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Inventory of the Milton Raskin Papers, 1934-1985
ARCHIVES RASKIN 1  
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Collection Details
 
Table of contents What's This?
  • Descriptive Summary
  • Administrative Information
  • Biography

  • Descriptive Summary

    Title: Milton Raskin Papers,
    Date (inclusive): 1934-1985
    Collection number: ARCHIVES RASKIN 1
    Creator: Raskin, Milton
    Extent: Number of containers: 1 document box, 1 flat storage box, 3 cartons

    Linear feet: 4.0
    Repository: The Music Library
    Berkeley, California 94720-6000
    Shelf location: For current information on the location of these materials, please consult the Library's online catalog.
    Language: English.

    Administrative Information

    Provenance

    Donated by Randy Wilkinson, who obtained the collection via an auction.

    Access

    Collection is open for research.

    Publication Rights

    All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of the Music Library.

    Preferred Citation

    [Identification of item] Milton Raskin papers, ARCHIVES RASKIN 1, The Music Library, University of California, Berkeley.

    Biography

    Raskin, Milt(on William) (b Boston, 27 Jan 1916; d Los Angeles, 16 Oct 1977). Jazz pianist, conductor, and arranger. He studied at the New England Conservatory in the early 1930's, and by 1937 had moved to New York, where he performed with Wingy Manone and recorded with Ziggy Elman, whose Love is the sweetest thing (1939, Bb 10741) is a good example of his early style. He played in the big bands of Gene Krupa (1938-9, 1941-2), Teddy Powell (1939-40), Alvino Rey (1940), and Tommy Dorsey (1942-4), recording with all but Rey; he may be heard to advantage as a soloist on Dorsey's Well, Git it (1942, Vic. 27887). Raskin then moved to Los Angeles, where he recorded with Artie Shaw and Billie Holiday (both 1946), Woody Herman and Manone (both 1947), Sarah Vaughn (1951), Georgie Auld (1952), B.B. King (1959), Stan Kenton (1963, 1965), and others. He also worked as a music director, conductor, and arranger for studio orchestras and occasionally wrote lyrics for pop songs.



    -- The New Grove Dictionary of Jazz