Finding aid for the Zaha Hadid drawings and slides for "The Great Utopia"
exhibition, 1992
Scott Wolf.
Descriptive Summary
Title: Zaha Hadid drawings and slides for "The Great Utopia" exhibition
Date (inclusive): 1992
Number: 950083
Creator/Collector:
Hadid, Zaha
Physical Description:
6.2 Linear Feet
(79 drawings, 97 slides)
Repository:
The Getty Research Institute
Special Collections
1200 Getty Center Drive, Suite 1100
Los Angeles 90049-1688
reference@getty.edu
URL: http://hdl.handle.net/10020/askref
(310) 440-7390
Abstract: A collection of 79 drawings and
paintings from contemporary architect, Zaha Hadid (b. 1950) executed for the design of the
exhibition of Russian Constructivist art, "The Great Utopia" (Guggenheim Museum, 1992).
There are 32 ink drawings and 47 acrylic paintings, grouped thematically by
installation.
Request Materials: Request access to the physical materials
described in this inventory through the
catalog record for this
collection. Click here for the
access policy .
Language: Collection material is in
English
Biographical/Historical Note
Zaha Hadid is a leading architect, currently practicing in London, whose work encompasses
urban planning, interior design, and product and furniture design. She was born in Iraq in
1950 and received her degree in mathematics at the American University in Beirut. From 1972
to 1977, Hadid attended the Architectural Association in London where she encountered the
work of the architects Elias Zenghelis and Rem Koolhaas. After completing her studies, Hadid
joined the Office for Metropolitan Architecture (OMA) as a partner and worked on the Dutch
House of Parliament Extension in the Hague. She established her own practice in London in
1979 and soon after won the Peak International Design Competition, Hong Kong, in 1983. This
award was the first of Hadid's many international exhibitions, awards and commissions. Since
1986, Hadid has intermittently taught architectural design at the Architectural Association,
London; the Graduate School of Design, Harvard; and the Graduate School of Architecture,
Planning and Preservation, Columbia University. Hadid is known and admired as much for her
extraordinary abstract, deconstructionist architectural drawings as for her built designs,
which, though few, include the fire station in Vitra Germany and the IBA housing block in
Berlin.
Administrative Information
Access
Open for use by qualified researchers.
Publication Rights
Preferred Citation
Zaha Hadid drawings for "The Great Utopia" exhibition, 1992, Getty Research Institute,
Research Library, Accession no. 950083.
http://hdl.handle.net/10020/cifa950083
Acquisition Information
Acquired in 1995.
Processing History
Scott Wolf processed and described the collection in 1997. Annette Leddy edited this
finding aid, July 1997.
Scope and Content of Collection
This collection of drawings by Zaha Hadid contains 32 ink drawings (on mylar) and 47
acrylic paintings (on black and cream paper) that the architect executed for the design of
the exhibition of Russian Constructivist art, "The Great Utopia," held at the Guggenheim
Museum, New York, in 1992. Hadid's drawings demonstrate her debt to Russian Suprematism and
Constructivism, especially the work of Kasimir Malevich, Ivan Leonidov, El Lissitzsky and
Konstatin Melnikov, as they offer spaces where these designers' work can be reexperienced
and reinterpreted. Hadid recreates Malevich's "Tectonic" as a curved or "bent" form and uses
color in a manner reminiscent of Theo van Doesburg and members of De Stijl. As always, she
defies conventions of architectural drawing to evoke disorienting perceptual effects and, in
this case, to undermine and extend those of the Guggenheim.
The collection includes designs that were not implemented for the exhibition as well as
those that were. Apart from 32 "Study Drawings," the drawings are grouped by installation,
each installation concerning a certain theme or interpretation of a Constructivist thematic:
"Tatlin Tower," "Suprematist Walls," "Zig Zag Wall," "Porcelain Beams," "Black Room," "Globe
Room," "Skyline of Tectonics," "Maze Room," and "Bent Tectonic." The black display boxes
that originally housed the collection have been placed in a separate box (Box 2).
Indexing Terms
Subjects - Topics
Constructivism (Architecture) -- Russia -- Exhibitions
Genres and Forms of Material
Design drawings -- 1992
Contributors
Hadid, Zaha
box 1
Ideas for Avant-garde Russian Exhibition at the Guggenheim Museum,
N.Y.
1992
box 1, folder 1
32 study drawings, Russian Avant-garde Exhibition
Scope and Content Note
black ink on mylar film. 298 x 298 mm.
box 1, folder 2
Tatlin Tower Interpretation
box 1, folder 2
1. Rotunda Study Plan: photocopy/watercolor/acrylic on cream card. 298 x
298 mm.
box 1, folder 2
2. Rotunda Study Plan: photocopy/watercolor/acrylic on cream card. 298 x
298 mm.
box 1, folder 2
3. Study: photocopy/watercolor on cream card. 298 x 298 mm.
box 1, folder 2
4. Rotunda Study Plan: acrylic/pencil on black paper. 298 x 298
mm.
box 1, folder 2
5. Study: acrylic/pencil on black paper. 411 x 298 mm.
box 1, folder 2
6. Rotunda Perspective Study: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 2
7. Rotunda Perspective Study: acrylic/pencil/watercolor on cream card.
298 x 298 mm.
box 1, folder 3
Storm of Paintings, Suprematist Walls
box 1, folder 3
1. Annex Perspective: acrylic/pencil on cream paper. 298 x 298
mm.
box 1, folder 3
2. Annex Perspective: acrylic/pencil on black cartridge paper. 298 x 298
mm.
box 1, folder 3
3. Annex Perspective: acrylic/pencil on cream paper. 298 x 298
mm.
box 1, folder 3
4. Annex Study: ink/acrylic/watercolor on cream paper. 298 x 298
mm.
box 1, folder 3
5. Annex Perspective Study: acrylic/pencil on cream paper. 298 x 298
mm.
box 1, folder 4
1. Zig Zag Perspective: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 4
2. Zig Zag Perspective: acrylic/pencil on cartridge paper. 298 x 298
mm.
box 1, folder 4
Porcelain Beams, Textile Wall
box 1, folder 4
3. Beam with Tableware: acrylic/pencil on black cartridge paper. 298 x
298 mm.
box 1, folder 4
4. Plan: acrylic/pencil on black cartridge paper. 298 x 298
mm.
box 1, folder 4
5. Black Room with Spotlit Paintings: Acrylic/pencil on cream paper. 298
x 298 mm.
box 1, folder 4
6. Black Room with Spotlit Paintings: acrylic/pencil on black cartridge
paper. 298 x 298 mm.
box 1, folder 5
1. Study: acrylic/white ink on black cartridge paper. 298 x 298
mm.
box 1, folder 5
2. Perspective Study: acrylic/black ink/pencil on cream paper. 298 x 298
mm.
box 1, folder 5
3. Perspective Study: acrylic/pencil on paper. 298 x 298 mm.
box 1, folder 5
4. Perspective Study: acrylic/pencil on black cartridge paper. 298 x 298
mm.
box 1, folder 5
5. Study: acrylic/pencil on cream card. 298 x 298 mm.
box 1, folder 5
6. Skyline of Tectonics: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 5
Maze Room 1st Discussion (1 item)
box 1, folder 5
7. Study: acrylic on black cartridge paper. 298 x 298 mm.
box 1, folder 6
1. Computer Study: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 6
2. Study: acrylic/pencil on cream card. 298 x 298 mm.
box 1, folder 6
3. Computer Study: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 6
4. Computer Study: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 6
5. Perspective Study: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 6
6. Perspective Study: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 6
7. Perspective Study: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 6
8. Perspective Study: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 6
9. Perspective Study: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 6
10. Perspective Study: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 6
11. Perspective Study: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 7
1. Perspective Study: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 7
2. Study: acrylic/pencil on cream card. 298 x 298 mm.
box 1, folder 7
3. Perspective Study: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 7
4. Perspective Study: acrylic/pencil/photocopy on cream paper. 298 x 298
mm.
box 1, folder 7
5. Perspective Study: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 7
6. Perspective Study: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 7
7. Perspective Study: acrylic/black ink on cream card. 298 x 298
mm.
box 1, folder 7
8. Perspective Study: acrylic/photocopy/pencil on cream card. 298 x 298
mm.
box 1, folder 7
9. Perspective Study: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 7
10. Computer Study: acrylic/pencil on cream card. 298 x 298
mm.
box 1, folder 7
11. Computer Study: acrylic/pencil on cream card. 298 x 298
mm.
box 2
Display Boxes (empty)
1992
Scope and Content Note
3 black display boxes, made expressly for the drawings. 320 x 320 mm.
box 3
Slides of "The Great Utopia" and other projects,
undated
Physical Description:
.2 Linear
Feet
(1 box containing 97
slides)
