Guide to the Oscar Zeta Acosta Papers
CEMA 1
Finding aid prepared by Project archivist: Salvador Güereña; principal processors: Rosemarie Leon Morales; machine-readable
finding aid created by James Ryan
UC Santa Barbara Library, Department of Special Collections
University of California, Santa Barbara
Santa Barbara, California, 93106-9010
Phone: (805) 893-3062
Email: special@library.ucsb.edu; URL: http://www.library.ucsb.edu/special-collections
1998
Title: Oscar Zeta Acosta papers
Identifier/Call Number: CEMA 1
Contributing Institution:
UC Santa Barbara Library, Department of Special Collections
Language of Material:
English
Physical Description:
4.0 linear feet
(8 boxes)
Date (inclusive): 1936-1990
Abstract: The Oscar Zeta Acosta Collection contains material reflecting his work as a writer, lawyer and Chicano political activist.
Acosta is most well known as the author of the classic Chicano books
Autobiography of a Brown Buffalo (1972), and
The Revolt of the Cockroach People (1973). Legal Proceedings, biographical documents, correspondence, writings and photos are part of this collection. The collection
takes up four linear feet, occupying eight archival boxes covering the period from 1936-1990.
Language of Materials: The collection is in English.
creator:
Acosta, Marco
creator:
Alurista
creator:
Herring, Neil
creator:
Thompson, Hunter S.
Conditions Governing Access note
None
Publication Rights
Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or
quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given
on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply
permission of the copyright holder, which also must be obtained.
Preferred Citation
[Identification of Item], Oscar Zeta Acosta Papers, CEMA 1. Department of Special Collections, UC Santa Barbara Library, University
of California, Santa Barbara.
Provenance
Donated by Marco Acosta, son of Oscar Zeta Acosta, June 1989.
Processing Information note
Project archivist: Salvador Güereña; principal processors: Rosemarie Leon Morales; machine-readable finding aid created by
James Ryan
Biographical Sketch
Oscar Zeta Acosta (April 8, 1935-) was a writer, lawyer, and political activist. He was born in El Paso, Texas and was raised
in California's San Joaquin Valley, near Modesto. As an attorney his activities began in Oakland but it was in East Los Angeles
where he gained notoriety, prior to his mysterious disappearance in Mexico in the Spring of 1974.
Acosta is most well known as the author of two of the most important novels of the Chicano Protest Movement, Autobiography
of a Brown Buffalo (1972), and The Revolt of the Cockroach People (1973). Both novels are highly acclaimed as major contributions
to the Chicano literary renaissance. They are semiautobiographical and relate to Acosta's search for self-identity in the
midst of an Anglo society at a time of great social unrest within the Chicano community.
Immediately following high school, at the age of seventeen, Acosta enlisted in the Air Force and was honorably discharged
after four years of service. During a tour of service in Latin America, Acosta converted to Protestantism and became a Baptist
missionary in a leper colony in Panama, although later, in Autobiography of a Brown Buffalo, he rejected Christianity. Following
his discharge, Acosta worked his way through Modesto Junior College, and attended San Francisco State University where he
took up creative writing. After his graduation he attended San Francisco Law School at night and passed the State Bar exam
in 1966. Acosta was married twice--his first wife was Betty Daves during the years 1956-1963. His second marriage was to Socorro
Aguiniga from 1969-1971. As a lawyer, he first worked for the East Oakland Legal Aid Society, an antipoverty agency. Later,
he moved to East Los Angeles, where he joined the Chicano Movement and generated controversy as an activist attorney during
the years 1968-1973. Acosta defended various Chicano protest groups and activists such as the Saint Basil 21 and Rodolfo "Corky"
Gonzalez. As an attorney, Acosta figured prominently in legal cases which addressed political, social, and educational injustices
against Chicanos. He frequently clashed with the judicial system, winning ardent supporters as well as making political enemies.
He garnered respectable grass-roots support when he ran for Los Angeles County Sheriff, winning well over one hundred thousand
votes.
Acosta was last heard from in May, 1974, with a telephone call from Mazatlan, Sinaloa, to his son Marco. The journalist and
author Hunter S. Thompson, who was Acosta's close friend and confidante, speculated on Acosta's untimely disappearance as
either a political assassination or murder at the hands of drug dealers. Acosta is presumed dead.
Scope Note
The Oscar Zeta Acosta Collection contains material reflecting his work as a writer, lawyer and Chicano political activist.
The collection takes up four linear feet, occupying eight archival boxes. Most of the material was donated by Acosta's son
Marco and other family members. These include items that were published after Acosta's disappearance. The collection is divided
into six series, described below.
Series Description
Series I: Personal and Biographical Information, 1938-1990
This series is made up of two subseries. The first subseries is Biographical Information, 1938-1990. Among the items contained
are Acosta's U.S. citizen ID card, a photo of him at two years old, school report cards, diplomas, college blue books, military
records and original newsclippings about Acosta. There are also a few items pertaining to Acosta's son, Marco, for example,
notification of his birth registration, a letter of recommendation for graduate school and a law school admissions essay.
There is also a
Rolling Stone article,
The Banshee Screams for Buffalo Meat by Dr. Hunter S. Thompson, discussing the disapearance of his friend Oscar Zeta Acosta.
The second subseries is Personal Correspondence, 1952-1974. The outgoing correspondence from Acosta is arranged chronologically.
Incoming letters to Oscar are arranged alphabetically by sender and then chronologically. When envelopes accompany correspondence,
they immediately follow the corresponding letter. Included are miscellaneous letters that were not written by Acosta nor addressed
to him, but that relate to Acosta. Also included in each subseries are many undated or partially dated correspondence. The
correspondence is to his family members, friends and others involved with Acosta's publishing efforts. There is correspondence
originating from different locations in frequented by Acosta up to the time of his disappearance.
Series II - Correspondence with Betty Daves Acosta (First Wife), 1956-1971
The majority of the letters were written during the years 1957 and 1960. These letters provide insight into the thoughts and
feelings of Acosta towards his first wife and about his personal feelings about himself and his life.
Series III - Writings of Acosta, 1961-1988
Published Reviews, Articles and Newsclippings, 1972-1984 is the first of four subseries. Most are reviews and critiques of
his two novels, The Autobiography of a Brown Buffalo and The Revolt of the Cockroach People. Also included is an article by
Hunter S. Thompson, the writer and personal friend of Acosta, who writes about him and speculates on his disappearance.
The second subseries, Drafts, Manuscripts, Published and Unpublished, 1961-1972 is arranged chronologically and includes notes,
manuscripts, short stories, poetry, and a two-act play titled,
The Catalina Papers. Much of his writings are undated, the earliest dated short story is from 1961, a poem from 1966 and two items from 1967.
Also included is a letter, dated 1964 and addressed to Wendy that turns into at least ten pages of creative writing. These
were kept together as found. There is an uncorrected proof of Acosta's first novel,
The Autobiography of a Brown Buffalo (1972) but none of his second novel. Also included are a few typed pages written by Acosta in which he describes a selfinduced
hallucinogenic experience.
The third subseries is General Publishing Correspondence, 1962-1973. The series is arranged first by outgoing correspondence
in chronological order, followed by incoming correspondence in alphabetical order according to sender. Miscellaneous correspondence
is grouped last. This correspondence was generated by Acosta in his attempts to get his works published. In 1962, Acosta attempted
to publish Perla is a Pig but without success. Included in this series is correspondence to and from Neil Herring, Acosta's
personal friend and lawyer, who represented him and at times acted as his agent. In another letter Acosta writes to Playboy
Forum, addressing the origins of "gonzo journalism," disagreeing with their interpretation.
After Oscar's disappearance, his son Marco generated correspondence in his efforts to have his father's books reprinted, prompted
in part by researchers and publishers inquiring about his father's work. Included is correspondence dealing with negotiation
of movie rights to The Revolt of the Cockroach People, generated by Neil Herring after Acosta's disappearance. Correspondence
with Hunter S. Thompson and Alurista are also included. This particular material forms the fourth subseries titled, Publisher
Correspondence Generated with Marco Acosta, 1971-1988.
Series IV - Political and Legal Activity Files, 1963-1974
This series contains material on the political activities of Acosta, the lawyer. This was a turbulent era of minority protest
with the status quo and the cases Acosta was involved in addressed some of these issues. The first subseries, Legal Activity
Newsclippings, 1968-1973, documents the controversy in which Acosta, in his work as a Chicano activist lawyer, was frequently
involved. Included are newsclippings regarding the "East L.A. 13" and teacher, Sal Castro challenging the Los Angeles school
system in his central role in the 1968 Los Angeles Unified School District blowouts, "the St. Basil 21" case dealing with
Chicanos protesting the Roman Catholic church's involvement in Chicano politics, and the "Biltmore 7", a Chicano protest that
turned violent. Newsclippings document Acosta's defense of Rudolfo "Corky" Gonzalez, another Chicano activist, and Acosta's
challenging of the Los Angeles grand jury selection process. In all these cases, Acosta addresses the unfair underrepresentation
of minorities, specifically Chicanos, in the political, judicial and educational branches of the Los Angeles government. In
many of these cases, Acosta defiantly challenged the court system and as a result spent time in jail for contempt of court.
The second subseries, Legal Briefs and Miscellaneous legal notes, 1970-1973 is rather incomplete considering all the cases
Acosta worked on. Included are some copies of legal documents filed in court and various hand-written notes to himself on
various subjects dealing with his cases.
The third subseries, Sheriff Candidacy Material, 1970 contains a declaration of candidacy press release and a flyer with a
photo of Acosta related to his bid for Los Angeles County Sheriff in 1970.
Subseries four is the FBI File, 1970-1973, in which Acosta's political activities were documented. He is listed as participating
in "civil disturbances, anti-U.S. demonstrations or hostile incidents, and using "threatening or abusive statements about
a U.S. or foreign official." Apparently informants kept the FBI updated of Acosta's activities. The file was finally closed
on Dec. 11, 1973 but the reasons listed were censored out of the file, leaving very little information other than that there
was "no information of current revolutionary activities."
The fifth subseries, Legal Correspondence, 1963-1977 contains, for example, some correspondence to and from clients, a letter
written by Acosta to Judge Bush, requesting leniency on behalf of his brother, Roberto and a letter from Neil Herring representing
Acosta in a legal matter. Included are two letters from Acosta's parents inquiring about conditions in Mexican jails for American
citizens and legal questions about declaring their son "missing".
The sixth subseries, Last Will and Testament, 1974 written by Acosta himself, includes a personal letter to his son, dated
Jan. 13, 1974. On a positive note, Acosta talks about his new agent, possibility of a new novel and explains to his son how
to safeguard the will. This series takes up two boxes.
Series V - Photographs and Negatives, 1946-1989
This series is divided into three small subseries. The first subseries, Personal, 1946-1972 contains a few snapshots of Acosta
as a child with other family members and a few photos as he was growing up. Most photos are undated except for a few, giving
us an approximate time frame. There are photos of Acosta and friends with notes on the back indicating the characters they
represent in his novels.
The second subseries, Professional is also very small, containing an original book jacket to the Random House reprint of
The Autobiography of a Brown Buffalo and proofs of a book jacket to
The Revolt of the Cockroach People. There is a series of contact sheets taken in the early 1970s, in which Acosta strikes different poses.
The third subseries, Copy Negatives was created when the collection arrived at UCSB. Copy negatives were made for preservation
purposes.
Series VI - Video, Unedited
This series presently consists of a 60-minute black and white home video in VHS format. The recording took place on September
16, 1972 at the home of Robert Henry, a friend of Acosta. Depicted are Oscar Zeta Acosta, his son Marco, Robert and Ann Henry,
Irwin Segal, and Ron McClure. The video was apparently intended to be an interview of Acosta by Robert Henry on the occasion
of the publication of Acosta's book, Autobiography of a Brown Buffalo. Unfortunately, there is no sense of direction and the
camera largely records rambling conversations and banter of a personal nature. The 30-minute recording is unremarkable, save
for a 10-minute segment where Acosta reads from his book.
Subjects and Indexing Terms
Acosta, Betty Daves -- Correspondence
Acosta, Oscar Zeta
Acosta, Oscar Zeta -- Correspondence
Castro, Sal
Clippings
Correspondence
Diplomas
Lawyers -- California -- Biography
Manuscripts (for publication)
Mexican American authors -- California -- Biography
Mexican American authors -- California -- Correspondence
Mexican Americans -- California -- Biography
Mexican Americans -- California -- Correspondence
Photographs
Political activists -- California -- Correspondence
Political activists -- California --Biography
Reviews (Criticisms)
Wills
Series I-Personal And Biographical Information
1938-1990
Biographical Information
1938-1990
Box 1, Folder 1
Citizenship I.D. Card, Grade School Report Cards and Bar Examination Admittance Card
1938-1965
Box 1, Folder 2-3
High School and Law School Diplomas
1956 and 1965
Box 1, Folder 4-6
City College Blue Books and Records
1956-1957
Box 1, Folder 7
Military Records, Withholding Tax Statemement and Voter's Stub
1960-1972
Box 1, Folder 8
Biographical Information on Son, Marco
1959-1987
Box 1, Folder 32
Oakdale Joint Union High School Yearbook
Box 1, Folder 9-21
Newsclippings and Articles
1965-1990
Box 3, Folder 7-8
Rolling Stonearticle
The Banshee Screams For Buffalo Meat by Dr. Hunter S. Thompson
12/15/1977
Coorespondence, Outgoing
1952-1974
Box 1, Folder 26
Acosta-Annie and Beeby-Dungan
Box 1, Folder 27
Gonsalves-Segal and Shmit-Wendy
Series II- Correspondence with Betty Daves Acosta (First Wife)
1956-1971
Series III-Writings of Acosta
1961-1988
Box 2, Folder 13
Untitled Short Stories, Poems and
Poems for a Spring Day
1961-1967
Box 2, Folder 14-16
Untitled, Manuscript
Undated
Acosta, Oscar Zeta. 1989.
The Autobiography of a Brown Buffalo. San Francisco: Straight Arrow Books.
Box 2, Folder 17
The Autobiography of a Brown Buffalo, notes
Undated
Box 2, Folder 18-19
The Autobiography of a Brown Buffalo, uncorrected proof
Undated
Box 2, Folder 20-24
The Catalina Papers, Play
Undated
Box 2, Folder 25
David and Me Drop Acid
Undated
Box 2, Folder 26
Dear Wendy, Creative Writing
Undated
Box 2, Folder 28
Eight for the Show, Manuscript
Undated
Box 2, Folder 28-30
From Whence I Came, Manuscript
Undated
Box 2, Folder 31
The Little House, Manuscript
Undated
Box 2, Folder 32-33
Oscar Acosta, Autobiography
Undated
Box 2, Folder 34
To Whom It May Concern, Short Story
Undated
Box 2, Folder 35
The Worm Dieth Not, Short Story
Undated
General Publishing Correspondence
1962-1973
Correspondence, Out-going
Correspondence, In-coming
Publisher correspondence generated with Marco Acosta
1971-1988
Box 3, Folder 3-5
Correspondence, Out-going
Published Reviews, Articles And Newsclippings
1971-1984
Drafts, Manuscripts, Published And Unpublished
1961-1972
Correspondence, In-Coming
Correspondence, Miscellaneous
Series IV-Political and Legal Activity Files
1961-1989
Legal Activity Newsclippings
1968-1973
Legal Transcripts And Miscellaneous Legal Notes
1968-1979
Box 3, Folder 28-39
Castro et. al v. Superior Court
Box 3, Folder 40-45
The People of the State of California v. Castro et. al
Box 4, Folder 1-44
The People of the State of California v. Castro et. al
Box 5, Folder 1-43
The People of the State of California v. Castro et.al
Box 6, Folder 1-21
The People of the State of California v. Castro et. al
Box 6, Folder 22-50
People v. Montes (Biltmore 6 Trial)
1969-1979
Box 7, Folder 1-28
People v. Montes (Biltmore 6 Trial)
1969-1972
Box 7, Folder 29-32
Miscellaneous Legal Notes
Undated
Sheriff Candidacy Material
1970
Box 7, Folder 33
Sheriff Candidacy Material
1970
Legal Correspondence
1961-1977
Correspondence, Out-Going
Correspondence, In-Coming
Correspondence, Miscellaneous
Last Wills And Probate Petition
1973-1989
Box 8, Folder 1-22
Last Wills and Probate Petition
1973-1989
Series V-Photographs and Negatives, 1946-1989
1946-1989
Series VI-Video, Unedited
Item V0503/VHS
Bob Henry's Interview
September 1972
Item V6206/VHS
Festival Flor y Canto: Reading from the revolt of the cockroach people
1974
Other Descriptive Information
This video recording was from part of the USC/El Centro Chicano's Festival de Flor Y canto. Copyright El Centro Chicano. It
includes a note from the Producer.
