Container List

56th Annual

Ratings research for 1984 Academy Awards (04/24/84). - Short rundown, "As broadcast," 1984. 2 items.

57th Annual

Correspondence regarding the Phil Collins controversy, 1985. - Two Rolling Stone articles. - List of "Song-Singers, 1934-1983." 3 items.

Script by Larry Gelbart. Handwritten first draft, February 28, 1985, 138 pages.

Script: First draft and schedule "as of 3/8/85" and with copious annotations. - Timings and voice over narrations. - Material for the Technical Awards.

Script revisions, dated February to March 1985. 15 items.

Show rundowns, 02/19/85 - 03/21/85. 11 items.

Timetables, dated August 1984 - January 1985. 4 items.

Pamphlet - regarding National Endowment for the Arts Award, 1985. - Memoranda - List of music rights archived by NEA (02/19/85). - Typed version of pamphlet. 3 items.

Lists of potential presenters for the 1985 show.

Letter to Robert Selig re trailer completion (2/14/85), 2 p. - "Fact Sheet," n.d., 5 p. - "Academy Announces Nominations for 57th Oscar Awards," n.d., 13 p. 3 items.

Correspondence and publicity, 10 items, re the honorary award to David L. Wolper (03/13/85), 7 p. - Correspondence regarding the exclusion of MPAA President (02/15/85) (3 letters).

Nominations for Awards Ceremony for the Documentary and Foreign categories, February 1985. Includes xeroxed reviews of the nominated films. 22 pages.

Board of Governors' Ball program. - Tickets to the Ball. Program for Awards Ceremony. - Backstage passes (3) for Larry Gelbart.

Script As Broadcast, Domestic. March 25 1985. 233+ pages.

Continuity for the telecast. No date. 4 pages. - "Additional Names for Friends of Oscar -- or Special Presentors," 1 page.

Articles regarding the low ratings for broadcast. March through April 1985. 20 items.

Correspondence, 20 items, 02/15/85 - 04/16/85. Regarding Nominees Luncheon, Rehearsals, the Telecast, Possible presenters.

Scripts by Larry Gelbart. Both first drafts, annotated, February 28 1985, 103 p. 2 items.

Script by Larry Gelbart. As Broadcast, International, 03/25/85, 106 p.

Production book: Master copy of script, staff list, schedules, show rundown, and final script, dated 03/25/85.

58th Annual

Scripts (4) presenting screenwriting awards. - Scripts (3), handwritten draft and typed drafts, for presenters Alan Alda and Jane Fonda. Correspondence with AMPAS.

Final Script with crew and cast contact lists, dated 03/17/86. Marked "Revised 3/21 -- Revised 3/22." 257 pages.

CBS Presskit for season 1983-84, incl. AfterM*A*S*H, Scarecrow and Mrs. King, Magnum PI, Alice, Jeffersons, Trapper John MD, Simon and Simon, et al.

Copies of story boards for Main Titles, dated 8/15/83.

Copies of Interior Set plans for show #2 (4 items).

Shooting schedule, 1983.

Call sheets for episodes 10/27 and 12/14/83.

Airdate scheduling materials 1983-84. Includes Fox Memoranda, directors schedules, and status reports from CBS.

Correspondence - CBS and 20th Century Fox Memoranda. June 1983.

Story outlines, including memoranda, typed and handwritten notes, 1983-4.

Handwritten notes for various episodes. No date.

Organizational/adminstrative chart of personnel in a medical institution.

Miscellaneous notes and memoranda including 4 photographs of production personnel with Larry Gelbart. 11/16/83.

Clippings regarding the TV series from numerous sources.

Scripts, first drafts, handwritten and typed. Summer 1983.

Correspondence from viewers, Fall 1983.

Transcripts of interviews with Veterans Administrastion personnel, doctors, nurses, clergy, ect. 1983. 16 folders.

Transcripts of interviews with personnel from the Veterans Administration. 1983. 6 folders.

Transcripts of interviews with personnel of the Veterans Administration. 1983. 7 folders.

ALL ABOUT CHRISTMAS EVE

Scripts by Dennis Koenig. First draft (9/14/83), Second draft (9/15/83), Third draft (9/27/83), Final (10/4/83), Revised final (11/1/83)

ANOTHER SATURDAY NIGHT

Scripts by Ken Levine, David Issacs, & Dennis Koenig. First draft (12/2/83), Revised first draft (12/9/83), Final draft (12/12/83), Revised final draft (1/3/84).

BLADDER DAY SAINTS, THE

Scripts by Everett Greenbaum and Elliott Reid. First draft (n.d.), Second draft (8/12/83), Revised second drafts [(8/12/83), (8/23/83), (8/24/83)], Final draft (8/29/83), Revised final (10/18/83).

BY THE BOOK

Scripts by Larry Balmagia. First draft (12/19/83), Second draft (1/1/84), Final draft (1/4/84), Revised final (1/10/84).

C.Y.A.

Scripts by J. Hirsch. First draft (10/20/83), Revised first draft (10/28/83), Final draft (11/03/83).

CHIEF OF STAFF

Scripts by G. Mitchell. First draft (10/13/83), Second revised draft (11/14/83), Final draft (11/15/83), Revised final (11/22/83). Annotations.

FALLOUT

Scripts by Larry Gelbart. Treatment (n.d.), First draft (10/10/83), Revised first draft (10/17/83), Final draft (11/18/83), Revised final draft (11/25/83).

FEVER PITCH

Scripts by Denis Koenig. First draft (01/06/84), Revised first draft (01/11/84), Final draft (01/12/84), Revised final draft (01/17/84).

IT HAD TO BE YOU

Scripts by Denis Koenig, Kevin Levine, David Isaacs. First draft (11/11/83), Second draft (11/17/83), Revised draft (11/21/83), Final draft (11/23/83), Revised final 12/08/83).

KLINGER VS. KLINGER

Scripts by Ken Levine and David Isaacs. First draft (05/24/83), second draft (06/08/83), revised second draft (06/13/83), revised final draft (08/03/83).

LITTLE BROADCAST OF '53, THE

Scripts by Dennis Koenig. First draft (05/27/83), Second draft (07/09/83), Revised second (06/14/83), Final draft (06/17/83), Revised final (07/05/83), Second revised final (09/26/83).

NIGHT SHIFT

Scripts by Everett Greenbaum and Elliott Reid. First draft (n.d.), Second draft (07/01/83), Revised second (07/08/83), Final draft (07/12/83), Revised final (09/01/83).

ODDS AND ENDS

Scripts by Everett Greenbaum and Everett Reid. First draft (12/01/83), Revised first draft (12/06/83), Final draft (12/27/83), Revised final (12/15/83).

PERSHING SQUARE

Script by Larry Balmagia. First draft (11/18/83).

SEPTEMBER OF '53

Scripts by Larry Gelbart. First draft (06/01/83), Final draft (06/01/83), Revised final (06/22/83), Second revised final (07/26/83).

SHALL WE DANCE?

Scripts by Ken Levine and David Isaacs. First draft (07/28/83), final draft (08/01/83), revised final draft (08/29/83).

SNAP, CRACKLE, PLOP

Scripts by Dennis Koenig. First draft (06/27/83), revised final (07/06/83), second revised final (08/29/83).

STAPH INSPECTION

Scripts by Ken Levine and David Isaacs. First draft (09/12/83), second draft (09/22/83).

SUNDAY, CRUDDY SUNDAY

Scripts by Dennis Koenig. First drafts [(08/02/83) & (08/24/83)], second draft (08/17/83), revised final (10/03/83).

THANKSGIVING OF '53

Scripts by Dennis Koenig, Ken Levine and David Isaacs. First draft (06/24/83), Revised first draft (06/29/83), final draft (10/11/83).

TOGETHER AGAIN

Scipts by Larry Gelbart. First draft (07/05/83), Revised first (07/13/83), Final draft (07/08/83).

UP AND DOWN PAYMENTS

Scripts by Ken Levine and David Isaacs. First draft (01/05/83 [sic]), final draft (01/13/84), revised final (01/25/84).

YOURS TRULY, MAX KLINGER

Scipts by Ken Levine and David Isaacs. First draft (10/26/83), (11/02/83), (12/01/83).

GEORGE JESSEL SHOW, THE

Script. No author, draft marked "Revised 9/5/52, annotated, 45+ pages.

Outline of the "Theme and Arc of the Play." Marked "Sondheim idea." November 3, 1991. 11 pages. Includes photocopied pages from "Sure Thing."

Handwritten and typed notes, entitled "Nothing Sacred." No date. 12 pages.

Changes to the script ("Nothing Sacred") as suggested by Ray Stark and Ross Bell. Some handwritten, most typed with annotations. November 1992. 5 items.

Correspondence regarding the updating of the 1937 film "Nothing Sacred" and the possible adapatation of "Stinking Creek." April 1994. Handwritten notes.

Handwritten notes on a legal pad. Notes about plot points and character development. No date.

Script entitled "Nothing Sacred" by Larry Gelbart. First draft, with laser printer cover sheet, dated 10/25/92, 106 p.

Scripts entitled "Nothing Sacred" by Larry Gelbart. First drafts, 10/29/92, annotated, 38 pages, 41 pages, 43 pages.

Revision pages, heavily annotated, entitled "Nothing Sacred." no dates.

Script entitled "Nothing Sacred" by Larry Gelbart. With Laser printer cover sheet and inserted handwritten notes. Draft, 10/22/92, annotated, 102 p.

Incomplete Script: Entitled "Nothing Sacred." By Larry Gelbart. No date. 37 pages.

Script entitled "Nothing Sacred" by Larry Gelbart. Draft, 10/18/92, 83 p.

Incomplete script entitled "Nothing sacred" by Larry Gelbart. Draft, no date, pp. 1-38. - Revision pages (3).

Script entitled "Nothing Sacred" by Larry Gelbart. With Laser printer cover sheet. Draft, 09/27/92, 68 p.

Script entitled "Nothing Sacred" by Larry Gelbart. No date. 63 pages.

Scripts entitled "Nothing Sacred" by Larry Gelbart. Draft, 10/17/92, 76 p. - Draft, n.d., annotated, 46 p. - Draft, n.d., 46 p.

Revision pages and breakdown, entiled "Nothing Sacred." No dates. 2 items.

Script by Larry Gelbart. With cover letter from Ray Stark. Draft, 02/20/93, annotated, 92+ pages.

Script by Larry Gelbart. Draft, February 20 1993, 123 p.

Script by Larry Gelbart. With Laser Printer cover page. Draft, February 16 1993, heavily annotated, 116 p.

Script entitled "Nothing Sacred" by Larry Gelbart. First draft, October 30 1992, 128 p.

Script by Larry Gelbart. Draft, with laser printer cover page, 02/04/93, annotated, 90 p.

Script by Larry Gelbart. Draft, with laser printer cover sheet, February 18 1993, 125 p.

Script entitled "Nothing Sacred," (20th Century-Fox, 1937). Written by Ben Hecht, June 12 1937, xeroxed copy, 65 p. plus xeroxed stills from the film.

Step outline, 12/15/92, 11 p. - Notes on first draft from Ray Stark at Columbia Pictures, 11/20/92, 5 p.

Script by Larry Gelbart. Draft with laser printer cover sheet, February 14 1993, 103 p.

Script by Larry Gelbart. Third draft, May 6 1993, annotated, 115 p.

Script by Larry Gelbart. Draft, May 10 1993, 118 p.

Script by Larry Gelbart. Revised draft, April 1993, annotated, 123 p.

Script by Larry Gelbart. Draft, February 20 1993, 123 p.

Photocopied article from the Los Angeles Times: "California and the West, A Tainted Legacy, Toxic Dump Site in Riverside County Has Sparked the Nation's Largest Civil Suit," 01/10/93. 2 items.

Photocopied article from the New York Times: "Largest-Ever Toxic-Waste Suit Opens in California," 2/5/93. 2 items.

Photocopies of a reprinted Cosmolitan article, "Nothing Sacred," by James Streets. Memo from Ray Stark to LG, 1/16/92. 3 items.

Script by Larry Gelbart. Third draft, May 6 1993, 116 p. - Misc. Notes and note cards.

Sketches for an Art Carney special. No date. 6 items.

BEST OF ANYTHING, THE

Script by Sheldon Keller and Larry Gelbart. First draft, 02/18/60, 62 p.

SMALL WORLD, ISN'T IT

Scripts by Larry Gelbart and Shelley Keller. Final draft, 09/28/59, 60 p. - Draft, n.d., annotated, 60 p.

VERY IMPORTANT PEOPLE

Scripts by Larry Gelbart and Sheldon Keller. Final draft, "as aired," 11/27/59, annotated, 63 p. - Final draft, 11/27, 80 p. - First draft, 11/13/59, 66 p.

Handwritten draft on legal sized paper. Dated 11/23 - 27/78.

Typed copy, 73 pages. "As done/seen at Stanford, Conn., 11/18/78." Annotated.

Typed copy, 80 pages. Dated 11/24/78. Annotated.

Incomplete scripts, pages dated 11/24-29, 1978.

Playbill for the Morosco Theater, NY, November 1978 and miscellaneous publicity materials.

Screenplay, pages 2 - 137, annotated by L.G. Another draft, pages 2 - 106, annotated by L.G.

Screenplay. August 9 1990, 105 pages.

Screenplay by Larry Gelbart, first draft, August 24 1990, annotated, 135 pages.

Screenplay by Larry Gelbart, first draft, September 1, 1990, 135 pages. Different draft, September 1, 1990, 134p.

Screenplay by Larry Gelbart, first draft, September 10, 1990, annotated, 135 pages.

Screenplay by Larry Gelbart, first draft, September 12, 1990, 137 pages.

Screenplay by Larry Gelbart, second draft, December 12, 1990, 135 pages.

Screenplay by Larry Gelbart, March 13 1992, 115 pages. - Revised pages, same date.

Screenplay by Larry Gelbart, revised draft, March 19, 1991, annotated, 118 pages.

Screenplay by Larry Gelbart, revised draft, November 1991-March 1992. 205 scenes/shots.

Screenplay by Larry Gelbart. Draft with laser printer cover sheet, April 7 1991, 43p. Another draft, April 5, 1991, 41p.

Script by Larry Gelbart. Revised draft, with laser printer cover sheet, annotated, April 10, 1991, 139 p. Clipping from L.A. Times "TV Times," March 14-20, 1993.

Script by Larry Gelbart. Fourth Draft, April 22 1991, heavily annotated, 133 p.

Script by Larry Gelbart. Revised draft, October 28 1991, 106 p.

Script by Larry Gelbart. Revised draft, November 1 1991, 112 p.

Screenplay. Revised, 01/17/92, 111 p. [Pages with revisions are noted on title page.]

Revisions of the opening scene, Dated June 23 (8 pages), 24 (12 pages), 25 (16 pages), 27, 1990 (22 pages). Handwritten notes, 2p. Rehearsal schedule, 1p. Revised script pages, March 13 and 27, 1992, 2p.

Revised sections, dated July 21, 29, 31 1992, and September 17 1992. Scene breakdown, April 22, 1991, 11p. Outline of script, October 20, 1990, 3p. Correspondence.

Screenplay. Incomplete script, revision pages, 9/18/92. Handwritten notes, 9/20/92, 4p. Misc. revised script pages. Correspondence re: network standards.

Oneline Schedule, 18 pages, 18 March 1992 and Crew List, 7 pages, March 21, 1992.

Network standards acceptability report with suggested revisions, September 15, 1992.

Research materials: Production book including: Comments on revisions, Research for Major Wall Street Events, Timetable, Major Players, and Story Breakdown. June, 1990.

Research packet for production. Annotated. No date.

Research packet for production. Character studies and articles on major business personalities. Annotated. No date.

Research packet: Corresondence regarding rewrites, Current Research, Reviews, Ross Johnson background and RJR Nabisco background. February, 1990. Annotated. Handwritten notes, 2p.

Correspondence, 1992. Regarding casting and other production concerns.

Clippings, May 1992. Regarding filming. Invitation to Los Angeles premiere screening at Director's Guild, 3/9/93.

Story breakdowns, n.d. and 2/22/90 (2 items). Handwritten notes, 5p. Correspondence. Research materials. Clippings re: "Barbarians at the Gate," Michael Milken, RJR Nabisco, Ivan Boesky, and other related topics.

Articles and reviews. 1992-3. (xerox copies).

Reviews of the production, 1992-3. (Clippings and xerox copies).

Miscellaneous: Barbarians At the Gate Dinner Invitation. - Emmy nomination certificate (1993). - Acceptance speeches (6) with annotations.

Transcript of interview of Larry Gelbart by Maggie Schmidt, with corrections and annotations by Larry Gelbart. - Cover letter explaining corrections, November 17, 1992.

Congratulatory letters to Larry Gelbart regarding ACE and Golden Awards, January 1994. Approx. 50 items.

Publicity, letters, clippings re the 15th Annual National Cable ACE Awards, November 1993. - Letters re the First Annual American Televison Awards, May 1993.

Emmy Awards, 1993: Letters (2) of congratulations. - 3 B/W photos of Larry Gelbart w/people. - Emmy Tickets (4). - HBO Emmy booklet. - Emmys Seating list. - Emmy Program.

Unbound published manuscript. Marked "Keep Hearing Dodger Games -- Election Stuff." Annotated, no date for annotations.

Book: "Barbarians at the Gate: The Fall of RJR Nabsico," by Bryan Burrough and John Helyar, Harper and Row, 1990. Annotated by Larry Gelbart.

Script, no author, July 1973, Artists: Ray Charles and Raelets. Incl. shooting and rehearsal schedules, 72 pages. - Typed drafts (4) of monlogue for Barbra Streisand, one annotated [by L.G.].

Shooting script, by Peter Cook, from a story by Peter Cook and Dudley Moore, n.d., 145p.

Partial outline of script, n.d., 27p. Notes and outline, n.d., 12p. Notes, n.d., 4p. Partial outline, 4/8/98, 11p. Outline, first draft, 3/11/98, 30p. Research and correspondence regarding remaking the 1967 film, 12/97 - 2/98. Approx. 30 items.

Screenplay by Larry Gelbart, Norman Panama, and Peter Barnes. Draft, 12/01/64, 137 p.

Script. AKA "Love Rio." No author. Dated 4/20/82.

Script by Larry Gelbart. Dated 1/25/83.

Script. No date. No author.

Script by Charlie Peters. AKA "One Little Mistake" Dated 11/13/81.

Script by Charlie Peters. AKA "Carnival." Dated 12/16/81.

Script by Charlie Peters. AKA "Rio." Dated 02/18/82.

Script by Larry Gelbart. AKA "Love Rio." Dated 03/05/83.

Revisions. AKA "Love Rio." Dated 12/30/82 - 1/25/83.

Script by Larry Gelbart. Dated 03/08/83.

Revised pages. Dated 03/12/83.

Continuity script by Larry Gelbart. AKA "Rio." Dated 07/05/83. Annotated.

Scripts by Larry Gelbart. Dated (03/08/83), (03/12/83), (07/06/83).

Script. Dated 12/30/82. Revised (01/12/83), (01/20/83), (01/25/83).

Partial script, pp. 1-85. No date. Annotated.

Partial script, pp. 1-96. No date. Annotated.

Script revisions. pp. 1-85. No date. Heavily annotated.

Script revisions. Dated 12/30/82. Annotated.

Clippings, reviews, marketing kit, schedule, personnel list.

Loose pages of scripts, handwritten and typed. Includes revisions December 1982 - August 1983.

Lobby card and ad "introducing Michele Johnson".

Sketches, dialogue, back spots, incomplete scripts. 1951-2.

Sketches, dialogue, incomplete scripts. No dates.

Sketches, some titled, some dated, some co-written. Additional dialogue and Back Spots for individual shows, some identified by guest star, some by date. Folders 18-41.

Folders 1-30: Additional materials (dialogue, back and middle spots) for specificc shows, some identified by date or guest star.

Sketches, back spots, additional dialogue, some dated between 1949-1952), some titled. 63 folders.

Show # 1-7

Scripts, in chronological order, 9/14/48 - 10/25/48. For NBC Radio. Most scripts signed "Larry Gelbart".

Show # 29-35

Scripts. In chronological order: 03/29/49 - 05/10/49. Most signed Larry Gelbart.

Show # 36-42

Scripts. In chronological order: 05/17/49 - 09/27/49. Most signed Larry Gelbart.

Show # 43-49

Scripts. In chronological order: 10/14/49 - 11/15/49. Most signed Larry Gelbart.

Show # 50-56

Scripts. In chronological order: 11/22/49 - 01/03/50. Most signed Larry Gelbart.

Show # 57-63

Scripts. In chronological order: 01/10/50 - 02/02/50. Most signed Larry Gelbart.

Show # 64-70

Scripts. In chronological order: 02/28/50 - 03/21/50. Most scripts signed Larry Gelbart.

Show # 71-77

Scripts. In chronological order: 04/18/50 - 05/30/50. Most signed Larry Gelbart.

Show # 78-84

Scripts. In chronological order: 10/03/50 - 11/14/50. Most signed Larry Gelbart.

Show # 8-14

Scripts. In chronological order. 11/09/48 - 12/21/48. Most signed Larry Gelbart.

Show # 85-91

Scripts. In chronological order: 11/21/50 - 01/02/51. Most signed Larry Gelbart.

Show # 91-98

Scripts. In chronological order: 01/09/51 - 02/20/51. Most signed Larry Gelbart.

Show # 99-105

Scripts. In chronological order: 02/27/51 - 04/17/51.

Show #106-112

Scripts. In chronological order: 04/10/51 - 05/29/51.

Show #113-115

Scripts. In chronological order: 06/05/51 - 06/26/51.

Show #120-124

Scripts. In chronological order: 10/31/51 - 11/27/51.

Show #131-134

Scripts. In chronological order: 01/15/52 - 02/05/52.

Show #139-142

Scripts. In chronological order: 02/26/52 - 03/25/52.

Show #147-9

Scripts. In chronological order: 05/06/52 - 05/20/52.

Show #15-21

Scripts. In chronological order. 12/28/48 - 02/08/49. Most signed Larry Gelbart.

Show #22-28

Scripts. In chronological order. 02/15/49 - 03/02/49. Most signed Larry Gelbart.

Publicity booklet (simulation of Life Magazine), cover autographed by people involved with the show, dated 1949. - Spiral-bound booklet with photographs and cartoons for the "Pacific Tour 1950".

Sketches, dialogue, incomplete scripts. 1951-2. Some signed Larry Gelbart.

Folders 31-47: Miscellaneous materials for titled and untitles sketches, identified by guest star, location of show, seldom by date.

Outline for script. Written by Larry Gelbart and Stephen Sondheim. No date. 18 pages.

Show #31-32

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks, et al. 9/26/55 - 10/03/55.

Show #33-34

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks, et al. 10/10/55 - 10/24/55.

Show #35-36

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks. 10/31/55 - 11/07/55.

Show #38-39

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks. 11/28/55 - 12/5/55.

Show #40-41

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks, et al. 12/19/55 - 12/26/55.

Show #42-43

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks. 01/02/56 - 01/16/56.

Show #44-45

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks. 01/23/56 - 02/06/56.

Show #46-47

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks. 02/13/56 - 02/20/56.

Show #48-49

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks, et al. 02/27/56 - 03/12/56.

Show #50 & #52

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks. 03/19/56 & 04/09/56.

Show #54-55

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks. 04/23/56 - 05/07/56.

Show #56 & #58

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks. 05/14/56 & 06/04/56.

Show #59-60

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks. 06/11/56 - 06/18/56.

Show #61-62

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks. 09/15/56 - 09/22/56.

Show #63-64

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks. 10/13/56 for both.

Show #65-66

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks. 10/20/56 - 11/03/56.

Show #67 & #69

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks. 11/10/56 & 12/01/56.

Show #70-71

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks. 12/08/56 - 12/15/56.

Show #72-73

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks. 12/29/56 - 01/05/57.

Show #74-75

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks, et al. 01/12/57 -01/26/57.

Show #76-77

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks, et al. 02/02/57 - 02/09/57.

Show #79 & #81

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks. 03/02/57 & 03/23/57.

Show #82-83

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks. 03/30/57 - 04/06/57.

Show #84-85

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks, et al. 04/20/57 -04/27/57.

Show #86-87

Scripts by Mel Tolkin, Larry Gelbart, Mel Brooks. 05/04/57 - 05/18/57.

Show #88

Script by Mel Tolkin, Larry Gelbart, Mel Brooks, et al. 05/25/57.

Scripts by Larry Gelbart. Drafts dated 10/31/66, 61 pages and 139 pages.

Film treatment by Larry Gelbart, based on an original screenplay by Roman Polanski & Gerard Brach, Jan.15, 1966, manuscripts: 4p.,4p., 51p.- First draft screenplay, April 18, 1966, manuscript, 184 p.

Original screenplay by Roman Polanski and Gerard Brach. English version by David Stone. 149 p., n.d., heavily annotated.

Film treatment by Larry Gelbart, 15 January, 1966, 50 pages.- Treatment, typed copy with annotations, n.d., 57 pages.

First draft by Larry Gelbart based on script by Roman Polanski and Gerard Brach, 18 April, 1966, 169 pages. - Screenplay by Larry Gelbart based on.., 18 April, 1966, 157 pages.

Screenplay by Larry Gelbart entitled "The Impotence of Being Ernest", revised draft, January 10, 1967, 113 pages, (2 copies).

Scripts, air date November 3, 1961, 77 pages and 85 pages. Writers: Larry Gelbart and Gary Belkin. Includes rehearsal schedule, and several pages of revisions.

Scripts, air date November 3, 1961, 85 pages w/revisions inserted. - Several pages of revisions.

Script (final) for November 2, 1958. [Signed by Larry Gelbart]

Script, dated 5/30/98, 121p.

Script, dated 6/7/98, 127p.

Script, dated 4/25/98, 128p.

Photocopied published script of stage play, n.d., 91p. Correspondence and clippings, 10/96 - 2/98. Approx. 30 items.

Script, incomplete, heavily annotated with inserted handwritten pages, n.d., approx. 84p.

Correspondence, 12/97 - 6/98. Misc. script pages, 5/5/98, 8p. 24 items.

Correspondence, 40 items, regarding production, deals with Miramax, rights to the play, origins of the play, etc. One letter includes an article and two others include legal materials. Winter, 1995.

Rewrites and handwritten notes, in packets dated: 2/13/60, 6/2/95, 6/12/95, 6/13/95, 7/2/95, 7/5/95, 9/15/95, 9/27/95, 10/10/95, 11/6/95, 9/13/96, one packet of undated materials.

Screenplay by Larry Gelbart. Music by John Kander, Lyrics by Fred Ebb. Based on the play by Maurine Watkins. Draft, April 15 1996, annotated, 118 p.

Screenplay by Larry Gelbart. Music by John Kander. Lyrics by Fred Ebb. Base on the play by Maurine Watkins. First draft, August 18 1995, annotations, 124 p. 3 copies.

Screenplay: handwritten title page, dated September 16 1995. Draft, annotated, pp. 1-134.

Partial screenplay. No title page. Draft, September 23 1995, pp. 1-42.

Screenplay: No title page. Draft, October 9 1995, 131 p.

Screenplay: No title page. Draft, October 14 1996, 112 p.

Screenplay by Larry Gelbart. Music by John Kander. Lyrics by Fred Ebb. Based on the play by Maurine Watkins. Draft, October 16 1995, 133 p.

Screenplay by Larry Gelbart. Music by John Kander. Lyrics by Frank Ebb. Based on the play by Maurine Watkins. Revised draft, September 24 1996, annotated, 97 p.

Screenplay: No title page. Draft, October 15 1996, 113 p.

Facsimilie correspondence re - London Production. Includes some reviews. Materials dated throughout 1993.

"Prompt Book". A Musical Comedy. Book by Larry Gelbart. Music by Cy Coleman. Lyrics by David Zippel. Score copyright 1989, Notable Music Company. Book copyright 1990 by Gelbart, Coleman and Zippel.

Script (same as the "prompt book"), heavily annotated, Revised 10 May 1993.

Prompt book for Japanese Production, 1992.

Play, hardcover published by Applause Theater Book Publishers, New York, 1990. Includes introduction by Larry Gelbart.

Script, heavily annotated, revised July 1, 1995.

Script, heavily annotated, marked "Tab Version", revised June 1, 1993.

Reviews and Press Packets dated throughout 1994. Includes packet from the Cerritos Center for the Performing Arts re his donation to the Celebrity Silent Auction, June 1994.

Correspondence (fax) re London cast recording (Notable Music Company) 1993. - Drafts of "From the West Coast to the West End", w/ 2 pp. of ms notes. - Draft and copies of "Real to Reel" Aug. 1993.

Magazine and newspaper clippings re Broadway production. Articles dated throughout 1993.

Handwritten notes for script. No date.

Reviews for production, dated throughout 1991.

Revisions for introduction to the Applause publication of the play Aigust, 1990, 3 copies. - Revisions of article "Flashback"(?) for Souvenir Program, March 1990, 3 copies.

Reviews for various productions. 1991-1993, incl. some interviews. - Revisions of description of play for Tams-Witmark catalog, 1992, 3 copies.

Letters and cards of congratulation regarding opening of show in London, 1993.

Prompt book, "Tab Version", revised June 1, 1993, Tams-Witmark Music Library, Inc., NYC. Heavily annotated.

Script for New York Production, dated 11/01/90. Directed by Michael Blakemore.

Xerox copy of script for New York production, includes note from Andrew Treagus Associates, London.

Piano-Conductor's Score. Tams-Wittmark Music Library, Inc.

"Souvenir Brochure" (3 copies), program, ad flyer, ticket stubs (3) for Prince of Wales Theatre production, incl. some London reviews, 1993. - Intinerary of touring company and reviews, 1993-94.

Prompt book, in Swedish.

Reviews and letters of congratulations, 1992-1994. 5 items.

Vocal selections, published, Notable Music Co., 1990. 64p.

Correspondence with Robert Fox Ltd. re - Laurence Olivier Award, May, September, October, 1994. 4 items.

Program for Norwegian production, 1993. - Shenandoah Summer Music Theatre, 1994. - Two snapshots of ticket line, city unidentified. - 1993 Evening Standard Theatre Guide.

Letters of congratulations re opening, 1991, incl. some reviews. - Correspondence w/ City of Angels Hospice Organization. - Agreement, signed, for New York Public Library videotaping.

Scripts, (prompt book), revised May 25, 1995 with annotations.

Script, revised December 24, 1989.

Newspaper and magazine reviews for various productions, 1991-1993.

Program (2 copies) for Japanese Production. - Bryam Hills High School, 1993. - University of Iowa, Hancher Auditorium, 1991. - University of California, Irvine, n.d.

Correspondence re various productions, including Japan, and regarding interviews. 1992.

Reviews, playbills, and photographs from the German language reviews and playbills. Heobronn, 1995.

Correspondence and clippings, 2/94 - 3/98.

Correspondence and memos re productions, incl. touring company, 1991-1993.

Presskit "1990's Tony Award Winner." - Souvenir Program. - L.A. Performing Arts, Shubert Theater, August 1991. - Tempe, AZ, Gammage Auditorium, 1991. - CBA 68th Annual Christmas...Production, 1991.

Reviews (approx. 60 items) regarding broadway production. 1990.

Reviews (approx. 50 items) for Broadway production. 1989-90.

Script entitled "Death is For Suckers: A Musical Comedy." Music by Cy Coleman, Lyrics by David Zippel and book by Larry Gelbart. Working draft, dated May 1 1988.

Script, marked "COA Book." Book: Gelbart, Music: Coleman, Lyrics: Zippel, Director: Michael Blakemore. Revised draft, January 25 1990.

Legit Grosses as reported in Variety. Summer-Fall 1990.

Reviews (approx. 60 items) 1990. - Typescript, (in 2 acts), marked "Working Draft", entitled "Death Is For Suckers", dated 1/1/88. (Music: Coleman / Lyrics: Zippel).

Reviews regarding Broadway production. 1991. approx. 100 items.

Reviews regarding Broadway production. 1990. approx. 100 items.

Revision notes. Handwritten by Larry Gelbart. No date.

Correspondence (10 items) regarding possible titles for production (Death is For Suckers & Double Exposure). - Title research report re: "Double Exposure," (1989). - Contract.

Production materials - casting, contact sheets, and schedules. October 1989. 20 items.

Notes regarding practices and dress rehersal. Dated 04/06/91, 06/10/91, and 06/06/91. Annotated.

Photograph: Tony awards (1990). David Zipple, Cy Coleman, Larry Gelbart, Pat Gelbart and one unidentified man.

Letters of congratulations. 1989-90. Aprox. 100 items.

Cards of congratulations. 1989-90. 50 items.

Miscellaneous regarding a benefit performance for City of Angels Hospitce (06/05/91). - Invitation - Program - Article for the program by David S. Koslow - Materials for Koslow - Misc. corresondence.

Script, in Danish. Translated by Jesper Kjaer. No date on translation.

Copy for ads for West coast production. Heavilly annotated. 1989.

Outline - Balance of Act One. July 27, 1984. No author.

Revisions to book by Larry Gelbart. Annotated. Spring 1988. 6 items.

Revisions to lyrics. Spring 1988.

Revisions to Book and to Lyrics. 1989. 28 items.

Script for Act One Only. Entitled "Death is for Suckers." Draft, dated June 15 1987.

Script entitled "Death is For Suckers: A New Musical Comedy." Working draft, June 16 1987.

Script entitled "Death is For Suckers: A New Musical Comedy." June 17, 1987.

Script entitled "Death is For Suckers: A New Musical Comedy." Working draft, January 1 1988, annotated.

Segment scripts for 1990 Tony Awards presentation (May 30, 1991). Includes rundown of Awards Ceremony.

Reviews for Los Angeles production. 1991.

Reviews for Los Angeles production. 1991.

Casting for Production. October 1990.

Press packet with photos (6). - Ad for "Angels Care: A cabaret to benefit Broadway Cares," April 7 1990. - Program from Hospice Follies 1990.

Story board for City of Angels advertisment (television?). Re: Broadway performance. No date.

Press packet to promote the play after receiving the Tony Award (1991). - Orange county program (Nov. 1991) - Programs and souveniers from the Schubert Production (June 5, 1991).

Script entitled "Death is for Suckers." Working draft, November 15 1988.

Script entitled "Death is For Suckers." Working draft, December 15 1988, annotated.

Script entitled "Death is For Suckers." Working title, draft, February 1989.

Script entitled "Death is For Suckers: A Musical Comedy." Music: Coleman, Lyrics: Zippel, Book: Gelbart. Draft, April 15 1989.

Script entitled "Double Exposure: A Musical Comedy." Director: Michael Blakemore. Draft, May 5 1989.

Script draft September 1, 1989. Marked "Larry Gelbart."

Playbills for the 1990 Tony Awards at the Lunt-Fontanne Theater. June 3, 1990. Includes invitation, ticket stubs, and seating arrangements.

Two playbills from the Virginia Theater and Two Vocal Selection books from the play.

Partial script entitled "Death is For Suckers." includes outline. Dated June - October 1982. Partially handwritten, annotated.

Script entitled "Death is for Suckers." Typed draft of act one (07/13/83). - Outline for act one (01/10/83). - Handwritten draft of act one (07/08/83).

Revised pages, typed, 06/10/85. - Handwritten draft, no date.

Script: Prologue-Act One, March 11 1987. - Act I, March 20th. - Annotated Act I, March 9th. - Rev. pages, March 25th. - Handwritten outline, January 27 1987.

Proof for publication of the musical by Applause Theatre Books, 1990, 166 pages.

Script by Larry Gelbart. Handwritten draft, no date, annoated.

Outlines and notes for book. Handwritten by Larry Gelbart. No date.

Piano conductor scores for various numbes.

Color photographs, 6 items 8x10, 3 items 11x14.

Artwork for advertisement, color.

Screenplay adaption, heavily annotated by Joe Leonards. Cover letter, June 1, 1995.

Christmas 1946. Script by Larry Gelbart, et al., dated September 9, 1946. [Signed Larry Gelbart]

Show #234-243

Radio scripts for the Armed Forces Radio Service, by Larry Gelbart et al. Volume I: June 18 - August 20, 1946. [Several signed by Larry Gelbart]

Show #244-249, #252-254

Radio scripts by Larry Gelbart, et al., Volume II: August 27 - November 5, 1946. [Most signed by Larry Gelbart]

Show #255, #257-262, #268-270

Radio scripts by Larry Gelbart, et al., November 12, 26, 1946 - January 2, 1947, February 11-25, 1947. [Most signed by Larry Gelbart]

Show #271-279, #336

Radio scripts by Larry Gelbart, et al., March 4 - April 29,1947, June 15, 1948. [Most signed by Larry Gelbart]

Scores with lyrics for musical numbers, handwritten. Music by Moose Charlop, lyrics by Norman Gimbal. Incl. one song with words and music by Larry Gelbart and Sheldon Keller.

Drafts of Act I: "original script", "second draft", "third draft". Uncollated pages for individual scenes, some dated December 5, 6, 7, 1960.

Two revisions for Act I. - Uncollated pages for numerous revised scenes. Some dated in December 1960.

Drafts of Act II: "first draft". - Scenes 1-11. - 2 sets of manuscript notes. Scenes 1-7 (incomplete). - Uncollated revisions of individual scenes, pages dated in December 1960

Revised scripts, entitled "The Hero", two acts. n.d. Book by Larry Gelbart, lyrics by Norman Gimbal, music by Moose Charlop, Robert Whitehead, Producers Theatre, NYC.

Pages of revisions for Act I and II. Some dated in December 1960.

Playbills, November 1960 - Jan. 1961 (New Haven, Philadelphia, Washington, D.C, New York), Souvenir Programs (2 copies).

Congratulatory letters and telegrams, November 1960 - January 1961. Incl. one clipping/review.

Photographs, Moose Charlop and Norman Gimbal. 2 items.

"Pilot"

Script by Mel Tolkin, Sheldon Keller, Herbert Baker, Sual Ilson, Ernest Chambers, and Larry Gelbart. - Draft, 08/10/63, 44 p.

Episode # 2

Script by Herbert Baker, Mel Tolkin, Sheldon Keller, Saul Ilson, Ernest Chambers, and Larry Gelbart. Draft, 08/17/63, 71 p.

PRIMER

Typed notes for episode, 8 p. - Handwritten version. 2 items.

Scripts, signed "Larry Gelbart", September 21 - November 21, 1945. 10 episodes. - Script for Preview, April 25, 1945.

Scripts, signed "Larry Gelbart", November 29, 1945 - February 1, 1946. 10 episodes.

Scripts, signed "Larry Gelbart", February 8 - April 17, 1946. 11 episodes.

Scripts, nos 1-10, by Larry Gelbart, et al., October 2 - December 4, 1946. [Signed "Larry Gelbart"]

Scripts, nos. 11-21, by Larry Gelbart, et al., December 11, 1946-February 19, 1947. [Signed "Larry Gelbart"]

Script materials by Larry Gelbart, Sid Dorfman, and Vince Bogert for 1st, 2nd, 3rd spots and monologues. 1945-1946.

"Revised Outline of Revue for..", by Larry Gelbart. No date, 11 p.

Manuscript of screenplay (scenes 1-290), 141 pages, n.d. - Typed script (scenes 1-274), 138 pages, heavily annotated, pages inserted, n.d.

Manuscript for scenes 1 through 104, 51 pages. - Typed and manuscript scenes 1 through 331, 166 pages plus inserts.

Handwritten notes for scenes 1 through 76 and 15 through 44. - Ms notes "Loose T.E.B.", 3 pages. - Suggested cast, 4 pages. - Unsigned letter to Voiceprint Laboratories, n.d. - 2 sets of 'scene cards'.

Screenplay Larry Gelbart. From the novel by Richard Condon. July 1, 1968, 138 pages. - Carbon copy marked "First Draft", dated 10 July 1968, 138 pages.

Carbon copy of "First Draft", 144 pages, n.d. - Synopsis, cover page dated August 1969, 27 pages, with 2-page "Background". - Partial scripts, shots 1-100, 512 pages.

Screenplay by Larry Gelbart, dated April 15, 1969, 138 pages.

Screenplay, some annotations, n.d., 145 pages.

Correspondence with Richard Condon related to script and production issues, 1968-1972.

Outline for a dramatic series, February 1, 1955, 2 p. Written by Larry Gelbart. Includes MS draft.

A Cautionary Comedy by Larry Gelbart and Gary Markovitz. Drafts (2), May 21 1989, 11 p. - Draft, June 1 1989. - Correspondence.

Scripts by Larry Gelbart, Gary Markowitz, Denis Boiteau, and David Stansfield. Draft, no date, 124 p. - Draft, no date, 120 p.

Screenplay by Arthur Ross and Larry Gelbart. Marked "first drafrt, #3." No date. 36 p.

Screenplay, 159 pages. includes 2-page letter to Charles K. Feldman by Stanley Shapiro, 4-26-60.

Screenplay, carbon copy, n.d., 146 pages.

Screenplay by Larry Gelbart, September 25, 1961 (Prod. # 8593), 170 pages. - Loose pages (revisions). - Handwritten notes, total of 9 pages.

Correspondence and memos, 7/97 - 11/97. 11 items.

Press kit, 4/97, 23p. Correspondence and memos, 11/97 - 1/98. 26 items.

Correspondence and photocopied clippings, 1/98 - 3/98. 7 items.

Script entitled "Savage Tales of Speed" by Gary Markowitz, revised, 4/8/97, 111p.

Correspondence, memos, and notes, 1/97 - 6/97. - Shooting schedule, 5/28/97, 42p. - Director's prep schedule, 5/27/97, 1p. - Crew list, 5/23/97, 9p. Approx. 80 items.

Correspondence, memos, and notes, 7/97 - 8/97. approx. 100 items.

Correspondence, memos, and congratulatory cards, 9/97 - 10/97. Approx. 90 items.

Clippings and photocopies of clippings, 8/97. Approx. 100 items.

"Pilot"

Script, revised final draft, missing cover page, 5/16/97, 111p.

BECKETT'S RETURN

Pilot script by Gary Markowitz, revised final draft, 5/20/97, 59p. - Revised final draft, 5/30/97, 52p. - Revised pages, 6/20/97, 6p. - Revised pages, 6/23/97,4p. - Revised pages, 7/3/97, 4p.

CANNIBALIZATION

Packet of notes and reference materials, 5/2/97 - 6/1/97, 59p.

CHANGE OF HEART

Script by Gary Johnson, 1/12/98, 57p. - Script, 1/12/98, 58p. - Revised pages, 1/12/98, 3p.

COMBUSTION

Script by Seth Freeman, revised draft, 8/13/97, 61p. - Revised pages, 8/9/97, 7p. - Revised pages, 8/13/97, 19p. - Revised pages, 8/14/97, 5p. - Revised pages, 8/15/97, 3p. - Revised pages, 8/17/97, 22p.

DECONSTRUCTING EAGLE RIDGE

Script by Gary Markowitz, revised draft, 1/6/98, 79p. - Script, 1/8/98, 60p. Script, 1/12/98, 58p. - Script, 1/14/98, 58p. - Revised pages, 1/9/98, 10p - Revised pages, 1/15/98, 11p.

FAST MONEY

Script by Peter Hume, revised final draft, 7/22/97, 57p. - Revised pages, 7/23/97, 14p. - Revised pages, 7/24/97, 4p. - Revised pages, 7/30/97, 1p.

FATHERS AND SONS

Script by Seth Freeman, internal draft, 6/23/97, 55p. - Script, final draft, 6/25/97, 61p - Script, revised final, 7/3/97, 58p. - Script, 7/7/97, 60p. - Script, 7/10/97, 60p.

Script by Seth Freeman, revised final, 7/14/97, 55p. - Revised pages, 7/16/97, 8p. - Revised pages, 7/17/97, 7p. - Revised pages, 7/18/97, 3p. - Revised pages, 7/24/97, 2p.

FIGHTING WORDS

Script, "staff written first draft," 10/3/97, 59p.

Script by Gary R. Johnson, revised draft, 10/6/97, 62p. - Script, 10/9/97, 65p. - Revised pages, 10/15/97, 18p. - Revised pages, 10/16/97, 15p.

GOING JAPANESE

Script by Gary Markowitz, revised draft, 11/11/97, 63p. - Script, 11/5/97, 62p. - Revised pages, 11/17/97, 33p. - Revised page, 11/19/97, 1p. - Revised pages, 11/21/97, 2p. - Revised page, 11/24/97, 1p.

GRUDGE

Packet of notes and outlines for episode, by Gary Johnson, 9/28/97 - 9/29/97. 35p.

GUYS WITH GUNS

Script by Ashley Gable & Thomas A. Swyden, revised draft, 12/17/97, 58p. - Script, 12/18/97, 56p. - Script, 1/2/98, 56p. - Revised pages, 12/19/97, 15p. - Revised pages, 1/5/98, 8p. - Revised pages, 1/6/98, 4p.

JEFF'S BACK

Script by Stephen McPherson, revised draft, 11/26/97, 57p. - Script, 12/2/97, 58p. - Script, 12/5/97, 58p. - Revised pages, 12/3/97, 12p. - Revised pages, 12/8/97, 7p.

KAT'S CRADLE

Script by Anne Beatts, revised draft, 10/24/97, 64p. - Script, 11/3/97, 63p. - Revised pages, 11/4/97, 19p. - Revised pages, 11/6/97, 4p. - Revised pages, 11/7/97, 2p.

KENNEDY GETS A RIDE

Script by Allison Adler, writer's draft, n.d., 58p.

Script by Allison Adler, published draft, 9/11/97, 79p.

LAP OF FAITH

Script entitled "Act of Faith" by Ashley Gable & Thomas A. Swyden, writer's second draft, 6/22/97, 52p. - Script, 6/24/97, 54p. - Script, 6/27/97, 54p. - Script, 7/2/97, 54p. -Revised pages, 7/1/97, 6p. - Revised pages, 7/2/97, 26p.

Revised pages, 7/3/97, 6p. Revised pages, 7/4/97, 5p. Revised pages, 7/7/97, 21p.

LIFE IN THE FAST LANE

Script, writer's second draft, missing cover page, 9/15/97, 59p.

REAL TIME

Script by Roger Lowenstein, 10/16/97, 58p. - Script, 10/21/97, 59p. - Script, 10/24/97, 58p. - Revised pages, 10/29/97, 19p. - Notice of Intended Writing Credits, Writers Guild of Canada, 11/4/97 (3 items).

Script by Roger Lowenstein, revised draft, 10/21/97, 59p.

SIBLING RIVALRY

Script by Ashley Gable & Thomas A. Swyden, writers' first draft, 9/22/97, 59p.

Script by Ashley Gable & Thomas A. Swyden, revised draft, 9/26/97, 63p. - Script, 9/30/97, 63p. - Script, 10/2/97, 58p. - Revised pages, 10/3/97, 19p. - Revised pages, 10/6/97, 22p. - Revised pages, 10/7/97, 8p.

SQUEEZED OUT

Script by Denise Boiteau-Stansfield & David Stansfield, writers' second draft, 7/23/97, 61p. - Outline, 7/1/97, 8p (2). - Gary Markowitz's notes, 9/8/97, 2p. 4 items.

SWEET THUNDER

Script by Gary Markowitz, revised final draft, annotated, 5/30/97, 52p. - Revised pages, 6/2/97, 18p. - Revised pages, 6/6/97, 11p. - Revised pages, 6/9/97, 3p. - Revised pages, 6/20/97, 3p.

THE GOOD OLD DAYS

Script by Sean Ryerson, revised draft, 11/19/97, 59p.- Script, 11/21/97, 60p. - Revised pages, 11/24/97, 25p. - Revised pages, 11/25/97, 8p. - Revised pages, 11/26/97, 6p. - Revised pages, 11/28/97, 8p.

Script by Sean Ryerson, writer's second draft, 11/6/97, 59p. - Script, revised draft, 11/17/97, 59p. - Master shooting schedule, 11/25/97, 27p. - "Blue one-liner," 11/24/97, 4p. - "Internal pink cast list," 11/24/97, 6p.

THE RACE FAN

Script by Burt Prelutsky, final draft, 6/16/97, 63p. - Final draft, 6/23/97, 59p. - Revised pages, 6/24/97, 15p.

THE TEMPTATION OF BECKETT

Script by Julie Friedgen, second draft, 12/9/97, 60p. - Script, revised draft, 12/12/97, 60p. - Script, 12/15/97, 60p . - Revised pages, 12/9/97, 3p. - Revised pages, 12/17/97, 2p.

THE WHOLE TRUTH

Script by Ashley Gable & Thomas A. Swyden, revised final, 8/5/97, 56p. Revised pages, 8/6/97, 9p. Revised pages, 8/7/97, 13p.

TRIANGLE

Script by Ashley Gable & Thomas A. Swyden, 9/15/97, 69p.

Script by Ashley Gable & Thomas A. Swyden, 9/16/97, 57p. - Revised pages, 9/17/97, 9p. - Revised pages, 9/21/97, 4p. - Revised pages, 10/6/97, 2p.

TRUTH AND CONSEQUENCES

Script by Ashley Gable & Thomas A. Swyden, writers' second draft, 5/21/97, 64p. - Script, revised by Gelbart, 5/24/97, 62p.

WINNERS AND SINNERS

Script by Roger Lowenstein, published draft, 9/16/97, 60p. -Revised pages, 9/25/97, 9p. - Revised pages, 9/29/97, 4p. - Revised pages, 9/30/97, 5p. - Revised page, 10/1/97, 1p.

Correspondence regarding development of project and contract negotiations, aka "Savage Tales of Speed" with Showtime Network. Dates range Fall 1995 - Spring 1997. Approx. 100 items.

Revision pages (13 packets), entitled "Savage Tales of Speed." Dated October 3-12, 1996. Some materials are annotated.

Screenplay entitled "Savage Tales of Speed." No title page, draft, no date, 125 p.

Screenplay entitled "Savage Tales of Speed" Handwritten title page marked "Savage, first draft, GM." Draft, September 16, 1996, annotated, 139 p.

Screenplay entitled "Savage Tales of Speed." Marked "GM w/ LG changes." Draft, dated December 2, 1996. 124 pages.

Screenplay entitled "Savage Tales of Speed" by Gary Markowitz. First draft, October 11 1996, 125 p. 2 copies.

Script by Gary Markowitz. Revised. April 8, 1997. 111 pages.

Script entitled "Savage Tales of Speed" by Gary Markowitz. Second revised. January 24, 1997. 115 pages.

Script entitled "Savage Tales of Speed" by Gary Markowitz. Second draft, December 4, 1996. 127 pages.

Notes for script revisions and character development. February 27 - March 22, 1997. 10 items.

Publicity materials. Alliance magazine ad with a preview of poster art. - Copy for upcoming articles and publicity materials. - AOL newsgroup articles, March-April 1997, 6 items.

Film treatment by Richard Joseph and Cary Pepper, Property of Larry Gelbart, Allan Pepper and Stanley Snadowsky, no date, 65 p. - Story memorandum, by Sherry Coben, no date, 11 p.

"The Flinstones Conversion." Packet of notes re: possibility of Gelbart adapting "The Flinstones" into a live-action motion picture, 6/1/92, 5p.

Handwritten notes regarding scripts. Summer 1993. Correspondence.

Script by Andy Breckman and revised by Larry Gelbart. Draft, April 4 1995, 120 p.

Script. No title page. Draft, March 30 1995, annotated, 119 p.

Cover letter w/ revision pages & an article (11/17/93). - Outline, no date, 7 p. - Breakdowns (43) annotated: nd, 2/15, 1/30/95 & 1/17/95. - Pretitles sequence, 2/28/95, annotated, 24 p.

Notes by Jerry Zucker with cover letter, 07/29/96. - Notes by Larry Gelbart, 05/08/96, some handwritten, 5 p. - Outline, 11/27/95, 16 p.

Script. No title page. Draft, 03/29/95, annotated, 110 p.

Script, Draft, 03/13/94, with laser printer cover page, 131 p.

Revisions and correspondence re: revision with Zucker Productions, August 1993.

Script marked "Final 2nd draft, April 15 1995," 120 p.

Script [missing title page.] No date. Annotated. 116 pages.

Script [missing title page.] Draft, March 3 1995, annotated, 118 p.

Script. Annotated, no date, 120 p.

Script by Andy Breckman and revised by Larry Gelbart. Revised draft, March 14 1994, 127 p.

Script [with laser printer title page], revised draft, 02/14/94, 14 p.

Step outlines, 3 items. One is annotated. None are dated.

Outline with some dialogue: - Draft, 01/10/94, 19 p. - Draft, 11/22/93, 23 p. - Draft, no date, 13 p.

Outlines beginning with the murder investigation. Draft, 01/11/94, annotated, 17 p. - Draft, 01/10/94, annotated, 16 p. - Draft, 02/07/94, annotated, 24 p.

Breakdowns (10 items), dated January 31 - February 28, 1995. Some have cover letters attached.

Script by Larry Gelbart [with laser printer cover sheet]. Draft, 03/06/94, 131 p.

Script by Larry Gelbart. Draft, March 19 1995, 80 p.

Incomplete scripts by Larry Gelbart. Drafts dated March 4 - 12, 1995. First act only.

Screenplay. No title page. No date. Heavily annotated. 122 pages.

Scene breakdowns (3): - March 2, 1995, 27 pages. - March 4, 1995, annotated, 28 pages. - November 13, 1995, 7 pages.

Clippings regarding 1996 revival of play. Includes some clippings from previous performances.

Drafts, revisions and copies of article by Larry Gelbart for The New York Times, includes responses from NYT editor, April, 1996.

"Komoedie Im Forum". German translation by Frank Thannhauser. No date.

Script for 1996 revival, dated 03/02/96. Marked - "Rehearsal, run through 03/04/96, 890 Broadway, NYC" and signed by Larry Gelbart. Heavy annotations.

Drafts for introduction to published version of play. Numerous revisions, all heavily annotated. May, 1990.

Playbills for various productions. 1) Playbill for York Theater, includes ticket stub dated 04/13/91. 2) Playbill for Fox Theater, 1991. Also includes reviews for these two productions.

Correspondence between Music Theater International and various theaters regarding possible productions of the play. 1984-86.

Miscellaneous: - Photograph for 1996 revival. - Postcards from a London production. - Article in WGAw New, June 1980 by Larry Gelbart. - Good luck wish from Hildy and Alexander H. Cohen, 1962(?)

Clippings, 1996 production. - Program, St. James Theater, NYC. - Congratulatory telegram and card.

Copy of "Sur le Chemin du Forum" by Raymond Castans, incl. some notes by Larry Gelbart.

"A Farce with Music". Book by Burt Shevelove and Larry Gelbart, music and lyrics by Stephen Sondheim, n.d., 117 pages. - "Unitled Musical", 47 pages.

Synopsis for Act I and Act II. - Synposis, heavily annotated, 54 pages. - Scene summary, 13 pages. - Synposis "Roman Comedy", 6 pages. - Handwritten notes, 4 sheets.

"An Untitled Musical", book by Bert Shevelove and Larry Gelbart, music and lyrics by Stephen Sondheim. Annotated draft, 130 pages, heavily n.d. - "Untitled Musical", Act I (61 p.), Act II (64 p.)

"An Untitled Musical", Act I, 86 pages, n.d. - Incomplete script Act I, ppp. 1-63, Act II, pp. 64-126, 2-27, 2-71.

"An Untitled Musical", carbon copy w/annotations, dated July 1, 1960, Act I - 61 pages, Act II - 64 pages. - Carbon copy, heavily annotated, n.d., Act I - 75 pages, Act II - pages 18-67 (incomplete).

"An Untitled Musical", 2 copies of script, n.d. , Act I - 59 pages, Act II - 61 pages.

Script, n.d. for Act I - 84 pages, Act II - 5 pages (incomplete). - Script, n.d., marked "Final Revision", for Act I - 65 pages.

Script, Final Version, n.d., Act I - 76 pages, Act II - 51 pages.

Script, n.d., draft # 21 w/annotations, Act I - 84 pages, Act II - 72 pages.

Script, n.d., drafts #8 and 31, Act I - 58 pages, Act II - 43 pages.

Script w/annotations, coypright 1957, draft #9, Act I - 59 pages, Act II - 49 pages.

Scripts, Final Version, n.d., draft #24 and 31A w/ annotations, Act I - 69 pages, Act II - 36 pages.

Scripts, n.d. Draft # 13: Act I - 84 pages, Act II - 17 pages (incomplete). - Draft #4: Act I - 84 pages, Act II - 35 pages (incomplete).

Script. Marked: "Final - Opening Date New York May 8, 192." Act I - 69 pages, Act II - 36 pages. - Property list, Protean's Props for Opening, Costume Plot.

Script, final version, Marked "Las Vegas Version", revised, renumbered, 104 pages. - Photocopy of scripts, marked "Cut Version for Las Vegas", 79 pages.

Two carbon copies of script, n.d., 117 pages, one with annotations.

Script, Final Version, April 14, 1980, incl. loose pages, Act I - 70 pages, Act II - 37 pages. - Possible casting list for London production, 4 pages. - Two photographs of Frankie Howard (actor).

Notes and suggestions from Milton Berle, n.d. (8 pages). - "Open Letter to Titus Maccius Plautus", by Larry Gelbart and Burt Shevelove, n.d. (3 pages).

Typed and handwritten notes and drafts for dialogues and lyrics. Incl. description of songs "Purpose of Songs" (6 pages).

Correspondence, June 1994-November 1995 regarding the revival of musical.

Playbill and reviews for revival of musical. 1996.

Galleys with some corrections. No date.

Correspondence 1962 - 1984. Personal and professional, related to several different productions. Approximately 100 items.

Sheet music for musical numbers: "Love Is In The Air", "I Do Like You", "Love, I Hear", copyright 1962.

Set plans for the production at the Chichester Festival, 1986.

Chichester Festival programs, 1986. Incl. ticket stubbs, various programs re. festival, and press releases. Production with Frankie Howard.

Reviews for revival. 1996.

Principal Chorus and Vocal Book. Published by Music Theatre International, New York.

Photocopy of director/stage manager's script, n.d., with stage directions in pencil, Act I - 70 pages, Act II - 37 pages.

Chichester Festival, 1986. Casting calls, audition schedules, correspondence, etc.

Playbills, 1960s. June and July, 1962 (New York). Jan., 1963 (New York). May, 1964 (New York). Jan., 1965 (Miami). 1965, (Las Vegas). Miscellanous flyers, incl. a postcard.

Playbills 1960s (Europe). 1962-1967 (London). 1964 (Paris). July 1964 (Sydney, Australia).

Partially collated, loose pages of script materials for Act I and II, some pages annotated.

Playbills 1970s. March and April, 1972 (New York). October-November, 1972 (Los Angeles).

Playbills, 1980's. April, 1980 (Los Angeles). June, 1983 (Johannesburg, South Africa). May, 1985 (Santa Barbara). June-July, 1989 (Pasadena).

Drafts and galleys of the introduction to the play to be published by Applause, dated 12/18/89. 9 drafts, incl. final draft, dated 4/27/90.

Play, published by Dodd, Mead & Co, 1985, 214 p. - Libretto published by Music Theatre International, New York.

Congratulatory telegrams, premiere May, 1962, Alvin Theatre, NYC.

Cast lists for various productions, some dated 1982 and 1983. 6 items.

Cippings/reviews, 1964, road company.

Clippings, London production, 1962.

Clippings, 1962 - 1970.

Clippings, 1970. Including Phil Silvers production.

Clippings, 1980's, incl. Frankie Howard remake and Mickey Rooney production. Also incl. clippings for small company productions.

Handwritten notes on plot and characters, 5 pages. - Handwritten notes/staging direction for Chase 1 through 5. - Sketches of floor plans # 1 through 5. - 2 pages of notes.

Playbill, St. James Theater, Vol. 96, No. 7, 7/96. Correspondence, memos, clippings, and photocopies of clippings, 3/97 - 9/97. Approx. 60 items.

Reviews for the Nathan Lane performance (1996 Revival). June - December 1996. Approx. 50 items.

Reviews for the Whoopi Goldberg performace (1997 revival) and concerns over her taking over for Nathan Lane. December 1996 - March 1997. Approx. 100 items.

Congratulatory letters , 12 items (8/96 - 3/97). - Drafts for articles written by Larry Gelbart or about Larry Gelbart (4/96 - 11/96), 4 items. - Rewrites for Whoopi Goldberg (2/97) - Misc. production materials.

Playbill for Whoopi Goldberg performance at the St. James Theatre (2/97). - The Sondheim Review (Winter 1997). - Ads for Forum and a photo from play.

Clippings and correspondence, including materials regarding the casting of David Allen Grier. 9/97 - 12/97.

Piano conductor scores for various numbers.

Plautus, 5 five volumes. English translation by Paul Nixon. Reprints: vols. 1,3,4,5 1950 Harvard UP/William Heinemann, vol. 2, 1925 Heinemann/Putman.

Screenplay, second draft, dated May 18, 1965, 166 p. No author. ("For Budget Purposes Only").

Screenplay by Melvin Frank and Michael Pertwee, 143 pages, dated August 18, 195, Qaudrangle Films, S.A., Fribourge, Switzerland.

Publicity for the film version, 1967, London premiere. 2 items, color.

FACE IS FAMILIAR, THE

Scripts by Larry Gelbart for Jack Benny. Draft, n.d., annotated, 37 p. - Revised script, n.d., 30 p. - Second revised script, dated 8/18/54, 32 p.

HOORAY FOR LOVE

Script by Larry Gelbart and Woody Allen. Final draft, (in 3 acts) dated 9/22/60, air date 10/02/60.

Show # 26

Script: Draft, No author, 03/14/47, 24 p. Produced by the Borden Company.

Regristration of idea with WGA, April 4 1977. - Story idea, 2 p.

Scripts by Larry Gelbart, Charles Spalding and John G. Schneider. First draft, 08/15/56. - Script, 07/05/56.

Script: A Musical Comedy by Charles Spalding and Larry Gelbart, adapted from the novel by John G. Schneider. - First draft, 08/15/56.

Script bby Larry Gelbart, from an adaptation of Jonathan Swift by Sean Kenny and Gerald Frow. Handwritten draft, July 1 1969.

Script by Larry Gelbart. Handwritten Rev. draft, January 15 1969, annotated.

Playbill (2 copies) from Lees-McRae College (08/02/88). - Typed introduction by Larry Gelbart, no date. Handwritten introduction by Larry Gelbart, no date.

Script entitled "Gullivers Travels." Book By Larry Gelbart, Music and Lyrics by Lionel Bart. Mimeographed draft, June 1970.

Script entitled "Gulliver's Travels" by Larry Gelbart. Adapted for Narrator and Orchestra. Marked "Complete but for the Houynhym Section and Revised finish." First draft, 09/23/85. Handwritten script pages, entitled "A Voyage to Laputa, 06/85. 21p.

Handwritten script (2 acts) by Larry Gelbart. n.d.

Script entitled "Gullivers Travels" by Larry Gelbart. From the book by Jonathan Swift and the adaptation by Gerald Frow and Sean Kenny. First draft, September 15 1969. Marked #1. Two Acts.

Script entitled "Gullivers Travels " by Larry Gelbart. Draft, March 1 1970. Act I only. Marked #3. Includes technical notes Sean Kenny, 2 p.

Script entitled "Gulliver's Travels". Book by Larry Gelbart, Music and Lyrics by Lionel Bart. Marked "First draft, July 10, Revised 9/30/70, Revised 10/1/70, 10/16/70, 10/28/70." 2 acts and epilogue.

Booklet: "Key Indexed Study Guide to Swift's Gulliver's Travels"'. Robert K. Morris, Bantam Books, 1966. Annotated and highlighted by Larry Gelbart.

Script entitled "Gulliver's Travels." by Larry Gelbart. September 24, 1985. Divided into Monologues according to Swift's chapters. Annotated.

Scripts by Larry Gelbart. Draft "Gulliver's Travels for Narrator & Orchestra," 2 copies with different annotations, 11/26/85. - Draft, music by Patrick Williams, 11/26. - Letter re: typing of drafts. - Draft of "Conclusion," 9/25/85, 7p.

Scripts, narration by Larry Gelbart & Music by Patrick Williams, 2 copies, one marked "Gielgud's Copy," heavily annotated, 11/20/85. - Promotional piece about "Gulliver" for schools, 5 p.apges, 3 items.

Scripts: "Cut Version, 7 November, 1986", annotated. - Rev. Revised pages, 08/30/86.

Script entitled "Gulliver's Travels," Adapted from Jonathan Swift. Script by Gerald Frow and Sean Kenny. Version used for Gelbart adaptationm no date, annotated, in two acts.

Script entitled "Gulliver's Travels." Composed by Patrick Williams, Narration by Larry Gelbart. (After Henry Purcell, After Jonathan Swift.). Marked "work copy." In Monologue Form, 05 & 06/86. Annotated.

Script by Larry Gelbart. [Missing title page.] Two acts and epilogue, no date, with technical notes for multi-media production (by Sean Kenny).

Scripts (2 copies), by Larry Gelbart, Two Acts, heavily annotated, no date. - Act 2 only, no date.

Script entitled "Gulliver's Travels." Book by Larry Gelbart. Music and Lyrics by Lionel Bart." Marked "First draft, July 10, #14."[no year]. - Monologues "A Voyage to Lilaput", 7/5/85, "Conclusion", 10.2/85.

Correspondence with several producers (Kermit Bloomgarden), 1969-1971, re royalties, rights, composers, project's name being shortened to "Gulliver" July 1970. 30 items. (Incl. delays due to MASH)

Publicity packets from Songwings,Inc. 1987. - Program from The Philharmonia Orchestra of Yale, October 10, 1986.

Clippings and publicity pieces/drafts, 1986-1987 re records release of "Gulliver" by Soundwings, Inc. - Kodak booklet with photographs from the 1970 Gulliver's Travels production (Frow and Kenny).

Monologues: " A Voyage to Liliput" dated 9/24/85 & 7/5/85. - "A Voyage to Brobdingnag", dated rev. 9/13/85 & 9/24/85.

Notes: "Casting", "Notes on discussion Act 1, 5/29/70", "Notes bu Sean Kenny", "Notes-L.B., 3/6/70", "Choreographer, Don Redlich. - MS notes re staging, 18 pages. - Misc. - Playbill: Mermais Theatre. Typed notes, "Before Houynhnms," 3p.

Clipping from Kodak photography magazine, January, 1970. Article, "Science and Our Century," with handwritten note: LAPUTA. Photocopied research materials.

"Notes taken from tape recording of meeting at Reece Mews, 1st February, 1970". Present: Larry Gelbart, Sean Kenny, and Lionel Bart. 44 pages.

Screenplay outlines, handwritten, 3 version, n.d. & dated October 1 1976, and notes, total pgs 17 - Correspondence regarding adaptation of the novel into a screenplay, July-Sept. 1976, Oct, 1978.

Scripts by Larry Gelbart for Hal March. Untitled pilot script, revised, March 22 1958, 41 p. - Draft, no date, 36 p.

Tragic-Farce in three acts entitled "Saltpeter in the Rhubarb" by Sidney Michaels, copyright 1965.

"An Original Musical Play". Book & lyrics by Sidney Michaels, music by Mitch Leigh, to be staged by Albert Marre. 2 copies, n.d., one annotated. (Property of Albert W. Selden, New York).

Scripts, dated 09/15/71.

Incomplete script, many pages with changes and additions. Revisions dated September, 16, 24, 1972.

Scripts, incorporating changes Septemner and October 1992.

Scripts, two different versions. - Loose pages of revisions for Act 1 and Act II. Some pages dated August 29, 1972.

Playbill, 1972, New Hope Pennsylvania. Presented by The State Theatre of Pennsylvania.

Script entitled "Nothing But Candy", by Larry Gelbart and Everett Greenbaum), handwritten, incl. typed pages, first draft, 2 acts, n.d. - Scripts, handwritten, icl. typed pages, mainly Act 1. n.d.

Script by Larry Gelbart and Everett Greenbaum. Act I only. No date. 49 pages.

Script entitled "Nothing but Candy". A Play by Larry Gelbart and Everett Greenbaum. 'Hollywood is like having nothing to eat but candy,' W. Somerset Maugham." Draft, March 1 1983, 2 acts, annotated. 82 p.

Script entitled "Nothing But Candy". A Play by Larry Gelbart and Everett Greenbaum, 'Hollywood is like having nothing to eat but candy,' W. Somerset Maugham." March 31 1983, 2 acts, 93 p.

Script entitled "Nothing but Candy". A play by Larry Gelbart and Everett Greenbaum. 'Hollywood is like having nothing to eat but candy,' W. Somerset Maugham." May 15 1983. Typed original. 2 acts. 93 p.

Cover letter from E.G. to L.G. regarding errata (1985). Script [no title page], nd, 2 acts, 72 p. - Act one only, [no title page], nd, 49 p.

A Play by Larry Gelbart and Everett Greenbaum. Draft, April 3 1985, annotated. 2 acts. 91 p.

A Play by Larry Gelbart and Everett Greenbaum. Was entitled "Nothing but Candy." Old titled is marked over with "Hanging On." Draft, January 15 1985. Annotated. 2 acts. 105 p.

A Play by Larry Gelbart and Everett Greenbaum, April 15 1985, 2 acts, 92 p. - 2 sets of revision pages for act I, 6/5/89 (p. 2-6) & 5/30/89 (p. 2-4).

Letter from Everett Greenbaum to Larry Gelbart regarding logo for the production. n.d. Logo is designed by Billie Greenbaum. Includes logo design (2 sizes), 1 page.

"The Story of a Survivor." MS notes in rough outline form. No date. 2 pages.

First draft screenplay [by Larry Gelbart and David Haft], n.d. 97 pages. - Copy of unsigned and undated contract, Tigon Film Productions, Ltd. London and 2 accompanying letters, November 1970.

Screenplay by Rob Thompson, 126 pages, dated 09/09/74.

Scripts for pilot episode by Larry Gelbart: Original typescript and copy of First Drafts, September 15, 1976. - Two copies of Final Draft, dated February 16, 1976 [sic], one heavily annotat

Final draft, including taping schedule, dated March 11, 1976 with annotations. - Revised script, dated February 24, 1976, 2 copies, one with annotations. Script, dated

"Pilot"

Handwritten first draft by Larry Gelbart, dated September 16, 1976.- Original typescript, first draft, dated (August) 1976.

Scripts materials: "Title sequence 1-7", changes dated 2-17-77, revisions dated 9-24-76, Act II, pp. 21-41. Shooting schedule. - Handwritten notes.

Air date: 06/09/54 (#5)

Scripts for show # 5 written by Larry Gelbart, Hal Collins, and Gerb Reich. 3 copies with annotations.

Air date: 06/24/54

Scripts (Audition copy) written by Larry Gelbart and Hal Collins. 2 copies, both with annotations.

Air date: 10/03/54

Scripts by Larry Gelbart and Hal Collins. 3 copies with annotations.

Air date: 10/10/54 (#1)

Scripts for show # 1 written by Joseph Schrank and Jack Roche. 2 versions, one with annotations.

Air date: 10/17/54 (#2)

Scripts for show # 2 written by Larry Gelbart and Hal Collins. 3 versions with annotations.

Air date: 10/31/54 (#3)

Scripts for show # 3 written by Larry Gelbart and Hal Collins. 3 versions with annotations.

Air date: 11/07/54 (#4)

Scripts for show # 4 written by Larry Gelbart and Hal Collins. 3 versions with annotations.

Air date: 11/14/54 (#7)

Scripts for show # 7 written by Larry Gelbart and Hal Collins. 2 copies, one with annotations.

Scripts for show # 7 written by Larry Gelbart and Hal Collins. 2 copies, n.d., one with annotations.

Air date: 11/21/54 (#6)

Scripts for show # 6, written by Larry Gelbart and Hal Collins. 5 versions, some with annotations.

Air date: 12/5/54

Scripts by Larry Gelbart, Herb Reich, and Phil Goodman. 2 copies, one with annotations.

Air date: 6/24/54

Script, heavily annotated. - Notes, 2 pages. - "Warm up" dialogue, 2 pages dated 9/30/54, 1 page dated Oct. 3.

Script, handwritten by Larry Gelbart, 16 pages, n.d. - Typed scripts, n.d., 12 pages, 2 copies.

Script by Larry Gelbart. Handwritten Rev. First draft, dated 1980, 230 p.

Script by Larry Gelbart. Handwritten draft, entitled "Clicks," dated June 1983, 69 p.

Script by Larry Gelbart. Handwritten first draft, 11/30/79.

Script by Larry Gelbart. Handwritten, Act III, n.d., pages 174 - 214.

Script by Larry Gelbart. Handwritten draft, no date.

Xerox of manuscript entitled "Roadrunner," no author, no date, some annotations, approx. 500 pages in length.

Interview with Ian Brody regarding time in Cambodia. June 15, 1979.

Interview with Richard Dudman regarding time in Cambodia. May 21, 1979.

Interview between Larry Gelbart and Al Rockoff. No date. Annotated.

Interview with Justin Adams. No date. 80 pages.

Interview with Burt Okuley regarding Foreign Correspondents Club in Hong Kong. No date. 63 pages.

Interview between Larry Gelbart and Robert Sam Anson regarding time in Cambodia. Dated May 2nd.

Interview with San Bun Chhun regarding time with NBC news in Cambodia.

Interviews (2 items) with Kate Webb. No date.

Interview with Bert Quint. Dated September 12, 1979. 69 pages.

Synopsis entitled "Asian Report." Ideas for a film, ala M*A*S*H about a group of reporters living in the same hotel during the Vietnam war. Compiled by Julie Fisher Associates. No date.

Interviews (2 items) - Hanny-Howell, June 7, 1979, annotated, 29 pages. - Howell-Brady, June 8, 1979, 54 pages.

Interviews (2 items) with Kevin Buckley. June 1979.

Interview with Neil Davis. June 13, 1979. 71 pages.

Interview between Mike Morrow and Marvin Farkus. No date. 62 pages.

Interview with Tiziano Terzani. June 10, 1979. 26 pages.

Excerpt. By James Willwerth. "Messages from Washington." 61 pages.

Interview with Peter Collins. June 10, 1979. 39 pages.

Manuscript by Larry Gelbart. Incomplete. Dated 1973. Annotated.

Script by Larry Gelbart. Entitled "Cambodia Project." First draft, 11/30/79, 217 p.

Script by Larry Gelbart. Entitled "Cambodia Project." Revised First draft ("Part Three"), 02/15/80, 190 p.

Script by Larry Gelbart. Entitled "Cambodia Project." First revised draft, 03/01/80, annotated, 147 p.

Script by Larry Gelbart. Second Draft, June 1980, annotated, 147 p.

Letter, dated 02/22/83, from Tom Mount to Arthur Penn regarding the progress of the script. - Script by Larry Gelbart, no date, 129 p.

Script entitled "Clicks." By Larry Gelbart. Dated 06/15/83, annotated by Arthur Penn, 129 p.

Script entitled "Clicks", n.d., annotated, 228 pages. Written by Larry Gelbart.

Script. Draft, n.d., annotated, 185 p.

Script. Draft, n.d., annotated, pp. 2-205

Notes. Includes handwritten note: "Project finally abandoned because of the film The Killing Fields," 02/26/85.

Photograph. Potential location to be used as the Hotel Royal.

Correspondence between Larry Gelbart and Jules Fisher, dated 8/20/79 - 12/31/80. Includes Asian report notes (08/20/79). 5 items.

Two copies of contracts between Columbia Pictures and Larry Gelbart Enterprises. Both signed by Larry Gelbart. Dated June 16 - September 11, 1979.

Correspondence dated 7/31/79 - 2/4/81. Regarding the potential sale of the script, primairly legal. approx. 15 items.

Script by Larry Gelbart, June 10, 1980, 129 pages.

Newspaper articles regarding Vietnam war and Cambodia, May 1975. Approx. 50 items.

Scripts for pilot episode written by Larry Gelbart. 1) First draft, dated 12/19/72. 2) Dated 12/28/72.

"Pilot"

Handwritten draft, n.d. - Drafts dated December 18 and 28, 1972, typed and ms. - "Sample story lines" by Gene Reynolds and Larry Gelbart, 04/14/74 and 03/07/74 (2 copies). - "Notes", 5 pages.

Scripts for pilot episode by Larry Gelbart. Based on novel by M.E. Kerr.- First draft, 2 copies, and revisions, 12/03/73. - Final 12/20/73. - Rev. Final 01/23/74.- 2nd Rev. Final 02/01/74.

"Audition"

Scripts by Larry Gelbart, Sid Dorfman and Larry Marks. Dated 03/11/47 and 04/11/47. Signed by Larry Gelbart.

Program #1 - #3

Scripts, signed Larry Gelbart. #1 (06/01/47), #2 (06/08/47), #3 (06/15/47).

Program #4 - #7

Scripts, signed by Larry Gelbart. #4 ( 06/22/47), #5 (06/29/47), #6 (06/29/47), #7 (07/13/47).

Program #8 - #10

Scripts, signed by Larry Gelbart #8 (07/20/47), #9 (07/27/47), #10 (08/03/47).

Scripts by Larry Gelbart. Handwritten third draft, July 22, 1985, 2 copies, 115 and 131 p.

Handwritten step outline for fourth draft, n.d., 50 p.

Script by Larry Gelbart. Handwritten fourth draft, December 30.,1985, 123 p.

Script by Larry Gelbart. Handwritten first draft, marked "Begun 6/13/84, Finished 7/14/84," 126 p.

Handwritten revised outline for first revised draft, December 27 1984 - February 1985, 76 p.

Letter to Carla regarding duplications of scripts (8/20/84). - Handwritten notes, marked "Begun May 1 1984."

Telegram regarding script (07/01/86). - Handwritten rough outline for first draft, "begun May 1 1984 [and] finished June 8 1984," 75 p.

Script by Larry Gelbart. Handwritten second draft, February 27, 1985.

Handwritten notes for 3rd draft, "begun 6/4/85."

Script by Larry Gelbart. Draft, 09/22/87, 105 p.

Script by Larry Gelbart. Draft, July 17, 1995, 105 p.

Script by Larry Gelbart. Fifth draft, July 1, 1986, 123 p.

Script by Larry Gelbart. Fourth draft, July 22, 1985, annotated, 133 p.

Script by Larry Gelbart. Typed first draft, July 7, 1984, 126 p.

Script by Larry Gelbart. First draft, July 8, 1984, annotated, 128 p.

Script by Larry Gelbart. Typed original, first draft, August 21, 1984, 122 p.

Script by Larry Gelbart. First draft, August 23, 1984, heavily annotated, 122 p.

Script by Larry Gelbart. Typed original. Second draft, February 27, 1985, 103 p.

Script by Larry Gelbart. Third draft, July 22, 1985, 135 p.

Outline for 4th draft, first through thirty-first scene, by Larry Gelbartm September 30, 1985, 50 p.

Script by Larry Gelbart. Draft, December 30,1985, 119 p.

Scene breakdown for July 1, 1986 draft, 6 p.

Scripts by Larry Gelbart. Draft, July 1, 1986, heavily annotated, 118 p. - Draft, same date, somewhat annotated, 123 p.

Script by Larry Gelbart. Sixth draft, September 20, 1987, annotated, 98 p.

Script by Larry Gelbart. Draft, September 22, 1987, annotated, 123 p.

Notes for fifth draft, May 13, 1986.

Script, incomplete draft, handwritten, 1986.

Handwritten notes, May 1987.

Letter to Larry Gelbart from Norman Jewison (09/24/85) with attached comments regarding Third Draft. - Letter from Norman Jewison (10/01/86) with attached letter regarding draft.

Casting lists, March 1986.

Articles as research for film, particularly women as Jazz performers.

Contract material with BMG, 2/12/89. - Correspondence, 7/90-7/91. - Playbill, Imperial Theater, Vol. 89, No. 1, 1/89.

Episodes #27-39

Scripts dated 03/31/47 - 06/27/47. Name credit for staff, including writers, and cast listed for each show. All scripts signed by Larry Gelbart.

FAREWELL APPEARANCE

Annotated monologue, no date, 4 p. - Another typed draft of monologue, n.d., 3p. - Handwritten draft, incomplete. n.d., 2p.

Script by Larry Gelbart. Revised, February 7, 1963, approx. 60p.

A play by Larry Gelbart, (2 acts), n.d., 3 copies, all with annotations.

A play by Larry Gelbart, (2 acts), n.d., 103 p. Marked property of "The Open Space Theatre", London, England.

A Play by Larry Gelbart, (2 acts), n.d. One version 98 pages, one version Act I, 54 pages, Act II, 39 pages. Both marked "Ziegler-Ross, Inc., Los Angeles."

Production and directorial notes re changes after opening, dated 08/29/71.

Playbills for productions 1) Theatre Royal, Nottingham, Enlgand, dated 08/16/71. 2) The Queens Theatre, London, 1975. Incl. publicity flyers for Queens Theatre.

Correspondence, 1970 through 1971. 1) Preproduction correspondence with Charles Marowitz (Open Space Theatre, London), 25 items. 2) Congratulatory telegrams from friends re opening.

Manuscript of the play, in 2 acts, n.d.

Clippings re London production, 1971.

A Play by Larry Gelbart, 93 p., copious annotations, marked "Redstacks, London". - Pages 78 through 93 handwritten.

Script #9, no author, no date, 8 pages.

"Pilot"

Scripts by Lary Gelbart and Carl Kleinschmitt. 1) 2nd revised final(11/15/74) with few annotations. 2) Revised final, (11/15/74)

A DAY IN THE LIFE..

Script by Rick Mittleman. Dated 02/26/75.

BUSCH'S BREAKUP

Script by Karyl Geld. Dated 02/13/75.

CAPITOL CAPERS

Script by John D. Hess. Dated 03/04/75.

DENA MIGHT

Script by Simon Munter. Dated 12/03/74.

HARFORD REVISITED

Script by Richard Baer. Dated 01/31/75.

I GAVE AT THE OFFICE

Script by Simon Munter. Dated 12/02/74.

KAREN REPORT, THE

Script by Kalr Kleinschmitt. Dated 02/20/75.

LOVE AND OTHER ISSUES

Script by John D. Hess. Dated 01/22/75.

THEM

Scripts by Simon Munter. 1) Revised final (11/21/74). 2) Revised (01/03/75).

VISITORS, THE

Script by Karl Kleinschmitt. Dated 01/21/75.

WHAT ARE FRIENDS FOR?

Script by Simon Muntner. Dated 02/07/75.

WHISTLE BLOWING

Script by Simon Munter. Dated 12/14/74.

Script: Draft, no author, no date, annotated, 30 p.

"The Assassin", novel by Lester Taube. (typescript). Heavily annotated.

Screenplay by Larry Gelbart. Based on "The Assassin" by Lester Taube. 2 copies of First Draft, [127 and 129 pages], n.d.

Screenplays, first draft, dated 08/14/72, 120 pages. - First Draft, n.d., 136 pages. - One page (scenes 240-243) handritten.

Scripts by Larry Gelbart and Marvin Fisher. - Draft, n.d., annotated. -Two revised. drafts, May 20 (no year).

Aadvance uncorrected proof, 261p.

Correspondence, 9/97 - 12/97. Approx. 30 items.

Correspondence and clippings, 11/97 - 1/98. Approx. 90 items.

Correspondence, congratulatory cards and letters, and fan mail, 3/98 - 6/98. Approx. 40 items.

Correspondence, congratulatory cards and letters, and clippings, 4/98 - 5/98. Approx. 50 items.

Correspondence and clippings, 12/97 - 4/98. Approx. 50 items.

Correspondence and clippings, 2/98 - 4/98. Approx. 40 items.

Correspondence and clippings, 1/98 - 3/98. Approx. 100 items.

Correspondence and clippings, 2/98 - 3/98. Approx. 70 items.

Manuscript materials, draft dates: 3-10-97, 3-26-97, 9-12-97, and authot's galleys. 6 folders.

Handwritten drafts, in 2 folders.

Screenplay, no author, no date, marked "Avco Embassy Picture Corp," 145 p.

Screenplay by Larry Gelbart. No date. 156 pages.

Book by Neil Simon, music by Cy Coleman, lyrics by Carolyn Leigh, based on "Little Me" by Patrick Dennis. Annotated. No date. - Includes Prop Plot, 8 pages.

Book by Neil Simon, music by Cy Coleman, lyrics by Carolyn Leigh, based on "Little Me" by Patrick Dennis. Marked "Final script, English version", "Enid Lowe." No date.

Handwritten drafts for play, dated 2/27-3/8/68, 41 p., incl. outline "Loose Moose", 10 p. & typed script, 20 p. - Handwritten outline for teleplay, 5/26/70, 6 p., typed 8pgs. & 6 p. - Synopsis, 1970.

Script by Doc Simon, Danny Simon, Reginald Rose, and Larry Gelbart. Third revision, 04/09/54, annotated, 76 p.

Sketches for adaptation of Mad Magazine to television. No date. Script pages, 13 - 28.

Sketches and sketch ideas, by Larry Gelbart et al.

Sketches by Larry Gelbart et al.

Audit of the accounts of the program from April 1st to August 31st 1972, London.

Distribution reports 12/75 to 5/82. - "Notes from meeting with Lew Grade" (14/10/70 re US show) - Contract (draft)ITC and ATV Network, (5/3/71).- Program budget. - Salary list - Production Personnel.

Program Running Order lists for shows 1-14 (for U.S. and U.K. versions).

Correspondence between Gelbart and Sir Lew Grade, and A. R. Lucas from ATC, et al, November 1970 through February, 1972, approx. 40 items.

Episode # 1

Scripts: Rehearsal, Camera, UK Transmission, US Transmission. Written by Chris Allen, Barry Levinson, John Antrobus, et al, supervised by Larry Gelbart. Dated March 1971.

Episode # 2

Scripts: Rehearsal, Camera, UK Transmission, US Transmission. Written by Chris Allen, Larry Gelbart, John Antrobus, et al. Dated June 1971.

Episode # 3

Scripts: Rehearsal, Camera, UK Transmission, US Transmission. Written by Chris Allen, Larry Gelbart, and John Antrobus, et al. Dated July, 1971.

Episode # 4

Scripts: Draft, Rehearsal, Camera, UK Transmission, US Transmission. Written by Chris Allen, Larry Gelbart, John Antrobus, et al. Dated July, 1971.

Episode # 5

Scripts: Draft, Rehearsal, Camera, UK Transmission, US Transmission. Written by Chris Allen, Larry Gelbart, Ruby De Luca, et al. Dated July 1971.

Episode # 6

Scripts: Draft, Rehearsal, Camera, UK Transmission, US Transmission. Written by Chris Allen, Larry Gelbart, Rudy de Luca, et al. Dated July, 1971.

Episode # 7

Scripts: Draft, Rehearsal, Amended Rehearsal, Camera, UK Transmission, US Transmission. Written by Chris Allen, Larry Gelbart, Rudy de Luca, et al. Dated August, 1971.

Episode # 8

Scripts: Draft, Rehearsal, Camera, UK Transmission, US Tansmission. Written by Chris Allen, Larry Gelbart, Rudy de Luca, et al. Dated August, 1971.

Episode # 9

Scripts: Draft, Rehearsal, Camera, UK Transmission, US Transmission. Written by Chris Allen, Larry Gelbart, Rudy de Luca, et al. Dated August, 1971.

Episode #10

Scripts: Draft, Rehearsal, Camera UK Transmission, US Transmission. Written by Chris Allen, Larry Gelbart, Rudy de Luca, et al. Dated September, 1971.

Episode #11

Scripts: Draft, Rehearsal, Camera, UK Transmission, US Transmission. Written by Chris Allen, Larry Gelbart, Rudy de Luca, et al. Dated September, 1971.

Episode #12

Scripts: Draft, Rehearsal, Camera, UK Transmission, US Transmission. Written by Chris Allen, Larry Gelbart, Rudy de Luca, et al. Dated September, 1971.

Episode #13

Scripts: Draft, Rehearsal, Camera, UK Transmission, US Transmission. Written by Chris Allen, Larry Gelbart, Rudy de Luca, et al. Dated September, 1971.

Episode #14

Scripts: Draft, Rehearsal, Camera, UK Transmission, US Transmission. Written by Chris Allen, Larry Gelbart, Rudy de Luca, et al. Dated September, 1971.

GOLDDIGGERS

Scripts: Rehearsal (non-audience), Audience script. No authors. Dated June, 1970.

Introduction to "The Complete Book of M*A*S*H" by Larry Gelbart, manuscript draft 4 pages, typed text 4 pages. - Handritten notes and draft of speech for the closing of the show in 1982, 42 pages.

Brochures for the National Museum of American History, Smithsonian Institution exhibition of "M*A*S*H, BINDING*UP*THE*WOUNDS", New York, 1983.

Clippings, 1971-75 (few items), mainly post-1982, regarding the end of the show.

Synopses (2 copies): 4th season & produced episodes as of 4/5/74.

M*A*S*H Book, "The Exclusive, Inside Story of TV's Most Popular Show." By David S. Reiss, foreword by Alan Alda, 168 p.

General information booklet. Spans the entire show, 1972 to 1983. Contains cast and production information regarding the entire run of the show.

Research notes, regarding pilot episode. Dated 04/27/72. Handwritten and typed, heavily annotated.

Episode summaries for the 1975 season, written by Gene Reynolds.

Correspondence regarding the pilot, dated 6/71 through 5/72.

Budget estimates for first season, 1971.

Promos (4): Written by Larry Gelbart. 02/01/73, For CBS, 15 seconds long, one page each.

PA references (8 items), annotated, each one page in length, 9/14/73, 8/14/73, and rest with out dates.

Research. Interviews (4): with doctors regarding medical accuracy. Annotated, no date.

Research packets (5): - Oaths, hippocratic and Geneva oaths. - Interviews with Korean War doctors (annotated). - Lists of military slang (annotated). - Plot Ideas (annotated). - Korea notes.

Interviews: - Dr Gittleman (annotated) - Dr. Glasser (annotated) - Dr. Saxon, 8/27/73 - Paul Kohn, 3/13/74 (annotated) - Stacel, 3/15/74 (annotated) - Dr Ragson (annotated) - Misc (annotated).

Excerpts from the Army Information Digest, n.d. 14 items.

Nielsen ratings for show up to September 1975, I item.

Correspondence from 1973-1983.

Text presented by Loretta Swit at Vietnam Veterans Ensemble Theater, 10/24/90. Various revisions.

Interviews with Larry Gelbart (3): - Paper by David Marc & Paul Buhle, nd, 19 p. - American Film, 9/78. - New York Times, n.d., related correspondence.

Book: "The Last Days of MASH," by Arlene and Alan Alda, Unicorn Publication, 1983.

Miscellaneous notes. No date. Heavily annotated.

Articles (10 items) regarding show, fashion inspired by the show, and tributes to the show.

Interview with a Mr. McGonigle. No date. Heavily annotated. Large portions either underlined or crossed out.

Interviews (9 packets): "Interviews in Korea." No date. Transcripts for 10 tapes.

Interviews in Korea (8 packets). Transcripts for 8 tapes.

Research packet marked "Research for M*A*S*H, Part I." Prepared by Guilbert Banks, Jr. No date.

Miscellaneous interviews and research. No date.

Promotional Survival Guide. Kit for promoting M*A*S*H as a syndicated series. 42 pages. Packet put together by Twentieth Television Corporation and copyright 1990 by Twentieth Century Fox Film Co.

Indexes and synopsis for 255 episodes. Divided by season. Includes indices by production order, alphabetical order, broadcast order, and holiday episodes. Part of the syndication package (1990).

Promotional Materials for syndication. Fact sheets, production history, biographies, trivia, theme weeks, on-air scripts, and ad materials. 1990.

Photographs and slides. Part of syndication package. 1990.

Photographs (9 items). M*A*S*H greeting card (1 item), n.d.

Fan letter, n.d.

Article: "The World of Alda and Hawkeye" in Television Quarterly, Vol. XXIII, No. IV, 1988, 10p.

Correspondence, clippings, schedules, and brochures pertaining to Gelbart's involvement with the "43rd Surgical Hospital Inactivation Ceremony" in Seoul, June 11, 1997.

Ringbinders covered with army cloth (memorabilia).

Black and white photograph of entire cast, 11x14. - Color photograph with Larry Gelbart and selected cast members, 11x14.

Calendar 1985, including color scene shots, 2 copies.

M*AS*H Photo Album 1972-1983. Supplement to the Los Angeles Herald Examiner, Sunday, Feb. 20, 1983.

"Pilot"

Scripts by Larry Gelbart. Typed first, 09/15/71, 38 p. - Typed revised, 38 p. - First draft, 09/23/71, annotated, 39 p. - 2nd draft, 34 p. - Rev final, 12/08/71, 34 p.

Script by Larry Gelbart. Xeroxed packet of complete pilot, all drafts and revisions. Includes copies of production materials. 1971.

Pilot script by Larry Gelbart. Revised final, December 8, 1971. Includes descript of the sets and characters. 34 pages.

5 O'CLOCK CHARLIE

Scripts by Keith Walker, Larry Gelbart, Laurence Marks. Final, 08/09/73, annotated, 36 p. - Xerox of final, 08/09, annotated, 41 p. - Draft, August, annotated, 23 p. - Partial script. - Synopsis.

ABYSSINIA, HENRY

Scripts by Everett Greenbaum and Jim Fritzell. Rev. final, 10/28/74, 36 p. - Final, 10/11/74, annotated, 44 p. - Rev. final, 10/27/74, annotated, 43 p.

ADAM'S RIBS

Scripts by Laurence Marks. Final, 08/29/74, 37 p. - Final, 08/18/73, annotated, 38 p. - Partial script, 09/06/73.

AID STATION

Scripts by Larry Gelbart and Simon Muntner. Final, 09/16/74, 35 p. - Final, 09/16/74, annotated, 36 p. - Draft, nd, annotated, 36 p.

ALCOHOLICS UNANIMOUS

Scripts by Everett Greenbaum and Jim Fritzell. - Rev. final, 08/26/74, 35 p. - Rev final, 8/12, annotated, 36 p. - Final, 8/5, annotated, 35 p. - Draft, nd, annotated, 44 p. - Rev pages, 8/27.

ARMY-NAVY GAME, THE

Scripts by McLean Stevenson & Sid Dorfman, handwritten (53 pages) - "Major Fred C Dobbs" Final, 12/13/72 - Revised Final, 12/16/72 - Revised final, 12/27/72 - One undated script.

AS YOU WERE

Scripts by Gene Reynolds and Laurence Marks. Final, 14/12/73, 37 p. - Handwritten draft, 12/14/73, 52 p. - Revised 12/14/73, annotated, 30p. - Handwritten draft, 12/12/73.

BANANAS, CRACKERS, AND NUTS

Script by Burt Styler. Final draft (08/25/72) with revisions (09/01/72).

BIG MAC

Scripts by Laurence Marks. Rev. final, 08/07/74, 33 p. - Final, 07/29/74, annotated, 40 p. - Rev. final, 08/02 & 08/07, annotated, 38 p.

BOMBED

Scripts by Jim Fritzell and Everett Greenbaum. Rev final, 10/03/74, 33 p. - Final, 09/11/74, annotated, 40 p. - Rev final, 09/30 & 10/03, annotated, 36 p.

BULLETIN BOARD

Scripts by Larry Gelbart and Simon Muntner. Rev. final, 10/25/74, 33 p. (2) - Typed final, 10/2, annotated, 36 p. - Rev. final, 10/21 & 25, annotated, 35 p. - Rev, 10/23 & 24, annotated.

BUS, THE

Scripts by John D. Hess. Final (2copies), 09/11/75, annotated, 38 & 36 p. - Type- and Handwritten script, 09/10/75, annotated, 40 p.

CARRY ON, HAWKEYE

Scripts by Bernard Dilbert, Larry Gelbart and Laurence Marks. Final, 10/11/73, 37 p. - Xerox of final, 10/11/73, heavily annotated, 43 p. (27A - 46 is xerox of handwritten, legal size).

CEASE FIRE

Scripts by Robert Klane, Laurence Marks, Larry Gelbart. Revised final (2 copies, one annotated), 01/23/73, 36 p. - Revised final 01/19 & 01/23, annotated, 40p. - Final, 01/22, annotated.

CHANGE OF COMMAND

Scripts by Everett Greenbaum and Jim Fritzell. Rev final, 06/30/75, annotated, 37 p. - Final, 06/23/75, 37 p. - Final, 06/20/75, annotated, 43 p.

CHECK-UP

Scripts by Laurence Marks. 2nd Rev final, 08/01/74, 36 p. - Rev. final, 07/26 & 31, annotated, 40 p. - Typed final, 07/22 & 25, annotated, 33 p. - Draft, nd, annotated, 36 p.

CHIEF SURGEON WHO?

Script by Larry Gelbart. First draft, no date, annotated, 37 pages. - Synopsis and outline (by act and scene), May 15, 1972, 5 pages.

CHIEF SURGON WHO?

Script by Larry Gelbart, 2 copies. Final draft, (06/28/72) with revisions (7/28 and 8/7/72), 37 pages.

CHOSEN PEOPLE, THE

Scripts by Laurence Marks, Sheldon Keller, Larry Gelbart, Gerry Renert, Jeff Wilhelm. Final, 12/10/73, 37 p. - Xerox of handwritten, 12/10, 51p. - Xerox handwritten, 12/04, 19 p.

CONSULTANT, THE

Scripts by Larry Gelbart and Robert Klane. Final, 09/06/74, 32 p. - Final, 08/29 & 09/06, annotated, 35 p. - Partial script, 09/16/74, annotated.

COWBOY

Scripts by Bob Klane. First draft, (07/10/72) with annotations, 28 p. - Revised final (08/18/72) with revisions (08/21/72), 35 p.

CRISIS

Scripts by Larry Gelbart and Laurence Marks. Final, 12/26/73, annotated, 36p. - Xerox of handwritten script, n.d, 45 p. - Handwritten script and typed pages, n.d., 56p.

DEAL ME OUT

Scripts by Larry Gelbart and Laurence Marks. Final, 10/25/73, with revisions (10/26), 37 p. Xerox of handwritten script, n.d., 69 p.

DEAR DAD

Script by Larry Gelbart. Final, 07/31/72, 36 p.

DEAR DAD..

Scripts by Larry Gelbart. First draft, July 21, 1972, 36 pages (Includes set list, cast list and notes about costume and makeup). - Final, July 31, 1972, 36 p.

DEAR DAD..AGAIN

Scripts by Sheldon Keller and Larry Gelbart. Final (11/22/72) with revisions (11/30/72), 35 p., 2 copies. - Final (07/31/72) with revisions (09/08/72), 36 p.

DEAR DAD..THREE

Scripts by Larry Gelbart and Laurence Marks. Revised final, 09/24/73, annotated, 40 p. - Revised final. 09/19 & 21, annotated, 40 p. - Final xerox, 09/19, 45 p. - Handwritten script, 41 p.

DEAR MA

Scripts by Everett Greenbaum and Jim Fritzell. Rev final (2 copies) 10/08/75, 34 & 37 p. - Final, 10/07, 34 p. - Draft, nd, annotated, 34 p. - Type- & handwritten final, 10/6, annotated.

DEAR MILDRED

Scripts by Everett Greenbaum and Jim Fritzell. Rev final, 07/18/75, 34 p. - Final, 04/26/75, 37 p. - Rev final, 07/18, annotated, 37 p. - Draft, nd, annotated, 44 p. - Revised pages.

DEAR PEGGY

Scripts by Everett Greenbaum and Jim Fritzell. Final (2 copies), 08/18/75, different annotations, 35 p. - Revised pages, 08/20/75, annotated.

DELUGE

Scripts by Larry Gelbart and Simon Muntner. Final, 10/14/75, 35 p. - 2nd draft, 10/13/75, annotated, 52 p. - Final, 10/13 & 14, annotated, 49 p. - Handwritten final, 10/07/75, 56 p.

DER TAG

Scripts by Everett Greenbaum and Jim Fritzell. Rev. final, 11/26/75, 34 p. - Final (2 copies), 11/25/75, annotated, 31 & 33 p. - Draft, annotated, 33 p. - Added scenes, handwritten, n.d.

DIVIDED WE STAND

Scripts by Larry Gelbart. Final, 07/26/73, annotated, 38 p. - Final, 07/30, annotated, 39 p. - Typewritten, 07/16 annotated, 29 p. (2 copies) - Partial, 08/03, annotated, 42 p.

DR. PIERCE AND MR. HYDE

Scripts by Alan Alda and Robert Klane. Revised final, 08/29/73, 33 p. - Final, 08/17/73, annotated, 40 p. - Partial script, heavily annotated, n.d.

EDWINA

Scripts by Hal Dresner. Revised final (06/16/72), annotated, 42 p. - Revised final (09/06/72) with revisions (09/08 & 09/12/72), 35 p.

FIGHTING 4077TH, THE

Script by Richard M. Powel. Final draft, dated 05/26/72, with revisions (6/13, 8/11, 8/14) 38 p.

FOR THE GOOD OF THE OUTFIT

Scripts by Jerry Mayer. Final, 08/07/73, partially hand written, 42 p. - Final, 08/13/73, annotated, 34 p. - Partial script. - Synopsis, annotated, 02/21/73, 8 p.

FOR WANT OF A BOOT..

Scripts by Sheldon Keller. Revised final, 11/29/73, annotated, 33 p. - Handwritten script, 11/26/73, 34 pages. - Revised final 11/27/73, 34 p.

FULL RICH DAY, A

Scripts by John D. Hess. Rev. final, 07/25/74, 35 p. - Rev. final, 07/18 & 07/24, annotated, 39 p. - Typed draft, nd, annotated, 36 p. - Handwritten final, 07/18/74, annotated, 55 p.

GENERAL FLIPPED AT DAWN, THE

Scripts by Jim Fritzell and Everett Greenbaum. Rev. final, 06/24/74, 29 p. - "Shooting notes," 6/13, annotated, 35 p. - Final, 6/13, annotated, 45 p. - Rev final, 06/13 & 24, annotated.

GEORGE

Scripts by Regier and Gary Markowitz. Rev final, 2 copies, 01/03/74, 37 p. - Handwritten final, 09/04/73, 21 p. - Drafts (3): 01/02, 12/26, 01/02.

GERM WARFARE

Scripts by Larry Gelbart. Second revised final (07/18/72) with revsisions (07/19/72), 38 p. - Revised final, (05/30/72) with revisions (06/12/72), 34 p.

GUN, THE

Scripts by Larry Gelbart & Gene Reynolds. Rev. Final, 10/21/75, 38 p. - Final, 10/20/75, 39 p. - Draft, annotated, pp. 2-39. - Final, handwritten, 10/21/75.

HAPPEND ONE NIGHT, IT

Scripts by Gene Reynolds, Larry Gelbart and Simon Muntner. Final (2 copies), 07/03/75, one annotated, 36 p. - Final, 06/30 & 07/03/75, annotated, 35 p.

HAWKEYE

Scripts by Larry Gelbart & Simon Muntner. Rev. final, 11/24/75, 21 p. - Rev. final, 11/13/75, annotated, 26 p. - Final, 11/13/75,annotated, 27 p. - Typed draft, nd, 22 p. - Draft, annotated, nd.

HAWKEYE ON THE DOUBLE

Script by Stanley Ralph Rose. Revised final, dated 11/03/72, 35 p.

HENRY IN LOVE

Scripts: Revised final, 11/20/73, annotated, 37 p. - Revised final, 11/19 & 11/20, annotated, 42 p. - Handwritten, 11/19/73, annotated, 42 p.

HENRY--PLEASE COME HOME

Script by Laurence Marks. Revised final (06/13/72) with revisions (06/16, 06/26, 07/07, & 07/24/72), 36 p.

HEY, DOC

Scripts by Rick Mittleman. Rev. final, 08/28/75, 35 p. - Final, 08/27/75, 43 p. - Draft, annotated, n.d., 45 p. - Final, handwritten, 08/27/75.

HOT LIPS AND EMPTY ARMS

Scripts by Linda Bloodworth and Mary Kay Place. Final, 11/06/73, 38 p. - Final (handwritten and typed) 11/05/73, 44 p. - Draft (handwritten and typed) 11/02/73.

HOUSE ARREST

Scripts by Jim Fritzell and Everett Greenbaum. Final, 08/28/74, 34 p. - Final, 08/20 & 27, annotated, 40 p. - Revised pages, nd, annotated.

I HATE A MYSTERY

Scripts by Hal Dresner. Revised first draft (06/16/72), 36 p. - First draft (06/05/72), heavily annotated, 39 p.

Script by Hal Dresner. Second revised final, dated 7/31/72, with revisions (8/1, 8/3, 8/9), 38 p.

INCUBATOR, THE

Scripts by Larry Gelbart and Laurence Marks. Final, 10/18/73, 36 p. - Revised, (handwritten and typed), 10/18/73, 60 p. - Transcript of conference with Marks, Gelbart, Reynolds, 10/13.

INTERVIEW, THE

Scripts by Larry Gelbart. Final, 12/15/75, 23 p. - Final, 12/16/75, annotated, 24 p. - Typed draft, annotated, 26 p. - Typed- & handwritten draft, n.d. - Continuity, annotated, nd, 12 p.

Script by Larry Gelbart. Final, 12/15/75, 23 p. - Final, 12/16, annotated, 39+ p. - Final, 12/16, annotated, 22 p. - Transcript of actor interviews (in character), 12/10. - Production requirments.

IRON GUTS KELLY

Scripts by Larry Gelbart and Sid Dorfman. Fully rev. final, 05/24/74, 39 p. - Handwritten final, May 1974, 55 p. - Partial script, 06/06/74, annotated.

KIDS, THE

Scripts by Jim Fritzell and Everett Greenbaum. Rev. final (2 copies), 09/04/75, one with rev. pages, 34 p. - Final, 09/03/75, 34 p. - Final, 05/22/75, annotated, 39 p. - Draft, annotated, nd.

KIM

Scripts by Marc Mandel, Larry Gelbart and Laurence Marks. Final, 08/31/73, 36 p. - Handwritten final, 08/09/73, 50 p. - Partial script (includes handwritten pages), 09/26/73.

L.I.P.

Scripts by Carl Kleinschmitt. Revised final, 09/05/73, 33 p. - Final, 08/20/73, annotated, 39 p. - Final (xerox of handwritten), 08/20/73, 30 p. - Partial script, 8/29, pp 9 - 30.

LATE CAPTAIN PIERCE, THE

Scripts by Glen Charles & Les Charles. Rev. final (2), 8/4/75, one annotated, 39 p. - Rev. final, 8/2 & 4, annotated, 45 p. - Handwritten final, 8/4. - Partial draft, annotated, n.d.

LIFE WITH FATHER

Scripts by Everett Greenbaum and Jim Fritzell. Final, 05/10/74, 39 p. - Final, 05/08 & 10, annotated, 37 p. - Revisions, 05/14 & 16, annotated.

LONGJOHN FLAP, THE

Scripts by Alan Alda. - First draft, 11/27/72, annotated, 41 p. - Revised final, 12/08/72, with annotations and revisions, (12/14) 36 p.

LOVE & MARRIAGE

Scripts by Arthur Julian. Rev. final, 10/15/74, 35 p. - Final, 09/04/74, annotated, 37 p. - Draft, 09/30/74, annotated, 35 p.

LOVE STORY

Script by Laurence Marks, Final, 11/02/72, 35 p.

MAD DOGS AND SERVICEMEN

Scripts by Linda Bloodworth and Mary Kay Place. Rev final, 09/12/74, 34 p. - Final, 08/21 & 09/03, annotated, 37 p. - Draft, nd, annotated, 26 p.

MAIL CALL

Scripts by Larry Gelbart and Laurence Marks. Rev final, 01/10/74, 39 p. - Xerox of handwritten final, 01/09/74 - Partial draft, annotated, 37 p.

MAIL CALL AGAIN

Scripts by Jim Fritzell and Everett Greenbaum. Rev. final, 10/27/75, 36 p. - Final, 10/23/75, annotated, 36 p. - Draft, n.d., annotated, 36 p.

MOOSE, THE

Script by Laurence Marks. Revised final, 07/27/72, 33 p.

MORE I SEE YOU, THE

Scripts by Larry Gelbart and Gene Reynolds. Rev. final, 12/10/75, 38 p. - Final, 12/08/75, 38 p. - Draft, n.d., annotated, 38 p. - Type and handwritten final, 12/08/75.

NOVOCAINE MUTINY, THE

Scripts by Burt Prelutsky. Rev. final 12/03/75, 37 p. - Final, 12/02/75, 39 p. - Rev final, 12/02/75, annotated, 39 p. - Final, 12/02/75, annotated, 38 p.

O.R

Scripts by Larry Gelbart & Laurence Marks. Rev final, 6/12/74, annotated, 41 p. - Rev final, 6/6 & 6/12, annotated, 34 p. - Typed final, 6/6, annotated, 42 p. - Handwritten final, 05/24, 61 p.

OF MOOSE AND MEN

Scripts by Jay Folb. Final (2 copies), 07/10/75, one annotated, 39 p. - Typed final, June 1975, 42 p.

OFFICER OF THE DAY

Scripts by Laurence Marks. Rev final, 06/17/74, 35 p. - Rev final, 05/20 & 06/17, annotated, 34 p. - Handwritten final, 05/20, annotated.

OFFICERS ONLY

Scripts by Ed Jurist. Final, 11/12/73, 39 p. - Xerox of handwritten script, 11/08/73. - Revised pages, 11/19/73, annotated.

OPERATION NOSELIFT

Scripts by Erik Tarloff and Paul Richards. Revised final, 12/03/73, 38 p. - Typed and handwritten script, 11/30/73, annotated. - Draft, nd, annotated. - Draft, typed, 11/29, annotated.

PAYDAY

Scripts by Regier and Gary Markowitz. Final, 06/03/74, 39 p. - Revised, 06/06/74, annotated, 39 p. - Type- and handwritten fianl, June 1974, annotated, 44 p.

PRICE OF TOMATO JUICE, THE

Scripts by Larry Gelbart & Gene Reynolds. - Rev final, 10/31/75, 38 p. - Handwritten final, 10/31/75, 51 p. - Draft, annotated, 40 p.

PRIVATE CHARLES LAMB

Scripts by Larry Gelbart and Sid Dorfman. Final, 07/16/74, 36 p. - Typed Final, 06/14/74, annotated, 35 p. - Type- and handwritten draft, 07/14/74, annotated.

QUE VADIS, CAPTAIN CHANDLER?

Scripts by Burt Prelutsky. Rev. final (2): 09/22/75, 36 & 37 p. (annotated). - Final (2): 09/18/75, 34 p. (annotated) & 37 p.

RADAR'S REPORT

Scripts by Laurence Marks and Sheldon Keller. Final, 08/01/73, 32 p. - Xeroxed final, 07/30 & 08/01, annotated, 31 p. - Incomplete draft, 08/02, annotated. - Synopsis, 07/06, annotated, 3 p.

RAINBOW BRIDGE

Scripts by Larry Gelbart and Laurence Marks. Rev final, 05/08/74, annotated, 34 p. - Rev final, 5/7 & 8, annotated, 39 p. - Typed draft, annotated, 37 p. - Handwritten draft, nd.

REQUIEM FOR A LIGHTWEIGHT

Scripts by Bob Klane. Revised final, 08/01/72, with revisions (8/11, 8/16), 35 p. - Xerox draft, 05/17/72, annotated. - Xerox draft, no date, annotated.

RINGBANGER, THE

Scripts by Jerry Mayer. Revised final, 11/21/72, 39p. - Final, 11/21 - Second, 11/6, annotated, 37p. - Revised, 11/15, annotated & partially hand written, 36p. - First, 10/12, annotated.

SHOWTIME

Scripts by Robert Klane and Larry Gelbart. Final, 01/29/73, 33 p. - Typed final, 01/26 & 01/29, annotated, 54 p.

SMATTERING OF INTELLIGENCE, A

Scripts by Larry Gelbart & Laurence Marks. Rev final, 01/11/7438 p. - Final 1/11, includes call sheets, annotated, 38 p. - Handwritten draft, 1/14, 61 p. - Draft, annotated, pp 2-38 - Notes, nd.

SMILIN JACK

Scripts by Larry Gelbart and Simon Muntner. Final, dated 08/14/75, 35 p., 35 p. (with revisions), 36 p. (handwritten copy).

SNIPER, THE

Scripts by Richard Powell. Rev. final, 10/05/73, 39 p. - Typed final, 10/03/73, annotated, 43 p. - Revised drafts (3): Dated 10/05, 10/08, & n.d.

SOLDIER OF THE MONTH

Scripts by Linda Bloodworth. Rev. final (3 copies), 10/02/75, 38 p. (annotated), 35 p., 36 p. (annotated). - Final (2): 10/01/75, 36 p. & 37 p. (annotated).

SOME 38TH PARALLELS

Scripts by Regier and Gary Markowitz. Final, dated 11/20/75, 36 p., 37 p. (annotated & revised pages), 43+ (handwritten & annotated).

SOMETIMES YOU HEAR THE BULLET

Scripts by Carl Kleinschmitt. Revised final, 12/04/72, with revisions (12/7, 12/8), 34p. - Revised draft, 11/29/72, annotated.

First draft script by Carl Kleinschmitt, November 27 1972, 46 p. - Final, November 30 1972, 38 p. - Story outline, annotated, no date, 13 p.

SPRINGTIME

Scripts by Linda Bloodworth and Mary Kay Place. Rev final, 05/16/74, 35 p. - Final, 05/15/74, annotated, 41 p. - Final, 05/14/74, annotated, 42 p.

STICKY WICKET

Scripts by Richard Baer, Laurence Marks, Larry Gelbart. Revised final, 12/20/72, 40p. - "Writing Credit to be Determined," 12/20 - final, 29p, annotated - no author, no date, annotated, 34p.

THERE IS NOTHING LIKE A NURSE

Scripts by Larry Gelbart. Rev final, 07/15/74, 31 p. - Revised draft, 07/11/74, annotated, 41 p. - (2) Typed draft, nd, annotated, 29 p. & 41 p. - Handwritten draft, nd, 59 p.

TO MARKET, TO MARKET

Scripts by Burt Styler. Final, 05/31/72, with revisions (7/13), 36 p. - First, 05/22/72, annotated.

TRIAL OF HENRY BLAKE, THE

Scripts by McLean Stevenson and Larry Gelbart. Rev. final, 09/18/73, 33 p. - Final, 09/12, annotated, 37 p. - Typed final, 09/10, annotated, 46 p. - Handwritten act two, nd. - Revised pages, 9/17.

TUTTLE

Script by Bruce Shelly and David Ketchum. Final, dated 11/08/72, 36 p.

WELCOME TO KOREA PARTS I & II

Scripts by Jim Fritzell and Everett Greenbaum. 3rd rev. final (2 copies), 1/9/76: Part 1, 36 p., & Part 2, 42 p. - 2nd rev. final (2 copies) 7/24, 65 p. & Part 1, 35 p. (annotated). - Final, 06/15, 38 p.

Scripts by Jim Fritzell and Everett Grennbaum. 2nd rev. final (Part Two). 01/24/75, annotated, 48 p. - Final, 07/02/75, annotated, 47 p. 2nd rev final (both), 7/24, annotated, 60 p. - Various drafts.

WHITE GOLD

Scripts by Larry Gelbart and Simon Muntner. Rev final, 10/02/74, 34 p. - Typed final, 09/23/74, annotated, 38 p. - Revised pages, nd, annotated. Additional scene, handwritten, 2p.

YANKEE DOODLE DOCTOR

Scripts by Laurence Marks. Final, 08/22/72, with revisions (8/23, 8/24), 38 p. - Final, 08/22/72, 38 p. - No date, annoated, 43 p.

Screenplay: Written by Ring Lardner Jr. Based on novel by Richard Hooker. Dated 02/26/69, 141 p.

Handwritten and typed revisions. - Annotated typed script, 74 pages, revised 1/12/88.

Publicity correspondence, issued by the Golden Group, representing the Cirterion Center production, 1989.

Playbills/flyers: American Repertory Theatre (Boston), incl. and ticket stubbs, 1989. - Flyers for Berkeshire Public Theatre (Pittsfield MA), 1990.

Clippings regarding the Washington and New York productions, 1989 - 1990. approx. 200 items.

Script, reviews, and photographs (6 b/w) of the University California Irvine presentation, in August 1992.

Correspondence re - University California Irvine stage production. Dated Spring 1992. Includes some legal issues re Showtime production interfering with UCI production.

Correspondence re various versions for different staged performances. Dated 1990-1992.

"A Play on Words." Book by Larry Gelbart, dated 11/01/90. Includes excerpts printed in magazines.

"A Congressional Hearing" by Larry Gelbart. Dated 2/88.

"A Congressional Hearing" by Larry Gelbart. Two copies, both dated 3/88. Both heavily by differently annotated.

"A Congressional Hearing" by Larry Gelbart. Dated 4/88.

"A Congressional Hearing" by Larry Gelbart. First draft, dated 05/15/88.

"A Congressional Hearing" by Larry Gelbart. Two copies, dated 06/01/88, one heavily annotated.

"A Congressional Hearing" by Larry Gelbart. Two copies - Dated 11/16/88, marked "Dear Mom this is a first draft, there will be many changes." - Proof copy, dated 12/01/88 (annotated).

"A Congressional Hearing" by Larry Gelbart. Two scripts. 1) Dated 12/07/88 2) Dated 12/23/88, marked "Please Save for Larry Gelbart, The Charles Hotel, .."

"A Congressional Hearing" by Larry Gelbart. Two scripts, dated 12/28/88, one with copious annotations, 60 and 74 pages respectively.

"A Congressional Hearing" by Larry Gelbart. Two copies, dated 01/23/89. Annotated.

"A Congressional Hearing" by Larry Gelbart, dated 02/08/89, marked "A.R.T. version, 1st Perfromance". - "A Play on Words", by Larry Gelbart, dated 02/08/89.

"A Congressional Hearing" by Larry Gelbart. Dated 08/01/89.

"A Play on Words" by Larry Gelbart. Dated 10/12/89.

Incomplete script, pages 1-52, heavily annotated. - Incomplete script, pp. 25-92, annotated. - Several groups of pages of revisions.

Script, pages 2-62, untitled, n.d. - Typed notes entitled "Hollywood, D.C," dated 01/02/88, 10 pages. - Revised pages, some dated 2/3, 2/4, 2/6, 5/23/89.

Congratulatory notes and telegrams regarding the New York opening, 10/89. Approximately 100 items.

Correspondence regarding contract negotiations for potential theatre rights, publishing rights, and movie rights. Includes xerox copies of checks paid for movie rights. Dates range in 1989.

Articles in Theater Week, Oct. 16, 1989, The Nation, Nov. 6, 1989, - Acrostic in Harpers, February 1990. (Missing -10/24/98).

Copies of publicity drawings, 8 items. Includes note from Gene Wolsk (artist).

Correspondence and list of inquieris regarding the publication and future production of the play, 1989/90. - The Golden Group, Advertising Copy: copy lines for for print, tv, radio, 7 pages, 1989.

Production items: Rehearsal schedules (9/26/89), rehearsal calender, (8/27/89 - 10/7/89), casting lists (Simon and Kumin Casting), company contact sheet (9/30/89).

"The Found Poetry of Lt. Col. Oliver L. North as found and compiled by John W. Hart, III". And Books, South Bend, Indiana. 28 pages.

"Larry Gelbart on Mastergate" by Arthur Holmberg (interview). - Biographies of Larry Gelbart, Michael Engler, Joseph Daly, and Steve Hofvendahl. Includes expanded biography of Engler.

Article about stage production, by Larry Gelbart. Three drafts, each with coversheet addressed to Andrea Chapin.

"A Play on Words" by Larry Gelbart. Two scripts, both dated 03/15/92. Each is heavily but differently annotated.

"A Play on Words" by Larry Gelbart. Radio scripts. Both dated 03/15/92. One labeled "Original." Some annotations.

"A Congressional Hearing" by Larry Gelbart. Dated 08/01/89.

"A Play on Words" by Larry Gelbart. Dated 10/12/89, marked "Recording Version." Annotated.

"A Play on Words" by Larry Gelbart, 79 pages. First draft for TV adaptation, July 14, 1992.

Correspondence, revisions of scripts, April-August 1992, contract re productions, incl. UCI and Showtime production.

"A Play on Words" by Larry Gelbart. Final draft for TV adaptation, 82 pages, July 27, 1992. - Final Final Final Draft, 77 pages, July 27, 1992. - Extra pages 33, 43.

"A Play on Words" by Larry Gelbart. - June 1, 1960, 68 pages and 2-page postscript. - Revised June 15, 1960, 68 pages and 2-page postscript, with annotations.

Golden Gate Award - Honorable Mention for Television Comedy category. Awarded at the 36th San Francisco International Film Festival, 04/29 - 05/13/93.

Letters of congratulation for Showtime production. Dated November and December 1992.

Press previews and reviews of Showtime producton. Dated Fall 1992.

"First print notes," handwritten, 9/22/92, 3p.

"A Play on Words" by Larry Gelbart. Photocopy of a Samuel French publication of script, nd. Includes thank you letters for video cassettssent to White House, 11/08/93.

Excerpt for the "Today" show, 13 October, 1989. 3 p.

"One Minute Play" (4 pages), submitted to American Repertory Theatre and Institute for Avanced Theatre Training, Cambridge, MA, April 1990. (Fundraising event).

Handwritten draft and notes for script. No date.

Script by Larry Gelbart. Handwritten draft, annotated, 10/10/77.

Handwritten "Movie Movie Log Log," Notes as explanation for screenplay, 11/28/78. - "Story Behind Movie Movie," 11/12/78. - Newsreel script.

Record album lyrics. Some typed, some hand written. Dated 1979. 21 items.

Correspondence, dated 10/21/82 - 4/16/79. 40 items.

Scripts by Larry Gelbart & Sheldon Keller. Rev draft entitled "Double Feature," 06/13/77, annotated, 136 p. - Partial script, annotated.

Script by Larry Gelbart and Sheldon Keller. First draft, entitled "Double Feature," dated 09/15/76, 136 p.

Scripts by Larry Gelbart and Shelden Keller First draft, dated 06/01/76, annotated, 67 p. - Typed draft, 06/01/76, annotated, 69 p.

Press Clippings, dated 1978, including reviews.

Press packet materials: transcripts of broadcast reviews, reviews, interviews, general plublicity information, 1978.

Script by Larry Gelbart. Draft, entitled "Double Feature," annotated, 147 p., no date.

Script by Larry Gelbart and Sheldon Keller. Revised draft, dated 07/01/77, annotated.

Publicity stills (8 items); Clippings (2 items).

Scripts by Larry Gelbart and Sheldon Keller. - Rev. draft, labeled "Master," 06/13/76, annotated, 122 p. - Rev. draft, 06/13/77, 122 p.

Scripts by Larry Gelbart and Sheldon Keller. Typed draft, no date, annotated, 125 p. - Revised pages, 09/14/77, annotated.

Scripts by Larry Gelbart & Sheldon Keller. Rev. partial draft, 09/14/77, annotated, pp. 61-121. - Rev draft, 07/01/77, annotated, pp. 3-121. - Revised pages, annotations.

Shooting schedule, dated 11/15/77, marked "start date 11/17/77, finish date 1/15/78". - Music and lyrics for "Baxters Beauties of 1933" segment.

Revision of "Dynamite Hands", dated 9/7/77, pp. 2-45. (2 copies) - Continuity for "Torching for Bill" segment, 8 p.

Research for "Dynamite Hands" segment. Dated 08/22/77. Compiled by de Forest Research.

Lyrics: I Just Need the Girl, 12/7/77. - What a Cutie, 12/12/77.

Correspondence regarding legal issues with the film. 1975-1977.

Exhibitor presski, including reviews, articles and illustrations.

Handwritten script by Larry Gelbart. Part one, 08/01/78, 76 p. - Part two, 06/20/78, 81 p.

Handwritten breakdown of scenes with notes, annotated and illustrated. - Typed first draft, August 1 1978. - Typed revised pages.

Script. Typed first draft, 08/01/78, annotated, 133 p.

Script by Larry Gelbart. First draft, 08/01/78, 142 p.

Scripts by Larry Gelbart. First draft, 08/01/78, "To Have and To Want," 142 p. - Incomplete draft, no date, "To Have and To Want," 63 p.

Pilot script by Larry Gelbart. First draft, n.d., 36 p. - Draft, 09/01/70, 47 p. - Draft, 09/04/70, 44 p.

Project notes, n.d., both typed and handwritten, includes revision pages.

SOLO FOR FOUR HANDS

Script by Larry Gelbart. Draft, 09/09/70, 43 p.

"Some Thoughts on 'The Muppets in Concert," 1973, 4 p. -Sketches for muppets and choreography (4).

"A Comedy Series for Buddy Hackett by Larry Gelbart. Draft, no date, 48 p. - Draft, no date, 51 p.

Reviews for opening approx. 20 items, circa 1951.

Congratulatory telegrams regarding opening (9), dated December 7 1950. - Playbill for the Forum Theatre - Oversized program from the Forum (2). - Call for investors in MY LA Ltd.

Scenes and lyrics. Approx. 200 p. circa 1951. Some annotations.

Scripts for pilot episode written by Larry Gelbart: First draft, September 25, 1970. - Revised November 1970. - final draft, December 11, 1970. - Additional revised pages.

Revisions (11 items) to screenplay, marked "Larry and Larry." Written by Edmund Hartmann, Jack Sher, Edmond Beloin, Lou Breslow and Hal Kanter. Annotations in Larry Gelbart's handwritting. No date.

"An Idea for a Limited Television Series", by Larry Gelbart, July 30, 1976, 2 pages ms and 2 pages typed. - Incl. Writers Guild registration.

Book "Neighbors", a novel by Thomas Berger. New York, Delacorte Pres, 1980. 275 p. Sparse annotations.

Script by Larry Gelbart. From the Novel by Thomas Berger. Dated MArch 23, 1981. 118 pages.

Script by Larry Gelbart. From the novel by Thomas Berger. Typed revised first draft, 09/08/80. Sparse annotations. 143 pages. - Rev. first draft, annotated, same date, 133 pages.

Transcription of the novel into screenplay form by Roy Namerson. Sparse annotations. No date. 228 pages.

Scripts by Larry Gelbart. First draft, heavily annotated, 08/15/80, 167 p. - First draft, 08/15/80, 134 p.

Script by Larry Gelbart. 2nd revised version, September 1980, 138 pages, with annotations.

Newspaper clippings, 1984, 3 items.

Script by Larry Gelbart. Revised draft, dated 9/29/80, 119 p.

Script by Larry Gelbart. Revised draft, dated 02/04/81, annotated, 115 p.

Script by Larry Gelbart. Draft, dated 02/03/81, 111 p.

Script by Larry Gelbart. Draft, dated 03/23/81, annotated, 118p.

Shooting scripts, no date, annotated (by Larry Gelbart), 97 page, 2 versions/copies. - Tentative Writing Credits, 07/07/81.

Shooting Schedule, n.d., 44 pages.

Chronology for Neighbors, dated 11/21/81, written by Larry Gelbart in reference to the writing controversy with John Belushi and Dan Akroyd.

Notes on the film, written by Larry Gelbart, dated 10/21/81 and 11/30/81. - Includes 2 letters from Gelbart to Richard Zanuck and David Brown regarding the notes.

Correspondence, dated 7/7/80 - 5/28/83, regarding early stages of script development, production, and the post-production controversy with John Belushui and Dan Akroyd. - Includes contracts.

Clippings and correspondence re: controversy over writing credits, approx. 20 items.

Scripts by Larry Gelbart. First draft, handwritten, August 15, 1980, 174 pages - Notes, 9 pages.

Combined continuity, n.d., 133 p.

Advertising supplement to Variety.

Articles, 6 items, regarding production, restarting of the television brance of MGM/UA, hiring of Larry Gelbart as producer, etc. Articles dated January 1996. Most are printouts from AOL.

Casting lists for series. Lists were compiled by Gary M. Zuckerbrod Casting Co. Lists dated April, 1996. 8 items.

Correspondence, 1996 (6 items). - Profit breakdown, n.d. - Cover page for pilot episode, 3/21/96.

Screenplay by Paddy Chayefsky, MGM/UA, 1976. Dated May 15, 1975. Annotated. 160 pages.

Research materials. Marked "'Network,' Research prepared for Larry Gelbart, by Bobette Buster, January 1996."

"Pilot"

Script by La rry Gelbart. Based on the screenplay by Paddy Chayefsky. First draft. March 1, 1996. 54 pages. 3 copies.

Script by Larry Gelbart. Based on the screenplay by Paddy Chayefsky. Revised first draft. March 7, 1996. 33 pages. - Handwritten notes for act one.

Scripts: One copy is marked "For George, with love, L.G." Dated March 21, 1996. 32 pages. 2 copies.

Script. No title page. Marked "3/1/96." 43 pages.

Scripts (2 copies): No title pages, no dates. - Annotated with 33 pages. - Annotated with 30 pages.

Revision pages. February 22, 1996 (12 pages). - November 28, 1996 (2 pages).

Writers Guild West registration of story idea and title for a television series. Includes typed and handwritten description of the proposed series. April 14, 1977.

Treatment for a television project. Written by Larry Gelbart and Leonard Gross. 6 p.

Script entitled "Monsieur Lecoq" by Ian Hunter and Zero Mostel, dated May 1967, 114 p. - Revision pages by Larry Gelbart, with suggested scene changes, 04/10/67.

Screenplay entitled "Monsieur Lecoq" by Ian Hunter and Zero Mostel. Revised, dated July 1967, Heavily annotated, 109 pages.

Screenplay entitled "Monsieur Lecoq" by Ian Hunter, Zero Moster and revised by Larry Gelbart. - Revised script, dated August 1967, annotated, 121 p.

Screenplay entitled "Monsieur Lecoq", by Ian Hunter and Zero Mostel. Revised, dated September1967, 117 p.

Script entitled "Nobody Likes an Honest Cop (Or the Other Kind Either)" A screenplay by Larry Gelbart. Draft, June 1970, 98 p.

Screenplay by Larry Gelbart. Draft, Marked "22," May 1970, 155 p.

Screenplay by Larry Gelbart. Draft, May and June 1970, annotated, 136 p.

Screenplay by Larry Gelbart. No date. 83 p. - Another draft, n.d., 83p. - Added scene, "Dynamite Hands," 7/26/78, 4p.

Scripts (2 copies). Draft, signed "Larry", October 1967, annotated, 15 p. Written for Jimmy Durante.

Scrip bBy Norman Panama, Larry Gelbart and Peter Barnes. From original story by Norman Panama and Melvin Frank. Final draft, 01/18/66, annotated, 167 p. - Publicity packet from film.

Press clippings, 1962, includes reviews of the film and synopsis.

Script. No author, annotated, 02/01/61, 191 p.

Script by Ian Hunter. Estimating script, 03/02/61, 128 p.

Script by Larry Gelbart. Estimating draft, dated 3/9/61, annotated, 194 p.

Script by Larry Gelbart. Final draft, dated 04/10/61, 194 p.

Script by Larry Gelbart. Second revised final draft, 05/10/61, includes revision pages, 192 p.

Correspondence and script review, n.d.

Handwritten notes 4 items, regarding prologue and credits sequences. Dated September 30, 1994.

Script by Barry Blaustein and David Sheffield. Second draft, April 15 1994, annotated, 106 p. Cover letter from Gil Netter to LG, March 2, 1995.

Script breakdown by Sheffield and Blaustein, n.d., 4 p. - Act one of script (2 copies), 10/17/94, 27 & 29 p. - Handwritten notes for prologue, no date.

Script. No author. Draft, November 7, 1994, 113 p.

Script. No author. Draft, October 9, 1994, annotated, 139 p.

Script: No author. Draft, October 31, 1994, 78 p.

2nd pass outline, dated October 5, 1974, 82 scenes and 82 + pages.

Revisions and outlines for script. Dated November 1994. All are heavily annotated.

Correspondence regarding rewrites. Many have attached scene changes or other notes. Dated August-December, 1994.

Script by David Sheffield and Barry Blaustein. Revised by Larry Gelbart. First draft, November 13, 1994, 126 p.

Transcript: Typed notes for script from audiocasette tapes dictated from September 21st to November 1st 1994. 239 pages, few annotations.

Script by Barry Blaustein and David Sheffield. Rewrite by Tom Shadyac and Steve Oedekerk. First draft, February 1, 1995, 102 p.

Script by Barry Blaustein and David Sheffield. Revised by Larry Gelbart. Second draft, December 20, 1994, 113 p.

Script: No author, no date. 100 pages.

Script: No author. Marked "10/5/94 - 2nd Pass." Heavilly annotated.

Research. Photocopied articles regarding gene therapy (March 1992).Articles are annotated.

Notes: Paragraph outline of script, September 21, 1994, 56 p. - List of rewrite dates by scene and page, 9 p. - Book titles relavent to the script with postit note to Larry.

Writer's Guild of America arbitration paperwork regarding screen credits for the 1996 film. Materials dated November 1995.

Script by Barry Blaustein & David Sheffield. Rev. by Tom Shadyac, Steve Oedekerk, Jay Kogen, Wallace Wolodarsky, Jeff Price & Peter Seaman. Third draft, May 19, 1995, revised numerous times, 99 p

Script: No author, no date. Draft, annotated, 106 p.

Script by Avery Corman, based on his novel Oh, God. Draft, July 22, 1974, annotated, 152 p.

Typed draft by Larry Gelbart based on the novel by Avery Corman. First draft, June 1, 1975, 127 p.

Script by Avery Corman, Marked "Rec'd January 1976," 110 p.

Script by Larry Gelbart. Draft, August 26, 1976, 139 p.

Script by Larry Gelbart. Final, January 3, 1977, with revised pages, 140 p.

Script. Draft, no author, no date, annotated, 122 p.

Script by Carl Reiner, from the first draft of Larry Gelbart. Final draft, October 19, 1976, annotated, 172 p.

Correspondence, dated 11/17/75-5/19/83: Re: opening, congradulatory notes, and items regarding writing credits controversy between Gelbart, Avery Corman, and Carl Reiner.

Handwritten first draft by Larry Gelbart. From the Novel by Avery Corman. No date. 172 pages.

Press Clippings, dated 1977, regarding the production. Approx. 50 items.

Notes, dated 1/21/75, handwritten and typed, 3 p.

Photograph of theatre marque playing Oh God, Winter of 1977 or 1978. Theater name unreadable due to angle.

Paperback edition Oh God by Avery Corman. Annotated by Larry Gelbart.

Handwritten draft by Maury Yeston and Larry Gelbart (Gelbart's handwritting). First draft, January 18, 1986.

Handwritten draft. Dated February 1987.

Partial script. Various dates from October to December 1987. Heavilly annotated.

Scripts. A Musical by Maury Yeston and Larry Gelbart. Labeled "Final Performance Version." Dated 11/29/87.

Partial Script. Dated December 1987 - January 1988. Includes a letter (01/14/88) explaining revisions to Act II.

Script. A Musical Comedy by Maury Yetson and Larry Gelbart. Dated, 01/30/88.

Script. A Musical Comedy by Maury Yeston and Larry Gelbart. Annotated. Dated March 20, 1988.

Script. A Musical Comedy by Maury Yeston and Larry Gelbart. Dated May 1, 1988.

Script. A Musical Comedy by Maury Yeston and Larry Gelbart. Draft, annotated, Sept 1 & Nov 10, 1988. Marked: Rehersal, Nov 19 - Opening Date Dec 19 - Closing Jan 18.

Draft of Act One only. Dated November 5, 1988. Marked: "Look at all Maylis speeches." Few annotations.

Script, dated 11/11/88. Marked: "Mom, It Keeps changing all the time - but this is the version we've just gone into rehersal with - Love, L.G., 11/21/88."

Script, Dated November 15th and 16th, 1988. Annotated.

Script, dated January 1989. Annotated.

Notes to Gelbart and Yeston from Jack V. regarding the show. Includes memorandum from Gerald Gutierrez, dated 1/11/89, regarding the production at the Manhattan Theatre Club.

Musical score by Maury Yeston. Marked: For Larry and Pat Gelbart, Love Maury, 2/21/87.

Notes, lyrics and revisions to script. Annotated. 1987-1988.

Script. "A musical play in five chapters, wherein we follow a hardy group of remarkably average people from The Garden of Eden through roughly the next 2,000 years." Annotated. No date.

Script for Act II only. No date. Annotated.

Script, No date. Annotated.

Theatre Activity Packet for Early Stages Performance. Program for Preview perfromances for New York City Schools. 1988.

Two Playbills for Manhattan Theatre Club (New York) with xeroxed short version as insert. - Manhattan Theatre Club season calender with letter to subscribers. 1988.

Production items: Casting lists (Stuart Howard Associates, LTD.), cast contact list, rehearsal schedule, final cast notification, and company casting lists.

Correspondence, 10/15/87 - 12/1/88, regarding contract negotiations. 6 items.

Clippings, December 1988. 6 items.

Editing suggestions by colleagues, January 1989.

Typed draft by Maury Yeston and Larry Gelbart. Dated February 10, 1987.

Script. A New Musical by Maury Yeston and Larry Gelbart. Draft, dated January 18, 1986.

Two letters to Larry Gelbart from Flora Roberts regarding a revival of play (1995). - Script, marked "Early 1996," first draft by David Hahn.

Script. Draft, no author, no date.

Two scripts, dated February 25, 1987 but with different annotations.

Revised pages, annotated, September 29 1987.

Script. A musical by Maury Yeston and Larry Gelbart. Draft, 10/20/97, annotated.

Transcript: Interview program on Channel 13-WNTA with guests Charles Andrews, Sheldon Keller, Larry Gelbart, Jack Douglas, Mel Brooks, and Mel Tolkin, 51 pages. Air date 02/14/60.

Incomplete script, n.d. Consists of various jokes.

Promotional sheet, 3 p. - First draft script, n.d., 71+ pages. Staring Lucille Ball, Jack Benny, Andy Griffith, Garry Moore & Danny Thomas. - Fan letter, 10/10/62, 1 p.

Misc. production materials (15 items): - Outlines (7): 09/10/84 - 01/29/88 by Larry Gelbart and Gary Markowitz. Legal correspondence (6), dated 10/19/87 - 03/03/88. Rev. scenes (6) - Handwritten notes (3).

Screenplay by Roland Start and from the novel by Edward Caddick. Marked "To be produced by Larry Gelbart and Alain Bernheim." Draft, February 20, 1970. 157 p.

Air date: 01/01/59

Scripts by Larry Gelbart. Guest star Johnny Mathis. First drafts, 12/29/58, 31 & 34 p.

Air date: 01/08/59

Scripts: Guest stars Alfred Drake and the Annapolis Glee Club. First drafts, 12/30/58, 19 p.

Air date: 01/15/59

Scripts by Larry Gelbart. Guest star Ginger Rogers. First drafts, 01/09/59, 23 & 24 p.

Air date: 01/22/59

Scripts by Larry Gelbart. Guest Stars Gisele Mackenzie and Esquivel. First drafts, 01/06/59, 23 & 24 p.

Air date: 01/29/59

Scripts by Larry Gelbart. Guest stars Bing, Dennis, Philip, and Lindsay Crosby. Revised, 01/26/59, 28 p. - First draft, 01/14/59, 30 p.

Air date: 02/05/59

Script by Larry Gelbart. Guest star Dinah Shore. First draft, 01/27/59, 26 p.

Script by Larry Gelbart. Guest star Dinah Shore. First draft, 01/05/59, 27 p.