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Guide to the Allen Ginsberg Papers
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Collection Details
Table of contents What's This?
  • Descriptive Summary
  • Access
  • Publication Rights
  • Preferred Citation
  • Acquisition Information
  • Biography / Administrative History
  • Scope and Content of Collection
  • Access Terms

  • Descriptive Summary

    Title: Allen Ginsberg papers
    Dates: 1937-1994
    Collection number: M0733
    Creator: Ginsberg, Allen
    Collection Size: ca. 1,000 linear ft.
    Repository: Stanford University. Libraries. Dept. of Special Collections and University Archives.
    Abstract: Collection contains correspondence, manuscripts by Ginsberg and other Beat Generation authors, business records, notebooks and journals, clipping files, books, periodicals, audiotapes, videotapes, photographs, posters, and a CD-rom. Accessions received in 1998, 1999, 2001, and 2002 totaling some 140 linear feet have not yet been processed.
    Physical location: Stanford University Libraries
    Languages: Languages represented in the collection: English


    Collection is open for research; materials must be requested at least 24 hours in advance of intended use.

    Publication Rights

    Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections.

    Preferred Citation

    Allen Ginsberg papers, M0733. Dept. of Special Collections, Stanford University Libraries, Stanford, Calif.

    Acquisition Information

    Purchased from Allen Ginsberg, 1994 Oct.

    Biography / Administrative History

    Irwin Allen Ginsberg was born on June 3, 1926 in Newark, New Jersey to Louis and Naomi (Levy) Ginsberg. Louis Ginsberg, who died in 1976, was a high school English teacher and poet who was politically a socialist but socially conservative; Louis often disagreed with his son's writings. Naomi Ginsberg, a Russian-born Jew and a dedicated Marxist, died in a mental institution in 1956. Ginsberg documented his mother's illness and its impact on his life in "Kaddish for Naomi Ginsberg (1894-1956)", better known simply as "Kaddish".
    Ginsberg and his older brother, lawyer and poet Eugene Brooks, grew up in Paterson, New Jersey. Ginsberg enrolled at Columbia University on a Young Men's Hebrew Association scholarship in 1943. Originally intending to major in prelaw, he changed his major to literature and studied with Mark Van Doren and Lionel Trilling, with whom he frequently clashed artistically.
    The greatest influence on Ginsberg's artistic as well as personal development was his off-campus circle of friends, including most notably Jack Kerouac, a former Columbia student four years older than Ginsberg; and William S. Burroughs, who introduced Ginsberg to the literature of rebellion as well as illicit drugs, and who would publish in 1959 his surreal satire of American life entitled Naked Lunch. Herbert Huncke, John Clellon Holmes, Lucien Carr, and Neal Cassady were also part of this extended network of literarily-minded friends and comprised the core of the "Beat Generation", which would begin to surface as a movement in the mid-1950's with the publication of Ginsberg's "Howl" and Kerouac's bohemian-hobo novel "On the road".
    Ginsberg's major personal problems rose out of attempts to deal with his homosexuality and with brushes-by-association with the law. In the aftermath of the murder of his friend David Kammerer by Lucien Carr in 1945, Ginsberg was suspended from Columbia for a year, during which he worked as a merchant marine, a Times Square restaurant dishwasher, and a reporter for a New Jersey newspaper. Returning to Columbia, he maintained an A-minus average and took his Bachelor of Arts degree in 1948.
    It was in 1948 that Ginsberg had, while masturbating, his first mystical experience, an auditory illusion in which he heard a supernal voice reading reciting from William Blake's "Songs of Experience".
    Early the following year Herbert Huncke moved into Ginsberg's apartment after being released from jail. Huncke began using Ginsberg's apartment to store stolen property that he was selling to support his drug habit. When Huncke was arrested and sentenced to 5 years in prison, Ginsberg was circumstantially implicated and plead psychological disability to avoid a jail sentence. He was committed to the Columbia Psychiatric Institute for eight months. There he became friends with Carl Solomon, the "lunatic saint" to whom he would dedicate "Howl".
    After his release from the Columbia Psychiatric Institute, Ginsberg moved in with his father and step-mother, Edith Ginsberg. During his stay, he met and befriended physician and poet William Carlos Williams, who impressed on Ginsberg the importance of paying attention to the world immediately around him and recording his observations in the rhythms of idiomatic American English. The model for such language was Neal Cassady, a high-energy athlete, ex-con, spellbinding, lyrical talker, and promiscuous bisexual.
    Ginsberg remained in the New York City area until 1953, supporting himself mainly as a market researcher. He left New York City in December 1953 to follow Neal Cassady, who had married and moved to San Jose, California, and after visiting Cuba and the Yucatan, arrived in San Jose in 1954, where he lived with Neal and his wife Carolyn, until she evicted him after finding him in bed with her husband.
    Ginsberg moved to San Francisco, acquired a live-in girlfriend, a well-paid job, and a middle-class apartment and tried living a life of middle-class domesticity. After a year of this, he decided, with his psychiatrist's blessings, to end the charade, quit his job, and move in with his boyfriend, Peter Orlovsky.
    In San Francisco, Ginsberg became part of the San Francisco Poetry Renaissance, a literary circle including Kenneth Rexroth, Lawrence Ferlinghetti, Gary Snyder, Michael McClure, Philip Lamantia, Robert Duncan, and Philip Whalen. In October 1955, Rexroth hosted a poetry reading at the Six Gallery in San Francisco in which Snyder, McClure, Whalen, Lamantia, and Ginsberg participated. Ginsberg read his newly written poem "Howl".
    In 1956, Lawrence Ferlighetti published "Howl and Other Poems" in his Pocket Poets series. United States Customs officers and the San Francisco police seized the edition, and Lawrence Ferlinghetti was charged with publishing an obscence book. The court case, which Ferlinghetti won in 1957, gave the book immense publicity, and by the time the trial was over, Ginsberg was widely in demand for poetry readings.
    From the 1950's on, Ginsberg based himself in New York, alternating between the Cherry Valley farm that he bought and a tenement apartment in Manhattan's Lower East Side, which he rented until 1996. He travelled extensively in Europe, Latin America, North Africa and the Asia as well as the United States. Into the 1960's he experimented heavily with drugs, including LSD under the guidance of Timothy Leary, partly as an aid to poetic creation. The first two parts of "Kaddish to Naomi Ginsberg (1894-1956)", published in Kaddish and Other Poems (City Lights, 1961), were written under the influence of a combination of amphetamines and morphine.
    Around 1960, Ginsberg began seeking the counsel of Martin Buber in Israel and of holy men in India and emerged with a new attitude; he began to preach of the superiority of yoga and meditation over the use of drugs, but he did not rule out the usefulness of such pyschedelics as marijuana, peyote, and, occasionally, LSD. While he warned against the use of addictive drugs, he fought against the government's manipulation of the publicized danger of those drugs and campaigned for a liberalization of drug laws.
    Ginsberg became a spiritual leader for the hippie and Yippie movements during the 1960's. Ginsberg invented the term "flower power" in 1965 and was the driving force behind the Gathering of the Tribes for a Human Be-In held in Golden Gate Park in San Francisco in January 1967. Later in the same year, he was arrested in an anti-Vietnam war demonstration in New York City, and during the demonstration at the 1968 Democratic Convention in Chicago he was teargassed by police while trying to calm the crowd by chanting mantras. At the conspiracy trial of the Chicago demonstrators, known as the Chicago Seven, he testified for the defense.
    The poems in Planet News : 1961-1967 (City Lights, 1968) constitute a poetic record of Ginsberg's travels in Eastern Europe, the Indian subcontinent, other parts of Asia, as well as in the United States. Included in the collection was "Wichita Vortex Sutra", inspired by his tour of midwestern universities. The collection The Fall of America : Poems of These States, 1965-1971 (City Lights, 1973) earned Ginsberg the National Book Award.
    In 1974, Ginsberg helped to found the Jack Kerouac School of Disembodied Poetics of the Naropa Institute in Boulder, Colorado, a Buddhist university where he continued to teach courses in poetry and Buddhist meditation until his death. In 1974 he was also inducted into the American Institute of Arts and Letters.
    After the Vietnam War, Ginsberg concentrated his political efforts on exposing alleged CIA subsidization of drug trafficking; in attempts at reforming American drug laws; in environmental and antinuclear causes; in sexual freedom causes; and in speaking out against abuses of authority by governmental agencies including the FBI, CIA, and police forces. Ginsberg became an outspoken critic of the Reagan Administration's intervention in Nicaragua. He wrote "Plutonian Ode" for a demonstration at the Rocky Flats, Colorado, plutonium works.
    Ginsberg lost hope for any salvation for America and took refuge in Buddhism under the guidance of Trungpa Chogyam, the Tibetan guru who supervised the Naropa Institute. In addition to instructing Ginsberg in Kagu Buddhist meditation, Trungpa served as his general adviser, in artistic as well as spiritual matters.
    After publishing his books for years with small alternative-press houses, Ginsberg signed a $160,000 contract with Harper & Row for six books. The first, Collected Poems, 1947-1980 was published in 1984. White Shroud was published in 1986, bringing together the poems that Ginsberg wrote between 1980 and 1985, and Cosmopolitan Greetings was published in 1994.
    Ginsberg made scores of recordings, including an album in the Spoken Arts Treasury of 100 American Poets (Volume XVI, 1969), William Blake's Songs of Innocence and Experience Tuned by Allen Ginsberg (MGM, 1970), First Blues : songs , and many poetry readings in limited editions. Other recent CD releases have included The Lion For Real (1989) and The Ballad of the Skeletons (1996), as well as collaborative efforts with Philip Glass, Hydrogen Jukebox (1993), and the Kronos Quartet, Howl U.S.A. (1996).
    Ginsberg's books of prose include Indian Journals (1970), Allen Verbatim: Lectures on Poetry, Politics, Consciousness (McGraw-Hill, 1974), Journals : Early Fifties-Early Sixties (Grove, 1977), both edited by Gordon Ball.
    In 1960's, Ginsberg appeared in some of the most famous experimental films of the decade, including the well known Pull My Daisy. His longtime interest in the visual arts -especially photography, a practice encouraged by his longtime friend Robert Frank -have now been collected in two books, Photographs (1991) and Snapshot Poetics (1993). Ginsberg's photographs were also represented in a groundbreaking exhibit organized by the Whitney Museum of Art, "Beat Culture and the New America: 1950 -1965."
    Ginsberg was a visiting professor at Columbia University in 1986-87, and he taught at Brooklyn College from the fall of 1987 until his death.
    Allen Ginsberg died at the age of 70 on April 6, 1997 of a heart attack triggered by liver cancer, which had only been diagnosed a few days before.
    Note: this biographical sketch draws heavily on the biography of Ginsberg published in the Current Biography Yearbook 1987.
    Current Biography Yearbook 1987 New York : H. W. Wilson 1987 Miles, Barry. Ginsberg : a biography. New York : Simon and Schuster, 1989. Schumacher, Michael Dharma Lion : a biography of Allen Ginsberg New York : St. Martin's Press 1992

    Scope and Content of Collection

    The Allen Ginsberg Papers document the life work of one of the core members of the "Beat Generation" and a leading American poet of the 20th century. The papers include Ginsberg personal and professional correspondence, journals, business records, personal mementos, extensive newspaper clipping collection, artwork, and other documents generated and collected by him from 1937 to 1994.
    The papers are divided into 19 series: 1. Correspondence, 2. Notebooks and journals, 3. Manuscripts, 4. Business records, 5. Financial Records, 6. Committee on Poetry records, 7. Teaching materials, 8. Political files, 9. Religious materials, 10. Photographs, 11. Audiovisual recordings, 12. Computer files, 13. Periodicals, 14. Clippings, 15. Memorabilia, 16. Posters, 17. Printed Ephemera, 18. Artwork, 19. Musical scores
    Wherever Ginsberg's original arrangement of materials was encountered, the order was retained. However, materials previously housed at Columbia University show signs of having been rearranged significantly. As a result, several series show evidence of conflicting intellectual arrangement schemas, one imposed by Ginsberg and his staff, another by third parties. Where possible, arrangement notes for the specific series will indicate which portions reflect Ginsberg's own arrangement system and which reflect an ordering imposed by individuals other than Ginsberg or his staff.

    Access Terms

    The following terms have been used to index the description of this collection in the library's online public access catalog.
    Ansen, Alan.
    Antler, 1946-
    Auden, W. H. (Wystan Hugh), 1907-1973.
    Avedon, Richard.
    Ball, Gordon.
    Baraka, Imamu Amiri, 1934-
    Beck, Julian.
    Berkson, Bill.
    Berrigan, Ted.
    Blackburn, Paul.
    Blake, William, 1757-1827.
    Bly, Robert.
    Bowles, Paul, 1910-
    Bremser, Ray.
    Bunting, Basil.
    Burroughs, William S., 1914-
    Burroughs, William S., 1947-
    Carroll, Paul, 1927-
    Cassady, Carolyn.
    Cassady, Neal.
    Cope, David, 1948-
    Corso, Gregory.
    Creeley, Robert, 1926-
    Dellinger, David T., 1915-
    Di Prima, Diane.
    Dorn, Edward.
    Dylan, Bob, 1941-
    Eberhart, Richard, 1904-
    Ferlinghetti, Lawrence.
    Ford, Charles Henri.
    Genet, Jean, 1910-
    Ginsberg, Allen, 1926-1997.
    Ginsberg, Louis, 1895-1976.
    Giorno, John.
    Girodias, Maurice.
    Heliczer, Piero.
    Hoffman, Abbie.
    Hollo, Anselm.
    Holmes, John Clellon, 1926-
    Horovitz, Michael, 1935-
    Huncke, Herbert, 1915-
    Joans, Ted.
    Kaufman, Bob.
    Kerouac, Jack, 1922-1969.
    Kesey, Ken.
    Koch, Kenneth, 1925-
    Kupferberg, Tuli.
    Lamantia, Philip, 1927-
    LaVigne, Robert.
    Leary, Timothy Francis, 1920-
    Lebel, Jean Jacques.
    Lennon, John, 1940-1980.
    Levertov, Denise, 1923-
    Levy, D. A.
    Mailer, Norman.
    Malanga, Gerard.
    McClure, Michael.
    Micheline, Jack, 1929-
    Montgomery, John, 1919-
    Moore, Marianne, 1887-1972.
    Murao, Soju, 1914-
    Olson, Charles, 1910-1970.
    Ono, Yoko.
    Orlovsky, Peter, 1933-
    Padgett, Ron.
    Pickard, Tom, 1946-
    Pivano, Fernanda.
    Plimpton, George.
    Plymell, Charles.
    Poniewaz, Jeff.
    Pound, Ezra, 1885-1972.
    Ram Dass.
    Rexroth, Kenneth, 1905-
    Rosenthal, Bob, 1950-
    Sanders, Ed.
    Snyder, Gary, 1930-
    Solomon, Carl W., 1928-
    Sorrentino, Gilbert.
    Sosnora, Viktor.
    Southern, Terry.
    Spender, Stephen, 1909-
    Suwa, Yu, 1929-.
    Trilling, Lionel, 1905-1975.
    Trocchi, Alexander, 1925-
    Trungpa, Chogyam, 1939-
    Ungaretti, Giuseppe, 1888-1970.
    Vinkenoog, Simon, 1928-
    Vitale, Tom.
    Voznesenskii, Andrei, 1933-
    Waldman, Anne, 1945-
    Welch, Lew.
    Whalen, Philip.
    Whitman, Walt, 1819-1892.
    Wieners, John, 1934-
    Williams, Jonathan, 1929-
    Williams, William Carlos, 1883-1963.
    Yevtushenko, Yevgeny Aleksandrovich, 1933-
    Zukofsky, Louis, 1904-1978.
    American literature--20th century.
    Beat generation.
    Compact discs.
    Video recordings.