INVENTORY OF THE LEO STEINBERG RESEARCH PAPERS, 1945-1996, bulk 1950-1993

Series I. Borromini research, 1953-1993 bulk 1953-1960

Physical Description: 2 lin. ft.

Scope and Content Note

Series contains research notes and photographs accumulated by Steinberg for his dissertation on Francesco Borromini, written 1958/1959. Primary sites described include S. Carlino, S. Agnese, S. Ivo, Palazzo Falconieri and Palazzo Spada. This series also includes correspondence with Rudolf Wittkower and Erwin Hainisch; lecture given at the Metropolitan Museum of Art, New York, and Harvard; articles by Paolo Portoghesi; and original typescript of the dissertation.

Box 1, Folder 1

S. Carlino - Albertina drawings & non-Albertina drawings

Scope and Content Note

3 pp ltr (July 1993) from Steinberg to Kevin Salatino (curator, Getty Research Library) explaining items in this file; 2 sets of numbered registers for Albertina's Borromini drawings, re-constructed by Steinberg in the course of his research; notes, many with drawings, including notes made by Margot Scolari (Daisy) Barr at the Albertina for Steinberg Ca. 60 items

Box 1, Folder 2

Correspondence with Wittkower, ca. 1960-1967

Scope and Content Note

1 explanatory note from Steinberg (dated June 1993); 6 letters between Steinberg and Wittkower; 8 pp. "Appendix IV: Borromini and Stoicism" (by Wittkower?), with pencil annotations by Steinberg

Box 1, Folder 3

Correspondence with Albertina, 7 ltrs, 1960-1961, 1976-1977 77

Scope and Content Note

Ltrs between Steinberg and Erwin Hainisch regarding access to Borromini drawings at the Albertina (1960-1961); later correspondence regarding reproduction rights (1976-1977)

Box 1, Folder 4

Wolfgang Lotz comments on Steinberg's dissertation, 2 sheets, n.d.

Box 1, Folder 5

S. Carlino - interior, excluding dome and conches photographs

Scope and Content Note

ca. 30 items

Box 1, Folder 6

S. Carlino - dome pattern

Scope and Content Note

34 photographs, some negatives, notes, some printed material

Box 1, Folder 7

S. Carlino - diagram, drawings notes, drawings, photographs

Scope and Content Note

ca. 60 items

Box 1, Folder 8

S. Carlino - vedute

Scope and Content Note

notes, some correspondence regarding obtaining photographs, photographs, printed material, ca. 25 items

Box 1, Folder 9

S. Carlino - crypt and cloister

Scope and Content Note

photographs with some annotations, ca. 13 items

Box 1, Folder 10

S. Carlino - exterior

Scope and Content Note

photographs, 21 items

Box 1, Folder 11

S. Carlino - inverted volutes

Scope and Content Note

notes, photographs, printed material, negatives, ca. 12 items

Box 1, Folder 12

S. Carlino - Introduction

Scope and Content Note

handwritten notes, ca. 15 items

Box 1, Folder 13

S. Carlino - photographs of drawings

Scope and Content Note

Berlin, 30 photographs from Kunstbibliothek, plus handwritten inventory list with negative nos.

Box 1, Folder 14

S. Carlino - miscellaneous

Scope and Content Note

notes, 1 letter, copies of drawings, ca. 12 items

Box 1, Folder 15

S. Carlino - miscellaneous

Scope and Content Note

printed material, photographs, notes, ca. 15 items

Box 2, Folder 1

S. Carlino - miscellaneous notes

Scope and Content Note

handwritten notes, ca. 30 items

Box 2, Folder 2

S. Carlino - miscellaneous notes & drawings

Scope and Content Note

notes, drawings, 1 letter, ca. 20 items

Box 2, Folder 3

S. Carlino - miscellaneous "new matter to consider"

Scope and Content Note

notes, some typed, ca. 30 items

Box 2, Folder 4

Bernini-Borromini lectures, 1960

Scope and Content Note

7 typed lectures, with annotations, given at the Metropolitan Museum of Art, NY, and Harvard, Spring 1960

Box 2, Folder 5

San Carlino lecture, 1960

Scope and Content Note

handwritten notes ("to recast & condense S. Carlo lecture") & typed annotated lecture given at the Met and Harvard, Spring 1960

Box 2, Folder 6

Borromini - not S. Carlino, notes

Scope and Content Note

2 small notebooks, 1 bundle of loose notes

Box 2, Folder 7

S. Maria dei Sette Dolori

Scope and Content Note

notes, drawings, annotated photographs, ca. 25 items

Box 2, Folder 8

S. Agnese / Palazzo Pamphili

Scope and Content Note

notes, drawings, photographs, ca. 15 items

Box 2, Folder 9

Lateran

Scope and Content Note

notes, printed material, drawings, photographs, ca. 60 items

Box 2, Folder 10

Oratorio

Scope and Content Note

notes, drawings, photographs, ca. 80 items

Box 2, Folder 11

S. Ivo - text

Scope and Content Note

notes, drawings, photographs, some printed material, ca. 60 items

Box 2, Folder 12

S. Ivo - notes

Scope and Content Note

notes in several small bundles, 7 letters with Konrad Hoffman, 1962, ca. 30 items

Box 2, Folder 13

S. Ivo - photographs

Scope and Content Note

20 items

Box 3, Folder 1

Propaganda Fide

Scope and Content Note

photographs and notes, drawings, ca. 30 items

Box 3, Folder 2

Articles by P. Portoghesi, 1953-1956, 1958

Scope and Content Note

9 issues or parts of issues of Quaderni dell 'architettura, with articles by Paolo Portoghesi; 3 offprints by Portoghesi on Borromini

Box 3, Folder 3

P. Portoghesi World encyclopedia article on Borromini

Scope and Content Note

typescript (translated into English), ca. 25 pp.

Box 3, Folder 4

Borromini drawings, miscellaneous & "destination uncertain"

Scope and Content Note

16 photographs, some heavily annotated

Box 3, Folder 5

Palazzo Spada

Scope and Content Note

18 photographs, 2 drawings (1 ink drawing on tracing paper)

Box 3, Folder 6

Palazzo Carpegna

Scope and Content Note

7 p of notes with drawings, 1 photograph

Box 3, Folder 7

Falconieri - Palazzo a villa

Scope and Content Note

12 photographs of building, and drawings, some with annotations; 4 pp of notes

Box 3, Folder 8

Kate Ganz paper regarding Falconieri ceilings, 1968

Scope and Content Note

written for Wittkower, with a note from Ganz to Steinberg

Box 3, Folder 9

S. Sabina - cell of St. Dominic

Scope and Content Note

notes, 1 photograph, 5 items

Box 3, Folder 10

S. Giovanni in Oleo

Scope and Content Note

5 sheets of notes with drawings, 4 photographs

Box 3, Folder 11

S. Lucia in Selci

Scope and Content Note

7 sheets of notes, 6 photographs

Box 3, Folder 12

Palazzo Giustiniani

Scope and Content Note

5 sheets of notes, 1 offprint, 1 photograph

Box 3, Folder 13

Biblioteca Angelica

Scope and Content Note

1 drawing, 1 photograph of interior

Box 3, Folder 14

miscellaneous photographs

Scope and Content Note

5 photographs mounted on 3 boards, various buildings.

Box 3, Folder 15

S. Giovanni dei Florentino - Falconieri chapel

Scope and Content Note

4 sheets of notes

Box 3-4

Dissertation - original typescript as photographed & republished by Garland, 1977

Scope and Content Note

Dissertation written 1958-1959, NYU, S. Carlo alle quattro Fontane

Box 3, Folder 16

pp. 1-122

Box 4, Folder 1

as above, pp. 123-264

Box 4, Folder 2

pp. 265-379

Box 4, Folder 3

pp. 280-483

Series II. Rodin research, 1962-1977

Physical Description: 2 lin. ft.

Scope and Content Note

Series contains photographs, clippings, and notes for Steinberg's essay "Rodin: Sculptures and Drawings," published as introduction to an exhibition catalog for the Charles E. Slatkin Galleries, NY, May, 1963 and in Other Criteria. Most of the photographs are by Farrell Grehan.

Box 4, Folder 4

Rodin groups

Scope and Content Note

ca. 10 photographs, printed material, some notes, ca. 15 items

Box 4, Folder 5

Rodin - abstracts and clippings

Scope and Content Note

ca. 16 pp. notes & a few printed materials, mostly articles

Box 4, Folder 6

Rodin correspondence, 1962-1963, 1971

Scope and Content Note

with Charles Slatkin of Charles Slatkin, Inc. Galleries, NY: 13 letters, most regarding Rodin exhibit

Box 4, Folder 7

Rodin notes, miscellaneous

Scope and Content Note

ca. 25 items

Box 4, Folder 8

Rodin - Esen notes & correspondence, 1962-1963, 1971, 1977

Scope and Content Note

8 letters with Albert Esen; Esen 2 pp typed notes regarding Steinberg essay on Rodin (publ. 1962) with Steinberg annotations; notes, ca. 25 items

Box 4, Folder 9

Rodin - on working stone

Scope and Content Note

notes and parts of draft essay, 11 sheets

Box 4, Folder 10

Rodin - unused notes, 1962, 1969, 1971

Scope and Content Note

notes, with drawings, ca. 50 pp.

Box 4, Folder 11

Rodin - Durig estate - fakes, 1969

Scope and Content Note

4 letters (1969): 3 regarding Durig estate of 154 drawings, presumably by Rodin, on which Steinberg gave an assessment; 1 letter from unidentified collector regarding a "Rodin" watercolor; photographs, notes, printed material, ca. 50 items

Box 5, Folder 1-2

Rodin - miscellaneous photographs and clippings I

Scope and Content Note

ca. 80 items

Box 5, Folder 3

Rodin - miscellaneous photographs and clippings II

Scope and Content Note

ca. 15 items

Box 5, Folder 4

Rodin - miscellaneous photographs and clippings III

Scope and Content Note

ca. 30 items

Box 5, Folder 5

Rodin - gates and related works (1880-1885?)

Scope and Content Note

photographs and clippings, 10 items

Box 5, Folder 6

Rodin - broken nose

Scope and Content Note

photographs and notes regarding man with broken nose sculpture, 5 items

Box 5, Folder 7

Balzac

Scope and Content Note

5 photographs

Box 5, Folder 8

Rodin afterlife

Scope and Content Note

notes, most regarding influence of Rodin on later artists, 4 items

Box 5, Folder 9

Rodin Q

Scope and Content Note

notes & printed material regarding Rodin's sources, ca. 30 items

Box 5, Folder 10

Rodin figures, 183-232

Scope and Content Note

photographs, most marked for publication, ca. 30 items

Box 5, Folder 11

Rodin figures, 233 ff

Scope and Content Note

photographs, 22 items

Box 5, Folder 12

Burghers of Calais

Scope and Content Note

photographs, notes, clippings, ca. 40 items

Box 5, Folder 13

Rodin - miscellaneous photographs

Scope and Content Note

ca. 30 photographs, with some printed material (include clipping regarding Ernst Durig estate) and notes

Box 5, Folder 14

Rodin hands

Scope and Content Note

photographs, negatives, ca. 15 items

Box 5, Folder 15

Rodin - Farrell Grehan photographs

Scope and Content Note

27 photographs & 1 letter from Steinberg to Grehan

Box 5, Folder 16

Rodin - Farrell Grehan photographs

Scope and Content Note

10 items

Box *6

Rodin oversize photographs

Scope and Content Note

9 photographs, 8 mounted, all by Farrell Grehan

Series III. Titian research, 1965-1986

Physical Description: 1 lin. ft.

Scope and Content Note

Series contains notes, drawings and photographs for Steinberg's lecture at the Metropolitan Museum of Art (New York) on Titian's Presentation of the Virgin; also typescript of David Rosand's article on Titian.

Box 7, Folder 1

Titian's Presentation of the Virgin

Scope and Content Note

ca. 30 photographs, some printed material, notes with drawings

Box 7, Folder 2

Titian's Presentation - David Rosand, 1973

Scope and Content Note

1 4 pp letter from Steinberg to David Rosand (June 1973) regarding Steinberg contributing a paragraph to Rosand article; copies of Rostand's articles; ca. 60 page typescript of Rostand essay, "Lux Mundi" (regarding Titian's Presentation)

Box 7, Folder 3

Titian - La Veccia - notes

Scope and Content Note

9 pp of notes

Box 7, Folder 4

Tiziano

Scope and Content Note

spiral bound notebook of notes, with drawings (some notes in a hand not Steinberg's)

Box 7, Folder 5

Robert Torchia paper on Titian's Presentation

Scope and Content Note

typescript, with some annotations by Steinberg, dated May 1986 (Torchia a graduate student at University of Pennsylvania)

Box 7, Folder 6

Titian lecture, Metropolitan Museum of Art, 1965

Scope and Content Note

lecture and outline, typescripts with annotations, ca. 35 pp.

Box 8

Titian's Presentation; notes

Scope and Content Note

on index cards and small note paper

Series IV. Correspondence and lectures, 1952-1995

Physical Description: 1.5 lin. ft.

Scope and Content Note

Series contains correspondence about lecture series presented by Steinberg at the Metropolitan and elsewhere. Correspondents include Gerson Cohen, Rene d'Harnoncourt, John Canaday, Margaret Scolari Barr, André Chastel, Julius Held, H.S. Janson, Irving Lavin, Annette Michelson and Phil Leider. Correspondence with Hilton Kramer concerns Steinberg's column in Arts. Many letters are in response to Steinberg's lecture, "Sexuality of Christ in Renaissance Art and in Modern Oblivion." An offprint of his essay, "Eve's Idle Hand," published in Art Journal 1975/1976 is included along with student papers based on the essay.

Box 9, Folder 1

Letters regarding lectures (excluding Metropolitan Museum of Art), 1952-1973

Scope and Content Note

34 items; includes letter from Steinberg to Gerson Cohen (1970 Nov 16) from the Institute for Advanced Studies in the Humanities about giving a lecture series. Correspondents include Rene d'Harnoncourt, John Canaday and Gerson Cohen.

Box 9, Folder 2

Letters regarding lectures at Metropolitan Museum of Art, 1957-1960

Scope and Content Note

54 items

Box 9, Folder 3

Letters regarding publications and articles, 1955, 1961-1986

Scope and Content Note

6 items; includes entry for Steinberg in Who's Who in World Jewry 1955.

Box 9, Folder 4

Correspondence with Hilton Kramer, 1955-1979

Scope and Content Note

9 items; regarding column Steinberg wrote for Arts magazine (1955-1960); with later explanatory comments from Steinberg (Dec 1996); includes letter from Annette Michelson (1979 Oct 22) about article she wrote as editor for October

Box 9, Folder 5

Letters regarding column in Arts, 1953-1960

Scope and Content Note

24 items; includes letter from Josef Albers (1956 Apr 30) and letter regarding CAA annual Frank J. Mather Award given to Steinberg, 1958.

Box 9, Folder 6

Articles regarding essay on Jasper Johns, 1975-1996

Scope and Content Note

8 items; with later explanatory comments by Steinberg (Dec 1996) about corrections to the literature; includes correspondence with German critic, Willi Bongard.

Box 9, Folder 7

Letters from scholars, 1958-1992

Scope and Content Note

16 items; includes letters from Margaret Scolari Barr, André Chastel, Julius Held, H.W. Janson, Irving Lavin and Phil Leider.

Box 9, Folder 8

"Sexuality of Christ" Lionel Trilling lecture, 1981 Nov 19

Scope and Content Note

34 items; includes correspondence with proposal for the lecture and followed by letters about the lecture: "Sexuality of Christ in Renaissance Art and in Modern Oblivion."

Box 9, Folder 9

Subsequent lectures based on Sexuality of Christ..., 1982-1983

Scope and Content Note

32 items; correspondence about lectures Steinberg gave in Washington DC, Philadelphia, New York Hospital, Yale and Northwestern University.

Box 9, Folder 10

Paper by Helena Schulz-Keil, 1986

Scope and Content Note

Paper written in response to "Sexuality of Christ...", includes letter from Schulz-Keil.

Box 9, Folder 11

Bowdoin College commencement address, and memorial tribute to Albert Elsen, 1995

Scope and Content Note

2 items; Steinberg received honorary Ph.D. at Bowdoin; Elsen tribute was published in College Art Association newsletter.

Box 9, Folder 12

Report on teaching art history, 1956

Scope and Content Note

report written for Parsons School of Design.

Box 9, Folder 13

Student paper: "Michelangelo's Victory," 1979

Scope and Content Note

3 items; includes Steinberg's edits on paper and 2 letters from student Maud Lavin.

Box 9, Folder 14

"Eve's Idle Hand," 1975-1976

Scope and Content Note

29 items; includes Steinberg offprint from Art Journal; correspondence with students; papers from Hunter College students based on Steinberg's essay.

Box 10

Reading and lecture notes on 17th century Italian painting, 1960

Scope and Content Note

ending with Sebastiano Mazzoni (Mazzoni lecture given at Metropolitan Museum of Art, 1960).

Series V. Publications: Manuscripts and Letters, 1962-1996

Physical Description: 1 lin. ft.

Scope and Content Note

Series contains correspondence, reviews, and versions of several of the essays included in Other Criteria. This series also contains a folder of clippings with citations for Steinberg's publications used by various authors, and an audio tape interview of Paul Brach by Clare Spark Loeb about Other Criteria.

Box 11, Folder 1

"The Algerian Women and Picasso at Large"

Scope and Content Note

penultimate version of essay published in Other Criteria, 1972. includes annotations, 71 pp.

Box 11, Folder 2

"Creation of Adam"

Scope and Content Note

early version of essay for Art Bulletin, (Dec 1992) with annotations; sections: Devil's Due, Rebel Angels and Creation.

Box 11, Folder 3

"Picasso's Sleepwatchers"

Scope and Content Note

essay as it appeared in Life Magazine, (1968 Dec 27); includes 15 letters from friends, published letters to the editors appearing in Life Magazine (1969 Jan 24) and article by critic, Hilton Kramer in The New York Times (1969 Jan 5). The essay was also published in Other Criteria.

Box 11, Folder 4

Other Criteria, 1971, 1976, 1978

Scope and Content Note

12 items; correspondence regarding permission for photo reproductions, fees and reprints of articles for the book of essays (1971, 1976, 1978).

Box 11, Folder 5

Other Criteria, 1962-1972

Scope and Content Note

33 items; correspondence about the essays, primarily before they were included in the book; includes letters from Al Elsen and 3 letters from Steinberg (bulk 1972).

Box 11, Folder 6

Other Criteria, 1973

Scope and Content Note

24 items; letters from friends regarding the book.

Box 11, Folder 7

Other Criteria, 1974-1996

Scope and Content Note

39 items; correspondence regarding the book includes 2 letters from Steinberg.

Box 11, Folder 8

Other Criteria, 1972

Scope and Content Note

14 items; pre-publication reviews.

Box 11, Folder 9

Other Criteria, 1972-1976

Scope and Content Note

61 items; published reviews.

Box 11, Folder 10

Other Criteria, 1972

Scope and Content Note

5 items; typescript transcript (10 pp) of Paul Brach (Dean of the School of Art at California Institute of the Arts) interview by Clare Spark-Loeb regarding Other Criteria (1972 Dec 12); includes 2 letters and 2 announcements.

Box 11, Folder 11

Clippings of citations

Scope and Content Note

28 items; citations by various authors of Steinberg essays and publications; annotations by Steinberg; many citations sent to Steinberg by his friend, Andrea Kirsch.

Box 12

Other Criteria, 1972

Scope and Content Note

audio tape of Paul Brach interview by Clare Spark-Loeb regarding Other Criteria.

Series VI. Abandoned dissertation, 1956

Physical Description: 0.5 lin. ft.

Scope and Content Note

Series contains research notes, illustrations and bibliographic notecards for Steinberg's abandoned dissertation project, "Afterlife of Romanesque." Files include first three chapters and research material for chapters IV and V.

Box 13, Folder 1

Dissertation project

Scope and Content Note

Abandoned dissertation, Afterlife of Romanesque, chapter I (1956 Oct 2); includes letter to Prof. Richard Krautheimer.

Box 13, Folder 2

Afterlife of Romanesque, chapter II

Box 13, Folder 3

Afterlife of Romanesque, chapter III

Box 13, Folder 4

Material for chapter IV and conclusions

Box 13, Folder 5

Material for chapter V, Romanesque in Northern Renaissance.

Box 13, Folder 6

Research notes from readings

Box 13, Folder 7

Illustrations with annotations

Scope and Content Note

7 sketches, 11 photoprints

Box 13, Folder 8

notes and comments on romanesque, gothic, renaissance and later

Box 13, Folder 9

old representations of romanesque

Box 13, Folder 10

Notes

Scope and Content Note

reliance on literary sources; surface thinking; anti-clericalism; antiquarian attitude; patriotic considerations; periodization and terminology.

Box 13, Folder 11

Notes

Scope and Content Note

Is romanesque a style or a transition only; romanesque architecture defined; internationalization; on romanesque (C17, C18).

Box 13, Folder 12

Notes

Scope and Content Note

conceptualization of romanesque (C19); Viollet-le-Duc; new material; book resumes (E. de Beer, M. Schapiro); oblivion of romanesque; destruction of romanesque.

Box 13, Folder 13

bibliographic notecards

Series VII. Course notes, 1950-1963

Physical Description: 4 lin. ft.

Scope and Content Note

Series contains notes taken by Steinberg for courses he attended as a student at the Institute of Fine Arts, NYU from 1950-1963. Most include illustrations and photographs. Professors include Erwin Panofsky, Herbert Weissberger, Charles Sterling, Karl Lehmann, Alfred Salmony, Harry Bober, Richard Krautheimer, Bates Lowry, Wolfgang Lotz, Robert Goldwater and Ernst Kitzinger.

Box 14, Folder 1

Course notebook, Fall 1952

Scope and Content Note

1st notebook from course audited by Steinberg, Early Netherlandish Painting, fall 1952, taught by Erwin Panofsky at Institute of Fine Arts, NYU.

Box 14, Folder 2

Course notebook, 1952-1953

Scope and Content Note

2nd notebook from course audited by Steinberg, Early Netherlandish Painting, lectures 8-14, 1952-53, taught by Erwin Panofsky, Institute of Fine Arts, NYU.

Box 14, Folder 3

Course notebook, Summer 1950

Scope and Content Note

with photographs from course audited by Steinberg, Islamic art, taught by Herbert Weissberger, NYU.

Box 14, Folder 4

Course notebook, Feb 1961

Scope and Content Note

from course audited by Steinberg as post-graduate student, 15th century French painting, taught by Charles Sterling.

Box 14, Folder 5

Course notebook, Feb 1961

Scope and Content Note

from course audited by Steinberg as post-graduate student, 17th century French painting, taught by Charles Sterling.

Box 15

Course notebook, Fall 1951

Scope and Content Note

and 1 folder of notes, with photographs, from course audited by Steinberg, Egyptian art, taught by Karl Lehmann, NYU.

Box 16

Two course notebooks, 1951

Scope and Content Note

with photographs and inserted notes from course audited by Steinberg, Art of the Stone Age, taught by Alfred Salmony, NYU.

Box 17

Course notebook, 1952

Scope and Content Note

with photographs from course audited by Steinberg, Arts of Japan, taught by Alfred Salmony, NYU.

Box 18

Course notebook, 1952, 1957

Scope and Content Note

with photographs from course Steinberg audited and took as a registered graduate student, Aegean Art, 1952 and 1957, taught by Karl Lehmann, NYU.

Box 19

Course notebook, 1955

Scope and Content Note

with photographs and inserted notes from course taken by Steinberg as a registered graduate student, Romanesque to Gothic, taught by Harry Bober, NYU.

Box 20

Course notebook and papers, 1955, 1960

Scope and Content Note

with photographs and inserted notes from course taken by Steinberg as a registered graduate student, 17th Century Architecture in France and England, 1955, taught by Richard Krautheimer, NYU; includes paper, Le Vau and Italian Architecture, May 16, 1960, the final assignment for Ph.D. qualification submitted by Steinberg following his dissertation defense.

Box 21

Course notebook, 1958

Scope and Content Note

with lecture and seminar notes taken by Steinberg when he was a graduate student, Early Renaissance Sculpture, 1957, taught by H.W. Janson; Funerary Sculpture, 1958, taught by Erwin Panofsky; Iconography of Architecture, 1958 taught by Richard Krautheimer and Bates Lowry, NYU.

Box 22

Course notebook, Summer 1956

Scope and Content Note

with inserted notes from course taken by Steinberg when he was a graduate student, Italian High and Late Renaissance Architecture, taught by Wolfgang Lotz, NYU.

Box 23

Course notebook, 1957

Scope and Content Note

with photographs and inserted notes from course taken by Steinberg when he was a graduate student, African and Oceanic Art, 1957, taught by Robert Goldwater, NYU.

Box 24

Course notebook and paper, 1950, 1957, 1958

Scope and Content Note

with lecture notes and photographs taken by Steinberg when he was an auditor and a registered graduate student, Byzantine Art in the Age of Justinian, 1958, taught by Ernst Kitzinger; Byzantine Architecture, 1957, taught by Richard Krautheimer; Byzantine Art, 1950, taught by Harry Bober, NYU; includes Steinberg paper, S. Marco of Venice as a Mid-Byzantine Church, 1958.

Box 25

Course notebook, 1958

Scope and Content Note

with photographs and inserted notes from course taken by Steinberg when he was a graduate student, Carolingian and Romanesque Architecture, taught by Richard Krautheimer, NYU.

Box 26

Course notebook, 1959

Scope and Content Note

with photographs and inserted notes from course taken by Steinberg when he was a graduate student, Late Antique Art, taught by Karl Lehmann, NYU.

Box 27

Course notebook and paper, 1957

Scope and Content Note

with photographs and inserted notes from course taken by Steinberg when he was a graduate student, Roman Architecture, 1957, taught by J.B. Ward Perkins, NYU; includes reading notes, final exam paper and one lecture, History of Rome from Early Christian Times, taught by Richard Krautheimer.

Box 28

Course notebook, 1963

Scope and Content Note

from course audited by Steinberg as a post-graduate student, Titian taught by Erwin Panofsky, NYU.

Container list