Guide to the Desi Arnaz Papers
Finding Aid Authors: Michael William Lapins.
© Copyright 2007 Special Collections & University Archives. All rights reserved.
2007-12-04
5500 Campanile Dr. MC 8050
San Diego, CA, 92182-8050
URL: http://library.sdsu.edu/scua
Email: scref@rohan.sdsu.edu
Phone: 619-594-6791
Guide to the Desi Arnaz Papers
1947/1976
Special Collections & University Archives
Overview of the Collection
Collection Title: Desi Arnaz Papers
Dates: 1947-1976
Bulk Dates: 1966-1974
Identification: MS-0069
Creator:
Arnaz, Desi, 1917-1986
Physical Description: 13.00 linear ft
Language of Materials:
English
Repository:
Special Collections & University Archives
5500 Campanile Dr. MC 8050
San Diego, CA, 92182-8050
URL: http://library.sdsu.edu/scua
Email: scref@rohan.sdsu.edu
Phone: 619-594-6791
Biographical Information:
From the mid 1930s until the early 1970s, Desi Arnaz, born Desiderio Alberto Arnaz de Archa III on March 2, 1917, achieved
prominence first as a musician and later in film and television. After leaving Cuba in 1933 due to the arrival of the Batista
government, Desi and his mother fled to Miami, Florida, where his father later joined them. Desi Arnaz joined Xaiver Cugat’s
band in 1934 and toured with the group before striking out on his own. Earning renown as the “Miami Rhumba King,” the musician
and eventual bandleader went north to perform in New York nightclubs. In 1939 he starred in the Broadway production of “Too
Many Girls.” When RKO Pictures in Hollywood purchased the play in 1940, Arnaz made his motion picture debut in the film version.
He reprised his role as the lead character, playing opposite Lucille Ball (1911-1989). Their meeting began a relationship
that led to their marriage later that year. The couple purchased property in the Chatsworth area of the San Fernando Valley,
which they named the Desilu Ranch.
With the advent of World War II, Arnaz entertained the troops with his band, and he enlisted in the US Army in 1943, serving
until 1945. Between 1945 and 1951, Arnaz worked in radio and film and also performed in clubs as a bandleader. During this
period he and Lucille sought projects in which they could perform in together. Ball, then starring in a radio program called
“My Favorite Husband,” was approached by CBS, which was interested in moving the radio show to the newly developed medium
of television. Formed initially to manage Arnaz’s band, Desilu Productions was expanded to become the banner under which
the couple produced their first hit in the new medium. Lucille Ball negotiated a deal with CBS allowing her and Arnaz to play
the fictitious husband and wife team of Lucy and Ricky Ricardo in their new TV show, “I Love Lucy.”
Running from 1951 until 1956, “I Love Lucy” was only one show on the roster of Desilu Productions. With the purchase of RKO
studios in 1956, Arnaz expanded the company’s facilities to allow for increased production. Between 1951 until 1962, Desilu
produced such shows as “Our Miss Brooks” (a vehicle starring Eve Arden who later started in “The Mothers-In-Law”). Other
notable productions included “The Untouchables,” “Guestward Ho,” and “The Westinghouse Desilu Playhouse.” The couple divorced
in 1960 and Ball bought Arnaz out in 1962; afterwards, Ball assumed complete control of the production company. Desi chose
semi-retirement and pursued his interests in breeding and raising racehorses, splitting his time between his two homes in
Baja California, Mexico, and Del Mar, California. In 1963, he married Edith Mack, a union that lasted until her death in
1983.
Signaling a return to television, Arnaz formed “Desi Arnaz Productions Incorporated” (DAPI) in 1965 as his new production
entity. With the development of “The Mothers-In-Law” (MIL) in 1966, and its subsequent appearance in prime time during the
1967 season, Arnaz assumed the role of the show’s director and also appeared in four of the episodes as Señor Raphael Del
Gado. In production from 1967 until 1969, “The Mothers-In-Law,” starring Eve Arden and Kaye Ballard, ran for three seasons
on NBC.
As it turns out, his guest roles on “The Mothers-in-Law” were Desi's last sitcom work until his appearance twenty years later
on “Alice” in 1978. His only other major television appearances after the “Lucy” shows were on episodes of “The Men from
Shiloh,” “Bonanza,” a pilot that ran as part of the “Perry Mason” series, a pilot that ran as an episode of another Raymond
Burr series, "Ironside" (Dr. Domingo), as guest-host on “Saturday Night Live” in 1975, and on a Bob Hope special in 1976.
The 1970s marked a second retreat from television production, but Arnaz stayed busy nonetheless. In 1971, a San Diego State
University graduate student named Jim Yanizyn, who was writing his M.A. thesis on “The Mothers-In-Law,” contacted Arnaz. This
contact led to Arnaz’s decision to donate the initial materials related to “The Mothers-In-Law” to San Diego State University,
and a reception was held in the summer of 1971. Retuning to SDSU in 1972 as a visiting professor, Arnaz taught classes in
studio production and acting for television. He also served as the United States ambassador to Latin America under Richard
Nixon. Arnaz’s autobiography, A Book, was published in 1976, and it spent a number of weeks on the New York Times bestseller
list. Desi Arnaz completed his last film, “The Escape Artist,” in 1983 and died from cancer on December 2, 1986 at the age
of 69.
Access Terms
This collection is indexed under the following controlled access subject terms.
Corporate Name:
Desi Arnaz Productions -- Archives
Desilu Productions -- Archives
Family Name:
Arnaz family -- Archives
Genre/Form of Material:
Personal Papers
Publications
Slides
Video Recordings
Personal Name:
Arnaz, Desi, 1917-1986 -- Archives
Ball, Lucille, 1911-1989
Title:
Chairman of the Board (Television program)
I love Lucy (Television program)
Mothers-in-law (Television program)
Topical Term:
Entertainers -- California, Southern -- Biography
Television comedies
Television programs -- Plots, themes, etc
Administrative Information
Accruals:
First accession, 1971
Second accession, 1972
Third accession, 1987
Conditions Governing Use:
The copyright interests in these materials have not been transferred to San Diego State University. Copyright resides with
the creators of materials contained in the collection or their heirs. The nature of historical archival and manuscript collections
is such that copyright status may be difficult or even impossible to determine. Requests for permission to publish must be
submitted to the Head of Special Collections, San Diego State University, Library and Information Access. When granted, permission
is given on behalf of Special Collections as the owner of the physical item and is not intended to include or imply permission
of the copyright holder(s), which must also be obtained in order to publish. Materials from our collections are made available
for use in research, teaching, and private study. The user must assume full responsibility for any use of the materials, including
but not limited to, infringement of copyright and publication rights of reproduced materials.
Permission for commercial use or non-scholarly research must be obtained from the executors of the of Desi Arnaz and Lucille
Ball estates, which are maintained through the partnership of Desilu Too. No copying or photography from this collection is
allowed without prior permission from Desilu Too. All rights to materials in the collection must be obtained in writing from
“Desilu too.” It is the responsibility of the researcher to assure that all legal qualifications have been met prior to publication.
Conditions Governing Access:
This collection is open for research.
Preferred Citation:
Identification of item, folder title, box number, Desi Arnaz Papers, Special Collections and University Archives, Library
and Information Access, San Diego State University.
Arrangement of Materials:
I. Personal Records
II. Desilu Productions
III. Desi Arnaz Productions
1. Mothers in Law
2. Correspondence
3. Episode Files
IV. Publications
Scope and Contents
The
Desi Arnaz Collection consists of Arnaz’s personal notes and materials for his autobiography, A Book, and production materials from both “Desilu
Productions” and “Desi Arnaz Productions, Inc.” (DAPI). The Desilu Production items include films and related documents from
1951 to 1962.
The bulk of the collection consists of materials from Desi Arnaz Productions Inc., from 1966 to 1974. This includes extensive
production materials for the “The Mothers-In-Law,” a television show which aired from 1967 until 1969. The files contain
items such as scripts, story notes, talent agreements, production reports and call sheets. There is also substantial correspondence
surrounding the show from its sponsor, Procter & Gamble, and the advertising agency handling the account, Dancer-Fitzgerald-Samples.
Additionally, other materials from this period include the production materials from “The Carol Channing Show,” including
a fully produced pilot that was never aired and materials relevant to a proposed series starring Desi Arnaz titled, “The Chairman
of the Board.” Materials for “The Chairman of the Board” include notes, ideas and pilot scripts.
The collection is divided in three series, each of which consists of separate materials further divided into associated files.
Series I:
Personal consists of personal materials and preparatory notes for his 1976 autobiography; VHS copies of home movies originally shot
on 16MM; photos of his some racehorses at the Del Mar racetrack; various production stills; and numerous get-well cards sent
during a period of recuperation.
Series II:
Desilu Productions consists of materials from Desilu Productions from the period of 1952 until 1961. These include copies of Desi Arnaz’s
Guestward Ho, directing contracts from 1960; 16 MM copies of some episodes of
I Love Lucy,
The Westinghouse Desilu Playhouse and
Land’s End.
Series III:
Dezi Arnaz Productions consists of materials from Desi Arnaz Productions (DAPI), formed in 1965, including production materials and both 35MM and
16MM film for
The Mothers-In-Law,
The Carol Channing Show, and
The Chairman of the Board.
The Mothers-In-Law (MIL) files and paperwork span the years 1966 – 1969 and contains files and paperwork for <span style="font-style: italic;">T</span>
he Mothers-In-Law, which aired on NBC, at 8:30 PM on Sunday evenings from September 1967 until September 1969.
The
Mothers-In-Law (MIL) materials have been divided into three separate subseries.
The first,
Production Files, contains 9 folders of materials related to the production of the show.
1. Production files (9 Folders)
A. Story ideas
B. Writer’s contracts 1
C. Writer’s contracts 2
D. Writer’s Guild of America (WGA) notifications
E. Script and shooting schedules
F. Music rights and clearances
G. Sponsor credits
H. Answer print running dates
I. Directors Guild of America (DGA) availability lists
The second subseries,
Correspondence Files, contain six folders of internal correspondence and letters sent to the production.
2. Correspondence files (4 Folders)
A. Production paperwork
B. Desi Arnaz correspondence
C. Viewer correspondence to production
D. Promotional correspondence to production
The third includes the individual show folders containing all materials relating to each of the 56 specific episodes of
The Mothers-In-Law. Each episode is divided into four folders of materials for that show, titled as follows: Scripts; Story and Writer’s files;
Cast and Credits lists; and Production files. Materials contained within each of these categories are further described below:
3. Episode Files
A. Scripts
Successive drafts; 1st, 2nd, 3rd, et al. (Number of folders vary depending on drafts)
B. Story and Writer’s files
Story/Script outlines, fragments, and revisions
Writer’s notes
Writer’s guild arbitration files
Any research materials
C. Cast and Credits lists
Tentative credit list
Tentative writing credits
Talent address sheets
William Morris talent agreements
Payment authorization for scripts
D. Production files
Internal production correspondence and reports
Call sheets
Day out of Days reports
NBC Broadcast standards
Production photographic proof sheets
In addition, the collection includes 16 MM copies of the edited individual episodes. There is also a documentary on the making
of
The Mothers-In-Law, transferred from 16 MM onto VHS tape.
Series IV:
Publications consists of publications.
Detailed List of Contents
Box 1, Folder 1
Notes and drafts of Desi's autobiography
1976
Scope and Contents
Typed notes with handwritten annotations, a rough draft of the book and a photocopy of the final draft.
Box 1, Folder 2
Notes and drafts of Desi's autobiography
1976
Scope and Contents
Typed notes with handwritten annotations, a rough draft of the book and a photocopy of the final draft.
Box 1, Folder 3
Notes and drafts of Desi's autobiography
1976
Scope and Contents
Typed notes with handwritten annotations, a rough draft of the book and a photocopy of the final draft.
Box 1, Folder 4
Notes and drafts of Desi's autobiography
1976
Scope and Contents
Typed notes with handwritten annotations, a rough draft of the book and a photocopy of the final draft.
Box 1, Folder 5
Notes and drafts of Desi's autobiography
1976
Scope and Contents
Typed notes with handwritten annotations, a rough draft of the book and a photocopy of the final draft.
Box 1, Folder 6
Notes and drafts of Desi's autobiography
1976
Scope and Contents
Typed notes with handwritten annotations, a rough draft of the book and a photocopy of the final draft.
Box 1, Folder 7
Notes and drafts of Desi's autobiography
1976
Scope and Contents
Typed notes with handwritten annotations, a rough draft of the book and a photocopy of the final draft.
Box 2
Jitter Rhumba, Paramount studio: musical short staring Desi Arnaz
1947
Box 2
Star Party
1960
Scope and Contents
A two-camera, edited black-and-white film with sound, approximately 30 minutes. Visual quality and sound are fairly good.
Box 2
Las Cruces
1965 - 66
Scope and Contents
2 tapes; 1 with time-code. This color film without sound has fair visual quality and color.
Box 2
Las Cruces
1965 - 66
Scope and Contents
2 tapes; 1 with time-code. This color film without sound has fair visual quality and color.
Box 2
Desi Arnaz Production Incorporated fishing
1965 - 66
Scope and Contents
2 tapes; 1 with time-code, 1 without time-code.
Box 2
Desi Arnaz Production Incorporated fishing
1965 - 66
Scope and Contents
2 tapes; 1 with time-code, 1 without time-code.
Box 3
Photos and additional oversize items
Scope and Contents
Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.
Box 3
Photos and additional oversize items
Scope and Contents
Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.
Box 3
Photos and additional oversize items
Scope and Contents
Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.
Box 3
Photos and additional oversize items
Scope and Contents
Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.
Box 3
Photos and additional oversize items
Scope and Contents
Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.
Box 3
Photos and additional oversize items
Scope and Contents
Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.
Box 3
Photos and additional oversize items
Scope and Contents
Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.
Box 3
Photos and additional oversize items
Scope and Contents
Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.
Box 3
Photos and additional oversize items
Scope and Contents
Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.
Box 3
Photos and additional oversize items
Scope and Contents
Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.
Box 3
Photos and additional oversize items
Scope and Contents
Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.
Box 3
Photos and additional oversize items
Scope and Contents
Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.
Box 3
Photos and additional oversize items
Scope and Contents
Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.
Box 3
Photos and additional oversize items
Scope and Contents
Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.
Box 3
Photos and additional oversize items
Scope and Contents
Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.
Box 4, Folder 1
Get Well Cards
1969
Scope and Contents
Contains numerous get well cards sent to Dasi Arnaz while he was recuperating at Cedars-Sinai Hospital during September 1969.
Box 4, Folder 2
Get Well Cards
1969
Scope and Contents
Contains numerous get well cards sent to Dasi Arnaz while he was recuperating at Cedars-Sinai Hospital during September 1969.
Box 4, Folder 3
Get Well Cards
1969
Scope and Contents
Contains numerous get well cards sent to Dasi Arnaz while he was recuperating at Cedars-Sinai Hospital during September 1969.
Desilu Productions
1952-61
Box 4, Folder 4
Scope and Contents
Guestward Ho: Desi Arnaz's director contracts for show, 1960.
I Love Lucy: all 16mm film
Includes two episodes of I Love Lucy, and one episode of The Lucy-Desi Comedy Hour TV Show:
I Love Lucy, Episode 13, The Benefit, first aired January 7, 1952.
I Love Lucy, Episode 80, Ricky Minds the Baby, first aired January 18, 1954.
The Lucy Desi Comedy Hour TV Show, Episode 5, Lucy Wins a Racehorse, first aired February 3, 1958.
The Westinghouse Desilu Playhouse. all 16 mm film
Contains three episodes of The Westinghouse Desilu Playhouse:
Trail at Devil's Canyon, first aired December 9, 1958.
So Tender, So Profane, first aired October 30, 1959.
Thunder In The Night, first aired February 19, 1960.
Land's End, 16mm film (note: VHS copy in Box 2)
Contains one episode of Land's End: The Lone Survivor, and a filming of Land's End. Originals are on 16mm film, but the filming
of portion has been transferred to VHS tape, stored in Box 2.
Dezi Arnaz Productions
1966-1974
Scope and Contents
Contains materials originated under the banner of Desi Arnaz Productions Incorporated from 1966 until 1974 including The Mothers-In-Law,
The Carol Channing Show, and The Chairman of the Board.
Box 5, Folder 4
Writer's Guild of America (WGA) notifications
Box 5, Folder 5
Script and shooting schedules
Box 5, Folder 6
Music rights and clearances
Box 5, Folder 8
Answer print running dates
Box 5, Folder 9
Directors Guild of America (DGA) availability lists
Box 5, Folder 11
Desi Arnaz correspondence
Box 5, Folder 12
Viewer correspondence to production
Box 5, Folder 13
Promotional correspondence to production
Episode Files
Scope and Contents
The arrangement of the shows is based as much as possible on the production number assigned to the individual episode.
Box 6, Folder 1
On Again, Off Again, Lohengrin
September 10, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). A fight breaks out between
the Hubbards and Buells about their children's wedding plans.
Box 6, Folder 2
On Again, Off Again, Lohengrin
September 10, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). A fight breaks out between
the Hubbards and Buells about their children's wedding plans.
Box 6, Folder 3
On Again, Off Again, Lohengrin
September 10, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). A fight breaks out between
the Hubbards and Buells about their children's wedding plans.
Box 6, Folder 4
On Again, Off Again, Lohengrin
September 10, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). A fight breaks out between
the Hubbards and Buells about their children's wedding plans.
Box 6, Folder 5
On Again, Off Again, Lohengrin
September 10, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). A fight breaks out between
the Hubbards and Buells about their children's wedding plans.
Box 6, Folder 6
On Again, Off Again, Lohengrin
September 10, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). A fight breaks out between
the Hubbards and Buells about their children's wedding plans.
Box 6, Folder 7
On Again, Off Again, Lohengrin
September 10, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). A fight breaks out between
the Hubbards and Buells about their children's wedding plans.
Box 6, Folder 8
On Again, Off Again, Lohengrin
September 10, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). A fight breaks out between
the Hubbards and Buells about their children's wedding plans.
Box 7, Folder 1
Everybody Goes On A Honeymoon
September 17, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Carl Reindel, Bart Greene. The newlywed's
honeymoon is over when the Hubbards and Buells show up at their resort hotel. Note: three 16mm copies in collection.
Box 7, Folder 2
Everybody Goes On A Honeymoon
September 17, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Carl Reindel, Bart Greene. The newlywed's
honeymoon is over when the Hubbards and Buells show up at their resort hotel. Note: three 16mm copies in collection.
Box 7, Folder 3
Everybody Goes On A Honeymoon
September 17, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Carl Reindel, Bart Greene. The newlywed's
honeymoon is over when the Hubbards and Buells show up at their resort hotel. Note: three 16mm copies in collection.
Box 7, Folder 4
Everybody Goes On A Honeymoon
September 17, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Carl Reindel, Bart Greene. The newlywed's
honeymoon is over when the Hubbards and Buells show up at their resort hotel. Note: three 16mm copies in collection.
Box 7, Folder 5
The Newleyweds Move In
October 8, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Judy Franklin, Larry Bishop. Kaye and Eve
promise not to interfere in their kids' lives when the kids move into their apartment above the Hubbard's garage.
Box 7, Folder 6
The Newleyweds Move In
October 8, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Judy Franklin, Larry Bishop. Kaye and Eve
promise not to interfere in their kids' lives when the kids move into their apartment above the Hubbard's garage.
Box 7, Folder 7
The Newleyweds Move In
October 8, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Judy Franklin, Larry Bishop. Kaye and Eve
promise not to interfere in their kids' lives when the kids move into their apartment above the Hubbard's garage.
Box 7, Folder 8
The Newleyweds Move In
October 8, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Judy Franklin, Larry Bishop. Kaye and Eve
promise not to interfere in their kids' lives when the kids move into their apartment above the Hubbard's garage.
Box 7, Folder 9
The Wig Story
March 3, 1968
Scope and Contents
Written by Michael Morris; Directed by Desi Arnaz; Guest stars (none listed). Kaye thinks Roger is in love with the blond
wig she borrowed from Eve and not her.
Box 7, Folder 10
The Wig Story
March 3, 1968
Scope and Contents
Written by Michael Morris; Directed by Desi Arnaz; Guest stars (none listed). Kaye thinks Roger is in love with the blond
wig she borrowed from Eve and not her.
Box 7, Folder 11
The Wig Story
March 3, 1968
Scope and Contents
Written by Michael Morris; Directed by Desi Arnaz; Guest stars (none listed). Kaye thinks Roger is in love with the blond
wig she borrowed from Eve and not her.
Box 7, Folder 12
The Wig Story
March 3, 1968
Scope and Contents
Written by Michael Morris; Directed by Desi Arnaz; Guest stars (none listed). Kaye thinks Roger is in love with the blond
wig she borrowed from Eve and not her.
Box 7, Folder 13
The Wig Story
March 3, 1968
Scope and Contents
Written by Michael Morris; Directed by Desi Arnaz; Guest stars (none listed). Kaye thinks Roger is in love with the blond
wig she borrowed from Eve and not her.
Box 7, Folder 14
The Wig Story
March 3, 1968
Scope and Contents
Written by Michael Morris; Directed by Desi Arnaz; Guest stars (none listed). Kaye thinks Roger is in love with the blond
wig she borrowed from Eve and not her.
Box 8, Folder 1
All Fall Down
September 24, 1967
Scope and Contents
(Original title The Leg and I) Written by Hugh Wedlock & Alan Mannings; Directed by Desi Arnaz; Guest stars (none listed).
Problems arise when both Kaye and Eve break their legs skiing.
Box 8, Folder 2
All Fall Down
September 24, 1967
Scope and Contents
(Original title The Leg and I) Written by Hugh Wedlock & Alan Mannings; Directed by Desi Arnaz; Guest stars (none listed).
Problems arise when both Kaye and Eve break their legs skiing.
Box 8, Folder 3
All Fall Down
September 24, 1967
Scope and Contents
(Original title The Leg and I) Written by Hugh Wedlock & Alan Mannings; Directed by Desi Arnaz; Guest stars (none listed).
Problems arise when both Kaye and Eve break their legs skiing.
Box 8, Folder 4
All Fall Down
September 24, 1967
Scope and Contents
(Original title The Leg and I) Written by Hugh Wedlock & Alan Mannings; Directed by Desi Arnaz; Guest stars (none listed).
Problems arise when both Kaye and Eve break their legs skiing.
Box 8, Folder 5
All Fall Down
September 24, 1967
Scope and Contents
(Original title The Leg and I) Written by Hugh Wedlock & Alan Mannings; Directed by Desi Arnaz; Guest stars (none listed).
Problems arise when both Kaye and Eve break their legs skiing.
Box 8, Folder 6
All Fall Down
September 24, 1967
Scope and Contents
(Original title The Leg and I) Written by Hugh Wedlock & Alan Mannings; Directed by Desi Arnaz; Guest stars (none listed).
Problems arise when both Kaye and Eve break their legs skiing.
Box 8, Folder 7
All Fall Down
September 24, 1967
Scope and Contents
(Original title The Leg and I) Written by Hugh Wedlock & Alan Mannings; Directed by Desi Arnaz; Guest stars (none listed).
Problems arise when both Kaye and Eve break their legs skiing.
Box 9, Folder 1
Who's Afraid of Elizabeth Taylor?
October 22, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). Kaye and Eve throw their
husbands out after they both admit they would like to have an affair with Elizabeth Taylor.
Box 9, Folder 2
Who's Afraid of Elizabeth Taylor?
October 22, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). Kaye and Eve throw their
husbands out after they both admit they would like to have an affair with Elizabeth Taylor.
Box 9, Folder 3
Who's Afraid of Elizabeth Taylor?
October 22, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). Kaye and Eve throw their
husbands out after they both admit they would like to have an affair with Elizabeth Taylor.
Box 9, Folder 4
Who's Afraid of Elizabeth Taylor?
October 22, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). Kaye and Eve throw their
husbands out after they both admit they would like to have an affair with Elizabeth Taylor.
Box 9, Folder 5
A Night to Forget
October 1, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Maury Thompson; Guest stars Desi Arnaz, Lou Krugman. Kaye and Eve
are locked inside a store for the night.
Box 9, Folder 6
A Night to Forget
October 1, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Maury Thompson; Guest stars Desi Arnaz, Lou Krugman. Kaye and Eve
are locked inside a store for the night.
Box 9, Folder 7
A Night to Forget
October 1, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Maury Thompson; Guest stars Desi Arnaz, Lou Krugman. Kaye and Eve
are locked inside a store for the night.
Box 9, Folder 8
A Night to Forget
October 1, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Maury Thompson; Guest stars Desi Arnaz, Lou Krugman. Kaye and Eve
are locked inside a store for the night.
Box 9, Folder 9
A Night to Forget
October 1, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Maury Thompson; Guest stars Desi Arnaz, Lou Krugman. Kaye and Eve
are locked inside a store for the night.
Box 9, Folder 10
A Night to Forget
October 1, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Maury Thompson; Guest stars Desi Arnaz, Lou Krugman. Kaye and Eve
are locked inside a store for the night.
Box 10, Folder 1
My Son, The Actor
October 29, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). The Hubbards and the Buells
help Jerry win a part in the school play.
Box 10, Folder 2
My Son, The Actor
October 29, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). The Hubbards and the Buells
help Jerry win a part in the school play.
Box 10, Folder 3
My Son, The Actor
October 29, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). The Hubbards and the Buells
help Jerry win a part in the school play.
Box 10, Folder 4
My Son, The Actor
October 29, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). The Hubbards and the Buells
help Jerry win a part in the school play.
Box 10, Folder 5
The Great Bicycle Race
November 19, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
join a cycling club. Note: two 16mm copies in collection.
Box 10, Folder 6
The Great Bicycle Race
November 19, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
join a cycling club. Note: two 16mm copies in collection.
Box 10, Folder 7
The Great Bicycle Race
November 19, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
join a cycling club. Note: two 16mm copies in collection.
Box 10, Folder 8
The Great Bicycle Race
November 19, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
join a cycling club. Note: two 16mm copies in collection.
Box 10, Folder 9
The Great Bicycle Race
November 19, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
join a cycling club. Note: two 16mm copies in collection.
Box 10, Folder 10
I'd Tell You I Love You, But We're Not Speaking
February 4, 1968
Scope and Contents
Written by Robert Daniel and Mark Howard; Directed by Desi Arnaz; Guest star Brooks West. The kids use a group therapy session
to get their parents to speak to each other again.
Box 10, Folder 11
I'd Tell You I Love You, But We're Not Speaking
February 4, 1968
Scope and Contents
Written by Robert Daniel and Mark Howard; Directed by Desi Arnaz; Guest star Brooks West. The kids use a group therapy session
to get their parents to speak to each other again.
Box 10, Folder 12
I'd Tell You I Love You, But We're Not Speaking
February 4, 1968
Scope and Contents
Written by Robert Daniel and Mark Howard; Directed by Desi Arnaz; Guest star Brooks West. The kids use a group therapy session
to get their parents to speak to each other again.
Box 10, Folder 13
I'd Tell You I Love You, But We're Not Speaking
February 4, 1968
Scope and Contents
Written by Robert Daniel and Mark Howard; Directed by Desi Arnaz; Guest star Brooks West. The kids use a group therapy session
to get their parents to speak to each other again.
Box 11, Folder 1
How Do You Moonlight A Meatball?
November 5, 1967
Scope and Contents
Written by Fred S. Fox and Seamon Jacobs; Directed by Desi Arnaz; Guest star Percy Helton. Eve helps Kaye sell her famous
spaghetti and meatballs on the college campus to help pay off Suzie's ring.
Box 11, Folder 2
How Do You Moonlight A Meatball?
November 5, 1967
Scope and Contents
Written by Fred S. Fox and Seamon Jacobs; Directed by Desi Arnaz; Guest star Percy Helton. Eve helps Kaye sell her famous
spaghetti and meatballs on the college campus to help pay off Suzie's ring.
Box 11, Folder 3
How Do You Moonlight A Meatball?
November 5, 1967
Scope and Contents
Written by Fred S. Fox and Seamon Jacobs; Directed by Desi Arnaz; Guest star Percy Helton. Eve helps Kaye sell her famous
spaghetti and meatballs on the college campus to help pay off Suzie's ring.
Box 11, Folder 4
How Do You Moonlight A Meatball?
November 5, 1967
Scope and Contents
Written by Fred S. Fox and Seamon Jacobs; Directed by Desi Arnaz; Guest star Percy Helton. Eve helps Kaye sell her famous
spaghetti and meatballs on the college campus to help pay off Suzie's ring.
Box 11, Folder 5
How Do You Moonlight A Meatball?
November 5, 1967
Scope and Contents
Written by Fred S. Fox and Seamon Jacobs; Directed by Desi Arnaz; Guest star Percy Helton. Eve helps Kaye sell her famous
spaghetti and meatballs on the college campus to help pay off Suzie's ring.
Box 11, Folder 6
I Thought He'd Never Leave
November 12, 1967
Scope and Contents
Written by Sydney Zelinka and Ronald Axe; Directed by Elliot Lewis; Guest star Larry Storch. A fugitive bank robber hides
out at the Hubbard's home.
Box 11, Folder 7
I Thought He'd Never Leave
November 12, 1967
Scope and Contents
Written by Sydney Zelinka and Ronald Axe; Directed by Elliot Lewis; Guest star Larry Storch. A fugitive bank robber hides
out at the Hubbard's home.
Box 11, Folder 8
I Thought He'd Never Leave
November 12, 1967
Scope and Contents
Written by Sydney Zelinka and Ronald Axe; Directed by Elliot Lewis; Guest star Larry Storch. A fugitive bank robber hides
out at the Hubbard's home.
Box 11, Folder 9
I Thought He'd Never Leave
November 12, 1967
Scope and Contents
Written by Sydney Zelinka and Ronald Axe; Directed by Elliot Lewis; Guest star Larry Storch. A fugitive bank robber hides
out at the Hubbard's home.
Box 11, Folder 10
I Thought He'd Never Leave
November 12, 1967
Scope and Contents
Written by Sydney Zelinka and Ronald Axe; Directed by Elliot Lewis; Guest star Larry Storch. A fugitive bank robber hides
out at the Hubbard's home.
Box 11, Folder 11
You Challenge Me To A What?
December 17, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). Roger and Herb have a fight,
which leads to Roger challenging Herb to a duel.
Box 11, Folder 12
You Challenge Me To A What?
December 17, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). Roger and Herb have a fight,
which leads to Roger challenging Herb to a duel.
Box 11, Folder 13
You Challenge Me To A What?
December 17, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). Roger and Herb have a fight,
which leads to Roger challenging Herb to a duel.
Box 11, Folder 14
You Challenge Me To A What?
December 17, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). Roger and Herb have a fight,
which leads to Roger challenging Herb to a duel.
Box 11, Folder 15
You Challenge Me To A What?
December 17, 1967
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). Roger and Herb have a fight,
which leads to Roger challenging Herb to a duel.
Box 12, Folder 1
Through The Lurking Glass
November 26, 1967
Scope and Contents
Written by Howard Ostroff; Directed by Desi Arnaz; Guest stars Jay Novello, Stafford Repp, Alan Reed Sr. When Roger is arrested,
the whole family arrives in costumes to rescue him.
Box 12, Folder 2
Through The Lurking Glass
November 26, 1967
Scope and Contents
Written by Howard Ostroff; Directed by Desi Arnaz; Guest stars Jay Novello, Stafford Repp, Alan Reed Sr. When Roger is arrested,
the whole family arrives in costumes to rescue him.
Box 12, Folder 3
Through The Lurking Glass
November 26, 1967
Scope and Contents
Written by Howard Ostroff; Directed by Desi Arnaz; Guest stars Jay Novello, Stafford Repp, Alan Reed Sr. When Roger is arrested,
the whole family arrives in costumes to rescue him.
Box 12, Folder 4
Through The Lurking Glass
November 26, 1967
Scope and Contents
Written by Howard Ostroff; Directed by Desi Arnaz; Guest stars Jay Novello, Stafford Repp, Alan Reed Sr. When Roger is arrested,
the whole family arrives in costumes to rescue him.
Box 12, Folder 5
Divorce-Mother-In-Law Style
December 3, 1967
Scope and Contents
Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The kids create a fake divorce
to teach their mothers a lesson.
Box 12, Folder 6
Divorce-Mother-In-Law Style
December 3, 1967
Scope and Contents
Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The kids create a fake divorce
to teach their mothers a lesson.
Box 12, Folder 7
Divorce-Mother-In-Law Style
December 3, 1967
Scope and Contents
Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The kids create a fake divorce
to teach their mothers a lesson.
Box 12, Folder 8
Divorce-Mother-In-Law Style
December 3, 1967
Scope and Contents
Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The kids create a fake divorce
to teach their mothers a lesson.
Box 12, Folder 9
Divorce-Mother-In-Law Style
December 3, 1967
Scope and Contents
Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The kids create a fake divorce
to teach their mothers a lesson.
Box 12, Folder 10
The Not Cold Enough War
December 10, 1967
Scope and Contents
Written by William O'Hallaren; Directed by Desi Arnaz; Guest stars Herb Edelman, Bob Watson. Eve gives Kaye an old refrigerator
but when it breaks down Kaye gets mad.
Box 12, Folder 11
The Not Cold Enough War
December 10, 1967
Scope and Contents
Written by William O'Hallaren; Directed by Desi Arnaz; Guest stars Herb Edelman, Bob Watson. Eve gives Kaye an old refrigerator
but when it breaks down Kaye gets mad.
Box 12, Folder 12
The Not Cold Enough War
December 10, 1967
Scope and Contents
Written by William O'Hallaren; Directed by Desi Arnaz; Guest stars Herb Edelman, Bob Watson. Eve gives Kaye an old refrigerator
but when it breaks down Kaye gets mad.
Box 12, Folder 13
The Not Cold Enough War
December 10, 1967
Scope and Contents
Written by William O'Hallaren; Directed by Desi Arnaz; Guest stars Herb Edelman, Bob Watson. Eve gives Kaye an old refrigerator
but when it breaks down Kaye gets mad.
Box 12, Folder 14
The Not Cold Enough War
December 10, 1967
Scope and Contents
Written by William O'Hallaren; Directed by Desi Arnaz; Guest stars Herb Edelman, Bob Watson. Eve gives Kaye an old refrigerator
but when it breaks down Kaye gets mad.
Box 13, Folder 1
Everybody Wants To Be A Writer
December 31, 1967
Scope and Contents
Written by William O'Hallaren; Directed by Desi Arnaz & Elliot Lewis; Guest star Peter Whitney. Eve and Kaye try to write
a TV script but it turns our they stole it from another writer.
Box 13, Folder 2
Everybody Wants To Be A Writer
December 31, 1967
Scope and Contents
Written by William O'Hallaren; Directed by Desi Arnaz & Elliot Lewis; Guest star Peter Whitney. Eve and Kaye try to write
a TV script but it turns our they stole it from another writer.
Box 13, Folder 3
Everybody Wants To Be A Writer
December 31, 1967
Scope and Contents
Written by William O'Hallaren; Directed by Desi Arnaz & Elliot Lewis; Guest star Peter Whitney. Eve and Kaye try to write
a TV script but it turns our they stole it from another writer.
Box 13, Folder 4
Everybody Wants To Be A Writer
December 31, 1967
Scope and Contents
Written by William O'Hallaren; Directed by Desi Arnaz & Elliot Lewis; Guest star Peter Whitney. Eve and Kaye try to write
a TV script but it turns our they stole it from another writer.
Box 13, Folder 5
Everybody Wants To Be A Writer
December 31, 1967
Scope and Contents
Written by William O'Hallaren; Directed by Desi Arnaz & Elliot Lewis; Guest star Peter Whitney. Eve and Kaye try to write
a TV script but it turns our they stole it from another writer.
Box 13, Folder 6
Don't Give Up The Sloop
January 28, 1968
Scope and Contents
Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
fight over who owns the boat they won on a game show.
Box 13, Folder 7
Don't Give Up The Sloop
January 28, 1968
Scope and Contents
Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
fight over who owns the boat they won on a game show.
Box 13, Folder 8
Don't Give Up The Sloop
January 28, 1968
Scope and Contents
Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
fight over who owns the boat they won on a game show.
Box 13, Folder 9
Don't Give Up The Sloop
January 28, 1968
Scope and Contents
Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
fight over who owns the boat they won on a game show.
Box 13, Folder 10
Don't Give Up The Sloop
January 28, 1968
Scope and Contents
Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
fight over who owns the boat they won on a game show.
Box 14, Folder 1
The Hombre Who Came To Dinner
January 14, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; directed by Elliot Lewis & Desi Arnaz; Guest stars Desi Arnaz, Miguel Landa.
The Hubbards get an unexpected visit from their friend Raphael Del Gado, the bullfighter, who plans to stay for a while.
Box 14, Folder 2
The Hombre Who Came To Dinner
January 14, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; directed by Elliot Lewis & Desi Arnaz; Guest stars Desi Arnaz, Miguel Landa.
The Hubbards get an unexpected visit from their friend Raphael Del Gado, the bullfighter, who plans to stay for a while.
Box 14, Folder 3
The Hombre Who Came To Dinner
January 14, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; directed by Elliot Lewis & Desi Arnaz; Guest stars Desi Arnaz, Miguel Landa.
The Hubbards get an unexpected visit from their friend Raphael Del Gado, the bullfighter, who plans to stay for a while.
Box 14, Folder 4
The Hombre Who Came To Dinner
January 14, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; directed by Elliot Lewis & Desi Arnaz; Guest stars Desi Arnaz, Miguel Landa.
The Hubbards get an unexpected visit from their friend Raphael Del Gado, the bullfighter, who plans to stay for a while.
Box 14, Folder 5
The Hombre Who Came To Dinner pt. 2
January 21, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis & Desi Arnaz; Guest stars Desi Arnaz, Desi Arnaz,
Jr. The Hubbards and Buells go to Mexico to appear on a variety show hosted by their friend, Raphael Del Gado, the bullfighter.
Box 14, Folder 6
The Hombre Who Came To Dinner pt. 2
January 21, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis & Desi Arnaz; Guest stars Desi Arnaz, Desi Arnaz,
Jr. The Hubbards and Buells go to Mexico to appear on a variety show hosted by their friend, Raphael Del Gado, the bullfighter.
Box 14, Folder 7
The Hombre Who Came To Dinner pt. 2
January 21, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis & Desi Arnaz; Guest stars Desi Arnaz, Desi Arnaz,
Jr. The Hubbards and Buells go to Mexico to appear on a variety show hosted by their friend, Raphael Del Gado, the bullfighter.
Box 14, Folder 8
The Hombre Who Came To Dinner pt. 2
January 21, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis & Desi Arnaz; Guest stars Desi Arnaz, Desi Arnaz,
Jr. The Hubbards and Buells go to Mexico to appear on a variety show hosted by their friend, Raphael Del Gado, the bullfighter.
Box 14, Folder 9
The Kids Move Out
January 7, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The kids decide to move
out when their mothers' interference in their lives becomes too much for them to endure anymore.
Box 14, Folder 10
The Kids Move Out
January 7, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The kids decide to move
out when their mothers' interference in their lives becomes too much for them to endure anymore.
Box 14, Folder 11
The Kids Move Out
January 7, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The kids decide to move
out when their mothers' interference in their lives becomes too much for them to endure anymore.
Box 14, Folder 12
The Kids Move Out
January 7, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The kids decide to move
out when their mothers' interference in their lives becomes too much for them to endure anymore.
Box 14, Folder 13
Herb's Little Helpers
February 11, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Jerome Cowan. Eve becomes Herb's secretary
when his regular calls in sick.
Box 14, Folder 14
Herb's Little Helpers
February 11, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Jerome Cowan. Eve becomes Herb's secretary
when his regular calls in sick.
Box 14, Folder 15
Herb's Little Helpers
February 11, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Jerome Cowan. Eve becomes Herb's secretary
when his regular calls in sick.
Box 14, Folder 16
Herb's Little Helpers
February 11, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Jerome Cowan. Eve becomes Herb's secretary
when his regular calls in sick.
Box 15, Folder 1
Bye, Bye Blackmailer
February 25, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). Eve uses Herb's reserve
money to pay back the loan he gave to Roger, without telling Herb he is being repaid with is own money.
Box 15, Folder 2
Bye, Bye Blackmailer
February 25, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). Eve uses Herb's reserve
money to pay back the loan he gave to Roger, without telling Herb he is being repaid with is own money.
Box 15, Folder 3
Bye, Bye Blackmailer
February 25, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). Eve uses Herb's reserve
money to pay back the loan he gave to Roger, without telling Herb he is being repaid with is own money.
Box 15, Folder 4
Bye, Bye Blackmailer
February 25, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). Eve uses Herb's reserve
money to pay back the loan he gave to Roger, without telling Herb he is being repaid with is own money.
Box 15, Folder 5
It's Only Money
March 10, 1968
Scope and Contents
Written by Sidney Zelinka; directed by Elliot Lewis; Guest stars Benny Rubin, Romo Vincent. Herb plans to get even with Roger
when he makes him pay half the bill at a restaurant despite the fact that Roger and Kaye ordered the more expensive dinners.
Box 15, Folder 6
It's Only Money
March 10, 1968
Scope and Contents
Written by Sidney Zelinka; directed by Elliot Lewis; Guest stars Benny Rubin, Romo Vincent. Herb plans to get even with Roger
when he makes him pay half the bill at a restaurant despite the fact that Roger and Kaye ordered the more expensive dinners.
Box 15, Folder 7
It's Only Money
March 10, 1968
Scope and Contents
Written by Sidney Zelinka; directed by Elliot Lewis; Guest stars Benny Rubin, Romo Vincent. Herb plans to get even with Roger
when he makes him pay half the bill at a restaurant despite the fact that Roger and Kaye ordered the more expensive dinners.
Box 15, Folder 8
It's Only Money
March 10, 1968
Scope and Contents
Written by Sidney Zelinka; directed by Elliot Lewis; Guest stars Benny Rubin, Romo Vincent. Herb plans to get even with Roger
when he makes him pay half the bill at a restaurant despite the fact that Roger and Kaye ordered the more expensive dinners.
Box 15, Folder 9
I Haven't Got A Secret
March 17, 1968
Scope and Contents
Written by Peggy Chandler Dick; Directed by Desi Arnaz; Guest stars (none listed). Roger tells Kaye not to tell anyone that
his scripts are being considered for a TV series, but Kaye doesn't know how to keep a secret.
Box 15, Folder 10
I Haven't Got A Secret
March 17, 1968
Scope and Contents
Written by Peggy Chandler Dick; Directed by Desi Arnaz; Guest stars (none listed). Roger tells Kaye not to tell anyone that
his scripts are being considered for a TV series, but Kaye doesn't know how to keep a secret.
Box 15, Folder 11
I Haven't Got A Secret
March 17, 1968
Scope and Contents
Written by Peggy Chandler Dick; Directed by Desi Arnaz; Guest stars (none listed). Roger tells Kaye not to tell anyone that
his scripts are being considered for a TV series, but Kaye doesn't know how to keep a secret.
Box 15, Folder 12
I Haven't Got A Secret
March 17, 1968
Scope and Contents
Written by Peggy Chandler Dick; Directed by Desi Arnaz; Guest stars (none listed). Roger tells Kaye not to tell anyone that
his scripts are being considered for a TV series, but Kaye doesn't know how to keep a secret.
Box 15, Folder 13
Jerry's Night Out With The Boys
March 24, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz and Elliot Lewis; Guest star Jim Begg. When Jerry wants
to go play poker and Suzie won't let him, their parents start taking sides in the fight.
Box 15, Folder 14
Jerry's Night Out With The Boys
March 24, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz and Elliot Lewis; Guest star Jim Begg. When Jerry wants
to go play poker and Suzie won't let him, their parents start taking sides in the fight.
Box 15, Folder 15
Jerry's Night Out With The Boys
March 24, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz and Elliot Lewis; Guest star Jim Begg. When Jerry wants
to go play poker and Suzie won't let him, their parents start taking sides in the fight.
Box 15, Folder 16
Jerry's Night Out With The Boys
March 24, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz and Elliot Lewis; Guest star Jim Begg. When Jerry wants
to go play poker and Suzie won't let him, their parents start taking sides in the fight.
Box 15, Folder 17
Jerry's Night Out With The Boys
March 24, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz and Elliot Lewis; Guest star Jim Begg. When Jerry wants
to go play poker and Suzie won't let him, their parents start taking sides in the fight.
Box 16, Folder 1
The Long, Long Weekend
March 31, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Paul Napier. The Hubbard and Buells become
trapped in their mountain cabin when a snowstorm hits.
Box 16, Folder 2
The Long, Long Weekend
March 31, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Paul Napier. The Hubbard and Buells become
trapped in their mountain cabin when a snowstorm hits.
Box 16, Folder 3
The Long, Long Weekend
March 31, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Paul Napier. The Hubbard and Buells become
trapped in their mountain cabin when a snowstorm hits.
Box 16, Folder 4
The Long, Long Weekend
March 31, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Paul Napier. The Hubbard and Buells become
trapped in their mountain cabin when a snowstorm hits.
Box 16, Folder 5
Jealousy Makes The Heart Grow Fonder
April 1, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Beverly Garland. Eve becomes jealous when
one of Herb's old girlfriends comes for a visit.
Box 16, Folder 6
Jealousy Makes The Heart Grow Fonder
April 1, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Beverly Garland. Eve becomes jealous when
one of Herb's old girlfriends comes for a visit.
Box 16, Folder 7
Jealousy Makes The Heart Grow Fonder
April 1, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Beverly Garland. Eve becomes jealous when
one of Herb's old girlfriends comes for a visit.
Box 16, Folder 8
Jealousy Makes The Heart Grow Fonder
April 1, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Beverly Garland. Eve becomes jealous when
one of Herb's old girlfriends comes for a visit.
Box 16, Folder 9
How Not To Manage A Rock Group
April 28, 1968
Scope and Contents
Written by Don Nelson; Directed by Desi Arnaz; Guest stars Joe Besser, John Myhers, The Seeds. The Hubbards and Buells invest
in New York rock group called The Warts.
Box 16, Folder 10
How Not To Manage A Rock Group
April 28, 1968
Scope and Contents
Written by Don Nelson; Directed by Desi Arnaz; Guest stars Joe Besser, John Myhers, The Seeds. The Hubbards and Buells invest
in New York rock group called The Warts.
Box 16, Folder 11
How Not To Manage A Rock Group
April 28, 1968
Scope and Contents
Written by Don Nelson; Directed by Desi Arnaz; Guest stars Joe Besser, John Myhers, The Seeds. The Hubbards and Buells invest
in New York rock group called The Warts.
Box 16, Folder 12
How Not To Manage A Rock Group
April 28, 1968
Scope and Contents
Written by Don Nelson; Directed by Desi Arnaz; Guest stars Joe Besser, John Myhers, The Seeds. The Hubbards and Buells invest
in New York rock group called The Warts.
Box 16, Folder 13
Here Comes The Bride, Again
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars William Lanteau, Jeanette Nolan. The kids
agree to hold a second wedding ceremony for Kaye's mother visiting from Italy.
Box 16, Folder 14
Here Comes The Bride, Again
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars William Lanteau, Jeanette Nolan. The kids
agree to hold a second wedding ceremony for Kaye's mother visiting from Italy.
Box 16, Folder 15
Here Comes The Bride, Again
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars William Lanteau, Jeanette Nolan. The kids
agree to hold a second wedding ceremony for Kaye's mother visiting from Italy.
Box 16, Folder 16
Here Comes The Bride, Again
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars William Lanteau, Jeanette Nolan. The kids
agree to hold a second wedding ceremony for Kaye's mother visiting from Italy.
Box 16, Folder 17
Season Two: The First Anniversary Is The Hardest
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Joe Besser, Stafford Repp. Suzie gives
away Jerry's jacket unaware that their parents hid money in it as a surprise gift for him.
Box 16, Folder 18
Season Two: The First Anniversary Is The Hardest
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Joe Besser, Stafford Repp. Suzie gives
away Jerry's jacket unaware that their parents hid money in it as a surprise gift for him.
Box 16, Folder 19
Season Two: The First Anniversary Is The Hardest
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Joe Besser, Stafford Repp. Suzie gives
away Jerry's jacket unaware that their parents hid money in it as a surprise gift for him.
Box 16, Folder 20
Season Two: The First Anniversary Is The Hardest
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Joe Besser, Stafford Repp. Suzie gives
away Jerry's jacket unaware that their parents hid money in it as a surprise gift for him.
Box 17, Folder 1
Didn't You Used To Be Ossie Snick?
Scope and Contents
Written by Fred S. Fox and Seamon Jacobs; Directed by Desi Arnaz; Guest star Ozzie Nelson. Kaye's former boyfriend band leader
comes for a visit.
Box 17, Folder 2
Didn't You Used To Be Ossie Snick?
Scope and Contents
Written by Fred S. Fox and Seamon Jacobs; Directed by Desi Arnaz; Guest star Ozzie Nelson. Kaye's former boyfriend band leader
comes for a visit.
Box 17, Folder 3
Didn't You Used To Be Ossie Snick?
Scope and Contents
Written by Fred S. Fox and Seamon Jacobs; Directed by Desi Arnaz; Guest star Ozzie Nelson. Kaye's former boyfriend band leader
comes for a visit.
Box 17, Folder 4
Didn't You Used To Be Ossie Snick?
Scope and Contents
Written by Fred S. Fox and Seamon Jacobs; Directed by Desi Arnaz; Guest star Ozzie Nelson. Kaye's former boyfriend band leader
comes for a visit.
Box 17, Folder 5
Didn't You Used To Be Ossie Snick?
Scope and Contents
Written by Fred S. Fox and Seamon Jacobs; Directed by Desi Arnaz; Guest star Ozzie Nelson. Kaye's former boyfriend band leader
comes for a visit.
Box 17, Folder 6
Love Thy Neighbor, If You Can Get Him To Move
Scope and Contents
Written by Fred S. Fox and Seamon Jacobs; Directed by Elliot Lewis; Guest stars (none listed). Flashbacks show the Hubbards
and Buells when they first met as neighbors.
Box 17, Folder 7
Love Thy Neighbor, If You Can Get Him To Move
Scope and Contents
Written by Fred S. Fox and Seamon Jacobs; Directed by Elliot Lewis; Guest stars (none listed). Flashbacks show the Hubbards
and Buells when they first met as neighbors.
Box 17, Folder 8
Love Thy Neighbor, If You Can Get Him To Move
Scope and Contents
Written by Fred S. Fox and Seamon Jacobs; Directed by Elliot Lewis; Guest stars (none listed). Flashbacks show the Hubbards
and Buells when they first met as neighbors.
Box 17, Folder 9
Love Thy Neighbor, If You Can Get Him To Move
Scope and Contents
Written by Fred S. Fox and Seamon Jacobs; Directed by Elliot Lewis; Guest stars (none listed). Flashbacks show the Hubbards
and Buells when they first met as neighbors.
Box 17, Folder 10
A Little Prenancy Goes A Long Way
October 20, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Shirley Mitchell, Harry Hickox. Kaye
and Eve think Roger and Herb are going to take them on a cruise to Hawaii.
Box 17, Folder 11
A Little Prenancy Goes A Long Way
October 20, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Shirley Mitchell, Harry Hickox. Kaye
and Eve think Roger and Herb are going to take them on a cruise to Hawaii.
Box 17, Folder 12
A Little Prenancy Goes A Long Way
October 20, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Shirley Mitchell, Harry Hickox. Kaye
and Eve think Roger and Herb are going to take them on a cruise to Hawaii.
Box 17, Folder 13
A Little Prenancy Goes A Long Way
October 20, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Shirley Mitchell, Harry Hickox. Kaye
and Eve think Roger and Herb are going to take them on a cruise to Hawaii.
Box 17, Folder 14
I Didn't Raise Myself To Be A Grandmother
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Bruce Kirby. Eve and Kaye decide they
haven't done very much and set out to improve with their lives.
Box 17, Folder 15
I Didn't Raise Myself To Be A Grandmother
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Bruce Kirby. Eve and Kaye decide they
haven't done very much and set out to improve with their lives.
Box 17, Folder 16
I Didn't Raise Myself To Be A Grandmother
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Bruce Kirby. Eve and Kaye decide they
haven't done very much and set out to improve with their lives.
Box 17, Folder 17
I Didn't Raise Myself To Be A Grandmother
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Bruce Kirby. Eve and Kaye decide they
haven't done very much and set out to improve with their lives.
Box 18, Folder 1
The Match Game
September 22, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Paul Lynde. The Hubbards and Buells plan
to help Jerry keep his job at a computer dating service.
Box 18, Folder 2
The Match Game
September 22, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Paul Lynde. The Hubbards and Buells plan
to help Jerry keep his job at a computer dating service.
Box 18, Folder 3
The Match Game
September 22, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Paul Lynde. The Hubbards and Buells plan
to help Jerry keep his job at a computer dating service.
Box 18, Folder 4
The Match Game
September 22, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Paul Lynde. The Hubbards and Buells plan
to help Jerry keep his job at a computer dating service.
Box 18, Folder 5
Even Mothers-In-Law Have Mothers-In-Law
October 20, 1968
Scope and Contents
Written by Fred S. Fox and Seamon Jacobs; Directed by Elliot Lewis; Guest stars Doris Packer, Barbara Morrison. Herb and Roger's
mothers pay a visit.
Box 18, Folder 6
Even Mothers-In-Law Have Mothers-In-Law
October 20, 1968
Scope and Contents
Written by Fred S. Fox and Seamon Jacobs; Directed by Elliot Lewis; Guest stars Doris Packer, Barbara Morrison. Herb and Roger's
mothers pay a visit.
Box 18, Folder 7
Even Mothers-In-Law Have Mothers-In-Law
October 20, 1968
Scope and Contents
Written by Fred S. Fox and Seamon Jacobs; Directed by Elliot Lewis; Guest stars Doris Packer, Barbara Morrison. Herb and Roger's
mothers pay a visit.
Box 18, Folder 8
Even Mothers-In-Law Have Mothers-In-Law
October 20, 1968
Scope and Contents
Written by Fred S. Fox and Seamon Jacobs; Directed by Elliot Lewis; Guest stars Doris Packer, Barbara Morrison. Herb and Roger's
mothers pay a visit.
Box 18, Folder 9
The Matador Makes A Movie
October 27, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Desi Arnaz (as Raphael Del Gado) Desi Arnaz,
Jr., John Myhers, Joseph Mell. When Raphael Del Gado, the bullfighter, arrives in town to make a movie, the Hubbards and Buells
invite him to a dinner party, which soon becomes a talent show as the hosts try to get parts in his film.
Box 18, Folder 10
The Matador Makes A Movie
October 27, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Desi Arnaz (as Raphael Del Gado) Desi Arnaz,
Jr., John Myhers, Joseph Mell. When Raphael Del Gado, the bullfighter, arrives in town to make a movie, the Hubbards and Buells
invite him to a dinner party, which soon becomes a talent show as the hosts try to get parts in his film.
Box 18, Folder 11
The Matador Makes A Movie
October 27, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Desi Arnaz (as Raphael Del Gado) Desi Arnaz,
Jr., John Myhers, Joseph Mell. When Raphael Del Gado, the bullfighter, arrives in town to make a movie, the Hubbards and Buells
invite him to a dinner party, which soon becomes a talent show as the hosts try to get parts in his film.
Box 18, Folder 12
The Matador Makes A Movie
October 27, 1968
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Desi Arnaz (as Raphael Del Gado) Desi Arnaz,
Jr., John Myhers, Joseph Mell. When Raphael Del Gado, the bullfighter, arrives in town to make a movie, the Hubbards and Buells
invite him to a dinner party, which soon becomes a talent show as the hosts try to get parts in his film.
Box 18, Folder 13
Nome, Schnome, I'd Rather Have It At Home
December 8, 1968
Scope and Contents
Written by Henry Garson; Directed by Desi Arnaz; Guest star (none listed). Jerry and Suzie announce that they are moving to
Alaska.
Box 18, Folder 14
Nome, Schnome, I'd Rather Have It At Home
December 8, 1968
Scope and Contents
Written by Henry Garson; Directed by Desi Arnaz; Guest star (none listed). Jerry and Suzie announce that they are moving to
Alaska.
Box 18, Folder 15
Nome, Schnome, I'd Rather Have It At Home
December 8, 1968
Scope and Contents
Written by Henry Garson; Directed by Desi Arnaz; Guest star (none listed). Jerry and Suzie announce that they are moving to
Alaska.
Box 18, Folder 16
Nome, Schnome, I'd Rather Have It At Home
December 8, 1968
Scope and Contents
Written by Henry Garson; Directed by Desi Arnaz; Guest star (none listed). Jerry and Suzie announce that they are moving to
Alaska.
Box 18, Folder 17
Nome, Schnome, I'd Rather Have It At Home
December 8, 1968
Scope and Contents
Written by Henry Garson; Directed by Desi Arnaz; Guest star (none listed). Jerry and Suzie announce that they are moving to
Alaska.
Box 19, Folder 1
The Birth Of Everything But The Blues
December 1, 1968
Scope and Contents
Written by Elaine Di Bello Bradish; Directed by Elliot Lewis; Guest stars Herb Voland, Del Moore, Frank Inn, Mel Blanc as
Voice of The Mynah Bird. Suzie becomes an animal babysitter to earn some extra money.
Box 19, Folder 2
The Birth Of Everything But The Blues
December 1, 1968
Scope and Contents
Written by Elaine Di Bello Bradish; Directed by Elliot Lewis; Guest stars Herb Voland, Del Moore, Frank Inn, Mel Blanc as
Voice of The Mynah Bird. Suzie becomes an animal babysitter to earn some extra money.
Box 19, Folder 3
The Birth Of Everything But The Blues
December 1, 1968
Scope and Contents
Written by Elaine Di Bello Bradish; Directed by Elliot Lewis; Guest stars Herb Voland, Del Moore, Frank Inn, Mel Blanc as
Voice of The Mynah Bird. Suzie becomes an animal babysitter to earn some extra money.
Box 19, Folder 4
The Birth Of Everything But The Blues
December 1, 1968
Scope and Contents
Written by Elaine Di Bello Bradish; Directed by Elliot Lewis; Guest stars Herb Voland, Del Moore, Frank Inn, Mel Blanc as
Voice of The Mynah Bird. Suzie becomes an animal babysitter to earn some extra money.
Box 19, Folder 5
The Birth Of Everything But The Blues
December 1, 1968
Scope and Contents
Written by Elaine Di Bello Bradish; Directed by Elliot Lewis; Guest stars Herb Voland, Del Moore, Frank Inn, Mel Blanc as
Voice of The Mynah Bird. Suzie becomes an animal babysitter to earn some extra money.
Box 19, Folder 6
It's A Dogs Life
November 10, 1968
Scope and Contents
Written by Robert Fisher and Arthur Marx; Director by Elliot Lewis; Guest Star John Byner (as animal inspector). Kaye and
Eve both give the kids a puppy as a present. To keep the peace, Suzie and Jerry frantically juggle gifts, separately purchased
by their mothers - a basset hound and a Yorkshire terrier.
Box 19, Folder 7
It's A Dogs Life
November 10, 1968
Scope and Contents
Written by Robert Fisher and Arthur Marx; Director by Elliot Lewis; Guest Star John Byner (as animal inspector). Kaye and
Eve both give the kids a puppy as a present. To keep the peace, Suzie and Jerry frantically juggle gifts, separately purchased
by their mothers - a basset hound and a Yorkshire terrier.
Box 19, Folder 8
It's A Dogs Life
November 10, 1968
Scope and Contents
Written by Robert Fisher and Arthur Marx; Director by Elliot Lewis; Guest Star John Byner (as animal inspector). Kaye and
Eve both give the kids a puppy as a present. To keep the peace, Suzie and Jerry frantically juggle gifts, separately purchased
by their mothers - a basset hound and a Yorkshire terrier.
Box 19, Folder 9
It's A Dogs Life
November 10, 1968
Scope and Contents
Written by Robert Fisher and Arthur Marx; Director by Elliot Lewis; Guest Star John Byner (as animal inspector). Kaye and
Eve both give the kids a puppy as a present. To keep the peace, Suzie and Jerry frantically juggle gifts, separately purchased
by their mothers - a basset hound and a Yorkshire terrier.
Box 19, Folder 10
It's A Dogs Life
November 10, 1968
Scope and Contents
Written by Robert Fisher and Arthur Marx; Director by Elliot Lewis; Guest Star John Byner (as animal inspector). Kaye and
Eve both give the kids a puppy as a present. To keep the peace, Suzie and Jerry frantically juggle gifts, separately purchased
by their mothers - a basset hound and a Yorkshire terrier.
Box 19, Folder 11
Hail, Hail, The Gang's Still Here
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Shirley Mitchell, Harry Hickox. Eve and
Herb hide under the bed so they won't be bothered by Kaye and Roger.
Box 19, Folder 12
Hail, Hail, The Gang's Still Here
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Shirley Mitchell, Harry Hickox. Eve and
Herb hide under the bed so they won't be bothered by Kaye and Roger.
Box 19, Folder 13
Hail, Hail, The Gang's Still Here
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Shirley Mitchell, Harry Hickox. Eve and
Herb hide under the bed so they won't be bothered by Kaye and Roger.
Box 19, Folder 14
Hail, Hail, The Gang's Still Here
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Shirley Mitchell, Harry Hickox. Eve and
Herb hide under the bed so they won't be bothered by Kaye and Roger.
Box 19, Folder 15
Hail, Hail, The Gang's Still Here
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Shirley Mitchell, Harry Hickox. Eve and
Herb hide under the bed so they won't be bothered by Kaye and Roger.
Box 20, Folder 1
Make Room For Baby
January 5, 1969
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and Buells
decide to add another room to the kid's apartment and to save money by doing it themselves.
Box 20, Folder 2
Make Room For Baby
January 5, 1969
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and Buells
decide to add another room to the kid's apartment and to save money by doing it themselves.
Box 20, Folder 3
Make Room For Baby
January 5, 1969
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and Buells
decide to add another room to the kid's apartment and to save money by doing it themselves.
Box 20, Folder 4
Make Room For Baby
January 5, 1969
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and Buells
decide to add another room to the kid's apartment and to save money by doing it themselves.
Box 20, Folder 5
Haven't You Had That Baby Yet?
January 12, 1969
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Herb Voland. Vonda Barra Kaye and Eve
lose Suzie on the way to the hospital.
Box 20, Folder 6
Haven't You Had That Baby Yet?
January 12, 1969
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Herb Voland. Vonda Barra Kaye and Eve
lose Suzie on the way to the hospital.
Box 20, Folder 7
Haven't You Had That Baby Yet?
January 12, 1969
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Herb Voland. Vonda Barra Kaye and Eve
lose Suzie on the way to the hospital.
Box 20, Folder 8
Haven't You Had That Baby Yet?
January 12, 1969
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Herb Voland. Vonda Barra Kaye and Eve
lose Suzie on the way to the hospital.
Box 20, Folder 9
And Baby Makes Four
January 19, 1969
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Alice Ghostley, Avery Schreiber. Suzie
gives birth to twins, causing fights between the families about their names.
Box 20, Folder 10
And Baby Makes Four
January 19, 1969
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Alice Ghostley, Avery Schreiber. Suzie
gives birth to twins, causing fights between the families about their names.
Box 20, Folder 11
And Baby Makes Four
January 19, 1969
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Alice Ghostley, Avery Schreiber. Suzie
gives birth to twins, causing fights between the families about their names.
Box 20, Folder 12
And Baby Makes Four
January 19, 1969
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Alice Ghostley, Avery Schreiber. Suzie
gives birth to twins, causing fights between the families about their names.
Box 20, Folder 13
Nanny Go Home
January 26, 1969
Scope and Contents
Written by Elaine Di Bello Bradish; Directed by Elliot Lewis; Guest stars Jeanette Nolan, Jerry Hausner. Eve and Kaye try
to get rid of the nanny hired to watch the babies when she refuses to let them visit when they want to.
Box 20, Folder 14
Nanny Go Home
January 26, 1969
Scope and Contents
Written by Elaine Di Bello Bradish; Directed by Elliot Lewis; Guest stars Jeanette Nolan, Jerry Hausner. Eve and Kaye try
to get rid of the nanny hired to watch the babies when she refuses to let them visit when they want to.
Box 20, Folder 15
Nanny Go Home
January 26, 1969
Scope and Contents
Written by Elaine Di Bello Bradish; Directed by Elliot Lewis; Guest stars Jeanette Nolan, Jerry Hausner. Eve and Kaye try
to get rid of the nanny hired to watch the babies when she refuses to let them visit when they want to.
Box 20, Folder 16
Nanny Go Home
January 26, 1969
Scope and Contents
Written by Elaine Di Bello Bradish; Directed by Elliot Lewis; Guest stars Jeanette Nolan, Jerry Hausner. Eve and Kaye try
to get rid of the nanny hired to watch the babies when she refuses to let them visit when they want to.
Box 21, Folder 1
Double Trouble In The Nursery
February 2, 1969
Scope and Contents
Written by Bruce Howard; Directed by Elliot Lewis; Guest stars (none listed). Eve and Kaye volunteer to watch the babies while
Jerry and Suzie go away for the weekend.
Box 21, Folder 2
Double Trouble In The Nursery
February 2, 1969
Scope and Contents
Written by Bruce Howard; Directed by Elliot Lewis; Guest stars (none listed). Eve and Kaye volunteer to watch the babies while
Jerry and Suzie go away for the weekend.
Box 21, Folder 3
Double Trouble In The Nursery
February 2, 1969
Scope and Contents
Written by Bruce Howard; Directed by Elliot Lewis; Guest stars (none listed). Eve and Kaye volunteer to watch the babies while
Jerry and Suzie go away for the weekend.
Box 21, Folder 4
Double Trouble In The Nursery
February 2, 1969
Scope and Contents
Written by Bruce Howard; Directed by Elliot Lewis; Guest stars (none listed). Eve and Kaye volunteer to watch the babies while
Jerry and Suzie go away for the weekend.
Box 21, Folder 5
Double Trouble In The Nursery
February 2, 1969
Scope and Contents
Written by Bruce Howard; Directed by Elliot Lewis; Guest stars (none listed). Eve and Kaye volunteer to watch the babies while
Jerry and Suzie go away for the weekend.
Box 21, Folder 6
Void Where Prohibited By In-Laws
February 9, 1969
Scope and Contents
Written by Skip Webster; Directed by Elliot Lewis; Guest stars Benny Rubin, Flip Mark. The girls try to win a cereal contest
in order to win money to send the babies to college.
Box 21, Folder 7
Void Where Prohibited By In-Laws
February 9, 1969
Scope and Contents
Written by Skip Webster; Directed by Elliot Lewis; Guest stars Benny Rubin, Flip Mark. The girls try to win a cereal contest
in order to win money to send the babies to college.
Box 21, Folder 8
Void Where Prohibited By In-Laws
February 9, 1969
Scope and Contents
Written by Skip Webster; Directed by Elliot Lewis; Guest stars Benny Rubin, Flip Mark. The girls try to win a cereal contest
in order to win money to send the babies to college.
Box 21, Folder 9
Void Where Prohibited By In-Laws
February 9, 1969
Scope and Contents
Written by Skip Webster; Directed by Elliot Lewis; Guest stars Benny Rubin, Flip Mark. The girls try to win a cereal contest
in order to win money to send the babies to college.
Box 21, Folder 10
Void Where Prohibited By In-Laws
February 9, 1969
Scope and Contents
Written by Skip Webster; Directed by Elliot Lewis; Guest stars Benny Rubin, Flip Mark. The girls try to win a cereal contest
in order to win money to send the babies to college.
Box 21, Folder 11
Guess Who's Coming Forever
February 23, 1969
Scope and Contents
Written by Arthur Marx and Robert Fisher; Directed by Elliot Lewis; Guest star Scooey Mitchell. Eve and Kaye rent the kids'
apartment to a black man when they move out.
Box 21, Folder 12
Guess Who's Coming Forever
February 23, 1969
Scope and Contents
Written by Arthur Marx and Robert Fisher; Directed by Elliot Lewis; Guest star Scooey Mitchell. Eve and Kaye rent the kids'
apartment to a black man when they move out.
Box 21, Folder 13
Guess Who's Coming Forever
February 23, 1969
Scope and Contents
Written by Arthur Marx and Robert Fisher; Directed by Elliot Lewis; Guest star Scooey Mitchell. Eve and Kaye rent the kids'
apartment to a black man when they move out.
Box 22, Folder 1
Every In-Law Wants To Get In On The Act
March 2, 1969
Scope and Contents
Written by Bruce Howard; Directed by Elliot Lewis; Guest stars Jimmy Durante, Herbie Fay, Del Moore. The Hubbards and Buells
decide to take Jerry's place performing at a nightclub when he comes down with the flu.
Box 22, Folder 2
Every In-Law Wants To Get In On The Act
March 2, 1969
Scope and Contents
Written by Bruce Howard; Directed by Elliot Lewis; Guest stars Jimmy Durante, Herbie Fay, Del Moore. The Hubbards and Buells
decide to take Jerry's place performing at a nightclub when he comes down with the flu.
Box 22, Folder 3
Every In-Law Wants To Get In On The Act
March 2, 1969
Scope and Contents
Written by Bruce Howard; Directed by Elliot Lewis; Guest stars Jimmy Durante, Herbie Fay, Del Moore. The Hubbards and Buells
decide to take Jerry's place performing at a nightclub when he comes down with the flu.
Box 22, Folder 4
Every In-Law Wants To Get In On The Act
March 2, 1969
Scope and Contents
Written by Bruce Howard; Directed by Elliot Lewis; Guest stars Jimmy Durante, Herbie Fay, Del Moore. The Hubbards and Buells
decide to take Jerry's place performing at a nightclub when he comes down with the flu.
Box 22, Folder 5
Two On The Aisle
March 16, 1969
Scope and Contents
Written Sidney Zelinka; Directed by Elliot Lewis; Guest stars Joe Besser, Terry Carr. The Hubbards and Buells fight over who'll
use two theater tickets they got in the mail.
Box 22, Folder 6
Two On The Aisle
March 16, 1969
Scope and Contents
Written Sidney Zelinka; Directed by Elliot Lewis; Guest stars Joe Besser, Terry Carr. The Hubbards and Buells fight over who'll
use two theater tickets they got in the mail.
Box 22, Folder 7
Two On The Aisle
March 16, 1969
Scope and Contents
Written Sidney Zelinka; Directed by Elliot Lewis; Guest stars Joe Besser, Terry Carr. The Hubbards and Buells fight over who'll
use two theater tickets they got in the mail.
Box 22, Folder 8
Two On The Aisle
March 16, 1969
Scope and Contents
Written Sidney Zelinka; Directed by Elliot Lewis; Guest stars Joe Besser, Terry Carr. The Hubbards and Buells fight over who'll
use two theater tickets they got in the mail.
Box 22, Folder 9
Take Her, He's Mine
March 23, 1969
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Joi Lansing. Kaye becomes jealous of Roger's
new secretary.
Box 22, Folder 10
Take Her, He's Mine
March 23, 1969
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Joi Lansing. Kaye becomes jealous of Roger's
new secretary.
Box 22, Folder 11
Take Her, He's Mine
March 23, 1969
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Joi Lansing. Kaye becomes jealous of Roger's
new secretary.
Box 22, Folder 12
Take Her, He's Mine
March 23, 1969
Scope and Contents
Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Joi Lansing. Kaye becomes jealous of Roger's
new secretary.
Box 22, Folder 13
Show Business Is No Business
March 30, 1969
Scope and Contents
Written by Arthur Marx and Robert Fisher; Directed by Elliot Lewis; Guest star Don Rickle. Kaye and Eve both try to be Don
Rickle's partner for the lodge benefit show.
Box 22, Folder 14
Show Business Is No Business
March 30, 1969
Scope and Contents
Written by Arthur Marx and Robert Fisher; Directed by Elliot Lewis; Guest star Don Rickle. Kaye and Eve both try to be Don
Rickle's partner for the lodge benefit show.
Box 22, Folder 15
Show Business Is No Business
March 30, 1969
Scope and Contents
Written by Arthur Marx and Robert Fisher; Directed by Elliot Lewis; Guest star Don Rickle. Kaye and Eve both try to be Don
Rickle's partner for the lodge benefit show.
Box 22, Folder 16
Show Business Is No Business
March 30, 1969
Scope and Contents
Written by Arthur Marx and Robert Fisher; Directed by Elliot Lewis; Guest star Don Rickle. Kaye and Eve both try to be Don
Rickle's partner for the lodge benefit show.
Box 22, Folder 17
Show Business Is No Business
March 30, 1969
Scope and Contents
Written by Arthur Marx and Robert Fisher; Directed by Elliot Lewis; Guest star Don Rickle. Kaye and Eve both try to be Don
Rickle's partner for the lodge benefit show.
Box 23, Folder 1
The Charge Of The Wife Brigade
April 6, 1969
Scope and Contents
Written by Arthur Marx and Robert Fisher; Directed by Elliot Lewis; Guest stars (none listed). Kaye and Eve try to find jobs
to pay off their bills at the department store.
Box 23, Folder 2
The Charge Of The Wife Brigade
April 6, 1969
Scope and Contents
Written by Arthur Marx and Robert Fisher; Directed by Elliot Lewis; Guest stars (none listed). Kaye and Eve try to find jobs
to pay off their bills at the department store.
Box 23, Folder 3
The Charge Of The Wife Brigade
April 6, 1969
Scope and Contents
Written by Arthur Marx and Robert Fisher; Directed by Elliot Lewis; Guest stars (none listed). Kaye and Eve try to find jobs
to pay off their bills at the department store.
Box 23, Folder 4
The Charge Of The Wife Brigade
April 6, 1969
Scope and Contents
Written by Arthur Marx and Robert Fisher; Directed by Elliot Lewis; Guest stars (none listed). Kaye and Eve try to find jobs
to pay off their bills at the department store.
Box 23, Folder 5
The Charge Of The Wife Brigade
April 6, 1969
Scope and Contents
Written by Arthur Marx and Robert Fisher; Directed by Elliot Lewis; Guest stars (none listed). Kaye and Eve try to find jobs
to pay off their bills at the department store.
Box 23, Folder 6
The Not-So-Grand Opera
April 13, 1969
Scope and Contents
Written by Elaine Di Bello Bradish; Directed by Elliot Lewis; Guest stars Marni Nixon, Mary Jane Croft. Eve and Kaye try to
get the leading role in their club opera production.
Box 23, Folder 7
The Not-So-Grand Opera
April 13, 1969
Scope and Contents
Written by Elaine Di Bello Bradish; Directed by Elliot Lewis; Guest stars Marni Nixon, Mary Jane Croft. Eve and Kaye try to
get the leading role in their club opera production.
Box 23, Folder 8
The Not-So-Grand Opera
April 13, 1969
Scope and Contents
Written by Elaine Di Bello Bradish; Directed by Elliot Lewis; Guest stars Marni Nixon, Mary Jane Croft. Eve and Kaye try to
get the leading role in their club opera production.
Box 23, Folder 9
The Not-So-Grand Opera
April 13, 1969
Scope and Contents
Written by Elaine Di Bello Bradish; Directed by Elliot Lewis; Guest stars Marni Nixon, Mary Jane Croft. Eve and Kaye try to
get the leading role in their club opera production.
Box 23, Folder 10
My Obstetriciand Is More Sensitive Than Yours
Scope and Contents
unproduced script
Box 23, Folder 11
My Obstetriciand Is More Sensitive Than Yours
Scope and Contents
unproduced script
Box 23, Folder 12
My Obstetriciand Is More Sensitive Than Yours
Scope and Contents
unproduced script
Box 24, Folder 1
The Carol Channing Show: Production files
Box 24, Folder 2
The Chairman of the Board: Story ideas
Box 24, Folder 3
The Chairman of the Board: Scripts drafts
Box 24, Folder 4
The Chairman of the Board: Scripts finals
Box 24, Folder 5
The Chairman of the Board: Research materials
Box 24, Folder 6
The Chairman of the Board: Show correspondence
Box 24, Folder 7
Ham & Davey story outline
Box 24
Scope and Contents
2 VHS tapes/no audio. Transferred from the original 6 reels of 16mm film in the collection.
Box 24
Scope and Contents
2 VHS tapes/no audio. Transferred from the original 6 reels of 16mm film in the collection.
