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Finding Aid for the Robert H. Justman Collection of Star Trek Television Series Scripts, 1966-1968
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Container List

 

Episodes

 

A PIECE OF THE ACTION (Prod# 60349)

Box 5

Written by Gene L. Coon and David P. Harmon. Final draft, October 30, 1967, 63 pages. (Prod. 60349). - Incl.: Special photography effects (2), Shooting schedule (5), Day-out-of-days (1), Cast sheet (6), Credits (3).

 

A PRIVATE LITTLE WAR (Prod# 60345)

Box 5

Written by Don Ingalls and Gene Roddenberry. Second revised final draft, September 25, 1967, 67 pages. (Prod. 60345). - Incl.: Special photography effects (2), Shooting schedule (5), Day-out-of days (1), Cast sheet (3), Credit (3).

 

A TASTE OF ARMAGEDDON (Prod# 6149-23)

Box 6

Written by Gene L. Coon and Robert Hammer. Revised final draft, December 12, 1966, 67 pages. (Prod. 6149-23). - Incl.: Shooting schedule (8), Cast sheet (5), Credits (3).

 

AMOK TIME (Prod# 5149-34)

Box 1

Written by Theodore Sturgeon. Second revised final draft, June 5, 1967, 60a pages. (Prod. 5149-34). Incl.: Special photography effects (2), Shooting schedule (6), Cast sheets (5), Credits (3).

 

ARENA (Prod# 6149-19)

Box 1

Written by Gene Coon. Final draft, November 3, 1966, 64 pages. (Prod. 6149-19). - Incl.: Shooting schedule (10), Cast sheet (2), Credits (3).

 

ASSIGNEMNT: EARTH (Prod# 60355)

Box 1

Written by Art Wallace and Gene Roddenberry. Final draft, January 1, 1968, 67 pages. (Prod. 60355). - Incl.: Vault tranporter sequence (3), Wild lines, voices and sounds, loops (22), Cast sheet (3), Credits (3).

 

BALANNCE OF TERROR (Prod# 6149-09)

Box 1

Written by Paul Schneider. Revised final draft, July 18, 1966, 69 pages. (Prod. 6149-09). - Incl.: Shooting schedule (11), Cast sheet (5), Rough Cut-General Comments (1), Reel content (4), Credits (3).

 

BREAD AND CIRCUS (Prod# 60343)

Box 1

Written by Gen Roddenberry and Gene L. Coon. Third revised final draft, September 12, 1967, 65 pages. (Prod. 60343). - Incl.: Special photography effects (1), Shooting schedule (2), Cast sheets (7), Credits (4).

 

BY ANY OTHER NAME (Prod# 60350)

Box 1

Written by D. C. Fontana and Jerome Bixby. Revised final draft (lacking last page), November 7, 1967, 69 pages. (Prod. 60350). - Incl.: Special photography effects (3), Shooting schedule (7), Cast sheet (2), Credits (3).

 

CATSPAW (Prod# 5149-30)

Box 1

Written by Robert Bloch. Revised final draft, April 27, 1967, 64 pages. (Prod. 5149-30). - Incl.: Optical Miniature list (2), Special photography effects (3), Shooting schedule (8), Cast list (3), Credits (3).

 

CHARLIE X (Prod# 6149-08)

Box 1

Written by D. C. Fontana. Final draft, July 5, 1966, 70 pages. (Prod. 6149-08). - Incl.: Shooting schedule (9), Cast sheet (3), Sound effect (1), Notes on first cut (2), Teaser narration (1), Credits (3).

 

COURT MARSHALL (Prod# 6149-15)

Box 2

Written by Don M. Mankiewicz and Steven Carabatsos. Revised final draft, September 9, 1966, 68 pages. (Prod. 6149-15) - Incl.: Shooting schedule (10), Cast sheet (4), Credits (3).

 

DAGGER OF THE MIND (Prod# 6149-11)

Box 2

Written by Shimon Wincelberg. Revised final draft, August 5, 1968, 77 pages. (Prod. 6149-11). - Incl.: Shooting schedule (10), Cast sheet (3), Credits (3).

 

DAY OF THE DOVE (Prod# 60043-66)

Box 2

Written by Jerome Bixby. Revised final draft, August 19, 1968, 61 pages. (Prod. 60043-66). - Incl.: Special photography effects (3), Shooting schedule (6), Cast sheet (3), Credits (3), Name change (1).

 

ELAAN OF TROYIUS (Prod# 60043-57)

Box 2

Written by John Meredith Lucas. Final draft, May 23, 1968, 73 pages. (Prod. 60043-57). - Incl.: Special photography effects (3), Shooting schedule (11), Day-out-of-days (1), Cast sheet (4), Credits (3).

 

ERRAND OF MERCY (Prod# 6143-27)

Box 3

Written by Gene Coon. Revised final draft, January 23, 1967, 62 pages. (Prod. 6143-27). - Incl.: Shooting schedule (6), Cast sheet (2), Credits (3).

 

FOR THE WORLD IS HOLLOW AND I HAVE TOUCHED THE SKY (Prod# 60043-65)

Box 3

Written by Rik Vollaerts. Final draft, August 7, 1968, 59 pages. (Prod. 60043-65). - Incl.: Special photography effects (4), Day-out-of-days (1), Shooting schedule (5), Cast sheet (2).

 

FRIDAY'S CHILD (Prod# 5149-32)

Box 3

Written by D. C. Fontana. Revised final draft, May 11, 1967, 55 pages. (Prod. 5149-32). - Incl.: Special photography effects (2), Shooting schedule (9), Cast sheet (3), Credits (3).

 

I, MUDD (Prod# 60341)

Box 3

Written by Stephen Kandel. Revised final draft, August 4, 1967, 70 pages. (Prod. 60341). - Incl.: Special photography effects (2), Shooting schedule (7), Day-out-of days (1), Credits (3).

 

IS THERE IN TRUTH NO BEAUTY (Prod# 60043-62)

Box 3

Written by Jean Lisette Aroeste. Final draft, July 12, 1968, 57 pages. (Prod. 60043-62). - Incl.: Narration (1), Shooting schedule (5), Day-out-of-days (1), Cast sheet (1), Credits (3).

 

JOURNEY TO BABEL (Prod# 60043-56)

Box 3

Written by D. C. Fontana. Seond revised final draft, September 19, 1967, 64 pages. (Prod. 60043-56). - Incl.: Special photography effects 93), Shooting schedule (6), Cast sheet (5), Credits (3).

 

METAMORPHOSIS (Prod# 5149-31)

Box 4

Written by Gene Coon. Revised final draft, May 3, 1967, 59 pages. (Prod. 5149-31). - Incl.: Special photography effects (3), Shooting schedule (6), Cast sheet (4), Credits (3).

 

MIRI (Prod# 6143-12)

Box 4

Written by Adrian Spies. Revised final draft, July 17, 1967, 72 pages. (Prod. 6143-12). - Incl.: Shooting schedule (9), Cast sheet (2), Credits (3).

 

MIRROR, MIRROR (Prod# 5143-39)

Box 4

Written by Jerome Bixby. Final draft, July 17, 1967, 63 pages. (Prod. 5143-39). - Incl.: Sepcial photography effects (3), Shooting schedule (7), Day-out-of-days (1), Cast sheet (7), Credits (3).

 

MUDD'S WOMEN (Prod# 6143-04)

Box 4

Written by Steven Kandel. Revised final draft, May 31, 1966, 63 pages. (Prod. 6143-04). - Incl.: deForest Research (3), Cast sheet (2), Shooting schedule (12), Day-out-of-days (1), Credits (3).

 

OBSESSION (Prod# 60347)

Box 4

Written by Art Wallace. Revised final draft, October 4, 1967, 61 pages. (Prod. 60347). - Incl.: Special photography effects (4), Shooting schedule (5), Cast sheet (2), Credits (3).

 

OMEGA GLORY (Prod# 60354)

Box 4

Written by Gene Roddenberry. Revised final draft, December 15, 1967, 70 pages. (Prod. 60354). - Incl.: Special photography effects (2), Shooting schedule (5), Cast sheet (4), Credits (3).

 

OPERATION - ANNIHILATE (Prod# 6149-29)

Box 5

Written by Steven W. Carabatsos. Second revised final draft, February 13, 1967, 66 pages. (Prod. 6149-29). - Incl. : Shooting schedule (7), Optical effects (2), Cast sheet (2), Credits (3).

 

PATTERNS OF FORCE (Prod# 60352)

Box 5

Written by John Meredith Lucas. Revised final draft, November 24, 1967, 65 pages. (Prod. 60352). - Incl.: Special photography effects (2), Shooting schedule (8), Cast sheet (3), Credits (3).

 

PLATO'S STEPCHILDREN (Prod# 60043-67)

Box 5

Written by Meyer Dolinsky. Final draft, August 29, 1968, 62 pages. (Prod. 60043-67). - Incl.: Day-out-of-days (1), Shooting schedule (4), Cast sheet (3).

 

RETURN TO TOMORROW (Prod# 60351)

Box 5

Written by Gene Roddenberry and John T. Dugan. Second revised final draft, November 22, 1967, 67 pages. (Prod. 60351). - Incl.: Special photography effects (2), Cast sheet (3), Credits (3).

 

SHORE LEAVE (Prod# 6149-17)

Box 5

Written by Theodore Sturgeon. Final draft, October 14, 1966, 62 pages. (Prod. 6149-17). - Incl.: Shooting schedule (10), Cast sheet (3), Credits (3).

 

SPACE SEED (Prod# 6149-24)

Box 5

Written by Gene Coon and Gene Roddenberry. Second revised final draft, December 13, 1966, 67 pages. (Prod. 6149-24). - Incl.: Shooting schedule (9), Cast sheet (3), Credits (5).

 

THE APPEL (Prod# 5149-38)

Box 1 , Folder 3

Written by Gene L. Coon and Max Ehrlich. Second revised final draft, July 12, 1967, 63 pages. (Prod. 5149-38).- Incl.: Special photography effects (2), Shooting schedule (8), Day-out-of days (1), Credits (3).

 

THE CHANGLING (Prod# 5149-37)

Box 1

Written by John Meredith Lucas. Revised final draft, June 29, 1967, 61 pages. (Prod. 5149-37). - Incl.: Special photography effects (3), Day-out-of-days (1), Shooting schedule (5), Cast sheet (3), Credits (3).

 

THE CHILDREN ARE WAITING (Prod# 600043)

Box 1

Written by Edward J. Lasko. Final draft, June 21, 1968, 71 pages. (Prod. 60043). - Incl.: Special photography effects (4), Shooting schedule (5), Day-out-of-days (1), Castsheet (5), Credits (3).

 

THE CITY ON THE EDGE OF FOREVER (Prod# 6149-28)

Box 2

Written by Harlan Ellison. Final draft, February 1, 196, 58 pages. (Prod. 6149-28). - Incl.: Shooting schedule (9), Cast sheet (3), Credits (3).

 

THE CONSCIENCE OF THE KING (Prod# 6149-13)

Box 2

Written by Barry Trivers. Revised final draft, September 8, 1966, 64a pages. (Prod. 6149-13). - Incl.: Shooting schedule (9), Cast sheet (3), Credit (4).

 

THE CORBOMITE MANEUVER (Prod# 6149-03)

Box 2

Written by Jerry Sohl. Second revised final draft, May 20, 1968, 71 pages. (Prod. 6149-03). - Incl.: Optical special effects (6), deForest Research (1), Shooting schedule (11), Cast sheet (2), Editing notes (4), Credits (3).

 

THE DEADLY YEARS (Prod# 5149-40)

Box 2

Written by David P. Harmon. Final draft, July 27, 1967, 64 pages. (Prod. 5149-40). - Incl.: Special photography effects (1), Day-out-of days (1), Shooting schedule (7), "Aging Revised" (1), Cast sheet (5), Credits (3).

 

THE DOOMSDAY MACHINE (Prod# 5149-35)

Box 2

Written by Norman Spinrad. Second revised final draft, June 14, 1967, 64 pages. (Prod. 5149-35). - Incl.: Special photography effects (6), Shooting schedule (9), Cast sheet (3), Credits (3).

 

THE EMPATH (Prod# 60043-63)

Box 2

Written by Joy Muskat. Revised final draft, July 23, 1968, 55 pages. (Prod. 60043-63). - Incl.: Special photography effects (3), Shooting schedule (4), Day-out-of-days (1), Cast sheet (4), Credits (3).

 

THE ENEMY WITHIN (Prod# 6149-05)

Box 2

Written by Richard Matheson. Final draft, annotated, June 8, 1966, 70 pages. (Prod. 6149-05). - Incl.: Shooting schedule (11), Cast sheet (2), Projection room notes (4), Editing notes (2), Credits (3).

 

THE ENTERPRISE INCIDENT (Prod# 60043-59)

Box 3

Written by D. C. Fontana. Final draft, June 13, 1968, 64 pages. (Prod. 60043-59). - Incl.: Special photography effects (3), Shooting schedule (8), Day-out-of-days (1), Cast sheet (3), Credits (3).

 

THE GALILEO SEVEN (Prod# 6149-14)

Box 3

Written by Shimon Wincelberg and Oliver Crawford. Final draft, September 15, 1966, 66 pages. (Prod. 6149-14). - Incl.: Shooting schedule, (10), Cast sheet (2), Credits (3).

 

THE GAMESTERS OF TRISKELION (Prod# 60346)

Box 3

Written by Margaret Armen. Fourht revised final draft, October 13, 1967, 65 pages. (Prod. 60346). - Incl.: Special photography effects (1), Shooting schedule (5), Day-out-of-days (1), Cast sheets (5), Credits (3).

 

THE IMMUNITY SYNDROME (Prod# 60348)

Box 3

Written by Robert Sabaroff. Final draft, October 17, 1967, 70 pages. (Prod. 60348). - Incl.: Special photography effects (3), Day-out-of days (1), Shooting schedule (6), Cast sheet (5), Credits (3).

 

THE MAN TRAP (Prod# 6143-06)

Box 3

Written by George Clayton Johnson. Final draft, June 16, 1966, 66 pages. (Prod. 6143-06). - Incl. Shooting schedule (10), NBC Broadcast Standard Dept. (2), Cast sheet (3), Voice over (6), Editing notes -narration (7), Credits (3).

 

THE MENAGERIE (Prod# 6149-16)

Box 4

"Star Trek. Voyage One", (pilot) written by Gene Roddenberry. Revised November 20, 1964, 73 pages. - Incl.: Shooting schedule (18), Cast sheet (5), Staff and crew (1), Production breakdown (89).

Box 4

Written by Gene Roddenberry. Parts 1 and 2. Final draft, October 7, 1966, 64 pages. (Prod. 6149-16). - Incl.: Shooting schedule (8), Cast sheet (5), Desilu memo (3), Credits (7).

 

THE NAKED TIME (Prod# 6143-07)

Box 4

Part I, written by John D. F. Black. Final draft, June 28, 1966, 65 pages. (Prod. 6143-07). - Incl.: Shooting schedule (12), Cast sheet (2), NBC Broadcast Standard Dept. (1), Narration (1), Projection room notes (4), Credits (3).

 

THE PALEFACE (Prod# 60043-58)

Box 5

Written by Margaret Armen. Final draft, June 3, 1968. 59 pages. (Prod. 60043-58). - Incl.: Special photography effects (3), Shooting schedule (7), Day-out-of-days (1), Cast sheet (3), Credits (3).

 

THE RETURN OF THE ARCHONS (Prod# 6149-22)

Box 5

Written by Boris Sobelman. Final draft, November 10, 1966, 64 pages. (Prod. 6149-22). - Incl.: Shooting Schedule (9), Cast sheet (4), Credits (3).

 

THE SQUIRE OF GOTHOS (Prod# 6149-18)

Box 5

Written by Paul Schneider. Final draft, October 16, 1966, 69 pages. (Prod. 6149-18). - Incl.: Delisu memos (3), Shooting schedule (7), Cast sheet (2), Credits (3).

 

THE THOLIAN WEBB (Prod# 60043-64)

Box 6

Written by Judy Burns and Chest Richards. Final draft, July 30, 1968, 61A/62 pages. (Prod. 60043-64). - Incl.: Special photography effects (5), Shooting schedule (5), Cast sheet (1).

 

THE ULTIMATE COMPUTER (Prod# 60353)

Box 6

Written by D.C. Fontana and Laurence N. Wolfe. Final draft, December 5, 1967, 70 pages. (Prod. 60353). - Incl.: Special photography effects (4), Day-out-of-days (1), Shooting schedule (5), Cast sheet (5), Credits (3).

 

THIS SIDE OF PARADISE (Prod# 6149-25)

Box 6

Written by D. C. Fontana and Nathan Butler. Final draft, December 15, 1966, 64 pages. (Prod. 6149-25). - Incl.: Shooting schedule (8), Cast sheet (2), Credits (3).

 

TOMORROW IS YESTERDAY (Prod# 6149-21)

Box 6

Written by D. C. Fontana. Final draft, November 21, 1966, 69 pages. (Prod. 6149-21). - Incl.: Shooting schedule (13), Cast sheet (3), Credits (3).

 

TROUBLE WITH TRIBBLES (Prod# 5149-42)

Box 6

Written by David Gerrold. Revised final draft, August 1, 1967, 62 pages. (Prod. 5149-42). - Incl.: Special photography effects (2), Shooting schedule (6), Day-out-of-days (1), Cast sheet (7), Credits (3).

 

WHAT ARE LITTLE GIRLS MADE OF (Prod# 6149-10)

Box 6

Written by Robert Bloch. Revised final draft, July 27, 1966, 73 pages. (Prod. 6149-10). - Incl.: Shooting schedule (9), Cast sheet (2), Editing notes (2), Credits (3).

 

WHERE NO MAN HAS GONE BEFORE (Prod# 5149-02)

Box 6

Written by Samuel A. Peeples. Revised final draft, July 8, 1965, 71 pages. - Incl.: Shooting schedule (13), Cast sheet (3), O.S. background voices (3), Male radio voice (1), Credits 93), Scene breakdown (55).

 

WHO MOURNS FOR ADONAIS? (Prod# 5149-33)

Box 6

Written by Gilbert A. Ralston. Second reised final draft, May 26, 1967, 70 pages. (Prod. 5149-33). - Incl.: Special photography effects (4), Shooting schedule (5), Cast sheet (3), Credits (3).

 

WOLF IN THE FOLD (Prod# 5149-36)

Box 6

Written by Robert Bloch. Revised final draft, June 21, 1967, 60 pages. (Prod. 5149-36). - Incl.: Special photography effects (1), Inserts to be shot (1), Shooting schedule (5), Day-out-of-days (1), Cast sheets (5), Credits (3).

 

Memorabilia

Box 8

"A Day in the Life" - Satire on the production of Star Trek by Robert Justman. 21 leaves.

Box 8

"Some of Frank's Friends: Star Trek 1968-69." Cartoons and caricatures of Star Trek cast and production by Frank Oakden. (2 copies).

 

Source Materials

Box 8

"Meteorological Satellites and Sounding Rockets." NASA.

Box 8

"The 210-foot-diameter deep space network antenna." NASA/JPL (Dedication booklet, 1966).

Box 8

"To Mars: The Odyssey of Mariner IV." NASA/JPL Technical Memorandum #33-220.

Box 8

"Space Exploration - Why and How." NASA.

Box 8

"Report from Mars: Mariner IV 1964-1965." NASA/JPL.

Box 8

"Dictionary of technical terms for aerospace use". 1st edition, NASA SP-8, 314 pages.

Box 8

"Ranger 1964." Jet Propulsion Laboratory.

Box 8

Cartier, Arthur T. "Missile technology abbreviations and acronyms", 130 pages.

Box 8

"Man: An Endangered Species?" U.S. Department of the Interior Conservation Yearbook #4.

Box 8

Larousse Encylopedia of Astronomy, 1966, 506 pages.

Box 8

DISF: Goldstone. NASA/JPL Technical Memorandum #33-205.

 

Star Trek 'Fanzines'

 

PSYCHOTIC

Box 7

No. 23, "The Pulp Fanzine," January 1968, 45 pages.

 

S.T. PHILE

Box 7

No. 1, January 1968, 49 pages.

 

SPOCK'S SHOWCASE

Box 7

[1968], 36 pages.

 

SPOCKANALIA

Box 7

September, 1, 1967, 89 pages. With letter from publishers to Robert Justman, letter from Robert Justman to Herb Solon, and one memo.

Box 7

No. 2, April 19, 114 pages (photocopy), no 3, September 1, 1968, 103 apges, no. 4, February 21, 111 pages, 1968.

 

STORYTELLER

Box 7

[Circa 1968], 44 pages.

 

T-NEGATIVE

Box 7

No 9. 1970, 48 pages.