PRELIMINARY INVENTORY OF THE HAL GLICKSMAN PAPERS, CIRCA 1927-2010
Finding aid prepared by Laura Schroffel
Descriptive Summary
Title: Hal Glicksman papers
Date (inclusive): 1927-2010
Number: 2009.M.5
Creator/Collector:
Glicksman, Hal
Physical Description:
60.5 linear feet
(111 boxes, 3 flatfiles)
Repository:
The Getty Research Institute
Special Collections
1200 Getty Center Drive, Suite 1100
Los Angeles, California, 90049-1688
(310) 440-7390
Abstract: The papers document the life and career of Hal Glicksman, a curator and preparator who contributed to many key exhibitions
in Southern California, and helped found several important Southern California art institutions. The collection provides information
regarding Glicksman's relationships with artists, his exhibition planning and gallery administration, and the Southern California
art scene in the 1960s and 1970s.
Request Materials: Request access to the physical materials described in this inventory through the
catalog record for this collection. Click here for the
access policy .
Language: Collection material is in
English
Biographical/Historical note
Born in 1937 in Beverly Hills, California, Hal Glicksman curated a number of key exhibitions in Southern California during
the 1960s and 1970s, and helped establish and foster several important Southern California art institutions. He started his
career as a preparator at the Pasadena Art Museum under the leadership of Walter Hopps, where he helped formalize professional
guidelines for preparators. While at the Pasadena Art Museum, Glicksman worked on the 1963 Marcel Duchamp retrospective. He
also designed and installed the United States' presentation for the eighth Bienal Internacional de São Paulo, Brazil in 1965.
Glicksman served as Assistant Curator for the Los Angeles County Museum of Art's exhibition, Art and Technology, 1967-1971.
In 1969 Glicksman was appointed Gallery Director and Assistant Professor at Pomona College. While there he produced a seminal
Michael Asher exhibition, as well as exhibitions of work by other artists, including Tom Eatherton, Lloyd Hamrol and Ron Cooper.
In 1970 Glicksman accepted a position as Associate Director of the Corcoran Gallery of Art in Washington, D.C., again under
the leadership of Walter Hopps. Glicksman returned to California in 1972 as Director of the Art Gallery at the University
of California, Irvine (UCI). Among the significant group exhibitions he curated at UCI, Assemblage in California and Los Four
demonstrate Glicksman's long-term interest in both Chicano art and assemblage art in California. While at UCI Glicksman also
exhibited work by Bruce Nauman, Maria Nordman, Larry Bell, Sol Lewitt, Eleanor Antin, Peter Alexander, John Baldessari and
Jane Reynolds. In 1975 Glicksman organized the large-scale exhibition Collage and Assemblage at the Los Angeles Institute
of Contemporary Art. Also in 1975, Glicksman was appointed Art Gallery Director at Otis Art Institute, where he curated exhibitions
focusing on contemporary artists such as Dan Flavin, Richard Tuttle, On Kawara, Hap Tivey, Sam Francis and Wallace Berman.
Following his tenure at Otis, Glicksman curated exhibitions for the Santa Monica Arts Commission and Beyond Baroque Literary
Arts Center.
Additionally, Glicksman made contributions to the design and planning of the new space for the Pasadena Art Museum at Carmelita
Park. In 1981 he founded his own gallery, Percept, a short-lived venue for light and space art. The first show at Percept
featured the work of Thomas Eatherton. Glicksman also played an important role in the 1985 founding of the Santa Monica Museum
of Art, where he served as the museum's first director and helped establish the museum's collecting policy and development
agenda.
Administrative Information
Access
Open for use by qualified researchers.
Publication Rights
Preferred Citation note
Hal Glicksman papers, 1927-2008, Getty Research Institute, Research Library, Accession no. 2009.M.5.
Immediate Source of Acquisition note
Acquired from Hal Glicksman in 2009.
Processing Information note
Laura Schroffel processed the collection, made an inventory and wrote the descriptive notes under the supervision of Andra
Darlington. The arrangement was devised by Laura Schroffel, Andra Darlington and John Tain. Series I, II, III and V retain
Glicksman's original order; series IV was rearranged by a curator. One box was added to the archive in March 2010, after the
initial acquisition in 2009. Laura Schroffel integrated the additional materials into the collection.
Reformatted Audiovisual Material
The following videos have been reformatted and are available as DVD use copies: V15, V16, V23.
Separated Materials
Materials related to the Getty Research Library general collection were transferred and may be found by searching the
library catalog for Hal Glicksman.
Scope and Content of Collection
The Hal Glicksman papers comprise letters, clippings, photographs, negatives, slides, original artworks, note cards, posters,
exhibition announcements, and audio and video recordings documenting the career and life of Hal Glicksman. The collection
provides insight into Glicksman's relationships with artists, his exhibition planning and gallery administration, as well
as the Southern California art scene in the 1960s and 1970s.
Many of the artist files in Series I contain correspondence regarding art production and research materials for exhibitions,
as well as materials unrelated to art. The series also includes some original artwork by artists such as Dave Anderson, Tony
DeLap and Lowell Darling.
Glicksman's exhibition files in Series II document his curatorial practice, including planning, budgeting, installation, and
publicity and event organization related to exhibitions. The exhibition files demonstrate Glicksman's long-term interests
in assemblage art, Chicano art, and Southern California contemporary art.
Series III contains administrative, teaching and research files. Although the administrative files in this series reflect
Glicksman's interest in the arts, they are not related to specific artists or exhibitions. Rather, the series documents the
administration and policies of several institutions where Glicksman worked. Glicksman's research files document his wide range
of interests, from his involvement with the women's art movement to his concern with information technologies.
The bulk of the ephemera in Series IV is gallery and museum exhibition announcements. The series also includes brochures and
publicity materials from other cultural institutions. Most of the materials in this series are from the Southern California
area; however, other regions of California, as well as national and international institutions, are represented.
Series V contains slides, negatives, transparencies, color photography and audiovisual materials. Personal photographs form
the bulk of the series, including images of Glicksman's travels across the United States and abroad. Some slides demonstrate
Glicksman's own photographic work documenting Los Angeles and its surroundings. Other slides focus on individual artists,
the Otis Art Gallery, brain hemispheres, and the Collage and Assemblage exhibition. Most of the audiovisual materials relate
to specific artists and exhibitions.
Arrangement note
The collection is arranged in five series:
Series I. Artist files, 1956-2008;
Series II. Exhibition files, 1964-1988;
Series III. Administrative and research files, 1927-1995;
Series IV. Ephemera, 1959-1995;
Series V. Photographic and audiovisual materials, 1958-1998.
Indexing Terms
Subjects - Names
Anderson, Dave
Andre, Carl, 1935-
Asher, Michael
Baldessari, John, 1931-
Bell, Larry
Berman, Wallace, 1926-1976
Chicago, Judy, 1939-
Cornell, Joseph
Darling, Lowell
DeLap, Tony, 1927-
Eatherton, Tom
Flavin, Dan, 1933-1996
Herms, George, 1935-
Hopps, Walter
LeWitt, Sol, 1928-2007
Nauman, Bruce, 1941-
Nordman, Maria
Subjects - Topics
Art museums--California--Los Angeles
Art, Modern--20th century
Artists--California
Assemblage (Art)
Conceptual Art
Mexican American art--California--20th century
Genres and Forms of Material
Acetate film
Administrative records
Audiocassettes
Black-and-white negatives
Color slides
Gelatin silver prints--United States--20th century
Printed ephemera
Videotapes
Container List
Series I.
Artists files,
1956-2008
Physical Description:
12.8 linear feet
(18 boxes, 1 flatfile)
Scope and Content Note
Artist files contain letters, exhibition announcements, research for exhibition planning and art production, a small number
of original artworks, as well as some materials unrelated to art.
Arrangement note
Arranged alphabetically by artist, followed by a small amount of material regarding a number of artists for whom Glicksman
did not establish separate files.
Box 1, Folder 1
Alexander, Robert "Baza,"
1967-1986
Scope and Content Note
Alexander is Reverend of Temple of Man. Includes letter to Glicksman from Barbara T. Smith.
Box 1, 89
Alexander, Peter,
1974-1975
Scope and Content Note
Contains papers regarding exhibition curated by Glicksman at the Bowers Museum. Also includes announcements for exhibition
at UCI as well as clippings with review of UCI exhibition.
Box 89, Folder 1
Color slides
Scope and Content Note
See also Series V box 67 for more Alexander slides.
Box 89, Folder 2
Anderson, Dave,
1975
Scope and Content Note
Includes work of art titled
POB 343.
Box 1, Folder 4
Antin, Eleanor,
1970-1988
Scope and Content Note
See also Series V box 67 for more Antin slides.
Box 1, 89
Asher, Michael,
1969-1977
Scope and Content Note
Includes floor plan drawing, photographs and brochure for 1971 Los Angeles County Museum of Art (LACMA) exhibition, 24 Young
Los Angeles Artists. Also includes photocopies of plans for Seattle Art Pavilion piece. Photographs and papers from the Museum
of Modern Art's (MOMA) Spaces exhibitions are included as well.
Box 1, Folder 5
Papers and black-and-white photographs
Box 89, Folder 3
Color slides
Scope and Content Note
Some images are possibly from Pomona College exhibition.
Box 1, Folder 6
Papers and black-and-white photographs
Box 89, Folder 4
Black-and-white negatives, color photographs, color slides
Box 1, 89
Baldessari, John,
1971-1978
Box 89, Folder 5
Color slides
Scope and Content Note
See also Series V box 67 for more Baldessari slides.
Box 2, Folder 1
Barthelme, Donald,
undated
Box 2
Bell, Larry,
1969-1977
Scope and Content Note
Also contained in box 89 and flatfile 1**.
Box 2, Folder 2
Papers and black-and-white photographs
Scope and Content Note
Possibly includes photographs from UCI exhibition.
Box 89, Folder 7
Black-and-white negatives, color photographs, color slides, color negatives
Flatfile 1**
Oversize
Scope and Content Note
Contains one architectural plan with drawing on it.
Box 2, 89
Bengston, Billy Al,
1968-1984
Box 2, Folder 3
Papers and black-and-white photographs
Scope and Content Note
Includes magnifying key for Nicholas Wilder exhibition.
Box 2, 89
Berman, Wallace,
1966-2008
Scope and Content Note
Some images are possibly from exhibition Art in Los Angeles - Seventeen Artists in the Sixties, at LACMA, 1981.
Box 2, Folder 4-5
Papers and black-and-white photograph
Box 89, Folder 9
Color photograph, slides and black-and-white negatives
Scope and Content Note
See also Series V box 66 for more Berman slides.
Box 2, Folder 6
Brecht, George,
1968-1969
Box 2, 105*
Brown, Robert Delford,
1967-2008
Box 2, Folder 7
Papers and black-and-white photographs
Box 2, Folder 8
Burden, Chris,
1973-1977
Scope and Content Note
See also Series V box 67 for more Burden slides.
Box 2, 89
Buren, Daniel,
1979
Scope and Content Note
Photographs are possibly from Otis Art Gallery Frost and Defrost, 1979.
Box 2, Folder 9
Black-and-white photographs
Scope and Content Note
Possibly includes photographs from Otis exhibition.
Box 89, Folder 10
Black-and-white negatives and color slides
Box 2, Folder 10
Butler, Eugenia,
1969-1979
Scope and Content Note
Includes drawings. Also known as Madam Houri.
Box 2, Folder 10a
Butler, Eugenia
1984
Scope and Content Note
Daughter of artist, Eugenia Butler.
Box 3, 90
Conner, Bruce,
1959-1975
Scope and Content Note
Includes letters to Walter Hopps regarding Conner loan for Assemblage in California, 1968.
Box 90, Folder 2
Black-and-white transparency and color slides
Scope and Content Note
See also Series V box 66 for more Conner slides.
Box 3, Folder 3
Black-and-white photographs
Box 90, Folder 3
Color photograph and color slides
Box 3, 90
Cornell, Joseph,
1966-1967
Box 3, Folder 5
Note cards
Scope and Content Note
Cards comprise a bibliography on Cornell.
Box 90, Folder 4
Polaroids and color slides
Box 3, Folder 6
Cutler-Shaw, Joyce,
1974-1975
Box 3-4
Darling, Lowell,
1973-1984
Box 4
D.I.V.O.R.C.E.,
1974
Scope and Content Note
Props from original work of art performed with Kathleen Harris at Womanspace.
Box 90, Folder 5
Darling, Sanford,
undated
Box 5, Folder 1
Davis Horowitz, Channa,
1974
Box 5, Folder 2
Papers and black-and-white photographs
Box 5, Folder 3
Papers and black-and-white photograph
Box 5, Folder 4
De Lap, Tony,
1972-1974
Scope and Content Note
Contains one deck of cards designed by De Lap.
Box 5, 90
Dworkin, Peter,
1972-1976
Box 90, Folder 8
Color photographs, color slide and color negatives
Box 5, 90
Eatherton, Tom,
1970-1986
Scope and Content Note
Contains photographs and papers regarding plans, statements and documentation of Eatherton pieces
Move,
Guide,
Home and
Rise. Includes piece of fabric possibly used in construction of an installation piece. See also Series II and III for materials
related to Eatherton exhibitions at Pomona College, UCI, and Percept.
Box 5, Folder 7-8
Papers and black-and-white photographs
Box 90, Folder 9
Color photographs and slides
Scope and Content Note
See also Series V box 66 for more Eatherton slides.
Box 5, 90
Eller, Jim,
1965
Scope and Content Note
Contains original artwork.
Box 90, Folder 10
Color slides
Scope and Content Note
Contains images of Eller's wedding.
See also Series V box 67 for more Eller slides.
Box 5, Folder 10
Experiments in Art and Technology (Organization),
1968-1970
Box 5
Flavin, Dan,
1971-2004
Scope and Content Note
Also contained in boxes 91, 105* and flatfile 1**.
Box 5, Folder 12
Papers and black-and-white photographs
Scope and Content Note
Includes assembly instructions for sculpture.
Box 105*, Folder 3
Oversize
Scope and Content Note
Three exhibition posters and assembly instructions.
Box 5, Folder 14
Glass, Philip,
1975-1980
Scope and Content Note
Includes one announcement for Philip Glass Ensemble show sponsored by Some Serious Business. See Series III box 50 for more
on Some Serious Business.
Box 91, Folder 2
Goode, Joe,
undated
Scope and Content Note
See also Series V box 67 for more Goode slides.
Box 6, Folder 1
Greene, Merril,
1974-1977
Box 6, 91
Hefferton, Phillip C. (Phillip Conrad),
1966-1981
Scope and Content Note
Includes original artwork. Also includes letter from William Copley.
Box 6, Folder 2-5
Papers and black-and-white photograph
Box 91, Folder 3
Transparencies and color slides
Scope and Content Note
See also Series V box 66 for more Hefferton slides.
Box 7, Folder 1
Herms, George,
1962-1985
Scope and Content Note
See also Series V box 66 for more Herms slides.
Box 7, Folder 2a
Ikegawa, Shiro,
1974-1975
Box 7, Folder 4a
Kaprow, Alan,
undated
Scope and Content Note
Contains photocopy of article by Kaprow on Jackson Pollock and instructions for
Apples and Oranges (For Barbara Smith).
Box 7, Folder 5
Karelitz, Judith,
1971-1972
Box 91, Folder 4
Kawara, On,
undated
Scope and Content Note
Contains color slides.
Box 7, Folder 6
Kienholz, Edward,
1968-1975
Scope and Content Note
See also Series V box 67 for more Kienholz slides.
Box 7, Folder 7
Koren, Leonard,
1975-1976
Box 7, Folder 8
Papers and black-and-white photographs
Box 91, Folder 5
Transparency and color slide
Scope and Content Note
See also Series V box 65 for more LeWitt slides.
Box 7, Folder 9
Lichtenstein, Roy,
1963-1967
Scope and Content Note
See also Series V box 68 for more Lichtenstein slides.
Box 7, Folder 11
MacDonald-Wright, Stanton,
1956-1970
Box 7, Folder 12-13
Papers and art work
Scope and Content Note
Includes art piece on an American flag.
Box 91, Folder 6
Color slides and color photographs
Scope and Content Note
See also Series V box 66 for more Mason slides.
Box 7, Folder 14
McMillen, Michael,
1973-1983
Scope and Content Note
Includes Mystery Museum souvenir trading cards. See also Series V box 67 for more McMillen slides and Series II box 19 for
contact print sheet.
Box 91, Folder 7
Morris, Robert,
undated
Scope and Content Note
Contains color slides. See also Series V box 68 for more Morris slides.
Box 8, Folder 2a
Munger, Barbara,
1980
Scope and Content Note
Contains original drawings.
Box 91, Folder 8
Nauman, Bruce,
1973
Scope and Content Note
Contains slide.
Box 8, Folder 3
Newman, Barnett,
1966-1970
Scope and Content Note
Includes letter with drawing by Newman describing crating instructions and condition report.
See also Series V box 68 for more Newman slides.
Box 8, 92
Nordman, Maria,
1973-2000
Scope and Content Note
Includes transcripts of interview between Maria Nordman, Hal Glicksman and Barbara Haskell. Also includes photographs, possibly
from UCI exhibition and from Nordman sailing party.
Box 8, Folder 4-5
Papers and black-and-white photographs
Box 92, Folder 1
Color photographs, color negatives, black-and-white negatives and color slides
Box 8, 92
Orr, Eric,
1970-1998
Scope and Content Note
Includes materials related to Zero Mass exhibition at UCI Art Gallery.
Box 8, Folder 6
Papers and black-and-white photographs
Scope and Content Note
Photographs are possibly from UCI exhibition.
Box 92, Folder 2
Black-and-white negatives
Box 8, Folder 10
Rosler, Martha,
1974-1976
Box 8, 92
Ruscha, Edward,
1973-1985
Box 92, Folder 4
Color transparency and color slide
Scope and Content Note
See also series V box 68 for slides.
Box 8, Folder 12
Secunda, Arthur,
1974-1975
Box 8, Folder 13
Schapiro, Miriam,
1975, undated
Box 8, Folder 14
Sheldon, Richard,
1967-1972
Box 8, Folder 15
Smith, Barbara,
1968-1982
Scope and Content Note
Includes set of drawings, two of which are possibly not by artist. Also includes original Smith business card, certificate
for the Pageant of the Holy Squash, instructions for
Unsolicited Mail and exhibition announcements for Mass Meal and One Evening of Theater Pieces.
Box 9, Folder 1
Steinitz, Kate Traumann,
1975-1976
Box 9, Folder 2
Stella, Frank,
undated
Scope and Content Note
Includes plans for work.
Box 9, 93
Talbert, Ben,
undated
Scope and Content Note
Includes images from exhibition Ten years of Erotic Art at the Mermaid Tavern. Also includes a deck of cards.
Box 9, Folder 4-5
Playing cards and black-and-white photographs
Box 93, Folder 1
Black-and-white negatives and color slides
Scope and Content Note
See also series V box 65 for slides.
Box 9, Folder 5a
Papers and black-and-white photograph
Box 9, Folder 8
Turrell, James,
1972-1974
Box 9, 93
Wasserman, Bart,
1978-1982
Box 9, 93
Other artists,
1966-1986
Scope and Content Note
Includes original art. Some artists included in this file are: George Abond, Larry Albright, Laurie Anderson, Alice Asmar,
Iain Baxter, Noa Bornstein, Donald C. Blaisdell, Lucy Blake-Elahi, Lau Chen, Fu-Kai (Bob) Cheng, Chitrakar, Boyd Clopton,
Dorit, Cypis, Kate Delos, Ruth Mary Dugan, Anthony Enton Friedkin, Marcia Herscovitz, Eden Hodara, Bruce Houston, Susan Lash,
Joyce Liberman, David MacDermott, John Margolies, Ronn St. Pierre, Tree Stokes, Cary Stump, U-turn, Ruth Weisberg, Noa Wolken,
Tony Wong.
Box 93, Folder 5
Color slides and color photographs
Series II.
Exhibition files,
1964-1988
Physical Description:
15.3 linear feet
(33 boxes)
Scope and Content Note
Exhibition files contain materials relating to Glicksman's curatorial practice, including planning, budgeting, installation,
and publicity and event organization.
Arrangement note
Arranged by institution and chronologically according to the timeline of Hal Glicksman's career.
Box 10-11, 94
Pasadena Museum of Art, Bienal Internacional de São Paulo,
1964-1969
Scope and Content Note
The Pasadena Art Museum, under the leadership of Walter Hopps, was invited by the United States Information Agency to organize
the American entry at the eighth São Paulo Biennial International Exhibition. Hopps focused the exhibition on the work of
Barnett Newman.
Box 10, Folder 1-4
General papers and periodicals
Scope and Content Note
Includes exhibition signage, a set of cards with artist and title information, briefing report from American Consulate, maquette
for catalog and clippings.
Box 10, Folder 5
Black-and-white photographs
Box 11
Decorated box
Scope and Content Note
Box decorated with Brazilian flag and clippings regarding São Paulo Bienal, that originally housed photographic material.
Box 94, Folder 1
Color slides, black-and-white negatives, color photograph, color transparency
Box 12, 94
Los Angeles County Museum of Art,
1968-1972
Scope and Content Note
See Series IV box 56 for LACMA ephemera.
Box 12, 94
Art and Technology,
1969-1972
Box 12, Folder 1-2
General papers and black-and-white photograph
Box 94, Folder 2
Color photographs
Scope and Content Note
Includes pictures of Barbara Smith at the opening.
Box 13, 94-96
Pomona College (Claremont, Calif.). Art Gallery,
1969-1979
Scope and Content Note
Also known as Montgomery Art Gallery. Glicksman established a project series as director of the Pomona College Art Gallery
wherein the space was given to an artist-in-residence for an eight week period to create an exhibition. Project artists included
Lloyd Hamrol, Joe Goode, Ron Cooper, Michael Asher and Thomas Eatherton.
Box 13, Folder 1
Papers and black-and-white photographs
Box 94, Folder 3
Color photographs and color slides
Box 13, Folder 2
Papers and black-and-white photographs
Box 94, Folder 4
Color slides
Scope and Content Note
Includes portrait of Robert Smithson.
Box 13, 95
Movie Palace Modern,
1969-1979
Scope and Content Note
Movie Palace Modern was a traveling exhibition featuring the drawings of A. B. Heinsbergen.
Box 13, Folder 4
Modern and Art Deco art
Scope and Content Note
Contains papers that do not specifically relate to exhibition but appear to be topical research files.
Box 13, 96
Michael Asher,
1970
Scope and Content Note
The Michael Asher exhibition, Environment, coincided with an exhibition by Judy Chicago, Snow Atmosphere.
Box 13, Folder 5
Papers and black-and-white photographs
Box 96, Folder 1
Black-and-white negatives and color slides
Box 13, 96
Chicano Graffiti,
1970-1975
Box 13, Folder 6
Papers and black-and-white photographs,
1970-1974
Box 13, Folder 7
Chicano exhibition materials,
1972-1975
Scope and Content Note
Topical research file including Los Four exhibition list for the Los Angeles County Museum of Art show and various Los Four
exhibition announcements. Also includes black-and-white photographs of Los Four artists. See also box 18 for materials regarding
the exhibition at UCI.
Box 96, Folder 2
Color photographs,
undated
Scope and Content Note
Some graffiti photography may not have been used for Pomona exhibition.
Box 13, 96
Thomas Eatherton, Rise,
1970
Scope and Content Note
Eatherton's exhibition Rise, was also executed in 1981 at the Percept Gallery. See Series I, box 5 and Series III, box 45.
Includes fabric samples that were considered for use in the installation. Also includes sketches of plans. Photographs document
installation and finished piece.
Box 13, Folder 8
Papers and black-and-white photographs
Scope and Content Note
Includes portraits of Michael Brewster and David Grey.
Box 96, Folder 3
Color photographs and slides
Scope and Content Note
Includes portrait of Judy Chicago.
Box 14, Folder 1-2
Corcoran Gallery of Art,
1971
Box 14, Folder 2
Michael Asher
Scope and Content Note
Includes architectural plans some with annotations.
Box 14-18
Art Gallery of the University of California, Irvine,
1968-1984
Scope and Content Note
Also contained in the following boxes: 82, 97-98, 105*.
Box 14, 97
Assemblage in California,
1968
Scope and Content Note
See also box 9, folder 4 for topical research file on assemblage.
Box 14, Folder 3-4
Papers and black-and-white photograph
Scope and Content Note
Includes proofs and drafts for catalog as well as bids from publishers. Loan agreements and exhibition floor plans are also
included.
Box 97, Folder 1
Black-and-white negatives
Box 15
Marcel Duchamp Festival,
1971
Scope and Content Note
Contains 24 mounted black-white-photographs related to the Festival, possibly for didactic pieces.
Box 14, 97
Mark Di Suvero,
1972
Scope and Content Note
Images also include portrait of Sally Shishmanian.
Box 14, Folder 6
Black-and-white photograph
Box 97, Folder 2
Black-and-white negatives and color slides
Box 14, 105*
Bruce Nauman, Floating Room,
1973
Box 14, Folder 7
Black-and-white photographs
Scope and Content Note
Includes photograph of plan.
Box 105*, Folder 4
Oversize
Scope and Content Note
Contains one exhibition poster designed by Bruce Nauman
Box 16-17
World War II,
1971-1973
Scope and Content Note
Also contained in boxes: 82, 97.
Box 16, Folder 1-2
General papers
Scope and Content Note
Includes exhibition proposal, artist list.
Box 16, Folder 3
Office of the Chief of Military History
Box 16, Folder 4
Navy Combat Art Collection
Box 16, Folder 7
Black-and-white photographs
Box 17
Note cards
Scope and Content Note
Note cards comprise research rolodex for the exhibition.
Box 97, Folder 3
Color photographs, black-and-white negatives and slide film
Box 82, Item R1
Unidentified sound tape reel
Box 82, Item F1
U.S.O promotional film reel (6 min.)
Box 18, 97
Maria Nordman, Saddleback Mountain,
1973
Box 18, Folder 1
Black-and-white photographs
Box 97, Folder 4
Black and white negatives
Box 18, 97
Los Four,
1973
Scope and Content Note
Los Four artists included: Carlos Almaraz, Robert de La Rocha, Gilbert Lujan, Frank Romero. See also box 13 for Chicano exhibition
research file.
Box 18, Folder 2
Papers and black-and-white photographs
Box 97, Folder 5
Black-and-white negatives and color slides
Box 98, Folder 1
Sol Lewitt project,
1974
Scope and Content Note
Contains color slides.
Box 18, Folder 3
Papers and black-and-white photographs
Box 18, 98
Tom Eatherton, Guide,
1974
Scope and Content Note
Includes sketch of exhibition plan.
See also Series I box 5 for artist file.
Box 18, Folder 5
Eleanor Antin, Black is Beautiful,
1974
Box 18, 98
Paul Waszink,
1974-1975
Scope and Content Note
Includes drawings of specifications for outdoor exhibition space, possibly by artist.
Box 18, Folder 7
Papers and black-and-white photograph
Box 98, Folder 4
Color slides
Scope and Content Note
See also Series V box 68 for more Waszink slides.
Box 18, 98
Peter Alexander, Sunsets,
1974
Box 18, 98
John Baldessari, Songs,
1975
Scope and Content Note
Includes instructions for catalog.
Box 18, Folder 9
Papers and black-and-white photograph
Box 98, Folder 8
Oliver Andrews, Summer Solstice, A Ceremonial Space,
1975
Box 18, 98
Channa Davis Horwitz, New Work in Time and Space,
1984
Box 18, Folder 10
Black-and-white photograph
Box 98, Folder 9
Black-and-white negatives
Box 19-20
Los Angeles Institute of Contemporary Art, Collage and Assemblage,
1973-1988
Scope and Content Note
Also contained in boxes: 62, 83-87, 99.
A Collage and Assemblage contact prints sheet shares images with McMillen exhibition, see Series I box 7 for McMillen artist
file.
Box 19, Folder 3-4
Artists' contact information
Scope and Content Note
Contact information is comprised of two sets index cards. One set of cards is possibly from Assemblage in California, at UCI.
Box 20, Folder 4
Assemblage exhibitions materials
Scope and Content Note
Topical research file including materials regarding exhibitions at James Corcoran Gallery, Shoshana Wayne Gallery, Pence Gallery
and Brea Civic Center for exhibitions titled Lost and Found in California: Four Decades of Assemblage Art and Assemblage Art:
A Poetic Transformation.
Box 62, Folder 2
Drawing
Scope and Content Note
Contains one drawing by de la Rocha.
Box 99
Color slides and color photographs
Scope and Content Note
See also Series V box 67 for more exhibition slides.
Box 83-87
Videos (V1-V24)
Scope and Content Note
Contains video tapes possibly of interviews made of each artist as they brought work to the gallery.
Audiovisual materials are unavailable until reformatting is complete. Use copies available are indicated in container list
below. Contact the repository for information regarding access.
Box 84, Item V6
3/19/75 Collage/Assemblage & 3/20/75
Box 84, Item V8
Billie Holiday; Gayle Dancing
Box 85, Item V9
Love Is a Warm; Ben Talbert; Hal Glicksman; Gayle Davis
Box 85, 87, Item V11, V21
Box 85, 86, Item V12, V19
Box 86, Item V15
3/19/75: Collage/Assemblage
Scope and Content Note
Use copy available.
Box 86, Item V16
Laica Setup
Scope and Content Note
Use copy available.
Box 86, Item V20
1/4/75: Billie Holiday, Gayle Dancing
Box 87, Item V23
3/28, Laica, Sex Up
Scope and Content Note
Use copy available.
Box 21-23
Otis Art Institute, Gallery,
1975-1981
Scope and Content Note
Also contained in boxes: 62, 100-102.
Box 21, 100
Mowry Baden and Dan Graham,
1975
Box 21, Folder 1
Papers and black-and-white photographs
Box 100, Folder 1
Black-and-white negatives and color slides
Box 21, Folder 2
Papers and black-and-white photographs
Box 21, 100
The Grandest Floor Show of Woven Wonders on the "Planet Earth,"
1975
Box 21, Folder 4
Papers and black-and-white photographs
Box 100, Folder 4
Black-and-white negatives and color slides
Box 21, Folder 5
The Great American Quilts,
1976
Box 21, 100
Lita Albuquerque, Charles Arnoldi, Lynda Benglis, Rosemarie Castoro, Pat Steir,
1976
Box 21, Folder 6
Papers and black-and-white photographs
Box 21, 100
Alice Aycock and Jane Reynolds,
1976
Scope and Content Note
Aycock's piece was titled
Heavy Roofed Building. File includes several copies of correspondence between Glicksman and director, Gurdon Woods, where Woods expresses concern
over the installation of the Reynolds piece.
Box 21, Folder 7
Papers and black-and-white photographs
Box 100, Folder 6
Black-and-white negatives and color slides
Box 21, 100
Dan Flavin,
1977
Scope and Content Note
Includes installation plans.
Box 21, Folder 8
Papers and black-and-white photographs
Box 100, Folder 7
Black-and-white negatives
Box 21, Folder 9
Carl Andre,
1977
Scope and Content Note
Andre created two large sculptures series:
Prime Rectiles and
Blue Equivalents.
Box 21, Folder 10
Papers and black-and-white photographs
Box 101, Folder 1
Black-and-white negatives, black-and-white transparency, color slides and color photographs
Box 21, 101
Hap Tivey/John Knight,
1977
Box 21, Folder 11
Papers and black-and-white photographs
Box 101, Folder 2
Black-and-white negatives
Box 21, 101
On Kawara,
1977
Scope and Content Note
Exhibition of Kawara's
Today series of date paintings for 1967.
Box 21, Folder 12
Papers and black-and-white photographs
Box 101, Folder 3
Black-and-white negatives, color transparency and color slides
Box 21, Folder 13
Papers and black-and-white photographs
Box 101, Folder 4
Black-and-white negatives and color slides
Box 21, 101
Drawing Toward a More Modern Architecture,
1978
Box 21, Folder 14
Papers and black-and-white photographs
Box 101, Folder 5
Black-and-white negatives
Box 21, 101
Sam Francis, Work in Progress,
1978
Box 21, Folder 15
Papers and black-and-white photographs
Box 101, Folder 6
Black-and-white negatives and color slides
Box 21, 101
Richard Mock, Your Portrait,
1978
Box 21, Folder 16
Clipping and black-and-white photograph
Box 101, Folder 7
Black-and-white negatives
Box 22, 101
Peasant Paintings from Huhsein,
1978
Box 22, Folder 1
Papers and black-and-white photographs
Box 101, Folder 8
Black-and-white negative and color slides
Box 22, 102
Beyond Realism,
1978
Scope and Content Note
Exhibition featured work by: Jo Hanson, Victor Lance Henderson, John Mandel, Michael McMillan and Eduardo Munoz.
Box 22, Folder 2-3
Papers and black-and-white photographs
Box 102, Folder 1
Black-and-white negatives
Box 22-23, 102
Wallace Berman Retrospective,
1978-1980
Scope and Content Note
The Wallace Berman Retrospective exhibition traveled to the Fort Worth Art Museum, University Art Museum at Berkeley and the
Seattle Art Museum. The exhibition was underwritten by the Fellows of Contemporary Art and the National Endowment for the
Arts.
Box 22, Folder 4
General papers
Scope and Content Note
The retrospective traveled to the Fort Worth Art Museum, University Art Museum at Berkeley and the Seattle Art Museum.
Box 22, Folder 5-6
Lender letters and loan agreements
Scope and Content Note
Contains lender letters and loan agreements.
Box 23, Folder 1
Papers related to exhibition travel
Box 23, Folder 2
Budgets, contract applications and agreements
Box 23, Folder 3-4
Black-and-white photographs
Box 102, Folder 2
Color polaroids, color photographs, color negatives, color transparencies and black-and-white negatives
Box 23, Folder 5
Papers and black-and-white photographs
Box 102, Folder 3
Black-and-white negatives
Box 102, Folder 4
LA Parks and Wrecks,
1979
Scope and Content Note
Contains color slides.
Box 23, Folder 6
De Cointet, Hernandez, Holste, and Kahn,
1979
Box 23, 102
William Lundberg and William Wegman,
1979
Box 23, Folder 7
Black-and-white photographs
Box 102, Folder 5
Black-and-white negatives and color slides
Box 23, 102
The Young/The Restless,
1980
Box 23, 102
Twentieth Century Folk Art,
1980
Box 23, Folder 10
Exceptional American Quilts,
1980
Box 23, Folder 11
Lewis Baltz, Park City,
1981
Box 23, Folder 12
Papers and black-and-white photographs
Box 62, Folder 3
Oversize exhibition announcements
Scope and Content Note
Contains two fabric exhibition announcements.
Box 24, 103
Beyond Baroque Literary Arts Center, Time Machine,
1983-1986
Scope and Content Note
See also Series IV box 55 for related Beyond Baroque ephemera.
Box 24, Folder 1-2
Papers and black-and-white photograph
Box 103, Folder 1
Black-and-white negatives
Box 24, 103
Santa Monica Arts Commission,
1983-1985
Box 24, Folder 3
Exhibitions
Scope and Content Note
Contains materials regarding exhibition space at the Santa Monica Public Library, general materials about the exhibitions
and other Commission ephemera.
Box 24, Folder 4
Papers and black-and-white photographs
Box 103, Folder 2
Black-and-white negatives
Box 24, 103
Some Important Announcements
Box 24, Folder 5
Papers and black-and-white photographs
Box 103, Folder 3
Black-and-white negatives
Series III.
Administrative and research files,
1927-2010
Physical Description:
24.0 linear feet
(34 boxes, 2 flatfiles)
Scope and Content Note
This series contains administrative, teaching and research files. Although the administrative files in this series reflect
Glicksman's interest in the arts, they are not related to specific artists or exhibitions. Rather, the series documents the
administration and policies of several institutions where Glicksman worked. Glicksman's research files document his wide range
of interests, from his involvement with the women's art movement to his concern with information technologies.
Arrangement note
Arranged alphabetically by topic or institution name.
Box 25, 103
76 Market Street,
1976-1979
Box 103, Folder 4
Black-and-white negatives
Box 25, Folder 4
American Association of Museums,
1971-1974
Scope and Content Note
Focuses on Fort Worth, Texas June 1974 meeting.
Box 25, Folder 6
Artforum,
1975
Scope and Content Note
Contains photocopies of article regarding
Artforum lawsuit, Ladd vs.
Artforum chronology and papers related to lawsuit, and minutes from Pasadena Museum of Art Board of Trustees meeting wherein Director
Walter Hopps resigned.
Box 25, Folder 7
Artist contract,
1975
Scope and Content Note
Contains template and explanatory notes for artists contract from Lawyers for the Arts Committee and letter from Maxine Wolf.
Box 25, Folder 8
Art Libraries Society,
1975-1977
Box 25, 103
Art loans,
1965-1990
Scope and Content Note
Contains loan agreements and ephemera related to Glicksman's personal loans of art works to exhibitions.
Box 26, Folder 1-2
Art societies and associations,
1972-1976
Scope and Content Note
The bulk of the folder contains brochures and letters from arts organizations in response to a letter from Charles Semowich.
Box 26, Folder 3
Biennale de Paris,
1975
Scope and Content Note
Handwritten note identifies Barbara Berman. Contains black-and-white photographs. Glicksman designed and installed the United
States' presentation at the fifth Biennale de Paris in 1967.
Box 26, Folder 4
California Computer Products,
1968-1969
Box 26, Folder 5
California Institute of the Arts,
1969-1970
Scope and Content Note
Includes California Institute of the Arts
Bulletin one, two and three.
Box 26, Folder 6
Cart and Crate,
1972
Scope and Content Note
Contains papers regarding transport of Heller collections from Washington, D.C., to Tucson, Arizona.
Box 26, Folder 7
Cerritos College,
1963-1974
Scope and Content Note
Includes black-and-white photographs.
Box 26, Folder 9
College Art Association of America,
1984
Box 26, Folder 10
Contemporary Arts Center (Cincinnati, Ohio),
1971-1977
Scope and Content Note
Contains letters regarding Glicksman's application for directorship and papers for National Endowment for the Arts applications.
Box 27-30
Corcoran Gallery of Art,
1951-1975
Scope and Content Note
Also contained in boxes 103, 105* and flatfile 2**.
See also Series IV box 60 for related ephemera.
Box 27-28
General papers
Scope and Content Note
Includes one doodle by Walter Hopps.
Box 29, Folder 1
Glicksman employment
Scope and Content Note
Contains papers related to Glicksman's appointment and resignation from the Corcoran Gallery of Art. His resignation was related
to activity with the Art Museum Professionals Union.
Box 29, Folder 2
Clark Collection
Scope and Content Note
Contains trust agreement regarding donation of collection and excerpts from the will of William A. Clark.
Box 29, Folder 3-5
Buildings and maintenance
Scope and Content Note
Includes letters regarding repairs and plans for construction, floor plans and quarterly reports from the committee on buildings
and maintenance.
Box 30, Folder 1-2
Security
Scope and Content Note
Includes information regarding security consultant Joseph Chapman.
Box 30, Folder 3-4
Finances
Scope and Content Note
Contains departmental budgets, annual reports, income reports, museum budgets, exhibition budgets.
Box 30, Folder 6
Black-and-white photographs
Box 105*, Folder 5
Oversize
Scope and Content Note
Contains organizational charts.
Flatfile 2**
Oversize plans
Scope and Content Note
Contains plans for Robert Irwin installation.
Box 31, Folder 1
Croton, Fred,
1987
Scope and Content Note
Contains
Los Angeles Times clippings.
Box 31, Folder 2
Papers
Scope and Content Note
Includes papers related to Percept, see box 45.
Box 103, Folder 7
Color photographs
Scope and Content Note
Photographs are possibly not related to Datamost.
Box 31, Folder 3
Dia Art Foundation,
1978-1988
Scope and Content Note
Includes information for visiting
The Lightning Field.
Box 31, Folder 5
Electro meditation,
undated
Box 31, Folder 6
Environmental communications,
1973-1978
Box 31, Folder 8
Fort Worth Art Museum,
1977
Scope and Content Note
Includes transcript from interview with Marge Goldwater for
Los Angeles in the Seventies exhibition catalog.
Box 31, Folder 9
Foundation for Art Resources (Los Angeles, Calif.),
1977-1986
Box 31, Folder 10-14
Glicksman, Hal,
1960-1985
Box 31, Folder 10
General papers
Scope and Content Note
Includes papers, clippings and photographs regarding endeavors by Glicksman outside of his places of employment.
Box 31, Folder 11-13
Education
Scope and Content Note
Includes materials related to Glicksman's application and enrollment in the University of California, Los Angeles' graduate
school. Also includes syllabi and papers by Glicksman.
Graded papers are sealed for Glicksman's lifetime.
Box 31, Folder 14
Finances
Scope and Content Note
Materials are sealed for Glicksman's lifetime.
Box 32, Folder 1
Henri Gallery,
1966-1976
Scope and Content Note
Contains letters and correspondence regarding sale and collection of funds for a painting by Phillip Hefferton.
Box 32, Folder 3-4
Hudson River Museum,
1978-1980
Scope and Content Note
Contains letters and Museum materials in regards to Glicksman consideration for the position of Museum Director.
Box 32, Folder 5
Information technology,
1982-1984
Scope and Content Note
Includes letter to Harold Williams.
Box 32, 103
Installing Art Exhibitions,
1967-1971
Scope and Content Note
Contains copies of a proposal for a working manual for art installation.
Box 32, 103
Instant Theatre,
1977-1987
Scope and Content Note
Includes maquette for logo and original art work for logo development.
Box 33, Folder 1
Institute for Policy Studies,
1971-1972
Scope and Content Note
Contains notes and letters regarding a grant proposal.
Box 33, Folder 2
Institute of Contemporary Art (Amsterdam, Netherlands),
1992-1993
Scope and Content Note
Includes materials regarding Wallace Berman exhibition.
Box 33, Folder 2a
J.A. Bauer Pottery Company,
1974
Scope and Content Note
Contains research papers on Bauer pottery company in response to request from Lewis Baltz. Glicksman collected pottery.
Box 33, Folder 3
Lannan Foundation,
1985-1986
Box 33, Folder 3a
Letters from non-artists,
1965-1981
Scope and Content Note
Contains letters from Jane Fonda, Melinda Wartz, Angela Westwater, Fidel Danieli, Betty Asher and Michael from the Baxter
Art Gallery at California Institute of Technology, Pasadena.
Box 33, Folder 4
Los Angeles Bicentennial,
1980
Scope and Content Note
Includes several reproductions of maps and land surveys.
Box 33, Folder 5
Los Angeles Conservancy,
1979-1980
Box 33, Folder 6-7
Los Angeles County Museum of Art,
1968-1988
Scope and Content Note
Comprises mostly staff announcements.
Box 34, Folder 1-2
Los Angeles Institute of Contemporary Art,
1975-1978
Scope and Content Note
Contains letters, committee notes, newsletters, exhibition announcements, press releases and other related materials.
See also Series IV box 55 for related ephemera.
Box 34, Folder 4
Minority programs,
1981
Scope and Content Note
Contains Otis Art Institute memo regarding minority programs.
Box 34, Folder 5
Montalvo Arts Center,
1978
Box 34, Folder 6-7
Museum of Contemporary Art (Los Angeles, Calif.),
1983-1988
Scope and Content Note
Includes museum calendar of events and
The Contemporary.
Box 34, Folder 8
Museum of Modern Art (New York, N.Y.),
1971
Scope and Content Note
Includes letters from Donna Stein.
Box 34, Folder 9
Museum practice,
1971-1973
Scope and Content Note
Includes letter regarding course in museum practice, course outline, and bibliography.
Box 34, Folder 10
Museums, forms,
1971-1975
Scope and Content Note
Contains loan and registrarial forms from the Los Angeles Institute of Contemporary Art, UCI, University of California, Riverside,
Pasadena Art Museum, Fogg Art Museum, Smithsonian Institution.
Box 34, Folder 11
Newport Harbor Art Museum,
1975-1981
Box 35, Folder 1
Newsletter on the Arts,
1965-1988
Box 35, Folder 2
Newspace,
1984
Scope and Content Note
See also series IV box 55 for related ephemera.
Box 36-43
Note cards,
1969-1974, unknown
Scope and Content Note
Contains index cards that seem to comprise various rolodexes with museum, gallery artist and personal contact information.
Other cards are possibly organized by groupings of invitees to events or other projects. Some business cards were interfiled
with note cards.
Includes photocopy of note card with drawing, probably by Richard Serra.
Box 35, Folder 3
On the Rationalization of Sight: With an Examination of Three Renaissance Texts on Perspective,
1938
Scope and Content Note
Contains photocopied excerpts of the book.
Box 35
Otis Art Institute,
1974-1981
Scope and Content Note
See also Series IV box 56 for related ephemera.
Also contained in boxes: 44, 103, 105*.
Box 44, Folder 2-3
Letters sent and received
Box 44, Folder 4
Glicksman rating
Scope and Content Note
Contains papers about a grievance filed by Glicksman against Otis Art Institute regarding plans for individual improvements
and performance evaluations.
Box 44, Folder 5
Black-and-white photographs
Scope and Content Note
Photographs include images of empty Otis Art Gallery, Glicksman's Venice studio, Wallace Berman paintings and Ferus Gallery
Studs posters.
Box 103, Folder 10
Black-and-white negatives, color slides and color photographs
Scope and Content Note
Includes color slides from MFA program and graduation.
Box 105*, Folder 6
Posters
Scope and Content Note
Contains oversize posters for Otis Art Gallery exhibition.
Box 44, Folder 6
Panza Collection,
1985
Scope and Content Note
Includes letters to Panza, a letter from Panza and press release materials from the Museum of Contemporary Art for Panza collection
exhibition.
Box 44, Folder 7
Pasadena Art Alliance,
1971-1985
Box 45, 104, 105*
Pasadena Art Museum,
1962-1974
Scope and Content Note
Includes press release for George Herms, Streaming, museum plans, clippings documenting Pasadena Museum financial trouble,
press release for Walter Hopps resignation.
Box 45, Folder 5
Black-and-white photographs
Box 104, Folder 1
Black-and-white negatives and color slides
Box 105*, Folder 7
Prepatory plans
Scope and Content Note
For 1965 California Design traveling exhibition.
Box 45, 104
Percept,
1981
Scope and Content Note
Includes images of Tom Eatherton's exhibition Rise. See Series II box 13 for documents related to the same exhibition executed
at Pomona College Art Gallery.
Box 45, Folder 7-8
Papers and black and white photographs
Box 104, Folder 2
Color slides and color photographs
Box 46-47, 104
Pomona College,
1968-1970
Box 46, Folder 2
General instruction papers
Scope and Content Note
Glicksman taught 19th and 20th-century art history courses.
Box 46, Folder 3-4
Instruction, 19th-century art
Box 47, Folder 1-3
Instruction, 20th-century art
Box 47, Folder 4
Random Access,
1972
Scope and Content Note
Contains "holographic" manuscript notes.
Box 48, 104
San Francisco Museum of Art,
1972-1977
Scope and Content Note
Later known as San Francisco Museum of Modern Art. See also Series IV box 60 for related ephemera.
Box 48, Folder 2
Painting and Sculpture in California: The Modern Era
Scope and Content Note
Glicksman note: NCFA.
Box 48, Folder 3
Santa Monica Chamber Orchestra,
1987
Box 48, Folder 4
Santa Monica Heritage Square Museum,
1985-1986
Box 48-49
Santa Monica Museum of Art,
1983-1986
Scope and Content Note
Contains materials regarding the conception, development and opening of the Santa Monica Museum of Art. Includes floor plans
of museum.
Also contained in boxes: 104, 105*, flatfile 3**.
Box 48, Folder 5-9
Museum planning and committee meeting papers
Box 105*, Folder 9
Oversize clipping
Scope and Content Note
Contains one laminated clipping.
Box 50, Folder 1
Sher, Abby,
1982-1986
Scope and Content Note
Includes letters regarding Santa Monica Museum of Art.
Box 50, Folder 2
Smithsonian Institution,
1969-1971
Box 50, Folder 3
Some Serious Business,
1977-1985
Box 50, Folder 3a
Southern California Communication Group,
1982-1983
Box 50, Folder 4
Stanford University, Museum of Art,
1962
Box 50, Folder 5
Tamarind Lithography Workshop,
1966
Box 50, Folder 6
Three-dimensional printing,
1969
Box 50, 62, 104
University of California, Irvine,
1973-1975
Box 50, Folder 7-8
General papers
Scope and Content Note
Includes papers regarding loan of art from UCI to Dallas Museum of Art for Poets of the Cities: New York and San Francisco,
1960-1965. Also includes papers for drawing/design class taught by Glicksman. Contains three copies of David R. Thompson poster.
Box 50, Folder 9
Student and smaller exhibitions
Box 62, Folder 4
Oversize
Scope and Content Note
Contains drawings of art gallery specs and one drawing by Lambertin.
Box 50, Folder 10-10a
University of California, Los Angeles,
1971
Box 50, 81
Venice artists and poets,
2010
Box 50, Folder 11
Video,
1980-1981
Scope and Content Note
Includes press release, letter and other ephemera related to the Long Beach Museum of Art video screenings.
Box 50, Folder 12-13
Western Association of Art Museums,
1975
Scope and Content Note
Contains papers regarding Glicksman participation in colloquium. Also includes conference workbook.
Box 51, Folder 1
Whitney Museum of American Art,
1994-1995
Scope and Content Note
Contains papers regarding loan of art for Beat Culture and the New America exhibition. Includes loan of Wallace Berman pieces.
Some materials refer to interactive CD-Rom produced by the Red Hot Organization in conjunction with the exhibition.
Box 51, Folder 2
Woman's Building (Los Angeles, Calif.),
1975-1985
Scope and Content Note
See also Series IV box 56 for related ephemera.
Box 51, Folder 3
Women In Art,
1972-1975
Scope and Content Note
Papers regarding Corcoran Gallery of Art conference for women in visual art.
Box 51, 62
Women's art movement,
1972-1985
Box 51, Folder 4-5
Papers
Scope and Content Note
Includes papers and clippings regarding Judy Chicago's
Dinner Party.
Box 62, Folder 5
Poster
Scope and Content Note
One poster for Judy Chicago exhibition.
Box 51, Folder 6
Women's Caucus for Art,
1984-1985
Box 51, Folder 7
Papers and black-and-white photographs
Box 104, Folder 7
Black-and-white negatives
Box 52-54
Miscellaneous
1927-1995 and undated
Scope and Content Note
Contains miscellaneous as well as personal items.
Also contained in box 62 and flatfile 3**.
Box 53, Folder 1-2
Objects,
undated
Scope and Content Note
Contains one deck of cards, one role of dummy stamps, one camera lens, a postcard from Georgia with a cotton ball attached
to it, work of art by an unknown artist,
After the Large Glass and a ticket from Ken Kesey.
Box 54, Folder 1-3
Publications,
1927-1995
Scope and Content Note
Materials related to the Getty Research Library general collection were transferred and may be found by searching the
library catalog . The publications contained in these folders are outside of the scope of the general collection. Miscellaneous publications
include clippings.
Flatfile 3**
Oversize,
undated
Scope and Content Note
Contains one plan from Resident Industrial Manager San Diego Electronics Division and one greeting card from Bob and Tobi
Smith.
Series IV.
Ephemera,
1959-1995
Physical Description:
2.9 linear feet
(7 boxes)
Scope and Content Note
The bulk of the ephemera in this series is gallery and museum exhibition announcements. The series also includes brochures
and publicity materials from other cultural institutions. Most of the materials in this series are from the Southern California
area; however, other regions of California, as well as national and international institutions, are represented.
Arrangement note
In the absence of a discernable original order, these materials have been arranged by geographic region and institution.
Box 55-59
Southern California,
1966-1986
Box 55, Folder 5
Ellie Bankroft Gallery,
1973-1977
Box 55, Folder 6
Barnsdall Park (Los Angeles, Calif.), Municipal Art Gallery,
1973-1978
Box 55, Folder 7
Beyond Baroque,
1975-1984
Scope and Content Note
See Series II box 24 for exhibition files.
Box 55, Folder 8
Broxton Gallery,
1975-1977
Box 55, Folder 9
California State University, Los Angeles,
1973-1976
Box 55, Folder 11
Cirrus Gallery,
1971-1978
Box 55, Folder 12
Comsky Gallery,
1974-1977
Box 55, Folder 13
Claire Copley Gallery,
1975-1977
Box 55, Folder 14
Corcoran Gallery,
1974-1978
Box 55, Folder 15
Rosamund Felsen Gallery,
1978-1979
Box 55, Folder 16
G. Ray Hawkins Gallery,
1975-1980
Box 56, Folder 1
Kaplan-Baumann Gallery,
1976-1977
Box 56, Folder 2
L.A. Louver Gallery,
1976-1980
Box 56, Folder 3
Thomas Lewallen,
1976-1978
Box 56, Folder 4
Los Angeles Contemporary Exhibitions (Gallery),
1978-1985
Box 56, Folder 5
Los Angeles County Museum of Art,
1972-1976
Scope and Content Note
See Series II box 12 for exhibition files.
Box 56, Folder 6
Los Angeles Institute of Contemporary Art,
1975-1979
Scope and Content Note
See also Series II and III for exhibition and administrative files.
Box 56, Folder 7
Margo Leavin Gallery,
1971-1972
Box 56, Folder 8
Mizuno Gallery,
1970-1975
Box 56, Folder 9
Mount St. Mary's College (Los Angeles, Calif.),
1975-1977
Box 56, Folder 10
Newspace,
1973-1978
Scope and Content Note
See also Series III box 35 for administrative files.
Box 56, Folder 11
Otis Art Institute,
1975-1981
Scope and Content Note
See also Series II and III for exhibition and administrative files.
Box 56, Folder 12
Pasadena Art Museum,
1966-1973
Box 57, Folder 2
Ruth Schaffner Gallery,
1973-1977
Box 57, Folder 4
David Stuart Galleries,
1972-1979
Box 57, Folder 6
Tortue Gallery,
1970-1978
Box 57, Folder 7
University of California, Los Angeles,
1975-1976
Box 57, Folder 8
Vanguard Gallery,
1968-1978
Box 57, Folder 9
Nicholas Wilder Gallery,
1973-1985
Box 57, Folder 10
Woman's Building (Los Angeles, Calif.),
1973-1983
Scope and Content Note
See also Series III box 51 for administrative files. Also includes ephemera from Womanspace and XX.
Box 57-59
Other Southern California institutions,
1966-1986
Scope and Content Note
Contains ephemera from institutions in: Los Angeles, Santa Ana, Pasadena, Orange County, San Diego, Long Beach/South Bay,
San Fernando Valley, Fullerton, Irvine, Claremont/Inland Empire.
Box 60, Folder 1-6
Northern California,
1970-1985
Box 60, Folder 1
John Berggruen Gallery,
1975-1979
Box 60, Folder 2
San Francisco Museum of Modern Art,
1974-1977
Scope and Content Note
Previously known as San Francisco Museum of Art. See also Series III box 48 for administrative files.
Box 60, Folder 3-6
Other Northern California institutions,
1973-1985
Scope and Content Note
Contains ephemera from institutions in: San Francisco, Santa Barbara, San Jose.
Box 60, Folder 7-9
Washington, D.C.,
1959-1972
Box 60, Folder 7-8
Corcoran Gallery of Art,
1959-1972
Scope and Content Note
See also series III boxes 27-30 for administrative files.
Box 60, Folder 9
Other Washington D.C. institutions,
1971-1972
Box 61, Folder 1
Institute for Art and Urban Resources,
1977-1978
Scope and Content Note
The Institute for Art and Urban Resources founded P.S. 1 Contemporary Art Center.
Box 61, Folder 2
Robert Freidus Gallery,
1978
Box 61, Folder 3-4
Other New York institutions,
1971-1995
Box 61, Folder 5-6
Other United States institutions,
1971-1978
Box 61, Folder 7
International institutions,
1973-1985
Series V.
Photographic and audiovisual materials,
1958-1998
Physical Description:
5.5 linear feet
(19 boxes)
Scope and Content Note
This series contains slides, negatives, transparencies, color photography and audiovisual materials. Personal photographs
form the bulk of the series. Other photographic materials focus on individual artists, the Otis Art Gallery, brain hemispheres,
Collage and Assemblage exhibition. Many of the audiovisual recordings relate to specific artists and exhibitions. Slides and
photographs were originally housed in metal boxes with plastic partitions, plastic slide boxes, paper boxes and envelopes
from developers, wood boxes, and slide carousels.
Audiovisual materials are unavailable until reformatting is complete. Contact the repository for information regarding access.
Use copies are indicated in container list below. Online access to
selected digitized audio recordings is available to on-site readers and Getty staff. Items were numbered by the repository.
Arrangement note
Some slides were arranged topically by Glicksman, while other slides are in no discernable order. Topics identified by Glicksman
have been documented on the slide housing. The original order of audiovisual materials was also retained.
Box 63, Folder 1-4
Black-and-white photographs,
undated
Scope and Content Note
The black-and-white negatives that correspond to these photographs are housed in box 78.
Box 64
Metal box,
undated
Scope and Content Note
Box originally housed photographs of Glicksman's trip to Italy in the 1960s. See box 71 for photographs.
Box 65-78
Slides and other photographic formats,
1958-1976
Box 79-81
Audio tapes (C1-C51, R2),
1968-1998, undated
Scope and Content Note
Contains audio cassette tapes and one sound tape reel.
Box 79, Item C2
Hal's changes and projects at PAM,
1969 Jan 24
Box 79, Item C3
2/23 WWII text discussion; WWII Misc,
undated
Box 79, Item C5
3/14/72 Misc personal; 2/28 WWII,
1972
Box 79, Item C7
Talbert, Efron pt.1; June 29 Eatherton house tearing down party Berman, Herms,
1968 Jul 4
Box 79, Item C8
A.B. Heinsbergen,
1976 Mar 18
Box 79, Item C10
Last 1/2 3/14 WWII; Venice Biennale G&G HLG & MM 3/8/72,
1972
Box 79, Item C12
Fundamentals of art & how to teach it; Fundamentals nite of Irvine offer,
1972 Feb 8
Box 79, Item C13
Bubby Maisas,
1979 Jul 15
Box 79, Item C15
C. Britten; Errase,
1968 Aug 12
Box 79, Item C17
Unlabeled,
1979
Scope and Content Note
Includes note with return address: 208 River Street Santa Cruz, CA 95060.
Box 79, Item C18
Eugene Butler,
1975 Mar 23
Box 79, Item C19
2/18/72 Museum training class; 2/2/72 WWII styles cat cry 50,
1972
Box 79, Item C20
2/25/72 WWII TH&G Argue; 2/12/72 HG GTG M. Morris income apportionment,
1972
Box 79, Item C21
6/26/75 Stewitz, Ossmun Glicksman; 6/26 Kate Stewitz, Bill Ossmun, Hal Glicksman,
1975 Jun 26
Box 79, Item C23
Peter Alexander,
1974 Aug 31
Box 79, Item C25
Peter G&H History of Corcoran,
1972 Mar 3
Box 79, Item C26
Bob Alexander; Part Keinholz,
undated
Box 79, Item C27
Marcia Ceramics,
1974 Sep 19
Box 79, Item C29
Barbara Smith meal,
ca. 1970
Box 79, Item C31
Michael Asher HG & GTG WDC,
1972
Box 79, Item C32
Ben Talbert pt two; Sunday Ben Talbert pt three,
1968 Aug 11
Box 79, Item C34
Grand Canyon by Rachel Rosenthal,
1978
Box 79, Item C35
Talbert, Efron pt II; HG & GTG & P. Dworkin,
1968 Jul 4
Box 80, Item C36
HG G&G M. Morris income apportionment cont.,
1972 Feb
Box 80, Item C38
Bob Alexander I,
1975 Mar 12
Box 80, Item C39-C40
Kit Schwartz,
1975
Scope and Content Note
Includes project description by Schwartz.
Box 80, Item C41
Betty Edwards, "Drawing on the Artist Within,"
1987
Box 80, Item C42
Tony Gand,
undated
Scope and Content Note
Use copy available.
Box 80, Item C43
Phil Hefferton,
1979 May 26
Box 80, Item C44-C45
Betty Edwards, "Drawing on the Right Side of the Brain,"
1986
Box 80, Item C47
Hal's dumb fly joke; Israel, farm joke,
1987 Jun 1
Box 80, Item C48-C49
Guy De Cointet, "TSNX C24VA7ME," Act I Scene 5,
1998 Apr
Scope and Content Note
Audio tape C49 is damaged and missing parts. Use copy available for C48.
Box 80, Item C50
Guy De Cointet,
undated
Scope and Content Note
Use copy available.
Box 80, Item C51
Notes to Hal Glicksman from Bob A.,
1986 Jul 7
Box 81
Films (F2-F7)
1970, undated
Scope and Content Note
All film reels are Super 8.
Box 81, Item F7
The American Wilderness filmstrips,
1970
Box 88
Videos (V25-V28, V34),
1980-1996
Scope and Content Note
Contains video tapes. Content to be determined. Videos which relate to exhibition material are filed with artist or exhibition.
Box 88, Item V26-V27
The Microcomputer in the Home Environment of the Severely Physically Handicapped Child, (2 copies),
1980 Feb 4
Box 88, Item V28
Collector's Favorites XII: Best of the Worst,
1992 Dec 12
Scope and Content Note
Producer: Sally Shishmanian. Includes letter and flyer.
Box 88, Item V29-V31
Four Works by Guy De Cointet w/ Mary Ann Duganne Glicksman Moca,
1985 Sep 7
Scope and Content Note
Taped by Joyce Hayashi, dubbed 2001.
Box 88, Item V32-V33
Guy De Cointet,
At Sunset a Cry was Heard,
1996 Oct 7
Box 88, Item V34
What About Tomorrow,
1980 Sep 24
