INVENTORY OF THE EXPERIMENTS IN ART AND TECHNOLOGY RECORDS, 1966-1993 (bulk 1966-1973)
Finding aid prepared by Lynda Bunting
Descriptive Summary
Title: Experiments in Art and Technology records
Date (inclusive): 1966-1993 (bulk 1966-1973)
Number: 940003
Creator/Collector:
Experiments in Art and Technology (Organization)
Physical Description:
205.0 linear feet
(237 boxes, 2 rolls, 12 flat file folders)
Repository:
The Getty Research Institute
Special Collections
1200 Getty Center Drive, Suite 1100
Los Angeles, California, 90049-1688
(310) 440-7390
Abstract: Records of the organization Experiments in Art and Technology, generated and collected by its president, Billy Klüver, and
other staff members, the bulk from 1966-1973. Materials include project files, correspondence, proposals, reports, photographs,
posters, audiovisual materials, minutes, clippings, printed matter, and other items.
Request Materials: Request access to the physical materials described in this inventory through the
catalog record for this collection. Click here for the
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Language: Collection material is in
English
Biographical/Historical Note
E.A.T., an organization devoted to promoting the interaction between art and technology, developed from the collaboration
between Billy Klüver and Robert Rauschenberg. E.A.T. founders, Billy Klüver, Robert Rauschenberg, Robert Whitman and Fred
Waldhauer, believed that collaboration between artists and scientists would greatly benefit society as a whole. The organization
was created after the landmark event "9 Evenings: Theatre and Engineering," 1966, and sought to continue the artist / engineer
relationship forged during those performances. E.A.T.'s primary goal was to give artists access to new materials, such as
plastics, reflecting materials, resins, video, and technologies, such as electronics and computers, which would have been
otherwise inaccessible. Staff and participants explored or experimented with these and the precursors of many technologies
that are now commonplace: chat lines, fax machines, lasers, cable television, and digitized graphics.
By the early 1970s, E.A.T.'s artist and engineer matching service, called the Technical Services Program, boasted 6,000 members.
Through this matching system approximately 500 works were created, the most effective being in the areas of sculpture and
performance. E.A.T. considered the collaborative process between artist and engineer of greater import than the aesthetics
of the end result. Additionally, E.A.T. helped to organize many exhibitions in order to display the finished products of collaborations.
Other E.A.T. activities focused on educational programs designed to inform the public about new telecommunications technologies.
Research was conducted in order to locate inexpensive equipment and methods with which to bring TV programming to wider audiences,
including underdeveloped countries.
Project Descriptions:
9 Evenings: Theatre and Engineering
A series of performances held in October 1966 at the 69th Regiment Armory in New York City, by John Cage, Lucinda Childs,
Öyvind Fahlström, Alex Hay, Deborah Hay, Steve Paxton, Yvonne Rainer, Robert Rauschenberg, David Tudor and Robert Whitman.
The artists worked in collaboration with more than 40 engineers and scientists from Bell Telephone Laboratories to develop
technical equipment that was used as an integral part of the performances. The original intent was to participate in a Stockholm
festival of art and technology, but the Armory site was selected when negotiations with Stockholm organizers collapsed.
A small catalog was printed containing statements by the participating artists, photographs, drawings and technical diagrams.
Harriet DeLong's draft manuscript for a book was never published. She collected all possible documentation for each artist's
work, including artists' statements, engineers' technical work and diagrams, descriptions of performances, scores and press
reaction. Additionally, she conducted interviews with some of the artists and engineers.
"9 Evenings" was extensively photographed by Peter Moore, Robert McElroy, Herbert Migdoll and Steve Schapiro. A 25 minute,
16mm sound, black-and-white film was made by Alfons Schilling of the performances.
Technical Services Program
E.A.T.'s matching service began shortly after "9 Evenings" in 1966. Artists with technical requests were matched with engineers
and scientists who produced information and assistance or participated in longer collaborations. The system for providing
information and matchings was expanded several times after its inception, including a proposal to develop a computer-based
directory of artists, scientists, engineers, researchers and other professionals. One of the first innovations in the system
was to use edge-notch cards to hold information on the technical specialties of over 1,000 engineers. A computer database
of engineers and scientists was compiled which artists could refer to as they needed specific expertise.
In 1967 and 1968, EAT began recruiting engineers to work with artists. This was achieved through visits by artists to technical
laboratories like Bell Labs in Murray Hill, N.J. or IBM Labs in Armonk, N.Y.; a booth at the yearly Institute of Electronic
and Electrical Engineers (IEEE) where artists made a pitch to involve engineers; weekly open houses at the E.A.T. loft at
9 East 16th Street, where artists and engineers could meet and talk informally; publication of a newsletter, "E.A.T. News";
and a compilation of a list of technical libraries in the New York City area open to artists. In general, E.A.T. did not monitor
the resulting contact and collaboration between the individual artists and engineers. E.A.T.'s intent was to act as liaison
during the introductory phase of contact to facilitate an artist's awareness of new and quickly developing technologies. Other
services to artists included loan of equipment, consultation on safety of works, helping artists obtain permission from the
New York City Health Department to exhibit works that used lasers and other potentially hazardous materials, and approaches
to industry for support of artists' projects. The program was essentially discontinued in 1973.
Lecture-Demonstration Series
In the spring of 1968, E.A.T. organized a series of lecture-demonstrations by engineers and scientists for artists held at
the E.A.T. loft. They covered such technical subjects as lasers and holography, computer generated sound and images, color
theory, paper, television and new Hexcel materials. Speakers came from academic, industrial and government laboratories: e.g.,
Bell, MIT and National Bureau of Standards.
E.A.T. Competition
In the fall of 1967, E.A.T. announced a competition for the best contribution by an engineer to a work of art made in collaboration
with an artist. It called for works incorporating technology to be selected for an exhibition organized by Pontus Hulten,
"The Machine as Seen at the End of the Mechanical Age," held at the Museum of Modern Art, New York, in the fall of 1968. E.A.T.
offered to match all interested engineers and artists. The judges for the competition were all engineers.
Some More Beginnings
One of the first major art and technology exhibitions, held at the Brooklyn Museum from November 1968 to January 1969. The
E.A.T. competition for MOMA's exhibition generated more than 140 submissions. The decision was made to show all these works
at the Brooklyn Museum. The catalog was designed by Billy Klüver, Julie Martin and Robert Rauschenberg, and contains photographs
and technical descriptions of 145 works.
Pepsi-Cola Pavilion at Expo '70, Osaka, Japan
E.A.T. organized and administered a large-scale international collaboration to design, build and program the Pepsi-Cola Pavilion
at Expo '70, Osaka, Japan. It was initiated in October 1968 by four core artists: Robert Breer, Forrest Myers, David Tudor
and Robert Whitman. As the design of the Pavilion developed, engineers and other artists were added to the project and given
responsibility to develop specific elements. Twenty artists and 50 engineers and scientists contributed to the design of the
Pavilion. A full-sized model of the mirror dome was built by Raven Industries in an old Marine Corps dirigible hangar in Santa
Ana, California. The Pavilion opened Mar 1970.
Thirty-four Japanese and American artists were invited by E.A.T. to design performances for the live programming of the space.
Strains in Pepsi-Cola's and E.A.T.'s relationship began to occur when a disagreement ensued over the content and cost of the
live programming. Pepsi-Cola officials wanted to showcase young rock bands by inviting them to compete in a contest that would
be performed in the Pavilion. E.A.T., on the other hand, believed that the acoustics of the Pavilion were too sensitive and
exacting for nonprofessionals to perform in, and had planned for artists such as Red Grooms, Ann Halprin, Allan Kaprow, Gordon
Mumma and La Monte Young to perform music compositions, events and poetry readings. E.A.T. presented a live programming budget
to Pepsi officials, which they rejected citing E.A.T.'s lack of cost control. By late April, relations between E.A.T. and
Pepsi-Cola completed deteriorated.
A book,
Pavilion, edited by Billy Klüver, Julie Martin and Barbara Rose, was published by E.P. Dutton in 1972, and contains essays by Elsa
Garmire, Billy Klüver, Nilo Lindgren, Fujiko Nakaya, Barbara Rose and Calvin Tomkins, all the artists proposals for the live
programming of the Pavilion and photographs by Shunk-Kender.
Anand Project
In October 1969, the Nehru Foundation for Development and E.A.T. assembled a group of Indians and Americans with specialties
related to instruction and television, including both artists and engineers. The group met in India during December 1969 and
developed a proposal for local input towards the development of instructional software for television. The project was centered
in the rural villages in the Anand Dairy Cooperative and concentrated on information and instruction for the women who raise
and tend the milk-producing buffalo. The proposals for using 1/2 inch video cameras to collect material for testing and to
be used as the basis for the final instructional programs have been adopted and widely used during the SITE television satellite
project.
American Artists in India
E.A.T. initiated a project in 1970-71, funded by the John D. Rockefeller III Fund, for American artists to travel and work
for a month in India. The following artists participated: Jared Bark, Trisha Brown, Lowell Cross, Jeffrey Lew, Steve Paxton,
Yvonne Rainer, Kate Redicker, Terry Riley, La Monte Young, and Marian Zazella.
Projects Outside Art
On December 8, 1969, E.A.T. requested proposal submissions for an exhibition of realizable projects in the environment, which
was funded by a $25,000 grant from the National Endowment for the Arts. Approximately 75 proposals were submitted by artists
and engineers, of which four were selected: Children and Communication (see below), City Agriculture, Esthetics Symposium,
and Recreation and Play.
In collaboration with the Environmental Research Laboratory of the University of Arizona and Automation House, a closed-environment
nutrient-feeding vegetable greenhouse was designed for the roof of Automation House in 1970. E.A.T. also carried out a feasibility
study for a greenhouse on the roof of the artists' housing complex, Westbeth, and developed a proposal for an experimental
greenhouse in the interior courtyard of the U.N. International School in New York. Consecutive exhibitions were held at Automation
House from Jan 4, 1971, and the Esthetics Symposium was held during this time.
The Recreation and Play assignment was given to a team of Los Angeles artists (including Allan Kaprow) and engineers based
on geographical proximity, not on compatibility. "Cubic Mile" was formulated by the participants to encompass the differing
interests of the group. The participants became conflicted as to the aims and directions of their work, leading to a collapse
of this portion of the project.
Children and Communication
Working with educational specialists from New York University, two environments, designed by Robert Whitman, were set up
at the E.A.T. loft, 9 East 16th Street and Automation House, 49 East 68th Street. They were linked by 14 dedicated telephone
lines and terminal equipment including Xerox and Magnavox facsimile machines, electro-writers, telexes and telephones. From
February through May 1971, more than 500 children, ages 6-13, visited the two locations and used the equipment to communicate
with each other.
Multi-Dimensional Scaling
In cooperation with psychologists at Bell Laboratories, several research studies using multi-dimensional scaling techniques
were conducted to study perceptions in 1971-72. (Multi-dimensional scaling is a type of mathematical modeling which entails
analyzing responses to questionnaire word juxtapositions regarding their degree of relatedness, then plotting the results
onto correlation graphs.) One of the studies was to correlate national problems with technical and scientific resources applicable
to these areas in order to devise solutions; another was a cross-cultural study of object words, which were selected by artists
from different countries. Questionnaires for a study similar to the latter were posted at "Telex: Q&A" sites, described below.
Telex: Q&A
This project was organized in conjunction with the exhibition "Utopia & Visions 1871-1981" held at Moderna Museet, 1971. During
August 1971, four telex terminals were established in New York at the E.A.T. offices at 49 E. 68th Street; in Stockholm, at
the exhibition at Moderna Museet; in Ahmedabad, India, at the Design Institute; and in Tokyo, at a large public exhibition
space in the Sony Building, organized by Fujiko Nakaya. The public in all four countries was invited to submit questions concerning
1981, which were telexed to the other three terminals. Scientists, artists, subject experts, students and members of the general
public were asked to formulate answers that were then telexed to the originator. Over 400 questions were sent and answered
during the month.
The type of questions were limited to eliminate anything one could find out by going to a local library. It was hoped that
the telexes would act as a "Utopian News Service," so questions such as "How large will the population be?" were filtered
out. The questions and answers were compiled in a document E.A.T. had hoped to publish.
In August 1981 E.A.T. collected the New York Times for one month for later study on how the world of 1981 differed or resembled
the predictions, guesses and feelings people had made about it in 1971.
Artists and Television
In the winter of 1971, a large-scale proposal was made to the National Endowment for the Arts for E.A.T. to organize the
cablecast of artists' video tapes over the newly opened cable television channels in New York City. As E.A.T.'s new office
was located at Automation House, a head-end for one of the New York cable companies, the organization had ready access to
the medium. The project was based on the premise that artists programs should be broadcast, and proposals were requested from
artists like Claes Oldenburg, James Rosenquist, John Chamberlain and others.
E.A.T. held a fund-raising event called "Artcash Benefit for Television Programming" at Automation House, 1971. Participants
could buy "artcash" bills designed by Rauschenberg, Warhol, Marisol, Jeff Davis and Whitman, then redeem them for prints,
which were donated by artists and galleries. The prints were also sold and exhibited at Automation House.
Projects in Central America
In January 1972, E.A.T., at the request of the Division of Culture of the Ministry of Education in El Salvador, conducted
a feasibility study on mobile broadcast television production equipment and formulated a plan for producing cultural programming
on educational channels.
Billy Klüver also participated in an United States Agency for International Development's (USAID) mission to Guatemala on
using television for rural agricultural education. In cooperation with the Guatemalan Government, and under contract with
the USAID, the Academy for Educational Development studied the feasibility of an experimental, low unit cost program of information
and education for the rural adult, especially isolated Indian tribes, in Guatemala. The hope was that new multi-media educational
techniques would enhance the economic development of the rural population. The group wrote a final report on its findings
and also conducted a multi-dimensional scaling study.
New York Collection for Stockholm
Beginning in January 1971, E.A.T. undertook a large-scale effort to assemble a major collection of 30 works by New York artists
of the 1960s, chosen by Pontus Hulten, and to raise funds for the purchase of the collection to be donated to Moderna Museet,
Stockholm. Thirty artists donated prints to a portfolio in order to support the project. A showing of the print portfolio
collection was held at the Castelli and Sonnabend Galleries. A dinner with Princess Christina of Sweden at Robert Rauschenberg's
house was held in October 1972. The collection opened at Moderna Museet in October 1973 with 105 American guests attending
the opening.
Paris-NY-Paris
Klüver initiated and supervised the design and feasibility study for a large screen outdoor television system for the Plaza
of Centre Georges Pompidou, Paris, 1976-77, for the opening of the Pompidou. Although the project was unrealized, E.A.T. organized
a charter flight for Americans to attend the opening.
Artists for New York Benefit at Xenon Discotheque
Benefit for the Institute of Art and Urban Resources held February 26, 1979 with a performance by Tudor, Lowell Cross, and
Carson Jeffries using a sound-activated laser display system first developed for the Pepsi Pavilion.
Island Eye Island Ear
David Tudor conceived a collaborative project/concert to be held on an island, which was to utilize and reveal the nature
of the island. Parabolic antennas would have been placed in configurations around the island to create sound beams and sound
reflections. The sound input would have been sounds of the island recorded over the course of one year. Fujiko Nakaya would
have installed cloud sculptures and Jacqueline Monnier would have flown the kites she designed. Extensive tests were made
on Knavelskär Island in the Swedish archipelago (1974), and later Bluff Island in the Adirondacks in New York State was researched
as a possible site for the concert (1978-79). The project was never realized because of strong resistance from local residents.
Cloud Sculpture for Trisha Brown Dance Company
E.A.T. supervised the testing and installation of a cloud sculpture by Fujiko Nakaya as a set for the dance "Opal Loop,"
first performed at 55 Crosby Street, June 10, 1980, and performed later that year at the Brooklyn Academy of Music. A full-scale
model of the stage at Brooklyn Academy was built to test the fog made for this performance.
Archive of E.A.T. Documents
In 1980, E.A.T. put together an archive package of 360 documents produced by the foundation: reports, catalogs, newsletters,
information bulletins, proposals, lectures, announcements, and reprints of major articles produced by E.A.T. in the course
of its activities. Complete sets of this archive were distributed to major libraries in New York, Washington, Paris, Stockholm,
Moscow, Ahmedabad, India, London, Toronto and Australia. A master list of these documents is contained in the publication
by Billy Klüver, "E.A.T. Bibliography 1965-1980." In most cases early E.A.T. publications were designed by Rauschenberg and
subsequently by other artists; posters and announcements were also designed by or in collaboration with artists.
Administrative Information
Access
Open for use by qualified researchers.
Publication Rights
Preferred Citation
Experiments in Art and Technology records, 1966-1993, The Getty Research Institute, Los Angeles, Accession number 940003.
Acquisition Information
Acquired 1994 (Accn. no. 940003, 940037), 1996 (Accn. no. 960013).
Processing History
Lynda Bunting unpacked, processed, organized and cataloged the collection from September 1994 to Mar 1996. Natalia Costea
and Vanessa Walker-Oakes helped unpack, process and describe sections of Series I, II, V and VI from December 1994 to June
1995. From September 1995 to February 1996, Kelly Nipper removed rusty staples and revised a few of the project descriptions
in Series I. Melissa Piper described the artists proposals in the Technical Services project in December 1995. Audio-visual
materials processed 2004.
Separated Material
Thirty titles were transferred to the library's general collections.
E.A.T. News vol. 1, no. 1
Techne vol. 1, no. 1
New York Collection for Stockholm. Stockholm: Moderna Museet, 1973.
Pavilion, 1972.
Exakte Asthetik - Methoden und Ergebnisse empirischer und experimenteller Asthetik - 3/4/1966.
Grèce, Michel de.
Andronic: ou les aventures d'un empereur d'orient. Paris: Olivier Orban, 1974.
Grèce, Michel de.
La Crète épave de l'Atlantide. Paris: Julliard, 1971. 2 copies.
Cultural Affairs. New York: Associated Councils of the Arts (Spring 1970).
New York State Council on the Arts Annual Report. 5 vols., 1967-1972.
Film Library Quarterly (Spring 1971).
Filmmakers Newsletter. 6 issues from 1969.
Video from Tokyo to Fukui and Kyoto. New York: The Museum of Modern Art, 1979.
Jornal de letras e artes. vol. 7, no. 257 (Nov 1967).
Avatar
Tågarp, no. 1 (1971).
Psychopolis de Vrije Academie , ca. 1971.
Other Scenes vol. 5, no. 2 (Summer 1971).
Arata Isozaki: Works, 1960-64. Tokyo: Seidoh-sha, 1965.
Arata Isozaki: Works, 1965-66. Tokyo: Seidoh-sha, 1967.
Another Isozaki title in Japanese.
Burroughs, William. "C" Press edition entitled "Time," 1965.
Radical Software. vol. 1, nos. 1-4, (1970-71); vol. 2, no. 1 (1972).
Haute Société. no. 2 (Sep 1960).
Centro de arte y Comunicación. Henri Cartier-Bresson.
Galerie le Zodiaque.
Toche , 1968.
Centro de Calculo de la Universidad de Madrid.
Ordenadores en el arte: Generación automática de formas plásticas, 1969.
Beaux Arts. Summer 1972.
Kosice: La cuidad hidroespacial. Anzilotti Avda: Buenos Aires, 1972.
Knoedler & Co.
Holograms Conceived by Dali. New York, 1972.
Celant, Germano. Eugenio Carmi: SPCE. A. Cordani, Milan: 1966.
Scope and Content of Collection
The Experiments in Art and Technology archive documents E.A.T. as an organizer, fund-raiser and facilitator of collaborations
between artists and engineers, dating from 1966-1993 (bulk 1966-1973). The material was generated and collected by Billy Klüver,
President, Julie Martin, Klüver's assistant and second wife, and other E.A.T. staff members. The collection does not contain
correspondence with Robert Rauschenberg, Chairman, but does make many references to the artist and includes numerous photographs
of him performing and three posters by him.
The bulk of the archive consists of project files with various materials such as correspondence, proposals and reports pertaining
to approximately 20 large-scale projects and numerous smaller ones. Substantial photographic, cassette tape, reel-to-reel
tape, film and video holdings provide audio and visual documentation of E.A.T. sponsored performances, lectures and events.
Posters in the archive, primarily published by E.A.T., were designed and signed by a number of noteworthy contemporary artists
or were created by engineers using experimental computer scanning and data compression processes. The collection also contains
board of directors' meeting minutes, book and newsletter production material, clippings, and accounting records.
Arrangement note
The archive is arranged in 9 series:
Series I. Project files, 1966-1992, bulk 1966-1973
Series II. Correspondence and administration, 1966-1980
Series III. Publications, ca. 1967-1980
Series IV. Clippings, 1965-ca. 1980
Series V. Financial, 1966-1986, bulk 1966-1974
Series VI. Photographs, 1966-1990
Series VII. Audio tapes, 1966-1993
Series VIII. Films and videos, 1974-1997
Series IX. Posters, 1966-1996
Indexing Terms
Subjects - Corporate Bodies
Expo '70 (Osaka, Japan)
Subjects - Topics
Art and electronics
Art and science
Art and technology--Periodicals
Art and technology--Societies, etc.
Corporate sponsorship--United States
Fund raising--United States
Kinetic art
Performance art
Technology and civilization
Television and the arts
Subjects - Titles
E.A.T. News (New York, N.Y.)
Expo '70 (Osaka, Japan)
Techne (New York, N.Y.)
Genres and Forms of Material
Audiocassettes
Audiotapes
Motion pictures (information artifacts)
Photographic prints
Photographs, Original
Posters
Slides (photographs)
Videotapes
Contributors
Breer, Robert
Brown, Trisha, 1936-
Cage, John
Childs, Lucinda
Cross, Lowell M.
Davis, Douglas, 1933-
Experiments in Art and Technology Los Angeles (Organization)
Fahlström, Öyvind, 1928-1976
Garmire, E.
Hultén, Pontus, 1924-2006
Kaprow, Allan
Kender, Jean
Klüver, Billy, 1927-2004
Martin, Julie, 1938-
Minujin, Marta, 1941-
Moore, Peter, 1932-1993
Nakaya, Fujiko
Paik, Nam June, 1932-2006
Paxton, Steve
Pearce, John
Rainer, Yvonne, 1934-
Rauschenberg, Robert, 1925-2008
Shunk, Harry
Tomkins, Calvin, 1925-
Tudor, David, 1926-1996
Waldhauer, Fred D.
Whitman, Robert, 1935-
Container List
Series I.
Project files,
1966-1992, 1966-1973
Physical Description:
112.5 lin. ft. 121 boxes, 7 flat file folders, 1 roll
Scope and Content Note
Arranged in rough chronological order by project. Includes organizational and fund-raising correspondence with museum directors,
industry leaders and foundations, and between staff members; letters of inquiry, membership forms and project proposals, many
with photographs and some with drawings, from artists and engineers who were interested in participating; E.A.T. proposals
and reports, usually produced to attract sponsors and members; collected research material in the form of photocopied articles,
government and foundation reports, brochures, equipment catalogs and clippings, especially pertaining to television and video;
manuscripts; and notes by Klüver, Julie Martin and other E.A.T. staff. Especially well documented are "9 Evenings: Theatre
and Engineering," 1966, the Pepsi Pavilion, 1970, the New York Collection for Stockholm, 1971-1973, and E.A.T.'s Technical
Services Program. Notable participants in these and other activities are: Robert Breer, Trisha Brown, John Cage, Lucinda Childs,
Lowell Cross, Douglas Davis, Öyvind Fahlström, Elsa Garmire, Pontus Hulten, Allan Kaprow, Marta Minujin, Fujiko Nakaya, Nam
June Paik, John Pearce, Steve Paxton, Yvonne Rainer, Rauschenberg, David Tudor, Fred Waldhauer and Robert Whitman.
Box 1
"9 Evenings: Theatre & Engineering,"
1966
Box 1, Folder 1-19
Original manuscripts (unpublished and incomplete)
Scope and Content Note
material by or about most of the performers, including: Harriet De Long, Pontus Hulten, Steve Paxton, Alex Hay, Deborah Hay,
Robert Rauschenberg, David Tudor, Yvonne Rainer, John Cage, Lucinda Childs, Robert Whitman and Öyvind Fahlström. Files contain
original manuscript drafts, many with annotations, drawings by engineers, performance instructions by Rauschenberg, 2 signed
scores by Tudor, instructions by Cage, and notes. There is a substantial quantity of photographs and slides by Peter Moore
and others with detailed captions and layout instructions (see also Series VI. Photographs), ca. .5 lin. ft.
Box 1, Folder 21-22
MIT Press correspondence
Scope and Content Note
primarily regarding lost portions of manuscript (1974-1976) and also includes a few miscellaneous letters (1966-1968). A separate
folder contains a list of the missing manuscript portions, ca. 40 items, many photocopies.
Box 1, Folder 23-24
Ms. copy
Scope and Content Note
photocopy of entire original manuscript, including missing sections, ca. .25 lin. ft.
Box 2, Folder 4-7
Ms. working copy
Scope and Content Note
contains typescripts with extensive notes and annotations.
Box 2, Folder 8-10
De Long material
Scope and Content Note
primarily carbon copies of letters to artists requesting information about the performance and permission to reproduce material
for the book, with some responses (see especially Simone Forti's notes for the old Tuscan song she sang between Rauschenberg's
first and second performances). Also a 3 p. typescript telephone conversation with Grace Glueck, notes, drafts (see Box 50
for more) and miscellaneous, 1970-1973.
Box 2, Folder 11
Index
Scope and Content Note
list of materials contained in the following research files (O-X, E.A.T.'s numbering), but does not include everything.
Box 2, Folder 12
Introduction (0)
Scope and Content Note
background information in the form of clippings.
Box 2, Folder 13-14
Artists (I)
Scope and Content Note
descriptions of their pieces, comments, bios, announcements and some applicable correspondence with Cage, Childs, Fahlström,
Deborah and Alex Hay, Paxton, Rainer, Rauschenberg, Tudor and Robert Whitman.
Box 2, Folder 15
Engineers (II)
Scope and Content Note
descriptions of their role in the performances.
Box 2, Folder 16-17
Retrospect (III)
Scope and Content Note
typescripts, some annotated, by Klüver, Robinson and Simone Whitman, and questionnaire responses from artists and engineers
about the performances after-the-fact.
Box 3, Folder 1
Interface (IV)
Scope and Content Note
consists of preparatory material for the Stockholm Festival, such as Klüver notes for texts and letters, many meeting notes
with Rauschenberg, Fahlström, Cage and others (Mar 11, 1966-Aug 14, 1966), project lists, progress reports, bulletins, description
of pieces and letter from Oldenburg (May 11, 1966).
Box 3, Folder 2-3
Klüver (V)
Scope and Content Note
many mss. and some notes and copies of letters concerning the cancellation of the Stockholm Festival (for a good explanation
see "Short Schedule of Events..." Jul 30, 1966), other mss. about ideas behind and purpose of "9 Evenings," and correspondence
(ca. 20 items) with art critic Douglas Davis regarding interview published in Art in America.
Box 3, Folder 4-5
Sweden Correspondence (VI)
Scope and Content Note
very extensive correspondence with Knut Wiggins of Fylkingen (modern music society) and some with others concerning the Stockholm
Festival. Includes detailed descriptions from Frank and Susan Konigsberg about their meetings in Sweden with Wiggins concerning
financial and organizational problems, ca. 125 items.
Box 3, Folder 6
Telegrams (VII)
Scope and Content Note
30 items from Klüver to Cage, Tudor, Fahlström and others about organization.
Box 3, Folder 7-10
Press (VIII)
Scope and Content Note
includes correspondence with editors, critics, sponsors and others about press coverage, press releases and briefings; radio
and TV transcripts; substantial review clippings and copies of reviews; and copies of Swedish articles about Stockholm Festival,
some with translation typescripts.
Box 3, Folder 11
Correspondence, Agreements (IX)
Scope and Content Note
typescripts of agreements with the Armory, Foundation for Contemporary Performance Arts and the FCC.
Box 3, Folder 12
Correspondence, Equipment and Accommodations (IX)
Scope and Content Note
with suppliers about obtaining technical equipment and air and hotel accommodations for Swedish Festival.
Box 3, Folder 13
Correspondence, Financial (X)
Scope and Content Note
with sponsors and potential sponsors concerning donations, and with various companies after the event about unpaid bills (see
also Box 4 and Series V. Financial).
Box 3, Folder 14
Information requests
Scope and Content Note
notes from John Baldessari, Richard Hamilton, Jean Brown and others, ca. 65 items.
Folder 15
Interview transcripts
Scope and Content Note
with Paxton, Deborah Hay, Alex Hay, Childs, Whitman, Trisha Brown and Bob Breer.
Box 3, Folder 16-21
Robinson files
Scope and Content Note
on power amplifier; on E.A.T. projects with letter from Paik, other correspondence and drawings of circuits; description of
Bonino show; organization of E.A.T.; manuscript "What Really Happened at the Armory"; and other.
Box 3, Folder 22-23
Fahlström Files
Scope and Content Note
translation of "Armory" manuscript and 19 slides.
Box 3, Folder 24
Maricla Moyano Files
Scope and Content Note
19 p. photocopied typescript and 5 photographs of "9 Evenings."
Box 3, Folder 25
Rauschenberg Files
Scope and Content Note
includes 2 p. typescript instructions for "Open Score," 2 page fragment of a letter recruiting volunteers, and telexes.
Box 3, Folder 26
Deborah Hay Files
Scope and Content Note
"Solo" notes.
Box 4, Folder 1-7
Herb Schneider files
Scope and Content Note
includes correspondence and mss.; "APP" file with description of wireless system, Stockholm Festival schematics and layouts,
address lists, correspondence with potential speakers and those interested in the festival, such as Marshall McLuhan, Buckminster
Fuller and Nam June Paik; "Discussion 1966" files with clippings and 9 photographs by Moore and 7 by others; and engineering
files relating to many of the performances with notes and circuit drawings; ca. .5 lin. ft.
Box 4, Folder 8
Miscellaneous Klüver drafts
Scope and Content Note
includes mss. for Sep 29, 1966 press briefing, "Establishing an Interactive Relationship Between the Artist and Technology,"
and galley for "Art 1963-A New Vocabulary."
Box 4, Folder 12
Memo to engineers
Scope and Content Note
describing artists and potential problems.
Box 4, Folder 13-14
Film rental and photographorders
Box 4, Folder 15-17
Financial
Scope and Content Note
accounting ledger (ca. 1963-1965), payroll and box office accounting (see also Box 3 and Box 164).
Box 4, Folder 18
Early documents
Scope and Content Note
mostly photocopies of correspondence, reports and lists regarding organization and support for E.A.T. (1967) with a short
handwritten statement by Rauschenberg.
Box 4, Folder 19
Clippings and press releases
Box 4, Folder 20-21
Miscellaneous: mostly correspondence and notes
Box 5, Folder 1-52
Tickets
Scope and Content Note
unused tickets and stubs with envelopes annotated as to type of ticket (i.e., paid, complimentary, press, discount), quantity
and date.
Box 6
Technical Services Program,
1966-1973
Box 6, Folder 1-37
Artists' proposals,
1968-1969
Scope and Content Note
contains over 70 proposals filed in alpha order by artist, some with photographs and slides; drawings and/or schematics; bios
with miscellaneous typescripts and clippings; E.A.T. correspondence with corporations for funding; correspondence between
E.A.T. or the artist and engineers/scientists with technical comments; and patent information.
Includes proposals by John Cage (with handwritten notes); Sari Dienes (with 5 photos, correspondence and Poole notes); Ruth
Francken (correspondence, proposal in 2 drafts dated May 8, 1968 with 1 photograph of maquette, and Feb 19, 1969 with drawing
and 2 photos); Philip Glass (with correspondence, bio information including flyers and announcements, and 2 photos); Allan
Kaprow (with correspondence and budget sheets); Marta Minujin ("Phone Booth" with 7 photos; "Simultaneity in Simultaneity"
with 2 p. statement, 5 photos, and 1 photo-collage with text; "Circuit and Instantaneous Invasion" includes correspondence,
3 p. description and 2 drawings [see Box 50]; and "Minucode" press release and questionnaire); Alan Sondheim; Jean Toche;
Jud Yalkut among many others; ca. .5 lin. ft.
Box 6, Folder 38-48
Artists' membership forms,
1967-1969, 1968-1969
Scope and Content Note
mostly forms filled out by artists many with descriptions of their work and/or the technical assistance they require. Some
include photos, slides, bios and drawings, from such artists as: Mel Bochner, Fahlström, Nancy Graves, Alice Hutchins, Hans
Haacke (form and sheet with description and drawing for "photo-electrically sensitized 'environment'"), Deborah Hay, Al Hansen,
Eva Hesse, Geoffrey Hendricks, Joe Jones, Udo Kasemets, Allan Kaprow, Alison Knowles, Gordon Mumma (plus letter about borrowing
Schilling's 9 Evenings film and equipment needs), Meredith Monk, Peter Moore, Jackson MacLow, Phill Niblock, Brian O'Doherty,
Lil Picard, George Rickey (letter), Larry Rivers, Carolee Schneemann (plus bio), Richard Serra, Elaine Sturtevant, Alan Sondheim,
James Tenney, Emmett Williams and Jud Yalkut, filed in rough alpha order, ca. .5 lin. ft.
Box 7
Technical Services Program,
1966-1973
Box 7, Folder 1-18
Artists' membership forms,
1967-1970
Scope and Content Note
similar material to Box 6. 1967-1968 files contain photocopies, ca. .25 lin. ft. 1969 files include: Douglas Davis (2 forms,
2 letters, and photocopied bio, statement and equipment list) and Agnes Denes (2 forms, press release and photo). 1970 files
mostly have forms that were filled out in 1969, but were not acted upon until 1970.
Box 8
Technical Services Program,
1966-1973
Box 8, Folder 1-17
Engineers' membership forms,
1967-1970, 1968-1969
Scope and Content Note
forms filled out by engineers/scientists describing their interests and technical expertise, filed in rough alpha order within
date, ca. .75 lin. ft.
Box 8, Folder 18
Others' membership forms,
1970
Box 9
Technical Services Program,
1966-1973
Box 9, Folder 1-2
Artists' and engineers' membership forms,
1970
Scope and Content Note
photocopies.
Box 9, Folder 3-23
Matchings,
1966-1970, 1968-1969
Scope and Content Note
mostly artists' membership forms, proposals (some with photographs and slides and a few with drawings) and inquiries, by artists
such as Robert Barry, Carol Bergé, Philip Corner, Dan Flavin (3 p. handwritten letter), Robert Filliou, Ruth Francken, Allen
Ginsberg, Dick Higgins, Alison Knowles, Robert Morris, Richard Nonas, Lucio Pozzi, Richard Serra, Mark di Suvero, Alan Sondheim,
Twyla Tharp and Ultra Violet. Some are annotated as to when a match was made. 1968-1969 filed in rough alpha order, ca. .75
lin. ft.
Box 9, Folder 24-27
Notes on matchings,
1966-1968
Scope and Content Note
Miscellaneous meeting and other notes.
Box 10
Technical Services Program,
1966-1973
Box 10, Folder 1-18
Membership inquiries,
1967-1974, 1967-1971
Scope and Content Note
letters and postcards expressing interest in membership, subscriptions and general information from artists, engineers, museum
personnel, professors, librarians, with carbon copies of responses from E.A.T. staff. Also contains some dues invoices.
Box 11
Technical Services Program,
1966-1973
Box 11, Folder 1-16
Miscellaneous membership
Scope and Content Note
draft letters and forms; membership drive meeting notes (1970-1971); letters to corporations; projects for industry; participation
categories; kit; proposal review letters; engineering consultant ideas; solicitation samples; symbolic coding forms; notched
cards (see also Box 14); and punch codes.
Box 11, Folder 17-26
Miscellaneous Technical Services
Scope and Content Note
includes correspondence; IEEE Convention file (1968); computer resource material; and miscellaneous photographs and slides
(22 photos; 7 slides; 3 transparencies).
Box 11, Folder 27-28
Ralph Flynn's address and schedule books,
1968
Box 12
Technical Services Program, equipment files, includes:
1968,
Box 12, Folder 1-4
Correspondence
Scope and Content Note
primarily about equipment with a letter from Jackson MacLow concerning equipment setup (Feb 15, 1968), ca. 80 items.
Box 12, Folder 5-49
Equipment information
Scope and Content Note
includes catalogs; brochures; fliers and correspondence with 2 letters from Dan Flavin about convincing the Whitney Museum
board that the use of long-wave ultra-violet light in one of his works is safe for public viewing (see safety); filed in alpha
order by equipment type; ca. .5 lin. ft.
Box 12, Folder 50-57
Artists' projects
Scope and Content Note
includes 4 files with action taken on them (includes proposal by Kaprow and file on Robert Morris).
Box 12, Folder 58-59
Rauschenberg's Stedelijk show,
1968
Scope and Content Note
extensive quantity of equipment receipts; many drawings of circuitry; and some notes.
Box 12, Folder 60-62
Financial
Scope and Content Note
equipment expense receipts and NSF fund-raising material.
Box 13
Technical Services Program,
1966-1973
Scope and Content Note
5x8 cards of early technical sources for the E.A.T. publications "Technical Libraries within 50 mile radius of New York" by
Peter Poole. Also "collaboration response cards" on which the artist or engineer provided information on the progress of their
collaboration.
Box 14
Technical Services Program,
1966-1973
Scope and Content Note
7 1/2 x 3 1/2 Yellow McBee Edge-notched cards with names of engineer members and notations of artists they were matched with
on back.
Blue MacBee keysort edge-notched cards with encoded information for a data-base of Engineers.
Box 15-16
Technical Services Program, membership mailing lists,
1967-1974
Scope and Content Note
Extensive quantity of mailing lists of artist and engineer members typed on labels or photocopied, 1967-1974. See also Boxes
17-23 for index cards.
Box 17
Technical Services Program, membership mailing lists,
1968
Scope and Content Note
8x5 index cards with addresses of engineers who contacted E.A.T. in 1968, and of schools and universities, journals, research
centers and professional engineering societies.
Box 18-23
Technical Services Program, membership mailing lists,
1967
Scope and Content Note
Ca. 2400 3x5 index cards organized into American, Foreign, Artists (9 Evenings) and Corporations, 1967.
Box 24
E.A.T. Competition, includes:
1967,
Box 24, Folder 3-8
Information forms
Scope and Content Note
filled out by artists, such as Hans Haacke, Claire Falkenstein, Steve Paxton, Robert Whitman and La Monte Young, with brief
project descriptions and by engineers/scientists listing their capabilities/interests. Also folders with artist/engineer matches
and unmatched artists and engineers, ca. .25 lin. ft.
Box 24, Folder 9-15
Inquiries
Scope and Content Note
extensive quantity of brief correspondence from artists, such as Falkenstein, Dennis Oppenheim and Dan Graham, engineers and
others requesting information about the competition and E.A.T. in general, ca. .5 lin. ft.
Box 24, Folder 16
Competition winners
Scope and Content Note
project descriptions of the nine winners and bios.
Box 24, Folder 17
Jury and prize donors: includes jury instructions and list, and donor correspondence
Box 24, Folder 18
Press information
Scope and Content Note
mostly press releases, announcements and mailing lists.
Box 25
Some More Beginnings,
1968-1969
Box 25, Folder 1-4
Artist and engineer entry lists
Box 25, Folder 5
Index cardfile of entries
Box 25, Folder 6-73
Project descriptions, A-L
Scope and Content Note
primarily artistic and technical descriptions of ca. 128 (including Box 26) of the ca. 145 works exhibited at the Brooklyn
Museum, used in preparation for the catalog. Most with bios and one or more photographs, and some with correspondence and
drawings (see especially Ruth Francken, Amy Hamouda and Leah Nolan), .75 lin. ft.
Box 26
Some More Beginnings,
1968-1969
Box 26, Folder 1-61
Project descriptions, M-Z: see above, .75 lin. ft
Box 26, Folder 62-65
Applications, A-D
Scope and Content Note
contains mostly photocopies of information forms (originals in box 24) and project descriptions (originals in boxes 25-26),
but, includes a few originals of these documents and original drawings, correspondence and photos, .25 lin. ft.
Box 27
Some More Beginnings, includes:
1968-1969,
Box 27, Folder 1-20
Applications, E-Z
Scope and Content Note
see above, .5 lin. ft.
Box 27, Folder 21-23
Correspondence
Scope and Content Note
with artists and others about various matters, such as reproductions; shipping; thank-yous; catalog and information requests,
including a letter from Dennis Young, Art Gallery of Ontario, inquiring if there were any mechanical problems with the art
works (see also Box 41, laser safety); letter from Eastman & Eastman attorneys about Wen-Ying Tsai receiving improper credit
for his contribution to the second place winning entry with Klüver's response; 2 letters regarding Ronald Fox's stolen work;
and a note from Claire Falkenstein (ca. 100 items). Separate files contain carbons of letters to Pontus Hulten and some correspondence
with his staff about various competition details.
Box 27, Folder 24-27
Catalog
Scope and Content Note
fund-raising correspondence, drafts, photograph credits and orders.
Box 27, Folder 28-31
Public Relations
Scope and Content Note
includes press releases for E.A.T. press conference and Brooklyn and MOMA exhibitions, exhibition announcements, MOMA press
packet and background information
Box 27, Folder 32
Technical needs
Scope and Content Note
summary notes and log.
Box 27, Folder 34-36
Miscellaneous
Scope and Content Note
includes freight invoices, correspondence and list concerning some works traveling to other venues, and long computer printout
"Sculptures in Environment Douglas Gallery."
Box 28
Lecture-Demonstration Series,
1968
Box 28, Folder 1-9
Response forms
Scope and Content Note
extensive quantity from artists such as Ay-O, Jo Baer, Marisol, Fahlström, Dan Graham, Hans Haacke, Deborah Hay, Eva Hesse,
Dennis Oppenheim, Paik, Richard Serra, Jack Tworkov, Emmett Williams and others, specifying which lecture they want to attend.
Box 28, Folder 10-34
Transcripts
Scope and Content Note
24 unpublished transcripts, some annotated, of reel-to-reel tapes recorded at the lectures given by engineers such as Ken
Knowlton, James Tenney (with 2 contact sheets and negs.) and Max Mathews (with 2 contact sheets by Peter Moore); ca. .66 lin.
ft.
Box 28, Folder 35-36
Correspondence
Scope and Content Note
includes organizational notebook, letters to and from lecturers, and letter from Marisol.
Box 28, Folder 37-42
Miscellaneous
Scope and Content Note
includes schedules; 5 contact sheets (3 by Moore), 1 photograph and 3 negs.; illustrative material in the form of 22 photos,
matching transparencies and drawings of diagrams; and technical services proposal draft.
Box 29
Local Groups, includes:
ca. 1966-ca. 1970, undated
Box 29, Folder 1-3
National organization plans
Scope and Content Note
documents regarding policy, by-laws and structure.
Box 29, Folder 4-5
Correspondence
Scope and Content Note
mostly inquires and contact letters, ca. 70 items.
Box 29, Folder 6
Newsletters
Scope and Content Note
from local groups, ca. 35 items.
Box 29, Folder 7-65
U.S. files
Scope and Content Note
includes much organizational correspondence; an inquiry from James Turrell (Calif., L.A.); mailing lists; meeting minutes
and notes; filed alpha by state, ca. .75 lin. ft, 1/3 of which was generated by Calif.
Box 30
Local Groups,
ca. 1967-ca. 1970
Box 30, Folder 1-22
International files
Scope and Content Note
Mostly organizational correspondence, but also contains a copy of a letter from Marcel Broodthaers to Joseph Beuys in praise
of his work, filed alpha by country, ca. .25 lin. ft.
Box 30, Folder 23-29
Mailing lists
Scope and Content Note
U.S. and International, filed alpha by state or country.
Box 30, Folder 30-38
First Int'l. Conference,
Jun 22, 1968-Jun 23, 1968
Scope and Content Note
ideas; some correspondence; RSVP's; roster and planning; program; transcript; local group procedures; VIP invitation addresses;
and notes on Second Int'l Conference; ca. .25 lin. ft.
Box 31-39
Mailing lists,
undated
Scope and Content Note
4500-5000 3x5 index cards arranged into groups of artists and engineers master files, filed alphabetically, and into Local
Groups, filed alpha by state or country.
Box 40
Video and television research,
1969-1972
Box 40, Folder 1-15
Video and television projects
Scope and Content Note
Contains various materials concerning video and television including artists' project proposals for residence program at RCA
labs (with 1 letter from Paik and 1 from Bruce Conner); information on education; reports concerning development of video
equipment (e.g.: editing systems, camera, scanning and methods of transferring Super 8 film to video); and studies and bulletins
on cable television from Wilbur Schramm, Rand and others
Box 41
Various projects, includes:
1967-1969,
Box 41, Folder 1
Carolee Schneemann, "Snows,"
1967
Scope and Content Note
4 items include technical description by Flynn and "Aspects of E.A.T. in 'Snows'" annotated by Schneemann (see also Schneemann
archive #950001 for extensive material).
Box 41, Folder 3-4
E.A.T. and Industry,
1967-1968
Scope and Content Note
mostly material for E.A.T.'s press conference at Automation House, ca. 55 items.
Box 41, Folder 6-7
New Jersey Mix, :
1968
Scope and Content Note
"Mix" indicates the mixture of art, engineering and industry; 4 artist/engineer projects to be performed at Newark State College.
Includes project ideas, one with drawing (see *Box 237); cost estimates; and artist lists; ca. 70 items (see also Box 29,
Local Groups, New Jersey).
Box 41, Folder 9
Klüver's London Trip (symposium),
1968
Scope and Content Note
mostly carbon copies of contact letters and notes, and includes some correspondence with Barbara and John Latham of Artists
Placement Group, ca. 50 items.
Box 41, Folder 10
Amalgamated Lithographers of America (establishment of Quarry workshop),
1968
Scope and Content Note
includes photocopies of agreement, correspondence and press kit (see also Series IX for Rauschenberg poster), ca. 15 items.
Box 41, Folder 11
The Real Great Society (professional exchange-artists in residence),
1968
Scope and Content Note
mostly proposal drafts and photocopied articles, but also some notes, ca. 50 items.
Box 41, Folder 13-14
Skyline: A Festival of Light (light project for lower Manhattan),
1968
Scope and Content Note
includes proposal by Kaprow (2 versions, one of which is handwritten) and project descriptions with budgets, ca. 13 items.
Box 41, Folder 15-17
Proposal to National Research Council (artists in residence program),
1968-1969
Scope and Content Note
correspondence, notes and other material concerning artist placement at Singer, RCA and Amalgamated Liths. NOTE: there does
not exist in these files an actual proposal to the NRC; ca. 40 items.
Box 41, Folder 18-20
Six miscellaneous small projects,
1968-1969
Scope and Content Note
includes notes and research for live sounds (see also Pepsi Pavilion for more on sounds), ca. 30 items.
Box 41, Folder 21-27
Paris Biennale,
Fall 1969
Scope and Content Note
includes report; proposals from 5 architectural design groups with 19 slides and 4 photos; catalog "Sixième biennale de Paris";
shipping receipts; correspondence with organizers mostly about shipping and finances; and 3 photographs and 9 slides; ca.
.25 lin. ft.
Box 41, Folder 28-32
Laser Safety,
1969
Scope and Content Note
Program initiated in response to safety hazards of "Some More Beginnings" exhibits, especially Keiji Usami's laser piece.
Includes E.A.T. Proceedings no. 5; letter from G.M. Wilkening of Bell Labs mentioning some of the safety issues of "Some More
Beginnings" and other correspondence with public health officials expressing concern about Usami's work; 3 contact sheets;
safety proposal; and research files; ca. .25 lin. ft.
Box 41, Folder 33
Technology and the Individual
Scope and Content Note
Recognition of Choices (exhibition for Automation House reopening),
1969: mostly proposals, ca. 30 items.
Box 41, Folder 35
Festival Truck Proposal,
ca. late 1960s-early 1970s
Scope and Content Note
notes and proposal.
Box 42
Ford Foundation proposal,
1969
Box 42, Folder 1-16
Letters, drafts, notes
Scope and Content Note
Includes carbon copies of letters soliciting support; drafts; notes; proposal comments by Rauschenberg (written in another
hand and photocopied) and others; various proposal versions; and budget.
Box 43
Pepsi Pavilion,
1969-1970
Box 43, Folder 1-8
Administration - contracts and agreements
Scope and Content Note
photocopies (a few annotated) and drafts of documents; and some correspondence concerning contractual arrangements for E.A.T./Pepsi,
software, hardware, insurance, E.A.T./artist, E.A.T./engineer, CBS/Sony (Tudor recordings), and promissory note.
Box 43, Folder 9-13
Administration - finances
Scope and Content Note
hardware cost estimate; budgets for staff, operations and hardware; correspondence and reports concerning expenditures; equipment
purchase orders; and cost estimate notes (see also Boxes 169-171 for more).
Box 43, Folder 14-18
Administration - organization
Scope and Content Note
responsibility lists, progress reports, trip reports, schedules, and correspondence about personal accounts.
Box 43, Folder 19-34
Administration - correspondence
Scope and Content Note
includes 2 thick folders of general correspondence, mostly telexes, between E.A.T. NY staff and Pavilion coordinators in Japan,
especially John Pearce (Coordinating Architect), Klüver, Fujiko Nakaya (Japan project manager/fog designer) and Sebastian
Hiraga (Secretary General of Pepsi-Co. group) regarding construction, equipment procurement, organizational details and catalog
production. Separate files include correspondence with Pearce; Perry Keats (Pepsi Co.); Nakaya about fog progress, general
housekeeping, logistical issues, and updates on the concerns of Pepsi Co. Japan and Japanese Expo organizers with E.A.T.'s
project intentions; Allan Pottasch (Pepsi Co. Int'l) documenting tension over live programming; Takenaka Komuten Co. (builders);
and John David Thomas (Pepsi Co. Int'l) about budgets and agreements; ca. 33 lin. ft. See also Box 47 for much more telex
correspondence
Box 43, Folder 35-37
Administration - notes
Scope and Content Note
includes Klüver and Martin notes, and transcripts of telephone conversations about various aspects of the Pavilion.
Box 44
Pepsi Pavilion,
1969-1970
Box 44, Folder 1-5
Administration - meeting notes
Scope and Content Note
notes from E.A.T. staff, E.A.T./Pepsi, Takenaka/E.A.T., progress meetings with E.A.T. and Pepsi, Takenaka and other involved
parties, and miscellaneous, all primarily about construction.
Box 44, Folder 6-12
Administration - specific items
Scope and Content Note
shipping invoices and schedules; addresses of some of those involved with building the Pavilion; patent notes; logo correspondence
(1969 Jun-Jul) and proposal [see flat file folder 1** for 14 logo designs]; Pepsi sign proposal and correspondence; Pavilion
name correspondence showing problems with reaching a decision; and costume designs and correspondence.
Box 44, Folder 13-17
Administration - settlement
Scope and Content Note
contains a thick folder of Martin notes Apr 19-25; telexes in rapid succession (Apr 1970) regarding dispute between E.A.T.
and Pepsi over live programming finances, originating in Pottasch's dislike of E.A.T.'s programming proposals (see also Box
47); account summaries Mar-Jun 1970 with notes; and correspondence (Apr-Sep 1970) about reaching a financial settlement and
photocopy of agreement.
Box 44, Folder 18-27
Press
Scope and Content Note
contains files on biographies of participants (see also Box 46); book correspondence (see also Boxes 139-140 for more about
book production); Simone Swan (Withers Swan Public Relations) correspondence and reports; press releases and kit; Los Angeles
press conference, Oct 1, 1969, with draft proposal, mailer and manuscript of E.A.T. Information (Sep 19, 1969, see also Box
138); Jan Butterfield report on L.A. press relations; many photocopied typescript descriptions of the Pavilion and annotated
photocopied galleys of "Pepsi Cola Expo 70"; Rosemary Stroer (Pepsi Co. public relations) correspondence mostly concerning
the Pavilion name, but also some relating to the logo and NY Times Supplement; and clippings; ca. .33 lin. ft.
Box 44, Folder 28-34
Live programming
Scope and Content Note
includes guide; sound memos and notes; rock group contest proposal, report and budget; correspondence (9 items); transcript
of Nov 8, 1969 meeting; and worksheets.
Box 45
Pepsi Pavilion,
1969-1970
Box 45, Folder 1-6
Live programming
Scope and Content Note
reports, memos and meeting minutes; programmers names and addresses; and 4 folders of ca. 50 proposals from American and Japanese
artists, engineers and composers, such as Robert Adler (with La Monte Young, Dennis Johnson and Marian Zazeela), Fahlström,
John Giorno, Ann Halprin, Allan Kaprow, Gordon Mumma, Pauline Oliveros, and Tudor, to come to the pavilion to program the
light and sound system for a 3-week period during the Expo (see Box 44, Admin-settlement correspondence for reasons why the
programming was not produced).
Box 45, Folder 7-14
Architectural design
Scope and Content Note
includes E.A.T. and Takenaka work schedules for design and construction (see also *Box 237); 15 John Pearce drawings; power
requirement lists; drawings and plans (see also *Box 237); and miscellaneous.
Box 45, Folder 15-27
Hardware-mirror dome
Scope and Content Note
includes R&D notes (especially on plastic molding) from meetings, telephone conversations and other sources; R&D correspondence
regarding materials, prototypes and experiments; V-Line Products proposal; G.T. Schjeldahl Co. specs., engineering evaluation,
notes, correspondence and contract, for inflatable air structure to be used as a mirror dome; preliminary specs.; sound notes;
material samples; support structure cost estimate and drawings [see also flat file folder 4**]; technical reports; and L.A.
model correspondence, schedules, cost estimates and an analysis by Raven Industries of the model's explosion (see Box 48 for
photos); ca. .5 lin. ft.
Box 45, Folder 28-31
Hardware
Scope and Content Note
includes correspondence about interior lasers with letter from Peter Selz regarding exhibition and acquisition of the Laser
Deflection System after the Expo closed; crowd control memo, notes and some correspondence; and floats correspondence, costs,
notes and drawings [see also * Box 237 and Roll 2].
Box 46
Pepsi Pavilion,
1969-1970
Box 46, Folder 1-14
Hardware
Scope and Content Note
includes meeting minutes; notes; correspondence with engineers/designers; extensive quantity of original drawings and blue-line
copies; reports; schedules; specs.; and price quotes and cost estimates; regarding design and construction of the sun track;
exterior and interior lights (see also Flat File 1); loop system and handsets; floors (see also Flat File 1); fog (see also
*Box 237); and sound system (see also Flat File 1); ca. .33 lin. ft.
Box 46, Folder 15-22
Charter Flight
Scope and Content Note
correspondence with Allan Kaprow, Patty Oldenburg, Sibyl Moholy-Nagy and many others regarding accommodations and flight,
which was cancelled due to lack of participation. Also financial and other materials.
Box 46, Folder 23-24
Travel
Scope and Content Note
Klüver itineraries and brochures.
Box 46, Folder 25
Biographies
Scope and Content Note
of artists and engineers with 5 photos, 2 of which are by Peter Moore of Robert Breer's "floats" not illustrated in Floats
or More Floats, clippings and 5 copies of the above 2 mentioned "float" catalogs.
Box 46, Folder 26-28
Expo information
Scope and Content Note
includes regulations for construction, maintenance and display, and general information
Box 46, Folder 29
Festival Plaza
Scope and Content Note
includes miscellaneous correspondence, 4 p. transcript of Klüver interview with Asahi newspaper (Jun 27, 1969) and notes (see
also Box 48).
Box 46, Folder 30
T.I.E. (Technology for the Individual and the Environment)
Scope and Content Note
Corporation formed to earn funds by selling Expo souvenirs which would indirectly help E.A.T. in its projects. Includes certificate
of incorporation; meeting minutes with by-laws; notes; TIE-Werner Hefti agreement to appoint Hefti as exclusive agent; expense
receipts; and TIE/Pepsi Co. correspondence and agreement.
Box 47
Pepsi Pavilion,
1969-1970
Box 47, Folder 1-48
Telex correspondence,
Mar-Jul, 1969, Jan-Jul, 1970, Feb-May, 1970
Scope and Content Note
mostly brief transmissions carrying essential information between E.A.T. staff in NY (aka EATCENTRAL) and Japan (aka EATEAST)
regarding financial matters documenting severe budget problems, cost overruns and deterioration of the NY office while Klüver
was in Japan; sale of TIE, including a telex from Klüver to Friberg about his desire to sell TIE to Harry Green and the unethicalness
of a consortium buyer consisting of Friberg and other E.A.T. personnel (Feb 28) with Friberg's response in opposition to Klüver's
comments, and also announces his and Rubin Gorewitz's (accountant) resignations; technical, design and construction updates
and questions/ answers, especially in regards to removing particles from the mirror (Mar) and sound system problems (Apr);
equipment shipments (Feb-Mar); construction and travel schedules; Pavilion book and Bijutsu-Techo issue production (with an
manuscript of the latter, May 17); PR; live programming; dispute with Pepsi leading to termination of E.A.T. activities at
the Pavilion; and preparations for American Artists in India. Originals and many dups., almost 1 lin. ft. (N.B., items were
previously tightly rolled, and hence tend to curl and should be handled carefully.)
Box 48
Pepsi Pavilion, includes:
1969-1970,
Box 48, Folder 1-3
Correspondence
Scope and Content Note
substantial quantity of carbon copies of letters from E.A.T. staff to PepsiCo, Japanese organizers and others regarding various
Pavilion organizational, programming, technical and financial matters (many letters can be found in photocopy form in the
previous boxes, and see also Box 123, General Correspondence, for drafts of letters, reports and financial papers, and duplicate
carbon copies), and a few carbon copies of meeting minutes. A separate folder contains incoming letters, including a film
proposal by Eric Saarinen and a brief letter from Ivan Chermayeff (U.S. Pavilion designer); 1968-1972.
Box 48, Folder 4-7
Sounds
Scope and Content Note
correspondence primarily about acquiring environmental sounds for programming, and permission requests; lists of program sounds
and source tapes; and notes (see Box 41, miscellaneous small projects for related material).
Box 48, Folder 8-9
Karl Friberg's files
Scope and Content Note
includes correspondence about equipment procurement; notes with cost calculations and some with small drawings; schedules
relating to fog system and lighting; and sound loops, system and software. [See also flat file folder 7** for fog system plans.]
Box 48, Folder 10-14
John Pearce's files
Scope and Content Note
similar types of material to Friberg's files and also includes design drawings, but concerns air structure; mirror dome (see
also flat file 4**); fog system (see also * Box 237, and flat file folder 7**); floor lights; and floors.
Box 48, Folder 16
Float assembly designs
Scope and Content Note
includes ca. 15 blue-line drawings by John Ryde [see also Roll 2].
Box 48, Folder 17-24
Festival Plaza
Scope and Content Note
program lists; 4 architectural drawings by Isamu Noguchi [see flat file folder 3?** and Roll 2); notes; performance instructions
for "HPSCHD" (with annotations) and "Reunion," both composed by Cage to be performed at Festival Plaza; "HPSCHD" budgets and
working notes; correspondence with potential sponsors and Japanese officials regarding E.A.T.'s proposed festival plaza programming
of "Soundscapes" and "HPSCHD" (neither of which were produced); and grant proposal.
Box 49
Pepsi Pavilion,
1969-1970
Box 49, Folder 1-3
Programming
Scope and Content Note
includes guide; schedules; description; requests for proposals; meeting minutes; Pepsi/Tudor agreement and correspondence;
and Lowell Cross's programming proposal.
Box 49, Folder 4-6
L.A. model
Scope and Content Note
includes 13 photographs from Raven Industries of exploded model; press conference party guest list, notes, PR correspondence,
drafts for invitation and handout, and 2 photographs of model; and mirror-dome production schedule.
Box 49, Folder 7-18
Press
Scope and Content Note
includes biographies; brief description of the Pavilion; statements for Butterfield's services; press kits; promo package
and postcards; NY Times Supplement notes and correspondence; articles on Expo and Pavilion; "Expo '70 News" vol. 3, nos. 2-10,
vol. 4, no. 7; and phone and mailing lists.
Box 49, Folder 19-25
Miscellaneous
Scope and Content Note
files with schedules and meeting minutes (mostly duplicates); Sony equipment manuals; notes; and 2 folders of general miscellaneous.
Box 50
Miscellaneous oversize,
1969
Scope and Content Note
Includes plans for Festival Plaza designed by Tange; De Long notes for 9 Evenings layout; general finance ledger (1969); Pepsi
logos on cardboard; mirror ray tracing; EATART invitation; brochures; clippings; notes; and photograph of Pavilion model.
Box 51, Folder 1-42
Research files, A-N
Scope and Content Note
mostly published background material (e.g.: brochures, photocopied articles, clippings), and study reports on India and satellite
television. Also contains some correspondence about fund-raising, organization and information requests (see especially Vikram
Sarabhai, Chairman of India's Atomic Energy Commission); miscellaneous notes; pre-investment studies; materials on the field
research lab such as proposals, reports and notes; drafts and final version of E.A.T. report; and meeting notes (cont. Box
52).
Box 52, Folder 1-43
Research files, P-Z
Scope and Content Note
(see Box 51).
Box 53
American Artists in India,
1970-1971
Box 53, Folder 1-11
Artists' reports
Scope and Content Note
mostly typescript reports and interviews with participants Jed Barc, Trisha Brown, Lowell Cross, Jeffrey Lew, Steve Paxton,
Yvonne Rainer, Terry Riley, La Monte Young and Marian Zazeela. Also contains some postcards and letters from the artists about
travels and the trips' effect on their work; photograph of Brown and Barc together (+ 3 copies) and 9 photographs of Cross;
photocopy of Rainer's extensive diary (ca. 60 p.); and 2 E.A.T. project reports (Sep-Dec 1970 and Dec 31 1971); ca. .25 lin.
ft.
Box 53, Folder 12-18
Correspondence
Scope and Content Note
includes carbon copies. and photocopies of letters to potential sponsors and benefit committee members; 3 p. letter from Philip
Glass expressing a desire to return to India to further his studies of Tibetan "traditions"; correspondence with Gira Sarabhai
of National Institute of Design (NID), Ahmedabad, and Chandralekha (aka Chandra) about organization and plans; and with Porter
MacCray of JDR Foundation about funding. Also contains some meeting minutes and "Eames Report" by Charles and Ray Eames for
the NID, 1958 (see Gautam Sarabhai); ca. .25 lin. ft.
Box 53, Folder 19
Poster
Scope and Content Note
includes 1 Shunk-Kender photograph (not used) and 1 contact sheet.
Box 53, Folder 20-22
Note
Scope and Content Note
includes 6 Klüver and 2 Ritty Burchfield notebooks of ideas and to-dos, and some loose sheets.
Box 53, Folder 23-26
Travel
Scope and Content Note
includes accommodations list and notes; brochures and 4 issues of "The Rising Nepal."
Box 53, Folder 27-28
Financial
Scope and Content Note
budget and expense reports.
Box 54
American Artists in India Benefit,
Dec 18, 1970
Box 54, Folder 1-4
Benefit committee
Scope and Content Note
correspondence soliciting members; membership lists; and planning book.
Box 54, Folder 6-16
Invitations and mailing lists
Scope and Content Note
drafts and final invitation format; some duplicate correspondence; VIP/Sponsor lists; and invitation and mailing lists; ca.
.66 lin. ft.
Box 54, Folder 17
Book
Scope and Content Note
"JDR III Fund and Asia 1963-1975."
Box 55-58
Mailing Lists,
undated
Scope and Content Note
Index cards bearing the names and addresses of E.A.T. contacts, including patrons, artists and colleagues.
Box 59
Projects Outside Art,
1969-1971
Box 59, Folder 1-26
Proposals, A-Z
Scope and Content Note
from artists and engineers such as Agnes Denes, Fahlström, Garmire, Kaprow and Alison Knowles (with 2 slides), ca. .75 lin.
ft.
Box 59, Folder 27-29
Mailing lists and form letters
Box 59, Folder 30-31
Correspondence
Scope and Content Note
mostly inquiries and responses to submission requests, but also has 2 long letters from Kaprow outlining in detail disagreements
with E.A.T.'s project selection process and organization of the LA team for Projects Outside Art and the handling of the Pepsi
settlement, and a letter from Knowles; ca. 75 items.
Box 59, Folder 32
Authorizations to publish submissions
Box 59, Folder 33-37
Fund-raising and press
Scope and Content Note
includes National Science Foundation proposal; NEA correspondence and budgets; extensive quantity of photocopies of fund-raising
letters; press releases; and poster.
Box 60
Projects Outside Art,
1969-1971
Box 60, Folder 1
Esthetics Symposium,
Oct 31 1970
Scope and Content Note
photocopies of letters to panelists; statement; notes; and budget; ca. 35 items.
Box 60, Folder 2
Recreation and Play (E.A.T. LA)
Scope and Content Note
includes E.A.T. proposal and photocopied typescript of E.A.T. LA meeting (with Kaprow and others).
Box 60, Folder 3-17
City Agriculture (greenhouse)
Scope and Content Note
includes proposal; budgets; correspondence and financial agreements with Environmental Research Lab, Arizona (ERL); Westbeth
feasibility study; 26 photographs of "Envirodome" and ERL greenhouse operations; greenhouse plans and sections [see flat file
folder 5**); schedules; research files with photocopied articles and brochures; notes and miscellaneous; ca. .5 lin. ft.
Box 60, Folder 18-24
Peter Poole's files
Scope and Content Note
includes notes on Projects Outside Art; information on science and engineering society memberships; seminar papers and technical
information; ca. .25 lin. ft.
Box 61
Children and Communication,
1971
Box 61, Folder 1-12
Administration
Scope and Content Note
correspondence with supporters, letters to schools regarding participation, proposal, preliminary and final reports (May 1,
1971), substantial quantity of notes, exhibition floor plan, and bills and receipts, ca. .25 lin. ft.
Box 61, Folder 13-31
Children's responses
Scope and Content Note
drawings, notes and telexes generated by children's transmissions to each other between sites using telex machines, facsimile
machines and electro-writers, filed according to school and date. Also includes 12 snapshots of children (Feb 15, 1971 group),
.75 lin. ft.
Box 62-64
Children and Communication,
1971
Box 65
Various Projects, includes:
1970-1973,
Box 65, Folder 1-7
EATEX (directory of artists/engineers),
Fall 1970
Scope and Content Note
directory drafts; "symbolic coding" forms; and a few items of photocopied correspondence; ca. .25 lin. ft.
Box 65, Folder 8-19
Multi-Dimensional Scaling,
1971
Scope and Content Note
questionnaires; responses; and some notes and data analyses; ca. .5 lin. ft.
Box 65, Folder 20
8th Annual NY Avant Garde Festival (E.A.T. organized a "Television Information Center")
1971
Scope and Content Note
3 items.
Box 65, Folder 21
Artists & T.V.,
1971
Scope and Content Note
includes correspondence about ad placement; 2 copies of exh. cat. "Vision & Television"; clippings and research materials;
ca. 25 items.
Box 65, Folder 22-25
Poetry Should be Made by All (exhibition of the Russian avant-garde at Moderna Museet, Stockholm),
1971
Scope and Content Note
extensive quantity of correspondence between Withers Swan, Public Relations (circulating agent), Moderna Museet and various
other museums and galleries about circulating the show; photographs of the 24 screens used in the exhibition and 3 of the
installation; list of works; press release; and photocopied articles.
Box 65, Folder 26
Highway Poster Project,
1972
Scope and Content Note
includes 2 photographs of 2 works by Christo; photograph of Christo's poster; 1 p. typescript suggesting that art could provide
a dialectic between ecology and industry; and payment agreements signed by Gormley, Smithson, Christo and Sonfist (see also
Series IX).
Box 65, Folder 29
Greek Underwater Exploration (of the ancient city of Gythion, harbor of Sparta),
1973
Scope and Content Note
mostly photocopied documents from the Aegean Institute, such as surveys, report and by-laws, and also contains Athens Annals
of Archaeology, V fasc. 2 (1972) and 1 photograph of a harbor; ca. 25 items.
Box 66, Folder 1-13
Original telexes
Scope and Content Note
of questions and answers from all 4 stations filed in rough chron. order with a small quantity of correspondence interspersed
(N.B., many telexes are long, rolled or folded and very cumbersome to handle).
Box 67, Folder 1-18
Q&A compilation
Scope and Content Note
contains mostly photocopied telexes of questions and answers cut and stapled onto sheets, filed according to city where question
originated, and 2 sets of photocopied sheets.
Box 68, Folder 1-10
Q&A compilation
Scope and Content Note
photocopies of sheets (see above) and of original uncut telexes, ca. .25 lin. ft.
Box 68, Folder 11-28
Miscellaneous
Scope and Content Note
includes correspondence with Nakaya, Hulten and others pertaining to organizational matters, ca. 50 items; notes; initial
question drafts; lists of unanswered questions; correspondence soliciting answers from various knowledgeable individuals and
responses, ca. 45 items; Q&A tallies; drafts and final version of compilation ("ms." which E.A.T. hoped to publish); and 26
photos, 4 contact sheets (2 by Shunk-Kender) and negatives of telex machines and Utopia exh.; ca. .5 lin. ft.
Box 69-76
TELEX: Q&A,
1971
Scope and Content Note
New York Times, August 1981 (Project's questions were aimed at ten years from 1971. E.A.T. collected the "New York Times"
for one month for later study on how 1981 differed or resembled the predictions, guesses and feelings people had about it
in 1971.).
Box 77
New York Collection for Stockholm,
1971-1973
Box 77, Folder 1
Proposal
Scope and Content Note
drafts and final version.
Box 77, Folder 2-19
Correspondence
Scope and Content Note
includes carbon copies and photocopies of form letters sent by Klüver, Martin, Barbara Birkenmeier (Project Director) and
Constantine Vasiliadis (Chairman, Friends Committee) to potential sponsors and donors, committee members and artists primarily
regarding organizational matters, fund-raising and portfolio sales with some responses, Jun 1971-Sep 1974. Also contains a
letter from Hans Haacke making many inquiries as to E.A.T.'s programs and how the sale of the collection will benefit E.A.T.
(Mar 3, 1972, folder 2) with a response; extensive quantity of mailing lists; and much Moderna Museet correspondence which
includes a cc. of a letter from Paik to Hulten about transferring and shipping a videotape for his work in the collection
with a short explanation of its contents, announcement for Rauschenberg's "Pelican," 3 issues of "Meddelande till Moderna
Museets vanner" (nos. 1, 11, 12), 2 postcards of Rauschenberg's "Monogram," telexes and telegrams about last minute details,
including Klüver's description of how "Mude Muse" should be installed (Oct 12, 1973) and shipping of works; ca. .75 lin. ft.
Box 77, Folder 20-21
Fund-raising
Scope and Content Note
includes potential sponsors and priorities lists; notes; form letter drafts; and proposed budget.
Box 78
New York Collection for Stockholm,
1971-1973
Box 78, Folder 1-5
Artwork for collection
Scope and Content Note
notes on artwork contacts with pertinent information on each piece; notes on promised artworks with 3 color transparencies,
neg., 6 photos, and 3 negatives of Walter De Maria's "Hard Core," note and letter from Paik, "Ad Reinhardt: Black Paintings
1951-1967" catalog, and Richard Serra drawing on Castelli stationary as seen in catalog; many photocopied loan forms; invoices
from galleries and artists; and photocopied bills of sale and deeds of gift; ca. .25 lin. ft.
Box 78, Folder 6-8
Collection catalog
Scope and Content Note
includes some correspondence; lists and descriptions of works; 15 negs.; and catalog copies.
Box 78, Folder 9-18
Print portfolio
Scope and Content Note
includes many carbon copies of letters to artists; note from Jasper Johns; mss.; proofs; illus.; production costs and sales;
security agreements; and correspondence and mailing lists for portfolio donations (1976, 1981); ca. .25 lin. ft.
Box 78, Folder 19-22
P.R
Scope and Content Note
press releases and kits; mailing lists; and miscellaneous.
Box 78, Folder 23-25
Opening and reception,
Oct 27, 1972
Scope and Content Note
invitations, notes, and mailing lists.
Box 79
New York Collection for Stockholm,
1971-1973
Portfolio Print Collection
Scope and Content Note
collection of 30 lithographs, silkscreens, photoprints and a record, by 30 artists, measuring 30.3 x 22.7 cm. (9 x 7 in.),
21 of which are signed and numbered A.C. 12/30 (edition size of 300), 1973. This portfolio is not housed in a mahogany box.
Box 80
New York Collection for Stockholm,
1971-1973
Box 80, Folder 1-10
Stockholm trip,
Oct 25, 1973
Scope and Content Note
includes carbon copies of opening invitation letters; note and postcard responses from Robert Morris, Hans Namuth, Diane Waldman,
Blanchette Rockefeller and Douglas Davis (ca. 40 items); flight and hotel accounting and people lists; activities; mailing
lists; notes; and miscellaneous; ca. .25 lin. ft.
Box 80, Folder 11-15
Financial
Scope and Content Note
much correspondence regarding portfolio sales and payment of debts, especially to artists for their works, such as Walter
De Maria (letter from Oct 17, 1973), Oldenburg, Dine, Stankiewicz and Noland. Also includes budgets, expenses and receipts.
Box 80, Folder 16-21
Notes
Scope and Content Note
substantial regarding opening and other matters, ca. .25 lin. ft.
Box 80, Folder 22-29
Miscellaneous
Scope and Content Note
includes drafts and reports; invitations; leaflet (1979); and reference articles.
Box 81-86
New York Collection for Stockholm,
1971-1973
Scope and Content Note
Index cards with addresses for dinner with Princess Christina of Sweden at Rauschenberg's house.
Box 87-94
Membership lists,
undated
Scope and Content Note
Index cards of artists and engineer members, California address list and others.
Box 95
Television Projects,
1970-1975
Box 95, Folder 1
Antenna Proposal,
1970
Scope and Content Note
notes and correspondence.
Box 95, Folder 2
RCA Television Laboratory,
1970
Scope and Content Note
proposal with notes and draft versions, and some correspondence.
Box 95, Folder 3
Twenty-six Television Programs,
1970
Scope and Content Note
proposal titled "E.A.T. Cookbook."
Box 95, Folder 4-5
USA Presents
Scope and Content Note
Bicentennial Satellite,
1971: includes correspondence; proposal; TV distribution study; clippings; and notes.
Box 95, Folder 6-12
Two Pre-Investment Studies for UNDP (United Nations Development Program),
1971
Scope and Content Note
includes proposal and correspondence with Dr. Vikram Sarabhai, U.N. and World Bank, and correspondence regarding Super 8.
Box 95, Folder 13-14
UN Satellite Demonstration,
1975
Scope and Content Note
notes and correspondence
Box 96
Artists and Television Project and Artcash Benefit,
1971
Box 96, Folder 1-16
Artists and Television Project
Scope and Content Note
includes letters to artists inviting them to submit proposals (Feb 1971) with a negative response from Jasper Johns; artists'
program proposals from Oldenburg, Trisha Brown, Ed Ruscha, Robert Breer, Pauline Oliveros, Keith Sonnier, Dean Stockwell,
Richard Serra, Michael Snow, Robert Creeley, George Kuchar, Robert Irwin, Larry Poons, Jean Dupuy, Paik, and others; program
schedules; budgets; grant requests; and final list of participants. Also contains agreement; budget; expenses; and press releases
from Automation House and Sterling Manhattan Cable regarding equipment rental and gallery (for exhibition and sale of artists
work to fund the project; see also Artcash Benefit); ca. .33 lin. ft.
Box 96, Folder 17-43
Artcash Benefit
Scope and Content Note
includes correspondence with persons interested in receiving bills, galleries with price lists and some reproductions of works
(2 big folders), and regarding loan confirmations; lists of contributing galleries and artists in the exhibition; consignment
receipts; catalog manuscript; master price list for Artcash bills; artists' money arrangement; photocopied artists' statements
relating to currency/money (see Boxes 98-102 for actual bills); mailing lists and invitations; accounting, receipts, bills
and closing agreement; and miscellaneous; ca. .66 lin. ft.
Box 97
Artcash Benefit,
1971
Scope and Content Note
Andy Warhol $1 Artcash ink pad stamp: used on envelope of mailing for Artcash Benefit in 1971.
Pitney Bowes printing plates: used on mailings that went out: "Participation not Patronage," "Enjoy the Hardware," "We Love
Pitney Bowes," "Process not Product," "Trust the Artist," "Artist Engineer Collaborations in the Industrial Environment" and
"We Involve Professionals from Anywhere."
Box 98-102
Artcash Benefit,
1971
Scope and Content Note
5 bundles of ca. 500 bills each of Artcash by Andy Warhol, Rauschenberg, Jeff Davis, Marisol and Whitman.
Box 103
Projects in Central America, ca.
1966-ca. 1972, undated
Box 103, Folder 1-31
Research material concerning television,
1969-1972
Scope and Content Note
Mostly in the form of reports and articles concerning television in education for developing countries and E.A.T.'s projects
in television, Alpha files A-P include 17 color transparencies from Bell Labs of technology and 16 photographs of nature for
a proposed publications brochure; many articles on Computer Assisted Instruction; proposal for El Salvador; comments of various
organizations to the Federal Communications Commission's notices of inquiry; and recording of indigenous cultures (
1972, see miscellaneous).
Box 104
Projects in Central America,
ca. 1966-ca. 1972, undated
Box 104, Folder 1-15
Alpha files S-W
Scope and Content Note
Includes papers by Wilbur Schramm and on Sesame Street. Similar material to Box 103.
Box 105
Projects in Central America,
ca. 1971-ca. 1974, undated
Box 105, Folder 1-7
El Salvador
Scope and Content Note
includes organizational correspondence; telexes between Klüver in El Salvador and E.A.T. staff; proposal and drafts; meeting
notes; bidding instructions for an instructional television studio and broadcasting equipment; and equipment catalogs; ca.
.33 lin. ft.
Box 105, Folder 8-20
Guatemala
Scope and Content Note
telexes to Klüver in Guatemala from E.A.T. staff about multi-dimensional scaling questionnaire and using film for educational
purposes; background and general information; notes; report drafts and final report; and a substantial quantity of multi-dimensional
scaling questionnaires; ca. .66 lin. ft.
Box 106
Miscellaneous oversize,
1970-1971
Scope and Content Note
Includes 3 publications for Projects in Central America; "Software" exhibition cat., 1970; five photographs by Evelyn Hofer;
cash disbursement ledger, Jan 1970-Jan 1971; payroll ledger, Jan-Sep, 1970; and general ledger, 1971.
Box 107
Printed Ephemera,
1960s-1990s, 1971-1972
Box 107, Folder 1-14
Printed ephemera
Scope and Content Note
In the form of announcements, invitations, catalogs, bulletins, press releases, clippings, sent to E.A.T. from various sources.
Box 108
Various publications on education and television,
1966-1975
Box 108, Folder 1-14
Reports,
1966-1975
Scope and Content Note
Includes "Access" nos. 11 and 14 (1973, 1975); UNESCO "Music and Technology," 1971; NEA/NCA " 1970 Annual Report" and five
year fiscal report 1966-1970; and UNESCO and Ford Foundation reports.
Box 109
Video Research A-M,
mid 1970s
Box 109, Folder 1-23
Publications,
1976,
Scope and Content Note
Mostly publications, catalogs and articles collected in support of video projects, filed alphabetically by subject. This includes
information on public media, equipment, exhibitions, laboratories; clippings on museum and artist activity; and journals and
magazines, such as
Criss Cross Double Cross. (See oversize Box 106.)
Box 110
Video Research A-M,
mid 1970s
Box 110, Folder 1-25
Publications, printed matter
Scope and Content Note
Similar to Box 109, includes files on National Endowment for the Humanities, NY State Council on Arts, video performances,
proposal for video festival, video art, video expo, 1975-1976, videography and video & music.
Box 111
Island Eye Island Ear, includes:
1974-1979,
Box 111, Folder 1-3
Correspondence
Scope and Content Note
organizational in nature, documenting difficulties finding a site, ca. 35 items.
Box 111, Folder 4-8
Notes and research
Scope and Content Note
mostly on site locations and antenna (see also Boxes 112-113).
Box 111, Folder 14-16
Financial
Scope and Content Note
NEA grant proposal and budget.
Box 111, Folder 17-25
Press
Scope and Content Note
clippings from local newspapers publicizing event and expressing concern over concert's potential harm to the environment;
press release and Klüver letter to Adirondack newspaper about concert cancellation; and some biographical material relating
to Tudor, Nakaya and Jackie Monnier and interview drafts with each.
Box 112
Island Eye Island Ear,
1974-1979
Box 112, Folder 1-21
Proposals, reports on islands
Scope and Content Note
Extensive quantity of proposals, reports and descriptions of Bluff Island (some with photos), and of a few other islands.
Box 113
Island Eye Island Ear,
1974-1979
Box 112, Folder 1-23
Maps, sketches and some photographs of locations
Scope and Content Note
See also flat file folder 6** for more maps.
Box 114
Various Projects, includes:
1975-1992,
Box 114, Folder 1
Calder Bicentennial Project,
1975
Scope and Content Note
proposal.
Box 114, Folder 2-16
"Paris-NY-Paris" opening at Centre Georges Pompidou,
1977
Scope and Content Note
E.A.T. organized charter flight. Includes telex correspondence concerning general organization and giving detailed installation
instructions for Marcel Duchamp's "Etant Donné" and Rauschenberg's "Oracle"; travel payment letters from Louise Bourgeois,
William Wilson, Francois De Menil, Larry Rivers, Richard Stankiewicz, and many others; letters of interest and cancellation;
RSVP and charter registration forms; Pompidou invitations, programs, and trip schedules; guest and accommodations lists; notes;
travel invoices; financial; and information on satellite program; ca. .5 lin. ft.
Box 114, Folder 17
Robert Whitman Archive,
1977
Scope and Content Note
includes photocopied clippings; essay on Whitman by Klüver and Martin; archival processing plan; and a permanent installation
plan; ca. 20 items.
Box 114, Folder 20
Artist Data Base (for contemporary artists),
1977
Scope and Content Note
includes notes and proposal, ca. 25 items.
Box 114, Folder 23
Berlin Trip (to see Robert Wilson's opera "Death, Destruction and Detroit"),
1978
Scope and Content Note
mailing lists; announcement drafts; schedules; notes; and travel guides; ca. 25 items.
Box 114, Folder 24
List of Fahlström's works (with prices),
Jul 1979
Box 114, Folder 30
Katzive Project (video project with Lucas Samaras),
1987
Scope and Content Note
grant proposal.
Box 114, Folder 34
Rolando Peña,
1992
Scope and Content Note
mostly photocopied articles/reviews and 36 slides, ca. 65 items.
Box 115
Transportation Study and Multi-Dimensional Scaling,
1977
Box 115, Folder 1-12
Transportation Study,
1977
Scope and Content Note
Applies "impact scaling" methods to transportation policy planning in the NY state area. Mostly photocopied research articles,
and also proposal drafts, meeting notes, copies of letters sent and notes, ca. .33 lin. ft.
Box 115, Folder 13-16
Multi-Dimensional Scaling,
1977
Scope and Content Note
meeting notes, proposal drafts and printout of computer source code.
Box 116
Multi-Dimensional Scaling,
1968-1972
Box 116, Folder 1-7
Multi-Dimensional Scaling Workshop, research papers,
1968-1973
Scope and Content Note
Includes documents and papers given at Bell-Penn Multi-Dimensional Scaling Workshop (Jun 7, 1972-Jun 10, 1972), and numerous
research articles on the topic, 1968-1973 (bulk early 1970s). (N.B. This box was treated for extensive mold damage, and items
are exceptionally fragile and mold-stained.)
Box 117
Multi-Dimensional Scaling,
undated
Scope and Content Note
IBM punch cards for multi-dimensional scaling program from Doug Carroll, Bell Labs.
Box 118
Artists for New York Benefit,
1979
Box 118, Folder 1-28
Correspondence, documents, printed matter
Scope and Content Note
Consists of correspondence, report, artists' committee name lists and letters to, information letter, 3 folders of notes mostly
pertaining to "to-dos" and invitations, mailing lists, budgets, publicity, press releases, artists' and others requests for
tickets, texts for invitations, invitations and mailers, tickets, programs.
Box 119, Folder 1-20
Material for "Opal Loop/Cloud Installation,"
1979-1980
Scope and Content Note
Collaboration with Nakaya, "Glacial Decoy" (with Rauschenberg), and general information on TBC. Includes fund-raising letters
from Julie Martin and Rauschenberg to prospective patrons; thank-you letters from Brown to sponsors; "Glacial Decoy" performance
instructions and invitations; Nancy Graves Poster material (donated by Graves and used for 1980 NY season and for promoting
Europe performances); "Opal Loop/Cloud Installation" notes, sketches, diagrams, patent application pertaining to Nakaya's
fog [see also flat file folder 7** for plans of fog system and architectural plans and sections of Brooklyn academy of Music,
Opera House], press release, tickets and invitations. Also includes clippings; articles; announcements; programs; a profile
on Brown; and Merce Cunningham press clippings and press release.
Box 120
Klüver Talks, Lectures and Articles,
1968-1992
Box 120, Folder 1-60
Manuscripts (mostly photocopied), notes and correspondence,
1968-1991
Scope and Content Note
Pertaining to "Technology and the Individual," Spring 1968 (proposed book); Minneapolis School of Art, May 9 1968 (commencement
address); "The Ghetto and the Technical Community," Summer 1968 (article); "The Artist and Industry," Dec 16 1968 (lecture
at MOMA); "Artists, Engineers and Technology," 1969 (paper written with Rauschenberg for "International Conference on Technological
Change and Human Development," Israel); "Rainforest," Jan 30 1970 (article on history of E.A.T.); "Establishing an Interactive
Relationship Between the Artist and Technology," Jun 1969 (for 1970 edition of "Enciclopedia della scienza e della tecnica
mondadori"); "Conditions for Artists Participation in Shaping the Environment," Feb 22 1976 (presented at the annual meeting
of the American Association for the Advancement of Science); detailed corrections of National Gallery of Art's Rauschenberg
Retrospective catalog, 1977 (14 p.); "Artist Expertise for Communication Plannings," Sep 13 1977 (paper given at the International
Institute of Communication); "9 Evenings: Theatre and Engineering," 1980 (article in "Für Augen und Ohren"); corrections to
Calvin Tomkins "Off the Wall," 1980 (3 p.); "9 Evenings," 1980-1991 (talk); "Pavilion," Aug 12 1990 (talk at Queens Museum);
and "9 Evenings," Sep 3 1991 (talk at Neue Pinakothek, Munich); among others, arranged chronologically.
Box 121
Klüver Talks, Lectures and Articles,
1968-1992
Box 121, Folder 1-12
Manuscripts and printed articles,
Scope and Content Note
Contains "Art Engineering and Collaboration," Apr 12 1992 (talk at DIA conference) and some mss and articles by others (John
Pearce, Max Mathews, Francis Mason and James Tenney).
Oversize project files material
Oversize 1**
Printed ephemera
Scope and Content Note
Poster: Artists' benefit sale for Encounter Inc, April 30 - May 1 1972.
Oversize 2**
Pepsi Pavilion, logo design artwork,
undated
Scope and Content Note
14 sheets with colored marker and pencil sketches. [Relates to material in Box 44.]
Oversize 3**
Pepsi Pavilion - hardware drawings
Oversize 4**
John Pearce's files - Pepsi Pavilion (Mirror Dome)
Scope and Content Note
Photomechanical drawings, some annotated. [See also Box 48, f.10-14.]
Oversize 5**
Projects outside art - Greenhouse plans
Scope and Content Note
[Relates to material in Box 60, f.3-17.]
Oversize 6**
Island Eye, Island Ear maps
Scope and Content Note
[Relates to Boxes 111, 112, 113.
Oversize 7**
Trisha Brown Co. - Opera House - Fog system plans
Scope and Content Note
Relates to Box 119.
Oversize 2**
Expo 70 architectural drawings
Scope and Content Note
Festival plaza, float assembly drawings, Pepsi pavilion. [Relates to Box 45, f. 28-31; Box 48, f. 16-24.]
Series II.
Correspondence and administration,
1966-1980
Physical Description:
21 lin. ft. 16 boxes
Scope and Content Note
Considerable correspondence with artists, engineers, sponsors, and staff members about various topics, such as membership,
finances, fund-raising and projects, arranged in rough chronological order. There are also general files mostly consisting
of correspondence and publications, arranged in alpha order. The administration of E.A.T.'s policies and procedures are documented
with by-laws and board of directors meeting minutes, and office management and fund-raising files. This series also contains
a large quantity of Klüver and J. Martin notes.
Box 122
Correspondence,
1966-1974
Box 122, Folder 1-26
Klüver,
1966-1974
Scope and Content Note
general correspondence with arts organizations, journals, corporations, government officials, universities, and artists, discussing
such matters as sponsorship, information requests, invitations for Klüver to speak, collaboration ideas and projects. Highlights
are letter and note from Cage who needs technical assistance with 2 compositions (1967) and requests E.A.T. to give money
that is owed to him to Sari Dienes (1968); 7 letters with Eugenio Carmi about establishing an Italian E.A.T. local group (1967-1968,
see also Box 30, Local Groups); note from John Kenneth Galbraith (Aug 17 1967); correspondence with Senator Jacob Javits and
wife Marion (ca. 15 items, 1967-1968 and Jan 1972); letter from Betty Asher at LACMA requesting information for their art
and technology project (Jul 10 1967); 4 items with Lil Picard about reviews (1967); note from Harold Prince (1967); letters
to John G. Powers, Aspen Inst. of Humanistic Studies, about board formation and other organizational matters with a response
addressed to Rauschenberg (13 items, 1967-1968); 8 p. typescript to Jan Butterfield, Fine Arts Associates, concerning E.A.T.
LA (Feb 1968); postcard from Anaïs Nin mentioning a Stanford seminar on the relationship between integrated circuits and her
work, and asking Klüver to send written materials on his ideas so she can introduce him "in the Diary" (Dec 1969); two letters
from Kaprow about receiving "tax exempt financial acknowledgment" as part of the Pavilion settlement (May 1 1971); and letter
from Charlotte Moorman (undated, ca. Oct-Dec 1971). From 1970 onward, the correspondence contains more photocopies and carbon
copies from Klüver regarding the organization and fund-raising of specific projects, such as Telex: Q&A, Artists and Television,
and New York Collection for Stockholm. Many of these letters document severe budgetary problems. 1967-1968 filed in rough
alpha order by institution, and 1969-1974 filed in rough chron. order; ca. .5 lin. ft.
Box 122, Folder 27
Klüver correspondence with Fujiko Nakaya,
1969-1974
Scope and Content Note
primarily long detailed letters from Nakaya discussing E.A.T. Japan organizational matters with many comments about proper
etiquette and red-tape encountered when interacting with Japanese officials and cultural leaders; collaboration with and support
from Takashi Asada (environmental developer); project ideas; updates on Japanese television technology, especially that which
Sony has developed; and the potential to deal art and exhibit Pop art in Japan. Also contains 4 p. letter from Nakaya describing
the negative situation of the Expo Festival Plaza (Aug 21 1970), ca. 90 items.
Box 122, Folder 28
Klüver correspondence log,
1973-1974
Scope and Content Note
kept by Barbara Birkenmeier Jan 1973-Aug 1974.
Box 122, Folder 29-39
Francis Mason (President of E.A.T.),
1968
Scope and Content Note
with artists, industry, universities, museums, arts organizations and government officials, primarily about fund-raising,
collaborations and organization. Includes a letter from Carol Brown expressing disappointment in E.A.T.'s lack of assistance
with her projects; 3 p. letter from Ross Drago about his work and E.A.T. Bay Area local group formation with 4 photos; 2 letters
from Dan Flavin requesting assistance; note from Buckminster Fuller agreeing to join the board; 4 items with Douglas Davis,
National Observer, who eagerly wants to write about E.A.T. and related developments in art and technology (see also Box 125);
1 p. cc. of a typescript from Max Newhaus describing the development of his electronic music; and letter from Paik discussing
a new "art machine"; ca. .25 lin. ft., filed in rough alpha order.
Box 123
Correspondence,
1967-1980
Box 123, Folder 1-28
General,
1967-1980, 1968-1972
Scope and Content Note
with various E.A.T. staff members and interested persons similar to those mentioned above in Klüver and Mason correspondence,
concerning a myriad of topics, filed in chron. order. 1969-1970 files contain mostly carbon copies and photocopies of letters,
and drafts of letters, memos and financial reports (some duplicating those in Klüver and Mason correspondence and in Project
files). 1970-1972 has much on financial matters, showing an increased difficulty with paying bills. From 1971 until 1980 a
substantial proportion of the letters ask and answer queries. Some highlights are: 2 letters from Udo Kasemets about Klüver
giving a lecture at a festival in Canada (Dec 22 1967, Feb 24 1968); apologetic note from Robert Venturi (Apr 2 1968); Galeria
Bonino press release for Paik's "Electronic Art II" (ca. Apr 1968); 3 notes from Gyorgy Kepes (Sep 23 1968, May 12 1969, Jun
12 1969); letter from Alison Knowles about creating houses on a plot of ground in Chelsea (Nov 22 1968, see Jan 1969); typescript
of 16 p. Klüver paper which describes in detail Tinguely's "Hommage à New York" among other things (Jan 27 1969); proposal
for 10 exhibitions at Automation House (Mar 17 1969); Jud Yalkut proposal (May 1 1969); postcard from Geoff Hendricks (Jun
1969); much pertaining to the Pavilion (Apr-Jul 1969); correspondence between Martin, Nakaya and Mrs. Naum Gabo about printing
and casting some of Gabo's work (Apr 1969, Sep 9 1969); postcard from Richard Kostelanetz (Aug 1 1969); letter from Schneemann
requesting sponsor list (Aug 5 1970); letter from Brian O'Doherty who will not recommend E.A.T.'s membership-publications
program grant proposal because his own organization (NEA) has turned it down (Mar 22 1971); note from Joseph Kosuth (ca. 1973);
3 letters from Peter Frank requesting information for an exhibition with response from Klüver (1973); note from Allan Kaprow
(1973); chatty letter and a postcard from Jackie Monnier (Sep 29 1980); and letter from Terry Martin with family photograph
taken ca. 1907 (Apr 1 1980).
Box 124
Correspondence and General Files A-BR,
1968, 1981-1993
Box 124, Folder 1-11
General correspondence,
1981-1993
Scope and Content Note
Includes photocopy of a letter from Nakaya about copyrighting her fog sculptures with a thick packet of material on her work
(Aug 15 1981); postcard from Germano Celant (ca. 1982); letters with the Cooper Union about borrowing Rauschenberg's tennis
racket used in "Open Score" (1983); and two letters from Matthew Rinaldo, House of Representatives, concerning NEA grant policies
and censorship (1990); ca. .33 lin. ft.
Box 124, Folder 12-37
General files, A-BR,
1968
Scope and Content Note
contains much correspondence, publications and clippings concerning a variety of topics. Includes: Amer. Ass. for the Advancement
of Science correspondence and transcript of Klüver's talk at their annual meeting (1968); ephemera relating to artists exhibitions;
and Automation House files containing job training film festival material (1968), reports, memos, pamphlets and clippings
about Theodore Kheel.
Box 125, Folder 1-50
General Files BU-INS,
1968-1977, 1970-1973
Scope and Content Note
Including correspondence and press releases with Frank Stanton, CBS, regarding the House of Reps. subpeona of various materials
relating to CBS's broadcast "The Selling of the Pentagon"; correspondence with Lowell Cross (ca. 8 items); Douglas Davis correspondence
regarding his book "Art and the Future," ca. 15 items (1969-1972); E.A.T. history notes with a letter from Waldhauer describing
the sentiments of some of the board members (Summer 1971); 13 articles by Robert Feller (conservator); and IEEE correspondence
about creating an IEEE group concentrating on art.
Box 126, Folder 1-55
General Files INT-O,
1968-1977, 1970-1973
Scope and Content Note
Including typescript of Deane Judd's 28 p. paper "Visual Science and the Artist"; King's Square Show (Barbara Rose project)
financial correspondence and organizational material; Mabou Mines (theater group) file with a note from Philip Glass (1973),
project proposal, ephemera and photocopied reviews; some Robert McFarland correspondence regarding fund-raising (1969-1970);
6 issues of "Marijuana"; and postcard signed by Charlotte Moorman and Paik (1974).
Box 127, Folder 1-52
General Files P-Z,
1968-1977, 1970-1973
Scope and Content Note
Including photocopied publications, rules and contracts relating to Public Access TV; many photocopied articles and other
material concerning Pulsa (seven-man team of research associates at Yale); substantial quantity of resumes; articles and catalogs
regarding Super 8; questionnaires and other material relating to "Toward the year 2018" a convocation sponsored by the Foreign
Policy Association; and much material about Westbeth artists' housing with note from Carl Andre written on a Westbeth letter
he received.
Box 128, Folder 1-58
Board of Directors,
1966-1974
Scope and Content Note
Includes material on board formation and activities, but mostly meeting minutes and notes from and agendas for board, advisory
council and executive committee meetings, 1 lin. ft.
Box 129
Administrative Activities,
ca. 1966-1983
Box 129, Folder 1-6
E.A.T. Formation,
ca. 1966-ca. 1980s
Scope and Content Note
by-laws, certificate of incorporation, certificate of charitable organization, philosophy notes and statements, and statement
of purpose.
Box 129, Folder 7-34
Office Management,
1971-1983
Scope and Content Note
includes staff bios; stenograph notebooks (early 70s); phone call numbers and lists (1971-1983); desk calendars (1971-1972);
equipment orders, agreements and catalogs; letterhead typesetting and printing (1969-1980); and mailing procedures and information;
ca. .75 lin. ft.
Box 130, Folder 1-11
Miscellaneous Administrative Activities,
1969
Scope and Content Note
Includes interoffice memos, internal correspondence, meeting notes, office procedures, and office reorganization material.
Box 131
Fund-raising,
1966-1972, 1967-1969
Box 131, Folder 1-5
Tamblyn & Brown Fund-raising Feasibility Study,
1967
Scope and Content Note
correspondence with Tamblyn & Brown, form letter sent requesting industry to participate, checklists of contacts, questionnaires
and mailers, and report.
Box 131, Folder 6-9
Fund-raising correspondence
Scope and Content Note
substantial quantity of carbon copies and photocopies of letters from various E.A.T. staff/ board members to potential donors/sponsors
with some responses.
Box 131, Folder 10-12
Notes
Scope and Content Note
on donor prospects and corporate contacts.
Box 131, Folder 13-17
Donations,
1966-1969
Scope and Content Note
includes lists of donors, and records of donations and deposits to E.A.T.
Box 131, Folder 18-30
Donor Files, A
Scope and Content Note
mostly correspondence and some grant application material with organizations such as AFL-CIO and Robert Anderson (ARCO). Oftentimes
files were annotated with donation amount, ca. .25 lin. ft. (cont.).
Box 132
Fund-raising,
1966-1972, 1967-1969
Box 132, Folder 1-44
Donor files, B-N
Scope and Content Note
same as above and includes CBS, IBM, NEA grant application, New York State Council on the Arts, and Rockefeller Brothers Fund.
Box 133
Klüver notes,
ca. 1967-1972
Box 133, Folder 1-2
Klüver calendar, and photograph of Klüver and Rauschenberg,
1968 ca. 1967-1972
Folder 3-18
Notes,
1967-1972
Scope and Content Note
pertain to various E.A.T. projects, ideas, contacts, with drafts of letters and memos, ca. 1 lin. ft.
Box 134
Klüver notes,
early 1970s
Box 134, Folder 1-4
Bound notebooks and memopads recording ideas and daily activities
Box 134, Folder 5-13
Klüver research files
Scope and Content Note
continuation of notes but with a greater abundance of clippings, publications, and invitations.
Box 135
Julie Martin's notes,
undated
Box 135, Folder 1-27
Notes, drafts, assorted clippings and photocopied articles
Box 136-137
Rolodex and other card files,
1970s
Scope and Content Note
Three sets of rolodex card files; small group of index cards with names and addresses (corporate sponsors?); and inventory
cards (ca. 1978) with artists' names, title of work, date, price and other pertinent information
Series III.
Publications,
ca. 1967-1980
Physical Description:
ca. 15 lin. ft. 10 boxes, 1 flat file folder
Scope and Content Note
Contains book and newsletter production material in the form of manuscripts, galleys, proofs and layouts for most of E.A.T.'s
publications, arranged in rough chronological order. Invoices, order forms and letters of interest record E.A.T.'s marketing
and subscribing membership activities
Box 138, Folder 1-4
Art and Technology
ca. 1967-1968
Scope and Content Note
notes, ms, galley, article copy, title. search.
Box 138, Folder 5-12
E.A.T. News, vol.1, nos.1-4, ; vol.2, nos.1-2,
1967 1968
Scope and Content Note
mss., reports, information, newsletter copies.
Box 138, Folder 13-17
E.A.T. Operations and Information, nos.1-5,
1968-1969
Scope and Content Note
journal copies and some manuscript material.
Box 138, Folder 18-21
E.A.T. Information,
Sep 1969, Feb 1970, Mar 1970
Scope and Content Note
mss. and journal copies (see also Box 44 for more mss.).
Box 138, Folder 22
President's Report,
Oct 1969
Scope and Content Note
mss. and journal copy.
Box 138, Folder 23-29
E.A.T. Proceedings, )
1967-1969
Scope and Content Note
Numbers 1, 4-5, 9, 11-13. Journal copies, mailing list, safety report, bibliography, covers.
Box 138, Folder 31-36
Techne, vol.1, no.1,
Apr 1969
Scope and Content Note
journal;, ideas, notes, mss (includes Carl Andre letter), photos, correspondence.
Box 138, Folder 37-70
Techne, vol.1, no.2,
Nov 1970
Scope and Content Note
journal, mss (some not included in final printing), paste-up (see also Box 106), repros, illus., graphics, copyright certificate,
ad material, ca. .5 lin. ft.
Box 139
Publications,
1969-1972, undated
Box 139, Folder 1-2
Techne, vol.1, no.2,
Nov 1970
Box 139, Folder 3
Techne, vol.1, no.3 unpublished)
Scope and Content Note
ms., Donald Judd interview transcript.
Box 139, Folder 4-6
Techne
Scope and Content Note
notes and correspondence requesting article submissions.
Box 139, Folder 11-17
Automation House (
New York Times Supplement),
1969
Scope and Content Note
meeting minutes, correspondence, memos, notes, ms, cover dummy, dummy.
Box 139, Folder 18-40
Pavilion,
1972
Scope and Content Note
Dutton contract, correspondence, substantial quantity of mss. many with corrections and mostly of Nilo Lindgren's section.
Also contains 2 versions of Barbara Rose's manuscript, ca. .75 lin. ft.
Box 140, Folder 1-25
Pavilion,
1968-1970
Scope and Content Note
ms. corrections, interview transcripts and appointment lists for interviews, galleys, proofs, permission requests,illus. lists
and captions, illus., promotion.
Box 140, Folder 27
Description of the Pepsi-Cola Pavilion
Scope and Content Note
Breer notes, ms, galley, booklet.
Box 141, Folder 1-10
E.A.T. Brochure
Scope and Content Note
drafts (1967-1969), collection of writings by E.A.T., mss, paste-ups, notes, dummies, schematic layout, captions, information
on printing, and "Brochure for Industry" mss. [See also art work for E.A.T. brochure, in flat file folder 8**.]
Box 141, Folder 12-32
Subscribing members
Scope and Content Note
includes membership request letters and forms (1968-1974), potentials (1970-1973), letters to members (1968-1971), letter
to members (Oct 2, 1970, not mailed), subscribing members list (ca. 1970), membership mailer (ca. 1970), and membership circular
manuscript, outline, notes and layout examples.
Box 142, Folder 1-12
Printing
Scope and Content Note
includes jobs (1967-1970), publications worksheets, receipts, expense log.
Box 142, Folder 13-27
Marketing
Scope and Content Note
order form, orders and invoices (1970, 1977-1979, 1983-1986), inventory (1971), catalogs and price lists (ca. 1972), price
list (1980), catalog layout (ca. 1980), trademark and copyright information, mailing lists.
Box 142, Folder 28-44
Miscellaneous
Scope and Content Note
includes book ideas and suggestions, procedures, press releases, clippings, to-do lists, ISBN information
Box 143, Folder 1-36
E.A.T. Bibliography,
1965-1980
Scope and Content Note
Early drafts (1974, 1978); notebook for indexing references; citation drafts; notes (includes all vols. of E.A.T. News bound
in one volume); mss.; many photocopied page proofs; paste-ups; corrections; dummies; layouts.
Box 144, Folder 1-23
E.A.T. Bibliography,
1965-1980
Scope and Content Note
Bound signatures; bound signatures w/cover; cover design; cover; NEA grant application; E.A.T. Documents notes, correspondence
and packaging; sales and marketing; notes.
Box 145, Folder 1-13
E.A.T. Bibliography,
1965-1980
Scope and Content Note
Original material published or produced by E.A.T. used to compile archive box documents sent to libraries and for book, 1965-1969,
#1-151.
Box 146, Folder 1-14
E.A.T. Bibliography,
1965-1980
Scope and Content Note
Similar material to Box 145, 1970-Oct 1971, #151A-251.
Box 147, Folder 1-15
E.A.T. Bibliography,
1965-1980
Scope and Content Note
Similar material to Box 145, Nov 1971-1993, #252-361.
Oversize 8**
Artwork for E.A.T. brochure
Series IV.
Clippings,
1965-ca. 1980
Physical Description:
8 lin. ft. 16 boxes
Scope and Content Note
Contains over 600 citations of articles, notices and press accounts, filed chronologically. In many cases the full magazine,
newspaper or other publication where the article appears has been included. The citations for these press clippings is contained
within the publication, E.A.T. Bibliography 1965-1980. Some material has been added since 1980.
Box 153
and Expo '70 guides
Jan 1970-Mar 1970
Box 156
Pavilion and Bijutsu-Techo,
1970, Jan 1971-Sep 1971
Box 157
Bijutsu-Techo,
Oct 1971-Dec 1971, 1971
Box 160
J.D.Rockefeller III Report ( )
Feb 1974-1978, 1977
Box 163
Oversize,
1966, 1968-1971
Scope and Content Note
"9 Evenings: Theatre and Engineering" program (Oct 1966),
Techne (Apr 14, 1969 and Nov 6, 1970), Projects Outside Art poster (Jun 12, 1970), "Utopier et Visioner" Moderna Museet Stockholm
(1971), "Some More Beginnings" catalog (1968), "E.A.T. Clippings" (Apr 1960-Jul 1969).
Series V.
Financial,
1966-1986, 1966-1974
Physical Description:
ca. 25.5 lin. ft. 17 boxes
Scope and Content Note
Includes bank-account statements, cancelled checks, check stubs, ledgers, project budgets, bills, receipts, disbursements,
and tax and IRS forms. Throughout the early 1970s, E.A.T. tended to operate with its finances in arrears. Financial strains
first began to show during the construction of the Pepsi Pavilion. By 1973-1974, most bills were either paid late or went
into collection. Correspondence on these matters is interspersed.
Box 164, Folder 1-11
Bank records,
1966
Scope and Content Note
Stockholm Festival account statements (Summit & Elisabeth Trust Co.) deposit slips and cancelled checks for 9 Evenings account
(Bankers Trust Co.) includes bills paid on account, deposits and check stubs; Klüver personal account (Summit & Elisabeth
Trust Co.); cancelled checks and receipts E.A.T. account (c/o Rauschenberg, Chemical Bank NY) statements Oct 12, 1966.
Box 164, Folder 12-56
Accounting records,
1963-1965
Scope and Content Note
budget, ledger and purchase books, individual files for expense reports of "9 Evenings" artists, electric and lighting bills,
receipts for unpaid bills, expense and donation summary, Rubin Gorewitz CPA correspondence and receipt files (see also Box
4 for accounting ledger1963-1965, payroll and box office accounting).
Box 165, Folder 1-14
Bank statements, cancelled checks, some deposit slips
Box 166, Folder 1-6
Deposit slips, advice,
1967-1969
Box 166, Folder 7-20
Check stubs,
Nov 1966-Aug 1970
Box 166, Folder 21
Staff tax accounts, checkbook,
1969
Box 166, Folder 22-26
Petty cash account,
1969
Scope and Content Note
statements and cancelled checks (Jan-Dec), receipts, and check stubs (Nov-Dec).
Box 167, Folder 1-39
1966-1970, 1968-1969
Scope and Content Note
Bills/invoices (1967), paid bills A-Z (1968), and bills and receipts A-Z (1969-1970), .66 lin. ft.
Box 168, Folder 1
E.A.T. budgets,
1966-1970
Box 168, Folder 2
Gorewitz correspondence,
1966-1967
Box 168, Folder 3
Ordover correspondence,
1967-1970
Box 168, Folder 4-8
Accounting,
1966-1967
Scope and Content Note
Gorewitz year-end reports, liabilities, budgets and expenditures, report on activities.
Box 168, Folder 9-16
Accounting,
1968
Scope and Content Note
bookkeeping procedures, contributions, Mason expense report, bank reconciliation work papers, ledgers, cash disbursement ledgers,
Gorewitz year-end report, and miscellaneous.
Box 168, Folder 17-36
Accounting,
1969
Scope and Content Note
budgets/ledgers, assets and liabilities, operating expenses, bookkeeping / salary, payroll and personnel, bank overdraft correspondence,
tax exemption certificate, insurance, general ledger, forecast, year-end report, and report on activities. See also Box 50
for general financial ledger, 1969.
Box 169
Pepsi Pavilion,
1969-1970
Box 169, Folder 1-27
Budget-cost management
Scope and Content Note
cost reviews and estimates, mirror dome and fog costs/specs, equipment prices/price changes, Schjeldahl contract, Singer correspondence,
allocation of overhead expenses, cost/budget analysis, film proposal/est. budget, TIE budgets, budget adjustments and forecasts,
and estimated/actual budgets.
Box 169, Folder 28-63
Accounting
Scope and Content Note
petty cash account receipts, receipted bills A-Z and expense log, shipping, and materials invoices and costs.
Box 170
Pepsi Pavilion,
1969-1970
Box 170, Folder 1-18
Accounting
Scope and Content Note
accounts payable/receivable, ledgers, overhead account 1022 analysis, disbursements, and Pepsi reports and correspondence.
Box 170, Folder 19-54
Travel expenses
Scope and Content Note
expense reports and receipts filed alpha by traveler, including Robert Breer, Karl Friberg, Toshi Ichiyanagi, Klüver, Julie
Martin, Forrest Myers, Fujiko Nakaya, Larry Owens, John Pearce, John Ryde, David Tudor, Fred Waldhauer and Robert Whitman;
PepsiCo advances; and charter flight final payments.
Box 171
Pepsi Pavilion,
1969-1970
Box 171, Folder 1-8
Personnel
Scope and Content Note
procedures, E.A.T.-IRS correspondence about payroll taxes, payroll tax ledgers and forms/worksheets, salary/benefits, and
responsibilities for Pavilion.
Box 171, Folder 9
Nakaya file on Expo '70 operations
Box 171, Folder 10-14
Press
Scope and Content Note
activities, budgets, and costs.
Box 171, Folder 15-38
E.A.T. LA [Los Angeles]
Scope and Content Note
includes California qualification forms, account statements and cancelled checks, paid bills, accounts payable, budget, amounts
owed/paid, general ledger, monthly reports/disbursements, dome cost estimates, staff tax account and payroll.
Box 171, Folder 39-40
Settlement
Scope and Content Note
agreement, Pepsi correspondence, and letters to creditors.
Box 172, Folder 1-24
Bank statements and cancelled checks
Scope and Content Note
Chemical Bank (Jan-Aug 1970) with check stubs (Feb-Jul 1970), staff tax acct. (Jan-Aug 1970), Manufacturers Hanover (Jul-Dec
1970) with check stubs (Aug-Oct 1970), petty cash account and receipts (1970), account statements and cancelled checks (Jan
1971-Jan 1972).
Box 172, Folder 25-27
Accounting
Scope and Content Note
general ledger (1970, 1971) and payroll ledger (1971, 1972). See also Box 106 for more ledgers.
Box 173, Folder 1-38
Accounting
Scope and Content Note
includes bills, A-Z, disbursements (Jun-Dec), deposit breakdown (Sep-Dec), accounts payable, payment schedule, trial balance,
moneys owed, accounting summaries for Artists in India, Projects Outside Art, and Wash. D.C. visit. Also financial statements
and journal entries.
Box 174, Folder 1-43
Accounting,
1970-1972, 1971-1972
Scope and Content Note
bills, A-Z (1970-1972), bills outstanding (1971), disbursements (Jan-Dec 1971), and accounts receivable (1970-1971).
Box 175, Folder 1-13
Accounting
Scope and Content Note
includes projected budget (1971), accounts payable, journal entries and CPA worksheets, report worksheets (1971);, and controller
(J.A. Ruffalo) correspondence.
Box 175, Folder 14-39
Taxes,
1966-1971
Scope and Content Note
includes forms, exemption letter (1969), annual report of charitable organization (1966-1971, all filed 1970-1971), returns
(1966-1970), W-2 and W-4 forms, quarterly withholdings and disability, papers marked "Hold for Audit" (1970), withholding
tax penalties (1971), payroll taxes (1971) and balance sheet (1971).
Box 175, Folder 40-60
Personnel,
1970-1971
Scope and Content Note
completed time sheets (1970), terminated employees (1970), vacation schedules (1970), N.Y. State Employment information, unemployment
and disability, resumes, and personal and Klüver expenses (1971).
Box 176, Folder 1-6
Insurance
Scope and Content Note
policies, group insurance registration cards, and information
Box 176, Folder 7-15
Fund-raising,
1968-1971
Scope and Content Note
statement of potential (1968), grants in progress including JDR II and Ford Foundation (1970), Klüver donation (1971), and
loans (1971).
Box 176, Folder 16-24
Leasing,
1969-1972
Scope and Content Note
office space, and equipment and furniture.
Box 176, Folder 25-29
Legal
Scope and Content Note
De Forest and Duer corresp (1970), Julie Martin files (1971-1974), and copyright information.
Box 177, Folder 1-30
Accounting,
1972-1973
Scope and Content Note
bills owed/paid (1972), accountant file (1972), disbursements (Jan 1972-Dec 1973), disbursement ledger (1973), and deposit
slips/breakdown (1973).
Box 177, Folder 31-38
Taxes,
1972
Scope and Content Note
returns and withholdings .
Box 177, Folder 41
Fund-raising,
1973
Scope and Content Note
grant applications.
Box 178, Folder 1-15
Banking
Scope and Content Note
statements and cancelled checks (1972-1974), deposit slips (Jan-Jun 1974, Manufacturers Hanover), statements and cancelled
checks (Oct-Nov, 1974, United Counties Trust account), statements, cancelled checks and overdraft notices from loan account
(1972-1975), check stubs (1973-1974), and stop payments and returned checks (1973).
Box 178, Folder 16-18
Accounting
Scope and Content Note
petty cash receipts (1973), lawsuits and creditor claims (1973), and collected moneys for Stockholm trip (1973).
Box 178, Folder 19-21
Taxes and IRS
Scope and Content Note
NY State taxes 1972, NY Employee taxes 1974, and IRS 1973.
Box 178, Folder 22-27
Miscellaneous
Scope and Content Note
notes relating to finances (1973), financial management seminar 1973, Julie Martin checking account, Klüver personal account,
and miscellaneous (1973).
Box 179, Folder 1-34
Bills
Scope and Content Note
filed alpha includes American Express and other charge cards; car rental; IBM; insurance; rent; telephone; Western Union;
and other, documenting difficulties E.A.T. had with paying bills during these years. Also interfiled is much correspondence
from collection agencies.
Box 180, Folder 1-12
Banking
Scope and Content Note
cancelled checks (Dec 1974-Jan 1978); check stubs (Jan-Mar 1977); checking acct. statements (Jan-May 1975); check duplicates
(1977); E.A.T. banking (1978); E.A.T. checks (1979); and bank statements (1979-1981).
Box 180, Folder 13-21
Accounting
Scope and Content Note
working papers for year-end report (1974); general ledgers (1974-1976); bills (1975-1977); accts. receivable (1979-1980);
invoices (1982); and accounting (1982).
Box 180, Folder 22-27
Taxes and IRS
Scope and Content Note
taxes (1974-1975); tax problems 1977 (for years 1970-1974); taxes and accounting (1977); IRS correspondence; 1978 requests
for waiver; and NY State Taxes (1986).
Series VI.
Photographs,
1966-1990
Physical Description:
ca. 12 lin. ft. 38 boxes
Scope and Content Note
Contains more than 1000 8x10 black-and-white photographs, 2300 35mm color and black-and-white slides, over 2500 various size
color and black-and-white photographs, and over 2600 color and black-and-white negatives. There are approximately 400 contact
sheets, among them a full set of the photographs Peter Moore took for "9 Evenings: Theatre and Engineering" and a full set
of the photographs Harry Shunk and Jean Kender took of the Pepsi Pavilion. The photographs are arranged in rough chronological
order by project and subject matter.
Box 181, Folder 1
Meeting at Rauschenberg's for 9 Evenings,
Apr 4, 1966
Scope and Content Note
1 b/w slide.
Box 181, Folder 2
Meeting at Rauschenberg's with Bill Hartig to demonstrate infra-red television
Scope and Content Note
1 8x10 b/w, 1 contact sheet, negatives and 1 b/w slide by Simone Forti.
Box 181, Folder 3
Unknown Rauschenberg, Hay, Paxton performance (pre-9 Evenings)
Scope and Content Note
17 color slides.
Box 181, Folder 4
Meeting at Tudor's house at Stony Point, New York, Photographer Frances Breer
Scope and Content Note
1 8x10 b/w, 19 color slides and 3 contact sheets.
Box 181, Folder 5
Testing Deborah Hay's cars at Larry Heilos' (of Bell Labs) house
Scope and Content Note
1 contact sheet and negatives
Box 181, Folder 6
Equipment tryout at Berkeley School, Berkeley Heights, N.J
Scope and Content Note
5 mixed sized b/w, 35 8x10 b/w, 12 contact sheets, 36 2x3 b/w prints, 5 b/w slides, 24 neg. strips, 1 8x10 paper neg. and
2 8x10 negs.
Box 181, Folder 7
Equipment tryout at Berkeley School, William Rivelli Photographer/Bell Labs
Scope and Content Note
1 8x10 b/w, 5 contact sheets and 2 b/w slides.
Box 182, Folder 8
Equipment tryout and portraits at Berkeley School, Burt Shavitz for
Fortune
Scope and Content Note
99 color slides of people with equipment and of portraits of artists and engineers.
Box 182, Folder 9
Armory,
Oct 8, 1966
Scope and Content Note
1 8x10 print and 1 contact sheet, by Moore, group portrait and set-up
Box 182, Folder 10
Armory set-up
Scope and Content Note
13 7x9 b/w prints, 6 neg. strips on wiring and raising wooden frame, marked 9 Evenings Theatre, B4633/3, photographer unknown,
several rolls of film are represented in the prints.
Box 182, Folder 11
Armory set-up and general
Scope and Content Note
12 8x10 b/w prints by Moore.
Box 182, Folder 12
Armory set-up
Scope and Content Note
57 color slides by Burt Shavitz.
Box 182, Folder 13
Armory set-up
Scope and Content Note
76 b/w and 2 color slides from various photographs by Moore and others.
Box 182, Folder 14
Equipment built by engineers for 9 Evenings
Scope and Content Note
1 contact sheet.
Box 182, Folder 15
Rauschenberg poster signing
Scope and Content Note
1 8x10 b/w print, 1 b/w slide and 1 contact sheet.
Box 182, Folder 16
9 Evenings set up and performances
Scope and Content Note
18 contact sheets by Herb Levart, Bell Labs.
Box 183, Folder 17
9 Evenings, Cage/Childs/exterior,
Oct 16 1966
Scope and Content Note
8 8x10 b/w, 2 contact sheets and 4 b/w slides by Robert McElroy.
Box 183, Folder 18
John Cage performance
Scope and Content Note
6 8x10 b/w by Moore and 33 color slides by Robert McElroy.
Box 183, Folder 19
Rauschenberg performance
Scope and Content Note
12 8x10 b/w by Moore, 5 6 1/2 x 9 1/2 b/w prints, 6 color slides and 8 b/w slides.
Box 183, Folder 20
Öyvind Fahlström performance
Scope and Content Note
17 8/10 b/w, 2 5x7 b/w, 2 3x5 b/w, 9 color slides, 33 b/w slides, 13 negatives from films used in the work and 2 other negs.
Box 183, Folder 21
Tudor performance
Scope and Content Note
6 8x10 b/w by Moore, 38 color slides by Robert McElroy and 3 b/w slides.
Box 183, Folder 22
Lucinda Childs performance
Scope and Content Note
1 8x10 b/w by Moore, 1 8x10 b/w by Herb Levart/Bell Labs, 7 color slides by Robert McElroy, 5 color slides from Bell Labs,
2 color slides by Herbert Migdoll and 16 b/w slides (2 by Moore).
Box 184, Folder 23
Yvonne Rainer performance
Scope and Content Note
7 8x10 b/w by Moore, 2 8x10 b/w, 2 7x9 b/w, 42 color slides by Burt Shavitz, 7 color slides by Herbert Migdoll and 20 b/w
slides.
Box 184, Folder 24
Deborah Hay performance
Scope and Content Note
1 8x10 by Charles Harbutt, Magnum, 4 8x10 b/w by Moore, 1 8x10 b/w, 6 7x9 b/w, 4 color slides from Bell Labs, 33 b/w slides.
Box 184, Folder 25
Alex Hay performance
Scope and Content Note
11 8x10 b/w by Moore, 2 color slides by Migdoll, 5 color slides from Bell Labs and 15 b/w slide (1 by Moore).
Box 184, Folder 26
Steve Paxton performance
Scope and Content Note
19 8x10 b/w by Moore, 33 color slides by Robert McElroy, 2 b/w slides and 1 color slide by Shavitz.
Box 185, Folder 27
Robert Whitman performance
Scope and Content Note
8 8x10 b/w by Moore, 2 8x10 b/w by Eliot Landry, 1 8x10 b/w, 5 7x9 b/w ref: "14" and 75 color slides by Robert McElroy.
Box 185, Folder 28
Armory, Moore
Oct 23, 1966,
Scope and Content Note
2 8x10 b/w.
Box 185, Folder 29
Negatives
Scope and Content Note
10 8x10 negatives.
Box 185, Folder 30
Central Plaza meeting,
Nov 30, 1966
Scope and Content Note
4 8x10 b/w by Moore and 2 contact sheets.
Box 185, Folder 31
Yvonne Rainer rehearsal,
Oct 10 [1966]
Scope and Content Note
4 contact sheets by Moore.
Box 185, Folder 32
Oct 12 rehearsal
Scope and Content Note
11 contact sheets by Moore.
Box 185, Folder 33
Paxton and Alex Hay,
Oct 13 [1966]
Scope and Content Note
5 contact sheets by Moore.
Box 185, Folder 34
Tudor and Rauschenberg,
Oct 14 [1966]
Scope and Content Note
9 contact sheets by Moore.
Box 185, Folder 35
Cage and Rainer,
Oct 15 [1966]
Scope and Content Note
15 contact sheets by Moore.
Box 185, Folder 36
Cage and Childs,
Oct 16 [1966]
Scope and Content Note
10 contact sheets by Moore.
Box 186, Folder 37
Tudor and Whitman,
Oct 18 [1966]
Scope and Content Note
13 contact sheets by Moore.
Box 186, Folder 38
Paxton and Whitman,
Oct 19 [1966]
Scope and Content Note
7 contact sheets by Moore.
Box 186, Folder 39
Rainer,
Oct 21 [1966]
Scope and Content Note
4 contact sheets by Moore.
Box 186, Folder 40
A. Hay and some Fahlström
Scope and Content Note
6 contact sheets by Moore.
Box 186, Folder 41
Fahlström,
Oct 22 and 23 [1966]
Scope and Content Note
17 contact sheets.
Box 186, Folder 42
Oct 23 [1966]
Scope and Content Note
7 contact sheets by Moore and 5 by Elliott Londy.
Box 186, Folder 43
Fahlström, D. Hay and Rauschenberg,
Oct 23 [1966]
Scope and Content Note
1 contact sheet by Moore.
Box 186, Folder 44
Performances taken from film
Scope and Content Note
30 4x5 negs.
Box 186, Folder 45
Klüver 9 Evenings talk,
1980-1991
Scope and Content Note
240 slides numbered and arranged for 3 slide carousels during the talk.
Box 187, Folder 46
Meeting E.A.T. loft,
Jan 31, 1967
Scope and Content Note
1 contact sheet by Moore.
Box 187, Folder 47
Contemporary Voices in the Arts (tour sponsored by the NY State Council on the Arts),
1967
Scope and Content Note
3 8x10 b/w.
Box 187, Folder 48
Homage to E.A.T. dinner, 92nd Street, YMHA, and invitation
Feb 25, 1967,
Scope and Content Note
2 8x10 b/w. transparencies.
Box 187, Folder 49
Christie's auction of full scale model airplanes to benefit E.A.T.,
Jun 1967
Scope and Content Note
1 8x10 b/w by Moore and 2 contact sheets.
Box 187, Folder 50
Automation House
Scope and Content Note
1 4x10 b/w.
Box 187, Folder 51
Press conference at Rauschenberg's loft to announce alliance of E.A.T. and Automation House,
Oct 10, 1967
Scope and Content Note
7 8x10 b/w by Moore, 4 contact sheets and 3 b/w slides.
Box 187, Folder 52
Press conference at Rauschenberg's loft,
Oct 19, 1967
Scope and Content Note
5 8x10 b/w by Richard Knapp/
Business Week and 6 contact sheets.
Box 187, Folder 53
Herwig Kogelnik Lecture on lasers and holography,
Sep 24, 1967
Scope and Content Note
6 8x10 b/w by Moore, 3 contact sheets, 1 3x4 neg. and 1 b/w slide.
Box 187, Folder 54
Meeting at E.A.T. loft, Klüver speaking,
Nov 9, 1967
Scope and Content Note
1 contact sheet by Miriam Bokser.
Box 187, Folder 55
E.A.T. staff at 9 East 16th St.,
1968
Scope and Content Note
4 8x10 b/w.
Box 187, Folder 56-57
Marta Minujin moved to Series I
Box 187, Folder 58
Ted Wolff and Max Neuhaus, collaborators on Neuhaus' music project, photograph for
E.A.T. News
Scope and Content Note
3 8x10 b/w.
Box 187, Folder 59
Quarry Lithographic Workshop, E.A.T. and Amalgamated Lithographers Union, Local 1, inauguration
Scope and Content Note
41 8x10 b/w.
Box 188, Folder 60
Harry van Arsdale memorial dinner
Scope and Content Note
83 8x10 b/w.
Box 188, Folder 61
E.A.T. Local Groups, first meeting of the Northwest E.A.T. group, Seattle, called by William Zetter
Scope and Content Note
3 8x10 b/w by Ron Arnold.
Box 188, Folder 62
Francis Mason's party
Scope and Content Note
1 8x10 b/w by Shunk-Kender.
Box 188, Folder 63
Computer processed images,
1968
Scope and Content Note
17 color slides.
Box 188, Folder 64
Open House, E.A.T. loft, 9 East 16th Street, NY City,
1967-1968
Scope and Content Note
7 3x5 b/w and 1 3x5 color print.
Box 188, Folder 65
IEEE convention,
Mar 1968
Scope and Content Note
1 8x10 b/w, 1 contact strip by JHM photographs and 8 color and 1 b/w slides.
Box 188, Folder 66
Lecture-Demonstration Series, E.A.T. loft,
Mar-May, 1968
Scope and Content Note
5 contact sheets (unknown), 8 8x10 b/w by Moore, 8 contact sheets, 1 8x10 b/w by Maurice Hogenboom and 1 b/w slide.
Box 188, Folder 67
Toronto lecture by Klüver
Scope and Content Note
7 8x10 b/w and 4 contact sheets.
Box 188, Folder 68
Simone Forti interview with Tracey Kinsel and John Anthes
Scope and Content Note
4 contact sheets.
Box 188, Folder 69
E.A.T. International Local Groups conference
Scope and Content Note
1 contact sheet.
Box 189
E.A.T. Competition and Some More Beginnings,
1968
Box 189, Folder 70
Photographs of works submitted by artists,
Nov 1968
Scope and Content Note
ca. 120 b/w and some color (mixed sizes) and 3 slides.
Box 190
E.A.T. Competition and Some More Beginnings,
1968
Box 190, Folder 71
Photographs of works submitted by artists,
Nov 1968
Scope and Content Note
ca. 70 b/w and some color (mixed sizes).
Box 190, Folder 72
Photographs of works submitted by artists,
Nov 1968
Scope and Content Note
100 color slides, 11 unmounted slides and 2 3x4 b/w.
Box 190, Folder 73
Keiji Usami, "Laser Beam Joint"
Scope and Content Note
1 8x10 b/w, 12 slides, 2 4x5 transparencies, 27 3x3 polaroids, 1 b/w neg. strip and 4 color transparency strips.
Box 191
E.A.T. Competition and Some More Beginnings,
1968
Box 191, Folder 74
Some More Beginnings, Brooklyn Museum,
1968
Scope and Content Note
30 3x5 polaroids of the installation and 80 color slides by Shunk-Kender of works and opening.
Box 191, Folder 75
The Machine Show, MOMA,
1968
Scope and Content Note
3 8x10 b/w, 7 contact sheets by Shunk-Kender, 10 3x5 polaroids and 10 slides.
Box 191, Folder 76
Awarding prizes in E.A.T. Competition to the engineers at MOMA and printing the catalog at Redmond Press
Scope and Content Note
2 contact sheets, 9 3x5 polaroids.
Box 191, Folder 77
"Fakir in 3/4 Time," Brooklyn, Shunk-Kender collage for Seagram Building proposal
1968,
Scope and Content Note
5 8x10 b/w and 3 3x5 polaroids.
Box 191, Folder 78
Some More Beginnings, opening and visitors,
Nov 25, 1968
Scope and Content Note
13 8x10 b/w by Shunk-Kender and 8 contact sheets.
Box 191, Folder 79
E.A.T. publications
Scope and Content Note
2 8x10 b/w, 1 neg. strip, 1 color transparency and 4 b/w transparencies.
Box 192, Folder 80
E.A.T. posters
Scope and Content Note
20 3x5 b/w prints and negs.
Box 192, Folder 81
Computer posters,
1968
Scope and Content Note
2 8x10 b/w.
Box 192, Folder 82
Intermedia '68, photographs of artists,
1968
Scope and Content Note
10 8x10 b/w by Moore, but not stamped.
Box 192, Folder 83
Rainforests
Scope and Content Note
4 8x10 b/w and 21 slides.
Box 192, Folder 84
Anand Project, Buffalo,
1969
Scope and Content Note
1 4x5 b/w neg. and 1 b/w slide.
Box 192, Folder 85
AAAS Meeting, Klüver talk, Dallas,
Dec 1968
Scope and Content Note
20 3x5 polaroids.
Box 192, Folder 86
Northside Center
Scope and Content Note
140 slides.
Box 192, Folder 87
Northside Center
Scope and Content Note
127 slides.
Box 193
and Pavilion,
1969, 1968-1970
Box 193, Folder 88
Northside Center
Scope and Content Note
40 slides.
Box 193, Folder 89
Northside Center
Scope and Content Note
3 contact sheets and negs.
Box 193, Folder 90
Hexcel, Tom, Gormley piece,
May 15, 1969
Scope and Content Note
3 8x10 b/w.
Box 193, Folder 90a
Buffalo Project-Anand Dairy,
Dec 1969
Scope and Content Note
12 3x5 polaroids and 1 8x10 color print.
Box 193, Folder 91
Camera copy for Pavilion (moved to Series III)
Box 193, Folder 92
Brown E.A.T. envelope
Scope and Content Note
6 photostat prints of Tudor program.
Box 193, Folder 93
Pavilion photostats
Scope and Content Note
5 8x10 b/w and 4 neg. transparencies.
Box 193, Folder 94
Invitation to press reception and party at the Santa Ana model of mirror dome
Scope and Content Note
1 8x10 b/w.
Box 193, Folder 95
11 Color separations for book (moved to Series III)
Box 193, Folder 96
Model mirror dome in Santa Ana, construction
1969,
Scope and Content Note
22 8x10 b/w, 7 3x4 and 3x3 b/w, 1 8x10 neg. transparency and 119 slides.
Box 194, Folder 97
Model mirror dome, Santa Ana, first real images and press party
1969,
Scope and Content Note
131 slides.
Box 194, Folder 98
Camera copy Pavilion book, B. Rose article (moved to Series III)
Scope and Content Note
17 mixed size b/w.
Box 194, Folder 99
Pavilion, outside construction and finished with fog
Scope and Content Note
28 3x4 1/2 color prints by Nakaya and 1 color transparency.
Box 194, Folder 100
Pavilion press kit photographs (captioned)
Scope and Content Note
13 8x10 b/w by Shunk-Kender.
Box 194, Folder 101
92 contact sheets by Shunk-Kender
Box 195, Folder 102
41 contact sheets by Shunk-Kender
Box 195, Folder 103
Pepsi press conference, Los Angeles,
Sep 30, 1969
Scope and Content Note
27 8x10 b/w and 1 color slide.
Box 195, Folder 104
Model, early construction of mirror
Scope and Content Note
3 3x4 color, 8 3x3 color, 6 3x4 b/w and 49 color slides.
Box 195, Folder 105
Meeting of artists and engineers on project, E.A.T. office,
Mar 22, 1969
Scope and Content Note
4 8x10 b/w and 6 contact sheets.
Box 195, Folder 106
First model,
1968
Scope and Content Note
8 8x10 b/w.
Box 196, Folder 107
Pepsi Pavilion, second model,
1969
Scope and Content Note
19 4x5 b/w, 10 8x10 b/w, 9 contact sheets, 6 color transparencies, 36 35mm negatives and 8 slides.
Box 196, Folder 108
U.S. Pavilion at Expo '70
Scope and Content Note
11 8x10 b/w and 2 3 1/2x6 b/w.
Box 196, Folder 109
Schjeldahl Company, photographs of mirror fabrication
Scope and Content Note
18 8x10 b/w.
Box 196, Folder 110
Suntrack
Scope and Content Note
25 8x10 b/w by Shunk-Kender, 1 contact sheet and 35mm negatives.
Box 196, Folder 111
Working outside
Scope and Content Note
19 8x10 b/w and 62 3x5 b/w prints by Shunk-Kender.
Box 197, Folder 112
Working inside
Scope and Content Note
54 8x10 b/w by Shunk-Kender and 5 color transparencies.
Box 197, Folder 113
Opening
Scope and Content Note
30 8x10 b/w by Shunk-Kender.
Box 197, Folder 114
Staff relaxing
Scope and Content Note
40 8x10 b/w by Shunk-Kender.
Box 198, Folder 115
Breer's floats
Scope and Content Note
18 8x10 b/w by Shunk-Kender, 6 3x5 color prints and 1 4x5 neg.
Box 198, Folder 116
Sound system
Scope and Content Note
26 8x10 b/w by Shunk-Kender, 2 3x5 b/w and 1 5x8 b/w.
Box 198, Folder 117
Fog on Pavilion and at MEE Industries, Pasadena, Calif
Scope and Content Note
12 8x10 b/w, 26 4x6 b/w prints, 5 3x4 b/w prints, 4 mixed sized, 5 3x5 color prints and 1 5x7 neg. transparency.
Box 199, Folder 118
Nakaya's photographs of Mirror,
Aug 1970
Scope and Content Note
99 4x6 b/w, 6 contact sheets and 6 sets of 35mm negs.
Box 199, Folder 119
Inside, by Nakaya
Scope and Content Note
13 8x10 b/w, 5 8x10 diagrams, 15 4x6 b/w, 11 3x4 color prints and 1 contact sheet.
Box 199, Folder 120
Inside with emphasis on the floor
Scope and Content Note
11 8x10 b/w by Shunk-Kender.
Box 199, Folder 121
Mirror with visitors
Scope and Content Note
26 8x10 b/w by Shunk-Kender.
Box 200
Pavilion,
1968-1970, 1990
Box 200, Folder 122
Outside
Scope and Content Note
10 8x10 b/w by Shunk-Kender.
Box 200, Folder 123
Clamroom
Scope and Content Note
8 8x10 b/w by Shunk-Kender and postcard.
Box 200, Folder 124
Portraits of finished Pavilion outside
Scope and Content Note
16 8x10 b/w by Shunk-Kender.
Box 200, Folder 125
Breer's drawing for Pavilion and slides of blackboard drawings
Scope and Content Note
1 8x10 b/w and 2 neg. transparencies.
Box 200, Folder 126
Model construction of mirror and exterior
Scope and Content Note
177 slides and 1 2x2 color transparency.
Box 200, Folder 127
Talk by Klüver, Queens Museum,
Aug 12, 1990
Scope and Content Note
80 slides.
Box 201
Island Eye Island Ear,
1974-1979
Box 202
Island Eye Island Ear,
1974-1979
Box 202, Folder 129
Boulder Island,
Oct 3 1978
Scope and Content Note
192 3x5 prints.
Box 202, Folder 130
Bluff Island,
Oct 1, 1978
Scope and Content Note
205 3x5 prints.
Box 203
Island Eye Island Ear,
1974-1979
Box 203, Folder 131
Bluff Island
Nov 1, 1978
Scope and Content Note
171 3x5 prints.
Box 203, Folder 132
Yeo Island, St. Lawrence Seaway
Scope and Content Note
86 3x5 prints.
Box 203, Folder 133
Boulder Island
Scope and Content Note
68 prints.
Box 204
Island Eye Island Ear,
1974-1979
Scope and Content Note
Negs. for #s 132 and 133.
Box 205
Island Eye Island Ear, [ ]
1974-1979
Box 205, Folder 134
Yeo Island, Bluff Island
Aug 1, 1978
Scope and Content Note
95 3x5 prints.
Box 205, Folder 135
Aerial search for new site
Oct 2, 1978
Scope and Content Note
191 3x5 prints.
Box 206, Folder 136-137
Tests at 69 Appletree Row with full scale model of Brooklyn Academy of Music stage to prepare for Nakaya sculpture for Trisha
Brown performance of "Opal Loop"
Scope and Content Note
ca. 300 3x5 prints.
Box 208, Folder 140
City Agriculture
Scope and Content Note
1 contact sheet.
Box 208, Folder 141
E.A.T. Calif., USC conference and events, E.A.T. ART events, all labeled
Scope and Content Note
3 8x10 b/w, 2 3x5 color, 5 3x5 and 8 frames from contact sheet identified on back.
Box 208, Folder 142
E.A.T. staff, 235 Park Ave. South
Scope and Content Note
4 contact sheets by Shunk-Kender.
Box 208, Folder 143
Automation House, TV Studio control room, Taping dancers
Scope and Content Note
negs.
Box 208, Folder 144
Children and Communication
Scope and Content Note
22 8x10 b/w by Shunk-Kender and 5 slides.
Box 208, Folder 145
Children and Communication
Scope and Content Note
8 original drawings and some transmissions (moved to Series I).
Box 208, Folder 146
American Artists in India,
1970-1971
Scope and Content Note
36 color slides by Trisha Brown/Jed Bark, 40 color slides by Yvonne Rainer and 1 4x6 print.
Box 208, Folder 147
Work by Faiya sent by Jack Masey, February
1971
Scope and Content Note
22 slides.
Box 208, Folder 148
Artcash Benefit,
1971
Scope and Content Note
20 8x10 b/w by Shunk-Kender and 3 contact sheets.
Box 208, Folder 149
Artcash Benefit,
Dec 1971
Scope and Content Note
3 contact sheets by Cosmos Savage, 1 contact sheet of installation of graphics at Automation House, 3 3x5 prints, 43 color
slides of installation and negs.
Box 209
New York Collection for Stockholm, [ ]
1971-1973
Box 209, Folder 150
Color separation, Di Suvero "Blue Arch" for the New York Collection for Stockholm
Scope and Content Note
4 transparencies (moved to Series I).
Box 209, Folder 151
Installation
Scope and Content Note
3 color transparencies.
Box 209, Folder 152
Installation
Scope and Content Note
24 8x10 b/w.
Box 209, Folder 153
Notebook
Scope and Content Note
13 mixed size b/w and 3 clippings.
Box 209, Folder 154
Catalog,
Oct 1972
Scope and Content Note
16 8x10 b/w, 1 8x10 color, 2 slides, 2 contact strips, 1 5x7 color transparency and 10 mixed sizes.
Box 209, Folder 155
Exhibition in New York and part at Rauschenberg's,
Oct 1972
Scope and Content Note
9 8x10 b/w and 8 contact sheets by Kender, and 1 3x6 print Kender.
Box 210
New York Collection for Stockholm, [ ]
1971-1973
Box 210, Folder 156
Exhibition in New York and part at Rauschenberg's, by Jean Kender
Oct 1972,
Scope and Content Note
54 color slides of installation of works at 420 West Broadway and 87 color slides of dinner at Rauschenberg's.
Box 210, Folder 157
Meeting of Princess Christina and Sue Erpf at the Zabriskie Gallery
Scope and Content Note
2 8x10 b/w, 2 contact sheets Business Week.
Box 210, Folder 158
Artists who appeared on cable TV,
1973
Scope and Content Note
2 contact sheets.
Box 210, Folder 159
Portfolio brochure,
Fall 1973
Scope and Content Note
3 8x10 b/w, 34 5x7 prints, 6 contact sheets and 200 negs.
Box 210, Folder 160
Press conference,
Oct 16, 1973
Scope and Content Note
2 4x6 prints.
Box 210, Folder 161
Exhibition of portfolio prints at Castelli Graphics,
Sep 1973
Scope and Content Note
23 color slides.
Box 210, Folder 162
At the Royal Dramatic Theatre,
Oct 27, 1973
Scope and Content Note
11 8x10 b/w and 1 contact sheet.
Box 211
New York Collection for Stockholm and Pompidou,
1973
Box 211, Folder 163
Oct 25-29, 1973
Scope and Content Note
11 contact sheets by Hasse Persson.
Box 211, Folder 164
Oct 27, 1973
Scope and Content Note
46 8x10 b/w by Hasse Persson.
Box 211, Folder 165
Oct 1973
Scope and Content Note
3 8x10 b/w.
Box 211, Folder 166
Opening at Moderna Museet,
Oct 27, 1973
Scope and Content Note
104 3x5 b/w.
Box 211, Folder 167
Centre Georges Pompidou construction
Scope and Content Note
3 color slides.
Box 212
Artists for New York Benefit and Nakaya fog,
1979-1980
Box 212, Folder 168
Evening at Xenon,
Feb 26, 1979
Scope and Content Note
5 contact sheets, Shunk.
Box 212, Folder 169
Rosenquist poster, printing at Tandem Press,
February 13 and 16, 1979
Scope and Content Note
44 slides by Shunk.
Box 212, Folder 170
Rosenquist poster, printing at Tandem Press,
Feb 13, 1979
Scope and Content Note
2 8x10 b/w by Shunk and 6 contact sheets.
Box 212, Folder 171
Tudor laser show at Artists for New York Benefit at Xenon
Scope and Content Note
65 color slides.
Box 212, Folder 172
Working on Name curtain by Mimi Gross,
Feb 25, 1979
Scope and Content Note
18 slides.
Box 212, Folder 173
Rosenquist poster, printing at Tandem Press,
Feb 1979
Scope and Content Note
4 8x10 b/w by Ralph Lyman.
Box 212, Folder 174
Rosenquist poster, printing at Tandem Press, by Meg Bird
Feb 16, 1979,
Scope and Content Note
1 contact sheet and 36 negs.
Box 212, Folder 175
Artists for New York Benefit
Scope and Content Note
1 8x10 b/w by Alex Kayser and 11 3x5 color prints.
Box 212, Folder 176
Artists for New York Benefit
Scope and Content Note
2 contact sheets by John Bardazzi.
Box 212, Folder 177
Nakaya fog installation at Crosby Street, for TBC,
1980
Scope and Content Note
22 slides.
Box 213-216
Miscellanous photographic prints,
1974-1981
Scope and Content Note
Island Eye Island Ear, fog experiments, events, travels and personal.
Ca. 1600 mostly 3x5 color prints, arranged chronologically.
Box 217-218
Miscellaneous negatives,
1974-1981
Scope and Content Note
Negs. from Boxes 213-216.
Box 219
Oversize "9 Evenings" and Island Eye Island Ear,
undated, 1966, 1974-1979
Series VII.
Audio tapes,
1966-1993
Physical Description:
ca. 8.5 lin. ft. 13 boxes
Scope and Content Note
Series VII contains 107 reel-to-reel and 138 cassette tapes arranged in rough chronological order. Events recorded include
"9 Evenings" sounds used in the performances, recordings of some performances (copies of Tudor and Cage) and interviews with
engineers and artists; Pavilion sounds used as input material for the sound system, Tudor's first 4-track recording of works
made for the Pavilion, interviews with participants and meetings; E.A.T. lecture-demonstration series; meetings, interviews
and material from other E.A.T. projects; and Klüver lectures and talks.
Missing lecture tapes:
155. Apr 2, 1980
156. Jun 20, 1976, Paris
157. 9 Evenings speech draft Jan 13, 1980
158. 9 Evenings at the Kitchen Jan 30, 1980
Originals housed in boxes 220-232. Reformatted copies are described below with the originals, but shelved elsewhere. E.A.T.
staff numbered the audio tapes and copied many of the 7 in. reel-to-reel tapes onto cassettes (see below the reel-to-reel
tapes). Timings provided by the reformatter.
Digitized reel-to-reel tapes are
available online . Access is available to on-site readers and Getty staff.
"9 Evenings," Reel-to-reel tapes,
1966
Reel R1
Alfons Schilling, Hay and Whitman interviews
Scope and Content Note
1 sound tape reel (30 min., 30 sec.) : analog, mono. ; 7 in. Original.
Begins with Alfons Schilling and Whitman on telephone. Whitman's end disappears. Deborah Hay and Schilling. Label on reel:
"reject, Debby"; label on box: "9 eves, Begins w Schilling & Whitman on telephone..." [See also C1]
1 sound tape reel (30 min., 30 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (30 min., 30 sec.) Copy master.
1 sound disc (CD) (30 min., 30 sec.) Use copy.
Reel R2
Material for Schilling film on 9 Evenings, 1 of 4
Scope and Content Note
1 sound tape reel (23 min.) : analog ; 7 in. Original.
labels on reel: "no. 1" and "transferred JS NE 1 2-21-67" and "re-transferred 3-7-67 JS." Label on box: "Material for A. Schilling
film on 9 eves..." [See also C2]
1 sound tape reel (23 min.): analog ; 7 in. Archival master.
1 sound disc (CD) (23 min.): digital. Copy master.
1 sound disc (CD) (23 min.): digital. Use copy.
Reel R3
Material for Schilling film on 9 Evenings, 2 of 4
Scope and Content Note
1 sound tape reel (25 min.): analog, mono. ; 7 in. Original. N.B., recorded on Side 1 only, right track.
Labels on reel: "no. 2" and "transferred JS NE 2 2-21-67" and "re-transferred 3-7-67." Label on box: "Material for A. Schilling
film on 9 eves...." [See also C3]
1 sound tape reel (25 min.): analog, mono. ; 7 in. Archival master.
1 sound disc (25 min.): digital, mono. Copy master.
1 sound disc (25 min.): digital, mono. Use copy.
Reel R4
Material for Schilling film on 9 Evenings, 3 of 4
Scope and Content Note
1 sound tape reel (35 min., 36 sec.): analog, mono. ; 7 1/2 ips, 7 in. Original.
Side 1: no label; Side 2: "No. 3" and "Transferred JS NE 3 2-21-67." On box: "Clean" and "3 of 3." [See also C4]
1 sound reel (35 min., 36 sec.) : analog, mono. ; 71/2 ips, 7 in. Archival master.
1 sound disc (CD) (35 min., 36 sec.) : digital, mono. Copy master.
1 sound disc (CD) (35 min., 36 sec.) : digital, mono. Use copy.
Reel R5
Material for Schilling film on 9 Evenings, 4 of 4
Scope and Content Note
1 sound tape reel (28 min.): analog ; 7 in. Original.
Labels on reel: "no. 4" and "transferred JS NE 2 2-21-67" and "re-transferred 3-7-67 JS." Label on box: "Material for A. Schilling
film on 9 eves...." [See also C5]
1 sound tape reel (28 min.): analog ; 7 in. Archival master.
1 sound disc (28 min.): digital. Copy master.
1 sound disc (28 min.): digital. Use copy.
Reel R6
Alex Hay interview with Schilling
Scope and Content Note
1 sound tape reel (44 min.) : analog ; 7 in. Original.
Label on reel: " Alex out, good tape" On box: "Alex Hay." [See also C6]
1 sound tape reel (44 min.) : analog ; 7 in. Archival master.
1 sound disc (CD) (44 min.) : digital. Copy master.
1 sound disc (CD) (44 min.) : digial. Use copy.
Reel R7
Alex Hay sound from performance
Scope and Content Note
1 sound tape reel (10 min.) : analog ; 7 in. Original.
Label on reel: "No 14 Alex Hay"; on box: "Alex Hay, Clean, Schilling." [See also C7]
1 sound tape reel (10 min.) : analog ; 7 in. Archival master.
1 sound disc (CD) (10 min.) : digital. Copy master.
1 sound disc (CD) (10 min.) : digital. Use copy.
Reel R8
Interview with Steve Paxton
1971 Nov 15
Scope and Content Note
1 sound tape reel (2 hr., 2 min., 18 sec.) : analog, mono. ; 1 7/8 ips, 7 in. Original.
Label on box: "1 3/4 speed interview w/ Steve Paxton 11-5-71." [See also C8]
2 sound tape reels of 2 (2 hr., 2 min., 18 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs (CDs) (2 hr., 2 min., 18 sec.) : digital, mono. Copy master.
2 sound discs (CDs) (2 hr., 2 min., 18 sec.) : digital, mono. Use copy.
Reel R9
Steve Paxton: Greta Garbo, Debbie Drake,
undated
Scope and Content Note
1 sound tape reel (3 hr., 9 min., 59 sec.): analog, mono. ; 3 3/4 ips, 7 in. Original.
Label on box: "CH 1 Greta Garbo CH 2 Debby Drake 3 3/4 PAXTON." [See also C9]
3 sound tape reels of 3 (3 hr., 9 min., 59 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
3 sound discs of 3 (CDs) (3 hr., 9 min., 59 sec.) : digital, mono. Copy master.
3 sound discs of 3 (CDs) (3 hr., 9 min., 59 sec.) : digital, mono. Use copy.
Reel R10
Strange Wills, radio program, Steve Paxton,
undated
Scope and Content Note
1 sound tape reel (2 hr., 26 min., 38 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Original.
Label on box: "Paxton 7 1.2 Mono Strange Wills Episode 59 part 1 Episode 60 part 1." [See also C10]
1 sound tape reel (2 hr., 26 min., 38 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (2 hr., 26 min., 38 sec.) : digital, mono. Copy master.
1 sound disc (CD) (2 hr., 26 min., 38 sec.) : digital, mono. Use copy.
Reel R11
Steve Paxton short sound: program on Native American field hockey,
undated, 1966?
Scope and Content Note
1 sound tape reel (2 min., 18 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Original.
Written on post-it note in box: "Paxton sound 9 eves beginning most reel empty."
1 sound tape reel (2 min., 18 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (2 min., 18 sec.) : digital, mono. Copy master.
1 sound disc (CD) (2 min., 18 sec.) : digital, mono. Use copy.
Reel R12
Loop tapes: "The Avengers (radio drama) / Tschudin, Electric Raga in E,
undated
Scope and Content Note
1 sound tape reel (1 hr., 3 min., 49 sec.) : analog, mono. 7 in. Original.
Cardboard and plastic 3-D glasses included. Label on side 1: "No. 11 Fahlström." Written on box: "2 Electric Raga in E 111,"
and "12." [See also C12]
1 sound tape reel (1 hr., 3 min., 49 sec.) : analog, mono. 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (1 hr., 3 min., 49 sec.) : digital, mono. Copy master.
1 sound disc (CD) (1 hr., 3 min., 49 sec.) : digital, mono. Use copy.
Reel R13
Steve Paxton: Stop Smoking, Isometric Exercising, John Glenn,
1966 Sep 8
Scope and Content Note
1 sound tape reel (1 hr., 35 min., 39 sec.) : analog, mono. ; 7 in. Original.
Label on box: "Paxton Stop Smoking Isometrics John Glenn," and "Sept 8, 1966 1.
Stop Smoking side 1 + 2 2.
Isometric Exercising side 1 + 2 3.
John Glenn side 1 + 2." [See also C13]
2 sound tape reels of 2 (1 hr., 35 min., 39 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CDs) (1 hr., 35 min., 39 sec.) : digital, mono. Copy master.
2 sound discs of 2 (CDs) (1 hr., 35 min., 39 sec.) : digital, mono. Use copy.
Reel R14
Funakakushi-1 and interview [with Toshi Ichiyanagi?], originally recorded labelled
1963 Mar 6, 1966 Sep 20
Scope and Content Note
1 sound tape reel (18 min., 30 sec.) : mono and stereo, analog ; 7 in. Original.
Funakakushi-1 (stereo, 13 min.), interview in Japanese (mono, 4 min.). Label on reel: "transferred NE4, JS, 2-21-67" and label
on box: "Funakakush-1, Toshi Ichiyanagi,... 9/20/66." [See also C14?]
1 sound tape reel (18 min., 30 sec.) : mono and stereo, analog ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (18 min., 30 sec.) : digital. Copy master.
1 sound disc (CD) (18 min., 30 sec.) : digial. Use copy.
Reel R15
David Tudor "Bandoneon" [sic]
Scope and Content Note
1 sound tape reel : analog, mono. 7 in. Original.
Labelled on box: "Cut 1-Bandoneon, Cut 2- Bandoneon, Cut 3- Bandoneon, Tudor, Schilling." Label on edge of box: "David Tudor,
9 eves, 1966." Tape actually contains sound track recording of a show called "Nurses" - nothing to do with 9 evenings, etc.
Not reformatted.
Reel R17
Voice of America French service on 9 evenings, with Öyvind Fahlström interview
Scope and Content Note
1 sound tape reel (8 min., 43 sec.) : analog, mono. ; 1 3/4 ips, 5 in. Original.
Label on reel: "Armory show." Label on box: "Reportage in French on 'Theatre and engineering' including interview with Oyvino
Fahlström. . . ." Note in box: "Interview in French with Fahlström." [See also C17]
1 sound tape reel (8 min., 43 sec.) : analog, mono. ; 7 1/2 ips. Archival master.
1 sound disc (CD) (8 min., 43 sec.) : digital, mono. Copy master.
1 sound disc (CD) (8 min., 43 sec.) : digital, mono. Use copy.
Reel R18
Beethoven Tape record #4
Scope and Content Note
Label on reel: "IV Beeth." Label on box: "Tape rec. #4 (Beethoven)...."
1 sound tape reel (5 min., 34 sec) : analog, mono. ; 5 in. Original.
1 sound tape reel (5 min., 34 sec) : analog, mono. ; 7 1/2 ips. Archival master.
1 sound disc (CD) (5 min., 34 sec) : digital, mono. Copy master.
1 sound disc (CD) (5 min., 34 sec) : digital, mono. Use copy.
Reel R19
Interviews with Öyvind Fahlström (21 min.) and Yvonne Rainer (19 min.)
Scope and Content Note
1 sound tape reel (40 min): analog, mono. ; 7 in. Original.
Label on reel: "reject Öyvind, bad tape...." Label on box: "93: interview with Yvonne R., Öyvind F...." [See also C26a?]
1 sound tape reel (40 min): analog, mono. ; 7 ips, 7 in. Archival master.
1 sound disc (CD) (40 min): digital, mono. Copy master.
1 sound disc (CD) (40 min): digital, mono. Use copy.
Reel R20
Fahlström call to Shanghai for 9 Evenings
Scope and Content Note
1 sound tape reel (8 min., 30 sec.) : analog ; 7 in. Original.
Extremely poor sound, could not be improved in reformatting. Label on reel: "Shanghai." Label on box: "Fahlström call to Shanghai
for 9E." [See also C20-C22]
1 sound tape reel (8 min., 30 sec.) : analog ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (8 min., 30 sec.) : digital. Copy master.
1 sound disc (CD) (8 min., 30 sec.) : digital. Use copy.
Reel R21
Fine and You?
Scope and Content Note
1 sound tape reel (12 min., 38 sec.) : analog, stereo ; 7 1/2 ips, 5 in. Original.
Contains 2 recordings of "Fine and you?" - each 6 min., 19 sec. Label on box: "7 1/2 ips stereo...13 min, side A only." On
leader: "Fine - and you? (2 copies)." [See also C20-C22]
1 sound tape reel (12 min., 38 sec.) : analog, stereo ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (12 min., 38 sec.) : digital, stereo. Copy master.
1 sound disc (CD) (12 min., 38 sec.) : digital, stereo. Use copy.
Reel R22
Fahlström piece
Scope and Content Note
1 sound tape reel (33 min.) : analog ; 7 in. Original.
Label on reel: "Out, Brando, 9 evenings." Label on box: "Fahlström piece." Recording (on Side 1 only) of sound from a movie
on TV. Does not pertain to Fahlström piece. Not reformatted.
Reel R23
Öyvind Fahlström: short piece of speech,
undated
Scope and Content Note
1 sound tape reel (54 min., 25 sec.) : analog, mono. ; 1 5/16 ips, 7 in. Original.
Written on box: "Mono 1 5/16 ips Side A only." [See also C23]
1 sound tape reel (54 min., 25 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (54 min., 25 sec.) : digital, mono. Copy master.
1 sound disc (CD) (54 min., 25 sec.) : digital, mono. Use copy.
Reel R24
Öyvind Fahlström #1
Scope and Content Note
1 sound tape reel : analog ; 7 in. Original.
Labels on reel: "Tails out," and "Tape 12.25 Fahlström." Label on box: "Öyvind Fahlström. . .Schilling." No notes from reformatter.
1 sound tape reel : analog ; 7 ips, 7 in. Archival master.
1 sound disc (CD) : digital. Copy master.
1 sound disc (CD) : digital. Use copy.
Reel R25
Öyvind Fahlström #2 [sic]
Scope and Content Note
1 sound tape reel (ca. 2 min.) : analog ; 7 in. Original.
Label on reel: "No. 12 Fahlström." Label on box: "Fahlström...Öyvind, A) B axton...B) Ch. George...C) ...Schilling." Label
on edge of box: "Öyvind Fahlström #2, 9 eves 1966." Contains voice tests (1 1/2 min.), someone dictating a letter (30 sec.)
and silence. Not reformatted.
Reel R26
Öyvind Fahlström #3
Scope and Content Note
1 sound tape reel (32 min.) : analog, mono. ; 7 in. Original.
Label on reel: "No. 15 Fahlström." On box: "Öyvind, ... Schilling." On edge of box: Öyvind Fahlström #3, 9 eves 1966."
1 sound tape reel (32 min.) : analog, mono. ; 71/2 ips, 7 in. Archival master.
1 sound disc (CD) (32 min.) : digital, mono. Copy master.
1 sound disc (CD) (32 min.) : digital, mono. Use copy.
Reel R27
Bob Whitman interviewed by Simone (Whitman) Forti about 9 evenings,
Mar 27, 1966
Scope and Content Note
1 sound tape reel (42 min.) : analog, mono ; 7 in. Original.
Label on reel: "9 evenings, 1966" and "Bob Whitman interviewed by Simone (Whitman) Forti." On box: "3/27/66, interview Bob
Whitman, 9 evenings T & E, by Simone Forti." On edge of box: "Interview with B. Whitman 3/27/66." [See also C27]
1 sound tape reel (42 min.) : analog, mono ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (42 min.) : digital, mono. Copy master.
1 sound disc (CD) (42 min.) : digital, mono. Use copy.
Reel R28
Simone Whitman interview fragments,
1966
Scope and Content Note
1 sound tape reel (28 min., 30 sec.) : analog, mono. ; 7 in. Original.
Right track contains fragments of Simone Whitman (Forti) interviews. Left track contains 2 min. of children playing, then
short cut of a beginning segment from the right track. Remainder of left track is blank. Varying sound quality.
Label on reel: "Fragments from interviews Simone Whitman." On edge of box: "S. Whitman - Interview fragments 1966."
Includes 3 pages of manuscript notes. [See also C28]
1 sound tape reel (28 min., 30 sec.) : analog, mono. ; 7 ips, 7 in. Archival master.
1 sound disc (CD) (28 min., 30 sec.) : digital, mono. Copy master.
1 sound disc (CD) (28 min., 30 sec.) : digital, mono. Use copy.
Reel R29
Robert Whitman, 9 evenings,
1966
Scope and Content Note
1 sound tape reel (32 min., 30 sec.) : analog, mono. ; 7 in. Original.
Label on reel: "No. 2 Whitman." On box: "Whitman, no good,...sound from Whitman,...Schilling." On edge of box: "R. Whitman
- 9 eves 1966." [See also C29]
1 sound tape reel (32 min., 30 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (32 min., 30 sec.) : digital, mono. Copy master.
1 sound disc (CD) (32 min., 30 sec.) : digital, mono. Use copy.
Reel R30
Lucinda Childs, 9 evenings,
1966
Scope and Content Note
1 sound tape reel (11 min., 30 sec.) : analog, mono. ; 7 in. Original.
Side 1: Sonar Movement Sound; Side 2: poorly recorded radio show, not related to Childs -Station KEA 860. Only side 1 reformatted.
Label on box: "Lucinda Childs, 245 Church street, N.Y. 10013..." On edge of box: "Lucinda Childs 9 eves 1966." Includes 2
pp. manuscript notes. [See also C30]
1 sound tape reel (11 min., 30 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (11 min., 30 sec.) : digital, mono. Copy master.
1 sound disc (CD) (11 min., 30 sec.) : digital, mono. Use copy.
Reel R31
Lucinda Child's first performance,
1966
Scope and Content Note
1 sound tape reel (18 min.) : analog, mono. ; 7 in. Original.
Label on reel: "No. 2 Lucinda Childs." On box: "Lucinda Childs, 1st performance...Schilling." On edge of box: "Lucinda Childs,
9 eves 1966." [See also C31]
1 sound tape reel (18 min.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (18 min.) : digital, mono. Copy master.
1 sound disc (CD) (18 min.) : digital, mono. Use copy.
Reel R32
18 Names - from Rauschenberg's opening scene
Scope and Content Note
1 sound tape reel (30 sec.) : analog, mono. ; 7 in. Original.
Tape contains only 30 sec. of sound - 18 artists say "I am..." and then their names. Label on box: "A few names." On edge
of box: "From Rauschenberg's opening scene? 18 names...." Not reformatted. [See C32]
Reel R38
L.J. Robinson interview,
1966 Sep 14
Scope and Content Note
1 sound tape reel (53 min.) : analog, mono. ; 7 in. Original.
Label on reel: "Backwards!" and "Robinson 9-14-66." [See also C38]
2 sound tape reels of 2 (53 min.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (53 min.) : analog, mono. Copy master.
1 sound disc (CD) (53 min.) : analog, mono. Use copy.
Pepsi Pavilion, other projects, meetings, and symposia, (Reel-to-reel tapes)
1967-1970
Reel R48
David Tudor sounds for Pepsi Pavilion, some voices, wind sounds,
ca. 1970?
Scope and Content Note
1 sound tape reel : analog. Original. Not reformatted.
Reel R49
Bob Breer,
1967 Mar 3
Scope and Content Note
1 sound tape reel : analog ; 7 in. Original.
Tape recorded on 1 side only and so low in volume, reformatter could not save. Label on box: "Bob Breer 3/3/67."Not reformatted.
Reel R50
Pepsi-Cola Co. presents "The Route Salesman's Job"
Scope and Content Note
1 sound tape reel (10 min., plus) : analog, mono. 7 in. Original
Sound track for a slide show. The "clicks" on the sound track are for the slide projectionist to change to the next slide.
This runs for 10 minutes. This is followed by music tracks from the slide show tape.
1 sound tape reel (10 min., plus) : analog, mono. 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (10 min., plus) : digital, mono. Copy master.
1 sound disc (CD) (10 min., plus) : digital, mono. Use copy.
Reel R51
David Tudor Pavilion
Scope and Content Note
Tape missing (not received from E.AT.). Not reformatted.
Reel R57
Biologics,
1993?
Scope and Content Note
1 sound tape reel (22 minutes) : analog, mono ; 7 in. Original.
Label on reel: "abt. 1 min. at begin of 'Biologics.'" Label on box back: "Biologics, 12/93, empty tape." Label on box spine:
"Biologics."
1 sound tape reel (22 minutes) : analog, mono ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (22 minutes) : digital, mono. Copy master.
1 sound disc (CD) (22 minutes) : digital, mono. Use copy.
Reel R59
Pauline Oliveros, Lynn Lonidier interview reel no. 1,
1968 Jul 18
Scope and Content Note
1 sound tape reel (30 min., 49 sec.) : analog, mono. ; 5 in. Original. [See also C59 (?)]
1 sound tape reel (30 min., 49 sec.) : analog, mono. ; 7 1/2 ips, 5 in. Archival master.
1 sound disc (CD) (30 min., 49 sec.) : digital, moni. Copy master.
1 sound disc (CD) (30 min., 49 sec.) : digital, moni. Use copy.
Reel R66
Nilo Lundgren interview with Larry Owens #2,
1969
Scope and Content Note
1 sound tape reel : analog, mono. Original.
[Masters and use copy made from cassettes, C65-C66, Feb 1998. Reel-to-reel tape not reformatted.]
Reel R72
Nilo Lundgren interview with Billy Klüver
1970 Jan 8
Scope and Content Note
2 sound tape reels of 2 : analog, mono. ; 7 in. Original
[Masters and use copy made from cassette original Feb 1998. See C72. Reel-to-reel tapes not reformatted.]
Reel R78
Homage to E.A.T., Fred, Robby, Billy dinner at the YMHA,
1967 Feb 18
Scope and Content Note
1 sound tape reel (ca. 2 hr., 16 min.) : analog, mono. ; 7 in. Original. [Recorded on Side 1 only.][See also C78]
4 sound tape reels of 4 (ca. 2 hr., 16 min.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CD) (ca. 2 hr., 16 min.) : digital, mono. Copy master.
2 sound discs of 2 (CD) (ca. 2 hr., 16 min.) : digital, mono. Use copy.
Reel R79
WBAI talk, first version
1967 Jun 28
Scope and Content Note
1 sound tape reel (50 min.) : analog, mono. ; 7 in. Original. [See also C79]
2 sound tape reels of 2 (50 min.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (50 min.) : digital, mono. Copy master.
1 sound disc (CD) (50 min.) : digital, mono. Use copy.
Reel R80
Francis Mason interview, Corcoran Gallery, Washington D.C.,
1968 May 13
Scope and Content Note
Label on box: "Voice of America...Intv. Francis Mason, President, Experiments in Art & Technology...Corcoran Gallery - May
13, 1968."
1 sound tape reel (8 min., 55 sec.) : analog, mono. : 7 in. Original.
1 sound tape reel (8 min., 55 sec.) : analog, mono. : 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (8 min., 55 sec.) : digital, mono. Copy master.
1 sound disc (CD) (8 min., 55 sec.) : digital, mono. Use copy.
Reel R81
Art and Technology Symposium, Corcoran Gallery, Washington D.C., #1
1968 May 13
Scope and Content Note
Label on box: "Voice of America...Symposium: Art and Technology, Corcoran Gallery, May 13, 1968, Reel 1."
1 sound tape reel (32 min.) : analog, mono. ; 7 in. Original.
1 sound tape reel (32 min.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (32 min.) : digital, mono. Copy master.
1 sound disc (CD) (32 min.) : digital, mono. Use copy.
Reel R82
Art and Tech Symposium, Corcoran #2
May 13, 1968
Scope and Content Note
Label on box: "Voice of America...Symposium: Art and Technology, Corcoran Gallery, May 13, 1968, Reel 2."
1 sound tape reel (34 min., 30 sec.) : analog, mono. ; 7 in. Original.
1 sound tape reel (34 min., 30 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (34 min., 30 sec.) : digital, mono. Copy master.
1 sound disc (CD) (34 min., 30 sec.) : digital, mono. Use copy.
Reel R83
Art and Tech Symposium, Corcoran #3
May 13, 1968
Scope and Content Note
Label on box: "Voice of America...Symposium: Art and Technology, Corcoran Gallery, May 13, 1968, Reel 3."
1 sound tape reel (13 min., 20 sec.) : analog, mono. ; 7 in. Original.
1 sound tape reel (13 min., 20 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (13 min., 20 sec.) : digital, mono. Copy master.
1 sound disc (CD) (13 min., 20 sec.) : digital, mono. Use copy.
Reel R84
Discussion: artist project involving ring counter and voice-activated mike, Claudio Badal, W.G. Leeman, Bob Allerot, Tony
Tedona
Scope and Content Note
Label on box back: "Cladio - Newsletter info, W.G. Leeman, Bob Allerot, Tony Tedona..." On box spine: "Disc artist project,
ring counter, voice activated mike." Side 1 only.
1 sound tape reel : analog, mono. ; 3 3/4 ips, 7 in. Original.
2 sound tape reels of 2 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
1 sound disc (CD) : digital, mono. Use copy.
Reel R85
Shaker Village / Jerry Marks interview,
1965
Scope and Content Note
1 sound tape reel (2 hr., 35 min., 45 sec.) : analog, mono. ; 3 3/4 ips, 7 in. Original
Label on box back: "Shaker Village Work Group, Shaker Service 1965..." On box spine: "Shaker Village." Inserted card has pencil
notes: "printed circuits, chemistry of ink,..."
First few minutes are an explanation of the silk screen process. The second part is of the Shaker Village Group performing.
Final parts are of the Shaker Service. Volume flux throughout on original and reformatted versions. Chief recording engineers:
Mark Sandler and Rick Abrams, S.V.W.G.; Jerry Marks interview. [See also C85 for Marks interview]
4 sound tape reels of 4 (2 hr., 35 min., 45 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master
3 sound disc of 3 (2 hr., 35 min., 45 sec.) : digital, mono. Copy master.
3 sound disc of 3 (2 hr., 35 min., 45 sec.) : digital, mono. Use copy.
Reel R86
Interview between Tracy Kinsel, engineer, and John Anthes, artist, who collaborated on an E.A.T. project
Scope and Content Note
1 sound tape reel (21 min., 39 sec.) : analog, mono. ; 7 in. Original.
Recording of a telephone call from New York City to Providence, R.I. Interview for E.A.T. News. Label on box: "Tracy Kinsel,
John Anthes, E.A.T." [See also C86]
1 sound tape reel (21 min., 39 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (21 min., 39 sec.) : digital, mono. Copy master.
1 sound disc (CD) (21 min., 39 sec.) : digital, mono. Use copy.
Reel R87
E.A.T. Local group conference #1,
1968 Jun 22
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 7 in. Original.
Label on box: Reel No.1, EAT Local Group conf., 6/22, 1968." [See also C87]
7 sound tape reels of 7 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
7 sound discs of 7 (CDs) : digital, mono. Copy master.
7 sound discs of 7 (CDs) : digital, mono. Use copy.
Reel R88
E.A.T. Local Group conference #2,
1968 Jun 22-23
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 7 in. Original.
Label on box: Reel no. 2, EAT Local Group conf., 6/22, 6/23, 1968." [See also C88]
5 sound tape reels of 5 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
5 sound discs of 5 (CDs) : digital, mono. Copy master.
5 sound discs of 5 (CDs) : digital, mono. Use copy.
Reel R89
E.A.T. Local Group conference #3,
1968 Jun 24
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 7 in. Original.
Label on box: "Reel no. 3, EAT Local Group conf., 6/24, 1968." [See also C89]
4 sound tape reels of 4 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
4 sound discs of 4 (CDs) : digital, mono. Copy master.
4 sound discs of 4 (CDs) : digital, mono. Use copy.
Reel R90
AAAS meeting Dallas, Tx #1,
1968 Dec 26-31
Scope and Content Note
1 sound tape reel : analog, mono. ; variable speed, 7 in. Original.
Label reel: "Side 1, reel 1, Klüver, Garmire, Whitman, Nolan." Label on reel: "Side 2, reel 1, Kepes, Panel disc, ?s frm floor."
Label on box: "AAAS meeting from E.A.T. Reel 1, Dec 26-31, 1968, Dallas." [See also C90]
4 sound reels of 4 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
4 sound discs of 4 (CDs) : digital, mono. Copy master.
4 sound discs of 4 (CDs) : digital, mono. Use copy.
Reel R91
AAAS meeting Dallas, Tx #2,
1968 Dec 26-31
Scope and Content Note
1 sound tape reel : analog, mono. ; 3 3/4 ips, 7 in. Original.
Label on box: "AAAS meeting from E.A.T. reel 2, Dec. 26-31, 1968, Dallas." Reel is incomplete, sound ends abruptly on side
1. [See also C91]
1 sound tape reel : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
1 sound disc (CD) : digital, mono. Use copy.
Reel R92
Alvin Lucier - demonstration tape for his E.A.T. program proposal for Expo '70
Scope and Content Note
1 sound tape reel : analog, stereo ; 7 in. Original.
Part 1: Speech Recycling, Reinforcement of Resonant Frequencies. Electronic Studio Room, Brandeis University. Part 2: Acoustic
orientation by means of echo - location. Four performers with sondols. Rose Art Museum, Brandeis. Recorded with environears
binaural system.
1 sound tape reel : analog, stereo ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) : digital, stereo. Copy master.
1 sound disc (CD) : digital, stereo. Use copy.
Reel R93
Executive meeting, #1,
1970 Sep 12-13
Scope and Content Note
1 sound tape reel (ca. 32 mins.) : analog, mono. ; 7 in. Original. [See also C93]
2 sound tape reels of 2 (ca. 32 min.) : analog, 7 /12 ips, 7 in. Archival master.
2 sound discs of 2 (CDs) (ca. 32 min.) : digital, mono. Copy master.
2 sound discs of 2 (CDs) (ca. 32 min.) : digital, mono. Use copy.
Reel R94
Executive meeting, #2,
1970 Sep 12-13
Scope and Content Note
1 sound tape reel (side 1: 2 hr, 5 min., side 2: 56 min., 37 sec.) : analog, mono. ; 7 in. Original. [See also C94]
3 sound tape reels of 3 (3 hr., 1 min., 37 sec.) : analog, mono. ; 7 /12 ips, 7 in. Archival master.
3 sound discs of 3 (CDs) (3 hr., 1 min., 37 sec.) : digital, mono. Copy master.
3 sound discs of 3 (CDs) (3 hr., 1 min., 37 sec.) : digital, mono. Use copy.
Reel R95
Executive meeting, #3,
1970 Sep 12-13
Scope and Content Note
1 sound tape reel (side 1: 2 hrs., 5 min., side 2: 1 hr. 59 min., 34 sec.) : analog, mono. ; 7 in. Original. [See also C95]
4 sound tape reels of 4 (4 hr., 4 min., 34 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
4 sound discs of 4 (CDs) (4 hr., 4 min., 34 sec.) : digital, mono. Copy master.
4 sound discs of 4 (CDs) (4 hr., 4 min., 34 sec.) : digital, mono. Use copy.
Reel R96
Executive meeting, #4,
1970 Sep 12-13
Scope and Content Note
1 sound tape reel (1 hr., 2 min., 30 sec.) : analog, mono. ; 7 in. Original. [See also C96]
2 sound tape reels of 2 (1 hr., 2 min., 30 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CD) (1 hr., 2 min., 30 sec.) : digital, mono. Copy master.
2 sound discs of 2 (CD) (1 hr., 2 min., 30 sec.) : digital, mono. Use copy.
Reel R97
Meeting for history #1
Scope and Content Note
1 sound tape reel (2 hr., 2 min.) : analog, mono. ; 1 7/8 ips, 7 in. Original. [See also C97]
4 sound tape reels of 4 (ca. 2 hr., 2 min.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
4 sound discs of 4 (CDs) (ca. 2 hr., 2 min.) : digital, mono. Copy master.
4 sound discs of 4 (CDs) (ca. 2 hr., 2 min.) : digital, mono. Use copy.
Reel R98
Meeting for history #2
Scope and Content Note
1 sound tape reel (26 min.) : analog, mono. ; 7 in. Original. [See also C98]
1 sound tape reel (26 min.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (26 min.) : digital, mono. Copy master.
1 sound disc (CD) (26 min.) : digital, mono. Use copy.
Reel R99
Solomon
Scope and Content Note
1 sound tape reel (31 min., 49 sec.) : analog, mono. ; 7/12 ips, 7 in. Original.
Label on box: "Solomon,...In my greed for fame I forgot my God..."
1 sound tape reel (31 min., 49 sec.) : analog, mono. ; 7/12 ips, 7 in. Archival master.
1 sound disc (CD) (31 min., 49 sec.) : digital, mono. Copy master.
1 sound disc (CD) (31 min., 49 sec.) : digital, mono. Use copy.
Reel R100
Voices of East Harlem / Öyvind Fahlström, Den Helige Torsten Nilsson,
1993 Dec
Scope and Content Note
1 sound tape reel (48 min., 38 sec.) : analog, mono. ; 7 in. Original.
Side 1: no label, Side 2: "SLUTLAPP RUbrik: (enl. Protokoll) DEL 4..." Label on box: "Voices of East Harlem," and "12/93:
no cassette copy made." [Note: information in title from reformatter.]
1 sound tape reel (48 min., 38 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (48 min., 38 sec.) : digital, mono. Copy master.
1 sound disc (CD) (48 min., 38 sec.) : digital, mono.
Reel R101
Making a film
Scope and Content Note
1 sound tape reel [missing].
Reel R102
Electric Raga in D, Tschudin
1971 Nov 12-13
Scope and Content Note
1 sound tape reel (2 hr., 6 min., 4 sec.) : analog, mono. ; 7 in. Original.
Written on box: "Electric Raga in D [illegible] good," and "12/93: no cassette copy made."
3 sound tape reels of 3 (2 hr., 6 min., 4 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
3 sound discs of 3 (CDs) (2 hr., 6 min., 4 sec.) : digital, mono. Copy master.
3 sound discs of 3 (CDs) (2 hr., 6 min., 4 sec.) : digital, mono. Use copy.
Reel R103
Train to Calcutta, part 1,
1970?
Scope and Content Note
1 sound tape reel (32 min.) : analog ; 7 1/2 ips, 7 in. Original.
Label on box: "Part 1 - Train to Calcutta." Sound track for film or video? Professional quality.
1 sound tape reel (32 min.) : analog ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (32 min.) : digital. Copy master.
1 sound disc (CD) (32 min.) : digital. Use copy.
Reel R104
Train to Calcutta, part 2,
1970?
Scope and Content Note
1 sound tape reel (27 min., 30 sec.) : analog ; 71/2 ips, 7 in. Original.
Label on box: "Part II - Train to Calcutta." Sound track for film or video? Professional quality.
1 sound tape reel (27 min., 30 sec.) : analog ; 71/2 ips, 7 in. Archival master.
1 sound disc (CD) (27 min., 30 sec.) : digital. Use copy.
Reel R105
Continuous train,
1970?
Scope and Content Note
1 sound tape reel (16 min., 30 sec.) : analog ; 3 3/4 ips, 7 in. Original.
Label on reel and box: "Continuous train." Tape sounds as though it consists of copied portions of tapes R103 and R104.
1 sound tape reel (16 min., 30 sec.) : analog ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (16 min., 30 sec.) : digital. Copy master.
1 sound disc (CD) (16 min., 30 sec.) : digital. Use copy.
Reel R106
Chandralekha,
1970?
Scope and Content Note
1 sound tape reel (20 min. 30 sec.) : analog ; 7 in. Original.
Label on box: "Chandra copy...."
1 sound tape reel (20 min., 30 sec.) : analog ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (20 min., 30 sec.) : digital. Copy master.
1 sound disc (CD) (20 min., 30 sec.) : digital. Use copy.
Reel R107
Ahmedabad birds,
1970?
Scope and Content Note
1 sound tape reel (1 hr.) : analog, mono. ; 3 3/4 ips, 7 in. Original.
Label on reel and box: "Ahmedabad birds..."
2 sound tape reels of 2 (1 hr.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CDs) (1 hr.) : digital, mono. Copy master.
2 sound discs of 2 (CDs) (1 hr.) : digital, mono. Use copy
Reel R108
Ahmedabad,
1970 Nov
Scope and Content Note
1 sound tape reel (54 min.) : analog, mono. ; 7 1/2 ips, 7 in. Original.
Label on reel and box: "Ahmedabad...Nov. 1970." Includes 1 p. typed letter from National Institute of Design in Ahmedabad,
Inda, with 1 p. list of tape contents.
2 sound tape reels of 2 (54 min.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CDs) (54 min.) : digital, mono. Copy master.
2 sound discs of 2 (CDs) (54 min.) : digital, mono. Use copy.
Reel R109
New York Collection for Stockholm: George Segal talking about Marcel Duchamp's "Etant Donné"
Scope and Content Note
1 sound tape reel : analog. Original. [missing]
Made into a record for New York Collection for Stockholm Portfolio. [Reel-to-reel tape is missing, i.e. not received from
E.A.T.; see Box 79 for phonograph record.]
Reel R145
Öyvind Fahlström, sounds for his film,
Kisses Sweeter Than Wine,
1966
Scope and Content Note
1 sound tape reel (49 min., 39 sec.) : analog, mono. ; 3 3/4 ips, 7 in. Original.
Labels on box: "EAT ART Öyvind Fahlström Collage tape with Swedish, English material from films, radio, plays, etc. Ref #
145." "DAT: 14/9 - 66.Ö.F.Film - New York." [See also C145]
1 sound tape reel (49 min., 39 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (49 min., 39 sec.) : digital, mono. Copy master.
1 sound disc (CD) (49 min., 39 sec.) : digital, mono. Use copy.
Klüver Talks and Lecture-Demonstration Series, (Reel-to-reel tapes)
ca. 1967-1968
Reel R146
Klüver talk, "Interface: Artists/Engineers," presented at MIT,
1967 Apr 21
Scope and Content Note
1 sound tape reel (4 min.) : analog, mono. ; 7 in. Original.
1 sound tape reel (4 min.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (4 min.) : digital, mono. Copy master.
1 sound disc (CD) (4 min.) : digital, mono. Use copy.
Reel R147
Klüver talk, Toronto,
1968
Scope and Content Note
1 sound tape reel : analog, mono. ; 7 1/2 ips, 7 in. Original.
Label on box: "Klüver talk at Toronto 1968, 147." Labels on reel: "Klüver #3 / Rub affairs" and "MASTER." [See also C147-C149]
1 sound tape reel : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
1 sound disc (CD) : digital, mono. Use copy.
Reel R148
Klüver talk, Toronto, dub for Sherman #1
1968,
Scope and Content Note
1 sound tape reel : analog, mono. ; 7 in. Original.
Label on reel: "Klüver #1: dub for Sherman / no. 1693." Label on box: "Klüver dub for Sherman Toton 1968 #1." [See also C147-C149]
1 sound tape reel : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
1 sound disc (CD) : digital, mono. Use copy.
Reel R149
Klüver talk, Toronto, (Dub #2 for Sherman)
1968,
Scope and Content Note
1 sound tape reel (32 min., 45 sec.) : analog, mono. ; 7 in. Original.
Label on box: "Klüver for Sherman Toronto 1968." Written on box: "Toronto 1968 BK [illegible] sounds systems, Good." [See
also C147-C149]
1 sound tape reel (32 min., 45 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (32 min., 45 sec.) : digital, mono. Copy master.
1 sound disc (CD) (32 min., 45 sec.) : digital, mono. Use copy.
Reel R150
Klüver talk at color convention,
undated
Scope and Content Note
1 sound tape reel (1 hr., 7 min., 45 sec.) : analog, mono. ; 3 3/4 ips, 7 in. Original.
2 sound tape reels of 2 (1 hr., 7 min., 45 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sounds discs of 2 (CDs) (1 hr., 7 min., 45 sec.) : digital, mono. Copy master.
2 sounds discs of 2 (CDs) (1 hr., 7 min., 45 sec.) : digital, mono. Use copy.
Reel R159
Ken Knowlton,
1968
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 7 in. Original.
Transcribed 1968 Apr 14.
4 sound tape reels of 4 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
2 sound discs of 2 (CDs) : digital, mono. Use copy.
Reel R160
Dr. Seymour Papert, Computer Language
Apr 1 [1968?]
Scope and Content Note
1 sound tape reel (2 hr., 2 min., 59 sec.) : analog, mono. ; 1 7/8 ips, 7 in. Original.
Written on box: "Property E.A.T. Dr. Seymour Papert, April 1st Computer Language."
2 sound tape reels of 2 (2 hr., 2 min., 59 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CDs) (2 hr., 2 min., 59 sec.) : digital, mono. Copy master.
2 sound discs of 2 (CDs) (2 hr., 2 min., 69 sec.) : digital, mono.
Reel R161
Dr. J.W. Sellers, Dissolving papers, lecture,
1968 Feb 26
Scope and Content Note
Transcribed 1968 Mar 28. Label on box: Dr. J.W. Sellers, Dissolving Papers." and "Dr. Sellers, Property E.A.T., Tape of lecture
given 2-26-68."
1 sound tape reel : analog, mono. ; 1 7/8 ips, 7 in. Original.
4 sound tape reels of 4 : analog, mono. ; 7 1/2 ips, 7in. Archival master.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
2 sound discs of 2 (CDs) : digital, mono. Use copy.
Reel R162
Stan Vanderbeek talk,
1968?
Scope and Content Note
1 sound tape reel (2 hr., 18 min.) : analog ; 7 in. Original.
"Transcribed Mar 12. Duplicate."
2 sound tape reels of 2 (2 hr., 18 min.) : analog ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (2 hr., 18 min.) : digital. Copy master.
2 sound discs of 2 (2 hr., 18 min.) : digital. Use copy.
Reel R163
Frank Winslow, Plastics #1 of 2,
1968 Feb 11
Scope and Content Note
1 sound tape reel (65 min., 21 sec.) : analog, mono. ; 1 7/8 ips, 7 in. Original.
Written on box: "2-11-68 Frank Winslow - Plastics #1 of 2 Transcribed - E.A.T. - 3/4/68." Label on box: "S. Winslow - 1."
1 sound tape reel (65 min., 21 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (65 min., 21 sec.) : digital, mono. Copy master.
1 sound disc (CD) (65 min., 21 sec.) : digital, mono. Use copy.
Reel R164
Frank Winslow, Plastics #2,
1968 Feb 11
Scope and Content Note
1 sound tape reel : analog, mono. ; 7 in. Original.
Label on box: "2-11-68, Frank Winslow, Plastics #2 of 2, Transcribed E.A.T. 3-5-68, Completed 3/6." Label on box spine: "S.
Winslow - 2." [See also R163]
1 sound tape reel : analog, mono. ; 7 1/2 ips, 7 in. Archival master. 2 reels??
1 sound disc (CD) : digital, mono. Copy master.
1 sound disc (CD) : digital, mono. Use copy.
Reel R165
Martha Turi #1,
1968?
Scope and Content Note
1 sound tape reel : analog, mono. ; 3 3/4 ips, 7 in. Original.
Transcribed 1968 Mar 19. Label on box: "165, #1 Martha Turi." Tape also includes voice of Rudy Marshall, producer of acrylics.
2 sound tape reels of 2 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
1 sound disc (CD) : digital, mono. Use copy.
Reel R166
Norman Nelson, Union Camp Co.
1968 Feb 27
Scope and Content Note
1 sound tape reel (72 min., 36 sec.) : analog, mono. ; 1 7/8 ips, 7 in. Original
Written on box: "Property of E.A.T. 1 of 1 Norman Nelson Union Comp. Co. - given 2-27 Transcribed 4-2-68 Sent to Speaker."
2 sound tape reels of 2 (72 min., 36 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CDs) (72 min., 36 sec.) : digital, mono. Copy master.
2 sound discs of 2 (CDs) (72 min., 36 sec.) : digital, mono. Use copy.
Reel R167
Dr. P. Bruins #1, Plastics-casting, molding and controls, held at Polytechnic Institute of Brooklyn,
1968 Feb 15
Scope and Content Note
1 sound tape reel : analog, mono. ; 3 3/4 ips, 7 in. Original.
Label on box: "Property of E.A.T., #1 of 2, plastics, Dr. P. Bruins..."
2 sound tape reels of 2 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
1 sound disc (CD) : digital, mono. Use copy.
Reel R168
Dr. Bruins, Plastics-casting, molding and controls, held at Polytechnic Institute of Brooklyn, #2 of 2,
1968 Feb 15
Scope and Content Note
1 sound tape reel (44 min., 13 sec.) : analog, mono. ; 3 3/4 ips, 7 in. Original.
1 sound tape reel (44 min., 13 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (44 min., 13 sec.) : digital, mono. Copy master.
1 sound disc (CD) (44 min., 13 sec.) : digital, mono. Use copy.
Reel R169
Herbert Bonhert (IBM), Computer poetry,
[1968?] Mar 31
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 7 in. Original.
5 sound tape reels of 5 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
2 sound discs of 2 (CDs) : digital, mono. Use copy.
Reel R170
Ron Baeker,
1968?
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 7 in. Original.
Labels on box: "Baeker" and "Ron Baecker, 1 1/2." Baeker shows a film for 12 min. and soundtrack can be heard in the distance.
4 sound tape reels of 4 : analog, mono. ; 7 1/2 ips, 7 in. Archival masters.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
2 sound discs of 2 (CDs) : digital, mono. Use copy.
Reel R171
Leon Harmon, Computer generated images,
1968 Mar 3
Scope and Content Note
1 sound tape reel (107 min., 22 sec.) : analog, mono. ; 1 7/8 ips, 7 in. Original.
Written on box: "Transcribed - 4.9.68 Property E.A.T. Leon Harmon - still images sent to speaker published."
2 sound tape reels of 2 (107 min., 22 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CDs) (107 min., 22 sec.) : digital, mono. Copy master.
2 sound discs of 2 (CDs) (107 min., 22 sec.) : digital, mono. Use copy.
Reel R172
Lou Kellem, TV Equipment and Capabilities,
[1968] Feb 18
Scope and Content Note
1 sound tape reel (61 min., 13 sec.) : analog, mono. ; 3 3/4 ips, 7 in. Original.
Written on box: "Lou Kellem T.V. Equipment + Capabilities 2-18 Transcribed Property Experiments in Art and Technology 3-29."
1 sound tape reel (61 min., 13 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (61 min., 13 sec.) : digital, mono. Copy master.
1 sound disc (CD) (61 min., 13 sec.) : digital, mono. Use copy.
Reel R173
Bennett talk,
undated
Scope and Content Note
1 sound tape reel (83 min., 30 sec.) : analog, mono. ; 1 7/8 ips, 5 in. Original.
2 sound tape reels of 2 (83 min., 30 sec.) : analog, mono. ; 7 1/2 ips, 5 in. Archival master.
2 sound discs of 2 (CDs) (83 min., 30 sec.) : digital, mono. Copy master.
2 sound discs of 2 (CDs) (83 min., 30 sec.) : digital, mono. Use copy.
Reel R174
Evans talk,
undated
Scope and Content Note
1 sound tape reel (81 min., 42 sec.) : analog, mono. ; 1 7/8 ips, 5 in. Original.
2 sound tape reels of 2 (81 min., 42 sec.) : analog, mono. ; 7 1/2 ips, 5 in. Archival master.
2 sound discs of 2 (CDs) (81 min., 42 sec.) : digital, mono. Copy master.
2 sound discs of 2 (CDs) (81 min., 42 sec.) : digital, mono. Use copy.
Reel R175
Benson,
1968?
Scope and Content Note
1 sound tape reel : analog, mono. ; 5 in. Original.
4 sound tape reels of 4 : analog, mono. ; 7 1/2 ips, 7 in. Archival masters.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
2 sound discs of 2 (CDs) : digital, mono. Use copy.
Reel R176
Seeley #1,
1968?
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
2 sound tape reels of 2 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
1 sound disc (CD) : digital, mono. Use copy.
Reel R177
Letvin #1,
undated
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
1 sound tape reel : analog, mono. ; 7 1/2 ips, 5 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
1 sound disc (CD) : digital, mono. Use copy.
Reel R177a
Seeley #2,
1968?
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
2 sound tape reels of 2 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
1 sound disc (CD) : digital, mono. Use copy.
Reel R178
Towndorf,
1968?
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
3 sound tape reels of 3 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CD) : digital, mono. Copy master.
2 sound discs of 2 (CD) : digital, mono. Use copy.
Reel R179
Harris,
1968?
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
4 sound tape reels of 4 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
2 sound discs of 2 (CDs) : digital, mono. Use copy.
Reel R180
Hunter,
1986?
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
4 sound tape reels of 4 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
2 sound discs of 2 (CDs) : digital, mono. Use copy.
Reel R181
Letvin #1,
1968?
Scope and Content Note
1 sound tape reel : analog. Original.
Not reformatted. [See R177?]
Reel R182
Letvin #2,
1968?
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
2 sound tape reels of 2 : analog, mono. ; 7 1/2 ips, 5 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
1 sound disc (CD) : digital, mono.
Reel R183
Robert Anderson,
1968?
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
3 sound tape reels of 3 : analog, mono. ; 7 1/2 ips, 5 in. Archival master.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
2 sound discs of 2 (CDs) : digital, mono. Use copy.
Reel R184
R. Feller,
1968?
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
3 sound tape reels of 3 : analog, mono. ; 7 1/2 ips, 5 in. Archival master.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
2 sound discs of 2 (CDs) : digital, mono. Use copy.
Reel R185
Kogelnik,
1968?
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
3 sound tape reels of 3 : analog, mono. ; 7 1/2 ips, 5 in. Archival master.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
2 sound discs of 2 (CDs) : digital, mono. Use copy.
Klüver Talks and lecture-demonstration series (reel-to-reel tapes),
ca. 1966-1971
Reel R186
John Krauskopf talk #1,
undated
Scope and Content Note
1 sound tape reel (65 min., 55 sec.) : analog, mono. ; 1 7/8 ips, 5 in. Original.
2 sound tape reels of 2 (65 min., 55 sec.) : analog, mono. ; 7 1/2 ips, 5 in. Archival master.
2 sound discs of 2 (CDs) (65 min., 55 sec.) : digital, mono. Copy master.
2 sound discs of 2 (CDs) (65 min., 55 sec.) : digital, mono. Use copy.
Reel R187
John Krauskopf talk #2,
undated
Scope and Content Note
1 sound tape reel (62 min., 36 sec.) : analog, mono. ; 1 7/8 ips, 5 in. Original.
1 sound tape reel (62 min., 36 sec.) : analog, mono. ; 7 1/2 ips, 5 in. Archival master.
1 sound disc (CD) (62 min., 36 sec.) : digital, mono. Copy master.
1 sound disc (CD) (62 min., 36 sec.) : digital, mono. Use copy.
Reel R188
E.A.T. meeting / E.A.T. history,
1966 Nov 30
Scope and Content Note
1 sound tape reel (111 min., 28 sec.) : analog ; 7 in. Original.
2 sound tape reels of 2 (111 min., 28 sec.) : analog ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CDs) (111 min., 28 sec.) : digital. Copy master.
2 sound discs of 2 (CDs) (111 min., 28 sec.) : digital. Use copy.
Reel RU01
E.A.T. history / Unidentified talk on acrylics,
undated
Scope and Content Note
1 sound tape reel (45 min., 55 sec.) : analog ; 7 in. Original.
Track 1: Narration about EAT with music (11:52); Track 2: Unidentified talk on acrylics (34:03). Original tape unnumbered.
1 sound tape reel (45 min., 55 sec.) : analog ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (45 min., 55 sec.) : digital. Copy master.
1 sound disc (CD) (45 min., 55 sec.) : digital. Use copy.
Sound cassettes,
ca. 1967-1971
Scope and Content Note
Cassettes are original recordings and copies of the 7 in. reel-to-reel recordings. Cassettes were numbered by E.A.T., and
some cassettes hold multiple recordings. Tapes record materials relating to 9 Evenings, Pepsi Pavilion, other projects, meetings,
lectures, symposia.
Reformatted versions are described below the originals, but are shelved separately.
Cassette C1 & C6
Alfons Schilling, Hay and Whitman interviews
Scope and Content Note
1 sound cassette of 1. Original.
Side A: Alex Hay interview with Alfons Schilling [See also R6]. Side B: Schilling and Whitman interview on telephone [See
also R1].
3 sound tape reels of 3 : analog ; 7 /12 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C2-C4
Material for Schilling film on 9 Evenings
Scope and Content Note
1 sound cassette : analog. Original.
Side A: Schilling JSNE3 and JSEN2 [See also R4, R3]. Side B: Schilling JSNE1 [See also R2].
2 sound tape reels of 2 : analog ; 7/12 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C5 & C29
Material for Schilling film on 9 Evenings and R. Whitman
Scope and Content Note
1 sound cassette : analog. Original.
Side A: Whitman: 2 holes of water [See also R29]. Side B: Interviews / Schilling sound [See also R5].
3 sound tape reels of 3 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C7 & C30
Alex Hay; Lucinda Childs
Scope and Content Note
1 sound cassette : analog. Original.
Side A: Lucinda Childs sound [See also R30]. Side B: Alex Hay performance (C7; see R7). .
3 sound tape reels of 3 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C8 & C9
Interview with Steve Paxton, ; Greta Garbo, Debbie Drake,
15 Nov 1971 n.d
Scope and Content Note
1 sound cassette : analog. Original.
Side A: no label, Side B: no label. On insert: EAT Paxton Sound Loop tapes Ref 8 and 9 [See also R8 and R9]
4 sound tape reels of 4 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C10 & C13
Steve Paxton sound from 9 evenings,
undated, 1966 Sep 8
Scope and Content Note
1 sound cassette : analog. Original.
Side A: Paxton Strange Wills [See also R10]. Side B: Stop smoking, Isometrics, John Glenn [See also R13].
4 sound tape reels of 4 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C12
Steve Paxton 9 evenings loop tapes
Scope and Content Note
1 sound cassette : analog. Original.
Side A: Paxton 9 evenings loop tapes. Side B: Loop tapes cont. [See below cassette tape and R12].
3 sound tape reels of 3 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C12 & C20-C22
Fahlström 9 evenings
Scope and Content Note
1 sound cassette : analog. Original.
Side A: Fahlström #12 tape cont. [C12, cont.; see above cassette and R12]. Side B: Shanghai, Fine and You, Brando [See also
R20, R21, R22].
3 sound tape reels of 3 : analog ; 7 /12 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C15? & C16?
David Tudor "Bandoneon," Fahlström interview two years later (#16), shortsound 15-16 and loop tapes
Scope and Content Note
1 sound cassette : analog. Original.
Cassette C15 & C37
David Tudor "Bandoneon" and John Cage: Variations VII, part III (#37)
Scope and Content Note
1 sound cassette : analog. Original.
Side A: Tudor - Bandoneon! [See also R15??]. Side B: Cage Variations VII Part III.
2 sound tape reels of 2 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C17
Voice of American French Service on 9 Evenings, with Fahlström interview (French)
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT VOA French Service 9 Eves, Side B: no label [See also R17]
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
1 sound disc (CD) : digital. Use copy.
Cassette C23-1
Fahlström short piece of speech, 1 of 2
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT 9E Fahlström speech 1 7/8 to 3 3/4 to cassette Ref 23, Side B: no label [See also R23.]
1 sound tape reel : analog ; 7 /12 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
1 sound disc (CD) : digital. Use copy.
Cassette C23-2
Fahlström speech, 2 of 2
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT 9E Fahlström speech Sanyo copy Ref 23, Side B: no label. [See also cassette C23-1 above, and R23.] Typed on insert:
EAT 9E Fahlström speech Ref #23 3 3/4 cassette recorded on Sanyo transcriber at slowest speed.
1 sound tape reel : analog ; 7 /12 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
1 sound disc (CD) : digital. Use copy.
Cassette C26a-1
Schilling interview with Öyvind Fahlström and Yvonne Rainer,
undated
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT Schilling w/ Rainer + Fahlström, Side B: Schilling w/ Rainer + Fahlström [Side B is blank]. Typed on insert: EAT
Schilling Interview with Yvonne Rainer and Öyvind Fahlström REf #26a.
2 sound tape reels of 2 : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
1 sound disc (CD) : digital. Use copy.
Cassette C26a-2
Interview with Öyvind Fahlström and Robert Breer,
1967 Mar 3
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT 9E Interview w O. Fahlström and Robert Breer 3/3/67, Side B: EAT 9E Interview w O. Fahlström and Robert Breer
3/3/67. Typed on insert: EAT 9E Inerview with Öyvind Fahlström and Robert Breer 3/3/67 Ref #26a.
2 sound tape reels of 2 : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
1 sound disc (CD) : digital. Use copy.
Cassette C27 & C28
Interview with Bob Whitman by Simone Forti and R. Whitman interview fragments,
1966 Mar 27 undated
Scope and Content Note
1 sound cassette (ca. 77 min., 19 sec.): analog. Original.
Side A: EAD S. Whitman Interview Fragments [See also R27]. Side B: EAT Simone Whitman Int w R. Whitman [See also R28]. Paper
insert: "EAT Simone [Forti] Whitman Interview with Robert Whitman 3/27/66 REf # 27 9 Evenings 1/1" and "EAT Simone Whitman
Interview Fragments with various people including Robert Rauschenberg, Ref #28 9 Evenings 1/1."
3 sound tape reels of 3 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (C27: 44 min., 19 sec.; C28: 33 min.)(CDs) : digital. Copy master [C27, C28].
2 sound discs of 2 (C27: 44 min., 19 sec.; C28: 33 min.)(CDs) : digital. Use copy [C27, C28].
Cassette C31
Lucinda Child's first performance,
1970?
Scope and Content Note
1 sound cassette (ca. 40 min., 5 sec.) : analog. Original.
Side A: EAT L. Childs sound - 1st perf. Side B: EAT L. Childs cont. Paper insert: "EAT Lucinda Childs sound from 1st performance
9 Evenings Ref # 31." [See also R31].
3 sound reels of 3 (ca. 40 min., 5 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (ca. 40 min., 5 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (ca. 40 min., 5 sec.) (CDs) : digital. Use copy.
Cassette C14 & C32
Deborah Hay/Toshi piece; 18 Names Rauschenberg's opening scene
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT Deborah Hay / Toshi piece [C14?; see also R14?], Side B: EAT Rauschenberg 18 names [see also R32 which does not
completely correspond]. Paper insert: "EAT Deborah Hay/Toshi piece Rauschenberg 18 names #32. . .Toshi Ichiyanagi 'Funakakushi'
for Deborah Hay piece 9 Eves Conversation in Japanese B: 18 names from tape for Rauschenberg Open Score #32."
2 sound tape reels of 2 (C14: 20 min., 8 sec.; C32 Side B: 1 min., 50 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (C14: 20 min., 8 sec.; C32 Side B: 1 min., 50 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (C14: 20 min., 8 sec.; C32 Side B: 1 min., 50 sec.) (CDs) : digital. Use copy.
Cassette C33 & C34
John Cage,
1966 Oct 16
Scope and Content Note
1 sound cassette (ca. 83 min., 11 sec.) : analog. Original.
Side A: EAT Cage 1st performance, Side B: EAT Cage Two Mikes...." Paper insert: "EAT 9E A: Cage 1st night's performance Ref
34 B: Cage - Two mikes 40 feet apart in balcony of Armory original Ref # 33."
3 sound tape reels of 3 (ca. 83 min., 11 sec.): analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (C33 Side B: 48 min., 55 sec.; C34 Side A: 34 min. 16 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (C33: 48 min., 55 sec.; C34: 34 min. 16 sec.) (CDs) : digital. Use copy.
Cassette C33 & C34
John Cage,
16 Oct 1966
Scope and Content Note
1 sound cassette : analog. Original.
Same as C33 & C34 above. Not reformatted.
Cassette C35 & C36
John Cage Variation VII, part I and part II
Scope and Content Note
1 sound cassette (ca. 68 min., 11 sec.) : analog. Original.
Side A: EAT Cage Variations VII, Part I (C35), Side B: EAT Cage Variations VII, Part II (C36).
2 sound tape reels of 2 (ca. 68 min., 11 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (C35: 33 min., 53 sec.; C36: 34 min., 18 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) (C35: 33 min., 53 sec.; C36: 34 min., 18 sec.) : digital. Use copy.
Cassette C38
Robbie Robinson interview,
1966 Sep 14
Scope and Content Note
1 sound cassette (ca. 56 min., 37 sec.) : analog. Original.
Side A: S. Whitman Int. Robinson 1/1, Side B: R. Robinson Int. cont. 1/1. Paper insert: "EAT 9E Simone Whitman Interview with
Robbie Robinson 9/16/66 Ref #38 9 Evenings 1/1." [See also R37]
3 sound tape reels of 3 (ca. 56 min., 37 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) (ca. 56 min., 37 sec.) : digital. Copy master.
2 sound discs of 2 (CDs) (ca. 56 min., 37 sec.) : digital. Use copy.
Harriet DeLong interviews about 9 Evenings
Cassette C39
Colonel Lutz; Alfons Schilling,
undated
Scope and Content Note
1 sound cassette (3 min., 58 sec.) : analog. Original.
Side A: EAT 9E Harriet DeLong Interview with Colonel Luitz on telephone incomplete, Side B: EAT 9E Harriet DeLong interview
w Alfons Schilling Inaudible. Paper insert: "EAT 9E A: Harriet DeLong telephone interview with Colonel Lutz at 69th Regiment
Armory B: Harriet DeLong interview with Alfons Schilling Ref #39 Inaudible." [Note: reformatting adjusted the sound quality
so that interviews may be heard.]
1 sound tape reel (3 min., 58 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) (3 min., 58 sec.) : digital. Copy master.
1 sound disc (CD) (3 min., 58 sec.) : digital. Use copy.
Cassette C40
Interview with John Pierce (Bell Telephone Laboratories), and with Bob Breer,
1973 Jan 31 1973 Feb 2
Scope and Content Note
1 sound cassette (28 min., 30 sec.) : analog. Original.
Side A: EAT 9E Harriet DeLong Interview with John Pearce 1/31/73," Side B: EAT 9E Harriet DeLong Interview with Robert Breer
2/2/73." Paper insert: "EAT 9E A: Harriet DeLong Interview with John Pearce BTL 1/31/73 Ref #40 EAT 9E B: Harriet DeLong Interviw
with Robert Breer 2/2/73 Ref #40."
2 sound tape reels of 2 (28 min., 30 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (28 min., 30 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (28 min., 30 sec.) (CDs) : digital. Use copy.
Cassette C41
Fujiko Nakaya,
1973 Jan 30-31?
Scope and Content Note
1 sound cassette (26 min., 15 sec.) : analog. Original.
Side A: EAT 9E Harriet DeLong interview w. Fujiko Nakaya 1/30/73, Ref #41. Side B: EAT 9E Harriet DeLong interview w. Fujiko
Nakaya 1/30/73 Ref #42. Paper insert: "EAT 9E A: Harriet DeLong interview with Fujiko Nakaya 1/31/73 Ref #41 EAT 9E B: Harriet
DeLong Interview with Fujiko Nakaya 1/30/73 Ref #41."
2 sound tape reels of 2 (26 min., 15 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (26 min., 15 sec.) : digital. Copy master.
2 sound discs of 2 (26 min., 15 sec.) : digital. Use copy.
Cassette C42
Per Biorn,
undated
Scope and Content Note
1 sound cassette (14 min. 59 sec.) : analog. Original.
Side A: EAT 9E Harriet DeLong Interview with Per Biorn Ref #42. Side B: blank label. Paper insert: "EAT 9E AL Harriet DeLong
Interview with Per Biorn Ref #42."
1 sound tape reel (14 min. 59 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (14 min. 59 sec.) (CD) : digital. Copy master.
1 sound disc (14 min. 59 sec.) (CD) : digital. Use copy.
Cassette C43
John Giorno and Trisha Brown,
1973, Feb 11
Scope and Content Note
1 sound cassette (18 min., 43 sec.) : analog. Original.
Side A: EAT 9E Harriet DeLong interview w. John Giorno 2/11/73. Side B: EAT 9E Harriet DeLong interview with Trisha Brown.
2 sound tape reels of 2 (18 min., 43 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (18 min., 43 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (18 min., 43 sec.) (CDs) : digital. Use copy.
Cassette C44
Sue Hartnett,
undated
Scope and Content Note
1 sound cassette (5 min.) : analog. Original.
Side 1: EAT 9E Harriet DeLong interview with Sue Hartnett Ref #44. Side 2: no label.
1 sound tape reel (5 min.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (5 min.) (CD) : digital. Copy master.
1 sound disc (5 min.) (CD) : digital. Use copy.
Cassette C45
Markers - from Schilling's film,
undated
Scope and Content Note
1 sound cassette (20 min.) : analog. Original.
Side 1: EAT 9E Soundtrack - Alfons Schilling film Ref #45. Side 2: blank label.
1 sound tape reel (20 min.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (20 min.) (CD) : digital. Copy master.
1 sound disc (20 min.) (CD) : digital. Use copy.
Cassette C46
JED #1
Scope and Content Note
1 sound cassette (38 min., 40 sec.) : analog. Original.
Side A: EAT Tape labeled JED #1 Broken and tape off reel Ref #46. Side B: blank label. [Note: reformatter rewound tape and
recovered the sound. Does this relate to Jed Bark interview?]
2 sound tape reels of 2 (38 min., 40 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (38 min., 40 sec.) (CD) : digital. Copy master.
1 sound disc (38 min., 40 sec.) (CD) : digital. Use copy.
Cassette C47
9 Evenings reel 5,
1993 Jun 6
Scope and Content Note
1 sound cassette [missing, i.e. not received from E.A.T.]
Cassette C52 & C58
David Tudor, and Clam room sounds,
1970 Apr 6 1970 Apr 9
Scope and Content Note
1 sound cassette (: analog. Original.
Side A: EAT Tuddor [sic] at Console 4/6/70. Side B: EAT Clam Room/Pauline Oliveros. Paper insert: "EAT Pavilion related tapes
A: D. Tudor at Console 4/6/70 Ref #52 Pavilion B: Sounds in the Clam Room Ref #58 4/9/70
3 sound tape reels of 3 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Pepsi Pavilion,
ca. 1969-1975
Cassette C53 & C54
David Tudor at Pepsi Pavilion,
1970
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT PAV David Tudor at Pepsi Pavilion 1970 Mrked Sony #3. Side B: EAT PAV David Tudor at Pepsi Pavilion 1970 Tudor
Sony #4. Paper insert: "EAT PAV David Tudor at Pepsi Pavilion Spring 1970 Marked Sony #3 #53" and "EAT PAV David Tudor at
Pepsi Pavilion Spring 1970 Marked Tudor Sony #4 #54."
2 sound tape reels of 2 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C55 & C56
David Tudor at Pavilion,
1970
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT PAV David Tudor at Pepsi Pavilion 1970 Marked Sony #5. Side B: EAT PAV David Tudor at Pepsi Pav. 1970 Sony 4-track
Stereo. Paper insert: "EAT PAV David Tudor at Pepsi Pavilion Spring 1970 #55 Marked Sony #5" and "EAT PAV David Tudor at Pepsi
Pavilion Sprint 1970 Marked Sony 40track stereo not in box Tails out #56."
2 sound tape reels of 2 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C60
Nilo Lindren interview with Ardison Phillips Part 1,
1970 Jan 9
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT Pav Nilo Lindgren interview with Ardison Phillips Part 1. Side B: blank label. Paper insert: "EAT Pav A: Nilo
Lindgren interview with Ardison Phillips 1/9/70 Ref # 60 1 of 2, A: Interview with Ardison, B: Recording of children playing."
2 sound tape reels of 2 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C61
Nilo Lindgren interview with Ardison Phillips Part 2,
1970 Jan 9
Scope and Content Note
1 sound cassette : analog. Original.
Side 1: EAT Pav B: Nilo Lindgren interview with Ardison Phillips Part 2. Side 2: Nilo Lindgren interview with Ardison Phillips
Part 2. Paper insert: EAT Pav A: Nilo Lindgren interview with Ardison Phillips 1/9/70 Ref #61, 2 of 2."
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
1 sound disc (CD) : digital. Use copy.
Cassette C62
Artist / Engineer Programming Meeting #1,
1969 Nov 8
Scope and Content Note
1 sound cassette : analog. Original.
Side A and B have same labels: EAT Pavilion Artist / Engineer Programming Meeting, 1 of 2. Paper insert: "EAT Pavilion: Meeting
Larry Owens, Fred Waldhauer, Peter Poole, etc. with artists to describe sound and light control system, 11/8/69, Ref #62,
1 of 2."
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
1 sound disc (CD) : digital. Use copy.
Cassette C63-1
Artist / Engineer Programming meeting #2,
1969 Nov 8
Scope and Content Note
1 sound cassette : analog. Original.
Side A and B labels: EAT Pavilion Artist / Engineer Programming Meeting, 2 of 2. Paper insert: "EAT Pavilion: Meeting Larry
Owens, Fred Waldhauer, Peter Poole, etc. with artists to describe sound and light control system, 11/8/69, Ref #63, 2 of 2."
[See also C63-2]
1 sound tape reel of 2 : analog ; 7 1/2 ips. Archival master.
1 sound disc of 2 (CD) : digital. Copy master.
1 sound disc of 2 (CD) : digital.
Cassette C63-2
Artist / Engineer Programming meeting #2,
1969 Nov 8
Scope and Content Note
1 sound cassette : analog. Original.
Side A and B labels: EAT Pavilion Artist / Engineer Programming Meeting, 2 of 2. Paper insert: "EAT Pavilion: Meeting Larry
Owens, Fred Waldhauer, Peter Poole, etc. with artists to describe sound and light control system, 11/8/69, Ref #63, 2 of 2."
[See also C63-1]
1 sound tape reel of 2 : analog ; 7 1/2 ips. Archival master.
1 sound disc of 2 (CD) : digital. Copy master.
1 sound disc of 2 (CD) : digital.
Cassette C64
Pavilion concert,
1970
Scope and Content Note
1 sound cassette : analog. Original.
Cassette C65
Nilo Lindgren interview with Larry Owens #1,
1969 Oct 8
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT Pav Nilo Lindgren interview with Larry Owens, Part 1. Side B: EAT Pav Nilo Lindgren interview with Larry Owens,
Part 2. Label on box: "EAT Pav Nilo Lindren interview with Larry Owens 10/8/1969, Ref #65, A: Part 1, B: Part 2."
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
1 sound disc (CD) : digital. Use copy.
Cassette C66
Nilo Lindgren interview with Larry Owens #2,
1969 Oct 8
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT Pav Nilo Lindgren interview with Larry Owens, Part 3. Side B: EAT Pav Nilo Lindgren interview with Larry Owens,
Part 4. Label on box: "EAT Pav Nilo Lindren interview with Larry Owens 10/8/1969, Ref #66, A: Part 3 (very litle on it), B:
Part 4."
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
1 sound disc (CD) : digital. Use copy.
[Plus use copy and DAT master made Feb 1998.]
Cassette C67
Takenaka - Pepsi - E.A.T., Part 1,
1969 Jun 28
Scope and Content Note
1 sound cassette : analog. Original.
Side 1: EAT Takenaka - Pepsi - E.A.T. 6/28/69 Part 1. Side 2: Empty. Label on box: "EAT A: Takenaka - Pepsi - E.A.T., 6/28/69
Royal Hotel, Part 1, Ref #67, 1 of 2, B: Empty."
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
1 sound disc (CD) : digital. Use copy.
Cassette C68
Takenaka - Pepsi - E.A.T., Part 2,
1969 Jun 28-29
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT/BK [Billy Klüver] Press Interview with Japanese journalist, 6/28/69. Side B: Takenaka - Pepsi - E.A.T. 6/28/69,
Part 2. Label on box: "EAT/BK A: Press interview with Japanese journalist, Fujiko Nakaya translating 6/29/69, Ref 68" and
"EAT B: Takenaka - Pepsi - E.A.T., 6/28/69 Royal Hotel, Part 2, Ref #68, 2 of 2."
2 sound tape reels of 2 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital.
Cassette C69
E.A.T. meeting on mirror panels,
ca. 1969
Scope and Content Note
1 sound cassette : analog. Original.
Side A and B labels: EAT Pav Meeting on Mirror Panels. Paper insert: "EAT Pav Meeting to discuss Mirror Panels construction
Ref #69."
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
1 sound disc (CD) : digital. Use copy.
Cassette C70
Pavilion, Santa Ana mirror installation,
ca. 1969/1970
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT Pavilion: recorded at Santa Ana Mirror Installation. Side B: Empty. Paper insert: EAT A: Pavilion: recorded at
Santa Ana Air Base Mirror Installation, Ref #70, B: Empty."
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound tape reel (CD) : digital. Copy master.
1 sound tape reel (CD) : digital. Use copy.
Cassette C71
EAT Snow - Nakaya Japan / Top Hat Parts, Top Hat parts
1975 Jan,
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT Snow - Nakaya Japan. Jan 1975 / Top Hart Parts & Ardison Ref 71. Side B: blank label. Box annotation: "EAT snow
- Nakaya Japan. Jan 1975/Top Hat Parts, Also Ardison Ref #71, Tape Broken and off reel."
2 sound tape reels : analog ; 7 1/2 ips. Archival master.
2 sound discs (CDs) : digital. Copy master.
2 sound discs (CDs) : digital. Use copy.
Cassette C72
Nilo Lindgren interview with Billy Klüver,
1970 Jan 8
Scope and Content Note
1 sound cassette : analog. Original.
Side A and B labels: EAT Pav Nilo Lindgren interview with Billy Klüver Jan 8 70. Paper insert: "...Ref #72."
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
1 sound disc (CD) : digital. Use copy.
[Plus use copy and DAT master made Feb 1998.]
Cassette C73
Meyer Shapiro talks with Billy Klüver on the telephone,
1970 Jan 20
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT/BK Klüver interview with Meyer Schapiro 1/20/70. Side B: Empty. Paper insert: "#73."
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
1 sound disc (CD) : digital. Use copy.
Cassette C73a
David Tudor at Pepsi Pavilion (PepsiBird??),
1970?
Scope and Content Note
1 sound cassette. [received?]
Cassette C74-C77
Interviews with various artists and engineers on Pepsi Pavilion, for Billy Klüver's talk on Pavilion,
1990 Aug
Cassette C74
Billy Klüver interviews, include Waldhauer, 1 of 4
Scope and Content Note
1 sound cassette (46 min., 26 sec.) : analog. Original.
Side A and B labels: EAT PAV Klüver interviews 8/90 includes Waldhauer 1 of 4. Paper insert: "EAT PAV Klüver interviews with
artists and engineers on Pavilion August 1990: includes Waldhauer Ref #74 1 of 4."
1 sound tape reel (46 min., 26 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (46 min., 26 sec.) (CD) : digital. Copy master.
1 sound disc (46 min., 26 sec.) (CD) : digital. Use copy.
Cassette C75
Billy Klüver interviews, Waldhauer, Breer, Garmire, 2 of 4
Scope and Content Note
1 sound cassette (92 min., 43 sec.) : analog. Original.
Side A and B labels: EAT PAV Klüver interviews 8/90 Waldhauer, Breer, Garmire 2 of 4. Paper insert: "...Ref #75 2 of 4."
2 sound tape reels of 2 (92 min., 43 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) (92 min., 43 sec.) : digital. Copy master.
2 sound discs of 2 (CDs) (92 min., 43 sec.) : digital. Use copy.
Cassette C76
Billy Klüver interviews, includes Garmire, 3 of 4
Scope and Content Note
1 sound cassette (89 min., 57 sec.) : analog. Original.
Side A: EAT PAV Klüver interviews 8/90 includes Garmire 3 of 4. Side B: EAT PAV Klüver interviews 8/90 includes Van't Slot
3 of 4. Paper insert: "EAT PAV Klüver interviews with artists and engineers on Pavilion August 1990: A: Garmire B: Van't Slot
Ref #76 3 of 4."
2 sound tape reels of 2 (89 min., 57 sec.) : analog ; 7/2 ips. Archival master.
2 sound discs of 2 (89 min., 57 sec.) (CD) : digital. Copy master.
2 sound discs of 2 (89 min., 57 sec.) (CD) : digital. Use copy.
Cassette C77
Billy Klüver interviews, includes Whitman, 4 of 4
Scope and Content Note
1 sound cassette (62 min., 46 sec.) : analog. Original.
Side A and B labels: EAT PAV Klüver interviews 8/90 includes Whitman. Paper insert: "...Ref 77 4 of 4."
1 sound tape reel (62 min., 46 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (62 min., 46 sec.) (CD) : digital. Copy master.
1 sound disc (62 min., 46 sec.) (CD) : digital. Use copy.
Cassette 78-154D
E.A.T. meetings, conferences, other projects
Cassette C78-1
Homage to E.A.T., 1 of 2,
1967 Feb 18
Scope and Content Note
1 sound cassette (92 min., 35 sec.) : analog. Original.
Side A: EAT Planning YMHA Homage to E.A.T. 1/2. Side B: no label. Paper insert: "...Ref 78 2/18/76 1/2."
2 sound tape reels of 2 (92 min., 35 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (92 min., 35 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (92 min., 35 sec.) (CDs) : digital. Use copy.
Cassette C78-2
Homage to E.A.T., 2 of 2,
1967 Feb 18
Scope and Content Note
1 sound cassette (39 min., 09 sec.) : analog. Original.
Side A: EAT Planning YMHA Homage to E.A.T. 2/2. Side B: no label. Paper insert: "...Ref 78 2/18/76 2/2."
1 sound tape reel (39 min., 09 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (39 min., 09 sec.) (CD) : digital. Copy master.
1 sound disc (39 min., 09 sec.) (CD) : digital. Use copy.
Cassette C78a-1
E.A.T. meeting, 1 of 2,
1966 Nov 30
Scope and Content Note
1 sound cassette (87 min., 27 sec.) : analog. Original.
Side A and Side B labels: EAT meeting 11/30/66 1 of 2. Paper insert: "...Ref 78A 1 of 2."
2 sound tape reels of 2 (87 min., 27 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (87 min., 27 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (87 min., 27 sec.) (CDs) : digital. Use copy.
Cassette C78a-2 & C84
E.A.T. meeting, 2 of 2, ; Claudio Badal E.A.T. News article regarding collaboration,
1966 Nov 30 undated
Scope and Content Note
1 sound cassette (56 min., 32 sec.) : analog. Original.
Side A: EAT meeting 11/30/66 2 of 2. Side B: Tedona/Allerot/Leeman collaboration. Paper insert: "EAT A: E.A.T. meeting 11/30/66
Ref 78A 2 of 2; B: Claudio Badal E.A.T. News article: Process of talks on Artist project: W.G. Leeman, Bob Allerot, Tony Tedona
on ring counter voice activated microphone Ref 84 1 of 1." [See also R84.]
1 sound tape reel (56 min., 32 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (56 min., 32 sec.) (CD) : digital. Copy master.
1 sound disc (56 min., 32 sec.) (CD) : digital. Use copy.
Cassette C79
Billy Klüver WBAI talk,
1967 Jun 28
Scope and Content Note
1 sound cassette (92 min., 48 sec.) : analog. Original.
Side A: BK WBAI Talk 6/28/1967. Side B: no label. Paper insert: "...Ref 79 1/1."
2 sound tape reels of 2 (92 min., 48 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (92 min., 48 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (92 min., 48 sec.) (CDs) : digital. Use copy.
Cassette C85
Julie Martin and Claudio Badal interview with Jerry Marks,
1968 Jun 12
Scope and Content Note
1 sound cassette (43 min., 43 sec.) : analog. Original.
Side A: EAT Julie Martin/Claudio Badal Int w. Jerry Marks 6/12/68. Side B: no label. Paper insert: "...Ref #85." [See also
R85; partial contents?]
1 sound tape reel (43 min., 43 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (43 min., 43 sec.) (CD) : digital. Copy master.
1 sound disc (43 min., 43 sec.) (CD) : digital. Use copy.
Cassette C86 & C103
Train to Calcutta; Tracey Kinsel and John Anthes,
undated
Scope and Content Note
1 sound cassette (56 min., 29 sec.) : analog. Original.
Side A: EAT Train to Calcutta Part 1. Side B: T. Kinsel and J. Anthes. Paper insert: EAT A: Train to Calcutta Ref 103 B: Tracy
Kinsel, engineer, and John Anthes, artist, who collaborated on a project. Interview for E.A.T. News. Ref 86." [See also R86,
R103.]
1 sound tape reel (56 min., 29 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (56 min., 29 sec.) (CD) : digital. Copy master.
1 sound disc (56 min., 29 sec.) (CD) : digital. Use copy.
Cassette C87
E.A.T. Local Group conference, 1 of 3,
1968 Jun 22
Scope and Content Note
1 sound cassette (183 min., 45 sec.) : analog. Original.
Side A: EAT Local Group Conference 1 of 3 Sanyo copy. Side B: no lable. Paper insert: "...Ref 87 3 3/4 cassette recorded on
Sanyo transcriber at slowest speed 1 of 3." [See also R87]
3 sound tape reels of 3 (183 min., 45 sec.) : analog ; 7 1/2 ips. Archival master.
3 sound discs of 3 (183 min., 45 sec.) (CDs) : digital. Copy master.
3 sound discs of 3 (183 min., 45 sec.) (CDs) : digital. Use copy.
Cassette C88
E.A.T. Local Group conference, 2 of 3,
1968 Jun 22
Scope and Content Note
1 sound cassette (37 min., 56 sec.) : analog. Original.
Side 1: EAT Local Group Conference 2 of 3 Sanyo copy. Side 2: no label. Paper insert: "...Ref 88 3 3/4 cassette recorded on
Sanyo transcriber at slowest speed 2 of 3." [See also R88]
1 sound tape reel (37 min., 56 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (37 min., 56 sec.) (CD) : digital. Copy master.
1 sound disc (37 min., 56 sec.) (CD) : digital. Use copy.
Cassette C89
E.A.T. Local Group conference, 3 of 3,
1968 Jun 22
Scope and Content Note
1 sound cassette (185 min.) : analog. Original.
Side 1: EAT Local Group Conference Sanyo copy. Side 2: no label. Paper insert: "...Ref 89 3 3/4 cassette recorded on Sanyo
transcriber at slowest speed 3 of 3." [See also R89]
4 sound tape reels of 3 (185 min.) : analog ; 7 1/2 ips. Archival master.
4 sound discs of 3 (185 min.) (CDs) : digital. Copy master.
4 sound discs of 3 (185 min.) (CDs) : digital. Use copy.
Cassette C90
AAAS meeting, Dallas, Tx, 1 of 2,
1968 Dec 26-31
Scope and Content Note
1 sound cassette (92 min., 14 sec.) : analog. Original.
Side A: BK AAAS panel 12.26-31/1968 1/2. Side B: no label. Paper insert: "...Dallas Ref 90 1/2." [See also R90]
2 sound tape reels of 2 (92 min., 14 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (92 min., 14 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (92 min., 14 sec.) (CDs) : digital. Use copy.
Cassette C91
AAAS meeting, Dallas, Tx, 2 of 2,
1968 Dec 26-31
Scope and Content Note
1 sound cassette (60 min., 05 sec.) : analog. Original.
Side A: BK AAAS Panel 12/26-31/1968 2/2. Side B: no label. Paper insert: "...Dallas Ref 91 2/2." See also R91
1 sound tape reel (60 min., 05 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (60 min., 05 sec.) (CD) : digital. Copy master.
1 sound disc (60 min., 05 sec.) (CD) : digital. Use copy.
Cassette C93-1a
Executive meeting, Reel 1, 1 of 2,
1970 Sep 12-13
Scope and Content Note
1 sound cassette (92 min., 55 sec.) : analog. Original.
Side A: EAT Executive meeting R1 TP1. Side B: no label. Paper insert: "EAT Executive Meeting 9/12-13/1970 Ref 93, Reel 1,
1/2." [See also R93]
2 sound tape reels of 2 (92 min., 55 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (92 min., 55 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (92 min., 55 sec.) (CDs) : digital. Use copy.
Cassette C93-1b
Executive meeting, Reel 1, 2 of 2,
1970 Sep 12-13
Scope and Content Note
1 sound cassette (33 min., 26 sec.) : analog. Original.
Side A: EAT Executive Meeting R1 TP2. Side B: no label. Paper insert: EAT Executive Meeting 9/12-13/1970 Ref 93 Reel 1, 2/2."
[See also R93]
1 sound tape reel (33 min., 26 sec.) : analog ; 7 1/2 ips.
1 sound disc (CD) (33 min., 26 sec.) : digital. Copy master.
1 sound disc (CD) (33 min., 26 sec.) : digital. Use copy.
Cassette C94-1
Executive meeting, Reel 2, 1 of 2,
1970 Sep 12-13
Scope and Content Note
1 sound cassette (92 min., 47 sec.) : analog. Original.
Side A: EAT Executive Meeting R2 TP1. Side B: no label. Paper insert: "EAT Executive Meeting 9/12-13/1970 Ref 94 Reel 2, 1/2."
[See also R94]
2 sound tape reels of 2 (92 min., 47 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (92 min., 47 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (92 min., 47 sec.) (CDs) : digital. Use copy.
Cassette C94-2
Executive meeting, Reel 2, 2 of 2,
1970 Sep 12-13
Scope and Content Note
1 sound cassette (93 min., 08 sec.) : analog. Original.
Side A: EAT Executive Meeting R2 TP2. Side B: no label. Paper insert: "EAT Executive Meeting 9/12-13/1970 Ref 94 Reel 2, 2/2."
[See also R94]
2 sound tape reels of 2 (93 min., 08 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (93 min., 08 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (93 min., 08 sec.) (CDs) : digital. Use copy.
Cassette C95-1
Executive meeting Reel 3, 1 of 3,
1970 Sep 12-13
Scope and Content Note
1 sound cassette (92 min., 57 sec.) : analog. Original.
Side A: EAT Executive Meeting R3 TP1. Side B: no label. Paper insert: "EAT Executive Meeting 9/12-13/1970 Ref 95 Reel 3, 1/3."
[See also R95]
2 sound tape reels of 2 (92 min., 57 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (92 min., 57 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (92 min., 57 sec.) (CDs) : digital. Use copy.
Cassette C95-2
Executive meeting Reel 3, 2 of 3,
1970 Sep 12-13
Scope and Content Note
1 sound cassette (92 min., 57 sec.) : analog. Original.
Side A: EAT Executive Meeting R3 TP2. Side B: no label. Paper insert: "EAT Executive Meeting 9/12-13/1970 Ref 95 Reel 3, 2/3."
[See also R95]
2 sound tape reels of 2 (92 min., 57 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (92 min., 57 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (92 min., 57 sec.) (CDs) : digital. Use copy.
Cassette C95-3 & C96-1
Executive meeting Reel 3 (3 of 3), & Reel 4 (1 of 2),
1970 Sep 12-13
Scope and Content Note
1 sound cassette (92 min., 56 sec.) : analog. Original.
Side A: EAT Executive Meeting R3 TP3 A. Side B: EAT Executive Meeting R4 TP1 B. Paper insert: "EAT Executive meeting 9/12-13/1970
Ref 95-96 Reel 3 & 4 3/3." [See also R95, R96]
2 sound tape reels of 2 (92 min., 56 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (92 min., 56 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (92 min., 56 sec.) (CDs) : digital. Use copy.
Cassette C96-2
Executive meeting Reel 4, 2 of 2,
1970 Sep 12-13
Scope and Content Note
1 sound cassette (37 min., 54 sec.) : analog. Original.
Side A: EAT Executive Meeting R4 TP2. Side B: no label. Paper insert: "EAT Executive meeting 9/12-13/1970 Ref 96 Reel 4 2/2."
See also R96]
1 sound tape reel (37 min., 54 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (37 min., 54 sec.) (CD) : digital. Copy master.
1 sound disc (37 min., 54 sec.) (CD) : digital. Use copy.
Cassette C97
E.A.T. Meeting for history part 1,
undated
Scope and Content Note
1 sound cassette : analog. Original.
Label on tape: EAT Meeting for History Sanyo copy. Paper insert: "...Ref 97 3 3/4 cassette recorded on Sanyo transcriber at
slowest speed 1 of 2." [See also R97]
3 sound tape reels of 3 : analog ; 7 1/2 ips. Archival master.
3 sound discs of 3 (CDs) : digital. Copy master.
3 sound discs of 3 (CDs) : digital. Use copy.
Cassette C98
Meeting for history part 2,
undated
Scope and Content Note
1 sound cassette (15 min.) : analog. Original.
Side A: EAT Meeting for History Sanyo copy. Side B: no label. Paper insert: "...Ref 98 3 3/4 cassete recorded on Sanyo transcriber
at slowest speed 2 of 2." [See also R98]
1 sound tape reel (15 min.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (15 min.) (CD) : digital. Copy master.
1 sound disc (15 min.) (CD) : digital. Use copy.
Cassette C110-C113a
Anand Buffalo Project, Ahmedabad, India,
1969 Dec 12
Cassette C110
E.A.T. Meeting in India on Buffalo Project, Tape 1 of 5
Scope and Content Note
1 sound cassette : analog. Original.
Side A and B labels: EAT Meeting in India on Buffalo Project 12/12/1969 #1. Paper insert: "...Ref 110 Tape 1."
2 sound tape reels of 2 : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
1 sound disc (CD) : digital. Use copy.
Cassette C111
E.A.T. Meeting in India on Buffalo Project, Tape 2
Scope and Content Note
1 sound cassette (65 min., 27 sec.) : analog. Original.
Side A and B labels: EAT Meeting in India on Buffalo Project 12/12/1969 #2. Paper insert: "...Ref 111 tape 2."
2 sound tape reels of 2 (65 min., 27 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (65 min., 27 sec.) (CD) : digital. Copy master.
1 sound disc (65 min., 27 sec.) (CD) : digital. Use copy.
Cassette C112
E.A.T. Meeting in India on Buffalo Project, Tape 3
Scope and Content Note
1 sound cassette (64 min., 10 sec.) : analog. Original.
Side A and B labels: EAT Meeting in India on Buffalo Project 12/12/1969 #3. Paper insert: "...Ref 112 tape 3."
2 sound tape reels of 2 (64 min., 10 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (64 min., 10 sec.) (CD) : digital. Copy master.
1 sound disc (64 min., 10 sec.) (CD) : digital. Use copy.
Cassette C113
E.A.T. Meeting in India on Buffalo Project, Tape 4
Scope and Content Note
1 sound cassette (51 min., 07 sec.) : analog. Original.
Side A and B labels: EAT Meeting in India on Buffalo Project 12/12/1969 #4. Paper insert: "...Ref 113 tape 4."
2 sound tape reels of 2 (51 min., 07 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (51 min., 07 sec.) (CD) : digital. Copy master.
1 sound disc (51 min., 07 sec.) (CD) : digital. Use copy.
Cassette C113a
E.A.T. Meeting in India on Buffalo Project, Tape 5
Scope and Content Note
1 sound cassette (64 min., 21 sec.) : analog. Original.
Side A and B labels: EAT Meeting in India on Buffalo Project 12/12/1969 #5. Paper insert: "...Ref 113A tape 5."
2 sound tape reels of 2 (64 min., 21 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (64 min., 21 sec.) (CD) : digital. Copy master.
1 sound disc (64 min., 21 sec.) (CD) : digital. Use copy.
Cassette C113b
E.A.T. Meeting in India on Buffalo Project, Tape 6
Scope and Content Note
1 sound cassette (65 min., 20 sec.) : analog. Original.
Side A and B labels: EAT Meeting in India on Buffalo Project 12/12/1969 #6. Paper insert: "...Ref 113B Tape 6 tape is broken
and come off reel and must be repaired before playing."
2 sound tape reels of 2 (65 min., 20 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (65 min., 20 sec.) (CD) : digital. Copy master.
1 sound disc (65 min., 20 sec.) (CD) : digital. Use copy.
Cassette C113c
E.A.T. Meeting in India on Buffalo Project, Tape 7
Scope and Content Note
1 sound cassette (61 min., 35 sec.) : analog. Original.
Side A and B labels: EAT Meeting in India on Buffalo Project 12/12/1969 #7. Paper insert: "...Ref 113C tape 7."
2 sound tape reels of 2 (61 min., 35 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (61 min., 35 sec.) (CD) : digital. Copy master.
1 sound disc (61 min., 35 sec.) (CD) : digital. Use copy.
Cassette C113d
E.A.T. Meeting in India on Buffalo Project, Tape 8
Scope and Content Note
1 sound cassette (61 min., 45 sec.) : analog. Original.
Side A and B labels: EAT Meeting in India on Buffalo Project 12/12/1969 #8. Paper insert: "...Ref 113D tape 8."
2 sound tape reels of 2 (61 min., 45 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (61 min., 45 sec.) (CD) : digital. Copy master.
1 sound disc (61 min., 45 sec.) (CD) : digital. Use copy.
Cassette C114-C122
American Artists in India: interviews,
undated, 1969?
Cassette C114
Steve Paxton interview, 1 of 2
Scope and Content Note
1 sound cassette (60 min., 32 sec.) : analog. Original.
Side 1: Steve Paxton interview 1 of 2. Side 2: Steve Paxton cont'd. Paper insert: "EAT Steve Paxton Interview on American
Artists in India Ref # 114 1 of 2."
2 sound tape reels of 2 (60 min., 32 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (60 min., 32 sec.) (CD) : digital. Copy master.
1 sound disc (60 min., 32 sec.) (CD) : digital. Use copy.
Cassette C115
Steve Paxton interview, 2 of 2
Scope and Content Note
1 sound cassette (59 min., 45 sec.) : analog. Original.
Side 1: Steve Paxton interview 2 of 2. Side 2: Steve Tape II. Paper insert: "Steve Paxton Interview on American Artists in
India Ref # 115 2 of 2."
2 sound tape reels of 2 (59 min., 45 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (59 min., 45 sec.) (CD) : digital. Copy master.
1 sound disc (59 min., 45 sec.) (CD) : digital. Use copy.
Cassette C116
Trisha Brown interview, 1 of 2
Scope and Content Note
1 sound cassette (31 min., 24 sec.) : analog. Original.
Side A: EAT Trisha Brown interview 1 of 2. Side B: Trisha #2. Paper insert: "EAT Trisha Brown interview on American Artists
in Inda Ref 116 1 of 2."
2 sound tape reels of 2 (31 min., 24 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (31 min., 24 sec.) (CD) : digital. Copy master.
1 sound disc (31 min., 24 sec.) (CD) : digital. Use copy.
Cassette C117
Trisha Brown interview, 2 of 2
Scope and Content Note
1 sound cassette (19 min., 36 sec.) : analog. Original.
Side A: EAT Trisha Brown interview 2 of 2. Side B: Trisha #4. Paper insert: "EAT Trisha Brown interview on American Artists
in Inda Ref 117 2 of 2."
2 sound tape reels of 2 (19 min., 36 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (19 min., 36 sec.) (CD) : digital. Copy master.
1 sound disc (19 min., 36 sec.) (CD) : digital. Use copy.
Cassette C118
LaMonte Young, Marian Zazeela interview, 1 of 3
Scope and Content Note
1 sound cassette (30 min., 29 sec.) : analog. Original.
Side 1: EAT: Lamonte Young / Marian Zazeela interview 1 of 3. Side 2: LaMonte & Marian. Paper insert: "LaMonte Young / Marian
Zazeela Int. American Artists in India Ref #118 1 of 3."
2 sound tape reels of 2 (30 min., 29 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (30 min., 29 sec.) (CD) : digital. Copy master.
1 sound disc (30 min., 29 sec.) (CD) : digital. Use copy.
Cassette C119
LaMonte Young, Marian Zazeela interview, 2 of 3
Scope and Content Note
1 sound cassette (30 min., 35 sec.) : analog. Original.
Side 1: EAT: Lamonte Young / Marian Zazeela interview 2 of 3. Side 2: L-M. Paper insert: "LaMonte Young / Marian Zazeela Int.
American Artists in India Ref #119 2 of 3."
2 sound tape reels of 2 (30 min., 35 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (30 min., 35 sec.) (CD) : digital. Copy master.
1 sound disc (30 min., 35 sec.) (CD) : digital. Use copy.
Cassette C120
LaMonte Young, Marian Zazeela interview, 3 of 3; Jed Bark interview
Scope and Content Note
1 sound cassette (23 min., 25 sec.) : analog. Original.
Side A: EAT Lamonte Young / Marian Zazeela interview 3 of 3. Side B: EAT Jed Bark Interview. Paper insert: "EAT A: LaMonte
Young/Marian Zazeela int. American Artists in India Ref #120 3 of 3" and "EAT B: Jed Bark interview on American Artists in
India Ref #120 1 of 1."
2 sound tape reels of 2 (23 min., 25 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (23 min., 25 sec.) (CD) : digital. Copy master.
1 sound disc (23 min., 25 sec.) (CD) : digital. Use copy.
Cassette C121
Bombay street sounds
Scope and Content Note
1 sound cassette (30 min., 50 sec.) : analog. Original.
Side A and B labels: EAT / BK Bombay Street Sounds. Paper insert: "EAT / BK B: Bombay Street Sounds recorded near Taj Mahal
Hotel Ref #121."
2 sound tape reels of 2 (30 min., 50 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (30 min., 50 sec.) (CD) : digital. Copy master.
1 sound disc (30 min., 50 sec.) (CD) : digital. Use copy.
Cassette C122a
Steve Paxton interview, pt. 1 and 2
Scope and Content Note
2 sound cassettes of 2 : analog. Originals. Both numbered 122A. Same as C114, C115. Not reformatted.
Cassette C123-C128
Billy Klüver recordings of meetings and material in Guatemala,
Jul-Aug 1972
Cassette C123
Recordings of meetings and material in Guatemala
Scope and Content Note
1 sound cassette (78 min., 21 sec.) : analog. Original.
Side A: EAT/BK Recording if [sic] meetings in Guatemala, 1972, 1 of 6. Side B: July 23 Side 2?. Paper insert: "EAT / BK Klüver
recording of meetings and material in Guatemala, project to use television to teach farming techniques to peasants 7 & 8/1972
Ref #123 1 of 6."
3 sound tape reels of 3 (78 min., 21 sec.) : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (78 min., 21 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (78 min., 21 sec.) (CDs) : digital. Use copy.
Cassette C124
Recordings of meetings and material in Guatemala
Scope and Content Note
1 sound cassette (42 min., 18 sec.) : analog. Original.
Side A: EAT / BK Recording if [sic] meetings in Guatemala, 1972 2 of 6. Side B: Side 2 [blank]. Paper insert: "EAT / BK Klüver
recording of meetings and material in Guatemala, project to use television to teach farming techniques to peasants 7 & 8/1972
Ref #124 2 of 6."
2 sound tape reels of 2 (42 min., 18 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) (42 min., 18 sec.) : digital. Copy master.
1 sound disc (CD) (42 min., 18 sec.) : digital. Use copy.
Cassette C124a-C128
Klüver recording of material in Guatemala, during project,
undated
Scope and Content Note
5 cassettes of 5.
Cassette C129-131
Children and Communication: background, discussions,
undated
Scope and Content Note
3 cassettes of 3.
Cassette C132-C136
Island Eye Island Ear, Saranasc Lake,
F1978
Cassette C132
Tudor and Nakaya interview,
undated
Scope and Content Note
1 sound cassette.
Cassette C133
Tudor and Nakaya interview; O'Connell reporting on Saranac situation,
1978 Nov 24
Scope and Content Note
1 sound cassette.
Cassette C134
Fred Waldhauer /telephone call from Saranasc Lake,
1978 Nov 22
Scope and Content Note
1 sound cassette.
Cassette C135
Talking with Kudish on the island,
1978 Oct 12
Scope and Content Note
1 sound cassette.
Cassette C136
Island Eye Island E: Mapping the island with Hardy,
1978 Oct 29
Scope and Content Note
1 sound cassette.
Cassette C137
Stefan Olson interview with Klüver for Swedish radio, parts 1 and 2,
1978 Jun 4
Scope and Content Note
1 sound cassette. [See also C138]
Cassette C138
Side A: Jankowski CBS, talk ; Olson interview with Klüver, part 3,
1982 Jun 4 1978 June 4
Scope and Content Note
1 sound cassette. Side A: Jankowski, talk on technology and telecommunications. Side B: Olson interview with Klüver for Swedish
radio, part 3 [See also C137]
Cassette C139
James Rosenquist making the poster for the Xenon Benefit at Tandem Press, 8th Ave. NY,
1979 Feb
Scope and Content Note
1 sound cassette.
Cassette C140-C141
Tudor concert at Xenon,
1979
Scope and Content Note
2 sound cassettes.
Cassette C142
Interview with Frank Dymnicki of Tandem Press about printing Jim Rosenquist's poster and the Xenon Benefit,
undated
Scope and Content Note
1 sound cassette.
Cassette C143-C144
E.A.T. History - Interview with Fred Waldhauer on his biography and his involvement with artists and E.A.T.,
undated
Scope and Content Note
2 sound cassettes.
Cassette C144A
Billy Kluver dictating paper on E.A.T., Side A,
undated
Scope and Content Note
1 sound cassette.
Title from label; Broken tape is off reel. Ref no. 144A. Reel 4a.
Cassette C144B
Billy Kluver dictating paper on E.A.T., Side A; Nine Evenings, Side B,
1993 Jun 6 undated
Scope and Content Note
1 sound cassette.
Paper insert: Billy Kluver dictating papers on E.A.T. Rainforest. Ref no. 144B. Tapes 5.
Cassette C145a
Öyvind Fahlström's Collage of Sounds, Side A and Side B
Scope and Content Note
1 sound cassette.
Paper insert: E.A.T. Art Öyvind Fahlström Collage tape with Swedith, English material from films, radio, plays, etc. Ref no.
145.
Cassette C145b
Öyvind Fahlström Collage Radio, Side A
Scope and Content Note
1 sound cassette.
Paper insert: ART Öyvind Fahlström Collage Radio. No. 145 1/1.
Cassette C147-C149
Klüver lecture, Toronto,
1968
Scope and Content Note
2 sound cassettes. [Not reformatted; See R147-R149]
C147-194, 1 of 2, Side A: Paper insert: BK Kluver Torono lecture 1968 REf no. 147 1/2.
C147-149, 2 of 2, Side A: Paper insert: BK Kluver Toronto Lecture 1968 Red no. 147-149 2/2. Second part of talk using vugraph,
talking about mylar mirrors, chorus line and spherical mirrors.
Cassette C150
Klüver talk at color convention,
Scope and Content Note
1 sound cassette. [Not reformatted; See R150]
Cassette C151-C154
Annual meeting of AAAS,
1976 Jan 22
Scope and Content Note
4 sound cassettes of 4.
Boston Environment of the Future - Klüver talk and Panel. Klüver talk "Conditions for Artists' Participation in Shaping the
Environment."
Cassette C154A-D
Klüver and Andrew Ogielski conversation on preserving history; meeting on Tudor piece "Ocean,"
1993
Cassette C154A
EAT Billy Klüver and Andrew Ogielski conversation on preserving history, 1 of 2,
1993 Oct 23
Scope and Content Note
1 sound cassette.
Cassette C154B
EAT Billy Klüver and Andrew Ogielski conversation on preserving history, 2 of 2,
1993 Oct 30
Scope and Content Note
1 sound cassette.
Cassette 154C
EAT Billy Klüver, Andrew Ogielski, Sophia Ogielska and David Tudor meeting on Tudor piece "Ocean," 1 of 2,
1993 Dec 12
Scope and Content Note
1 sound cassette.
Cassette C154D
EAT Billy Klüver, Andrew Ogielski, Sophia Ogielska and David Tudor meeting on Tudor piece "Ocean," 2 of 2,
1993 Dec 12
Scope and Content Note
1 sound cassette.
Cassette CU01-CU09
Island Eye Island Ear,
undated
Scope and Content Note
9 sound cassettes of 9.
Cassette CU10
Meeting [?],
1978 Oct 10
Scope and Content Note
1 sound cassette.
Series VIII.
Films and videos,
1974-1997
Physical Description:
4.0 box(es)
Scope and Content Note
Contains seven videos and two 16 mm. films of various E.A.T. activities, and 64 super 8 films made while location scouting
for "Island Eye Island Ear."
Box 233
Films (16 mm.) and VHS cassettes (3/4"),
ca. 1990-ca. 1997
Cassette V1 A & B
Mary Wigman, dancer; 9 Evenings; and Rauschenberg 65.
Scope and Content Note
2 videocassettes of 2.
2 videos transferred (from film?) Oct 8, 1992 by Middlemarch Films. VHS and Betacam SP copies made Feb 24, 1998. Numbered
24 by E.A.T.
Cassette V2
Some More Beginnings
Scope and Content Note
1 videocassette (9 min., 31 sec.).
(video transferred by WNET) Numbered 25 by E.A.T.
Cassette V3
The Great Big Mirror Project
Scope and Content Note
1 videocassette. (Video transferred by WNET.) Numbered 26 by E.A.T.
Cassette V4
"Innovation," WNET (1/2 hour program on E.A.T.),
1990
Scope and Content Note
1 videocassette. Numbered 30 by E.A.T.
Reel F1
Peter Kowalski sculpture
Scope and Content Note
1 film reel ; 16 mm. [unnumbered, numbered by repository]
Documentary.
Reel F2
A Promise of Space... fulfilled. Fairchild Industries, made by Thirtyfive-sixteen, released by Image,
1975
Scope and Content Note
1 film reel (14 min.); col. 16 mm. [unnumbered, numbered by repository]
Published educational film. Do not reformat. About future space technology.
Cassette V5
9 evenings: theatre and engineering trailer,
1997
Scope and Content Note
1 videocassette (VHS) (5 min., 24 sec.). [unnumbered, numbered by repository]
Cassette V6
Kisses sweeter than wine,
1997
Scope and Content Note
1 videocassette (VHS). [unnumbered, numbered by repository]
Cassette V7
Open score,
1997
Scope and Content Note
1 videocassette (VHS) (34 min.). [unnumbered, numbered by repository]
Box 234, Reel F1-F8
Island Eye Island Ear - Knavelskär Island,
1974
Scope and Content Note
6 film reels of 6 (super 8). [unnumbered, numbered by repository]
Box 235, Reel F9-F38
Island Eye Island Ear,
1978
Scope and Content Note
30 film reels of 30 (super 8).[unnumbered, numbered by repository]
Box 236, Reel F39-F66
Island Eye Island Ear - Bluff Island,
1978
Scope and Content Note
28 film reels of 28 (super 8).[unnumbered, numbered by repository]
Series IX.
Posters,
1966-1996
Physical Description:
39 items 1 roll and 4 flat file folders
Scope and Content Note
Contains posters and graphics published by E.A.T. and others for its projects. Includes posters designed by Rauschenberg,
Christo, James Rosenquist, Tom Gormley, Manfred Schroeder and Ken Knowlton.
Oversize 1**
Computer-generated "Nude" by Ken Knowlton and Leon Harmon, Bell Laboratories,
undated
Scope and Content Note
2 four ft. long and 2 six ft. long in black and day-glo green. The reclining nude represented the first experiment to scan
a photograph into a computer and reconstitute it with a gray scale, using 12 discreet levels of gray, produced by mathematical
and electronic symbols. The scanning process established a certain level of gray in a certain area of the photograph and replaced
it with one of the symbols. This process was used to try to establish the minimum amount of information the human eye needed
to resolve an image. The image of Deborah Hay in the nude was photographed by Max Mathews. The original computer output was
a photograph and was given to E.E. David, who, when he became President Nixon's science adviser, gave it to the Philadelphia
Museum of Art.
Oversize 9**
Highway Poster Project,
1972
Scope and Content Note
co-sponsored by the Foundation for Automation and Employment and printed at the Lithographic Center, Local One, Amalgamated
Lithographers of America. Lithograph, edition size of 150. The following artists made posters about the problems created by
putting more emphasis on highways rather than mass transit systems:
- Rauschenberg, signed, no. 16;
- Christo, signed, no. 14;
- Roman Beardon, signed, no. 40;
- Alan Sonfist, unsigned, unnumbered;
- Jared Bark, signed, nos. 15 and 16;
- Marjorie Strider, unsigned, unnumbered;
- Michael Mitchell, signed, no. 18;
- Michael Martin, signed, unnumbered;
- Tom Gormley, signed, no. 128.
Oversize 10**
Computer-generated images by Manfred Schroeder, Bell Labs, silk-screens,
1968
Scope and Content Note
Image of an eye configured as a target, 1 in black and 1 in day-glo green; a girl's head, made with the words, "A picture
is worth a thousand words," 1 in black and 1 in day-glo green; and of the Brooklyn Museum (Some More Beginnings) show, using
the same computer processing as the reclining nude, 1 in black and 1 in day-glo green. 6 items
9 Evenings,
1966
Scope and Content Note
designed by Rauschenberg, signed by all participants, edition size of 50, numbered H.C. 4 of 14.
Quarry Poster,
1968
Scope and Content Note
by Rauschenberg, printed at the Lithographic Center, Local One, Amalgamated Lithographers of America, as the first project
of The Quarry, a collaboration between E.A.T. and Local One, ALA, under which artists would work with master lithographers
at the ALA Lithographic Center. Signed, unnumbered.
Some More Beginnings,
1969
Scope and Content Note
designed by Tom Gormley for the subway, edition size of 50. Signed, no. 1.
E.A.T. USC,
1970
Scope and Content Note
Experiments in Art and Technology in Process, published by E.A.T. LA for three days of events and exhibitions at USC, May
1-3, 1970, 2 different posters, unsigned (one printed FOY '70) and unnumbered.
Pepsi Pavilion,
1970
Scope and Content Note
printed in Japan, Shunk-Kender photograph of interior of the mirror dome. It shows a rehearsal of the work by Remy Charlip,
"Homage to Loie Fuller," performed at the opening ceremonies. The photograph is printed upside down to emphasize the three-dimensionality
of the real image the concave mirror dome produced. Signed by all artist/engineer participants, unnumbered.
Projects Outside Art,
1970
Scope and Content Note
announcement and request for submissions for a planned exhibition. The image represents a rain forest.
American Artists in India,
1970
Scope and Content Note
silk-screen designed and printed by Tom Gormley, using a photograph by Shunk-Kender of a hand position in traditional Indian
dance by Chandraleka. Signed by Gormley, Shunk-Kender and Chandraleka, no. 12 of 100.
1871-1981 Utopier & Visioner, Moderna Museet, Stockholm; and Erró poster,
1971
Scope and Content Note
poster announcing all the projects involved in the exhibition, including "Telex: Q&A" with another poster by Erró with faces
of communards surrounded by faces of cultural figures from the 19th and 20th centuries. Signature is stamped.
Utopia & Visions, Telex Q&A,
1971
Scope and Content Note
published by E.A.T. Japan, under the direction of Nakaya, with photographs of people who visited the telex center.
Art Cash Benefit,
1971
Scope and Content Note
poster announcing the fund-raising gambling night event at Automation House; and 3 Art Cash flats, one for each side of the
bills and one printed on both sides, signed in pencil by the artists, except Warhol who stamped his.
New York Collection for Stockholm,
1973
Scope and Content Note
poster by Rauschenberg, published by Moderna Museet, unsigned; and menu by Red Grooms for SAS flight New York-Stockholm for
opening Oct 1973.
Artists for New York Benefit,
1979
Scope and Content Note
by James Rosenquist, printed at Tandem Press, for benefit evening at Xenon, February 28, 1979; and invitation.
Kisses Sweeter Than Wine by Öyvind Fahlström,
1996
Scope and Content Note
For the first film in a series of documentaries from 9 Evenings: Theatre & Engineering.
