Inventory of the Alfred Einstein memorabilia, 1912-1952
Inventory of the Alfred Einstein Memorabilia, 1912-1952
Collection number: ARCHIVES EINSTEIN COLL.2
The Music LibraryUniversity of California, Berkeley
Berkeley, California
- Hargrove Music Library
- University of California, Berkeley
- Berkeley, California, 94720-6000
- Phone: (510) 642-2623
- Email: music_reference@berkeley.edu
- URL: https://guides.lib.berkeley.edu/music_library_archives
- Processed by:
- John A. Emerson
- Date Completed:
- March 3, 1987
- Encoded by:
- Xiuzhi Zhou
- Donors:
- Hertha and Eva Einstein, the wife and daughter of Alfred Einstein.
- Date of Gift:
- 1960, 1967, 1970.
-
Title: Alfred Einstein papersIdentifier/Call Number: (ARCHIVES EINSTEIN COLL.1)
Part I: Diaries of Alfred Einstein in six volumes.
Diary, volume 1, November 1, 1898 to August 19, 1917.
Diary, volume 2, August 20, 1917 to March 2, 1925.
Diary, volume 3, May 3, 1925 to July 14, 1935.
Diary, volume 4, July 15, 1935 to October 20, 1946.
Diary, volume 5, October 20, 1946 to February 11, 1951.
Diary, volume 6, February 12, 1951 to February 12, 1952.
Part II: Offprints of published articles. For more of these offprints,
Additional Note
folders a, b, c, & d. About 35 items.
Part III: Original typescript and hand-written articles.
Group 1: pertain to a group of articles published after Alfred Einstein's death under the title Essays on Music
Additional Note
Preface, contents, sources, etc. selected by Paul Henry Lang.
Article: Fictions that have shaped musical history.
Article: The mortality of opera.
Article: Opus I.
Article: Opus Ultimum.
Article: Some musical representations of the temperments.
Article: The Elizabethan madrigal and Musica transalpina.
Article: Agostino Steffani.
Article: Abbot Angelo Grillo's letters as source material for music history.
Article: Mozart and Tarchi.
Article: The first libretto of Don Giovanni.
Article: The first performance of Mozart's Entführung in London.
Article: Beethoven's military style.
Article: .Wagner's and Ludwig II.
Article: Strauss and Hofmannsthal.
Group 2: Articles pertaining to the 16th and 17th century Italian madrigal.
Article: Eine Allegorie in Musik.
Article: Amfiparnaso.
Article: Cipriano de Rore.
Article: Dante in der Musik und eine Florentiner Handschrift.
Article: Dante, on the way to the madrigal.
Article: The development of virtuosity in the Italian madrigal.
Article: Die erste 'Lettera amorosa' in Musik.
Article: Florentine and other carnival songs.
Article: Die Greghesca and die Giustiniana des 16. Jahrhunderts.
Article: Italian madrigal verse (German version).
Article: Das Madrgial.
Article: Das Madrigals und die Dichtung.
Article: Ein Musik-Druck des Pierpont Morgan Library.
Article: Parody in the villanella.
Article: Salomone Rossi as a composer of madrigals.
Article: Shakespeare and Da Ponte.
Article: Ein Sonett Petrarca's in der Musik.
Article: Symbol and expression in the madrigal of the 16thcentury.
Article: Der Tempo Wechsel im italianischen Madrigal.
Article: Tizian's Venus vom Cambridge.
Article: Ein unbekanntes Madrigal Palestrinas.
Article: Vincenzo Ruffo's Opera nova di Musica.
Article: Der zweite Maggio musicale fiorentino.
Group 3: articles pertaining to Johann Sebastian Bach.
Article: Bach im Wandel der Zeiten.
Article: J. S. Bach e l'Italia.
Article: The meaning of Bach's music through the years.
Article: Die vorbachische Zeit.
Group 4: articles pertaining to Wolfgang Amadeus Mozart.
Article: Corsica, und Opera buffa Mozarts.
Article: Die Geschichte von Mozart's Musik zu Koenig Thamos.
Article: Haydn, Mozart, and English sea-heroes.
Article: Mozart and Shakespeare's Tempest.
Article: Der Mozart-Katalog.
Article: Ein Mozart-Problem.
Article: Mozart's handwriting and the creative process.
Article: Mozart und der schöperferische Process.
Article: Mozart und der Opera in Salzburg.
Article: Die Textvorlage zu Mozart's Zaide.
Article: Vier Praeludien Mozart's zu Bach'schen Fugen f. Streichtr
Article: Uber einige neue ... Handschriften Mozart's.
Group 5: articles pertaining to other composers.
Article: [Beethoven] Ruhe und Erregung.
Article: Alban Berg's Wozzeck.
Article: Berg's Wozzeck in London.
Article: Tschaikowsky's Eugen Onegin.
Article: [Vivaldi] Foreward to the edition of the concerto (op.IV:
Article: Wagner's letztes Thema.
Article: [Weill] Die Dreigroschenoper.
Article: Weinberger's Schwanda.
Group 6: articles pertaining to Jews and music.
Article: Der Jude in der Musik.
Article: Juden in der deutschen Musik.
Article: Ein unbekannter jüdischer Musiker in Mantua.
Group 7: articles about Germany and nationalism.
Article: Germany.
Article: Internationale und deutsche Neue Musik.
Article: Komponist, Staat, und Wirklichkeit.
Article: Krieg, Nationalismus, Musik, und Toleranz.
Article: Music in Germany.
Article: Deutsche Oper von gestern und heute.
Article: Über Münchens kulturelle Zukunft.
Article: Verdi und Deutschland.
Article: Vom Musik in neuen Deutschland.
Article: Wilhelm Furtwängler.
Article: Die deutsche Musik von Heute.
Group 8: articles pertaining to musicology, "Neue Musik", and other subjects.
Article: Charles Burney: The Present State of Music in Germany.
Article: The character of old music.
Article: A European estimate of British music.
Article: Gestern und Heute.
Article: Der Kritiker-Komponist: ein paar Gesichtspunkte.
Article: Musikwissenschaft und schöferische Musik in Amerika.
Article: Der neue Kontrapunkt.
Article: Primitive Musik.
Article: Polyphonie.
Article: Die Steelung der Neue Musik.
Article: Tempo der Kunst und Tempo der Technik.
Article: Universality and modern man.
Article: (title lacking, which begins): "Wer einmal eine Geschichte der Musikwissenschaft schreinben wollte ..."
Additional Note
Article: Zwei englische Orchester.
Record jacket notes: "Ein harpsichord, etc."
Part IV: Reviews.
A folder containing 26 reviews of books. Most are autograph hand-copied originals.
Part V: Newspaper articles published mostly in German between 1912-1937
Müncher Neueste Nachrichten, November 8, 1912 to November 2, 1917
Additional Note
Frankfürter Zeitung, February 2, 1917 to March 6, 1927.
Additional Note
a-c. Münchner Post,January 4, 1918 to August 21, 1917.
Additional Note
Münchner Kunstschau,1919, nos. 1-7; 1020, nos. 1-50;1921, nos. 1-8. Music reviews. Loose issues in one folder.
Münchner Kunstschau.
Additional Note
Münchner Volksbühne,1920/1921, nos. 1-12; 1921/1922, nos. 1-9. Music reviews.
Additional Note
Münchnerpost: Die Quelle, 1 issue, Nov. 25, 1922.
Nürnberger Zeitung, 1 issue, Feb. 21, 1925.
Berliner Tageblatt,September 22, 1927. to November 10, 1931.
Additional Note
Berliner Tageblatt, November 12, 1931 to August 8, 1933.
Additional Note
Part VI: Lectures.
Lecture on Haydn, date 1939. Place unkown. German and English versions.
Madrigal seminar lectures given at Smith College. Date unknown. In English.
Lecture " Die Situation der Oper," German original, English translation by Alice Parker and Mrs. Ann E. Mensel. No date or place given.
Lecture "Le tendenze attuali dell'opera tedesca,"
Additional Note
Lecture, no title, but probably called " Über neue Musik."
Additional Note
Part VII: Books written by Alfred Einstein.
The Italian Madrigal. German version bound in five volumes.>
volume 1: pp. 1 to 275. Typescript with corrections.
volume 2: pp. 276 to 636. Typescript with corrections.
volume 3: pp. 637 to 862. Typescript with corrections.
volume 4: pp. 863 to 1115. Typescript with corrections.
volume 5: pp. 1116 to 1327. Typescript with corrections. Appended to the end of this volume is a 28-page mimeographed "Checklist of Latin Literature published between 1500 and 1600 that would be helpful to all divisions of Renaissance studies," compiled by Leicester Bradner and D. C. Allen.
The Italian Madrigal. German version, hand-copied, in two very large portfolios.
volume 1: part 1.
volume 2: part 2.
The Italian Madrigal. German version, typescript. Probably not complete.
volume 1: part 1.
volume 2: part 2.
Das neue Musiklexikon nach dem Dictionary of Modern Music and Musicians. Hrsg. A. Eaglefield-Hull. Ubersetzt und bearbeit von Alfred Einstein. Berlin: Max Hesses Verlag, 1926. 729 pp.
Additional Note
Vogel, Emil. Bibliothek der gedruckten weltlichen Vocalmusik italiens, aus den Jahren 1500-1700. Berlin: Haack. 1892.
Additional Note
volume 1: 530 pp.
volume 2: 597 pp.
volume 3: Bibliography of Italian Secular Vocal Music Printed between the Years 1500-1700. Revised and enlarged by Alfred Einstein. Published in the Music Library Association Notes between June, 1945 to September, 1948. This packet also includes letters, notes, etc. which were laid loose with the Bibiliography, but not interleaved.
[ Viola de gamba: thematic catalog of sources].
Additional Note
(1) Thematic catalog arranged by composer: Abaco, Abel, Ahle --- to --- Gioseppe Battista Zka (Zicka), pp. 1-224v.
(2) Inventory of viola da gamba collections, pp. 225-270v.
(3) Hubert Le Blanc, Défense de la viole (Amsterdam: Mortier, 1740). RISM B/VI/1, p. 428. Diplomatic copy. pp. 271-296.
(4) Jean-Jacques Rousseau, Traitè de la viole (Paris: Ballard, 1687). RISM B/VI/2, p. 720. pp. 297-350.
part b. Positive microfilm copy of item 121. Microfilm made by U.C.B. Photographic Service.
Breve storia della musica (Fierenxe: La Nuova Italia). Proof copy.
Gluck, sein Leben, seine Werke (Zürich, Pan Verlag, 1954). "First" draft. Typescript, German text.
Gluck, sein Leben, sein Werke (Zürich, Pan Verlag, 1954). "Second" draft. Typescript, German text.
Greatness in Music = Grösse in der Musik. Excerpt. German text, hand copied.
[Luca Marenzio].
(1) Typescript, German text, 28 pp.
(2) List of works, hand-copied, 7 pp.
(3) List of works, hand-copied, 21 pp.
Philippe de Monte. " Alphabetischer Katalog des Madrigale."
Additional Note
Die Romantik in der Musik (Wien: Bergland Verlag, 1950).
Additional Note
Schubert, a musical portrait (New York: Oxford Univ Press, 1951)
Additional Note
[List of 321 madrigals, frottole, canzonette, arie, etc.].
Additional Note
Editions of music dated edited by Alfred Einstein for Ernst Eulenburg, Leipzig/Wien.
(1) Eulenburg no. 348: Corelli, Concerto grosso no. VIII.
(2) Eulenburg no. 357: Corelli, Concerto grosso no. 1.
(3) Eulenburg no. 358: Corelli, Concerto grosso no. 3.
(4) Eulenburg no. 359: Corelli, Concerto grosso no. 9.
(5) Eulenburg no. 521: J. C. Bach, Sinfonia, op. 18:4.
(6) Eulenburg no. 749: Vivaldi, Concerto grosso, op. 3:10.
(7) Eulenburg no. 750: Vivaldi, Concerto grosso, op. 3:11.
(8) Eulenburg no. 753: Vivaldi, Violinkonzert, op. 3:6.
(9) Eulenburg no. 754: Vivaldi, Violinkonzert, op. 6:1.
(10) Eulenburg no. 756: Vivaldi, Violin-Konzert, no. 22.
(11) Eulenburg no. 758: Vivaldi, Konzert für Flöte, op. 10:3.
(12) Eulenburg no. 762: Vivaldi, Concerto grosso, op. 3:8.
(13) Eulenburg no. 765: J. C. Bach, Sinfonia Concertante, A maj.
(14) Eulenburg no. 973: Pergolesi, Stabat Mater.
Part VIII: Copies of documents, hand-copied either by Alfred Einstein or his sister, Bertha Einstein.
A bound volume with numbered pages containing the following hand-copied documents. Probably related to Einstein's thesis.
(1) Christopher Simpson, Chelys...Division Viol (1665), pp. 1-87. Comlete diplomatic copy. Copied by Alfred Einstein.
(2) Edward F. Rimbault, copy of an unidentified article commencing "Introduction. Before the introduction of Fantasies...", dated September 4, 1843. In the hand of Alfred Einstein. pp. 91-101.
(3) John Playford, Introduction to the Skill of Music. 14th edition, 1700, pp. 103-108. Copied by Alfred Einstein.
(4) Thomas Mace, Musicks Monument, London, 1676, pp. 111-133. Copied by Alfred Einstein.
Ammerbach, Elias Nikolaus, 1530-1597. Orgel oder Instrument Tabulaturbuch... from the manuscript B.M., Mus pract. 4x 130; "La Pochetina," dated Venice, April 10, 1648; "La Calva..."; "La Bernarda...", etc., Alfred's hand.
[Selbstbiographie] of Carl Philipp Emanual Bach. 4 pp. Bertha's hand.
Bellermann, Heinrich, "Franco of Cologne: Artis cantus mensurabilis (caput xi), Berlin, 1874. 69 pp., Alfred's hand.
Chrysander, Friedrich, "Abriss einer Geschichte des Musikdrucks von 15.- zum 19. Jahrhunderts," in Allgemeine musikalische Zeitung, vol. 14 (1879), 161 ff. In Bertha's hand.
Hässler, Johann Eilhelm, 1747-1822. Lebenslauf,1787.
Additional Note
Holzbauer, Ignaz, 1711-1783. Lebenslauf,1790. 8 pp. in Bertha's hand.
Brief von Johann Nepomuck Hummel as Joseph Sonnenleithner, dated Weimer, May 22, 1826.
Additional Note
10 letters copied by Bertha Einstein:
-- Felix Mendelssohn to Goethe, Aug. 28, 1831.
-- Goethe to Zumsteeg, Sept. 6, 1797.
-- Zumsteeg to Goesthe, Sept. 13, 1797.
-- Zumsteeg to Schiller, Nov. 24, 1797.
-- Zumsteeg to Schiller, Feb. 12, 1800.
-- Schubert to Goethe, June 16, 1825.
-- Berlioz to Goethe, April 10, 1825.
-- Tasso to Gesualdo, Rome, Nov. 19, 1592.
-- Tasso to Gesualdo, Rome, Nov. 20, 1592.
-- Tasso to Gesualdo, Rome, Dec. 16, 1592.
Moritz, Karl Philipp.
Additional Note
Quantz, Johann Joachim, 1697-1773. Lebenslauf,1754. 42 pp.
Additional Note
Reichardt, Johann Friedrich, 1752-1814. Autobiographie. 42 pp.
Additional Note
Telemann, Georg Philipp, 1681-1787. Lebenslauf.
Additional Note
Lebenslauf, by "G. E. M" 51 pp. in Bertha's hand.
Additional Note
Part IX: Vocal and instrumental compositions of the 16th-and 17th centuries:
Additional Note
Small bound vol. (many back pp. have been torn out) with various items, including
(1) A list of librettos in Munich, pp. 35-47.
(2) A transcription of Alarico in Baltha (1687) by Agostino Stefani, pp. 3-32.
(3) Transciption of the title page of Dafni / Drama Pastorale / Per Musica / da rappresentarsi nel Castello di Dachau...di S.A.S.E. / di Baveria, p. 49.
(4) Notes from Frederico Flamini Il cinquecento, pp. 85-97.
Transcriptions of title pages of partbooks, other front matter, and list of contents, about 60 leaves.
Transcriptions of title pages of partbooks, other front matter, and lists of contents, about 60 leaves.
Transcriptions of title pages of partbooks, other front matter, and list of contents, about 60 leaves.
Transcriptions of title pages of partbooks, other front matter, and lists of contents, about 60 leaves.
Inventories of sources held by the Paris, Bibliothèque Nationale.
Additional Note
Inventories of sources in Florence libraries. About 35 leaves.
Inventories of sources at the Newberry Library, Chicago, and the Sibley Library, Rochester, USA.
Monte, Philippe de. List of works and dates. 12 leaves.
Pesori, Stefano. List of works. 2 leaves.
Razzi, Giovanni (Serafino). List of works. 7 pp.
Folder containing a list of madrigals from an unidentified source, which bears the inscription "Collection [of] Madrigals." 36 leaves.
Seven miscellaneous lists of sources. About 30 pp.
Inventories of sources taken primarily from secondary publications published between 1890 and 1920. Authors include Adler, Sandberger, La Mara, Maldeghem, etc. About 100 leaves.
Inventory of partbooks published in the Sammlung geistlicher und weltlicher Vokalkompositionen des 16. und 17. Jahrhunderts in Musikhistorischen Museum von Wilhelm Heyer in Köln. vol iv (Köln, 1922). Typescript list, about 80 leaves.
Copy of the historical chronicles of Modena published in the Monumenti di Storia Patria delle Provincie Modenesi. Serie delle Cronache. Tomo XVI (Modena: Ferraguti, 1911).
Additional Note
Eva Einstein: bibliography of compositions compiled for Alfred Einstein's article " Orlando furioso and La Gerusalemme liberata as Set to Music during the 16th and 17th Centuries," in MLA Notes, vol. 8 (1951), pp. 623-630. Typescript.
Part X: Transcriptions of vocal compositions by individual composers, arranged A through Z.
Folder containing separate transcriptions of anonymous compositions:
--"Vuol il ciel."
--"Pace non trovo."
--"Se a mi che l'amo."
-- "Es ist ein schnee."
-- "S'io sedo a l'ombra amor."
-- "De nò de sì de nò."
-- "L'amor, donna, ch'io te porto."
-- "L'infernoalhor più se consuma."
-- "Salve virgo Maria."
-- "O domina mundi, o clemens."
-- "Occhi, perchè piange te."
Anagliati, Paolo, "O primavera gioven."
Anerio, Felice, "Cantemus Domino."
Antico, Andrea, "Pace non trovo," and "Io mi parto."
d'Ana, Francesco, "Quest'è quel loco amor."
Bellanda, Lodovico, "Occhi che vergognar fate le stelle."
Bell'haver, Vincenzo "Quando sarà mai quel zonorno."
Berti, Giovanni Pietro, "Filli, che di dolore."
Borlasca, Bernardino, Ardori Spiritualia, op. 7 (RISM B 3758).
Brunetti, Domenico, "Care gioie che le noie."
Caccini, Giulio, "Udite, amanti," Gioite al canto mio," and "Nel puro ardor."
Carissimi, Giacomo, Duet "Ahi non torna," "Quando fia ch'io," and "Si, lieta con serena."
Colonna, Giovanni Paolo, "Jerusalem, convertere," and "Ancor che la partita"
Additional Note
Corsi, Jacopo, "Non curi la mia" from Dafne.
Ferabosco, Domenico, "Io mi son giovenett'e volentieri."
Ferrari, Benedetto, "O pazza ed insensata."
Ferretti, Giovanni, "Va rondinell'alla nemica mia."
Festa, Costanzo, "Così soav'è'l foco."
Fischer, Johann Casper, Lytanie Laurentanae (Augsburg, 1711), 244 p. and an offprint from an article on the Fischer piece by Einstein.
Frescobaldi, G., Canzon quarta à due canti. An instrumental piece for vln 1-2, and realized bc, (filed here by error).
Gabrieli, Andrea, Guistiniana "Anco non che col partire."
Isaac, Heinrich, "Questo mostrarsi a dirata di fore."
Kugelmann, Hans, "Ein feste Burg."
Lulinus, Ioannes, "Poi che di speranza."
Marenzio, Luca, "Non è dolor nel mondo" and "Io son Amore."
Marenzio, Luca, "Care mie selve addio" and "La mia Chlori è brunetta."
Additional Note
Monteverdi, Claudio, "Lasciate mi morire."
Nola, Giovanni Domenico, da, "Corse alla morte."
Pesenti, Martino, "Così Nillo cantò."
Pifaro, Niccolò, "Se per mio fidel servire."
Pirano, Bernardo, "Chiare fresch'e dolci acque."
Prioris, Joannes, "Mon coeur et moi."
Regnart, Jacob, "Venus, du und dein Kind."
Sances, Giovanni Felice, "Pietosi allontanatevi."
Rore, Cipriano de, "O morte eterno fin," "O sonno, o della queta" and "Crudel acerba inesorabil."
Senfl, Ludwig,
Sigismondo, d'India, "Tutto il di piango," and "Piange madonna ed io godo."
Stefani, Agostino," Occhi miei lo miriaste," "Ruggiada no cada "Dal petto canoro."
Stuck, Jean-Baptiste, Cantata à 2 " Heraclite et Democrite."
Tromboncino, Bartolomeo. Four frottole: "Queste non son più lagrime," "Aqua non è l'humor," "Como havrò dunque," and "Se la lumacha."
Trombocino, Bartolomeo. "Poi che volse se la mia stella," and "Che debb'io far."
Vecchi, Orazio, "Non mi stormir pi el cao."
Verardi, Caroli, "Viva el gran re Don Fernando."
Verdelot, Philippe, "Divini occhi sereni," "Queste non son più lagrime, che fuore," and "Con lagrime et sospir negando."
Vincentino, Michele, "So ben che non sa."
Willaert, Adrian, Motetta trium vocum, 1552. Excerpts (texts lacking) and "O dolce vita mia."
Part XI: Transcriptions of vocal compositions in collections.
Collection: Corteccia, Francesco, "Tant'in giovenil petto," and Gabrieli, Andrea, "Hor qui benigni ancor celesti."
Collection: Anon. frottole in Florence, Conservatorio di musica "Luigi Cherubini", MS Basevi 2441: "L'arte vostra" and "In un tempo, in un momento."
Collection: RISM 1622 2 Promptuarii musici concentus ecclesiaticos (Strasburg: 1622). 28 compositions.
RISM 1537 5:
Canzone Villanesche alla Napolitana novamente stampate. Libro primo. Stampato in Napoli per Joanne de Colonia Alle xxiiii de Octubre, 1537
Additional Note
Texts:
1. Madonna tu mi fai lo scorucciato
2. Madonna tu sei intrata in frenesia
3. Fatti li fatti tuoi Madonna perna
4. Fra quante donne sonno al mondo belle
5. Chi circa de vedere donne belle
6. Voglia me uene monacho me far'
7. Deh, quando ti veggio assa fenestra stare
8. Boccuccia d'uno perfico apertuoro
9. Dove nascesti, o, viso angelicato
10. Che sia malditta lacqua sta matina
11. Tu sai che la cornacchia ha adonato
12. Va figlia bella chamiso' adonato
13. Ianni delluorto se n'addonaria
14. Voi cognosciete donno Valentino
15. O vecchia tu che guardiste citelle
Madrigali a tre et Arie Napolitane Vogel 1537 2
Additional Note
Texts:
1. Afflitti spirti miei: Festa?
2. Madonna io mi consumo: Festa?
3. In giustissim' Amor: Arcadelt
4. Non mi per che sia vero: Festa?
5. Madonna io mi consumo: Festa
6. Altro non e'l mio amor: Festa
7. Con lei fuoi'io: ?
8. Che giova sagittare un che si more
9. Che parlo e dove sonno e chi m'inganna: Festa?
10. Che si puo piu vedere: Festa?
11. Dolor sta sempre meco: Festa?
12. Madonna io prendo ardire: Festa?
13. Se non fusse il sperar'che conforta: Festa?
14. O faccia d'una rosa
15. O primavera mia
16. Donna ch'avanzi di splendor le belle
17. La piu ciancisoa non se vide mai
18. Che la morte di marito
19. Tu pur ti pensi de me
20. Chiusu occhi toi son latri (second copy of thext with music)
21. Aquisso munno non val il sapere
22. O quanti Turini et Mori et Saracini
23. Et volendo non te posso abandonare (seond copy of text with msuic)
Collection of transcriptions of vocal music entitled " Examples for Yale and Princeton"
Additional Note
1. Caccini, Dolcissimo sospiro, 1602.
2. Rontani, Caldi sospiro, 1614.
3. d'India, Piange Madonna, 1609.
4. Cifra, Cosi m'ha fatto amor, 1619.
5. Falconieri, Ladra, ladra, d'amore, 1619.
6. Vivarino, O bone Jesu, 1620.
7. Salomone Rossi, Sinfonia, 1607.
8. Frescobaldi, Canzon quarta, 1628.
9. Marini, Sonata per V. solo, 1626.
10. Pesenti, Corrente, 1630.
11. Grandi, Columna es immobilis, 1628
12. Lasso, Rud., Ecce tu pulchra es, 1621.
13. Rossi, Luigi, Guardatevi olà, ca. 1645.
14. Praetorius, Wachet auf, 1610.
15. Kindermann, Sonat f. Violine & b.c., 1653.
16. A. Gabrieli, Ricercar secundi toni, 1595.
17. M. Cazzati, Pietà grida e mercede, 1649.
18. C. D. Cossoni, Cinto di folti orror, 1669.
19. G. Carissimi, Ahi non torna (duetto), ca. 1645.
20. Olivieri, G. La pastorella, 1620.
21. Rontani, R., Varie musiche, 1625. Two items.
Collection of transcriptions:
Additional Note
Vitali. op. I. 1666.
Balletto primo, p. 1
Corrente prima, p. 1
Corrente nona, p. 2
Gandani. 1655.
Balletto, p. 3
Corrente alla francese, p. 4 (fragment)
Cazzati. op.XXX. 1662.
Balleto primo, p. 4
Corrente prima, p. 4
Balletto ottavo, p. 5
Brando primo, p. 5
Aria overo Balleto, p. 6
Vitali. op.II. 1667.
Sonate, D-dur, p. 6
Sonata sesta, p. 8 (fragment)
Vitali. op.III. 1667.
Balletto primo per ballare, p. 10
La sua corrente alla Francese, p. 10
Gagliarda prima, p. 11
Canario, p. 11
Balletto primo per camera, p. 12
Sarrabanda, p. 12
Sinfonia seconda. Detta la Sadurani, p. 13
Cazzati. op.50. 1669.
Giga, detta l'Angellella p. 14
Cazzati. op.55. 1670.
Sonata prima p. 14
Bassani. op.1. 1677.
Balleto primo, p. 16
Corretne prima, p. 17
Giglia prima, p. 18
Sarrabanda prima, p. 18
Canone infinito, p. 18
Canone inf. à 4, p. 19
Canone, p. 19
Cazzati. op.4. 1659.
Corrente prima, p. 21
Corrente quarta, p. 22
Balletto secondo, p. 22
Balletto decimo, p. 23
Entrata del Balletto (à 4), 23
Galiarda seconda, p. 24 (Del Sig. Piero Nichelsol
Voltata del Autore, p. 24
Ciacona a 3, p. 26
Balletto della Ciacona, p. 28
Cazzati. op.XV. (4)
Corrente 13, p. 28
Corrente 14, p. 29
Balletto primo, p. 30
Balleto terzo, p. 31
Sonata detta la Brembata (à 3), 32
Merula. Canzone 1637.
La Gallina à 2 violini, p. 36
La Pollachina, p. 38
La Merula à 2 v. & violone, p. 41
Ruggiero à 2 v. & à 3, col Basso, p. 43
La Pedrina, à 2 v. p. 47
La Ghisa, à 2 v. p. 51
Chiacona, à 2 v. & à 3 col violone, p. 52
Cazzati. op.XV. (4).
Sonata, detta la Soarda p. 55
Cazzati. op.VIII. 1648.
Canzone prima p. 61
GERLE 1532 (see film 10238)
1. ?
Eyn freylein sprach ich freundlich
Additional Note
2. Senfl.
Pacientia
Additional Note
3. Senfl.
Mein fleiss und müe
Additional Note
4. Senfl.
Mein selbs bin ich mit meer
Additional Note
5. ?
Ach herre Gott wie syndt meiner
Additional Note
6. ?
Das is ein fug geen all stim auss dem Discant
7. ?
Auff erdt lebt mit eyn schöner
Additional Note
8. Holtzer.
Entlaubet ist der walde.
Additional Note
9. Schönfelder.
Von edler art
Additional Note
10. Hoffhaymer.
Trostlicher
Additional Note
11. ?
Die Gugel
12. ?
Mag ich gunst han (Für klein-Geigen)
Additional Note
13. Machinger.
Ein werdlein sagt mir freundlich
Additional Note
GERLE 1546
Additional Note
1. Title page.
2. Notes on tuning of instruments (lute and viol).
3. Holtzer.
Ich klag den tag
Additional Note
4. Senfl.
Ich schwing mein Horn
Additional Note
5. Sermisy (Claudin).
Vivray ie tous jous
Additional Note
6. Richafort.
Hors de plaisir
Additional Note
7. Moeulle, de la.
Licite
Additional Note
8. Senfl.
O Herr ich rueff dein namen an
Additional Note
9. Richafort.
Sur tous regres
Additional Note
10. Sermisy (Claudin).
Dont vient cela belle
Additional Note
11. Villiers.
L'heur et malheur
Additional Note
12. Sermisy?
Ce fut amour
Additional Note
13. Courtois.
Si par sofrir
Additional Note
14. Sermisy (Claudin).
Jay faict pour vous
Additional Note
15. Sermisy (Claudin).
Si jay pour vous
Additional Note
16. ?
Amy souffrez que je vous ayme
Additional Note
17. ?
D'amour me plains
Additional Note
18. ?
Ein gut geselle
Additional Note
19. ?
Ich habs gewagt
Additional Note
20. Senfl.
Elfslein liebes Ebelein
Additional Note
21. Senfl.
Ich het mir ein Endlein für
Additional Note
End of the first part of the book for large viols
Two pieces for small viols
22. Reytter.
Es ligt ein Hauss im Oberlandt
Additional Note
23. ?
Artlich und schon gantz wol gestalt
Additional Note
Five part madrigals, 16th century
1. Anerio.
A te non basta solo
Additional Note
2. Buonavita.
Tu che fai ghiaccio
Additional Note
3. Cantone.
Quand'io miro le rose
Additional Note
4. Fontanelli
Sei tu cor mio
Additional Note
5. Giovanelli
Amatemi ii ben mio
Additional Note
6. Giovanelli
Poiche'l camin m'è chiuso
Additional Note
7. Giovanelli
Care dolci mammelle
Additional Note
8. Rore.
Poi che m'invita amore
Additional Note
9. Ruffo.
Tra bei rubini e perle
Additional Note
10. Soriano.
Quivi sospiri
Additional Note
11. Vecchi.
Ite rime dolent'al duro
Additional Note
12. Verdelot.
Ditemi o diva mia
Additional Note
Four part madrigals, 16th century
1. Marenzio.
Ahi dispietata morte
Additional Note
2. Palestrina.
Amor, quando fioria
Additional Note
3. Cara.
Se non soccorri amore
Additional Note
4. Tromboncino.
Cantava per sfogar
Additional Note
5. Cara.
Si bella è la mia donna
Additional Note
6. da Hostia.
O morte che mi fuggi?
O la hay tristo vol sai? (dialogo)
Additional Note
Collection Canzonette
Massarengo G. B.: Cercate o canzonette
1591 p.1
Ratti Bart: Di voi di me
1594 p.1
Scaletta Oratio: All'apparir dell'alba
1595 p.2
Dueto Antonio: Il magnanimo Pietro (Tansillo)
1594 (4 parti) p.3
Belli Giulio: O ch'infelice stato a 3
1593 p.7
Scozzese Agostino: Poiche madonna
1579 p.7
Scozzese Agostino: Io vissi un tempo a 4
1579 p.8
Scozzese Agostino: Che debbo far a 5
1579 p.8
Ostiano V.: Donna s'io vi domando a 3
1579 p.10
Effrem Muzio: Perche non m'ami a 3
1574 p.11
Pesentus Michael: Ahime ch'io moro a 4
1504 p.11
Ana Francesco d': Quest e quel loco amore
1504 p.12
anon: Piu volte fra me stesso
1504 p.12
Trombocino: Poiche volse la mia stella
1504 p.13
Brochus Jo: Ite caldi suspiri
1504 p.14
anon: Pace e gloria al gentil lauro
1504 p.15
Josquim d ascanio: El grillo e bon cantore
1504 p.16
anon: El colpo che me de
1505 p.17
Marcheto: S io sedo a la ombra
1505 p.18
anon: Forestieri a la ventura
1505 p.18
Tromboncino: Si e debile il filo
1507 p.20
anon: Poi che uscito m e di man
1507 p.21
Capreoli A.: Non si vedra gia mai (Bembo)
1507 p.22
Tromboncino: Che debb io far (Petr.)
1507 p.23
Luprano Fil. de: Dissimulare (Vergil)
1507 p.24
Arcadelt: Se per colpa del vostro (Sann.)
1539 p.25
Arcadelt: Quand'io pens'al martire (Bembo)
1539 p.26
Rore Cipriano: Chi con eterna legge
1548 p.27
Arcadelt: Io vo piangendo (Petr.)
1554 p.28
Ferabosco: Basciami ij vita mia
1554 p.30
Il Martoretta: O messagi del cor (Ariosto)
1554 p.31
Ruffo: Inguistissimo amor (Ariosto)
1556 (1552) p.33
Ruffo: Vita de la mia vita
1560 p.34
Ruffo: Belle gioie o donne me
1560 p.(3 parti) 35
Fiesco Giulio: Noi siam Pastori che cant.
1554 p.37
Perissone: Vaga tranquilla e lieta
1547 p.39
Perissone: Sapete amanto perche amor e c.
1547 p.39
Lupacchino B.: Amor ij che vuoi ij
1546 p.40
Willaert: Sempre mi ridesta
1545 p.42
Willaert: O dolce vita mia (Ruzante)
1545 p.43
Willaert: Madonn'io no lo so
1545 p.44
Willaert: Cingari simo
1545 p.44
Willaert: Vecchie letrose
1545 p.45
Willaert: Madonna mia famme
1545 p.46
Silvestrino Fr.: Se mille volte
1545 p.47
Silvestrino Fr.: O dio si vede chiaro
1545 p.49
Willaert: Un giorno mi prego una vedov.
1545 p.50
Silvestrino: Si come bella sei
1545 p.51
Willaert: A quand'a quand' havea
1545 p.52
Willaert: O bene mio famm'uno favore
1545 p.53
Corteccia: Madonn'io t'haggi'amat'et amo assai
1545 p.53
Corteccia or Willaert: Madonna mia io son un poverello
1545 p.54
Willaert: Sospiri miei d'oime
1545 p.55
Corteccia: Le vecchie invidia sono pazze
1545 p.56
Pallavicino: Ciechi noi siamo
1581 p.57
Willaert: A quand'a quand'havea
1545 p.58
Willaert: Dulces exuviae
1545 p.59
Zappasongo: A cas'un giorno
1576 p.62
Nola: Cors'a la morte
1570 p.62
Wert: Mi parto hai sorte ria
1589 p.63
Primavera: Dolc'amorose e leggiadrette
1570 (1565) p.65
Scozzese: Se non m'aiuti amore
1579 p.65
Ostiano: Arbori selv'e monti
1579 p.66
Ostiano: Donne leggiadr'et belle siam pastori
(pastori alle ninfe)
1579 p.66
Ostiano: Gradit'e cari a noi
(risposta delle ninfe ai pastori)
1579 p.67
Ostiano: Mamma mia voglio marito
(figlia alla madre)
1579 p.67
Ostiano: Figlia mia gia m'hai udito
(risposta della madre)
1579 p.67
Antiquis: Donne noi siamo
1574 p.68
Baldi: Guerra, guerra (see RISM 1574 6)
Baldi: Non ti maravigliar (see RISM 1574 5)
Capuano: Io son ferito hai lasso
1574 p.70
Pallavioino: Io son bella e delicata
1581 p.71
Gardano.
Il primo libro de canzoni/Francese à Due Voci, Insieme alcume de altri Autori/In Venetia appresso di Antonio Gardano 1564, Hof. und Staatsb., München Mus. Pr. 40134 p. 29 Amy souffres que je vous.........Gardano
Attaignant.
Second livre contenany xxvii chansons/NOUVELLES A QUATRE PARTIES, EN UNG VOLUME/& en deux, Imprimées par Pierre Attaignant & Hubert lullet... 1540
fo. iiii Doulce Memoire...Sandrin
Attaignant.
1. Amy souffrez que je vous ayme (Eitner, p. 302. 1529 c. Att. fo. 10)?
2. Another version of above on back of page.
3. Third version (On back of page Italian song: Si par sofr)
Mus. Ms. 1516. Munich State Library.
no. 16. Amy souffre.......anonymous
no. 20. Dont vient cela belle.....Sermisy
no. 32. Ce fut amours.......anonymous
Collection
Mazzaferrata: Altro non e il mio amore
1668 (1675) p.1
Franchi G. P.: Mie pupille
1689
Legrenzi: Dimmi amor
1678 p.9
Grossi Carlo: No no non ti fidar
1675 p.11
Albini F.: Chi ben haver desia
1626 p.13
Berti G. B.: Morir lieto
1624 p.14
Frescobaldi: Deh vien da me (Fragment)
1630 1p.5
Bonaffino: Il sguardo tuo crudel
1623 p.16
Natali P.: Piangete (Fragment)
1662 p.17
Pasquali F.: Ecco ritorna
1627 p.18
Radesca da Foggia: Parlo misero
1605 p.19
Busca L.: Lotananza crudel
1688 p.20
anon: Violette palidette
p.21
anon: Prend' amor
p.22
Melani I.: Stringete - Ferite (Oper)
23
Cifra Antonio: Fugge il verno
1619 p.24
Caccini: Undite amanti
1601 p.26
Caccini: Non piu guerra
1601 p.26
Berardi A.: In amor che stravaganza
1689 p.28
Rontani R.: S'io miro
1618 p.30
Rontani R.: Fermate omai
1618 p.31
Brunetti D.: Se tu mio cor
1606 p.32
Collection Monodies
Diruta Agostino: O sacrum convivium
1617 p.1
Diruta Agostino: Haec est virgo
1617 p.1
Dognazzi Franc.: Apparuerunt
1618 p.2
Ghivizzanni Al.: Domine secundum actum
1618 p.3
Miseroca Bastiano: Veni Domine
1618 p.3
Miseroca Bastiano: Paratum cor meum
1618 p.4
Ceresini Gio.: Christus resurgens
1617 p.5
Ceresini Gio.: Quemadmodum
1617 p.5
Giuliani Franc.: O Jesu mi
1619 p.6
Giuliani Franc.: Sancta et immaculata
1619 p.7
Diruta: Exaudi Domine
1617 p.8
Holzner Anton: Amen dico vobis
1621 p.8
Holzner Anton: In toto corde meo
1621 p.9
Dognazzi Franc.: Apparuerunt
1618 p.10
Sacchi G. B.: O Domine Jesu Christe
1618 p.10
Miseroca B.: Quae est ista
1618 p.11
Miseroca B.: Sicut cervus
1618 p.12
Giuliani: O Christe Salvator
1619 p.12
Cardi Giulio: Audite coeli
1618 p.13
Giuliani: Congratulamini
1619 p.14
Sansei Lor.: Amo Christum
1618 p.15
Varia
Crecquillon: Onques amour
(1543) 4 p.1
Archadelt: Ancidetemi our
(1558) 4 p.2
Janequin: Or vien ca
1540 4 p.3
Claudin: Il est a vous
1542 3 p.4
Benedictus: Arousez vos violier
1544 5 p.5
Gabrieli A.: Cantate Domino
1565 5 p.7
Rore: Amor ben mi credevo
(1569) 4 p.8
Coclico: Elegantia...
1552 2 p.9
Coclico: Aliud Exemplum
1552 2 p.10
Jacotin: Qui veult aimer
1542 3 p.10
Crecquillon: Petite fleur coincte
1549 4 p.11
Certon: Je ne fus jamais
1542 3 p.12
Ponte G.: de Con lei fuss'io
(1583) 4 p.13
Passereau: Pourquoy donc
1538 4 p.14
Janequin: Il estoit une fillettel
1540 4 p.15
Rore: Ancor che col partire
(1583) 4 p.16
Bassani Or.: Poiche ne prieg'ancor
1591 5 p.17
Willaert: A la fontaine
1545 6 p.18
Willaert: Ioyassance vous donneray
1545 5 p.21
Janequin: Martin menoit
1534 4 p.25
Passereau: Il est bel et bon
1534 4 p.27
Crecquillon: Pour ung plaisir
1543 4 p.29
Crecquillon: Orsus a cop
1545 4 p.30
Baston: C'est a grand tort
1549 4 p.31
Josquin: Mille regrets
1549 4 p.32
Clemens non P.: Frais et gaillard
1545 4 p.33
Crecquillon: Un gay bergier
1543 4 p.35
Sandrin: Puisque vivre
1548 4 p.36
Josquin: Faulte d'argent
1545 5 p.37
Willaert: Faulte d'argent
1544 6 p.39
Berchem: Le donne i cavaglier
1561 4 p.41
Berchem: Dirò d'Orlando
1561 4 p.41
De la fortuna, libro primo (1535 1). See Vogel, vol. 2, p. 627.
Additional Note
Il primo libro de canzone francese, a due voci (Venice: Gardane, 1552). RISM 1552 16. 52 pp. of transcriptions. Contents:
TAVOLA Delle Canzoni Numero 29
Amour partes 1
Ayez pitie 8
A moy tout seul 10
Amy souffres 29
Auppres de vous 26
Ces facheux sotz 3
Content desir 5
Damour ie suis 2
De mon amy 4
Disant hellas 7
De iour en iour 21
Entre vous 20
Grace vertu 25
Il me convient 15
Iouyssance 23
Le cueur de vous 9
Lasfortune 12
Las voules vous 17
Mon petit cueur 16
Nauray ie ianais [!] 19
O vray dieu 22
Qui la vouldra 24
Robin robin 18
Si iay eu du mal 11
Si mon malheur 27
Souvent amour 28
Ta bone grace 14
Vivre ne puis 6
Vne sans plus 13
Bicinia, siye cantiones (Antwerp: Phalese & Bellero, 1590). (RISM 1590 15).
Additional Note
1. Verdonch, C., "O com'è gran mertire" (pp. 1-5).
2. Asola, G. M., "Hor che la terra" (5-9).
3. Asola, G. M., "Cantan fra rami" (10-13).
4. Verdonch, C., "Dissi à l'amata mia" (13-16).
5. Gero, G., "Non si vedrai giamai,"(17-20).
6. Peuernage, André, "La vita fugge" (21-24).
7. Verdonch, C. "Lungi da voi" (24-29).
Chansons choisies (London: Cazin, 1783).
Additional Note
1. Avis.
2. La feinte colère.
3. Jean et Nina.
4. Les tendres souhaits.
5. Le prisonnier de Hollande.
6. La belle Françoise.
7. La première leçon d'amour.
8. Il faut aimer.
9. Le temps passé et le temps présent.
10. Ma pinte et ma mie.
11. La récompense.
12. La défense inutile.
13. Reproches à Catherine.
14. Le bal.
15. La femme contrariante.
Scelta di canzonette italiane de più autori (London: Godbid & Playford, 1679). RISM 1679 6.
Additional Note
1. Carissimi, G., Crudo amore, il mio core.
2. Carissimi, G., La mia fede altrui.
3. Rossi, L., Chi sa fingere goder.
4. Rossi, L., Non m'affligete più.
5. Albric, B., Di cupido chi fugge.
6. Lunati, C. A., Tu partisti idol amato.
7. Stradella, A., Non sa mai amor.
8. Stradella, A., Care labbri che d'amore.
Four transcriptions of religious pieces from various sources.
1. Riccio, G. B., Ave regina (1620)
2. Anon., O salutaris hostia (1620).
3. Vivarino, I., Benedicam Dominum (1620).
4. Bernardi, S., Osculetur me (1623).
Probably a chamber cantata) (? cantatas).
Additional Note
1. Non, non voglio se devo amare.
2. Io non parto (1700).
3. Ah che l'hò sempre detto.
4. In due luci.
5. Begl'occhi, oh Dio, non più.
Part XII: Transcriptions of instrumental music.
Group 1: Transcriptions of 17th-and 18th-century Gamba music, arranged by individual composers.
New Ayres and Dialogues 1678 p. 161ff.
Additional Note
1. Mr. Tho. Farmer
2. A dance
3. Mr. Tho. Farmer
4. (John Bannister)
5. Mr. Tho. Farmer
6. Mr. Thomas Beedom's in C faut
7. Mr. Thomas Beedom's in C faut
8. Mr. Theoph. Hawney. Sarabande
9. Mr. Theoph. Hawney's suite in F faut. Gavott
10. Mr. T. Hawney. A jigg
11. Mr. John Bannister's Second Tune in C faut. His first tune is on pp. 166 & 167
12. W. L.
13. Mr. Thomas Lowe
14. Mr. Thomas Lowe
15. Mr. Thomas Lowe's First Suite in A re
16. Mr. Thomas Lowe
17. Mr. Thomas Lowe
18. Mr. Thomas Lowe's in D sol re
19. Mr. Thomas Farmer's in Gamut flat
20. Mr. Thomas Farmer's in Gamut flat
21. Mr. John Jenkins. For atreble amd Bass. Voc. 2
22. Mr. John Jenkins
23. Mr. John Jenkins
24. Mr. John Jenkins
25. Mr. John jenkins
26. Mr. John Jenkins
27. W. L.
C. F. Abel. Sonata I. Wingenberg
Additional Note
Allegro
Cantabile
Tempo di Minuetto
C.F. Abel.
Additional Note
Largo
Allegro
Minuet
Adagio
G. P. Telemann.
Sonata à 3 B. München. Mss. Music 3498. Flauto traverso, Basso. Keyboard part realized.
Largo
Allegro
Largo
Vivace
C. F. Abel.
Additional Note
1. Sonata à Viola di Gamba Solo et Basso M. 25b (fol.)
Siciliano
Allegro
Presto
2. Sonata: solo à Viola di Gamba e Basso M. 25a
Adagio
Allegro
Allegro ma non presto
3. Sonata per il Violoncello in G dur M. 24 (qu. fol.)
Allegro moderato
Adagio
Rondeau
4. Sonata per il Violoncello
Allegro moderato
Adagio
Tempo di minuetto
Johann Gottfried Mente. Suite für die Gambe und General-Bass
Additional Note
Lamento: adagio àla francese Scherzando
J. P. Krieger. Surgite cum gaudio Darmstadt, 1779
Additional Note
Johann Fachelbel. Partita fur Violine, Gambe 1, Gambe 2
Additional Note
F. H. Erlebach. Sonata Seconda à doi, Violino e Viola da Gamba
Additional Note
Adagio
Allegro
Allemande
Courante
Sarabande
Variatio
Gigue
J. A. Strunck. Sonata a 3. 2 Violini e Viola da gamba
Additional Note
Adagio
Johann Georg Ahlen. Unstruchtische Euterpe oder Musicalischer Maeyenlust Vierter und letzter Theil. Müshlhausen, 1678
Additional Note
Grobe. Partita à 3. Viola d'amour, Gamba und Bc. B. Upsala
Allemand
Courant
Gavott
Sarabande
Gigue
G. F. Handel. Sonata a cembalo obligato, viola di gamba
Additional Note
Adagio
Allegro
Andante
Vivace
Roland Marais. Sonata per la Viola di Gamba
Additional Note
Allemande en Musette (pp. 1-7)
Rondeau tendre et gracieux
La Lisette
Sarabande
Rondeau: le Vanterol
Rondeau, gaillard
Allemande, la boissière (pp. 8-15)
Sarabande
Gavotte, la victoire
Rondeau, champetre, le goiffon
Le fantasque
Rondeau, tendrement, tombeau de M II Colette, le Monclot
La singuliere. Allemande, vivement, la vanderenisse
Solo per la viola di gamba (pp. 16-23)
Adagio
Allegretto
Allegro non molto
G. P. Telemann. 2 Gambensoli mit beziffertem Bass aus "Esercizii Musici"
Additional Note
Solos 3 and 9
Roland Marais. Premier Livre de Pieces de Viole, 1735
Additional Note
Première Suite:
Prélude, Le D'Auteuil
Allemande, la Goiffon
Gavotte, la Bournoville
Le vanterol (Schluss)
Ier menuet
IIe menuet
IIe Suite:
Prélude, lent
Allemande, la d'auteuil
Rondeau champetre, le goiffon (Schluss)
Rondeau allemand, la boissière
Georg Neumark. Fortgepflantzter Musikalisch-Poetischer Lustwald (Jehna, 1657) p. 437, f. LXXXIII Unverhoffte doch gewünschte Liebesgeschicht zwischen Filidor und Julienen
Vorklang.
For 2 violins and basso continuo
Additional Note
For tenor viol da gamba, tenor voice and basso continuo
I. Morgenlied, p. 9-15
For 2 violins and basso continuo
Lied.
For violin, soprano and basso continuo
IV. Trostlied. Vorspiel
For 2 violins and basso continuo, soprano. p. 94-99.
XVII. Loblied des heiligen Abendmahls...
For two middle voices (strings), one vocal part and basso continuo
XVIII. Erinnerungslied....
For three middle voices (strings), one voice part and basso continuo
LXXIX. Tantzlied
For soprano and basso continuo
LXXX. Trippel
For voice and basso continuo
LXXXIV. Tantzlied (p. 459-468)
For two sopranos and basso continuo
Sechsstimmiger Brauttantz
Trippel - for six voices
LXXXV. Siebenstimmiger Tantz....
For 3 trumpets (violin); one alto (posaune); 2 tenors (posuane)
Joachim Eimag. Lamento. Aria a 2 voce: Cant: et Alt.
2 lutes Upsala 19:18.
2 viola d'amore
2 viola di gamba
cembalo
Daniel Eberlin. Sinfonia à 10 Upsala 54:4
Samuele Capricorni. Organo: Sonata ab 8 Instrument. Autore
Upsala. Caps. 1:13
Joh. Hector Beck. Continuatio Exercitii musici secunda 1670
LXI 1Allemande à 4 violen
LXII Courante à 4 Viola
LXIII Sarabande
Gluck. De profundis clamavi
SATB. With orchestra:oboe, bassoon, horn, 2 trombones, viola, 2 cellos, organ or Klavier
E. C. Hesse. Sinfonia from Apollo in Tempe, divertimento à 4 voci da camera, written for the birth day of Altezza Serenissima
Darmstadt Hofbibliothek. From the manuscript of Klingenberg Composed and performed between 1720-30, probably 1725, November 15
Instrumentation: 2 oboes, bassoon, 2 violins, alto violetta, bass
F. Gassmann. Six quartets, number one, adagio
V. Galilei. Contrapunti a due voci, 1584
Additional Note
Kühnel. Solo in d minor
Additional Note
Allemande
Courante
Gracieux
Menuet
Polonoise
Gigue
Ebner. Sonatina Cassel. Mus. fol. 60. v. XXVIII
Additional Note
Nubie (Neubauer?). Sonata a 3 Cassel. Mus. fol. 60
Additional Note
C. Hacquart. Chelys, op. III: suite 2, Haag, 1686
Additional Note
Allemande
Courante
Serabande
Gigue
G. G. Fux Canon a 2 viole di gamba e continuo
Additional Note
Kuhnl. Concerto in B flat major
Additional Note
Hertel. Sonata a traversiere, viola di gamba, cembalo
Additional Note
Largo
Allegro
Cantabile
Minuets 1 and 2
P. Rasi. 12 Sonaten für Viola da gamba and basso continuo
Additional Note
T. Schwartzkopf.
Partie à viola da gamba solo con cembalo. U. B. Rostock. Musica Saec. XVIII. 58 17
Allemande
Courante
Sarabande
Gigue
Partie a 2 viole da gamba con cembalo U. B. Rostock. Musica Saec. XVIII. 58 18
Allemande
Courante
Gigue
Sarabande with variatons
Aria, rondeau
Part XIII: Transcriptions of instrumental music. Group 2: transcriptions of assorted compositions of the 16th, 17th, and 18th centuries.
Additional Note
Anon. Ripresa taken from the Chorearum molliorum collectanea (Lyon: Phalèse, 1583) (Sartori 1583 c, p. 40-41.)
Abel, Charles F., Six simphonies, opus VII; 3 only.
Albrechtsberger, J. G., Six quatuors, op. 21.
Bach, J. C., Duet for cembalo and violin.
Buonamente, G. B., a) " La monteverde," and b) Sonata sopra ruggiero (1626).
Corelli, A., Sonatas for 2 violins: op. II, 1; op. IV, 1; and op III, 4.
Gabrieli, A., Canzoni francesi et ricerari ariosi, Libro V (Venice, 1605). Transcription of "Canzon francese detta 'Pour un plaisir.'"
Gluck, C. W., Six sonatas for two violins & a thorough bass (London, 1746).
Gluck, C. W., Alceste: solemn march.
Handel, F., Concerto grosso no IX (Op. 6:9) Verzeichnis, 327.
Hassler, H. L., Balleto, Proportio, and a piece without title.
Haydn, J., Six sonates pour violin avec accompagnamento d'alto (Hob. VI:1-6).
Haydn, J. Symphony no, 53, "L'impériale.
Haydn, J., Symphony no. 65.
Haydn, J., Symphony no. 66.
Haydn, J., Symphony no. 67.
Haydn, J., Symphony no. 68.
Haydn, J., Symphony no. 69.
Haydn, J., Symphony no. 71.
Haydn, J., Symphony no. 74.
Haydn, J., Symphony no. 75.
Haydn, J., Symphony no. 77.
Haydn, J., Symphony no. 87.
Legrenzi, G., Sonata à 2 violini (1671) and Sonate, lib. III, op. 8:2 (1671).
Lully, J. -B., Atys (air), Amadis(menuet), Prosperine (premier air
Lully, J. -B., Thesée, overture and march.
Marini, B., Capriccio per violino (1626), Sonate (1617). Sinfonia breve (1617).
Merulo, C., Canzon 'La cortese," (1569, 1592).
Merula, T., Canzone à 2 violini 'La polacchina' (1637).
Purcell, H., Sonata I for two violins (1683).
Ravenscroft, J., Sonate à tre, op. 1 (Rome, 1695).
Riccio, G. B., Canzon ad un Flautin ov. cornetto (1620).
Rossi, S., Sonata detta 'La moderna' (1613) and Sinfonia (1607).
Usper, F., Sinfonia prima (1619).
Vitali, G. B. Balletta (1667), Sonata à 2 violini Op. II) (1667) Sonata à 2 violini (op. III) (1667).
Vivaldi, A., Ryom 324: Concerto (op. 6:1).
Vivaldi, A., Ryom 443: Concerto (op. 10:3).
Vivaldi, A., Ryom 522: Concerto grosso (op. III:8).
Vivaldi, A., Ryom 540: Concerto for 2 various instruments orchestra, and bc.
Vivaldi, A., Ryom 565: L'estro armonico, op. III, no. 11.
Vivarino, I., Sonate per violino e b.c.(1620).
Kassel, Landesbibliothek, MS Mus. fol. 61 and MS Mus. Anhang fol 30. A bound notebook with a brown cover containing 27 leaves of instrumental transcriptions.
Instrumental transcriptions:
Additional Note
Einstein, Alfred.
Additional Note
Part XIV: Photographic facsimiles of various original sources, both printed and manuscript, collected by Alfred Einstein.
Photographic facsimilies of various original sources. 75 items listed below.
FACSIMILES
1. Attaignant.
?...Ung gay bergiere prioit
Additional Note
2. Bach, Johann Sebastian.
Ich will den Kreuzstab gerne tragon. Cantata 56
Additional Note
3a. Bach, Johann Sebastian.
Ich libe den Höchen von ganzem Cemüte. Cantata 174
Additional Note
3b. Brahms, Johannes.
String Quartet in B flat major, op. 67
Additional Note
4. Bach, Johann Sebastian.
Eighteen chorale preludes, 1749. Von Himmel hoch (Canonic variations), S. 769
Additional Note
5. Bach, Johann Sebastian.
Fantasia per il cembalo, c minor, S. 906
6. Bach, Johann Sebastian.
Well Tempered Clavier, Part I. Prelude in C major.
7. Bach, Johann Sebastian.
Well Tempered Clavier, Part II. Fugue in A flat major.
Additional Note
8. Bach, Johann Sebastian.
Well Tempered Clavier, Part II. Prelude in E flat major
Additional Note
9a-d. Baseo, Franceso Antonio.
Primo Libro de madrigali a 5, 1573. Venice, Gardano, 1573
Additional Note
10a-c. Beethoven, Ludwig van.
Arietta: In questa tomba oscura, Wo o 133
Additional Note
11. Beethoven, Ludwig van.
Bagatellen, op. 33
Additional Note
12a-b. Beethoven, Ludwig van.
Sonata for piano, op. 111. Berlin, State Library
Additional Note
13. Beethoven, Ludwig van.
Symphony no. 6 (Pastoral)
Additional Note
14. Beethoven, Ludwig van.
Symphony no. 9 Second movt., beginning of presto section
Additional Note
15a-b. Beethoven, Ludwig van.
Sketch, entitled Marcia
16. Beethoven, Ludwig van.
Sketch
17. Boni, Guilleaume.
Sonate de Pierre de Ronard: Lors que mon oeil pour t'oeil-Paris, 1593 lader s'amuse
Additional Note
18a-c. Bossinensis, Francisci.
Songs with lute for 3 voices, Book II. Petrucci
Additional Note
Brahms. (See 3b.)
19. Compère, Louis (Loyset).
E gran desir
Additional Note
20a-d. Cornetti, Severino.
Madrigals a 5, 6, 7 & 8. Anversa, Plantino, 1581
Additional Note
21. Deprès, Josquin.
Madrigal a 5 Cueur langoreulx qui
Additional Note
22a-b. Dich frau von hymel.
a. Soprano, alto, bass parts
b. Tenor part
Fallersleben. Das Lied der Deutschen. (See Haydn.)
23. Feldmann, Fritz.
Zwei weltliche Stücke
Additional Note
24a-d. Fiesco, Giulio.
Madrigals a 4, 5 & 6; Dialogues a. 7 & 8. Vinegia, Scotto, 1563
Additional Note
25a-c. Gesualdo, Carlo, principe di Venosa.
Madrigals a 5. pp. 173-5.
Additional Note
26a-b. Gluck, Christoph Willibald. Two fragments from Echo et Narcisse,1779
Two fragments from Echo et Narcisse,1779
27a-c. Gluck, Christoph Willibald.
Libretto of L'innocenza giustificata. Libretto entitled La Vestale.
Additional Note
28. Grandville.
Komische Notengemälde von Grandville.
Additional Note
29a-b. Händel, Georg Friedrich. Poichè donna ti piaci.
Aria per Cembalo e Canto:
Additional Note
30. Händel, Georg Friedrich.
Messiah Title page London, printed for I. Walsh, 1742. Selection of best song.
31. Händel, Georg Friedrich.
Messiah. Sketches. Germ of trio of "He was despised", and of "Amen" chorus
Additional Note
32. Händel, Georg Friedrich.
Flavio. Overture
Additional Note
33. Haydn, Franz Joseph.
Das Lied der Deutschen.Melodie nach Joseph Haydn's "Gott erhalte Franz den Kaiser"
Additional Note
34. Kremberg, Jacob.
Arias. Title page
Additional Note
35a-b. Marenzio, Luca. Madrigali a 5, 4th book.
Venice, Vincenci & Amadino, 1584
Additional Note
36a-b. Marenzio, Luca. Madrigali a 5, 5th book.
Vinegia, L'Herede di Girolamo Scotto, 1585. 2 copies
Additional Note
37a-b. Marenzio, Luca. Madrigali a 5, 6th book.
Venice, Gardano, 1594. 2 copies
Additional Note
38a-b. Marenzio, Luca.
Thesauri harmonici, 3rd book
Additional Note
P. 53 Villanellae trium vocum. Fuggirò ij ij tant'amore.
P. 55 Dolce mia vit'e amata morte
39a-b. Maria zart.
Unidentified ms.
Additional Note
40. Monteverdi, Claudio.
Part of letter, to Marchese Enzo Bentvoglio Parma, re: wedding music for Farnese-Medici wedding.
Additional Note
41. Mozart, Wolfgang Amadeus.
Don Giovanni. Orchestral score Act I, finale. "Presto, presto". 3 copies
42. Mozart, Wolfgang Amadeus.
Don Giovanni. Act I, finale. Leporello: "...prove farà d'amor"; Don Ottavio, Donna Anna: "Protegga il giusto"
Additional Note
43a-b. Mozart, Wolfgang Amadeus.
Piano trio, no. 11(K. 542) in E major. First movt.
Additional Note
2 extra copies of p. 2
1 extra of pp. 3-4
3 extra of p. 4
44. Mozart, Wolfgang Amadeus.
Piano trio, no. 11 (K. 542) in E major. Third movt., last 2 pages
Additional Note
45. Pachelbel, Johannes.
Hexachordum Apollinis.
Additional Note
46. Padov, Annibali.
Madrigal: Lasso me ch'ad un tempo
Additional Note
47. Paganini, Nicolò.
Cantabile e valtz, for violin.
Additional Note
48. Paganini, Nicolo.
Suonata con variazioni, E major.
Additional Note
49. Passereau.
Hellas ma dae faictes luy
Additional Note
50. Peri, Jacopo.
Uccidimi dolore
Additional Note
51. Petrucci, Ottavio dei.
Krie, La Spagna mass
Additional Note
52. Praetorius, Michael.
Examples of branles and 4-part chorales
Additional Note
53. Radom, Nicolai de.
Patrem omnipotentem
Additional Note
54. Rore, Cipriano de.
Madrigals, 4th book a 5
Additional Note
55a-e. Ruffo, Vincentio.
Madrigals, 4th book a 5. Venice, Gardano, 1558
Additional Note
56. Rutini, Gian Marco.
Six sonatas for harpsichord dedicated to Pizzini Opera Ima.
57. Schubert, Franz.
Die Erscheinung (called Erinerung). Ich lag auf grünen...Op. 108, no. 3
Additional Note
58. Schubert, Franz.
Grenzen der Menschheit. Wenn der uralte Heilage Vater... Deutsch 716
Additional Note
59. Schubert, Franz. April, 1816
a. Pflicht und Liebe. Du, der ewig um mich trauert...Deutsch 467. August, 1816
b. Stimme der Liebe. Abendgewölke schweben hell...Deutsch 418.
60. Schubert, Franz.
Von Ide. Der Morgen blüht... Deutsch 228
Additional Note
61. Schumann, Robert.
Album Für die Jugend. Sketches From Facsimile Ausgabe, B. Schott's Söhne.
62. Schumann, Robert.
Festouverture. May, 1853, first performance
Additional Note
63. Schwind, Moritz von.
Letter to Madame Hönig
Additional Note
64. Settimia.
Già sperai non spero
Additional Note
65. Susato, Tylman.
Premier livre des chansons a 3. De mon malheur...
Additional Note
66. Tritonino, Peter.
Melopoiae. Prima Facifs
Additional Note
67a-d. Vegio, Giovanni Agostino.
Madrigals a 4, book I. Parma, Viotto, 1575
Additional Note
Venosa. (See Gesualdo, Carlo, principe di Venosa.)
68. Vincentino, Nicola.
L'antica musica ridotta alla moderna prattica
Additional Note
69. Wagner, Richard. Flying Duthcman. Act II, Spinning chorus.
Flying Duthcman. Act II, Spinning chorus.
70. Wagner, Richard. Das Liebesmahl der Apostel. Upper part of page 5
Das Liebesmahl der Apostel. Upper part of page 5
71. Wagner, Richard.
Parsifal. Act III. End of opening orchestral prelude to Act III, and beginning of Klingsor's solo.
Additional Note
72. Wagner, Richard.
Parsifal. Act III. End of Parsifal's last solo. Beginning of orchestral passage which leads to final chorus.
Additional Note
73. Wagner, Richard.
Siegfried Idyll. First 8 pages of music
Additional Note
73a. Wagner, Richard.
Siegfried Idyll. Title page and first page of music
Additional Note
73b. Wagner, Richard. Siegfried Idyll. Title page
Siegfried Idyll. Title page
74. Wagner, Richard.
a. Walküre. Act I. End of Siegmund's solo in Lenz song, with concert ending
b. Sketches for Flying Dutchman and miscellaneous sketches
75. Weber, Carl Maria von.
Grand Pottpourii pour le violonzelle a Grad Orchestra
Additional Note
ANONYMOUS
Strambotto. Se ami tanto
Modena, Bibl. Est., Ms. & F 9.9. tanto...
Part XV: Bibliography of music.
Card file containing over 800 references to musical compositions dating from the 15th-through 17th-centuries.
Additional Note
Part XVI: Miscellaneous research notes of Alfred Einstein.
"Notes relating to an article on Phillipe de Monte published in 1930.
Additional Note
Pp. 60-85 of a work bearing the inscription "Entwicklung vollzieht sich."
A folder of unusable notes which were used for Einstein's collection of essays, Words and Music.
A small notebook with a black cover containing 33 pp. of notes.
Notes by Alfred Einstein which were removed from books in his library by Hertha and Eva Einstein. 33 sets of notes.
Collection of miscellaneous notes, ca. 60 leaves.
Collection of miscellaneous notes, ca. 100 leaves.
Part XVII: Programs, notices, announcements, etc. pertaining to international musicological congresses attended by Alfred Einstein. (Excellent for exhibitions).
This folder contains materials pertaining to congresses held in the following years:
1903
1904
1906
1909
1910
1911
1913
1914
1927.
Part XVIII: Miscellaneous.
Programs. A collection of ca. 50 musical programs dating from 1904 to 1935.
Additional Note
Two folders containing advertisements and other announcements for forthcoming important musicological books, for example: (Potential exhibition material)
-- Richard Wagner-Jahrbuch (vol. 1, 1906).
-- Hugo Riemann, Musikgeschichte in Beispielen (1911).
-- Johannes Wolf, Jacob Obrects Werke (1908).