Reel A-I
Aphoristisches.
Sprueche.
Einzelnes - ungeordnet.
Veröffentliche Aphorismen.
Aphorismen. 1930.
Aphorismen.
Aphorismen.
Vom Wesen der Kritik. 1892.
Zu den Diagrammen. 1927.
Kritik und Faelschung. 1918-1919.
Reel A-II
Kunst.
Kritisches.
Note
Zum Wesen der Kritik.
Beilaeufiges zu den eignen Werken.
In eigner Sache.
Tragikomoedie (Das Wort).
Scope and Content Note
Tragikomoedie (Das Wort); earlier version.
Reels B and C
Sprueche in Versen.
Aphoristisches.
Duell, Eherecht, Schluesselroman, Kindertragoedien, Schmutzliteratur.
Stoffe (9 different titles).
Kuenstler (one act).
Der Komoediant (one act).
Luisenhof (one act).
Die neue Szene (one act; fragment).
Landsknecht (first draft; first sketches; second sketch; 1904-1927).
Der Abenteurer.
Heimkehr (sketches for a three-act play).
Landsknecht (later sketches; 1927, 1930).
Die Saengerin (sketches for a three-act play).
Kritiken und dergleichen.
Reisebeschreibung (1874).
Liebelei (preliminary sketches and early versions).
Halb Zwei; dialogue (1891).
Early one-act plays. [1880-1883].
Scope and Content Note
Note
One-act plays (Halb Zwei; Die ueberspannte Person; Sylvesternacht).
Short stories (Das suesse Geheimnis; Das Portrait; Abendspaziergang).
Dramatic Fragments I.
Dramatic Fragments II.
Zug der Schatten (1930).
Zug der Schatten (1930).
Zug der Schatten (1930).
Reel C-II
Zug der Schatten (1930).
Zug der Schatten (1930).
Zug der Schatten (1930).
Zug der Schatten (1930).
Zug der Schatten (1930).
Zug der Schatten (1930).
Reel no.1
Ruf des Lebens; rejected material.
Der Sekundant; short story (Manuscript and various corrected versions).
Reel no.2
Roman; first version. 1928-29.
Roman; second version. 1930-31.
Novelette.
Oberstabsarzt; short story.
Namen; Plaene; Stoffe in Schlagworten.
Der Sekundant; short story (several versions).
School Essays.
Poems.
Briefe ueber das Diagramm (copies of letters related to this work, received by A.S. from various correspondents).
Note
Reel no.3
Briefe ueber das Diagramm (copies of letters related to this work, received by A.S. from various correspondents).
Note
Diagramm (Der Geist im Wort und der Geist in der Geist in der Tat).
Spiel im Morgengrauen; sketches for a film-script based on this short story.
Der junge Medardus; film-script.
Liebelei; film-script.
Hirtenfloete; film-script.
Die grosse Szene; film-script.
Schleier der Pierette; film-script.
Unsorted Fragments.
Medical Articles and notes.
Medical Articles and notes.
Note
Reel no.4
Medical Articles and notes (continued).
Familie; Tragicomedy (1892-93).
Vor der Welt; Comedy in five acts. (1878-80).
Aegidius; Tragedy (1879-80).
Aegidius; Manuscript.
Note
Reel no.5
Aegidius; Manuscript (continued).
Das Maerchen.
Anatol.
Alkandi's Lied (1889); Dramatic poem in one act.
Note
Im Reidhof; Im Redaktionslokal; Beim Regierungsrat; (one-act plays;).
Festspiel (1886).
Juvenilia.
Scope and Content Note
Note
Reel no.6
Juvenilia (continued).
Der einsame Weg; sketches (1901-03).
Der einsame Weg; earlier versions (1902-03).
Note
Reel no.7
Der einsame Weg; earlier versions continued.
Lebendige Stunden (1896).
Die Frau mit dem Dolch (1896).
Die letzten Masken; short story-version and play.
Literatur.
Reel no.8
Der Schleier der Beatrice; first sketches.
Note
Der Schleier der Beatrice.
Der Schleier der Beatrice.
Freiwild.
Freiwild; sketches.
Das Vermaechtnis; sketches.
Das Vermaechtnis.
Note
Reel no.9
Das Vermaechtnis (continued).
Marionetten.
Der gruene Kakadu; sketches.
Paracelsus.
Die Gefaehrtin.
Reel no.10
Der junge Medardus (1908).
Der junge Medardus; manuscript (1908).
Der junge Medardus; earlier versions (1902).
Scope and Content Note
Note
Reel no.11
Der junge Medardus; earlier versions (continued).
Der junge Medardus; Miscellanea.
Das weite Land, Acts 1-2 (1908).
Das weite Land, Acts 3-5 (1908).
Das weite Land.
Scope and Content Note
Comtesse Mizzi; fragments of corrected typescript.
Der Ruf des Lebens; various versions.
Der Ruf des Lebens; plans and variants.
Note
Reel no.12
Zwischenspiel; first version (1904).
Zwischenspiel; second version (1904).
Zwischenspiel; third version (n.d.).
Grosse Szene (1911).
Grosse Szene.
Scope and Content Note
Die Schwestern; sketches (1908-15).
Die Schwestern; proofs and Burg theater copy.
Note
Reel no.13
Die Schwestern (continued).
Verfueher; plans and sketches (1888-1915) for the play eventually called Komoedie der Verfuehrung.
Komoedie der Verfuehrung (1915).
Der Gang zum Weiher.
Der Gang zum Weiher; sketches and plans (1906-15).
Note
Reel no.14
Der Gang zum Weiher; sketches and plans (continued).
Der Gang zum Weiher; sections of the manuscript.
Fink und Filederbusch; plans and sketches (1913).
Fink und Filederbusch.
Scope and Content Note
Journalisten; plans and sketches (beginning 1890).
Fink und Fliederbusch (1914).
Professor Bernhardi.
Scope and Content Note
Reel no.15
Professor Bernhardi; corrected typescript with two versions of Act II.
Der Schleier der Pierette.
One-act plays (Halb Zwei; Die ueberspannte Person; Sylvesternacht Pantomime Die Verwandlungen des Pierrot: (1915); Alkandi's Lied; copies.
Die Quellen des Nil; one-act play (1898).
Die Gouvernante; one-act play (1900).
Das Haus Delorme; one-act play (1900).
Im Spiel der Sommerluefte; earlier versions.
Im Spiel der Sommerluefte (1928).
Note
Reel no.16
Im Spiel der Sommerluefte (continued).
Im Spiel der Sommerluefte; proofs, heavily corrected.
Der Weg ins Freie; first plans and sketches, beginning 1894.
Der Weg ins Freie; rejected passages.
Der Weg ins Freie; Varia.
Frau Beate und ihr Sohn (1909-10).
Frau Beate und ihr Sohn.
Casanovas Heimfahrt.
Fraeulein Else.
Note
Reel no.17
Fraeulein Else (continued).
Fraeulein Else.
Scope and Content Note
Die Frau des Richters; plans and sketches (1916-21).
Die Frau des Richters (1922).
Traumnovelle (1907) and (1922).
Short stories (Mein Freund Y; Der Andere; Der Witwer; Reichtum).
Der Ehrentag; short story (1887).
Reel no.18
Abschied (1895).
Die Toten schweigen (1897).
Die Frau des Weisen; early versions (1889, 1895).
Blumen; plan and manuscript (1893-94).
Die griechische Taenzerin; first version, (1902).
Sterben.
Leutnant Gustl (1900).
Daemmerseelen; Der blinde Geronimo; Frau Berta Garlan.
Die griechische Taenzerin; first version.
Early short stories; sketches (mostly those in vol.2 of Erazehleunde Werke).
Belastet; short story (1885-86).
Gabrelens Reue; short story (1887).
Frederigo; short story (1876).
Reel no.19
Die Geschichte von Amadeus dem Poeten (1877).
Akademische Herzen; short story (1876-77).
Akademische Herzen.
Therese.
Therese.
Reel no.20
Geschichte von einem greisen Dichter (1894).
Short stories (mostly published).
Short stories (mostly published).
Short stories; Fragments.
Die Naechste; short story (1899).
Die Naechste; short story (1899).
Spiel im Morgengrauen.
Spiel im Morgengrauen; manuscript continued and corrected typescript.
Note
Reel no.21
Spiel im Morgengrauen (continued).
Table of Contents for the Autobiography.
Notes on readings.
Notes on travels.
Notes on performances of plays by A.S., and further notes on readings.
Reading - notes to an memory.
Visits to theatre 1876-1900.
Visits to theatre 1901-?.
Die seltsame Umarmung; short story.
Der Literat; plans and sketches (1910-12).
Der letzte Brief eines Literaten und ein Nachwort; short story (1917) and fair copies.
Notebooks.
Die Moerderin; one-act play.
Reel no.22
Die Gleitenden; one-act play.
Das Wort; play in five acts (1927).
Wahn (Flucht in die Finsternis); plans and sketches.
Wahn; various corrected typescripts.
Flucht in die Finsternis; earlier version.
Komoediantin (1910).
Komoediantin (1912).
Geschwister; plan and manuscript.
Reprints in periodicals.
Juvenilia.
Reel no.23
One-act plays; typescripts Halb Zwei, Die überzpannte Person, Anatols Grössenwahn, Die Morderin.
Und einmal wird der Friede wiederkommen.
Parabeln.
Dramatic material.
Varia.
Aphorisms on art.
Der gruene Kakadu; Burgtheater-copy.
Der junge Medardus; Burgtheater copy, with cuts and corrections in Schnitzler's own hand.
Reel no.23A
Bibliography of editions, made by Schnitzler himself.
Bibliography by O.P. Schinnerer (Columbia University).
Works on Schnitzler - English.
Works on Schnitzler - German.
English translations.
Note
Reel no.24
French translations (continued).
Italian translations.
Hungarian translations; various personal papers.
Letters
Letters no.1-20.
Scope and Content Note
Letters no.21-28.
Scope and Content Note
Reel no.25
Letters no.29-41.
Scope and Content Note
Letters no.42-55.
Scope and Content Note
Reel no.26
Letters no.56-72.
Scope and Content Note
Letters no.73-97.
Scope and Content Note
Correspondence between Arthur Schnitzler and Hermann Bahr.
Scope and Content Note
Letters no.98-105.
Scope and Content Note
Reel no.27
Letters no.106-118.
Scope and Content Note
Correspondence between Arthur Schnitzler and Richard Beer-Hofmann (beginning).
Reel no.28
Correspondence between A.S. and Richard Beer-Hofmann (continued); (Schnitzler's letters in typescript copies; Beer-Hofmann's letters in manuscript).
Correspondence between Arthur Schnitzler and Otto Brahm (beginning).
Reel no.29
Correspondence between A.S. and Otto Brahm (continued); (Schnitzler's letters in typescript copies; Brahm's letters in Manuscript and in typescript copies).
Correspondence between Arthur Schnitzler and Georg Brandes (Schnitzler's letters in typescript copies; Brandes' letters in manuscript and in typescript copies).
Correspondence between Arthur Schnitzler and Hugo von Hofmannsthal (beginning).
Reel no.30
Correspondence between A.S. and Hugo von Hofmannsthal (continued).
Scope and Content Note
Letters of S. Fischer Verlag to Schnitzler. 1888-1915 (beginning).
Reel no.31
Letters of S. Fischer Verlag to Schnitzler. 1915 (continued).
Letters of S. Fischer Verlag to Schnitzler. 1916-1925 (beginning).
Reel no.32
Letters of S. Fischer Verlag to Schnitzler. 1925 (continued).
Letters of S. Fischer Verlag to Schnitzler. 1926-1931.
Letters of Arthur Schnitzler to S. Fischer Verlag. 1903-1931.
Reel no.33
Miscellaneous letters.
Scope and Content Note
Theatre Correspondence.
Scope and Content Note
Correspondence between A.S. and Gustav Schwarzkopf (beginning).
Reel no.34
Correspondence between A.S. and Gustav Schwarzkopf (continued); Letters by Hugo von Hofmannsthal to Gustav Schwarzkopf.
Letters of Jakob Wassermann to Arthur Schnitzler.
Letters of Felix Salten to Arthur Schnitzler.
Reel no.35
Schnitzler, Arthur 1862-1931. Letters to Theodor Herzl. v.p. 1892-1901.
Note
Reel no.36
---Letters to Georg Brandes. v.p. v.d. From the Royal Library, Copenhagen.
Reel no.37
---Letters to Otto Brahm. v.p. v.d. File Jj:7(1) University Library, Cambridge.
Reel no.38
---Letters to Hugo von Hofmannsthal. v.p. v.d. File Kk:43(1) University Library, Cambridge.
Reel no.39
Polsterer, Susanne M, 1924- . Die Darstellung der Frau in A. Schnitzlers Dramen. Dissertation zur Erlangung des Doktorgrades Fakultat der Universtat Wien. Eingereicht von Susanne M. Polsterer. Wien. 1949.
Note
Reel no.40
Weiss, Robert Otto/ Death in the works of Arthur Schnitzler. A[n MA] thesis presented to the Faculty of the Department of Germanic Languages, University of Missouri, [Columbia] University of Missouri. 1951.
Reel no.41
--- A study of Arthur Schnitzler (with special consideration of the problem of psychosis in Flight into darkness). Ann Arbor, University Microfilms, [1956]. Ph.D thesis - Stanford University. 1955.
Reel no.42
Labeled File:177 (#35).
5 Reels - Not Numbered
1st reel labeled Files no.32 & 22 (?) POSITIVE MICROFILM.
2nd reel labeled Files no. 212, 216 & 218. Biographies of various correspondents: Felix Salten - Franz Werfel. Positive Microfilm.
3rd reel labeled Gedichte. Einfalle zu gedichten. POSITIVE MICROFILM.
4th reel labeled File 71. Early one-act plays. POSITIVE MICROFILM.
5th reel labeled Short biographies of AS's correspondents. (???) POSITIVE MICROFILM.