include: May Natalie Tabak Rosenberg (wife of art critic, Harold Rosenberg) re catalog for Tamarind exhibition
"Tamarind: Homage to Lithography" at Museum of Modern Art (1969 April, New York); tear sheets with articles by Tabak from
"Craft Horizons" magazine; Patia Rosenberg (May's daughter) re her mother's illness; transcript of taped interview by Wayne
of May (1982 January 29.)
box 7, folder 9
Miscellaneous Correspondences KI
1981, 1984, 1989-1991
Scope and Contents note
Correspondents include: Craig B. Kincaid re valuation of Wayne's "Visa" and "The Good Morrow" lithographs; Lincoln Kirstein
re Wayne's "Dorothy Series" exhibition opening at the Jewish Museum (1982 January 19); exhibition of her paintings at Armstrong
Gallery (New York, 1984 October) and her appearance in Picasso play, "Catch Desire by the Tail" at the Guggenheim Museum (1984
October 25, 26) with Jeanne Moreau, David Hockney and others; Edna Kissman (joint-managing director, Burson- Marsteller public
relations firm, London); Jeanne Kitaj re Wayne's College Art Association speech.
box 7, folder 10
Dubois, Jeannine/La Demeure
1976, 1977, 1979, 1981-1991
Scope and Contents note
Jeannine Dubois (commercial manager, La Demeure, Paris) re: Wayne's participation in "Graphique" exhibition (1974 December
5-January 5) and the Salon de Mai (1983, Paris); photographs of friends of Jeannine's at a function (1988 December); Wayne's
travels to Australia and Japan (1989 March.)
box 8, folder 2
Miscellaneous Correspondences WE
1982-1983, 1985-1986, 1988, 1990
Scope and Contents note
Correspondents include:: Edith Weiss re Wayne's tribute to Herman Weiss (1986); Theodora Wells; Bea Weinstein (Phoenix, AZ)
re Women's Caucus for Art (WCA); Dan Welden (Sag Harbor, NY) re Wayne's paper, "Broken Stones and Whooping Cranes: Thoughts
of a Wilful Artist"; Lester Wertheimer (architect, Los Angeles, CA) re Wayne's PBS television show; John Wetenhall (curator
of paintings, Birmingham Museum of Art) re Wayne's speech at College Art Association (New York, 1990); International Documentary
Association (IDA) newsletter re Haskell Wexler, cinematographer; (Tama Williams (Philadelphia, PA) re Fresno Art Museum catalog;
box 8, folder 10
Elliott, Carole
1978, 1980, 1981
Scope and Contents note
Correspondents include: Carol Elliott and Marcia Durrant re repairing Wayne's roof; William L. Shroyer (national marketing
manager, Fred A. Wilson Company) re roof problems in Wayne's building.
box 9, folder 6
Harrow, Gustave
1977, 1980-1984
Scope and Contents note
Correspondents include: Gustave Harrow (Assistant Attorney General, State of New York) re "Print Disclosure Law" (Senate bill
4154); Cleveland State Law Review article by Harrow, "Reflections on Estate of Rothko: The Role of the Legal Advisor in Relation
to the Artist" (vol. 26:573); Art Letter (1981 September), "Reading the Fine Print: New Rules for Graphics in N.Y. State";
New York Artists Equity Association (1982 June) article on Gustave Harrow luncheon; Rothko biographical film ["The Rothko
Conspiracy"?]; Wayne's litigation with Terry Sanders; Harriet Lebish (Armstrong Gallery, New York) re consignment agreement
for loan of Wayne's work; Letters to the Editor, "Artist Rights and Free Enterprise Can Coexist" (New York Times, 1987 December
12.)
box 9, folder 7
Harrow, Gustave
1985, 1987
Scope and Contents note
Correspondents included: Gustave Harrow re proposed removal of Richard Serra's "Tilted Arc" sculpture in Federal Plaza, New
York; Richard Serra to President Ronald Reagan; Harrow to Honorable Dwight A. Ink (Acting Administrator, General Services
Administration, Washington D.C.) re GSA hearings on Serra sculpture situation; Richard Serra letter to editor of New York
Times; article by Douglas C. McGill on Richard Serra's "Tilted Arc" sculpture remaining in Federal Plaza, New York.
box 10, folder 3
Robotronics/Rockwell International
1978, 1982,1983
Scope and Contents note
Correspondents include: Bob Heer (Robotronics, Los Angeles) re Mita Copystar 900D printer problems; Patti F. Mancini (Vice
President, External Affairs & Communications, North American Space Operations, Rockwell International Corporation, Downey,
CA) with enclosure of commemorative portfolio containing photographs, medallions, and informational brochures of the Columbia
Space Shuttle's inaugural operational flight, STS-5 (1982 November 11-16.)
box 10, folder 4
Rockwell International
1982
Scope and Contents note
21 color photographs mounted on three-hole punched board showing Space Shuttle Columbia's Mission STS-5 (1982 November 11-16.)
box 12, folder 3
O Miscellaneous: The Oakland Museum; O'Brien, Elaine; O'Callaghan, Kate; Odette, Judy; Ogawa, Kiroko; Olivier, Faviana; O'melveny
& Myers; Orion Editions
1951,1976, 1980-1984, 1987, 1990-1992, 1994
Scope and Contents note
Correspondents include: Elaine O'Brien re dissertation proposal; Oakland Museum (Therese Heyman, Senior Curator, Prints and
Photographs; Philip E. Linhares, Chief Curator of Art; Karen Nelson, Interpretive Specialist) re slides of Wayne's work, articles,
"The Djuna Set" catalog, and Wayne's participation in panel, "An Evening with the Los Angeles Modernists" (1990 November 7);
Kate O'Callaghan re her article for American Tapestry Alliance (ATA) newsletter, "Tapestry Topics"; Judy Odette; Hiroko Ogawa
re her Sashiko quilting class exhibition; Faviana Olivier (art consultant, Boston, MA); O'Melveny & Myers (law office, Los
Angeles, CA) re Wayne biographical information and the firm's art collection; Orion Editions (Fred Deitzel) re slides of Wayne's
work; Cynthia Osborne re purchasing Rives litho paper.
box 13, folder 2
WOO Miscellaneous
1984, 1986, 1994
Scope and Contents note
Correspondents include: Michael Woo (Councilman, City of Los Angeles) re prostitution problem near Tamarind studio; Barbara
Wood (producer, Centuripe Productions, Southfield MI) re including Wayne's "Dorothy Series" in cable television program for
women; Judy Woods re quilt.
box 13, folder 3
WOR Miscellaneous: Workman, Andree Marechal; World Print Council; World Print News
1981, 1985, 1987
Scope and Contents note
Correspondents include: Andrée Maréchal-Workman; Judith Dunham (Director, World Print Council) re Louise Lewis' article on
Wayne in April/May issue of "Print News" magazine; Melinda Wortz holiday note, 1987.
box 14, folder 14
PO Miscellaneous
1974, 1977, 1983-1985, 1990, 1991, 1993
Scope and Contents note
Correspondents include: Ruth Pollak, postcard; Polly Victor re her exhibition; Elizabeth Jones Popescue dissertation proposal
topic, "Tamarind Lithography Workshop and the Revival of Fine Art Lithography in the United States (1956-1976)," Department
of Art History, University of New Mexico; Betty Porter; Carol Porter, cards; Gordon Gilkey (Curator, Prints and Drawings,
Portland Art Museum, Portland, OR) re Wayne's participation in Western States Print Invitational Exhibition (1985 July 23-
September 15.)
box 14, folder 16
MA Miscellaneous Continued
1982, 1984, 1985, 1990
Scope and Contents note
Correspondents include: Abram Maguire re visit to Wayne's studio; Patti Mancini (Rockwell International, El Segundo, CA) re
book by Dr. Joseph P. Allen; Donald Marron (Chairman and CEO, PaineWeber Group, New York) re article in Print Collectors Newsletter;
M.P. Marion (The Prints and the Paulper, Racine, WI) re meeting Wayne at conference in New York; Bonnie Mattox re possibly
renting property of Wayne's.
box 14, folder 17
MO Miscellaneous Continued
1981, 1983, 1986, 1988, 1989, 1994
Scope and Contents note
Correspondents include: Abraham A. Moles re his article, "Quelque Reflexions sur les Rapports Entre Art Contemporain et Ordinateur:
l'Idee de Brevet Artistique"; Abram Morris re Wayne's opening; Josephine Kanton Morris re Wayne's Fresno exhibition catalogue;
encounter with Bernard Childs in Paris; Wright Morris winning the Los Angeles Times Robert Kirsch Award (1981); Allan S. Morton
re invitation to visit Wayne's studio; Sister Magdalen Coughlin (President, Mount St. Mary's College, Los Angeles) re invitation
to "Many Voices, Many Visions" at Hancock Auditorium (1985 February 12.)
box 15, folder 12
MU Miscellaneous
1981, 1983, 1991-1993.
Scope and Contents note
Correspondents include: Marian Goodman (Multiples Inc., New York) re discussion of exhibiting Wayne's work in New York concurrently
with opening of "The Dorothy Series" at the Jewish Museum; Franklin Murphy re his receiving medal of service to National Gallery
of Art, Washington D.C., National Gallery press release re retirement of Franklin Murphy and John R. Stevenson from board,
article by Pat Gilmour in Print Quarterly, and Kanemitsu memorial materials; Kathleen Murphy re evening at Wayne's.
box 16, folder 9
Leeds, Pam
1984-1989, 1995.
Scope and Contents note
Correspondents include: Pamela Leeds re death of Leeds' mother, Wayne speaking at the Pasadena Art Alliance, Wayne's participation
in Westweek at the Pacific Design Center (1986 March), Women in Business meeting at Wayne' studio, submitting Wayne's name
for a MacArthur Foundation Fellowship, National Museum of Women in the Arts, price of Wayne's "My Palomar" suite, Art Table
membership, search for editor of New Art Examiner visual arts publication, Leeds graduate school work at Claremont College;
Peter Kardon (Director of Planning, John Simon Guggenheim Memorial Foundation) re Wayne's assessment of artist, Ellen Levy;
Craig Houser (Editor, Art Journal) re proofing manuscript for issue edited by Ellen Levy, "Contemporary Art and the Genetic
Code."
box 16, folder 10
Weiss, Peg
1984, 1985
Scope and Contents note
Correspondence with Peg Weiss (Adjunct Professor, Art History, Syracuse University) re Weiss's "Blue Four" publication and
"Kandinsky in Munich" exhibition; Weiss's visit to Wayne's studio and meeting with Franklin Murphy; College Art Association
(CAA) Conference (New York, 1985.)
box 16, folder 11
Munro, Eleanor
1980-1982, 1984.
Scope and Contents note
Correspondence with Ellie Munro re Wayne's "Dorothy Series" exhibition at the Jewish Museum (1982 January 19, New York), development
into PBS television series; College Art Association (CAA) Conference (1982, New York); opening of Wayne's painting exhibition
(1984 October 17, Armstrong Gallery, New York); Estella Lauter book, "Women as Mythmakers: Poetry and Visual Art by Twentieth-Century
Women."
box 19, folder 13
Klein, Hank
1985, 1988, 1989, 1991, 1992
Scope and Contents note
Hank Klein (Art Department, Los Angeles Valley College) re Klein's article for Print News, "Tamarind at the Crossroads: Can
it Survive its Own Success?"; recommendations for replacing Wayne's printing assistant, Ed Hamilton; Klein's article for Newsprint,
"Defending the Ramparts or Giving the Store Away -- a Call for the Transformation of the Los Angeles Printmaking Society."
box 20, folder 7
Bernhard, Henry & Nancy
1982, 1985, 1994
Scope and Contents note
Correspondents include: Herb Bernhard re Wayne's global recognition; Wayne changing attorneys (from Greenberg, Bernhard, Weiss
& Karma to Sanford Sugar, Esq.); insurance litigation; Bernhard merger with Jeffer, Mangels & Butler law firm; opening of
Wayne's exhibition, "My Palomar and Beyond" (Associated American Artists, New York, 1985 November 30); also includes photographic
New Years' cards from Bernhard family (1985, 1994.)
box 20, folder 17
BY MISCELLANEOUS Byrd, Joseph
1977, 1982
Scope and Contents note
Re check for acquisition of Wayne's prints; also includes Byrd's notes about his "Music from the Local Universe: A Genuine
Space Opera."
box 21, folder 13
Australia Miscellaneous 1988/1989: Ganame Galleries, Noreen Grahame, Print Council of Australia, Ann Kirker, Queensland Art
Gallery
1987-1990, 1996
Scope and Contents note
Correspondents include: Australian Print Workshop (Neil Leveson, Director, via Pat Gilmour); Grahame Galleries (Noreen Grahame)
re frame strips, Wayne's visit to Australia, and announcements for exhibitions of work by Barbara Hanrahan, Bruno Leti, Jennifer
Marshall, Ron McBurnie, Friedrich Meckseper, Leon Pericles, Jorg Schmeisser, Michael Kane Taylor, and Takayuki Yamada; Inge
and Grahame King (German-born sculptor and Australian printmaker, respectively); Macquarie Galleries; National Gallery of
Victoria (Irene Zdanowicz, Senior Curator of Prints and Drawings) re Wayne's Art Journal article, visit to Japan, and William
Blake exhibition and catalogue; Print Council of Australia (Diane Soumilas, Director) re Wayne's speaking engagements at National
Print Symposium (1989 March 25-27, Australian National Gallery, Canberra) and other galleries and printmaking institutions
in Australia; also includes issue of the Print Council's quarterly journal, Imprint (vol. 31, no. 1, Autumn 1996); also includes
envelope containing 20 business cards, and poster for William Kelly exhibition, 1990 March 23-May 11, Lehigh University (Bethlehem,
PA); brochure for LUAG (Lehigh University) exhibitions and lectures, 1990.
box 21, folder 14
Australia Miscellaneous
1987-1992, 1996
Scope and Contents note
Correspondents include: Philippa Blaire re visiting Wayne's studio; also includes exhibition announcements; Katherine Goode
re Wayne's travel plans in Australia; Petr Herel re his work; includes copy of catalogue from his exhibition in Prague (1990);
Queensland Art Gallery (Doug Hall, Director) re acquisition of Wayne's lithograph, "At Last a Thousand III"; also includes
exhibition catalogue, "The Jack Manton Exhibition 1989: Recent works by twelve Australian artists" [with signatures from 10
artists] and book, "The Power to Move: Aspects of Australian Photography"; (Anne Kirker, Curator of Prints, Drawings and Photographs)
re visiting Wayne in Los Angeles; Pamela A. Whitlock (Acting Curator, Brisbane City Hall Art Gallery and Museum) re Wayne's
exhibition at the Brisbane Central City Library (1989.)
box 21, folder 15
Australia Miscellaneous
1988-1991, 1993
Scope and Contents note
Correspondents include: Angela Bennie (The Australian newspaper); Stuart Gerstman (Stuart Gerstman Galleries) re addresses
of contacts for Wayne in Australia; Gregory Heath re Wayne's visit and photographs taken; William Kelly re visiting Wayne's
studios and Ricardo Viera's interest in exhibiting Wayne's work at Lehigh University Art Galleries (Bethlehem, PA); Adrian
Newstead re traveling exhibition of Australian Aboriginal prints; Jörg Schmeisser re visiting Los Angeles and his Tokyo exhibition
at Aoki; Brian Seidel re book on his work, visiting Los Angeles, and attending the Los Angeles Art Fair; Anna Murdoch (David
Syme & Co., Ltd., Melbourne) re article on Wayne's work and Murdoch's pregnancy; Sue Walker (Director, Australian Tapestries)
re meeting Wayne; Guy Warren re contact for Wayne in Alice Springs.
box 22, folder 1
Australia Miscellaneous
1988, 1989, 1993
Scope and Contents note
Correspondents include: Kim Westcott (printer, Australian Print Workshop) re death of Neil Leveson and Wayne's advice re preparing
tannic acid mixture for lithographic use; also includes documents on Alice Springs Oasis Frontier Resort; Outback Ballooning
Flight Certificates for Norma Bartman and Wayne in Alice Springs; information guide and catalogue, "Australian Tapestries
from the Victorian Tapestry Workshop: Complete Works, 1976-1988" from Victorian Tapestry Workshop (Melbourne); pamphlet published
by the Commission for the Future, "Think -- Or Perish! Towards a confident and productive Australia by Donald Horne, 1988.
box 22, folder 3
GA Miscellaneous
1973, 1983, 1984, 1986-1995
Scope and Contents note
Correspondents include: Signe Gallagher; Anthony Gallucci; Lonny Gans (Art Advisor/dealer); Tery Garay (KCOP) re material
about Wayne and National Endowment of the Arts (NEA) controversy; Ofelia Garcia (President, Rosemont College, Philadelphia,
PA); May Garelick, and Barbara Brenner re death of May Garelick; Elsa Garmire (Laser physicist); Mary Garrard; Marion Gartler
re making repairs to Wayne's Safekeeper Vest garment; Diane Gaston; Lee Gaywood; also includes copy of Wayne's acceptance
remarks for honorary doctorate from the Atlanta College of Art.
box 22, folder 4
GR Miscellaneous
1982, 1987,1990
Scope and Contents note
Correspondents include: Lillian Grant (nutritionist, Santa Monica, CA); Robert Gray; Phyllis Green (Emily Carr College of
Art, Vancouver, BC, Canada); Phyllis Grody; Emmanuel Gross (Tramatela Gallery, New York) re possible exhibition of Wayne's
tapestries.
box 22, folder 8
FR Miscellaneous
1980-1982, 1985, 1988, 1991, 1992, 1995, 1996
Scope and Contents note
Correspondents include: Ruth Francken re invitation to Wayne's exhibition in Paris; Ellen Frank; Evelyn Frank re donating
Wayne's "Songs and Sonets of John Donne" to the Museum of Modern Art (MoMA), New York; Maxi Frankel re sending Wayne the book,
"The Odyssey of Jan Stussy in Black and White: Anxious Visions and Uncharted Dreams" by Albert Boime (1995); Antonio Frasconi
(Argentine-born American printmaker) re Wayne's work; Burton B. Fredericksen (Director, Getty Provenance Index) re Wayne possibly
depositing her archives at the Getty; Faiya Fredman (artist) re attending the La Valencia luncheon; Eva G. Fremont (Event
Chair, Club 100, Music Center of Los Angeles County) re Wayne's participation in Club 100/KCET Women's Council luncheon/panel
discussion, "The Art of Criticism" (1996 April 25); Fritz Axel From (College of Fine Arts in Stockholm, Sweden) re letter
of introduction for Wayne from Nils Stenqvist; Susan Funkenstein (Curatorial intern, Modern Prints and Drawings, National
Gallery of Art, Washington D.C.) re updating records.
box 23, folder 2
EA-ED Miscellaneous
1984-1987, 1989-1991
Scope and Contents note
Correspondents include: Debby Edelsohn; J.M. "Mel" Edelstein (Senior Bibliographer and Resource Coordinator, Getty Center
for the History of Art and the Humanities [later known as the Getty Research Institute], Santa Monica, CA); also includes
J. Paul Getty Trust Annual Report (1986-1988); brochures for the Getty Trust and Getty Grant Program; brochures on the interior
design (Batey & Mack, architects) of the Getty Center; Parkett magazine article (1984) and Design Book Reviews (1986) on Kurt
Forster (director, Getty Center for the History of Art and the Humanities); Newsweek article (1984 November 26) on the Getty
Museum; ARTnews article (January 1986), Casa magazine article (1987 March), and Il Giornale dell'Arte (1987 October) on the
Getty Center for the History of Art and the Humanities.
box 23, folder 5
EL Miscellaneous
1981, 1983, 1985
Scope and Contents note
Correspondents include: Virginia Mollner (El Camino College, Torrance, CA) re mailing list; Sheila Elias (postcard); Phyllis
Eliasberg re her new job, Wayne's "The Dorothy Series" exhibition at Jewish Museum in New York; Diane Ellison re review of
Wayne's work and acquiring "Jubal."
box 24, folder 3
TO Miscellaneous
1985, 1987, 1988, 1989, 1990, 1994
Scope and Contents note
Correspondents include: Akiyoshi Tokoro (Galerie Tokoro, Tokyo, Japan) re Wayne's visit; also includes maps and exhibition
announcements for Galerie Tokoro; Kerry Tomlinson; Edith A. Tonelli (Director, UCLA Wight Art Gallery); Mallory Freeman (Tortue
Gallery, Santa Monica, CA) re representing Wayne's work; Hugh Townley re Wayne's exhibition.
box 24, folder 4
Japan Miscellaneous
1982-1984, 1987, 1989, 1990
Scope and Contents note
Includes articles by and about Yasuko Terada (newspaper reporter), travel notes, and hotel messages; also includes guest list
for reception held in Wayne's honor, envelope containing business cards, Hiroshima Museum of Art brochure, International Research
Center for Japanese Studies brochure, Saibu Gas Museum catalogue, Contemporary Art-dealers' Association of Japan (CAA) booklet
of gallery listings, and an issue of "Light On" Motoko lighting newsletter (Spring 1990); includes issue of Mainichi Weekly,
with pencil note referring to article on p. 8 by Yasuko Terada, "Madurodam--A Miniature Town with Charm, Bustle" (1982 December
18.)
box 24, folder 5
Japan Miscellaneous
1988-1991
Scope and Contents note
Correspondents re Wayne's visit to Japan include: Mitsuhiko Fukami (via Marge Devon); Howard Fox; Marshall M. Holleb (Holleb
& Coff, Attorneys at Law, Chicago, IL) to Martin Cohen (Daiwa Securitie, Tokyo) and Frank Gibney re Wayne introduction; Hiromi
Katayama; "Hibo" Kitashi Toaktsuki; Ikeda; Yasutoshi Ishibashi; Motoko Ishii; Shunsuke Kijima; holiday cards from Aya Kimura
and S. Kimura; Kazuko Koike re slides of Wayne's work; Kuniko Lucy Kato; George Kuwayama (Senior Curator, Far Eastern Art,
Los Angeles County Museum of Art); Sachiko Usui (International Canter for Japanese Studies, Kyoto.)
box 24, folder 6
Japan Miscellaneous
1988, 1989
Scope and Contents note
Correspondents include: Yuso Takesawa (Curator in Chief, Hiroshima City Museum of Contemporary Art) re Wayne sending video
of Kanemitsu; Fumi and Jun; Yoichi Yokata (Curator, Kanagawa Prefectural Museum, Yokahama); Yuichi Tanigushi (TG Concepts
Inc, Tokyo); Yasuko Terada (Director, Specuial Projects Department, Tokyo); Kazue Mukai (Gallery Mukai) re safekeeper vest;
Hiroshi Nishiyama (Gallery Décor, Tokyo); Yasuto Ota (Curator, Museum of Modern Art, Kamakura, Kanakawa); Yoshimitsu Segoshi;
Yasutoshi Ishibashi; Robert Singer; Naoko Shimamura; Kyoko "Michi" Michishita; Tsuneaki Nakamura (Reservations Secretary,
International House of Japan); Bee Canterbury Lavery (Chief of Protocol); Seiji and Kazumi Kunishima.
box 24, folder 13
CH Miscellaneous
1985-1988, 1993
Scope and Contents note
Correspondents include: Marc Chabot re his purchase of Wayne's "Work of Mourning IV" at auction, previously owned by Florence
Lewis; Ralph and Mary Chandler photographic holiday cards; Yumi O. Chuman re Wayne's work.
box 24, folder 15
BR Miscellaneous
1990-1992, 1994, 1996, 1997
Scope and Contents note
Correspondents include: Ray Bradbury re Wayne's exhibition "June Wayne - A Retrospective" in New York [at the Neuberger Museum
of Art (State University of New York, Purchase, NY)] traveling [to the Los Angeles County Museum of Art]; Anne Bray fax of
her résumé; Norma Broude and Mary Garrard re 20th anniversary party; Iris Bruderer re visiting Wayne's studio; Bob and Esther
Broner re Broner's "Wonder Woman" award, Wayne's involvement against Tax Reform Act of 1987, issue of Tikkun (1990 November/December)
with essays by Broner; also includes "Global City Review: Paradise Lost Issue" (fall 1993.)
box 24, folder 16
BR Miscellaneous
1981, 1983, 1986-1991
Scope and Contents note
Correspondents include: Mayor Tom Bradley (Los Angeles) re recommendation of Claire Isaacs and Rodney Punt for position of
General Manager of the Cultural Affairs Department, City of Los Angeles; Phyllis Braff (art critic, New York Times) re Wayne's
convocation speech at College Art Association (CAA), New York (1990 February 16); Ann Bray (Director, LA Freewaves video festival);
Geralyn and Steve Britko (Naravisa Press, Santa Fe, NM) re Wayne visiting their studio, meeting at Tamarind Weekend; Horace
Brockington re including Wayne's work in print exhibition, Hudson River Museum, Yonkers, New York (1984); Lydia Bronte re
Wayne's exhibition in Southampton (1989 June 17) and Bronte's "Long Careers Study"; Betty Ann Brown re section on Wayne in
the book, "Exposures: Women and Their Art"; Katherine T. Brown (Professor, Department of Art and Art History, Rice University,
Houston, TX) re evaluation of Karin Broker; Marcia Brown re receiving Wayne's "G Winds" and printing; Bob Brucotto (via Max)
re evening at Palomar.
box 31, folder 6
Guggenheim, Mary
1981-1989, 1993
Scope and Contents note
Correspondents include: Mary Guggenheim (artist, author) re: exhibition of Wayne's "Dorothy Series" at Jewish Museum, New
York; Guggenheim's trip to Russia and birth of her grandson, Pascal; theft of Guggenheim's bronze sculpture; Wayne's visit
to Paris with granddaughter Ariane; Wayne's lawsuit with Terry Sanders; Guggenheim's project in Venice, CA and Guggenheim
fellowship; exhibition of Wayne's prints at Gallery des Femmes, Paris (1985 May); publication of Guggenheim's story, "Russian
One and Two" in Sphinx International Literary Review magazine (1984); Guggenheim's trip to San Francisco; Wayne's trip to
Australia; Jim Haynes (Editor-in-Chief, Handshake Editions) re ordering pre-publication copies of Guggenheim's book, "Love
in the Minimalist Mode"; also includes two cards with works by Montserrat Guggenheim, gallery announcement of Guggenheim's
exhibition at Galerie Nikki Diana Marquardt, Paris, and color pamphlet of Guggenheim's work.
box 106, folder 12
Seidenman, Stella & Lenny 1970s
1970 Mar 29
Scope and Contents note
Offprint of article about Wayne by Julie Jensen, "Conversation With America's Master of Printmaking" (Sunday Times-Democrat,
1979 March 29.)
box 157, folder 3
Index to correspondence in files of June Wayne as of 11/2002
undated
box 157, folder 4
Indexes 387 to 570
undated
box 157, folder 5
Indexes 571 to 669
undated
box 157, folder 6
Indexes 670 to 739
undated
box 157, folder 7
Indexes 740 to Z13
undated
box 157, folder 8
Contents of box labeled 'to be archived'
undated
box 157, folder 9
Adams Memoir Draft, October - December 2001
2001-2002
box 157, folder 10
Clinton Adams 1998, 1999, 2000 - 2001
1998-2003
box 158, folder 1
Clinton Brunch, 1-19-99
1997-1999
box 158, folder 2
People to Whom I Sent Clint's East/West Articles
1997-1998
box 158, folder 3
Clinton Adams 1995, 1996, 1997
1995-1997
box 158, folder 4
Clinton Adams 1-26-96
1996
box 158, folder 5
Clinton Adams 1993
1993-1995
box 158, folder 6, folder 7
Adams, Clinton, 1980-1992
1977-1992
box 158, folder 8
Adams, Clinton (Restricted) 1985-1987
1985-1987
box 158, folder 9
Adams, Clinton (Restricted) 1984
1984
box 158, folder 10
Adams, Clinton (Restricted) 1983
1983
box 158, folder 11
Adams, Clinton (Restricted) 1982
1982
box 159, folder 15
Brodsky, Judith
1997-2007
box 160, folder 1, folder 2
Brodsky, Judith: June 15, 1965, Regarding Conway Script
2005
box 160, folder 3
Brown, Richard and Nathalie
1981-2002
box 160, folder 7
CO Miscellaneous
1979-2005
box 160, folder 9
Conway and O'Rourke 2004-2006
2004-2006
box 161, folder 1
DA Miscellaneous
1972-2006
box 161, folder 2
EM Miscellaneous
1970-1998
box 161, folder 3
ES Miscellaneous
1988-2009
box 161, folder 5, folder 6
FA Miscellaneous
1981-2004
box 161, folder 7
FI Miscellaneous
1972-2008
box 162, folder 2, folder 3
box 162, folder 4
Gottesman Proposal
2003-2009
box 162, folder 10
Hirshhorn Museum
1991-1994
box 162, folder 11
HO Miscellaneous
1981-2008
box 163, folder 1
Hoffberg, Judith
1982-2009
box 163, folder 3
HU Miscellaneous
1981-1993
box 163, folder 4
Huntsville Museum of Art: Hudson, Edith
1985-1998
box 163, folder 6
IS Miscellaneous
1989-1998
box 163, folder 10
King, Jan and Bob
1985-1990
box 163, folder 13
KR Miscellaneous
1983-1990
box 163, folder 14
Kugelman, Judy (KPFK)
2003
box 164, folder 2
LACMA Hopkins Award, April 18
2007
box 164, folder 6
LACMA 1981-1999
1982-2006
box 165, folder 4
LU Miscellaneous
1987-2004
box 165, folder 5
LY Miscellaneous
1984-2002
box 165, folder 7
Macalester College
1986-1990
box 165, folder 11
O'Keeffe Foundation
2001-2005
box 165, folder 6
Prints and the Mainstream
1992
box 166, folder 6
Shapira, Nathan
1982-1996
box 207, folder 10
Afternoons With June: Workman, Larry
2012
box 207, folder 11
Anderson, Agnes
2007-2010
box 207, folder 14
Archives of American Art: Erlich, Susan
2003-2005
box 207, folder 16
Australians: Van de Marle, Peter
2005-2007
box 207, folder 17
AZ Miscellaneous
1987-1988
box 207, folder 19
Bergman, Marilyn
1982-1990
box 208, folder 1
Buddy Award: Caplan, Frieda
1998-2004
box 208, folder 2
Catalogue Raisonne Collaborator's Party
2007
box 208, folder 4
de Sousa, Jorge
1998-2002
box 208, folder 5
de Sousa, Jorge
2001-2005
box 208, folder 6
de Sousa, Jorge
1994-2005
box 208, folder 7
de Sousa, Jorge: Tour
2001-2002
box 208, folder 8
Dickerson, Richard
2003-2006
box 208, folder 9
DR Miscellaneous
1985-2009
box 208, folder 10
DU Miscellaneous
1987-2005
box 208, folder 13
Fitzgerald, Joan
1988-2003
box 208, folder 14
FO to FR Miscellaneous
1991-2008
box 208, folder 17
Getty: Allen, Susan
2010-2011
box 208, folder 18
Goodson, Marvin and Goodwin, Jim
1975-2006
box 209, folder 1
Gottesman, Ron (1 of 2)
1997-2010
box 209, folder 2
Gottesman, Ron (2 of 2)
1997-2010
box 209, folder 4
Greenberg, Gary
2003-2011
box 209, folder 5
HA Miscellaneous
1981-2008
box 209, folder 9
HI Miscellaneous
1981-2002
box 209, folder 12
Holdengraber, Paul
1998-2001
box 209, folder 13
IA to IZ Miscellaneous
1993-2007
box 209, folder 14
Ianco-Starrels, Josine
1982-1992
box 209, folder 15
International House Japan
1989-1992
box 210, folder 1
K Miscellaneous
1978-2010
box 210, folder 2
Kanemitsu and Uyemura
2010
box 210, folder 3
Kaplan, Karen and Frieda; Kent, Susan
2000-2004
box 210, folder 4
Kester, Bernard
1986-1990
box 210, folder 5
Kirkpatrick, Martha
1989-1998
box 210, folder 6
KPCC: Morrison, Pat
2007-2010
box 210, folder 7
LA Miscellaneous
1970-2011
box 210, folder 10
LE Miscellaneous
1984-2011
box 210, folder 11
LI Miscellaneous
1983-2001
box 210, folder 12
LO Miscellaneous
1981-2008
box 210, folder 14
Los Angeles Times: Woo, Elaine
1969-2006
box 210, folder 15
MI Miscellaneous
1977-2007
box 210, folder 16
Miles, Rosalind and Miller, Judy
2001-2009
box 210, folder 17
National Endowment for the Arts
1981-1996
box 210, folder 18
National Gallery of Art: Fine, Ruth and Russel, Diane
1981-2001
box 211, folder 1
Naveretta, Cynthia
1981-2005
box 211, folder 2
New Yorker Magazine
2000-2008
box 211, folder 3
NO Miscellaneous
1999-2003
box 211, folder 4
NU Miscellaneous
1998-1999
box 211, folder 5
O Miscellaneous
1997-2008
box 211, folder 8
Orders, John: Irvine Foundation
1995-2011
box 211, folder 9
P Miscellaneous
1986-2011
box 211, folder 10
PA Miscellaneous
1973-2008
box 211, folder 11
Pacific Design Center: Feldman, Murray
1983-1988
box 211, folder 12
Padberg, Eileen
1991-2010
box 211, folder 13
Phillips, David
1979-2006
box 211, folder 15
PR Miscellaneous
2007-2010
box 211, folder 17
Purdue: Ressler, Susan
1997-2000
box 211, folder 18
QU Miscellaneous
1976-1998
box 211, folder 19
RA Miscellaneous
1997-2010
box 211, folder 20
RE to RI Miscellaneous
1984-2011
box 212, folder 3
SA Miscellaneous
1981-2011
box 212, folder 5
Santa Barbara Museum of Art
1984-1992
box 212, folder 6
SC Miscellaneous
1977-2008
box 212, folder 7
Schnabel, Bruce
1983-1987
box 212, folder 8
Schnoettler, Ellouise
1978-1997
box 212, folder 9
SE Miscellaneous
1915-2010
box 212, folder 10
Seaquist, Carla and Larry
undated
box 213, folder 1
Seaquist, Carla and Larry (1 of 2)
1986-2007
box 213, folder 2
Seaquist, Carla and Larry (2 of 2)
1986-2007
box 213, folder 4
Sharpe-Newton, Geraldine
2000
box 213, folder 7
SI Miscellaneous
1981-2002
box 213, folder 9
Skirball Museum
1995-2004
box 213, folder 10
SM Miscellaneous
1972-1999
box 213, folder 11
Smithsonian National Museum of American Art: Moser, Joann
1994-2003
box 213, folder 13
Society of American Graphic Artists
1988
box 213, folder 14
Sokol, Jim and Carol
1983-1986
box 213, folder 15
ST Miscellaneous
1982-2009
box 214, folder 2
SU Miscellaneous
1982-2010
box 214, folder 3
SW Miscellaneous
1981-2010
box 214, folder 4
TA Miscellaneous
1981-1987
box 214, folder 5
TE Miscellaneous
1982-2001
box 214, folder 6
Thompson, Marcia
1993-2000
box 214, folder 7
TO to TS Miscellaneous
1998-2006
box 214, folder 9
Trusteeship (1 of 2)
1982
box 214, folder 10
Trusteeship (2 of 2)
1982
box 214, folder 12
Trusteeship (1 of 2)
1984
box 214, folder 13
Trusteeship (2 of 2)
1984
box 215, folder 4
Trusteeship: Arbus, Loren
undated
box 215, folder 5
Trusteeship: Beasley, Phoebe
2008
box 215, folder 6
Trusteeship: Campbell, Kim and Checci, Kathryn
1993-2000
box 215, folder 7
Trusteeship: Carrington, Mary
1990-2010
box 215, folder 8
Trusteeship: Casey, Barbara
1982-2008
box 215, folder 9
Trusteeship: Coughlin, Sister Magdelen
1988-1994
box 215, folder 10
Trusteeship: Dietz, Susie
2008-2011
box 215, folder 11
Trusteeship: Dolan, Mary Anne
1982-1988
box 215, folder 12
Trusteeship: Fouche, Barbara
1982-1983
box 215, folder 13
Trusteeship: Frame, Jackie
2007-2008
box 215, folder 14
Trusteeship: Frank, Judith
1987-1999
box 215, folder 15
Trusteeship: Gellar, Laura and Galef, Bronya
1981-2010
box 215, folder 16
Trusteeship: Gothard, Barbara
2011
box 215, folder 17
Trusteeship: Hegardt, Margareta and Hill, Julie
1988-1998
box 215, folder 18
Trusteeship: Hembrick, Margaret
1989
box 215, folder 19
Trusteeship: Holt, Paula
2000-2010
box 215, folder 20
Trusteeship: Honig, Nancy
1989-1990
box 215, folder 21
Trusteeship: Ingram, Diana and Hosoi, Shirley
1992-2011
box 215, folder 22
Trusteeship: Kindel, Maureen
1982-2002
box 215, folder 23
Trusteeship: Klein, Joan Dempsey and Knapp, Brooke
1982-2006
box 215, folder 24
Trusteeship: Lane, Anne R.
1987-1994
box 215, folder 25
Trusteeship: Leeber, Sharon
1994
box 215, folder 26
Trusteeship: Mancini, Patty
1982-1986
box 215, folder 27
Trusteeship: Mecca, Lorraine and Miller, Judy
1977-1997
box 216, folder 1
Trusteeship: Nettleship, Tish
1982-2009
box 216, folder 2
Trusteeship: Roesner, Judy
1981-2009
box 216, folder 3
Trusteeship: Rothman, Claire
1990-2010
box 216, folder 4
Trusteeship: Russel, Pat
1968-1988
box 216, folder 5
Trusteeship: Ryan, Cynthia
1982-1983
box 216, folder 6
Trusteeship: Solomon, Marilyn
1990
box 216, folder 7
Trusteeship: Sussman, Deborah
1988-2000
box 216, folder 8
Trusteeship: Tauber, Gayle and Phillip
2010-2011
box 216, folder 9
Trusteeship: Timmer, Sharon
1982-2008
box 216, folder 10
Trusteeship: Tooley, Reva
1988-1991
box 216, folder 11
Trusteeship: Van de Kamp, Andrea
1987-1996
box 216, folder 12
Trusteeship: Wachner, Linda
1984-1996
box 216, folder 13
Trusteeship: Witham, Maylee
2008-2011
box 216, folder 14
Trusteeship for the Betterment of Women
1988-1996
box 216, folder 15
Tyler, Ken and Mary-Beth
1993-1998
box 216, folder 17
UE to UY Miscellaneous
1988-2007
box 216, folder 18
University of Arkansas and Illinois
1978-1983
box 216, folder 19
University of California, Los Angeles (UCLA): Business School of Management, Hy Faine
1988-1999
box 216, folder 20
University of California, Los Angeles (UCLA): Grunwald Center
1981-1985
box 216, folder 21
University of California, Los Angeles (UCLA): Oral History
1977-1985
box 217, folder 2
University of California, Los Angeles (UCLA): Selected Letters from Correspondence
1943-1998
box 217, folder 1
University of California: Miscellaneous
undated
box 217, folder 3
VE Miscellaneous
1986-1997
box 217, folder 4
VI Miscellaneous
1979-2008
box 217, folder 5
VO Miscellaneous
1977-1983
box 217, folder 6
W Miscellaneous
1981-2010
box 217, folder 7
WA Miscellaneous
1989-2010
box 217, folder 12
Weider, Harriet and Wittenberg, Diane
1983-2007
box 217, folder 14
WI Miscellaneous
1978-2006
box 217, folder 16
Withers, Josephine
1983-1991
box 217, folder 17
Wulf, Andy and Woodmere Art Museum
1995-1999
box 217, folder 18
WY Miscellaneous
1990-1997
box 217, folder 23
Zammitt, Norman
1991-2007
box 217, folder 24
Zammitt, Norman
2000-2001
box 225, folder 1
A Miscellaneous (1 of 2)
1992-2011
box 225, folder 2
A Miscellaneous (2 of 2)
1992-2011
box 225, folder 4
Alter, Linda Lee
1996-2004
box 225, folder 5
Annenberg, Wallis
1984-2008
box 225, folder 6
Antreasian, Gary
1986-2006
box 225, folder 8
Avati, Mario and Helen
1976-2007
box 225, folder 9
Brodsky, Judith
1985-2011
box 225, folder 10
California State University, Dominguez Hills
1995
box 225, folder 11
Council Grove Conference: Hirsch, Gilah Yelin
2005-2006
box 225, folder 12
Durassier, Emilienne and Diomaiuto, Janine
2002-2005
box 225, folder 13
GE Miscellaneous
1972-1991
box 225, folder 14
GI Miscellaneous
1989-1999
box 225, folder 16
Gleich, Marty and Enia
1981-2000
box 226, folder 1
GO Miscellaneous
1975-2002
box 226, folder 2
Goldberg, Jackie
1993-1998
box 226, folder 4
Hammer Museum: Sexual Politics Exhibit
1995-1996
box 226, folder 6
HE Miscellaneous
1982-2009
box 226, folder 7
Hebblethwaite, Sara
1993-2009
box 226, folder 8
Hollander, Irwin
1982-2002
box 226, folder 9
Horowitz, Channa
1996-2011
box 227, folder 1
Los Angeles Times: Isenberg, Barbara
1975-1983
box 227, folder 3
National Gallery of Art: Fine, Ruth
1991-2003
box 227, folder 4
Navaretta, Cynthia
1995-2002
box 227, folder 5
Oregon Public Broadcasting: "Works in Progress" Video
1995-1996
box 227, folder 6
Pacific Design Center
1994-1995
box 227, folder 7
PE Miscellaneous
1984-2011
box 227, folder 8
PI Miscellaneous
2007-2010
box 227, folder 10
PL Miscellaneous
1992-2011
box 227, folder 11
Print Quarterly: Landau, David
1992-2009
box 227, folder 13
Queensland Art Gallery: Kirker, Anne
1994
box 227, folder 15
RO Miscellaneous
1976-2011
box 227, folder 16
Rosenthal, Rachel
1981-2010
box 228, folder 1
San Diego Museum of Art
1969-2003
box 228, folder 2
San Jose Institute of Contemporary Art
1982-1983
box 228, folder 3
Schmeisser, Jorg
1993-2004
box 228, folder 4
SH Miscellaneous
1983-2011
box 228, folder 5
Smithsonian National Museum of American Art
1991-1997
box 228, folder 6
Smithsonian National Museum of American Art: Moser, Joanne
1984-1999
box 228, folder 7
Tampa Art University
2005-2007
box 228, folder 9
Trusteeship: International Women's Forum
1993-1996
box 228, folder 10
Trusteeship: Krantz, Judith
1983-1999
box 228, folder 11
University of Washington Press
1997
box 228, folder 12
Various Deceased or Completed Correspondence
1979-1997
box 228, folder 13
Wack! Feminist Show at MOCA: Connie Butler
2006-2008
box 228, folder 14
Z Miscellaneous
1970-2011
Subseries 9: Personal
1941-2009
Scope and Contents note
This subseries includes personal correspondence from Wayne's friends and colleagues regarding the death of W. McNeil Lowry
(Director, Program in Humanities and the Arts, Ford Foundation), Wayne's continuing litigation, her participation in Otto
Piene's "Sky Works" performance and in the National Print Symposium in Canberra, Australia. Topics also include the search
for candidates for the position of director of the Tamarind Institute at University of New Mexico, a video taping project
with Sid Koch, and the illnesses and deaths of Wayne's friends, Madeleine Jarry (1982), Louise Nevelson (1988), Joyce Treiman
(1991) and Matsumi (Mike) Kanemitsu (1992.)
Processing Information
Includes materials from the July 2012 addition.
box 4, folder 1
Seidenman, Stella & Lenny 1981-1995
1981-1987, 1989-1990, 1992, 1994-1995
Scope and Contents note
Stella and Leonard Seidenman re: Lester Morrison and Richard G. Hubler's book, "Trial & Triumph: A Novel About Maimonides";
Wayne's court trial (1983) and awards from the Los Angeles Chamber of Commerce and YWCA's Life Achievement Award; Stella and
Leonard's daughter, Nina Seidenman Moore; guest list, program and menu for the Seidenman's 50th wedding anniversary dinner
(1986); Los Angeles riots (1992); Northridge earthquake (1994); death of Leonard Seidenman.
box 5, folder 2
Lowry, MacNeil Estate Correspondence 1964-1993
1993
Scope and Contents note
W. McNeil Lowry (Director, Program in Humanities and the Arts, Ford Foundation) obituary; cards and notes from Graham and
Elsa Lowry; Lowry memorial tribute (held 1993 September 27, Lincoln Center Plaza, New York); list of items returned to Mac
Lowry estate.
box 5, folder 4
Lowry, MacNeil Estate Correspondence 1964-1993
1964, 1973, 1980-1981, 1982-1986
Scope and Contents note
Biography of W. McNeil Lowry; (ca. 1980); airing of KCET television show on "The Dorothy Series"; Wayne's and Lowry's reactions
to chapter in Clinton Adams' book, "American Lithographers, 1900-1960"; Tatanya Grossman obituary by Calvin Tomkins; Wayne's
continuing litigation re insurance, Terry Sanders, and legal firm of Ball Hunt; New Yorker magazine (1983 September 12) containing
article, "Conversations with Balanchine" by MacNeil Lowry; program for the 67th American Assembly, "The Arts and Public Policy
in the United States" (Arden House, New York, 1984 May 31-June 3); establishment of search committee for director of Tamarind
Institute at University of New Mexico, and Marge Devon as candidate; taping project with Sid Koch.
box 5, folder 5
Freeman, Vera 1985-1990
1985-1990
Scope and Contents note
Christmas cards from Vera Freeman (Andrews/Nelson/Whitehead, New York); Vera's retirement (1986 July); Andrews/Nelson/Whitehead
booklet of Japanese paper samples; Wayne's continuing litigation; Wayne's exhibitions at the Fresno Art Museum and the Associated
American Artists, New York (1988); Wayne's participation in Otto Piene's "Sky Works" performance; Wayne's participation in
National Print Symposium (Canberra, Australia), w/ exhibitions of her work in Sydney, Canberra and Melbourne.
box 5, folder 6
Bird, Rose Elizabeth (Chief Justice)
1981
Scope and Contents note
Articles on California Chief Justice Rose Elizabeth Bird; letter from Chief Justice Bird re meeting Wayne at the Women's Trusteeship
(Los Angeles); copy of Chief Justice Bird's remarks, "State of the Judiciary Address," given at the State Bar Conference of
Delegates (San Diego.)
box 5, folder 7
Arnold, Anna Bing & Aerol
1958,1981-1987
Scope and Contents note
Aerol Arnold re Wayne's exhibition in San Francisco; Anna Bing Arnold re her accident and convalescence; illness and death
of Aerol Arnold; photograph of Aerol Arnold (1982); Wayne's comments about the Whitney Museum of American Art catalogue by
Judith Goldman, "American Prints: Process & Proofs"; Wayne's exhibition of paintings at the Armstrong Gallery (New York, 1984);
Anna's resignation from the Board of the Los Angeles County Museum of Art (LACMA); various dinner invitations.
box 5, folder 8
Veillard, Roger & Anita; Wright, Richard
1943, 1983, 1985
Scope and Contents note
Roger and Anita Veillard re Wayne's participation in the Salon de Mai (Paris, 1983 and 1985); Richard Wright re manuscript
for story submitted by Wayne [née Claire.]
box 6, folder 1
Segalen, Yvon, Anna & Yo
19821983, 1985-1991
Scope and Contents note
Yo Segalen re illness and death of Madeleine Jarry (1982); Wayne's visit to Paris for her print exhibition at Galerie des
Femmes (1985 April); Christiane Picard re illness and death of Yo Segalen; Anne Segalen (granddaughter of Victor Segalen)
re her daughter, Chine Lauzmann, attending the University of Southern California (USC); Bulletins de l'Association Victor
Segalen (No. 1, 1988 October; No. 3, 1989 July.)
box 6, folder 4
Hayman, D'Arcy
1979-1994, no date
Scope and Contents note
d'Arcy Sanger Hayman (artist, teacher, poet; Director, International Arts Program, UNESCO); copy of her book, "Embrace Me
Universe and More", inscribed by the author to Wayne; various illustrated dinner invitations, including an evening with King
Vidor and Samantha Eggar; Hayman's poetry and art work; death of her mother (1986 February); obituary (1994 July.)
box 7, folder 11
Hanson, Elizabeth (Liz)
1982-1984, 1988-1989, 1991, no date
Scope and Contents note
Elizabeth Gibbons-Hanson re: Vicky Wilson (Alfred A. Knoph) re efforts to publish Hanson's "Rags" manuscript (1983); Frederic
"Fritz" S. Marquardt (senior editor, Arizona Republic) re meeting Wayne (via Hanson); Hanson's surgery (1983); Hanson's move
to Auburn, Alabama (1989); change of address announcement w/ photograph.
Processing Information
After "Roncey, Albert and Yvette," series is organized alphabetically.
box 8, folder 1
Greene, Henry
1981
Scope and Contents note
Re Greene's poetry and group, "Creative Circle"; June Rachuy Brindel's book, "Ariadne."
box 8, folder 6
Malarcher, Patricia
1982
Scope and Contents note
Thank you note for visit to Wayne's studio; "Art Materialized" exhibition catalogue's mention of Tamarind.
box 8, folder 7
Ussachevsky, Vladimir (Betty)
1941, 1985, 1988-1990, 1992
Scope and Contents note
Correspondents include: Vladimir Ussachevsky's re collected letters of his wife, Elizabeth (Betty) Kray; programs for Elizabeth
Kray memorial service (1987 November 25, Cathedral of St. John the Divine, New York); copy of "Chelsea 1904-1913: John Sloan's
Neighborhood and Neighbors" by Elizabeth Kray for the Poetry Society of America (1985); Leni Spencer re Vladimir's illness,
death, and memorial service; Karl Hereim (A&R administrator, New World Records, New York) re using Wayne's art work on cover
of Ussachevsky album.
box 8, folder 8
Ussachevsky, Vladimir
1983, 1985, 1987-1989
Scope and Contents note
Correspondents include: Betty Kray re her illness; trip to Snowbird, Utah (1987 July); Vladimir re Betty's death; also included
are Betty Kray's New York Times obituary and "Elizabeth Kray 1916-1987: A Remembrance" (1988 April 9, Little Church Around
the Corner, New York.)
box 8, folder 9
Elliott, Carol
1981-1983, 1985, 1986, 1988
Scope and Contents note
Correspondents include: Carol Elliott's "Aesthetic Statement" about Marcia Durrant (1981 November); death of Marcia Durrant;
Graduate School for Community Development (San Diego, CA) invitation to Marcia A. Durrant exhibition, "Retrospective" (1981
November 7-28, Gallery of the Multicultural Arts Institute, San Diego); Carol Elliott and William L. Shroyer (national marketing
manager, Fred A. Wilson Company) re roof problems in Wayne's building; 35mm color negatives and seven 3 x 5" photos of Wayne's
roof; Sandra Martinez (friend of Carol Elliott) re copy of court decision on Wayne's litigation w/ Terry Sanders over film,
"Four Stones for Kaneitsu."
box 8, folder 11
Nevelson, Louise
1963, 1980-1986, 1988
Scope and Contents note
Torn-off signatures from Louise Nevelson prints (offered as proof of destruction) given to Tamarind staff members or printers
(destroyed, 1963); New York Times article on Nevelson in her studio (1980 April 27); invitation to preview of Diana MacKnown
exhibition, "Louise Nevelson: A Photographic Essay" (1981 January 7, William A. Farnsworth Library and Art Museum, Rockland,
ME); Wayne re "Dorothy Series" opening at the Jewish Museum (1981 January 9, New York); Laurie Lisle re her biography on Louise
Nevelson; Wayne's opening at Armstrong Gallery (1984 October 17, New York); Wayne's appearance in Picasso play, "Catch Desire
by the Tail" at the Guggenheim Museum (1984 October 25, 26); Nevelson's 85th birthday dinner given by Barbaralee and Carl
Spielvogel (1984 October 17, New York); invitation to unveiling of Nevelson's sculpture, "Night Sail" (1985 June 20, Crocker
Center, Los Angeles); Wayne's speech given at Hofstra Museum, Hofstra University Conference on The Avant-garde in Literature
and Art (1985 November, Long Island); invitation to Nevelson's benefit show, "Wood Sculptures and Collages" for Louise Nevelson
Laboratory for Cancer Immunobiology (1980 May 1, Wildenstein, New York); Nevelson exposition at Galerie Claude Bernard (1986
January 23- February 22, Paris); Grace Glueck article, "Friends of Louise Nevelson Gather in a Memorial for the Late Artist"
(New York Times, 1988 October 18); thank you to Wayne from Arnold B. Glimcher (Pace Gallery, New York) for "Goodbye Louisie"
lithograph; thank you from Mike Nevelson (Louise's son) re Wayne's print; invitation to "An Hour of Song: In Remembrance of
Louise Nevelson" w/ Edward Albee, Jessye Norman, and James Levine (1989 March 28, Carnegie Hall.)
box 8, folder 12
Nevelson, Louise
1963, 1988, 1989, 1996
Scope and Contents note
Photographs of Nevelson working in Tamarind studio (1963); articles re Nevelson's death, memorial, and estate dispute between
Nevelson's assistant, Diana MacKown and son, Myron (Mike) Nevelson.
box 8, folder 13
Nevelson, Louise
1989, 1992-1993
Scope and Contents note
Dorothy Rabinowitz article "The Art of the Feud: Sculptor Louise Nevelson's Tangled Legal Legacy" in New York magazine (1989
September 25); Sharon Timmer re estate sale of Lillian Berliawsky (sister-in-law of Louise Nevelson) w/ two Nevelson paintings
offered for sale (Gamage/Veilleux auction, 1993 July 10, Rockland, ME.)
box 9, folder 1
Treiman, Joyce
1983, 1986, 1988, 1991
Scope and Contents note
Brochure for Treiman exhibition of paintings at Tortue Gallery, Santa Monica (1983 November 16-December 31); exhibitions announcement,
"Joyce Treiman: Recent Painting and Drawings" (Tortue Gallery, 1986 November 22-December 27) and "Joyce Treiman: Recent Works"
(Schmidt - Bingham Gallery, New York, 1988 April 27-May 21); Tortue Gallery's artist biography; Los Angeles Times obituary
(1991 June 4); "Artist of the Area" article on Treiman (1970 December/January); Introduction and autobiography from exhibition,
"Impetus: The Creative Process" (Los Angeles Municipal Art Gallery, Barnsdall Park, 1975 October 29-November 30); letter to
Ruth Fine (Curator, National Gallery of Art, Washington D.C.) re possibly acquiring some of Treiman's work; documents re memorial
service, "A Celebration of the Art and Life of Joyce Treiman (UCLA Dickson Art Center, 1991 June 30.)
box 9, folder 2
Treiman, Joyce
1970, 1984, 1988, 1990-1992
Scope and Contents note
Exhibition catalog, "Joyce Treiman: Friends and Strangers" (Fisher Gallery, University of Southern California, 1988 January
20-February 27); "Images & Issues: Contemporary Art Review" (1984 March/April) with article by Isabel Anderson on Joyce Treiman;
Tortue Gallery receipt for Wayne's purchase of Treiman's "Incident Series" (1988 January 26); letter to Treiman from Joyce
re Giverny artist program and executing portraits of one another; brochure from Schmidt - Bingham Gallery (1991, New York);
exhibitions, "Joyce Treiman: The Last Paintings" at Tortue Gallery, Santa Monica (1992 February 15-March 28), "Echoes: Recent
Pastel Drawings", Schmidt - Bingham Gallery (1992 January 22-25, New York.)
box 10, folder 5
Kanemitsu, Mike
1992-1995
Scope and Contents note
Tributes and memorial essays for the American painter, Matsumi (Mike) Kanemitsu (1922-1992) from: Conner Everts, Luchita Hurtado,
Patia Rosenberg, Mac McCloud, Felix Ruvolo, Ernest T. Nagamatsu, Gerald Nordland, Ynez Johnston and John Berry, Ed Hamilton,
and Katsuhisa Sakai; Wayne to Burt Folkart and Bill Wilson (Los Angeles Times) re Gerald Nordland article on Kanemitsu; notes
on memorial program; exhibition announcement for "Matsumi Kanemitsu: A Retrospective" (Louis Newman Galleries, 14 - 28 January
1993, Beverly Hills, CA); Mike Kanemitsu appeared in Wayne's film, "Four Stones for Kanemitsu."
box 10, folder 6
Kanemitsu, Mike
1995, 1996, 1998
Scope and Contents note
Receipts from Wayne's trip to Japan (1998 February 10-17) to attend opening of Matsumi (Mike) Kanemitsu's retrospective exhibition
at National Museum of Art in Osaka (1998 February 12); program plan for exhibition opening; correspondents include: Gary Lang;
Kyoko "Michi" Michishita; Marjorie Devon (Director, Tamarind Institute); Akira Kurosaki (printmaker and instructor, College
of Fine Arts, Kyoto Seika University); To Ko Muto; Koken Murata, including his catalogue, "Urushi" (Yamaki Art Gallery, Osaka,
1996); exhibition announcement for "Matsumi Kanemitsu (1922-1992): Works on Paper" (1995 May 13-31, Gallery IV, Los Angeles,
CA)
box 10, folder 7
Kanemitsu, Mike
1978 Dec. 26
Scope and Contents note
Typed transcription of Wayne's interview with Matsumi (Mike) Kanemitsu in her studio, 1978 December 26 (136 pages.)
box 10, folder 8
Kanemitsu, Mike
1979, 1984-1986, 1988, 1990, 1992, 1994
Scope and Contents note
Los Angeles Times obituary for Kanemitsu (1992 May 14); correspondents include: Matsumi (Mike) Kanemitsu; Carla Luna (Louis
Newman Galleries, Beverly Hills, CA) re Kanemitsu's exhibition, "California Visions: Selected Paintings 1976 - 1984" (1984
June 15-30); "Kanemitsu" exhibition brochure (1986 January 16-February 6); various exhibition announcements (1979-1990); Masatoshi
Honda (Hiroshima City Museum of Contemporary Art) re Wayne presentation; Nancy Uyemura; Gerald Nordland re Paul Jenkins' letter.
box 10, folder 10
Koch, Sig
1985-1986
Scope and Contents note
Sigmund Koch (Professor of Psychology and Philosophy; Director, The Aesthetics Research Archive at Boston University) re proposal
for taping interview with June Wayne.
box 11, folder 6
RO Miscellaneous
1981, 1982, 1984, 1986-1990, 1996
Scope and Contents note
Correspondents include: Stephen F. Rohde (attorney) to Rachel Rosenthal re his article, "Art of the State: Congressional Censorship
of the National Endowment for the Arts"; David Rose; Joyce Rosenberg; Marilyn Rosenberg (Marisa Del Re Gallery, New York);
Patia Rosenberg; Barry Rosengrant (President, Metrospace Corporation, Los Angeles); Tony and Halina Rosenthal (includes pamphlet
for Rosenthal exhibition, Galerie Denise René, Paris, 1988 March 3-April 12); Kenneth Ross, with clipping of review of Matsumi
Kanemitsu's exhibition at Louis Newman Gallery, Beverly Hills, CA); Ross Associates Speakers Bureau (Pauline Buck, Vice President)
re Wayne speaking engagements.
box 11, folder 7
Wachs, Joel
1988, 1996
Scope and Contents note
Joel Wachs (Councilman, 2nd district, Los Angeles City Council) re: Wayne's endorsement for Claire Isaacs; Wach's Art Table
presentation at Koplin Gallery (1988); Lee Ramer (assistant to councilman Wachs); biographical sketch of Wachs (1995.)
box 11, folder 8
WA Miscellaneous Continued: Washington Artist; (Eastern) Washington State Historical Society; Watanabe, Yoko; Watts, Towers
1981, 1982, 1984, 1986, 1988, 1994, 1996
Scope and Contents note
Correspondents include: Dorothy Waage re death of her husband Tom, and Wayne's show at Jewish Museum, New York; Di Waite (executive
director, Print Council of Australia Inc., Melbourne) re imprint of Anne Kirker's interview with Wayne; Washington Artists
(Bill Roseberry, co-chair) re reprinting Wayne's article, "The Male Artists as a Stereotypical Female"; Yoko Watanabe re critique
of exhibition of Wayne's prints at Downey Museum; Jeanne Morgan re Watts Towers (includes 3x5 inch color photograph); Henry
Waxman (Congressman, U.S. House of Representatives) re articles on his work; George Wayne; Kyra Wayne re property tax on Hermosa
Beach property and moving to Fresno.
box 11, folder 9
RI Miscellaneous
1979, 1983-1988, 1991
Scope and Contents note
Correspondents include: Bobbi and Stan Rice; Katherine T. Brown (professor of art history, Rice University, Houston, TX) re
evaluation of Karin Broker for promotion; Alan Rich re Newsweek; Anne Richards (Governor of Texas); Diana Rico (freelance
journalist); Bonnie Riesdesel (art student, South Dakota State University) re questionnaire; Deborah Johnson (Museum of Art,
Rhode Island School of Design, i.e. RISD); Naomi S. Risdon; Elisavietta Ritchie (Wineberry Press, Washington D.C.) re her
poems;
box 11, folder 10
WOL Miscellaneous: Wolf Point Productions; Wolf, Theodore; Wolf, Andrew
1974, 1993-1994, 1996
Scope and Contents note
Correspondents include: Andrew Ian Wolf (President, Pacific Design Center, Los Angeles.)
box 11, folder 11
WON Miscellaneous
1981, 1983-1985, 1988, 1990
Scope and Contents note
Correspondents include: David Wong (apartment owner) re landscaping problems adjacent to Wayne's property on Tamarind; Yen
Lu Wong (dancer, choreographer; director, The New Repertory, later known as "TNR" theater company.)
box 11, folder 12
Reeves, Nancy
1969-1970, 1972
Scope and Contents note
Copy of Reeves' "Anatomy and Destiny" from Annals of the New York Academy of Sciences, vol. 175, article 3, 1970 October 30;
"Stereotypes of Woman's Place" course readings, University of California, Los Angeles (UCLA, Reeves' copyright 1969; includes
references and bibliography); conference proceedings "Female Studies V" from "Women and Education: The Conference as Catalyst"
held 1971 November 5-7, at the University of Pittsburgh.
box 11, folder 13
Reeves, Nancy
1975-1977, 1982-1983
Scope and Contents note
Nancy Reeves re: her travel itineraries; articles and biographical summary; proposal for an International Women's Institute;
brochure and Wayne's nomination form for The Wonderwoman Foundation Awards 1982; photocopies of two articles by Nancy Reeves:
"Alas Chief Davis, You're Blinded by the Sunrises" (Los Angeles Times, 1975 August 14) and "Equal rights: Some notes on stereotypes"
(unidentified faculty publication, University of Southern California, 1982 January 25.)
box 11, folder 14
Reeves, Nancy
1984-1985, 1987, 1991
Scope and Contents note
Nancy Reeves, J.D. (Director, Center for the Study of Change, International College, Los Angeles) re her writings, concept
for making a film, remarks by Wayne on Reeves' honorary doctorate from International College (1985.)
box 12, folder 1
Reeves, Nancy
1987-1991
Scope and Contents note
Nancy Reeves re: Los Angeles Times letter (1987 March 4); articles in San Diego Tribune (1988 March; 1989 May 31); collected
journal entries (1987 January 18-April 4.)
box 12, folder 2
RA Miscellaneous
1985, 1986, 1988
Scope and Contents note
Correspondents include: Wayne Radziminski (teacher, Haddonfield Public Schools, NJ) re adaptation of "Hands Across America"
project; Susan Rankaitis re request of slides of Wayne's work for ARTTALK lecture; Carter Ratcliff re essay for Tamarind catalogue;
Bernadine Ratliff re gathering information on women artists employed by federal and state governments under 1930s New Deal
programs; Rose L. Rashmir re book sent by Wayne.
box 13, folder 6
Young, Joseph
1977, 1978, 1979, 1983, 1984
Scope and Contents note
Correspondents include: William K. McClelland (President, California Confederation of the Arts) re controversy over Young's
Triforium art piece; also includes Joseph Young's biography and articles about Triforium.
box 13, folder 9
ZE Miscellaneous
1983, 1987, 1988, 1989
Scope and Contents note
Correspondents include: Harriet Zeitlin (artist) to Catherine Lord (Dean, School of Art, California Institute of the Arts)
re becoming a visiting artist; Los Angeles Times obituary for Jacob Zeitlin (Aug. 31, 1987); Kathy Zimmerer (Director, University
Art Gallery, CSU Dominguez Hills); Anita Zengals [?]; Chloe Zerwick re Wayne's "Djuna Set" catalogue.
box 13, folder 17
Wolfson, Ella
1968, 1982
Scope and Contents note
Correspondents include: Ella Wolfson re work of her husband, William Wolfson; includes exhibition brochures and invitations.
box 13, folder 18
Wolf, Michele
ca.1970
Scope and Contents note
Chapter outline of "Attitudes Towards Women in the Hollywood Novel," doctoral dissertation, University of Paris IV, Sorbonne;
includes tables and graphs (in English and French) and sample pages.
box 13, folder 19
Who's Who in California
1969, 1970, 1971
Scope and Contents note
Correspondents include: Kenneth H. Petchenik re Wayne's edited biographical information for contribution to Who's Who in California.
box 13, folder 20
Who's Who In The United States
1975
Scope and Contents note
Biographical form for 1975 edition and brochure for Who's Who In the United States.
box 14, folder 10
Pomodoro, Gio
1968, 1980
Scope and Contents note
Includes from Giò Pomodoro (sculptor) a postcard of Schloss Schönbrunn, Vienna; catalogue of his work, "Luogo delle misure
1977/78: scultura e materiali progettuali" (Piazza dei Signori, Verona, 1980 September.)
box 15, folder 9
Mc Miscellaneous: McCartney, Carole; McPhail, Don; McCann, Cecile; McHugh, Jim; McQuire, Claudie.
1984, 1986, 1990, 1994
Scope and Contents note
Correspondents include: Cecile McCann; Carole McCartney re the Los Angeles Women's Alliance for the Arts; Mavadret [?] Nelson
re available materials for Esther McCoy archives; Claudie McGuire (in French); Jim McHugh; Don McPhail re receiving Wayne's
book, purchasing two of Wayne's prints, and Ofelia [Garcia?] moving to Atlanta; Genevieve McSweeney.
box 15, folder 13
Myrrh
1991
Scope and Contents note
Correspondents include: Trudy Myrrh Reagan re meeting Wayne; also includes issue of Ylem: Artists Using Science and Technology
newsletter (vol. 11, no. 1, Feb. 1991.)
box 17, folder 5
McWilliams, Peter
1993
Scope and Contents note
Correspondents include: Peter McWilliams (Prelude Press) re quoting Wayne in his book, "Ain't Nobody's Business If You Do:
The Absurdity of Consensual Crimes in a Free Society."
box 17, folder 7
AM MISCELLANEOUS: Amos, Sarah.
1992, 1993, 1994, 1995, 1996
Scope and Contents note
Sarah Amos (Master Printer and Director of the Vermont Studio Center Press, 1994-2004) re her moving to New York to work with
Bob Blackburn, moving to work as resident artist/printer at Vermont Studio Center, travels to Australia and Canada; Wayne
going to New York to work with Judith Solodkin.
box 17, folder 8
AN Miscellaneous
1991, 1993, 1996
Scope and Contents note
Correspondents include: Isabel Anderson re error in Art Week and meeting Wayne at Judith Hoffberg's open house; Mark W. Anderson
(Professor of Art, Corpus Christi State University, TX) re Wayne's help with student's presentation; holiday card from Wallis
Annenberg.
box 19, folder 9
Aillagon, Jean-Jacques
1982, 1983
Scope and Contents note
Re Irène Mroz (artist) possible involvement with the Los Angeles 1984 Olympic preparations and working in the United States;
exhibition announcement for "Paris-Rome-Athènes" at Ecole des Beaux-Arts, Paris (1982 May 11-July 18); Wayne's visit to Paris;
Nathan Shapira re contacts at College Art Association (CAA.)
box 19, folder 12
Kaplan, Abe
1954, 1993
Scope and Contents note
Examples of Abraham Kaplan's writings, including: "Referential Meaning in the Arts" (reprinted from The Journal of Aesthetics
and Art Criticism, vol. XII, no. 4, 1954 June); various fables; also includes Kaplan's obituary (Los Angeles Times, 1993 June
22.)
box 19, folder 14
Chuck Kline & Family
1982, 1987, 1988, 1993, 1994
Scope and Contents note
Correspondents include: Chuck [Wayne's mother's youngest brother] and Julie Klein re their new home in Polson, MO and Chuck's
knee operation; Rick Klein re publishing of his art work; also includes copy of Missoulian newspaper article re Rick Klein
and snowy owls; Francine Klugsman re Wayne's exhibition of "The Dorothy Series" at UCLA.
box 20, folder 3
Barrett, Catherine
1982, 1985
Scope and Contents note
Re taking architecture licensing examinations, invitation to wedding of Catherine Barrett and Robert Younger, and establishment
of Barrett Gleason & Associates architectural office; also includes two issues of "Arcade: The Northwest Calendar for Architecture
and Design" (Vol. IV, No. 1, 1984 April/May; Vol. IV, No. 2, 1984 June/July.
box 20, folder 8
Broadd, Dr. Harry
1954, 1959, 1964, 1968, 1976, 1980, 1982-1984
Scope and Contents note
Correspondents include: Harry A. Broadd (Professor of Art History, Northeastern Illinois University) re his manuscript, "Art
of Lithography in America"; acquiring slides from check list of lithographers; article on Wayne for Our Art Heritage publication
by Arts & Activities; death of Harry Broadd (1983 October 3.)
box 20, folder 15
Bushmiller, Edgar Allen
1982
Scope and Contents note
Includes examples from Bushmiller's copy art and mail art projects.
box 21, folder 7
City of Los Angeles Board of Public Works
1985, 1988
Scope and Contents note
Correspondents include: Bee Canterbury Lavery (Chief of Protocol, Office of the Mayor [Tom Bradley] of Los Angeles) re Wayne's
attendance at ceremony honoring Marcia Wilson Hobbs (President, Greater Los Angeles Zoo Association); Maureen A. Kindel (President,
Board of Public Works) re Wayne's attendance at Watts Towers/Art Center/Community Tour (1985 March 28.)
box 21, folder 8
Avati, Mario
1981-1983, 1985, 1987-1990, 1992-1995
Scope and Contents note
Correspondents include: Mario and Helenn Avanti re Wayne's friend, Rita Morrison, visiting Paris; Wayne's film for "The Dorothy
Series"; Wayne visiting Paris for her exhibition of prints at Galerie des Femmes (1985 April 15); Centre International d'Art
Contemporain; artists taxation laws; Wayne's exhibitions in New York at Newmark Gallery and Associated American Artists (AAA);
death of Louise Nevelson; Wayne's continuing litigation; Pat Gilmore visiting Paris; Wayne's trips to Australia and Japan;
Tamarind Papers with Wayne's article, "Broken Stones and Whooping Cranes"; Wayne visiting Paris; Northridge earthquake (1994
January 17); also includes exhibition announcements for Mario Avanti and catalogue, "Uno Zoo Postale e Altri Animali: Disegni
e Incisioni di Mario Avanti" (1989 December 21-1990 January 21, Comune di Cavriago), single page from Journal of the Print
World (Vol. 12, No. 4, Fall 1989) with article by Dennis Wepman, "Mario Avati", and a brochure for book by Roger Passeron,
"Mario Avati: L'Oeuvre Gravé IV 1968- 1975."
box 21, folder 9
Aylon, Helen
1988, 1989
Scope and Contents note
Re Aylon's "Sand Sounds" performance piece and Wayne's advice re Aylon's lawsuit against Richardson's Fine Arts Handlers,
San Francisco.
box 21, folder 12
Attias, Elaine
1981-1988, 1990, 1991, 1993, 1995, 1996
Scope and Contents note
Postcards and letters re: Attias' trips to Paris, Amsterdam, Seville, London, Budapest, Moscow, Prague; slides of Wayne's
work; Wayne's participation in Picasso play, "Catch Desire by the Tail" at the Guggenheim Museum (1984 October 25, 26); meeting
Attias' daughter, Jane; death of Attias' father, Edward D. Mitchell; Wayne's friend, Kyoko "Michi" Michishita visiting London;
censorship in the arts; Wayne's catalogue and exhibition at Neuberger Museum of Art (State University of New York, Purchase,
NY); also includes photocopies of Attias articles on British arts budget cuts, Prime Minister Thatcher and feminism, and collection
of quotations and newspaper articles by Attias: "Les Arts Are Reblooming in France" (Los Angeles Times Calendar section, 1982
February 7); "Reagan-Gandi: Worlds in collision" (Los Angeles Herald Examiner, 1982 July 25.)
box 23, folder 9
Firestone, Joan
1979, 1981, 1982, 1984, 1985
Scope and Contents note
Re Wayne participating in Print Expo in Boston (1979) and visiting New York; article on Firestone (President, Primary Design
Galleries, New York) and engravings after American Bank Note stocks and bonds; Wayne's exhibition at Jewish Museum; Wayne
being represented by Armstrong Gallery, New York; Firestone's trip to Italy; Wayne's upcoming exhibition in New York (1984);
Firestone's production career.
box 23, folder 21
TW Miscellaneous: Twinrocker Paper Company
1973
Scope and Contents note
Contains 1973 holiday card from Kathryn and Howard Clark (Twinrocker Handmade Paper.)
box 24, folder 2
Japanese Maps
no date
Scope and Contents note
Includes maps of Hiroshima, Japan, and Sydney, Australia. Also includes travel information for visiting Japan, and the Hara
Museum of Contemporary Art.
box 105, folder 13
WOL Miscellaneous
1974 Oct
Scope and Contents note
Architectural blueprints for "Wolf Point Project" [Wolf Point, MT] hotel lobby and atrium & skylight (1974 October 14), executed
by architectural firm of Skidmore, Owings and Merrill of Chicago.
box 106, folder 13
Kanemitsu, Mike
1988 Dec
Scope and Contents note
Issue of Tozai Times given by Mike to June with article by Nancy Uyemura about Matsumi "Mike" Kanemitsu, "Portrait of an Artist"
(Vol. 5, Issue 51, 1988 December.)
box 107, folder 6
Lowry, MacNeil Estate Correspondence 1964-1993
1973 Dec 5, 1964 Apr 30
Scope and Contents note
Newspaper clipping with article about W. McNeil Lowry by Grace Glueck, "First Private Foundation To Aid the Arts Is Set Up"
(New York Times, December 5, 1973); photocopy of article by Jennifer Dunning, "A Blunt Architect of Ballet's Success: W. McNeil
Lowry crusades against the results of his own achievements" (New York Times, 1988 November 21); typed descriptive notes about
Lowry, with handwritten note to "Mac" from Wayne.
box 159, folder 13
Benjamin, Harold
1987-2005
box 161, folder 11
Goldman, Connie
1982-2003
box 162, folder 1
Goodson, Marvin and Goodnik, Jim
2009
box 162, folder 5
Haag, Jan 1981-1989
1978-1989
box 163, folder 8
Jordan, Mary and Johnston, Ynez
1982-2004
box 167, folder 1, folder 2
box 163, folder 12
Koenenn, Connie
1983-1987
box 165, folder 8
Macarthur Foundation
1987
box 165, folder 9
Masurofsky, Gregory
1983-2009
box 165, folder 10
McGuinness, Karen and MacFadden-Miller
1985-1998
box 166, folder 2
Peterson, Susan
1986-2009
box 167, folder 3
Roncey, Albert and Yvette
1981-2001
box 218, folder 2
Abrahamson, Joan
1987-2002
box 218, folder 11
Diamonstein, Barbaralee
1981-2008
box 218, folder 13
Goldberg, Mildred and Murph
1982-2005
box 218, folder 15
Guillemin, Roger
2004-2005
box 218, folder 18
Harris, Paul and Sutherland, Anne
1983-2004
box 218, folder 22
Hirsch, Gilah Yelin
2005-2009
box 218, folder 23
Hirsch, Gilah Yelin
2008-2011
box 219, folder 1
Hirsch, Gilah Yelin
1981-1996
box 219, folder 2
Hirschberg, Emelyne
1983-2005
box 219, folder 3
Holleb, Marshall
1996-2011
box 219, folder 4
Hollywood Forever
2004-2005
box 219, folder 7
June Wayne Birthday Celebration
2008
box 219, folder 8
Kerslake, Kenneth
2006-2008
box 219, folder 13
L'Heureux, J.J.
2004-2011
box 219, folder 14
Lozingot, Serge and Liliane
1993-2009
box 220, folder 1
Lozingot, Serge and Liliane
2009-2011
box 220, folder 6
Nagamatsu, Ernest T.
1981-1989
box 220, folder 10
Puniello, Francoise
2000-2003
box 220, folder 11
Reagan, Gertrude Myrrh
1982-1983
box 220, folder 12
Real, Dorothy and Jim
1991-2009
box 220, folder 15
Rosenbaum, Sandy
2009-2011
box 220, folder 16
Rosenthal, Ernest
1999-2010
box 220, folder 17
Roth-Davies, Mary
2007-2010
box 220, folder 19
Saad-Cook, Janet T.
1988-2003
box 220, folder 21
Seaquist, Carolyn and Larry
1982-1989
box 220, folder 22
Seaquist, Carolyn and Larry
1991-2000
box 220, folder 23
Seaquist, Carolyn and Larry
2003-2009
box 221, folder 1
Seaquist, Carolyn and Larry
2010-2011
box 221, folder 2
Secunda, Arthur
1975-2008
box 221, folder 5
Shapiro, Miriam
1981-2006
box 221, folder 6
Shaw, Joyce Cutler (1 of 3)
1979-1989
box 221, folder 7
Shaw, Joyce Cutler (2 of 3)
1988-2011
box 221, folder 8
Shaw, Joyce Cutler (3 of 3)
1988-2011
box 221, folder 12
Stinsmuehlen: Amend, Susan and Richard
1991-2004
box 222, folder 1
Zelinsky, Wilbur
1955-1999
Subseries 10: Press
1943-1997
Scope and Contents note
This subseries includes correspondence and clippings regarding exhibitions, Wayne's opinions on artists' roles and the creative
process, and the Tamarind Workshop and Institute. Topics also include the theft of Wayne's "Lemmings Day" tapestry from the
lobby of UCLA's Institute of Molecular Biology, the opening of Wayne's "The Dorothy Series" in New York, KCET's airing of
Wayne's PBS television show, and Wayne's College Art Association (CAA) convocation speech (1990).
Processing Information
Includes materials from the July 2012 addition.
box 1, folder 1
New Art Examiner. Washington D.C.
1990
Scope and Contents note
Derek Guthrie (publisher) re struggle for success of magazine and finding appropriate niche among arts publications.
box 1, folder 2
American Artist, New York
1985-1986
Scope and Contents note
Robin Longman (senior editor) re Tamarind article; Mary Carroll Nelson (artist, author) re questionnaire for 50th anniversary
article on selected artists from the magazine's archives.
box 1, folder 3
Art Papers. Atlanta
1982
Scope and Contents note
Laura Lieberman (editor) re use of photos of Wayne's "The Dorothy Series" for article, as well as "Next of Skin," "Visa,"
and "Stella Winds" series.
box 1, folder 4
American Artist, New York
1973-1979
Scope and Contents note
Susan E. Meyer (Editor) re: "Women in Art: A Progress Report" article (1972 December); Wayne's College Art Association (CAA)
presentation of "The Male Artist as Stereotypical Female"; Wayne's proposed amendments to the Museum Services Act; theft of
Wayne's "Lemmings Day" tapestry from lobby of UCLA's Institute of Molecular Biology; copy of "June Wayne: 'The Dorothy Series'"
by Susan Stowens with Wayne's suggested edits. Other correspondents are: Diane Cochran; Ruth Fitzgibbons (with eleven 4 x
5 in. photos by Julius Shulman); and Sandra Kane. Included is American Artist issue (1973 April) and tear sheets from Interiors
(1978 October), American Arts & Antiques (1979 January/February), Antiques World (1978 December), and Residential Interiors
(1978 September/October.)
box 1, folder 5
American Art Review/Albuquerque Journal/Arts Canada/ArtForum/Art in America
1973-1978, 1983-1984, 1988
Scope and Contents note
American Art Review (Clinton Adams, director; Victoria Kogan, editor) re Wayne photograph for article on lithography in Los
Angeles from 1933-1960; Albuquerque Journal (Joseph Traugott) re review of Wayne exhibition in Albuquerque (1983); artscanada
(Anne Brodzky, editor) re Wayne visit to Toronto; ArtForum (Max Kozloff; Joseph Masheck, editor; Amy Baker Sandback, executive
publisher) re: Wayne response to Carol Duncan article, "Greatness is a Box of Wheaties"; print disclosure laws with 1975 article
on the subject by Wayne for American Artist; theft of Wayne's "Lemmings Day" tapestry from lobby of UCLA's Institute of Molecular
Biology; Art in America (Elizabeth Baker) re Tax Reform Act section 263A and Uniform Capitalization Rules, and theft of "Lemmings
Day" tapestry; Baker to Armstrong Gallery, NY (Phillip Bloom) re transparencies of Wayne exhibition pieces.
box 1, folder 6
ARTnews. New York
1952, 1973-1983, 1986-1988, 1990
Scope and Contents note
ARTnews (Thomas B. Hess) re Wayne's visit (1952) to New York and Chicago; majority of correspondence is with Milton Esterow
(editor) re: June Harwood article; Ford Foundation for the Humanities and Arts and W. McNeil Lowry; promotional ARTnews flyer
and television commercials; print disclosure laws with 1975 article on the subject by Wayne for American Artist; publication
of Wayne's paper, "The Creative Process: Artists, Carpenters, and the Flat Earth Society"; ARTnewsletter with summary of first
World Art Market Conference; Wayne's response to Judith Goldman article, "The Master of Bedford" and Kenneth Tyler; California
Confederation of the Arts Congress; John Brademas and White House Conference on the Arts hearings in Los Angeles (1978 Jan
3); theft of Wayne's "Lemmings Day" tapestry from lobby of UCLA's Institute of Molecular Biology; California Proposition 13;
ARTnews questionnaire; Wayne exhibitions at Montgomery Gallery (Pomona College, Claremont, CA), and Arizona State University
(Tempe, AZ); opening of "The Dorothy Series" at the Jewish Museum, New York (1981 Jan 19) and UCLA's Frederick Wight Art Gallery;
Great American Maxims project; insurance lawsuits. Other correspondence includes Peter Plone (Wayne's agent) to/from Milton
Esterow; Charlotte Gilbertson; Sylvia Hochfield re Projansky agreement; Kay Larson (associate editor); Barbaralee Diamonstein
re list of photographs of works from Wayne's collection for inclusion in 75th Anniversary volume of ARTnews; Malcolm Carter
re National Endowment for the Arts and Nancy Hanks (chair of NEA, 1969-1977); Garo Z. Antreasian re Goldman article; Carol
Saper (advertising director) re ad rates; Susan Larsen re review; Harriet Lebish (conference manager) re Wayne's participation
in the 1983 World Art Market Conference.
box 1, folder 7
Birmingham News, Chrysalis, Clipper Magazine, Currant Magazine
1975-1976, 1978, 1983
Scope and Contents note
Birmingham News, Alabama (Laura Milner) re tear sheet for "The Dorothy Series"; Chrysalis: A Magazine of Women's Culture,
Los Angeles (Georgianne Cowan, Arlene Raven, Ruth Iskin, Shani Malin Ginsburg) re Chrysalis Postcards and Calendar project;
Clipper, Los Angeles (Barbara Dorr) re cover and article; Current Magazine, San Francisco (Susan Stowens, Kathryn Smith, and
Joseph Chowning II) re article about Wayne and Bruce Conner article.
box 1, folder 8
Craft Horizons
1973-1974, 1976
Scope and Contents note
Craft Horizons of the American Crafts Council, New York (Rose Slivka) to Brian O'Doherty (director, Visual Arts Program, NEA,
Washington D.C.) re Susan Peterson (Hunter College's art department) organizing a ceramics workshop for painters and sculptors
based on Tamarind format; Bernard Kester's review of Wayne exhibition at Los Angeles Municipal Art Gallery, Barnsdall Park;
Wayne article on Metropolitan Museum of Art exhibition, "Masterpieces of Tapestry from the Fourteenth to the Sixteenth Century"
(1974); Patricia Dandignac re Wayne biographical information for contributors column; U.S. Copyright Office, Library of Congress
(Bernard C. Dietz, Head, Arts Section) re registration of article in periodical, with Circulars 10 and 42A enclosed.
box 1, folder 9
Graphic Magazine (Kenneth S. Knapton Jr.); HARPERS Magazine; Impressions (Jules Heller); Info Artitudes
1956-1959, 1975-1976
Scope and Contents note
Impression (Dorothy A. Kaplan, assistant to the editor; Jules Heller, executive editor) re: Wayne's review of the book, "Picasso
for Vollard" (1956); inclusion of Wayne's lithograph (one from the series on the poems of John Donne, 1957) in Impression
magazine's permanent collection, Graphic Arts Publications, Inc.; article by Pierre Courthion on Wayne's book, "Songs and
Sonets of John Donne" (1959); Graphics Magazine/Graphics Society (Kenneth S. Knapton, Jr.) re article about Tamarind (1975);
Harper's Magazine (Lewis H. Lapham) re Wayne's article, "The Creative Process: Artists, Carpenters and the Flat Earth Society";
tear sheet from info arTitudes (1976.)
box 1, folder 10
La Mamelle (Loeffler), Ladies Home Journal (John Carter, Lenore Hershey), Life Magazine (Kate Ganz)
1968-1969
Scope and Contents note
Ladies' Home Journal (John Mack Carter, editor/publisher; Lenore Hershey) re: event in New York; Life Magazine (Kate Ganz)
re Tamarind fact sheets and innovations in lithography; facts sheets on three lithographs, "Dorothy the Last Day," Tenth Memory,"
and "At Last a Thousand III."
box 1, folder 11
New York Magazine (Abner & Belle Sideman)
1970-1972
Scope and Contents note
New York Magazine (Belle and Abner Sideman) re: subscription; Wayne book and New York exhibition; Wayne television series.
box 1, folder 12
New York Magazine (Barbara Rose)
1972
Scope and Contents note
New York Magazine (Barbara Rose) re article on prints; tear sheets from New York Magazine with articles by Barbara Rose (1972);
Vogue article by Barbara Rose, "American Great: Lee Krasner" (1972 June.)
box 1, folder 13
New Yorker Magazine -- advertising rates
1982-1983, 1997
Scope and Contents note
New Yorker Magazine (Calvin Tompkins) re his articles on Tatanya Grossman and Andy Warhol; issue of New Yorker (Aug. 9, 1982.)
box 1, folder 14
New West (Lesley Wenger)
1976 Oct 11
Scope and Contents note
Tear sheet from New West with article by Lesley Wenger, "California Visions" (p.134-142), re the exhibition, "Painting and
Sculpture in California: The Modern Era" at the San Francisco Museum of Modern Art (SFMOMA.)
box 1, folder 15
Southwestern Art. Austin, TX.
1977-1978
Scope and Contents note
Southwestern Art (Craig Cornelius, publisher) re photographs and article on Tamarind.
box 1, folder 16
Sourcebook (Rex Goode)
1973-1974
Scope and Contents note
Sourcebook (Richard A. Sherwood, executive director; Doretta Zemp, managing editor; Rex R. Goode, editor) re advertising rates
and June Harwood's article on Wayne's tapestries.
box 1, folder 17
Vogue Paris
1984
Scope and Contents note
Vogue Paris (Jocelyn Kargère, art director; Dominique Nabokov) re Wayne's inclusion in Vogue article on leaders of Los Angeles
intellectual, scientific and artistic life, and appointment for Wayne to be photographed by George Hurell.
box 1, folder 18
Anchorage Daily News (Molly B. Jones)
1973
Scope and Contents note
Anchorage Daily News (Molly B. Jones) articles from "Musings" column re Wayne's visit to Anchorage (1973 June) as consultant
for Ford Foundation and proposal for Anchorage's Experimental Arts and Crafts Center; excerpts from Wayne's unpublished paper
on perceptions and roles of artists.
box 1, folder 19
Arizona Republic. Phoenix, AZ.
1977, 1982
Scope and Contents note
Arizona Republic (Dan McGowan, reporter; Frederic S. Marquardt, senior editor) re magazine's editorials; Wayne papers re creative
process.
box 1, folder 20
Art Journal (Henry R. Hope)
1972-1973
Scope and Contents note
Art Journal (Henry R. Hope) re publishing of Wayne's article, "The Male Artist as Stereotypical Female."
box 1, folder 21
Associated Press. Cleveland (Bob L. Shaffer)
1975-1976
Scope and Contents note
Article by Robert L. Shaffer (Associated Press, Cleveland) on women achieving equality in the arts; Shaffer's interview with
Wayne.
box 1, folder 22
Birmingham Post Herald. Alabama (Sonya Henderson)
1982
Scope and Contents note
Birmingham Post Herald (Sonya Henderson), Wayne thanks her for article.
box 1, folder 23
California Magazine (Alan Price)
1982
Scope and Contents note
California Magazine (Alan Price) re Wayne's recommendation of art critic, upcoming opening of "The Dorothy Series" in New
York and UCLA's Frederick Wight Gallery, and KCET's airing of Wayne's PBS show based on the series.
box 1, folder 24
Capitol Times. Wisconsin (Ann Beckman)
1975
Scope and Contents note
Capitol Times (Ann Beckman) re article on Wayne's paper presented at the Wisconsin Women in the Arts conference.
box 1, folder 25
Chicago Daily News (Franz Schulze)
1975
Scope and Contents note
Chicago Daily News (Franz Schulze) re Panorama magazine article on Wayne and her exhibition at Artemisia, Chicago.
box 1, folder 26
Chicago Tribune (Tom Willis/Alan G. Arter)
1970, 1975
Scope and Contents note
Chicago Tribune (Alan G. Artner and Tom Willis, art and music critics) re Artner article on Wayne and her exhibition of prints
and tapestries at Artemisia, Chicago; Willis taped discussion with Wayne on general arts predicament..
box 1, folder 27
Chicago Sunday Times (Harold Haydon) (Showcase section)
1972-1973
Scope and Contents note
Chicago Sunday Times (Harold Haydon) article, "Protection for print collectors" (1972 July 9.)
box 2, folder 1
Christian Science Monitor (Diane Loercher) (New York) Wolff
1969, 1984-1986, 1988
Scope and Contents note
Christian Science Monitor (Kimmis Hendrick) re address for Mr. and Mrs. Erduran; (Theodore F. Wolff, art critic) re article
about Whitney Museum of American Art print collection; Wayne's upcoming show of paintings at Armstrong Gallery, New York (1984);
Clinton Adams and conference on print making at Tamarind Institute, Albuquerque; upcoming exhibitions of "Palomar" series
in Paris and New York (1985); Wayne's speaking on panel with Richard Fenyman, Al Hibbs, and Tom Van Sant at Westweek conference
on Art, Space and Technology at Pacific Design Center; description of Van Sant's "Eyes on Earth from Space" project (1986);
Sig Koch, Boston University, and taping Wayne interview for the Aesthetic Research Archive; Wayne and Internal Revenue Service
(IRS) difficulties; Louise Nevelson obituary; Wayne's participation in an Otto Piene "Skywork" project; Wolff's review of
Arianna Stassinopoulos Huffington's book, "Picasso: Creator and Destroyer" (1988); Wayne's proposal for Guggenheim fellowship;
Wayne's key note speaking engagement at the Melbourne Print Council's International Print Symposium, Australia, and exhibition
at Macquarie Gallery, Sydney (1988.)
box 2, folder 2
Cincinnati Inquirer (Owen Findsen)
1972-1973
Scope and Contents note
Cincinnati Enquirer (Owen Findsen, art critic) re review of study on one-year period of media coverage of visual arts (Wayne,
Betty Fiske and Rosalie Braeutigam involved.)
box 2, folder 3
Los Angeles Free Press (Clark Polak)
1974-1975
Scope and Contents note
Articles by Clark Polak re Los Angeles County Museum of Art (LACMA) situations involving Maurice Tuchman (Senior Curator of
Modern Art), resignations by Ruth Bowman (curator) and Donnelson F. Hoopes (Senior Curator of American Art); re taped interview
of Wayne; letter from Polak to Los Angeles County Board Supervisor Edmund D. Edelman re LACMA operating structure complying
with Brown Act requirements; letter from Judy Booth to LACMA requesting copies of Tamarind correspondence; Polak article on
arts funding policies of California Governor Edmund G. "Jerry" Brown.
box 222, folder 4
Los Angeles Herald Examiner (Betje Howell)
1969-1974
box 2, folder 4
Fresno Bee (David Hale/Betty Tambling)
1988, no date
Scope and Contents note
Fresno Bee (David Hale, arts writer) thanking him for article; Bette Tambling note re conversation, "Selected Press Reaction"
and Wayne debate with George Seldes.
box 2, folder 5
UPI (Fred Winship)
ca. 1972
Scope and Contents note
New York UPI (Frederick M. Winship) World Horizons, Home, Leisure and the Arts article, "Women Artists Aren't Scarce--The
System Keeps Them Underground" (1972 April 30); list of Tamarind UPI clippings (by Joan Sweeney, 1965 January.)
box 2, folder 6
Oakland Tribune (Mirriam Dungan Cross)
1956, 1989
Scope and Contents note
Oakland Tribune (Miriam Dungan Cross (art editor) re review of Wayne's work; MacQuarie Galleries, Australia, 1989 price list
of Wayne lithographs and tapestries.
box 2, folder 7
Washington Post (Paul Richards)
ca. 1972
Scope and Contents note
Washington Post (Paul Richards) handwritten note with statistical figures regarding percentages of male and female guest artists,
resident artists, guest & contract, curators, and printers at Tamarind.
box 2, folder 8
San Francisco Examiner (Eloise Dungan)
1974
Scope and Contents note
San Francisco Examiner (Eloise Dungan) re story on Wayne entitled, "To the Artist: Lead Don't Follow."
box 2, folder 9
Gaby Rodgers/Judy Chicago
1977
Scope and Contents note
Gaby Rodgers (independent journalist) to Judy Chicago re her "The Dinner Party" project; Wayne to Judy Chicago about Gaby
Rodgers' letter.
box 2, folder 10
Santa Monica Outlook (Judy Owyang) & Tony Frank
ca. 1980
Scope and Contents note
Postcard "Cattle Punching on a Jack Rabbit" from Judy Owyang (Santa Monica Outlook) re her relocating to Sacramento; handwritten
note re sending Tony Frank (Santa Monica Outlook) Basket Book and Claremont Catalogue (on reverse is discarded Wayne letter
to Mr. Conaway about legal matters.)
box 2, folder 11
Village Voice (John Perrault)
1973, 1982
Scope and Contents note
Village Voice article (January 25, 1973) by John Perreault entitled "Winning a place in the show" about New York Cultural
Center exhibition, "Women Choose Women", curated by organization of women artists, Women in the Arts (WIA); letter to Perrault
re opening of Wayne's "The Dorothy Series" at the Jewish Museum and the series' description in Eleanor Munro's "Originals:
American Women Artists."
box 2, folder 12
New York Post (Fern Marja Eckman)
1973
Scope and Contents note
New York Post (Fern Marja Eckman) re slides of Wayne's work; Metropolitan Museum of Art's deaccession policy; Museum of Modern
Art's "Art Investment Advisory" business.
box 2, folder 13
New York Times
1970, 1972
Scope and Contents note
New York Times (John Canaday) re museums deacquisition policies; letter from John Sadler (Pasadena Art Alliance, chairman,
and Petty Phelps, benefit sale chairman) to [Nathan] Oliveira re sale of artists' works by Pasadena Art Museum, March 1970;
Clinton Adams and Wayne to editor of New York Times re Hilton Kramer review of Brooklyn Museum print exhibition.
box 2, folder 14
New York Daily News (Kay Gardella)
1978
Scope and Contents note
New York Daily News (Kay Gardella) re story on Wayne series.
box 2, folder 15
University of California Press (Robert Zachary)
1980
Scope and Contents note
University of California Press (Robert Y. Zachary) re Wayne contribution to Ben Maddow's book on photographer Max Yavno.
box 2, folder 16
Napa Register (Bernice Dunn)
1973
Scope and Contents note
Napa Register (Bernice Dunn) re article on Wayne's upcoming exhibition at the Art Galleries of the City of Los Angeles; Wayne
sent Dunn a copy of "Sex Differentials."
box 2, folder 17
New Art Examiner (Chicago) (Pleszak, Devonna)
1975
Scope and Contents note
New Art Examiner (Devonna Pleszak) re review entitled "June Wayne: Demystifying the Art Scene" about Wayne's exhibition and
seminar at Artemisia Gallery, Chicago.
box 2, folder 18
New York Times (Book Review Section)
1979
Scope and Contents note
New York Times Book Review (Julia B. Bachelder) re error in caption of Wayne lithograph image and later correction statement.
box 2, folder 19
Wall Street Journal/New York Times
1969, 1972
Scope and Contents note
Wall Street Journal and later New York Times (John O'Connor) re article on Tamarind and upcoming exhibition at Ford Foundation
Building, New York; story on tax bill and foundations, and establishing Tamarind Institute at University of New Mexico; review
of Wayne's television series.
box 2, folder 20
New York Times (John Hess, Ann Barry, John Russell)
1980, 1983
Scope and Contents note
New York Times (Ann Barry) re materials sent for article on print exhibition at Museum of Modern Art (MoMA), New York; re
John Russell article "U.S. Women's Art is Good Art" for International Herald Tribune (1983 September 3-4), and two of Wayne's
papers, "The Male Artist as Stereotypical Female" and "The Creative Process."
box 2, folder 21
The Oregonian (Beth Fagan)
1962
Scope and Contents note
The Oregonian (Beth Fagan) re article on Wayne exhibition and request for tear sheets.
box 2, folder 22
Point to Point (Gallery One, San Jose State University, Mike Crane & Steven Moore)
1980
Scope and Contents note
Point-To-Point (Mike Crane and Steven Moore, Gallery One, San Jose State University) re two Ken Friedman articles, "Wordworks"
and "California."
box 2, folder 23
The Milwaukee Journal (Barbara Abel)
1972-1973, 1976
Scope and Contents note
Milwaukee Journal (Barbara Abel) re story on Wayne; upcoming Wayne exhibition in Europe; (James Auer, art editor) re papers
written by Wayne.
box 2, folder 24
The Hartford Times (Florence Berkman)
1974
Scope and Contents note
Hartford Times (Florence Berkman, art critic) re selection of materials sent for article on Wayne.
box 2, folder 25
The Herald (Chicago, Ill.) (John Forwalter)
1975
Scope and Contents note
Hyde Park Herald (John Forwalter) re review of Wayne exhibition at Artemesia Gallery, Chicago.
box 2, folder 26
Los Angeles Herald Examiner (Camilla Snyder, Christopher Knight )
1984-1985
Scope and Contents note
Los Angeles Herald Examiner (Christopher Knight ) re Wayne sending slides of selected works from upcoming exhibition at Armstrong
Gallery, New York (1984 October 17); Knight article on Tamarind exhibition; Wayne expresses dissatisfaction on the selection
and installation of works in the exhibition; (Mary Ann Dolan and Gwen Jones) re coverage of exhibition by Knight and Gwen
Jones.
box 2, folder 27
New York Times (Grace Glueck)
1969, 1973-1974, 1976, 1978-1979, 1984-1985
Scope and Contents note
New York Times (Grace Glueck) re: review of exhibition "Tamarind: Homage to Lithography" at the Museum of Modern Art (MoMA)
(1969); New York Times Book Review of Lewis Carroll's "Alice's Adventures in Wonderland" illustrated by Salvador Dali; Grace
Glueck's segment in Wayne's television series; Business Committee for the Arts, Inc. (BCA) and photocopies of correspondence
between Lloyd E. Rigler, Frederick Gash, Emily Gash, and Frank Stanton (chairman, BCA); Los Angeles County Museum of Art (LACMA)
auction of 11 deaccessioned 19th-century paintings (1973); Wayne visit to Harvard art department; formation of Art Advisory
Service by Museum of Modern Art (MoMA), New York; Wayne request for review of her film, "Four Stones for Kanemitsu" for use
in Tamarind brochure; "print disclosure" laws of California, Illinois and New York; Bar Association amendments; Wayne description
of her mother and "The Dorothy Series"; Glueck article, "The Art World Turns to Original prints as Tax Shelters" (New York
Times, Sunday, 1978 February 5); theft of Wayne's tapestry, "Lemmings Day" from lobby of UCLA's Institute of Molecular Biology;
California Proposition 13; error in Wayne reference in Hirschorn book; Wayne attendance at the World Print Exposition in Boston
(1979); Wayne exhibition of new paintings at Armstrong Gallery, New York (1984) and Wayne appearance in Picasso play, "Catch
Desire by the Tail" ["Desire Caught by the Tail"] with Jeanne Moreau, Jack Youngerman, Marisol Escobar, David Hockney, and
Louise Nevelson performed at Guggenheim Museum.
box 2, folder 28
Los Angeles Times (Norman Chandler)
1969, 1952-1953, 1970
Scope and Contents note
Los Angeles Times (Norman Chandler, publisher) re Wayne receiving Los Angeles Times "Woman of the Year" award for 1952; article
on Wayne's award by Fay [no last name]; letter to editor in Art Digest by Arthur [no last name]; invitation to Los Angeles
Times "Women of the Year 1969 Awards for Outstanding Achievement"; invitation to Otis Chandler dinner honoring Mr. and Mrs.
Paolo Soleri (1970.)
box 2, folder 29
Los Angeles Times (Christy Fox, Christopher Knight, Suzanne Muchnic)
1970, 1974, 1990
Scope and Contents note
Los Angeles Times (Christy Fox, Suzanne Muchnic, and Christopher Knight) re article about Madeleine Jarry and Wayne exhibition
in Los Angeles (1970); Artists & Lawyers Ball; Wayne's College Art Association (CAA) speech and mention of letter forwarded
from Ronald B. Kitaj's mother (1990.)
box 2, folder 30
Los Angeles Times (Judith Michaelson)
1988
Scope and Contents note
Los Angeles Times (Judith Michaelson) re article on tax relief for artists and writers ["Arts Agencies Urged to Ask New Questions",
Los Angeles Times, 1988 November 19.]
box 2, folder 31
Birmingham News (James Nelson)
1982-1983
Scope and Contents note
Birmingham News (James R. Nelson, visual arts critic) re article on Wayne's "The Dorothy Series."
box 2, folder 32
San Diego Union Tribune (Andrea Hoffman)
1981
Scope and Contents note
San Diego Union Tribune (Andrea Hoffman) re Wayne's open studio on Monday evenings, 1981 October 5, 12.
box 2, folder 33
San Francisco Magazine
1974
Scope and Contents note
San Francisco Magazine (Jerome Tarshis) re letter from David Wallace & Co., Inc, Public Relations (Peter Di Leo) suggesting
an interview with Wayne for San Francisco Magazine; Tarshis letter to De Leo, declining the suggestion.
box 2, folder 34
Time Magazine (Alexander Eliot, Peter Steffens and Barbara Wilkins)
1959, no date
Scope and Contents note
Time Magazine (Peter Steffens and Alexander Eliot) re articles on Wayne and description of Livre Deluxe; Christmas card from
Barbara Wilkins.
box 2, folder 35
Fan Mail General
1973
Scope and Contents note
Nancy Heraty re appreciation for Wayne's visit to Denver (21 January 1973); Muriel Nezhnie Helfman re possibly meeting in
Washington D.C. and Wayne's Craft Horizon article on narrative tapestry.
box 2, folder 36
Vogue (Eleanore Phillips)
1970-1971
Scope and Contents note
Vogue (Diana Vreeland, Eleanor Phillips, Maurice [last name unknown], and Dale McConathy) re article, "People Are Talking
About."
box 2, folder 37
Art Today/Artweek
1971, 1986, 1996, broken series
Scope and Contents note
Art Today (Patricia Black Bailey, editor) re copy of premiere edition of Art Today (1986 March) and request for including
excerpt from Wayne's speech given at Hofstra Museum, Hofstra University Conference on The Avant-garde in Literature and Art
(1985 November), Long Island; Artweek (Cecile N. McCann) re article on Wayne; letter and brochure "Women in Art" from Glenn
S. Dumke, Chancellor, California State University and Colleges, Los Angeles; Wayne's exhibition at Van Doren Gallery, San
Francisco (1976), and speaking engagement at the Women's Art Center, sponsored by the Women's Caucus, College Art Association
(CAA); Wayne's joint commentary with Joyce Treiman on the exhibition, "75 Years of California Art" at the San Francisco Museum
of Art (1976); thank you note from Mary Stofflet (contributing editor, Artweek) re Wayne's studio party for Ann Sutherland
Harris and Linda Nochlin; Wayne advertisement for secretary/studio assistant (1977, 1979); request to Melinda Levine for announcement
in "News and Notes" column of "The Dorothy Series" opening at The Jewish Museum, New York and the UCLA Grunwald Center for
the Graphic Arts (1982); thanks for article on Wayne's exhibition, "The Djuna Set: Paintings, Tapestries, Collages," Fresno
Art Museum (1988); Wayne's correction to article by Bruce Nixon, "Footnote to an Era" re distinction between the Tamarind
Lithography Workshop in Los Angeles and Tamarind Institute, University of New Mexico; Patricia Au re Wayne's articles on her
James Ensor series and printmaking; Michael Reed re review of "The Dorothy Series" at the Skirball Museum, Los Angeles.
box 2, folder 38
Fan Mail General
1973, no date
Scope and Contents note
Two fan letters to June Wayne re her visits to Denver (ceramic artist, Nancy Heraty) and Washington D.C. for College Art Association
(CAA) conference (St. Louis artist, Muriel Nezhnie Helfman.)
box 2, folder 39
Ralph Story
1973
Scope and Contents note
Thank you card from Ralph Story.
box 2, folder 40
KTTV (Let's Rap) Sandoval, Alicia co-producer
1973
Scope and Contents note
KTTV (Alicia Sandoval, moderator/co-producer) re Wayne's appearance on "Let's Rap" television show.
box 3, folder 2
KCET (June Wayne TV series) Monologue May Natalie Tabak
1972, no date
Scope and Contents note
Letters and materials re May Natalie Tabak's appearance on Wayne's television series, "June Wayne" on KCET.
box 3, folder 3
KCET (June Wayne TV Series) Monologue (Grace Glueck)
1972, no date
Scope and Contents note
Letters and materials re Grace Glueck's appearance on Wayne's television series, "June Wayne" on KCET; also included are Wayne's
introductions for guests Louise Nevelson, Barbaralee Diamonstein, Ti-Grace Atkinson, May Natalie Tabak, Francois Gilot, and
an artists' group comprised of Louise Nevelson, Ann McCoy, Charles White, and Lorser Feitelson.
box 3, folder 4
KCET (June Wayne TV Series) Louise Nevelson
1972, 1973
Scope and Contents note
Letters and materials re Louise Nevelson's appearance on Wayne's television series, "June Wayne" on KCET.
box 3, folder 5
KCET (June Wayne TV Series) Press Releases & Reviews
1972-1973, no date
Scope and Contents note
KCET News press releases and reviews re Wayne's television series, "June Wayne" on KCET.
box 3, folder 6
KCET (June Wayne TV Series) set up, guest list for party
1971-1972
Scope and Contents note
Guest lists for KCET "June Wayne" television series after-taping party; production and shooting schedules; layouts and 3"
x 4" black and white photographs of show sets (Wayne's studio.)
box 3, folder 7
KCET (June Wayne TV Series) December 5th Party at KCET
1972, no date
Scope and Contents note
Guest lists for KCET "June Wayne" television series launch party (1972 December 5); correspondence from Senator John Brademas
re Wayne's television show; Artists Equity Association of New York Newsletter (1972 October); CTSC Board of Directors roster
(Center For the Transformation of School Culture, a project of Cooperative Artists Institute.)
box 3, folder 8
KCET (June Wayne TV Series) Monologue Ti-Grace Atkinson
1972-1973, no date
Scope and Contents note
Letters and materials re Ti-Grace Atkinson's appearance on Wayne's television series, "June Wayne" on KCET.
box 3, folder 9
KCET (June Wayne TV Series)
1972-1973
Scope and Contents note
Letters and materials re Barbaralee Diamonstein's appearance on Wayne's television series, "June Wayne" on KCET.
box 3, folder 10
KCET (June Wayne TV Series) Francoise Gilot
No date
Scope and Contents note
Materials re Françoise Gilot's appearance on Wayne's television series, "June Wayne" on KCET.
box 3, folder 11
KCET Auction - Gift
1972-1973
Scope and Contents note
Documents re KCET's fund raising event, "Auction '72" and Wayne's donation of her lithograph, "Seventh Wave."
box 3, folder 12
KCET General Correspondence
1970-1973, 1975-1976, no date
Scope and Contents note
Correspondence re Wayne's television series, "June Wayne" on KCET; KCET correspondents include: Keith Berwick; James L. Loper
(President, General Manager); Alan Baker (producer, Cultural Affairs); James R. Berns (Business Affairs Coordinator); Charles
R. Allen (Vice President for Programming); Karle A. Koerbling (Coordinator, Broadcast Operations); and Nancy Salter (producer.)
box 3, folder 13
Newsweek Magazine
1959
Scope and Contents note
Western Union Telegram from June Wayne to Newsweek Magazine re article on American print makers with reproduction of Wayne's
"Adam Waiting" print.
box 3, folder 14
KCET (June Wayne TV Series) Notes and Correspondence
1972-1974, no date
Scope and Contents note
Release schedule, notes and correspondence re Wayne's television series, "June Wayne" on KCET; television series launch party
(1972 December 5); press release re American Registered Architects' award for Los Angeles sculpture entitled "The Triforium"
by Joseph Young; KCET's fund raising event, "Auction '73"; KCET Program Guide, "Gambit" (1973 May.)
box 3, folder 15
West Art (Agatha King)
1975
Scope and Contents note
Note from Agatha King of Westart [West art] magazine re photo for Wayne article.
box 3, folder 16
Westways (Frances Ring)
1970
Scope and Contents note
Note from Frances Ring (staff writer and later editor, Westways Magazine) re photo and work entitled, "Renaissance of Lithography."
box 3, folder 17
Arts Magazine
1969-1973
Scope and Contents note
Arts Magazine (Alvin Demick, Executive Publisher; Rita Simon, writer) re: subscription; reviews of Tamarind exhibition, "Tamarind:
Homage to Lithography" at the Museum of Modern Art (MoMA) (1969) and Wayne show at the FAR Gallery, New York.
box 3, folder 18
Various Art Publications
1978, 1984
Scope and Contents note
Art Papers (Laura Lieberman, editor) re article by Carol Sokol on Wayne's "Dorothy Series"; Art Scene (Bill Lazarow) re use
of Wayne photographs and transparencies for article; Art World Magazine and Art Voices (Beverly A. Hutton; Nancy E. Modlt)
re theft of Wayne's tapestry, "Lemmings Day" from lobby of UCLA's Institute of Molecular Biology.
box 3, folder 19
Idyllwild Town Crier
1963, 1976
Scope and Contents note
Irma E. Desenberg re Art in America article; Idyllwild Town Crier (Pat Walter) re Wayne's request for papers.
box 3, folder 20
The Milwaukee Sentinel (Dorothy Austin)
1972-1973
Scope and Contents note
Milwaukee Sentinel (Dorothy Austin) re column on Wayne's speech and exhibition in Milwaukee.
box 5, folder 10
Seldis, Henry J. (L.A. Times)
1968-1969, 1971-1973, 1976, 1978
Scope and Contents note
Henry J. Seldis (art critic, Los Angeles Times) re Wayne's views of the Los Angeles County Museum of Art (LACMA); Wayne's
summary of Tamarind survey, "Sex Differentials in Art Exhibitions Reviews: A Statistical Survey" (1972); Seldis' book, "Henry
Moore in America"; Chapman Kelley (artist) letter to John Merryman (professor of law, Stanford University) re Dallas Museum
of Fine Arts and O'Hara bequest; statement written by Wayne and Joyce Treiman re exhibition, "75 Years of California Art"
at the San Francisco Museum of Art (1976); Wayne's referral to Leonard Seidenman (director of HIAS [Hebrew Immigrant Aid Society],
Geneva, Switzerland); Anna Seldis re death of ex-husband, Henry Seldis (1978 February 22.)
box 5, folder 14
Frankenstein, Alfred (San Francisco Chronicle)
1956-1958, 1973, 1974,1976
Scope and Contents note
Alfred Frankenstein (art critic, San Francisco Chronicle) re: Wayne's exhibition of paintings, prints and drawings at the
de Young Museum (1956); Wayne's continuing IRS and Tamarind litigation; limiting access to Tamarind archives; Wayne's exhibition
at Los Angeles Municipal Art Gallery; Wayne's KCET television series, "June Wayne"; essay for Wayne's exhibition catalogue,
"June Wayne: An Exhibition of Paintings, Tapestries, Lithographs (Los Angeles Municipal Art Gallery, Barnsdall Park, 1973
November 1-December 2, and La Demeure, Paris, 1974 December 1-31); French weavers working on Wayne tapestries; statement written
by Wayne and Joyce Treiman re exhibition, "75 Years of California Art" at the San Francisco Museum of Art (1976.)
box 9, folder 10
KCET (June Wayne TV Series)
1981
Scope and Contents note
Correspondents include: James Loper (President, General Manager, KCET) re editing sound track of "Art City" video; James Allen
Washburn; Patricia A. Woods (Director of Administration, West Coast, Chappell Music Company, Hollywood, CA), Amiran Har Even
(CBS Records Israel Ltd., Holon, Israel), Milton M. Rosenbloom (Vice President, Jerry Vogel Music Company, Inc., New York),
Silvia J. Blach (United Artists Music), Fred Fisher (Fisher Music Corporation, New York), Arlene Biedenkopf (Administrative
Manager, Business Affairs, United Artists/Liberty Records, Los Angeles, CA), Harold Fine (RCA, New York), Robert Crothers
and Patrick Havey (American Federation of Musicians, New York), Albert Berman (Harry Fox Agency, New York) re music license
agreement for Wayne's slide show of "The Dorothy Series"; Lloyd Rigler re underwriting production of "The Dorothy Series"
television show; video exhibition of "The Dorothy Show" at the Jewish Museum, New York.
box 9, folder 11
KCET (June Wayne TV Series)
1982
Scope and Contents note
Correspondents include: David Crippens (Vice-President/Station Manager, KCET), Bruce Franchini (director, KCET), Price Hicks
(producer, KCET), Lloyd E. Rigler, Jim Washburn, and Brenda Young (attorney, KCET) re music rights and contract agreements
for television show, "June Wayne - The Dorothy Series"; duplication of video tapes of the show.
box 10, folder 9
WGN
1943
Scope and Contents note
Correspondents include: Henry Barbour and Kenneth W. MacGregor (program director, WNG, Chicago) re offer of employment for
Wayne; Kenneth Carpenter (manager, Public Information Division, War Finance Committee of Illinois, United States Treasury)
re WGN Bondwagon show (includes 8x10 inch, black and white photograph of Paratrooper Charles Lankin with actress Constance
Bennett; WGN Bondwagon script for radio broadcast of 1943 November 15, Chicago, (promoted U.S. bond sales), written by June
Claire [Wayne.]
box 11, folder 3
Woman's Art Journal
1980-1981, 1984, 1988-1990
Scope and Contents note
Correspondents include: Elsa Honig Fine (editor and publisher, Woman's Art Journal, Knoxville, TN) re article on Wayne; Ruth
Weisberg's paper on Wayne (draft, 9/15/88); Wayne's College Art Association (CAA) convocation paper (1990); also included
are "Woman's Art Journal" vol. 1, no. 1 (Spring/Summer 1980) and no. 2 (Fall 1980/Winter 1981.)
box 222, folder 5
Women's Art Journal (Elsa Honig)
1998-1999
box 12, folder 7
Ollive, Francois
1972
Scope and Contents note
Correspondents include: François Ollive (Plaisir de france) and Gilles Queant (editor in chief, Plaisir de france) re article
by Madeleine Deschamps on lithography, Tamarind Institute, and Gemini G.E.L.
box 13, folder 8
The World & I
1987, 1988
Scope and Contents note
Correspondents include: Shirley Vlasic (photo researcher) and Cynthia Grenier re use of images of Wayne's art for an article
in the February 1988 issue.
box 13, folder 12
Women Artists News
1979, 1980, 1981, 1982
Scope and Contents note
Correspondents include: Diana Morris re article on Wayne's exhibition in New York; also includes issues of Women Artists News
(vol 5., nos. 2-3, 1979 June-Summer; vol 5, no. 4, 1979 September-October; vol. 5, no. 5, 1979 November; vol. 5, nos. 6-7,
1979 December-1980 January; vol 5, no. 8, 1980 February; vol. 6, nos. 6 and 7, 1980 December-1981 January; vol. 7, no. 1,
1981 April-May.)
box 18, folder 5
American Artist, New York (Business Letter)
1981
Scope and Contents note
Issues of "American Artist Business Letter: For Practicing Artists" (all vol. 8: no. 1, 1981 April; no. 2, 1981 May; no. 4,
1981 September; no. 5, 1981 October; and no. 6, 1981 November.)
box 19, folder 10
Akizuki, Chisato
1990, 1991
Scope and Contents note
Correspondents include: James Goodwin to Chisato Akizuki (Editorial Staff, 21st Century Art Publishing, Inc, Tokyo, Japan)
re including materials about Wayne's work in the magazine, "21st Print"; Pat Gilmore re her article on Wayne for "Print Quarterly"
and catalogue raisonné; also includes issue of "21st Print" (vol. 1, no. 2, 1990 November.)
box 19, folder 11
KCET 1983-1987
1983, 1984, 1985, 1986, 1987
Scope and Contents note
Correspondents include: Hope S. Parker (Director, Program Underwriting) re KCET's rebroadcast of Wayne's "The Dorothy Series";
Donna Campbell (Associate Producer/News) re Wayne's suggestions for "Videolog" series; William H. Kobin (President and CEO)
re KCET publication, "Arts Illustrated"; Teya Ryan re Personal Appearance Release form; Ed Moreno (Vice President, Community
Services) to George B. Douglas (Vice President, Marketing, American Cablesystems, Culver City, CA) re letter from Wayne.
box 21, folder 1
Les Cahiers de L'Estampe Contemporaine
1989, 1993, 1994
Scope and Contents note
Correspondents include: Jörge de Sousa (l'atelier Point & Marge, Créteil) and Devorah Boxer re Wayne contributing to the magazine,
Les Cahiers de l'Estampe Contemporaine.
box 22, folder 7
Hanschumacher, James (T.V. and the Lively Arts)
1972, 1973
Scope and Contents note
Correspondents include: Jim Wood (Producer, "The Lively Arts", Division of Public Broadcasting, University of Southern California)
re Dr. James Hanshumaker (Professor and Chairman, Department of Music Education, USC) and Wayne's being a guest on "The Lively
Arts"; also includes curriculum vitae for Hanshumaker.
box 106, folder 1
Free Press (Clark Polak)
1974, 1975, no date
Scope and Contents note
Newspaper sheets and clippings of articles by Clark Polak from The Los Angeles Free Press.
box 106, folder 2
Press Comments on Lawyers
1974, 1975
Scope and Contents note
Newspaper sheets and clippings of articles: "Suit asks restriction on lawyer candidate (San Diego Evening Tribune, 1974 August
21); Bayless Manning, "Just Why Are Lawyers So Unpopular?" (Los Angeles Times, 1974 September 1); Gene Blake, "Rules Governing
Lawyers Revised" (Los Angeles Times, 1975 January 13); Warren Weaver Jr., "Burger Plan to Bar Incompetent Lawyers Found to
Gain Support" (New York Times, 1975 March 11.)
box 106, folder 3
New York Times
1983
Scope and Contents note
Newspaper clipping with article by John Russell, "U.S. Women's Art Is Good Art" (International Herald Tribune, 1983 September
3-4) inscribed with note from Elaine Attias.
box 106, folder 4
Sunday Star (Benjamin Forgey)
1972 Apr 9
Scope and Contents note
Newspaper sheet with advertisement for Wayne's exhibition at Washington Hilton Hotel (The Sunday Star, 1972 April 9) and article
by Benjamin Forgey, "The Corcoran: A Basic Issue Remains Unresolved."
box 106, folder 5
Point to Point
1980 Jan
Scope and Contents note
Issue of Wordworks (Vol. III, No. 1, January 1980), visual arts periodical.
box 106, folder 6
The Milwaukee Journal
1972 Oct 24
Scope and Contents note
Newspaper clipping with article about Wayne by Barbara Abel, "She Speaks Up for 'Artists' Lib'" (The Milwaukee Journal, 1972
October 24.)
box 106, folder 7
Art/World (New York)
1982
Scope and Contents note
Issue of Art/World (Vol. 6, No. 5, 1982 January/February.)
box 106, folder 8
San Diego Union Tribune (Andrea Hoffman)
1981 Nov 15
Scope and Contents note
Newspaper sheet with article by William Wilson, "San Diego Museum--From Malaise to Growing Pains" (Los Angeles Times Calendar
section, 1981 November 15.)
box 106, folder 9
KCET (June Wayne TV Series)
1972 Dec 22
Scope and Contents note
Newspaper sheet with article by John Carmody, "Public Broadcasting Network Attacked" (Los Angeles Times, 1972 December 22.)
box 106, folder 10
KCET (June Wayne TV Series)
1972 May 4
Scope and Contents note
Newspaper sheets with article by Blair Sabol, "The open secret life of Barbaralee Diamonstein" (The Village Voice, 1972 May
4.)
box 106, folder 11
The Milwaukee Sentinel (Dorothy Austin)
1972 Oct 24
Scope and Contents note
Newspaper sheet with article by Dorothy Austin, "She Draws Bead on Art World" (Milwaukee Sentinel, 1972 October 24) about
Wayne speaking at "Women in the Arts" conference at the University of Wisconsin.
box 107, folder 1
KCET (June Wayne TV Series)
1972 Dec 10
Scope and Contents note
Photocopies of article about Wayne by Helene Winer, "June Wayne: Far Cry From Girl Talk" (Los Angeles Times, 1972 December
10.)
box 107, folder 2
KCET (June Wayne TV Series) Monologue-Ti-Grace Atkinson
No date
Scope and Contents note
Biographical notes about Wayne.
box 107, folder 3
KCET (June Wayne TV Series)
1972 Feb 29
Scope and Contents note
Article by Barbaralee Diamonstein, "Open Secrets: An Intimate and Revealing Portrait of Ninety-four Women in Touch with Our
Time" (for release from Viking Press, 1972 February 29.)
box 107, folder 4
KCET (June Wayne TV Series) Correspondence
1972, no date
Scope and Contents note
Letter to Wayne from Douglas E. Norberg (Senior Vice President, KCET, Los Angeles, CA) re Wayne's television program; also
includes KCET's program guide, GAMBIT and reviews from New York Times and Los Angeles Times; article about Wayne by Helene
Winer, "June Wayne: Far Cry From Girl Talk" (Los Angeles Times, 1972 December 10); letter from Wayne to Bill Wilkins re article
by Stephen Longstreet (1972 August 22.)
box 107, folder 5
Arts Magazine
1972 Mar
Scope and Contents note
Photocopy of Arts Magazine article by Cindy Nemser, "Art Criticism and The Gender Prejudice" (1972 March); photocopy of article,
"The Cultural Explosion" re appearance of Barbaralee Diamonstein on Wayne's KCET television show.
box 107, folder 7
Seldis, Henry J. (L.A. Times)
1976 May 11
Scope and Contents note
Photocopy of article about Dallas Museum of Fine Arts and Mrs. Virginia D'Hara bequest by Kit Bauman and Bill Waldorf, "City
briefing due on bequest to private art museum" (Dallas Times Herald, 1976 May 11.)
Subseries 11: Public Collections
1944-2008
Scope and Contents note
This subseries includes correspondence with various institutions regarding information on Wayne's work held in their collections
in preparation for a catalogue raisonné of Wayne's work by Pat Gilmour. Also includes correspondence regarding Wayne's gift
of graphic works to the Grunwald Center at UCLA.
Organization and Arrangement
After "Zimmerli Museum," alphabetization restarts.
Processing Information
Includes materials from the July 2012 addition.
box 39, folder 8
ACHF- Achenbach Foundation
1993, 1994
Scope and Contents note
Correspondents include: Karin Breuer (Associate Curator, Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco),
Ted A. Greenberg (Registrar), and Carole Kim (Wayne's assistant) re information on Wayne's prints in the Achenbach Foundation;
also includes Achenbach Foundation inventory records for 42 prints.
box 39, folder 9
ACM- Amon Carter Museum
1993
Scope and Contents note
Correspondents include: Carole Kim (Wayne's assistant) to Amy Kelly (Registrar's Assistant, Amon Carter Museum, Fort Worth,
TX) and Julie Causey (Assistant Registrar) re Wayne's request for information and list of Wayne's works in the museum's collection;
includes check list (1993 March 9) and accession sheets (1993 July 12) with descriptions of 27 works of Wayne in Amon Carter
Museum.
box 156, folder 5
Archive Instructions
undated
box 39, folder 10
Art Institute of Chicago
1993
Scope and Contents note
Correspondent Mark Pascale (Assistant Curator of Prints and Drawings, Art Institute of Chicago, Chicago, IL) to Carole Kim
(Wayne's assistant) re list of eight prints by Wayne in the institute's permanent collection.
box 39, folder 11
ASU - Ariz. State University
1993
Scope and Contents note
Correspondent Mary Jane Williams (Registrar, University Art Museum, Arizona State University, Tempe, AZ) to Carole Kim (Wayne's
assistant) re list of prints by Wayne in the museum's collection.
box 39, folder 12
Biblio. Royale Bruxelles
1995
Scope and Contents note
Correspondent Pat Gilmour to Wayne re list of Wayne's works in the Cabinet des Estampes de la Bibliothèque royale Albert Ier
[Musées Royaux des Beaux-Arts de Belgique], Brussels, Belgium (1995 April 6.)
box 39, folder 13
CAM - Cincinnati Art Museum
1993
Scope and Contents note
Correspondent Kristin L. Spangenberg (Head Curator, Department of Prints, Drawings, and Photographs, Cincinnati Art Museum,
Cincinnati, OH) to Carole Kim (Wayne's assistant) re photocopies of curatorial cards for Wayne's works in the permanent collection
(1993 May 11.)
box 160, folder 6
Cincinnati Museum of Art
1968-1998
box 39, folder 14
Columbia Museum of Art
1993
Scope and Contents note
Correspondent Kevin W. Tucker (Associate Registrar, Columbia Museum of Art, Columbia, SC) to Carole Kim (Wayne's assistant)
re the museum's edition of Wayne's "Tower of Babel, A Fable Series."
box 39, folder 15
CLRMT - Claremont Colleges
1993, 1994, 1995
Scope and Contents note
Correspondents include: Elizabeth Villa (Galleries of the Claremont Colleges, Claremont, CA) to Carole Kim (Wayne's assistant)
re list of works by Wayne in their collection (1993 March 18); Steve Comba (Acting Curator and Registrar, Montgomery Gallery,
Pomona College, Claremont, CA) re gift from Ed Hamilton of seven prints by Wayne (1994 November 1); Marjorie "Cricket" L.
Harth (Director, Montgomery Gallery) and Gary Dicovitsky (Vice President for Development, Pomona College) re Wayne's visit
to the college and gift of two Dorothy prints; also includes loan contract for two of Wayne's prints ("Arriving" and "Leaving")
for exhibition, "June Wayne: The Dorothy Series" (1995 November 12-December 10) and list of 102 prints by Wayne in Pomona
College Collection (1995 May 17.)
box 39, folder 16
Depauw University
1993
Scope and Contents note
Correspondence from Carole Kim and Cathy Lightfoot (Wayne's assistants) requesting information on Wayne's work held in various
institutions in preparation for a catalogue raisonné of Wayne's oeuvre by Pat Gilmour; correspondents include: Martha Opdahl
(Director, Art Gallery, DePauw University, Greencastle, IN.)
box 39, folder 17
Des Moines Art Center
1993
Scope and Contents note
Correspondent Margaret A. Willard (Registrar, Des Moines Art Center, Edmundson Art Foundation Inc., Des Moines, IO) re letter
from Carole Kim (Wayne's assistant) requesting information on Wayne's work held at the Art Center; includes information on
Wayne's print, "Goodbye."
box 41, folder 17
Father Haller Georgetown Univ. 1998
1989, 1998
Scope and Contents note
Correspondents include: (via Tobey Moss) Joseph A. Haller, S.J. (Curator, Fine Print Collections, Georgetown University Jesuit
Community, Washington D.C.) re including two of Wayne's prints, "Goe Catch a Falling Starr" and "Goodbye Louise" in exhibition,
"Cosmology 101: The Big Bang, Its Math & Aftermath in Fine Prints" (Fairchild Gallery, Georgetown University, through 1998
July 4); request for information on Wayne's prints in the university's collection; also includes copy of "Special Collections
at Georgetown: A Descriptive Catalog" (Georgetown University Library, 1996.)
box 40, folder 3
Free Library of Philadelphia
1993
Scope and Contents note
Correspondents include: Cathy Lightfoot (Wayne's assistant) to William Lang (Head, Art Department/Print & Pictures Collection,
Free Library of Philadelphia, Philadelphia, PA) re request for information on Wayne's work in the library's collection in
preparation for a catalogue raisonné on Wayne by Pat Gilmour.
box 39, folder 18
Fresno Art Museum
1990, 1993, 1995
Scope and Contents note
Correspondents include: Cathy Lightfoot (Wayne's assistant) to Jackie Pilar (Registrar, Fresno Art Museum, Fresno, CA) re
request for information on Wayne's work in the museum's collection in preparation for a catalogue raisonné on Wayne by Pat
Gilmour; includes list of three works donated by Wayne to the Fresno Art Museum (1990 July 3); Carole Kim (Wayne's assistant)
to Robert Barrett (Registrar, Fresno Art Museum) re information on two Wayne prints donated by Joan Palevsky, "Up, Down and
Strange" and "Two Thousand Too Soon."
box 39, folder 19
Gonzaga University
1993
Scope and Contents note
Correspondence from Jeanette Kirishian re Wayne's visit and slide lecture at Gonzaga University (Spokane, WA)
box 39, folder 20
Grand Rapids Art Museum
1993
Scope and Contents note
Correspondent Kathleen M. Ferres (Registrar, Grand Rapids Art Museum, Grand Rapids, MI) re letter from Carole Kim (Wayne's
assistant) requesting information on Wayne's print, "Ninth Wave" held in the museum's collection.
box 39, folder 21
GRW - Grunwald Center
1944, 1981, 1991, 1992, 1993, 1994, 1995
Scope and Contents note
Correspondents include: E. Maurice Bloch (Director, Grunwald Graphic Arts Foundation, University of California, Los Angeles
(UCLA)) and Kathryn A. Smith (Curatorial Assistant, Grunwald) re Wayne's gift of graphic works to the Grunwald Center; Charles
E. Young (Chancellor, UCLA) re intention to sell at auction Wayne's gift of wood panel, "Tablet 57" by Eleanor Mikus (1981
May 22); Carole Kim (Wayne's assistant) to Cindy Burlingame and Susan M. Lockhart (Grunwald Center) re request for information
on Wayne's work in the Grunwald's collection in preparation for a catalogue raisonné on Wayne by Pat Gilmour; also includes
lists of Wayne's works in Grunwald Center collection (1991 June 28; 1993 June 10; 1993 July 13; and 1993 July 19) and delivery
invoice from Armand Hammer Museum of Art and Cultural Center (Los Angeles, CA) to Wayne re seven prints sent to Wayne for
publication photography (1994 December 1.)
box 40, folder 1
Jewish Museum
no date
Scope and Contents note
Contains note to June stating need to make file for Jewish Museum, New York, with accession numbers for "Dorothy Series."
box 163, folder 7
Jewish Museum: Kleeblatt
1994-1999
box 43, folder 13
June in June Party
1998
Scope and Contents note
Correspondents include: Robert and Barbara Barrett (Pasadena, CA) re list of names and addresses of attendees for Wayne luncheon
(1998 June 21) held on the occasion of her 80th birthday, with funds collected to purchase one of Wayne's works for the Los
Angeles County Museum of Art (LACMA.)
box 39, folder 22
LACMA
1992, 1998
Scope and Contents note
Correspondents include: Victor Carlson (Senior Curator, Prints and Drawings, Los Angeles County Museum of Art (LACMA), Los
Angeles, CA) re information on Wayne's work in the museum's collection (1992 November 30); also includes handwritten list
of 175 "Prints Pulled for LACMA" (1998 April) with titles, valuations and edition numbers.
box 40, folder 4
LC-Library of Congress
1992
Scope and Contents note
Correspondents include: Carole Kim (Wayne's assistant) to Elena G. Millie (Prints and Photo Department, Library of Congress)
re request for information on Wayne's work in the library's collection in preparation for a catalogue raisonné on Wayne by
Pat Gilmour; includes photocopies of LC card catalogue entries describing Wayne's works, and letter from Kim to Gilmour re
list of LC holdings, and notes on discrepancies and missing information.
box 40, folder 2
Long Beach Museum of Art
1993
Scope and Contents note
Correspondents include: Carole Kim and Cathy Lightfoot (Wayne's assistants) to Leni Velasquez (Registrar, Long Beach Museum
of Art, Long Beach, CA) re request for information on Wayne's work in the museum's collection in preparation for a catalogue
raisonné on Wayne by Pat Gilmour.
box 40, folder 5
MOCA- San Diego
1993
Scope and Contents note
Correspondents include: Lynn Underwood (Registrar's assistant, Museum of Contemporary Art, San Diego, CA) re request for information
on Wayne's work in the museum's collection in preparation for a catalogue raisonné on Wayne by Pat Gilmour; also includes
lists of works by Wayne, as well as information on two prints that were deaccessioned.
box 40, folder 6
MOMA
1993, 1995
Scope and Contents note
Correspondents include: Starr Figura and Andrea Feldman (Curatorial Assistants, Museum of Modern Art (MoMA), New York, NY)
re information on Wayne's work in the museum's collection in preparation for a catalogue raisonné on Wayne by Pat Gilmour;
also includes lists of Wayne's work in the Museum of Modern Art (New York, NY) (1993 January 6), and list from MoMA, "Adding
It Up: Print Acquisitions 1970-1995 Paul J. Sachs and Tatyana Grosman Galleries, May 27-September 5, 1995" with reference
to Wayne's "Songs and Sonets" on p. 23.
box 40, folder 11
National Gallery of Australia
1994
Scope and Contents note
Photocopy of fax from Christine Dixon (Curator, International Art, National Gallery of Australia, Canberra, Australia) to
Pat [Gilmour] re information on three of Wayne's prints in the museum's collection, "Strange moon", "Silent wind" and "Desert
wind."
box 166, folder 5
National Gallery: Rigler, L.
1972
box 40, folder 13
National Museum of American Art (Joanne Moser)
1991, 1992
Scope and Contents note
Correspondents include: Joanne Moser (Curator of Graphic Art, National Museum of American Art, Smithsonian Institution, Washington
D.C.) re visiting Wayne's studio and request for list of Wayne's work at National Museum of American Art; selections of works
chosen by Ruth Fine; shipping arrangements for prints to be considered for donation to the NMAA from Wayne's collection; Lloyd
Rigler disaster; Christine A. Donnelly (Graphic Arts Department, NMAA) and Susan Haase (curatorial) re agreement and shipping
of 16 works selected for donation; slides of Wayne's work not owned by the National Gallery of Art (1992 April 6); request
for information on Wayne's work in the museum's collection in preparation for a catalogue raisonné on Wayne by Pat Gilmour;
also includes computer list of Wayne's works in NMAA (1991 November 22); list of artists in Wayne's collection whose prints
Wayne may donate to the NMAA.
box 40, folder 14
National Museum of American Art (Joanne Moser)
1994, 1995, 1996
Scope and Contents note
Correspondents include: Joanne Moser (Curator of Graphic Art, National Museum of American Art, Smithsonian Institution, Washington
D.C.) re Wayne's visit to D.C. and being featured in exhibition at National Museum for Women in the Arts (1994 June 2); copy
of Moser's paper, "Museums and the Living Artist"; visit by Paul Karlstrom to Wayne's studio; Joan Palevsky considering gifting
her painting by Wayne, "The Elements" to a museum; Moser's visit to Los Angeles to lecture at International Fine Print Dealers
Association (IFPDA) print fair (1994 July 18); Wayne's audio tapes made of Tamarind's staff meetings and interviews of Wayne
during the 1950s going to Archives of American Art (1994 July 19); Wayne sending Moser "Generation of Mentors" (National Museum
of Women in the Arts, Washington D.C., 1994 June 9-August 21) catalogue and imprint of interview of Anne Kirker; Moser's list
of 17 Wayne prints to be considered for acquisition by the NMAA; Wayne's "Print List for the National Museum of American Art"
with detailed information on each print being considered for acquisition; Wayne's comments on Stanley William Hayter's book,
"Atelier 17" (London: Editions Alecto, 1964) and experience with Judith Goldman (author); production of video about Wayne
under an Anneberg grant to the University of Oregon; Wayne's preparation for 1997 retrospective mounted by Lucinda Gedeon
(Director, Neuberger Museum of Art, State University of New York, Purchase, NY); production of Wayne's catalogue raisonné
by Pat Gilmour; selection of nine of Wayne's prints for acquisition by the NMAA (1995 November 21); "Confirmation of Gift"
document from Wayne (1995 December 14); shipping invoice for return of 13 prints from NMAA to Wayne.
box 40, folder 15
National Museum of Women in the Arts
1988, 1992, 1993, 1994, 1995, 1996
Scope and Contents note
Correspondents include: Krystyna Wasserman (Librarian, National Museum of Women in the Arts, Washington D.C.) re Wayne's gift
of Fresno exhibition catalogue "The Djuna Set" (1988 August 1); list of items sent to augment materials on Wayne at NMWA Library
and Research Center Archives); loan of Wayne's book, "Songs and Sonets of John Donne"; Barbara Casey (President, The Trusteeship,
International Women's Forum, Palos Verdes Estates, CA) to Wilhelmina Cole Holladay (President & Chairman of the Board, The
National Museum of Women in the Arts, Washington D.C.) re $5,000 donation to acquire Wayne's lithography/collage, "Unique
Ankerite" (1993 February 4); Tracey Fitzpatrick (NMWA) re video tape of "The Dorothy Series"; "Deed of Gift" document for
Wayne's gift of 20 lithographs from "The Dorothy Series" to the NMWA (1995 January 27); also includes NMWA press release for
"A major exhibition of works acquired from SOLO Impression Inc. on view at the National Museum of Women in the Arts October
10, 1996 - January 12, 1997" (1995 September 23) and pamphlet from The NMWA's Library and Research Center, "Book as Art V"
(1992 September 14-1993 February 19.)
box 40, folder 7
NEUB- Neuberger Museum
1993, 1994, 1995
Scope and Contents note
Correspondents include: Joan C. Hendricks (Museum Registrar, Neuberger Museum of Art, State University of New York, Purchase,
NY) re information on Wayne's two portfolios in the museum's collection, "Dorothy Suite" and "Stellar Winds"; Carole Kim (Wayne's
assistant) to Lucinda H. Gedeon (Director, Neuberger Museum) re shipping Wayne's six prints from her "Fable Series" to the
museum; gift of Wayne prints from Marvin Goodson; also includes museum's Documentation Sheets for Wayne's prints.
box 41, folder 1
New York Public Library
1993
Scope and Contents note
Correspondents include: Nancy Finlay (Prints Specialist, New York Public Library) to Cathy Lightfoot (Wayne's assistant) re
information on Wayne's prints in collection of the print room of the New York Public Library in preparation for a catalogue
raisonné on Wayne by Pat Gilmour.
box 40, folder 8
NGA- National Gallery
no date
Scope and Contents note
Accession sheets for Wayne's work in the National Gallery of Art (Washington D.C.)
box 40, folder 9
NGA- National Gallery
1991
Scope and Contents note
Computer printout (1991 February 19) and accession sheets for Wayne's work in the National Gallery of Art (Washington D.C.)
box 40, folder 10
NGA- National Gallery
1990, 1991, 1992, 1993, 1994, 1995, 2000
Scope and Contents note
Accession sheets for Wayne's work in the National Gallery of Art (Washington D.C.) (1991 February 19; 1991 November; 1992
December); list of Ruth Fine's selection of Wayne's lithographs in National Gallery (1991 December 5); list of Wayne's work
to be donated to the National Gallery; correspondents include Carlotta J. Owens (Assistant Curator, Modern Prints and Drawings,
National Gallery) re information on Wayne's prints; Ruth Fine (Curator, Modern Prints and Drawings, National Gallery) re address
for Richard Florsheim Art Fund, Getty grant, and O.J. Simpson trial in Los Angeles; Joanna [Moser?] Curator of Graphic Art,
National Museum of American Art, Smithsonian Institution, Washington D.C.) re essay for show at Neuberger Museum of Art (State
University of New York, Purchase, NY), list of Wayne's work, and arranging shipment of prints.
box 40, folder 12
NMAH - Nat'l Museum of American History
1993
Scope and Contents note
Correspondents include: Carole Kim (Wayne's assistant) to Helena E. Wright (Curator, Division of Graphic Arts, National Museum
of American History, Smithsonian Institution, Washington D.C.) re list of Wayne prints in collection of master printer, Lynton
Kistler, at National Museum of American History; Pat Gilmour to Wright re information on Wayne's prints.
box 41, folder 2
NSM - Norton Simon Museum
1993
Scope and Contents note
Correspondents include: Carole Kim (Wayne's assistant) to Andrea Clark (Registrar, Norton Simon Museum of Art, Pasadena, CA)
re slides and information on Wayne's work in the museum's collection in preparation for a catalogue raisonné on Wayne by Pat
Gilmour; also includes list of 25 works by Wayne in the museum's collection.
box 41, folder 3
Oakland Museum
1993
Scope and Contents note
Correspondents include: Carole Kim (Wayne's assistant) to Arthur Monror (Registrar, Oakland Museum of Art, Oakland, CA) re
slides and information on Wayne's work in the museum's collection in preparation for a catalogue raisonné on Wayne by Pat
Gilmour; also includes list and information on two works by Wayne in the collection, "Double You" and "At Last a Thousand
II."
box 41, folder 4
Philadelphia Museum of Art
1991
Scope and Contents note
Correspondents include: Ivy L. Barsky (NEA Curatorial Intern, Department of Prints, Drawings and Photographs, Philadelphia
Museum of Art, Philadelphia, PA) re information on Wayne's work in the museum's collection in preparation for a catalogue
raisonné on Wayne by Pat Gilmour; also includes photocopy of card catalogues describing 10 works by Wayne in the museum's
collection.
box 39, folder 5
PC1
1992, 1993
Scope and Contents note
Correspondence from Carole Kim (Wayne's assistant) requesting information on Wayne's work held in various institutions in
preparation for a catalogue raisonné of Wayne's oeuvre by Pat Gilmour; correspondents include: Karen Bruer (Curator, Achenbach
Foundation for Graphic Arts (AFGA) (San Francisco, CA); Ted Greenberg (Registrar, M.H. de Young Memorial Museum, San Francisco,
CA); Malcolm Warner (Curator of Prints and Drawings, San Diego Museum of Art, San Diego, CA); Douglas Druick (Curator of Prints
and Drawings, Art Institute of Chicago, Chicago, IL); Andrea Feldman (Curatorial Assistant, Department of Prints and Illustrated
Books, Museum of Modern Art (MoMA), New York, NY); Registrar, Amon Carter Museum (Fort Worth, TX); Archer M. Huntington Art
Gallery (University of Texas at Austin, Austin, TX); Marjorie Harth Beebe (Director, Galleries of the Claremont Colleges,
Claremont, CA); John Bidwell (William Andrews Clark Memorial Library, University of California, Los Angeles, CA); Registrar,
Columbia Museum of Art (Columbia, SC); Martha Opdahl (Director, Art Gallery, DePauw University, Greencastle, IN); Registrar,
Des Moines Art Center (Des Moines, IA); Registrar, Fresno Art Museum (Fresno, CA); Registrar, Grand Rapids Art Museum (Grand
Rapids, MI); Leni Velasquez (Registrar, Long Beach Museum of Art, Long Beach, CA); Registrar, Neuberger Museum of Art (State
University of New York, Purchase, NY); Department of Prints, New York Public Library (New York, NY); Registrar, Norton Simon
Museum of Art (Pasadena, CA); Registrar, Oakland Museum (Oakland, CA); Registrar, Allen Art Museum (Oberlin College, Oberlin,
OH); Registrar, Santa Barbara Museum of Art (Santa Barbara, CA); Registrar, University Art Museum (University of California
at Santa Barbara, Santa Barbara, CA); Registrar, University Art Museum (University of Minnesota-Minneapolis, Minneapolis,
MN); Registrar, University Art Museum (University of New Mexico, Albuquerque, NM); Registrar, Museum of Art (Williams College,
Williamstown, MA); Kristin Spangenberg (Head Curator, Department of Prints, Drawings and Photographs, Eden Park, Cincinnati,
OH); Ken Little (Registrar, Museum of Art, University of Arizona, Tucson, AZ); Mary Jane Williams (Arizona State University,
Tempe, AZ); also includes notes with names and addresses for Mary Michaelidou (art historian and Director General of the Ministry
of Culture, Athens, Greece); Hassan Kamal; and Bibliothèque [Musées] Royaux des Beaux-Arts de Belgique, Brussels.
box 39, folder 6
PC2 Location and Ownership of prints (letters)
1955, 1958-1960, 1963, 1964, 1967-1969
Scope and Contents note
Correspondence from Wayne and Donna J. Tryon (Wayne's assistant) to various institutions and collectors requesting information
on editions and locations of Wayne's works; correspondents include: Gunter Torche (Achenback Foundation for Graphic Arts,
California Palace of the Legion of Honor, San Francisco, CA); Clinton Adams; Alverthorpe Gallery (Jenkintown, PA); Garo Antreasan
(Department of Art, University of New Mexico, Albuquerque, NM); Mrs. Robert Benjamin (Great Neck, Long Island, New York);
Bibliothèque [Musées] Royaux des Beaux-Arts de Belgique, Brussels; Maurice Bloch; Mary Lou [Baskett] (Cincinnati Art Museum,
Cincinnati, OH); Jane Darvin; Ray H. French (Art Center, DePauw University, Greencastle, IN); Mr & Mrs. Erwin Elman; Amy Freeman-Lee;
Roland I. Grausman; Saidee Grunwald; Dalzell Hatfield (Dalzeld Hatfield Galleries, Ambassador Hotel, Los Angeles, CA); Helen
Holleb [Wayne's mother's sister]; Mr. & Mrs. Neil Holleb; Kistler Lithography Co. (Los Angeles, CA); Sigmund and Lys Koch;
Paul Taberski (La Jolla Museum of Art, La Jolla, CA); Ebria Feinblatt (Curator of Prints, Los Angeles County Museum of Art
(LACMA), Los Angeles, CA); Colonel David McKell (Chillicothe Telephone Company); Eugene D. Rigney (Director, Ross County Historical
Society, Chillicothe, OH); Department of Prints and Fine Art, New York Public Library (New York, NY); Gordon W. Gilkey (Dean,
Professor of Art, Oregon State University) re Wayne's participation in exhibition to be held at New Forms Gallery in Athens,
Greece; Caroline C. Porter (Mrs. Howard D. Porter); Albert Roncey; Richard S. Ross; Millard Sheets (Designs Incorporated,
Claremont, CA); Lottie and Stan Talpis; Marcia Thompson; also includes Wayne's notes, and documentation on Wayne's print,
"Walk on the Rocks."
box 39, folder 7
PC3 Collections Pending
1993
Scope and Contents note
Correspondence from Wayne and Carole Kim (Wayne's assistant) to various institutions and collectors requesting information
on editions and locations of Wayne's works; correspondents include: Bibliothèque [Musées] Royaux des Beaux-Arts de Belgique,
Brussels; Terry Bell (President, Jewish Federation Council of Greater Los Angeles, Los Angeles, CA); Registrar, Lehigh University
Art Galleries (Bethlehem, PA); Registrar, Philadelphia Museum of Art (Philadelphia, PA); Tobey C. Moss Gallery (Los Angeles,
CA.)
box 41, folder 5
PSDM
1995
Scope and Contents note
Fax transmittals from Elizabeth Villa (Montgomery Gallery, Pomona Colleges, Claremont, CA); Wayne biography; Kathy Clewell
(Registrar, Palm Springs Desert Museum, Palm Springs, CA) re list of Wayne's works in the collection.
box 41, folder 6
Queensland Art Gallery
1994, 1995
Scope and Contents note
Correspondents include: Chris Saines (Manager, Curatorial and Support Services Program, Queensland Art Gallery, Brisbane,
Australia) re Deed of Gift document and assignment of copyright for "Songs and Sonets" gifted by Wayne to the museum.
box 41, folder 7
Santa Barbara Museum of Art
1993
Scope and Contents note
Correspondents include: Cherie Summers (Registrar, Santa Barbara Museum of Art, Santa Barbara, CA) re information on Wayne's
work in the museum's collection in preparation for a catalogue raisonné on Wayne by Pat Gilmour; also includes listing of
works by Wayne in the museum.
box 41, folder 8
San Diego Museum of Art
1993, 1995
Scope and Contents note
Correspondents include: Carole Kim (Wayne's assistant) to Malcolm Warner (Curator of European Arts/Prints & Drawings, San
Diego Museum of Art, San Diego, CA) re slides and information on Wayne's work in the museum's collection in preparation for
a catalogue raisonné on Wayne by Pat Gilmour; also includes list of Wayne's work in museum's collection.
box 41, folder 9
SKIR
1995
Scope and Contents note
Photocopy of fax from Pat Gilmour (in Paris) to Wayne (1995 August 9) re Dictionary of Women Artists request for information
on Wayne's watercolors or WPA paintings; accession number information on Skirball's "Dorothy Series."
box 41, folder 10
Universities/Donne Book
1957, 1960
Scope and Contents note
Correspondence re replacement for portfolio of "Songs and Sonets of John Donne" with: Robert Honeyman, Jr. (New York, NY)
[whose copy was donated to Lehigh University Special Collections (Bethlehelm, PA)]; Jenx Nyholm (Librarian, Special Collections
Department, Northwestern University Library, Evanston, IL); Chief Librarian, University of Minnesota Library (Minneapolis,
MN); Lila A. Willett (Secretary to Mr. L.A. Wilkie, Wilkie Foundation, Des Plaines, IL); Frank S. Hanlin (Head, Acquisitions
Department, University Libraries, State University of Iowa, Iowa City, IA); Warren W. Faus (Chairman, Centennial Art Exhibition,
San Jose State College, San Jose, CA) re purchase of Wayne's lithograph, "Shine Here to us and Thou art Everywhere" for contribution
to the centennial art exhibition.
box 41, folder 11
UAZ - Univ. of Arizona
1993, 1994
Scope and Contents note
Correspondents include: Peter S. Briggs (Curator of Collections, Museum of Art, University of Arizona, Tucson, AZ) re information
on Wayne's work in the museum's collection in preparation for a catalogue raisonné on Wayne by Pat Gilmour; includes photocopies
from the museum's "Handbook of the Prints in the Permanent Collection" (1993 July 7); Cathy Lightfoot (Wayne's assistant)
re borrowing two prints, "Goe and Catch a Falling Starre" and "The Baite" for photographic documentation and inclusion in
Wayne's catalogue raisonné; shipping arrangements and price list for 26 Wayne prints sent to the museum (1993 November 15);
invoice for purchase of Wayne's prints, "Between, St. 1" and "Between, St.11" by museum; also includes shipping invoice from
Cookes Crating for 16 unframed prints sent from Wayne to university museum.
box 41, folder 12
University of Texas - Austin
1993
Scope and Contents note
Correspondents include: Carole Kim (Wayne's assistant) to Sue Ellen Jeffers (Registrar, College of Fine Arts, University of
Texas at Austin, Austin, TX) re information on Wayne's work in the university's collection in preparation for a catalogue
raisonné on Wayne by Pat Gilmour; also includes information sheet on Wayne's print "Glitterwind" in University of Texas Special
Collection.
box 41, folder 13
UNM - Univ. of New Mexico
1993
Scope and Contents note
Correspondents include: Kira A. Sowanick (Registration Assistant, University Art Museum, University of New Mexico, Albuquerque,
NM) re information on works by Wayne in museum's collection; also includes photocopy of card catalogues and catalogue entries
describing Wayne's work.
box 41, folder 15
Walker Art Center
1993
Scope and Contents note
Correspondents include: Linda Krenzin (Administrative Assistant, Registration Department, Walker Art Center, Minneapolis,
MN) re information on Wayne's work in the museum's collection in preparation for a catalogue raisonné on Wayne by Pat Gilmour.
box 41, folder 14
Williams College Museum of Art
1993
Scope and Contents note
Correspondents include: Diane Hart (Registrar, Williams Collection Museum of Art, Williamstown, MA) to Carole Kim (Wayne's
assistant) re information on Wayne's work in the museum's collection in preparation for a catalogue raisonné on Wayne by Pat
Gilmour.
box 41, folder 16
Zimmerli Museum
1998
Scope and Contents note
Correspondents include: Barbara Trelstad (Registrar, The Jane Voorhees Zimmerlis Art Museum, Rutgers, The State University
of New Jersey, New Brunswick, NJ) re donation of Wayne's "June in January" print and request for fair use and copyright permission;
also includes "Non-Exclusive License" form.
box 222, folder 6
Archives of American Art: Betty Loachrie Hoag Transcript
1965-2006
box 222, folder 7
Arizona State University
1977-1992
box 222, folder 8
Fresno Art Museum Gift
1988-1991
box 222, folder 9
Georgetown University
1998
box 222, folder 11
National Gallery of Art
1991-1992
box 222, folder 12
National Gallery of Art: Acquisitions
1991-1992
box 222, folder 13
National Gallery of Art: Russel, Diane
1974-1980
box 222, folder 14
Nora Eccles Harris Museum of Art
2001-2002
box 222, folder 15
Norton Simon Museum: Inventory
2004
box 222, folder 16
Princetown University
1998
box 222, folder 17
San Francisco Art Institute
1990-2002
box 223, folder 1
Smithsonian National Museum of American Art: Releases
1995-2008
box 223, folder 3
University Art Museum, Tucson: Peter Briggs
2000
box 223, folder 4
University of California, Los Angeles: Special Collections
1988-2004
box 223, folder 5
University of California, Los Angeles: Special Collections
2004-2008
box 223, folder 7
University of California, Los Angeles: Special Collections
2010-2011
box 223, folder 8
University of California, Los Angeles: Special Collections, Deed of Gift
1997-2001
box 223, folder 9
University of California, Los Angeles: Special Collections, Deed of Gift
1997-2001
box 223, folder 10
University of Iowa Museum
2001
box 223, folder 11
University of Michigan: Museum of Art
1980-1982
box 223, folder 13
Whitney Museum: David Kiehl
1997-2003
box 223, folder 15
Tamarind Papers: Rigler, Lloyd
1970-1984
box 224, folder 1
University of New Mexico: Gaston
1959-2005
box 224, folder 4
Tamarind Institute: 50th Anniversary
2009-2010
box 224, folder 5
Tamarind Institute: Barber, Cynthia
2008
box 224, folder 6
Tamarind Institute: Conference
1998-2000
box 224, folder 7
Tamarind Institute: Correspondence
1995
box 224, folder 8
Tamarind Institute: Devon, Marge (1 of 2)
1985-2009
box 224, folder 9
Tamarind Institute: Devon, Marge (2 of 2)
1985-2009
box 224, folder 10
Tamarind Institute: Forward, Drafts, and Documents
2008
box 224, folder 11
Tamarind Institute: Indexes of Lithography Folders
1998
box 224, folder 12
Tamarind Institute: Website Printout
1998-2008
box 224, folder 14
Tamarind Print: La Gatutta, Bill
1991-1992
box 224, folder 15
Tamarind Show at MOMA: Catalogue
1968-1969
Subseries 12: Sales Records
1953-1981
Scope and Contents note
This subseries includes correspondence and receipts for sales of Wayne's work to various collectors and institutions.
box 32, folder 5
Sales Records 1953-1956
1953, 1954, 1955, 1956
Scope and Contents note
Includes "Remittance Advice" invoices from Lynton R. Kistler (Kistler Lithograph Co., Los Angeles, CA) for sales of Wayne's
prints.
box 32, folder 6
Sales Records 1958-1961, 1963
1958, 1959, 1960, 1961, 1962, 1963, 1981
Scope and Contents note
Receipts for sales of Wayne's work to: Peter Gerald Arnovick; Dr. Leonard Asher; Associated American Artists; Lyman Brewer,
Rudd and Harrison Brown, Florence Carr, Bill Churchill, Robert Churchill; Harris N. Cohen, Jane Darvin, Mrs. Monte Factor,
Mrs. Raymond Fahn, Mrs. Ralph Feinstein, Dr. and Mrs. Robert A. Fox, Bee Gerson, Mr. and Mrs. Goodman, Hal Goldfarb, Mr. and
Mrs. Charles Holleb, W.L. Hopkins, Mrs. Muriel James, Beverly E. Johnson, Dr. Benjamin Jurin, Mr. and Mrs. Edgar Kadden, Kistler
Lithography Co., William Mordecai Kramer, Mrs. Phoebe Leibig, Dr. Milton Lester, Molly Lewin, Library of Congress, Robert
Light, Dr. and Mrs. Milton London, Los Angeles County, Los Angeles County Museum, Sam Lustgarten, Dr. Judd Marmor, Judith
P. Meyers, Margery Nemeth, Philadelphia Art Alliance, Iris Richardson, Albert Roncey, Mrs. Grace Rosenberg, Ferdinand Roten,
Inc., Ruth Saltzberg, Dr. Sylvan Schireson, Hilda Solomon, Dr. Melvin L. Sommer, Spencer & Company, Dr. Charles Stein, Florence
["Ravven" crossed out] Sutton, Sally G. Swing, Dr. A.M. Targow, George Tooby, Dr. and Mrs. J.V. Treusch, Dr. Ernest Tross,
United States Information Agency, Mrs. A. Weisman, Mrs. Lottie Wexler, Virginia Williams, Zeitlin & Ver Brugge Booksellers;
also includes appraisal report by O.P. Reed, Jr. of Wayne's lithographs as of 1963 December 20, and information on Wayne's
Blue Cross insurance policy (1981.)
box 32, folder 7
Sales Records 1970, 1972, 1977
1970, 1972
Scope and Contents note
Receipts for sales of Wayne's work to: Art Harris Gallery; Mrs. Roberta Edgar; Mr & Mrs. Maynard Fassman; Gimpel-Weitzenhoffer
Gallery; Calvin Goodman; Mr. & Mrs. Alan Greenbey; Jane Haslem Gallery; Ben Kabaseh [?]; Jacob Kamin; Kovler Gallery; Dr.
Ronald Laurence; Magison [?] Associates; Martha Jackson Gallery; Mary Moore Gallery; Michael Smith Gallery; Robert L. Meyer;
Paul Schuman; Security Pacific National Bank; Florence Sutton; University of Iowa Museum of Art; Ed Weiss; Edith Weiss; Shirley
Wells [?]
box 32, folder 8
Sales Records 1972, 1974, 1977
1972, 1973, 1974, 1977
Scope and Contents note
Correspondents and receipts for sales of Wayne's work to: Art Collector; Art Harris Gallery; Mr. & Mrs. Mads Bjerre; Lillien
Brande; R.W. Burgoyne; Claremont Colleges; Zita Cogan; Marcella Cornish; Graphic Artes Portfolio; Great Western Savings and
Loan; Sharon Green; Griffin Co.; Grunwald Center for the Graphic Arts, University of California, Los Angeles (UCLA); Bert
and Suzie Holleb; Charles Holleb; Leonard and Ruth Holleb; Neil and Judy Holleb; Jack Glenn Gallery (San Diego, CA); Stanley
K. Jacobs; James B. Lansing Sound, Inc.; Craig Kincaid; Robert Koondell; Laurence E. Korwin; Mary Mavehelli; Municipal Art
Gallery, City of Los Angeles; Mr. & Mrs. Roussele Norman; Place/Allrich Galleries (San Francisco , CA); Carole Rosenberger;
Robert Schacter, DDS; Mrs. Maurice A. Schiller; Phil Sutton; University of Iowa, College of Dentistry; Van Doren Gallery (San
Francisco, CA); Dr. and Mrs. Herman Weiss.
box 105, folder 8
Sales Records 1972, 1974, 1977
1974
Scope and Contents note
Ledger pages entitled, "Peter Plone Associates Check Record, January - March, 1974."
Subseries 13: Tamarind Lithography Workshop and Tamarind Institute
1956-1997
Scope and Contents note
This subseries includes correspondence, memos, and staff lists regarding the founding, operation and activities of Wayne's
Tamarind Lithography Workshop, initially located at 1112 N. Tamarind Avenue in Los Angeles (1960-1970), and later transferred
to the University of New Mexico where it became the Tamarind Institute (1971-present day).
Processing Information
Includes materials from the July 2012 addition.
box 26, folder 2
Tamarind Party Lists
1964, 1965, 1966, 1968, 1969, 1970
Scope and Contents note
Includes invitations for events held at Wayne's Tamarind studio; open house honoring Wayne; guest lists with names, addresses
and telephone numbers; Contemporary Art Council Membership Roster (1964 March 1.)
box 26, folder 7
Goodman, Calvin 2-112; 18 Feb 60-23 Dec 66. 57c. Incl. 2 Dictaphone Belts ( see p. 3 of Goodman letter 16 April encl.)
1960-1966, 1988
Scope and Contents note
Correspondents include: Calvin J. Goodman (Consulting Management & Industrial Engineer) re Tamarind Executive Committee procedures;
sale of folios; study on the economics of the art of the lithograph, "The Fundamentals of the Operation of the Lithography
Workshop."
box 26, folder 8
Goodman, Calvin 2-111 20 Feb 67 - 5 April 72. 30c
1967, 1968, 1969, 1970, 1971, 1972
Scope and Contents note
Correspondents include: Calvin J. Goodman (Consulting Management & Industrial Engineer) re updating Tamarind's "Economic Study";
agreement with University of New Mexico; promotion for book "Marketing Art"; also includes Goodman's résumé and correspondence
from Allan J. Greenberg (attorney), John Brademas (Congressman, U.S. House of Representatives), Betty Fiske, Beverly Korenwaser,
and Norma Neiman (Tamarind Lithography Workshop.)
box 26, folder 9
Lowry, McNeil
1971
Scope and Contents note
Correspondence from W. McNeil Lowry (Director, Program in Humanities and the Arts, Ford Foundation) re Wayne traveling to
Europe, Clinton Adams and Garo Z. Antreasian's catalogue, "The Tamarind Book of Lithography: Art and Techniques" (1971.)
box 26, folder 10
Financial Corresp. 1-21 30 June 60 - Sep 68 84c. FF
1960-1968
Scope and Contents note
Correspondents include: Joseph M. McDaniel, Jr. (Secretary, the Ford Foundation), Norman W. MacLeod (Assistant to Treasurer),
James M. Nicely (Treasurer), Thomas H. Lenagh (Treasurer), Edward F. D'Arms (Associate Director), and Marcia Thompson (Program
Officer) re financial statements, Tamarind quarterly reports, Ford Foundation grant approvals and remittance for the Tamarind
Lithography Workshop
box 26, folder 11
Ford Foundation Correspondence
1970, 1972, 1973, 1974, 1975, 1978, 1979
Scope and Contents note
Correspondents include: W. McNeil Lowry (Director, Program in Humanities and the Arts, Ford Foundation), Howard R. Dressner
(Secretary), Marcia Thompson (Program Officer), Hilda Pettus (bookkeeper, Tamarind), Norman W. MacLeod (Assistant Secretary),
and Willard J. Hertz (Assistant Secretary) re financial statements, Tamarind quarterly and annual reports, Ford Foundation
grant approvals and remittance for the Tamarind Lithography Workshop; also includes correspondence with Anthony Riolo (attorney)
re Wayne's litigation involving Allan Greenberg and Terry Sanders over the Tamarind film, "Four Stones for Kanemitsu."
box 26, folder 12
Allan Greenberg's Private Notes on Settlement Negotiations
1973
Scope and Contents note
Transcription of Greenberg's handwritten notes on "Tamarind v. Sanders" (Wayne's litigation involving Terry Sanders and attorney
Allan Greenberg over the Tamarind film, "Four Stones for Kanemitsu.")
box 26, folder 13
Lowry, McNeil 1- 2 3 Mar 72 - 19 Dec 72 FF 6c
1972
Scope and Contents note
Re publication of "Sex Differentials in Art Exhibition Reviews: A Statistical Study"; broadcast of Wayne's PBS television
show.
box 26, folder 14
Lowry, McNeil 1- 8
1966
Scope and Contents note
Re Wayne's visit to New York; the study, "Sex Differentials in Art Exhibition Reviews: A Statistical Study"; FAR Gallery,
New York; Tamarind's quarterly and annual reports for Ford Foundation grant; Wayne's lecture at National Council of Fine Arts
Deans meeting, San Francisco; Wayne's nomination for Ford Foundation curatorial intern.
box 26, folder 15
Lowry, McNeil 1- 5 13 Jan 69 - 22 Dec 69 FF 32c
1969
Scope and Contents note
Re report on Edward Dominik from Mr. [Calvin ?] Goodman; Smilansky Graphics Workshop Project; Thomas Hoving Committee; exhibition
and catalogue, "Tamarind: Homage to Lithography" at the Museum of Modern Art (MoMA) (1969); Mme Ruby d'Arschot (International
Survey on the Promotion of the Arts, Paris) re the Catalan painter, Salvador Bru, as possible artist at Tamarind; Wayne's
exhibition at FAR Gallery, New York; Wayne's dismissal of Manuel Fuentes from Tamarind program; University of New Mexico's
desire to undertake Tamarind Institute; Wayne's cancellation of contract with Sterling Institute, (Harvard Business School);
Madeleine Jarry's visit to the United States.
box 26, folder 16
Lowry, McNeil 1- 6 16 Feb 68 - 27 Dec 68 FF 67c
1967, 1968
Scope and Contents note
Re writer Betty Chamberlain; Tamarind exhibition, "Tamarind: Homage to Lithography" at the Museum of Modern Art (MoMA) (1969);
Tamarind film, "Physical Techniques in the Art of the Lithograph"; Charles Orth (Harvard Business School) and plan to found
an Institute of Arts Management of the Sterling Institute; Betty Fiske (Curator, Tamarind Lithography Workshop) re possibly
missing chop on Wayne's print, "Lemmings" sent to Lowry; Noemi Smilansky and Sadnat Jerusalem workshop for graphic arts in
Jerusalem; National Citizens Committee for Public Television (NCCPTV); Marvin Goodson and endowment foundation; Manolis Piladakis
re support for establishing printmaking workshop in Athens, Greece; Lowry's Ford Foundation Report article, "The Economic
Crisis in the Arts: the Need for a National Policy."
box 26, folder 17
Financial Corresp. 1 - 20 ( Jan 69 - 20 Nov 74 FF. 88c)
1968, 1969, 1970, 1971, 1972, 1974
Scope and Contents note
Correspondents include: Howard R. Dressner (Secretary), Norman W. MacLeod (Assistant Secretary), Thomas H. Lenagh (Treasurer),
William H. Nims (Assistant Secretary), Marcia Thompson (Program Officer), Norma Neiman (Controller, Tamarind), Hilda Pettus
(Bookkeeper, Tamarind) re Tax Reform Bill (H.R. 13270), financial statements, Tamarind quarterly and annual reports, Ford
Foundation grant approvals and remittance for the Tamarind Lithography Workshop.
box 26, folder 18
Lowry, McNeil 1- 7 10 Jan 67 - 23 Dec 67 FF 38c
1966, 1967
Scope and Contents note
W. McNeil Lowry (Director, Program in Humanities and the Arts, Ford Foundation) re: Wayne's visit to New York; Harold Taylor,
Nancy Hanks, and Oliver May; "Operation Cornerstone"; Manuel Fuentes; death of Jules Langsner; Lowry's trip to Europe; Wayne's
nomination for Ford Foundation's Curatorial Training Program.
box 27, folder 1
Lowry, McNeil 1- 4 5 Jan 70 - 22 Nov 70 FF 51c
1970
Scope and Contents note
W. McNeil Lowry (Director, Program in Humanities and the Arts, Ford Foundation) re: grant and budget for Tamarind Institute;
Wayne's resignation from board; Thomas Hoving committee; Sterling Institute lawsuit; Lev Mills; problems between Tamarind
and Terry Sanders Company over film, "Homage to a Lithograph"; other correspondents include Allan J. Greenberg (attorney)
to Lowry re Greenberg's work with Tamarind Lithography Workshop; Nancy Boggs to Wayne re slides of Tamarind exhibition at
Ford Foundation; also includes copy of "A European Study Proposal In the Graphic Arts 1970-71 Academic Year" by Lev T. Mills.
box 27, folder 2
Lowry, McNeil 1-15 26 Jan 59 - 23 Dec 59 FF 85c
1959
Scope and Contents note
W. McNeil Lowry (Director, Program in Humanities and the Arts, Ford Foundation) re: proposal for establishing a lithography
workshop; Wayne's nomination for consideration in Ford Foundation's 1959 Program for Visual Artists; opinion of Lessing Rosenwald
re establishing a lithography workshop; consideration of Marcel Durassier (master printer) to work with workshop in the United
States; other correspondents include Wayne to Elie D'Humiere re importing lithography paper; Jules Langsner re evaluation
of the proposal.
box 27, folder 3
Lowry, McNeil 1-14 6 Jan 60 - 26 Dec 60 FF 104c
1960
Scope and Contents note
W. McNeil Lowry (Director, Program in Humanities and the Arts, Ford Foundation) re: commitment from Garo Z. Antreasian and
Clinton Adams to Tamarind Workshop; assembling Panel of Selection and Board of Directors for Tamarind; Tamarind's tax exemption
status; Power of Attorney document for Tamarind; Tamarind's initial budget; publicity for Tamarind grant announcement; Tamarind's
first fellowship project and artist, Romas Viesulas, visiting New York with portfolio and prints.
box 27, folder 4
Lowry, McNeil 1-13 16 Jan 61 - 8 Dec 61 FF 54c
1961
Scope and Contents note
W. McNeil Lowry (Director, Program in Humanities and the Arts, Ford Foundation) re: Tamarind budget and financial statement;
Garo Z. Antreasian and Clinton Adams departing Tamarind; agreement for sale of Tamarind Impressions; Wayne and Clinton's reservations
about the Print Submission Center; engaging Bohuslav Horak [aka "Bobisch" or "Bobish"] as printer at Tamarind; printer Joe
Funk and investor, Peter Lehman, establishing Kanthos studio next to Tamarind; exhibition of Tamarind prints at UCLA; collaborative
projects with Ray Bradbury and Michael Blankfort (screenwriter/novelist); Tamarind fellow Rube Kadish sudden departure; Adja
Yunkers; Harold Keeler coming to Tamarind.
box 27, folder 5
Lowry, McNeil 1-16 FF 57c
1961, 1962
Scope and Contents note
Biographical introduction and transcript of W. McNeil Lowry's speech, "The University and the Creative Arts" given to the
Association of Graduate Schools (New Orleans, 1961 October 24); transcript of Lowry's speech, "The Ford Foundation and the
Creative Arts" (Los Angeles, 1962 January 10) for exhibition of Tamarind Lithography Workshop.
box 27, folder 6
Lowry, McNeil 1-12 31 Jan 62 - 13 Dec 62 FF 60c
1962
Scope and Contents note
W. McNeil Lowry (Director, Program in Humanities and the Arts, Ford Foundation) re: Tamarind's tax exemption status; Frederick
S. Wight (Director of the Art Galleries, UCLA) re exhibition in New York; engaging Calvin J. Goodman (Consulting Management
& Industrial Engineer) to do study on the economics of the art of the lithograph, "The Fundamentals of the Operation of the
Lithography Workshop"; Garo Z. Antreasian and John Herron Art Institute collaboration; William Brice as Associate Director
of Tamarind and joining Board of Directors; three-year grant proposal for Tamarind; Bernard Reder (sculptor) as possible candidate
for Tamarind work; Wayne's cash flow predictions for Tamarind; replacing Bohuslav Horak [aka "Bobisch" or "Bobish"] as printer
at Tamarind.
box 27, folder 7
Lowry, McNeil 1-11 3 Jan 63 - 19 Dec 63 FF 92c
1963
Scope and Contents note
W. McNeil Lowry (Director, Program in Humanities and the Arts, Ford Foundation) re: Rudd Brown and Bertha Lewinsohn visiting
New York; Tamarind accounting and financial statement; memo on "Prints in Progress" program; proposal by Fritz Eichenberg
(Art School, Pratt Institute) for Pratt Intaglio Center; Wayne's comments on UCLA Cultural Arts Festival; Durassier seminar;
Harold E. Keeler and producing limited edition, original hand-printed monographs; Tamarind budget; Wayne request for fellowship
for Rufino Tamayo; Tamarind annual report; catalogue by Egon Kornfeld of work by Sam Francis while at Tamarind, "Sam Francis
-- Lithographs 1963"; Louise Nevelson re her grant and work at Tamarind.
box 27, folder 8
Lowry, McNeil 1-11 3 Jan 64 - 10 Dec 64 FF 60c
1964
Scope and Contents note
W. McNeil Lowry (Director, Program in Humanities and the Arts, Ford Foundation) re: publication, "Prize-Winning Graphics,
1963"; Jason Leese re his fellowship at Tamarind; lithography marketing study; Wayne's report on Tamarind and problems re
availability of lithography stones, disposable aluminum plates, and paper; publication of study, "Marketing of the Original
Print"; Wayne's request for extension of October (1965) termination of Tamarind Lithography Workshop; annual report; Ford
Foundation news release re awards for the Foundation's Program for Administrative Interns and request for Wayne's nominations;
Ford Foundation's Travel and Study Award Program, Schedule of Standard Allowances.
box 27, folder 9
Miscellaneous Correspondence 1-22 26 Sep 60 - 15 Nov 72 FF 38c
1960, 1962, 1965, 1967-1972
Scope and Contents note
Ford Foundation correspondents include: Edward F. D'Arms (Associate Director) re loan of Foundation books to Wayne; Joseph
M. McDaniel, Jr. (Secretary) re cocktail party at Bob Mallary's for Elaine de Kooning, and death of Jules Harwood; William
H. Nims (Assistant Secretary) re Tamarind catalogue, "The Tamarind Book of Lithography: Art & Techniques"; Kenneth W. Presscott
(Program Officer) re Wayne's opinion on R. Joshua Young's Market Street Program in Venice, CA and copy of Tamarind's "A Guide
to Print Terminology"; Libby Watterson (Photo Librarian, Office of Reports) re photographs of Tamarind Workshop for inclusion
in Annual Report; other correspondents include William McPeak (Vice President); Henry T. Heald (President); Eugene S. Staples;
Richard C. Sheldon; Susan de Armas; Oleg Lobanov; Nancy Boggs; and Felice Levin.
box 27, folder 10
Thompson, Marcia 1-19
1960, 1961, 1962, 1963, 1964
Scope and Contents note
Marcia Thompson (Program Assistant, Program in Humanities and the Arts, Ford Foundation) re: planning of Tamarind Lithography
Workshop; preparing press releases for Tamarind grant announcement; U.S. Treasury Department's ruling on Tamarind's tax exemption
status; photographs of Workshop for Foundation pictures files; feature story by Alfred M. Frankfurter on Tamarind for ArtNews;
list of Tamarind artist fellows and guest artists (as of 1962); Tamarind progress report; W. McNeil Lowry (Director, Program
in Humanities and the Arts, Ford Foundation) speaking at Pomona College symposium; Marcel Durassier's visit to New York.
box 27, folder 11
Koch, Sigmund 1-1 22 Jun 64 - 27 Oct 66 Ford Foundation 38c
1964, 1965, 1966
Scope and Contents note
Sigmund Koch (professor of psychology, Duke University) re: becoming Director of Ford Foundation's Humanities and the Arts
program; Guy Endore's book, "Satan's Saint" with lithographs by Robert Hansen (printer, Tamarind); problems with acquiring
lithography paper; success of Rufino Tamayo lithography exhibition at Matisse Gallery, Los Angeles; Tamarind grant, cash flow;
request for Wayne's nomination for Ford Foundation's Curatorial Training Program (1966); Wayne's speech on Foundation Gamesmanship
given in San Francisco; cancellation of seminar for art dealers planned with Special Services to Business Industry Department,
New York University (NYU); award of Tamarind Prize at Venice Biennale; advice on acquiring lithography stones; Wayne's dismissal
of three fellow grantees (Erwin Erickson, Bob Bigelow, and Ian Lawson.)
box 27, folder 12
Thompson, Marcia 1-18 2 Mar 65 - 22 Dec 67 FF 59c
1956, 1959, 1962, 1964, 1965, 1966, 1967
Scope and Contents note
Marcia Thompson (Program Assistant, Program in Humanities and the Arts, Ford Foundation) re: Edward F. D'Arms' visit to Tamarind;
Edward Kallop and collection at Department of Drawings and Prints, Cooper Union Museum, New York; marketing training seminar;
Archives of American Art interest in micro-filming Tamarind documents; Foundation's flyer for 1966 Program for Administrative
Interns, and Museum Curatorial Training Program; Wayne's participation with California State Arts Commission committees and
possible conflict with Tamarind's tax exempt status; cancellation of seminar for art dealers planned with Special Services
to Business Industry Department, New York University (NYU); award of Tamarind Prize at Venice Biennale; Wayne's speech on
"The Art of Selling Art" at the National Association of Retail Merchants, New York; change to Tamarind's grant structure;
Tamarind Annual Reports; acquiring lithographic stones and Wayne's "Operation Cornerstone"; Tamarind annual audits; also includes
sample letters of Ford Foundation grants to California Institute of Technology (1956), Detroit Museum of Arts Founders Society
(1959), Emery University Depart of Fine Arts (1962), fellowship to Kenneth Anger, film maker (1964), Inner City Cultural Center,
Los Angeles (1967); Wayne's remarks about questionnaire from New York State Council on the Arts on Arts Administrator Job
Potential in New York State.
box 27, folder 13
Thompson, Marcia 1-17 29 Jan 68 - 13 Mar 72 FF 81c
1968, 1969, 1970, 1971, 1972
Scope and Contents note
Marcia Thompson (Program Assistant, Program in Humanities and the Arts, Ford Foundation) re: Wayne's visit to New York and
goal to find publisher for Tamarind textbook; Tamarind's "Management Study of an Art Gallery"; financial reports; Jim Woods
and Watts Studio Workshop; returning Wayne's film for further editing; difficulties in program arrangements with Sterling
Institute, (Harvard Business School); Tamarind exhibition at Ford Foundation; Barbara Koz and Sterling Institute; Wayne's
response to prospectus on "A Book of Color Experiments" by Peter Gee; Wayne's response to Blackburn proposal; request for
Wayne's nomination for Ford Foundation's Curatorial Training Program; Tamarind annual reports; request for sample letter for
grant award; Tamarind exhibition catalogue; "Tamarind Book of Lithography: Art & Techniques"; Russell Lynes and lithographic
presses for the MacDowell Colony; other correspondents include Nancy Boggs.
box 27, folder 14
Lowry, McNeil 1- 9 2 Feb 65 - 16 Mar 65 FF 6c
1965
Scope and Contents note
W. McNeil Lowry (Director, Program in Humanities and the Arts, Ford Foundation) re: difficulty in acquiring lithography stones;
also includes memo from Joseph M. McCaniel Jr. re Foundation Travel and Study Award Policy on Travel and Allowances for Wives
and Children.
box 28, folder 1
Goodman, Calvin
1970
Scope and Contents note
Calvin J. Goodman (Consulting Management & Industrial Engineer, Los Angeles) re Wayne's comments on Goodman's text, "Selling
and Pricing the Artist's Work"; Goodman's "How to Avoid Synetropy: Preventing the Loss of Corporate Vitality after a Merger";
Contemporary Art Council's fund raising auction for the Los Angeles County Museum of Art (LACMA.)
box 34, folder 6
Inter-Office Memos (Tamarind)
1966, 1967, 1968, 1970
Scope and Contents note
Memorandums from Wayne to Tamarind staff and printers (1966 January 19-1970 January 29) re: no-smoking policy, meeting announcements,
telephone usage, use of equipment, and theft of lithographic paper; signatures and initials appearing on memos include: Kinji
Akagawa, Amy Baker, Dave Barajas, Bonnie Barrett, Robert Bigelow, Esther Bowers, John Butke, Ernest de Soto, Marsha Dexter,
Bob Evermon, Betty Fiske, Dave Folkman, Manuel [Fuentes?], Fred Genis, Edward Hughes, Caren Jaseph, Don Kelley, Jack Lemon,
Lillian Lesser, Serge Lozingot, Jean Milant, Norma Neiman, Glenn Oye, Judy Reilly, Robert Rogers, Maurice Sanchez, Jane Shelton,
Clifford Smith, Anthony Stoeveken, Donna Tryon, Elin Waterman, Mary Webster, and Theo Wujcik.
box 37, folder 6
Tamarind Institute 1980
1980
Scope and Contents note
Correspondents include: Clinton Adams (Director, Tamarind Institute) to Warrington Colescott (artist, author) re references
to Tamarind Institute in Colescott's book, "A History of Printmaking: A Traveling Exhibition of the Madison Art Center, June
15-July 29, 1979"; Wayne to Duane Gilkey (attorney, Albuquerque, NM) re Wayne's recommendation of book by Karl Meyer, "The
Art Museum: Power, Money, Ethics" (1979.)
box 37, folder 7
Tamarind Institute 1981
1981
Scope and Contents note
Correspondents include: Hans-O. Wacker (Kunsthandel, Hannover, Germany) to John Sommers (Technical Director, Tamarind Institute)
re offer of lithographic stones; Wayne to Clinton Adams (Director, Tamarind Institute) re archival papers and continuing litigation
with Terry Sanders; Adams to Margaret Kaplan (Vice President and Executive Editor, Harry N. Abrams, Inc., New York, NY) re
availability and agreement for publication of "The Tamarind Book of Lithography"; Adams to Wayne re Tamarind symposium, "Lithography
Then and Now" (1981 November 15-16); Wayne to Adams re sale of John Merryman print collection; Kathy Zimmerer (Wayne's assistant)
to Adams re sending boxes of Tamarind publications, correspondence files and financial data for the Tamarind Lithography Workshop
Archives; Marge Bardacke (Assistant Director, Tamarind Institute; later known, as of 1981 December 3, as Marjorie Devon) re
request for current retail values of lithographs printed by Wayne while at Tamarind, and announcement of publication of catalogue
raisonné of Tamarind lithographs, 1970-1979; Peter S. Briggs (Registrar, University Art Museum, University of New Mexico,
Albuquerque, NM) re loan form for Wayne's prints; Don McRae (Dean of College of Fine Arts, University of New Mexico) re praise
for the Tamarind Institute and Wayne's "The Dorothy Series"; also includes issue of "The Tamarind Institute Report" (Number
43 / 1981 December) and holiday postcard from Tamarind Institute.
box 37, folder 8
Tamarind Institute 1982
1982
Scope and Contents note
Correspondents include: Marge (Bardacke) Devon re value of Wayne's Gorman lithographs, Wayne's Tamarind Collector's Club membership
and Subscription Series, and Wayne's intent to sell some of her lithography stones; Phyllis Green (Wayne's assistant); Emily
Kass (Assistant Director, University Art Museum, University of New Mexico, Albuquerque, NM) and Peter S. Briggs (Registrar,
University Art Museum) re Wayne's loan of work to exhibition, "Nine Contemporary Lithographers"; Clinton Adams to Garo Antreasian
re publication of revised edition of "The Tamarind Book of Lithography"; Adams re his chapter for his book, "American Lithographers,
1900-1960."
box 37, folder 9
Tamarind Institute 1983
1983
Scope and Contents note
Correspondents include: Clinton Adams (Director, Tamarind Institute) re Laurie Lisle (author) and book Lisle is writing on
Louise Nevelson; Cappy Kuhn (Tamarind Institute) re arrival of lithography stones and her departure from Tamarind; Marjorie
Devon (Assistant Director, Tamarind Institute) re restructuring of Tamarind Collector's Club subscription program; Adams and
Duane C. Gilkey (attorney, Albuquerque, NM) re Wayne's litigation with Terry Sanders, the case's dismissal in Los Angeles
Superior Court and settlement agreement.
box 38, folder 1
Tamarind Institute 1984
1983, 1984
Scope and Contents note
Correspondents include: Marjorie Devon (Assistant Director, Tamarind Institute) to Robin Wayne re Tamarind Collector's Club
membership renewal; Lynne Allen (Tamarind Institute) re graining machine given by Wayne to Tamarind Institute; Devon re response
to request by Raymond Schuessler and Wayne's visit to New Mexico; Clinton Adams re Annual Report of Tamarind Institute (1983
June 1-1984 June 30); Adams to Donald McRae (Dean, College of Fine Arts, University of New Mexico, Albuquerque, NM) re Adams'
resignation as director of Tamarind Institute; Wayne to McAllister H. Hull, Jr. (Chairman, Office of the Provost, University
of New Mexico) re Wayne's participation on search committee for Adams' replacement; also includes shipping invoice for graining
machine and issue of "The Tamarind Papers: Technical, Critical and Historical Studies on the Art of the Lithograph" (Volume
7, Number 1, Spring 1984.)
box 38, folder 2
Tamarind Institute 1985-1987
1985, 1986, 1987
Scope and Contents note
Correspondents include: Marjorie Devon (Assistant Director, Tamarind Institute) re Artist Residency Proposal; Clinton Adams
(Director, Tamarind Institute) to Tamarind Institute's National Advisory Board Members (Maurice Bloch, Paul Brach, Robert
Gardner, W. McNeil Lowry, Anthony Stoeveken, Gustave von Groschwitz, June Wayne, and Ruth Weisberg) re Adams resignation as
director, publication of journal, "The Tamarind Papers," establishment of an annual Tamarind citation for distinguished contributions
to the art of the lithograph (presented to Gustave von Groschwitz), and exhibitions, "Tamarind: From Los Angeles to Albuquerque"
at the Grunwald Graphic Arts Center at UCLA (1984 December 2), "Fifty Artists / Fifty Printers" organized by the University
of New Mexico Art Museum for presentation during 1985 February symposium, an exhibition of 75 Tamarind lithographs to be circulated
by the American Museum Association, 1985-1987, and project "México Nueve" scheduled for late 1986/early 1987; McAllister H.
Hull, Jr. (Provost, University of New Mexico, Albuquerque, NM) and Adams re appointment of Marjorie Devon as director of Tamarind
(1985 June 21); Adams to W. McNeil Lowry (Director, Program in Humanities and the Arts, Ford Foundation) re request for Lowry
to serve on Tamarind Institute's National Advisory Board; Devon re her accomplishments thus far as director and award of National
Endowment for the Arts (NEA) grant to catalogue Tamarind Lithography Workshop collection and publish catalogue raisonné (1985
December 12); Wayne to Devon re slides of Wayne's work and fact sheet; Katharine H. Downer re tour of Wayne's studio; Adams
to Ed Hamilton re correspondence with Pat Gilmour and publishing a letter from Hamilton in next issue of The Tamarind Papers;
Devon re Tamarind Annual Report (1986 July 1-1987 June 30) and funding problem; also includes list of search committee members
(Clinton Adams, Vincent Beggs, Ruth Bowman, Marjorie Devon, Jerome A. Donson, Pat Gilmour, Michael Kurt, David Yager, Leonard
Lehrer, W. McNeil Lowry, Joann Moser, Nina Parris, and Joan Shantz), Tamarind Institute lithography price lists (1985 June
and December; 1986 June; 1987 March) and artists' biography sheets, exhibition checklist and announcement for "Tamarind: 25
Years 1960-1985" (1985 May18-August 30), and Gaikotsu Miyatake postcard from Linda Tyler (Assistant Editor, Tamarind Papers.)
box 38, folder 3
Tamarind Institute 1988-1989
1987, 1988
Scope and Contents note
Correspondents include: Marjorie Devon (Director, Tamarind Institute) re address for Janet Sommers, extending Wayne's term
on Tamarind advisory board, Tamarind Annual Report (1987 July 1-1988 June 30), Wayne's bout with influenza and pneumonia,
and continuing litigation with Terry Sanders; Janet Sommers re the death of her husband, John Sommers (master printer and
Technical Director, Tamarind Institute) (1988 January); also includes Tamarind Institute list of color slides of Tamarind
lithographs, lithography price lists (1987 January; 1988 March and November), artists' biography sheets, and four-page computer
printout list of names and address of printers and institutions.
box 38, folder 4
Tamarind Institute 1989
1988, 1989
Scope and Contents note
Correspondents include: Marjorie Devon (Director, Tamarind Institute) re correspondence with Jorge de Sousa (l'atelier Point
et Marge, Créteil, France); Patricia Savignac (Assistant to the Editor, Tamarind Institute) re publishing agreement between
Wayne and the Tamarind Institute; Wayne's speech, "Broken Stones and Whooping cranes: Thoughts of a Willful Artist" given
at the National Print Symposium of the Print Council of Australia (Australian National Gallery, Canberra, 1989 March 25);
Wayne's request for video tapes of "Four Stones for Kanemitsu" to be sent to Hiroshima City Museum of Contemporary Art (Hiroshima,
Japan); departure of Ed Hamilton from Wayne's studio (1989 June 5); invitation to Wayne from Mr. Shirakov, USSR Moscow Art
Foundation, to exhibit her work; also includes Annual Report of Tamarind Institute (1988 July 1-1989 June 30), and Tamarind
Institute lithography price list (1989 April) and artists' biography sheets.
box 38, folder 5
Tamarind Institute 1990
1989, 1990
Scope and Contents note
Correspondents include: Marjorie Devon (Director, Tamarind Institute) re Wayne's speech, "Broken Stones and Whooping cranes:
Thoughts of a Willful Artist" given at the National Print Symposium of the Print Council of Australia (Australian National
Gallery, Canberra, 1989 March 25), with editorial revisions; Wayne's participation in Tamarind symposium and exhibition; Wayne's
objections to her speech at symposium being taped; remodeling of Wayne's workshop building and sending box of books to Tamarind
Institute (1990 September 6); Clinton Adams (Editor, Tamarind Papers journal) re publication of "Broken Stones" in Tamarind
Papers; Linda P. Tyler (Assistant Editor, Tamarind Papers) re publishing agreement with Wayne; also includes Annual Reports
of Tamarind Institute (1988 July 1-1989 June 30; 1989 July 1-1990 June 30), Tamarind Institute lithography price list (1989
April) and artists' biography sheets, and list of lithography stones (stored in Novaro, Italy) available for sale, loan or
gift.
box 38, folder 6
Tamarind Institute 1991
1990, 1991, 1992
Scope and Contents note
Correspondents include: Bill Lagattuta (printer, Tamarind Institute); Linda P. Tyler (Assistant Editor, Tamarind Papers) re
Wayne's review of Ruth Weisberg's catalogue, "Ruth Weisberg Prints: Mid-life Catalogue Raisonné, 1961-1990" (Fresno Art Museum,
June 1990); death of Joyce Treiman; Becky Schnelker (Curator, Tamarind Institute) re inadvertent bronzing noted in some prints;
Wayne to Kyoko "Michi" Michishita re Wayne's work at Tamarind, publishing of Wayne catalogue by Pat Gilmour; also includes
Annual Report of Tamarind Institute (1990 July 1-1991 June 30) and faxed document from Wayne to Marjorie Devon (Director,
Tamarind Institute) re list of artists in Tamarind Suite XV.
box 38, folder 7
Tamarind Institute 1992
1991, 1992
Scope and Contents note
Correspondents include: Bill Lagattuta (printer, Tamarind Institute) and Marjorie Devon (Director, Tamarind Institute) re
reproofing two prints, "Eye Level" and "Inside Out"; Linda P. Tyler (Associate Editor, The Tamarind Papers) re complimentary
copies of 1991-92 issues of Tamarind Papers and current retail values of Tamarind prints (1993); Becky Schnelker (Curator,
Tamarind Institute) re Wayne's prints for exhibition; Devon re letter from Ko Muto; also includes Annual Report of Tamarind
Institute (1991 July 1-1992 June 30.)
box 38, folder 8
Tamarind Institute 1994
1994
Scope and Contents note
Correspondents include: Marjorie Devon (Director, Tamarind Institute) re her upcoming marriage to Tony Evanko; Becky Schnelker
(Curator, Tamarind Institute) re book, "Hot Off the Press: Prints & Politics" edited by Linda Tyler and Barry Walker (University
of New Mexico Press, c1994.)
box 38, folder 9
Tamarind Institute- Subscription Correspondence
1971, 1972, 1973, 1974, 1975
Scope and Contents note
Correspondents include: Judy Booth (Curator, Tamarind Institute) re packing lists for shipments of crates containing lithographs
from Tamarind Institute subscription series sent to Wayne; also includes lists of lithographs in Series I (January 1 through
June 30, 1974.)
box 38, folder 10
Hull, McAllister (UNM)
1984, 1985
Scope and Contents note
Correspondents include: McAllister H. Hull, Jr. (Provost, Office of the Provost, University of New Mexico) re activities of
search committee for new Director of Tamarind Institute (Clinton Adams' replacement); drafts of position description; Wayne's
comments on selection of Devon as new director; also includes photocopy of ledger pages with "Ranking Info Received on Tamarind
Candidates."
box 38, folder 11
Tamarind Institute Re: Director's Job
1984
Scope and Contents note
Correspondents include: McAllister H. Hull, Jr. (Chairman, Office of the Provost, University of New Mexico) re Wayne's acceptance
to serve on search committee for Clinton Adams' replacement as Director of Tamarind Institute, with list of committee members
(Paul Brach, W. McNeil Lowry, June Wayne, Tom Barrow, Betty Hahn, Rebecca Schnelker, Donald McRae, Gilbert Merkx, and McAllister
H. Hull, Jr.); cable from Lowry (in New York) to Wayne (at Hotel Pas de Calais, Paris) re activities of search committee.
box 38, folder 12
Beggs, V
1985
Scope and Contents note
Letters of recommendation for Vincent Beggs as candidate for directorship of Tamarind Institute to McAllister H. Hull, Jr.
(Provost, University of New Mexico) from: James W. Volkert (Principal, Exhibition Associations); Susan B. Wood (Director,
Greenwich House Pottery, New York, NY); Thomas R. Mathews, Jr. (Assistant Director, Palms Springs Desert Museum, Palm Springs,
CA); Mary Ann Scherr (Clairman, Clay, Metal, Textile Design, Parson School of Design, New York, NY); also includes Beggs'
resume
box 38, folder 13
Bowman, R
1985
Scope and Contents note
Letter to McAllister H. Hull, Jr. (Provost, University of New Mexico) from Ruth Bowman applying for directorship of Tamarind
Institute; also includes copy of her curriculum vitae, and letters of recommendation from Stephen E. Weil (Deputy Director,
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington D.C.) and Tom L. Freudenheim (Director, Worcester
Art Museum, Worcester, MA.)
box 38, folder 14
Devon, M
1984, 1985
Scope and Contents note
Correspondents include: Becky Schnelker (Curator, Tamarind Institute) re revised draft of job description for directorship
of Tamarind Institute; Marjorie Devon résumé and letter of application for directorship position; letters of recommendation
for Marjorie Devon to McAllister H. Hull (Provost, University of New Mexico, Albuquerque, NM) from James C. Moore (Director,
The Albuquerque Museum), Clinton Adams (Director, Tamarind Institute), Fritz Scholder (printer, Tamarind Institute), Linda
Durham (President, Linda Durham Gallery, Santa Fe, NM), and Bernard B. Lopez (Director, New Mexico Arts Division, Santa Fe,
NM); also includes photocopies of documents from Devon's personnel file re her promotion and salary history, with her handwritten
notes.
box 38, folder 15
Donson, J
1985
Scope and Contents note
Correspondents include: April L. Owens (Provost's Office, University of New Mexico) re request of Tamarind Search Committee
Members for contact list of all persons contacted re directorship position; also includes copy of résumé and letter of application
from Jerome Donson (Executive Director, Art Collectors Center, Chicago, IL), and letters of recommendation for Donson to McAllister
H. Hull, Jr. (Provost, University of New Mexico) from Gerald Nordland (Distinguished Scholar, Milwaukee Art Museum, Milwaukee,
WI), Jules Heller (Dean, College of Fine Arts, Arizona State University, Tempe, AZ), and Joseph Veach Noble (Director, Museum
of the City of New York, NY.)
box 38, folder 16
Kurt, M
1985
Scope and Contents note
Includes résumé and letter of application for Tamarind directorship position from Michael Kurt, with letters of recommendation
to McAllister H. Hull, Jr. (Provost, University of New Mexico) from Robert D. Wright (Assistant Professor, Administrative
Sciences Department, Boston College, Chestnut Hill, MA), Phyllis Gross (Vice President, Cascade State Bank, Cascade, IA),
Jane G. Kennedy (Director of Membership/Council Liaison, Institute of Contemporary Art, Boston, MA), and Carol Thompson.
box 38, folder 17
Lehrer, L
1985, no date
Scope and Contents note
Includes summary of academic and related experience, and curriculum vitae of Leonard Hehrer (Director, School of Art, Arizona
State University) re Tamarind directorship position, with letters of recommendation to McAllister H. Hull, Jr. (Provost, University
of New Mexico) from Jules Heller (Dean, College of Fine Arts, Arizona State University), Gabriel P. Weisberg (Assistant Director,
Museums Program, National Endowment for the Humanities, Washington D.C.), and Van Deren Coke (Director, Department of Photography,
San Francisco Modern Museum of Art, San Francisco, CA); Ruth E. Fine (Curator, Department of Graphic Arts, National Gallery
of Art, Washington D.C.) to Garo Z. Antreasian (Department of Art and History, University of New Mexico), and James D. Butler
to Antreasian.
box 38, folder 18
Lowry, W
1985
Scope and Contents note
Correspondents include: W. McNeil ("Mac") Lowry (Director, Program in Humanities and the Arts, Ford Foundation) re description
and candidates for directorship position for Tamarind Institute
box 39, folder 1
Moser, J
1985
Scope and Contents note
Includes résumé and letter of application for Tamarind directorship position from Joann Moser (Senior Curator of Collections,
Museum of Art, University of Iowa), with letters of recommendation to McAllister H. Hull, Jr. (Provost, University of New
Mexico) from H. Diane Russell (Assistant Head and Curator, Department of Prints and Drawings, National Gallery of Art, Washington
D.C.), James Watrous (Professor Emeritus, Department of Art History, University of Wisconsin-Madison), Williard L. Boyd (President,
Field Museum of Natural History, Chicago, IL), Phillip Dennis Cate (Director, Jane Voorhees Zimmerli Art Museum, Rutgers,
The State University of New Jersey), James T. Demetrion (Director, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution),
Ulfert Wilke (artist.)
box 39, folder 2
Paris, N
1985
Scope and Contents note
Includes curriculum vitae and letter of application for Tamarind directorship position from Nina Gumpert Parris (Chief Curator,
Columbia Museum of Art, Columbia, SC), with letters of recommendation to McAllister H. Hull, Jr. (Provost, University of New
Mexico) from Sigmund Abeles (artist, Professor Emeritus, University of New Hampshire), and Evan H. Turner (Director, Cleveland
Museum of Art, Cleveland, OH.)
box 39, folder 3
Shantz, J
1983, 1985
Scope and Contents note
Includes curriculum vitae and letter of application for Tamarind directorship position from Joan B. Shantz (Director, Public
Information Division, National Endowment for the Arts (NEA)), with letters of recommendation to McAllister H. Hull, Jr. (Provost,
University of New Mexico) from Terry Melton (Executive Director, Western States Arts Foundation, Santa Fe, NM), and Jerome
H. Perlmutter (President, Perlmutter Associates Communication and Design, Washington D.C.)
box 39, folder 4
Yager, D
1985
Scope and Contents note
Includes curriculum vitae and letter of application for Tamarind directorship position from David Yager (Director, Graphicstudio,
Department of Art, University of South Florida, Tampa, FL), with letters of recommendation to McAllister H. Hull, Jr. (Provost,
University of New Mexico) from Alan B. Eaker (Acting Chairman, Department of Art, University of South Florida, Tampa, FL),
Richard Solomon (President, Pace Editions Inc., New York, NY), Donald J. Saff (Distinguished Professor, Department of Art,
University of South Florida, Tampa, FL), and Jim Dine (artist.)
box 49, folder 3
Apr. 4, 1973 TLW Board Tape of Meeting
1973
Scope and Contents note
Contains one empty sound tape reel (4 inch), 1/4 inch box labeled "112, Tamarind Board Meeting, April 4, 1973" and "Exhibit
6"; [noted on original folder that the sound reel was moved to evidence]; also includes transcript.
box 49, folder 4
7 Board Meeting February 21, 1974
1974
Scope and Contents note
Includes: A copy of the Tamarind Lithography Workshop Inc. Board Meeting Minutes, 1974 February 21, and "transcript of tape
of Board meeting of Feb. 21, 1974, (immediately after discovery of the secret agreement between [Allan J.] Greenberg [attorney]
and Woodrow Irwin [Sanders' attorney].) Part of this tape was used in the Sanders trial and is in 'evidence' still."
box 156, folder 6
Letterwriting Preface
1988-1993
box 156, folder 7
Biography, chronology
1985-1997
box 156, folder 8
Collaboration Painters
1994
box 156, folder 11
June Wayne Creative Process
1959-1995
box 156, folder 12
June Wayne's Ideas, Regarding Art, Loves, PC
1986-1997
box 156, folder 14
Letters to Critics, Editors
1997
box 156, folder 16
Microfiche Letters
undated
box 156, folder 17
Original Print - Logos, Chops
1957-1996
box 156, folder 18
June Wayne Quoted Letters
1988-1993
box 156, folder 20
Tamarind Lithography Workshop
1996
box 157, folder 1
Tamarind Lithography Workshop Museum of Modern Art Show
1971-1996
box 159, folder 1, folder 2
Adams, Clinton 1970-1978
1970-1978
box 159, folder 7
Adams, Clinton: Budget Correspondences 1973
1973
box 159, folder 8
Adams, Clinton 1964-1973
1964-1973
box 159, folder 9
Adams, Clinton: Subscriptions
1964-1971
box 166, folder 1
Operation Cornerston
1961-1967
Series 2: Court Cases (Restricted)
1958-1990
Scope and Contents note
This series includes documents related to Wayne's court cases and is currently restricted from access.
Restrictions on Access
This series is restricted until 31 December 2015.
box 76, folder 5
Tamarind Litho. Workshop V. A. Greenberg - 01
1976 Oct 22
box 76, folder 6
Tamarind Litho. Workshop V. A. Greenberg - 02
1973, 1979
box 76, folder 8
Tamarind Litho. Workshop V. A. Greenberg - 03
1979 July 11
box 77, folder 2
Tamarind Litho. Workshop V. A. Greenberg - 04
1974, 1979
box 77, folder 3
Tamarind Litho. Workshop V. A. Greenberg - 05
1973, 1974, 1979
box 77, folder 4
Tamarind Litho. Workshop V. A. Greenberg - 06
1973, 1974, 1979
box 77, folder 7
Tamarind Litho. Workshop V. A. Greenberg - 07
1976 Sept 29
box 87, folder 11
Tamarind Litho. Workshop V. A. Greenberg - 08
1973, 1979, 1980
box 87, folder 12
Tamarind Litho. Workshop V. A. Greenberg - 09
1973, 1974, 1977, 1979
box 88, folder 1
Tamarind Litho. Workshop V. A. Greenberg - 10
1979 Nov 16
box 88, folder 4
Tamarind Litho. Workshop V. A. Greenberg - 11
1979
box 88, folder 11
Tamarind Litho. Workshop V. A. Greenberg - 12
1978
box 89, folder 7
Tamarind Litho. Workshop V. A. Greenberg - 19
1976 Mar 22, 30
box 90, folder 6
Tamarind Litho. Workshop V. A. Greenberg - 13
1976 Sept 29, Oct 6
box 90, folder 8
Tamarind Litho. Workshop V. A. Greenberg - 14
1976 Sept 14
box 90, folder 10
Tamarind Litho. Workshop V. A. Greenberg - 15
1976 July-Sept
box 90, folder 12
Tamarind Litho. Workshop V. A. Greenberg - 16
1976 May
box 90, folder 14
Tamarind Litho. Workshop V. A. Greenberg - 17
1976 Apr-May
box 90, folder 16
Tamarind Litho. Workshop V. A. Greenberg - 18
1976 Apr
box 91, folder 4
Tamarind Litho. Workshop V. Allan Greenberg - 20
1973-1975
box 95, folder 10
Tamarind Litho. Workshop V. Allan Greenberg - 21
1973 Nov, 1974 Feb,1979 Nov-Dec
box 96, folder 1
Tamarind Litho. Workshop V. Allan Greenberg - 22
1973 Nov, 1974 Feb, 1979 Nov-Dec
box 96, folder 2
Tamarind Litho. Workshop V. Allan Greenberg - 23
1973 Nov, 1974 Feb, 1979 Nov-Dec
box 96, folder 3
Tamarind Litho. Workshop V. Allan Greenberg - 24
1973 Apr 30, 1974 Feb-Mar, 1979 Sept
box 96, folder 4
Tamarind Litho. Workshop V. Allan Greenberg - 25
1973 Apr 30, 1974 Feb-Mar, 1979 Sept 10
box 96, folder 5
Tamarind Litho. Workshop V. Allan Greenberg - 26
1974 Apr 2, 1979 June 29, 1979 Aug 10
box 97, folder 1
Tamarind Litho. Workshop V. Allan Greenberg - 27
1974 Apr, 1979 June, 1979 Aug, 1979 Oct
box 97, folder 2
Tamarind Litho. Workshop V. Allan Greenberg - 28
1973, 1979
box 97, folder 3
Terry Sanders V. Tamarind Litho. Workshop - 25
1979 Apr 6
box 97, folder 4
Terry Sanders V. Tamarind Litho. Workshop - 26
1979 Apr 30
box 97, folder 5
Tamarind Litho. Workshop V. Allan Greenberg - 29
1976 Oct 22
box 97, folder 6
Tamarind Litho. Workshop V. Allan Greenberg - 30
1976 Sept 29
box 98, folder 3
TAMARIND V. GREENBERG
1976, no date
box 98, folder 4
TAMARIND V. GREENBERG
1975, 1976
box 98, folder 9
TAMARIND V. GREENBERG Extra Copies
1975, 1976
box 98, folder 10
Miscellaneous Correspondence
1970, 1971, 1973-1976
box 80, folder 3
Tamarind Litho. Workshop Petition - 01
1978 Apr 21
box 88, folder 10
Tamarind Litho. Workshop Petition - 02
1976-1978
box 88, folder 12
Tamarind Litho. Workshop Petition - 03
1978 Apr 12
box 89, folder 5
Tamarind Litho. Workshop Petition - 04
1978 Feb 6
box 90, folder 4
Wayne V. Tamarind Lithography Workshop
1978
box 76, folder 2
Terry Sanders V. Tamarind Litho. Workshop - 01
1983 Feb 4
box 76, folder 3
Terry Sanders V. Tamarind Litho. Workshop - 02
1983 Jan 6
box 76, folder 4
Terry Sanders V. Tamarind Litho. Workshop - 02
1969-1983
box 76, folder 7
Terry Sanders V. Tamarind Litho. Workshop - 03
1973, 1974, 1979
box 77, folder 1
Terry Sanders V. Tamarind Litho. Workshop - 04
1973, 1977,1979
box 86, folder 7
Terry Sanders V. Tamarind Litho. Workshop - 05
1983 Apr-May
box 86, folder 9
Terry Sanders V. Tamarind Litho. Workshop - 06
1983 Apr-May
box 86, folder 12
Terry Sanders V. Tamarind Litho. Workshop - 07
1983 Mar
box 86, folder 14
Terry Sanders V. Tamarind Litho. Workshop - 08
1982 Dec, 1983 Jan -Feb
box 87, folder 1
Terry Sanders V. Tamarind Litho. Workshop - 09
1982 Jul-Aug
box 87, folder 3
Terry Sanders V. Tamarind Litho. Workshop - 10
1982 June 28
box 87, folder 6
Terry Sanders V. Tamarind Litho. Workshop - 11
1981, 1982
box 87, folder 7
Terry Sanders V. Tamarind Litho. Workshop - 12
1981 Nov-Dec
box 87, folder 8
Terry Sanders V. Tamarind Litho. Workshop - 13
1981
box 87, folder 10
Terry Sanders V. Tamarind Litho. Workshop - 14
1980
box 88, folder 2
Terry Sanders V. Tamarind Litho. Workshop - 15
1974, 1979
box 88, folder 3
Terry Sanders V. Tamarind Litho. Workshop - 16
1979 Aug 9-10, 17
box 88, folder 5
Terry Sanders V. Tamarind Litho. Workshop - 17
1979 Feb 12, Mar 12
box 88, folder 7
Terry Sanders V. Tamarind Litho. Workshop - 18
1978 Oct
box 88, folder 9
Terry Sanders V. Tamarind Litho. Workshop - 19
1978 July, Sept
box 90, folder 2
Terry Sanders V. Tamarind Litho. Workshop - 20
1973, 1974, 1977-1979
box 95, folder 6
Terry Sanders V. Tamarind Litho. Workshop - 21
1981 Oct 9, Nov, 2 ; 1982 Jan 7; 1983 Feb 4
box 95, folder 7
Terry Sanders V. Tamarind Litho. Workshop - 22
1983 Feb 4
box 95, folder 8
Terry Sanders V. Tamarind Litho. Workshop - 23
1983 Jan 6
box 95, folder 9
Terry Sanders V. Tamarind Litho. Workshop - 24
1979 Oct 11
box 49, folder 5
Wayne & Plone V. Employers Insurance - 01
1987 Oct-Dec
box 49, folder 6
Wayne & Plone V. Employers Insurance - 02
1987 Sept-Oct
box 49, folder 7
Wayne & Plone V. Employers Insurance - 03
1987 Aug 28-Sept 2-3
box 49, folder 8
Wayne & Plone V. Employers Insurance - 04
1987 Aug
box 49, folder 9
Wayne & Plone V. Employers Insurance - 05
1987 Aug 13-18
box 49, folder 10
Wayne & Plone V. Employers Insurance - 06
1987 July-Aug
box 49, folder 11
Wayne & Plone V. Employers Insurance - 07
1987 July
box 49, folder 12
Wayne & Plone V. Employers Insurance - 08
1974 Aug 29, 1987 April-June
box 49, folder 13
Wayne & Plone V. Employers Insurance - 09
1974-1977, 1987
box 49, folder 14
Wayne & Plone V. Employers Insurance - 10
1977, 1978
box 49, folder 15
Wayne & Plone V. Employers Insurance - 11
1979-1981
box 49, folder 16
Wayne & Plone V. Employers Insurance - 12
1980-1983, 1987
box 49, folder 17
Wayne & Plone V. Employers Insurance - 13
1983, 1987
box 50, folder 1
Wayne & Plone V. Employers Insurance - 14
1983
box 50, folder 2
Wayne & Plone V. Employers Insurance - 15
1983, 1985, 1987
box 50, folder 3
Wayne & Plone V. Employers Insurance - 16
1969-1987
box 50, folder 4
Wayne & Plone V. Employers Insurance - 17
1971-1987
box 50, folder 5
Wayne & Plone V. Employers Insurance - 18
1971-1987
box 50, folder 6
Wayne & Plone V. Employers Insurance - 19
1971-1987
box 50, folder 7
Wayne & Plone V. Employers Insurance - 20
1974, 1977, 1987
box 50, folder 8
Wayne & Plone V. Employers Insurance - 21
1974, 1980, 1987
box 50, folder 9
Wayne & Plone V. Employers Insurance - 22
1980, 1987
box 50, folder 10
Wayne & Plone V. Employers Insurance - 23
1973, 1978, 1981, 1982, 1987
box 50, folder 11
Wayne & Plone V. Employers Insurance - 24
1974, 1975, 1977, 1981-1983, 1987
box 50, folder 12
Wayne & Plone V. Employers Insurance - 25
1975-1978, 1987
box 50, folder 13
Wayne & Plone V. Employers Insurance - 26
1964, 1974, 1977, 1979, 1987
box 50, folder 14
Wayne & Plone V. Employers Insurance - 27
1973, 1975, 1987
box 50, folder 15
Wayne & Plone V. Employers Insurance - 28
1977, 1979, 1982, 1987
box 50, folder 16
Wayne & Plone V. Employers Insurance - 29
1974, 1980, 1982, 1983, 1987
box 50, folder 17
Wayne & Plone V. Employers Insurance - 30
1986, 1987
box 50, folder 18
Wayne & Plone V. Employers Insurance - 31
1987
box 50, folder 19
Wayne & Plone V. Employers Insurance - 32
1987
box 50, folder 20
Wayne & Plone V. Employers Insurance - 33
1987
box 50, folder 21
Wayne & Plone V. Employers Insurance - 34
1987
box 50, folder 22
Wayne & Plone V. Employers Insurance - 35
1985, 1987
box 51, folder 1
Wayne & Plone V. Employers Insurance - 36
1987
box 51, folder 2
Wayne & Plone V. Employers Insurance - 37
1987
box 51, folder 3
Wayne & Plone V. Employers Insurance - 38
1987
box 51, folder 4
Wayne & Plone V. Employers Insurance - 39
1987
box 51, folder 5
Wayne & Plone V. Employers Insurance - 40
1982, 1983, 1987
box 51, folder 6
Wayne & Plone V. Employers Insurance - 41
1987
box 51, folder 7
Wayne & Plone V. Employers Insurance - 42
1986, 1987
box 51, folder 8
Wayne & Plone V. Employers Insurance - 43
1973, 1982, 1987
box 51, folder 9
Wayne & Plone V. Employers Insurance - 44
1987
box 51, folder 10
Wayne & Plone V. Employers Insurance - 45
1987
box 51, folder 11
Wayne & Plone V. Employers Insurance - 46
1979, 1983, 1987
box 51, folder 12
Wayne & Plone V. Employers Insurance - 47
1987
box 51, folder 13
Wayne & Plone V. Employers Insurance - 48
1987
box 51, folder 14
Wayne & Plone V. Employers Insurance - 49
1974-1977, 1987
box 51, folder 15
Wayne & Plone V. Employers Insurance - 50
1987
box 51, folder 16
Wayne & Plone V. Employers Insurance - 51
1986, 1987
box 51, folder 17
Wayne & Plone V. Employers Insurance - 52
1987
box 51, folder 18
Wayne & Plone V. Employers Insurance - 53
1987
box 52, folder 1
Wayne & Plone V. Employers Insurance - 54
1987
box 52, folder 2
Wayne & Plone V. Employers Insurance - 55
1979, 1981, 1983, 1987
box 52, folder 3
Wayne & Plone V. Employers Insurance - 56
1987
box 52, folder 4
Wayne & Plone V. Employers Insurance - 57
1981, 1982, 1984, 1986, 1987
box 52, folder 5
Wayne & Plone V. Employers Insurance - 58
1986, 1987
box 52, folder 6
Wayne & Plone V. Employers Insurance - 59
1987
box 52, folder 7
Wayne & Plone V. Employers Insurance - 60
1981, 1982, 1987
box 52, folder 8
Wayne & Plone V. Employers Insurance - 61
1987
box 52, folder 9
Wayne & Plone V. Employers Insurance - 62
1984-1987
box 52, folder 10
Wayne & Plone V. Employers Insurance - 63
1984-1987
box 52, folder 11
Wayne & Plone V. Employers Insurance - 64
1987
box 52, folder 12
Wayne & Plone V. Employers Insurance - 65
1987
box 53, folder 1
Wayne & Plone V. Employers Insurance - 66
1987
box 53, folder 2
Wayne & Plone V. Employers Insurance - 67
1982, 1987
box 53, folder 3
Wayne & Plone V. Employers Insurance - 68
1984, 1986
box 53, folder 4
Wayne & Plone V. Employers Insurance - 69
1977, 1978, 1986, 1987
box 53, folder 5
Wayne & Plone V. Employers Insurance - 70
1987
box 53, folder 6
Wayne & Plone V. Employers Insurance - 71
1987
box 53, folder 7
Wayne & Plone V. Employers Insurance - 72
1985, 1987
box 53, folder 8
Wayne & Plone V. Employers Insurance - 73
1987
box 53, folder 9
Wayne & Plone V. Employers Insurance - 74
1986, 1987
box 53, folder 10
Wayne & Plone V. Employers Insurance - 75
1984
box 53, folder 11
Wayne & Plone V. Employers Insurance - 76
1984
box 53, folder 12
Wayne & Plone V. Employers Insurance - 77
1984
box 53, folder 13
Wayne & Plone V. Employers Insurance - 78
1983, 1984
box 53, folder 14
Wayne & Plone V. Employers Insurance - 79
1983-1985
box 53, folder 15
Wayne & Plone V. Employers Insurance - 80
1984
box 54, folder 1
Wayne & Plone V. Employers Insurance - 81
1984
box 54, folder 2
Wayne & Plone V. Employers Insurance - 82
1984
box 54, folder 3
Wayne & Plone V. Employers Insurance - 83
1983, 1984
box 54, folder 4
Wayne & Plone V. Employers Insurance - 84
1984
box 54, folder 5
Wayne & Plone V. Employers Insurance - 85
1984
box 54, folder 6
Wayne & Plone V. Employers Insurance - 86
1983-1985
box 54, folder 7
Wayne & Plone V. Employers Insurance - 87
1984
box 54, folder 8
Wayne & Plone V. Employers Insurance - 88
1984, 1985
box 54, folder 9
Wayne & Plone V. Employers Insurance - 89
1984, 1985
box 54, folder 10
Wayne & Plone V. Employers Insurance - 90
1985
box 54, folder 11
Wayne & Plone V. Employers Insurance - 91
1985
box 54, folder 12
Wayne & Plone V. Employers Insurance - 92
1985
box 54, folder 13
Wayne & Plone V. Employers Insurance - 93
1985
box 54, folder 14
Wayne & Plone V. Employers Insurance - 94
1985
box 54, folder 15
Wayne & Plone V. Employers Insurance - 95
1985
box 55, folder 1
Wayne & Plone V. Employers Insurance - 96
1982, 1984, 1985
box 55, folder 2
Wayne & Plone V. Employers Insurance - 97
1985
box 55, folder 3
Wayne & Plone V. Employers Insurance - 98
1985
box 55, folder 4
Wayne & Plone V. Employers Insurance - 99
1985
box 55, folder 5
Wayne & Plone V. Employers Insurance - 100
1985
box 55, folder 6
Wayne & Plone V. Employers Insurance - 101
1984, 1985
box 55, folder 7
Wayne & Plone V. Employers Insurance - 102
1985
box 55, folder 8
Wayne & Plone V. Employers Insurance - 103
1985
box 55, folder 9
Wayne & Plone V. Employers Insurance - 104
1985
box 55, folder 12
Wayne & Plone V. Employers Insurance - 105
1985
box 56, folder 1
Wayne & Plone V. Employers Insurance - 106
1985
box 56, folder 2
Wayne & Plone V. Employers Insurance - 107
1985
box 56, folder 3
Wayne & Plone V. Employers Insurance - 108
1985
box 56, folder 4
Wayne & Plone V. Employers Insurance - 109
1985
box 56, folder 5
Wayne & Plone V. Employers Insurance - 110
1985
box 56, folder 6
Wayne & Plone V. Employers Insurance - 111
1985
box 56, folder 7
Wayne & Plone V. Employers Insurance - 112
1974-1979, 1985
box 56, folder 8
Wayne & Plone V. Employers Insurance - 113
1985
box 56, folder 9
Wayne & Plone V. Employers Insurance - 114
1985, 1986
box 56, folder 10
Wayne & Plone V. Employers Insurance - 115
1985, 1986
box 56, folder 11
Wayne & Plone V. Employers Insurance - 116
1985, 1986
box 56, folder 12
Wayne & Plone V. Employers Insurance - 117
1985, 1986
box 56, folder 13
Wayne & Plone V. Employers Insurance - 118
1983, 1985, 1986
box 56, folder 14
Wayne & Plone V. Employers Insurance - 119
1986
box 56, folder 15
Wayne & Plone V. Employers Insurance - 120
1986
box 56, folder 16
Wayne & Plone V. Employers Insurance - 121
1986, 1987
box 57, folder 1
Wayne & Plone V. Employers Insurance - 122
1986
box 57, folder 2
Wayne & Plone V. Employers Insurance - 123
1986
box 57, folder 3
Wayne & Plone V. Employers Insurance - 124
1976, 1985, 1986
box 57, folder 4
Wayne & Plone V. Employers Insurance - 125
1986
box 57, folder 5
Wayne & Plone V. Employers Insurance - 126
1986
box 57, folder 6
Wayne & Plone V. Employers Insurance - 127
1987
box 57, folder 7
Wayne & Plone V. Employers Insurance - 128
1958-1987
box 57, folder 8
Wayne & Plone V. Employers Insurance - 128
1958-1987
box 57, folder 9
Wayne & Plone V. Employers Insurance - 128
1958-1987
box 57, folder 10
Wayne & Plone V. Employers Insurance - 128
1958-1987
box 57, folder 11
Wayne & Plone V. Employers Insurance - 128
1958-1987
box 58, folder 1
Wayne & Plone V. Employers Insurance - 129
1958-1987
box 58, folder 2
Wayne & Plone V. Employers Insurance - 129
1958-1987
box 58, folder 3
Wayne & Plone V. Employers Insurance - 129
1958-1987
box 58, folder 4
Wayne & Plone V. Employers Insurance - 129
1958-1987
box 58, folder 5
Wayne & Plone V. Employers Insurance - 129
1958-1987
box 58, folder 6
Wayne & Plone V. Employers Insurance - 130
1987
box 58, folder 7
Wayne & Plone V. Employers Insurance - 131
1987
box 58, folder 8
Wayne & Plone V. Employers Insurance - 132
1987
box 59, folder 1
Wayne & Plone V. Employers Insurance - 133
1987
box 59, folder 2
Wayne & Plone V. Employers Insurance - 134
1964-1987
box 59, folder 3
Wayne & Plone V. Employers Insurance - 135
1972-1987
box 59, folder 4
Wayne & Plone V. Employers Insurance - 136
1987
box 60, folder 1
Wayne & Plone V. Employers Insurance - 137
1973-1987
box 60, folder 2
Wayne & Plone V. Employers Insurance - 138
1987
box 60, folder 3
Wayne & Plone V. Employers Insurance - 139
1987
box 60, folder 4
Wayne & Plone V. Employers Insurance - 140
1987
box 60, folder 5
Wayne & Plone V. Employers Insurance - 141
1987
box 60, folder 6
Wayne & Plone V. Employers Insurance - 142
1987
box 60, folder 7
Wayne & Plone V. Employers Insurance - 143
1987
box 60, folder 8
Wayne & Plone V. Employers Insurance - 144
1987
box 60, folder 9
Wayne & Plone V. Employers Insurance - 145
1987
box 60, folder 10
Wayne & Plone V. Employers Insurance - 146
1987
box 61, folder 1
Wayne & Plone V. Employers Insurance - 147
1987
box 61, folder 2
Wayne & Plone V. Employers Insurance - 148
1958-1987
box 61, folder 3
Wayne & Plone V. Employers Insurance - 149
1958-1987
box 61, folder 4
Wayne & Plone V. Employers Insurance - 150
1987
box 61, folder 5
Wayne & Plone V. Employers Insurance - 151
1987
box 62, folder 1
Wayne & Plone V. Employers Insurance - 152
1987
box 62, folder 2
Wayne & Plone V. Employers Insurance - 153
1987
box 62, folder 3
Wayne & Plone V. Employers Insurance - 154
1979-1987
box 62, folder 4
Wayne & Plone V. Employers Insurance - 155
1979-1987
box 62, folder 5
Wayne & Plone V. Employers Insurance - 156
1981, 1982, 1987
box 63, folder 1
Wayne & Plone V. Employers Insurance - 157
1979, 1980, 1981, 1982, 1987
box 63, folder 2
Wayne & Plone V. Employers Insurance - 158
Apr 1987
box 63, folder 3
Wayne & Plone V. Employers Insurance - 159
1987 Apr
box 63, folder 4
Wayne & Plone V. Employers Insurance - 160
1987 July 16
box 63, folder 5
Wayne & Plone V. Employers Insurance - 161
1987 July 15
box 63, folder 6
Wayne & Plone V. Employers Insurance - 162
1987 July 14
box 63, folder 7
Wayne & Plone V. Employers Insurance - 163
1987 July 13
box 64, folder 1
Wayne & Plone V. Employers Insurance - 164
1987 July 7
box 64, folder 2
Wayne & Plone V. Employers Insurance - 165
1987 July 6
box 64, folder 3
Wayne & Plone V. Employers Insurance - 166
1987 July 1
box 64, folder 4
Wayne & Plone V. Employers Insurance - 167
1987 June 30
box 64, folder 5
Wayne & Plone V. Employers Insurance - 168
1987 June 29
box 64, folder 6
Wayne & Plone V. Employers Insurance - 169
1987 June 26
box 64, folder 7
Wayne & Plone V. Employers Insurance - 170
1987 June 25
box 64, folder 8
Wayne & Plone V. Employers Insurance - 171
1987 June 24
box 64, folder 9
Wayne & Plone V. Employers Insurance - 172
1987 June 23
box 65, folder 1
Wayne & Plone V. Employers Insurance - 173
1987 June 9
box 65, folder 2
Wayne & Plone V. Employers Insurance - 174
1987 June 8
box 65, folder 3
Wayne & Plone V. Employers Insurance - 175
1987 June 5
box 65, folder 4
Wayne & Plone V. Employers Insurance - 176
1987 June 4
box 65, folder 5
Wayne & Plone V. Employers Insurance - 177
1987 June 3
box 65, folder 6
Wayne & Plone V. Employers Insurance - 178
1987 June 2
box 65, folder 7
Wayne & Plone V. Employers Insurance - 179
1987 June 1
box 65, folder 8
Wayne & Plone V. Employers Insurance - 180
1987 May 27
box 66, folder 1
Wayne & Plone V. Employers Insurance - 181
1987 May 21
box 66, folder 2
Wayne & Plone V. Employers Insurance - 182
1987 May 20
box 66, folder 3
Wayne & Plone V. Employers Insurance - 183
1987 May 19
box 66, folder 4
Wayne & Plone V. Employers Insurance - 184
1987 May 18
box 66, folder 5
Wayne & Plone V. Employers Insurance - 185
1980, 1983, 1987
box 66, folder 6
Wayne & Plone V. Employers Insurance - 186
1971-1987
box 66, folder 7
Wayne & Plone V. Employers Insurance - 186
1961-1987
box 67, folder 1
Wayne & Plone V. Employers Insurance - 187
1971-1987
box 67, folder 2
Wayne & Plone V. Employers Insurance - 187
1961-1987
box 67, folder 3
Wayne & Plone V. Employers Insurance - 188
1979-1987
box 67, folder 4
Wayne & Plone V. Employers Insurance - 189
1985, 1987
box 67, folder 5
Wayne, Mrs. June (II) (Uhley med rec)
1961, 1962, 1964-1966, 1968-1972, 1974
box 67, folder 6
Wayne, Mrs. June (II) (Uhley med rec)
1958-1961, 1963-1965
box 67, folder 7
Wayne, Mrs. June 111 of 111 (Uhley- med rec)
1978, 1979, 1983-1986
box 67, folder 8
Wayne, June (I)
1958, 1961, 1964, 1969-1987
box 67, folder 9
Wayne, June (I)
1958-1983
box 67, folder 10
Wayne & Plone V. Employers Insurance - 190
1983, 1987
box 67, folder 11
Wayne & Plone V. Employers Insurance - 191
17 Feb 1987
box 68, folder 1
Wayne & Plone V. Employers Insurance - 192
1974, 1978, 1979, 1987
box 68, folder 2
Wayne & Plone V. Employers Insurance - 193
1987 Feb 19
box 68, folder 3
Wayne & Plone V. Employers Insurance - 194
1983, 1987
box 68, folder 4
Wayne & Plone V. Employers Insurance - 195
1987
box 68, folder 5
Wayne & Plone V. Employers Insurance - 196
1982, 1983, 1987
box 68, folder 6
Wayne & Plone V. Employers Insurance - 197
1978-1981, 1987
box 68, folder 7
Wayne & Plone V. Employers Insurance - 198
1974, 1987
box 69, folder 1
Wayne & Plone V. Employers Insurance - 199
1974-1987
box 69, folder 2
Wayne & Plone V. Employers Insurance - 200
1979-1987
box 69, folder 3
Wayne & Plone V. Employers Insurance - 201
1987 Mar 17-18
box 69, folder 4
Wayne & Plone V. Employers Insurance - 201
1987 Mar 17-18
box 69, folder 5
Wayne & Plone V. Employers Insurance - 201
1987 Mar
box 69, folder 6
Wayne & Plone V. Employers Insurance - 202
1989
box 69, folder 7
Wayne & Plone V. Employers Insurance - 203
1989
box 70, folder 1
Wayne & Plone V. Employers Insurance - 204
1978-1989
box 70, folder 2
Wayne & Plone V. Employers Insurance - 205
1986 Sept 25
box 70, folder 3
Wayne & Plone V. Employers Insurance - 206
1986 Sept 26
box 70, folder 4
Wayne & Plone V. Employers Insurance - 207
1974-1987
box 70, folder 5
Wayne & Plone V. Employers Insurance - 208
1978, 1979, 1986, 1987
box 70, folder 6
Wayne & Plone V. Employers Insurance - 209
1981-1983, 1986
box 70, folder 7
Wayne & Plone V. Employers Insurance - 210
1979-1987
box 71, folder 1
Wayne & Plone V. Employers Insurance - 211
1980-1986
box 71, folder 2
Wayne & Plone V. Employers Insurance - 212
1986, 1987
box 71, folder 3
Wayne & Plone V. Employers Insurance - 213
1973-1986
box 71, folder 4
Wayne & Plone V. Employers Insurance - 214
1979, 1980, 1982, 1987
box 71, folder 5
Wayne & Plone V. Employers Insurance - 215
1987 Feb 12
box 71, folder 6
Wayne & Plone V. Employers Insurance - 216
1979-1987
box 71, folder 7
Wayne & Plone V. Employers Insurance - 217
1974-1987
box 71, folder 8
Wayne & Plone V. Employers Insurance - 218
1987-1989
box 71, folder 10
Wayne & Plone V. Employers Insurance - 219
1988
box 72, folder 1
Wayne & Plone V. Employers Insurance - 220
1988, 1989
box 72, folder 2
Wayne & Plone V. Employers Insurance - 221
1989
box 72, folder 3
Wayne & Plone V. Employers Insurance - 222
1989
box 72, folder 4
Wayne & Plone V. Employers Insurance - 223
1989, 1990
box 72, folder 5
Wayne & Plone V. Employers Insurance - 224
1990
box 72, folder 6
Wayne & Plone V. Employers Insurance - 225
1987-1990
box 72, folder 7
Wayne & Plone V. Employers Insurance - 226
1990
box 72, folder 8
Wayne & Plone V. Employers Insurance - 227
1987, 1989, 1990
box 73, folder 1
Wayne & Plone V. Employers Insurance - 228
1971-1987
box 73, folder 2
Wayne & Plone V. Employers Insurance - 229
1986, 1987
box 73, folder 3
Wayne & Plone V. Employers Insurance - 230
1984-1987
box 74, folder 1
Wayne & Plone V. Employers Insurance - 231
1974-1987
box 74, folder 2
Wayne & Plone V. Employers Insurance - 232
1974-1987
box 74, folder 3
Wayne & Plone V. Employers Insurance - 233
1987
box 74, folder 4
Wayne & Plone V. Employers Insurance - 234
1989
box 75, folder 4
Wayne & Plone V. Employers Insurance -235
1987
box 75, folder 6
Wayne & Plone V. Employers Insurance - 236
1987, 1988
box 76, folder 1
Wayne & Plone V. Employers Insurance - 237
1985 Mar 4
box 79, folder 1
Wayne & Plone V. Employers Insurance - 238
1987 Apr 3
box 79, folder 2
Wayne & Plone V. Employers Insurance - 239
1987 Mar 31
box 79, folder 3
Wayne & Plone V. Employers Insurance - 240
1985, 1990
box 81, folder 4
Wayne & Plone V. Employers Insurance - 241
1987 Apr
box 81, folder 5
Wayne & Plone V. Employers Insurance - 242
1987 Apr 20
box 81, folder 6
Wayne & Plone V. Employers Insurance - 243
1979-1983, 1987
box 82, folder 1
Wayne & Plone V. Employers Insurance - 244
1987 Apr 10
box 82, folder 2
Wayne & Plone V. Employers Insurance - 245
1987 Apr 22
box 82, folder 3
Wayne & Plone V. Employers Insurance - 246
1987 Apr 7
box 82, folder 4
Wayne & Plone V. Employers Insurance - 247
1977, 1982, 1983, 1986, 1987
box 82, folder 5
Wayne & Plone V. Employers Insurance - 248
1987 Mar 31
box 82, folder 6
Wayne & Plone V. Employers Insurance - 249
1977, 1981-1983, 1986
box 83, folder 1
Wayne & Plone V. Employers Insurance - 250
1974, 1978-1981, 1987
box 83, folder 2
Wayne & Plone V. Employers Insurance - 251
1987 Mar 11
box 83, folder 3
Wayne & Plone V. Employers Insurance - 252
1979-1981, 1987
box 83, folder 4
Wayne & Plone V. Employers Insurance - 253
1979-1981, 1987
box 84, folder 1
Wayne & Plone V. Employers Insurance - 254
1974-1978, 1987
box 84, folder 2
Wayne & Plone V. Employers Insurance - 255
1974, 1987
box 84, folder 3
Wayne & Plone V. Employers Insurance - 256
1979, 1987
box 84, folder 4
Wayne & Plone V. Employers Insurance - 257
1974, 1979, 1987
box 84, folder 5
Wayne & Plone V. Employers Insurance - 258
1987 Feb 19-20
box 84, folder 6
Wayne & Plone V. Employers Insurance - 259
1987 Feb 17
box 84, folder 7
Wayne & Plone V. Employers Insurance - 260
1987 Feb, Mar
box 84, folder 8
Wayne & Plone V. Employers Insurance - 261
1980, 1983, 1987
box 85, folder 1
Wayne & Plone V. Employers Insurance - 262
1987
box 85, folder 2
Wayne & Plone V. Employers Insurance - 263
1987 Feb 10
box 85, folder 3
C. Goodman V. Commercial Union Assurance - 01
1971, 1979, 1980-1982, 1984, 1985
box 85, folder 8
Wayne & Plone V. Employers Insurance - 264
1983 Dec 29
box 87, folder 5
Wayne & Plone V. Employers Insurance - 265
1982 May
box 89, folder 4
Wayne & Plone V. Employers Insurance - 266
1982, 1983, 1986, 1987
box 89, folder 9
Wayne & Plone V. Employers Insurance - 267
1974, 1978, 1987
box 89, folder 10
Wayne & Plone V. Employers Insurance - 268
1987
box 89, folder 11
Wayne & Plone V. Employers Insurance - 269
1987 Apr 1
box 89, folder 12
Wayne & Plone V. Employers Insurance - 270
1987 Mar-Apr
box 89, folder 13
Wayne & Plone V. Employers Insurance - 271
1987 Mar-Apr
box 89, folder 14
Wayne & Plone V. Employers Insurance - 272
1987 Mar
box 89, folder 15
Wayne & Plone V. Employers Insurance - 273
1981, 1986, 1987
box 92, folder 1
Wayne & Plone V. Employers Insurance - 274
1982, 1983, 1987
box 92, folder 2
Wayne & Plone V. Employers Insurance - 275
1987 Feb
box 92, folder 3
Wayne & Plone V. Employers Insurance - 276
1987
box 92, folder 4
Wayne & Plone V. Employers Insurance - 277
1987 Jan
box 92, folder 5
Wayne & Plone V. Employers Insurance - 278
1974, 1977, 1978, 1980-1983, 1987
box 92, folder 6
Wayne & Plone V. Employers Insurance - 278
1974, 1981-1983
box 92, folder 7
Wayne & Plone V. Employers Insurance - 279
1987
box 92, folder 8
Wayne & Plone V. Employers Insurance - 280
1987
box 92, folder 9
Wayne & Plone V. Employers Insurance - 281
1987
box 92, folder 10
Wayne & Plone V. Employers Insurance - 282
1986
box 92, folder 11
Wayne & Plone V. Employers Insurance - 283
1986
box 92, folder 12
Wayne & Plone V. Employers Insurance - 284
1986
box 92, folder 13
Wayne & Plone V. Employers Insurance - 285
1979-1981
box 92, folder 14
Wayne & Plone V. Employers Insurance - 286
1986 Oct-Nov
box 93, folder 1
Wayne & Plone V. Employers Insurance - 287
1986 Oct- Nov
box 93, folder 2
Wayne & Plone V. Employers Insurance - 288
1986 Sept-Oct
box 93, folder 3
Wayne & Plone V. Employers Insurance - 289
1986 Aug-Sept
box 93, folder 4
Wayne & Plone V. Employers Insurance - 290
1974-1978, 1981, 1982, 1986
box 93, folder 5
Wayne & Plone V. Employers Insurance - 291
1986 Apr, July
box 93, folder 6
Wayne & Plone V. Employers Insurance - 292
1974-1982, 1985, 1986
box 93, folder 7
Wayne & Plone V. Employers Insurance - 293
1980, 1981, 1985
box 93, folder 8
Wayne & Plone V. Employers Insurance - 294
1985 Apr-June
box 93, folder 9
Wayne & Plone V. Employers Insurance - 295
1985 Feb-Apr
box 93, folder 10
Wayne & Plone V. Employers Insurance - 296
1973, 1979, 1984, 1985
box 94, folder 3
Wayne & Plone V. Employers Insurance - 297
1984, 1987
box 94, folder 10
Wayne & Plone V. Employers Insurance - 298
1987 June 24
box 95, folder 1
Wayne & Plone V. Employers Insurance - 299
1987 June 23
box 95, folder 2
Wayne & Plone V. Employers Insurance - 300
1987 June 9
box 95, folder 3
Wayne & Plone V. Employers Insurance - 301
1987 June 8
box 104, folder 4
Wayne & Plone V. Employers Insurance - 213
1973-1987
box 104, folder 5
Wayne & Plone V. Employers Insurance - 257
1974, 1979, 1987
box 55, folder 10
Tamarind Litho. Workshop V. Terry Sanders - 01
1974, 1978, 1979, 1983, 1985
box 55, folder 11
Tamarind Litho. Workshop V. Terry Sanders - 02
1977-1979, 1985
box 71, folder 9
Tamarind Litho. Workshop V. Terry Sanders - 03
1983, 1988
box 72, folder 9
Tamarind Litho. Workshop V. Terry Sanders - 04
1977, 1984
box 74, folder 5
Tamarind Litho. Workshop V. Terry Sanders - 05
1982
box 75, folder 1
Tamarind Litho. Workshop V. Terry Sanders - 06
1971-1982
box 75, folder 2
Tamarind Litho. Workshop V. Terry Sanders - 07
1969-1982
box 75, folder 3
Tamarind Litho. Workshop V. Terry Sanders - 08
1959-1982
box 75, folder 5
Tamarind Litho. Workshop V. Terry Sanders - 09
1977, 1983
box 77, folder 5
Tamarind Litho. Workshop V. Terry Sanders - 10
1977 Apr 20
box 77, folder 6
Tamarind Litho. Workshop V. Terry Sanders - 11
1974 Jul 10
box 77, folder 8
Tamarind Litho. Workshop V. Terry Sanders - 12
1977 May-June
box 77, folder 9
Tamarind Litho. Workshop V. Terry Sanders - 13
1977 May-June
box 78, folder 1
Tamarind Litho. Workshop V. Terry Sanders - 14
977 June 3
box 78, folder 2
Tamarind Litho. Workshop V. Terry Sanders - 15
1977 June 6-7
box 78, folder 3
Tamarind Litho. Workshop V. Terry Sanders - 16
1977 June 8
box 78, folder 4
Tamarind Litho. Workshop V. Terry Sanders - 17
1977 June 8-9
box 78, folder 5
Tamarind Litho. Workshop V. Terry Sanders - 18
1977 June
box 78, folder 6
Tamarind Litho. Workshop V. Terry Sanders - 19
1977 June 15-17
box 78, folder 7
Tamarind Litho. Workshop V. Terry Sanders - 20
1977 June 27-29
box 79, folder 4
Tamarind Litho. Workshop V. Terry Sanders - 21
1968-1982
box 79, folder 5
Tamarind Litho. Workshop V. Terry Sanders - 22
1971-1982
box 80, folder 1
Tamarind Litho. Workshop V. Terry Sanders - 23
1968-1982
box 80, folder 2
Tamarind Litho. Workshop V. Terry Sanders - 24
1959-1982
box 80, folder 4
Tamarind Litho. Workshop V. Terry Sanders - 25
1977 June 27-29
box 80, folder 5
Tamarind Litho. Workshop V. Terry Sanders - 26
1977 June 15-17
box 81, folder 1
Tamarind Litho. Workshop V. Terry Sanders - 27
1977 June 8-9
box 81, folder 2
Tamarind Litho. Workshop V. Terry Sanders - 28
1977 June
box 81, folder 3
Tamarind Litho. Workshop V. Terry Sanders - 29
1977 May-June
box 85, folder 5
Tamarind V. Sanders, Wayne/Remittitur File CSH
1977-1981, 1983
box 85, folder 6
[Tamarind V. Sanders - Appeal]
1978, 1979, 1983
box 85, folder 7
[Tamarind V. Sanders - Appeal]
1969, 1977, 1978, 1980-1983
box 86, folder 1
Tamarind Litho. Workshop V. Terry Sanders - 30
1983 Nov-Dec
box 86, folder 2
Tamarind Litho. Workshop V. Terry Sanders - 31
1975, 1978-1980, 1983
box 86, folder 3
Tamarind Litho. Workshop V. Terry Sanders - 32
1977, 1978, 1980, 1981, 1983
box 86, folder 4
Tamarind Litho. Workshop V. Terry Sanders - 33
1983
box 86, folder 5
Tamarind Litho. Workshop V. Terry Sanders - 34
1978, 1979, 1983
box 86, folder 6
Tamarind Litho. Workshop V. Terry Sanders - 35
1983
box 86, folder 8
Tamarind Litho. Workshop V. Terry Sanders - 36
1975, 1983
box 86, folder 11
Tamarind Litho. Workshop V. Terry Sanders - 37
1983 Apr
box 86, folder 13
Tamarind Litho. Workshop V. Terry Sanders - 38
1982 Dec 7, ca. 1983
box 86, folder 15
Tamarind Litho. Workshop V. Terry Sanders - 39
1969, 1981, 1982
box 87, folder 2
Tamarind Litho. Workshop V. Terry Sanders - 40
1982 June 29
box 87, folder 4
Tamarind Litho. Workshop V. Terry Sanders - 41
1982 June 2, 8
box 87, folder 9
Tamarind Litho. Workshop V. Terry Sanders - 42
1980, 1981
box 88, folder 6
Tamarind Litho. Workshop V. Terry Sanders - 43
1978 Sept-Dec
box 88, folder 8
Tamarind Litho. Workshop V. Terry Sanders - 44
1978 Sept 5-6, 25
box 88, folder 13
Tamarind Litho. Workshop V. Terry Sanders - 45
1978 Mar 20-21
box 88, folder 14
Tamarind Litho. Workshop V. Terry Sanders - 46
1977 Sept-Dec
box 88, folder 15
Tamarind Litho. Workshop V. Terry Sanders - 47
1977
box 88, folder 16
Tamarind Litho. Workshop V. Terry Sanders - 48
1977 Aug
box 88, folder 17
Tamarind Litho. Workshop V. Terry Sanders - 49
1977 July-Aug
box 88, folder 18
Tamarind Litho. Workshop V. Terry Sanders - 50
1977
box 88, folder 19
Tamarind Litho. Workshop V. Terry Sanders - 51
1977 Mar-Apr
box 88, folder 20
Tamarind Litho. Workshop V. Terry Sanders - 52
1977 Mar
box 89, folder 1
Tamarind Litho. Workshop V. Terry Sanders - 53
1974, 1977
box 89, folder 2
Tamarind Litho. Workshop V. Terry Sanders - 54
1977 Feb-Mar
box 89, folder 3
Tamarind Litho. Workshop V. Terry Sanders - 55
1974, 1976, 1977
box 89, folder 6
Tamarind Litho. Workshop V. Terry Sanders - 56
1975 Nov-Dec
box 89, folder 8
Tamarind Litho. Workshop V. Terry Sanders - 57
1969, 1975
box 90, folder 5
Tamarind Litho. Workshop V. Terry Sanders - 58
1976, 1977
box 90, folder 7
Tamarind Litho. Workshop V. Terry Sanders - 59
1976
box 90, folder 9
Tamarind Litho. Workshop V. Terry Sanders - 60
1976 Sept 20
box 90, folder 11
Tamarind Litho. Workshop V. Terry Sanders - 61
1975, 1976
box 90, folder 13
Tamarind Litho. Workshop V. Terry Sanders - 62
1976 May
box 90, folder 15
Tamarind Litho. Workshop V. Terry Sanders - 63
1975, 1976
box 90, folder 17
Tamarind Litho. Workshop V. Terry Sanders - 64
1976 Mar-Apr
box 90, folder 18
Tamarind Litho. Workshop V. Terry Sanders - 65
1973, 1974, 1976
box 90, folder 19
Tamarind Litho. Workshop V. Terry Sanders - 66
1970, 1973-1975
box 91, folder 1
Tamarind Litho. Workshop V. Terry Sanders - 67
1975 June
box 91, folder 2
Tamarind Litho. Workshop V. Terry Sanders - 68
1973, 1975
box 91, folder 3
Tamarind Litho. Workshop V. Terry Sanders - 69
1973-1975
box 91, folder 5
Tamarind Litho. Workshop V. Terry Sanders - 70
1975 Jan-Feb
box 91, folder 6
Tamarind Litho. Workshop V. Terry Sanders - 71
1973-1975
box 91, folder 7
Tamarind Litho. Workshop V. Terry Sanders - 72
1973, 1974
box 91, folder 9
Tamarind Litho. Workshop V. Terry Sanders - 73
1974 July
box 91, folder 10
Tamarind Litho. Workshop V. Terry Sanders - 74
1974 July 24
box 91, folder 11
Tamarind Litho. Workshop V. Terry Sanders - 75
1973, 1974
box 95, folder 4
Tamarind Litho. Workshop V. Terry Sanders - 76
1983 Nov 10, Dec 28
box 95, folder 5
Tamarind Litho. Workshop V. Terry Sanders - 77
1983 Nov 10, Dec 28
box 93, folder 11
Supporting documents for Court Cases- 01
1970-1974
box 93, folder 12
Supporting documents for Court Cases- 02
1965, 1968-1974, 1977
box 85, folder 4
T. Sanders V. Commercial Union Insurance - 01
1983, 1984
box 86, folder 10
T. Sanders V. Commercial Union Insurance - 02
no date.
box 90, folder 3
Wayne V. Tamarind Litho. & Univ New Mexico
ca. 1978
box 90, folder 1
Sanders V. Tamarind and Univ. New Mexico - 01
1977-1980
box 91, folder 8
Sanders V. Tamarind and Univ. New Mexico - 02
1974 Dec 28
David Alkire's Notes/Correspondence
box 98, folder 2
TAMARIND V. GREENBERG Correspondence
1973-1977
box 35, folder 1
Transcript-1969 w/C. Smith, J. Wayne & T. Sanders
1969, 1974
Scope and Contents note
Transcript of two taped conversations that took place on1969 April 16 between Clifford Smith (Director of Education) and Terry
Sanders (film maker); and Wayne with Terry Sanders; includes photocopy of letter of certification signed by transcriber, Catherine
Barrett (1974 May 30.)
box 94, folder 1
Sanders' documents Produced 1974 (?)
1969, 1970, 1973-1975, 1977
box 94, folder 2
Comprehensive Commercial Policy for Wayne
1974
box 94, folder 4
Docs. Produced by Wayne (to Bonelli, Wood)
1983, 1984
box 94, folder 5
Claim Technical Manual
1981, 1984
box 94, folder 6
Claim Technical Manual
1981, 1984, 1987
box 94, folder 8
Supporting documents for Court Cases- 03
1969, 1970, 1973, 1977, 1980, 1981
box 94, folder 9
Insurance [Package] June Tamarind
1971-1974, 1979
box 98, folder 1
Allan Greenberg's Notes
1973 Feb, Apr
box 98, folder 5
Greenberg, Allan 2-113 22 May 67 - 29 Sept. 72
1967-1972
box 98, folder 6
Greenberg, Allan 2-114 22 Jan 64- 25 Dec 66
1964-1966
box 98, folder 7
Greenberg Correspondence
1969-1977, 1979, no date
box 98, folder 8
Robert Sinclair report on costs to make 4 Stones
1969, 1973, no date
box 104, folder 6
Docs. Produced by Wayne (to Bonelli, Wood)
1978, 1984
box 104, folder 7
Supporting documents for Court Cases- 03
1964, 1965, 1968-1974, no date
box 98, folder 12
File G - 2
1970, 1972, 1973
box 99, folder 1
File G - 2
1970, 1972, 1973
box 99, folder 2
File G - 2
1970, 1972, 1973, no date
box 99, folder 4
Misc. Legal Documents & Notes, Correspondence
1969, 1978, 1979, 1981, 1983-1985, 1987
box 99, folder 5
Misc. Legal Documents & Notes, Correspondence
1978
box 99, folder 6
Misc. Legal Documents & Notes, Correspondence
1976, 1977, no date
box 99, folder 7
Misc. Legal Documents & Notes, Correspondence
1976
box 99, folder 8
Misc. Legal Documents & Notes, Correspondence
1974-1976
box 99, folder 9
Misc. Legal Documents & Notes, Correspondence
1974, 1976-1981
box 99, folder 10
Misc. Legal Documents & Notes, Correspondence
1974, 1976-1978
box 100, folder 1
Misc. Legal Documents & Notes, Correspondence
1974
Scope and Contents note
Correspondents include: Cecily Back
box 100, folder 2
Misc. Legal Documents & Notes, Correspondence
1970, 1973-1975
box 100, folder 3
Misc. Legal Documents & Notes, Correspondence
1959, 1973, 1974
box 100, folder 4
Misc. Legal Documents & Notes, Correspondence
1970-1974
box 100, folder 5
Misc. Legal Documents & Notes, Correspondence
1970-1973
box 100, folder 6
Misc. Legal Documents & Notes, Correspondence
1972
box 100, folder 7
Tamarind Lithography Workshop V. Terry Sanders
1977, 1978, no date
box 100, folder 8
Tamarind Lithography Workshop V. Terry Sanders
1977
box 100, folder 9
Tamarind Lithography Workshop V. Terry Sanders
1977
box 100, folder 10
Tamarind Lithography Workshop V. Terry Sanders
1975, 1977
box 100, folder 11
Tamarind Lithography Workshop V. Terry Sanders
1975
box 101, folder 1
Tamarind Lithography Workshop V. Terry Sanders
1974, 1975
box 101, folder 2
Tamarind Lithography Workshop V. Terry Sanders
1974
box 101, folder 3
Tamarind Lithography Workshop V. Terry Sanders
1973, 1974
box 101, folder 4
Terry Sanders Documents: 1974 - 1986
1962-1966, 1968-1974, no date
box 101, folder 5
Terry Sanders Documents: 1974 - 1986
1971-1974, 1986, no date
box 101, folder 6
Terry Sanders Documents: 1974 - 1986
1977-1979, 1985, 1986,
box 101, folder 7
Terry Sanders Documents: 1974 - 1986
1983-1985
box 101, folder 8
Terry Sanders Documents: 1974 - 1986
1983
box 101, folder 9
Terry Sanders Documents: 1974 - 1986
1977-1979, 1983
box 102, folder 1
Terry Sanders Documents: 1974 - 1986
1982, 1983
box 102, folder 2
Terry Sanders Documents: 1974 - 1986
1981, 1982
box 102, folder 3
Terry Sanders Documents: 1974 - 1986
1977, 1978, 1980-1982
box 102, folder 4
Terry Sanders Documents: 1974 - 1986
1977
box 102, folder 5
Terry Sanders Documents: 1974 - 1986
1977
box 102, folder 6
Terry Sanders Documents: 1974 - 1986
1977 June 3
box 102, folder 7
Terry Sanders Documents: 1974 - 1986
1977 May, June; 1978 Mar
box 102, folder 8
Terry Sanders Documents: 1974 - 1986
1977 May, June; 1978 Mar
box 103, folder 1
Terry Sanders Documents: 1974 - 1986
1974
box 103, folder 2
Terry Sanders Documents: 1974 - 1986
1973, 1974
box 103, folder 3
Terry Sanders Documents: 1974 - 1986
1973, 1974
box 103, folder 4
Terry Sanders Documents: 1974 - 1986
1960-1964, 1970-1974, 1975-1978, no date
box 103, folder 5
Terry Sanders Documents: 1974 - 1986
1972-1976
box 103, folder 6
Terry Sanders Documents: 1974 - 1986
1968, 1969, 1973, 1974
box 103, folder 7
Terry Sanders Documents: 1974 - 1986
1973, 1974
box 103, folder 8
Terry Sanders Documents/Cork Festival
1974
box 103, folder 9
Terry Sanders Documents: 1974-1986
1959, 1970-1978, 1980
box 103, folder 10
Terry Sanders Documents: 1974-1986
1960-1964, 1966-1971
Series 3: Dorothy's Possessions
1918-1960
Scope and Contents note
This series includes items belonging to Wayne's mother, Dorothy Kline (1901-1960), during the course of her 25- year career
as a traveling corset saleswoman for the Bien Jolie Company. Many of the items were used in the creation of Wayne's "The Dorothy
Series" (1975-1979) portfolio of twenty lithographs. Also included are items from Wayne's childhood, and documents from Dorothy's
tax returns from 1946-1960.
box 45, folder 16
Black lace girdle
1960
Scope and Contents note
One black elasticized lace girdle with red trim, cut in half for use in creating Wayne's print, "Two Way Stretch."
box 45, folder 12
Black pantyhose
1960
Scope and Contents note
One pair black Danskin nylon pantyhose, reinforced heel and toe.
box 45, folder 15
Black wired bra
1960
Scope and Contents note
One black satin and lace underwire bra, used in creating Wayne's print, "Power Net" from "The Dorothy Series."
box 45, folder 13
Dark brown pair of hose
1960
Scope and Contents note
One pair brown silk stockings, reinforced toe.
box 45, folder 6
Dorothy Kline's brown lizard and white sling pumps
1960
Scope and Contents note
Dorothy Kline's size 4B brown and ivory wingtip sling pumps.
box 104, folder 1
Dorothy's Tax Returns & IRS Supportive Chits
1946-1948, 1953, 1955, 1957, 1959, 1960, 1962
box 104, folder 2
Dorothy's Tax Returns & IRS Supportive Chits
1954-1960
box 104, folder 3
Dorothy's Tax Returns & IRS Supportive Chits
1947, 1949-1956, 1958, 1960, 1961
box 45, folder 3
June Wayne's little undershirt
1918
Scope and Contents note
Wayne's cotton knit short-sleeved shirt from when she was an infant.
box 45, folder 4
June Wayne's infant shoes
1919
Scope and Contents note
Pair of Wayne's lace-up leather baby shoes.
box 45, folder 5
June Wayne's infant shoes
1921
Scope and Contents note
Pair of Wayne's lace-up brown leather baby shoes.
box 45, folder 11
Playtex Bra
1960
Scope and Contents note
One beige Platex front-clasp underwire bra.
box 45, folder 1
Portfolio folder
1960
Scope and Contents note
Brown cardboard portfolio with Dorothy A. Kline's Bien Jolie Foundation Garments business card from "Benjamin & Johnes Incorporated,
Newark, N.J."
box 45, folder 17
Ribbon pressed in black ink
1960
Scope and Contents note
Two ribbed satin ribbons and one loop-edige ribbon, stained with black ink from use in one of Wayne's prints.
box 45, folder 18
Sack of garters
1960
Scope and Contents note
Assorted black, white, and red garter clips and belts, some of which were used in creating Wayne's print, "Dorothy and the
Paris Garter Company" from "The Dorothy Series."
box 45, folder 2
Silk lingerie holder
1960
Scope and Contents note
Quilted ivory and light blue satin lingerie bag with button closure.
box 45, folder 8
Three pairs of gloves
1960
Scope and Contents note
One single and three pairs of Dorothy Kline's leather gloves, one of which was used in creating Wayne's print, "Winter of
'37" from "The Dorothy Series."
box 45, folder 14
Three strand necklace of white pearl-like beads
1960
Scope and Contents note
One triple-strand, creamy faux pearl choker necklace, used in creating Wayne's print, "Last Time" from "The Dorothy Series."
box 45, folder 10
Two "little nothing" bras
1960
Scope and Contents note
One beige and one black "Exquisite Form Rudi Gernreich No Bra" nylon bras.
box 45, folder 9
Warner's Merry Widow bra
1960
Scope and Contents note
Black lace Warner "Cinch-Bra Merry Widow" corset with red satin ribbon inset.
box 45, folder 7
White strapless bra
1960
Scope and Contents note
White lace underwire strapless bra.
Series 4: Employment Reports
1969-1973
Scope and Contents note
This series includes daily reports of tasks executed by Wayne's assistants, Linda Cohen, Betty Fiske, Linda Fasulo, Beverly
Korenwaser, Lillian Lesser, Norma Neiman, and others, as well as several chronological indexes of task topics.
box 33, folder 5
Daily Reports Jan-June 1969
1969
Scope and Contents note
Daily reports of tasks executed by Wayne's assistants, Lita Albuquerque and Linda Fasulo (1969 May 7-June 30); also includes
chronological index of task topics [created at later time.]
box 33, folder 7
Daily Reports July-December 1969
1969
Scope and Contents note
Daily reports of tasks executed by Wayne's assistant, Linda Fasulo (1969 July 1-December 31); also includes chronological
index of task topics [created at later time.]
box 33, folder 8
Daily Reports January - June 1970
1970
Scope and Contents note
Daily reports of tasks executed by Wayne's assistants, Bryna, Bobbi, and Norma [Neiman] (1970 January 2-June 24); also includes
chronological index of task topics [created at later time.]
box 33, folder 9
Daily Reports July - December 1970
1970
Scope and Contents note
Daily reports of tasks executed by Wayne's assistants, Diana Gough, Alice W., Peggy Dryden, Linda Fasulo, and Norma [Neiman]
(1970 July 2-December 31); also includes chronological index of task topics [created at later time.]
box 33, folder 10
Daily Reports January - June 1971
1971
Scope and Contents note
Correspondence with Wayne's assistants, Norma Neiman and Betty Fiske (1971 May 14-July 1) re: Marshall Lee (Harry N. Abrams),
Blue Cross, Clint Adams, Irving Stone (author), Saul Marks, Gustave von Groschiwitz (Associate Director, Museum of Art, University
of Iowa), Mrs. John A. Pope (President, International Exhibitions Foundation, Washington D.C.), Allan J. Greenberg (attorney),
and Roland Petersen (artist); also includes chronological index of task topics [created at later time.]
box 33, folder 11
Daily Reports January - June 1971
1971
Scope and Contents note
Daily reports of tasks executed by Wayne's assistants, Shirley, Alice W., Norma Neiman, Linda Cohen, and Betty Fiske (1971
January 2-May 11); [chronological index of task topics that corresponds with this material is located in folder 10.]
box 33, folder 12
Daily Reports July 1971 - December 1971
1971
Scope and Contents note
Daily reports of tasks executed by Wayne's assistants, Beverly Korenwaser, Norma Neiman, Betty Fiske and Linda Cohen (1971
July 1-December 30); also includes chronological index of task topics [created at later time.]
box 34, folder 1
Daily Reports January 1972 - June 1972
1972
Scope and Contents note
Daily reports of tasks executed by Wayne's assistants, Beverly Korenwaser, Norma Neiman, and Linda Cohen (1972 March 27-June
30); also includes chronological index of task topics [created at later time.]
box 34, folder 2
Daily Reports January 1972 - June 1972
1972
Scope and Contents note
Daily reports of tasks executed by Wayne's assistants, Beverly Korenwaser and Linda Cohen (1972 January 2- March 24) [chronological
index of task topics that corresponds with this material is located in folder 1.]
box 34, folder 3
Daily Reports January 1973 - June 1973
1973
Scope and Contents note
Daily reports of tasks executed by Wayne's assistants, Beverly Korenwaser, Norma Neiman, Betty Fiske, and Linda Cohen (1973
January 8-June 29); also includes chronological index of task topics [created at later time.]
box 34, folder 4
Daily Reports July 1973 - December 1973
1973
Scope and Contents note
Daily reports of tasks executed by Wayne's assistants, Beverly Korenwaser, Kathryn Smith, Rosalie, and Linda Cohen (1973 July
2-December 3); also includes chronological index of task topics [created at later time.]
box 34, folder 5
Daily Reports July 1972 - December 1972
1972
Scope and Contents note
Daily reports of tasks executed by Wayne's assistants, Beverly Korenwaser, Kathryn Smith, Betty Fiske, Rosalie, Linda Cohen,
Hilda, and Nancy Boone (1972 July 5-December 28); also includes chronological index of task topics [created at later time].
box 33, folder 6
Lillian's Checklist 5/8/69 to 9-2/69
1969
Scope and Contents note
Daily reports of tasks executed by Wayne's assistants, Lillian Lesser (1969 May 8-August 26); also includes chronological
index of task topics [created at later time.]
Series 5: Four Stones For Kanemitsu
1969-1974
Scope and Contents note
This series includes transcripts and sound recordings on audio tape which were created during the production of the film,
Four Stones for Kanemitsu (1973), including interviews with the film's subject, artist Mike Kanemitsu.
box 34, folder 7
Wayne & Lozingot taping sound for film
1977
Scope and Contents note
Contains one sound tape reel (4 inch), 1/4 inch Acetate tape in box labeled Serge Lozingot and Wayne taping film dialog.
box 34, folder 8
Tamarind Production "Four Stones" Tape #2
1977
Scope and Contents note
Contains one sound reel (7 inch), 1/4 inch tape in box labeled Tamarind Production, "Four Stones [for Kanemitsu]" film, tape
#2, "Jacqueline Cambas" [editor], and "Litho. FX-R-2"
box 34, folder 9
Homage To A Lithograph
1977
Scope and Contents note
Contains one sound reel (7 inch), 1/4 inch tape (7 1/2 IPS, "full track, no sync") in box labeled, "HOMAGE TO A LITHOGRAPH"
transferred from Glen Glenn 3-stripe (transferred 1977 April 14), "This was provided by [Terry] Sanders as result of deposition."
box 34, folder 10
Tamarind Four Stones
1977
Scope and Contents note
Contains one sound reel (7 inch), 1/4 inch tape (7 1/2 IPS, "full track, no sync") in box labeled, "TAMARIND FOUR STONES 7
1/2 NAGRA SYNCH" (taken from Glen Glenn 1977 April), "dupe rental tape of Stewart mix of [Jacqueline] Cambas cut"
box 35, folder 2
List of tapes-Barrett
1969, 1970
Scope and Contents note
List of tapes being transcribed, with description from box, date, and tape speed.
box 35, folder 3
Transcript April 18, 1970 D-3
1970
Scope and Contents note
Contains one sound reel (5 inch), 1/4 inch (3 3/4 IPS) polyester tape in box labeled "Lithograph FX - R05 D-3" (1970 April
18); also includes transcript, "Lithography Film, Sound Roll Effects, Roll 5, D-3."
box 35, folder 4
Transcript April 16, 1970 C-9
1970
Scope and Contents note
Contains one sound reel (7 inch), 1/4 inch (7 1/2 IPS) polyester tape in box labeled "Monologue Retakes R-2 C-9" (1970 April
16), "Serge and Gene"; also includes transcript "April 16th, monologue retakes, roll two"
box 35, folder 5
Transcript April 16, 1970 C-8
1970
Scope and Contents note
Contains one sound reel (7 inch), 1/4 inch (7 1/2 IPS) polyester tape in box labeled "Litho Monol. Retakes R-1 C- 8" (1970
April 16) and "Additional Monologue Re-Takes"; also includes transcript.
box 35, folder 6
Transcript April 9, 1970 D-2
1970
Scope and Contents note
Contains one sound reel (5 inch), 1/4 inch polyester tape in box labeled "Lithography Film FX Roll #4 R-4, D-2 / Room Tone,
Chop" (1970 April 9) and "Additional Monologue Re-Takes"; also includes notes describing tape contents.
box 35, folder 7
Transcript April 4, 1970 C-6
1970
Scope and Contents note
Contains one sound reel (7 inch), 1/4 inch (7 1/2 IPS) polyester tape in box labeled "Lithography Film FX Roll 3 C- 6"; also
includes transcript, "RX Roll, Sound effects, R-3" (1970 April 4.)
box 35, folder 8
Tape Transcript Mar. 13, 1970 C-4
1970
Scope and Contents note
Contains one sound reel (7 inch), 1/4 inch (7 1/2 IPS) polyester tape in box labeled "Gene Monolog, Litho C-4" (1970 March
13) with label for "The Terry Sanders Company Production Office / 1107 1/2 Glendon Avenue, Los Angeles, California 90024";
also includes transcripts "Tape C8" (1970 April 16), "Tape C8 Additional monolog retakes" and "Gene Monologue, C-4" (1970
March 13.)
box 36, folder 1
Transcript April 16, 1970 C-7
1970, 1973
Scope and Contents note
Contains one sound reel (7 inch), 1/4 inch tape in box labeled "Lithography -- Monologue retakes -- Mike" (1970 April 16)"
and "Monol. Retakes R-3 C-7"; also includes invoice slip from Glen Glenn Sound (Hollywood, CA), "Serge & Mike Dialog" (1973
April 9) with five tapes being signed for by Jacqueline Cambas [editor]; and transcript of "Monologue Retakes R3 April 16,
1970."
box 36, folder 2
Transcript Mar. 20, 1970 D-1
1969, 1970
Scope and Contents note
Contains one sound reel (5 inch), 1/4 inch (7 1/2 IPS) polyester tape in box labeled "Tamarind Production 'Four Stones' Jacqueline
Cambas 464-21 27 Tape 1, D-1" and "Lithograph 3/20/70 4/4/70"; also includes transcript of Lithography film, levitor effects
(1970 March 20.)
box 36, folder 3
Tape Transcript March 9, 1970 C-2
1970
Scope and Contents note
Contains one sound reel (7 inch), 1/4 inch (3 3/4 IPS) tape in box labeled "Serge Monol. Litho. 3/9/70 Tape # 1, C- 2" with
label "The Terry Sanders Company Production Office / 1107 1/2 Glendon Avenue, Los Angeles, California 90024"; also includes
transcript of "Serge Monologue, Litho, tape #1" (1970 March 9.)
box 36, folder 4
Transcript Mar. 9, 1970 C-3
1970
Scope and Contents note
Contains one sound reel (7 inch), 1/4 inch (3 3/4 IPS) tape in box labeled "Serge Monol. Litho. 3/9/70 Tape # 2, C- 3" with
label "The Terry Sanders Company Production Office / 1107 1/2 Glendon Avenue, Los Angeles, California 90024"; also includes
transcript of "Serge Monologue, Litho, tape #2" (1970 March 9.)
box 36, folder 5
Transcript from 1969 Tape -Terry Sanders
1969, 1974
Scope and Contents note
Contains one sound reel (5 inch), 1/4 inch (15/16 IPS) tape in box labeled "Tamarind / Interviews / Clifford Smith, Dir. Of
Education / June Wayne" (1969 April 16) and a label, "Exhibit 4"; also includes 25-page transcript, with letter of certification
signed by transcriber, Catherine Barrett (1974 May 30.)
box 36, folder 6
Transcript Mar.6, 1970 C-1
1970
Scope and Contents note
Contains one sound reel (7 inch), 1/4 inch (3 3/4 IPS) tape in box labeled "Mike Monol. Litho. 3/6/70 C-1" with label "The
Terry Sanders Company Production Office / 1107 1/2 Glendon Avenue, Los Angeles, California 90024"; also includes transcript
of "C-1 Mike Monologue, Litho" (1970 March 6.)
box 37, folder 1
Transcript Sept 4+5, 1969 B-11
1969
Scope and Contents note
Contains one sound reel (5 inch), 1/4 inch (3 3/4 IPS) tape in box labeled "Litho - Prot - 914.5" and "B-11" and "1969"; also
includes transcript of "B 11 Litho Protection" and notes describing tape contents.
box 37, folder 2
Transcript Aug. 22, 1969 A-3
1969, 1973
Scope and Contents note
Contains one sound reel (5 inch), 1/4 inch (3 3/4 IPS) tape in box labeled "Tamarind Film / Lithography / Tape 3 Dialogue,
Serge and Mike referring to wash (cue) (camera 16) 8/22/69; Monologue Mike on reversing design; Dialogue serge & Mike planning
colors 8/23/69; Dialogue for roll 23, Serge and Mike (cue track); Gene [Sturman] and Serge on press (cue track); Gene and
Serge washing out sponge"; box bears tag taped to outside of lid which reads, "ADMITTED IN EVIDENCE, Case No. 984923, Date
Jan 23 1973"; also includes transcript of "A/3 8-22-69 -- Friday / AV Lithography roll 3" and notes describing tape contents.
box 37, folder 3
Transcript August 19, 1969 A-2
1969, 1973
Scope and Contents note
Contains one sound reel (5 inch), 1/4 inch (3 3/4 IPS) tape in box labeled "Tamarind Film / Lithography / Tape 2 Dialogue
referring to drawing (cue track) between Serge [Lozingot] and Mike [Kanemitsu] 8/19/69; Monologue Mike referring to drawing
8/21/69; Monologue Serge referring to wash; Serge and Mike preparing wash (cue track) Camera Roll 12 8/22/69; Serge and Gene
[Sturman] referring to mixing wash; Serge referring to gum arabic (retake); Serge and Mike referring to wash (cue track) Camera
Roll 14; Serge and Mike referring to wash(gum) on stone"; box bears tag taped to outside of lid which reads, "ADMITTED IN
EVIDENCE, Case No. 984923, Date Jan 23 1973"; also includes transcript of "Tamarind film tape roll 2 August 19, 1969, 21,
22 A2" and notes describing tape contents, including key to transcript abbreviations used, "T = Terry Sanders; S = Serge Lozingot;
and K = Mike Kanemitsu."
box 37, folder 4
Transcript Aug. 18, 1969 A-1
1969
Scope and Contents note
Contains one sound reel (5 inch), 1/4 inch (3 3/4 IPS) tape in box labeled "Tamarind Film / Lithography / Tape 1 Wild monologue,
Serge on graining 8/18/69; Opening Dialogue, Mike [Kanemitsu] and Serge [Lozingot] 8/19/69; Monologue, Gene [Sturman] reference
to fossil and stone; Serge & Mike; Mike and Serge, Discussion over stone (cue track)"; also includes transcript of "Tamarind
film tape 1 August 18, 1969 & Aug. 19th" and notes describing tape contents, including key to transcript abbreviations used,
"T = Terry Sanders; S = Serge Lozingot; and K = Mike Kanemitsu."
box 37, folder 5
Transcript Aug. 13, 1969 D-4
1969
Scope and Contents note
Contains one sound reel (5 inch), 1/4 inch (3 3/4 IPS) tape in box labeled "Litho Film - Tests D-4" and "Testing voices -
effects - explanation of how sound operates - etc."; also includes transcript of "Tape D4" and notes describing tape contents,
including key to transcript abbreviations used, "T = Terry Sanders; C = Chuck Ringness; and G = Gene Sturman."
box 47, folder 1
Transcript Aug. 29, 1969 A10 and B-6
1969
Scope and Contents note
Contains two sound reels (5 inch), 1/4 inch (1 7/8 IPS and 3 3/4 IPS) polyester tape in boxes labeled "Litho-Prot- 8/29, B-6
Bob Beban [?], Kentucky Derby 5/4/64, KBIG Hollywood 28, Rita Montgomery" and Litho-10 8/29 A-10 Serge & Mike refer keystone
proof cue track (camera roll 41) Monologue Mike referring to new colors"; also includes transcript for B-6.
box 47, folder 2
The 49th Academy Awards Best Documentary 1973
1969, 1970, 1973
Scope and Contents note
Contains two sound reels (5 inch) 1/4 inch (3 3/4 IPS) polyester tape, one without box with label on reel that reads "[Terry]
Sanders [...?] Kanemitsu for the first time", and one with box labeled "Litho #18 Mike Kanemitsu at home - Apt. Wild - Kids,
baby feeding, 1969 September 24"; one 1/2 inch color video film [format not identified] reel (5 inch) with box labeled "46th
Academy Awards Best Documentary 1973" (held 1974 April 2); also includes transcript, "'Homage to a Lithograph' a film by Terry
Sanders" (1970 April 24-25) and Wayne's notes re Movieola showing at Sanders (1970 April 6 or 13.)
box 47, folder 3
Transcript Aug. 30, 1969 A-13
1969
Scope and Contents note
Contains one sound tape reel (5 inch), 1/4 inch (3 3/4 IPS) Acetate tape in box labeled "Litho 13, 8/30/69 A13", "Serge [Lozingot]
& Mike [Kanemitsu] re proofs 8/30, Press FX, Serge & Gene [Sturman] end of run"; also includes transcription of "A- 13 Aug.
30th"
box 47, folder 4
Transcript Sept 4, 1969 A-15
1969
Scope and Contents note
Contains one sound tape reel (5 inch), 1/4 inch (3 3/4 IPS) Acetate tape in box labeled "Litho 15, 9/14, A-15", "Lithography
15, Mike [Kanemitsu] re final print, Serge [Lozingot] & Gene [Sturman] re black print Cam R 51, Serge & Gene last print (cue
trk), Last print FX, Serge checking prints"; also includes transcription [TS = Terry Sanders; MK = Mike Kanemitsu; GS = Gene
Sturman.]
box 47, folder 5
Transcript Sept 3, 4, 1969 A-14
1969
Scope and Contents note
Contains one sound tape reel (5 inch), 1/4 inch (3 3/4 IPS) Acetate tape in box labeled "Litho 14, 9/2,3,4, A-14", "Lithography
14. Gene [Sturman] & Serge [Lozingot] re red prints, Gene re last print, Gene, Serge, Mike Kanemitsu re final print, 1969
September 2, 3, 4; also includes transcription.
box 47, folder 6
Transcript Sept 5, 1969 A-17
1969
Scope and Contents note
Contains one sound tape reel (5 inch), 1/4 inch (3 3/4 IPS) Acetate tape in box labeled "Litho 17 - 9/15, A-17" 1969 September
5, and "Monologue, Mike [Kanemitsu]; Serge [Lozingot] & Mike re black and white print; Wild FX rolling ink and stone printing,
gumming stone, washing of gum, sponging inking roller with spatula; Cam roll 53 (cue trk); Serge & Mike re print & cancellation;
Printing cycle without inking of [illeg]; Close in printer roller; Last print (cue trk), Com. Roll 54; Cancellation (cue trk);
also includes transcription, "LITHO A 17/9-5-69."
box 48, folder 1
Transcript Sept 26, 1969 A-19
1969
Scope and Contents note
Contains one sound tape reel (5 inch), 1/4 inch (3 3/4 IPS) Acetate tape in box labeled "Litho T-19, A-19, 1969 September
26", "Tamarind T-19", and "Signing Prints in Curating Room"; also includes transcription.
box 48, folder 2
Tape Transcript Aug 26, 1969 A-6
1969
Scope and Contents note
Contains one sound tape reel (5 inch), 1/4 inch (3 3/4 IPS) Acetate tape in box labeled "Litho 6, A-6, 1969 August 26", "Monologue
Mike evaluates stone"; also includes transcript.
box 48, folder 3
Transcript Aug. 25, 1969 A-5
1969
Scope and Contents note
Contains one sound tape reel (5 inch), 1/4 inch (3 3/4 IPS) Acetate tape in box labeled "Litho 6, A-6, 1969 August 26", "Monologue
Mike evaluates stone"; also includes transcript.
box 48, folder 4
Transcript Aug. 27, 28, 1969 A-7
1969
Scope and Contents note
Contains one sound tape reel (5 inch), 1/4 inch (3 3/4 IPS) Acetate tape in box labeled "Litho 5, A-6, 1969 August 25", "Monologue
Gene referring to powder and rosing"; also includes transcript.
box 48, folder 5
Transcript Aug. 28 & 29 1969 A-8
1969
Scope and Contents note
Contains one sound tape reel (5 inch), 1/4 inch (3 3/4 IPS) Acetate tape in box labeled "Litho 8, A-8, 1969 August 28", "Tape
8: Serge [Lozingot] and Gene [Sturman] refer to third stone; song by Gene; Serge and Mike [Kanemitsu] refer to 2nd stone;
Monologue Mike refer 1st lithograph Monologue Serge refer black on 3rd stone; Serge, Mike, Gene refer black on 3rd stone;
Mike refer 3rd color and registration; Mike Serge referring proofing; Mike, Gene, Serge refer colors"; also includes transcript.
box 48, folder 6
Transcript Aug. 29, 1969 A-9
1969
Scope and Contents note
Contains one sound tape reel (5 inch), 1/4 inch (3 3/4 IPS) Acetate tape in box labeled "Litho 9, A-9, 1969 August 29", and
"Mike [Kanemitsu] and Serge [Lozingot] re 3rd proof; Monologue Mike re artists; Mike and Serge re 3rd proof"; also includes
transcription.
box 49, folder 1
Transcript Aug. 30, 1969 A-12
1969
Scope and Contents note
Contains one sound tape reel (5 inch), 1/4 inch (3 3/4 IPS) Acetate tape in box labeled "Litho 12, A-12, 1969 August 30",
and "Serge [Lozingot] and Mike [Kanemitsu] re proofs, cue trks & FX; also includes transcription.
box 49, folder 2
Transcript Aug. 29-30, 1969 A-11
1969
Scope and Contents note
Contains one sound tape reel (5 inch), 1/4 inch (3 3/4 IPS) Acetate tape in box labeled "Litho 11, A-11, 1969 August 29",
and "Mike [Kanemitsu] and Serge [Lozingot] re new colors; Monologue Gene [Sturman]; Serge & Mike re proofs; Serge mixing colors
(FX); Printing (FX)"; also includes transcription.
Series 6: June Wayne's Events
1976-1997
Organization and Arrangement
This series is organized into five subseries: Conference, Exhibits, Panel, Trip, and Datebooks.
Scope and Contents note
This series includes correspondence and supportive documents regarding Wayne's speaking engagements, participation in conferences,
exhibitions of her work, and personal and professional appointments.
Subseries 1: Conference
1994-1999
Scope and Contents note
This subseries includes correspondence regarding Wayne's participation in various conferences on graphic arts and women's
issues. Also includes conference schedules, brochures, and related ephemera.
Processing Information
Includes materials from the July 2012 addition.
box 43, folder 12
Antelope Valley. Mar 6 '98
1998, 1999
Scope and Contents note
Correspondents include: Elaine D. Crump (Antelope Valley College, Lancaster, CA) re Wayne being keynote speaker for the Women's
Conference, "Women Create!" at Antelope Valley College (1999 March 6.)
box 43, folder 3
Athens Ohio March So. Graphics Conference 1998
1997, 1998
Scope and Contents note
Correspondents include: Anita Jung (Assistant Professor of Art, School of Art, Ohio University, Athens, OH) re Wayne's participation
in 26th Annual Southern Graphics Council Conference, "A Celebration of the Print, 200th Anniversary of Lithography" (Ohio
University, Athens, OH, 1998 March 25-28); also includes: conference flyer, brochure, and program; issue of newsletter, "Graphic
Impressions" about the conference; brief Wayne biography.
box 43, folder 5
Cincinnati 1998
1998
Scope and Contents note
Correspondents include: Don Kelley (College of Design, Architecture, Art and Planning, Cincinnati, OH) and April Foster (Art
Academy of Cincinnati) re Wayne being keynote speaker at Third Biennial Mid America Print Council Conference, "Pressing Issues"
(1998 October 7-11, University of Cincinnati, Cincinnati, OH); also includes conference programs, schedules, and reference
materials.
box 43, folder 10
Cincinnati Ohio 200th Anniv. Jung, Kelly Keynote Oct. 98.
1997, 1998
Scope and Contents note
Correspondents include: Anita Jung (College of Fine Arts, Ohio University, Athens, OH) re 26th Annual Southern Graphics Council
Conference, "A Celebration of the Print, 200th Anniversary of Lithography" (Ohio University, Athens, OH, 1998 March 25-28);
Don Kelley (School of Art, College of Design, Architecture, Art, and Planning, Cincinnati, OH) re Wayne being the keynote
speaker for the Third Biennial Mid America Print Council Conference, "Pressing Issues" (University of Cincinnati, Cincinnati,
OH, 1998 October 7-11); April Foster re materials needed from Wayne for "Pressing Issues" conference; Donna Burns (Director,
Community Outreach Education, Pressing Issues Conference Facilitation) and Cindy Curtis re Wayne's travel arrangements for
attending the "Pressing Issues" conference; also includes announcement for call for proposals, conference schedule, issue
of "MAPC", the journal of the Mid America Print Council (Fall/Winter 1997), and brochure for "Image & Text II Symposium" (Stephen
F. Austin State University, Nacogdoches, TX, 1998 November 4-7.)
box 43, folder 6
Knoxville Southern Graphics Conference March '95
1994, 1995
Scope and Contents note
Correspondents include: Beauvais Lyons (President, Southern Graphics Council) re Wayne receiving 1995 Southern Graphics Council
Printmaker Emeritus Award, exhibition of Wayne's work entitled, "One Printmaker to Another", and attending 23rd Annual SGC
conference, "Beyond Labels" at University of Tennessee, Knoxville, TN (1995 March 15-18); Stephen Wicks (Curator, Knoxville
Museum of Art, Knoxville, TN) re slides of Wayne's work; Boyd Saunders (Printmaker Emeritus Awards coordinator and Professor
of Art, University of South Carolina, Columbia, SC) re biographical information about Wayne; also includes checklist of prints
for Wayne's exhibition, copy of SGC Newsletter (Summer 1994), "Beyond Labels" conference programs, schedules, and reference
materials.
box 201, folder 2
New York City Trip, February 2000
2000
box 201, folder 3
Philadelphia Print Collaboration -- James, Theresa
2005
box 201, folder 4
Southern Graphic Council -- Lyons, Beauvais
1996-2002
box 43, folder 9
Univ. Ohio - Cincinnati
1998
Scope and Contents note
Correspondents include: April Foster (Art Academy of Cincinnati, Cincinnati, OH) re thank you for Wayne's participation in
Mid America Print Council Conference "Pressing Issues" and exhibition of "The Dorothy Series" at the Skirball Museum (Hebrew
Union College-Jewish Institute of Religion, Cincinnati, OH); Donna Burns (Director, Community Outreach Education, Pressing
Issues Conference Facilitation) re reimbursement of Wayne's expenses.
box 201, folder 5
Women's Council for Art
2008-2011
box 201, folder 6
Women's Council for Art -- 1999 Conference
1988-2007
Subseries 2: Exhibits
1981-1991
Scope and Contents note
This subseries includes correspondence regarding exhibitions of Wayne's work.
box 20, folder 14
Bunkamura Exhibit
1991, 1992, 1993, 1995
Scope and Contents note
Correspondents include: Takaoki Suzuki (General Manager, Tokyu Bunkamura) re exhibition of Wayne's work; also includes eight
4.5 x 6.5 inch color photographs of the gallery space and brochure, and Bunkamura Gallery layout plans (1991 November 26.)
box 42, folder 9
Sylmar Show March 97
1997
Scope and Contents note
Correspondents include: John Cantley (Director, Century Gallery, Los Angeles Mission College, Los Angeles, CA) re inclusion
of Wayne's work in exhibition, "Quarks to Quasars" to be held 1997 April 13-May 9; Jay Belloli (Armory Center for The Arts,
Pasadena, CA) re release of Wayne's "Stellar Winds" and "Silent Wind" to Merrilyn Duzy (Curator, Century Gallery.)
box 42, folder 10
Binghampton Lynn Gamwell
1997
Scope and Contents note
Correspondents include: Lynn Gamwell (Director, University Art Museum, Binghamton University, Binghamton, NY) re showing prints
from Wayne's exhibition at the Neuberger Museum of Art (State University of New York, Purchase, NY) at the New York Academy
of Sciences; also includes sample brochures.
box 42, folder 11
Feb/Armory Show '97 Weisberg.
1996, 1997
Scope and Contents note
Correspondents include: Linda Centell (Curator, The Armory Center for the Arts, Pasadena, CA) and Jay Belloli (Director of
Gallery Programs) re inclusion of Wayne's work in exhibition, "Changing Media: Books and Prints" (1997 February 1-April 6);
also includes loan agreement form, list of Wayne's works loaned for the exhibition, and Wayne biography (as of 1996 September.)
box 42, folder 12
Exhibition Knoxville 1995 & others
1950-1958, 1970-1983, 1994-1995
Scope and Contents note
Includes list of Wayne's solo exhibitions (1935-1992); exhibition checklists for Art Institute of Chicago (1952 April 25-May
25); "Tapestries and Lithographs by June Wayne" (Cypress College, Cypress, CA, 1977 March 14-April 1); "The Messenger Painting
and Forty Drawings and Prints" (de Young Museum of Art, San Francisco, CA, 1956); "One Printmaker to Another" (Knoxville Art
Museum, Knoxville, TN, 1995); "Forty Lithographs by June Wayne" (Museum of Art, University of Iowa, Iowa City, IA, 1970 January
19-February 28); "Paintings and Lithographs by June Wayne" (La Jolla Museum of Contemporary Art, La Jolla, CA, 1954 February
9); "June Wayne's Lithographs" (Palm Springs Desert Museum, 1977 December 2-1978 January 8); "Lithographies et Tapisseries
de June Wayne" (Rubicon Gallery, Los Altos, CA, 1977); "Paintings by June Wayne" (San Francisco Museum of Art, 1950 August
1-27); "Shortcuts, Feathers, Winds" (San Jose Institute of Contemporary Art, 1983); Santa Barbara Museum of Art (1953 January
19-February 8 and 1958 September); Van Doren Gallery (San Francisco, CA, 1974 March-April and 1976 April-May); also includes
letter from Linda Tyler (Gallery Director, Tamarind Institute, University of New Mexico, Albuquerque, NM) to Wayne re inclusion
of Wayne's print, "Nos Portraits en 2060" in traveling exhibition, "Tamarind: Into the Nineties," initiated by the Weatherspoon
Art Gallery, University of North Carolina at Greensboro.
box 42, folder 13
Exhibition Knoxville 1995 & others
1979, 1980, 1983-1986, 1989, 1992
Scope and Contents note
Includes exhibition checklists for "My Palomar and Beyond" (Associated American Artists Gallery, New York, NY, 1985 November);
"50 Works in 3 Media: June Wayne" (Arizona State University Gallery, Tempe, AZ, 1979); "Cognitos" (Armstrong Gallery, New
York, NY); Selections from "The Djuna Set" (Benton Gallery, East Hampton, NY, 1989 June); "Lithographs by June Wayne: A Retrospective"
(Cincinnati Art Museum, Cincinnati, OH, 1969); "My Palomar and Beyond" (Macalester College Art Galleries, St. Paul, MN, 1986
October 17-November 12); "June Wayne: Before Cosmos" (Occidental College, Los Angeles, CA, 1980 November 3-December 12); Selections
from "The Djuna Set" (Montgomery Gallery, Pomona College, Claremont, CA, 1992 March); "My Palomar, Stellar Winds, Solar Flares:
Lithographs by June Wayne" (The Print Club, Philadelphia, PA, 1985); "June Wayne Before Tamarind" (Tobey C. Moss Gallery,
Los Angeles, CA, 1983 June 27); "June Wayne" (Tobey C. Moss Gallery, 1984 December); consignment of Wayne's "At Last a Thousand
II" to Tobey C. Moss Gallery (1986 January 24.)
box 42, folder 14
Claremont Show 3/92
1991, 1992
Scope and Contents note
Correspondents include: Marjorie "Cricket" L. Harth (Director, Montgomery Gallery, Pomona College, Claremont, CA) and Kay
Koeninger re exhibition of Wayne's work; also includes gallery layouts, loan forms, price lists, Pomona College Associates
reception announcement and exhibition calendar (1991/92.)
box 42, folder 15
Mar 19 '98- Panel USC/LACMA
1997, 1998
Scope and Contents note
Correspondents include: Ruth Weisberg (Dean of Fine Arts, University of Southern California (USC)), Lynn Zelevansky (Associate
Curator, Modern and Contemporary Art, Los Angeles County Museum of Art (LACMA), Los Angeles, CA) and Jill Martinez (Curatorial
Assistant, LACMA) re Wayne's participation in joint LACMA/USC symposium, "Women Artists of the 1960s," held 1998 March 19
in conjunction with the exhibition, "Love Forever: Yayoi Kusama, 1958 to 1968"; also includes copy of professional services
contract and Wayne biography; page from the Los Angeles Times with article, "Abstraction as Illusion" (1998 March 11) on Yayoi
Kusama exhibition at LACMA.
box 42, folder 16
Southern Graphics P. Soc. 20th Anniversary
1995, 1996, 1997
Scope and Contents note
Correspondents include: Beauvais Lyons (Department of Art, University of Tennessee, Knoxville, TN) re invitation for Wayne's
participation in exchange portfolio, "Drawn to Stone," celebrating the bicentennial of lithography; Carmon Colangelo (Chair,
Division of Art, South Graphics Council) re invitation for Wayne's participation in 24th annual conference at West Virginia
University from 1996 March 6-10; also includes issue of Southern Graphics Council newsletter, "Graphic Impressions" (Fall
1996.)
box 42, folder 17
Fresno Art Center & Museum 1985 - 1987
1986, 1987
Scope and Contents note
Correspondents include: Bette Chase (Education Coordinator, Fresno Arts Center and Museum, Fresno, CA) re donation of "The
Art of June Wayne" and Wayne's lecture at Fresno Museum; Robert Barrett (Executive Director) re exhibition of Wayne's prints,
painting and tapestries, held 1988 May 3- August 4, and visit to Wayne's studio on Los Angeles Art Tour, 1987 January 31-February
1; Anita Shanahan and Jane Cleave re visit to Wayne's studio; Wayne's participation as honored guest of Endowment Society
luncheon, 1987 May 13; Virginia Farquhar re gift of Wayne's print, "Silent Wind" from Fresno board of trustees and Council
of 100; Nancy Barg re lunch with Wayne; Barrett to Lloyd Rigler (Ledler Foundation and Adolph's Foundation, Burbank, CA) re
request for support for production of exhibition catalogue; Barrett re Wayne's attendance at Fresno Arts Center and Museum
Trustees' Retreat (1987 September 25 & 26); also includes Wayne biography (as of 1987 October); Wayne to Barrett re contacting
Lannon Foundation re grant money; Kenneth C. Pascal (Chair, University Lecture Series, California State University, Fresno)
re Wayne lecture for Spring 1988 program; Barrett to Arlene Raven re writing essay about Wayne's paintings for Fresno exhibition
catalogue; David Salanitro (Designer of Exhibitions, Fresno Arts Center and Museum) re diagram of Arts Center exhibition space;
also includes "Budget for June Wayne Exhibition" and issue of Fresno Arts Center and Museum newsletter, "Preview" (Winter
1987.)
box 42, folder 18
Fresno Art Center & Museum 1985 - 1987
1983, 1985, 1986, 1992
Scope and Contents note
Correspondents include: Kjersti Reed (Curator of Education, Fresno Arts Center and Museum, Fresno, CA) and Bette Chase (Education
Coordinator) re Wayne's participation in lecture series; Joyce B. Aiken (Guest Curator) re Women's Year Program and Wayne's
participation in exhibition, "In the Advent of Change" (1986 October 12-December 28) at Fresno Arts Center and Museum; thank
you letters from Wayne to Joyce Aiken, Virginia Farquar, Jane Cleaves, and Bette Chase; also includes description of Women's
Year Program exhibitions, brief list of exhibition details; loan agreement form (1986 August 11); list of artists in exhibition;
and exhibition catalogue, "Robert Cremean's Narcissus Pentology 1971-1982" (Fresno Arts Center, 1983 March 15-April 28); page
from Artweek magazine with article by Leigh Ann Clifton, "Fixed for Life: Fresno Art Museum strikes a deal" (1992 May 21.)
box 43, folder 1
Fresno Art Center & Museum 1988-
1987-1990, 1993-1997
Scope and Contents note
Correspondents include: Patti Handley (artist) re exhibition and poster of Wayne's work; Robert Bennett re price list for
Wayne's tapestries and print suites, "My Palomar", "Solar Flares", and "Stellar Winds"; David Salanitro (Designer of Exhibitions,
Fresno Arts Center and Museum) re slides of installation; Samuel M. Gerupper (Assistant Director, MacArthur Fellows Program)
to Robert Barrett (Director/Chief Curator, Fresno Arts Center) re nomination of Wayne for fellowship; Jane Cleave re visit
to Wayne's studio; Barrett re video footage from television interview; Wayne's speech given at College Art Association (CAA)
conference in 1990; Mary Anne Graham-Dolorian (Registrar) re Wayne's donation of three prints, "Dorothy the Last Day", "Dead
Center II" and "Tenth Memory" to the Fresno Art Museum (1990 July 3); Barrett re Wayne's trips to Australia and Japan; Anita
Shanahan (Trustee, Fresno Art Museum) re gala celebration for Robert Barrett on his tenth anniversary as director; Wayne to
the California Arts Council re Fresno Art Museum and their Award for Distinguished Service to Wayne; Barrett re schedule for
Wayne's visit and lecture (1994 September 16- 18); Jacqueline Pilar (Associate Curator) and Jothan McGaughey (Registrar) re
Wayne's participation in exhibition, "Fifteen Profiles: Distinguished California Modernists"; Suzanne Sloan Lewis (Selection
Committee, Council of 100, Fresno Art Museum) re Wayne's suggestions for future honorees of the Annual Distinguished Woman's
Artist's Award and exhibition.
box 43, folder 2
Fresno Art Center & Museum 1988-
1988
Scope and Contents note
Includes: invitation to buffet dinner honoring June Wayne; layout of Fresno Art Museum's exhibition space; transcription of
interview of Wayne by Robert Barrett (Director/Chief Curator, Fresno Arts Center); loan agreement for "The Djuna Set" (1988
March 28); correspondents include: Margie Phillips (Procurement Assistant, California State University, Fresno) and M. Susan
Vasquez (Program Coordinator) re Wayne giving lecture, "Leonardo and I, Trekking the Galaxies" on 1988 April 26; Barrett re
list of designations of Wayne's prints included in exhibition (1988 February 23); Anita Shanahan (Trustee, Fresno Art Museum)
re visit to Wayne's studio; Les Estrin (for Lloyd Rigler, The Ledler Foundation, Burbank, CA) to Barrett re grant for funding
production of exhibition catalogue; Linda Fasulo (Wayne's assistant) to Barrett re name and address lists for exhibition invitations;
Bernard Kester (Acting Dean, University of California, Los Angeles (UCLA)) re essay about Wayne's tapestry work for proposed
catalogue; Virginia Varquhar (Chairman, Council of 100) re Wayne's visit and receiving the first Annual Distinguished Woman's
Artist's Award and Wayne's donation of 10 prints to the museum; David Salanitro (Designer of Exhibitions) re color samples
for exhibition design; Barrett re Wayne's visit to Fresno Art Museum; George Y. Blair (Chair, Acquisitions Committee, Fresno
Art Museum) re Wayne's exhibition.
box 43, folder 4
Lucas, Judy/ Skirball Cincinnati, OH
1998
Scope and Contents note
Correspondents include: Judy Lucas (Curator, Skirball Museum, Hebrew Union College-Jewish Institute of Religion, Cincinnati,
OH) re Wayne speaking at opening of exhibition, "June Wayne: The Dorothy Series."
box 43, folder 14
Honolulu Show Sept 98
1998
Scope and Contents note
Correspondents include: Beauvais Lyons (Ellen McClung Berry Professor of Art, College of Arts and Science, University of Tennessee,
Knoxville, TN) re Wayne's participation in exhibition, "Contents and Context: Lithography After 200 Years," by the Honolulu
Printmakers Workshop (Academy Art Center, Honolulu, HI, 1998 October 4-30); also includes exhibition brochure.
box 44, folder 1
Laguna Art Museum
1996
Scope and Contents note
Correspondence with Bolton Colburn (Senior Curator, Laguna Art Museum, Laguna, CA) re provenance of Wayne's print "A Little
Nothing", gifted to the museum by Nancy Dustin Wall Moure.
box 44, folder 2
SECURITY PACIFIC BANK 1980 - EXHIBITION
1979, 1980
Scope and Contents note
Includes list of Wayne's works loaned for exhibition at Security Pacific National Bank (Los Angeles, CA) from 1980 January
28-March 30; also includes loan agreement forms and loan return receipts.
box 44, folder 3
Miami University 1998-99
1998
Scope and Contents note
Correspondence with Edna C. Southard (Curator of Collections, Art Museum, Miami University, Oxford, OH) re exhibition, "Paper
and Stone: 19th and 20th Century Lithographs" which includes Wayne's lithograph, "Tenth Memory" (1998 July 28.)
box 44, folder 4
UNIVERSITY OF ALABAMA/BIRMINGHAM (A. Tony Johnson, J.W. Schnorrenberg, S. Armstrong, S. Fuller)
1982, 1983
Scope and Contents note
Correspondents include: Sara Garden Armstrong, Anne H. Arrasmith, Scott Fuller (Birmingham Art Association, Birmingham, AL),
John M. Schnorrenberg (Chairman, Department of Art, University of Alabama, Birmingham, AL, and Toni Johnson (Visual Arts Gallery)
re Wayne's lecture and exhibition of Wayne's "The Dorothy Series" at the Visual Arts Gallery, University of Alabama (Birmingham,
AL) (1982 September 6.)
box 44, folder 6
Conejo Valley Art Museum 1983
1983
Scope and Contents note
Correspondents include: Betty Ann Brown (College of Continuing Education, University of Southern California (USC)) re loan
arrangements for Wayne's work in the exhibition, "Generations" at the Conejo Valley Art Museum (Thousand Oaks, CA) (1983 February
16.)
box 44, folder 7
Univ of Omaha, Nebraska (Nancy Kelly)
1999
Scope and Contents note
Correspondents include: Nancy Kelly (UNO Art Gallery, University of Nebraska at Omaha, Omaha, NE) re Wayne's participation
in exhibition, "Crossing the Threshold."
box 44, folder 8
UNIVERSITY OF NORTHERN ILLINOIS
1977, 1980, 1981, 1982, 1983
Scope and Contents note
Correspondents include: Joanne Castro and David Dreisbach (Department of Art, Northern Illinois University, Dekalb, IL) re
Wayne's participation in workshop and exhibition, "Printmakers and Life on This Planet" (Gallery 200, Visual Arts Building,
Northern Illinois University, 1982 August 25-September 26); E. Michael Flanagan (Gallery Director) re loan forms for the exhibition;
Cheryl Briska (Administrative Assistant) re photographs and exhibition catalogues; also includes Wayne biography for inclusion
in exhibition catalogue, and two exhibition catalogues, "Eleven in Seventy Seven: An Invitational Exhibition of Eleven American
Printmakers" (1977 March 1-23) and "Eight in Eighty: An Invitational Exhibition of Eight American Printmakers" (1980 September
2-19), Gallery 200, Northern Illinois University.
box 44, folder 9
RUICON GALLERY (PAUL KLEIN)
1976, 1977
Scope and Contents note
Correspondents include: Paul R. Klein (Rubicon Gallery, Los Altos, CA) re exhibition of Wayne's work at the Rubicon Gallery;
also includes consignment agreement form (1976 November 12.)
box 44, folder 10
Universities Miscellaneous: University of Oklahoma - Tulsa, Ohio State University - Newark, University of Pennsylvania - Philadelphia
1977, 1982
Scope and Contents note
Correspondents include: Renee Y. Sandell (Instructor, Department of Art Education, Ohio State University, Newark, OH) re hope
to meet Wayne in the future; Chuck B. Tomlins (Associate Professor of Art/Sculpture, University of Tulsa, Tulsa, OK) re meeting
Wayne at College Art Association (CAA) conference, Wayne's visit to the University and possible exhibition of "The Dorothy
Series."
box 44, folder 11
CALIFORNIA STATE UNIVERSITY - FRESNO
1988
Scope and Contents note
Correspondents include: Margie Phillips (Procurement Assistant, California State University, Fresno) re Wayne's participation
as guest lecturer (1988 April 26); Mary Maughelli (Professor of Art, Cal State Fresno) re Wayne's exhibition at Fresno Arts
Center and Museum, and Joan of Art group.
box 44, folder 12
GONZAGA UNIVERSITY
1993, 1994, 1995
Scope and Contents note
Correspondents include: P. Terry Geiber (Associate Professor of Art and Chair, Art Department, Gonzaga University, Spokane,
WA) and J. Scott Patnode (Director, University Art Gallery, Gonzaga University) re invitation for Wayne to be a visiting artist
in spring semester, 1993; Jeanette Kirishian re Wayne's visit and Northridge earthquake (1994 January 22)
box 44, folder 13
Museum of North Orange County
1980
Scope and Contents note
Correspondents include: Lauralyn Eschner (Curator, Museum Association of North Orange County, Fullerton, CA) re loan of Wayne's
work for exhibition, "Printmaking: Processes/Innovations" from 1980 March 17-August 8.
box 44, folder 14
Mountain View Show Rachel Lozzi
1999
Scope and Contents note
Correspondents include: Rachele Lozzi (Rachele Lozzi Fine Art, Los Angeles, CA) re including Wayne's work in exhibition, "The
Decade Show: The Pasadena Art Museum 1949-1959 Revisited" at the Mountainview Gallery, Altadena, CA; also includes loan agreement
form, shipping invoice, insurance claim documents for damage incurred to Wayne's print while on loan, and video release form.
Subseries 3: Panel
1998-1999
Scope and Contents note
This subseries includes correspondence regarding Wayne's participation on various panels for cultural and arts- related programs
held at Cal Arts, the California Arts Association, UCLA Armand Hammer Museum of Art, and USC Annenberg School for Communication.
Processing Information
Includes materials from the July 2012 addition.
box 200, folder 17
Cal Arts
1991-1999
Language of Material: English.
box 200, folder 18
California Arts Association -- Foster, Barbara
2008-2009
Language of Material: English.
box 43, folder 11
UCLA Hammer Panel Sunshine/Noir Oct. 26, '98
1998
Scope and Contents note
Correspondents include: Ruth E. Iskin (Head of Visual Arts, University of California, Los Angeles (UCLA) Extension), Susan
Park, Hunter Drohojowska-Philp (Program Coordinator), and Henry Hopkins (Director, UCLA Hammer) re Wayne's participation in
panel discussion, "The Beat Goes On: L.A. from the '50s to the mid '60s" for the program, "From the Beat Generation to the
Millenium--Conversations on Art in L.A." (presented by the UCLA Armand Hammer Museum of Art and Cultural Center in Association
with UCLA Extension, 1998 October 26 at the Geffen Playhouse, Westwood, CA)
box 44, folder 5
University of Southern California
1999
Scope and Contents note
Correspondents include: Martha Harris (Vice President, University Public Relations, University of Southern California (USC))
re Wayne's participation on panel for symposium, "What's Art Got to Do With It? Power, Commerce and Community in the New Los
Angeles" (USC Annenberg School for Communication, 1998 February 26.)
Subseries 4: Trip
1995-1998
Scope and Contents note
This subseries includes correspondence with friends and staff of the Bibliothèque nationale de France regarding Wayne's travels
to Paris.
box 43, folder 7
Bouret, Claude & Blondine
1995, 1996, 1997
Scope and Contents note
Correspondents re Wayne's trip to Paris include: Carole Bernstein; Helen and Mario; Laure Beaumont-Maillet (Director, Department
of Prints and Photographs, Bibliothèque nationale de France, Paris); Arsene Bonafous-Murat (print dealer, Paris); Emmanuel
Pernaud (direction des collections spécialisées, Bibliothèque nationale); Albert Roncey; Jörge de Sousa (l'atelier Point &
Marge, Créteil, France); Andrée Vilar; Zuka and Tim; also includes Bonafous-Murat catalogue of prints, "L'Art de la Lithographie"
(1994 October.)
box 43, folder 8
Bouret, Claude & Blondine
1995, 1997, 1998
Scope and Contents note
Correspondents re Wayne's trip to Paris include: Devorah [Boxer] and Serge [Goldberg]; Claude Bouret; Marie Creve-Coeur; Marcel
and Emilienne Durassier; Laure Beaumont-Maillet (Director, Department of Prints and Photographs, Bibliothèque nationale de
France, Paris); Marie-Cécile Miessner (Bibliothèque nationale); also includes Bonafous-Murat catalogues of prints, "Jürgen
Stimpfig Gravures 1990-1997" (1998 March) and "Estampes" (1998 May.)
Subseries 5: Datebooks
1952-2011
Language of Material: English.
Organization and Arrangement
This subseries is arranged chronologically.
Scope and Content
This subseries includes Wayne's annual datebooks, with information pertaining to personal and professional events, contacts,
and notes. A number of years have multiple datebooks--1955 (2), 1959 (2), 1965 (3), and 1969 (2)--as well as a number of
years without datebooks--1953, 1954, 1958, and 1960. Also included is a notebook with contacts and notes for 1997.
Processing Information
Includes materials from the July 2012 addition.
Series 7: Press and Publications
1935-2011
Language of Material: English.
Organization and Arrangement
This series is organized into two subseries: Press and Exhibition Materials. Material within each subseries is arranged chronologically.
Scope and Content
This series includes press, publications, and other documentation regarding Wayne's participation in exhibitions, public discussions
of Wayne's philosophies on art and rights, and her work with the Tamarind Lithography Workshop.
Processing Information
Includes materials from the July 2012 addition.
Subseries 1: Press
1935-2011
Language of Material: English.
Scope and Content
This subseries includes announcements, articles, and reviews related to Wayne's participation in exhibitions, as well as articles
discussing Wayne's concerns about artists' rights, the gender disparity in art criticism, and the magnitude of Wayne's influence
in the arts and lithography, particularly as the founder of the Tamarind Lithography Workshop.
box 168, folder 3, box 186, folder 1
box 186, folder 2, box 168, folder 4
box 169, folder 6, folder 7, box 167, folder 5
box 167, folder 6, box 170, folder 1, folder 2
box 170, folder 4, folder 5, box 174, folder 1
box 171, folder 1, folder 2, box 174, folder 2
box 171, folder 3, folder 4, box 174, folder 3
box 186, folder 3, box 174, folder 4
box 183, folder 3, box 174, folder 5
box 172, folder 2, box 183, folder 4
box 174, folder 6, box 172, folder 3, folder 4
box 173, folder 1, box 174, folder 7
box 175, folder 1, box 173, folder 2
box 173, folder 5, box 186, folder 4
box 175, folder 5, box 173, folder 6
box 176, folder 1, box 178, folder 2
box 176, folder 3, folder 4
Subseries 2: Exhibition Materials
1951-2010
Language of Material: English.
Scope and Content
This subseries includes materials related to Wayne's domestic and international participation in both gallery and museum exhibitions.
Types of materials include exhibition catalogues, gallery mailers, press releases, and exhibition checklists.
box 179, folder 7, box 184, folder 5
box 186, folder 5, box 180, folder 4
box 180, folder 7, folder 8
box 186, folder 6, box 181, folder 2
box 186, folder 7, box 181, folder 5
Series 8: Tamarind Lithography Workshop
1959-1975
Language of Material: English.
Organization and Arrangement
This series is organized into four subseries: Project Proposals and Reports; Annual Progress Reports; Grant Extensions; and
Publications. Material within each subseries is arranged chronologically.
Scope and Content
This series includes reports and publications that document the development of the Tamarind Lithography Workshop and its educational
outreach.
Processing Information
Includes materials from the July 2012 addition.
Subseries 1: Project Proposals and Reports
1959-1973
Scope and Content
This subseries includes project proposals and reports undertaken by the Tamarind Lithography Workshop. These projects pertain
primarily to the enhancement of the state of lithography in the United States, as well as a project to develop an archive
for the Tamarind Lithography Workshop.
box 186, folder 8
To Restore the Art of the Lithograph in the United States
1959
box 186, folder 9
Operation Cornerstone
1965
box 186, folder 10
Summary Report of the Tamarind Archives Project
1973
Subseries 2: Annual Progress Reports
1960-1974
Scope and Content
This subseries includes progress reports prepared for the Division of Humanities and the Arts of the Ford Foundation by June
Wayne for the Tamarind Lithography Workshop. The annual progress reports consist of program, cash flow, and budgetary planning;
audit reports; lists of fellowship and grant recipients; and photographs.
box 186, folder 11
To Restore the Art of the Lithograph in the United States
1960 April-1962 June
box 186, folder 12
Progress Report, October 1962-1963: Financial Source and Distribution Analysis (Part Actual-Part Estimated)
1962 October-1963 October
box 187, folder 1
Progress Report, October 1963-1964: Financial Source and Distribution Analysis (Part Actual-Part Estimated)
1963 October-1964 October
box 187, folder 2
Progress Report, October 1964-1965: Financial Source and Distribution Analysis (Part Actual-Part Estimated)
1964 October-1965 October
box 187, folder 3
Annual Report on Tamarind
1964 December-1965 November
box 187, folder 4
Progress Report
1965-1966
box 188, folder 1
Progress Report
1966 October-1967 October
box 188, folder 2
Progress Report
1967 October 1-1968 September 30
box 188, folder 3
Tamarind: Homage to Lithography - Progress Report
1968-1969
box 188, folder 4
The Tamarind Decade - Progress Report
1969-1970
box 189, folder 1
The Tamarind Book of Lithography: Art and Techniques - Progress Report
1970 October-1971 October
box 189, folder 2
The Tamarind Book of Lithography: Art and Techniques - Progress Report
1971-1972
box 189, folder 3
Progress Report
1972-1973
box 189, folder 4
Final Progress Report
1973 October-1974 September 30
Subseries 3: Grant Extensions
1963-1975
Scope and Content
This subseries includes applications for grant extensions prepared for the Division of Humanities and the Arts of the Ford
Foundation by June Wayne for the Tamarind Lithography Workshop. The grant extensions consist of program, operational, and
budgetary proposals.
box 189, folder 5
A Plan, A Budget, A Request: For a Three Year Extension of Support by the Ford Foundation
1963-1966
box 189, folder 6
A Request for a 4 1/2 Year Grant Extension (1965-1970) at $200,000 per Year
1965-1970
box 189, folder 7
A Proposal, A Plan, A Request
1970-1975
Subseries 4: Publications
1958-1972
Language of Material: English.
Scope and Content
This subseries includes publications produced and distributed by the Tamarind Lithography Workshop, ranging from studies on
the economic aspects of a lithography workshop to that of the gender disparity of artists in art editorials.
box 183, folder 5
Paper, by Quentin Fiore
1958
box 183, folder 6
Tamarind Manual of Style and Usage
circa 1960-1969
box 183, folder 7
Do You Have a Print Storage Problem?
circa 1960-1969
box 183, folder 8
A Study of the Economic Aspects of a Lithography Workshop
1963 June
box 183, folder 9
A Study of the Marketing of the Original Print
1964 May
box 183, folder 10
A Management Study of an Art Gallery
1966 March
box 183, folder 11
How a Lithograph is Made - and How Much It Costs
1966
box 183, folder 12
Paper Register Device and Paper Notcher
1967
box 183, folder 13
Acquiring an Inventory of Original Prints
1968
box 183, folder 15
Business Methods for a Lithography Workshop
1970
box 166, folder 11
A Definitive List of Chops Used on Tamarind Lithographs
1970 July
box 166, folder 12
Safety and Fitness for the Art of Lithography
1970 August
box 166, folder 13
The Beauty and Longevity of an Original Print Depends Greatly on the Paper that Supports It
1970 August
box 166, folder 14
On Defining an Original Print
1972
box 166, folder 15
Sex Differentials in Art Exhibition Reviews
1972
Series 9: Photographs
1911-2011
Language of Material: English.
Organization and Arrangement
Wayne organized her photographs by date and often by photographer. This organization has been maintained.
Scope and Content
The photographs in this series include pictures of Wayne's family and friends, photographs of openings and events, and publicity
and portrait photography for Wayne and the Tamarind Workshop. See the content note for detailed descriptions of the events
and people shown in the images within specific folders.
Processing Information
Includes materials from the May and July 2012 additions.
box 108, folder 1
Photographs
1911-1912
Scope and Content
3 original photographs, 3 digital print reproductions.
Photographs picture Dorothy Kline, Paul Kline, and Rudy Edelson.
box 108, folder 2
Photographs
1914
Scope and Content
5 original photographs, 1 digital print reproductions.
Photographs picture Dorothy Kline and Nathan Kline, including a group photograph in which he is featured.
box 108, folder 3
Photographs
1915
Scope and Content
2 original photographs.
Photographs picture Dorothy Kline and Frank Lakin.
box 108, folder 4
Photographs
1916
Scope and Content
58 original photographs of various smaller sizes (3.5 x 5.5" and smaller), 1 original 8 x 10" photograph, 1 original 7 x 11"
photograph, 1 original 4 x 6" mounted photograph, 1 4 x 5" negative print.
Photographs predominantly picture Dorothy Kline and Helen Kline. Also included are photographs of their friends including
Fritzie, Sam Holleb, Esther Plone, and Irving Plone.
box 108, folder 5
Photographs
1917
Scope and Content
1 original 8 x 10" photograph, 1 original 5 x 7" photograph, 7 original photographs of various smaller sizes (3.5 x 5.5" and
smaller).
All photographs picture Helen Kline.
box 108, folder 6
Photographs
1918
Scope and Content
1 original 7.5 x 9.5" photograph, 2 8 x 10" digital prints, 1 photocopy, 21 original photographs of various smaller sizes
(4 x 6" and smaller).
Photographs picture June Wayne (June Claire Kline), Dorothy Kline, Nathan Kline, Florence Kline, Chuck Kline and Helen Kline.
box 108, folder 7
Photographs
1919
Scope and Content
3 8.5 x 11" digital prints, 3 original 5 x 7" photographs, 11 small original photographs of various size (2.5 x 4" and smaller).
Photographs picture June Wayne, Dorothy and Helen Kline, and other unidentified friends or family. Includes a photograph titled,
"June's Baby Doll Party" which was taken at Wayne's 1st birthday party.
box 108, folder 8
Photographs
1920
Scope and Content
3 8.5 x 11" digital prints, 4 photocopies, 3 4 x 5" negative prints, 3 original 3 x 5" photographs.
Photographs picture June Wayne, Dorothy Kline, Helen Kline, Chuck Kline, Reba Mallis, Leroy "Bootsie" Ginsberg, Celia Ginsberg,
and David Ginsberg. Includes a photograph of Wayne's 2nd birthday party.
box 108, folder 9
Photographs
1921
Scope and Content
1 8 x 10" digital print, 1 8.5 x 11" digital print, 1 original 6.5 x 8.5" photograph, 3 negative prints (2 4 x 5" and 1 5
x 7").
Photographs picture June Wayne and Florence Kline. Photographs were taken in Chicago, IL.
box 108, folder 10
Photographs
1922
Scope and Content
1 original 8 x 10" photograph, 2 4 x 5" negative prints, 6 original 2.75 x 4.5" photographs.
Photographs picture June Wayne, Dorothy Kline, and Neil Holleb. Many of the photographs are identified as being taken in
Chicago.
box 108, folder 11
Photographs
1923
Scope and Content
1 original 9 x 12" photograph, 5 4 x 5" negative prints.
Photographs picture June Wayne and Paul Kline.
box 108, folder 12
Photographs
1924
Scope and Content
10 small original photographs of various sizes (4 x 6" and smaller), 1 4.5 x 6.25" digital print.
Photographs picture June Wayne, Addie Holleb, Florence Kline, Dorothy Kline, Arthur Edelstein, and Lee Lakin.
box 108, folder 13
Photographs
1925
Scope and Content
8 8.5 x 11" digital prints (2 sheets have 2 prints per page), 1 4 x 5" negative print, 1 transparency.
Photographs of June Wayne, Florence Kline, Chuck Kline, and Fanny Lakin.
box 108, folder 14
Photographs
1926
Scope and Content
4 small original photographs of various sizes (3.25 x 5" and smaller), 1 5.75 x 8.5" digital print.
Photgraphs picture June Wayne, Dorothy Kline, Florence Kline, Anna Lakin Edelstein, Sam Holleb, Addie Holleb, Marshall Holleb,
and Chuck Holleb.
box 108, folder 15
Photographs
1927
Scope and Content
18 small original photographs of various sizes (2.75 x 4.5" and smaller), 8 digital prints (1 sheet has 2 prints per page).
Photographs picture June Wayne, Florence Kline, Neil Holleb, Sally Holleb, Charley Holleb, Julia Holleb, and Chuck Holleb.
Many of the photographs are labeled as being taken in Racine, WI.
box 108, folder 16
Photographs
1928
Scope and Content
15 small original photographs of vairous sizes (2.75 x 4.5" and smaller), 2 digital prints (7 x 7.75" and 7 x 7.5").
Photographs picture June Wayne, Julia Holleb, Florence Kline, Neil Holleb, Charles Holleb, Bobby Holleb, Sally Holleb, Helen
Holleb, Hank Plone, and Sam Holleb.
box 108, folder 17
Photographs
1930
Scope and Content
11 small original photographs of various sizes (2.75 x 4.5" and smaller), 2 original 8 x 10" photographs.
Photographs picture June Wayne, Dorothy Kline, Helen Holleb, Fanny Lakin, Sally Holleb, Florence Kline, Irving Plone, and
performers of Avondale Home Economics Club.
box 108, folder 18
Photographs
1932
Scope and Content
3 original 2.75 x 4.5" photographs, 1 photograph of similar size in souvenir cardboard frame.
Photographs picture June Wayne, Anna Lakin Edestein, Florence Kline, Sam Holleb, Neil Holleb, and Sally Holleb.
box 108, folder 19
Photographs
1934
Scope and Content
1 original 2.75 x 4.5" photograph, 1 original 2.5 x 3" photograph, 3 8.5 x 11" digital prints (2 sheets have 2 prints per
page).
Photographs picture June Wayne, Helen Holleb, Ray Lakin, Sally Holleb, and Sam Holleb.
box 108, folder 20
Photographs
1935
Scope and Content
1 original 3 x 4" photograph.
Photograph pictures Harry Wick.
box 108, folder 21
Photographs
1936
Scope and Content
1 original 3.25 x 4.5" photograph.
Photograph pictures Irving Plone.
box 108, folder 22
Photographs
1937
Scope and Content
1 original 2.5 x 2.75" photograph.
Photograph pictures Tommy Kline.
box 108, folder 23
Photographs
1938
Scope and Content
2 orginal 5 x 7" photographs, 1 7.5 x 10" photograph.
Photographs picture Harry Wicks and George Wayne.
box 108, folder 24
Photographs
1939
Scope and Content
2 original 8 x 10" photographs, 1 8.5 x 11" digital print (with 2 prints on it).
Photographs picture Sally Holleb, Eileen Lakin, Lila Lakin, Neil Holleb, Chuck Holleb, Charles Holleb, Bert, Frank and Ray
Lakin, Julie Kline, and Chuck Kline.
box 108, folder 25
Photographs
1940
Scope and Content
1 original 8 x 10" photograph, 8 original photographs of various smaller sizes (3.5 x 6" and smaller).
Photographs picture June Wayne, Helen Holleb, Sam Holeb, Sally Elman, Anna Lakin Edestein, Florence Lakin Kline, Leah London,
Milton London, Barbara Kline, Tom Kline, Esther Plone, George Wayne, and Dorothy Kline.
box 109, folder 1
Photographs -- photographer Max Yavno
1940
Scope and Content
14 4 x 5.25" photographs, 26 8 x 10" photographs, 1 10 x 10" photograph.
Photographs shot of June Wayne as portraits. Most of the photographs were shot in June Wayne's studio.
box 109, folder 2
Photographs
1941
Scope and Content
1 3.5 x 5" photograph, 1 4 x 5" negative print, 1 ID photograph.
Photographs picture Harry Wicks, George Wayne, and Dorothy Kline. Also includes Henry Plone's freshman ID card from Temple
University.
box 109, folder 3
Photographs
1942
Scope and Content
4 8 x 10" photographs, 1 8 x 10" digital print, 1 5 x 7" photograph, 1 6 x 8" photograph mounted on cardboard, 1 3.5 x 6"
photograph mounted on paper, 19 original photographs of various smaller sizes (3 x 5" and smaller).
Photographs picture June Wayne, Florence Kline, Helen Holleb, Tom Kline, Dorothy Kline, Clara Kline, Barbara Kline, Paul Kline,
Ann Brill, Ellen Bloom, Leah London, Milton London, Harold Frank Jacobson, and Sally Holleb.
box 109, folder 4
Photographs
1943
Scope and Content
1 8 x 10" photograph, 1 5 x 7" photograph, 1 6 x 8.5" digital print, 20 photographs of various smaller sizes (3 x 5" and smaller).
Photographs picture June Wayne, Abe Aaron, Sylvia Grales, Dorothy Kline, Helen Holleb, Florence Kline, Sally Holleb, Judy
Holleb, Elaine Elman.
box 109, folder 5
Photographs
1944
Scope and Content
1 8 x 10" photograph, 1 5 x 7" photograph, 30 photographs of various smaller sizes (4 x 6" and smaller).
Photographs picture June Wayne, Robin Wayne, Hellen Holleb, George Wayne, Izzy Wayne, Barbara Kline, Tommy Kline, and Otto
Neurneth. Also includes a USRRA Special Services playbill.
box 109, folder 6
Photographs
1945
Scope and Content
1 5 x 7" photograph, 2 photographs of various smaller sizes (3 x 5" and smaller).
Photographs picture Robin Wayne and Ann Brill.
box 109, folder 7
Photographs
1946
Scope and Content
1 8 x 10" digital print, 1 photocopy, 1 8 x 10" photograph, 1 5 x 7" photograph, 19 3 x 5" photographs, 10 photographs of
various smaller sizes (2.5 x 3.5" and smaller).
Photographs picture June Wayne, George Wayne, Robin Wayne, Sally Holleb, Florence Kline, Dorothy Kline, Helen Holleb, Pearl,
Buddy Elman, Judy Zane, Sharon Zane, and Hank Plone.
box 109, folder 8
Photographs
1947
Scope and Content
1 5x8.5" photograph, 1 5x7" photograph, 5 3x5" photographs, 2 smaller photographs, and 2 photographs mounted to cardboard.
Photographs picture June Wayne, Robin Wayne, Izzy Wayne, Sally Elman, Buddy Elman, Pearlie, Ynez Johnston, Aerol Arnold and
Dorothy Kline.
box 109, folder 9
Photographs
1948
Scope and Content
2 8x10" photographs, 1 3x5" photograph, and 4 smaller photographs of various size.
Photographs picture Dorothy Kline, Tommy Kline, Barbara Kline, Florence Kline, Peter Pollock, Robin Wayne, Harry Wicks, Sam
Holleb and Helen Holleb.
box 109, folder 10
Photographs
1949
Scope and Content
2 8x10" photographs, 10 3x5" photographs, 1 3x4" photograph, and 1 small cutout.
Photographs picture June Wayne, Robin Wayne, George Wayne, Dorothy Kline, Florence Kline, Izzy Wayne and others.
box 109, folder 11
Photographs
1950
Scope and Content
5 8 x 10" photographs, 4 5 x 7" photographs, 15 photographs of various smaller sizes (3 x 5" and smaller), 2 strips of contact
sheet.
Photographs picture June Wayne, Robin Wayne, Sam Holleb, Dorothy Kline, Florence Kline, Sally Elman, Freddie Elman, Helen
Holleb, Karen Van Deyden, Ernest Van Deyden, Marge Nemeth, George Wayne, Francesco di Coco, Esther Bear, Mary Steel, Josephine
Kantor, and Eva Wayne.
box 109, folder 12
Photographs
1951
Scope and Content
2 8 x 10" photographs, 3 contact sheets, 1 3 x 5" Kodachrome.
Photographs picture George Wayne, Robin Wayne, and Donald Rear. Also includes 2 photographs of June Wayne's home on Londonderry
Place taken by Julius Shulman.
box 109, folder 13
Photographs
1952
Scope and Content
1 8 x 10" photograph, 2 large photographs of various sizes, 8 5 x 7" photographs, 1 3 x 4.25" Kodachrome, 1 3 x 5" mounted
photograph, 12 photographs of various smaller sizes (3 x 5" and smaller ), 2 contact sheets.
Photographs picture June Wayne, Robin Wayne, Helen Wurdeman, Judy Kane, Molly Lemon, Los Angeles Art Association: You and
Modern Art discussion class, Helen Reynolds, Florence Kline, and George Wayne, Jacob Cimpel, Mimi Lee Cobb, Dan Feder, Ruth
Feder, Judy Beilin, Harry Beilin, Rita Morrison, Lester Morrison, Cornelia Runyon, June Wayne, Tony Rosenthal, Halina Rosenthal,
Carlos Merida, and Peter Pollock.
box 109, folder 14
Photographs -- photographer Don Briggs
1952
Scope and Content
5 8 x 10" photographs, 1 contact sheet, 2 photocopies with notes.
Photographs picture June Wayne in her studio.
box 109, folder 15
Photographs -- photographer Richard Fish
1952
Scope and Content
5 8 x 10" photographs, 1 contact sheet, 1 photocopy with notes.
Photograph pictures June Wayne at drafting table.
box 109, folder 16
Photographs
1953
Scope and Content
1 8 x 10" photograph, 1 5 x 7" photograph, 2 3 x 5" photographs, 1 3 x 3" photograph.
Photographs picture June Wayne, Cornelia Runyon, Rita Morrison, Harry Beilin, Lester Morrison, George Wayne, Judy Beilin,
Beulah Roth, Dorothy Kline, Helen Holleb, and Jules Langsner.
box 109, folder 17
Photographs -- photographer Fritz Taggert
1954
Scope and Content
1 8 x 10" photograph (mounted on museum board).
Photographs picture June Wayne in her studio.
box 109, folder 18
Photographs
1954
Scope and Content
1 3 x 5" photograph.
Photograph pictures Cornelia Runyon.
box 109, folder 19
Photographs
1955
Scope and Content
2 8 x 10" photograph, 3 3.5 x 5" photographs, 8 3.5 x 3.5" photographs, 1 5 x 7" photograph with mat board frame.
Photographs picture June Wayne, Dorothy Kline, Freddi Elman, Helen Holleb, Lottie Wexler, and Lyman Harrison.
box 109, folder 20
Photographs -- photographer Seldon Rodman
1956
Scope and Content
3 8x10" photographs, 1 3.5x3.5" photograph.
Photographs picture June Wayne in front of Watts Towers.
box 109, folder 21
Photographs
1956
Scope and Content
1 2.75 x 3.75" photograph.
Photograph pictures Lottie Wexler and Dorothy Kline.
box 109, folder 23
Photographs
1957
Scope and Content
5 5 x 7" photographs (2 of which are mounted on mat boards), 1 8 x 10" photograph, 1 2 x 3" photograph, 1 4 x 5" negative
print.
Photographs picture June Wayne, George Wayne, Rico LaBrun, Dorothy Kline, She Kaplan, Iona Kaplan, and Sam Jaffee (Dorothy
Kline's boss at Bien Jolie).
box 109, folder 23
Photographs
1958-1959
Scope and Content
1 3 x 5" photograph, 1 5 x 7" photograph.
Photographs picture Cornelia Runyon and Abby Plone.
box 109, folder 24
Photographs -- photographer Daniel Ross
1960
Scope and Content
13 8 x 10" photographs, 2 5 x 7" photograph.
Photographs picture Tamarind Workshop (Horak, Woelffer, Hollander, Treiman, and Funk), Dallas Museum of Contemporary Art opening,
and June Wayne in her studio.
box 110, folder 1
Photographs
1960
Scope and Content
18 3 x 5" photographs, 16 photographs of various smaller sizes (3.5 x 5.5" and smaller), 1 5 x 7" photograph, 11 8 x 10" photographs,
1 photocollage mounted on board.
Photographs picture June Wayne, Lillian Lesser, Ebria Feinblatt, Garo Antresian, Jerry Nordland, Jake Zeitlin, Ernest Freed,
Maurice Bloch, Joe Funk, Aubrey Schwartz, Eliot Elgart, Romas Viesulas, Clinton Adams, Fred Wight, Wright Morris, Fred Grunwald,
Marge Nemeth, Gloria Stone, Jane Darvin, Florence Shoning, Helda Solomon, Mary Guggenheim, Florence Seeman, John Entenza,
Horak, Hank Plone, and John Drury.
box 110, folder 2
Photographs
1961
Scope and Content
4 8 x 10" photographs, 1 5 x 7" photograph, 1 4.75 x 6.5" photograph, 42 photographs of various smaller sizes (3.5 x 5" and
smaller).
Photographs picture June Wayne, Douglas Howell, William Brice, Lillian Lesser, and Kenneth Callahan, Bob Evermon, Charles
White, Joe Funk, Tony Stoeveken, Don Kelley, Fred Genis, David Folkman, Allen Kaufman, Emerson Woelffer, Jim Eliot, Walter
Gabrielson, Kenny Price, Richard Rapaport, Kinji Akagawa, Clifford Smith, and Donn Steward.
box 110, folder 3
Photographs
1962
Scope and Content
9 8 x 10" photographs, 3 photographs of various smaller sizes (3.5 x 3.5" and smaller), 2 slides.
Photographs picture June Wayne, Virginia Allan, Irwin Hollander, Susan Jonas, Robert Mallary, Douglass Macagy, Dallas Museum
of Contemporary Art, A. Hyatt Mayor, Helen Plone, John Dowell, and Walter Gabrielson. Also included are two copies of a certificate
from the City of Los Angeles honoring Wayne for her establishment of the Tamarind Lithography Workshop.
box 110, folder 4
Photographs
1963
Scope and Content
5 8 x 10" photographs, 5 pages photocopies, 1 7 x 9" photograph, 2 5 x 7" photographs, 6 3 x 5" photographs.
Photographs picture June Wayne, Marcel Durassier, Larsie Dowell, Jason Leese, Susan Jonas, John McLaughlin, Hank Plone, Emilieune
Durassier, Albers Tyler, John Dowell, and an untitled Sam Francis lithograph.
box 110, folder 5
Photographs
1964 December 26
Scope and Content
9 4 x 5" negative prints, 2 4 x 5" photographs, 9 8 x 10" photographs, 7 contact sheets, 4 2 x 2" photographs.
Photographs picture June Wayne and Hank Plone wedding.
box 110, folder 6
Photographs
1964-1965
Scope and Content
12 8 x 10" photographs, 1 6.5 x 9.75" photograph, 1 7 x 9" photograph, 1 5 x 7" photograph, 8 photographs of various smaller
sizes (4 x 5" and smaller).
Photographs picture June Wayne, Nicolas Krushenick, Herb Fox, Cliff Smith, Edward Weiss, Walter Gabrielson, Josef Albers,
Ken Taylor, John Dowell, Sonia Gechtoff, Aris Koutroulis, James Kelly, Ken Tyler, Rufino Tamayo, Hank Plone, Dick Wray, Enid
Gleich, Morty Gleich. Most of the photographs were taken at the Tamarind Workshop.
box 110, folder 7
Photographs -- photographer Don Briggs
1964
Scope and Content
8 8 x 10" photographs, 1 contact sheet.
Photographs picture June Wayne in her studio.
box 110, folder 8
Photographs
1966
Scope and Content
1 8 x 10" photograph, 5 3.25 x 4.5" photographs, 1 3.5 x 3.5" photograph.
Photographs picture June Wayne in her studio; Wayne giving a lecture at St. Francis Hotel; and Hank Plone.
box 110, folder 9
Photographs
1967
Scope and Content
1 8 x 10" photograph, 1 8 x 10" negative prints, 2 4x4" photograph, 26 photographs of various smaller sizes (3 x 5" and
smaller).
Photographs picture June Wayne, Mario Avati, Harvy Roman, Zita Rogan, Maryan ?, Cliff Smith, Fred Genis, David Borajas, Hank
Plone, Amy Baker, Kenny Price, Bernie Blecha, Betty Fiske, Joe Pomodoro, Norma Neiman, Maurice Bloch, Kelly Lozingot, and
Don Kelly. Also includes an invitation to a memorial service for Una E. Johnson, Curator of Prints and Drawings at the Brooklyn
Museum of Art.
box 110, folder 10
Photographs
1968
Scope and Content
3 8 x 10" photographs, accompanying documents, 1 contact sheet.
Photographs picture June Wayne and the newly constructed building at 1108 Tamarind. Documents include assignment to 30% ownership
in Hollywood Montedge Associates.
box 110, folder 11
Photographs
circa 1968
Scope and Content
6 8x10" photographs.
Photographs of furniture design to hold prints in flat files but still function as attractive home furnishings.
box 110, folder 12
Photographs
1968
Scope and Content
1 8.5 x 11" digital print, 16 8 x 10" photographs, 3 8 x 10" negative prints, 5 5 x 7" photographs, 25 3.25 x 4.25" photographs,
3 photographs of various smaller sizes (4 x 5" and smaller).
Photographs picture June Wayne, Clifford Smith, Betty Fiske, Serge Lozingot, Anthony Sopka, Eugene Sturman, Edward Hughes,
Manuel Fuentes, Theo Wujcik, Linda Shaffer, Robert Rogers, Norma Neiman, Lillian Lesser, Bonnie Barrett, Frank Akers, Judy
Reilly, Caren Joseph, Ed Moses, Dan Socha, Jean Milant, Maurice Sanchez, Anthony Stoeveken, Arthur Plone, Jesse Reichek, Wayne's
space at 1108 Tamarind, Matsumi Kanemitsu, Margo Leavin, Kanemitsu opening at Cal Arts Institute, Hank Plone, Francoise Gilot,
Miles Tamarind Kelly, and Leon Polk Smith.
box 110, folder 13
Photographs
1968
Scope and Content
29 8 x 10" photographs, 1 7 x 9" photograph, 27 8 x 10" negative prints.
Photographs picture June Wayne, Hank Plone, and the Londonderry House.
box 110, folder 14
Photographs
1969 February
Scope and Content
6 8x10" photographs.
Photographs picture June Wayne, Esteban Vicente, Harold Rosenberg, and Rosenberg's birthday party.
box 110, folder 15
Photographs -- photographer Helen Miljakovich
1969
Scope and Content
3 8x10" photographs mounted on foam board.
Photographs picture June Wayne in her studio.
box 110, folder 16
Photographs -- photographer Ralph Gibson
1969
Scope and Content
37 8 x 10" negative prints, 1 35mm negative prints, 3 8 x 10" photographs.
Photographs picture June Wayne, Harry Westland, Mario Avati, Serge Lozingot. Most photographs were taken in the Tamarind Workshop
studio and show Wayne using the stopcut technique.
box 111, folder 1
Photographs -- Four Stones (folder 1 of 2)
1969
Scope and Content
65 3.5 x 5" photographs, 35mm and 110 mm negative prints, 10 8 x 10" negative prints, 1 5 x 8" negative print, 20 8 x 10"
photographs.
Photographs picture Matsumi Kanemitsu, Serge Lozingot, June Wayne, Gene Sturman, producer Terry Sanders, and cinematographer
Eric Daarstad, Alex Van der Kar, and the Tamarind Workshop during the filming of Four Stones.
box 111, folder 2
Photographs -- Four Stones (folder 2 of 2)
1969
Scope and Content
5 5 x 7" photographs, 43 8 x 10" photographs.
Photographs picture Matsumi Kanemitsu, June Wayne, Serge Lozingot, Gene Sturman, Betty Fiske, producer Terry Sanders, and
the Tamarind Workshop during the filming of Four Stones.
box 111, folder 3
Photographs -- photographer Helen Miljakovich
1969
Scope and Content
3 8 x 10" negative prints, 1 7 x 10" photograph, 20 8 x 10" photographs, 1 contact sheet, 35mm negative prints.
Photographs picture Manuel Fuentes, John Sommers, Bonnie Barrett, Serge Lozingot, June Wayne, Ed Ruscha, Gloria Cortelle,
Jean Milant, and Hank Plone.
box 111, folder 4
Photographs -- Tamarind: Homage to Lithography at the Museum of Modern Art (photographer Jay F. Good)
1969 April 29
Scope and Content
1 6.75 x 10" photograph, 2 8 x 10" photographs.
Photographs picture June Wayne at the Museum of Modern Art opening of Tamarind: Homage to Lithography, April 29, 1969.
box 111, folder 5
Photographs -- Music Chamber
1969
Scope and Content
6 8 x 10" photographs, 2 letters.
Photographs picture the Music Chamber, a stereophonic chair, in June Wayne's home. The photographs were intended to be used
to in press releases about the chair and picture both June Wayne and an unidentified model.
box 111, folder 6
Photographs -- Selections from Twenty Years of Lithographs by June Wayne at the FAR Gallery
1969 March 29
Scope and Content
4 3.5x5" color photographs.
Photographs picture June Wayne and Mary Lou Baskett, Tom Jones at the opening for the exhibition, Selections from Twenty Years
of Lithographs, at FAR Gallery in New York City.
box 111, folder 7
Photographs
1969
Scope and Content
4 8 x 10" photographs, 22 3.25 x 4.5" photographs, 1 4 x 5" photograph, 4 3.5 x 3.5" color photographs 1 8 x 10" negative
print, 1 4 x 10" negative print, 1 4 x 5" negative print, 35 mm negative prints.
Photographs picture June Wayne, Salvador Bru, Ed Ruscha, John Levee, Hugh Townley, John Hunter, Sam Francis, Rafael Canogar,
Don Kelly, Betty Fiske, Amy Baker, Don Kelley, Wayne Smith, Fred Genis, Donna, Emerson Woelffer, Mary Lou Baskett, Serge Lozingot,
and Lilianna Lozingot.
box 111, folder 8
Photographs -- Lithographs from the Art of June Wayne exhibition at Cincinnati Art Museum
1969 September 7-26
Scope and Content
3 8x10" photographs.
Photographs are installation shots of the exhibition, Lithographs from the Art of June Wayne, at the Cincinnati Art Museum,
September 7-28, 1969. Some water damage has occurred resulting in the waving of the photographs.
box 111, folder 9
Photographs
1970
Scope and Content
9 8 x 10" photographs, 4 5 x 7" photographs, 4 photographs of various smaller sizes (4 x 5 and smaller) 1 6.5 x 9.25" photograph,
4 4 x 5" negative prints, 35 mm negative prints with contact sheets.
Photographs picture June Wayne, Serge Lozingot, Ed Hamilton, Jim Woods, Linda Fagela, Nate Oliveira, Lloyd Rigler, Steve Davis,
Jim Woods and his children, Saidee Grunwald and photographs from the opening of Burning Helix, Tamarind Decade party, and
Kanemitsu's Champagne Cancellation.
box 111, folder 10
Photographs
1970 May
Scope and Content
4 8x10" photographs and 1 8x10" negative print.
Photographs picture June Wayne and Keith Berwick on the set of KCET's Speculation.
box 111, folder 11
Photographs
1971
Scope and Content
4 4x5" photographs.
Photographs picture Serge Lozingot, Matsumi Kanemitsu, William Law, June Wayne, Alice Woodrow, and Tom Stone. Also includes
1 8.5x11" advertisement with the Bill Plone.
box 111, folder 12
Photographs
1972
Scope and Content
4 3x5" color photographs, 4 3x5" black and white photographs, partial contact sheet mounted to board, 1 5x7" photograph, and
34 3.5x4.25" Polaroid photographs, 4 photographs mounted to board.
Photographs picture June Wayne, Art Harris, Hank Plone.
box 111, folder 13
Photographs -- KCET taping (photographer Betty Fiske)
1972
Scope and Content
40 3.5 x 5" photographs, 15 8 x 10" photographs.
Photographs picture the set of the "June Wayne" series on KCET including images of June Wayne, Hank Plone, May Natalie Tabak,
Ti-Grace Atkinson, Grace Glueck, Cal Slater, Mariko, Barbaralee Diamonstein, Art Seidenbaum, and Camilla Snyder.
box 111, folder 14
Photographs -- June Wayne exhibition at Los Angeles Municipal Art Gallery, Barnsdall Park (photographer Catherine Barrett)
1973 November 1-December 2
Scope and Content
28 8 x 10" photographs, 24 8 x 10" negative prints.
Photographs are installation shots of June Wayne's exhibition at the Los Angeles Municipal Art Gallery, Barnsdall Park, November
1 - December 2, 1973.
box 112, folder 1
Photographs -- June Wayne exhibition at Los Angeles Municipal Art Gallery, Barnsdall Park -- Opening Reception
1973 October 30
Scope and Content
37 8 x 10" photographs, 4 contact sheets.
Photographs were taken at the opening reception for the exhibition and picture June Wayne, Ken Ross, Nancy Reeves, Emerson
Woelffer, Marta Feuchtwanger, Mr. and Mrs. Ernest Fleishman, Dean Charles, Camilla Speroni, Pat Russell (then Councilwoman),
Mr. and Mrs. Lorser Feitelson, Gordon Davidson, Marjorie Fassman, and Peggy Ross.
box 112, folder 2
Photographs
1973
Scope and Content
3 8 x 10" photographs, 6 5 x 7" photographs, 1 4 x 4" photograph, 110mm negative print, 9 contact sheets.
Photographs picture June Wayne on the set of her KCET series, Noemi Garm, Hank Plone, and Ariane Claire.
box 112, folder 3
Photographs -- photographer Rudd Brown
1974
Scope and Content
114 3.5 x 5" photographs, 5 contact sheets.
Photographs picture June Wayne, Ed Hamilton, Ariane Claire, Hank Plone and others. Photographs taken while Wayne and Hamilton
were printing at Cirrus editions; at the Trieman party; during a television interview in San Francisco; in a meeting with
David Wallace; at the California Film Institute; in Serge Lozingot's home; at the Van Doren Gallery in San Francisco; and
in Wayne's home and studio. One series of photographs shows Wayne working on the cartoon for Grande Vigne Noir.
box 112, folder 4
Photographs -- photographer Julius Shulman
1974
Scope and Content
5 4 x 5" negative prints.
Shulman photographed June Wayne's home and her in the studio.
box 112, folder 5
Photographs -- June Wayne: An Exhibition of Lithographs and Tapestries at the Muckenthaler Cultural Center
1974 August 31-October 6
Scope and Content
5 8x10" photographs.
Photographs picture the opening as well as installation shots of the exhibition.
box 112, folder 6
Photographs
1974
Scope and Content
1 8 x 10" photograph, 1 contact sheet, 4 3.5 x 4.5" photographs, 1 5 x 7" photograph, 2 x 2" negative prints.
Photographs picture June Wayne, Andre Vilar, Pierre Daquin, Carole Bernstein, Joyce Treiman, Art Harris, Ariane Claire, Robin
Wayne, and Hank Plone. Also includes negatives from Wayne on the set of her KCET series.
box 112, folder 7
Photographs
1975
Scope and Content
2 3 x 4" photographs, 18 3.5 x 3.5" photographs, 35mm negative prints, 1 9 x 11" photograph, 2 7.5 x 10" photographs, 2 x
2" negative prints.
Photographs picture June Wayne, Robin Wayne, Ariane Claire, Hank Plone, and negative prints of the cartoon for On Verra.
box 112, folder 8
Photographs -- Clipper Magazine
1975
Scope and Content
12 slides, 6 4 x 5" negative prints.
Photographs picture June Wayne in her home. See also oversize photographs.
box 112, folder 9
Photographs -- Art '76 Die International Kuntmesse at Hallen der Schweizer Mustermesse (Basil)
1976 June 16-21
Scope and Content
4 contact sheets and 35mm negative prints.
Photographs are of installation views of the exhibition and of June Wayne and Hank Plone.
box 112, folder 10
Photographs
1976
Scope and Content
12 3 x 5" photographs, 1 8 x 10" photograph, 1 8 x 8" photograph.
Photographs picture June Wayne and Shawn Dorfman.
box 112, folder 11
Photographs -- docents of Palm Springs Museum visit
1977 November 2
Scope and Content
32 8 x 10" photographs.
Photographs were taken during a docent visit to the June Wayne studio and home. The photographs show the various participants
touring the studio as well as June Wayne showing and speaking about her work.
box 112, folder 12
Photographs -- Institute of Molecular Biology at the University of California, Los Angeles
1977
Scope and Content
4 8 x 10" photographs, 2 contact sheets, 1 photocopy (2 prints per sheet).
Photographs picture June Wayne, Lloyd Rigler, and Paul Boyer, the then vice chancellor of University of California, Los Angeles,
at the installation of one of her tapestries and DNA prints at the Institute for Molecular Biology at UCLA.
box 112, folder 13
Photographs
1977
Scope and Content
1 3.5 x 3.5" photograph, 1 contact sheet, and 35mm negative prints.
Photographs picture Bruge and the Wayne residence.
box 112, folder 14
Photographs -- Catalog One exhibition at Rubicon Gallery
1977
Scope and Content
1 contact sheet and 35mm negative prints.
Photographs are installation shots of the exhibition.
box 112, folder 15
Photographs -- June Wayne: Paintings, Tapestries, Lithographs at Montgomery Gallery, Pomona College
1978 November 5-1979 February 11
Scope and Content
4 contact sheets, 35mm negative prints and 28 slides.
Photographs are installation shots of the exhibition.
box 112, folder 16
Photographs
1979
Scope and Content
6 8 x 10" photographs, 7 3.5 x 3.5" photographs, 1 5 x 7" photograph, 3 4 x 5" negative prints, 2 8 x 10" negative prints,
1 contact sheet.
Photographs picture June Wayne, Jeannine du Bois, Madeleine Jarry, Joyce Shaw, Darcy Haymand, Alice Backes, Lani Lattin Duke,
Jevon Claire, Robin Wayne, Ariane Claire, and June Wayne in a television interview in Washington, D.C with Harrell Lyons,
Selma Burke, and others.
box 112, folder 17
Photographs -- solo exhibition at Arizona State University
1979
Scope and Content
17 3.5x3.5" photographs, 35mm negative prints.
Photographs are installation views of the exhibition and picture June Wayne and Rudy Turk.
box 113, folder 1
Photographs
1980
Scope and Content
2 8x10" photographs, 8 3.5x5" photographs.
Photographs picture June Wayne, Hank Plone, Marsh Holleb, Doris Holleb, and an art week award given to June Wayne.
box 113, folder 2
Photographs -- photographer Kurt Fishbach
1981
Scope and Content
4 8x10" photographs, 2 5x7" photographs, 1 8x10" negative print.
Photographs are portraits of June Wayne.
box 113, folder 3
Photographs
1982
Scope and Content
7 polaroids, 12 3.5 x 5" photographs, 3 8 x 10" photographs, 1 8 x 10" negative print.
Photographs picture June Wayne, Jaffe ?, Zuka, Edmund Newman, The Roneey's, Mario Avati, Deena Avati, Irwin Hollander, Esther
Broner, Gustave von Siroschwartz, Fran von Siroschwartz, Clinton Adams, Marge Devon, Jack Tworkov, William Walmsley, Judith
Solodkin, Fritz Scholder, Claudia Weil, Mirra Bank, Francine Klugman, Dina Dar, Hank Plone, and Max Korloff. Photographs
also picture Wayne on a panel at the Jewish Museum in New York.
box 113, folder 4
Photographs
1983
Scope and Content
15 3.5 x 5" photographs, 4 8 x 10" photographs.
Photographs picture June Wayne and Ed Hamilton with a print, Hank Plone, Roland Reiss, Arnold Mesches, Eiko Ishoka, Chuc Craig,
Mr. and Mrs. Burherdt, Merle Schippers.
box 113, folder 5
Photographs
1984
Scope and Content
16 3.5 x 5" photographs, 10 4 x 6" photographs, 3 8 x 10" photographs, 10 2 x 2" negative prints.
Photographs picture June Wayne, Sharon Green, Joanne Hertz, Sue Colin, Yen Lu Wong, Dominique de Santi, Francoise Gilot, Beverly
Pepper, Phillipine de Rothschild, Eleonor Tufts, Sharon Summers, Ed Hamilton, Hank Klein, Ernst Rosenthal, Hank Plone, Rachel
Rosenthal, Jack Youngerman, Louise Bourgeois, Red Grooms, Francoise Kourilsky, Bernard Rosenthal, David Hockey. Two of the
photographs were taken during the presentation of Picasso's play, "Catch Desire by the Tail," at the Guggenheim Museum in
New York.
box 113, folder 6
Photographs
1985
Scope and Content
6 8 x 10" photographs, 3 5 x 7" photographs, 2 3 x 5" negative prints, 9 3.5 x 5" photographs, 1 sheet of 3 1.5 x 2" photographs.
Photographs picture Marie de Dieu, WCA Awards, June Wayne, Francois Gilot, Ruth Weisberg, and Lynne Creighton.
box 113, folder 7
Photographs -- June Wayne: My Palomar at Galerie des Femmes Paris
1985 June
Scope and Content
45 polaroids.
Polaroids were taken of the exhibition installation as well as June in Paris. Pictured in the photographs are June Wayne,
Ed Hamilton, Marie de Dieu, Carol Bernstein, Andree Vilar, Michelle Barriere, Christine Botrel, and Stephanie Sills.
box 113, folder 8
Photographs
1986
Scope and Content
5 8 x 10" photographs, 17 3.5 x 5" photographs, 2 4 x 6" photographs, 35mm negative prints.
Photographs picture the Fresno Arts Center and the Museum Board of Trustees, June Wayne, Hank Plone, Pam Leeds, and Art Leeds.
box 113, folder 9
Photographs
1987
Scope and Content
1 polaroid, 1 3.5 x 5" photograph, 5 4 x 6" photographs, 1 cutout photograph mounted on paper.
Photographs picture June Wayne, Hank Plone, Elaine Jones, Cecile Bartman, Bernard Kester, Ester Levin, Al Levin, Dorothy Reol,
and Phil Sobel.
box 113, folder 10
Photographs -- photographer Kena Love
1987
Scope and Content
3 8 x 10" photographs, 3 3.5 x 5" laminated photographs, 1 slide, 1 4 x 5" negative print, 1 7.5 x 11" photograph.
Photographs are portraits of June Wayne.
box 113, folder 11
Photographs -- June Wayne: Djuna Set at Fresno Art Museum
1988 May 25-August 1
Scope and Content
12 5 x 5" photographs, 14 slides, 35mm negative prints.
Photographs are installation views of the exhibition.
box 113, folder 12
Photographs -- June Wayne in Otto Piene's "Sky Work"
1988
Scope and Content
1 6 x 8" photograph, 5 8 x 10" photographs, 28 3.5 x 5" photographs, 3 4 x 6" photographs.
Photographs are from the performance of a Otto Piene art work in which Wayne was lifted into the sky by several large balloons
while images of her work were projected onto another balloon. The performance piece was part of the Westweek Celebration of
Art in Space at the Pacific Design Center.
box 113, folder 13
Photographs
1988
Scope and Content
1 polaroid, 2 4 x 5" photographs, 1 3.5 x 5" photograph, 2 4.5 x 5.5" photographs, 2 5 x 7" photographs, 11 4 x 6" photographs.
Photographs picture June Wayne ballooning in Alice Springs, Australia, Doctorate reception at Atlanta College of Art, Robert
Shaw, Hank Plone, Roy Slelann, Ofelia Garcia, Teresa Bailey, and Benoit Luycky.
box 113, folder 14
Photographs
1989
Scope and Content
1 8 x 10" photograph, 59 4 x 6" photographs, 3 5 x 7" photographs, 11 3.5 x 5" photographs, 1 3.5 x 3" photograph, 35mm negative
prints.
Photographs picture June Wayne, Hank Plone, Hitoshi Takatsuki, Theo Tremblay, Jorge Schmeisser, Norma Bortman, Pat Gilmour,
Carol Neiman, Beatrice Wood. Some of the photographs were taken during Plone and Wayne's trip to Japan and in Australia.
box 114, folder 1
Photographs -- photographer Jim McHugh
1990
Scope and Content
3 3.25 x 4" photographs, 4 8 x 10" photographs, 1 8 x 10" negative print, 15 contact sheets.
Photographs picture June Wayne in her studio. Also includes 3 photographs of the photographer, Jim McHugh.
box 114, folder 2
Photographs -- photographer Hans Albers
1990
Scope and Content
2 2 x 2" photographs, 15 3 x 4" photographs, 6 2 x 2" color negative prints.
Photographs are portraits of June Wayne.
box 114, folder 3
Photographs
1990
Scope and Content
17 4 x 6" photographs.
Photographs picture June Wayne, Esther Broner, Ruth Weisberg, Diane Burko, Rachel Rosenthal, Nicole Landin, Lois Boardman,
reception for T. Tanaka at Elaine Jones' home, Jane Ashby, and Hank Plone.
box 114, folder 4
Photographs -- 1108 Tamarind
1991
Scope and Content
30 4 x 6" photographs, 14 3.5 x 5" photographs, 5 contact sheets.
Photographs picture June Wayne's home, studio, and artwork.
box 114, folder 5
Photographs
1991
Scope and Content
21 3.5 x 5" photographs, 15 4 x 6" photographs, 1 3.5 x 6" photograph, 7 5 x 7" photographs.
Photographs picture June Wayne, Hank Plone, Bill Plone, Bella Lewitsky, Eleanor Tufts, Carol Porter, Jane Ashby, Bruce Doris,
Brenton Frederickson, Matsumi Kanemitsu, David Lentz, Michi, Pat Gilmour, Elaine Attias, Jamie Attias, Betty Friedman, Jean
Hurlbein, Jan Haag, Marjorie O'Connell, Sheila Tepper, Marge Fasman, Andrea Rich, Eileen Radbury, Ko Muto, Ariane Claire,
various members of the Plone family.
box 114, folder 6
Photographs
1993
Scope and Content
4 4 x 6" photographs, 1 8 x 10" photograph, 21 3.5 x 5" photographs, 41 4 x 6" photographs, 35mm negative prints.
Photographs picture June Wayne, Max Lawrence, Hank Plone, Marcel Durassier, Emilienne Durassier, Lady Julie Briarwood, party
for the National Museum of Women's acquisition of a Wayne artwork, and National Museum of Women trusteeship retreat.
box 114, folder 7
Photographs
1994
Scope and Content
1 polaroid, 35mm negative prints, 38 4 x 6" photographs, 2 5 x 7" photographs, fax of an article and fax cover sheet.
Photographs picture June Wayne, Hank Plone, Robert Barrett, Connor Everts, Josine Starrels, Merle Scleipper, Jim Byrnes, Barbara
Byrnes, Louise Lewis, Guy Lewis, Ron Gottesman, Max Barrett, Iva Horovitz, Carole Kim, Judy Wood, Alain Bruston, Nicole Landau,
Marcel Durassier, Emilienne Durassier, and group photograph for the exhibition, "Flights of Fancy". Also included is a faxed
article on the opening of "A Secret History of Design in Los Angeles."
box 114, folder 8
Photographs -- Tamarind buildings (folder 1 of 2)
1994
Scope and Content
11 4 x 6" photographs, 27 3.5 x 5" photographs, 35mm negative prints.
Photographs picture the buildings on Tamarind Ave, which June Wayne owns: 1108, 1112, and 1112 1/2. Some of the photographs
show evidence of damage after the January 1994 earthquake.
box 114, folder 9
Photographs -- Tamarind buildings (folder 2 of 2)
1995
Scope and Content
62 4 x 6" photographs, 35mm negative prints.
Photographs picture the buildings on Tamarind Ave, which June Wayne owns: 1108, 1112, and 1112 1/2. Some of the photographs
show evidence of damage after the January 1994 earthquake.
box 114, folder 10
Photographs -- Converging Cultures exhibition at the Skirball Center
1996 June 20-August 25
Scope and Content
1 5x7" photograph, 8 4x6" photographs.
Photographs picture June Wayne and Nancy Berman at the Skirball Center.
box 114, folder 11
Photographs
1996
Scope and Content
2 4 x 6" photographs, 6 3.5 x 5" photographs, and 3 3.5 x 4.5" photographs.
Photographs picture June Wayne, Hank Plone, Larry Seaquist, Carla Seaquist, Linda Fasulo Plata.
box 114, folder 12
Photographs
1997
Scope and Content
41 3.5 x 5" photographs, 6 4 x 6" photographs.
Photographs picture June Wayne, Hank Plone, Rudd Brown, Jim Horwitz, Judy Hoffberg, Tom Paiva, Lee Draper, Connor Everts,
Rachelle Rosenthal, Rachel Rosenthal, Domingo Gonzalez, Cecile Bartman, Mike Fasman, Marge Fasman, Bernard Kester, Heavenly
Wilson, Chuck Sachs, Norma Bartman, Tom Peters, Carol Bernstein, Jane Mathews, Scott Wilson, Judy Everts, Domingo Gonzalez,
Ron Gottesman, Beth Gottesman, Elaine Attias, Lilianne Lozingot, and Serge Lozingot. The majority of the photographs in this
folder were taken at a brunch for Carol Bernstein.
box 114, folder 13
Photographs -- photographer Tom Paiva
1997
Scope and Content
3 4 x 6" photographs, 2 8 x 10" photographs, 1 1/2 contact sheets, 8 2.75 x 3.75" negative prints, 35mm negative prints.
Photographs are mostly portraits of June Wayne.
box 115, folder 1
Photographs -- June Wayne: A Retrospective at Neuberger Museum of Art, Purchase College, SUNY
1997 April 19
Scope and Content
33 5 x 7" photographs, 83 4 x 6" photographs, 4 3.5 x 4.5" photographs, 35mm negative prints.
Photographs picture the opening of the exhibition.
box 115, folder 2
Photographs -- June Wayne's 80th birthday
1998 March 7
Scope and Content
58 4 x 6" photographs, 1 8 x 10" photograph, 1 3 x 4" digital print, 5 4 x 12" photographs, 30 slides, 35mm negative prints.
Photographs picture a birthday party for June Wayne at Wayne's home and at the studio of Connor Everts.
box 115, folder 3
Photographs
1998
Scope and Content
26 4 x 6" photographs, 4 4 x 7" photographs, 1 2 x 3" photograph, 2 3.5 x 5" photographs, 2 letters accompanying the photographs.
Photographs picture June Wayne, Hank Plone, Nancy Uyemura, Ken Tyler, Clinton Adams, Mary Adams, Sandy Gooch, Harry Laderman,
Gail Berendzen, Norma Sklarek, Sue Stapely, Simon Stapely, Janice Roberts, Bernard Kester, and Ruth Weisberg. Includes photographs
taken during the June Wayne Retrospective opening at LACMA and during a trip to Japan.
box 115, folder 4
Photographs -- Lloyd Rigler
1998
Physical Characteristics and Technical Requirements
1 8x10" digital print, 1 CD with digital image.
box 115, folder 5
Photographs
1999
Scope and Content
58 4 x 6" photographs, 1 5 x 7" photograph, 1 5 x 5" photograph, 5 digital prints (4 x 6" and 5 x 7"), 8 polaroids.
Photographs picture installation views of opening at Biblioteque Historique in Paris, June Wayne, Hank Plone, Barbara Self,
Walt Lewis, Judy Evert, Connor Everts, Jorge de Souza, Jack Ruthberg, Jay Carmichael, Milton Wexler, Elaine Attias, Robert
Park, Bob Kline, Tom Kline, Steve Doris, Mike Genelin, Susie Genelin.
box 116, folder 1
Photographs
2000
Scope and Content
2 8 x 10" photograph, 1 4 x 7" photograph, 4 digital prints (6 x 8" and 5 x 7"), 30 4 x 6" photographs.
Photographs picture June Wayne, Clinton Adams, Hank Plone, Marge Devon, Tony Devon, Ernestine White, Bella Lewitsky, Newell
Reynolds, Judy Rosener, Ferris Olin, Judy Brodsky, Michael Curtis, Ruth Galantez, Norman Zammitt, Marilyn Zammitt, David Lazerow,
Marilyn Lazerow, Norm Kasser, Walt Diente, Stan Wolf, Gilah Hirsh, Rachel Rosenthal, Bernard Kester, Mike Crandall, Dawn Cradall,
and Erich Zammitt.
box 116, folder 2
Photographs
2001
Scope and Content
2 8 x 10" photographs, 33 4 x 6" photographs.
Photographs picture June Wayne, Hank Plone, Rudd Brown, Norman Zammitt, Bernard Kester, Susan Peterson, Rosemary Kowalski,
Mary Carrington, Judy Frank, Len Frank, Kari Leitz, Bondo Wyszpolski, Marilyn Zammitt, Pam Plone, Mike Plone, Abby Plone,
Connor Everts, Judy Everts, and June Wayne's home and art. Also pictured is LACMA's Wall of Benefactors, of which Wayne is
a part.
box 116, folder 3
Photographs
2002
Scope and Content
51 4 x 6" photographs, 1 3.5 x 5" photograph, 2 5 x 7" photographs, 4 digital prints of various sizes (8 x 10" and smaller),
4 cards.
Photographs picture June Wayne, Hank Plone, the Gala Celebration and Auction in Honor of June Wayne at Swann Auction Galleries
in New York, the removal of June Wayne art work for shipment to Rutgers University, Leonard Frank, Judy Frank, Ana Sutherland,
Eleanor Dickinson, Janice Feldman, Esther Lien, Teresa Bailey, Gary Johnson, Katherine Jacobi, Alicia Roberts, Ruth Bowman,
Cynthia Navaretta, Lynne Allen, Ferris Olin.
box 116, folder 4
Photographs
2003
Scope and Content
8 4 x 6" photographs, 1 4 x 12" photograph, 1 3.5 x 4.5" photograph, 5 polaroids.
Photographs picture June Wayne, Judy Rosener, Judy Roth, Dorothy Gillespie, Perry Fasulo, Don Bacigalupi, Bettie-Sue Hertz,
Wes Brusted, Marvin Goldberger, Mildred Goldberger, Judy Stein, Ruth Bowman, and audience at College Art Association's honoring
of June Wayne at the American Museum of Folk Art.
box 116, folder 5
Photographs
2004
Scope and Content
12 4 x 6" photographs, 1 5 x 7" photograph, 4 cards.
Photographs picture June Wayne, Bernard Kester, Denis Genean, Ben Genean, Serge Allen, Lynne Allen, Judy Rosener, Brooke Knapp,
Robin Vaccarino, Mary Carrington, Zuka, Tina Gittleson, Andrea Mueller, Paula Holt, Betsy Hailey, Claire Rothman, and a party
at the home of June Wayne given in her honor by the trusteeship.
box 116, folder 6
Photographs -- photographer Robin Roy
2004
Scope and Content
4 8 x 10" photographs.
Photographs are portraits of June Wayne.
box 116, folder 7
Photographs -- photographer Kenna Love
2004
Scope and Content
1 contact sheet, 1 8x10" digital print, 2x2" negative prints, 4 5x5" photographs, 3 5x7" digital prints.
Photographs are portraits of June Wayne.
box 116, folder 8
Photographs
2005
Scope and Content
23 4 x 6" photographs, 2 5 x 7" photographs, 11 digital prints of various sizes (8 x 10" and smaller).
Photographs picture June Wayne, Peter Van de Masla, Narima Dabrius, Kumiko Shindo, Dexter Frankel, Henry Hopkins, Gina Nahai,
Liliane Lozingot, Serge Lozingot, Bob Park, Robin Park, David Rodes, Betsy Hailey, Michael Tina Brand, Elizabeth Segder, Ynez
Johnston, Connor Everts, Jim Horwitz, Bee Lavery, Stan Edmondson, Tobey Moss, and Nancy Uyemura. Two of the photographs are
official photographs from the honorary doctoral conferral at Rutgers University.
box 116, folder 9
Photographs -- Shockwave exhibition at Rutgers University
2004-2005
Scope and Content
32 5 x 7" digital photographs in black and white on copy paper.
Photographers picture June Wayne, Barbara Westman, Arthur C. Danto, Judith Brodsky, Chris Armijo, George Stauffer, Marcia
Thompson, Helen Plone, Ophelia Garcia, Ben Geneen, Ferris Ohn, Michael Curtis, Randy Hemminghaus, Eileen Foti, Muriel Moss,
Dennis Hull, Norm Zabrisky, Judith Stein, Ruth Bowman, George Bowman, Teresa Taynes, Judith Solodkin, and Barbara Madsen.
box 116, folder 10
Photographs -- photographer Kenna Love
2006 March 5
Scope and Content
8 8 x 10" digital prints, 1 5 x 7" photograph, 1 5 x 8" photograph, 3 contact sheets, 2 8 x 10" negative prints.
Photographs picture June Wyane and Ed Hamilton looking at June Wayne's art work.
box 116, folder 11
Photographs -- photographer Kenna Love
2006 October 24
Scope and Content
2 8.5 x 8.5" digital prints, 8 contact sheets, 5 black and white digital prints on copy paper.
Photographs picture June Wayne working in the studio. Some of the photographs in this folder were used in the catalogue raissone.
box 116, folder 12
Photographs
2006
Scope and Content
14 4 x 6" photographs, 2 8 x 10" digital prints, 1 5 x 6" digital print, 2 5 x 7" digital prints, 28 black and white digital
prints on copy paper, 1 card.
Photographs picture June Wayne, Ynez Johnston, Stan Edmondson, Michelle Deziel, Rosemary Kowalski, Andrea Mueller, Mary Carrington,
Tina Gittelson, Maynard Asper, Walt Lewis, Carol Sainer, Ruth Weisberg, Barbara van Arnam, and graffiti on June Wayne's garage
door.
box 116, folder 13
Photographs -- photographer Judy Dater
2006 January 23
Scope and Content
4 8x10" photographs, 6 pages contact sheets.
Photographs are portraits of June Wayne.
box 116, folder 14
Photographs -- Dorothy Series exhibition at the National Association of Women Artists
2007
Scope and Content
90 4 x 6" photographs, 7 4 x 6" digital prints, Wayne's CV for 2007.
Photographs picture installation views, the reception, and artist's lecture. Most photographs were taken from a small album.
box 116, folder 15
Photographs
2007
Scope and Content
6 4 x 6" photographs, 1 2.5 x 3.5 photograph (mounted on paper), 12 digital prints (5 x 7" and smaller), 1 3.75 x 6" lithograph,
1 black and white digital print on copy paper, 4 cards/notes.
Photographs picture June Wayne, Judy Rosener, Bernard Kester, Agnes Anderson, Abby Moore, Brooke Knapp, Adrienne Hull, Betye
Saar, Aya Yoshida, Ed Carter, Ingrid Ledent, Robin Wayne, Ariane Claire, Nancy Grossman, Joyce Kozloff, Judy Frank, Joan Abrahamson,
Betsy Hailey, Mary Carrington, Paula Holt, Diane Wittenberg, and Barbara Casey. Also includes photograph taken by Kenna Love
of Ruth Weisberg, Kathy Jacoby, June Wayne, Candace Gwane, Kenna Love, Lily Jakaeh, and Hannah.
box 117, folder 1
Photograph Book
2008
Scope and Content
1 8.75 x 11.25 x .325" bound book with dust cover.
The book is titled "Fabulous June" and is the type of photograph book popularly sold by online photograph storing websites.
It contains 36 photographs of various sizes. All photographs were taken on the occasion of June Wayne's 90th birthday.
box 117, folder 2
Photographs -- Valentine and Abani engagement party
2008
Scope and Content
1 6 x 8" photograph, 2 5 x 7" photographs, 2 4.5 x 6" photographs, 6 4 x 6" photographs.
Photographs are from an engagement party for Sarah Valentine and Chris Abani in June Wayne's home.
box 117, folder 3
Photographs -- photographer Niku Ashef
2008
Scope and Content
24 4 x 6" digital prints, 1 7 x 7" digital print, 1 5 x 7" digital print, 1 4 x 7" digital print.
Photographs include June Wayne, Betty Brown, and Larry Workman.
box 117, folder 4
Photographs
2008
Scope and Content
11 4 x 6" photographs, 2 6 x 8" digital prints, 2 5 x 7" digital prints, 1 6.5 x 10" digital print, 1 exhibition announcement,
2 cards/notes.
Photographs picture June Wayne, Chrysta Thurman, George Rosenbaum, Sandy Rosenbaum, Ayako Yoshida, Claire Rothman, Judy Frankel,
Dianne Dennis, Shuichi Sonokawa, Larry Workman, Mary Carrington, Kathy Checch, Randy Tullis, Ariane Claire, and Ynez Johnston.
box 117, folder 5
Photographs
2009
Scope and Content
9 4 x 6" photographs, 15 8 x 10" digital prints, 9 5 x 7" digital prints, 12 digital prints of various sizes (7 x 7" and smaller)
2 printed emails with color photographs on copy paper.
Photographs picture June Wayne, College Art Association's printmaker's night with June Wayne, Ynez Johnston, Ruth Weisberg,
Larry Workman, Ed Roski, Carol Soucek King, Gila Yelin Hirsch, Kuno, Ron Gottesman, Beth Gottesman, Anna Silver, Elaine Attias,
Chris Akani, Ariane Claire, Robin Wayne, Carol Sevilla, John Khuu, Betty Brown, Price Hicks, Larry Workman, Shuichi Sonokawa,
Walter Askin, Sharon Shore, Sandy Rosenbaum, Rob Juarbe, Joel Tabbush, and opening night for "Connections: LA Printmaking,
1962 to 1973."
box 117, folder 6
Photographs -- June Wayne's 91st birthday celebration
2009
Scope and Content
18 4 x 6" photographs.
Photographs picture two different parties thrown for June Wayne's 91st birthday.
box 117, folder 7
Photographs
2010
Scope and Content
Photographs picture June Wayne, Larry Workman, Shuichi Sonokawa, Connor Everts, Ray Cohen, Lila Cohen, Norma Bartman, Chana
Horwitz, Zuka, Genie Gerard, Lilace Hatayama, Bondo, David Rosenbaum, Christa Thurman, Marge Devon, Marilyn Lazarow, Betsy
Hailey, Christa C. Mayer, Nyla Arslanian, Philip Wong, Sandy Rosenbaum, Ayako Yoshida, Ruth Weisberg, Sharon Shore, and Ron
Gottesman's life celebration.
Physical Characteristics and Technical Requirements
9 4 x 6" photographs, 3 3.5 x 5" digital prints, 3 8 x 10" digital prints, 14 5.5 x 9.5 digital prints, 6 digital prints of
various sizes (5.75 x 10" and smaller), 7 contact sheets of digital image thumbnails, 1 DVD of photographs.
box 117, folder 8
Photographs
2011
Scope and Content
5 4 x 6" photographs, 1 card, 1 email with 9 attachments of photographs.
Photographs picture June Wayne, Riko Takata, Larry Workman, Shuichi Sonokawa, Andrea Rich, Walt Lewis, and Barbara Self.
box 117, folder 9
Photographs -- Contact Sheets
circa 1950-1970
Scope and Content
Contact sheets, 2 x 2" negative prints, 35mm negative prints, 2.25 x 2.75" negative prints.
Contains negative prints and contact sheets from a range of periods. The majority of the photographs picture artists working
at the Tamarind Workshop.
box 117, folder 10
Photographs -- Digital Files
2011
Scope and Content
52 contact sheets.
Contact sheets cover the years 1911-1912, 1914-1928, 1930, 1932, and 1934-42.
box 117, folder 11
Photographs -- Album "Wayne Wit and Wisdom"
2005
Scope and Content
51 4 x 6" photographs.
Photographs feature June Wayne, Judith Brodsky and many others taken around the time of the "Shock Wave" exhibition at the
Mason Gross School of the Arts Galleries of Rutgers University and the "Conversation: Judith Brodsky and June Wayne" at the
Maryland Institute College of Art.
box 117, folder 12
Photographs -- Album "Shock Wave" exhibition at the Mason Gross School of the Arts Galleries
2005
Scope and Content
70 4 x 6" photographs.
Photographs were taken during the opening of the "Shock Wave" exhibition at the Mason Gross School of the Arts Galleries of
Rutgers University.
box 151, folder 10
Oversize Albums -- June Wayne in studio
1969
Scope and Content
70 8 x 10" photographs, 1 5 x 7" photograph, 9 8 x 10" negative prints.
Photographs picture June Wayne, Serge Lozingot, William Law and an unidentified artist fellow. Images also show printers and
Wayne working on "One Up, One Down" as well as Wayne working on the cartoon for At Last a Thousand.
box 151, folder 11
Oversize Albums -- June Wayne portraits and KCET
1967-1972
Scope and Content
99 8 x 10" photographs, 4 5 x 7" photographs, 6.75 x 10" photographs, 4 x 5" negative prints, 10 8 x 10" negative prints.
Photographs feature June Wayne, Ti Grace Atkinson, Grace Glueck, Francoise Gilot. The photographs also show Wayne in her studio
at 1108 Tamarind Ave working on Sixti Sextate, Night Swim, and also with the At Last a Thousand tapestry.
box 152, folder 1
Oversize -- Printing Process at Tamarind
1969
Scope and Content
1 10 x 13" photograph, 6 9.25 x 13" photographs.
Photographs feature different parts of the printing process. Featured prominently is Serge Lozingot, the studio manager and
head printer during 1969. Also featured in one of the photographs is a freshly pulled print: Ed Ruscha's "City."
box 152, folder 2
Oversize -- Mounted Tapestry Photographs
circa 1971-1976
Scope and Content
19 11x14" mounted photographs.
Includes images of Grand Vague Bleue during the weaving process at Atelier Pierre Daquin, Chateau Mont Villargennes, Chantilly
France. Photographs feature all stages of the tapestry creation process.
box 152, folder 3
Oversize -- Installed Tapestries
circa 1976
Scope and Content
2 11x14" photographs.
Photographs feature tapestries La Cible and At Last a Thousand.
box 153, folder 1
Oversize -- Tapestry Weaving Contact Sheets (folder 1 of 4)
1973-1975
Scope and Content
15 11 x 14" contact sheets, 35mm negative prints attached to each contact sheet.
Includes images of On Verra and Grand Vague Bleue during the weaving process at Atelier Pierre Daquin, Chateau Mont Villargennes,
Chantilly France. Photographs feature all stages of the tapestry creation process.
box 153, folder 2
Oversize -- Tapestry Weaving Contact Sheets (folder 2 of 4)
1973-1975
Scope and Content
15 11 x 14" contact sheets, 35mm negative prints attached to each contact sheet.
Includes images of On Verra and Grand Vague Bleue during the weaving process at Atelier Pierre Daquin, Chateau Mont Villargennes,
Chantilly France. Photographs feature all stages of the tapestry creation process.
box 153, folder 3
Oversize -- Tapestry Weaving Contact Sheets (folder 3 of 4)
1973-1975
Scope and Content
15 11 x 14" contact sheets, 35mm negative prints attached to each contact sheet.
Includes images of On Verra and Grand Vague Bleue during the weaving process at Atelier Pierre Daquin, Chateau Mont Villargennes,
Chantilly France. Photographs feature all stages of the tapestry creation process. Also includes images of Laura Andreson,
Bernard Kester, Madelaine Jarry, Hank Plone and June Wayne at UCLA, Hearst Castle and Monterey, CA.
box 153, folder 4
Oversize -- Tapestry Weaving Contact Sheets (folder 4 of 4)
1973-1975
Scope and Content
12 11 x 14" contact sheets, 35mm negative prints attached to each contact sheet.
Includes images of On Verra and Grand Vague Bleue during the weaving process at Atelier Pierre Daquin, Chateau Mont Villargennes,
Chantilly France. Photographs feature all stages of the tapestry creation process. Also includes images of Laura Andreson,
Bernard Kester, Madelaine Jarry, Hank Plone and June Wayne at UCLA, Hearst Castle and Monterey, CA.
box 154, folder 1
Oversize -- Dorothy Series Contact Sheets
circa 1977
Scope and Content
14 16 x 20" contact sheets, 1 12.5 x 20" contact sheet, 1 8 x 10" contact sheet, 35mm negative prints attached to each contact
sheet.
Contact sheets from photographs Wayne took of Dorothy Kline's lingerie and shoes. Some of the photographs were used to make
photolithography zinc plates for the prints in the Dorothy series.
box 154, folder 2
Oversize -- Dorothy Series Prints
circa 1977
Scope and Content
12 16 x 20" photographs.
Photographs are of Dorothy Kline's lingerie and shoes. Some of these were used to create photolithography zinc plates.
Series 10: Audiovisual Materials
1950-2011
Language of Material: English.
Organization and Arrangement
This series is organized into five subseries by format: Reel-to-Reel Audio; Cassettes; Compact Discs; Films; and Documentation.
Within each subseries, material is arranged chronologically.
Scope and Content
The objects in this series are recordings either made by or about June Wayne or the Tamarind Workshop.
Subseries 1: Reel-to-Reel Audio
1953-1981
Language of Material: English.
Scope and Content
This subseries includes audio recordings of radio broadcasts, interviews, and seminar and symposia presentations. Included
are recordings of the discussion series,
You and Modern Art, organized by Wayne with art critic, Jules Langsner, as well as Wayne's
Joan of Art seminar series.
Processing Information
Includes materials from the July 2012 addition.
box 118, folder 1
June Wayne interviewed by Gunter Troche (28 minutes)
1958
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS. Gunter Troche was director of Achenbach Foundation. The reel has defects in the
recording from 245-253 and was dubbed for Pat Gilmour in 1994.
box 118, folder 2
June Wayne interviewed by John Zee (26 minutes) -- Talk of New York Program, New York City
1964 October 16
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS in cardboard box. Wayne being interviewed about Tamarind Workshop.
box 118, folder 3
June Wayne interviewed by John Zee (26 minutes) -- Talk of New York Program, New York City (duplicate)
1964 October 16
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS in cardboard box. Wayne being interviewed about Tamarind Workshop.
box 118, folder 4
June Wayne speech at California State University at Fullerton
1964 October
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box. Wayne's speech is about lithography and Tamarind Workshop.
box 118, folder 5
June Wayne interviewed by Fred Anderson -- Kaleidoscope KNX Los Angeles
1964
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS in cardboard box. Also interviewed on the episode are Brach, Gardener, Powell, and
Allen.
box 118, folder 6
June Wayne interviewed by Edith Walton -- NBC
1964 October 15
Scope and Content
1 - 1/4" audio tape on 7" reel.
box 118, folder 7
June Wayne on Livre de Luxe (22 minutes)
1965 September 2
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box.
box 118, folder 8
June Wayne speaking about the history of Tamarind
1967 February
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box. Side 1 is June Wayne speaking about the history and objectives
of Tamarind Workshop, and side 2 is a continuation of the history of Tamarind Workshop with the voice of William Gropper at
the end. Taped on February 3 and 24.
box 118, folder 9
June Wayne at Art Symposium, Florida State University (part 1)
1967 February 18
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box.
box 119, folder 1
June Wayne at Art Symposium, Florida State University (part 2)
1967 February 18
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box.
box 119, folder 2
June Wayne at University of California, Los Angeles
1967 February 27
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box.
box 119, folder 3
Mario Avati talks on Livre de Luxe and June Wayne on the history of Tamarind
1967 March
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box. Side 1 holds the Mario Avati discussion. Side 2 is June Wayne continuing
her discussion of the history of Tamarind (see also folder 8 in this box).
box 119, folder 4
June Wayne on the history of Tamarind Workshop
1967 March 31
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box. Part 4 of her discussion on the history of Tamarind.
box 119, folder 5
June Wayne on the history of Tamarind Workshop
1967 April 20
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box. Part 5 of her discussion on the history of Tamarind. Note on box
indicates the reel may have been recorded at the incorrect speed.
box 119, folder 6
Serge Lozingot "Litho, Line and Water"
1967 December 5
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box. Note on back of box indicates much of the tape is empty. June Wayne
"Reflections on Jules Langsner" was originally recorded on this reel but may have been erased or damaged.
box 119, folder 7
Discussion of lithography and etchings between June Wayne and Mary Lou Baskett
circa 1968
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS in cardboard box. 4 tracks discussing various printmaking projects.
box 119, folder 8
Discussion between June Wayne and Mary Lou Baskett
1968 July 22
Scope and Content
1 - 1/4" audio tape on 7" reel. 4 tracks discussing Wayne's biography, the formation of Tamarind Workshop and its earlier
years.
box 119, folder 9
Discussion between June Wayne and Mary Lou Baskett
1968 July 25-26
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS in cardboard box. 2 tracks discussing paintings and prints including Dreamers, Sanctified,
The Cavern, Mushroom People, To get to the Other Side, Strange Moon, At Last a Thousand, The Climb, The Promenade, and Stone
Circle. Second track labeled side 4 is 3 3/4 IPS.
box 120, folder 1
Discussion between June Wayne and Mary Lou Baskett
1968 July 26
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS in cardboard box. 2 tracks discussing prints, prints to be destroyed, and drawings.
box 120, folder 2
Discussion between June Wayne and Mary Lou Baskett
1968
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS in cardboard box. 4 tracks discussing various printmaking projects.
box 120, folder 3
Discussion of various topics
1968 August 9
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS in cardboard box. 2 tracks taped on track 1 and 4. Discussion covers the topics of
Tolkien, Kohens, Cuevas and Kafka, Don Bear, Gary, Indiana; advice on biography, photographs, Pollock, Jules, and Bear.
box 120, folder 4
Interview with June Wayne by Molly Briendel
1969 February 27
Scope and Content
1 - 1/4" audio tape on 5" reel. Briendel was the correspondent for Art in Australia magazine. Discussion covers topics of
the curatorial aspects of the Tamarind Workshop and the role of curation within the printmaking process.
box 120, folder 5
June Wayne on the history of Tamarind Workshop
1969 April
Scope and Content
1 - 1/4" audio tape on 7" reel 1 7/8 IPS in cardboard box.
box 120, folder 6
The Museum Curator vis-a-vis the Artist
1969 May 28
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS in cardboard box. Discussion between June Wayne and Maurice Tuchman. Produced by
Claire Loeb and taped at Tamarind.
box 120, folder 7
KPFK -- Claire Loeb interviews on the opening of the Pasadena Museum
1969 December 3
Scope and Content
1 - 1/4" audio tape on 7" reel 1 7/8 IPS in cardboard box. Those included on the reel are June Wayne, Ed Ruscha, Ron Davis,
John Coplans, Terbell.
box 120, folder 8
KPFK -- "The Sour Apple Tree"
1969 December 10
Scope and Content
1 - 1/4" audio tape on 7" reel in cardboard box. Those included on the reel are June Wayne, Paul Brach, Nick Wilder.
box 120, folder 9
Economic Conference
1970 January 15
Scope and Content
1 - 1/4" audio tape on 7" reel 1 7/8 IPS in cardboard box. Reel includes the voices of June Wayne, Christman, Faine, Granfield,
Goodman, Adams, and MacWhitney.
box 121, folder 1
June Wayne speaking at the Iowa University Museum (part 1)
1970 January
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS in cardboard box. This portion of the speech covers the topics of Tamarind Workshop
history and the general art climate.
box 121, folder 2
June Wayne speaking at the Iowa University Museum (part 2)
1970 January
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS in cardboard box. This portion of the speech covers the topics of the museum and
the art market conditions.
box 121, folder 3
Discussion
1971 February 13
Scope and Content
1 - 1/4" audio tape on 7" reel in cardboard box. Discussion between Claire Loeb, June Wayne, Joyce Kozloff, Nancy Reeves,
Moira Roth, Nancy Shapiro and Judy Chicago.
box 121, folder 4
Joan of Art Seminar
1971 October-November
Scope and Content
1 - 1/4" audio tape on 7" reel 1 7/8 IPS in cardboard box.
box 121, folder 5
Joan of Art Seminar
1971 November
Scope and Content
1 - 1/4" audio tape on 7" reel 1 7/8 IPS in cardboard box. Session 5: women artists and business and professional problems
of women artists.
box 121, folder 6
Joan of Art Seminar
1971 December
Scope and Content
1 - 1/4" audio tape on 7" reel 1 7/8 IPS in cardboard box. June Wayne speaks on the subject of selling works of art.
box 121, folder 7
Joan of Art Seminar
1972 April-August
Scope and Content
1 - 1/4" audio tape on 7" reel 1 7/8 IPS in cardboard box. Side 1: Gilah Hirsch and Judy Elgart on the artist's environment
and vocabulary. Side 2: discussion of budgets.
box 121, folder 8
Joan of Art Seminar
1972 April-August
Scope and Content
1 - 1/4" audio tape on 7" reel 1 7/8 IPS in cardboard box.Side 1: Bruria Finkel on budgets. Side 2: June Wayne and Harriet
Zeitlin on the artist and the collector.
box 121, folder 9
Joan of Art Seminar
1972 April 28
Scope and Content
1 - 1/4" audio tape on 7" reel 1 7/8 IPS in cardboard box. June Wayne on the needs of artist.
box 122, folder 1
Joan of Art Seminar
1972 May
Scope and Content
1 - 1/4" audio tape on 7" reel 1 7/8 IPS in cardboard box. Side 1: May 12 Randy Sandel lecture about the artist making a sale.
Side 2: May 19 June Wayne lecture on museums.
box 122, folder 2
Joan of Art Seminar
1972 July-August
Scope and Content
1 - 1/4" audio tape on 7" reel 1 7/8 IPS in cardboard box. Side 1: July 27 June Wayne, Rachel Rosenthal, and Claudia Champline
on roles and vocabulary. Side 2: August 3 Mary Fish and Donna Hanna on budgets.
box 122, folder 3
Joan of Art Seminar
1972 August 17
Scope and Content
1 - 1/4" audio tape on 7" reel 1 7/8 IPS in cardboard box. Side 1: August 17 June Wayne lectures on taxes and law. Side 2:
Anita Klebanoff and June Wayne lecture on artist and dealer relationships.
box 122, folder 4
Women in the Arts at the University of Wisconsin, Milwaukee
1972 October 10
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box. June Wayne speaking during the event.
box 122, folder 5
Women artists series at Tamarind Studio
1972 November 12
Scope and Content
1 - 1/4" audio tape on 7" reel in cardboard box. June Wayne speaking on the professional problems of women artists.
box 122, folder 6
KPFK -- June Wayne interviewed by Bruria Finkel
1973 November
Scope and Content
1 - 1/4" audio tape on 7" reel in cardboard box.
box 122, folder 7
Muckenthaler Center -- Fullerton, California
1974 January
Scope and Content
1 - 1/4" audio tape on 7" reel in cardboard box. June Wayne lecture in conjunction with the exhibition, June Wayne: An Exhibition
of Lithographs and Tapestries.
box 122, folder 8
Mini Seminars -- Chicago, Illinois
1975 October 6-7
Scope and Content
1 - 1/4" audio tape on 7" reel in cardboard box.
box 122, folder 9
Mini Seminars -- Chicago, Illinois
1975 October 6-7
Scope and Content
1 - 1/4" audio tape on 7" reel in cardboard box. June Wayne in Artemisia seminar.
box 123, folder 1
WFMT Chicago -- June Wayne interviewed by Studs Terkel
1975 October 9
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS in cardboard box.
box 123, folder 2
Matsumi Kanemitsu interviewed by June Wayne
1978 December 26
Scope and Content
1 - 1/4" audio tape on 7" reel.
box 123, folder 3
Matsumi Kanemitsu interviewed June Wayne
1978 December 27
Scope and Content
1 - 1/4" audio tape on 7" reel.
box 123, folder 4
Small Reels -- June Wayne and Mary Lou Baskett on Chase and Elements
1968 May 2
Scope and Content
1 - 1/4" audio tape on 4" reel 1 7/8 IPS in cardboard box.
box 123, folder 5
Small Reels -- June Wayne on her technique, motivation, and symbols
1968 July 21
Scope and Content
1 - 1/4" audio tape on 4" reel 1 7/8 IPS in cardboard box.
box 123, folder 6
Small Reels -- June Wayne on various subjects
1968 July 21
Scope and Content
1 - 1/4" audio tape on 4" reel 1 7/8 IPS in cardboard box. Topics covered in the audio recording are the use of optics in
her art, modular systems, and various works of art.
box 123, folder 7
Small Reels -- June Wayne to Mary Lou Baskett
1968 August 3
Scope and Content
1 - 1/4" audio tape on 4" reel 7 1/2" IPS in cardboard box. Wayne discusses space constructions of the 1940s.
box 123, folder 8
Small Reels -- Mary Lou Baskett to June Wayne
1968 August 18-19
Scope and Content
1 - 1/4" audio tape on 4" reel 3 3/4 IPS in cardboard box. Baskett discusses various topics covering city hall, Franz Alexander,
transitions between optics, and Kafka.
box 123, folder 9
Small Reels -- June Wayne speaking at the University of New Mexico
1968 March 23
Scope and Content
1 - 1/4" audio tape on 5" reel. Lecture given in conjunction with a solo exhibition at the University of New Mexico Art Museum
in Albuquerque.
box 123, folder 10
Small Reels -- Museum of Modern Art show and Sterling seminar and Tamarind Workshop staff meeting
1969 June 4
Scope and Content
1 - 1/4" audio tape on 5" reel 3 3/4 IPS.
box 123, folder 11
Small Reels -- Museum of Modern Art show and Sterling seminar and report to Tamarind Workshop staff
1969 June 4
Scope and Content
1 - 1/4" audio tape on 5" reel 3 3/4 IPS.
box 123, folder 12
Small Reels -- June Wayne interviewed by Sherrie Brandenstein, KNPR-FM Las Vegas
1981 December 2
Scope and Content
1 - 1/4" audio tape on 5" reel 7 1/2" IPS. Interview topic is on the Dorothy Series.
box 123, folder 13
De Kooning Documentary
1969 August 29
Scope and Content
1 - 1/4" audio tape on 7" reel. Includes reactions to the DeKooning exhibition at the Los Angeles County Museum of Art with
KFPK interviewer, Claire Loeb.
box 123, folder 14
De Kooning Documentary
1969 August 29
Scope and Content
1 - 1/4" audio tape on 7" reel.
box 124, folder 1
De Kooning Documentary
1969 August 29
Scope and Content
1 - 1/4" audio tape on 7" reel.
box 124, folder 2
Tamarind Workshop -- Call Goodman lecture at the California Institute of the Arts
1967 August 1
Scope and Content
1 - 1/4" audio tape on 5" reel 3 3/4 IPS in cardboard box. Topics covered in the audio recording are aspects of business operation
and selling.
box 124, folder 3
Tamarind Workshop -- Board Meeting
1967 November 27
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS in cardboard box. Board meeting was on the topic of Hank Baum and insurance.
box 124, folder 4
Tamarind Workshop -- KFPK Broadcast (part 1)
1969 July 3
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS in cardboard box.
box 124, folder 5
Tamarind Workshop -- KFPK Broadcast (part 2)
1969 July 3
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS in cardboard box.
box 124, folder 6
Tamarind Workshop -- KFPK Broadcast (part 3)
1969 July 3
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS in cardboard box.
box 124, folder 7
Tamarind Workshop -- KFPK Broadcast (part 4)
1969 July 3
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS in cardboard box.
box 124, folder 8
Tamarind Workshop -- KPFK Broadcast, "Arts and Artists"
1960 July 18
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS in cardboard box. Voices included on the audio tape are Henry Seldis, June Wayne,
Clinton Adams.
box 124, folder 9
You and Modern Art -- Program #3
1953
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box.
box 125, folder 1
You and Modern Art -- Program #5
1953
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box.
box 125, folder 2
You and Modern Art -- Program #6, recorded in Torrance, CA
1953
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box.
box 125, folder 3
You and Modern Art -- Program #6, Los Angeles Group
1953
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box.
box 125, folder 4
You and Modern Art -- Program #7
1953
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box.
box 125, folder 5
You and Modern Art -- Program #8, Expressionism
1953
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box.
box 125, folder 6
You and Modern Art -- Program #9
1953
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box.
box 125, folder 7
You and Modern Art -- Organizational Meeting
1953
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box.
box 125, folder 8
You and Modern Art -- Surrealism
1953
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box.
box 125, folder 9
You and Modern Art -- Architecture
1954
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box. Features Clinton Adams.
box 126, folder 1
You and Modern Art -- Impressionism and Post-Impressionism
1954
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box. Features Fred Reid and June Wayne reading Reid's poetry. Also features
Doug McClelland.
box 126, folder 2
You and Modern Art -- Program #6
1954 March
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box. Features Doug McClelland.
box 126, folder 3
You and Modern Art -- Jules Langsner, City Hall, and Bill Stout
1955
Scope and Content
1 - 1/4" audio tape on 7" reel 3 3/4 IPS in cardboard box.
box 190, folder 1
Four Stone -- Tape 4: Lithography, Gene Sturman and Serge Lozingot
circa 1969
Scope and Content
1 - 1/4" audio tape on 5" reel 3 3/4 IPS. Gene Sturman and Serge Lozingot etching, wet wash, inking, rolling, and fanning.
box 190, folder 2
Four Stones -- Terry Sanders and Serge Lozingot
circa 1969
Scope and Content
1 - 1/4" audio tape on 5" reel 1 7/8 IPS.
box 190, folder 3
Four Stones
circa 1969
Scope and Content
1 - 1/4" audio tape on 5" reel 1 7/8 IPS. Features Serge Lozingot and Mike.
box 190, folder 4
Four Stones
circa 1969
Scope and Content
1 - 1/4" audio tape on 5" reel 1 7/8 IPS. Features Gene Sturman.
box 190, folder 5
Four Stones
circa 1969
Scope and Content
1 - 1/4" audio tape on 5" reel 3 3/4 IPS. Features Serge Lozingot and Mike.
box 190, folder 6
Four Stones
circa 1969
Scope and Content
1 - 1/4" audio tape on 5" reel 1 7/8 IPS. Features Serge Lozingot and others.
box 190, folder 7
Four Stones
circa 1969
Scope and Content
1 - 1/4" audio tape on 5" reel 3 3/4 IPS. Manufacturer: Audiotape.
box 190, folder 8
Four Stones
circa 1969
Scope and Content
1 - 1/4" audio tape on 5" reel 3 3/4 IPS. There are notes included with this reel, indicating dates of recording, and Alex
Van der Kar's voice; see folder entitled YRLSC_562_190_8 in this box.
box 190, folder 9
Four Stones
circa 1969
Scope and Content
1 - 1/4" audio tape on 5" reel 3 3/4 IPS. Duplicate of Reel A-15. Includes camera roll 49.
box 190, folder 10
Zubin Mehta Film
circa 1968
Scope and Content
1 - 1/4" audio tape on 5" reel. Manufacturer: Scotch. Included on the reel are the Rubenstein rehearsal, and audio from the
dressing room with Zubin Mehta, various musicians (the violinist, bassonist, and the clarinet player), and musicians in the
lounge.
box 190, folder 11
Zubin Mehta Film -- Music #1
circa 1968
Scope and Content
1 - 1/4" audio tape on 5" reel. Manufacturer: Audiotape. Music #1. There are notes included with this reel; see folder entitled
YRLSC_562_190_11 in this box. Features Terry Sanders.
box 190, folder 12
Zubin Mehta Film -- Music Film #1
1968 October 24
Scope and Content
1 - 1/4" audio tape on 5" reel. Manufacturer: Scotch. Music Film #1. There are notes included with this reel, indicating Terry
Sanders speaking at the start of the film; see folder entitled YRLSC_562_190_12 in this box.
box 190, folder 13
Cal Goodman Lecture
1967 April 12
Scope and Content
1 - 1/4" audio tape on 5" reel 3 3/4 IPS. Manufacturer: Scotch. Duplicate copy. Lecture on contracts, the structure of contracts,
and a review of the course. There are notes included with this reel, indicating the tape as evidence of Cal Goodman's professional
position and relationship with Wayne; see folder entitled YRLSC_562_190_13 in this box.
box 191, folder 1
Four Stones
1977 May
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS. Made at Glen Gleem. Taken directly from film soundtrack of Wayne's own print. Note
on the box indicates that it is the full track and that there is no sync. Included with this reel is a sound report; see folder
entitled YRLSC_562_191_1 in this box.
box 191, folder 2
Lithograph
1977 May 9
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS. Taken at Glen Gleem from track provided by Terry Sanders as representing Homage
to a Lithograph. Note on the box indicates that there are 3 reels and that there is no sync.
box 191, folder 3
Zubin Mehta Film -- Performance of Brahms in Ojai, California
1969 May 25
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS. Music #1. Nagra-Éclair Symphony. Included with this reel is a note indicating that
the reel is music only; see folder entitled YRLSC_562_191_3 in this box. Scanned by Wayne July 1, 1974.
box 191, folder 4
Yankee Transcendoodle, by Joseph Byrd
1969 May 25
Scope and Content
1 - 1/4" audio tape on 7" reel 7 1/2 IPS. Included with this reel is the track listing on Side One and Side Two; see folder
entitled YRLSC_562_191_4 in this box. Note on box indicates 1/4 TK. Reproduced by Peter Kirby on April 11, 2001.
box 131, folder 13
The Dorothy Series
undated
Scope and Contents
Audio tracks.
Subseries 2: Cassettes
1956-1982
Language of Material: English.
Scope and Content
This subseries includes recordings of interviews, speeches and presentations, and panel discussions with Wayne at such venues
as university convocations, professional conferences and symposia, museum and gallery openings, and radio shows.
box 126, folder 4
June Wayne interviewed by E. Gunter Troche
1958 August 8
Scope and Content
28 minutes. 2 audio cassettes. Copy of reel-to-reel audio box 1, folder 1. 2 copies.
box 126, folder 5
KNX Kaleidoscope: June Wayne on Tamarind
1965 September 3
Scope and Content
1 audio cassette. Hosted by Fred Anderson.
box 126, folder 6
Jules Langsner funeral services
1967
Scope and Content
1 audio cassette. Voices in order of appearance: Bill Brices, Henry Seldis, Ken Ross, Lillian Weiner, Jessie Reichek, Fred
Wight, Gifford Phillips, Stanley Fleishman, Sam Francis, Rita Morrison, Henry Hopkins, Tom Leavitt, June Wayne, Lerser Feitelson,
Peter Selz, Rudd Brown, Clement Greenberg, John Entenza, Phil Gaston, and Don Brewer.
box 126, folder 7
June Wayne lecture at College Art Association
1973 January
Scope and Content
1 audio cassette.
box 126, folder 8
June Wayne speaks about Anni Albers
circa 1970
Scope and Content
1 audio cassette.
box 126, folder 9
June Wayne lecture at Palomar
1976 March 15
Scope and Content
1 audio cassette.
box 126, folder 10
June Wayne interviewed by Virginia Rubin
1976 November 22
Scope and Content
1 audio cassette. See also Rubin paper.
box 126, folder 11
June Wayne interviewed by Louise Lewis
1976 December 7
Scope and Content
1 audio cassette. Marked as "corrections on Lesser interview."
box 126, folder 12
KCET: 28 Tonight -- Artists' Residual Rights Law (AB 1391)
1977 January 20
Scope and Content
1 audio cassette. Guests include June Wayne, Albert Elsen, and Alan Sieroty. Moderated by Susan Freedman.
box 126, folder 13
Art Library Society of North America -- Beyond Illustration: Livres D'Artiste of the 20th Century
1977 February 3
Scope and Content
2 audio cassettes. Parts 1 and 2. Panel discussion moderated by Mel Edelstein and featuring June Wayne, Breon Mitchell, and
Clarice Davis.
box 127, folder 1
June Wayne interviewed by Bill Bragg
1978 July 24
Scope and Content
1 audio cassette.
box 127, folder 2
Interview with Matsumi Kanemitsu and opening at Claremont
1978
Scope and Content
1 audio cassette. Cassette contains two recordings: a discussion between June Wayne and Matsumi Kanemitsu (7/24/1978) and
the opening of the exhibition, June Wayne: Paintings, Tapestries and Lithographs at the Montgomery Gallery of Pomona College
(11/5/1978).
box 127, folder 3
June Wayne: Tapisseries, Lithographies opening at the Foundation Pescatore, Luxembourg
1979 January 15
Scope and Content
1 audio cassette. Speech by Jeanine Dubois.
box 127, folder 4
June Wayne interviewed by Nancy Devor
1979 April 19
Scope and Content
1 audio cassette. For "Taxing Times".
box 127, folder 5
June Wayne interviewed by Isabel Anderson
1980 February 12
Scope and Content
1 audio cassette.
box 127, folder 6
NPR -- The Sunday Show: June Wayne
1982
Scope and Content
1 audio cassette. Interviewed by M. Christianson.
box 127, folder 7
San Diego Public Radio: June Wayne and Carla Seaquist
1982 January 7
Scope and Content
1 audio cassette. Cassette includes 5 interviews.
box 127, folder 8
University of Alabama: June Wayne lecture and interview
1982 October 6
Scope and Content
1 audio cassette. Includes 2 segments during visits to the University of Alabama: June Wayne speaking and an interview with
Carol Sokol.
box 127, folder 9
June Wayne interviewed by Carol Sokol in Birmingham, Alabama
1982 October 6
Scope and Content
1 audio cassette. Interview on the occasion of the opening of June Wayne: Dorothy Series at the University of Alabama, Birmingham.
box 127, folder 10
Tamarind: A 25-Year Retrospective (part 1)
1984 December 2
Scope and Content
2 audio cassettes. 2 copies of tape 1.
box 127, folder 11
Tamarind: A 25-Year Retrospective (part 2)
1984 December 2
Scope and Content
1 audio cassette.
box 127, folder 12
KUSC Evening Show
1985 November 9
Scope and Content
1 audio cassette. Includes discussion between June Wayne, Ron Gottesman, and Elaine Attias.
box 127, folder 13
Artist's talk for "In the Advent of Change" exhibition at the Fresno Art Museum
1986 October 14
Scope and Content
1 audio cassette.
box 127, folder 14
Women's Art Registry of Minnesota's 10th Anniversary Conference, "The Contemporary Women in the Visual Arts"
1986 October 16-19
Scope and Content
1 audio cassette.
box 127, folder 15
Westweek panel discussion
1986 March
Scope and Content
1 audio cassette. Panel includes June Wayne, Tom Van Sant, Richard Feynman, Jim Goodwin, and Al Hibbs.
box 127, folder 16
Backstage at Royce: June Wayne, episode #8735
1987 June 27
Scope and Content
1 audio cassette. Hosted by Henry Hopkins.
box 127, folder 17
June Wayne interviewed by Ruth Weisberg (part 2)
1987 August 26
Scope and Content
1 audio cassette. Note says "first part of interview damaged and no longer exists."
box 127, folder 18
June Wayne interviewed by Catherine Stifter
1987 September 19
Scope and Content
1 audio cassette.
box 127, folder 19
NPR -- Re-creating the World: Feminist Art in the 1980s
1987 November 17
Scope and Content
1 audio cassette. Produced by Catherine Stifter.
box 128, folder 1
Center for Constructive Alternatives (part 1)
1987
Scope and Content
10 audio cassettes. Cassettes include the following segments: "Re-Shuffling the Deal: Bottom Dogs and the New American Muse"
by Daniel Sundahl, "American Writers and the American Way of Life" by Norman Podhoretz, "The New Deal and the Visual Arts"
by David Sokol, "The Politics of Culture" by Richard Grenier, "W.P.A. and T.R.A.P. Arts: A Slide Presentation by Sam Knecht,
"The Federal Writers' Project: Boondoggle or Bonaza?" by Jerre Mangione, "American Music of the 30s and 40s" by Anthony McDonald,
"The View from Inside the Outside" by June Wayne, "The Arts: Who Cares and Who Should Care?" by Wilfred Bain, "The Road to
Elsinore: Government Patronage and the Theatre" by Mimi Kramer.
box 128, folder 2
Center for Constructive Alternatives (part 2)
1987
Scope and Content
3 audio cassettes. Cassettes include the following segments: "What Goes and Why?" by Hugh Kenner, "Poetry Reading" and "Literature
and Politics" by Czelaw Milosz.
box 128, folder 3
KCRW: Arts LA
1988 March 21 and 24
Scope and Content
1 audio cassette. Segment on a new tax bill as it related to artists.
box 128, folder 4
KCRW: Uniforma Capitalization
1988 April 15
Scope and Content
1 audio cassette.
box 128, folder 5
June Wayne interviewed by Robert Barrett
1988
Scope and Content
2 audio cassettes.
box 128, folder 6
Backstage at Royce
1988 March 19
Scope and Content
1 audio cassette.
box 128, folder 7
June Wayne interviewed by Robert Barrett
1989
Scope and Content
1 audio cassette.
box 128, folder 8
June Wayne interviewed by Robert Barrett and convocation speech for the College Art Association
1989-1990
Scope and Content
1 audio cassette.
box 128, folder 9
June Wayne interviewed by Robert Barrett
1989
Scope and Content
1 audio cassette.
box 128, folder 10
KFPK: Special Program on the National Endowment of the Arts
1990 July 28
Scope and Content
1 audio cassette.
box 128, folder 11
June Wayne interviewed by Connie Goldman on age
1991 February
Scope and Content
1 audio cassette.
box 128, folder 12
NPR -- Fresh Air: June Wayne interviewed by Terry Gross
1991 May 10
Scope and Content
4 audio cassettes.
box 129, folder 1
Backstage Los Angeles: David Jones speaks with June Wayne and Cynthia Burlingham
1991 October 1
Scope and Content
No Subnote Content
Scope and Content
1 audio cassette. Taped at the Grunewald Center at the University of California at Los Angeles. Producer for show id Sheila
Tapper and engineer is David Peck.
box 129, folder 2
June Wayne speech at Barnsdall Municipal Gallery and June Wayne interviewed by Ann Isolde
1991
Scope and Content
2 audio cassettes.
box 129, folder 3
Whose Story Now? The Artist as Author(ity)
1992
Scope and Content
2 audio cassettes. June Wayne segment begins near end of first tape and beginning of second tape.
box 129, folder 4
June Wayne interviewed by Betty Hedenberg
1992
Scope and Content
1 audio cassette.
box 129, folder 5
Presentation on June Wayne by Leslie Storrier for Art 368 (Women in Art)
1992 May 19
Scope and Content
1 audio cassette. Taped at the California State University at Dominguez Hills.
box 129, folder 6
Memorial Service for McNeil Lowry
1993 September 27
Scope and Content
2 audio cassettes. Recorded at the New York State Theatre, Lincoln Center Plaza, New York City.
box 129, folder 7
Unfinished tape made for Pat Gilmour
circa 1993
Scope and Content
1 audio cassette. Tape includes June Wayne commenting on Josef Albers, Ed Ruscha, and Bruce Connor.
box 129, folder 8
Discussion between June Wayne and D. Beneke
1994 September 21
Scope and Content
3 audio cassettes.
box 129, folder 9
Discussion between June Wayne and Arlene Raven about her work at the Tamarind studio
1996 April 19-23
Scope and Content
1 audio cassette.
box 129, folder 10
June Wayne speaking at Mount Saint Mary's College
1998 January 2
Scope and Content
1 audio cassette.
box 129, folder 11
California State University at Northridge speech by June Wayne
1998 July 18
Scope and Content
1 audio cassette. Talk regards the 200th anniversary of lithography, the Tamarind Institute and Whooping Cranes.
box 129, folder 12
KPCC -- Air Talk with Larry Mantle, guest June Wayne
1998 November 16
Scope and Content
1 audio cassette. June Wayne discussion with Laurel Paley and Larry Mantle.
box 129, folder 13
June Wayne speaks at the Annenberg Auditorium at the Palm Springs Desert Museum
1999 June 4
Scope and Content
1 audio cassette.
box 129 , folder 14
Tryout for paper about archives [sic]
circa 2000
Scope and Content
1 audio cassette.
box 129, folder 15
June Wayne interviewed by Lisa Bloom
2002 January 30
Scope and Content
1 audio cassette.
box 129, folder 16
KPFK: Los Angeles Printmakers and Psychedelic Art
2003 April 4
Scope and Content
1 audio cassette.
box 129, folder 17
Unidentified symphonic music
undated
Scope and Content
1 audio cassette. Note on tape says "possibly Ben Lees."
box 129, folder 18
Late Bloomer: Stories of Successful Aging
1988
Scope and Content
1 audio cassette and booklet.
box 129, folder 19
The Dorothy Series by June Wayne
1982
Scope and Content
2 audio cassettes.
box 141, folder 20
June Wayne interviewed by Jane Todd
1956 August 13
Scope and Content
2 vinyl records. See also compact discs in Box 129, folder 22.
Subseries 3: Compact Discs
1953-1972
Language of Material: English.
Scope and Content
This subseries includes recordings of interviews and news reports transferred from other media type, such as reel-to-reel
tapes and vinyl records.
Physical Characteristics and Technical Requirements
SUBSERIES CONTAINS DIGITAL MATERIALS: Special equipment or further processing may be required for viewing. To access digital
materials you must notify the reference desk in advance of your visit.
box 129, folder 21
You and Modern Art
1953
Scope and Content
2 discs. Recording transferred from reel-to-reel tapes. Discs are labeled "Side A" and "Side B."
box 129, folder 22
You and Modern Art
1953
Scope and Content
2 discs. Recording transferred from reel-to-reel tapes. Discs are labeled "Side A" and "Side B."
box 129, folder 23
Bernard Rosenthal police building bronze statuary controversy
1955
Scope and Content
1 disc. News report beginning at track 3 about the installation of Bernard Rosenthal's bronze statuary and subsequent controversy.
Includes rumors of communist affiliation of the artists and their lawyers. Also includes recordings of Robin Wayne playing
piano.
box 129, folder 24
June Wayne interviewed by Jane Todd
1956 August 13
Scope and Content
1 disc. Recording transferred from 78RPM vinyl record. For vinyl records see Box 141, Folder 1.
box 129, folder 25
June Wayne interviewed by Ann Holden
1958 August 17
Scope and Content
1 disc. Recording transferred from 33 1/3 RPM vinyl record.
box 129, folder 26
Tamarind Workshop -- KPFK broadcast, "Arts and Artists"
1960 July 18
Scope and Content
1 disc. Voices included on the audio tape are Henry Seldise, June Wayne, Clinton Adams. See also original.
box 129, folder 27
WNBC -- "Speak Up," June Wayne interviewed by Edith Walton
1964 October 15
Scope and Content
1 disc.
box 129, folder 28
Joan of Art seminar
1972 April 7
Scope and Content
2 discs. Discs labeled 1 of 2 and 2 of 2.
box 129, folder 29
Joan of Art seminar
1972 July 27
Scope and Content
2 discs. Discs labeled 1 of 2 and 2 of 2.
box 129, folder 30
Joan of Art seminar
1972 August 10
Scope and Content
2 discs. Discs labeled 1 of 2 and 2 of 2.
Subseries 4: Films
1950-2005
Language of Material: English.
Scope and Content
This subseries includes footage of interviews, news reports, performances, and film documenting Wayne's production of art.
Also included is some personal footage and notes documenting copyright and other information related to the audio and film
recordings in the collection.
Physical Characteristics and Technical Requirements
Types of material include VHS tapes, 16 mm reels, ¾" tapes, VHS tapes, and DVDs.
SUBSERIES CONTAINS DIGITAL MATERIALS: Special equipment or further processing may be required for viewing. To access digital
materials you must notify the reference desk in advance of your visit.
box 129, folder 31
Personal footage
circa 1950s
Scope and Content
1 16 mm reel.
box 129, folder 32
Personal footage -- Robin Wayne's birthday party
circa 1950s
Scope and Content
1 16 mm reel.
box 129, folder 33
La Jolla exhibition
circa 1950s
Scope and Content
1 16 mm reel. Reel also includes footage from the Londonderry house.
box 130, folder 1
La Jolla exhibition and Robin Wayne
circa 1950s
Scope and Content
1 16 mm reel.
box 130, folder 2
Unidentified art exhibition
circa 1950s
Scope and Content
1 16 mm reel.
box 130, folder 3
Unidentified art exhibition
circa 1950s
Scope and Content
1 16 mm reel.
box 130, folder 4
Unidentified art exhibition
circa 1950s
Scope and Content
1 16 mm reel.
box 131, folder 1
June Wayne (Paintings, Lithographs, Drawings)
1952
Scope and Content
1 16 mm reel.
box 131, folder 2
The Dorothy Series
1982
Scope and Content
3/4" tape. Labeled "DS-1," 60 min. run time with 3 17 minute repetitions of the program.
box 131, folder 3
The Dorothy Series
1982
Scope and Content
3/4" tape. Labeled "DS-2," 60 min. run time with three 17 minute repetitions of the program with intermissions of 3 minutes
between segments.
box 131, folder 4
The Dorothy Series
1982
Scope and Content
3/4" tape. Labeled "DS-3", 60 minute run time with three 17 minute repetitions of the program with 3 minute intermissions
between segments. Note inside indicates Wayne took the tape with her to New York.
box 131, folder 5
The Dorothy Series
1982
Scope and Content
3/4" tape. Labeled "DS-4," 27:05 minute run time. Dubbed from reel 1-1248-3.
box 131, folder 6
The Dorothy Series
1982
Scope and Content
3/4" tape. Labeled "DS-5," 27:05 minute run time. Dubbed from reel 1-1248-3. Note on tape indicates the inclusion of interviews.
box 131, folder 7
The Dorothy Series
1982
Scope and Content
3/4" tape. Labeled "DS-6," 17 min run time.
box 131, folder 8
The Dorothy Series -- clip
1982
Scope and Content
3/4" tape. Labeled "DS-7," 1:04 min run time.
box 131, folder 9
The Dorothy Series
1982
Scope and Content
3/4" tape. Labeled "DS-8," 27:05 minute run time. Dubbed from reel 1-1248-3.
box 131, folder 10
The Dorothy Series
1982
Scope and Content
3/4" tape. Labeled "DS-9," 17 min run time.
box 131, folder 11
The Dorothy Series -- film strip set
1982
Scope and Content
139 slides and 1 audio cassette.
box 131, folder 12
The Dorothy Series -- film strip set (copy 2)
1982
Scope and Content
139 slides and 1 audio cassette.
box 132, folder 1
The Dorothy Series
1982
Scope and Content
3/4" tape. Labeled "DS-10."
box 132, folder 2
The Dorothy Series
1988
Scope and Content
1/2" tape. Not labeled but corresponds to item listed as "DS-15." 17:30 minute run time. Struck from the master tape on October
18, 1988.
box 132, folder 3
The Dorothy Series
1982
Scope and Content
3/4" tape. Labeled "DS-16."
box 132, folder 4
KCET -- June Wayne Series: "June Wayne and Ti Grace Atkinson"
1972 June 27
Scope and Content
3/4" tape. 30 minute run time.
box 132, folder 5
KCET -- June Wayne Series: "June Wayne and Francoise Gilot"
1972 June 27
Scope and Content
3/4" tape. 30 minute run time.
box 132, folder 6
KCET -- June Wayne Series: "June Wayne and May Tabak"
1972 June 27
Scope and Content
3/4" tape. 30 minute run time.
box 132, folder 7
KCET -- June Wayne Series: "June Wayne and Barbara Lee Diamonstein"
1972 June 27
Scope and Content
3/4" tape. 30 minute run time.
box 132, folder 8
KCET -- June Wayne Series: "June Wayne and Grace Glueck"
1972 June 28
Scope and Content
3/4" tape. 30 minute run time.
box 132, folder 9
KCET -- June Wayne Series: "June Wayne and Louise Nevelson"
1972 June 28
Scope and Content
3/4" tape. 30 minute run time.
box 132, folder 10
KCET -- June Wayne Series: "Panel Discussion"
1972 June 28
Scope and Content
3/4" tape. 30 minute run time. Panel includes June Wayne, Barbara Diamonstein, May Tabak, Grace Glueck, and Ti Grace Atkinson.
box 132, folder 11
KCET -- June Wayne Series: "June Wayne and Grace Glueck"
1972 June 28
Scope and Content
1/2" tape on reel. 30 minute run time.
box 132, folder 12
"The Lively Arts"
1972
Scope and Content
1/2" tape on reel. 30 minute run time. Produced by James Malthus and hosted by James Hanschumacher with Wayne as the subject
of the show.
box 132, folder 13
"The Lively Arts"
1972
Scope and Content
1/2" tape on reel. 30 minute run time. Produced by James Malthus and hosted by James Hanschumacher with Wayne as the subject
of the show.
box 132, folder 14
"Speculation: A Conversation with June Wayne"
1973 March 26
Scope and Content
1/2" tape on reel.
box 133, folder 1
Double X: Interview with June Wayne at the Chicago Art Institute (part 1 of 2)
1976 October 10
Scope and Content
3/4" tape.
box 133, folder 2
Double X: Interview with June Wayne at the Chicago Art Institute (part 1 of 2)
1976 October 10
Scope and Content
3/4" tape.
box 133, folder 3
KCET -- 28 Tonight: panel discussion on Artists' Residual Rights Law (AB 1391)
1977 January 20
Scope and Content
3/4" tape. Panel includes June Wayne, Albert Elsen, and Alan Sieorty and is moderated by Susan Freedman.
box 133, folder 4
KNXT -- Ruth Asthon Taylor Report: June Wayne
1982 May 9
Scope and Content
3/4" tape.
box 133, folder 5
Catch Desire by the Tail
1984 October
Scope and Content
3/4" tape. Performance at the Guggenheim Museum in New York City. Directed by Francoise Kourilsk. Score by Joel Thorne. Performed
by June Wayne, Beverly Pepper, Bernard Rosenthal, Red Grooms, David Hockney, Louise Bourgeois, Jack Youngerman, and Francoise
Gilot.
box 133, folder 6
Fresno Art Center: June Wayne
1988 May 6
Scope and Content
3/4" tape. B-roll part 1.
box 133, folder 7
Fresno Art Center: June Wayne
1988 May 6
Scope and Content
3/4" tape. B-roll part 2.
box 133, folder 8
Fresno Art Center: June Wayne
1988 May 6
Scope and Content
3/4" tape. Robert Barrett interviews June Wayne.
box 133, folder 9
June Wayne interviewed by Robert Barrett (part 1 of 2)
1989
Scope and Content
3/4" tape.
box 133, folder 10
June Wayne interviewed by Robert Barrett (part 2 of 2)
1989
Scope and Content
3/4" tape.
box 133, folder 11
Unlabelled tape
undated
Scope and Content
3/4" tape. Tape case has the identifying number "C-522" indicating that it is most likely part of the KCET June Wayne Series.
box 134, folder 1
Four Stones of Kanemitsu
1973
Scope and Content
1 VHS tape. 28:15 minutes. Short documentary film produced by June Wayne and nominated for an Academy Award in the Best Documentary
Short category.
box 134, folder 2
A World of Art: Works in Progress -- June Wayne
1996
Scope and Content
1 VHS tape. 30 minutes. Segment in a series of documentaries about artists working in their studios. This segment features
June Wayne.
box 134, folder 3
A World of Art: Works in Progress -- June Wayne
1997
Scope and Content
1 VHS tape sealed in original packaging. 30 minutes. Segment in a series of documentaries about artists working in their studios.
This segment features June Wayne.
box 134, folder 4
A World of Art: Works in Progress -- June Wayne -- fine cuts (1 of 5)
1996
Scope and Content
1 VHS tape.
box 134, folder 5
A World of Art: Works in Progress -- June Wayne -- fine cuts (2 of 5)
1996
Scope and Content
1 VHS tape.
box 134, folder 6
A World of Art: Works in Progress -- June Wayne -- fine cuts (3 of 5)
1996
Scope and Content
1 VHS tape.
box 134, folder 7
A World of Art: Works in Progress -- June Wayne -- fine cuts (4 of 5)
1996
Scope and Content
1 VHS tape.
box 134, folder 8
A World of Art: Works in Progress -- June Wayne -- fine cuts (5 of 5)
1996
Scope and Content
1 VHS tape.
box 134, folder 9
A World of Art: Works in Progress -- June Wayne -- outtakes #1 and #2
1996
Scope and Content
1 VHS tape. Includes Wayne's art as well as a discussion of materials, mediums, and ideas.
box 134, folder 10
A World of Art: Works in Progress -- June Wayne -- outtakes #3
1996
Scope and Content
1 VHS tape. June Wayne in Los Angeles studio with Jerry Vanderwood.
box 134, folder 11
A World of Art: Works in Progress -- June Wayne -- outtakes #5 and #6
1996
Scope and Content
1 VHS tape. June Wayne in Los Angeles studio with Judith Solodkin.
box 134, folder 12
A World of Art: Works in Progress -- June Wayne -- outtakes #7 and #8
1996
Scope and Content
1 VHS tape. June Wayne in Los Angeles studio with Judith Solodkin.
box 135, folder 1
A World of Art: Works in Progress -- June Wayne -- outtakes #9 and #10
1996
Scope and Content
1 VHS tape. June Wayne in Los Angeles studio with Judith Solodkin.
box 135, folder 2
A World of Art: Works in Progress -- June Wayne -- outtakes #12 and #13
1996
Scope and Content
1 VHS tape. June Wayne in Los Angeles studio with Carol Kim.
box 135, folder 3
A World of Art: Works in Progress -- June Wayne -- outtakes #14 and #15
1996
Scope and Content
1 VHS tape. June Wayne in Los Angeles studio with Hank Plone.
box 135, folder 4
A World of Art: Works in Progress -- June Wayne -- outtakes #20 and #21
1996
Scope and Content
1 VHS tape. June Wayne in New York creating lithographs. Tape includes shots of Wayne drawing on the lithography stone and
the technical process of preparing to print.
box 135, folder 5
A World of Art: Works in Progress -- June Wayne -- outtakes #22
1996
Scope and Content
1 VHS tape. June Wayne in New York printing.
box 135, folder 6
A World of Art: Works in Progress -- June Wayne -- outtakes #23A and #23B
1996
Scope and Content
1 VHS tape. June Wayne in New York processing printing plates.
box 135, folder 7
A World of Art: Works in Progress -- June Wayne -- outtakes #24 and #25
1996
Scope and Content
1 VHS tape. June Wayne in New York processing printing plates.
box 135, folder 8
A World of Art: Works in Progress -- June Wayne -- outtakes #26 and #27
1996
Scope and Content
1 VHS tape. June Wayne in New York processing and printing plates.
box 135, folder 9
A World of Art: Works in Progress -- June Wayne -- outtakes #28 and #29
1996
Scope and Content
1 VHS tape. June Wayne in New York with Arlene Raven.
box 135, folder 10
A World of Art: Works in Progress -- June Wayne -- outtakes #30 and #31
1996
Scope and Content
1 VHS tape. June Wayne in New York and interviewed by Judith Solodkin.
box 135, folder 11
A World of Art: Works in Progress -- June Wayne -- outtakes #32 and #33
1996
Scope and Content
1 VHS tape. June Wayne in New York in the studio and walking outside.
box 135, folder 12
A World of Art: Works in Progress -- June Wayne -- outtakes #38 and #39
1996
Scope and Content
1 VHS tape. June Wayne in her Los Angeles studio and home with Hank Plone.
box 136, folder 1
A World of Art: Works in Progress -- June Wayne -- outtakes #40 and #41
1996
Scope and Content
1 VHS tape. June Wayne in Los Angeles studio discussing artwork.
box 136, folder 2
A World of Art: Works in Progress -- June Wayne -- outtakes #42 and #43
1996
Scope and Content
1 VHS tape. June Wayne in Los Angeles studio discussing her history and the Tamarind Institute.
box 136, folder 3
A World of Art: Works in Progress -- June Wayne -- outtakes #60 and #61
1996
Scope and Content
1 VHS tape. June Wayne in the Los Angeles studio.
box 136, folder 4
PBS -- Classic Arts Showcase
1996
Scope and Content
2 VHS tapes. 2 copies of episode created from editing down the A World of Art: Works in Progress - June Wayne documentary.
box 136, folder 5
San Diego Museum of Art interview with Nancy Kaufman
1981February
Scope and Content
2 beta tapes. Filmed in conjunction with the exhibition, "The Dorothy Series." 2 copies.
box 136, folder 6
The Dorothy Series
1982
Scope and Content
1 VHS tape. 1 of 3 segments. 17 minutes.
box 136, folder 7
The Dorothy Series
1982
Scope and Content
1 VHS tape. Film is looped three times for exhibition display.
box 136, folder 8
June Wayne's Dorothy Series: 20 lithographs on the life of Dorothy Alice Kline, 1899-1960
1982
Scope and Content
1 VHS tape. Includes 3 looped segments.
box 136, folder 9
KCET -- June Wayne Series: "June Wayne and Ti Grace Atkinson" (copy 1 of 2)
1972 June 27
Scope and Content
1 VHS tape. 30 minute run time.
box 137, folder 1
KCET -- June Wayne Series: "June Wayne and Ti Grace Atkinson" (copy 2 of 2)
1972 June 27
Scope and Content
1 VHS tape. 30 minute run time.
box 137, folder 2
KCET -- June Wayne Series: "June Wayne and Grace Glueck" (copy 1 of 2)
1972 June 27
Scope and Content
1 VHS tape. 30 minute run time.
box 137, folder 3
KCET -- June Wayne Series: "June Wayne and Grace Glueck" (copy 2 of 2)
1972 June 27
Scope and Content
1 VHS tape. 30 minute run time.
box 137, folder 4
KCET -- June Wayne Series: "June Wayne and Louise Nevelson" (copy 1 of 2)
1972 June 27
Scope and Content
1 VHS tape. 30 minute run time.
box 137, folder 5
KCET -- June Wayne Series: "June Wayne and Louise Nevelson" (copy 2 of 2)
1972 June 27
Scope and Content
1 VHS tape. 30 minute run time.
box 137, folder 6
KCET -- June Wayne Series: "June Wayne and Francoise Gilot" (copy 1 of 2)
1972 June 27
Scope and Content
1 VHS tape. 30 minute run time.
box 137, folder 7
KCET -- June Wayne Series: "June Wayne and Francoise Gilot" (copy 2 of 2)
1972 June 27
Scope and Content
1 VHS tape. 30 minute run time.
box 137, folder 8
KCET -- June Wayne Series: "June Wayne and May Tabak"
1972 June 27
Scope and Content
1 VHS tape. 30 minute run time.
box 137, folder 9
KCET -- June Wayne Series: "June Wayne and Barbara Lee Diamonstein"
1972 June 27
Scope and Content
1 VHS tape. 30 minute run time.
box 137, folder 10
KCET -- June Wayne Series: "Panel Discussion" (copy 1 of 2)
1972 June 28
Scope and Content
1 VHS tape. 30 minute run time. Panel includes June Wayne, Barbara Diamonstein, May Tabak, Grace Glueck, and Ti Grace Atkinson.
box 137, folder 11
KCET -- June Wayne Series: "Panel Discussion" (copy 2 of 2)
1972 June 28
Scope and Content
1 VHS tape. 30 minute run time. Panel includes June Wayne, Barbara Diamonstein, May Tabak, Grace Glueck, and Ti Grace Atkinson.
box 137, folder 12
KCET -- June Wayne Series: "June Wayne interviews leading women artists"
1972 June 28
Scope and Content
1 VHS tape.
box 137, folder 13
Conference for Women in the Visual Arts at the Cochran Gallery, Washington, D.C.
1972 April
Scope and Content
1 VHS tape.
box 137, folder 14
Speculation: a conversation with June Wayne
1973 March 26
Scope and Content
1 VHS tape.
box 138, folder 1
Double X: Interview with June Wayne at the Chicago Art Institute (part 1 of 2) (copy 1)
1976 October 14
Scope and Content
1 VHS tape.
box 138, folder 2
Double X: Interview with June Wayne at the Chicago Art Institute (part 2 of 2) (copy 1)
1976 October 14
Scope and Content
1 VHS tape.
box 138, folder 3
Double X: Interview with June Wayne at the Chicago Art Institute (part 1 of 2) (copy 2)
1976 October 14
Scope and Content
1 VHS tape.
box 138, folder 4
Double X: Interview with June Wayne at the Chicago Art Institute (part 2 of 2) (copy 2)
1976 October 14
Scope and Content
1 VHS tape.
box 138, folder 5
View from Inside the Outside, Hillsdale College
1987 February 8
Scope and Content
1 VHS tape.
box 138, folder 6
Fresno Art Center: June Wayne -- Djuna Set
1988 May 6
Scope and Content
1 VHS tape.
box 138, folder 7
Fresno Art Center: June Wayne -- Art (part 1 of 2)
1988 May 6
Scope and Content
1 VHS tape.
box 138 , folder 8
Fresno Art Center: June Wayne -- Art (part 2 of 2)
1988 May 6
Scope and Content
1 VHS tape.
box 138, folder 9
Fresno Art Center: June Wayne -- interviewed by Robert Barrett (part 1)
1988 May 6
Scope and Content
1 VHS tape.
box 138 , folder 10
Fresno Art Center: June Wayne -- interviewed by Robert Barrett (part 3)
1988 May 6
Scope and Content
1 VHS tape.
box 138, folder 11
Fresno Art Center: June Wayne -- Djuna Set private opening
1988 May 1
Scope and Content
1 VHS tape.
box 138, folder 12
The Art of the Matter -- unedited interview
1989
Scope and Content
1 VHS tape.
box 138, folder 13
The Art of the Matter -- first edit
1989
Scope and Content
1 VHS tape.
box 138, folder 14
The Art of the Matter -- second edit
1989
Scope and Content
1 VHS tape.
box 139, folder 1
Living Legacy Award Ceremony
1989
Scope and Content
1 VHS tape. June Wayne is the recipient of the honor. Introduced by Francoise Gilot.
box 139, folder 2
Thirtieth Anniversary of Tamarind Workshop
1990
Scope and Content
1 VHS tape. Speakers include June Wayne and Clinton Adams.
box 139, folder 3
June Wayne in her studio
1992 April 5
Scope and Content
1 VHS tape.
box 139, folder 4
School of the Arts Commencement
1994
Scope and Content
1 VHS tape.
box 139, folder 5
A World of Art: Works in Progress -- June Wayne
1996
Scope and Content
1 betamax tape.
box 139, folder 6
Crossing the Threshold
1997
Scope and Content
1 VHS tape.
box 139, folder 7
Los Angeles County Museum of Art Graphic Arts Council -- June Wayne studio visit
1998 September 19
Scope and Content
1 VHS tape.
box 139, folder 8
Symposium, reception, and exhibition at the Los Angeles County Museum of Art
1998
Scope and Content
1 VHS tape.
box 139, folder 9
KCAL 9 News -- interview with June Wayne
1998 October
Scope and Content
1 VHS tape.
box 139, folder 10
KCET -- Life and Times Tonight -- Pat Morrison interviews June Wayne
1998 January
Scope and Content
1 VHS tape. Includes the entire filmed interview between Morrison and Wayne.
box 139, folder 11
A Public Affairs Special: A Glimpse into the L.A. Art Scene
1999 May 14
Scope and Content
1 VHS tape.
box 139, folder 12
KCET -- Life and Times Tonight -- Pat Morrison interviews June Wayne (first broadcast version)
1998
Scope and Content
1 VHS tape.
box 139, folder 13
Joint address to the Southern Council for Women in the Arts (SCWA) and the Women's Caucus for the Arts (WCA)
1999 February 9
Scope and Content
1 VHS tape. Opening address given by June Wayne.
box 139, folder 14
June Wayne at the Palm Springs Desert Musuem
1999 September 15
Scope and Content
1 VHS tape.
box 140, folder 1
New Jersey Networks News -- June Wayne donation to the Mason Gross School
2002 October 4
Scope and Content
1 VHS tape.
box 140, folder 2
The Print as Rare Object Symposium -- Swann Auction Galleries
2002
Scope and Content
1 VHS tape. Gala celebration and symposium in conjunction with the Rutgers Center for innovative print and paper. Video features
June Wayne, Judith Brodsky, Lynne Allen, David Kiehl, and Bill Bartman. Symposium exploring the dichotomy of the print as
a democratic media and rare object.
box 140, folder 3
KCET -- Life and Times Tonight -- Pat Morrison interviews June Wayne (second broadcast version)
2004 January 5
Scope and Content
1 VHS tape.
box 140, folder 4
June Wayne interviewed by Gary Greenberg
circa 2005
Scope and Content
1 VHS tape.
box 140, folder 5
The Look of the Lithographer
1960s
Scope and Content
2 VHS tapes. Filmed at Tamarind Workshop. Includes footage of Serge Lozingot and Louise Nevelson working on a lithograph.
box 140, folder 6
Louise Nevelson: Geometry + Magic
undated
Scope and Content
1 VHS tape.
box 140, folder 7
Lasting Impressions
1998
Scope and Content
1 VHS tape. Bob Blackburn Penman Hack workshop founded 1948.
box 140, folder 8
Noah Perifoy
1995 May 30
Scope and Content
1 VHS tape. Exhibition.
box 140, folder 9
Four Stones for Kanemitsu
1973
Physical Characteristics and Technical Requirements
1 DVD.
box 140, folder 10
A World of Art: Works in Progress -- June Wayne
1996
Physical Characteristics and Technical Requirements
1 DVD. Recording transferred from VHS.
box 140, folder 11
June Wayne: Chicago Art Institute Exhibition
2011
Scope and Content
Film commemorating Wayne's exhibition of tapestries at the Chicago Art Institute. Published by MB Abrams Galleries.
Physical Characteristics and Technical Requirements
1 DVD.
box 141, folder 2
Notebook -- audiovisual records
circa 1960s-1990s
Scope and Content
Notes. Pages taken from two 3-ring binders detailing the identity of many of the audio and film recordings in the collection.
Often the notes on the tape and the notes in the binder do not match exactly.
box 141, folder 3
Notebook -- The Dorothy Series
circa 1980
Scope and Content
Notes. Includes copyright clearance documentation, music lists, and script for "The Dorothy Series" video.
box 191, folder 5
Four Stones
undated
Scope and Content
35 mm film.
Physical Characteristics and Technical Requirements
COLLECTION CONTAINS AUDIOVISUAL MATERIALS: Audiovisual materials in this collection will require assessment and possible digitization
for safe access. All requests to access special collections material must be made in advance using the request button located
on this page.
Preservation Note
Footage related to this title was received as unfinished trims, in a series of separate rolls. It has been compiled and placed
on a core for stability in storage. Each length of footage is separated by blank film leader to clearly indicate the the beginning
and end of each trim.
Subseries 5: Documentation
1980-2001
Language of Material: English.
Scope and Content
This subseries includes various documentation related to the production of audio or video recordings including voice-over
text and score sheets.
Processing Information
Includes materials from the July 2012 addition.
box 141, folder 4
Audiovisual Drawer labels
undated
box 200, folder 14
June Wayne News Spots -- VHS Dubbing
undated
Language of Material: English.
box 141, folder 7
The Dorothy Series -- Duplication Records
2001
Scope and Content
Receipts, instructions. Includes records related to the reproduction of the Dorothy Series videos. Also includes instructions
on how to assemble the video casing, particularly to include an essay by Ruth Weisberg.
box 154, folder 4
The Dorothy Series -- KCET requisition forms and production notes
1981
Scope and Content
Forms and notes.
box 154, folder 3
The Dorothy Series -- Oversize Score Sheets
1981
Scope and Content
Score sheets and notes. Includes various notes and timing for slideshow audio recording and The Dorothy Series video.
box 141, folder 5
The Dorothy Series -- Sales and Legal Documentation
1981-1982
Scope and Content
Receipts, correspondence, notes, and documents. The documents in this file predominantly relate to either to obtaining rights
to the music used in "The Dorothy Series" video or to the sale of the videos and slides.
box 141, folder 6
The Dorothy Series -- Voiceovers
1980-1982
Scope and Content
Correspondence, drafts of voice over. Includes both English and French versions of the voice over text for the Dorothy Series
video and slides.
box 200, folder 15
The Dorothy Series -- Voiceovers
undated
Language of Material: English.
box 200, folder 15
The Dorothy Series -- Voiceovers Rerecorded
2001 August
Language of Material: English.
Series 11: Slides
1936-2006
Language of Material: English.
Organization and Arrangement
The slides are organized following Wayne's organizational method of separating works by medium and sometimes by series. Within
folders, the slides are generally arranged chronologically. However, Wayne had her own system of organizing the slides of
her prints, which she called "Gilmour" numbers. These numbers were created by Pat Gilmour in preparation for a catalogue of
Wayne's works.
Scope and Content
This series contains Wayne's professional slide collection. It predominantly consists of slides of her work.
box 141, folder 8
Slide lists
undated
Scope and Content
Includes various lists of the slides as well as a list of people with whom Wayne corresponded.
box 141, folder 9
Lithographs (folder 1 of 2)
1948-2006
Scope and Content
223 color slides and 2 lists. Includes slides of lithographs and collages created by June Wayne. This folder also includes
two lists of slides in what is referred to as Gilmour order and alphabetically. The Gilmour order numbering system derives
from the numbering system used by Pat Gilmour in her volume, "June Wayne: Lithographs" published in 1989. See also folders
for the Dorothy Series. Some slides were missing from Wayne's studio collection when the items were processed for the archives.
When these items are available elsewhere in the collection, it is indicated within the folder.
box 141, folder 10
Lithographs (folder 2 of 2)
1948-2006
Scope and Content
206 color slides. Includes slides of lithographs and collages created by June Wayne. See also folders for the Dorothy Series.
Some slides were missing from Wayne's studio collection when the items were processed for the archives. When these items are
available elsewhere in the collection, it is indicated within the folder.
box 231, folder 7
Lithographs (Duplicate slides)
1951-1988
box 141, folder 11
Stellar Winds
1978-1979
Scope and Content
55 color slides. Includes slides of the lithographs and colophon for the Stellar Winds series.
box 231, folder 12
Stellar Winds (Duplicate slides)
1978-1979
box 141, folder 12
The Dorothy Series
1976-1979
Scope and Content
201 color slides. Includes slides of the lithographs and colophon for the Dorothy series including details and title slides.
box 231, folder 8
The Dorothy Series (Duplicate slides)
1976-1979
box 141, folder 13
My Palomar
1983-1985
Scope and Content
10 color slides. Includes slides of the lithographs and colophon for the My Palomar series.
box 141, folder 14
Solar Flares
1981-1983
Scope and Content
7 color slides. Includes slides from the Solar Flares colophon.
box 141, folder 15
Tapestries
undated
Scope and Content
26 color slides. Includes the slides of 13 tapestries.
box 231, folder 11
Tapestries (Duplicate slides)
undated
box 141, folder 16
Paintings
1936-1996
Scope and Content
128 color slides.
box 231, folder 9
Paintings (Duplicate slides)
1936-1996
box 142, folder 1
Drawings
1945-1998
Scope and Content
31 color slides.
box 142, folder 2
Exhibition installations
undated
Scope and Content
163 color slides. "June Wayne" at the Art Center of La Jolla, "Lithographs by June Wayne: A Retrospective" at the Cincinnati
Art Museum, "Made in California: an Exhibition of Five Workshops" at the Grunewald Graphic Arts Foundation, "June Wayne: an
Exhibition of Paintings, Tapestries, and Lithographs" at the Los Angeles Municipal Gallery in Barnsdall Park, an installation
of prints from the Donne series at the University of Washington library, "Wind, Waves, Visas: Tapestries, Paintings, Lithographs"
at the Artemisia Gallery in Chicago, "Tapestries and Lithographs by June Wayne" at Cypress College Fine Arts Gallery, tapestry
installations at the Transamerica Pyramid in San Francisco, "June Wayne: The Djuna Set" at the Montgomery Art Gallery of Pomona
College, "June Wayne: A Retrospective" at the Palm Springs Desert Museum and LACMA. The folder also includes installation
shots of the genetic code series installed in Wayne's home and studio.
box 231, folder 10
Exhibition installations (Duplicate slides)
undated
box 142, folder 3
Studio, Home, and Publicity
1969-1981
Scope and Content
265 color slides. Includes slides from various professional photo shoots. Includes slides photographed during the KCET tapings
of the June Wayne show and during Wayne's time spent as visiting artist at the University of Texas, Austin. Photographers
credited for the slides include Julius Shulman, Kenneth Rogers, and Bernard Nagler.
box 142, folder 4
Portraits of June Wayne
1939-1995
Scope and Content
35 color slides. All slides are portraits of Wayne. Photographer Kenna Love credited for some of the slides.
box 142, folder 5
Wayne's trip to Japan
1989
Scope and Content
69 color slides.
box 142, folder 6
Tamarind Workshop - chops
undated
Scope and Content
8 color slides. Includes Wayne's watermark and chop as well as the Tamarind Workshop chop.
box 142, folder 7
Tamarind Workshop and Institute
circa 1960s-1980s
Scope and Content
13 color slides. Slides show interior spaces of the Tamarind Workshop as well as various artists and printers working in the
studio.
box 142, folder 8
Tamarind Workshop prints
1960s
Scope and Content
70 color slides. Slides feature the work of artists who trained or visited the Tamarind Workshop. Artists represented are:
Clinton Adams, Garo Antreasian, Ruth Asawa, Kengiro Azuma, Herbert Bayer, William Brice, Jose Luis Cuevas, Richard Diebenkorn,
Sam Francis, Francoise Gilot, Leon Golub, John Grillo, Philip Guston, Richard Hunt, Alfred Jensen, Ynez Johnston, Allen Jones,
John Paul Jones, Matsumi Kanemitsu, James Kelly, Rico Lebrun, Jacques Lipchitz, Frank Lobdell, James McGarrell, Lee Mullican,
Nathan Oliveira, George Ortman, Jesse Reichek, James Strombotne, George Sugarman, Joyce Treiman, Kenneth Tyler, Emerson, Woelffer,
Paul Wunderlich, and Adja Yunkers.
box 142, folder 9
Broken Stones
undated
Scope and Content
154 color slides, 11 4x5" negatives. Slides appear to be from a presentation by Wayne. Most slides are numbered though many
slides were assigned multiple or conflicting numbers. Slides feature the Los Angeles area, the Tamarind Workshop, many of
Wayne's colleagues, as well as Wayne's work.
box 142, folder 10
Jet Propulsion Lab slides
undated
Scope and Content
20 color slides. Slides feature images of the planets and the Voyager 2 craft.
box 142, folder 11
Portfolio slide booklets
undated
Scope and Content
2 booklets with 36 slides in each. Booklets were portfolios to be sent to galleries, museums, and potential buyers.
box 142, folder 12
Large format slides
undated
Scope and Content
6 slides. Includes images of Wayne's "Thou Shalt Not", Francoise Gilot's "The Dream", and Charles White's "Love Letter."
box 142, folder 13
3-D viewer slide sets
1952-1955
Scope and Content
16 slide pairs. Objects in this folder were intended to be viewed through a special view finder in order to give a three-dimensional
illusion to the image. The images on these slides are of the Wayne home at Londonderry and of Robin Wayne's birthday party.
For 3-D slide viewer, see box 126, folder 14.
box 142, folder 14
Filmstrips
1986
Scope and Content
Color filmstrips. Filmstrips include sets of Wayne's work generally taken from a series such as My Palomar, Stellar Winds,
or A Day Off.
box 126, folder 14
3-D viewer
1950s
Scope and Content
1 3-D slide viewer. The viewer gives the allusion of a three dimensional space when double slides are placed inside. To use
with 3-D slides, see box 142, folder 13.
box 154, folder 5
Broken Stones slide list
undated
Scope and Content
Lists. List that indicates which slides may be missing from the Broken Stones set.
Series 12: Artwork Photographs
1936-2007
Language of Material: English.
Organization and Arrangement
The series is organized into seven subseries: Prints; Print Suites; Paintings; Drawings: Collages: Tapestries: and Digital
Files. The order of the series follows the order Wayne used in her studio, dividing the art work by medium and, in the case
of prints, by suite. Within each subseries, artwork is arranged, if available, by suite, and then alphabetically.
Scope and Content
The photographs in these series were used to send to galleries and buyers. Most of the photographs in this series are 8x10"
black and white prints or 5x7" color transparencies, though other formats and negatives are included.
Subseries 1: Prints
1948-2007
Language of Material: English.
Scope and Content
This subseries includes photographs of lithographs and etchings made by Wayne that were not included in a set.
box 143, folder 1
Tamarind Artists
1960s
Scope and Content
10 8x10" photographs. Includes photographs of artwork by the following artists: Philip Guston, Ynez Johnston, John Paul Jones,
Rico LeBraun, Louise Nevelson, Nathan Oliveira, Henry Pearson, Adja Yunkers. See also slides of Tamarind artists' prints,
box 142, folder 8.
box 143, folder 2
Adam en Attente
1958
Scope and Content
3 8x10" negatives, 2 8x10" photographs, 2 2x3" installation shots. Includes images of Adam En Attente and Eve en Attente,
as well as installation shots of the two works together.
box 143, folder 3
The Advocate
1952
Scope and Content
2 8x10" photographs.
box 143, folder 4
Aigrette
1980
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 143, folder 5
Ankidor
1987
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 photograph on board. Includes a detail of the lithograph printed on mat board.
box 143, folder 6
The Anniversarie I
1957
Scope and Content
1 8x10" photograph.
box 143, folder 7
Asawa
1980
Scope and Content
1 8x10" photograph and 1 8x10" negative. Part of the Shortcuts series.
box 143, folder 8
At Last a Thousand, state I
1965
Scope and Content
3 8x10" negatives, 3 8x10" photographs.
box 143, folder 9
At Last a Thousand, state II
1965
Scope and Content
2 8x10" negatives, 1 8x10" photograph.
box 143, folder 10
At Last a Thousand, state III
1965
Scope and Content
2 8x10" negatives, 1 8x10" photograph.
box 143, folder 11
Barcelona Wave
1973
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 partial transparency, 1 4x5" negative, 1 4x5" transparency, 1 5x7" photograph, 1 3x5"
photograph.
box 143, folder 12
Base Pair
1970
Scope and Content
3 8x10" photographs, 1 8x10" negative. Includes shot of entire artwork and detail view.
box 143, folder 13
Because It's There
1969
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 143, folder 14
Between, state I
1983
Scope and Content
2 8x10" negatives, 1 8x10" photograph.
box 143, folder 15
Between, state II
1983
Scope and Content
1 8x10" photograph, 1 4x5" negative, 1 4x5" transparency, 3 4x5" photographs.
box 143, folder 16
Black Ball in a Room
1948
Scope and Content
1 8x10" photograph, 1 4x5" negative.
box 143, folder 17
Black Tidal Wave
1973
Scope and Content
1 8x10" negative, 3 8x10" photographs, 1 color page from book.
box 143, folder 18
Blue Tidal Wave
1972
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 5x7" photograph.
box 143, folder 19
Blueprint
1970
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 143, folder 20
Breakout
1986
Scope and Content
3 8x10" photographs, 2 5x7" photographs, and 1 4x5" negative.
box 143, folder 21
Breeze
1978
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 143, folder 22
The Bride
1951
Scope and Content
3 8x10" photographs, 1 4x5" transparency.
box 143, folder 23
Burning Helix
1970
Scope and Content
2 8x10" negatives, 1 8x10" transparency, 2 8x10" photographs, 1 bookplate negative.
box 143, folder 24
Cat/Cat/Cat
1971
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 143, folder 25
The Cavern, I
1948
Scope and Content
1 8x10" negative, 2 8x10" photographs, 5 4x5" transparencies. Transparencies were developed and photographed under the care
of the Grunewald Center for Graphic Arts at UCLA.
box 143, folder 26
The Cavern, II
1951
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" transparency.
box 143, folder 27
Chinook
1976
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" transparency.
box 143, folder 28
Choker
1970
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 143, folder 29
The Climb
1957
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 8x10" transparency.
box 143, folder 30
Code
1982
Scope and Content
1 8x10" negative, 2 8x10" photographs, 2 4x5" transparencies.
box 143, folder 31
Cornelia's Bird
1960
Scope and Content
2 8x10" photographs.
Separated Material
1 8x10" negative was removed from the collection due to acidification.
box 143, folder 32
Crossing, state I
1986
Scope and Content
1 8x10" photograph, 1 4x5" negative, 1 4x5" transparency.
box 143, folder 33
Crossing, state II
1986
Scope and Content
2 8x10" photographs, 4 4x5" photographs, 1 4x5" negative, 1 4x5" transparency.
box 143, folder 34
Cross Current
1975
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 143, folder 35
The Curious
1953
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 143, folder 36
Curtain Time
1986
Scope and Content
1 8x10" negative, 2 8x10" photographs, 2 4x5" photographs. Includes photographs taken by Kenna Love of Wayne working on the
lithography stone for Curtain Time.
box 143, folder 37
Dawn Wind
1975
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 143, folder 38
Dead Center
1963
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 143, folder 39
Déjà vu
1973
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" negative.
box 143, folder 40
Demented Tidal Wave, state I
1972
Scope and Content
1 8x10" negative, 3 8x10" photographs, 1 5x7" book plate, 1 4x5" transparency.
box 143, folder 41
Demented Tidal Wave, state II
1972
Scope and Content
1 8x10" photograph, 1 4x5" transparency.
box 143, folder 42
Desert Wind
1975
Scope and Content
1 8x10" negative, 3 8x10" photographs, 1 4x5" negative, 1 4x5" transparency, 3 4x5" photographs.
box 143, folder 43
Dikat
1970
Scope and Content
1 8x10" negatives, 4 folded 8x10" photographs, 2 8x10" photographs, 1 4x5" transparency.
box 143, folder 44
Djunador
1987
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 143, folder 45
Djunaway
1987
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 143, folder 46
Dorothy, the Last Day
1960
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" transparency.
box 143, folder 47
Double You, state I
1970
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 cropped photograph, 2 4x5" transparencies.
box 143, folder 48
Double You, state II
1970
Scope and Content
1 8x10" photograph.
box 143, folder 49
Dozo
1989
Scope and Content
2 8x10" photographs.
box 143, folder 50
The Dreamers
1952
Scope and Content
1 8x10" photograph.
box 143, folder 51
Dusty Helix
1970
Scope and Content
2 8x10" negatives, 2 8x10" photographs, 1 8x10" transparency, 1 3.5x6" photograph, 1 4x5" transparency.
box 143, folder 52
Echo, state I
1987
Scope and Content
1 4x5" transparency.
box 143, folder 53
Echo, state II
1987
Scope and Content
2 8x10" photographs, 3 4x5" photographs, 1 4x5" negative.
box 143, folder 54
Eighth Wave
1971
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 143, folder 55
Electric Squall
1975
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 143, folder 56
Escalade
1986
Scope and Content
1 8x10" negative, 3 8x10" photographs.
box 143, folder 57
Escape, state I
1986
Scope and Content
1 8x10" photograph, 2 4x5" transparencies.
box 143, folder 58
Escape, state II
1986
Scope and Content
1 8x10" negative, 1 8x10" photograph, 3 4x5" transparencies.
box 143, folder 59
Evening Self
1973
Scope and Content
1 8x10" negative, 1 8x10" photograph, 2 4x5" transparencies.
box 143, folder 60
Event
1989
Scope and Content
2 8x10" photographs, 1 4x5" negative.
box 143, folder 61
Exoh
1987
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" transparency, 1 detail on mat board.
box 143, folder 62
Feather, state II
1981
Scope and Content
1 8x10" photograph, 1 4x5" photograph.
box 143, folder 63
Final Jury
1954
Scope and Content
1 8x10" negative, 3 8x10" photographs, 1 retouched and cropped photograph.
box 143, folder 64
The First Critic
1955
Scope and Content
1 8x10" negative, 3 8x10" photographs.
box 143, folder 65
First Etching
1957
Scope and Content
1 8x10" photograph.
box 144, folder 1
First Key
1963
Scope and Content
1 8x10" negative, 1 8x10" photograph. Green Key was not photographed.
box 144, folder 2
First Monument -- Paris
1963
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 144, folder 3
Fizz
1982
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 144, folder 4
Floating by Ten
1978
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 144, folder 5
Fly-by
1976
Scope and Content
2 8x10" negatives, 2 8x10" photographs.
box 144, folder 6
Four Stream
1982
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 144, folder 7
Frozen Tidal Wave
1974
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" transparency.
box 144, folder 8
Geo Scanner
1994
Scope and Content
2 8x10" negatives.
box 144, folder 9
Ghost Code
1970
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 144, folder 10
Glitterwind
1981
Scope and Content
1 8x10" photograph, 4 4x5" photographs, 1 4x5" negative, 1 4x5" transparency.
box 144, folder 11
Goodbye
1973
Scope and Content
1 8x10" negative, 2 8x10" photographs, 2 1.5x3" photographs.
box 144, folder 12
Goodbye Louise
1988
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 144, folder 13
Green Edge, state I
1986
Scope and Content
1 4x5" transparency.
box 144, folder 14
Green Edge, state II
1986
Scope and Content
2 8x10" photographs, 1 4x5" negative, 1 4x5" transparency, book cover.
box 144, folder 15
Green Key
1963
Scope and Content
Note indicates photographs were not taken of Green Key.
box 144, folder 16
Gust Time Eight, state I
1986
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 144, folder 17
Gust Times Eight, state II
1986
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" negative, 1 4x5" transparency, 1 4x5" photograph.
box 144, folder 18
The Hero
1949
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 144, folder 19
Hung Jury
1970
Scope and Content
1 8x10" negative, 3 8x10" photographs.
box 144, folder 20
The Hunter
1952
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 144, folder 21
Inside Out
1992
Scope and Content
2 8x10" negatives, 4 8x10" photographs, 1 4x5" transparency.
box 144, folder 22
James Ensor 1888 mon portrait en 1960
undated
Scope and Content
1 8x10" photograph.
box 144, folder 23
Jimmy and June
1989
Scope and Content
2 8x10" negatives, 3 8x10" photographs, 1 4x5" transparency, 1 4x5" negative.
box 144, folder 24
Jock for Cocktails
1980
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 144, folder 25
Jock for Sport
1980
Scope and Content
1 8x10" negative, 2 8x10" photographs. Negative was cut diagonally and is in 2 pieces.
box 144, folder 26
Jubal
1973
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 144, folder 27
Judy Chicago
1980
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 144, folder 28
Jumar
1983
Scope and Content
2 8x10" photographs, 4 4x5" photographs, 1 4x5" negative, 3 4x5" transparencies.
box 144, folder 29
June in January
1996
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" negative.
box 144, folder 30
The Jury
1953
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 144, folder 31
Kafka Symbols, I
1948
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" transparency.
box 144, folder 32
Kafka Symbols, II
1949
Scope and Content
3 8x10" photographs, 1 4x5" negative, 1 4x5" photograph, 1 4x5" transparency.
box 144, folder 33
Knock
1996
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" negative, 1 4x5" transparency.
box 144, folder 34
Knockout
1996
Scope and Content
2 8x10" negatives, 3 8x10" photographs, 1 4x5" negative. Includes a detail photograph.
box 144, folder 35
Lash
1989
Scope and Content
2 8x10" photographs, 1 4x5" negative.
box 144, folder 36
Last Chance
1955
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" transparency.
box 144, folder 37
Last Conversation
1963
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 144, folder 38
Lava Bed
1958
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 144, folder 39
Lemmings' Choice
1967
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 144, folder 40
Lemmings' Crush
1967
Scope and Content
2 8x10" photographs, 1 4x5" negative.
box 144, folder 41
Lemmings' Day
1968
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 5x7" photograph.
box 144, folder 42
Lemmings' Night
1968
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 144, folder 43
Lemmings' Twenty-One
1968
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 144, folder 44
Les Amants
1959
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 144, folder 45
A Little Nothing
1980
Scope and Content
3 8x10" negatives, 7 8x10" photographs. Includes detail photographs.
box 144, folder 46
Lodestar
1981
Scope and Content
2 8x10" photographs, 4 4x5" photographs, 1 4x5" negative, 1 4x5" transparency.
box 144, folder 47
Lunar Wave
1975
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 144, folder 48
Makari
1986
Scope and Content
1 8x10" photograph, 3 4x5" photographs, 1 4x5" negative.
box 144, folder 49
Marie Dedieu
1985
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 144, folder 50
Memory of a Tangara - the Man
1959
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" transparency.
box 144, folder 51
Memory of a Tangara - the Woman
1959
Scope and Content
1 8x10" negative, 2 8x10" photographs, 2 4x5" transparencies.
box 144, folder 52
"Memory of Things to Come"
1959
Scope and Content
2 8x10" negatives, 3 8x10" photographs.
box 144, folder 53
Meridian
1983
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" transparency.
box 144, folder 54
Merry Widow, state I
1980
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" transparency.
box 144, folder 55
Merry Widow, state II
1980
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" transparency.
box 144, folder 56
Midnight Wave
1975
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 144, folder 57
Missile Soemnis
1970
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 144, folder 58
My Self
1985
Scope and Content
2 8x10" photographs, 1 4x5" negative, 1 4x5" transparency.
box 144, folder 59
Mystére, state I
1989
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" transparency.
box 144, folder 60
Mystére, state II
1989
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" transparency, 1 4x5" negative.
box 144, folder 61
Nacelle
1996, 2005
Physical Characteristics and Technical Requirements
1 8x10" negative, 1 8x10" photograph, 1 4x5" negative, 4 8.5x11" digital prints, 1 CD.
Scope and Content
Includes images of Nacelle and changes made to the print in 2005.
box 144, folder 62
Nature Morte
1970
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 144, folder 63
Near Miss
1996
Scope and Content
1 8x10" negative, 4 8x10" photographs.
box 144, folder 64
Nevelson
1980
Scope and Content
1 8x10" photograph, 1 4x5" negative, 1 4x5" transparency.
box 144, folder 65
Night Self
1973
Scope and Content
2 8x10" negatives, 1 8x10" photograph, 1 4x5" transparency.
box 144, folder 66
Night Wind
1975
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 144, folder 67
Nine Memories
1961
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" transparency.
box 145, folder 1
Ninth Wave
1972
Scope and Content
2 8x10" negative, 3 8x10" photographs, 1 book plate negative.
box 145, folder 2
No Sun
1985
Scope and Content
2 8x10" photographs, 3 4x5" photographs, 1 4x5" negative, 1 4x5" transparency.
box 145, folder 3
Noon Self
1973
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" transparency.
box 145, folder 4
Nos Portraits en 2060, Ensor/Wayne
1991
Scope and Content
2 8x10" photographs.
box 145, folder 5
Not a Star After All, state I
1970
Scope and Content
1 8x10" photograph, 1 book plate negative, 2 4x5" transparencies. One transparency also shows Double You.
box 145, folder 6
Ohio
undated
Scope and Content
1 8x10" photograph, 1 4x5" negative.
box 145, folder 7
Omniwave
1972
Scope and Content
1 8x10" negative, 1 book plate negative, 1 8x10" photograph, 1 6.5x9" photograph, 2 5x7" photographs, 2 4x5" transparencies.
box 145, folder 8
One Up, One Down
1969
Scope and Content
2 8x10" negatives, 1 8x10" photograph.
box 145, folder 9
The Orator
1961
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 145, folder 10
Ostend/Hollywood
1992
Scope and Content
2 8x10" photographs, 1 4x5" negative, 1 4x5" transparency.
box 145, folder 11
The Other Babel
1970
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" transparency.
box 145, folder 12
Out and Over
1984
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 145, folder 13
Planet
1989
Scope and Content
2 8x10" photographs, 1 4x5" negative, 1 4x5" transparency.
box 145, folder 14
Plumelet
1980
Scope and Content
1 8x10" photograph.
box 145, folder 15
Plus ça Change
1968
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 145, folder 16
Plus ça Reste...Meme
1968
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 145, folder 17
Power Net
undated
Scope and Content
1 8x10" photograph, 1 4x5" transparency.
box 145, folder 18
Pre Sagh
1987
Scope and Content
1 8x10" photograph, 5 4x5" photographs, 1 4x5" negative.
box 145, folder 19
Promenade
1958
Scope and Content
1 8x10" photograph.
box 145, folder 20
Query
1987
Scope and Content
2 8x10" photographs, 1 4x5" negative, 1 4x5" transparency.
box 145, folder 21
The Quiet One
1950
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" negative.
box 145, folder 22
Rain Wind
1975
Scope and Content
2 8x10" negatives, 2 8x10" photographs.
box 145, folder 23
The Retreat
1950
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 145, folder 24
Rhed Khis
1988
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 145, folder 25
Robagen
1986
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" negative, 2 4x5" photographs.
box 145, folder 26
Robagen Agen
1988
Scope and Content
2 8x10" photographs.
box 145, folder 27
Robin's Lock
1980
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 145, folder 28
Rosy's Helix
1970
Scope and Content
1 8x10" photograph, 1 4x5" photograph.
box 145, folder 29
The Sad Flute Player
1950
Scope and Content
2 8x10" photographs.
box 145, folder 30
Sagh Eye, state I
1987
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 145, folder 31
Sagh Eye, state II
1987
Scope and Content
2 8x10" photographs, 3 4x5" photographs, 1 4x5" negative.
box 145, folder 32
Saghee
1987
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" transparency.
box 145, folder 33
Saghex, state I
1987
Scope and Content
2 8x10" negatives, 2 8x10" photographs, 1 4x5" transparency.
box 145, folder 34
Saghex, state II
1987
Scope and Content
1 8x10" photograph, 3 4x5" photographs, 1 4x5" negative, 1 4x5" transparency.
box 145, folder 35
The Sanctified
1950
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 145, folder 36
The Screen
1958
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 145, folder 37
Sea Change
1976
Scope and Content
1 8x10" negative, 3 8x10" photographs, 1 4x5" negative, 3 4x5" transparencies.
box 145, folder 38
Second Hero
1962
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 145, folder 39
Second Jury
1953
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 145, folder 40
Second Monument - Paris
1957
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 145, folder 41
Sects in the City
2005
Scope and Content
1 8x10" digital print, 2 6x8.5" postcards, 19 4x6" digital prints, 1 4x5" transparency.
box 145, folder 42
Seventh Wave, state I
1971
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 145, folder 43
Seventh Wave, state II
1971
Scope and Content
1 8x10" negative, 2 8x10" photograph.
box 145, folder 44
The Shelf
1967
Scope and Content
2 8x10" negatives, 3 8x10" photographs.
box 145, folder 45
Shock Wave
1970
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 145, folder 46
Silent Wind
1975
Scope and Content
2 8x10" negatives, 2 8x10" photographs.
box 145, folder 47
Sixth Wave, state I
1971
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 145, folder 48
Slipstream
1971
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 145, folder 49
Solar Wind
1975
Scope and Content
2 8x10" photographs.
box 145, folder 50
The Spectator
1960
Scope and Content
1 8x10" negative, 2 8x10" photograph.
box 145, folder 51
Spectrum
1988
Scope and Content
2 8x10" photographs, 1 4x5" negative.
box 145, folder 52
Squall at Four
1975
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 145, folder 53
Squall at Ten
1975
Scope and Content
1 8x10" negative, 3 8x10" photographs.
box 145, folder 54
Standoff
1970
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 145, folder 55
Star Fringe
1979
Scope and Content
1 8x10" photograph.
box 145, folder 56
Star Fringe Blue
1979
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 145, folder 57
Star Leap
1979
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 145, folder 58
The Start of a Rock
1956
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 145, folder 59
Static
1982
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 145, folder 60
Stone Circle
1967
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 145, folder 61
Stop and Go Fuzz
1981
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 145, folder 62
Strange Moon
1951
Scope and Content
3 8x10" photographs, 1 4x5" negative.
box 145, folder 63
Strapless
1980
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 145, folder 64
Study for a Messenger, IV
1954
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 145, folder 65
Study for a Messenger, V
1955
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 145, folder 66
Study for the Wing of a Devil
1955
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 145, folder 67
The Suitor
1951
Scope and Content
1 8x10" photograph.
box 145, folder 68
Tabak
1980
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 145, folder 69
Tamarind Decade
1970
Scope and Content
1 8x10" negative, 2 8x10" photographs (one trimmed).
box 145, folder 70
Tapestry Needle, state II
1981
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 145, folder 71
The Target
1951
Scope and Content
1 8x10" negative, 3 8x10" photographs, 1 3x5" photograph.
box 145, folder 72
Tenth Memory
1961
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" transparency. One 8x10" negative was vinegarized and therefore discarded.
box 145, folder 73
Tenth Wave
1972
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" transparency, 1 bookplate negative, 1 copy of printed book plate.
box 146, folder 1
Thermal Wind
1978
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 2
Third Monument - Paris
1957
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 3
Thirteenth Memory
1967
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" transparency.
box 146, folder 4
Thou Shall Not
1970
Scope and Content
3 8x10" negatives, 3 8x10" photographs, 1 bookplate negative, 1 8.5x9" mounted photograph, 2 4.75x5.5" photographs, 1 4x5"
negative.
box 146, folder 5
Three Observers
1963
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 6
Tidal Wave
1972
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 5.5x7.25" photograph, 1 4x5" transparency.
box 146, folder 7
Tidal Visa
1973
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" negative, 1 bookplate negative.
box 146, folder 8
Tiger Mean
1988
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 9
Time Visa
1973
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" transparency.
box 146, folder 10
To Get to the Other Side
1968
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 11
Tower of Babel A
1955
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 146, folder 12
Tower of Babel B
1955
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 13
Tower of Babel C
1955
Scope and Content
2 8x10" negatives, 2 8x10" photographs.
box 146, folder 14
Trace
1989
Scope and Content
2 8x10" photographs, 1 4x5" negative.
box 146, folder 15
Transcript
1970
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 16
The Travelers
1954
Scope and Content
2 8x10" negatives, 2 8x10" photographs.
box 146, folder 17
The Tunnel, I
1949
Scope and Content
1 8x10" negative, 3 8x10" photographs.
box 146, folder 18
The Tunnel, II
1951
Scope and Content
2 8x10" negatives, 3 8x10" photographs.
box 146, folder 19
Twelfth Memory
1961
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 146, folder 20
Two Blacks
1987
Scope and Content
1 8x10" photograph, 3 4x5" photographs, 1 4x5" negative, 1 4x5" transparency.
box 146, folder 21
Two Thousand Too Soon
1967
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 146, folder 22
Two-Way Stretch
1980
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 23
Unfinished Etching
1958
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 24
Up, Down, and Strange
1971
Scope and Content
2 8x10" negatives, 2 8x10" photographs.
box 146, folder 25
Verdict
1970
Scope and Content
2 8x10" negatives.
box 146, folder 26
Vio
1985
Scope and Content
3 8x10" negatives, 3 8x10" photographs, 3 4x5" photographs, 1 4x5" negative, 2 4x5" transparencies.
box 146, folder 27
Viridian
1982
Scope and Content
2 8x10" photographs, 3 4x5" photographs, 1 4x5" negative.
box 146, folder 28
Visa
1973
Scope and Content
3 8x10" photographs, 1 4x5" transparency, 1 5x8" photograph, 1 bookplate negative.
box 146, folder 29
Visa/Friday
1976
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" transparency.
box 146, folder 30
Visa/Monday
1976
Scope and Content
1 8x10" negative, 1 8x10" transparency, 2 8x10" photographs, 1 4x5" negative.
box 146, folder 31
Visa/Saturday
1978
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 146, folder 32
Visa/Sunday
1976
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 33
Visa/Tuesday
1976
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 34
Visa/Wednesday
1976
Scope and Content
1 8x10" negative, 3 8x10" photographs.
box 146, folder 35
Walk on the Rocks
1963
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 146, folder 36
Wave Five
1971
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 37
Wave Nineteen Twenty, state I
1968
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 146, folder 38
Wave Nineteen Twenty, state II
1968
Scope and Content
2 8x10" negatives, 3 8x10" photographs.
box 146, folder 39
Weighted/Wanting
1970
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 146, folder 40
Weisberg
1980
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" negative, 14x5" transparency.
box 146, folder 41
Wet Wind
1975
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" transparency.
box 146, folder 42
White Noise
1979
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 43
White Tidal Wave
1972
Scope and Content
1 8x10" negative, 1 7x9" photograph, 1 4x5" negative.
box 146, folder 44
White Visa
1973
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 bookplate negative.
box 146, folder 45
Whoopers
1998
Scope and Content
2 8x10" photographs, 1 4x5" transparency. Also includes print documentation.
box 146, folder 46
Wind From There
1978
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 7.5x8.75" photograph, 1 4x5" photograph. 4x5" photograph is a detail of the center
portion of the lithograph.
box 146, folder 47
The Witnesses, I
1952
Scope and Content
4 8x10" negatives, 4 8x10" photographs, 1 4x5" transparency. Includes images of states I, II, and III.
box 146, folder 48
The Witnesses, II
1952
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 49
A Work of Mourning III
1953
Scope and Content
2 8x10" negatives, 2 8x10" photographs, 1 4x5" photograph, 1 4x5" negative.
box 146, folder 50
A Work of Mourning IV
1953, 2007
Scope and Content
1 8x10" negative, 1 8x10" photograph, 2 slides. Includes slide images of damaged work that was restored by Linda Shaffer.
Subseries 2: Print Suites
1956-1984
Language of Material: English.
Scope and Content
This subseries includes photographs of lithographs and etchings that were released in a set:
The Donne Series,
Songs and Sonets,
The Dorothy Series,
Stellar Winds,
My Palomar, and
A Day Off.
box 146, folder 51
A Day Off series -- Dusk
1981
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 146, folder 52
A Day Off series -- Exacto
1981
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 53
A Day Off series -- High Noon
1981
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 54
A Day Off series -- Studio Keyes
1981
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 146, folder 55
A Day Off series -- Three Piece Set
1981
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 56
Donne series -- "All Day, The Same..."
1958
Scope and Content
5 8x10" negatives, 5 8x10" photographs. Includes photographs of several versions of the piece, labeled A-D and F.
box 146, folder 57
Donne series -- "The Baite" 1
1958
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 146, folder 58
Donne series -- "The Baite" 2
1958
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 59
Donne series -- "Each Hath One..."
1958
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 146, folder 60
Donne series -- "Goe and catch a falling starre"
1958
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 146, folder 61
Donne series -- "One Roome an Every Where..."
1958
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 146, folder 62
Donne series -- "She is all states..."
1957
Scope and Content
1 8x10" negative, 3 8x10" photographs, 1 4x5" transparency.
box 146, folder 63
Donne series -- "Shine Here to Us, and Though Art Every Where..."
1956
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 146, folder 64
"This Extasie Doth Unperplex..."
undated
Scope and Content
1 8x10" photograph.
box 146, folder 65
Donne series -- "Two Graves..."
1957
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 trimmed and altered photograph.
box 146, folder 66
Donne series -- "Two Graves...hide thine and my coarse" I
1957
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 146, folder 67
Donne series -- "Two Graves..." 3
1957
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 68, folder unknown container
Donne series -- "We'are Tapers Too"
1957
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 69
Donne series -- "Wee...Must Leave at Last in Death..."
1957
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 146, folder 70
Donne series -- "A Winter-Seeming Summers Night..."
1957
Scope and Content
2 8x10" negatives, 3 8x10" photographs.
box 146, folder 71
Donne series -- "Yesternight the Sunne Went Hence"
1957
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 1
The Dorothy Series -- Arriving 1907
1977
Scope and Content
2 8x10" negatives, 2 8x10" photographs, 1 5x7" photograph.
box 147, folder 2
The Dorothy Series -- The Chicago Territory
1976
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 147, folder 3
The Dorothy Series -- Coming out
1979
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 147, folder 4
The Dorothy Series -- Delegate Dorothy
1977
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 147, folder 5
The Dorothy Series -- Desire to Write
1977
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" negative.
box 147, folder 6
The Dorothy Series -- Dorothy and the IRS
1979
Scope and Content
1 8x10" photograph, 1 4x5" transparency.
box 147, folder 7
The Dorothy Series -- Dorothy in 1957
1976
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 147, folder 8
The Dorothy Series -- Goodbye
1979
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 147, folder 9
The Dorothy Series -- I'm I made you cry
1977
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 147, folder 10
The Dorothy Series -- The Last Time
1975
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 11
The Dorothy Series -- Leaving 1907
1976
Scope and Content
2 8x10" negatives, 5 8x10" photographs.
box 147, folder 12
The Dorothy Series -- Long Day's Journey
1975
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 13
The Dorothy Series -- Palmer Method
1976
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 14
The Dorothy Series -- Paris Garter
1977
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 transparency.
box 147, folder 15
The Dorothy Series -- Power Net
1977
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 16
The Dorothy Series -- Report Card
1976
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 147, folder 17
The Dorothy Series -- Secretary to Publisher
1976
Scope and Content
2 8x10" photographs.
box 147, folder 18
The Dorothy Series -- Twenty-five Years with the Firm
1976
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" transparency.
box 147, folder 19
The Dorothy Series -- The White Knight
1978
Scope and Content
1 8x10" negative, 3 8x10" photographs.
box 147, folder 20
The Dorothy Series -- Whose White Knight Was He?
1978
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 21
The Dorothy Series -- Winter of '37
1975
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 22
The Dorothy Series -- Write a Lonely Soldier
1976
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 5x7" photograph.
box 147, folder 23
My Palomar Series -- cover
1983
Scope and Content
2 8x10" photographs, 2 4x5" negatives, 1 4x5" transparency.
box 147, folder 24
My Palomar Series -- back cover
1983
Scope and Content
1 8x10" photograph, 1 4x5" transparency.
box 147, folder 25
My Palomar Series -- Ablaze
1983
Scope and Content
1 8x10" photograph, 2 8x10" photographs, 1 4x5" negative, 1 4x5" transparency.
box 147, folder 26
My Palomar Series -- Cool Take
1983
Scope and Content
1 8x10" photograph, 1 4x5" transparency, 1 4x5" negative.
box 147, folder 27
My Palomar Series -- Earthscan
1984
Scope and Content
1 8x10" photograph, 1 4x5" negative, 2 4x5" photographs.
box 147, folder 28
My Palomar Series -- Meridian - Three to Six
1983
Scope and Content
2 8x10" photographs, 1 4x5" negative, 2 4x5" transparencies.
box 147, folder 29
My Palomar Series -- Meridian - Three to Six, state II
1985
box 147, folder 30
My Palomar Series -- Night Field
1984
Scope and Content
1 8x10" photograph, 1 4x5" negative, 2 4x5" photographs.
box 147, folder 31
My Palomar Series -- Over and Out
1984
Scope and Content
2 8x10" photographs, 1 4x5" transparency, 2 4x5" photographs.
box 147, folder 32
My Palomar Series -- Setsun
1983
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 bookplate, 1 4x5" negative, 1 4x5" transparency, 2 4x5" photographs.
box 147, folder 33
My Palomar Series -- Solstice
1984
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" negative, 1 4x5" photograph.
box 147, folder 34
My Palomar Series -- Twinight
1983
Scope and Content
1 8x10" negative, 3 8x10" photographs, 1 4x5" negative, 1 4x5" transparency, 1 4x5" photograph.
box 147, folder 35
Solar Flares -- Solar Burst
1982
Scope and Content
2 8x10" photographs, 1 4x5" transparency, 2 4x5" photographs.
box 147, folder 36
Solar Flares -- Solar Flame
1981
Scope and Content
2 8x10" photographs, 4 4x5" photographs, 1 4x5" negative.
box 147, folder 37
Solar Flares -- Solar Flash
1981
Scope and Content
2 8x10" photographs, 3 4x5" photographs, 1 4x5" negative.
box 147, folder 38
Solar Flares -- Solar Refraction I
1982
Scope and Content
2 8x10" photographs, 1 4x5" negative, 2 4x5" transparencies.
box 147, folder 39
Solar Flares -- Solar Refraction II
1982
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" transparency.
box 147, folder 40
Solar Flares -- Solar Wave
1981
Scope and Content
2 8x10" photographs, 4 4x5" photographs, 1 4x5" negative, 1 4x5" transparency.
box 147, folder 41
Songs and Sonets -- colophon
1958
Scope and Content
6 4x5" transparencies.
box 147, folder 42
Songs and Sonets -- Anniversarie 2
1958
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 147, folder 43
Songs and Sonets -- The Apparition
1958
Scope and Content
2 8x10" photographs.
box 147, folder 44
Songs and Sonets -- The Apparition, planche refusee, I
1958
Scope and Content
2 8x10" negatives, 1 8x10" photograph, 14x5" photograph.
box 147, folder 45
Songs and Sonets -- The Apparition, plance refusee, II
1958
Scope and Content
1 4x5" photograph, 1 4x8" negative.
box 147, folder 46
Songs and Sonets -- The Baite 3
1958
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 147, folder 47
Songs and Sonets -- Breake of Day
1958
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 147, folder 48
Songs and Sonets -- Canonization
1958
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 147, folder 49
Songs and Sonets -- The Extasie
1958
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 50
Songs and Sonets -- Funerali
1958
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 147, folder 51
Songs and Sonets -- The Good Morrow
1958
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 52
Songs and Sonets -- Hexastichon Bibliopolae
1958
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 147, folder 53
Songs and Sonets -- Lava Bed
1958
Scope and Content
2 8x10" photographs.
box 147, folder 54
Songs and Sonets -- Les Amants
1958
Scope and Content
1 8x10" photograph.
box 147, folder 55
Songs and Sonets -- The Relique
1958
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 56
Songs and Sonets -- Songs
1958
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 57
Songs and Sonets -- The Sunne Rising
1958
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 147, folder 58
Songs and Sonets -- Twicknam Garden
1958
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 59
Songs and Sonets -- Twicknam Garden (drawing)
1958
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 147, folder 60
Songs and Sonets -- A Valediction: Of Weeping
1958
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 61
Songs and Sonets -- A Valediction: Forbidding Mourning
1958
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 62
Songs and Sonets -- A Valediction: Forbidding Mourning, planche refusee
1958
Scope and Content
3 4x5" photographs, 1 4x8" negative.
box 147, folder 63
Stellar Winds -- Astral Wave
1978
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 147, folder 64
Stellar Winds -- Astral Wave/White
1978
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 65
Stellar Winds -- Debristream
1979
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" transparency.
box 147, folder 66
Stellar Winds -- Double Current
1978
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 67
Stellar Winds -- Frothing
1980
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 68
Stellar Winds -- Magnawind
1979
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" negative.
box 147, folder 69
Stellar Winds -- Scintilae
1979
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 70
Stellar Winds -- Star Dust I
1978
Scope and Content
3 8x10" negatives, 4 8x10" photographs. Includes a detail photograph and its negative.
box 147, folder 71
Stellar Winds -- Star Shower
1979
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 72
Stellar Winds -- Stellar Edge, state I
1978
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 73
Stellar Winds -- Stellar Roil
1978
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 147, folder 74
Stellar Winds -- Velowind
1980
Scope and Content
1 8x10" negative, 2 8x10" photographs.
box 148, folder 1
Stellar Winds -- Violet Star Dust
1978
Scope and Content
1 8x10" negative, 1 8x10" photograph.
box 148, folder 2
Stellar Winds -- Wind Veil
1978
Scope and Content
1 8x10" negative, 3 8x10" photographs. Includes a detail photograph.
Subseries 3: Paintings
1936-1995
Language of Material: English.
Scope and Content
This subseries includes photographs of paintings made by Wayne, including those that document paintings in progress.
box 148, folder 3
The Advocate
1952
Scope and Content
3 8x10" photographs, 1 4x5" transparency.
box 148, folder 4
Am
1989
Scope and Content
4 8x10" photographs, 6 4x5" transparencies. Many of the images were photographed with dramatic lighting that drastically changes
the appearance of the painting.
box 148, folder 5
Anki
1984
Scope and Content
3 8x10" photographs, 6 4x5" photographs, 10 4x5" transparencies.
box 148, folder 6
Ari
1984
Scope and Content
3 8x10" photographs, 3 8.5x11" printouts, 7 4x5" photographs, 3 4x5" negatives, 3 4x5" transparencies.
box 148, folder 7
Ascension
1948
Scope and Content
2 8x10" photographs, 1 4x5" negative, 1 4x5" transparency, 1 3.5x5" photograph.
box 148, folder 8
The Awakened
1953
Scope and Content
1 8x10" photograph, 1 4x5" transparency.
box 148, folder 9
Bei
1989
Scope and Content
4 8x10" photographs, 1 4x5" transparency.
box 148, folder 10
Black Ball in a Room
1949
Scope and Content
1 4x5" negative.
box 148, folder 11
Blucurl
1993
Scope and Content
1 8x10" photograph, 1 4x5" negative, 2 4x5" transparencies, 2 4x5" photographs.
box 148, folder 12
Blue Tidal Wave
1972
Scope and Content
2 8x10" negatives, 2 8x10" photographs, 6 4x5" negatives, 2 4x5" transparencies, 1 4x5" photograph, 1 3.5x4,5" photograph,
1 contact sheet with 35mm negatives. 4 of the 4x5" negatives are taped together with cropping tape and include Tidal Visa,
Black Tidal Wave, Wave at Ten and Wave at Four.
box 148, folder 13
The Bride
1952
Scope and Content
2 8x10" photographs.
box 148, folder 14
Cavern
1948
Scope and Content
3 8x10" photographs, 1 5x7" transparency, 1 4x5" negative, 2 4x5" transparencies, 4 3.5x4.5" photographs. 3.5x4.5" photographs
show the painting in-progress.
box 148, folder 15
The Chase
1949
Scope and Content
2 8x10" photographs, 1 5x7" transparency, 1 4x5" transparency, 1 4x5" negative, 1 partial bookplate.
box 148, folder 16
Cryptic Creatures
1948
Scope and Content
2 8x10" photographs, 1 5x7" transparency, 2 4x5" negatives, 2 4x5" transparencies, 1 4x5" photograph, 1 3.5x4.5" photograph.
3.5x4.5" photograph shows the painting in-progress.
box 148, folder 17
The Dark One
1950
Scope and Content
2 8x10" negatives, 1 8x10" photograph, 2 5x7" transparencies, 3 4x5" negatives, 1 4x5" transparency, 1 4x5" photograph.
box 148, folder 18
Dawn Tidal Pull
1973
Scope and Content
1 4x5" negative, 2 4x5" transparencies, 1 4x5" photograph.
box 148, folder 19
Demented Tidal Wave
1972
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 5x7" photograph, 1 4x5" negative, 1 3x4" photograph .
box 148, folder 20
Di
1989
Scope and Content
5 8x10" photographs, 5 4x5" transparencies, 1 4x5" negatives.
box 148, folder 21
Distant Black Action
1989
Scope and Content
1 8.5x8.5", 2 8x8" photographs, 2 4x5" transparencies.
box 148, folder 22
Distant White Action
1989
Scope and Content
2 8x10" photographs, 1 9.75x8.5" photograph, 1 8x8" photograph, 2 4x5" transparencies.
box 148, folder 23
Djuna
1984
Scope and Content
4 8x10" photographs, 2 4x5" negatives, 3 4x5" transparencies, 4 4x5" photographs.
box 148, folder 24
Dor
1984
Scope and Content
1 8x10" photograph, 2 4x5"transparencies, 1 4x5" photograph, 1 Polaroid.
box 148, folder 25
Double Tidal Wave
1972
Scope and Content
1 8x10" negative, 4 8x10" photographs, 1 4x5" negative, 1 4x5" transparency, 3 4x5" photographs, 1 bookplate negative.
box 148, folder 26
The Dreamers
1952
Scope and Content
3 8x10" photographs, 1 5x7" transparency, 1 4x5" transparency, 1 bookplate.
box 148, folder 27
Enchantillion
1989
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" transparency.
box 148, folder 28
The Elements
1951
Scope and Content
3 8x10" photographs, 1 5x7" transparency, 2 4x5" negatives, 3 4x5" transparencies, 3 4x5" photographs, 1 bookplate.
box 148, folder 29
The Embrace
1948
Scope and Content
1 4x5" negative.
box 148, folder 30
Ente
1989
Scope and Content
2 8x10" photographs, 1 4x5" negative, 1 4x5" transparency.
box 148, folder 31
Fig
1989
Scope and Content
2 8x10" photographs, 1 4x5" transparency.
box 148, folder 32
Fireworks
1950
Scope and Content
1 8x10" photograph, 2 4x5" transparencies.
box 148, folder 33
First Tunnel
1947
Scope and Content
1 8x10" photograph, 1 4x5" negative, 1 4x5" transparency.
box 148, folder 34
Flor
1984
Scope and Content
3 8x10" photographs, 4 4x5" transparencies, 1 4x5" photograph.
box 148, folder 35
Foam Detail
1973
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" transparency, 1 4x5" photograph.
box 148, folder 36
Gaze
1992
Scope and Content
1 8x10" photograph, 1 4x5" negative, 2 4x5" transparencies, 2 4x5" photographs.
box 148, folder 37
Ghost Pull
1973
Scope and Content
2 8x10" photographs, 2 4x5" transparencies, 4 4x5" photographs.
box 148, folder 38
Glide
1989
Scope and Content
2 8x10" photographs, 1 4x5" negative, 1 4x5" transparency.
box 149, folder 1
Harr
1984
Scope and Content
1 8x10" negative, 3 8x10" photographs, 7 4x5" transparencies, 2 4x5" photographs.
box 149, folder 2
Hel
1984
Scope and Content
3 8x10" photographs, 4 4x5" transparencies, 3 4x5" photographs, 1 Polaroid.
box 149, folder 3
Hel and Rhob
1984
Scope and Content
3 8x10" photographs, 1 4x5" negative, 2 4x5" photographs. Installation view of the two paintings hanging at 1108 Tamarind
Ave.
box 149, folder 4
The Hero
1949
Scope and Content
3 8x10" photographs, 2 4x5" transparencies, 1 4x5" negative, 1 4x5" transparency. Transparency shows a sketch for The Hero.
box 149, folder 5
Holiday
1947
Scope and Content
2 8x10" photographs, 4 4x5" transparencies, 2 4x5" negatives.
box 149, folder 6
Homage a la Demure
1994
Scope and Content
2 8x10" photographs, 1 4x5" transparency.
box 149, folder 7
Jev
1984
Scope and Content
1 8x10" photograph, 1 4x5" negative, 4 4x5" transparencies.
box 149, folder 8
Jiggle
1989
Scope and Content
2 8x10" photographs, 1 8x10" negative, 2 4x5" transparencies.
box 149, folder 9
Khis
1988
Scope and Content
1 8x10" photograph, 8 4x5" photographs, 2 4x5" negatives, 2 4x5" transparency.
box 149, folder 10
The Ladder
1950
Scope and Content
1 8x10" photographs, 3 4x5" negatives, 7 4x5" transparencies, 2 4x6" photographs. Includes a conservation receipt to mend
a tear in the painting and 2 4x6" photographs of the damaged painting.
box 149, folder 11
Makh
1984
Scope and Content
2 8x10" photographs, 3 4x5" photographs, 1 4x5" negative.
box 149, folder 12
Messenger
1955
Scope and Content
2 8x10" photographs, 1 8x10" negative, 1 5x7" transparency, 2 4x5" transparencies, 1 4x5" negative, 1 4x5" photograph, 1 book
plate.
box 149, folder 13
Midnight Tidal Pull
1973
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" negative, 1 4x5" transparency.
box 149, folder 14
Moon and Tidal Waves
1972
Scope and Content
1 8x10" photograph, 1 4x5" negative, 2 4x5" transparencies, 1 4x5" photograph, 1 bookplate.
box 149, folder 15
The Moving Eye
1949
Scope and Content
1 8x10" photograph, 1 4x5" negative, 1 4x5" transparency.
box 149, folder 18
Mushroom People
1950
Scope and Content
1 4x5" transparency.
box 149, folder 19
Near Far
1990
Scope and Content
2 8x10" photographs, 1 4x5" negative, 1 4x5" transparency.
box 149, folder 20
Night Ride
1947
Scope and Content
2 8x10" photographs, 1 4x5" negative.
box 149, folder 21
Night Swim
1949
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" negative, 1 4x5" transparency.
box 149, folder 22
Night Swim
1969
Scope and Content
1 8x10" negative, 3 8x10" photographs, 2 4x5" negatives, 2 4x5" transparencies, 2 3.75x4.25" photographs. Includes one photograph
of the painting in-progress.
box 149, folder 23
Noon Tidal Pull
1973
Scope and Content
1 8x10" negative, 2 8x10" photographs, 2 4x5" transparencies, 1 4x5" photograph.
box 149, folder 24
Northridge
1994
Scope and Content
1 8x10" photograph, 1 4x5" negative, 3 4x5" transparencies, 1 4x5" photographs.
box 149, folder 25
Olivero
1995
Scope and Content
1 8x10" photograph, 1 4x5" negative, 1 4x5" transparency, 1 4x5" photograph.
box 149, folder 26
Pewter Byte
1982
Scope and Content
1 Polaroid.
box 149, folder 27
Port
1989
Scope and Content
1 8x10" photograph, 1 4x5" negative, 1 4x5" transparency.
box 149, folder 28
Printout
1973
Scope and Content
1 8x10" negative, 7 4x5" transparencies, 3 4x5" photographs.
box 149, folder 29
Prismatic Flower
1947
Scope and Content
1 8x10" photograph, 1 4x5" negative.
box 149, folder 30
Pt. Dume Scanador
1994
Scope and Content
2 8x10" photographs, 1 4x5" transparency.
box 149, folder 31
The Quiet One
1949
Scope and Content
2 8x10" photographs, 1 5x7" transparency, 1 4x5" negative, 1 bookplate.
box 149, folder 32
Rhed
1984
Scope and Content
3 8x10" photographs, 1 4x5" negative, 3 4x5" transparencies, 7 4x5" photographs.
box 149, folder 33
Rhob
1984
Scope and Content
2 8x10" photograph, 3 4x5" transparencies, 3 polaroids. 1 8x10" photograph features an installation shot of Rhob and Hel at
1108 Tamarind.
box 149, folder 34
Sad Flute Player
1949
Scope and Content
1 4x5" negative, 2 4x5" photograph.
box 149, folder 35
Sagh
1984
Scope and Content
2 8x10" photographs, 2 4x5" photographs, 2 4x5" transparencies. One of the transparencies shows an early stage of the painting.
box 149, folder 36
Saghex
undated
Scope and Content
1 4x5" transparency, 3 4x5" photographs.
box 149, folder 37
The Saint and the Sinner
1956
Scope and Content
2 8x10" photographs.
box 149, folder 38
The Sanctified
1951
Scope and Content
2 8x10" photographs, 1 5x7" transparency, 1 4x5" transparency, 1 bookplate.
box 149, folder 39
Scanner AC
1987
Scope and Content
1 4x5" negative, 1 4x5" transparency.
box 149, folder 40
Scanning GT
1987
Scope and Content
2 8x10" photographs, 2 4x5" negatives, 2 4x5" transparencies, 4 4x5" photographs.
box 149, folder 41
Score
1990
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" negative.
box 149, folder 42
Self Portrait
1947
Scope and Content
2 8x10" photographs, 2 4x5" negatives, 3 4x5" transparencies.
box 149, folder 43
Self Portrait
1957
Scope and Content
1 4x5" photograph.
box 149, folder 44
Shiver
1993
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" negative, 1 4x5" transparency, 2 4x5" photographs.
box 149, folder 45
Silver Byte
1982
Scope and Content
3 polaroids.
box 149, folder 46
Silver Field
1989
Scope and Content
2 4x5" transparencies.
box 150, folder 1
Silver Palm (bottom)
1989
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" transparency.
box 150, folder 2
Silver Palm (top)
1989
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" transparency.
box 150, folder 3
Sixti Sexate
1968
Scope and Content
2 5x7" transparencies, 1 4x5" negative, 2 4x5" transparencies, 8 3.25x4.25" photographs.
box 150, folder 4
Slight Distraction
1990
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 4x5" transparency.
box 150, folder 5
Slight Disturbance
1992
Scope and Content
2 8x10" photographs, 3 4x5" negatives, 3 4x5" transparencies, 10 4x5" photographs.
box 150, folder 6
Slip
1996
Scope and Content
2 8x10" photographs, 1 4x5" negative, 1 4x5" transparency.
box 150, folder 7
Small Shock
1993
Scope and Content
1 8x10" photograph, 1 4x5" negative, 1 4x5" transparency, 3 4x5" photographs.
box 150, folder 8
Sneaking up on Red
1993
Scope and Content
1 8x10" photograph, 1 4x5" transparency.
box 150, folder 9
String Wave
1994
Scope and Content
2 8x10" photograph, 1 4x5" negative, 2 4x5" transparencies, 6 4x5" photographs.
box 150, folder 10
Study for the Messenger
1954
Scope and Content
2 8x10" photographs, 2 4x5" negatives, 3 4x5" transparencies, 2 4x5" photographs.
box 150, folder 11
The Suitor
1952
Scope and Content
2 8x10" photographs, 1 4x5" transparency.
box 150, folder 12
Sunspot
1972
Scope and Content
1 8x10" negative, 5 8x10" photographs, 2 4x5" negatives, 4 4x5" transparencies, 1 4x5" photograph, 2 3.25"x4.25" photographs,
1 bookplate.
box 150, folder 13
Temblor
1992
Scope and Content
1 8x10" photograph, 1 4x5" negative, 2 4x5" transparencies.
box 150, folder 14
Tidal Pull 4am
1973
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4x5" negative, 3 4x5" transparencies, 1 4x5" photograph.
box 150, folder 15
Tidal Pull 7am
1973
Scope and Content
1 8x10" negatives, 2 8x10" photographs, 1 4x5" negatives, 2 4x5" transparencies, 1 4x5" photograph.
box 150, folder 16
The Tunnel
1949
Scope and Content
2 8x10" photographs, 2 4x5" negatives, 3 4x5" transparencies, 2 4x5" photographs.
box 150, folder 17
Untitled (Mexican Woman Wearing Rebozo)
1936
Scope and Content
1 4x5" transparency.
box 150, folder 18
Waiting for Newspapers
1936
Scope and Content
1 8x10" photograph, 2 4x5" negatives, 2 4x5" transparencies, 3 4x5" photographs.
box 150, folder 19
Witching Hour
1948
Scope and Content
2 8x10" photographs, 1 4x5" negative.
box 150, folder 20
The Witnesses
1956
Scope and Content
2 8x10" photographs, 1 5x7" transparency, 1 4x5" negative, 1 4x5" transparency.
box 150, folder 21
Zhule
1984
Scope and Content
2 8x10" photographs, 2 4x5" negatives, 2 4x5" transparencies, 8 4x5" photographs.
Subseries 4: Drawings
1953-1996
Language of Material: English.
Scope and Content
This subseries includes photographs of drawings made by Wayne, primarily done either early or late in her career.
box 150, folder 22
The Assayer
1952
Scope and Content
1 8x10" photograph.
box 150, folder 23
Daisy Chain
1996
Scope and Content
2 8x10" photographs.
box 150, folder 24
The Man with the White Eye
1956
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 8x10" contact sheet, 1 4x5" transparency, 35mm negatives. Contact sheet and negatives
also show String Wave.
box 150, folder 25
Roller Coaster
1996
Scope and Content
2 8x10" photographs.
box 150, folder 26
Study for Final Jury
1953
Scope and Content
2 8x10" photographs.
box 150, folder 27
Study for Jury V
1953
Scope and Content
2 8x10" photographs.
box 150, folder 28
Squint at Me
1992
Scope and Content
2 8x10" photographs.
box 150, folder 29
Third Hero
1996
Scope and Content
2 8x10" photographs.
box 150, folder 30
Third Study for a Messenger
1954
Scope and Content
1 8x10" photographs.
box 150, folder 31
Twister
1996
Scope and Content
2 8x10" photographs.
box 150, folder 32
Whatever Dyes was not Mixt Equally
1958
Scope and Content
3 8x10" photographs.
box 150, folder 33
Who is so safe as wee
1958
Scope and Content
2 8x10" photographs.
Subseries 5: Collages
1987-1993
Language of Material: English.
Scope and Content
This subseries includes photographs of collages made by Wayne, some of which are included in a set, such as the
Scannerite Group.
box 150, folder 34
Eighth Ankerite
1989
Scope and Content
2 8x10" photographs, 2 4x5" transparencies.
box 150, folder 35
Empyrealite One
1988
Scope and Content
2 8x10" photographs.
box 150, folder 36
Empyrealite Six
1993
Scope and Content
2 8x10" photographs, 1 2x2" negative.
box 150, folder 37
Empyrealite Two
1988
Scope and Content
2 8x10" photographs, 1 4x5" negative, 2 4x5" transparencies.
box 150, folder 38
First Ankerite
1988
Scope and Content
2 8x10" photographs.
box 150, folder 39
Five Bits
1993
Scope and Content
2 8x10" photographs, 1 2x2" negative.
box 150, folder 40
Scanador Six
1993
Scope and Content
2 8x10" photographs, 1 4x5" negative, 1 4x5" transparency.
box 150, folder 41
Scannerite A
1988
Scope and Content
2 8x10" photographs, 2 4x5" negatives, 1 4x5" transparency, 2 4x5" photographs.
box 150, folder 42
Scannerite B
1988
Scope and Content
2 8x10" photographs.
box 150, folder 43
Scannerite C
1988
Scope and Content
3 8x10" photographs, 2 4x5" transparencies.
box 150, folder 44
Scannerite J
1988
Scope and Content
2 8x10" photographs, 1 4x5" transparency.
box 150, folder 45
Seventh Ankerite
1988
Scope and Content
2 8x10" photographs, 2 4x5" negatives.
box 150, folder 46
Sixth Ankerite
1987
Scope and Content
2 8x10" photographs, 1 4x5" negative.
box 150, folder 47
Three Bits
1993
Scope and Content
2 8x10" photographs, 1 4x5" negative, 1 4x5" transparency, 1 2x2" negative.
box 150, folder 48
Unique Ankerite
1988
Scope and Content
1 4x5" transparency.
Subseries 6: Tapestries
1971-1976
Language of Material: English.
Scope and Content
This subseries includes photographs of tapestries made by Wayne.
box 150, folder 49
Cartoons
undated
Scope and Content
5 8x10" negatives, 1 8x10" contact sheet, 1 5x7" photograph, 36 3.5x4.25" photographs, 8 2x3" negatives, 1 2.25x2" color print.
box 151, folder 50
Tapestries installed at 1108 Tamarind Avenue
circa 1976
Scope and Content
6 2x3" color negatives. Works included in this folder are the tapestries: At Last a Thousand, Cinquieme Vague, Lame de Choc,
Onde en Folie, Col Noir, Grand Vague (Bleue).
box 150, folder 50
At Last a Thousand
1971
Scope and Content
2 8x10" photographs, 1 8x10" contact sheet, 2 detail photographs, 1 4x5" negative, 1 4x5" photograph, 12 3.5x4.25" photographs,
4 2x3" transparencies, 4 2x3" negatives, 1 bookplate negative.
box 150, folder 52
Col Noir
1976
Scope and Content
1 8x10" negative, 2 8x10" photographs, 1 4.5x5" photograph, 1 2x3" color negative.
box 150, folder 53
La Cible (The Target)
1971
Scope and Content
1 8x10" negative, 1 8x10" photograph, 1 8x10" contact sheet, 2 4x5" negatives, 1 4x5" transparency, 11 3.5x4.25" photographs,
1 2x3" transparency.
box 150, folder 54
Cinquieme Vague (Fifth Wave)
1971
Scope and Content
1 8x10" negative, 3 8x10" photographs, 3 transparencies, 1 4x5" negative, 3 2x3" color negatives, 1 bookplate.
box 150, folder 55
Grand Vague (Bleue)
1976
Scope and Content
2 8x10" negatives, 1 8x10" transparency, 2 8x10" photographs, 1 4x5" transparency, 1 2x3" color negative, 1 2x3" transparency,
1 2x3" photograph.
box 151, folder 1
Grand Vague (Noire)
1976
Scope and Content
1 8 x 10" negative print, 2 6 x 9" photographs, 1 5 x 7" photograph, 1 trimmed color photograph, 1 4 x 5" transparency.
box 151, folder 2
La Journee des Lemmings (Lemming's Day)
1971
Scope and Content
1 5 x 7" negative print, 4 5 x 7" photographs, 2 4 x 5" transparencies, 2 2.5 x 3" negative prints, 1 2 x 2" transparency,
2 2.5 x 3" photographs.
box 151, folder 3
Lame de Choc (Shock Wave)
1972
Scope and Content
2 8x10" negative prints, 2 8x10" photographs, 1 4 x 5" transparency on 8x10" sheet, 2 4 x 5" negative prints, 3 5x7" photographs,
1 4 x 5.75" photograph, 1 4 x 5" transparency, 5 3.25 x 4.25" photographs, 1 2.75 x 3" color negative print, 1 2 x 2" negative
print, 1 bookplate.
box 151, folder 4
On Verra
1972
Scope and Content
1 8 x 10" negative print, 3 8 x 10" photographs, 1 8 x 10" color contact sheet, 2 trimmed 4 x 5" transparencies.
box 151, folder 5
Onde en Folie
1972
Scope and Content
2 8 x 10" photographs, 1 5 x 7" photograph, 2 4 x 5" negative prints, 2 4 x 5" transparencies, 5 3.25 x 4.25" photographs,
1 2.75 x 3" color negative print, 1 2.75 x 3" photograph. Photographs include images of the cartoon for On Verra.
box 151, folder 6
Verdict
1973
Scope and Content
1 8 x 10" negative print, 2 8 x 10" transparencies, 1 8 x 10" photograph, 1 6 x 9.5" photograph, 1 4 x 5" negative print,
1 4 x 5" transparency, 4 2.75 x 3" transparencies, 1 1.5 x 2.75" transparency.
box 151, folder 7
Visa
1972
Scope and Content
1 8 x 10" negative print, 2 8 x 10" photographs, 1 5 x 7" photograph, 1 4 x 5" negative print, 3 2.75 x 3" color negative
prints, 2 2.75 x 3" transparencies.
box 151, folder 8
White Visa
1972
Scope and Content
2 5 x 7" photographs.
Subseries 7: Digital Files
undated
Language of Material: English.
Scope and Content
This subseries includes CDs and DVDs that contain images of Wayne's art works.
Physical Characteristics and Technical Requirements
Special equipment or further processing may be required for viewing. To access digital materials you must notify the reference
desk in advance of your visit.
box 151, folder 9
Compact discs with JPEGS
undated
Language of Material: English.
Scope and Content
7 compact discs, 12 contact sheets.
Series 13: Writings and Public Speaking
undated
Language of Material: English.
Processing Information
This addition was processed in July 2012 by Jasmine Jones for the Center for Primary Research and Training with assistance
by Jillian Cuellar.
Organization and Arrangement
This series has kept its original order, devised by Wayne.
Scope and Content
This series includes drafts and reprints of articles, speeches, and essays written by Wayne. Also included are short stories
Wayne had written early in her career as an artist, as well as transcripts of interviews given by Wayne, one of which is most
notably the transcripts of a UCLA oral history interview.
box 194, folder 1
Inventory of Essays and Drafts
undated
box 194, folder 2
Early Drafts -- Various Topics for Possible Use
2001-2006
box 194, folder 3
1996, 1998 and 2010 Versions of Various Articles
1996-12008
box 194, folder 4
Miscellaneous Data and Clippings
1992-1997
box 185, folder 3
Obituaries -- New York Times and Los Angeles Times
1996-1997
box 185, folder 4
Ideas for Articles
undated
box 194, folder 5
Letter about Clinton Adams -- Rough Draft
2002
box 194, folder 6
Shaping a Life -- Rough Drafts
2000
box 194, folder 7
Shaping a Life -- Rutgers University
2000
box 194, folder 8
The Silent Spring of the Arts
1995
box 194, folder 9
The Male Artist as Stereotypical Female -- Edits and Drafts
undated
box 194, folder 10
The Male Artist as Stereotypical Female -- Possible Edit
1989 December
box 194, folder 11
The Creative Process -- Possible Edit
undated
box 194, folder 12
The Creative Process -- Third Version
1976
box 194, folder 13
Edits to "The Creative Process" and "The Male Artist as a Stereotypical Female" -- Made by Alicia
1998
box 195, folder 1
Archives of American Art -- Paul Cummings Interview of June Wayne
1970 August 4
box 195, folder 2
Archives of American Art -- Paul Cummings Interview of June Wayne
1981
box 195, folder 3
Archives of American Art -- Photos for Cummings Interview
1948-1992
box 195, folder 4
Archives of American Art -- Cummings Interview (Re-edited)
1994-1996
box 195, folder 5
You and Modern Art -- Script for Recording, Session 9
circa 1953
box 195, folder 7
Foundation Gamesmanship
1966 May 21-22
box 195, folder 8
The Art of Selling Art
1966 September 7-9
box 195, folder 9
New Careers in the Arts -- Final and Edits
1966 October 15
box 195, folder 10
Livre de Luxe
1967 March 7
box 195, folder 11
Livre de Luxe Manuscript
1967 April
box 195, folder 12
Transcript of Back Stage at Royce
1968
box 195, folder 13
Notes for Speech at University of Iowa, Iowa City
1970 February 10
box 195, folder 14
Forwards for Tamarind Publications
1972
box 195, folder 15
Los Angeles Times Piece for Henry Seldis
1972
box 195, folder 16
"June Wayne" by Stephen Longstreet
1974
box 195, folder 17
Learn to Say Goodbye
1974 December 27
box 195, folder 18
Speech on Oral History for ARLIS - CAA
1978
box 195, folder 19
CAA Convocation Speech
1990 February 16
box 195, folder 20
The View from Inside
1984
box 195, folder 21
The View from Inside
1985
box 195, folder 22
25th Anniversary of Tamarind: Lecture at UCLA
1984 December 2
box 195, folder 23
Hard Choices: Making Art in 1986
1986 October
box 195, folder 24
Sensuality and the Visual Arts: Purity, Pleasure or Prurience?
circa 1987
box 195, folder 25
Goodbye Lousie -- Finished Edit
1988
box 195, folder 26
Leonardo da Vinci Research
undated
box 196, folder 1
Broken Stones and Whooping Cranes -- Original Version of Article
1989-1990
box 196, folder 2
Broken Stones and Whooping Cranes -- Early Version of Article
1989
box 196, folder 3
Broken Stones and Whooping Cranes -- Delivered at Print Council of Australia
1989 March 25
box 196, folder 4
Broken Stones and Whooping Cranes -- Delivered at Tamarind Print Symposium
1990 June
box 196, folder 5
Broken Stones and Whooping Cranes -- Delivered at Grunwald Center, 35th Anniversary
1991 September 29
box 196, folder 6
Broken Stones and Whooping Cranes -- Delivered at Gonzaga University
1993 April 15
box 196, folder 7
Broken Stones and Whooping Cranes
1989
box 196, folder 8
Introduction to a Tamarind History Show
1985
box 196, folder 9
Atlanta Doctorate Acceptance Speech
1988 May 13
box 196, folder 10
Between the Last Word and the First Blow -- Drafts
1990 November 2
box 196, folder 11
Review of "Ruth Weisberg: Prints. Mid-Life Catalogue Raisonne"
1991 April
box 196, folder 12
Walking Backwards in the 21st Century -- 3 Versions
1991
box 196, folder 13
The Artist and the Two-Faced Clock -- Graduation Speech at Pennsylvania Academy of the Arts
1991 May
box 196, folder 14
Speech at Gonzaga University
1993
box 196, folder 15
Generations of Mentors -- Speech at Fresno Art Museum
1994
box 196, folder 16
Tamarind Publications Written by June Wayne
undated
box 197, folder 1
Genetic Code Research Material
undated
box 197, folder 2
Research on Scrolls: Metal Bars, Glues, Canvas
undated
box 197, folder 3
Preparing Manuscripts
undated
box 197, folder 4
Research on Lemmings
undated
box 197, folder 5
Research on Creative Process
undated
box 197, folder 6
The Creative Process -- Drafts
1975-1976
box 197, folder 7
The Creative Process -- Corrected
1975
box 197, folder 8
The Creative Process -- Draft Sent to Jehanne Teilhut
1976 February 4
box 197, folder 9
The Creative Process -- Drafts of Forward
1998
box 197, folder 10
Do Not Go Gentle, Van Gogh -- Speech at University of Iowa
1970 February 10
box 197, folder 11
KPFK Interview Transcript -- Pasadena Museum Opening
undated
box 197, folder 12
Notes on Artists and Feminine Sterotypes
undated
box 197, folder 13
Articles by Alexander Franz on Psychoanalysis and Art
undated
box 197, folder 14
Drafts of a Speech About Artists and Curators
undated
box 197, folder 15
Notes on Weaving the Tapestries in France
undated
box 197, folder 16
Notes on Creativity
undated
box 197, folder 17
Research on Creativity
undated
box 198, folder 1
Research on Creativity
undated
box 198, folder 2
Whose Obit is it Anyhow?
1996-1997
box 198, folder 3
Memorial to Maurice Bloch
1990 January 26
box 198, folder 4
Memorial for Ebria Feinblatt
1990 September 9
box 198, folder 5
On the Death of Joyce Treiman
1991
box 198, folder 7
WGN Radio Scripts
1942-1943
box 198, folder 9
Music that Endures: Radio Program
1943 March 31
box 198, folder 10
Pickel Pronounced Pickell
1942
box 198, folder 12
Siegfried with a Tic -- Short Story
1942
box 198, folder 14
Manuscripts by Harold Jacobsen
1949
box 198, folder 15
Rapture and the Bends Files
undated
box 198, folder 16
Rapture and the Bends Proposal
undated
box 198, folder 17
Rapture and the Bends Draft
undated
box 185, folder 5
Research Materials -- Rapture of the Deep
1996
box 198, folder 18
The Arts and the Sound Bite that Kills
1990
box 199, folder 1
Avant Garde Mindset in the Artist's Studio -- Drafts
1985-1987
box 199, folder 2
Avant Garde Mindset in the Artist's Studio
1985
box 199, folder 3
Virtual Reality and "The Big One"
1984
box 185, folder 6
Senefelder Drafts
1970-1998
box 199, folder 4
Senefelder Drafts
1998 October 8
box 199, folder 5
Senefelder in Silicon Valley
1997 January 27
box 199, folder 6
Senefelder in Silicon Valley -- Cal State Long Beach
1998 July 8
box 199, folder 7
What's All this Kissing at my Vernissage?
1999
box 199, folder 8
Walking Backward into the 21st Century
1992
box 199, folder 9
Inside the Outside: An Artist's New Deal Heritage
1987
box 199, folder 10
Inside the Outside -- Notes for Speech at Hillsdale College
1988 December 16
box 199, folder 13
Leonardo and I
1988 March 28
box 200, folder 1
June Wayne Bibliography
199 January
box 200, folder 2
June Wayne Bibliography
2000 June
box 200, folder 3
UCLA Oral History I
1976-1991
box 200, folder 4
UCLA Oral History II
1976 January 21
box 200, folder 5
UCLA Oral History III
1976 January 28
box 200, folder 6
UCLA Oral History IV
1976 February 4
box 200, folder 7
UCLA Oral History V
1976 February 11
box 200, folder 8
UCLA Oral History VI
1976 February 16
box 200, folder 9
UCLA Oral History VII
1976 March 3
box 200, folder 10
UCLA Oral History VIII
1976 March 9
box 200, folder 11
UCLA Oral History IX
1976 March 31
box 200, folder 12
UCLA Oral History X
1976 April 9
box 200, folder 13
UCLA Oral History Restricted Pages
1976-1982
