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INVENTORY OF THE ERNST KITZINGER PAPERS, 1931-1935
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Series I.  Writings, 1932-1995

Physical Description: 4 lin. ft.

Scope and Content Note

Writings comprises Kitzinger's offprints, inscribed "work copy," updated with marginalia and slips of paper noting more recent bibliography and further observations. Correspondence, reviews, and photographic prints are often present as well. Arranged in chronological order.
Box 1, Folder 1-2

Ph D Thesis, 1934

Box 1, Folder 1

Römische Malerei vom Beginn der 7. bis zur Mitte des 8. Jahrhunderts.Munich, 1934.

Scope and Content Note

Unpublished dissertation typescript, signed, 243 pages.
Box 1, Folder 2

Römische Malerei vom Beginn der 7. bis zur Mitte des 8. Jahrhunderts.Munich, Druck: R. Warth & Co. 1936.

Scope and Content Note

Published, abridged dissertation, with addenda, 59 pages.
Box 1, Folder 3

Early Articles and Reviews

Box 1, Folder 3

"Der 3. Internationale Kongress für christliche Archäologie in Ravenna." Die Christliche Kunst,29:2 (Nov. 1932), 57-58.

Scope and Content Note

Journal issue.
Box 1, Folder 3

"Internationaler Kongress für christliche Arch[auml ]ologie." Bayersicher Kurier und Münchener Fremdenblatt,21 October 1932, 3.

Scope and Content Note

Newspaper clipping.
Box 1, Folder 3

"Der 3. Internationale Kongress für christliche Archäologie." Augsburger Postzeitung,20 October 1932, 4.

Scope and Content Note

Newspaper clippings.
Box 1, Folder 3

Advertisements for 2 publications: Peter Klaus, Melancholia I, Kunstwissenschaft; and Wolfgang Braunfels, Mittelalterliche Stadtbaukunst in der Toskana, Ger. Mann Studio-Reihe.

Scope and Content Note

With Kitzinger annotation.
Box 1, Folder 4

Articles, 1936

Box 1, Folder 4

"Anglo-Saxon Vine Scroll Ornament." Antiquity,10 ( 1936) 65-71.

Scope and Content Note

Journal issue.
Box 1, Folder 4

Review of the vine scroll article in the Times Literary Supplement28:III 1936.

Scope and Content Note

Newspaper clipping (2 copies).
Box 1, Folder 5

Articles, 1936-1938

Box 1, Folder 5

Review of Die byzantinische Buchmalerei des 9. und 10. Jahrhunderts,by Kurt Weitzman. Journal of Hellenic Studies,56 (1936), 117-119.

Scope and Content Note

Offprint.
Box 1, Folder 5

"The Story of Joseph on a Coptic Tapestry." Journal of the Warburg Institute,1:4, ( 1937-1938), 266-268.

Scope and Content Note

Offprint.
Box 1, Folder 6

Articles, 1938

Box 1, Folder 6

"Desert Monasteries Keep Their Secrets." Evening Standard, 1938, v.31:I.

Scope and Content Note

Newspaper clipping.
Box 1, Folder 6

"Date of Early Coptic Sculpture." The Times.21 January 21 1938, 15.

Scope and Content Note

Newspaper article (2 copies) about a paper read by Kitzinger before the Society of Antiquaries at Burlington House.
Box 1, Folder 6

"Notes on Early Coptic Sculpture, By Ernst Kitzinger, Communicated to the Society of Antiquaries"

Scope and Content Note

Publication, with notes; on recto of title page: from Archaeologia, vol. 87.
Box 1, Folder 7

Articles, 1939-1940

Box 1, Folder 7

"The Sutton Hoo Finds: III. The Silver." British Museum Quarterly,13:4, ( 1938-1939), 118-126.

Scope and Content Note

Journal issue.
Box 1, Folder 7

"The Sutton Hoo Ship-Burial: The Silver." Antiquity,14 ( 1940), 40-63.

Scope and Content Note

Journal issue.
Box 1, Folder 7

"Discoveries at Sutton Hoo."

Scope and Content Note

Undated newspaper clipping.
Box 1, Folder 8

Reviews of Early Medieval Art in the British Museum. 1940

Box 1, Folder 8

Hinks, Roger. The Listener,14 March 1940.

Scope and Content Note

Newspaper clipping and typescript version.
Box 1, Folder 8

Saxl, Fritz. The Literature of Art, 1940, 101-102.

Box 1, Folder 8

Clarke, Louis C. G. Museum Publications,May 1940, 71.

Box 1, Folder 8

F. L., The Museums Journal,v. 43, 1940, p. 198.

Box 1, Folder 8

Adam, Jill. "Getting Married in June?" News Chronicle,29 May 1939.

Scope and Content Note

Newspaper article about the Early Christian Room at the British Museum.
Box 1, Folder 9

Review of Late Egyptian and Coptic Art. An Introduction to the Collections in the Brooklyn Museum.in The Art Bulletin,XXVI:3 (September 1944), 204-20.

Scope and Content Note

Offprint.
Box 1, Folder 10

"A Survey of the Early Christian Town of Stobi." Dumbarton Oaks Papers,3 ( 1946), 81-161.

Scope and Content Note

Offprint.
Box 2, Folder 1-7

Horse and Lion Tapestry

Box 2, Folder 1

"The Horse and Lion Tapestry at Dumbarton Oaks: A Study in Coptic and Sassanian Textile Design." Dumbarton Oaks Papers.3 ( 1946), 1-72.

Scope and Content Note

Offprint.
Includes notes on animal capitals; and obituary notice for Joan Allgrove McDowell, in the Independent,23 April 1991.
Box 2, Folder 2

20 Photographs: Textiles, Wall painting, & miscellaneous

Box 2, Folder 3

26 Photographs: Capitals

Box 2, Folder 4

11 Reproductions: Bird Capitals

Box 2, Folder 5

14 Reproductions: 1-Zone Capitals

Box 2, Folder 6

13 Reproductions and 2 Photographs: 2-Zone Capitals

Box 2, Folder 7

14 Reproductions: Various Capitals

Box 2, Folder 8

Coffin of St. Cuthbert

Box 2, Folder 8

Unattributed review of The Relics of Saint Cuthbert; studies by various authors..., ed. C. F. Battiscombe. Times Literary Supplement,2 August 1957.

Box 2, Folder 8

Correspondence, mostly with C. F. Battiscombe, 1946-1957and 1974

Box 2, Folder 9

Correspondence, mostly with Battiscombe, 1939-1946

Box 2, Folder 10

Photographs

Scope and Content Note

53 photographs and reconstruction illustrations of the coffin (images and inscriptions).
Box 2, Folder 11-12

Floor Mosaics

Box 2, Folder 11

"Studies in Late Antique and Early Byzantine Floor Mosaics: I. Mosaics at Nikopolis." Dumbarton Oaks Papers,6 ( 1951), 81-122.

Scope and Content Note

Offprint.
Box 2, Folder 12

"Mosaic Pavements in the Greek East and the Question of a 'Renaissance' under Justinian." Actes du VIe Congrès international d'études byzantines (Paris 1948,),II ( 1951), 209-223.

Scope and Content Note

Offprint.
Box 3, Folder 1-7

Cult of Images

Box 3, Folder 1

"The Cult of Images in the Age before Iconoclasm." Dumbarton Oaks Papers,8 ( 1954), 83-150.

Scope and Content Note

Offprint.
Box 3, Folder 2

Reactions to Paper

Scope and Content Note

Correspondence from: Erwin Panofsky; A. Frolow; Paul Julius Alexander; and others.
Box 3, Folder 3

Material for Paper

Scope and Content Note

Notes with topical divisions: miracles worked by icons; acheiropoitae; cult of images: modern; palladia; cult practices, heretics, etc.; defense (image theories).
Box 3, Folder 4

Material for Paper

Scope and Content Note

Notes with topical divisions: literature; attitude towards images; attitude towards images: early Christian; attitude towards images: Jewish; roots, causes of expansion in 6th to 8th centuries; cult practices, Christian; portraits of Christ; and correspondence with Paul Julius Alexander about Epiphanius and Hypatius of Ephesos.
Box 3, Folder 5

Additional Material for Paper

Scope and Content Note

Notes with topical subdivisions: general; rise of cult; opposition causes; defense; art after 726; miscellaneous
Box 3, Folder 6

College Art Association Lecture

Scope and Content Note

Typescript of paper with corrections, 11 p.; 2 typescript pages, titled "alternative ending"; slide list; notes.
Box 3, Folder 7

"On Some Icons of the Seventh Century." Late Classical and Medieval Studies in Honor of Albert Mathias Friend, Jr.Princeton: Princeton University Press, 1955, 132-150.

Scope and Content Note

Offprint.
Box 3, Folder 8-10

Byzantium in the 7th Century

Box 3, Folder 8

"Emperors and Images": Lectures I and II for a Symposium at Dumbarton Oaks, May 1957.

Scope and Content Note

I: slide list; typescript lecture, 25 p.; carbon copy of typescript, 24 p. II: slide list; typescript lecture, 27 p.
Box 3, Folder 9

Materials for Lecture I

Scope and Content Note

First version of lecture I, handwritten; notes with topical divisions: kneeling emperor; ruler as servant of Christ; Heraclius; emperor as "New David"; art and piety.
Box 3, Folder 10

"Byzantine Art in the Period Between Justinian and Iconoclasm." Berichte zum XI. internationalen Byzantinisten-Kongress.IV:1 ( 1958), 1-50.

Scope and Content Note

Offprint.
Box 4, Folder 1-6

Healing of the Blind

Box 4, Folder 1

"A Marble Relief of the Theodosian Period." Dumbarton Oaks Papers,14, ( 1966), 17-42.

Scope and Content Note

Offprint.
Box 4, Folder 2

Reactions to Paper; Notes

Scope and Content Note

Correspondence with Gary Vikan about the authenticity of the relief; references; notes: tabletops.
Box 4, Folder 3

Table Tops

Scope and Content Note

Correspondence with Ivanka Nikolajevic, 1972; notes titled: Marble tops with relief borders; funerary, etc.
Box 4, Folder 4

Table Tops

Scope and Content Note

Correspondence with Pedro de Palol, Marcel Gorenc, and Klaus Wessel, 1958/59; Khalil Rabenou, and Georges Roux, 1971; Gianna Gamba, 1973; Susan Boyd, and Jutta Dresken[-Weiland], 1986

Notes.
Box 4, Folder 5

Iconography and Style: Notes

Box 4, Folder 6

Illustrations of the Dumbarton Oaks Table Top and Related Works

Box 4, Folder 7

"The Dumbarton Oaks Center for Byzantine Studies." Jahrbücher für Geschichte Osteuropas,10:3, ( 1962), 485-491.

Scope and Content Note

Offprint.
Box 4, Folder 8

Review of Die Karolingischen Miniaturen, III,by Wilhelm Koehler. The Art Bulletin,XLIV:1 ( 1962), 61-65.

Scope and Content Note

Offprint.
Box 4, Folder 9

"Mosaics." Encyclopedia of World Art.10, 1966ed. [?].

Scope and Content Note

Offprints of 2 articles; correspondence with the editor; notes.
Box 4, Folder 10

"Mosaico," Enciclopedia universale dell'arte.IX, 1963, cols. 673-674, 688-696.

Scope and Content Note

Offprints of 2 articles.
Box 4, Folder 11-12

Portrait Mode

Box 4, Folder 11

"Some Reflections of Portraiture in Byzantine Art." Recueil des travaux de l'Institute d'études byzantines, Mélanges G. Ostrogorsky I.VIII ( 1963), 185-193.

Scope and Content Note

Offprint.
Box 4, Folder 12

Correspondence

Scope and Content Note

From Meyer Schapiro and Philip D. Whitting; notes.
Box 4, Folder 13

"The Hellenistic Heritage in Byzantine Art." Dumbarton Oaks Papers,17 ( 1963), 95-115.

Scope and Content Note

Offprint.

Scope and Content Note

Correspondence with Meyer Schapiro about the article.
Box 4, Folder 14

Early Medieval Art,Indiana University Press, 1964.

Scope and Content Note

Correspondence, 1961-1965 and 1993, with the British Museum and Indiana University Press concerning the American edition.

Annotated typescript draft and hand written draft of the preface.
Box 4, Folder 15

"La mosaïque gréco-romaine." Colloques internationaux, Centre national de la recherche scientifique. Paris, 29 Août - Septembre 1963.Paris; éditions du Centre national de la recherche scientifique, 1965, 341-352.

Scope and Content Note

Offprint.
Box 5, Folder 1-5

Byzantine Art and the West, 1965, 1966, 1967

Box 5, Folder 1

"The Byzantine Contribution to Western Art of the Twelfth and Thirteenth Centuries." Dumbarton Oaks Papers,20, ( 1966), 25-47, 265-266.

Scope and Content Note

Offprint.
Box 5, Folder 2

Correspondence

Scope and Content Note

From A. Frolow, Philippe Verdier, and Willibald Sauerländer, 1967.

Notes.
Box 5, Folder 3

Symposium, "The Byzantine Contribution to Western Art of the Twelfth and Thirteenth Centuries," Dumbarton Oaks, 1965.

Scope and Content Note

Typescripts of symposium papers by James Stubblebine, "Byzantine Influence in Thirteenth Century Italian Panel Painting"; and Jean Porcher on the role of Byzantium in the evolution of manuscript illumination in the 12th and 13th centuries, in French.
Box 5, Folder 4

Kitzinger final symposium paper

Scope and Content Note

Typescript, with slide list.
Box 5, Folder 5

"The Byzantine Contribution to Western Art in the Period of the Crusades"

Scope and Content Note

Lecture prepared for Swarthmore and repeated at Yale University, University of Maryland [?], and Ohio State University.
Box 5, Folder 6

"The Cross of Cerularius: An Art-Historical Comment." Dumbarton Oaks Papers,21 ( 1967), 243-249.

Scope and Content Note

Offprint.

Scope and Content Note

Notes; correspondence from Marvin C. Ross.
Box 5, Folder 7

"On the Interpretation of Stylistic Changes in Late Antique Art." Bucknell Review,15:3 (December 1967), 1-10.

Scope and Content Note

Offprint.
Box 5, Folder 8

Correspondence

Scope and Content Note

From A. Frolow, Ernst Gombrich, Jan Bialostocki, George H. Forsyth, James D. Breckenridge, Stanley Ferber.
Box 5, Folder 9

Review of Art Forms and Civic Life in the Late Roman Empire,by Hans Peter L'Orange. Art Bulletin,XLIX ( 1967), 350-351.

Scope and Content Note

Offprint.
Box 5, Folder 10

Review of Ad Imaginem Dei: Te Image of Man in Medieval Art,by Gerhart B. Ladner. Speculum,XLIII:2 ( 1968), 355-359.

Scope and Content Note

Offprint (2), with post card and note.
Box 5, Folder 11

Review of Old Russian Murals and Mosaics from the XI to the XVI Century,by Viktor [Nikitich] Lazarev. The Art Bulletin,L ( 1968). 288-292.

Scope and Content Note

Offprint.
Box 5, Folder 12

Review of Repertorium der christlich-antiken Sarkophage. Erster Band: Rom und Ostia,Hrsg. von Freidrich Wilhelm Deichmann, bearb. von Giuseppe Bovini und Hugo Brandenberg. Jahrbuch für Antike und Christentum,11-12 ( 1968-1969) 191-198

Scope and Content Note

Offprint. With notes, correspondence with Theodor Klauser.
Box 5, Folder 13

Review of Mosaics, From Antiquity to the Middle Ages,by Hans Peter L'Orange and P. J. Nordenhagen, Cahiers de civilization médiévale, ( 1969) 321-322

Scope and Content Note

Offprint.
Box 5, Folder 14

Review of Der Stuttgarter Bilderpsalter,in The Art Bulletin,LI ( 1969), 393-397.

Scope and Content Note

Offprint.
Box 5, Folder 15

Obituary for Paul Atkins Underwood, Dumbarton Oaks Papers,23-34 ( 1969-1970), 1-6.

Scope and Content Note

Offprint.

Scope and Content Note

Post card from Demetrios Dukas.
Box 5, Folder 16

"The Threshold of the Holy Shrine: Observations on Floor Mosaics at Antioch and Bethlehem," Kyriakon Festshrift Johannes Quasten.Ed. Patrick Granfield and Josef S. Jungmann. Münster, Westf.: Verlag Aschendorff Verlagsbuchhandlung, 1970, pp. 639-647.

Scope and Content Note

Offprint.
Box 5, Folder 17-19

Salerno Mosaic

Box 5, Folder 17

"The First Mosaic Decoration of Salerno Cathedral." Jahrbuch der Österreichischen Byzantinistik,21 ( 1972) Festschrift für Otto Demus zum 70. Geburstag, 149-162.

Scope and Content Note

Offprint.
Box 5, Folder 18

Correspondence

Scope and Content Note

From Meyer Schapiro, Ilene Forsyth, Hélène Toubert, Irina Andreescu, William C. Loerke, and others.
Box 5, Folder 19

Research Material

Scope and Content Note

Photographs and post cards of the Salerno Cathedral. Photocopies of articles: Paesano, Giuseppe. Memorie per servire alla storia della chiesa salernita.Naples, 1846. Paesano, Giuseppe. Memorie per servire alla storia della chiesa salernita.Salerno, 1852. Capone, Arturo. Il Duomo di Salerno...1, Salerno, 1927. Capone, Arturo. Il Duomo di Salerno...1, Salerno, 1929. Carucci, Carlo. La Provincia di Salerno dai tempi più remoti al tramonto della fortuna normana.Salerno, 1922.
Box 5, Folder 20

"The Gregorian Reform and the Visual Arts: A Problem of Method." Transactions of the Royal Historical Society, 5th Series,22 ( 1972), 87-102.

Scope and Content Note

On t.p.: The Prothero Lecture.

Correspondence with R. W. Southern.
Box 5, Folder 21-23

Turin Pavement

Box 5, Folder 21

"World Map and Fortune's Wheel: A Medieval Mosaic Floor in Turin." Proceedings for the American Philosophical Society,117:5 (October 1973), 344-373.

Scope and Content Note

Offprint.
Box 5, Folder 22

Reactions to Paper

Scope and Content Note

Correspondence from Walter Cahn, Steven H. Wander, Peter Klein, Marie-Therese d'Alverny, Hans R. Hahnloser, and others. Notice from Xavier Barral i Altet in Bulletin Monumental, 132:1 (Paris 1974), 93.
Box 5, Folder 23

Research Material

Scope and Content Note

Notes and postcards. Photocopies of articles: Brayda, Carlo. "Vestigia archittetoniche dell'Abbazia di San Solutore di Torino." Bollettino della Società piemontese di archeologia e di belle arti,18 (1964), 152-160. Toesca, Pietro, "Vicende di un'antica chiesa di Torino." Bolletino d'arte,(1910), 1-16. Patetta, Federico. "A proposito del mosaico medioevale scoperto a Torino nel Marzo del 1909." Atti [della Società piemontese d'archeologia e di belle arti].8:5 (1917), 318-340.
Box 6, Folder 1-5

Misis Paper

Box 6, Folder 1

"Observations on the Samson Floor at Mopsuestia." Dumbarton Oaks Papers,27 ( 1973) 133-144.

Scope and Content Note

Offprint.
Box 6, Folder 2

Material for Paper

Scope and Content Note

Correspondence with Rainer Stichel, Anthony Cutler, and Frank Cross; notes; 4 page carbon copy of a manuscript by Stichel; 18 page photocopy of a typescript article by Stichel; newspaper clipping: Brenk, Beat. "Antike Mosaiken in Kilikien." Neue Zürcher Zeitung, 23 June 1970, p. 25.
Box 6, Folder 3

Notes and articles from Türk Dergisi,1956-1959.

Box 6, Folder 4

K. D. Drawings.

Box 6, Folder 5

Review of Antike Mosaiken in Kilikien.by Ludwig Budde. Art Bulletin,55:1 (197?), 140-142

Scope and Content Note

Offprint.
Box 6, Folder 6-9

Pisidian Antioch Mosaic Floor

Box 6, Folder 6

"A Fourth Century Mosaic Floor in Pisidian Antioch." Mélanges Mansel[Arif Müfid Mansel], (1974), 385-395

Scope and Content Note

Offprint.
Box 6, Folder 7

12 Photographs of Mosaic Details and Floor Plans

Box 6, Folder 8

David M. Robinson material regarding the 1924 Excavation of the Church

Box 6, Folder 9

Research Materials

Scope and Content Note

Festschrift correspondence; notes titled: inscription, bibliography, "Solea" problem, pavement layout, architecture, motifs; newspaper clippings about the church.
Box 6, Folder 10

"A Pair of Silver Book Covers in the Sion Treasure," in Gatherings in Honor of Dorothy E. Miner,Eds. Ursula E. McCracken, Lilian M. C. Randall, and Richard H. Randall, Jr. Baltimore: The Walters Art Gallery, 1974, 3-17.

Scope and Content Note

Offprint. With correspondence from Heather Lechtman.
Box 6, Folder 11

"Christus und die zwölf Apostel," in Das Einhardkreuz.Göttingen: Vandenhoek & Ruprecht, 1974, 82-92

Scope and Content Note

Offprint.
Box 6, Folder 12-16

Role of Miniature Painting

Box 6, Folder 12

"The Role of Miniature Painting in Mural Decoration," in The Place of Book Illumination in Byzantine Art,Ed. Kurt Weitzmann. Princeton: Princeton University Press, 1975, 99-142

Scope and Content Note

Offprint.
Box 6, Folder 13

Publication correspondence and notes

Box 6, Folder 14-15

Material; Correspondence

Scope and Content Note

Photocopies of articles; correspondence with Manoussos Manoussacas regarding the history of the Cotton Genesis.
Box 6, Folder 16

"The Miniature on the Wall: Remarks on the Role of the Illuminated Bible in Monumental Painting."

Scope and Content Note

Typescript of "Weitzman" symposium paper given at Princeton, 28 p.
Box 7, Folder 1-3

Cleveland Marbles

Box 7, Folder 1

"The Cleveland Marbles." Atti del IX Congresso internazionale di archeologia cristiana, Roma 21-27 Settembre 1975,Rome, 1978, 653-675

Scope and Content Note

Offprint.
Box 7, Folder 2

Additional Materials: notes and photograph

Box 7, Folder 3

Correspondence about illustrations for article

Box 7, Folder 4-6

Selected Papers Volume: The Art of Byzantium and the Medieval West, 1976

Box 7, Folder 4

Acknowledgments, Reviews and Notices

Scope and Content Note

Acknowledgments from Hugo Buchthal, Paul Alexander, Richard Ettinghausen, Carl Nordenfalk, and others; reviews by David Wright, and Patrick O'Connell; notices; and notices.
Box 7, Folder 5

Mango, Cyril A. Review of The Art of Byzantium and the Medieval West,by Ernst Kitzinger. Times Literary Supplement, 25 Mar 1977, 381

Scope and Content Note

With published Kitzinger response (1977 May 6); and published Mango response (1977 May 20).
Box 7, Folder 6

Publication Correspondence with the Indiana University Press and Eugene Kleinbauer, 1974-1992

Box 7, Folder 7

The Renaissance of the Twelfth Century

Scope and Content Note

Conference held 26-29 November 1977, Cambridge Massachusetts. Materials include program and list of participants.
Box 7, Folder 8

Kitzinger and William Tronzo. Review of Elfenbeinarbeiten der Spätantike und des frühen Mittelalters,by Wolfgang Fritz Volbach. American Journal of Archeology,(1978), 131-132

Scope and Content Note

Offprint.
File: objects not in Volbach.
Box 7, Folder 9-11

Age of Spirituality

Box 7, Folder 9

"Christian Imagery: Growth and Impact," in Age of spirituality: a symposium.Ed. by Kurt Weitzmann. 1980, 141-163.

Scope and Content Note

Offprint.
Box 7, Folder 10

Symposium: Late Antiquity and Early Christianity, Third to Seventh Century; Metropolitan Museum of Art, Nov 20-22 1977

Scope and Content Note

Correspondence for the symposium and symposium publication.
Box 7, Folder 11

Age of Spirituality Exhibition

Scope and Content Note

Exhibition pamphlet; reviews; typescript list of exhibited objects; catalog announcement.
Box 7, Folder 12

Kinney, Dale. Review of The Makings of Byzantine Art.by Kitzinger Byzantine Studies/Etudes byzantines,8:2 ( 1981)

Scope and Content Note

photocopy of typescript.
Box 7, Folder 12

"The Makings of Byzantine Art: A Response." Byzantine Studies/Etudes byzantines,9:2 ( 1982), 334-337.

Box 7, Folder 13

"A Virgin's Face: Antiquarianisn in Twelfth-Century Art." The Art Bulletin,62 (1980), 6-19.

Scope and Content Note

Includes correspondence and notes.
Box 7, Folder 14

Research Materials

Box 8, Folder 1-2

"The Hellenistic Heritage in Byzantine Art Reconsidered." Jahrbuch der Österreicheschen Byzantinistik, 31(1981), 657-675.

Scope and Content Note

Offprint.
Box 8, Folder 1-2

Summary of Papers and Addenda for Vienna Congress

Scope and Content Note

Typescript summary of 1963 paper, in German; notes, divided into sections titled: debating points, phases, carriers, contacts, and motivations.
Box 8, Folder 3

British Museum Reprint of Early Medieval Art, 1981

Scope and Content Note

Correspondence; reviews and advertisements; royalty statements.
Box 8, Folder 4

"The Arts as Aspects of a Renaissance: Rome and Italy," in Renaissance and Renewal in The Twelfth Century.Ed. Robert L. Benson and Giles Constable. Cambridge: Harvard University Press, 1982, 637-670.

Scope and Content Note

Offprint.
Box 8, Folder 5

Review of Herrad of Hohenbourg, Hortus Deliciarum.in The Art Bulletin,64:1 (March 1982), 142-145.

Scope and Content Note

Offprint.
Box 8, Folder 6

Closing remarks, Rennes conference, 1983

Scope and Content Note

Offprint, published in "Artistes, artisans et production artistique au moyen age."
Box 8, Folder 7

Review of The Mosaics of San Marco in Venice.by Otto Demus. 1984

Scope and Content Note

Correspondence; no offprint.
Box 8, Folder 8

Early Medieval Art, German edition, 1987

Scope and Content Note

Publication correspondence and notices.
Box 8, Folder 9-12

Feast Cycle Paper

Box 8, Folder 9

"Reflections on the Feast Cycle in Byzantine Art." Cahiers archéologiques,36 ( 1988), 51-73

Scope and Content Note

Offprint.
Box 8, Folder 10

Material (excluding antecedents): pt. 1

Scope and Content Note

Notes: relevant texts; examples.
Box 8, Folder 11

Material (excluding antecedents): pt. 2

Scope and Content Note

Notes: examples (icons); liturgy; etc.
Box 8, Folder 12

Material: Antecedents: pt. 1

Scope and Content Note

Notes: feast icons; bracelets; problem of antecedents; ampullae.
Box 9, Folder 1-2

Feast cycle Paper (cont.)

Box 9, Folder 1

Material: Antecedents: pt. 2

Scope and Content Note

Notes: rings; censers; miscellaneous objects; terra-cotta tokens.
Box 9, Folder 2

Material: Antecedents: pt. 3

Scope and Content Note

Notes: transitional material; for A.G. paper.
Box 9, Folder 3

"Bizantina, arte." Enciclopedia dell'arte medievale,III, 1992,517-534.

Scope and Content Note

photocopy of article in Italian; reprint in English.
Box 9, Folder 4

Obituaries for: André Grabar, Andreas Alföldi, Georg Ostrogorsky, and Gyula Moravcsik.

Scope and Content Note

Offprint and typescripts.
Box 9, Folder 5

"The Pantocrator Bust: Two Medieval Interpretations," in Tesserae: Festschrift für Josef Engemann.Münster, Westfalen : Aschendorffsche, 1991, 161-163.

Scope and Content Note

Offprint.
Box 9, Folder 6

"Artistic Patronage in Early Byzantium." Settimane di studio del Centro Italiano di studi sull'alto Medioevo39 ( 1992), 33-55.

Scope and Content Note

Committenti e produzione artistico-letteraria nell'alto medioevo occidentale, 4-10 aprile 1991.
Offprint.
Box 9, Folder 7

"Interlace and Icons: Form and Function in Early Insular Art," in The Age of Migrating Ideas: Early Medieval Art in Northern Britain and Ireland--Proceedings of the Second International Conference on Insular Art. Ed. R. Michael Spearman and John Higgitt. National Museums of Scotland, 1993, 3-15.

Scope and Content Note

Offprint.
Box 9, Folder 8

Il culto delle immagini. Dal cristianesimo delle origini all'iconoclasmo.Firenze: La Nuova Italia, 1992

Scope and Content Note

Review of, and notice for, this translation of: "Byzantine art in the Period Between Justinian and Iconoclasm," and "Cult of Images in the Age Before Iconoclasm." Both titles originally presented as chapters 5 and 7 of: The Art of Byzantium and the Medieval West : Selected Studies.
Box 9, Folder 9

Preface to The Mosaics of Jordan, 1993

Scope and Content Note

Typescript, 6 p.
Box 9, Folder 10

"Kurt Weitzmann (7 March 1904-7 June 1993)", Proceedings of the American Philosophical Society, 139:2 (1995) 203-209

Scope and Content Note

Offprint.
 

Series II.  Various Research Projects (unpublished), 1968-1993

Physical Description: 1.3 lin. ft.

Scope and Content Note

Kitzinger's unpublished research projects include research materials and correspondence for unpublished articles titled "Virgin with a scroll," and "Goethe and Byzantine art"; research material and correspondence about the Tempietto di Clituno; photographic documentation and correspondence on the restoration of a Coptic panel belonging to Swarthmore University, and a Coptic panel belonging to the Fogg Museum; and notes and photographs on the topic of reliefs with stippled ground. See also research files in series VI. Floor Mosaics; series VII. Cleveland Marbles; and series VIII. Various Topics (research files and correspondence), which contains research files on frieze sarcophagi, silver, and ivories.
Box 9, Folder 11

Coptic Panel, Swarthmore, 1968-1978

Scope and Content Note

Photographs and transparency; notes, correspondence with Ihor ŝevĉenko, Martin Otswald, and Elizabeth Jones.
Box 9, Folder 12

"Ge" and "Georgia" on Coptic Textiles, 1971, 1988

Scope and Content Note

Photographs and photocopies of textiles; correspondence with Dorothy G. Shepherd.
Box 9, Folder 13

Tempietto di Clitunno, Spoleto, 1973-1991, 1992

Scope and Content Note

Correspondence from Judson J. Emerick; notes: Christ and bust, hierarchy of single figures; outlines; photocopy of publication: I Dipinti murali e l'edicola marmorea del Tempietto sul Clitunno.Ediart, 1985
Box 9, Folder 14-16

Virgin with Scroll Research Project, 1985

Box 9, Folder 14

Outlines; illustrations; correspondence.

Box 9, Folder 15

Material: use of scrolls (speech inscribed...); paraklesia text; encaustic, etc.

Box 9, Folder 16

Spoleto Icon

Scope and Content Note

Photographs; notes; notes: Spoleto Icon Bonfioli; photographs correspondence; B. Bischoff article on Spoleto Icon.
Box 10, Folder 1-3

Goethe and Byzantine Art, 1988, 1993

Box 10, Folder 1

Notes: outlines, questions to pursue, secondary literature, leads to follow

Box 10, Folder 2

Raw Material

Box 10, Folder 3

Correspondence, 1990-1991

Box 10, Folder 4

Reliefs with Stippled Ground

Scope and Content Note

Photographs; notes.
 

Series III.  Lectures, 1931-1990

Physical Description: 2.2 lin. ft.

Scope and Content Note

This series contains materials for Kitzinger's mostly unpublished lectures. It includes handwritten and typescript lecture texts (many containing corrections); outlines; slide lists; reading lists; bibliographic notes and research notes; lecture announcements; and correspondence of an administrative nature relating to lecture engagements, inluding invitations and arrangements. The lectures are organized by date of single lectures or earliest date of lectures given more than one time. Unless otherwise noted, files contain a manuscript or typescript of lecture texts. The presence of correspondence is noted. Arranged by date of single lecture or 1st lecture in a series.
Box 10, Folder 5

Early Lectures and Papers

Box 10, Folder 5

"Vom Untergang der Antike und dem Werden der christlichen Welt," Rome, 1931-1932

Scope and Content Note

Handwritten lecture text on, 18 bifolia with 4 columns of text each.
Box 10, Folder 5

"Zum der Relief des 2. und 3. Jahrhundert"

Scope and Content Note

Hand written lecture text on, 1 bifolio with columns of text.
Box 10, Folder 6

"Michelangelo, Pietá Rondanini" Munich, 1932

Scope and Content Note

For Wilhelm Pinder's seminar; lecture text in German; pencil sketch of the Pietá in six views removed to box 47.
Box 10, Folder 7

London (small papers and planned work) 1935-1938,

Box 10, Folder 8-9

Courtauld Institute of Art, Public Lectures, Session 1938-1939

Box 10, Folder 8

"The Continental Background of English Art in the Early Middle Ages"

Box 10, Folder 9

"The Carolingian and Ottonian Background"

Box 10, Folder 10

"Portraits of Christ," Duke University Lecture, 1943

Scope and Content Note

Three negatives removed to series XII (box 55, folder 1); images of Christ.
Box 10, Folder 10

Cult of Images, 1955

Scope and Content Note

College Art Association lecture, see box 3, folder 6.
Box 10, Folder 10

"Emperors and Images," 1957

Scope and Content Note

See also Box 3, folders 8 and 9.
Box 10, Folder 11-15

"Byzantine Art in the Age of Justinian," four lectures at New York University, 1958

Box 10, Folder 11

Correspondence

Scope and Content Note

10 letters.
Box 10, Folder 12

"Hagia Sophia: Architecture and Ornament. Part I"

Box 10, Folder 13

"Hagia Sophia: Architecture and Ornament. Part II"

Box 10, Folder 14

" Floor Mosaics"

Box 10, Folder 15

"The Monuments of Ravenna: the San Vitale Mosaics and Maximian's Chair"

Box 10, Folder 16

"Earliest Christian Painting and the Problem of a Specifically Christian Art," College Art Association, New York, 1960.

Scope and Content Note

Includes 5 letters.
Box 10, Folder 17

"Byzantine Art from the Sixth to Tenth Century," National Gallery of Art, Washington, D.C., 1960

Scope and Content Note

Includes 4 letters.
Box 10, Folder 18

"A Critical Period in the History of Byzantine Art," John Hopkins University, May 1961, Princeton University, March 1962.

Box 11, Folder 1

"Mosaic as a Byzantine Artistic Medium," Rutgers University (1963); Madison, Wisconsin, and Ann Arbor, Michigan, 1963, 1967

Scope and Content Note

Includes 8 letters; 1967 changes.
Box 11, Folder 1

Paper for Symposium at Dumbarton Oaks, "The Byzantine Contribution to Western Art..." 1965

Scope and Content Note

See also box 5, folder 4.
Box 11, Folder 2

"Mosaic as a Byzantine Artistic Medium," 1967

Box 11, Folder 3-4

"Byzantine Mosaicists in Italy: Their Background and Their Impact," Dumbarton Oaks Symposium, 1965

Scope and Content Note

Material for lecture.
Box 11, Folder 5-13

"The Cleveland Marbles" 1966-1976

Box 11, Folder 5

Cleveland Museum of Art, 1966

Box 11, Folder 6

"A Group of Early Christian Sculpture in Cleveland," Institute for Advanced Study, Princeton, 1966

Scope and Content Note

Includes 4 letters.
Box 11, Folder 7

"The Cleveland Marbles," New York University, 1967

Box 11, Folder 8

Michigan, 1967

Box 11, Folder 9

Dumbarton Oaks (1968); Boston, Museum of Fine Arts (1969) 1968-1969

Scope and Content Note

Notice for D.O. lecture; no lecture text in this file.
Box 11, Folder 10

Harvard University, FA 200 seminar, 1972

Box 11, Folder 11

Courtauld Institute of Art, 1975

Scope and Content Note

No lecture text; 5 letters.
Box 11, Folder 12

"The Cleveland Marbles: New Light on Early Christian Art," Hebrew University, 1975

Scope and Content Note

Contains notices and clippings; no lecture text.
Box 11, Folder 13

Tulane University

Box 11, Folder 14

"The Christian Frieze Sarcophagus," Dumbarton Oaks Symposium, 1966

Box 11, Folder 15

"Modes" Seminar, University of Michigan, 1967

Box 11, Folder 16-19

"Romanesque Floor Mosaics"

Box 11, Folder 16

Boston College, Medieval Guild, 1968

Box 11, Folder 17

American Philosophical Society, 1969

Scope and Content Note

Includes 5 letters.
Box 11, Folder 18

Harvard University Medieval Group, 1972

Box 11, Folder 19

Harvard University, Shop Club, 1973

Box 11, Folder 20-26

"Byzantine Mosaics in Italy"

Box 11, Folder 20

"Desiderius of Montecassino and the Revival of Mosaic in Italy," Columbia University, 1969

Scope and Content Note

Includes 7 letters.
Box 11, Folder 21

"Monte Cassino and the Revival of Mosaic Art in Italy, Historically Considered," University of Illinois, 1969

Scope and Content Note

Includes 15 letters.
Box 11, Folder 22

Wellesley College, 1969

Scope and Content Note

No lecture text. Includes 6 letters.
Box 11, Folder 23

"An Art Medium Transplanted: Byzantine Mosaic in Medieval Italy," Wheaton College, 1969

Scope and Content Note

No lecture text. Includes 5 letters.
Box 11, Folder 24

"An Art Medium Transplanted: Byzantine Mosaic in Medieval Italy," UCLA, 1970

Scope and Content Note

Includes 3 letters.
Box 11, Folder 25

"Desiderius von Monte Cassino und die Wiederbelebung der Mosaikkunst in Italien," Zentralinstitut, Munich, 1970

Scope and Content Note

Includes 6 letters.
Box 11, Folder 26

"The Gregorian Reform and the Visual Arts," University of Rochester, 1972

Scope and Content Note

Includes 5 letters.
Box 12, Folder 1

"Byzantium and the West in the Second Half of the 12th Century: Problems on Stylistic Relationships," Brown University, 1969

Box 12, Folder 2

"Cyprus Plates," Los Angeles County Museum, 1970

Scope and Content Note

Includes 7 letters.
Box 12, Folder 3

"Mosaic in Byzantium, " Studio School, New York, 1972

Scope and Content Note

Includes 3 letters.
Box 12, Folder 4

"Mosaic in Byzantium, " Bryn Mawr, 1973

Box 12, Folder 5-8

"Feast Icon and Church Decoration in Byzantium"

Box 12, Folder 5

Belmont, 1972

Scope and Content Note

Includes 7 letters.
Box 12, Folder 6

Milwaukee, 1973

Scope and Content Note

Includes 8 letters. No lecture text.
Box 12, Folder 7

Pennsylvania, 1973

Scope and Content Note

Includes 6 letters.
Box 12, Folder 8

Birmingham and Oxford, 1975

Scope and Content Note

Includes 8 letters.
Box 12, Folder 9

"Portraits of Christ," Lowell House, Harvard University, 1973, 1974

Scope and Content Note

Includes 6 letters.
Box 12, Folder 10

"Style Problems in Roman Seventh Century Painting," Santa Maria Antiqua Paintings, American Academy in Rome, 1975

Scope and Content Note

Includes 6 letters.
Box 12, Folder 11

"Mosaics of the Norman Period in Sicily," in German, Palermo Arts Festival, 1978

Box 12, Folder 12

"Style" Workshop, Fogg Museum, 1978

Box 12, Folder 13

"Sicilian Mosaics," Dumbarton Oaks Symposium on Venice, 1978

Scope and Content Note

Also includes papers by Otto Demus and Doula Mouriki.
Box 12, Folder 14

"Interpretation of Style," for George Maxim Anossov Hanfmann's seminar on methodology, 1978

Scope and Content Note

Includes 5 letters.
Box 12, Folder 15-16

"Secular Mosaic Decoration in Norman Sicily"

Scope and Content Note

1st file contains lecture texts; 2nd file contains 18 letters
Box 12, Folder 15

Lecture Texts, 1978-1980, 1982

Scope and Content Note

Lectures given at Indiana University, University of Michigan, Fogg Museum, University of Illinois, Austin, Texas, Warburg Institute, Archaelogical Institute, Princeton University.
Box 12, Folder 16

Letters regarding lectures, 1978-1980, 1982

Scope and Content Note

18 letters regarding lectures given.
Box 12, Folder 17

Frescoes of Castelseprio, Indiana University, 1978

Scope and Content Note

Includes 2 letters.
Box 12, Folder 18

"Hagia Sophia," Oxford University, 1980

Scope and Content Note

Includes 3 letters.
Box 13, Folder 1-11

"Patterned Stories"

Box 13, Folder 1

Vienna, Institut für Kunstgeschichte der Universität Wien, in German, 1981

Box 13, Folder 12

Bonn, in German

Box 13, Folder 3

Mainz, in German

Box 13, Folder 4

Original version of lecture, in English, 1981

Box 13, Folder 5

Correspondence

Scope and Content Note

Includes: 19 letters, from Columbia University; University of Maryland; the National Gallery of Art; and abstracts for talks given at the 1983 Middle Atlantic Symposium in the History of Art.
Box 13, Folder 6

Photographs and postcards

Box 13, Folder 7-11

Research Material

Box 13, Folder 12-16

"Art in Norman Sicily," Symposium at Dumbarton Oaks, 1981

Box 13, Folder 12

Lecture I

Box 13, Folder 13

Lecture I: Material

Box 13, Folder 14

Lecture II

Box 13, Folder 15

Lecture II: Material

Box 13, Folder 16

Introduction to Speakers

Box 14, Folder 1-2

The Palace Chapel of King Roger II of Sicily and its Mosaics"

Box 14, Folder 1

Institute for Advanced Study, Princeton, 1982

Scope and Content Note

Includes Kitzinger session at Mellon Seminar on "Perception of the Others and Self Definition," with 1 letter.
Box 14, Folder 2

Berlin, 1983, Munich, 1985, in German

Box 14, Folder 3-5

"Mosaics of the Norman Period in Sicily," 1983

Scope and Content Note

Lectures I-III
Box 14, Folder 6

"The Problem of the Graven Image," Princeton symposium on Late Antiquity and Early Islam, 1984

Box 14, Folder 7

"The Mosaics of St. Mary's of the Admiral in Palermo," Christian Archaeological Society, Athens, 1984

Box 14, Folder 8-12

"The Mosaics of the Norman Period in Sicily," Duke University, 1985

Scope and Content Note

Five lectures.
Box 14, Folder 13

"A Donor Portrait in Norman Sicily and its Byzantine Context," Swarthmore College, 1985;and Dumbarton Oaks

Box 14, Folder 14

"Mosaic als künstlerisches Medium im Mittelalter," Munich University, 1985

Box 14, Folder 15

"Locta Sancta Cycles and Byzantine Feast Cycles," Boston, Museum of Fine Arts Colloquium, 1986

Box 14, Folder 16

"Mosaic as an Artistic Medium in the Middle Ages," Boston Museum of Fine Arts, 1986

Scope and Content Note

Also given at Santa Barbara, California and Eugene, Oregon.
Box 14, Folder 17

"An Admiral's Gift to the Virgin" The 'Martorana" in Palermo and its Mosaics," Wellesley College, 1986

Box 14, Folder 18

"Ein Marienheiligtum des 12. Jahrhunderts: S. Maria dell'Amiraglio in Palermo," Basel, Freiburg i.B., Zurich, 1987

Box 14, Folder 19

"Mosaic Restoration in Sicily 1350-1950," Courtauld Institute, 1987

Box 14, Folder 20

"Jonah in Late Antiquity: New Reflections on the Cleveland Statuettes," Magie Lecture, Princeton University, 1989

Box 14, Folder 21-25

Five Seminars on Monuments, 3rd-9th century: "Dura Baptistery," "Cleveland Marbles," "Early Christian Sarcophagi," "S. Maria Antiqua," and "Castelseprio," University of Washington, Seattle, 1989

Box 14, Folder 26

"Bedeutung des Generationswechsels in der wissenschaftlichen Entwicklung," Würzburg, 1990

Scope and Content Note

Presentation of a problem for discussion at a meeting of the Orden Pour-le-Mérite. Includes 7 letters.
Box 15, Folder 1

"Medieval Mosaics in Sicily," Oxford University External Studies, 1990

Box 15, Folder 2-8

Miscellaneous Occasional Talks, 1950s-1970s

Box 15, Folder 2

Trustees, Visiting committee Meeting, 1956; Georgetown University Graduate ..., 1956 1957

Scope and Content Note

Includes 1 letter.
Box 15, Folder 3

Notes and slide list

Box 15, Folder 4

"Neighborhood" talk: notes about Dumbarton Oaks, and notes on the Healing of the Blind relief, the Riha Paten, and the Cyprus Medallion, with slide list

Box 15, Folder 5

Fogg Visiting Committee talk, 1967

Scope and Content Note

Includes 1 letter.
Box 15, Folder 6

Talk for Harvard undergraduate concentrators on Fine Arts, 1968

Scope and Content Note

Includes 3 letters.
Box 15, Folder 7

Discussion Meetings on Art Historical Problems, 1970

Box 15, Folder 8

Talk for the "Boston Museum of Fine Arts Art Tour of Turkey Twenty-Four Members Tour," 1974

Scope and Content Note

Includes 1 letter.
 

Series IV.  Harvard Courses, 1960, 1968-1978

Physical Description: 1.3 lin. ft.

Scope and Content Note

Materials for two courses taught by Kitzinger at Harvard University: FA 147, Early Christian and Early Byzantine Art; and FA 142 Byzantine Art (1972), later called Byzantine Painting (1975-78). The material includes outlines, reading lists, and slide lists. FA 147 is organized per class session (each session designated by a roman numeral), with subdivisions for each year the course was taught. FA 142 is organized chronologically, with subdivisions for each class session.
Box 15

FA 147: Early Christian and Early Byzantine Art, 1960, 1968-1978

Box 15, Folder 9-17

FA 147: meeting I-V

Box 16, Folder 1-14

FA 147: Early Christian and Early Byzantine Art, and FA 142: Byzantine Art, 1960, 1968-1978

Box 16, Folder 1-9

FA 147: meeting VI-XIIc

Box 16, Folder 10-14

FA 142: meeting 2-5, 1968-1970,

Box 17, Folder 1-25

FA 142: Byzantine Art, 1968-1975

Box 17, Folder 1-9

FA 142: meeting 6-15, 1968-1970,

Box 17, Folder 10

FA 142: introduction, 1968-1972,

Box 17, Folder 11-18

FA 142: 1972

Box 17, Folder 19-25

FA 142: 1975

Box 18, Folder 1-6

FA 142: Byzantine Art, 1978

 

Series V.  Harvard Seminars, 1947-1970

Physical Description: 1.3 lin. ft.

Scope and Content Note

Materials for 13 seminars taught by Kitzinger at Harvard University. Materials include outlines, notes, reading lists, and lists of participants.
Box 18 , Folder 7

Anglo-Saxon Art, 24B, 1947

Box 18 , Folder 8

Floor Mosaics, 1952

Box 18 , Folder 9

Sicilian Mosaics, 1960

Box 18 , Folder 10

Early Christian art, 1967

Box 18 , Folder 11

Monte Cassino, 1969

Box 18 , Folder 12-13

Carolingian Art, 1970

Box 19, Folder 1-3

Carolingian Art, 1970

Box 19, Folder 4-9

Anglo-Saxon Art, 1971

Box 19, Folder 10-11

Sicilian Mosaics, 1973

Box 20, Folder 1-2

Floor Mosaics, 1974

Box 20, Folder 3-4

Carolingian Art, 1976

Box 20, Folder 5-6

Ivories, Spring 1977.

Box 20, Folder 7-11

Age of Spirituality Exhibition, N.Y., Metropolitan Museum of Art (New York), Fall 1977

Box 20, Folder 12

Sicilian Mosaics, 1979

 

Series VI.  Floor Mosaics, n.d.

Physical Description: 2.6 lin. ft.

Scope and Content Note

This series contains Kitzinger's research files on floor mosaics, assembled over the course of his career. Materials include bibliography, notes, photographs and some correspondence. The geographic areas covered are North Africa; Italy; Greece and islands; the Balkans; Constantinople; Asia Minor; USSR; Palestine and Transjordan; Syria and points east; and western Europe (Austria/Hungary, Britain, Gaul, Germany, Spain, Portugal, and Switzerland). There are additional sections on "medieval sites;" and "Iconography: pavements with meaning, iconographic motifs, Asaroton, and Orpheus."
Box 21, Folder 1

Pavements, General

Scope and Content Note

Subdivisions: pavement mosaics imitating marble; inscriptions of artist's workshops and of donors; relationships: rugs; relationships: walls; ornament; terminology; corpus list by geographic locations; general bibliography.
Box 21, Folder 2

Roving Pavements

Scope and Content Note

Notes; information about mosaics in collections including Dartmouth College and the first National Bank of Chicago.
Box 21, Folder 3

North Africa: general

Scope and Content Note

General notes; bibliography; and correspondence (5 letters).
Box 21, Folder 4

North Africa: Algeria

Box 21, Folder 5

North Africa: Djemila; Egypt

Box 21, Folder 6

North Africa: Libya; Morocco

Box 21, Folder 7

North Africa: Tunisia

Box 21, Folder 8

Italy & Adriatic: general

Scope and Content Note

General notes; bibliography.
Box 21, Folder 9

Italy & Adriatic: Ancona - Grado (excluding Aquileia)

Box 21, Folder 10

Italy & Adriatic: Gr - Ostia

Box 21, Folder 11

Italy & Adriatic: Padua - Piazza Armerina

Box 21, Folder 12

Italy & Adriatic: Pola - Rome

Box 21, Folder 13

Italy & Adriatic: S - Zuglio

Box 22, Folder 1

Italy & Adriatic: Aquileia

Box 22, Folder 2

Italy & Adriatic: Florence, Santa Reparta

Scope and Content Note

Correspondence with Franklin Toker; bibliography; notes; material from F. Toker including photographs.
Box 22, Folder 3

Greece: Acrini - Dion

Scope and Content Note

Includes bibliography.
Box 22, Folder 4

Greece: Hermione - Zapanti

Box 22, Folder 5

Greece, Islands: Corfu - Thasos; Crete; Cyprus

Box 22, Folder 6

Greece (old file)

Scope and Content Note

List of sites by type: iconographic, geometric style; Sites in: Macedonia, Thessaly, Boiotia, Athens (stoa of Hadrian), Peloponese, Tegea.
Box 22, Folder 7

Greece (old file), Islands: Aegina - Karpathos

Box 22, Folder 8

Greece (old file), Islands: Kos - S

Box 22, Folder 9

Greece (old file), Islands: Kos & Lesbos

Box 22, Folder 10

Greece (old file), Islands: Argos

Box 22, Folder 11

Greece (old file), mainland: Athens, Minos

Box 22, Folder 12

Greece (old file), Islands: Kos

Box 22, Folder 13

Greece (old file), Islands: Ilissos

Box 22, Folder 14

Greece (old file): Cyprus, Korion

Box 22, Folder 15

Greece (old file): Pella; Roman mosaics; classical sculpture

Box 23, Folder 1

Balkans

Scope and Content Note

Includes sections on: Albania; Bulgaria; Romania; Yugoslavia; Turkey.
Box 23, Folder 2

Constantinople

Scope and Content Note

Includes sections on: Great Palace; building near Vilayet.
Box 23, Folder 3

Asia minor (old file)

Scope and Content Note

Includes sections on St. Mary's in Ephesos, Koryhos (?) Cathedral, and Miletus.
Box 23, Folder 4

Asia Minor: Adana - Dag

Scope and Content Note

Correspondence with Michael Gough, 6 letters.
Box 23, Folder 5

Asia Minor: Ephesos - Xanthos

Box 23, Folder 6

U.S.S.R.: Chenonere (?), Armenia, Georgia

Box 23, Folder 7

Palestine (original file)

Scope and Content Note

With sections titled "General," and "Inscriptions".
Box 23, Folder 8

Palestine (original file): A - J

Box 23, Folder 9

Palestine (original file): Jerusalem - Khirbat al-Mafjar

Box 23, Folder 10

Palestine (original file): Khirbat... - Umm er-rus

Box 23, Folder 11

Palestine (suppl.): General; Agur - Bethlehem (near)

Box 23, Folder 12

Palestine (suppl.): Bet-Yerah - Evron

Box 23, Folder 13

Palestine (suppl.): H - Sepphoris

Scope and Content Note

Letter from George Maxim Anossov Hanfmann, to "Larry."
Box 23, Folder 14

Palestine (suppl.): Sha'ar... - Yavne Yam

Flat file folder 1**

Palestine (suppl.): Bet-Yerah - Evron

Scope and Content Note

Plan of the Church.
Box 24, Folder 1

Palestine: Synagogues: General; Ain Duk - Gerasa

Box 24, Folder 2

Palestine: Synagogues: Hammath - Yafa

Box 24, Folder 3

Jordan: General

Box 24, Folder 4

Jordan: A - M

Box 24, Folder 5

Jordan: Mt. Nebo Region

Box 24, Folder 6

Jordan: Pella - Zoara

Box 24, Folder 7

Gerasa: General (?)

Box 24, Folder 8

Gerasa: Photographs

Scope and Content Note

Cathedral Chapel; SS Cosmas and Damianus; Prophets, Apostles and Martyrs; Bishop Generius; St. George.
Box 24, Folder 9

Gerasa Photographs

Scope and Content Note

St. John the Baptist; Mortuary Church; SS Peter and Paul; Procopius Church; Synagogue Church.
Box 24, Folder 10

Gerasa: Correspondence and Notes

Scope and Content Note

Correspondence with Donald G. Humphrey, Director of the Stark Museum of Art; 16 letters; 11 photographs of mosaic fragments from the Stark Museum.
Box 24, Folder 11

Gerasa

Scope and Content Note

Book plates and plan of unidentified church(es).
Box 24, Folder 12

Madaba

Scope and Content Note

Includes sections on: Theotokos Church; Hippolotus Hall; "Madaba House."
Box 24, Folder 13

Madaba

Scope and Content Note

Sections on: Map church; Church of the apostles; and Elias Church.
Box 25, Folder 1-3

Syria

Box 25, Folder 4-6

Apamea; Dibsi Faraj; Antioch

Box 25, Folder 7-12

Austria and Hungary; Britain; Gaul; Germany; Spain & Portugal; Switzerland

Box 25, Folder 13

Pavements, West, miscellaneous

Box 25, Folder 14-15

Medieval, General; Medieval sites A - C

Box 26, Folder 1-4

Medieval Sites D - W

Box 26, Folder 5-6

Otranto; Schutern

Box 26, Folder 7-11

Pavements with Meaning; Iconographic Motifs; Asaraton Pavements; Orpheus; Iconography, miscellaneous

 

Series VII.  Cleveland Marbles, 1966-1979, n.d.

Physical Description: 1 lin. ft.

Scope and Content Note

This series centers on the Early Christian marbles acquired by the Cleveland Museum of Art, 1966-1979.The first part comprises correspondence between Kitzinger and William D. Wixom, Curator of Medieval and Renaissance Decorative Arts at the Cleveland Museum of Art, about their study and publication of the marbles, followed by research files organized by object type (statuettes, sculpture in the round, busts, trabea), with some further topical subdivisions.
Box 27

Cleveland Marbles: Correspondence; Topical Sections

Box 27, Folder 1

General

Scope and Content Note

Sections on: bibliography; types of material; chronology; historical background; stylistic problems; Kitzinger notes; and authenticity problems.
Box 27, Folder 2

"Jonah and the Shepherd." Time Magazine, 88:10 (1966), 56.

Box 27, Folder 3

Reactions to Cleveland Bulletin article

Scope and Content Note

Issue of the Cleveland Bulletin (March, 1967); ca. 18 letters, some copies of letters to Wixom; mailing list for persons to receive the Cleveland Bulletin article.
Box 27, Folder 4

Plans for Study

Scope and Content Note

Tentative outline for the Cleveland Bulletin article.
Box 27, Folder 5

Requests for photographs and information, 1966-1969

Scope and Content Note

Ca. 54 letters.
Box 27, Folder 6

Correspondence, 1966

Scope and Content Note

Ca. 15 letters, mostly between Kitzinger and Wixom about the early Christian marble sculptures acquired by the Cleveland Museum. They make arrangements for Kitzinger to give a lecture at the Cleveland Museum about the sculptures. Included also is a copy of a letter from Wixom to Mr. and Mrs. Klejman, from whom the Cleveland Museum acquired the sculptures, requesting information about whether all of the pieces were actually discovered together, along with the response from their secretary. The file also includes a copy of a hand written summary of Wixom's research on the sculpture.
Box 27, Folder 7

Correspondence, 1965-1968

Scope and Content Note

Ca. 30 letters, mostly between Kitzinger and Wixom about the marble sculptures. The file includes a copy of a letter to Wixom from Thomas Hoving, when the sculptures were still at Metropolitan Museum pending approval by the Trustees. There is also a copy of a letter to Sherman E. Lee, Director of the Cleveland Museum, from Mehmet Öunder, Sous-secrétaire d'état culturel adjoint au ministère d'education nationale, requesting the return of the marble sculptures to Turkey; and Lee's reply. There is also a copy of a letter to Wixom from Nezih Firatli, Curator at the Archeological Museum in Istanbul, in which he refuses to send requested photographs because he believes the Cleveland Museum has acquired smuggled Turkish prehistoric antiquities. The file concludes with 2 letters to Kitzinger from Hans Peter L'Orange.
Box 27, Folder 8

Correspondence, 1968-1979

Scope and Content Note

Ca. 40 letters, mostly between Kitzinger and Wixom concerning their collaborative study of the marbles. Letters refer to their continuing evaluation of the marbles, the letters received in response to Wixom's 1967 article, and the receipt of photographs of comparative materials. Also included are 2 letters from Firatli in which he declines to send photographs of comparative materials to Wixom in protest of the smuggling of Turkish antiquities, which results in the destruction of archeological sites.

Scope and Content Note

Four negatives removed to series XII (box 55, folder2); images of the Shepard and Jonah Resting.
Box 27, Folder 9

Notes: Statuettes, Jonah Iconography (general)

Scope and Content Note

General; includes sections titled: Jonah clothed, Jonah in NT, Jonah-Christ, and Jonah: types.
Box 27, Folder 10

Notes: Statuettes, Jonah Iconography

Scope and Content Note

With sections titled: Jonah swallowed, Jonah spat out, Jonah praying, and Jonah resting,
Box 27, Folder 11

Notes: Statuettes, Jonah Iconography

Scope and Content Note

With sections titled: Jonah: earlier monuments, Jonah sarcophagi and miscellaneous Western monuments, and 4-part Jonah cycles.
Box 28

Cleveland Marbles: Research Files, by Topic

Box 28, Folder 1

Sculpture in the round: Orpheus

Scope and Content Note

Notes and bibliography; includes a section titled: statuettes with pillars, author alphabet.
Box 28, Folder 2

Sculpture in the round

Scope and Content Note

Notes and bibliography, divided into 2 sections: general & miscellaneous; and fountains.
Box 28, Folder 3-4

Sculpture in the round: Individual Pieces

Scope and Content Note

Notes, bibliography, photographs of individual works.
Box 28, Folder 5

Sculpture in the round: Individual Pieces; Remarque Venus

Scope and Content Note

Photograph; letter to Erich Maria Remarque from Kitzinger Six slides of the Remarque Venus removed to series XII (box 55, folder 3).
Box 28, Folder 6

Busts: Literature; Miscellaneous

Scope and Content Note

Publication announcements of works on antique bust portraits; photocopy of article on Roman portrait sculpture; photocopy of the Cleveland Museum registrar file (?) description of the sculptures.
Box 28, Folder 7

Busts: Male

Scope and Content Note

Notes and bibliography; one letter.
Box 28, Folder 8

Busts: Female

Scope and Content Note

Notes and bibliography.
Box 28, Folder 9

Busts: In Series (incl. pairs)

Scope and Content Note

Notes and bibliography, organized alphabetically by site.
Box 28, Folder 10

Busts: General

Scope and Content Note

Notes and bibliography; 2 letters from and to Thomas Hoving.
Box 28, Folder 11

Busts: Kitzinger Related Pieces

Scope and Content Note

Notes, photographs and letter from Richard Stuart Teitz, Director of the Wichita Art Museum.
Box 28, Folder 12

"Trabea": general

Scope and Content Note

Notes on various "trabea" topics including stolata femina, female costume, and toga costume.
Box 28, Folder 13

"Trabea": Specific Examples

Scope and Content Note

Notes and photographs, arranged in alphabetical order of sites.
Box 28, Folder 14

Chapter on Costume of Busts

Scope and Content Note

18 page typescript manuscript; footnotes.
Box 28, Folder 15

Chapter on Costume of Busts

Scope and Content Note

Hand written draft of chapter with corrections on pages numbered 1-3 and 1-25.
 

Series VIII.  Various Topics (research files and correspondence), 1962-1994, n.d.

Physical Description: 1.3 lin. ft.

Scope and Content Note

This series includes research files on frieze sarcophagi, and silver; material about the Kankaria mosaic theft (newspaper and magazine articles, and correspondence); and files on inked inscriptions on Coptic textiles, and ivories. The notes and photographs of the frieze sarcophagi section (12 files) are organized by mainly iconographic topics. The silver research files (12) are organized by topic (sets of plates, hallmarks, Crown of Justin II, and Sassanian conferences) and then alphabetically by location. The file titled "Ink Inscriptions on Coptic Textiles" contains mostly correspondence about the interpretation of inscriptions of specific works. Files on ivories include correspondence and other material concerning a dissertation by Gretel Dechert, a student of Kitzinger, on 5-part ivory diptychs (3 files), and notes on ivories in Liverpool (G.I. 139) and Honolulu.
Box 29

Kankaria Mosaic, Honolulu Ivories, Coptic Inscriptions, and Frieze Sarcophagi, 1967-1992, n.d.

Box 29, Folder 1

Kankaria Mosaic Theft, 1980, 1989, 1992

Scope and Content Note

Material on the theft of mosaics from the church of Panayia Kanakaria, in Cyprus, in 1980, their sale, and the law suit resulting in the ordering of the return of the mosaics to Cyprus in 1989. Material includes a letter from Vassos Karageorghis, director of the Department of Antiquities, Nicosia (1980); newspaper clippings (1989); and articles from the New Yorkermagazine on 7/13/1992 and 7/20/1992.
Box 29, Folder 2

Liverpool (G.I. 139) and Honolulu Ivories

Scope and Content Note

Notes, dated 1983, on the ivories; and a typed sheet listing points of comparison (from Charles Little?).
Box 29, Folder 3

Inked Inscriptions on Coptic Textiles, 1967-1968

Scope and Content Note

Correspondence (6 letters), with Dorothy G. Shepherd, of the Cleveland Museum, and Ihor ŝevĉenko (1 letter), of Dumbarton Oaks, about an inscriptions on a Coptic textile in the Textile Museum, Washington, D.C. (71.51 and 71.14), the W. R. Nelson Gallery of Art in Kansas City, and the Cleveland Museum of Art (61.201). The file also includes Kitzinger notes; and photographs of textiles in the Textile Museum, Washington, D.C. and the Cleveland Museum of Art.
Box 29, Folder 4-15

Frieze Sarcophagi, research files, n.d.

Box 29, Folder 4

General

Scope and Content Note

Notes divided into sections, some of which are labelled as follows: P... cyclical method, bibliography, stylistic problems, chronology, isocephelian friezes, shorthand ..., individual pieces, problem of zones, sources of composition (general), and historical background.
Box 29, Folder 5

Subject Breakdown

Scope and Content Note

Notes divided into sections, labelled: subject breakdown, Old Testament, St. Peter stories, and New Testament.
Box 29, Folder 6

I: Formative Stage

Scope and Content Note

Notes and 1 photograph.
Box 29, Folder 7

II. Orant: Rock, Lazarus (no OT on trough)

Scope and Content Note

Seven photographs of frieze sarcophagi with notes identifying the scenes and figures.
Box 29, Folder 8

III: Orant: rock, Lazarus...

Scope and Content Note

Kitzinger file folder empty.
Box 29, Folder 9

IV: Center Orant, or Deceased, end Scenes Other than Lazarus and Rock

Scope and Content Note

Thirteen photographs of frieze sarcophagi with notes identifying the scenes and figures.
Box 29, Folder 10

V: Peter's Denial in Center

Scope and Content Note

Two photographs of frieze sarcophagi with notes identifying the scenes and figures.
Box 29, Folder 11

VI: Loaves and Fishes...

Scope and Content Note

Seven photographs of frieze sarcophagi with notes identifying the scenes and figures.
Box 29, Folder 12

VII: No Emphasis on Center

Scope and Content Note

Four photographs of frieze sarcophagi with notes identifying the scenes and figures.
Box 29, Folder 13

VIII: No Emphasis on Center

Scope and Content Note

Seven photographs of frieze sarcophagi with notes identifying the scenes and figures.
Box 29, Folder 14

Two Zones

Scope and Content Note

Eleven photographs of frieze sarcophagi with notes identifying the scenes and figures.
Box 29, Folder 15

Fragments

Scope and Content Note

Twenty photographs of frieze sarcophagi with notes identifying the scenes and figures.
Box 30

Ivory Diptychs, and Silver, 1962-1966, n.d.

Box 30, Folder 1-3

Five-Part Ivory Diptychs

Box 30, Folder 1

Notes

Scope and Content Note

Includes a section on the Barberini Diptych.
Box 30, Folder 2

Goldring correspondence 1962-1966

Scope and Content Note

Mostly correspondence with Gretel Dechert Goldring, a Ph. D. student of Kitzinger, about her Ph.D. examinations, her application for a fellowship from the American Association of University Women Educational Foundation (AAUW), her thesis on 5-part ivory diptychs, and her 1964 trip to Europe to conduct dissertation research (25 letters). Additional correspondence (11 letters and telephone memos) were occasioned by Goldring's untimely death in 1965, and the ensuing search for her dissertation material. Also included is one section of notes (Kitzinger?) on the ivory book cover of the manuscript at the Munich, Staatsbibliothek, Cod. lat. 23630.
Box 30, Folder 3

Goldring Ph. D. Thesis Materials

Scope and Content Note

Goldring's dissertation outline; outline for a talk on 5-part ivory diptychs presented at Harvard University, Fall 1964; photocopy of a typescript manuscript for a talk given to the AAUW (in 1965?); 14 black-and-white photographs of ivories with oblique views, and views of backs and sides (identified as Volbach 113, 121, 133, and 114).
Box 30, Folder 4-8

Silver, 1963-1978, n.d.

Box 30, Folder 4

Silver: Sets of Plates

Scope and Content Note

Notes.
Box 30, Folder 5

Silver: Hallmarks

Scope and Content Note

Notes.
Box 30, Folder 6

Silver: Crown of Justin II

Scope and Content Note

Notes; 2 letters, one from Philip Grierson, 1963.
Box 30, Folder 7

Silver: Crown of Justin II

Scope and Content Note

Photocopy of: Borgia, Stephano, De cruce Vaticana : ex dono Iustini Augusti in parasceve maioris hebdomadae, publicae venerationi exhiberi solita, commentarius ... (Romae) Ex Typographia Eiusdem Sacrae Congregationis, 1779.
Box 30, Folder 8

Silver: Sasanian Silver Conferences, 1969-1978

Scope and Content Note

The file contains material for three Sasanian silver conferences. 1971 includes a list of participants, program, summary of the 1969 conference, statement of purpose, and abstracts of 2 papers; 1973 includes the program, and correspondence (4 letters); 1978 includes a list of speakers, and 2 letters. Also included is data about 368 silver art objects, labeled Sasanian; a paper about the scientific analysis of coins and metallic works of art.
Box 31

Silver Treasures, Research Files, 1990-1994, n.d.

Box 31, Folder 1

Silver Treasures, by location

Scope and Content Note

Notes, arranged by site in alphabetical order, excluding the individual sites listed below. Including Nagy Szent Miklas (gold).
Box 31, Folder 2

Silver Treasures, Individual Pieces

Scope and Content Note

Notes, photocopies from publications, newspaper clipping, and correspondence (2 letters).
Box 31, Folder 3

Silver Treasures, Cyprus

Scope and Content Note

Notes, divided into the following section: first treasure; second treasure; David Plates: general, individual, iconography, and style.
Box 31, Folder 4

Silver Treasures, Kaiseraugst, and Mindenhall

Scope and Content Note

Notes and newspaper clippings.
Box 31, Folder 5

Silver Treasures, Sevso

Scope and Content Note

Newspaper clippings, 1990-1994; Sotheby's News Release about the treasure, 2/9/1990.
Box 31, Folder 6

Silver Treasures, Sutton Hoo

Scope and Content Note

Notes and illustrations.
Box 31, Folder 7

Silver Treasures, Water Newton

Scope and Content Note

The file contains notes, newspaper clipping, and photocopies of hand written catalog descriptions of the individual objects in the hoard.
Box 31, Folder 8

Silver Treasures, Sion Treasure

Scope and Content Note

The file includes a newspaper clipping; a photocopy of an article by Nezih Firatli; notes with sections labelled: bibliography, objects in Turkey, silver stamps, find place, book covers, open work; patens, column and capital, column base, and polycandela.
 

Series IX.  Various Matters (professional activities and other writings), 1942-1943, 1956, 1961-1986

Physical Description: 0.5 lin. ft.

Scope and Content Note

This series documents Kitzinger's engagement in various matters including proposed publication projects (on Mount Athos and the "Notes and Ideas" of Wilhelm Koehler); his activities as a reader for the journal Speculum, and a book reviewer for the journal Reprint Bulletin; the nomination of colleagues to the Medieval Academy; and the inclusion of Kitzinger articles in the 1st and 2nd editions of Readings in Art History.There is also correspondence on exhibitions: the Year 1200 exhibition, 1970; the Stobi symposium, 1977; and Kitzinger's objection to the inclusion of invaluable objects in the travelling exhibition of Treasures of Early Irish Art, 1977-1978. Also included is a translation of a Russian article reviewing vols. 9-15 of the journal, Dumbarton Oaks Papers; and correspondence concerning the unacknowledged appearance of passages from an Kitzinger publication in the published work of another scholar.
Box 32, Folder 1

Mount Athos Project, 1983-1984

Scope and Content Note

The file contains material regarding an apparently unrealized project to publish a comprehensive and fully documented survey of the various monuments of Mount Athos, architectural and artistic, based on the research of Paulos M. Mylonas. The file contains a status report, correspondence (3 letters), list of committee members, and the curriculum vitae of Mylonas.
Box 32, Folder 2

A. Banck Article, 1963

Scope and Content Note

The file contains a translation, from Russian, of an review article, by A. V. [Alice?] Banck, on articles which appeared in Dumbarton Oaks Papers, vols. 9-15. The article was published in Vizantiiskii Vremennik, 22 (1963), 260-279.
Box 32, Folder 3

L. W. Barnard, 1975-1977

Scope and Content Note

The file contains correspondence (ca. 19 letters) regarding L. W. Barnard's use of passages from "The Cult of Images Before the Age of Iconoclasm" without acknowledgment in a 1974 article in Byzantion. Also included is a photocopy of the Byzantion article.
Box 32, Folder 4

Hans Belting, 1986

Scope and Content Note

The file contains an Kitzinger letter of nomination of Hans Belting as a Corresponding Fellow of the Medieval Academy. Correspondence (15 letters) with co-sponsors Ihor ŝevĉenko, Walter Horn, Meyer Schapiro, and Kurt Weitzman.
Box 32, Folder 5

Philip Grierson, 1971

Scope and Content Note

The file contains material for the Nomination of Philip Grierson as a Corresponding Fellow of the Medieval Academy, including the nomination statement and correspondence with supporters (6 letters), and Grierson's curriculum vitae.
Box 32, Folder 6

Book of Kells at Irish Exhibition, 1977-1978

Scope and Content Note

The file contains materials concerning Kitzinger's protest of the inclusion of the Book of Kells and the Book of Durrow in the exhibition of Irish art which opened at the Metropolitan Museum of Art in 10/1977. Included are a clipping of a letter by Kitzinger that appeared in the New York Times, 9/20/1977, and correspondence (36 letters).
Box 32, Folder 7

Wilhelm Koehler, 1942-1962

Scope and Content Note

The file contains correspondence (6 letters) about a plan for the Bollingen foundation to publish Wilhelm Koehler's Notes and Ideasin German under the auspices of the Zentralinstitut für Kunstgeschichte in Munich, with Kitzinger to select material from Koehler's files on Anglo-Saxon and Irish illuminated manuscripts. The file also includes notes of conversations with Koehler, dated 1942, 1943, and 1956.
Box 32, Folder 8

Reprint Bulletin, 1970-1978

Scope and Content Note

The file contains a letter inviting Kitzinger to be a consultant-reviewer in the field of Christian byzantine and medieval civilization for Oceana Publications, Inc., a publisher of reviews of reprints. Also included is a copy of the consultant contract and correspondence containing reviews of several offprints (9 letters).
Box 32, Folder 9

Readings in Art History, 1967, 1975

Scope and Content Note

The file contains correspondence (8 letters) concerning the inclusion of Kitzinger articles, "The Hellenistic Heritage in Byzantine Art," and "The Byzantine Contribution to Western Art in the Twelfth and Thirteenth Centuries," in the first and second editions, respectively, of Readings in Art History.
Box 32, Folder 10

Speculum, regarding articles submitted, 1967-1976

Scope and Content Note

The file contains correspondence with the Medieval Academy of America (ca. 20 letters) concerning Kitzinger's evaluation of articles submitted for publication in the Academy's journal, Speculum.
Box 32, Folder 11

Stobi Symposium, 1977

Scope and Content Note

The file contains materials relating to the Stobi Symposium, held at Boston University, 26 February 1977, including the program, a symposium announcement, notes for a talk or introduction, and 2 letters.
Box 32, Folder 12

Year 1200, Metropolitan Museum of Art exhibition, 1970

Scope and Content Note

The file includes correspondence including a letter from Thomas Hoving inviting Kitzinger to be on the advisory committee for the exhibition and Kitzinger's response, and the symposium program.
 

Series X.  Photographs, 1937-1991, n.d.

Physical Description: ca. 4,500 images

Scope and Content Note

The series contains approximately 3,400 photographs, and 1,100 post cards and reporductions (approximately 265 images per box). It begins with photographs and plates used for two publications: Byzantine Art in the Making(1977), and The Mosaics of St. Mary's of the Admiral in Palermo,(1991; in Italian 1990). The last and largest section comprises study photographs accumulated over the course of Kitzinger's career. The photos are organized by medium and location. Divisions include: San Marco mosaics; wall mosaics; mosaic panels; wall painting; manuscripts; panel painting; sculpture; architecture; ivories; sculpture (Western medieval); minor arts: ceramics, coins, enamels, glass, glyptics, textiles, coptic textiles. The last two boxes contain large format photographs, which follow the same organization as the regular format photographs. 8 linear feet.
See also the research files: series VI. Floor Mosaics; series VII. Cleveland Marbles; and series VIII. Various Topics (research files on frieze sarcophagi and silver).
Box 32

Publication Photographs

Box 32, Folder 13-21

Byzantine Art in the Making

Scope and Content Note

Photographs used in Byzantine Art in the Making: main lines of stylistic development in Mediterranean art, 3rd-7th century, 1977. Photographs for figures 1-90.
Box 33

Publication Photographs; Study Photographs: Panel Painting (PP)

Box 33, Folder 1-13

Byzantine Art in the Making

Scope and Content Note

Photographs for figures 91-223
Box 33, Folder 14

The mosaics of St. Mary's of the Admiral in Palermo, 1991

Scope and Content Note

Color plates from Kitzinger's book.
Box 33, Folder 15

PP: Greco Icon

Box 33, Folder 16-19

PP: cities A - Re; Rome; and S - W.

Scope and Content Note

Negative (8" x 10") of icon in S. Maria in Trastevere removed from folder 17; transparency (5" x 8") of St. Peter icon at Mt. Sinai removed from folder 18; and negative of panel painting at Tivoli removed from folder 18 to series XII (box 55, folder 4).
Box 34

Study Photographs: Wall Mosaics (WM)

Box 34, Folder 1

WM: Demus Mosaics Press Kit

Scope and Content Note

Two press kits for Otto Demus, the Mosaics of San Marco in Venice.
Box 34, Folder 2-20

WM: Albenga; Athens; Carinola; Casaranello; Cefalu; Centcelles; Chios, Nea Moni; Constantinople; Cyprus; Damascus; Daphne; Durrës; Florence; Germigny-des-Près; Grottaferrata; Hosios Lukas; Jerusalem; Milan; and Monreale.

Scope and Content Note

Negative of Virgin and Child of apse mosaic at St. Sophia in Constantinople from folder 9; and 12 negatives of Monreale from folder 20 removed to series XII (box 55, folder 5).
Box 35

Study Photographs: Wall Mosaics (cont.)

Box 35, Folder 1

WM: Moscow, Murano, Palermo, and Porec

Box 35, Folder 2-3

WM: Palermo: Capella Palatina, Martorana

Box 35, Folder 4-7

WM: Ravenna: S. Apolinare in Classe/Nuovo; Arch. Chapel, Orthodox Baptistery; San Vitale; Galla Placidia

Box 35, Folder 8

WM: Rochester

Box 35, Folder 9-15

WM: Rome: S. Cecilia-S. Marco; S. Maria in Domenica; S. Maria in Trastevere; S.Maria Maggiore; S. Pietro in Vincoli; St. Peter's; S. Marie Antiqua (Wladimir de Grèuneisen).

Scope and Content Note

Negative of Joshua scene in S. Maria Maggiore removed from folder 12; negative of mosaic fragment at St. Peter's removed from folder 14; and 5 (8" x 10") negatives of S. Maria Antiqua removed from folder 15 to series XII (box 55, folder 6).
Box 36

Study Photographs: Wall Mosaics (cont.); Mosaic Panels; and Wall Painting (WP).

Box 36, Folder 1-4

WM: Rome: S. Prassede; S. Stefano Rotondo; S. Teodoro; S. Veniaziano.

Scope and Content Note

Slide of mosaic at Staraya Ladoga and negative of detached mosaic panel from Saggara removed from folder 4 to series XII (box 55, folder 7).
Box 36, Folder 5-7

WM: Salonica; Salamis, Serres, Sinai, and Spoleto; Venice.

Box 36, Folder 8

WM Reproductions

Box 36, Folder 9

Mosaic Panels; Floor Mosaics

Scope and Content Note

Floor mosaics: Otranto, Ouzouer-sur-Trézée
Box 36, Folder 10

WP: unidentified (Greece, mainland?)

Box 36, Folder 11-16

WP: cities A - R.

Scope and Content Note

Negative (8" x 10") of the Transfiguration at S. Nicholas in Kastoria removed from folder 14 to series XII (box 55, folder8) .
Box 37

Study Photographs: Wall Painting (cont.)

Box 37, Folder 1-3

WP: Pskov, Mirozh Monastery.

Box 37, Folder 4-5

WP: cities s - z.

Box 37, Folder 6-7

WP reproductions

Box 37, Folder 8-9

WP: Rome 6-9th cent.: churches C - L; S. Maria Antiqua

Box 38

Study Photographs: Wall Painting (cont.); Architecture

Box 38, Folder 1

WP: Rome 6-9th cent.: churches M - S

Box 38, Folder 2

WP: Rome after 9th cent.

Box 38, Folder 3-4

WP: Rome: Catacomb Paintings and other earlier Wall Paintings

Box 38, Folder 5-7

ARCH: cities A - T

Scope and Content Note

Six negatives of S. Maria Maggiore removed from folder 7 to series XII (box 55, folder 9).
Box 38, Folder 8-9

ARCH, Old Postcards: cities A - W

Box 38, Folder 10-11

ARCH, Reproductions: cities A - V

Box 39, Folder 1-10

Study Photographs: Illuminated Manuscripts (MSS)

Box 39, Folder 1-7

MSS: cities A - P; Papyri; Reims, Rome; Rome: Vatican; and Rosano - W

Scope and Content Note

Two negatives of the Quedlinburg Italamanuscript, and 1 negative of Bern ms. 120 Peter of Eboli, removed from folder 1; 1 negative of the Bristol Psalter f. 115v Adoration of the Magi, 1 negative of Cotton Genesis 4th Day of Creation, and 2 negatives of the Chludov Psalter f. 44 and 45 removed from folder 3; 3 negatives of papyri in Florence (2 are Mus. Archeol. 919) removed from folder 4; 1 (8" x 10") negative of papyri in Munich ("pap.gr....128") removed from folder 4 to series XII (box 55, folder 10).
Box 39, Folder 8-10

MSS, Reproductions

Box 40, Folder 1-10

Study Photographs: Sculpture (SCULP)

Box 40, Folder 1-10

SCULP: cities A - R; Rome

Box 41, Folder 1-18

Study Photographs: Sculpture (cont.)

Box 41, Folder 1-2

SCULP: cities S - W

Box 41, Folder 3

SCULP: Architectural Sculpture, 4th-76th cent.: Capitals

Box 41, Folder 4-6

SCULP: Reproductions: cities A - W

Scope and Content Note

Negative from Florence, Mus. Arch., C panel removed from folder 4; 1 negative from Hypogie des Dunes in Poitiers removed from folder 6 to series XII (box 55, folder 11).
Box 41, Folder 7-18

SCULP, Cleveland Marbles

Scope and Content Note

Jonah Swallowed; Jonah Spat Out; Jonah Praying; Jonah Resting; Shepherd; Group Photos; Busts 65.242-7.
Box 42, Folder 1-19

Study Photographs: Sculpture (cont.)

Box 42, Folder 1-5

SCULP: Coptic

Scope and Content Note

Woodwork; cities A - B; C - L; contact prints from E.K. negs.; reproductions.
Four negatives removed from folder 1 to series XII (box 55, folder 12).
Box 42, Folder 6-14

SCULP: Coptic

Scope and Content Note

Egypt 1937, E.K. photos.
Eleven negatives from Red and White Monasteries in Sohag removed from folders 6-14 to series XII (box 55, folder 13).
Box 42, Folder 15

SCULP: Metal

Scope and Content Note

See also "Silver" and "Minor Arts."
Box 42, Folder 16

SCULP: Wood, Aqsa Mosque

Box 42, Folder 17-19

SCULP: Reproductions: cities A - W

Box 43, Folder 1-8

Study Photographs: Sculpture (cont.); Ivories; Silver

Box 43, Folder 1

SCULP: Western Medieval

Scope and Content Note

Negative of Head of St. Denis removed from folder 1 to series XII (box 55, folder 14).
See also: box 2, folder 10, wooden coffin of St. Cuthbert (53 photographs).
Box 43, Folder 2-5

Ivories: cities B - Z; Reproductions

Scope and Content Note

Negative of ivory tondo in the Vatican removed from folder 4 to series XII (box 55, folder 14).
Box 43, Folder 6-8

Silver: A - London

Scope and Content Note

Except Mildenhall and Water Newton.
Negative of plate in Art in Roman Britain, "Alnwick"; removed from folder 6 to series XII (box 55, folder 14).
Box 44, Folder 1-10

Study Photographs: Silver

Box 44, Folder 1-2

Silver: London

Scope and Content Note

Mildenhall Treasure; and Water Newton Treasure.
Box 44, Folder 3-8

Silver: M - Z

Scope and Content Note

Includes Naples; New York: David Plates; New York; Norwich; and the Sevso Treasure.
Box 44, Folder 9-10

Silver, Reproductions

Flat file folder 1**

Study Photographs: Silver

Scope and Content Note

St. Petersburg, Hermitage Museum: silver roundel.
Box 45, Folder 1-10

Study Photographs: Ceramics; Coins; Enamels; Glass; and Glyptics

Box 45, Folder 1-2

Ceramics; and Ceramics, Reproductions

Box 45, Folder 3-5

Coins; and Coins, Reproductions

Box 45, Folder 6

Enamels

Box 45, Folder 7-8

Glass; and Glass, Reproductions

Box 45, Folder 9

Glyptics

Box 45, Folder 10

Minor Arts, Reproductions (except textiles)

Box 46, Folder 1-10

Study Photographs: Metal; Textiles; Coptic Textiles

Box 46, Folder 1-4

Metal

Box 46, Folder 5-6

Metal, Reproductions

Box 46, Folder 7

Textiles (except Coptic)

Box 46, Folder 8-9

Textiles, Coptic

Scope and Content Note

See also: box 2, folders 2 - 7, Horse and Lion Tapestry (98 photographs).
Box 46, Folder 10

Textiles, Reproductions

Box 47, Folder 1-5

Study Photographs and miscellaneous: Large format

Scope and Content Note

Includes 1 drawing.
Box 47, Folder 1

Drawing for Wilhelm Pinder's seminar

Scope and Content Note

Michelangelo's Pieta; see box 10, file 6.
Box 47, Folder 2-4

Wall Mosaics: I mosaici di Monreale, 1960

Scope and Content Note

Color plates.
Box 47, Folder 5

Panel Painting

Scope and Content Note

Rome: S. Francesca, icon; Washington, D. C.: Freer, E. Christian document; Berlin, Staatliches Museum, icon.
Box 48, Folder 1-10

Study Photographs: Large format (cont.)

Box 48, Folder 1-2

Wall Mosaics

Scope and Content Note

Palermo, Capella Palatina; Rome, S. Maria Maggiore
Box 48, Folder 3

Floor Mosaics

Scope and Content Note

Lullingstone, Roman Villa; Houston, Menil foundation.
Box 48, Folder 4-5

Wall Painting

Scope and Content Note

Rome: S. Clemente, S. Lorenzo f.l.m. (?), S. Callisto, Cometerium Majus, S. Maria Antiqua (early photos.); Istanbul, map.
Box 48, Folder 6-7

Manuscripts

Scope and Content Note

Reproductions and photos; New Haven, Yale Univ., Beinecke, "Pattern Sheets".
Box 48, Folder 8

Sculpture

Scope and Content Note

Berncastle, cross; Budapest, incised ornament; Pella, W. church; Rome, Arch of Constantine.
Box 48, Folder 9

Textiles, Coptic

Scope and Content Note

Washington, D. C., Dumbarton Oaks.
Box 48, Folder 10

Metal

Scope and Content Note

Aylesford b...; Copenhagen, brooch; London, Battersea shield; Milan, Golden Altar; Stockholm, 3 robe clasps from Gotland.
 

Series XI.  Slides, n.d.

Physical Description: 1.5 lin. ft. 2,032 slides

Scope and Content Note

The slides are organized in two sections: first by medium and location; and second by lecture topic. The Mosaics sections comprise over 800 slides; there is also extensive coverage of Dura-Europos.
Box 49-50

Slides from slide box 1: Main file

Scope and Content Note

689 slides. The medium divisions are architecture (108 slides), architectural sculpture (20), sculpture (75), ceramics (2), coins (23), glass (3), ivory (47), manuscripts (115), metalwork (animal style, 25), metalwork (silver, 100), textiles (31). There is an additional section on Dura-Europos (140).
Box 51

Slides from slide box 2

Scope and Content Note

492 slides. The medium divisions are mosaics (excluding Sicily, 276 slides), icon mosaics (8), wall painting (169), panel painting (39).
Box 52

Slides from slide box 3: Mosaics, Sicily

Scope and Content Note

308 slides. The divisions are Cefalù (34 slides), Messina (2), Monreale (56), Palermo: Capella Palatina (123), Martorana (53), Norman Stanza (14), Torre Pisana (18), Zisa (6), miscellaneous (2). 308
Box 53

Slides from slide boxes 4 and 5: Floor mosaics and Via Latina Catacombs

Scope and Content Note

259 slides.
Box 54

Slides from slide box 6: Slides for Kitzinger Lectures

Scope and Content Note

284 slides. The divisions are Cleveland marbles (125 slides), Interlace and Icons (15), Monreale lecture (38), Jerusalem floor mosaics (29), Sarcophagi (37), Novgorod icons (20), A. Rublev icons (20)
 

Series XII.  Negatives, 1937, 1943, , n.d.

Physical Description: 70 items

Scope and Content Note

63 negatives, 6 slides and 1 transparency removed from series III, VII, and X to series XII. negatives (box 55). The removal of negatives is noted in the container lists for series III, VII and X, and the negatives are also itemized in the series XII container list.
Box 55

Negatives, 1937, 1943, , n.d.

Box 55, Folder 1

From Series III, box 10, folder 10, "Portraits of Christ" lecture at Duke University, 1943

Scope and Content Note

2 negs., 5 x 5.5 cm.
Box 55, Folder 2

From Series VII, box 27, folder 8, correspondence with Wixom.

Scope and Content Note

4 negs., 35 mm.: Shepherd, Jonah resting (?)
Box 55, Folder 3

From Series VII, box 28, folder 5

Scope and Content Note

6 slides: Remarque Venus.
Box 55, Folder 4

From Series X, box 33, folders 17 and 18

Scope and Content Note

1 neg. 8 x 10 in.: Panel Painting: S. Maria in Trastevere.
1 neg. 35 mm.: Panel painting: Tivoli
1 transparency. 5 x 8 in.: panel Painting: St. Peter, Mt. Sinai.
Box 55, Folder 5

From Series X, box 34, folders 9 and 20

Scope and Content Note

1 neg. 4 x 5 in.: Wall Mosaics: Constantinople, St. Sophia, Virgin and Child.
12 negs. 35 mm.: Monreale.
Box 55, Folder 6

From Series X, box 35, folders 12, 14 and 15

Scope and Content Note

1 neg. 4 x 5: Wall Mosaics: Rome, S. Maria Maggiore, Joshua.
1 neg. 35 mm.: Wall Mosaics: Rome, St. Peter's, mos. frag. in museum.
5 negs. 8 x 10 in.: Wall Mosaics: S. Maria Antiqua (Grèuneisen).
Box 55, Folder 7

From Series X, box 36, folder 4

Scope and Content Note

1 slide: Wall painting: Staraya Ladoga.
1 neg, 3.5 x 5: Wall painting: Saggara.
Box 55, Folder 8

From Series X, box 36, folder 14

Scope and Content Note

1 neg. 8 x 10 in.: Wall painting: Kastoria, S. Nicholas, Transfiguration.
Box 55, Folder 9

From Series X, box 38, folder 7

Scope and Content Note

6 negs. 35 mm.: Architecture: S. Maria Maggiore.
Box 55, Folder 10

From Series X, box 39, folders 1, 3, and 4

Scope and Content Note

2 negs. 4 x 5 in.: Manuscripts: Quedlinberg Itala.
1 neg. 4 x 5 in.: Manuscripts: Bern ms. 120, Peter of Eboli.
1 neg. 5 x 7 in.: Manuscripts: London, Bristol Psalter, f. 115v, Adoration of the Magi.
1 neg. 4 x 5 in.: Manuscripts: London, Cotton Genesis, Third Day of Creation.
2 negs. 4 x 5 in.: Manuscripts: Moscow, Chludov Psalter, ff. 44 and 45.
2 negs. 5 x 7 in.: papyri, Florence, Mus. Arch., no. 919 and papyrus from Ony...
2 negs. 8 x 10 in.: papyri, Munich, Pap. gr. ...128; Florence, Mus. Arch., no. 919.
Box 55, Folder 11

From Series X, box 41, folders 4 and 6

Scope and Content Note

1 neg. 3.5 x 4.5: Sculpture: Florence, Mus. Arch.
2 negs. 35 mm.: Sculpture: Poitiers, Hypogie des dunes.
Box 55, Folder 12

From Series X, box 42, folder 1

Scope and Content Note

4 negs. 2.25 x 2.25 in: Egypt, Coptic sculpture, 1937.
Box 55, Folder 13

From Series X, box 42, folders 6-14

Scope and Content Note

11 negs. 2.25 x 2.25 in.: Sculpture: Sohag, red and White monasteries.
Box 55, Folder 14

From Series X, box 43, folders 1, 4 and 6

Scope and Content Note

1 neg. 3.25 x 4 in.: W. Med. Sculpture: Head of St. Denis.
1 neg. 2.5 x 3.25 in.: Silver: "Alnwick" (plate in Art in Roman Britain)
1 neg. 5 x 7 in.: Ivory: Rome, Vatican.