George Jenkins papers, 1946-1984.
Restrictions on Use and Reproduction
Subjects and Indexing Terms
1776 (1972)
Cast of characters and rehearsal schedule.
Final shooting script number two, June 18, 1971, 138 p.
Final shooting script number two, June 28, 1971, 151 p.
List of hardware from ACME Company, plus one photograph.
Research from Knotts Farm.
Stair tower and second floor woodwork, color samples and photographs.
Declaration of Independence facsimile, plus photographs.
Original drawings with measurements of Independence Hall and notes.
Signs, notes, and one sketch.
Progress shots, Independence Hall, negatives and photographs.
Measurements of actual Independence Hall: notes, photographs, copies.
State House entrance hall woodwork and baseboard colors: samples and photographs.
Set of State House: photograph.
Progress photographs.
State House stair hall window sills and top of choir rail: color sample and photographs.
Assembly Room woodwork: color sample and photographs.
Information on Independence Hall: photocopies.
Adams Farm--Disney Ranch: sketch.
Camera angles.
Notes and playbills.
Independence Hall, State House, Tower, 18th century houses, Birch Prints, Chestnut St., Elfrith Alley, the Market, and detail shots: slides.
Various photographs.
Research materials for Chestnut St.: photographs and photocopies.
Research from Library of Congress, 18th century description of houses, and photographs.
Mentor Huebner (painter) information re exhibition of American art.
18th century research: photographs and one photocopy.
Disney Ranch rebuilt, school to Abigail Adams house: photographs.
Columbia Ranch research: photographs.
Independence Hall photographs.
Independence Hall, Philadelphia, Tower/Stairs: photographs.
18th century architecture research: photographs.
Independence Hall, interior and exterior: photographs.
Philadelphia--general: photographs.
"Miscellaneous pictures for revamp of Columbia Ranch for 1776": photographs.
The building of Independence Hall interior (progress pictures): photographs.
Actual Independence Hall exterior: one photograph.
Color for night backing: fabric sample.
Research, Howard Desilva as Benjamin Franklin: photographs and one negative.
Actual Independence Hall interior: photographs and postcards.
The building of Independence Hall exterior (progress pictures): photographs.
Backings for Independence Hall set, takes at real Independence Hall (Philadelphia): photographs and negatives.
Building the sets: photographs.
Independence Hall colors: samples and correspondence.
Birch prints of 18th century Philadelphia: copies, prints and one negative.
Work orders.
4 Benjamin Franklin drawings: charcoal, unsigned, 12 x 15 in.
"Alley and secret garden back of Jefferson's house": pencil drawing, unsigned, 12 x 16 1/2 in.
"Thomas Jefferson's flat": three photocopies of sketch, signed George Jenkins, 13 1/2 x 19 1/2 in.(all).
Concord Scene: photocopy of illustration, , unsigned, 15 x 15 in.
Jefferson's study(?): photocopy of sketch, signed Mentor Huebner, 10 1/2 x 17 1/2 in.
Lee galloping out of State House park: photocopy of sketch, unsigned, 8 x 17 in.
"Set for Chestnut St., Philadelphia": photocopy of drawing, signed Mentor Huebner, 16 1/2 x 28 in.
"Alley by Jefferson's flat": photocopy of drawing, signed Mentor Huebner, 16 x 34 in.
"Garden back of State House": photocopy of drawing, signed Mentor Huebner, 12 1/2 x 33 in.
"Lee galloping out of State House park": photocopy of drawing, signed Mentor Huebner, 14 x 39 in.
"Garden back of Jefferson's house": photocopy of drawing, signed Mentor Huebner, 19 x 40 in.
"Clash in State House": photocopy of drawing, signed Mentor Huebner, 17 1/2 x 38 in.
Jefferson's alley: photocopy of drawing, signed Mentor Huebner, 18 x 36 1/2 in.
"'Rum' number": photocopy of drawing, signed Mentor Huebner, 17 x 35 in.
"Market St., Philadelphia": photocopy of drawing, signed Mentor Huebner, 20 1/2 x 40 in.
"Abigail Adams in her kitchen, Braintree, Mass.": photocopy of drawing, signed Mentor Huebner, 16 1/2 x 34 in.
Contains 2 folders, sorted by scene, of original pencil and charcoal drawings on tracing paper of set designs and details.
Contains 3 folders, sorted by scene: copies of drawings of set designs and details.
Contains 6 folders, sorted by scene: copies of drawings of set designs and details.
Plans and drawings.
Plans and drawings.
Plans and drawings.
ALL THE PRESIDENT'S MEN (1976)
Notes 2/75-1/76, staff list, drawing, fabric samples.
Watergate pictures: garage door, DHQ back door.
Party scene drawings.
Original plan for Post News Room.
Scenic breakdown, screenplay, July 11, 1975, 161 p.
Photpgraphs: "Periphal Pix," "Bradley's Office," "Elevator Lobby," "Conference Room," "Harry Rosenfeld's Office," "Howard Simon's Office."
Actual Washington Post newsroom, photographs.
Photographs: "Coffee Lounge--5th floor", "Communications Room", "Sport Department."
Photographs and notes: Washington Post desks, rows A-1 to G-6.
Washington Post desks, rows H to N: photographs and notes.
Washington Post "newsroom desk (ID) general", photographs.
G.A.O. Mobile Crime Unit, drug store, hi-rise apartment section, photographs, plus one negative and one sketch.
New DNC, Watergate, Graham Office: photographs.
"Rosenfeld, Simon, Bradley, Foreign, News, City, Desks": photographs and notes.
Bernstein's apartment, photographs.
Bernstein's apartment, Justice Building in Miami, photographs.
"Library of Congress, Woodwards Room and apartment elevator and corridor, Washington exteriors and domestic": photographs.
"San Souci, Superior Court, Drugstore (Washington D.C.), General Location (D.C.), Secretary's Apartments (D.C.)": photographs.
"Pix 2. Poloroid": photographs.
Sloan (interior, exterior and background): photographs.
White House, FBI, photographs.
Virginia suburbs, D.C. general: photographs.
Location slides.
Man on telephone with seated group in the background: pencil drawing, unsigned, 14 x 17 in.
Contains 8 folders, sorted by scene: original pencil drawings on tracing paper of set designs and details.
Contains 4 folders, sorted by scene: original pencil drawings on tracing paper of set designs and details.
Contains 1 folder of Washington Post scenes: copies of drawings of set designs and details.
Contains 7 folders, sorted by scene: copies of drawings of set designs and details.
ANGEL LEVINE (1970)
Apartment, pencil drawings, prints.
Drawings.
Notes, correspondence, cost estimates, prop list, fabric and feather samples, one photograph.
Photos of Harry Belafonte.
Original drawings and sketches.
Backings, photographs and negatives, - "rejected pix, Lloyd Fromm".
Location photographs.
"Mishkin's apartment (view towards entrance)--drawing #5": pencil drawing, signed George Jenkins, 14 x 17 in.
"Levine's bedroom--drawing #6": pencil drawing, signed George Jenkins, 14 x 17 in.
"Sally's apartment--draw. no.7": pencil drawing, signed George Jenkins, 14 x 17 in.
Contains 3 folders, sorted by scene: copies of drawings of set designs and details.
Contains 1 original pencil drawing of Mishkin's apartment on tracing paper. PURSUIT OF HAPPINESS also included.
ANNIE GET YOUR GUN (NBC-TV, 1957)
Television production, schedules, correspondence, plus one negative and one photograph.
"Chroma Key drum to back horse on blue treadmill": watercolor painting, unsigned, 15 x 20 in.
AT WAR WITH THE ARMY (1950)
Set photographs.
"Coffee shop set": black colored pencil drawing, unsigned, 14 x 20 in.
BELL, BOOK AND CANDLE (stage prod.)
Pencil drawings of elevations and backdrops. 1950. (7 items)
THE BEST YEARS OF OUR LIVES (1946)
Sets, photographs and sketches.
Set estimate, title designs.
Myrna Loy's bedroom: black pen and pencil sketch, unsigned, 10 1/2 x 14 in.
Bathroom in Homer Parish's house: charcoal drawing, signed George Jenkins, 11 x 13 in.
Entrance to Pat Deary's apartment: charcoal drawing, signed George Jenkins, 11 x 14 1/2 in.
Homer Parish's bedroom: charcoal drawing, signed George Jenkins, 12 x 15 in.
Sun Porch of Fredrick March: charcoal drawing, signed George Jenkins, 11 x 14 in.
Marie's apartment: charcoal drawing, signed George Jenkins, 10 x 13 1/2 in.
Night Club scene: watercolor painting, signed Dorothea Redmond, 13 x 19 1/2 in.
Pat Deary apartment: charcoal drawing, unsigned, 11 x 13 1/2 in.
Kitchen in Stephenson's apartment: charcoal drawing, signed George Jenkins, 11 x 14 in.
Butch's Place set: photocopy of drawing, signed George Jenkins, 10 x 19 1/2 in.
"Fredrick March apartment": photocopy of drawing, signed George Jenkins, 15 1/2 x 21 1/2 in.
"Homer's house": photocopy of drawing, unsigned, 11 x 14 in.
"Original layout for the title": graphic design of title 'The Best Years of Our Lives', signed George Jenkins, 12 x 12 in.
"Fred March bedroom": photocopy of drawing, unsigned, 11 x 14 in.
Pat's apartment: photocopy of drawing, signed George Jenkins, 11 x 14 in.
Bar scene: photocopy of sketch, signed George Jenkins, 10 x 17 in.
Hall of Wilma Cameron's house: photocopy of drawing, signed George Jenkins, 11 x 14 in.
Woodshed set: charcoal drawing, signed George Jenkins, 11 1/2 x 25 in.
Little sister's bedroom: charcoal drawing, signed George Jenkins, 10 x 13 in.
THE BISHOP'S WIFE (1947)
The Bishop's House (1st director) set, photographs.
The professor's house, photographs.
Street sets, photographs.
Set costs.
Set estimates and photographs.
College Professor's study: charcoal drawing, signed George Jenkins, 11 x 13 1/2 in.
"Michael's Restaurant": charcoal drawing, signed George Jenkins, 11 x 13 1/2 in.
"Flower shop" (copy of sketch), 11 1/2 x 15 in., and photograph of frozen lake for ice skating, 11 x 13 1/2 in., both items unsigned.
"Brougham's small apartment bedroom": charcoal drawing, unsigned, 14 x 17 in.
"Brougham's small apartment--view from livingroom towards kitchen": charcoal drawing, unsigned, 15 x 17 in.
Hat shop: charcoal drawing, signed George Jenkins, 14 x 17 in.
Chapel: charcoal drawing, signed George Jenkins, 14 1/2 x 15 1/2 in.
Bishop's study: charcoal drawing, signed George Jenkins, 11 x 14 in.
Diningroom in Bishop's house: charcoal drawing, signed George Jenkins, 10 1/2 x 13 1/2 in.
Kitchen in Bishop's house: pencil and charcoal drawing, signed George Jenkins, 12 x 15 1/2 in.
Bishop's livingroom: charcoal drawing, signed George Jenkins, 10 1/2 x 13 1/2 in.
CARDIGAN
Unproduced project, set lists.
THE CHINA SYNDROME (1979)
Scene changes and breakdown, second draft story outline, second draft screenplay, December 29, 1977, 126 p.-- a.k.a. EYEWITNESS.
Contains 8 folders, sorted by scene: original pencil drawings on tracing paper of set designs and details.
Contains 7 folders, sorted by scene: copies of drawings of set designs and details.
THE STORY OF COLOR
"A Basic Film on Color and the Use of Color": notes, sketches, and gel samples for lighting.
COMES A HORSEMAN (1978)
Shooting schedule, screenplay draft, May 24, 1977, 132 p.
H-Studio copy, May 24, 1977, 132 p.
Contains 6 folders, sorted by scene: copies of drawings of set designs and details.
Contains 3 folders, sorted by scene: original pencil drawings on tracing paper of set designs and details.
Contains 7 folders, sorted by scene: original pencil drawings on tracing paper of set designs and details.
CURIOUS SAVAGE (stage prod.)
Theatre Guild Prod., 1950. Pencil drawings of sets and elevations.(8 items).
THE DOLLMAKER (1984)
Rough revised first draft screenplay, July 1982, 133 p.
Story-Day plot, shooting schedule, revised script, March 7, 1983, 171 p. "Script #2F".
Storyboards for Cassie on railroad tracks: photocopied pencil sketches, unsigned, 8 1/2 x 14 1/2 in., 7 pages.
"The kitchen from the Nevel's bedroom door": two photocopies of two different pencil sketches, signed George Jenkins, both 14 x 17 in.
Housing area: pencil sketch, unsigned, 14 x 17 in.
Mr. Nevel in kitchen: photocopy of pencil sketch, signed George Jenkins, 14 x 17 in.
Police station, Mr. and Mrs. Nevel, kitchen chairs and table: four sheets of pencil sketches, unsigned, 9 x 12 in.(one sheet), 11 x 14 in.(other three sheets).
"The kitchen of the Nevel's house on Merry Alley": four photocopies of pencil sketches, 11 x 17 in.
Contains original pencil drawingsand blueprints of plans, elevations, set designs and details.
DREAM WORLD (TV)
Television pilot, production material, one photograph, pencil drawings, fabric samples.
Contains 1 copy of a drawing of a set design.
ENCHANTMENT (1948)
Sir Roland Dane (David Niven) and house, photographs.
Matts for bombing of London, photographs.
"Before London plans", photographs of sketches.
"After London", photographs of sketches.
Ballroom, photographs.
London location, photographs.
Sets, photographs.
Color and material samples.
London notes, correspondence.
Set costs.
Negatives for matte sequence at end of pix, plus photogtaphs.
Process plates and negative blow up matt shots.
Continuity sketches (by Dorothea Redmond) and photographs.
Young Rollo's room: black watercolor painting, signed Dorothea Redmond, 14 x 20 in.
Lucia's restaurant interior: watercolor painting, signed George Jenkins, 13 x 19 1/2 in.
The Dane drawing room: watercolor painting, unsigned (but listed as a work by Dorothea Redmond), 11 x 14 1/2 in.
Dane diningroom: watercolor drawing, unsigned, 11 x 14 1/2 in.
Selina's bedroom: watercolor painting, signed Dorothea Redmond, 12 1/2 x 16 1/2 in.
Bedroom in Dane Mansion: watercolor painting, signed Dorothea Redmond, 15 x 22 in.
FOUR STAR PLAYHOUSE (TV)
Call sheet, shooting schedule, final pilot script, March 7, 1952, 38 p.
List of sets, "Presenting Charles Boyer" notes, copy of t.v. play, "the writers' theatre" notes.
FUNNY LADY (1975)
"Aquacade": production and research materials incl. color samples, pencil sketches, notes, and publicity on "Dancing Waters, Inc., NYC".
Bills and invoices.
Script outline, 15p., list of musical numbers and sketches(incomplete), shooting schedules.
Color samples of materials and notes.
Research materials for furniture and decor for Dressing Rooms, incl. photographs, wallpaper samples, sketches, and notes.
Scene breakdown, pre-production rehearsal schedules, and set descriptions.
Set cost estimates and sketches of coffee shop.
Cost breakdown, set cost estimates, shooting day calendar.
Radio station and Maxwell House notes, incl. color drawings and 1 photographed sketch.
Miscellaneous notes.
Will Rogers Polo Field photographs.
"Clap hands" no.85, "50 Million French", "Crazy Quilt" and "Paper Moon", incl. electrical (lighting) notes and color samples, pencil sketches, photographs.
"Atlantic City", notes on boardwalk ideas, incl. photographs and negatives.
Two scripts: 3/7/74, fourth draft, 116 p., annotated.
Continuity sketches by Joe Hurley.
"Million Dollar Baby," 8x10 cigarette holder photographs.
Staff photo.
Set photographs: Scenic Studio, Broadcasting studio, original N.Y. house.
Theater set photographs and notes, incl. one pencil sketch.
Roughs and reject pencil sketches.
Bathroom tile samples.
"Little Eva" and "Am I Blue" rough sketches.
River House NYC negatives.
Fanny Brice Beverly Hills house (location): notes and photographs.
Bruce's house: photocopied photographs.
Lyrics and notes on songs and numbers.
Beverly Hills Hotel photographs and notes: rooms, furniture, garden and exterior.
Photographs of park in Beverly Hills.
Santa Paula Airport for old L.A. photographs.
Back Stage club research: photocopied photographs and two negative photographs.
Research re signs: clippings, photocopies and one photograph.
Oakland Railroad station for Cleveland: pencil sketches.
Pan Pacific Auditorium for NBC photographs.
Panavision Camera angles.
"Blind Date" original drawings.
"Crazy Quilt", "Little Eva", "50 Million French", Midnite Club number, "April Showers," and "The Night is Young and You're so Beautiful": photographs and one negative.
Reduced photograph of sketch.
"The Night is Young and You're So Beautiful Number": six photocopies of drawing, unsigned, 11 x 19 in.(five copies), 11 x 18 in.(one copy).
"Backstage cafe mural": three positives and one negative copy of drawing, unsigned, 11 1/2 x 20 in.(positives), 12 x 20 1/2 in.(negative).
"Int. Radio Station/Int. Broadcast Studio": two color pencil drawings on one board, unsigned, 4 1/2 x 10 1/2 in.(both).
"Atlantic City Hotel Suite": four photocopies of drawing, unsigned, 12 x 18 in.
"Clap hands"(stage number): copy of sketch, unsigned, 12 x 16 1/2 in.
"Great Day" (stage number): b/w photograph, 12 1/2 x 17 1/2 in.
"Billy Rose showing Fanny Brice his model of Casa Manana": pencil drawing, unsigned, 15 x 19 in.
"Cleveland Hotel--Billy Rose's bedroom": three photocopies of sketch, unsigned, 12 x 18 in.
"Fran's bedroom and bathroom..New York house": photocopy of sketch, signed Joe Hurley, 12 x 18 in.
"Cleveland Hotel--Billy Rose's livingroom": three photocopies of drawing, unsigned, 12 x 18 in.
"Fifty Million Frenchmen Number": photocopy of drawing, unsigned, 13 x 19 in.
"Rehearsal Hall": pencil drawing, unsigned, 8 1/2 x 15 in.
Fran's bedroom and bathroom..New York house": original color drawing, unsigned (but listed as work by Joe Hurley), 7 1/2 x 16 3/4 in.
"Mural for Billy Rose's Back Stage Nite Club": two photocopies of drawing, signed "After. Everett Shinn", 8 1/2 x 14 in.
Million Dollar Baby number: press kit photograph, 8 x 10 in.
"The Night is Young and You're So Beautiful number": two negative copies of drawing, unsigned, 9 x 16 in.
"Finale. April Showers": one photocopy of drawing, unsigned, 9 x 18 3/4 in.
April Showers number: one negative copy of drawing, unsigned, 8 1/2 x 19 1/2 in.
Stage set for a number: color drawing cardboard cut-out, unsigned, 7 x 20 in.
"Clap Hands. Final Scheme": color drawing of stage set(partial), unsigned, 6 1/4 x 11 in. See "Clap Hands No. 3" for complete picture.
"I Found a Million Dollar Baby in a 5 & 10 Cent Store number": one negative of sketch, signed George Jenkins, 12 1/2 x 19 in.
New Amsterdam set on Columbia Ranch": color drawing, unsigned, 8 1/2 x 15 in.
"Colonial (Theater) in Boston": pencil drawing, unsigned, 5 x 12 in.
"Decoration for Billy Rose's Nite Club": one positive and one negative copy of drawing, signed Joe Hurley, 10 x 23 in.(negative), 10 x 24 in.(positive).
"Billy Rose's Back Stage Nite Club": five positive and one negative copies of drawing, signed "Sol.", 8 x 19 1/2 in.(negative), 10 x 21 1/2 in.(positives).
"Opening. April Showers": one negative and one positive copy of drawing, unsigned, 8 1/2 x 21 1/2 in.(negative), 9 x 23 in.(positive).
"Great Day" (stage number): three copies of drawing, unsigned, 14 x 20 in.(two copies), 16 x 24 in.(one copy).
"Photo of Great Day number": two b/w photographs, 16 x 22 in.
"Photo of set. The Night is Young and You're So Beautiful.": two b/w photographs, 15 x 21 in.
"Livingroom--Beverly Hills Hotel": three photocopies of drawing, unsigned, 18 x 24 in.
"Finale of Little Eva number," "Stairs and Gates of Heaven": two positive copies of drawing, unsigned, 14 x 23 1/2 in.
"Show Curtain for Ziegfeld Show"(peacock curtain): one negative and one positive copy of drawing, unsigned, 15 1/2 x 23 in.(negative), 14 x 24 in.(positive).
"Rough sketch of plantation scene--Little Eva number--Scheme 'A'": one negative and four positive copies of drawing, unsigned, 14 x 22 in.(all).
Clap Hands number: pencil drawing, unsigned, 12 x 16 1/2 in.
Revival Tent Opening of 'Great Day' production number: color drawing, signed George Jenkins, 16 1/2 x 21 in.
"Garden of Beverly Hills Hotel": photocopy of drawing, unsigned, 12 x 18 in.
"Beverly Hills Hotel": color drawing, unsigned, 8 1/2 x 13 in.
Portal for Billy Rose Musical: color drawing, unsigned, 14 1/2 x 24 in.
"Billy Rose's apartment over Back Stage Nite Club": four photocopies of drawing, unsigned, 18 x 24 in.
"Fanny Brice's apartment in Beverly Hills Hotel": photostat of sketch, signed Joe Hurley, 18 x 24 in.
Million Dollar Baby number: four photocopies of sketch, signed Joe Hurley(on reverse), 18 x 24 in.(one copy), 12 1/2 x 19 1/2 in.(one copy), 14 x 19 in.(two copies).
"Original sketch for A Million Dollar Baby in a 5 & 10 C. Store": pencil sketch, unsigned, 16 x 24 in.
"Fanny Brice's bedroom at Beverly Hills Hotel": three photocopies of drawing, unsigned, 18 x 24 1/2 in.
"Int. Radio Station/Int. Broadcast Studio": photocopy of original drawings, unsigned, 18 x 24 in.
"Int. Radio Station/Int. Broadcast Studio": two color drawings, unsigned, 5 x 11 in.(both).
"Photo of Barbara Streisand on set of 'Million Dollar Baby' number": b/w photograph, 18 1/2 x 25 1/2 in.
"Funny Lady 'Matt'--Atlantic City Boardwalk": b/w photograph, 15 1/2 x 26 1/2 in.
"Funny Lady Matt Atlantic City": b/w photograph, 15 x 27 in.
"Curtain overlap instructions for 'Blind Date'": black ink sketch, unsigned, 7 x 19 in.
Clap Hands no.3: color drawing of background, unsigned, 11 x 32 1/2 in.
"Clap Hands #1 sketch": color drawing, unsigned, 11 x 30 in.
"Billy Rose's Back Stage Nite Club": color drawing, signed "Joe.", 8 1/2 x 24 in.
"Billy Rose's Back Stage Nite Club": color drawing over photocopy of illustration, signed "Pat", 9 x 25 1/2 in.
Peacock curtain: color drawing, unsigned, 10 x 24 in.
Stage mural: b/w paint and pencil drawing, unsigned, 16 1/2 x 33 in.
Mural for Billy Rose's Back Stage Nite Club(two pieces): b/w paint and pencil drawing, unsigned, 6 x 21 in.(1st piece), 21 x 33 in.(2nd piece), 21 x 39 in.(total picture).
Contains 1 folder of original pencil drawings on tracing paper of set designs and details.
Contains 8 folders, sorted by scene: copies of drawings of set designs and details.
Contains 6 folders, sorted by scene: copies of drawings of set designs and details.
KLUTE (1971)
Garment factory, photographs.
Screenplay version number one, May 18, 1970, 174 p.
Poster.
Screenplay version two, June 26, 1970, 124 p.
Production material, correspondence and notes.
Original drawings and sketches.
Plans for final sequence in garment loft (sketches), color samples and poster samples.
Photos: Donald Sutherland, George and Phyllis Jenkins.
Pencil drawings.
Pencil drawings.
Production notes, correspondence and fabric samples.
Bree's apt., backings and negatives.
Set and location photographs.
Female models (face and standing poses), slides.
Projection letters, slides
Set cost estimates, scene breakdowns, photographs.
Reduced photographs of sketches.
Location and prop photographs.
"Bree's apartment--Final scheme": pencil and charcoal drawing, signed George Jenkins, 13 x 17 in.
"Spangler's office": pencil and charcoal drawing, signed George Jenkins, 14 x 17 in.
"Spangler's outer office and waiting room": charcoal drawing, signed George Jenkins, 14 x 17 in.
"Mr. Faber's office": charcoal drawing, signed George Jenkins, 14 x 17 in.
"Exterior Klute's basement apartment": two color marker drawings, signed George Jenkins, 10 x 15 in. and 13 x 17 in.
"Klute's basement apartment": charcoal drawing, signed George Jenkins, 14 x 17 in.
"(Continuity) Sketches for garment loft final sequence": charcoal drawings, 4 sheets, unsigned, 14 x 17 in.
"Bree's livingroom": charcoal drawing, signed George Jenkins, 13 x 17 in.
"Bree's apartment": charcoal drawing, signed George Jenkins, 14 x 17 in.
"Cable's office": charcoal drawing, signed George Jenkins, 12 x 14 1/2 in.
"Preliminary plan of Bree's apartment" (floor plan): black and red marker drawing, unsigned, 14 x 17 in.
Typed letters and schedules shown onscreen: seven positive and seven negative copies, 14 x 18 1/2 in.(all).
Contains 2 folders, sorted by scene: copies of drawings of set designs and details.
LITTLE WOMEN
Costume color samples.
Unproduced (Selznick). Set estimates, photographs and sketches.
ME, NATALIE (1969)
Original pencil tracings of apartment.
Table top design.
Original pencil tracings of apartment.
Apartment, original pencil tracings of blueprints.
Rough pencil drawings and notes.
Pencil sketches and photocopies of drawings.
Miscellaneous props, plus fabric and paper samples.
Shooting schedules, staff and crew list, correspondence, costestimates, scene break-up list.
Patty Duke photos.
"Backings", photos of Miller apartment.
Screenplay, n.d., 128 p.
Photo (Farentino and Coe).
Set stills.
Photos of Natalie's mother, negatives of nudes for actor artist to paint, photos for poster.
Research stills.
Location photographs.
New York City: one positive and one negative photograph, 7 x 15 in.(both).
"Roof of Miller apartment house": original black pencil drawing, plus three photocopies and one negative copy, signed George Jenkins, 14 x 17 in.(original), 13 x 16 1/2 in.(copies).
"Miller's livingroom": original pencil drawing, plus one positive and one negative copy, signed George Jenkins, 13 1/2 x 17 in.(original and neg. copy), 13 1/2 x 16 in.(positive copy).
"Natalie's bedroom in Miller's apartment": original pencil drawing, plus one positive and one negative copy, signed George Jenkins, 14 x 17 in.(all).
"Natalie's apartment": one pencil original and one original color drawing original, plus one negative copy, signed George Jenkins, 14 x 17 in.(pencil), 12 x 16 in.(color), 15 x 20 in.(neg. copy).
"David's studio apartment": original pencil drawing plus one negative copy, signed George Jenkins, 14 x 17 in.(original), 15 x 20 in.(neg. copy).
Contains 2 folders, sorted by scene: copies of drawings of set designs and details.
MICKEY ONE (1965)
"Florin Corp.", studio set lists, location fact sheet, staff and crew list, prints, photo and sketches.
Chicago notes.
Chicago notes and correspondence.
Screenplay, n.d., 119 p.
"Backing" negatives and prints.
Location shots, photographs.
"Mickey's backroom" (original plus three copies): charcoal drawing (original), unsigned, 14 x 17 in., two photocopies, 12 x 17 in., and one negative copy, 12 x 17 in.
"Mickey's kitchen" (original plus three copies): charcoal drawing (original), unsigned, 14 x 17 in., two photocopies, 12 1/2 x 17 in., one negative copy, 11 1/2 x 17 1/2 in.
"Mickey's bed-livingroom" (original plus three copies): charcoal drawing (original), unsigned, 14 x 17 in., two photocopies, 11 1/2 x 17 in., negative copy, 13 x 17 in.
"Castle's apartment" (original plus two copies): pencil drawing (original), signed George Jenkins, 14 x 17 in., one photocopy and one negative copy, 12 1/2 x 17 1/2 in.
"Mickey's bed-livingroom" (original plus three copies): pencil drawing (original), unsigned, 14 x 17 in., two photocopies, 12 x 17 in., one negative copy, 11 x 17 in.
"Castle's office": one photocopy, 13 x 17 in., one negative copy, 12 1/2 x 17 in.
"Xanadu club" (original and three copies): charcoal drawing (original),unsigned, 13 x 17 in., two photocopies, 12 x 17 in., one negative copy, 11 1/2 x 17 1/2 in.
"Lapland club"(original plus three copies): charcoal drawing (original), unsigned, 14 x 17 in., two photocopies, 12 x 17 1/2 in., one negative copy, 11 1/2 x 17 1/2 in.
"Backing for 'Mickey One'": photograph of city buildings and street, unsigned, 11 x 14 in.
Contains 11 folders, sorted by scene: original pencil drawings on tracing paper of set designs and details.
Contains 4 copies of drawings of set designs and details.
THE MIRACLE WORKER (1962)
Screenplay, fourth revision, May 8, 1961, 119 p.
Screenplay, first revision, April 3, 1961, 112 p.
Screenplay, second revision, n.d., 119 p.
Screenplay, third revision, April 3, 1961, 102 p.
Production material, notes and sketches.
Backing negatives and prints.
Keller and Garden House, signature x strip, photographs and negatives.
Pencil drawings, blue prints, original sketches for added scenes.
11 prints of sketches, 7 x 13 in.: "Garden House," "Annie's bedroom,"Newspaper office," "Institutional diningroom," and "Keller's livingroom."
"Capt. Keller's newspaper office"(original plus two copies): charcoal drawing (original), signed George Jenkins, 14 x 17 in, plus two photographs of original sketch, 11 x 14 in.
"Annie's bedroom": charcoal drawing, signed George Jenkins, 14 x 17 in.
"The Keller's diningroom": two photographs of charcoal sketches, unsigned, 11 x 14 1/4 in.
"The Keller's livingroom" (original plus two copies): charcoal sketch (original), unsigned, 14 x 17 in., two photographs of original charcoal sketch, 11 x 14 in.
"Institutional diningroom" (original plus two copies): charcoal drawing (original), unsigned, 14 x 17 in., two photographs of original sketch, 11 x 14 in.
"The garden house": photograph of original charcoal sketch, unsigned, 10 1/2 x 14 in.
Contains 2 folders, sorted by scene: copies of drawings of set designs and details.
MONSOON (1953)
"The Castle" India pix sketch.
Business contracts, correspondence, notes, plus one photograph.
MONTE PROSER'S TROCADERO (nightclub)
Notes, fabric and color samples, plus one sketch.
Interior of a diningroom: watercolor painting, signed "MICH. T."(?), 18 x 28 in.
Interior of Nite Club: watercolor painting, unsigned, 16 1/2 x 25 in.
Interior nite club: watercolor painting, unsigned, 12 x 25 1/2 in.
Interior nite club: color drawing, unsigned, 15 x 30 in.
MUSIC WITH MARY MARTIN (NBC-TV, 1959)
List of expenses, letter from Richard Halliday, notes on props and costumes, studio schedule.
Magazine: "Music with Mary Martin".
Plans, pencil drawings, blue prints, original drawings, sketches.
15 final drawings, black ink and color drawings, 5 x 6 1/2 in.: 'Cinderella,' park scene, and music band on stage.
Sailors singing to silhouette of Mary: watercolor painting, unsigned, 11 1/2 x 14 1/2 in.
Mary plus band and piano on stage: watercolor painting, unsigned, 11 1/2 x 14 1/2 in.
Fireplace scene with Mary Martin for 'Cinderella': ink and paint drawing, unsigned, 10 x 13 1/4 in.
Audition scene in empty ballroom: painting, unsigned, 10 1/2 x 13 1/2 in., plus a typed description of the scene on a separate sheet.
Cocktail bar scene--Act 2--Cinegrill Bar: color painting, unsigned, 9 1/2 x 13 1/2 in., plus a typed description of the scene on a separate sheet.
"Ballroom entrance for 'Cinderella'": color drawing, signed George Jenkins, 8 x 13 1/2 in.
"Ballroom floor pattern--painted": colored pencil drawing and color sample, unsigned, 6 1/4 x 8 in.
Fireplace scene in 'Cinderella': black ink and color, unsigned, 6 1/2 x 8 in.
"Masks for composer's song in 'Three to Make Music'": watercolor drawings, signed George Jenkins, 10 1/2 x 14 in.
"Fairy godmother's throne for 'Cinderella'": color drawing, signed George Jenkins, 7 x 12 in.
"Free form travellers" for opening credits: 2 color pencil drawings plus a typed description, unsigned, 3 x 4 in.
"Blocks for 'Peter Pan'": color drawings, signed George Jenkins, 8 x 14 in.
"Audience seating rail and balustrade": color drawing, signed George Jenkins, 8 x 20 in.
"Theater Proscenium": color drawing, signed George Jenkins, 14 x 14 in.
"Color treatment for white upright piano": color drawing, signed George Jenkins, 12 x 18 in.
Peter Pan number: color drawing, signed George Jenkins, 12 x 18 in.
"Cinderella ballroom": color drawing, unsigned, 9 1/2 x 12 1/2 in.
Fireman's ball continuity sketches (four drawings plus typed descriptions): color pencil drawings, unsigned, 3 x 4 in.(three drawings), 5 x 6 1/2 in.(one drawing).
Continuity sketches of pumpkin changing into carriage for 'Cinderella' number: pencil drawings, unsigned, 9 x 20 in.
"Color samples for plaster and beam in Cinderella's corner": color samples, signed George Jenkins, 4 x 18 in.
Firemen's ball continuity sketches: three color drawings, unsigned, 4 x 5 in.
"Utility Traveler": marble-like background, unsigned, 17 x 21 in.
"Bandstand for 'Three to Make Music'": color drawing, signed George Jenkins, 8 x 22 in.
Firemen's ball contintuity scenes(six drawings with typed descriptions): color drawings, unsigned, 5 x 6 1/2 in.(one drawing), 3 x 4 1/2 in.(five drawings).
Lilac Tree and Front Porch scenes (with typed descriptions): four color drawings, unsigned, 3 1/2 x 4 1/2 in.(all).
"Act II, 'When the Moon Comes Over the Mountain,' and 'Il Bacio'" (continuity scenes with typed descriptions): four color pencil drawings, unsigned, 3 1/2 x 4 1/2 in.(all).
"Props for composer's song for 'Three to Make Music': see dwg. no. 19": color drawings, signed George Jenkins, 18 x 22 in.
"Pre-dyed blue muslin drop": color drawing, signed George Jenkins, 13 1/2 x 30 in.
"Natural Muslin Drop": color drawing, signed George Jenkins, 14 x 30 in.
Contains 2 folders, sorted by scene: copies of drawings of set designs and details.
Contains 2 folders, sorted by scene: original drawings on tracing paper of set designs and details.
THE NEW REVUE (CBS-TV, 1953-54)
CBS. Fabric samples.
"Hernando's Hiedeaway", pencil sketch.
Correspondence and staff agreement.
"It's Love--Edith Adams": paint drawing, signed George Jenkins, 9 1/4 x 10 in.
"Mike's Place Cyc.": colored pencil drawing, unsigned, 9 x 12 in.
"Kitchen scene": painted drawing, signed George Jenkins, 9 x 14 in.
"Dock scene": watercolor painting, signed George Jenkins, 9 1/2 x 15 in.
"Photo mat" (barn with carriage): watercolor painting, signed George Jenkins, 11 x 15 in.
"Photo mat" (green tropical scene): watercolor painting, signed George Jenkins, 11 x 15 in.
"Calypso Number": watercolor painting, signed George Jenkins, 11 x 14 in.
"Central Park scene--Edith Adams--number": color painting, signed George Jenkins, 10 x 15 in.
"India Number": watercolor painting, signed George Jenkins, 11 x 14 in.
"Ladder and wire ovals--Mike's place": charcoal and paint drawing, signed George Jenkins, 5 1/2 x 16 in.
Subway hall: watercolor drawing, unsigned, 14 x 16 in.
"Subway number": watercolor drawing, signed George Jenkins, 16 x 17 1/2 in.
"Ann Crowley Number": color drawing, unsigned, 12 x 18 in.
"Indian Summer Number--Muslin drop--Analyn dye painted": color background, signed George Jenkins, 13 x 16 in.
"No other love number": color background, signed George Jenkins, 12 x 16 in.
"Apple White number": color painting, signed George Jenkins, 11 1/2 x 17 in.
"Apple White number": color painting, signed George Jenkins, 11 x 16 1/2 in.
"Permanent Set": color pencil drawing, signed George Jenkins, 14 x 17 in.
"Courtland-Bergen number": colored chalk drawing, signed George Jenkins, 14 x 17 in.
Bamboo hut: watercolor drawing, signed George Jenkins, 12 x 20 in.
"Hat number" (bamboo hut): watercolor drawing, signed George Jenkins, 12 x 20 in.
"Nite Club exterior--Johny Mack number": color drawing, signed George Jenkins, 8 x 20 in.
"Calypso number": color drawing, signed George Jenkins, 12 x 15 in.
"Backing for old fashion walk": color drawing, signed George Jenkins, 13 1/2 x 16 in.
Art deco/modern fireplace and window: watercolor drawing, signed George Jenkins, 13 x 14 in.
Brick building and blue sky: watercolor painting, signed George Jenkins, 12 x 16 in.
"Monkey Number": color drawing, signed George Jenkins, 12 x 16 in.
"Royal Family"(lady in maroon dress in den): watercolor painting, unsigned, 10 x 15 1/2 in.
House and barn (normal 40'mm lens vs. 137' lens for Todd:A.O.): watercolor painting, signed George Jenkins, 10 1/2 x 16 3/4 in. Mike Todd: American Optical Company.
"Gray scale": b/w color scale, signed George Jenkins, 8 1/2 x 22 in.
Titles: color paper design for title, unsigned, 17 1/2 x 21 in.
Piano, table and chairs: color drawing, signed Dorothea Redmond, 11 x 22 in.
"'Why Can't You Behave' Muslin Cyc--Analyn Dyed": color background painting, signed George Jenkins, 17 x 18 1/2 in.
"Kitty Kallen No.": watercolor painting, signed George Jenkins, 13 x 23 in.
"Let's Take and Oldfashioned Walk number": color drawing, signed George Jenkins, 12 x 22 in.
"Hansel and Gretel": color drawing, signed George Jenkins (on reverse), 11 1/2 x 22 in.
"Szony's number": color drawing, signed George Jenkins, 8 1/4 x 23 in.
"New Orleans Int.": color drawing, signed George Jenkins, 9 x 22 in.
"Ricochet Romance number": color drawing, signed George Jenkins, 14 x 23 in.
"Hernando's Hideaway": color drawing, signed George Jenkins, 9 x 24 in.
Eiffel Tower and Rooster weather vane on building: color drawing, signed George Jenkins, 20 x 24 in.
"Kraft No. and Rhode Island No.": color drawing, signed "R.R.(?)", 20 x 24 in.
"(Walk Around Block)": color drawing, signed George Jenkins, 20 x 24 in.
"Shoe Bit number--draw. no. 5": color drawing, signed George Jenkins, 20 x 24 in.
"Ray and Gomez number": color drawing, signed George Jenkins, 9 x 22 in.
"Calypso No.": color drawing, signed George Jenkins, 14 x 21 in.
Fireplace and tall curtained window: color drawing, signed George Jenkins, 14 1/2 x 21 1/2 in.
Title and credits with newspaper background: photocopy of typesetting, 16 x 22 1/2 in.
"New Orleans": black marker drawing with green background, unsigned, 17 x 20 1/2 in.
"Philadelphia": black marker drawing with pink background, unsigned, 17 x 20 1/2 in.
"'By Strause' number": black marker drawing with blue background, unsigned, 17 x 20 1/2 in.
"San Francisco": black marker drawing with yellow background, unsigned, 17 x 20 1/2 in.
"Show #12113--background for Model Trains number": color drawing, signed George Jenkins, 12 x 25 1/2 in.
"Whiting No.": color drawing with grid transparency, signed George Jenkins, 13 x 30 in.
"3-Riffs Number": color drawing with grid transparency, signed George Jenkins, 13 x 30 in.
"Apple White Number": color drawing, signed George Jenkins, 12 x 30 in.
"Toy Shop Number": color drawing, signed George Jenkins, 16 x 32 in.
NIGHT MOVES (1975)
Measurements, roughs, scene breakdown, pencil drawings.
Florida notes, sketches and correspondence.
Counter top linoleum samples, bedroom wallpaper.
Photocopies of continuity sketches, plus one original sketch.
Mayan photographs.
Rough (pencil) sketches, bedroom photographs.
Photographs and postcards.
Aircraft accident: Photos of AGUA DULCE D.T., and of gas truck.
Nightclub, revamp (location): pencil drawings, photographs.
Script, final revised, September 17, 1973, 119 p., annotations. Previously titled "Dark Tower".
Script, final revised, September 17, 1973, 119 p., annotated. Previously titled "Dark Tower".
One line schedule, notes, sketches, location notes, calendar.
Business and set costs.
Breakdown, set list, notes, colors, drawings, maps, photos.
Florida location, drawings and notes.
Housing notes, slides, photos, telephone contacts, locations.
Scene breakdown, staff/crew list, set cost estimates, generalmaterial.
Location shots, photographs.
"The Cottage Units and Dock at 'Gulf Shores' location": seven positive and two negative copies, signed George Jenkins, 14 x 20 in.(positive), 12 1/2 x 19 in.(negative).
"Int. Moseby bedroom": original charcoal drawing, plus one negative and four positive copies, signed George Jenkins, 13 x 17 in.(original and positive), 14 x 18 in.(negative).
"Moseby's office": original black pencil drawing, plus one negative and three positive copies, signed George Jenkins, 13 x 17 in.(original and positives), 7 x 16 in.(negative).
"Jack's Marine Supermarket at the Punta Rassa, Florida location": six positive and two negative copies of drawing, signed George Jenkins, 9 x 18 in.(positive), 14 x 19 in.(negative).
"Moseby's Den": pencil drawing, signed George Jenkins, 13 x 17 in.
"Moseby Kitchen": original pencil drawing plus one negative and three positive copies, signed George Jenkins, 13 x 17 in.(original), 7 x 16 in.(negative), 11 x 17 in.(positive).
"Moseby's Den": original pencil drawing plus one negative and two positive copies, signed George Jenkins, 13 x 17 in.(original), 11 x 18 in.(positive), 12 x 18 1/2 in.(negative).
"Continuities for Plane Accident"(22 sheets) plus "Plan of Accident"(original plus photocopy): pencil sketches, unsigned, 14 x 17 in.(all).
Contains 8 folders, sorted by scene: copies of drawings of set designs and details.
Contains 7 folders, sorted by scene: original pencil drawings on tracing paper of set designs and details.
NO WAY TO TREAT A LADY (1968)
View of New York from Brooklyn Heights, negatives and backings (color and B/W), wide angle and medium lens.
Final shooting script, June 13, 1967, 143 pages, two copies, incl. script changes.
Production notes, wallpaper and fabric samples for Lois' apt., plus one sketch.
Building and apartment pencil sketches.
Apartment pencil sketches, photocopies, and photographs.
Apartment, pencil tracings of blueprints.
Location and set photographs, plus slides.
Contains 2 folders, sorted by scene: copies of drawings of set designs and details.
OKLAHOMA (1955)
Notes from Iowa trip, looking for location.
Miscellaneous Magna expenses.
Magna Theatre Corp. correspondence, contract, list of test shots.
Oklahoma trip data for location, correspondence.
Newspaper clippings, Magna, 3D and wide screen data.
Original pencil drawings.
Original drawings, notes.
House and farm: charcoal drawing, signed George Jenkins, 11 x 27 1/2 in. Todd A.O. 137 degree pix. Mike Todd: American Optical Company.
Contains 4 copies of drawings of set designs and details.
OUT OF DARK (TV)
Production notes and two copies of the original teleplay, n.d., 46 p., 38 p.
THE PAPER CHASE (1973)
Harvard Law School catalogues.
Study pictures, book fronts, props.
Kevin's Town house: Photos, notes, drawings.
Susan's apartment: drawings and sketches.
Dorm rooms: drawings and photos.
Elevator, buttery building: drawings.
Drawing of Kingsfield's house.
Kingsfield's classroom: Photos, pencil drawings.
Set list, scene lists, master shooting schedule, production staff, drawings, miscellaneous notes, photos, sketches.
Shooting schedule, set/scene list.
Script, August 1, 1972, 135 p.
Location and prop photographs, plus one negative.
Victoria College (Toronto) and general Toronto: photographs.
"Harvard. Other classrooms": photographs.
Harvard Library: photographs.
Austin Hall (Harvard): photographs.
Middle Langdel School interior: photographs.
Harvard Square: photographs.
Harvard Law School Campus: photographs.
Contains 2 folders, sorted by scene: original pencil drawings on tracing paper of set designs and details.
Contains 1 folder: copies of drawings of set designs and details.
PARALLAX VIEW (1974)
Washington and Arizona, location notes, brochures, sketches and photographs.
Set lists, notes, correspondence, drawings.
Fourth of July decorations at Space Needle, drawings.
Newspaper office and actors, negatives, photographs, correspondence, and notes.
Sets, photographs.
Western bar, actors, one negative and photographs.
Water dams, photographs.
Police Chief's house and station, photographs.
Motel research: photographs and postcards.
Convention Center catwalks, photographs and negatives.
Boats research, photographs and notes.
One line schedule, breakdown of sets, and screenplay, 1973.
Correspondence, wallpaper sample, color samples.
Card trick, drawings, photographs.
Boarding house: photographs, pencil drawings.
Estimate data and sketches.
Production notes, schedules, call sheets, set lists, director's notes.
Monkey lab: notes, photographs, pencil drawings.
Location and general notes, brochures.
Slide show notes and catalogs.
Location and set photographs.
Location photographs.
Location photographs.
Interior Crown Room--First Version: original pencil drawing plus one photocopy, signed George Jenkins, 14 x 17 1/2 in.(both).
Interior of Crown Room--Final Version: original color drawing, plus one negative and two positive copies, signed George Jenkins, 13 1/2 x 17 in.(original and 1 copy), 17 1/2 x 22 1/2 in.(neg.).
"Rintel's Newspaper Office": original pencil drawing, plus one negative and two positive copies, signed George Jenkins, 14 x 17 in.(original), 8 x 16 in.(neg.), 18 x 23 in.(positives).
Contains 17 folders, sorted by scene: original pencil drawings on tracing paper of set designs and details.
Contains 5 folders, sorted by scene: copies of drawings of set designs and details.
THE PASSIONATE TOURIST
"Italian-American pix never made". Synopsis, 13 p., - scenic breakdown for NY area, - notes.
PERSONAL
Irving P. Lazar Agency: contracts and correspondence, 1949-1956.
Samuel Goldwyn Productions: contracts and correspondence, 1945-1947.
Slides from various productions plus inventory, "Slides from George Jenkins Collection."
THE POSTMAN ALWAYS RINGS TWICE (1946)
Continuities for final accident, second draft screenplay, December 1979, 121 p.
Contains 14 folders, sorted by scene, of original pencil drawings on tracing paper of set design and details.
Contains 10 folders, sorted by scene, of original pencil drawings on tracing paper of set designs and details.
Contains 4 folders, sorted by scene: copies of drawings of set designs and details.
THE PURSUIT OF HAPPINESS (1971)
Breakdown and shooting schedule.
Photographs: "Hunting lodge," "Mansion," "Astoria apt. house," "Jail Cell--Riker's Island," and "Misc."
Original drawing of squad room police station.
Script with revisions, July 25, 1969.
Working drawings, roughs, blueprints.
Production notes, staff and crew list, lanscape notes, scenic break-down, drawings, correspondence.
Sketches, pencil drawings, copies.
Backings, prints, negatives and color translite.
Colors, wallpaper samples, notes, and photographs.
8x10 photographs of sets and actors.
Working (pencil) drawings, blueprints.
University of Chicago, houses and street locations: photographs.
House ext. and int., photographs, fabric and wall paper samples.
Apartment, school, court building: photographs.
Contains 3 folders, sorted by scene: copies of drawings of set designs and details.
Contains 1 original pencil drawing of the Lodge on tracing paper. ANGEL LEVINE also included.
ROLL-OVER (1981)
Revised screenplay #2, October 1980, 156 p.
Screenplay #1, n.d., 165 p.
Locations list, second revision screenplay, December 1980, 150+ p.
ROSEANNA MCCOY (1949)
"Backing" materials for projected sky effects.
Set costs and estimates.
Country fair and map of McCoy country, sketches.
Hatfield Cabin, photographs.
McCoy Farm, photographs.
Sets and actors, photographs.
Set and location sketches, matts and photographs.
Continuity sketches, story boards.
Locations and actors, photographs. John Fulton, special effect camera man.
Set estimates, notes on electrical equipment, list of personnel.
ROSEANNA MCCOY (1949)
Farm scene: watercolor painting, signed Dorothea Redmond, 19 1/2 x 24 in.
THE SAN FRANCISCO STORY (1952)
Script breakdown, shooting schedule, set list, staff sheet, call sheet.
Sets, photographs.
Sets, photographs.
Nobhill house, photographs.
Newspaper office, photographs.
Interior of ship, photographs and sketches.
THE SECRET LIFE OF WALTER MITTY (1947)
Production notes, set lists, set costs.
Dreams: photographs of sets.
Villain's mansion, photographs.
Psychiatrist's office, photographs.
Photos of Pierce Publishing Co. Offices.
Mitty's house, photographs.
Department Store, photographs.
Color samples.
Continuity sketches.
Rough sketches.
"Operating Dream" scene, drawings and continuity sketches.
Continuity sketches.
"Anatole of Paris", pencil drawings and continuity sketches.
Livingroom of Villain's house: watercolor painting, signed Dorothea Redmond, 15 x 22 in.
Interior Mississippi riverboat--gambling scene: watercolor painting, signed Dorothea Redmond, 13 x 19 in.
Walter's bedroom: color drawing, signed George Jenkins, 15 x 17 1/2 in.
Walter's office: watercolor drawing, signed George Jenkins, 15 x 18 in.
Exterior of Mississippi riverboat: watercolor painting, unsigned, 15 x 22 in.
Molly Malone: watercolor painting, unsigned, 13 x 17 1/2 in.
"Pierce Pub. Co. Office Bldg.": watercolor painting, unsigned, 15 x 22 in.
Mitty livingroom: watercolor painting, signed Dorothea Redmond, 15 x 21 1/2 in.
"Anatole of Paris": watercolor painting, signed Dorothea Redmond, 13 x 19 1/2 in.
A SONG IS BORN (1948)
Set costs and crew lists.
Rich woman's house set, photographs.
Exterior and Interior of Twin Oaks Inn, photographs and color prints.
Sets, photographs.
Crow's nest set, photographs, nite club ceiling matt.
Danny Kaye's bedroom, photographs.
The Music Foundation set, photographs, plus one color print.
Color and material samples.
"Danny Kaye's bedroom": watercolor painting, signed George Jenkins, 11 x 15 in.
SOPHIE'S CHOICE (1982)
Contains 6 folders, sorted by scene: copies of drawings of set designs and details.
Contains 10 folders, sorted by scene: original pencil drawings on tracing paper of set designs and details.
STARTING OVER (1979)
Shooting schedule, location and set lists, revised script, November 2, 1978, 140 p.
"Disposal can on Cambridge Street"(trashcan): black marker sketch, unsigned, 14 x 17 in.
THE SUBJECT WAS ROSES (1968)
Pencil drawings, blue prints, wall color samples of apartment.
Crew list, notes, shooting schedule, general correspondence, photographs, fabric samples.
Title drawings.
Photos and negatives.
Screenplay, n.d., 136 p.
Screenplay, n.d., 129 p.
Location and set photographs, plus slides.
Contains 2 folders, sorted by scene: copies of drawings of set designs and details.
Contains 1 folder of original pencil drawings on tracing paper of set designs and details.
TODD A.O.
Research tests--137 degree view: pencil sketch, unsigned, 18 x 18 in. Mike Todd: American Optical Company.
Research tests (people and interior and exterior houses): eighteen b/w panoramic view photographs, 10 x 20 in. to 10 x 25 in. range of sizes.
Tests (panoramic view tests): three b/w photographs, 6 1/2 x 14 in., 10 x 20 in., and 13 1/2 x 30 in.(two photos).
Tests (people and houses): six b/w photographs, 13 1/2 x 29 1/2 in.(all).
MONTE PROSER'S TROCADERO (nightclub)
Monte Proser's Trocadero Night Club: watercolor painting, unsigned, 17 x 23 in.
U.S. STEEL (TV commercial)
Television production, continuity sketches, pencil drawings.
UP THE DOWN STAIRCASE (1967)
View from Harren HS and Calvin Coolidge, backings, negatives and prints.
Production material, letters, scenic breakdown, expenses, call sheets.
Set drawings (original pencil sketches), plus color tranparancies for slides.
Location and set photographs.
Contains 1 folder of original pencil drawings on tracing paper of set designs and details.
WAIT UNTIL DARK (1967)
Contacts. N.Y.C. location, St. Lukes Place, duplicated ext. of houseat Warner Bros. Studios, budget estimates, photographs.
Apt., pencil sketches, plus painting of "Geraldine" dagger.
Screenplay,Nov. 25, 1966, incl. shooting schedule and breakdown, 1967.
Correspondence, employment agreement, drawings, location inf. sheet,payroll, staff and cast sheet.
Production material, scenic notes.
Location and set photographs.
Location photographs.
Saint Luke's Place (Montreal), various New York City locales, January 1967: photographs.
Montreal locations, airport (Lavel St.) and smuggler's apartment, January 1967: photographs.
Saint Luke's Place, New York City, January 1967: photographs and one photocopy.
"Extras from MF set, 8 x 8 trans of St. Luke's Place, NYC" January 1967: photographs.
Sam's apartment, three sketches (views 'A,' 'B,' and 'C') and one negative copy: brown ink drawing, signed George Jenkins, 12 x 16 in. (sketches), 11 1/2 x 15 1/2 in. (negative).
"Sam's apartment" (view 'C'): one photocopy of sketch, unsigned, 11 1/2 x 14 1/2 in., two photographs of drawings, signed George Jenkins, 11 x 14 in.
"Variations on 'Geraldine'" (a dagger): painted drawing, unsigned, 8 1/2 x 14 in.
"Preliminary plan--Sam's apartment" (floorplan): pencil, signed George Jenkins, 13 1/2 x 17 in.
"Radio City Music Hall" advertisement: two b/w photograph cardboard posters, 21 x 22 in.
Contains 12 copies of drawings of set designs and details.
Contains 7 original pencil drawings on tracing paper of set designs and details.