INVENTORY OF THE GALERIE PAUL MAENZ KÖLN RECORDS,
1956-1991 (bulk 1970-1990)
Finding aid prepared by Lynda Bunting
The Getty Research Institute
Research Library
Special Collections and Visual Resources
1200 Getty Center Drive, Suite 1100
Los Angeles, California 90049-1688
Phone: (310) 440-7390
Fax: (310) 440-7780
Email Requests: http://www.getty.edu/research/conducting_research/library/reference_form.html
URL: http://www.getty.edu/research/conducting_research/library
©1998
J. Paul Getty Trust.
INVENTORY OF THE GALERIE PAUL MAENZ KÖLN RECORDS,
1956-1991 (bulk 1970-1990)
Accession no. 910066
Finding aid prepared by Lynda Bunting
Getty Research Institute
Contact Information:
- The Getty Research Institute
- Research Library
- Special Collections and Visual Resources
- 1200 Getty Center Drive, Suite 1100
- Los Angeles, California 90049-1688
- Phone: (310) 440-7390
- Fax: (310) 440-7780
- Email Requests: http://www.getty.edu/research/conducting_research/library/reference_form.html
- URL: http://www.getty.edu/research/conducting_research/library/
- Processed by:
- Lynda Bunting
- Date Completed:
-
July 1994, revised August 2005
- Encoded by:
- Philip Curtis
©1998 J. Paul Getty Trust.
Descriptive Summary
Title: Galerie Paul Maenz Köln records
Dates: 1956-1991
Dates: 1970-1990
Collection number: 910066
Creator:
Galerie Paul Maenz Köln
Extent:
ca. 40 linear feet
(89
boxes)
Repository:
Getty Research Institute
Research Library
Special Collections and Visual Resources
1200 Getty Center Drive, Suite 1100
Los Angeles, CA
90049-1688
Abstract: German gallery in Cologne, dealing
in contemporary art. Maenz exhibited, loaned, and
sold works by conceptual artists and the German neo-Expressionist painters. Correspondence, financial files,
artists' biographies, press clippings, printed matter, and
photographs cover virtually every facet of the gallery's operations, 1970-1990. The photograph
files comprise approximately half of the archive and document works by
artists and most of the gallery's exhibitions.
Language: Collection material in English, and German
Administrative Information
Access
Open for use by qualified researchers.
Publication Rights
Preferred Citation
Galerie Paul Maenz Köln records,
1956-1991 (bulk 1970-1990) Getty Research Institute, Research Library, Accession no.
910066.
Acquisition Information
Acquired in 1991 from Paul Maenz.
Processing History
Lynda Bunting physically processed the manuscript portion of the
archive and wrote the finding aid from February-July, 1994. Rose Lachman
assisted by describing some of the letters in Series I and II. Deborah Derby, a
consultant for the Book Lab at GCI, analysed and wrote a brief report (3/14/94)
on the best procedure for removing adhesive tape from the color transparencies
in preparation for their printing. Natalia Costea and Laurie King helped
execute Derby's recommendations beginning May, 1994. Jobi Benjamin of the Photo
Services Department conducted the printing project from June, 1994 to November
1996. A cross-reference was made for each artist in Series IX. Photographs in
the ARTISTS database of STAR.
Biographical /Historical Note
Galerie Paul Maenz Köln was instrumental in introducing
avant-garde art of the 1970s and 1980s to what was initially a German audience,
but would later move beyond to the rest of Europe and North America. The
gallery functioned as a facilitator for artists to realize their work in a new
context. This was particularly important in the early years of the gallery,
which focused on the difficult-to-exhibit Conceptual Art. In the late 1970s and
early 1980s, the gallery embraced the new painting of the young Italian
Trans-avantgardists and the German Neo-Expressionists. With the help of Maenz's
representation, the German artists in particular had a profound impact on
Cologne's importance as a cultural and artistic center.
Paul Maenz was born December 7th, 1939 in Gelsenkirchen, Germany.
After he finished school he apprenticed at a department store, then worked at a
printing company. Maenz found this period to be "more or less excruciating." In
1958 Maenz enrolled in Folkwangschule für Gestaltung, Essen, and studied
under Max Burchartz. Maenz stated that, "the concept of this school, developed
along Bauhaus lines, was to give individual talents room to develop --to
encourage rather than direct them toward a specific goal."
In the mid 1960s Maenz worked as an assistant art director for Young
& Rubicam, an American advertising agency, in Frankfurt. There he met Peter
Roehr, who, through his work, had a profound impact on how Maenz thought about
art. They remained friends until Roehr's untimely death in 1968 at the age of
24. Maenz represented the Roehr estate and frequently exhibited his works at
the gallery.
Maenz lived in New York City from 1965-67, while still working as an
art director for Young & Rubicam. He also founded "Kineticism Press" with
Willoughby Sharp, which was "dedicated to the total distribution of artistic
information in all media." It was during this period that Maenz bought his
first art work from Sol LeWitt's studio. This was "Structure," LeWitt's first
modular construction.
In 1967 Maenz moved back to Germany. He organized the influential
exhibition "Serielle formationen" with Peter Roehr for the University of
Frankfurt. Many of the artists, such as Sol LeWitt, Carl Andre, Donald Judd,
Dan Flavin, Jan Dibbets and Agnes Martin, were seen here in Germany for the
first time. Maenz also organized "19:45-21:55," a multimedia event lasting
about 2 hours, in which he invited artists to create ephemeral situations.
Konrad Lueg (aka Konrad Fischer) was one of the participants. Lueg opened a
gallery shortly thereafter in Düsseldorf and exhibited the artists whom he
had met in Frankfurt. "It is Fischer's achievement to have developed along with
his artists a totally new individual type of gallery, which was taken as a
model for other avant-garde galleries, here and abroad; I should think my own
gallery has profited from it when it was formed later in 1970/71."
Maenz gave up advertising in 1968. He opened a head shop called
"Pudding Explosion" with Roehr in the Frankfurt Holzgraben. "After two intense
years during which this shop also became commercially profitable, it cancelled
itself out as 'alternative to the status quo,' and so I closed it."
In 1970 with the encouragement of his friend Gerd de Vries, Maenz
opened a gallery for contemporary art in Cologne. He contacted many Minimal and
Conceptual artists for their ideas and suggestions of other artists to exhibit.
Most of these artists, including Joseph Kosuth, Robert Barry, Art &
Language artists, David Askevold, Daniel Buren, Victor Burgin and Hans Haacke,
a German expatriate living in New York, were well-known in their own countries,
but had shown very little in Germany. Fischer was the only gallerist at the
time in Germany showing the same kind of work.
The gallery officially opened on January 16th, 1971, with a Hans
Haacke exhibition. Two years later a second gallery in Brussels was opened,
with less success. Situated at Belgium 195, Avenue Louise, it closed the
following year. The main gallery in Cologne moved three times: once in 1976
from Lindenstraße 32 to Lindenstraße 23, again in 1978 to
Schaafenstraße 25 and lastly in 1983 to Bismarckstraße 50, which
was an old factory with an interior space designed and built by Thiess
Marwede.
The early exhibitions of the gallery primarily featured the Conceptual
artists mentioned above. By the mid 70s, Maenz was slowly moving away from
Conceptualism. He began to show the work of the Italian artists Salvo and
Giulio Paolini. His interest in the Trans-avantgarde culminated in 1978 when
the gallery had what Maenz called the "Italian Year." The gallery only
exhibited works by young Italian artists such as Giuseppe Penone, Francesco
Clemente, Luciano Fabro, Mimmo Paladino, Salvo, Sandro Chia and Paolini. Maenz
followed up with the "Arte Cifra" show in 1979.
The end of 1980 was a turning point for the gallery and for German art
in general. Maenz organized the landmark exhibition "Mülheimer Freiheit
& Interessante Bilder aus Deutschland," which introduced younger German
artists working in Neo-Expressionism. The exhibition showed that the generation
of artists after Beuys, who were, like Kiefer, interested in painting and
rediscovering German tendencies prior to World War I. For the next four years
these artists, which included Martin Disler, Walter Dahn, Jiri-Georg Dokoupil,
Hans-Peter Adamski and Peter Bömmels, exhibited throughout Germany and the
rest of Europe in major museums and galleries.
Maenz's client list reads like a who's who of German contemporary art
collectors. Friedrich Rentschler, Gerhard Sohst, Helmut Anton Krätz,
Hans-Joachim Etzold and Peter Ludwig were among the many who looked to Maenz
for information and advice. He was in frequent contact with museum directors
and curators, such as Jean-Christophe Ammann, Dieter Koepplin, Zdenek Felix,
Kasper König and Grazia Nunn, about acquisitions and exhibitions.
Furthermore, Maenz cooperated extensively with other galleries. In
addition to borrowing works from Gian Enzo Sperone and Studio Marconi for his
Italian program, when the Mülheimer Freiheit group became successful Maenz
loaned works to Ileana Sonnabend, Leo Castelli, Mary Boone, Marian Goodman,
Asher/Fauer, Ascan Crone, Reinhard Onnasch, Six Friedrich and many other
galleries throughout North America and Europe. Maenz also exhibited his artists
annually at the Basel art fair and Köln Kunstmarkt, and at various
Documenta and Prospekt exhibitions.
In 1975, de Vries became an editor at DuMont Buchverlag, which
published many of Maenz's books. De Vries' involvement with the publishing
world might explain the gallery's prolific publishing activities. Some sort of
catalog, large or ephemeral, was produced for almost every exhibition.
Additionally, Maenz was friendly with the critics Germano Celant and Wolfgang
Max Faust, both of whom wrote texts for the gallery's yearbooks.
As the Neo-Expressionist artists became successful and began to leave
the gallery, Maenz was unable to find others to replace them. The increasingly commercial aspect of the art world was
not
interesting to Maenz, who decided to close the gallery in 1990 after the Kiefer
exhibition. He felt the times had changed too much. Maenz stated, "I liked the
idea that my own gallery should close while still in conditions that
corresponded to the idealism with which it opened."
Maenz moved to Berlin in 1993. He believed there were more
opportunities in East Germany for "someone who wanted to start all over again."
He donated his private collection of 150 paintings, sculptures and projects,
and 170 drawings to the Kunstsammlungen zu Weimar in 1994 for its opening in
1998.
Scope and Content of Collection
The Galerie Paul Maenz Köln archive documents the gallery's
extensive engagement in the promotion of contemporary and avant-garde art in
Germany. Maenz represented, exhibited, loaned and sold works by many of the
leading artists involved with Conceptualism, the Trans-avantgarde, and German
Neo-Expressionism. The bulk of the material spans the gallery's entire
operations from 1970 when Maenz first wrote to numerous artists about his
tentative plans to open a gallery, to 1990 the year the gallery closed its
doors.
The collection contains letters and papers relating to the day-to-day
activities of the gallery. Maenz corresponded with numerous artists, museum personnel, gallery owners, private
collectors throughout Europe and North America, and art critics. The content of
most letters relates to artists' works and theories, exhibitions and
installations, private and public acquisitions, loan and consignment
agreements, and photograph requests. There are a small
number of financial papers, which almost fully document the gallery's finances
from 1979-1980, and reference material in the form of artists' biographies, press
clippings and printed matter. Approximately half of the collection consists of
photographs, color transparencies, negatives, contact sheets and slides
documenting works by artists and almost all of the gallery's exhibitions.
Arrangement
Indexing Terms
Subjects
Maenz, Paul
Galerie Paul Maenz (Cologne, Germany)
Art—Marketing
Art dealers—Germany—Cologne
Art galleries, Commercial
Art, German—Germany—20th century—Exhibitions
Art, Modern—20th century
Avant-garde (Aethetics)—Germany
Conceptual art
Neo-expressionism
Trans-avantgarde
Genres and Forms of Material
Ephemera
Photographic prints
Photographs, Original
Slides (photographs)
Contributors
Ammann, Jean Christophe
Askevold, David, 1940-
Barry, Robert, 1936-
Bertholin, Jean Marie, 1936-
Bömmels, Peter, 1951-
Boyle, Mark, 1934-
Buren, Daniel
Burgin, Victor
Celant, Germano
Chia, Sandro, 1946-
Dahn, Walter, 1954-
Darboven, Hanne
De Maria, Nicola, 1954-
Disler, Martin
Dokoupil, J. G. (Jiri George), 1954-
Fabro, Luciano, 1936-
Feldmann, Hans-Peter, 1941-
Fetting, Rainer, 1949-
Haacke, Hans, 1936-
Haring, Keith
Hillard, John
Insley, Will, 1929-
Kiefer, Anselm, 1945-
Kosuth, Joseph
Krätz, Helmut Anton, 1978-
Ludwig, Peter, 1925-
Paolini, Giulio, 1940-
Penone, Giuseppe
Poirier, Anne
Poirier, Patrick
Rentschler, Friedrich Erwin
Rushton, Dave
Rutault, Claude
Salvo, 1947-
Schuyff, Peter
Sohst, Gerhard
Sperone, Gian Enzo
Sturtevant, Elaine
Toroni, Niele, 1937-
Wéry, Marthe, 1930-
Rockenschaub, Gerwald, 1952-
Art & Language (Group)
Endart (Group)
Separated Material
Maenz's reference library containing ca. 2500 volumes/titles were
separated from the archive and cataloged by the Center library from November,
1992-February, 1993. Gallery publications were separated and accessioned to the
library from June-July, 1994. These consisted of all 16 of the gallery
yearbooks and ca. 60 exhibition catalogs and monographs. The following is a
list of accessioned items.
13 "Projekt'74" artists : Paul Maenz, [4 27 July
1974].
19:45 21:55 : September 9th 1967, Frankfurt, Germany /
[arranged by Paul Maenz]
Anselm Kiefer, Giulio Paolini, Gerwald Rockenschaub ... [et
al.] : ausstellungen Herbst 1985 Sommer 1986 = exhibitions autumn 1985 summer
1986.
Arte cifra : Chia, Clemente, De Maria, Longobardi, Paladino,
Tatafiore. Koeln : P. Maenz, c1979.
Bartolini, Luciano. The pearl mosque / [Luciano Bartolini].
Koeln : P. Maenz, [1978?]
Der Blick zurueck ist ein Blick auf die Gegenwart, und/oder,
Die Wahrheit hat viele Brueste : Paul Maenz Koeln 1970 1980.
Peter Boemmels : Lichtzaehne zeigen, 25. Jan. 23. Feb. 1985,
Galerie Paul Maenz, Koeln.
Bremen. Kunsthalle. Joseph Kosuth : Beitraege zur konzeptuellen
Kunst, 1965 1976 : Ausstellung / Kunsthalle Bremen, 11. April bis 29. April,
1976.
Busche, Ernst A. Jiri Georg Dokoupil / herausgeber Ernst A.
Busche zusammen mit Paul Maenz. Berlin : Galerie Paul Maenz, 1987.
Crown, sky, war : Francesco Clemente, Paul Maenz Koeln
1988.
Francesco Clemente : "il viaggiatore napoletano" / Paul Maenz,
Hrsg. Koeln : Gerd de Vries, 1982.
Enzo Cucchi : un'immagine oscura / herausgegeben von Zdenek
Felix. Essen : R. Bacht, [1982]
Dahn/Dokoupil : die Duschbilder : Ricki 1982 1983. [Cologne :
Paul Maenz Galerie], c1983.
Walter Dahn. Frechen : Borowsky + Co., c1982.
Walter Dahn, Ausstellung vom 26.2. 23.3.1982, Paul Maenz
Koeln.
Walter Dahn und Georg Dokoupil / fotografiert von Roman Soukup.
[Germany? ; P. Maenz, 1982]
Martin Disler : Museum Folkwang Essen, 10.V. 30.VI.1985,
ARC/Musee d'art moderne de la ville de Paris, 16.X. 1.XII.1985.
Jiri Georg Dokoupil : Christus Bilder = cuadros de Cristo.
Santa Cruz de Tenerife : Galeria Leyendecker ; Koeln : Galerie Paul Maenz,
1987.
Jiri Georg Dokoupil, corporations & products : the
sculptures = die Skulpturen / Paul Maenz, Ed., Hrsg. Koeln : Galerie Paul Maenz
; San Fransisco : Gallery Paule Anglim ; Los Angeles : Asher/Faure,
1985.
Jiri Georg Dokoupil, "neue koelner Schule" : Ausstellung 30.
April 25. Mai 1982 : Galerie Paul Maenz. Koeln : Die Galerie, c1982.
Egonavigatio : Sandro Chia, Francesco Clemente, Nicola de
Maria, Mimmo Paladino : [Ausstellung] Mannheimer Kunstverein e.v., 30. Maerz
27. April 1980 / [Bearbeitung, Gerd de Vries].
Die enthauptete Hand : 100 Zeichnungen aus Italien : Chia,
Clemente, Cucchi, Paladino : [Ausstellung] Bonner Kunstverein, 20. Januar 28.
Februar 1980; Staedtische Galerie Wolfsburg, 9. Maerz 6. April 1980; Groninger
Museum, 6. Juni 6. Juli 1980.
Faust, Wolfgang Max, 1944 Hunger nach Bildern : deutsche
Malerei der Gegenwart / Wolfgang Max Faust, Gerd de Vries. Koeln : DuMont,
c1982.
Fleisches lust : die wiederkehr des sinnlichen, die erotik der
neuen kunst : Adamski ... [et al.]. Koeln : P. Maenz, [1981]
Galerie Paul Maenz, Koeln : ausstellungs saison 1983
84.
Hans Haacke, der Pralinenmeister. Koeln : Galerie Paul Maenz,
[1981]
Keith Haring at Paul Maenz. [Koeln : Galerie Paul Maenz,
1984]
Anselm Kiefer / Paul Maenz & Gerd de Vries (hrsg.) ; mit
einem Essay von Gudrun Inboden. Koeln : Galerie Paul Maenz, 1986.
Joseph Kosuth. Koeln : P. Maenz, 1971.
Joseph Kosuth : ten propositions "titled 'Art as idea as
idea,'" 1967 and 1968. Brussels ; Cologne : P. Maenz, 1973.
The Sixth investigation 1969, proposition 14 = Die sechste
Untersuchung 1969, proposition 14 / Joseph Kosuth. Koeln : G. de Vries,
c1971.
1970 1975, Paul Maenz, Koeln / [Zusammenstellung der Zitate,
Redaktion und Layout, Paul Maenz, Gerd de Vries].
Maenz, Paul. Art Deco : Formen zwischen zwei Kriegen / Paul
Maenz. 5. Aufl. Koeln : DuMont, 1990.
Peter Boemmels, Furniere, der Schatz = veneers, the treasure /
Paul Maenz, Hrg. Koeln : W. Koenig, c1989.
Maenz, Paul, 1939 Die 50er Jahre : Formen eines Jahrzehnts /
Paul Maenz. 4. Aufl. Koeln : DuMont, 1990.
Maenz, Paul, 1939 Die 50er Jahre : Formen eines Jahrzehnts /
Paul Maenz. Stuttgart : G. Hatje, c1978.
Maenz, Paul, 1939 Art deco : 1920 1940 : formas entre dos
guerras / P. Maenz ; [version castellana de Pere Ancochea Millet]. Barcelona :
G. Gili, [1974]
Reject objects / [Martin Maloney]. Koeln : P. Maenz,
1971.
Muelheimer Freiheit : die Seefahrt und der Tod. [Wilhelmshaven
: Kunsthalle Wilhelmshaven, 1981]
Nieuwe duitse kunst 1, Muelheimer Freiheit : H.P. Adamski,
Peter Bommels, Walter Dahn, Jiri Georg Dokoupil, Gerard Kever, Gerhard
Naschberger : Groninger Museum, Groningen.
Groningen : Het Museum,
[1981]
Una Novia vuelve (a tiempo) : el redescubrimiento del dibujo
por el arte de los anos ochenta - 80 obras de una coleccion privada / con una
introduccion de Zdenek Felix y fragmentos de un texto de Wolfgang Max Faust = A
bride returns (timely) : the rediscovery of drawing through the art of the
eighties - 80 works from a private collection / with an introduction by Zdenek
Felix and excerpts from a text by Wolfgang Max Faust. [S.l.] : Gobierno de
Canarias, c1989.
Giulio Paolini, Einladung zur Eroeffnung der Ausstellung bei
Paul Maenz, Koeln, am Dienstag, dem 30. Juni 1981, 19 bis 21 Uhr.
Giulio Paolini, giorno e notte : Koelnischer Kunstverein 1988.
Koeln : Der Verein, [1988]
Giulio Paolini, Mannheimer Kunstverein e.V., 31. Juli 28.
August 1977. [Koeln] : Paul Maenz : Gerd de Vries, 1977.
Paul Maenz, Jahresbericht 1973, Koeln & Bruessel :
[Askevold ... [et al.]].
Paul Maenz, Jahresbericht 1977 : Ausstellungen der galerie,
29.01. 25.02. Anne und Patrick Poirier ... [et al.].
Paul Maenz, Jahresbericht 1978. Koeln : P. Maenz,
c1979.
Paul Maenz Koeln, 1970 1980 1990 : eine Avantgarde Galerie und
die Kunst unserer Zeit = an avant garde gallery and the art of our time / Gerd
de Vries (ed.). Koeln : DuMont, c1991.
Paul Maenz Koeln, Ausstellungen : Herbst 1986 Sommer 1987 =
exhibitions autumn 1986 summer 1987.
Paul Maenz Koeln, Ausstellungen : Martin Disler ... [et al.].
Koeln : P. Maenz, c1989.
Paul Maenz Koeln, Ausstellungs Saison 1984 85.
Paul Maenz Koeln, Jahresbericht 1971 : [Barry ... [et
al.]].
Paul Maenz Koeln, Jahresbericht 1972 : [art & language ...
[et al.]]. Koeln : P. Maenz, c1972.
Paul Maenz Koeln, Jahresbericht 1974 : Askevold ... [et
al.].
Paul Maenz Koeln, Jahresbericht 1979 : 20.01 28.02. Robert
Barry ... [et al.] Koeln : P. Maenz, c1980.
Paul Maenz Koeln, Jahresbericht = annual 1976.
Paul Maenz, neun ausstellungen 81 82 = nine shows 81 82. Koeln
: P. Maenz, c1983.
Giuseppe Penone : Museum Folkwang Essen 1.IX. 1.X.1978 /
[Redaktion, Paul Maenz, Gerd de Vries ; UEbersetzung des Textes von Germano
Celant, Christa Lueck, Gerd de Vries].
[Essen] : Das Museum, [1978]
Raussmueller Sauer, Christel. Die Sammlung FER / Christel Sauer
; Paul Maenz, Hrsg. ; [UEbersetzung, Radka Donnell] Koeln : G. de Vries :
Vertrieb, Buchhandlung Walther Koenig, c1983.
Peter Roehr, 1944 1968. (Ausstellg.) 15. Jan. 28 Febr. 1971.
(Katalog.) Leverkusen, Schloss Morsbroich, Staedtisches Museum [1971].
Peter Roehr : Kunsthalle Tuebingen, Stedelijk Van Abbemuseum
Eindhoven, Frankfurter Kunstverein : Tuebingen 15.I. 13.II.1977, Eindhoven
18.II. 20.III. 1977, Frankfurt am Main, 25.III. 24.IV. 1977 / Rudi H. Fuchs ...
[et al. ; UEbers. ins Engl., James K. Whitman]. Koeln : DuMont, [1977]
Peter Roehr, Saemtliche Textmontagen. Koeln : G. de Vries,
1972.
Peter Roehr, Ziffern. Koeln : Gerd de Vries, c1970.
Peter Roehr, zum 20. Todestag, 1968 1988. Koeln : Paul Maenz,
c1988.
Della pittura, imitazione di Wittgenstein = On painting, in the
style of Wittgenstein = UEber die Malerei, im Stile Wittgensteins / Salvo ;
[translations, Elizabeth Shriver (English), Marianne Wienert Ricci (German].
Koeln : P. Maenz : Buchhandlung Walther Koenig, Distribution. c1986.
Salvo, Gemaelde, Manuskripte, Fotos, Zeichnungen, Marmortafeln,
Objekte : 21.Januar bis 6. Marz 1977, Museum Folkwang, Essen. Essen : Das
Museum, [1977]
Salvo, Gemaelde und Zeichnungen, Ausstellung 8. XII. 1984 19.
I. 1985 : Galerie Paul Maenz.
Vangelo / [storia di Salvo]. Koeln : G. de Vries,
1973.
Rob Scholte, Amsterdam : all the portraits up to date, 1983
1988. Cologne : P. Maenz, 1988.
Serielle formationen : Studio Galerie, 22. Mai bis 30. Juni
1967 / zusammenstellung und organisation der ausstellung Peter Roehr und Paul
Maenz. [Frankfurt : Studio Galerie, 1967]
Vries, Gerd de, comp. UEber Kunst; Kuenstlertexte zum
veraenderten Kunstverstaendnis nach 1965. On art; artists' writing on the
changed notion of art after 1965. [Koeln] M. DuMont Schauberg [c1974]
What do you expect ? / edited and translated by Christine
Bernhardt ; [Buren ... [et al.]]. Koeln : P. Maenz, 1977.
Series I.
General correspondence,
1970-1990
Physical Description:
7 lin. ft.
14 boxes
Scope and Content Note
Series I contains letters concerning the gallery's daily operations, accumulated and generated by Maenz and also by his partner
Gerd de
Vries and assistants Elke Ctortnik and Claudia Bäz. Correspondence concerns
exhibition loans and consignment arrangements (see Series III for loan forms
and more correspondence after 1982), acquisitions by museums and private collectors, photograph permission requests prior
to 1986 (see Series IV for
after 1986). artists who showed with Maenz write about exhibitions, their work
and sales (see Series II for those artists represented by Maenz or who
exhibited at the gallery from 1970-1980). Some artists (well-known) advise Maenz about
his new gallery (1970-1971). Young artists seek=representation. A folder contains farewell letters sent to
Maenz upon the closing of the gallery. Many letters are annotated by Maenz with
notes or instructions. This series is filed alphabetically, and then
chronologically (except 1980-1981 and 1982, which are in loose chronological
order). Institutions are mostly filed by city of origin (i.e. Stedelijk Museum,
Amsterdam, is filed under "A").
Acconci, Vito
Scope and Content Note
4 items about opening the gallery.
Andre, Carl
Scope and Content Note
3 postcards from Andre, one of which is about Deurle
Declaration, and 1 letter to.
Doris Wintgens, Fundatie Kunsthuis
Amsterdam
Scope and Content Note
2 items regard loans.
E. de Wilde, Stedelijk Museum,
Amsterdam
Scope and Content Note
4 items about loans.
Attalai, Gabor (artist)
Scope and Content Note
4 letters from.
Frau Aarsbergen
Scope and Content Note
letter signed by Adamski and Doukoupil regarding lease of
Maastrichter Str. 36, Köln, for Mülheimer Freiheit group (see also
"H" for Hamburg 1980-1981 for letter from Maenz).
René Block, Akademie der Künste,
Berlin
Scope and Content Note
letter from.
Stedelijk Museum, Amsterdam, various
correspondents
Scope and Content Note
4 items about loans, acquisition of Paolini's "Nesso" and
book order.
Askevold, David
Scope and Content Note
letter to regarding financial matters.
Ammann, Jean-Christophe
Scope and Content Note
2 postcards and photocopied ms. "Zur Utopie der mythischen
Bilder..."
Grazia Gunn, Australian National
Gallery
Scope and Content Note
from Maenz offering works by Clemente (see 1983 for more on
acquisitions).
Audretsch, Dr. W.
Scope and Content Note
note and 5 photos of his collection.
Argentofot
Scope and Content Note
ca. 17 items, mostly regarding postcard printings, with proofs.
Barbara Farber, American Graffiti,
Amsterdam
Scope and Content Note
re acquisitions, 4 items (see also "F").
Adamski, Hans Peter
Scope and Content Note
letter to.
Han Jansefu, Akademie voor beeldende Kunsten,
Arnhem
Scope and Content Note
letter to Walter Dahn.
Allington, Edward
Scope and Content Note
4 items.
Anselmo, Giovanni
Scope and Content Note
about "Enigmatic Column" and Anselmo's schedule, 5
items.
Australian National Gallery
(various)
Scope and Content Note
4 items about Grazia Nun seeing exhibitions in Cologne and
12 concerning acquisitions (for correspondence dated after 1983, see "C" for Canberra
).
Attalai, Gabor
Scope and Content Note
letter from.
Stedelijk Museum, Amsterdam
Scope and Content Note
letter from regarding Chia loan with request form.
Art
Scope and Content Note
17 items regarding "galerienkalender" (see "G" for Gruner +
Jahr AG after 1984 for letters regarding
Art).
Thomas Ammann
Scope and Content Note
Regarding dispute over Dokoupil's "Maske" series with 1 letter from
Friedrich Rentschler, 6 items.
Allington, Edward
Scope and Content Note
note from.
Thomas Ammann
Scope and Content Note
about works offered, 4 items.
Stedelijk Museum, Amsterdam
Scope and Content Note
re purchase of 2 Disler works, 2 items.
Artefactum
Scope and Content Note
re ads and borrowing of transparencies, 7 items.
AQ-Verlag
Scope and Content Note
re Lippert's text for "Peter Roehr," 3 items.
Art Gallery of South Australia
Scope and Content Note
Regarding Bömmels acquisition, ca. 15 items.
Thomas Ammann
Scope and Content Note
letter to about Dokoupil/Rentschler problem.
Allington, Edward
Scope and Content Note
letter to.
Kunst RAI '85, Amsterdam
Scope and Content Note
ca. 10 items regarding fair organization and exhibition with list of
works Maenz sent.
Paule Anglim Gallery
Scope and Content Note
ca.14 items regarding Dahn/Dokoupil exhibition with schematics of
Anglim and Asher/Faure galleries.
Asher/Faure
Scope and Content Note
5 items regarding Dahn/Dokoupil exhibition.
Art Gallery of South Australia
Scope and Content Note
Regarding German art exhibition, 4 items.
Art Gallery of South Australia
Scope and Content Note
6 items.
Thomas Ammann
Scope and Content Note
2 items regarding a Clemente work.
Stedelijk Museum, Amsterdam
Scope and Content Note
letter to regarding price of Warhol's "Flowers."
Armleder, John
Scope and Content Note
letter to.
Galerie Arnesen
Scope and Content Note
2 items about Dahn/Dokoupil/Schulze show with schematic of
gallery.
Art & Project
Scope and Content Note
5 items mostly regarding Salvo's book "Della Pintura."
Artnews
Scope and Content Note
ca. 8 items regarding ads.
Art Gallery of South Australia
Scope and Content Note
3 items regarding Paolini works for acquisition.
Stedelijk Museum, Amsterdam
Scope and Content Note
3 items regarding Dahn acquisition and Scholte exhibition.
Gallery Paule Anglim
Scope and Content Note
3 items regarding Dokoupil availability.
Artscribe
Scope and Content Note
8 items regarding ads.
Neuer Aachener Kunstverein
Scope and Content Note
checklist of Dahn show.
Achenbach, Helge
Scope and Content Note
contract between Dahn and Achenbach.
Ammann, Jean-Christophe
Scope and Content Note
letter to.
Wim Beeren, Stedelijk Museum,
Amsterdam
Scope and Content Note
letter to promoting Schuyff.
Abbaye Saint-André, Centre d'Art
Contemporain
Scope and Content Note
2 items regarding acquisitions.
Thomas Ammann
Scope and Content Note
4 items regarding Warhol catalog and offering work.
Attalai, Gabor
Scope and Content Note
letter from.
Galerie Albrecht
Scope and Content Note
letter from regarding bill for Rentschler's purchase of Paolini's
"Voyager II."
Armleder, John
Scope and Content Note
letter from.
Baldessari, John
Scope and Content Note
5 items, some regarding artist showing with Fischer instead of
Maenz.
Jean-Christophe Ammann, Kunsthalle
Basel
Scope and Content Note
much correspondence about Kosuth exhibition and catalog, text for
gallery's tenth anniversary yearbook, and other matters, ca.22 items.
Kunstmuseum Basel
Scope and Content Note
checklists for "Konzept" art exhibition.
Baxter, Iain
Scope and Content Note
3 items.
Sender Freies Berlin
Scope and Content Note
re film "Modell Valentino," 7 items.
Verwertungsgesellschaft Bild-Kunst
Scope and Content Note
ca.10 items.
Bonito Oliva, Achille
Scope and Content Note
letter to regarding Maenz not being able to use Bonito Oliva's text
for the yearbook and letter from.
Breakwell, Ian
Scope and Content Note
about Maenz obtaining slides and photos of his work, 11
items.
Bernhard Schnackenburg, Kunsthalle
Bremen
Scope and Content Note
re materials for Kosuth show and catalog, 7 items.
Broodthaers, Marcel
Scope and Content Note
note to.
Karel Geirlandt, Palais des Beaux-Arts,
Bruxelles
Scope and Content Note
re Wéry acquisition, 4 items.
Bartolini, Luciano
Scope and Content Note
short note from with piece of gold leaf and announcement
with gold leaf swirl and signed by Bartolini.
Büttner, Werner and Albert
Oehlen
Scope and Content Note
letter to regarding Büttner's and Oehlen's objection to the
title of the exhibition "Mülheimer Freiheit & interessante Bilder aus
Deutschland" which the Cologne artists wanted to title "Dumme Fresse."
Boetti, Alighiero
Scope and Content Note
3 items.
Buren, Daniel
Scope and Content Note
Regarding text for the Jahresbericht, 2 items.
Barry, Robert
Scope and Content Note
contains two items about the sale of "Phosphorus -32" and a
poster.
Dieter Koepplin, Kunstmuseum Basel
Scope and Content Note
re Paladino drawings exhibition, 6 items.
Barry, Robert
Scope and Content Note
includes letter describing his works and preparations for
Dokumenta (ca. 23 Mar 1982), 5 items.
Galerie Buchmann
Scope and Content Note
Regarding Adamski show, 8 items.
Büttner, Werner
Scope and Content Note
2 letters to.
Bundesverband Deutscher Galerien
Scope and Content Note
Regarding sponsorship of Naschberger and "Premierentage 1982," 10
items.
Dieter Koepplin, Kunstmuseum Basel
Scope and Content Note
Regarding loans of drawings for Paladino show, 11 items.
Kunsthalle Basel
Scope and Content Note
some letters about the catalog for "12 Künstler aus
Deutschland," 10 items.
Berner, Oskar (artist)
Scope and Content Note
letter from.
Bömmels, Peter
Scope and Content Note
letter to.
Baechler, Donald (artist)
Scope and Content Note
Regarding potential show of young Americans, 2 items.
Barry, Robert
Scope and Content Note
Regarding book with Dr. Franz and "In Other Words," an exhibition
curated by Barry at Franklin Furnace, 3 items.
Art 14'83, Basel
Scope and Content Note
8 items.
Dieter Koepplin, Kunstmuseum Basel
Scope and Content Note
mostly regarding Clemente drawings, 3 items (see also 1984).
Bertholin, Jean-Marie
Scope and Content Note
2 letters to.
Kunsthalle Bielefeld
Scope and Content Note
Regarding acquisitions, 5 items.
Mary Boone Gallery
Scope and Content Note
mostly regarding Dahn/Dokoupil show, 6 items.
Bundesverband Deutscher Galerien
Scope and Content Note
Regarding sponsorship of Naschberger, ca.12 items.
Dieter Honisch, Nationalgalerie
Berlin
Scope and Content Note
4 items regarding acquisitions.
Klaus Honnef, Rheinisches Landesmuseum
Bonn
Scope and Content Note
Regarding potential exhibition "Zwischenbilanz" and publication in
Kunstforum, 5 items.
Mary Boone Gallery
Scope and Content Note
list of Dahn/Dokoupil works sold with prices and collectors,
4 items.
Dieter Koepplin, Kunstmuseum Basel
Scope and Content Note
mostly regarding Clemente drawings exhibition and acquisition, 11
items.
Dieter Honisch, Nationalgalerie,
Berlin
Scope and Content Note
Regarding various acquisitions, 7 items.
Barbara Claassen-Schmal, Gesellschaft für
Aktuelle Kunst, Bremen
Scope and Content Note
Regarding loans for "Kunstlandschaft Bundesrepublik," 11 items.
Musee des Beaux-Arts de Mons,
Belgique
Scope and Content Note
Regarding Feldmann loans, 8 items.
Bundesverband Deutscher Galerien
Scope and Content Note
Regarding sponsor program for young artists.
Buren, Daniel
Scope and Content Note
includes letter from Buren describing the past possessors of
"EZ 5" and copy of Rentschler's "avertissement" for "In and Out of the Frame,"
5 items.
Art Basel 1985
Scope and Content Note
6 items.
Barry, Robert
Scope and Content Note
letter to.
Dieter Koepplin, Kunstmuseum Basel
Scope and Content Note
Regarding Clemente drawing, 5 items.
Nationalgalerie, Berlin
Scope and Content Note
Regarding acquisition of Kiefer's "Cherubim und Serafim," 5
items.
Karin Bolz Galerie
Scope and Content Note
postcard of Heinrich Nicolaus show with pen drawing.
Galerie Brusberg
Scope and Content Note
Regarding Disler loans, 9 items.
Art Basel 1985
Scope and Content Note
mostly consists of lists of works for Customs.
Jean-Christophe Ammann, Kunsthalle
Basel
Scope and Content Note
Regarding text for Jahresbericht 1985, 3 items.
Boehringer Ingelheim Zentrale
Scope and Content Note
Regarding "100 Jahre Kunst in Deutschland, 1885-1985," 5 items.
Städtisches Kunstmuseum, Bonn
Scope and Content Note
Regarding acquisition of three Dokoupil works, 4 items.
Boyle, Mark
Scope and Content Note
note to.
Bömmels, Peter
Scope and Content Note
postcard from.
Beuys, Joseph
Scope and Content Note
note to.
Burda, Hubert
Scope and Content Note
4 letters regarding potential acquisitions with many price
lists.
Box 3
B, C-D (1986-1990), C-D
(1970-1983)
1970-1990
Barry, Robert
Scope and Content Note
letter to.
Art'17, Basel
Scope and Content Note
includes list of works shown by Maenz.
Christian Geelhaar and Dieter Koepplin, Kunstmuseum
Basel
Scope and Content Note
Regarding Dahn and Clemente acquisitions, ca.12 items (see also
1987).
Jean-Louis Froment, CAPC Musée d'Art
Contemporain de Bordeaux
Scope and Content Note
4 letters regarding loans for show.
Busche, Ernst
Scope and Content Note
Regarding Fokus art information on Dokoupil, 3 items.
Barry, Robert
Scope and Content Note
about new work and exhibition at Maenz and letters with
Palais des Beaux Arts, Brussels, and Société mutuelle des
administrations publiques regarding exhibition "Time: the 4th Dimension in Art," in
which one piece of Barry's "19 Pieces" was lost, ca.22 items.
Christian Geelhaar and Dieter Koepplin, Kunstmuseum
Basel
Scope and Content Note
Regarding Dahn acquisition and Clemente show, ca.12 items.
Bauer, Wolf Otto
Scope and Content Note
about acquiring a Dahn sculpture, 10 items.
Staatliche Museen Preussischer Kulturbesitz Berlin,
Haus der Geschichte der Bundesrepublik Deutschland, Bonn, and Städtisches
Kunstmuseum Bonn
Scope and Content Note
Regarding Maenz soliciting Darboven's "Bismarckzeit."
Baril, Mrs. George M.
Scope and Content Note
Regarding acquisition of Scholte work, 5 items.
Barry, Robert
Scope and Content Note
about works to be shown at Lambert's, sales, commissions and
an exhibition at Maenz, 6 items.
Jean-Christophe Ammann, Kunsthalle
Basel
Scope and Content Note
letter to.
Bömmels, Peter
Scope and Content Note
correspondence with others regarding restoration of "o.T. (Tänzer II
auf Tier), 1980, and letter to, 3 items.
Städtisches Kunstmuseum Bonn
Scope and Content Note
4 items.
Barry, Robert and Julie
Scope and Content Note
about recent work and Julie's thoughts on Barry's Nice
installation, 7 items.
Galerie Beaubourg
Scope and Content Note
Regarding possible Dahn consignment agreement and purchase of
works, ca.7 items.
Bömmels, Peter
Scope and Content Note
letter to.
Galerie Lars Bohman
Scope and Content Note
Regarding consignment of Dahn works, 6 items.
Rheinisches Landesmuseum, Bonn
Scope and Content Note
Regarding loan of Scholte and acquisition of Bömmels, 3
items.
Katharina Schmidt and Klaus Schrenk,
Städtisches Kunstmuseum Bonn
Scope and Content Note
5 items.
Brunn, Dr. B.
Scope and Content Note
letter from with comments on critics Werner Spies and Werner
Hofmann, 2 items.
Buren, Daniel
Scope and Content Note
Regarding exhibiting a work shown in Projekt '74 and copy of a fax
to Fischer about the "forgery" of "Bilderstreit" with Maenz expressing his
support, 5 items.
James Grauerholz for William S.
Burroughs
Scope and Content Note
letter from about selection of works for show.
Barry, Robert and Julie
Scope and Content Note
Regarding new work, schedule, explanation of "Famous Paintings" and
personal matters, 9 items.
Boezem, Marinus (artist)
Scope and Content Note
2 items.
Pierre Baudson, Musées Royaux des Beaux-Arts
de Belgique
Scope and Content Note
about a Kiefer acquisition and its possible damage in
transport, 9 items.
James Grauerholz for William S.
Burroughs
Scope and Content Note
Regarding sales, return of works on consignment from Shafrazi and
arranging a meeting with Burroughs and Dahn, ca.15 items.
Buren, Daniel
Scope and Content Note
2 faxes from about returning works to Buren.
Camorani, Marcello (artist)
Scope and Content Note
rejection letter to.
Leo Castelli Gallery
Scope and Content Note
Regarding availability and sale of works to clients of Maenz,
especially of Barry's slide piece "Four Seasons," 11 items.
Celant, Germano
Scope and Content Note
substantial correspondence about Celant requesting transparencies
and infomation on artists, texts written by Celant for Maenz gallery
publications, including Jahresbericht 1970-1975 and 1978 and Giulio Paolini,
and
Kunstforum article on Italian art, ca.27
items.
Charlier, Jacques (artist)
Scope and Content Note
3 items.
Chiari, Giuseppe (artist)
Scope and Content Note
4 items.
Art Institute of Chicago
Scope and Content Note
correspondence with James Speyer and Anne Rorimer, 5 items.
Corris, Michael (A & L artist)
Scope and Content Note
2 items.
Crimp, Douglas
Scope and Content Note
Regarding potential Agnes Martin exhibition at Maenz, 3 items.
Crown Point Press
Scope and Content Note
correspondence with Robin White regarding subscription of View and its
content and with Thomas Way regarding Maenz's purchase of Buren etchings, 13
items.
Cutforth, Roger (artist)
Scope and Content Note
3 items.
Dibbets, Jan
Scope and Content Note
includes letters which attempt to mend a rift in their
relationship, 5 items.
Dolla, Noel
Scope and Content Note
Regarding his show and sale of works, 11 items.
Städtische Kunsthalle
Düsseldorf
Scope and Content Note
Regarding loans for "Prospect-Retrospect Europa 1946-1976" and
loans and catalog infomation for "Prospect '71," ca.20 items.
Dumont
Scope and Content Note
Regarding publications on Art & Language, Art Deco and Peter
Roehr (1977 traveling exhibition catalog), ca.10 items.
Clemente, Francesco
Scope and Content Note
2 letters to.
Chia, Sandro
Scope and Content Note
3 letters to.
Celant, Germano
Scope and Content Note
mostly regarding text for Jahresbericht 1970-80, 5 items.
Disler, Martin
Scope and Content Note
3 items.
Darboven, Hanne
Scope and Content Note
photocopied installation plans signed by the artist, 5
sheets, and 7 other items about her show and potential sales.
Cucchi, Enzo
Scope and Content Note
postcard from and letter to.
De Maria, Nicola
Scope and Content Note
some letters which document a strain in their relationship,
5 items.
Disler, Martin
Scope and Content Note
2 letters to regarding financial matters.
Clemente, Francesco
Scope and Content Note
4 letters to.
Rainer Crone
Scope and Content Note
Regarding text for Clemente catalog, 3 items.
Disler, Martin
Scope and Content Note
2 letters to regarding exhibition and 2 letters from.
Celant, Germano
Scope and Content Note
postcard from and letter to.
Galerie Ascan Crone
Scope and Content Note
Regarding proposed Dokoupil show, 8 items.
Disler, Martin
Scope and Content Note
3 items, including letter with inventory list of paintings
at the gallery.
Dokoupil damage
Scope and Content Note
sustantial correspondence with Horst Hahn (restorer), C. Gielisch
(claims adjuster) and others regarding water damage to a work of Dokoupil's at the
Biennale, ca.30 items.
Eugen Thiemann, Museum Am Ostwall,
Dortmund
Scope and Content Note
Regarding Bömmels exhibition, acquisitions of Dahn and
Dokoupil and transport of works in "Wilde Malerei" show, 9 items.
Clemente, Francesco
Scope and Content Note
mostly regarding acquisition by Kunstmuseum Basel of 73 drawings
with letters from Dieter Koepplin of Kunstmuseum Basel, 4 items.
Darboven, Hanne
Scope and Content Note
2 letters to regarding "Wende 80/81."
Box 4
C-D, E
1984-1990,
1970-1990
Grazia Gunn, Australian National Gallery, Canberra
(see "A" for correspondence dated prior to 1984)
Scope and Content Note
10 items regarding possible acquisitions.
Galerie Ascan Crone
Scope and Content Note
Regarding Dahn and Dokoupil shows, 4 items.
Disler, Martin
Scope and Content Note
letter to.
Dokoupil, Jiri Georg
Scope and Content Note
letter of recommendation from Maenz.
Leo Castelli Gallery
Scope and Content Note
about show for Dokoupil, 2 items.
Darboven, Hanne
Scope and Content Note
letter to.
Dumont
Scope and Content Note
4 items.
Leo Castelli Gallery
Scope and Content Note
Regarding Dokoupil exhibition, 4 items.
Clemente, Francesco
Scope and Content Note
letter to.
Disler, Martin
Scope and Content Note
2 items.
Grazia Gunn, Australian National Gallery,
Canberra
Scope and Content Note
4 items.
Dokoupil, Jiri Georg
Scope and Content Note
8 page conversation between the artist and Maenz with
corrections.
Darboven, Hanne
Scope and Content Note
letter to.
Grazia Gunn, Australian National Gallery,
Canberra
Scope and Content Note
substantial correspondence regarding acquisitions, especially Darboven's
"Ein Monat/Mai 1974" and Bömmels' "Die Entlarvungsstation" and
"Experiments on Human Beings and Space," ca. 25 items.
Leo Castelli Gallery
Scope and Content Note
Regarding finances and other matters related to the Warhol show,
ca.10 items.
Galerie Ascan Crone
Scope and Content Note
Regarding consignment arrangements for Maenz's Taaffe exhibition,
ca.11 items.
Darboven, Hanne
Scope and Content Note
letter to.
Disler, Martin
Scope and Content Note
2 letters to.
Australian National Gallery,
Canberra
Scope and Content Note
Regarding potential acquisitions and detailed materials description
of Bömmels's painting "The Station Revealing," 7 items.
Galerie Charles Carwright
Scope and Content Note
Regarding exhibition and consignment of Dahn and Dokoupil works,
ca.6 items.
Clemente, Francesco
Scope and Content Note
3 items.
Galerie Ascan Crone
Scope and Content Note
Regarding various financial and exhibition matters, 10 items.
Darboven, Hanne
Scope and Content Note
letter to.
Disler, Martin
Scope and Content Note
3 letters to.
Clemente, Francesco
Scope and Content Note
3 letters to.
Clemente, Francesco
Scope and Content Note
mostly regarding exhibition, 8 items.
Bess Cutler Gallery
Scope and Content Note
about Sturtevant show at Maenz and a subsequent commission
dispute, 7 items (see also Sturtevant 1989 and 1990 for extensive material re
exhibition).
Dahn, Walter
Scope and Content Note
letter to.
Darboven, Hanne
Scope and Content Note
Regarding exhibition with notes from the artist on the works to be
shown, 8 items.
Disler, Martin
Scope and Content Note
3 items.
Dumont
Scope and Content Note
Regarding "Paul Maenz Köln1970-1980-1990," 7 items.
Galerie Thomas Carstens
Scope and Content Note
Regarding Dahn exhibition with 6 page text written by J. Lebrero
Stals, 8 items.
Dahn, Walter
Scope and Content Note
letter to and other correspondence with Fred Hoffman Gallery
arranging a Los Angeles stay.
Darboven, Hanne
Scope and Content Note
2 letters to.
Van Abbemuseum, Eindhoven
Scope and Content Note
substantial correspondence with Rudi Fuchs and others regarding loans for
exhibitions of Roehr, Burgin, Barry and group shows, ca.40 items.
Elk, Ger van (artist)
Scope and Content Note
2 letters to.
Esposito, Diego (artist)
Scope and Content Note
4 items.
Museum Folkwang Essen
Scope and Content Note
correspondence with Zdenek Felix and others regarding Salvo and Penone
exhibitions, group Italian show and acquisitions, ca.25 items (see also "F" for
Felix).
Etzold, Hans-Joachim
Scope and Content Note
includes long letter from Mrs. Etzold regarding her husband's
suicide, 4 items.
Europäische Kunsthändler
Vereinigung
Scope and Content Note
about Internationale Kunstmarkt, 7 items.
Museum Folkwang Essen
Scope and Content Note
correspondence with Dr. Vogt and Zdenek Felix regarding "10 junge
Künstler aus Deutschland," 8 items.
James Bustard, Scottish Arts Council,
Edinburgh
Scope and Content Note
Regarding Mülheimer Freiheit exhibition, 10 items.
James Bustard, Scottish Arts Council,
Edinburgh
Scope and Content Note
Regarding Mülheimer Freiheit exhibition, 5 items.
Endart
Scope and Content Note
2 letters to regarding show.
Zdenek Felix, Museum Folkwang
Essen
Scope and Content Note
Regarding Dokoupil exhibition, 3 items.
Endart
Scope and Content Note
5 items relating to exhibition with checklist.
Mark Francis, Fruitmarket Gallery,
Edinburgh
Scope and Content Note
Regarding loans for "The Mirror and the Lamp" and Woodrow
exhibitions, 16 items.
Eberle, Dr. K.H.
Scope and Content Note
extensive correspondence with Eberle and Maenz's lawyer re
Eberle's reneging on a deal.
James Bustard, Scottish Arts Council,
Edinburgh
Scope and Content Note
Regarding Salvo loans (denied by Maenz) for "Edinburgh
International," ca. 10 items.
Endart
Scope and Content Note
includes long letter from Maenz discontinuing their
relationship with his thoughts on their creative growth as a group and the
success of Mülheimer Freiheit, 3 items.
Galleri Sten Eriksson
Scope and Content Note
Regarding sale of Kiefer's "Jason," 6 items.
Zdenek Felix, Folkwang Museum
Scope and Content Note
about various art related matters, 6 items.
Fischer, Konrad
Scope and Content Note
Regarding Conceptual art show at Zwirner and other topics, 6
letters to and 1 postcard from.
Flash Art
Scope and Content Note
Regarding advertising, 12 items.
Flavin, Dan
Scope and Content Note
letter to.
Forster, Noel (artist)
Scope and Content Note
4 items.
Georg Bussman, Frankfurter
Kunstverein
Scope and Content Note
mostly regarding Roehr show, 7 items.
Fregnac, Dagmar
Scope and Content Note
Regarding refund for French TVA, various art related topics and
personal matters, 11 items.
Fuchs, Rainer
Scope and Content Note
Regarding acquisitions and non-payment for works purchased by
Fuchs, 11 items.
Fulton, Hamish
Scope and Content Note
letter and postcard from.
Furnival, John
Scope and Content Note
3 items about joining the gallery.
Fetting, Rainer
Scope and Content Note
mostly regarding exhibitions, 6 items.
Franzke, Andreas
Scope and Content Note
4 items.
Helena Vetter, Kunstverein
Freiburg
Scope and Content Note
Regarding Mülheimer Freiheit exhibition and a young Italian
exhibition, 2 items.
Fabro, Luciano
Scope and Content Note
letter from and letter to.
Zdenek Felix, Folkwang Museum
Scope and Content Note
Regarding exhibitions and acquisitions, ca.9 items.
Faust, Wolfgang Max
Scope and Content Note
letter from with ms "With It and Against It -Here and Now,
Somewhere Else."
Feldmann, Hans-Peter
Scope and Content Note
note from.
Fetting, Rainer
Scope and Content Note
letter to.
Galerie Six Friedrich
Scope and Content Note
Regarding "5 aus Köln" exhibition, 10 items.
Franzke, Andreas
Scope and Content Note
2 items.
Fabro, Luciano
Scope and Content Note
letter to.
Fetting, Rainer
Scope and Content Note
Regarding sales and exhibitions with price lists and receipts, ca.7
items.
Galerie Six Friedrich
Scope and Content Note
mostly regarding Dahn/Dokoupil "Ricki" exhibition, 7 items.
Fabro, Luciano
Scope and Content Note
letter to.
Fetting, Rainer
Scope and Content Note
Regarding exhibition and U.S. green card, 5 items.
Fetting, Rainer
Scope and Content Note
correspondence with Klaus Ottmann regarding shipping and commission
information with list of works sold by Maenz and the names of the collectors
who purchased, 5 items.
Galerie Six Friedrich
Scope and Content Note
re. exhibition and commission of Dahn's works, 7 items.
Fabro, Luciano
Scope and Content Note
note to.
Flavin, Dan
Scope and Content Note
Regarding possible show, 2 items.
Farber, Barbara
Scope and Content Note
Regarding Dahn and Dokoupil drawings on consignment, 6 items (see
also "A" for American Graffiti).
Fetting, Rainer
Scope and Content Note
note to.
Giancarlo Politi, Flash Art
Scope and Content Note
Regarding ads and short statement by Maenz about Cucchi's art, 4
items.
Galerie Six Friedrich
Scope and Content Note
Regarding exhibition and commission of Dahn's work, ca.9 items.
Feldmann, Hans-Peter
Scope and Content Note
note to.
Giancarlo Politi,
Flash Art
Scope and Content Note
Regarding ads, 8 items.
Frankfurter Kunstverein
Scope and Content Note
Regarding Pospect 89, 5 items.
Jean-Christophe Ammann, Museum für Moderne
Kunst, Frankfurt
Scope and Content Note
Regarding exhibition of Roehr's work and copy of a letter to Boch
with comments on Darboven's "Existenz," 5 items.
Galerie Six Friedrich
Scope and Content Note
Regarding Dahn availabilty and prices, 5 items.
Gallagher, Carole (photographer)
Scope and Content Note
3 items regarding photographs of Barry's work.
Garutti, Alberto
Scope and Content Note
Regarding exhibition, 8 items.
Cultureel Informatief Centrum,
Gent
Scope and Content Note
Regarding an exhibition, 6 items.
Galerie Germain
Scope and Content Note
Regarding various Bertholin shows and commission split, a show of
Maenz artists at Germain and other matters, 15 items.
Gilbert and George
Scope and Content Note
letter to regarding gallery opening.
Gonschior, Kuno (artist)
Scope and Content Note
letter to.
Graham, Dan
Scope and Content Note
Regarding possible representation in Germany and some of John
Gibson's dealings, 15 items.
Nigel Greenwood, Inc.
Scope and Content Note
Regarding book orders, 7 items.
Greiner, Werner
Scope and Content Note
6 items.
Guben, Günther (artist)
Scope and Content Note
2 items.
Günther, Knut
Scope and Content Note
Regarding Art Deco works and book, 5 items.
Guggenheim Museum
Scope and Content Note
Regarding young German artists and Haacke show cancellation, 6
items.
Groninger Museum
Scope and Content Note
Regarding Mülheimer Freiheit exhibition, possible Salvo show,
catalog orders and other matters, ca.17 items.
Groninger Museum
Scope and Content Note
Regarding exhibitions and acquisitions, 9 items.
Galerie Toni Gerber
Scope and Content Note
Regarding Dokoupil show, 6 items.
Göröcs, Gabriella
(artist)
Scope and Content Note
2 items.
Gresty, Hilary
Scope and Content Note
Maenz's recollections of the 1967 exhibition "19:45-21:55,"
2 items.
Gruner + Jahr AG & Co (
Art)
Scope and Content Note
Regarding "galerienkalender" and ads, ca.10 items.
Groninger Museum
Scope and Content Note
proforma-invoice for "Dahn & Dokoupil, die
Afrika-bilder," 3 items.
Gruner + Jahr AG & Co (
Art)
Scope and Content Note
mostly regarding "galerienkalender," ca.24 items.
Wilhelm Glauerdt GmbH
Scope and Content Note
checklist with prices of Endart works to be insured for "Art
Cologne 1984."
Box 6
G (1985-1990) - H (1970-1990)
1970-1990
Marian Goodman Gallery
Scope and Content Note
Regarding sales and commission of Dahn show, 7 items.
Gruner + Jahr AG & Co (
Art)
Scope and Content Note
Regarding "galerienkalender," ca.10 items.
Wilhelm Glauerdt GmbH
Scope and Content Note
checklist with prices of works to be insured for "Art
Cologne 1985."
Greene, Robert (artist)
Scope and Content Note
3 items.
Groninger Museum
Scope and Content Note
Regarding Dokoupil acquisitions and Mariani show, 6 items.
Gruner + Jahr AG & Co (
Art)
Scope and Content Note
Regarding "galerienkalender," ca.10 items.
Wilhelm Glauerdt GmbH
Scope and Content Note
checklist with prices of works to be insured for "Art
Cologne 1986."
Marian Goodman Gallery
Scope and Content Note
letter to regarding Goodman dropping Dahn and other letter to.
Grassi, Alessandro
Scope and Content Note
Regarding purchase of a Bömmels, 5 items.
Gruner + Jahr AG & Co (
Art)
Scope and Content Note
Regarding "galerienkalender" and ads, 8 items.
Gelsenkirchen
Scope and Content Note
Regarding Maenz's gift of 2 Kusama works, 6 items.
Wilhelm Glauerdt GmbH
Scope and Content Note
checklist with prices of works to be insured for ARCO Madrid
1987.
Galerie Le Gall-Peyroulet
Scope and Content Note
Regarding purchase and availability of Dahn's works, 5 items.
Marian Goodman Gallery
Scope and Content Note
Regarding purchase and shipment of Paolini's "Consumption," 7
items.
Hamburger Kunsthalle
Scope and Content Note
correspondence with Siegmar Holsten regarding loans for "Das Bild des
Künstlers," ca.17 items.
Kunstverein Hamburg
Scope and Content Note
Regarding loans for various exhibitions, 9 items.
Kunstverein Hannover
Scope and Content Note
Regarding loans for exhibition "Kunst aus Fotografie" and catalog,
8 items.
Harrison, Charles
Scope and Content Note
Regarding suggestions for Maenz's opening, 5 items.
Have, Henrik (artist)
Scope and Content Note
3 items.
Higgins, Dick
Scope and Content Note
Regarding artists for Maenz's gallery, 4 items.
Highstein, Jene
Scope and Content Note
letter from Alanna (wife).
Hilliard, John
Scope and Content Note
3 items.
Hock, Wolfgang
Scope and Content Note
Regarding acquisitions, 5 items.
Huebler, Douglas
Scope and Content Note
long letter from with description of his problems with
European representation and his current work and letter from Maenz explaining
why they cannot work together, 3 items.
Hunov, J[ohn]
Scope and Content Note
info exchange on artists, 7 items.
Huot, Robert (artist)
Scope and Content Note
3 items.
Hilliard, John
Scope and Content Note
postcard and letter from.
Haacke, Hans
Scope and Content Note
Regarding exhibitions, catalogs and reconstruction of the
"gespaltenen Adlers," 10 items.
Frau Aarsbergen, Hamburg-Mannheimer
Vers.
Scope and Content Note
letter to regarding lease of Maastrichter Str. 36 for
Mülheimer Freiheit group.
Hoffmann, Paul
Scope and Content Note
Regarding acquisition of 2 works by Kiefer, 7 items.
Haacke, Hans
Scope and Content Note
with letter from Haacke regarding "Gegen das Kriegsrecht in Polen,
für Solidarnosc" exhibition, 4 items.
Haring, Keith
Scope and Content Note
letter to.
Verlag Gerd Hatje
Scope and Content Note
concerning reproductions and copyright for
Die 50er Jahre.
Herbert F. Johnson Museum of Art, Cornell
Univ
Scope and Content Note
Regarding Kiefer acquisition mix-up, 4 items.
Huebler, Douglas
Scope and Content Note
letter to.
Stellan Holm, Galleri 5
Scope and Content Note
Regarding showing young German artists, 6 items.
Kunstmuseum Hannover
Scope and Content Note
Regarding loans for Bömmels show, ca.9 items.
Haring, Keith
Scope and Content Note
3 items regarding exhibition.
Haring, Keith
Scope and Content Note
Regarding sale of a work to the FER collection, 3 items.
Haacke, Hans
Scope and Content Note
letter from.
Haring, Keith
Scope and Content Note
typescript for
Flash Art 116 (March 1984).
Haacke, Hans
Scope and Content Note
letter to.
Pat Hearn Gallery
Scope and Content Note
Regarding Schuyff and Taaffe shows at Maenz, 13 items.
Hobbet, Richard and Karla Simon
Scope and Content Note
Regarding acquisition of Dahn and Dokoupil works, 9 items.
Haacke, Hans
Scope and Content Note
letter to.
Pat Hearn Gallery
Scope and Content Note
Regarding Schuyff and "New York New" exhibitions, 5 items.
Hoekstra, Berend (artist)
Scope and Content Note
letter from.
Pat Hearn Gallery
Scope and Content Note
Regarding Schuyff show, 6 items.
Honnef, Klaus
Scope and Content Note
about "Made in Cologne" show and borrowing transparencies
for his book on contemporary art, ca.13 items.
Ghislaine Hussenot Gallery
Scope and Content Note
Regarding Dahn and Dokoupil works on consignment, 7 items.
Heidelberger Kunstverein
Scope and Content Note
concerning loans for "Blau -Farbe der Ferne" exhibition, 4
items.
Hendeles, Ydessa
Scope and Content Note
Regarding purchase of Paolini's "Intervallo" and description of
"Itaca," 4 items.
Icaro, Paolo
Scope and Content Note
letters regarding "mail/gallery" exhibition with 2 "molecular card"
examples and photo taken by Icaro's wife of "molecular cards" and full portrait
of Icaro. Also includes mail art, 17 items.
Johnson, John
Scope and Content Note
Regarding his recent work, with detailed descriptions of four ideas
and a colored drawing of a cross-section of Wales, 8 items.
Ikemura, Leiko
Scope and Content Note
Regarding exhibition "Fleisches Lust," 8 items.
Ikemura, Leiko
Scope and Content Note
Regarding her exhibition and other matters, 8 items.
Suzanne Landau, Israel Museum,
Jerusalem
Scope and Content Note
Regarding Kiefer loans, 9 items.
Akira Ikeda Gallery
Scope and Content Note
extensive correspondence regarding sale of Kiefer's "Die Meistersinger"
and Dahn book for Art Random series, ca.52 items.
Akira Ikeda Gallery
Scope and Content Note
folder consists of substantial correspondence regarding Dahn exhibition,
ca.30 items (see also Series III).
Kaldor, John
Scope and Content Note
substantial correspondence regarding acquisitions, ca.38 items.
Kalmar, Felix (artist)
Scope and Content Note
4 items.
Kaprow, Allan
Scope and Content Note
Regarding potential representation, 2 items.
Erich Herzog, Staatliche Kunstsammlung,
Kassel
Scope and Content Note
Regarding artists for Documenta, 5 items.
Documenta 5, Kassel
Scope and Content Note
Regarding bios and photos for catalog, also list of artists with
exhibition history and bibliography from Maenz and letter from Marlis
Grüterich to Barry asking for a certain type of work to be shown, ca.16
items.
Kawara, On
Scope and Content Note
3 items.
Keller, Dieter
Scope and Content Note
Regarding acquisition of Boyle's "Sandstudy," 7 items.
Kiefer, Anselm and Julia
Scope and Content Note
Regarding discussions of collaboration with Maenz, 3 items.
Kienholz, Ed
Scope and Content Note
Regarding Poirier purchase, 3 items.
Knoebel, Wolf (aka Imi)
Scope and Content Note
5 letters to showing interest in his work and regarding sales.
König, Kasper
Scope and Content Note
Regarding showing On Kawara's work in Brussels and Münster
sculpture exhibition organized by Köning, 9 items.
Krätz, Helmut Anton
Scope and Content Note
extensive correspondence regarding acquisitions of Minimal and Conceptual
art and works by young German artists, but also letter from Maenz regarding his
partnership with de Vries, ca.23 items (see Sotheby's sale 11/13-14/1991 for
further information on Krätz collection).
Krohn, Luise
Scope and Content Note
Regarding Poirier exhibition and sales, 12 items.
Kuehn, George
Scope and Content Note
letter from.
Kurt Hackenberg, Kulturdezernat, Stadt
Köln
Scope and Content Note
Regarding Maenz's request for funds from city, 7 items.
Messe- und Ausstellungs- GES. M.B.H.,
Köln
Scope and Content Note
mostly regarding Internationale Kunstmarkt Köln 1974, ca.15
items.
Stadt Köln
Scope and Content Note
correspondence with various cultural departments, such as Der
Oberstadtdirektor, Kunsthalle Köln, Museum Ludwig and
Wallraf-Richartz-Museum concerning a variety of topics, ca.16 items.
Box 7, Folder 17
Krefeld, Kaiser Wilhelm Museum
1970-1979
Scope and Content Note
correspondence mostly with Paul Wember about various acquisitions,
with many solicitations from Maenz, and exhibitions, ca.34 items.
Kasper König, Museen der Stadt
Köln
Scope and Content Note
Regarding "Westkunst" exhibition, 8 items.
Michael Schwarz, Badischer Kunstverein,
Karlsruhe
Scope and Content Note
Regarding various matters, 5 items.
Kiefer, Anselm
Scope and Content Note
3 letters to, 1 letter from Julia Kiefer.
Kosuth, Joseph
Scope and Content Note
note and letter to.
Kawara, On
Scope and Content Note
3 letters to.
Documenta, Kassel
Scope and Content Note
with Rudi Fuchs regarding various artist in Documenta, 7 items.
König, Kasper (König
Postkartenverlag)
Scope and Content Note
4 items.
Kiefer, Anselm
Scope and Content Note
3 letters to regarding sales.
Keuthen, Jiri (artist)
Scope and Content Note
3 items.
Kiefer, Anselm
Scope and Content Note
letter and 2 notes to.
Karl Ruhrberg, Museum Ludwig,
Köln
Scope and Content Note
letter to Ruhrberg wondering why he has not come to see the
gallery (see Aug-Dec 1983 for more).
Kölnischer Kunstverein
Scope and Content Note
Regarding Italian exhibition, 5 items.
Kosuth, Joseph
Scope and Content Note
2 items regarding finances.
Kapoor, Anish
Scope and Content Note
letter to.
Kawara, On
Scope and Content Note
invoice for works on loan for "Masterworks of Conceptual
Art."
Museum Ludwig, Köln
Scope and Content Note
an angry exchange of letters between Maenz and Karl
Ruhrberg, Hugo Borger and Peter Nestler regarding why the museum has not visited or
purchased works from Maenz, 5 items.
Box 8
K (1984-1990) - L (1970-1984)
1970-1990
Kapoor, Anish
Scope and Content Note
2 letters to.
Kawara, On
Scope and Content Note
2 letters to.
König, Kasper
Scope and Content Note
Regarding "Die neue deutsche Kunst," 2 items.
Kapoor, Anish
Scope and Content Note
letter from.
Kiefer, Anselm
Scope and Content Note
letter to and sheet of paper with list of works and
prices.
Kitt, Eartha
Scope and Content Note
typescript interview with Maenz.
Knap, Jan
Scope and Content Note
2 letters to.
Galerie Kaess-Weiss
Scope and Content Note
Regarding Haring and Endart shows, ca.10 items.
Museen der Stadt Köln
Scope and Content Note
contains condition reports for works in Art Gallery of South
Australia's "Wild-Visionary-Spectral-New-German-Art."
KölnMesse
Scope and Content Note
Regarding Art Cologne fair and theft of 8 Rockenschaub works, 7
items.
Koons, Jeff
Scope and Content Note
letter to.
Documenta, Kassel
Scope and Content Note
Regarding Scholte exhibition with letter from Scholte, 5 items.
Leo Kamen Gallery
Scope and Content Note
Regarding possible collaborations, 6 items.
Kunstgewerbemuseum, Köln
Scope and Content Note
Regarding acquisitions, ca.6 items.
König, Kasper
Scope and Content Note
2 items.
Alfred Kren Gallery
Scope and Content Note
Regarding "Brazilian Ex Votos" exhibition, 4 items.
Elisabeth Kaufmann Basel
Scope and Content Note
Regarding loan and transport of various works by Dahn and Disler, 8
items.
Kiefer, Anselm
Scope and Content Note
Regarding exhibition, ca.7 items.
Klüser, Bernd
Scope and Content Note
Regarding works on consignment to, ca. 5 items.
Kosuth, Joseph
Scope and Content Note
contains an angry exchange of letters including a long,
frank letter from Kosuth regarding problems with their relationship and how he views
trades of work between artists (i.e. Kosuth traded with Gerd, 9/17/87), letter
from requesting the return of "One and Three Chairs" and demanding the return
of a work from Gerd (12/3/88) and list of works on consignment to Maenz, ca.8
items.
Elisabeth Kaufmann Basel
Scope and Content Note
Regarding Disler and Dahn loans.
Lambert, Françoise
Scope and Content Note
about various cooperative matters, ca.18 items.
Lambert, Yvon
Scope and Content Note
6 items.
Latham, John
Scope and Content Note
mostly regarding recent work, 9 items.
Lauffs, Walther
Scope and Content Note
Regarding acquisitions, 8 items.
Städt. Museum Schloß Morsboich,
Leverkusen
Scope and Content Note
mostly regarding exhibition "Die verlorene Identität," 13
items.
LeWitt, Sol
Scope and Content Note
Regarding Maenz asking advice for gallery and LeWitt book orders,
10 items.
Lippert, Werner
Scope and Content Note
2 letters to.
Institute of Contemporary Arts,
London
Scope and Content Note
Regarding exhibition "Art into Society, Society into Art -Seven
German Artist" with copied typescript of Haacke's "From Spring to Summer," 3
items.
Tate Gallery, London
Scope and Content Note
mostly about book orders, but some about acquisitions, ca.17
items.
Louw, Roelof
Scope and Content Note
Regarding exhibitions at Maenz and elsewhere, recent work and
financial matters, ca.16 items.
Ludwig, Peter
Scope and Content Note
Regarding sponsoring Kosuth show at Maenz, which Ludwig refuses,
and purchase of Haacke's "Spargel-Bild" and a Poirier work, ca.16 items.
Galerie Klaus Lüpke
Scope and Content Note
Regarding Roehr and other exhibitions, 14 items.
Lüscher, Ingeborg (artist)
Scope and Content Note
4 items.
Kunstmuseum Luzern
Scope and Content Note
Regarding Roehr show, 7 items.
Lord, Andrew
Scope and Content Note
letter from with drawings of teapots, 2 items.
Tate Gallery, London
Scope and Content Note
Regarding Paolini acquisition and potential Darboven and Kiefer
purchases, 12 items.
Whitechapel Gallery, London
Scope and Content Note
Regarding photo requests for Clemente catalog, 8 items.
Lord, Andrew
Scope and Content Note
2 items.
Tate Gallery, London
Scope and Content Note
mostly regarding Kiefer acquisition, 6 items.
LeWitt, Sol
Scope and Content Note
letter to regarding "Modular Structure."
Lord, Andrew
Scope and Content Note
3 items.
Lisson Gallery, London
Scope and Content Note
Regarding shows at Maenz for Kapoor, Woodrow and Allington, 5
items.
Tate Gallery, London
Scope and Content Note
about "New Art" exhibition and Haacke biblio, 5 items.
Lord, Andrew
Scope and Content Note
4 items regarding potential show.
Lord, Andrew
Scope and Content Note
letter to.
Lamoree, Jhim (Art Unlimited)
Scope and Content Note
Regarding postcard jobs, ca.7 items.
Lippert, Werner
Scope and Content Note
letter from.
Box 9
L (1985-1990) - M (1970-1987)
1970-1990
Lord, Andrew
Scope and Content Note
Regarding exhibition, 7 items.
Ludwig, Peter
Scope and Content Note
Regarding acquisitions, ca. 5 items.
Lisson Gallery
Scope and Content Note
mostly regarding Woodrow and Kapoor exhibitions of 1984 and 86, 10
items.
Lowenadler, Jan Eric
Scope and Content Note
mostly copies of letters which recommend Lowenadler for
citizenship, ca. 10 items.
Lehmkühler, Edgar (artist)
Scope and Content Note
8 items.
Ludwig, Peter
Scope and Content Note
3 letters to.
Larsen, Dirk (artist)
Scope and Content Note
letter from.
Ludwig, Peter
Scope and Content Note
letter to.
Galeria Leyendecker
Scope and Content Note
ca.5 items, with 7 pg typescript by Norbert Messler.
Fonds Regional d'Art Contemporain,
Limousin
Scope and Content Note
Regarding acquisition of Disler's "Burning Cat," 8 items.
Musée des Beaux-Arts, Le
Havre
Scope and Content Note
Regarding Woodrow exhibition, ca.15 items.
Lisson Gallery
Scope and Content Note
Regarding Woodrow show and Opie works on consignment to Maenz,
ca.15 items.
Royal Academy of Arts, London
Scope and Content Note
Regarding Paolini loan for "Italian Art in the Twentieth Century,"
ca.16 items.
Ludwig, Peter
Scope and Content Note
2 letters to.
Hans Alexander Baier, Magazin
Kunst
Scope and Content Note
11 items.
Maloney, Martin
Scope and Content Note
Regarding exhibition with some angry letters from Maloney about
their relationship, ca. 23 items.
Malzenski, Charles (artist)
Scope and Content Note
4 items.
Eva Jahn-Fehsenbecker, Mannheimer
Kunstverein
Scope and Content Note
substantial correspondence regarding Paolini and Salvo exhibitions and
catalogs, ca.30 items.
Marck, Jan van der
Scope and Content Note
2 items.
Studio Marconi
Scope and Content Note
extensive correspondence regarding representation, exhibition and sales
of Paolini's work in Germany, ca.35 items.
Martin, Agnes
Scope and Content Note
2 items.
Matta, Gordon
Scope and Content Note
letter and 3 slides from, 2 letters to.
Matthys, Roger
Scope and Content Note
Regarding acquisitions, especially Haacke's "Manet-Project '74," 6
items.
Städtisches Museum
Mönchengladbach
Scope and Content Note
correspondence with Johannes Cladders regarding Paolini exhibition, with
annotated checklist, and other matters, ca.15 items.
Müller, Hans-Jürgen
Scope and Content Note
Regarding loans for "Europa 1979," acquisition of Kosuth's "One and
Three Windows" and Maenz sending information for an article, 7 items.
Galerie Margret Müller
Scope and Content Note
mostly about Boyle exhibition, 11 items.
Westfälischer Kunstverein,
Münster
Scope and Content Note
mostly regarding Poirier work for "Reliefs" exhibition, 6
items.
Murphy, John (artist)
Scope and Content Note
2 letters and note from.
Mussa, Italo
Scope and Content Note
about various art related matters, 5 items.
Mussat Sartor, Paolo
Scope and Content Note
2 letters to.
Müller, Josef-Felix
Scope and Content Note
Regarding "Fleisches Lust" show, 8 items.
Mahlmann, Moritz (artist)
Scope and Content Note
4 items.
Minini, Massimo
Scope and Content Note
3 letters, 4 slides, 1 photo from.
Maloney, Martin
Scope and Content Note
apologetic letter from.
Müller, Josef-Felix
Scope and Content Note
2 items.
Marx, Erich
Scope and Content Note
Regarding financial misunderstanding concerning Fetting, 4
items.
Galerie Silvia Menzel
Scope and Content Note
Regarding potential Dahn show, 5 items.
Galerie Silvia Menzel
Scope and Content Note
about "Begegnung, Köln Berlin" show, 7 items.
Mapplethorpe, Robert
Scope and Content Note
note to.
Mucha, Reinhard
Scope and Content Note
letter to.
ARCO, Madrid
Scope and Content Note
Regarding exhibition with checklist, 12 items.
Galería La Máquina
Española
Scope and Content Note
Regarding Knap show, ca.25 items.
Galerie Vera Munro
Scope and Content Note
Regarding purchase and sale of works, 6 items.
Box 10
M (1988-1990) - P-Q
(1970-1983)
1970-1990
Galería La Máquina
Española
Scope and Content Note
mostly regarding money owed to Maenz for Knap show, 8 items.
Galerie Vera Munro
Scope and Content Note
Regarding Dahn show, ca. 11 items.
Fundacio Caixa de Pensions, Madrid
Scope and Content Note
Regarding Dokoupil retrospective and acquisition of Clemente's
"War," ca. 13 items.
Meijer Film
Scope and Content Note
about filming Kiefer exhibition for Swedish TV, 8 items.
Galerie Meyer-Ellinger
Scope and Content Note
Regarding Roehr and Dahn exhibitions, 14 items.
Musée d'Art Contemporain de
Montréal
Scope and Content Note
Regarding "Blickpunkte" show, ca.5 items from.
Städt Galerie im Lenbachhaus,
München
Scope and Content Note
5 items.
Galerie Vera Munro
Scope and Content Note
Regarding Dahn show, 4 items.
Menzio, Paolo (artist)
Scope and Content Note
letter from.
Kunstverein München
Scope and Content Note
primarily regarding Feldmann show, 8 items.
MOMA, New York
Scope and Content Note
Regarding information on Art & Language's "Chart" for an
exhibition, 8 items.
Karl Heinz Schreyl, Stadtgeschichtliche Museen,
Nürnberg
Scope and Content Note
Regarding Mariani acquisition, 6 items.
Obermüller, Peter, Kunstgewerbemuseum
Zürich
Scope and Content Note
4 items.
Onnasch Galerie
Scope and Content Note
4 items.
Ontani, Luigi (artist)
Scope and Content Note
letter to and mailart piece from.
Oppenheim, Dennis
Scope and Content Note
2 items.
Galerie Orny
Scope and Content Note
about Insley drawings, 4 items.
Ostrow, Saul
Scope and Content Note
Regarding recent work, 5 items.
Museum of Modern Art, Oxford
Scope and Content Note
correspondence with David Elliott mainly concerning Roehr show and
loss of one work and damage to others in return shipping, ca.20 items.
Oehlen, Albert
Scope and Content Note
4 items.
Museum of Modern Art, Oxford
Scope and Content Note
Regarding Paolini exhibition, especially works lent by Rentschler
which were damaged, 5 items.
MOMA, New York
Scope and Content Note
Regarding information requests on Dokoupil and Dahn, 5 items.
Reinhard Onnasch Kunsthandel
Scope and Content Note
Regarding proposed Bömmels show, 5 items.
Offay, Anthony d'
Scope and Content Note
Regarding Fetting show, 4 items.
Guggenheim Museum, New York
Scope and Content Note
Regarding Cucchi works for "Italian Art Now," 7 items.
Reinhard Onnasch Galerie
Scope and Content Note
Regarding Bömmels, 4 items.
MOMA, New York
Scope and Content Note
Regarding Dahn and Dokoupil loans for "An International Survey of
Recent Painting and Sculpture."
Reinhard Onnasch Galerie
Scope and Content Note
Regarding Bömmels exhibition, 7 items.
Reinhard Onnasch Galerie
Scope and Content Note
more about the Bömmels exhibition, 7 items.
National Gallery, Ottawa
Scope and Content Note
Regarding Woodrow acquisition, 7 items.
Reinhard Onnasch Galerie
Scope and Content Note
loan list of Bömmels exhibition.
"New York New"
Scope and Content Note
with Jay Gorney, Ileana Sonnabend and Pat Hearn regarding loans for
the exhibition, ca. 9 items.
Opie, Julian
Scope and Content Note
letter to.
NOEMA
Scope and Content Note
Regarding reviews, 5 items.
Musée d'Art Contemporain,
Nimes
Scope and Content Note
extensive correspondence regarding damage to Salvo's "Idiota" and Maenz's
attempt to get reimbured from the museum's insurance company through legal
action, with 3 photos of the damage, ca. 40 items.
Panza di Biumo, Giuseppe
Scope and Content Note
Regarding Barry and Kosuth acquisitions and loans, 10 items.
Pauli, J.
Scope and Content Note
Regarding the price of Barry drawings, 11 items.
Phillips, Tom
Scope and Content Note
Regarding recent work, sales to Maenz and representation in
Germany, 18 items.
Galerie Gerald Piltzer
Scope and Content Note
Regarding Dolla exhibition at Maenz, 6 items.
Piper, Adrian (artist)
Scope and Content Note
2 items.
Poirier, Marc
Scope and Content Note
Regarding why Wéry cannot show, Roehr loans and also mailart
postcard, 6 items.
Preisig, Rolf
Scope and Content Note
Regarding Barry exhibition at Preisig and trade and sale of works
by various conceptual artists, 13 items.
Poirier, Anne and Patrick
Scope and Content Note
Regarding their professional relationship, 4 items.
Pohl, Marianne
Scope and Content Note
letter from.
Paolini, Giulio
Scope and Content Note
Regarding sales and exhibition, 9 items.
Paladino, Mimmo
Scope and Content Note
2 letters to.
Penone, Giuseppe
Scope and Content Note
note to.
Paolini, Giulio
Scope and Content Note
Regarding the artist's exhibition, work schedule and sales, 2
items.
Pohl, Marianne
Scope and Content Note
letter to.
Paolini, Giulio
Scope and Content Note
3 items.
Poirier, Anne and Patrick
Scope and Content Note
Regarding picking up works still at Maenz, 6 items.
Polke, Sigmar
Scope and Content Note
2 letters to.
Paparoni, Demetrio (Tema Celeste)
Scope and Content Note
8 items regarding ads.
Galerie Karl Pfefferle
Scope and Content Note
Regarding Dokoupil and Bömmels loans, 5 items.
Paolini, Anna and Giulio
Scope and Content Note
letter to.
Paolini, Giulio
Scope and Content Note
4 items.
Paolini, Giulio
Scope and Content Note
2 letters from.
Paolini, Giulio
Scope and Content Note
1 item.
Penone, Giuseppe
Scope and Content Note
letter to.
Paladino, Mimmo
Scope and Content Note
letter to.
Paolini, Giulio
Scope and Content Note
letter to.
Paolini, Giulio
Scope and Content Note
6 items.
Philadelphia Museum of Art
Scope and Content Note
5 items.
Poirier, Anne and Patrick
Scope and Content Note
letter from.
Rademacher, Robert
Scope and Content Note
Regarding Roehr acquisition, 4 letters to.
Reise, Barbara
Scope and Content Note
Regarding artists for gallery and book orders, 5 items.
Rentschler, Friedrich
Scope and Content Note
many long letters from Maenz giving information and counsel
to Rentschler for his collecting activities involving conceptual art (Boyle,
Barry, Art & Language, Darboven, etc.) and the younger Italians (Paolini,
Manzoni and Toroni), while Rentschler stresses the importance of his own
decisions in the selection process, 18 items.
Richter, Gerhard
Scope and Content Note
letter to.
Rotterdamse Kunststichting
Scope and Content Note
correspondence with Gosse Oosterhof regarding Salvo and Feldmann shows, 6
items.
Rückriem, Ulrich
Scope and Content Note
2 letters and a note to.
Rutault, Claude
Scope and Content Note
note from.
Rutault, Claude
Scope and Content Note
photo and note to.
Rentschler, Friedrich
Scope and Content Note
3 items.
Museen Städtische Galerie,
Regensburg
Scope and Content Note
letter to Haacke and from Haacke to Maenz regarding "Noi Altri -Wir
Anderen" show.
Museum Boymans-van Beuningen,
Rotterdam
Scope and Content Note
Regarding acquistitions and exhibition "12 Künstler aus
Deutschland," 8 items.
Rutault, Claude
Scope and Content Note
letter to.
Rutault, Claude
Scope and Content Note
note to.
Rentschler, Friedrich
Scope and Content Note
letter from.
Rentschler, Friedrich
Scope and Content Note
Regarding loan agreement, 5 items.
Rentschler, Friedrich
Scope and Content Note
2 letters to.
Rentschler, Friedrich
Scope and Content Note
2 letters to.
Richter, Gerhard
Scope and Content Note
letter to.
Josef Roggendorf
Scope and Content Note
8 items.
Rentschler, Friedrich
Scope and Content Note
3 letters to.
Richter, Gerhard
Scope and Content Note
letter to.
Rockenschaub, Gerwald
Scope and Content Note
Regarding exhibition with checklist, 4 items.
Josef Roggendorf
Scope and Content Note
5 items.
Richard/Bennett Gallery
Scope and Content Note
16 color photos of works by Craig Roper.
Rockenschaub, Gerwald
Scope and Content Note
letter to.
Josef Roggendorf
Scope and Content Note
Regarding shipping, 7 items.
Rushton, Dave
Scope and Content Note
Regarding early works of Art & Language still at Maenz, 3
items.
Rentschler, Friedrich
Scope and Content Note
3 letters to.
Rockenschaub, Gerwald
Scope and Content Note
2 letters to.
Josef Roggendorf
Scope and Content Note
Regarding various shipping matters, 8 items.
Rentschler, Friedrich
Scope and Content Note
letter to.
Josef Roggendorf
Scope and Content Note
ca. 5 items.
Rentschler, Friedrich
Scope and Content Note
Regarding acquisitions, 4 items.
Reykjavik Municipal Art Museum
Scope and Content Note
Regarding Salvo and Knap exhibition, 5 items.
Rockenschaub, Gerwald
Scope and Content Note
note to.
Josef Roggendorf
Scope and Content Note
Regarding various export shipments, ca.11 items.
Fonds Regional d'Art Contemporain,
Rouen
Scope and Content Note
Regarding acquisition of Woodrow's "Island," 5 items.
Rüchriem, Ulrich
Scope and Content Note
2 items.
Galerie Lia Rumma
Scope and Content Note
Regarding sale of Steinbach's "Sweetest Taboo" to Staatsgalerie
Stuttgart, 11 items.
Rentschler, Friedrich
Scope and Content Note
3 items.
Josef Roggendorf
Scope and Content Note
ca. 5 items.
Seriaal (Mia Visser)
Scope and Content Note
5 items.
Sharp, Willoughby (Avalanche)
Scope and Content Note
mostly regarding ads, but some mention of his writings and thoughts
on the New York scene, 10 items.
Siegelaub, Seth (International
General)
Scope and Content Note
8 items.
Sohst, Gerhard and Elisabeth
Scope and Content Note
extensive quantity of letters regarding the Sohst's collecting
activities in Minimal and Conceptual art (i.e. Visser, Kosuth, Huebler, Weiner,
Barry, Richter, Darboven, Buren) with substantial exchanges with Buren over
their disagreement of the artist's "avertissement" (1976-78, see also Series
II, Buren). Also contains a group of letters and a diagram about Kosuth's
"Grass, Vegetation, Green, Lawn" with a letter by Kosuth explaining certificate
of ownership (Jun-Sept 1978) and a poem by Sohst, ca.80 items.
Galerie Sonnabend
Scope and Content Note
letters concerning commission split of two large Poiriers
and Art Deco book, 7 items.
Sperone, Gian Enzo
Scope and Content Note
substantial correspondence regarding exhibition and artist representation
with discussions of sales, commission and "territorial" disputes, ca.27
items.
Salvo
Scope and Content Note
mostly regarding exhibition, 9 items.
Salomé
Scope and Content Note
3 items.
Sevilla, Ferran Garcia (artist)
Scope and Content Note
Regarding "Fleisches Lust" exhibition, 4 items.
Sohst, Gerhard
Scope and Content Note
4 letters from with copy of a letter to Buren.
Sperone, Gian Enzo
Scope and Content Note
letter to regarding success of "Mülheimer Freiheit" show and
the poor response to the 7 Italians touring show.
Saatchi, Charles
Scope and Content Note
4 letters to regarding Kiefer and Dokoupil acquisitions.
Sperone, Gian Enzo
Scope and Content Note
concerning dispute over Chia works purchased by Maenz, 2
items.
Salvo
Scope and Content Note
letter from.
Tony Shafrazi Gallery
Scope and Content Note
4 items.
Ileana Sonnabend Gallery
Scope and Content Note
Regarding Bömmels show, 5 items.
Salvo
Scope and Content Note
letter to.
Salzmann, Gregory
(Yarlow/Salzmann)
Scope and Content Note
Regarding purchase of Fabro's "F. Nietzsche" and contact sheet of
Yarlow/Salzmann gallery, ca.10 items.
Tony Shafrazi Gallery
Scope and Content Note
Regarding Haring exhibition at Maenz, 11 items.
Ileana Sonnabend Gallery
Scope and Content Note
Regarding Bömmels show, 7 items.
Salvo
Scope and Content Note
2 letters from.
Salvo
Scope and Content Note
note to.
Saatchi, Charles
Scope and Content Note
2 letters to regarding acquisitions.
Sevilla, Gerran Garcia
Scope and Content Note
2 items regarding lost drawings.
Sohst, Gerhard
Scope and Content Note
Regarding Paolini acquisitions, 6 items.
Saatchi, Charles
Scope and Content Note
2 items.
Art Gallery of New South Wales,
Sydney
Scope and Content Note
Regarding acquisition of Paolini's "L'Altra Figura," 9 items.
Sanders, Pieter
Scope and Content Note
4 items.
Sevilla, Ferran Garcia
Scope and Content Note
2 items regarding returning work.
Tony Shafrazi Gallery
Scope and Content Note
Regarding Dahn and Burroughs shows, 3 items.
Sohst, Gerhard and Elisabeth
Scope and Content Note
mostly regarding Paolini's "Intervallo," 5 items.
Speyer, Jerry I
Scope and Content Note
Regarding acquisitions, 4 items.
Sohst, Gerhard and Elisabeth
Scope and Content Note
letter to.
Ileana Sonnabend Gallery
Scope and Content Note
Regarding Dokoupil show with letter from Sonnabend giving an
itemized rejection of Maenz's terms, ca.10 items.
Speyer, Jerry I
Scope and Content Note
Regarding potential acquisitions, 5 items.
Art Gallery of New South Wales,
Sydney
Scope and Content Note
5 items regarding Kiefer show and aborted Anselmo purchase.
Tony Shafrazi Gallery
Scope and Content Note
Regarding Burroughs works on consignment to Maenz, 7 items.
Scharpff, Rudolf
Scope and Content Note
Regarding interest in Boyle and Dolla, 6 items.
Schley, Evander
Scope and Content Note
letter to canceling show.
Schmidt, Peter (artist)
Scope and Content Note
2 items.
Schmidt, Ingrid and Volker
Scope and Content Note
substantial correspondence regarding acquisitions, especially a
Rückriem piece which was different than the one commissioned and the
purchase of a Buren work, ca.23 items.
Schöttle, Rüdiger
Scope and Content Note
Regarding Barry sales, Kosuth show at both galleries and letter to
Rentschler with text to accompany Kosuth work, 9 items.
Schum, Gerry
Scope and Content Note
Regarding "Peter Roehr, Film-Montagen I," 6 items.
Schmidt, Ingrid and Volker
Scope and Content Note
Regarding acquisitions and financial matters, 8 items.
Schwarzwaelder, Rosemarie, Galerie Nächst St.
Stephan
Scope and Content Note
Regarding "Neue Skulptur" show, 4 items.
Schmidt, Ingrid and Volker
Scope and Content Note
2 items.
Scholte, Rob
Scope and Content Note
Regarding his prolonged illness, his exhibition and other matters,
5 items.
Schuyff, Peter
Scope and Content Note
letter to.
Schuyff, Peter
Scope and Content Note
2 letters to.
Schmidt, Volker and Ingrid
Scope and Content Note
letter to.
Scholte, Rob
Scope and Content Note
Regarding new work and exhibition, 5 items.
Schuyff, Peter
Scope and Content Note
letter from.
Box 12, Box 12, Folder 27
Scholte, Rob
Scope and Content Note
contains 4 pg letter from Scholte explaining his break with
fellow artists in Amsterdam and his move to Brussels, his relationship with
Maenz, new assistants and upcoming shows, 3 items.
Scholte, Rob
Scope and Content Note
3 items.
Galerie Stähli
Scope and Content Note
11 items.
Studio International
Scope and Content Note
6 items.
Kunstausstellungen, Stuttgart
Scope and Content Note
Regarding shipment of work by Tatafiore, 5 items.
Württembergischer Kunstverein,
Stuttgart
Scope and Content Note
correspondence mostly with Tilman Osterwold about an Insley show,
6 items.
Gudrun Inboden, Staatsgalerie
Stuttgart
Scope and Content Note
Regarding Kosuth loan and works in private German collections,
Paolini and potential Kiefer acquisitions, Bömmels loan for "Szenen der
Volkskunst" and other matters, ca.9 items.
Galerie Stähli
Scope and Content Note
letter to Rolf Winnewisser about his work and regarding Ikemure
loans for Maenz exhibition, 5 items.
Württembergischer Kunstverein,
Stuttgart
Scope and Content Note
Regarding various matters, 5 items.
Staatsgalerie Stuttgart
Scope and Content Note
Regarding acquisitions of Kiefer and Kosuth, 10 items.
Galerie Stähli
Scope and Content Note
Regarding Maenz's decision not to purchase Ikemura's works, 2
items.
Staatsgalerie Stuttgart
Scope and Content Note
Regarding potential acquisitions, 12 items.
Stringer, Edward L.
Scope and Content Note
Regarding acquisition of Kiefer's "Des Malers Atelier," 6
items.
Staatsgalerie Stuttgart
Scope and Content Note
Regarding acquisitions, 6 items.
Württembergischer Kunstverein,
Stuttgart
Scope and Content Note
Regarding loans, 3 items.
Washington University, St. Louis
Scope and Content Note
Regarding "Hunger for Images" exhibition with checklist and
timetable, 4 items.
Staff-Reitzenstein, Elsa von
Scope and Content Note
Regarding an acquisition, 5 items (see also 1988).
Stöcker, Ingvild
Scope and Content Note
Regarding acquisitions, 4 items.
Sturtevant, Elaine
Scope and Content Note
correspondence primarily with Christian Leigh and some with
Sturtevant regarding Maenz exhibition with Leigh's text for mailers, ca.16 items (see
1990 for more).
Sturtevant, Elaine
Scope and Content Note
folder consists of substantial material regarding exhibition,
including correspondence with Christian Leigh and Sturtevant and with Heydt, Vieregge
& Partner concerning Eva Beuys' attempt to bring a copyright infringement
suit against Sturtevant's "copy" of Beuys' "Fat Chair," and also contains an
exhibition checklist, ca. 50 items (see also Bess Cutler Gallery, 1989).
Götz Adriani, Kunsthalle
Tübingen
Scope and Content Note
mostly regarding Roehr exhibition and some about acquisitions and
other matters, 15 items.
Verelst, Patrick
Scope and Content Note
Regarding Verelst's non-payment to Maenz of works by Roehr, ca.7
items.
Verna, Annemarie
Scope and Content Note
mostly about Roehr, ca.23 items.
Viner, Frank Lincoln (artist)
Scope and Content Note
letter to.
Visser, Carel
Scope and Content Note
substantial correspondence mostly regarding exhibitions with letters
about why Maenz does not want to do a drawings show (4/16/73) and Maenz
rethinking their relationship (7/4/74), ca.28 items.
Visser, Mia
Scope and Content Note
6 items (see also Seriaal 1970-79).
Toroni, Niele
Scope and Content Note
3 items.
Kunio Motoé, National Museum of Modern Art,
Tokyo
Scope and Content Note
Regarding Bömmels loans for "Metaphor and/or Symbol," ca.13
items.
Galerie Tanit
Scope and Content Note
5 items.
Vanity Fair and Paul Taylor
Scope and Content Note
Regarding Dokoupil article, 6 items.
Taaffe, Philip
Scope and Content Note
5 letters to.
Taaffe, Philip
Scope and Content Note
4 letters to.
Vaisman, Meyer
Scope and Content Note
letter to.
L.A. Louvre, Venice
Scope and Content Note
Regarding purchase of Woodrow's "By the Light of Day" by Jay Chiat,
8 items.
Taaffe, Philip
Scope and Content Note
letter to.
A 11 Art Forum Thomas München
Scope and Content Note
5 items regarding works on consignment.
Toroni, Niele
Scope and Content Note
note to.
Castello di Rivara, Turin
Scope and Content Note
Regarding Feldmann loans to "65-75 Aspetti e Pratiche dell' Arte
Europea," ca.10 items.
Walker, Aldo (Swiss artist)
Scope and Content Note
2 items.
John Weber Gallery
Scope and Content Note
Regarding Mr. Krätz purchase of a LeWitt work, 5 items.
Weiner, Lawrence
Scope and Content Note
about Weiner updating his records to reflect ownership of
work bought by the Sohsts, 6 items.
Westdeutscher Rundfunk Köln
Scope and Content Note
Regarding Maenz's thoughts on a WDR broadcast on homosexuality,
Maenz's proposal to Werner Höfer to produce a TV program on art, contract
agreement between Maenz and WDR for "Die Wirklichkeit ist nicht sichtbar," and
copies of letters showing tension between Höfer and Gerry Schum, 9
items.
Anny De Decker, Wide White Space
Scope and Content Note
6 items.
Wilson, Ian
Scope and Content Note
letter to.
Günter Aust, Museum der Stadt,
Wuppertal
Scope and Content Note
Regarding Roehr, Boyle loans and Art Deco works for "Um 1930," 7
items.
Christian Rathke, Kunst -und Museumverein,
Wuppertal
Scope and Content Note
Regarding exhibition "50'er Jahre," 5 items.
Städtische Galerie Wolfsburg
Scope and Content Note
letter to Klaus Hoffmann trying to sell "Mülheimer
Freiheit" exhibit.
Museum Wiesbaden
Scope and Content Note
Regarding acquiring Kiefer's work, 3 items.
Städtische Galerie Wolfsburg
Scope and Content Note
letters about "Mülheimer Freiheit" exhibition with a
letter signed by Dahn, Dokoupil, Bömmels, Naschberger and Adamsky, 3
items.
Wéry, Marthe
Scope and Content Note
2 items.
Werner, Hermann (artist)
Scope and Content Note
Regarding sending photos of his work to Maenz, 2 items.
Städtische Galerie Wolfsburg
Scope and Content Note
Regarding acquisitions of Dahn and Dokoupil with list of works and
prices, 9 items.
Woodrow, Bill
Scope and Content Note
2 letters to.
Woodrow, Bill
Scope and Content Note
letter to.
Thomas Krens, Williams College Museum of
Art
Scope and Content Note
letter from regarding German painting exhibition plans.
Wittrock Kunsthandel
Scope and Content Note
Regarding works sold to the Deutschen Bank with list of works and
prices, 4 items.
Warhol, Andy
Scope and Content Note
2 letters to.
Wencke, Claus-H.
Scope and Content Note
4 letters to about acquisitions and account problems.
Warhol, Andy
Scope and Content Note
material concerning Warhol exhibition, including correspondence
with Heiner Bastian and Fred Hughes about commission dispute between Maenz and
Bastian over the sale of "Flowers," 1964, loan agreements, shipping and
insurance documents and list of works in show, ca.20 items.
Thomas Krens, Williams College
Scope and Content Note
letter from regarding exhibition "German Painting Now."
Woodrow, Bill
Scope and Content Note
3 letters to regarding sales and consignment arrangement.
Alexander Weder Kunsthandel
Scope and Content Note
Regarding Disler's work, 5 items.
Wesdeutscher Rundfunk Köln
Scope and Content Note
Regarding co-sponsored festival, 4 items.
Kunstmuseum Winterthur
Scope and Content Note
Regarding loans for John Armleder exhibition, 2 items with loan
forms.
Woodrow, Bill
Scope and Content Note
correspondence with Pauline Woodrow about updating the artist's
records, 4 items.
Washington University, St. Louis
Scope and Content Note
5 items.
Thomas Krens, Williams College
Scope and Content Note
letter to regarding selection of works for German painting
exhibition.
Woodrow, Bill
Scope and Content Note
2 letters to and form letters to museums and collectors re
artist's exhibition, 8 items.
Sally G. Shafto, Williams College
Scope and Content Note
Regarding Bömmels poster with press release of "Refigured
Painting: The German Image 1960-1988," 3 items (see also 1990).
Willisch, Susanne
Scope and Content Note
about restoration of Dahn's work owned by Jobst family, 7
items.
Sally G. Shafto, Williams College
Scope and Content Note
Regarding Shafto's interest in Bömmels, 8 items.
Zizmann, Rolf
Scope and Content Note
Regarding Buren creating a work for Zizmann and certificates for
the piece, with photo of the interior of Zizmann's house.
Kunsthaus Zürich
Scope and Content Note
loan forms and shipping documents regarding loans for "Malerei und
Photographie im Dialog," 6 items.
Galerie Rudolf Zwirner
Scope and Content Note
about various exhibitions, 7 items.
Zacharopoulos, Denys
Scope and Content Note
letter to about why Maenz did not use his text in the
Jahresbericht."
Ursula Perucchi, Kunsthaus
Zürich
Scope and Content Note
primarily regarding Cucchi exhibition loans, 5 items.
Christos M. Joachimides,
"Zeitgeist"
Scope and Content Note
letter to.
Galerie Rudolf Zwirner
Scope and Content Note
Regarding "Premierentage" catalog, 3 items.
Yarlow/Salzman Inc.
Scope and Content Note
Regarding sales and commission dispute, 5 items.
Box 14, Folder 24
Farewell letters
1990
Scope and Content Note
letters sent to Maenz from artists, gallery owners, museum
directors, etc., expressing sorrow over his closing the gallery and good wishes
for the future. Correspondents include: Holly Solomon, Martin Disler (with
small drawing on one sheet), Gisela Kapp, Dieter Koepplin, Heliod
Spiedermann-Kothe, Frans Haks, Werner Lippert, Jean-Christophe Ammann, Julie
and Robert Barry, Daniel Buren, Julian Opie, Johannes Cladders, Gerhard Sohst,
Anne and Patrick Poirier.
Box 14, Folder 25
Assorted unidentified artists,
1987-1990
Scope and Content Note
solicitations from unknown artists seeking representation,
1987-1990.
Box 14, Folder 26
Lists
Scope and Content Note
mailing and artists lists.
Folder 27-28
Art organizations,
1985-1990
Scope and Content Note
correspondence with and information from Bundesverband Deutscher
Galerien, Köln (1988-1990), and Gesellschaft für Moderne Kunst am
Museum Ludwig, Köln (1985-1989), Maenz was a member of both
organizations.
Series II.
Artists' correspondence,
1970-1980
Physical Description:
1 lin. ft.
2 boxes
Scope and Content Note
Series II consists of letters to and from artists whom
Maenz represented or exhibited from 1970-80, such as Art & Language
artists, David Askevold, Robert Barry, Jean-Marie Bertholin, Mark Boyle, Daniel
Buren, Victor Burgin, Hanne Darboven, Hans-Peter Feldmann, Hans Haacke, John
Hilliard, Will Insley, Joseph Kosuth, Anne and Patrick Poirier, Dave Rushton,
Claude Rutault and Marthe Wéry. Arranged alphabetically. Letters
regard exhibitions, financial arrangements, sales at Maenz and other
galleries, publications, production of new works, artistic theories, and the
then current art scene. Letters written after 1980 can be found in Series
I.
Box 15, Folder 1
Art & Language,
1971-1978
Scope and Content Note
correspondence with Terry Atkinson, Charles Harrison and Michael
Baldwin about creation and translation of works; book production of DuMont
anthology; exhibitions, including Basel and Documenta (1971-1972), and others;
book sales; a lost work, which was shown in "Project '74"; financial matters;
and problems within the group (see especially letters ca. March or April 1976,
in which Baldwin requests Maenz to send him socialist literature). Also
includes brief text on "Loop" for Basel show (3/15/72), ca. 85 items, bulk 1971-1975. See also Ian Burn and Joseph Kosuth
for more on Art & Language.
Box 15, Folder 2
Askevold, David,
1971-1979
Scope and Content Note
letters about his shows at the gallery, including description
of works and installations; his works in general; finances and prices of works;
tape and film editions of his works "FFACC" and "Rubber Band"; certificates for
tapes and films; making a tape with Gerry Schum; and an interesting letter
about why he wants to show with John Gibson considering Gibson's reputation
(9/18/73); ca. 70 items.
Box 15, Folder 3
Barry, Robert,
1970-1980
Scope and Content Note
extensive correspondence, includes many detailed descriptions
of his slide pieces, drawings and other works (see especially an undated
letter, ca. early 1971, for "Something which is ..."); confusion over
"Invitation Piece" mailer (late 1972-early 73); a discrepancy in the
documentation of "Argon" (5/11/77); various publications; exhibitions for the
gallery, Prospekt, Documenta, Kunstmarkt and others; sales (especially to Dr.
Friedrich Rentschler); work availability; Maenz's business dealings with other
European galleries representing Barry; Barry's work, exhibition and travel
schedules and some installation instructions. ca. 126 items.
Box 15, Folder 4
Bertholin, Jean-Marie,
1975-1979
Scope and Content Note
letters about exhibitions at the gallery, Art in Progress and
Galerie Germain; sales; and discontinuance of their working relationship. ca.17
items.
Box 15, Folder 5
Boyle, Mark,
1970-1076
1970-1973
Scope and Content Note
correspondence about exhibitions at the gallery, Documenta (1972),
and elsewhere; financial matters with the artist's account statements; prices
of works; and a poor translation of a review by Günther Wirth (9/28/73)
for
Studio International, which makes mention of
Boyle. ca. 40 items.
Box 15, Folder 6
Büttner, Werner
Scope and Content Note
includes a copy of an interesting letter from Büttner to
Paparoni about why he will not participate in an Italian exhibition because of
the political situation there, 4 items.
Box 15, Folder 7
Buren, Daniel,
1972-1980
Scope and Content Note
problems with the "Deurle" publication; a large work
commissioned by Gerhard and Elisabeth Sohst, which they decided to return in
part due to Buren's "avertissement" (see also Series I "S" 1970-1979 for
extensive Sohst correspondence on this matter); creation and sales of other works;
and various exhibitions of his work in Germany, ca.42 items.
Box 15, Folder 8
Burgin, Victor,
1971-1977
bulk 1971-1973
Scope and Content Note
many letters discussing edition size and sales of "Bracket
Performative," "IV 2," "VI" and "Hussonet"; exhibitions at the gallery,
Documenta and Project '74; publications, especially one with Latimer Press
1971-73 (see 7/2/73 for contents outline); some installation instructions;
Maenz's dissatisfaction with the three-language-version of "New York Cultural
Center Piece" (7/28 & 8/3/71); reason for Maenz (or de Vries) not wanting
to sell "Photopath" to the Tate (2/16/73); and letter from Maenz showing bitter
feelings about Burgin's attack on Maenz's and Gerd's work in their last meeting
(2/26/77, see also Kosuth file 3/7/77 and Haacke file 4/22/77 for related
letters). Other items include title sheet for "Bracketed Performative," 1971. ca. 87 items.
Box 15, Folder 9
Burn, Ian and Mel Ramsden,
1971,
1973-1976
Scope and Content Note
includes letters from Ramsden about his disillusionment with
the gallery because Burn and Ramsden were not included in the Dumont anthology
(1/13/73); from Burn about current direction of Art & Language (ca.3/7/73);
from Ramsden documenting tensions between A & L in USA and England
(7/11/75); Kunstmarkt text typescript with frank letter from Maenz about its
unsuitability for the exhibition (8/29/75) and a revised typescript from
Ramsden; and others describing works for the gallery and the Ludwig collection,
exhibitions, publications, prices and sales of works. ca.60 items.
Box 15, Folder 10
Darboven, Hanne,
1979-1980
Scope and Content Note
includes letters about an exhibition at the gallery and sales.
Also contains postcard and letter with numbers and her characteristic
scribbles, copy of sketch for title-page of "Jahresbericht 1979" annotated with
a note from Darboven and photocopied article, ca.14 items.
Box 15, Folder 11
Feldmann, Hans-Peter,
1972-1975,
1978-1979
Scope and Content Note
includes correspondence about works, exhibitions, sales and other
gallery representation; letter which substantiates reasons for using notebook
format for exhibition (n.d., ca.1972-73); letters in which Feldmann explains
his refusal to give autobiographical data (1974); and letter in which Feldmann
theorizes on the meaning of art in conjunction with his toy exhibition (n.d.,
ca.1974-75).
Box 16, Folder 1-2
Haacke, Hans,
1969-1979
Scope and Content Note
extensive and rich correspondence demonstrating the political and
economic issues that preoccupied Haacke. Including letters about
the gallery's first show in 1971 and the delay of the opening (1970); Haacke's
description of his Tokyo installation "Circulation," recommendation of several
Japanese artists and his ideas on art and politics (6/17/70); how to install
the first show and Haacke's reasons for withdrawing from "Conceptual Art and
Conceptual Aspects" exhibition due to alienation from Kosuth
(12/27/70); many letters about the Guggenheim "scandal," including Haacke
describing the ban of Buren at Guggenheim (2/13, 2/28/71), expulsion of Haacke
from Guggenheim show, possible legal action and seeking letters of support from
Maenz (4/17/71) and artists boycotting Guggenheim on grounds of artistic
freedom (5/10/71); Haacke expressing views on
Artforum and
Arts Magazine and Barbara Rose's critiques
(3/14/71); financing for "Questionnaire" and its installation at Documenta
(2/13/72); dispute between Haacke and Onnasch about display of "Eisring" (4/13,
4/18/72); Barry dispute with Maenz (12/15, 12/19/72); many letters about
Haacke's Manet project for Projekt '74 including proposals, subsequent
rejection by the selection committee, Haacke's threats to expose the
Wallraf-Richartz-Museum for hindering artistic freedom and Haacke's insistance
that they publish his proposals and their reasons for his rejection in the
Projekt '74 catalog (Jan-May 1974, see also ** for poster of Manet
project exhibition at Maenz, which illustrates letters between the artist and
Dr. Horst Keller, director of Wallraf-Richartz-Museums); Haacke asking Maenz to
send him biographical information for future pieces (1975);
Prospect-Retrospective 1946-76 (10/76); misunderstanding between Burgin and
Maenz (4/22/77); and Maenz re-asking Haacke to state his political orientation
after Haacke thought the request inappropriate for a commercial gallery
(5/4/77). Other items include Manhattan card to be used for Prospect with text
and sketch (7/15/71); contact sheet for a catalog (3/72); blank contract for
artist and collector drawn up by Haacke's lawyer; and photocopy of Haacke
article "Art into Society-Society into Art" (with letter dated 3/9/75). ca. 126 items.
Box 16, Folder 3
Hilliard, John,
1977-1979
Scope and Content Note
letters about his exhibition at Maenz; showing "Horse-Chestnut
Leaves" at Documenta, which was purchased by Maenz (1977); exhibiting
"Velazquez" at several venues including Maenz; invitation cards; and Maenz's
inability to sell Hilliard's work. 18 items.
Box 16, Folder 4
Insley, Will,
1971-1977,
bulk 1972-1973
Scope and Content Note
exhibitions at the gallery, Documenta and extensive exchanges
about Haus Lange, Krefeld, show; descriptions of new works, especially a new
series of small wall fragments (5/31/75) and Insley's thoughts on their
installation (11/3/76); sales and financial matters; problems of conserving and
framing his early drawings (12/6/77); and from Maenz about why Insley's work
will not fit into the gallery's current exhibition program (5/8/79). ca. 50
items.
Box 16, Folder 5
Kosuth, Joseph,
1970-1979,
bulk 1971-1977
Scope and Content Note
correspondence about exhibitions at the gallery, Documenta (1972),
Projekt '74 (see letter ca. Summer 1974 for list of materials requested by
Kosuth) and others; financial arrangements; sales; and publication by Klaus
Honnef. Also contains extensive and rich letters regarding Kosuth's current
works and the conceptual art scene, including copy of a letter from Kosuth to
Karl Heinemann regarding his reasons for no longer selling his "Propositions"
and how he accepts "private grants" (ca.1/71); Kosuth's reaction to Fischer's
Studio article (3/22/71); dispute between Maenz
and Gunter Sachs Gallery over an exhibition of Kosuth's work (see especially
10/11/72); Maenz's description of the Brussels congress (7/5/73); Kosuth's
comments concerning the catalog "Non-anthropomorphic art by four young artists"
at Lannis Gallery in relation to the recent Luzern catalog (ca. early 1974);
Kosuth's reason for ending his "Investigation" series and photocopied statement
for "The Tenth Investigation" (ca. early 1975); extensive description of new
work which shifts from an analytical to a dialectical model (10/31/75) and
Maenz's somewhat negative response to it (3/16/76); the breakup of Provisional
Art & Life, NY, problems in Art & Language and the end of
Fox (8/16, 9/20/76); and lengthy and emotional
letter from Kosuth about Burgin's dismissal from the gallery (3/7/77). ca. 88
items.
Box 16, Folder 6
Michals, Duane,
1977
Scope and Content Note
letters from Maenz regarding an exhibition and copy of a
letter from Michals to Ann and Jurgen Wilde about shipment of works to them
with information on how they are to be dispersed to Documenta and Maenz, 6
items.
Box 16, Folder 7
Pohl, Marianne,
1977-1979
Scope and Content Note
includes letters about exhibitions at the gallery and
elsewhere; letter with installation instructions in pen and crayon (11/26/78);
and letter about Pohl's decision to paint for her own pleasure, not for sales,
with a small piece of painted canvas annotated and sent as a momento (9/7/79).
ca. 10 items.
Box 16, Folder 8
Poirier, Anne and Patrick,
1972-1980
Scope and Content Note
exhibitions at the gallery, Project '74 and elsewhere; prices;
works to be exchanged between Edward Kienholz and the Poiriers (1973, see also
Series I "K"); not wanting 10 steles separated (5/8/73); current low artistic
output and intended future direction of their art (5/18/74); descriptions of
works, especially one which uses the Domus Aurea as inspiration (6/2/75); the
Poirier's unwillingness to sell "Ausée" to a private collection because
they hope a public institution will acquire it (6/12/78); and rethinking their
working relationship (see especially 11/1/78 and 1/3/79). ca. 75 items.
Ramsden, Mel
Scope and Content Note
see Ian Burn.
Box 16, Folder 9
Rushton, Dave,
1972-1974,
undated
Scope and Content Note
letters about distributing "Suggestion from the Following
Gallery" at Galerie für zeitgenössische Kunst; list of works and
prices given to Maenz for display (5/24/73); works not to be exhibited in
Maenz's possession and descriptions of works which can be sent for a show
(6/7/73); and destruction of 25 copies of "the Portrait of Harriet Smith" from
water damage in Brussels (2/12/74). ca. 17 items.
Box 16, Folder 10
Rutault, Claude,
1976-1980
Scope and Content Note
correspondence regarding exhibitions, such as "Accrochage des toiles
carrées" in which Rutault's proposed design for the invitation is
rejected by Maenz (1977) and Maenz gallery schematic with list of works and
annotations by Rutault as to where they should be displayed (7/16/79);
descriptions of works; letter written to de Vries about finding texts written
by French minimal artists (6/3/77); and letter with copy of text "une toile
chasse l'autre no. 3" (12/1/77). ca. 30 items.
Box 16, Folder 11
Toroni, Niele,
1971,
1975-1977,
1979-1980
Scope and Content Note
letters about exhibitions, sales and why the artist does not
leave works on consignment (6/7/77). ca. 11 items.
Box 16, Folder 12
Wéry, Marthe,
1974-1980
Scope and Content Note
correspondence regarding exhibitions, including how her work should
be displayed (1/1/77); sales; Wéry's disappointment with Maenz and
discusses her ideas on art (1/10/78); why Maenz has excluded her from "Colonia
Italiana" exhibition (1/11/78); Maenz expressing his opposition to
Wéry's text on color, form and material (3/26/78); and Maenz ending
their working relationship (1/3/79). ca. 33 items.
Series III.
Loans,
1975-1990,
1982-1990
Physical Description:
2.5 lin. ft.
5 boxes
Scope and Content Note
Loan
documentation with museums and galleries, consists of letters requesting loans, loan request forms, shipping and
insurance documents and some correspondence about exhibitions. This series also
contains consignment agreements with other galleries with checklists and prices
of works on loan and discussions of financial arrangements. Series I should
also be consulted.
Box 17, Folder 1
A
1975-1981
Scope and Content Note
contains material from Stedelijk Museum, Amsterdam, on the
Wéry exhibition, 1975 (extensive documentation); Penone, 1979; and
"Sieben Junge Italiener," 1981 (Clemente and Cucchi).
Box 17, Folder 2
A
1982-1985
Scope and Content Note
includes documents for Stedelijk Museum for "'60-'80
Attitudes/Concepts/Images," 1981 (Paolini).
Box 17, Folder 3
A
1986
Scope and Content Note
extensive documentation of Art Gallery of South Australia's
"Wild Visionary Spectral: New German Art," (Bömmels, Fetting, Kiefer and
Dokoupil).
Box 17, Folder 4
A
1987
Scope and Content Note
correspondence with Galería Juana de Aizpuru, Madrid, about
puchasing works by Dokoupil and the possibility of shows for Dokoupil and Salvo
at Aizpuru; Stedelijk Museum for "Anselm Kiefer"; and Galerie Arnesen,
Copenhagen, regarding works by Bömmels, Dokoupil and Dahn lent on
consignment (see also 1988).
Box 17, Folder 5
A
1988
Scope and Content Note
mostly letters to Galerie Arnesen about works that had not yet
been returned from consignment and money owed to Maenz.
Box 17, Folder 6
A
1989
Scope and Content Note
Achenbach Art Consulting about Kiefer and Dahn and works by
Bömmels on consignment to Artinizing.
Box 17, Folder 7
A
1990
Scope and Content Note
letters regarding works on consignment to Achenbach (Darboven
and Dahn) and Artinizing (Sturtevant and Bömmels) and with Museum van
Hedendaagse Kunst, Antwerp, about Kosuth's exhibition "Exchange of
Meaning."
Box 17, Folder 8
B
1977-1981
Scope and Content Note
Dorothee Freifrau von Stetten, Bonn, Bonner Kunstverein and
Staatliche Museen Preussischer, Berlin, all requesting loan of works by
Poirier; Neuer Berliner Kunstverein (Haake); and Kunstalle Berlin IBK (various
artists).
Box 17, Folder 9
B
1982-1985
Scope and Content Note
includes documents from Kunsthalle Basel regarding Dahn
exhibition and "12 Künstler aus Deutschland"; Martin-Gropius-Bau, Berlin,
"Zeitgeist" (Dahn, Dokoupil, Bömmels, Büttner); Neuer Berliner
Kunstverein "Elementarzeichen" (Haring); Akedemie der Künste, Berlin, "Das
Selbstportrait im Zeitalter der Photographie" (Salvo); Museé d'Art
Contemporain de Bordeaux and Hans-Thoma-Museum, Bernau, about Kiefer
exhibitions; Galleria d'Arte Moderne, Bologna, "La giovane pittura in Germania"
(Naschberger, Dahn, Bömmels, Dokoupil); Kunstfonds Bonn "Neue Malerei"
(various); Rheinisches Landesmuseum, Bonn, "Zwischenbilanz" (Bömmels,
Dahn, Dokoupil); Centre de Développement Culturel du Boulonnais
"Cologne.... Nouveaux Regards" (Bömmels, Dahn, Dokoupil).
Box 17, Folder 10
B
1986
Scope and Content Note
contains substantial material, including checklists, for
Kunsthalle Basel's Dahn exhibition.
Box 17, Folder 11
B
1987
Scope and Content Note
Neue Gesellschaft für bildende Kunst, Berlin, "Endart"
and Palais des Beaux-Arts, Brussels, "Au Coeur du Maelström"
(Scholte).
Box 17, Folder 12
B
1989
Scope and Content Note
works on consignment to Galerie Inge Baecker (Poirier),
Galerie Harald Behm (Bömmels), Galleri Bohman (Dahn), Galerie Raymond
Bollag (Bömmels, Dahn); and for exhibitions at Haus am Waldee, Berlin,
"Enzo Cucchi: Zeichnungen 1977-88" and Rheinisches Landesmuseum, Bonn, "Kunst
der Gegenwart aus der Bundesrepublik Deutschland" (Dahn, Ireland exchange).
Box 17, Folder 13
B
1990
Scope and Content Note
Bonner Kunstverein "2000 Jahre: Die Gegenwart der
Vergangenheit" (Paolini, Salvo) and works on consignment to Galerie Buchmann
(Bömmels) since 1985.
Box 17, Folder 14
C-D
1979
Scope and Content Note
contains documents for Kunsthalle Düsseldorf's "Museum
des Geldes" (Penone, Salvo).
Box 17, Folder 15
C-D
1982-1985
Scope and Content Note
Maison de la Culture, Chalon-sur-Saone, (Roehr); Museum am
Ostwall, Dortmund, (Bömmels); Kunstmuseum Düsseldorf "z.B.
Stühle: Ein Streifzug durch die Kulturgeschichte des Sitzens" (Kosuth),
"Nehmen Sie Dada ernst -Es lohnt sich!" (Dokoupil) and "Anselm Kiefer"; Rosc,
Dublin, (Bömmels, Dahn/Dokoupil); and Messe Düsseldorf "Von hier aus"
(Dokoupil).
Box 17, Folder 16
C-D
1987
Scope and Content Note
Palais des Beaux-Arts, Charleroi, "L'Exotisme au Quotidien"
(Dokoupil, Mariani) and Stedelijk Museum Het Prinsenhof, Delft, "Contour
Exhibition" (Scholte).
Box 17, Folder 17
C-D
1988
Scope and Content Note
loan receipt for Galerie Christoph Dürr "Broken Neon"
(Dokoupil).
Box 17, Folder 18
C-D
1989
Scope and Content Note
works on consignment to Galerie Charles Cartwright (Dahn,
Dokoupil) and a loan to Museum am Ostwall, Dortmond "Schrift-Bilder" (Kosuth).
Box 17, Folder 19
C-D
1990
Scope and Content Note
works on consignment to Galerie Luis Campana.
Box 18, Folder 1
E
1978-1980
Scope and Content Note
Museum Folkwang, Essen, "Penone" and "7 junge Italiener"
(Cucchi, Chia); and Van Abbemuseum, Eindhoven, (separate shows involving
Kosuth, Haacke, Barry, Askevold).
Box 18, Folder 2
E
1982-1985
Scope and Content Note
extensive documentation of Scottish Arts Council, Edinburgh,
"Mulheimer Freiheit" (various) and of Van Abbemuseum "Walter Dahn, René
Daniels, Isa Genzken, Jenny Holzer, Robert Longo, Henk Visch"; also contains
loan agreements for Museum Folkwang "Die Erschaffung des Universums"
(Dokoupil), "Künstliche Paradiese" (Salvo), "Martin Disler," "Enzo
Cucchi," and "10 junge Künstler aus Deutschland."
Box 18, Folder 3
E
1986
Scope and Content Note
Fruitmarket Gallery, Edinburgh, "The Mirror and the Lamp"
(Paolini, Dokoupil) and Folkwang Museum "Georg Dokoupil."
Box 18, Folder 4
E
1987
Scope and Content Note
contains extensive documentation of Van Abbemuseum "Walter
Dahn" with checklists.
Box 18, Folder 5
E
1988
Scope and Content Note
Scottish Arts Council "Edinburgh International" and "Memory
and Imagination" (Salvo).
Box 18, Folder 6
F
1982-1985
Scope and Content Note
Frankfurter Kunstverein "Vom Zeichnen" (various) and Galerie
Six Friedrich (Dahn, Dokoupil).
Box 18, Folder 7
F
1986
Scope and Content Note
works on consignment to Galerie Fahlbusch (various) and works
shown at Frankfurter Kunstverein "Prospect 86" (various).
Box 18, Folder 8
F
1987
Scope and Content Note
Galerie Fahlbusch (Bömmels, see also 1988) and
Frankfurter Kunstverein (Dahn, Dokoupil).
Box 18, Folder 9
F
1988
Scope and Content Note
Galerie Fahlbusch and Kunstverein Freiburg "Malerei
Salvo."
Box 18, Folder 10
F
1989
Scope and Content Note
works on consignment to Galerie Fahlbusch (Dahn) and Galerie
Erika & Otto Friedrich (Salvo), and lent to Portikus, Frankfurt am Main
(Feldmann).
Box 18, Folder 11
F
1990
Scope and Content Note
works on consignment to Galerie Six Friedrich (Dahn,
Dokoupil).
Box 18, Folder 12
G
1980-1981
Scope and Content Note
Groninger Museum "Mülheimer Freiheit" (various).
Box 18, Folder 13
G
1982-1985
Scope and Content Note
Steirischer Herbst, Graz, "Phase 2/Das Bild einer Ausstellung"
(Dokoupil).
Box 18, Folder 14
G
1986
Scope and Content Note
Musée Grenoble "Walter Dahn."
Box 18, Folder 15
G
1988
Scope and Content Note
Galerie Gmurzynska.
Box 18, Folder 16
G
1990
Scope and Content Note
works on consignment to "121" Dahn, Dokoupil).
Box 18, Folder 17
H
1978,
1982-1985
Scope and Content Note
Hamburger Kunsthalle "Das Bild des Künstlers" and works
on consignment to Galerie Max-Ulrich Hetzler (Dahn).
Box 18, Folder 18
H
1986
Scope and Content Note
works on consignment to Galerie Heinz Holtmann (Bömmels,
Dahn, Dokoupil) and on loan to Louisiana Museum, Humlebaek "Global Dialogue
-Primitive and Modern Art" (Dahn, Dokoupil, Woodrow).
Box 18, Folder 19
H
1987
Scope and Content Note
works on consignment to Galerie Tilly Haderek (Roehr) and on
loan to Hamburger Kunsthalle "Schrecken und Hoffnung" (Bömmels).
Box 18, Folder 20
H
1988
Scope and Content Note
extensive documentation of works on consignment from Pat Hearn
Gallery (Schuyff).
Box 18, Folder 21
H
1989
Scope and Content Note
Haags Gemeentemuseum (Dahn), Kunsthaus Hamburg "Arbeit in
Geschichte/Geschichte in Arbeit" (Dokoupil) and works on consignment to Hirschl
& Adler Modern "Repetitions" (Roehr, Toroni, Paolini).
Box 18, Folder 21
H
1990
Scope and Content Note
see L 1990 for Kunstverein Hamburg "D & S Ausstellung"
(Opie, Sturtevant, Disler).
Box 18, Folder 22
I-J
1982-1985
Scope and Content Note
Ingelheim am Rhein "100 Jahre Kunst in Deutschland, 1885-1985"
(Dokoupil) and Israel Museum, Jerusalem, "Anselm Kiefer."
Box 18, Folder 23
I-J
1986
Scope and Content Note
works on consignment to Barbara J.-Jandrig Galerie (Dahn).
Box 18, Folder 24
I-J
1987
Scope and Content Note
works on loan to Margarethe Jochimsen for exhibition "Sie
Machen Was Sie Wollen: Junge Rheinische Kunst" traveling to Museo de Arte
Contemporaneo de Sevilla and Galerie Shipka, Sofia, Bulgaria (Bömmels,
Dahn) and works on consignment to Galerie Jöllenbeck (various).
Box 18, Folder 25
I-J
1990
Scope and Content Note
works on consignment to Akira Ikeda Gallery (Dahn, see also
extensive correspondence in Series I).
Box 19, Folder 1
K
1977-1980
Scope and Content Note
loan documents for Documenta (1977, Art & Language,
Kosuth, Wéry); and Badischer Kunstverein, Karlsruhe, "Hans Haacke,"
"Mimmo Paladino" and "Monumente -Denkmal" (Salvo).
Box 19, Folder 2
K
1982-1985
Scope and Content Note
Badischer Kunstverein, Karlsruhe, "Francesco Clemente";
Kasseler Kunstverein (Dokoupil); much material for Documenta 7 (Dahn, Dokoupil)
and Kitakyushu Municipal Museum of Art "Painting Now" (Dahn, Dokoupil,
Bömmels); and Kölnischer Kunstverein "Acht in Köln."
Box 19, Folder 3
K
1987
Scope and Content Note
works on consignment to Galerie Kaess-Weiss (Dahn, Salvo,
Dokoupil, Salvo) and on loan to Documenta (Scholte).
Box 19, Folder 4
K
1988
Scope and Content Note
Museum Fridericianum, Kassel, "Schlaf der Vernunft" (Barry);
Kasseler Kunstverein "Rob Scholte"; and Museum Ludwig, Köln, "Marcel
Duchamp und die Avantgarde seit 1950" (Barry, Paolini, Anselmo).
Box 19, Folder 5
K
1989
Scope and Content Note
works on consignment to Galerie Kaess-Weiss (Clemente,
Paladino); and on loan to Museum Ludwig, Köln, "Bilderstreit" (Paolini)
and Stadtmuseum Köln, "Augen-Blicke" (various).
Box 19, Folder 6
K
1990
Scope and Content Note
works on consignment to Galerie Kaess-Weiss (various) and
Elisabeth Kaufmann Basel (Dahn); and on loan to Statens Museum for Kunst,
København (Dahn/Dokoupil).
Box 19, Folder 7
L
1978
Scope and Content Note
contains material for three Kunstmuseum Luzern exhibitions
"Peter Röhr," "Serielle Prinzip..." (various) and "16 Italienische
Künstler" (Paolini).
Box 19, Folder 8
L
1982-1985
Scope and Content Note
Whitechapel Art Gallery, London, "Anselm Kiefer"; Tate
Gallery, London, "New Art" (Dokoupil, Dahn); Wilhelm-Hack-Museum, Ludwigshafen,
"Die Apokalypse -Ein Prinzig Hoffnung" (Dahn, Dokoupil, Bömmels, Cucci);
and Kunstmuseum Luzern "Salvo."
Box 19, Folder 9
L
1987
Scope and Content Note
Goethe Institut, Lagos (Dahn/Dokoupil); works on consignment
to Galerie Leyendecker (Bömmels); substantial documents relating to both
LACMA's "Avant Garde in the Eighties" (Dahn, Dokoupil) and Musée St.
Pierre, Lyon, "Rob Scholte" (includes letter from Scholte while visiting
Candelaria).
Box 19, Folder 10
L
1988
Scope and Content Note
works given by the artists to Galerie Yvon Lambert for
"Aids-Aid" (Dokoupil, Dahn, Bömmels).
Box 19, Folder 11
L
1989
Scope and Content Note
Tate Gallery, Liverpool, "Art from Köln" (Dahn).
Box 19, Folder 12
L
1990
Scope and Content Note
works on consignment from Lisson Gallery (Opie) and on loan to
Kunstverein Hamburg "D & S Ausstellung" (Opie, Sturtevant, Disler).
Box 19, Folder 13
M
1977-1980
Scope and Content Note
Mannheimer Kunstverein "Salvo," "Giulio Paolini," "Poirier"
and "Chia, Clemente, De Maria, Paladino"; Westfälisches Landesmuseum,
Münster, "Reliefs" (Poirier).
Box 19, Folder 14
M
1982-1985
Scope and Content Note
Bonnefantenmuseum, Maastricht, and Kunstverein München
"Künstliche Paradiese" (Salvo); Städtischen Museum Mülheim,
"Nehmen sie Dada Ernst" (Dokoupil); Kunstverein München; Instituto
Nacional de Bellas Artes, Mexico, "Ursprung und Vision -Neue Deutsche Malerei
(Dahn/Dokoupil); and Galerie-Verein München (Adamski, Dahn, Dokoupil,
Kever).
Box 19, Folder 15
M
1986
Scope and Content Note
Galerie Herbert Meyer-Ellinger (Roehr); Haus der Kunst,
München, "Das Automobil in der Kunst" (Roehr); Städtische Galerie im
Lenbachhaus, München, "Hommage a Beuys" (Fabro, Dahn, Dokoupil); and
Galerie Vera Munro (Dahn/Dokoupil).
Box 19, Folder 16
M
1987
Scope and Content Note
includes Galerie Philomene Magers "Ping-Pong" (Dahn);
Mannheimer Kunstverein "Skulpturen von Malern" (Dahn); works on consignment to
Galerie Herbert Meyer-Ellinger (Dahn, Roehr); and Kunstverein München
"Bill Woodrow, Skulpturen" and "Werner Büttner."
Box 20, Folder 1
M
1988
Scope and Content Note
Studio Marconi (Dokoupil), Abbaye Saint-Andre, Meymac, "Les
Années 80 à la surface de la peinture" (Disler, Dahn, Dokoupil)
and works on consignment to Galerie Silvia Menzel (Dahn).
Box 20, Folder 2
M
1989
Scope and Content Note
works on loan to Fundacion Caja, Madrid, "Dokoupil"; Galerie
Magers "Nature Morte" (Salvo, Dokoupil); Kunstverein München "Walter
Dahn"; and works on consignment to Galerie Am Kleinen Markt (Dahn), Galerie
Herbert Meyer-Ellinger (Dahn, Roehr) and Galerie Vera Munro (Dahn).
Box 20, Folder 3
M
1990
Scope and Content Note
works on consignment to Galerie Maier-Hahn (Feldmann) and
Galerie Meyer-Ellinger (Dahn).
Box 20, Folder 4
N-O
1978
Scope and Content Note
Museum of Modern Art, Oxford (Roehr).
Box 20, Folder 5
N-O
1982-1985
Scope and Content Note
Guggenheim, New York, "Italian Art Now: An American
Perspective" (Cucchi); Museum of Modern Art, New York, "An International Survey
of Recent Painting and Sculpture" (Bömmels, Mariani); Evangelischen
Kirchbautag, Nürnberg, "Imago -Das Künstlerische Credo" (Dokoupil,
Bömmels, Disler, Kiefer); and Rijksmuseum Kröller-Müller,
Otterlo (Darboven).
Box 20, Folder 6
N-O
1987
Scope and Content Note
Whitney Museum of American Art, New York, "1987 Biennial
Exhibition with correspondence about Taaffe's "Four Quad Cinema" being sold to the
Saatchi Collection.
Box 20, Folder 7
N-O
1988
Scope and Content Note
works on consignment to Herrn Job, Otterndorf (Roehr).
Box 20, Folder 8
P-Q
1979-1981
Scope and Content Note
includes loan agreements for Centre Pompidou, Paris, "La
Cartographie" (Poirier); Musée d'Art moderne de la Ville de Paris "Art
Allemand Arc" (Haacke).
Box 20, Folder 9
P-Q
1982-1985
Scope and Content Note
works on consignment to Produzentengalerie (Dahn, Dokoupil);
and on loan to XIIIe Biennale de Paris (Dokoupil), Musée d'Art moderne
de la Ville de Paris "Martin Disler" and Carnegie Institute, Pittsburgh,
"Carnegie International" (Dokoupil).
Box 20, Folder 10
P-Q
1986
Scope and Content Note
Obalne Galerije Piran "New Drawing" (Dokoupil, Bömmels,
Dahn).
Box 20, Folder 11
P-Q
1987
Scope and Content Note
works on consignment to Galerie Roger Pailhas (Dahn) and on
loan to Galerie Pfefferle (Bömmels, Dahn).
Box 20, Folder 12
P-Q
1988
Scope and Content Note
Galerie Pfefferle (Dahn).
Box 20, Folder 13
P-Q
1989
Scope and Content Note
PPS Galerie F.C. Gündlach Hamburg "Walter Dahn:
Fotoarbeiten 1973-87."
Box 20, Folder 14
P-Q
1990
Scope and Content Note
extensive documentation for Musée d'Art moderne de la
Ville de Paris "L'art conceptuel, une perspective" (Barry, Burn, Kosuth,
Lewitt, Ramsden).
Box 20, Folder 15
R
1977
Scope and Content Note
Museum Boymans-van Beuningen, Rotterdam, "Sechzehn
italienische Künstler" (Paolini).
Box 20, Folder 16
R
1982-1985
Scope and Content Note
Rotterdamse Kunststichting (Dahn, Dokoupil).
Box 20, Folder 17
R 1987
Scope and Content Note
Castello di Rivoli "Ouverture" (Dahn).
Box 20, Folder 18
R
1988
Scope and Content Note
includes works on consignment to Galerie Wanda Reiff
(Bömmels) and extensive documentation of Museum Boymans-van Beuningen,
Rotterdam, "Rob Scholte" and "Salvo."
Box 20, Folder 19
R
1989
Scope and Content Note
Galleria Nazionale d'Arte Moderna, Rome, "Giulio Paolini."
Box 20, Folder 20
R
1990
Scope and Content Note
Gerwald Rockenschaub.
Box 21, Folder 1
S
1982-1985
Scope and Content Note
Stadtgalerie, Saarbrücken (Dokoupil); 18. Biennale Sao
Paulo (Bömmels, Dokoupil); and Galerie Swat "Mülheimer Freiheit"
(various).
Box 21, Folder 2
S
1986
Scope and Content Note
Tony Shafrazi Gallery "What it is" (Dahn, Dokoupil); Sonsbeek
86 (Paolini, Dokoupil); and Biennale of Sydney (Dokoupil).
Box 21, Folder 3
S
1987
Scope and Content Note
Walter Smerling "Der Andere Blick" (Dahn, Dokoupil,
Bömmels).
Box 21, Folder 4
S
1988
Scope and Content Note
works on consignment to Holly Solomon Gallery (Knap).
Box 21, Folder 5
S
1989
Scope and Content Note
mostly consists of documents relating to works on consignment
to Sonnabend Gallery (Bömmels).
Box 21, Folder 6
S
1990
Scope and Content Note
works on consignment to Galerie Swart (Dahn, Dokoupil).
Box 21, Folder 7
Sch
1982-1985
Scope and Content Note
Rosemarie Schwarzwaelder, Galerie nächst St. Stephan
(Bömmels, Dokoupil).
Box 21, Folder 8
Sch
1988
Scope and Content Note
works on consignment to Galerie Schurr (Dahn, Dokoupil,
Knap).
Box 21, Folder 9
Sch
1990
Scope and Content Note
works on consignment to Galerie Schurr (Dahn).
Box 21, Folder 10
St
1982-1985
Scope and Content Note
Württembergischer Kunstverein, Stuttgart, "Das
Selbstportrait im Zeitalter der Photographie" (Bömmels, Salvo).
Box 21, Folder 11
St
1986
Scope and Content Note
Staatsgalerie Stuttgart "Giulio Paolini."
Box 21, Folder 12
St
1987
Scope and Content Note
Württembergischer Kunstverein, Stuttgart, "Exotische
Welten -Europëische Phantasien" (Dahn/Dokoupil, Clemente, Salvo).
Box 21, Folder 13
T-V
1980
Scope and Content Note
Venice Biennale 1980 (Poirier).
Box 21, Folder 14
T-V
1982-1985
Scope and Content Note
National Museum of Modern Art, Tokyo, "Metaphor and/or Symbol"
(Bömmels, Allington); Turin, Palazzo Promotrice delle Belle Arti
"Rheingold" (Dahn, Dokoupil); Ulmer Museum "Peter Bömmels" and another
exhibition (various); and Le Nouveau Musée, Villeurbanne, "Salvo" (see
also 1986).
Box 21, Folder 15
T-V
1986
Scope and Content Note
Musee de Toulon "Berlin Aujourd'hui" (Endart) and Le Nouveau
Musée, Villeurbanne, "Salvo."
Box 21, Folder 16
T-V
1987
Scope and Content Note
Museum van Bommel-Van Dam, Venlo, "Beelden van Schilders"
(Dokoupil, Bömmels, Dahn) and Le Nouveau Musée, Villeurbanne,
"Luciano Fabro."
Box 21, Folder 17
T-V
1988
Scope and Content Note
works on consignment to A11 Art Forum Thomas (Darboven,
Dokoupil).
Box 21, Folder 18
T-V
1989
Scope and Content Note
extensive documents regarding Viceconsejeria de Culture y
Deportes, Santa Cruz de Tenerife, "International Painting/Canarias" (Salvo,
Dokoupil, Dahn).
Box 21, Folder 19
W
1982
Scope and Content Note
Kunsthalle Wilhelmshaven.
Box 21, Folder 20
W
1987
Scope and Content Note
works on consignment to Kunsthandel Wolfgang Wittrock
(Bömmels, Disler, Dokoupil).
Box 21, Folder 21
W
1988
Scope and Content Note
works on consignment to Galerie Edition E Wassermann (Barry)
and Wolfgang Wittrock (Feldmann, Disler).
Box 21, Folder 22
W
1989
Scope and Content Note
extensive materials for Williams College Museum of Art and
Guggenheim Museum "Refigured Painting: The German Image 1960-88" (various); and
works on consignment to Wolfgang Wittrock (Disler).
Box 21, Folder 23
W
1990
Scope and Content Note
Museum Moderner Kunst, Wien, "20. Biennale, Sao Paulo"
(Rockenschaub).
Box 21, Folder 24
X-Z
1976-1977
Scope and Content Note
Kunsthaus Zürich "Malerei im Zeitalter der Fotografie"
(Roehr, Salvo, Kosuth).
Box 21, Folder 25
X-Z
1987
Scope and Content Note
works on consignment to Yarlow/Salzman Inc., Cold City Gallery
(Dahn).
Box 21, Folder 26
X-Z
1989
Scope and Content Note
Kunsthaus Zürich "Enzo Cucchi."
Series IV.
Photograph permission
requests,
1983-1990,
bulk 1987-1989
Physical Description:
1 lin. ft.
2 boxes
Scope and Content Note
Series IV consists of letters and forms from magazines, museums, galleries,
publishers and private individuals requesting transparencies and photographs. Requests are usually for publications,
such as articles, reviews, exhibition catalogs and monographs, but also for
sales and galleries interested in showing an artists work (i.e. samples). Also
contains letters of compliance and return reminders from Maenz and some
photocopies of transparencies sent. Series IV is arranged alphabetically by
institution or individual and chronologically within each alpha letter. See
Series I for pre-1987 and Series IX for annotated folders of each
transparency.
Series V.
Financial,
1979-1980
Physical Description:
1.5 lin. ft.
3 boxes
Scope and Content Note
Series V holds
various receipts, Deutsche Bank transaction receipts, tax records, and gallery
bookkeeping ledgers for 1979-1980 only.
Box 24, Folder 1-12
Receipts Jan-Dec
Scope and Content Note
various receipts for taxis, postage, photocopies, restaurants,
hotels, etc.
Box 24, Folder 13-14
Deutsche Bank Deposit Receipts
Jan-Dec
Box 25, Folder 1
Deutsche Bank Withdrawal Receipts
Jan-Dec
Box 25, Folder 2
Income Tax Records
Scope and Content Note
prepared by Dieter Gassen. Also contains copies of 1978 filing
for record keeping purposes.
Box 25, Folder 3
Gallery Accounts Receivable
Scope and Content Note
list of works sold, recorded alphabetically by artist.
Box 25, Folder 4
Gallery Accounts Payable
Scope and Content Note
various expenses related to the running of the gallery, such
as the purchase of photographic reproductions and books, texts written by
various authors, artists' transportation, auto club, etc., filed alphabetically
by payee.
Box 25, Folder 5
Gallery Tax Records
Scope and Content Note
prepared by Dieter Gassen. Includes summary of finances and
gallery inventory as of 32 Dec 1979.
Box 26, Folder 1-2
Deutsche Bank Deposit Receipts
Jan-Dec
Box 26, Folder 3
Deutsche Bank Withdrawal Receipts
Jan-Dec
Box 26, Folder 4
Gallery Tax Records
Scope and Content Note
prepared by Dieter Gassen. Includes summary of finances,
gallery inventory as of 21 Dec 1980 and ledgers.
Series VI.
Artists' biographies,
ca. 1977-1990
Physical Description:
1 lin. ft.
2 boxes
Scope and Content Note
Series VI contains research files of photocopied articles and reviews, clippings,
ephemera, biographies compiled by the gallery and biographies compiled and
received from other galleries. This series also includes a few copies of
manuscripts by various authors about the artists, exhibition checklists and
book complimentary lists. Arranged alphabetically by artist.
Box 27, Folder 1-19
A-I
Scope and Content Note
Contains bios for Armleder, Barry, Beuys,
Bömmels, Burroughs, Chia, Clemente, Dahn, Darboven, Disler, Dokoupil,
Endart, Fabro, Feldmann, Fetting, Haacke, Haring, Insley.
Box 28, Folder 1-17
K-Z
Scope and Content Note
Kapoor, Kiefer, Knap, Mülheimer Freiheit, Opie,
Paolini, Posenenske, Rockenschaub, Roehr, Salvo, Scholte, Schuyff, Sturtevant,
Taaffe, Visser, Warhol, Woodrow.
Series VII.
Clippings and miscellaneous
ephemera,
1956-1991,
bulk 1973-1990
Physical Description:
1.5 lin. ft.
2 boxes
Scope and Content Note
Series VII contains newspaper and magazine clippings, photocopies of
reviews of shows at Maenz and elsewhere involving Maenz's artists,
interviews with Maenz and artists, announcements, and invitations. Arranged in loose chronological order.
Box 30, Folder 1-6
Clippings and miscellaneous
ephemera,
1986-1991
Box 30, Folder 7-17
Miscllaneous ephemera,
1956-1990
Series VIII.
Gallery publications and printed
matter,
1970-1990
Physical Description:
3 lin. ft.
2 flat file folders, 1 roll
Scope and Content Note
Series VIII contains
production material for
Paul Maenz Köln 1970-1980-1990, gallery
publicity, posters and a complete set of invitation mailers. For a full listing
of Maenz gallery publications and yearbooks see the separation list.
Box 31, Folder 1-8
Production material for
Paul Maenz Köln
1970-1980-1990
Scope and Content Note
mss, page proof, galley, layout, unbound signatures.
Box 31, Folder 9-10
Publicity
Scope and Content Note
mostly photocopies of Maenz ads for exhibitions throughout the
gallery's history with annotations where published. Also includes some
production material for ads, such as negs and layouts. A separate folder has
misc. leaflets and copies of ads mostly for Maenz's and de Vries'
publications.
Box 32, Folder 1-15
Invitation mailers,
1971-1989
Scope and Content Note
Contains postcards, cards, small exhibition brochures
and copies of announcements.
Flat file folder 1**
Posters
Scope and Content Note
"Egonavigatio: Chia, Clemente, De Maria, Paladino,"
30. 3 - 27.4, 1980, Mannheimer Kunstverein.
Flat file folder 1**
"Master Works of Conceptual Art," 11 Okt/19 Nov:
"Anselm Kiefer," 25 Nov/23 Dec, Paul Maenz (two announcements on same
poster).
Flat file folder 1**
"Arte Cifra" 21.6 - 21.7.79, Paul Maenz (printed texts
on verso by Celant).
Flat file folder 1**
"Haackes Manet-Projekt '74," 4-30 July, 1974, Paul
Maenz (reproductions of Haacke correspondence with Dr. Horst Keller, director of
Wallraf-Richartz-Museums).
Flat file folder 2**
"7 junge Künstler aus italien," 17 Okt - 30 Nov,
1980, Museum Folkwang Essen (two copies).
Flat file folder 2**
"Mülheimer Freiheit & Interessante Bilder aus
Deutschland," 13.11 - 20.12.80, Paul Maenz.
Flat file folder 2**
"Endart," 15.-21.11.84, Paul Maenz, Kölner
Kunstmarkt.
Flat file folder 2**
"Journey to the Surface of the Earth: Manual and
Atlas," Mark Boyle.
Flat file folder 2**
"Anselm Kiefer," 17 Nov 89 - 13 Jan 90, Paul
Maenz.
Roll 1**
"Robert Barry and the Art Cologne Wall Piece" at the
Fair 10-16 Nov and "Francesco Clemente, Neue Arbeiten New York" at the Gallery 11 Nov - Dec 23 (two
announcements on same poster)
Roll 1**
"New York New," 5.6.-31.7.87.
Series IX.
Photographs,
ca. 1971-1990
Physical Description:
ca. 9,350 items
Scope and Content Note
Series IX consists of ca. 9,350 color
transparencies, black/white and cibachrome color prints, negatives, contact
sheets and slides. The color prints, numbering ca. 1,350, were printed by the
repository directly from the color transparencies. All prints are filed in
alpha order by artist with their original file folders, which are annotated as
to who borrowed, for what purpose and when. Three albums house a complete set
of black/white negatives and contact sheets of exhibitions and installations at
the gallery and elsewhere.
Box 33-35
Negatives and contact
sheets,
1971-1989
Anselmo; Art & Language; Askevold; Barry;
Bertholin; Boyle; Buren; Burgin; Feldmann; Haacke; Insley; Kosuth; Paolini;
Paul Maenz at Paris Galerie Germain; Penone; Poirier; Roehr; Salvo; Toroni;
Wéry.
Bömmels; Dokoupil '83; Paolini '83; Dahn '83;
Clemente '82; Fetting '82; Disler '82; Kiefer '82; Ikemura/Dokoupil '82; Dahn
'82; Bömmels '82; Adamski/Cucchi/Darboven '81; "Fleisches Lust" '81;
Adamski '81; Buren '81; Paladino/Chia '80; Collection FER '81; Darboven/Oehlen/
Büttner '81; Darboven "Milieu 80"; "Mülheimer Freiheit" Groninge '81,
and '80; Kiefer '81; Cucchi '80; Summer '80 (Barry, Buren, Adamski, Lord);
Clemente '80; Chia; "Egonavigatio" '80; Basel '80; Anselmo '80; Clemente/
Paladino; Darboven '79; Private '79 Barry-Böhning; Darboven/Cucchi/De
Maria '79; "Arte Cifra" '79; Pohl '79; Schaafenstr. Neue Galerie Sept. '78;
Mariani '78; N. De Maria '78; De Vries portraits; Clemente '78;
Fabro/Boetti/Clemente '78; Paladino '78; Longobardi; Chia/Icaro '78;
Bartolini/Tatafiore '78; Mariani/KKM (Köln Kunst Markt)/Rutault '77;
Rutault '79, '78, '77, '76; Hilliard '77; Michals '77; Sartor '76; Andre '75,
'71, and others; LeWitt "Kunst-über Kunst"; Louw; Maloney '71; Manzoni;
Kawara; Rückreim '74, '71; Visser '75, '72, '71; Venedig '76;
"Kunst-über Kunst" '74; KKM '75, '72; Konzept Kunst, Basel, '72; Documenta
V '72; DEZ '74.
Kiefer '89; Paolini '89; Taaffe '86; Dahn '86;
Kiefer '86; Woodrow '86; Maenz '86; Salvo '85; Warhol '85;
Endart/Dokoupil/Disler '85; Salvo/Bömmels '84/85; Dahn '84; Kapoor/Woodrow
'84; Haring '84; Disler '84; Fabro '84; Kiefer '84; "Master Works of Conceptual
Art" '83; Bismarckstrasse '83 (new gallery).
Box 36, Folder 9-10
Art & Language; with copy of text "Theory as
Practice or Practise as Theory?"
Box 43, Folder 29-46
Dokoupil, Jiri-Georg (see also
Dahn/Dokoupil)
Box 45, Folder 1-3
Haacke, Hans
Scope and Content Note
ca. 100 photos, in which ca. 40-50% were taken by
Haacke, and photocopies of some of his text pieces, such as "Mobil,"
"Bildunterschrift," "The Constituency," "On the Wallraf-Richartz-Museum's
censorship of my work for Projekt '74," and "Interview with Hans Haacke by Mary
Gordon."
Box 46, Folder 13
Kever, Gerard: see also Naschberger, Box
51
Box 50, Folder 12
Louw, Roelof
Scope and Content Note
includes catalog layout, 2 letters from Louw about layout
and installation, correspondence with others regarding same, installation drawing and
photocopied article.
Box 51, Folder 1-2
Mariani, Carlo Maria
Scope and Content Note
with typed excerpts of some of the paintings the artist
appropriated.
Box 51, Folder 5-6
Naschberger, Gerhard
Scope and Content Note
also includes small photos of Kever's work.
Box 53, Folder 6
Poirier, Anne and Patrick.
Box 54, Folder 31-32
Rutault, Claude
Scope and Content Note
also many installation instructions, and 2 letters and 2
notes from Rutault.
Box 62, Folder 1-15
Miscellaneous,
1976-1987
Scope and Content Note
Includes Kunst-über Kunst,
1974; exhibit at Eric and Xiane Germain, 1976; Fleisches Lust,
1981; Bismarckstr. 50, 1983; Masterworks of Conceptual Art, 1983; Sechs
Richtige, 1984; New York New, 1987; photos of publications; photos of art
fairs; portraits of Maenz; and miscellaneous.
Box 63-89
Color transparencies (cold
storage)
