Jump to Content

Collection Guide
Collection Title:
Collection Number:
Get Items:
PRELIMINARY INVENTORY OF THE HAL GLICKSMAN PAPERS, CIRCA 1927-2010
2009.M.5  
View entire collection guide What's This?
PDF (187.76 Kb) HTML
Search this collection
 
 
Table of contents What's This?

Container List

 

Series I. Artists files, 1956-2008

Physical Description: 12.8 linear feet (18 boxes, 1 flatfile)

Scope and Content Note

Artist files contain letters, exhibition announcements, research for exhibition planning and art production, a small number of original artworks, as well as some materials unrelated to art.

Arrangement note

Arranged alphabetically by artist, followed by a small amount of material regarding a number of artists for whom Glicksman did not establish separate files.
Box 1, Folder 1

Alexander, Robert "Baza," 1967-1986

Scope and Content Note

Alexander is Reverend of Temple of Man. Includes letter to Glicksman from Barbara T. Smith.
Box 1, 89

Alexander, Peter, 1974-1975

Scope and Content Note

Contains papers regarding exhibition curated by Glicksman at the Bowers Museum. Also includes announcements for exhibition at UCI as well as clippings with review of UCI exhibition.
Box 1, Folder 2

Papers

Box 89, Folder 1

Color slides

Scope and Content Note

See also Series V box 67 for more Alexander slides.
Box 89, Folder 2

Anderson, Dave, 1975

Scope and Content Note

Includes work of art titled POB 343.
Box 1, Folder 3

Andre, Carl, 1975-1988

Box 1, 89

Andrews, Oliver, 1978

Box 1, Folder 3a

Papers

Box 89, Folder 2a

Color photograph

Box 1, Folder 4

Antin, Eleanor, 1970-1988

Scope and Content Note

See also Series V box 67 for more Antin slides.
Box 1, 89

Asher, Michael, 1969-1977

Scope and Content Note

Includes floor plan drawing, photographs and brochure for 1971 Los Angeles County Museum of Art (LACMA) exhibition, 24 Young Los Angeles Artists. Also includes photocopies of plans for Seattle Art Pavilion piece. Photographs and papers from the Museum of Modern Art's (MOMA) Spaces exhibitions are included as well.
Box 1, Folder 5

Papers and black-and-white photographs

Box 89, Folder 3

Color slides

Scope and Content Note

Some images are possibly from Pomona College exhibition.
Box 1, 89

Baden, Mowry, 1971-1985

Box 1, Folder 6

Papers and black-and-white photographs

Box 89, Folder 4

Black-and-white negatives, color photographs, color slides

Box 1, 89

Baldessari, John, 1971-1978

Box 1, Folder 7

Papers

Box 89, Folder 5

Color slides

Scope and Content Note

See also Series V box 67 for more Baldessari slides.
Box 1, 89

Baltz, Lewis, 1970-2002

Box 1, Folder 8

Papers

Box 89, Folder 6

Color slides

Box 2, Folder 1

Barthelme, Donald, undated

Box 2, Folder 1a

Beattie, Paul, 1981

Box 2

Bell, Larry, 1969-1977

Scope and Content Note

Also contained in box 89 and flatfile 1**.
Box 2, Folder 2

Papers and black-and-white photographs

Scope and Content Note

Possibly includes photographs from UCI exhibition.
Box 89, Folder 7

Black-and-white negatives, color photographs, color slides, color negatives

Flatfile 1**

Oversize

Scope and Content Note

Contains one architectural plan with drawing on it.
Box 2, 89

Bengston, Billy Al, 1968-1984

Box 2, Folder 3

Papers and black-and-white photographs

Scope and Content Note

Includes magnifying key for Nicholas Wilder exhibition.
Box 89, Folder 8

Color slides

Box 2, 89

Berman, Wallace, 1966-2008

Scope and Content Note

Some images are possibly from exhibition Art in Los Angeles - Seventeen Artists in the Sixties, at LACMA, 1981.
Box 2, Folder 4-5

Papers and black-and-white photograph

Box 89, Folder 9

Color photograph, slides and black-and-white negatives

Scope and Content Note

See also Series V box 66 for more Berman slides.
Box 2, Folder 6

Brecht, George, 1968-1969

Box 2, 105*

Brown, Robert Delford, 1967-2008

Box 2, Folder 7

Papers and black-and-white photographs

Box 105*, Folder 1-2

Oversize

Box 2, Folder 8

Burden, Chris, 1973-1977

Scope and Content Note

See also Series V box 67 for more Burden slides.
Box 2, 89

Buren, Daniel, 1979

Scope and Content Note

Photographs are possibly from Otis Art Gallery Frost and Defrost, 1979.
Box 2, Folder 9

Black-and-white photographs

Scope and Content Note

Possibly includes photographs from Otis exhibition.
Box 89, Folder 10

Black-and-white negatives and color slides

Box 2, Folder 10

Butler, Eugenia, 1969-1979

Scope and Content Note

Includes drawings. Also known as Madam Houri.
Box 2, Folder 10a

Butler, Eugenia 1984

Scope and Content Note

Daughter of artist, Eugenia Butler.
Box 3, 90

Chicago, Judy, 1970-1975

Box 3, Folder 1

Papers

Box 90, Folder 1

Color slides

Box 3, 90

Conner, Bruce, 1959-1975

Scope and Content Note

Includes letters to Walter Hopps regarding Conner loan for Assemblage in California, 1968.
Box 3, Folder 2

Papers

Box 90, Folder 2

Black-and-white transparency and color slides

Scope and Content Note

See also Series V box 66 for more Conner slides.
Box 3, 90

Cooper, Ron, 1970

Box 3, Folder 3

Black-and-white photographs

Box 90, Folder 3

Color photograph and color slides

Box 3, 90

Cornell, Joseph, 1966-1967

Box 3, Folder 4

Papers

Box 3, Folder 5

Note cards

Scope and Content Note

Cards comprise a bibliography on Cornell.
Box 90, Folder 4

Polaroids and color slides

Box 3, Folder 6

Cutler-Shaw, Joyce, 1974-1975

Box 3-4

Darling, Lowell, 1973-1984

Box 3, Folder 7

Papers, 1973-1984

Box 4

D.I.V.O.R.C.E., 1974

Scope and Content Note

Props from original work of art performed with Kathleen Harris at Womanspace.
Box 90, Folder 5

Darling, Sanford, undated

Box 5, Folder 1

Davis Horowitz, Channa, 1974

Box 5, 90

Davis, Don, undated

Box 5, Folder 2

Papers and black-and-white photographs

Box 90, Folder 6

Color photograph

Box 5, 90

DeFeo, Jay, 1975-1985

Box 5, Folder 3

Papers and black-and-white photograph

Box 90, Folder 7

Color slides

Box 5, Folder 4

De Lap, Tony, 1972-1974

Scope and Content Note

Contains one deck of cards designed by De Lap.
Box 5, Folder 5

Dreva, Jerry, 1978

Box 5, 90

Dworkin, Peter, 1972-1976

Box 5, Folder 6

Papers

Box 90, Folder 8

Color photographs, color slide and color negatives

Box 5, 90

Eatherton, Tom, 1970-1986

Scope and Content Note

Contains photographs and papers regarding plans, statements and documentation of Eatherton pieces Move, Guide, Home and Rise. Includes piece of fabric possibly used in construction of an installation piece. See also Series II and III for materials related to Eatherton exhibitions at Pomona College, UCI, and Percept.
Box 5, Folder 7-8

Papers and black-and-white photographs

Box 90, Folder 9

Color photographs and slides

Scope and Content Note

See also Series V box 66 for more Eatherton slides.
Box 5, 90

Eller, Jim, 1965

Scope and Content Note

Contains original artwork.
Box 5, Folder 9

Drawings

Box 90, Folder 10

Color slides

Scope and Content Note

Contains images of Eller's wedding.
See also Series V box 67 for more Eller slides.
Box 5, Folder 10

Experiments in Art and Technology (Organization), 1968-1970

Box 5, Folder 11

Figen, Milton, 1975

Box 5, Folder 11a

Fiskin, Judy, 1974-1985

Box 5

Flavin, Dan, 1971-2004

Scope and Content Note

Also contained in boxes 91, 105* and flatfile 1**.
Box 5, Folder 12

Papers and black-and-white photographs

Scope and Content Note

Includes assembly instructions for sculpture.
Box 91, Folder 1

Color slides

Box 105*, Folder 3

Oversize

Scope and Content Note

Three exhibition posters and assembly instructions.
Flatfile 1**

Poster

Box 5, Folder 13

Foulkes, Llyn, 1975

Box 5, Folder 14

Glass, Philip, 1975-1980

Scope and Content Note

Includes one announcement for Philip Glass Ensemble show sponsored by Some Serious Business. See Series III box 50 for more on Some Serious Business.
Box 91, Folder 2

Goode, Joe, undated

Scope and Content Note

See also Series V box 67 for more Goode slides.
Box 6, Folder 1

Greene, Merril, 1974-1977

Box 6, 91

Hefferton, Phillip C. (Phillip Conrad), 1966-1981

Scope and Content Note

Includes original artwork. Also includes letter from William Copley.
Box 6, Folder 2-5

Papers and black-and-white photograph

Box 91, Folder 3

Transparencies and color slides

Scope and Content Note

See also Series V box 66 for more Hefferton slides.
Box 7, Folder 1

Herms, George, 1962-1985

Scope and Content Note

See also Series V box 66 for more Herms slides.
Box 7, Folder 1a

Hershman, Lynn, 1975

Box 7, Folder 2

Hogan, Pat, 1986-1988

Box 7, Folder 2a

Ikegawa, Shiro, 1974-1975

Box 7, Folder 3

Jones, Kim, 1976

Box 7, Folder 4

Judd, Donald, 1968-1984

Box 7, Folder 4a

Kaprow, Alan, undated

Scope and Content Note

Contains photocopy of article by Kaprow on Jackson Pollock and instructions for Apples and Oranges (For Barbara Smith).
Box 7, Folder 5

Karelitz, Judith, 1971-1972

Box 91, Folder 4

Kawara, On, undated

Scope and Content Note

Contains color slides.
Box 7, Folder 6

Kienholz, Edward, 1968-1975

Scope and Content Note

See also Series V box 67 for more Kienholz slides.
Box 7, Folder 7

Koren, Leonard, 1975-1976

Box 7, 91

LeWitt, Sol, 1971-1972

Box 7, Folder 8

Papers and black-and-white photographs

Box 91, Folder 5

Transparency and color slide

Scope and Content Note

See also Series V box 65 for more LeWitt slides.
Box 7, Folder 9

Lichtenstein, Roy, 1963-1967

Scope and Content Note

See also Series V box 68 for more Lichtenstein slides.
Box 7, Folder 10

Lubelski, Abraham, 1969

Box 7, Folder 10a

Lundberg, William, 1981

Box 7, Folder 11

MacDonald-Wright, Stanton, 1956-1970

Box 7, 62, 91

Mason, Fred, 1958-1987

Box 7, Folder 12-13

Papers and art work

Scope and Content Note

Includes art piece on an American flag.
Box 62, Folder 1

Oversize artwork

Box 91, Folder 6

Color slides and color photographs

Scope and Content Note

See also Series V box 66 for more Mason slides.
Box 7, Folder 14

McMillen, Michael, 1973-1983

Scope and Content Note

Includes Mystery Museum souvenir trading cards. See also Series V box 67 for more McMillen slides and Series II box 19 for contact print sheet.
Box 8, Folder 1

Miller, George, 1975

Box 8, Folder 2

Mock, Richard, 1978

Box 91, Folder 7

Morris, Robert, undated

Scope and Content Note

Contains color slides. See also Series V box 68 for more Morris slides.
Box 8, Folder 2a

Munger, Barbara, 1980

Scope and Content Note

Contains original drawings.
Box 91, Folder 8

Nauman, Bruce, 1973

Scope and Content Note

Contains slide.
Box 8, Folder 3

Newman, Barnett, 1966-1970

Scope and Content Note

Includes letter with drawing by Newman describing crating instructions and condition report.
See also Series V box 68 for more Newman slides.
Box 8, 92

Nordman, Maria, 1973-2000

Scope and Content Note

Includes transcripts of interview between Maria Nordman, Hal Glicksman and Barbara Haskell. Also includes photographs, possibly from UCI exhibition and from Nordman sailing party.
Box 8, Folder 4-5

Papers and black-and-white photographs

Box 92, Folder 1

Color photographs, color negatives, black-and-white negatives and color slides

Box 8, 92

Orr, Eric, 1970-1998

Scope and Content Note

Includes materials related to Zero Mass exhibition at UCI Art Gallery.
Box 8, Folder 6

Papers and black-and-white photographs

Scope and Content Note

Photographs are possibly from UCI exhibition.
Box 92, Folder 2

Black-and-white negatives

Box 8, 92

Reynolds, Jane, undated

Box 8, Folder 7

Papers

Box 92, Folder 3

Color slides

Box 8, Folder 8

Richer, Arthur, 1983

Box 8, Folder 9

Rosen, Gerry, undated

Box 8, Folder 10

Rosler, Martha, 1974-1976

Box 8, 92

Ruscha, Edward, 1973-1985

Box 8, Folder 11

Papers

Box 92, Folder 4

Color transparency and color slide

Scope and Content Note

See also series V box 68 for slides.
Box 8, Folder 12

Secunda, Arthur, 1974-1975

Box 8, Folder 13

Schapiro, Miriam, 1975, undated

Box 8, Folder 14

Sheldon, Richard, 1967-1972

Box 8, Folder 15

Smith, Barbara, 1968-1982

Scope and Content Note

Includes set of drawings, two of which are possibly not by artist. Also includes original Smith business card, certificate for the Pageant of the Holy Squash, instructions for Unsolicited Mail and exhibition announcements for Mass Meal and One Evening of Theater Pieces.
Box 9, Folder 1

Steinitz, Kate Traumann, 1975-1976

Box 9, Folder 2

Stella, Frank, undated

Scope and Content Note

Includes plans for work.
Box 9, Folder 3

Stylainos, 1981

Box 9, 93

Talbert, Ben, undated

Scope and Content Note

Includes images from exhibition Ten years of Erotic Art at the Mermaid Tavern. Also includes a deck of cards.
Box 9, Folder 4-5

Playing cards and black-and-white photographs

Box 93, Folder 1

Black-and-white negatives and color slides

Scope and Content Note

See also series V box 65 for slides.
Box 9, 105*

Thomas, Frank, 1970-1974

Box 9, Folder 5a

Papers and black-and-white photograph

Box 105*, Folder 3a

Oversize

Box 9, 93

Tivey, Hap, 1976

Box 9, Folder 6

Papers

Box 93, Folder 2

Color slides

Box 9, Folder 7

Trocchi, Alexander, 1964

Box 9, Folder 8

Turrell, James, 1972-1974

Box 9, Folder 9

Vallance, Jeffrey, 1984

Box 9, 93

Wasserman, Bart, 1978-1982

Box 9, Folder 10

Papers

Box 93, Folder 3

Color slides

Box 9, 93

Wilfred, Thomas, 1971

Box 9, Folder 11

Papers

Box 93, Folder 4

Color slides

Box 9, Folder 12

Wilson, David, 1989-2002

Box 9, Folder 13

Zimmerman, Elyn, 1984

Box 9, 93

Other artists, 1966-1986

Scope and Content Note

Includes original art. Some artists included in this file are: George Abond, Larry Albright, Laurie Anderson, Alice Asmar, Iain Baxter, Noa Bornstein, Donald C. Blaisdell, Lucy Blake-Elahi, Lau Chen, Fu-Kai (Bob) Cheng, Chitrakar, Boyd Clopton, Dorit, Cypis, Kate Delos, Ruth Mary Dugan, Anthony Enton Friedkin, Marcia Herscovitz, Eden Hodara, Bruce Houston, Susan Lash, Joyce Liberman, David MacDermott, John Margolies, Ronn St. Pierre, Tree Stokes, Cary Stump, U-turn, Ruth Weisberg, Noa Wolken, Tony Wong.
Box 9, Folder 14-15

Papers

Box 93, Folder 5

Color slides and color photographs

 

Series II. Exhibition files, 1964-1988

Physical Description: 15.3 linear feet (33 boxes)

Scope and Content Note

Exhibition files contain materials relating to Glicksman's curatorial practice, including planning, budgeting, installation, and publicity and event organization.

Arrangement note

Arranged by institution and chronologically according to the timeline of Hal Glicksman's career.
Box 10-11, 94

Pasadena Museum of Art, Bienal Internacional de São Paulo, 1964-1969

Scope and Content Note

The Pasadena Art Museum, under the leadership of Walter Hopps, was invited by the United States Information Agency to organize the American entry at the eighth São Paulo Biennial International Exhibition. Hopps focused the exhibition on the work of Barnett Newman.
Box 10, Folder 1-4

General papers and periodicals

Scope and Content Note

Includes exhibition signage, a set of cards with artist and title information, briefing report from American Consulate, maquette for catalog and clippings.
Box 10, Folder 5

Black-and-white photographs

Box 11

Decorated box

Scope and Content Note

Box decorated with Brazilian flag and clippings regarding São Paulo Bienal, that originally housed photographic material.
Box 94, Folder 1

Color slides, black-and-white negatives, color photograph, color transparency

Box 12, 94

Los Angeles County Museum of Art, 1968-1972

Scope and Content Note

See Series IV box 56 for LACMA ephemera.
Box 12, 94

Art and Technology, 1969-1972

Box 12, Folder 1-2

General papers and black-and-white photograph

Box 12, Folder 3

Ransom William

Box 12, Folder 4

Stan Vanderbeek

Box 94, Folder 2

Color photographs

Scope and Content Note

Includes pictures of Barbara Smith at the opening.
Box 12, Folder 5

Stephan von Huene, 1968

Box 13, 94-96

Pomona College (Claremont, Calif.). Art Gallery, 1969-1979

Scope and Content Note

Also known as Montgomery Art Gallery. Glicksman established a project series as director of the Pomona College Art Gallery wherein the space was given to an artist-in-residence for an eight week period to create an exhibition. Project artists included Lloyd Hamrol, Joe Goode, Ron Cooper, Michael Asher and Thomas Eatherton.
Box 13, 94

Lloyd Hamrol, 1969

Box 13, Folder 1

Papers and black-and-white photographs

Box 94, Folder 3

Color photographs and color slides

Box 13, 94

Ron Cooper, 1969

Box 13, Folder 2

Papers and black-and-white photographs

Box 94, Folder 4

Color slides

Scope and Content Note

Includes portrait of Robert Smithson.
Box 13, 95

Movie Palace Modern, 1969-1979

Scope and Content Note

Movie Palace Modern was a traveling exhibition featuring the drawings of A. B. Heinsbergen.
Box 13, Folder 3

Papers

Box 13, Folder 4

Modern and Art Deco art

Scope and Content Note

Contains papers that do not specifically relate to exhibition but appear to be topical research files.
Box 95, Folder 1

Color slides

Box 13, 96

Michael Asher, 1970

Scope and Content Note

The Michael Asher exhibition, Environment, coincided with an exhibition by Judy Chicago, Snow Atmosphere.
Box 13, Folder 5

Papers and black-and-white photographs

Box 96, Folder 1

Black-and-white negatives and color slides

Box 13, 96

Chicano Graffiti, 1970-1975

Box 13, Folder 6

Papers and black-and-white photographs, 1970-1974

Box 13, Folder 7

Chicano exhibition materials, 1972-1975

Scope and Content Note

Topical research file including Los Four exhibition list for the Los Angeles County Museum of Art show and various Los Four exhibition announcements. Also includes black-and-white photographs of Los Four artists. See also box 18 for materials regarding the exhibition at UCI.
Box 96, Folder 2

Color photographs, undated

Scope and Content Note

Some graffiti photography may not have been used for Pomona exhibition.
Box 13, 96

Thomas Eatherton, Rise, 1970

Scope and Content Note

Eatherton's exhibition Rise, was also executed in 1981 at the Percept Gallery. See Series I, box 5 and Series III, box 45.
Includes fabric samples that were considered for use in the installation. Also includes sketches of plans. Photographs document installation and finished piece.
Box 13, Folder 8

Papers and black-and-white photographs

Scope and Content Note

Includes portraits of Michael Brewster and David Grey.
Box 96, Folder 3

Color photographs and slides

Scope and Content Note

Includes portrait of Judy Chicago.
Box 14, Folder 1-2

Corcoran Gallery of Art, 1971

Box 14, Folder 1

Wilderness

Box 14, Folder 2

Michael Asher

Scope and Content Note

Includes architectural plans some with annotations.
Box 14-18

Art Gallery of the University of California, Irvine, 1968-1984

Scope and Content Note

Also contained in the following boxes: 82, 97-98, 105*.
Box 14, 97

Assemblage in California, 1968

Scope and Content Note

See also box 9, folder 4 for topical research file on assemblage.
Box 14, Folder 3-4

Papers and black-and-white photograph

Scope and Content Note

Includes proofs and drafts for catalog as well as bids from publishers. Loan agreements and exhibition floor plans are also included.
Box 14, Folder 5

Wallace Berman

Box 97, Folder 1

Black-and-white negatives

Box 15

Marcel Duchamp Festival, 1971

Scope and Content Note

Contains 24 mounted black-white-photographs related to the Festival, possibly for didactic pieces.
Box 14, 97

Mark Di Suvero, 1972

Scope and Content Note

Images also include portrait of Sally Shishmanian.
Box 14, Folder 6

Black-and-white photograph

Box 97, Folder 2

Black-and-white negatives and color slides

Box 14, 105*

Bruce Nauman, Floating Room, 1973

Box 14, Folder 7

Black-and-white photographs

Scope and Content Note

Includes photograph of plan.
Box 105*, Folder 4

Oversize

Scope and Content Note

Contains one exhibition poster designed by Bruce Nauman
Box 14, Folder 8

David R. Thompson, 1973

Box 16-17

World War II, 1971-1973

Scope and Content Note

Also contained in boxes: 82, 97.
Box 16, Folder 1-2

General papers

Scope and Content Note

Includes exhibition proposal, artist list.
Box 16, Folder 3

Office of the Chief of Military History

Box 16, Folder 4

Navy Combat Art Collection

Box 16, Folder 5

Life Magazine

Box 16, Folder 6

Library of Congress

Box 16, Folder 7

Black-and-white photographs

Box 17

Note cards

Scope and Content Note

Note cards comprise research rolodex for the exhibition.
Box 97, Folder 3

Color photographs, black-and-white negatives and slide film

Box 82, Item R1

Unidentified sound tape reel

Box 82, Item F1

U.S.O promotional film reel (6 min.)

Box 18, 97

Maria Nordman, Saddleback Mountain, 1973

Box 18, Folder 1

Black-and-white photographs

Box 97, Folder 4

Black and white negatives

Box 18, 97

Los Four, 1973

Scope and Content Note

Los Four artists included: Carlos Almaraz, Robert de La Rocha, Gilbert Lujan, Frank Romero. See also box 13 for Chicano exhibition research file.
Box 18, Folder 2

Papers and black-and-white photographs

Box 97, Folder 5

Black-and-white negatives and color slides

Box 98, Folder 1

Sol Lewitt project, 1974

Scope and Content Note

Contains color slides.
Box 18, 98

Larry Bell, 1974

Box 18, Folder 3

Papers and black-and-white photographs

Box 98, Folder 2

Color slides

Box 18, 98

Tom Eatherton, Guide, 1974

Scope and Content Note

Includes sketch of exhibition plan.
See also Series I box 5 for artist file.
Box 18, Folder 4

Plan

Box 98, Folder 3

Color slides

Box 18, Folder 5

Eleanor Antin, Black is Beautiful, 1974

Box 18, Folder 6

Gary Lloyd, 1974

Box 18, 98

Paul Waszink, 1974-1975

Scope and Content Note

Includes drawings of specifications for outdoor exhibition space, possibly by artist.
Box 18, Folder 7

Papers and black-and-white photograph

Box 98, Folder 4

Color slides

Scope and Content Note

See also Series V box 68 for more Waszink slides.
Box 18, 98

Peter Alexander, Sunsets, 1974

Box 18, Folder 8

Clipping

Box 98, Folder 5

Color slides

Box 98, Folder 6

Jane Reynolds, 1974

Box 18, 98

John Baldessari, Songs, 1975

Scope and Content Note

Includes instructions for catalog.
Box 18, Folder 9

Papers and black-and-white photograph

Box 98, Folder 7

Color slides

Box 98, Folder 8

Oliver Andrews, Summer Solstice, A Ceremonial Space, 1975

Box 18, 98

Channa Davis Horwitz, New Work in Time and Space, 1984

Box 18, Folder 10

Black-and-white photograph

Box 98, Folder 9

Black-and-white negatives

Box 19-20

Los Angeles Institute of Contemporary Art, Collage and Assemblage, 1973-1988

Scope and Content Note

Also contained in boxes: 62, 83-87, 99.
A Collage and Assemblage contact prints sheet shares images with McMillen exhibition, see Series I box 7 for McMillen artist file.
Box 19, Folder 1-2

General papers

Box 19, Folder 3-4

Artists' contact information

Scope and Content Note

Contact information is comprised of two sets index cards. One set of cards is possibly from Assemblage in California, at UCI.
Box 20, Folder 1-2

Loan agreements

Box 20, Folder 3

Artists' submissions

Box 20, Folder 4

Assemblage exhibitions materials

Scope and Content Note

Topical research file including materials regarding exhibitions at James Corcoran Gallery, Shoshana Wayne Gallery, Pence Gallery and Brea Civic Center for exhibitions titled Lost and Found in California: Four Decades of Assemblage Art and Assemblage Art: A Poetic Transformation.
Box 62, Folder 2

Drawing

Scope and Content Note

Contains one drawing by de la Rocha.
Box 99

Color slides and color photographs

Scope and Content Note

See also Series V box 67 for more exhibition slides.
Box 83-87

Videos (V1-V24)

Scope and Content Note

Contains video tapes possibly of interviews made of each artist as they brought work to the gallery.
Audiovisual materials are unavailable until reformatting is complete. Use copies available are indicated in container list below. Contact the repository for information regarding access.
Box 83, Item V1

LAICA Set Up 3/28

Box 83, 85, Item V2, V13

Dan Graham

Box 83, 87, Item V3, V24

3/19/75

Box 83, 86, Item V4, V18

LAICA 3/21/74

Box 84, Item V5

LAICA Set Up 3/28

Box 84, Item V6

3/19/75 Collage/Assemblage & 3/20/75

Box 84, Item V7

Unlabeled

Box 84, Item V8

Billie Holiday; Gayle Dancing

Box 85, Item V9

Love Is a Warm; Ben Talbert; Hal Glicksman; Gayle Davis

Box 85, Item V10

Nordman

Box 85, 87, Item V11, V21

Lica 1

Box 85, 86, Item V12, V19

Lica 2

Box 85, Item V14

Place 1 & 2

Box 86, Item V15

3/19/75: Collage/Assemblage

Scope and Content Note

Use copy available.
Box 86, Item V16

Laica Setup

Scope and Content Note

Use copy available.
Box 86, Item V17

Maria Nordman

Box 86, Item V20

1/4/75: Billie Holiday, Gayle Dancing

Box 87, Item V22

Love Is a Warm...

Box 87, Item V23

3/28, Laica, Sex Up

Scope and Content Note

Use copy available.
Box 21-23

Otis Art Institute, Gallery, 1975-1981

Scope and Content Note

Also contained in boxes: 62, 100-102.
Box 21, 100

Mowry Baden and Dan Graham, 1975

Box 21, Folder 1

Papers and black-and-white photographs

Box 100, Folder 1

Black-and-white negatives and color slides

Box 21, 100

The Sky Show, 1975

Box 21, Folder 2

Papers and black-and-white photographs

Box 100, Folder 2

Color photographs

Box 21, 100

The Grandest Floor Show of Woven Wonders on the "Planet Earth," 1975

Box 21, Folder 3

Papers

Box 100, Folder 3

Polaroid

Box 21, 100

Richard Tuttle, 1976

Box 21, Folder 4

Papers and black-and-white photographs

Box 100, Folder 4

Black-and-white negatives and color slides

Box 21, Folder 5

The Great American Quilts, 1976

Box 21, 100

Lita Albuquerque, Charles Arnoldi, Lynda Benglis, Rosemarie Castoro, Pat Steir, 1976

Box 21, Folder 6

Papers and black-and-white photographs

Box 100, Folder 5

Color slides

Box 21, 100

Alice Aycock and Jane Reynolds, 1976

Scope and Content Note

Aycock's piece was titled Heavy Roofed Building. File includes several copies of correspondence between Glicksman and director, Gurdon Woods, where Woods expresses concern over the installation of the Reynolds piece.
Box 21, Folder 7

Papers and black-and-white photographs

Box 100, Folder 6

Black-and-white negatives and color slides

Box 21, 100

Dan Flavin, 1977

Scope and Content Note

Includes installation plans.
Box 21, Folder 8

Papers and black-and-white photographs

Box 100, Folder 7

Black-and-white negatives

Box 21, Folder 9

Carl Andre, 1977

Scope and Content Note

Andre created two large sculptures series: Prime Rectiles and Blue Equivalents.
Box 21, 101

Festival in Black, 1977

Box 21, Folder 10

Papers and black-and-white photographs

Box 101, Folder 1

Black-and-white negatives, black-and-white transparency, color slides and color photographs

Box 21, 101

Hap Tivey/John Knight, 1977

Box 21, Folder 11

Papers and black-and-white photographs

Box 101, Folder 2

Black-and-white negatives

Box 21, 101

On Kawara, 1977

Scope and Content Note

Exhibition of Kawara's Today series of date paintings for 1967.
Box 21, Folder 12

Papers and black-and-white photographs

Box 101, Folder 3

Black-and-white negatives, color transparency and color slides

Box 21, 101

Christmas at Otis, 1977

Box 21, Folder 13

Papers and black-and-white photographs

Box 101, Folder 4

Black-and-white negatives and color slides

Box 21, 101

Drawing Toward a More Modern Architecture, 1978

Box 21, Folder 14

Papers and black-and-white photographs

Box 101, Folder 5

Black-and-white negatives

Box 21, 101

Sam Francis, Work in Progress, 1978

Box 21, Folder 15

Papers and black-and-white photographs

Box 101, Folder 6

Black-and-white negatives and color slides

Box 21, 101

Richard Mock, Your Portrait, 1978

Box 21, Folder 16

Clipping and black-and-white photograph

Box 101, Folder 7

Black-and-white negatives

Box 22, 101

Peasant Paintings from Huhsein, 1978

Box 22, Folder 1

Papers and black-and-white photographs

Box 101, Folder 8

Black-and-white negative and color slides

Box 22, 102

Beyond Realism, 1978

Scope and Content Note

Exhibition featured work by: Jo Hanson, Victor Lance Henderson, John Mandel, Michael McMillan and Eduardo Munoz.
Box 22, Folder 2-3

Papers and black-and-white photographs

Box 102, Folder 1

Black-and-white negatives

Box 22-23, 102

Wallace Berman Retrospective, 1978-1980

Scope and Content Note

The Wallace Berman Retrospective exhibition traveled to the Fort Worth Art Museum, University Art Museum at Berkeley and the Seattle Art Museum. The exhibition was underwritten by the Fellows of Contemporary Art and the National Endowment for the Arts.
Box 22, Folder 4

General papers

Scope and Content Note

The retrospective traveled to the Fort Worth Art Museum, University Art Museum at Berkeley and the Seattle Art Museum.
Box 22, Folder 5-6

Lender letters and loan agreements

Scope and Content Note

Contains lender letters and loan agreements.
Box 23, Folder 1

Papers related to exhibition travel

Box 23, Folder 2

Budgets, contract applications and agreements

Box 23, Folder 3-4

Black-and-white photographs

Box 102, Folder 2

Color polaroids, color photographs, color negatives, color transparencies and black-and-white negatives

Box 23, 102

Hecho en Mexico, 1978

Box 23, Folder 5

Papers and black-and-white photographs

Box 102, Folder 3

Black-and-white negatives

Box 102, Folder 4

LA Parks and Wrecks, 1979

Scope and Content Note

Contains color slides.
Box 23, Folder 6

De Cointet, Hernandez, Holste, and Kahn, 1979

Box 23, 102

William Lundberg and William Wegman, 1979

Box 23, Folder 7

Black-and-white photographs

Box 102, Folder 5

Black-and-white negatives and color slides

Box 23, 102

The Young/The Restless, 1980

Box 23, Folder 8

Price list

Box 102, Folder 6

Color slide

Box 23, 102

Twentieth Century Folk Art, 1980

Box 23, Folder 9

Papers

Box 102, Folder 7

Color slides

Box 23, Folder 10

Exceptional American Quilts, 1980

Box 23, Folder 11

Lewis Baltz, Park City, 1981

Box 23, 62

Paintings By, 1981

Box 23, Folder 12

Papers and black-and-white photographs

Box 62, Folder 3

Oversize exhibition announcements

Scope and Content Note

Contains two fabric exhibition announcements.
Box 23, Folder 13

Folk Art Christmas, 1981

Box 24, 103

Beyond Baroque Literary Arts Center, Time Machine, 1983-1986

Scope and Content Note

See also Series IV box 55 for related Beyond Baroque ephemera.
Box 24, Folder 1-2

Papers and black-and-white photograph

Box 103, Folder 1

Black-and-white negatives

Box 24, 103

Santa Monica Arts Commission, 1983-1985

Box 24, Folder 3

Exhibitions

Scope and Content Note

Contains materials regarding exhibition space at the Santa Monica Public Library, general materials about the exhibitions and other Commission ephemera.
Box 24, 103

Art in Print

Box 24, Folder 4

Papers and black-and-white photographs

Box 103, Folder 2

Black-and-white negatives

Box 24, 103

Some Important Announcements

Box 24, Folder 5

Papers and black-and-white photographs

Box 103, Folder 3

Black-and-white negatives

Box 24, Folder 6

Art Bank

 

Series III. Administrative and research files, 1927-2010

Physical Description: 24.0 linear feet (34 boxes, 2 flatfiles)

Scope and Content Note

This series contains administrative, teaching and research files. Although the administrative files in this series reflect Glicksman's interest in the arts, they are not related to specific artists or exhibitions. Rather, the series documents the administration and policies of several institutions where Glicksman worked. Glicksman's research files document his wide range of interests, from his involvement with the women's art movement to his concern with information technologies.

Arrangement note

Arranged alphabetically by topic or institution name.
Box 25, 103

76 Market Street, 1976-1979

Box 25, Folder 1

Papers

Box 103, Folder 4

Black-and-white negatives

Box 25, Folder 2-3

Address lists, 1967-1970

Box 25, Folder 4

American Association of Museums, 1971-1974

Scope and Content Note

Focuses on Fort Worth, Texas June 1974 meeting.
Box 25, Folder 5

Art Bank, 1982-1986

Box 25, Folder 6

Artforum, 1975

Scope and Content Note

Contains photocopies of article regarding Artforum lawsuit, Ladd vs. Artforum chronology and papers related to lawsuit, and minutes from Pasadena Museum of Art Board of Trustees meeting wherein Director Walter Hopps resigned.
Box 25, Folder 7

Artist contract, 1975

Scope and Content Note

Contains template and explanatory notes for artists contract from Lawyers for the Arts Committee and letter from Maxine Wolf.
Box 25, Folder 8

Art Libraries Society, 1975-1977

Box 25, 103

Art loans, 1965-1990

Scope and Content Note

Contains loan agreements and ephemera related to Glicksman's personal loans of art works to exhibitions.
Box 25, Folder 9-10

Papers

Box 103, Folder 5

Color photograph

Box 26, Folder 1-2

Art societies and associations, 1972-1976

Scope and Content Note

The bulk of the folder contains brochures and letters from arts organizations in response to a letter from Charles Semowich.
Box 26, Folder 3

Biennale de Paris, 1975

Scope and Content Note

Handwritten note identifies Barbara Berman. Contains black-and-white photographs. Glicksman designed and installed the United States' presentation at the fifth Biennale de Paris in 1967.
Box 26, Folder 4

California Computer Products, 1968-1969

Box 26, Folder 5

California Institute of the Arts, 1969-1970

Scope and Content Note

Includes California Institute of the Arts Bulletin one, two and three.
Box 26, Folder 6

Cart and Crate, 1972

Scope and Content Note

Contains papers regarding transport of Heller collections from Washington, D.C., to Tucson, Arizona.
Box 26, Folder 7

Cerritos College, 1963-1974

Scope and Content Note

Includes black-and-white photographs.
Box 26, Folder 8

China, 1978

Box 26, 103

Cirrus Editions, 1971

Box 26, Folder 8a

Papers

Box 103

Color slides

Box 26, Folder 9

College Art Association of America, 1984

Box 26, Folder 10

Contemporary Arts Center (Cincinnati, Ohio), 1971-1977

Scope and Content Note

Contains letters regarding Glicksman's application for directorship and papers for National Endowment for the Arts applications.
Box 27-30

Corcoran Gallery of Art, 1951-1975

Scope and Content Note

Also contained in boxes 103, 105* and flatfile 2**.
See also Series IV box 60 for related ephemera.
Box 27-28

General papers

Scope and Content Note

Includes one doodle by Walter Hopps.
Box 29, Folder 1

Glicksman employment

Scope and Content Note

Contains papers related to Glicksman's appointment and resignation from the Corcoran Gallery of Art. His resignation was related to activity with the Art Museum Professionals Union.
Box 29, Folder 2

Clark Collection

Scope and Content Note

Contains trust agreement regarding donation of collection and excerpts from the will of William A. Clark.
Box 29, Folder 3-5

Buildings and maintenance

Scope and Content Note

Includes letters regarding repairs and plans for construction, floor plans and quarterly reports from the committee on buildings and maintenance.
Box 30, Folder 1-2

Security

Scope and Content Note

Includes information regarding security consultant Joseph Chapman.
Box 30, Folder 3-4

Finances

Scope and Content Note

Contains departmental budgets, annual reports, income reports, museum budgets, exhibition budgets.
Box 30, Folder 5

Clippings

Box 30, Folder 6

Black-and-white photographs

Box 103, Folder 6

Color photograph

Box 105*, Folder 5

Oversize

Scope and Content Note

Contains organizational charts.
Flatfile 2**

Oversize plans

Scope and Content Note

Contains plans for Robert Irwin installation.
Box 31, Folder 1

Croton, Fred, 1987

Scope and Content Note

Contains Los Angeles Times clippings.
Box 31, 103

Datamost, 1983-1984

Box 31, Folder 2

Papers

Scope and Content Note

Includes papers related to Percept, see box 45.
Box 103, Folder 7

Color photographs

Scope and Content Note

Photographs are possibly not related to Datamost.
Box 31, Folder 3

Dia Art Foundation, 1978-1988

Scope and Content Note

Includes information for visiting The Lightning Field.
Box 36

Diaries, 1978-1988

Box 31, Folder 4

Dwan Gallery, 1964

Box 31, Folder 5

Electro meditation, undated

Box 31, Folder 6

Environmental communications, 1973-1978

Box 31, Folder 7

Eye 8, 1983

Box 31, Folder 8

Fort Worth Art Museum, 1977

Scope and Content Note

Includes transcript from interview with Marge Goldwater for Los Angeles in the Seventies exhibition catalog.
Box 31, Folder 9

Foundation for Art Resources (Los Angeles, Calif.), 1977-1986

Box 31, Folder 10-14

Glicksman, Hal, 1960-1985

Box 31, Folder 10

General papers

Scope and Content Note

Includes papers, clippings and photographs regarding endeavors by Glicksman outside of his places of employment.
Box 31, Folder 11-13

Education

Scope and Content Note

Includes materials related to Glicksman's application and enrollment in the University of California, Los Angeles' graduate school. Also includes syllabi and papers by Glicksman.
Graded papers are sealed for Glicksman's lifetime.
Box 31, Folder 14

Finances

Scope and Content Note

Materials are sealed for Glicksman's lifetime.
Box 32, Folder 1

Henri Gallery, 1966-1976

Scope and Content Note

Contains letters and correspondence regarding sale and collection of funds for a painting by Phillip Hefferton.
Box 32, Folder 2

Hopps, Walter, 1962-1984

Box 32, Folder 3-4

Hudson River Museum, 1978-1980

Scope and Content Note

Contains letters and Museum materials in regards to Glicksman consideration for the position of Museum Director.
Box 32, Folder 5

Information technology, 1982-1984

Scope and Content Note

Includes letter to Harold Williams.
Box 32, 103

Installing Art Exhibitions, 1967-1971

Scope and Content Note

Contains copies of a proposal for a working manual for art installation.
Box 32, Folder 6

Papers

Box 103, Folder 8

Color slides

Box 32, 103

Instant Theatre, 1977-1987

Scope and Content Note

Includes maquette for logo and original art work for logo development.
Box 32, Folder 7

Papers

Box 103, Folder 9

Color photographs

Box 33, Folder 1

Institute for Policy Studies, 1971-1972

Scope and Content Note

Contains notes and letters regarding a grant proposal.
Box 33, Folder 2

Institute of Contemporary Art (Amsterdam, Netherlands), 1992-1993

Scope and Content Note

Includes materials regarding Wallace Berman exhibition.
Box 33, Folder 2a

J.A. Bauer Pottery Company, 1974

Scope and Content Note

Contains research papers on Bauer pottery company in response to request from Lewis Baltz. Glicksman collected pottery.
Box 33, Folder 3

Lannan Foundation, 1985-1986

Box 33, Folder 3a

Letters from non-artists, 1965-1981

Scope and Content Note

Contains letters from Jane Fonda, Melinda Wartz, Angela Westwater, Fidel Danieli, Betty Asher and Michael from the Baxter Art Gallery at California Institute of Technology, Pasadena.
Box 33, Folder 4

Los Angeles Bicentennial, 1980

Scope and Content Note

Includes several reproductions of maps and land surveys.
Box 33, Folder 5

Los Angeles Conservancy, 1979-1980

Box 33, Folder 6-7

Los Angeles County Museum of Art, 1968-1988

Scope and Content Note

Comprises mostly staff announcements.
Box 34, Folder 1-2

Los Angeles Institute of Contemporary Art, 1975-1978

Scope and Content Note

Contains letters, committee notes, newsletters, exhibition announcements, press releases and other related materials.
See also Series IV box 55 for related ephemera.
Box 34, Folder 3

Menil, 1976-1977

Box 34, Folder 4

Minority programs, 1981

Scope and Content Note

Contains Otis Art Institute memo regarding minority programs.
Box 34, Folder 5

Montalvo Arts Center, 1978

Box 34, Folder 6-7

Museum of Contemporary Art (Los Angeles, Calif.), 1983-1988

Scope and Content Note

Includes museum calendar of events and The Contemporary.
Box 34, Folder 8

Museum of Modern Art (New York, N.Y.), 1971

Scope and Content Note

Includes letters from Donna Stein.
Box 34, Folder 9

Museum practice, 1971-1973

Scope and Content Note

Includes letter regarding course in museum practice, course outline, and bibliography.
Box 34, Folder 10

Museums, forms, 1971-1975

Scope and Content Note

Contains loan and registrarial forms from the Los Angeles Institute of Contemporary Art, UCI, University of California, Riverside, Pasadena Art Museum, Fogg Art Museum, Smithsonian Institution.
Box 34, Folder 11

Newport Harbor Art Museum, 1975-1981

Box 35, Folder 1

Newsletter on the Arts, 1965-1988

Box 35, Folder 2

Newspace, 1984

Scope and Content Note

See also series IV box 55 for related ephemera.
Box 36-43

Note cards, 1969-1974, unknown

Scope and Content Note

Contains index cards that seem to comprise various rolodexes with museum, gallery artist and personal contact information. Other cards are possibly organized by groupings of invitees to events or other projects. Some business cards were interfiled with note cards.
Includes photocopy of note card with drawing, probably by Richard Serra.
Box 35, Folder 3

On the Rationalization of Sight: With an Examination of Three Renaissance Texts on Perspective, 1938

Scope and Content Note

Contains photocopied excerpts of the book.
Box 35

Otis Art Institute, 1974-1981

Scope and Content Note

See also Series IV box 56 for related ephemera.
Also contained in boxes: 44, 103, 105*.
Box 35, Folder 4-6

General papers

Box 35, Folder 7

Gallery Committee

Box 35, Folder 8

Gallery Budget

Box 44, Folder 1

Security and maintenance

Box 44, Folder 2-3

Letters sent and received

Box 44, Folder 4

Glicksman rating

Scope and Content Note

Contains papers about a grievance filed by Glicksman against Otis Art Institute regarding plans for individual improvements and performance evaluations.
Box 44, Folder 5

Black-and-white photographs

Scope and Content Note

Photographs include images of empty Otis Art Gallery, Glicksman's Venice studio, Wallace Berman paintings and Ferus Gallery Studs posters.
Box 103, Folder 10

Black-and-white negatives, color slides and color photographs

Scope and Content Note

Includes color slides from MFA program and graduation.
Box 105*, Folder 6

Posters

Scope and Content Note

Contains oversize posters for Otis Art Gallery exhibition.
Box 44, Folder 6

Panza Collection, 1985

Scope and Content Note

Includes letters to Panza, a letter from Panza and press release materials from the Museum of Contemporary Art for Panza collection exhibition.
Box 44, Folder 7

Pasadena Art Alliance, 1971-1985

Box 45, 104, 105*

Pasadena Art Museum, 1962-1974

Scope and Content Note

Includes press release for George Herms, Streaming, museum plans, clippings documenting Pasadena Museum financial trouble, press release for Walter Hopps resignation.
Box 45, Folder 1-3

General papers

Box 45, Folder 4

Clippings

Box 45, Folder 5

Black-and-white photographs

Box 104, Folder 1

Black-and-white negatives and color slides

Box 105*, Folder 7

Prepatory plans

Scope and Content Note

For 1965 California Design traveling exhibition.
Box 45, 105*

Pasadena Heritage, 1986

Box 45, Folder 6

Papers

Box 105*, Folder 8

Oversize commendation

Box 45, 104

Percept, 1981

Scope and Content Note

Includes images of Tom Eatherton's exhibition Rise. See Series II box 13 for documents related to the same exhibition executed at Pomona College Art Gallery.
Box 45, Folder 7-8

Papers and black and white photographs

Box 104, Folder 2

Color slides and color photographs

Box 46-47, 104

Pomona College, 1968-1970

Box 46, Folder 1

Art Gallery

Box 46, Folder 2

General instruction papers

Scope and Content Note

Glicksman taught 19th and 20th-century art history courses.
Box 46, Folder 3-4

Instruction, 19th-century art

Box 47, Folder 1-3

Instruction, 20th-century art

Box 104, Folder 3

Color slides

Box 47, Folder 4

Random Access, 1972

Scope and Content Note

Contains "holographic" manuscript notes.
Box 48, 104

San Francisco Museum of Art, 1972-1977

Scope and Content Note

Later known as San Francisco Museum of Modern Art. See also Series IV box 60 for related ephemera.
Box 48, Folder 1

General papers

Box 48, Folder 2

Painting and Sculpture in California: The Modern Era

Scope and Content Note

Glicksman note: NCFA.
Box 104, Folder 4

Color transparencies

Box 48, Folder 3

Santa Monica Chamber Orchestra, 1987

Box 48, Folder 4

Santa Monica Heritage Square Museum, 1985-1986

Box 48-49

Santa Monica Museum of Art, 1983-1986

Scope and Content Note

Contains materials regarding the conception, development and opening of the Santa Monica Museum of Art. Includes floor plans of museum.
Also contained in boxes: 104, 105*, flatfile 3**.
Box 48, Folder 5-9

Museum planning and committee meeting papers

Box 49, Folder 1

Budgets

Box 49, Folder 2

Development

Box 49, Folder 3

Letters

Box 49, Folder 4

Job descriptions

Box 49, Folder 5

Resumes

Box 49, Folder 6

Clippings

Box 49, Folder 7

Notes

Box 49, Folder 8

Photographs

Box 104, Folder 5

Color slides

Box 105*, Folder 9

Oversize clipping

Scope and Content Note

Contains one laminated clipping.
Flatfile 3**

Oversize notes

Box 50, Folder 1

Sher, Abby, 1982-1986

Scope and Content Note

Includes letters regarding Santa Monica Museum of Art.
Box 50, Folder 2

Smithsonian Institution, 1969-1971

Box 50, Folder 3

Some Serious Business, 1977-1985

Box 50, Folder 3a

Southern California Communication Group, 1982-1983

Box 50, Folder 4

Stanford University, Museum of Art, 1962

Box 50, Folder 5

Tamarind Lithography Workshop, 1966

Box 50, Folder 6

Three-dimensional printing, 1969

Box 50, 62, 104

University of California, Irvine, 1973-1975

Scope and Content Note

Box 50, Folder 7-8

General papers

Scope and Content Note

Includes papers regarding loan of art from UCI to Dallas Museum of Art for Poets of the Cities: New York and San Francisco, 1960-1965. Also includes papers for drawing/design class taught by Glicksman. Contains three copies of David R. Thompson poster.
Box 50, Folder 9

Student and smaller exhibitions

Box 104, Folder 6

Color slides

Box 62, Folder 4

Oversize

Scope and Content Note

Contains drawings of art gallery specs and one drawing by Lambertin.
Box 50, Folder 10-10a

University of California, Los Angeles, 1971

Box 50, 81

Venice artists and poets, 2010

Box 50, Folder 10b

Letter received

Box 81

Compact discs (D1-D2)

Box 50, Folder 11

Video, 1980-1981

Scope and Content Note

Includes press release, letter and other ephemera related to the Long Beach Museum of Art video screenings.
Box 50, Folder 12-13

Western Association of Art Museums, 1975

Scope and Content Note

Contains papers regarding Glicksman participation in colloquium. Also includes conference workbook.
Box 51, Folder 1

Whitney Museum of American Art, 1994-1995

Scope and Content Note

Contains papers regarding loan of art for Beat Culture and the New America exhibition. Includes loan of Wallace Berman pieces. Some materials refer to interactive CD-Rom produced by the Red Hot Organization in conjunction with the exhibition.
Box 51, Folder 2

Woman's Building (Los Angeles, Calif.), 1975-1985

Scope and Content Note

See also Series IV box 56 for related ephemera.
Box 51, Folder 3

Women In Art, 1972-1975

Scope and Content Note

Papers regarding Corcoran Gallery of Art conference for women in visual art.
Box 51, 62

Women's art movement, 1972-1985

Box 51, Folder 4-5

Papers

Scope and Content Note

Includes papers and clippings regarding Judy Chicago's Dinner Party.
Box 62, Folder 5

Poster

Scope and Content Note

One poster for Judy Chicago exhibition.
Box 51, Folder 6

Women's Caucus for Art, 1984-1985

Box 51, 104

Womanspace, 1972-1974

Box 51, Folder 7

Papers and black-and-white photographs

Box 104, Folder 7

Black-and-white negatives

Box 52-54

Miscellaneous 1927-1995 and undated

Scope and Content Note

Contains miscellaneous as well as personal items.
Also contained in box 62 and flatfile 3**.
Box 52, Folder 1-5

Papers, 1967-1994

Box 53, Folder 1-2

Objects, undated

Scope and Content Note

Contains one deck of cards, one role of dummy stamps, one camera lens, a postcard from Georgia with a cotton ball attached to it, work of art by an unknown artist, After the Large Glass and a ticket from Ken Kesey.
Box 53, 62

Clippings, 1964-1984

Box 53, Folder 3-5

Clippings,

Box 62, Folder 6

Oversize

Box 54, Folder 1-3

Publications, 1927-1995

Scope and Content Note

Materials related to the Getty Research Library general collection were transferred and may be found by searching the library catalog . The publications contained in these folders are outside of the scope of the general collection. Miscellaneous publications include clippings.
Flatfile 3**

Oversize, undated

Scope and Content Note

Contains one plan from Resident Industrial Manager San Diego Electronics Division and one greeting card from Bob and Tobi Smith.
 

Series IV. Ephemera, 1959-1995

Physical Description: 2.9 linear feet (7 boxes)

Scope and Content Note

The bulk of the ephemera in this series is gallery and museum exhibition announcements. The series also includes brochures and publicity materials from other cultural institutions. Most of the materials in this series are from the Southern California area; however, other regions of California, as well as national and international institutions, are represented.

Arrangement note

In the absence of a discernable original order, these materials have been arranged by geographic region and institution.
Box 55-59

Southern California, 1966-1986

Box 55, Folder 1

Ace Gallery, 1972-1978

Box 55, Folder 2-3

Arco Center, 1976-1983

Box 55, Folder 4

Art Space, 1973-1979

Box 55, Folder 5

Ellie Bankroft Gallery, 1973-1977

Box 55, Folder 6

Barnsdall Park (Los Angeles, Calif.), Municipal Art Gallery, 1973-1978

Box 55, Folder 7

Beyond Baroque, 1975-1984

Scope and Content Note

See Series II box 24 for exhibition files.
Box 55, Folder 8

Broxton Gallery, 1975-1977

Box 55, Folder 9

California State University, Los Angeles, 1973-1976

Box 55, Folder 10

Cameraworks, 1975-1977

Box 55, Folder 11

Cirrus Gallery, 1971-1978

Box 55, Folder 12

Comsky Gallery, 1974-1977

Box 55, Folder 13

Claire Copley Gallery, 1975-1977

Box 55, Folder 14

Corcoran Gallery, 1974-1978

Box 55, Folder 15

Rosamund Felsen Gallery, 1978-1979

Box 55, Folder 16

G. Ray Hawkins Gallery, 1975-1980

Box 55, Folder 17

I.D.E.A., 1976-1977

Box 55, Folder 18

Janus Gallery, 1975-1979

Box 56, Folder 1

Kaplan-Baumann Gallery, 1976-1977

Box 56, Folder 2

L.A. Louver Gallery, 1976-1980

Box 56, Folder 3

Thomas Lewallen, 1976-1978

Box 56, Folder 4

Los Angeles Contemporary Exhibitions (Gallery), 1978-1985

Box 56, Folder 5

Los Angeles County Museum of Art, 1972-1976

Scope and Content Note

See Series II box 12 for exhibition files.
Box 56, Folder 6

Los Angeles Institute of Contemporary Art, 1975-1979

Scope and Content Note

See also Series II and III for exhibition and administrative files.
Box 56, Folder 7

Margo Leavin Gallery, 1971-1972

Box 56, Folder 8

Mizuno Gallery, 1970-1975

Box 56, Folder 9

Mount St. Mary's College (Los Angeles, Calif.), 1975-1977

Box 56, Folder 10

Newspace, 1973-1978

Scope and Content Note

See also Series III box 35 for administrative files.
Box 56, Folder 11

Otis Art Institute, 1975-1981

Scope and Content Note

See also Series II and III for exhibition and administrative files.
Box 56, Folder 12

Pasadena Art Museum, 1966-1973

Box 56, Folder 13

Re:Vision, 1975-1976

Box 57, Folder 1

Claude Senouf, 1978-1979

Box 57, Folder 2

Ruth Schaffner Gallery, 1973-1977

Box 57, Folder 3

Space, 1976-1979

Box 57, Folder 4

David Stuart Galleries, 1972-1979

Box 57, Folder 5

Morgan Thomas, 1975-1977

Box 57, Folder 6

Tortue Gallery, 1970-1978

Box 57, Folder 7

University of California, Los Angeles, 1975-1976

Box 57, Folder 8

Vanguard Gallery, 1968-1978

Box 57, Folder 9

Nicholas Wilder Gallery, 1973-1985

Box 57, Folder 10

Woman's Building (Los Angeles, Calif.), 1973-1983

Scope and Content Note

See also Series III box 51 for administrative files. Also includes ephemera from Womanspace and XX.
Box 57, Folder 11

Roger Wong, 1975-1976

Box 57-59

Other Southern California institutions, 1966-1986

Scope and Content Note

Contains ephemera from institutions in: Los Angeles, Santa Ana, Pasadena, Orange County, San Diego, Long Beach/South Bay, San Fernando Valley, Fullerton, Irvine, Claremont/Inland Empire.
Box 60, Folder 1-6

Northern California, 1970-1985

Box 60, Folder 1

John Berggruen Gallery, 1975-1979

Box 60, Folder 2a

Sam's Cafe, 1970

Box 60, Folder 2

San Francisco Museum of Modern Art, 1974-1977

Scope and Content Note

Previously known as San Francisco Museum of Art. See also Series III box 48 for administrative files.
Box 60, Folder 3-6

Other Northern California institutions, 1973-1985

Scope and Content Note

Contains ephemera from institutions in: San Francisco, Santa Barbara, San Jose.
Box 60, Folder 7-9

Washington, D.C., 1959-1972

Box 60, Folder 7-8

Corcoran Gallery of Art, 1959-1972

Scope and Content Note

See also series III boxes 27-30 for administrative files.
Box 60, Folder 9

Other Washington D.C. institutions, 1971-1972

Box 61, Folder 1-4

New York, 1971-1995

Box 61, Folder 1

Institute for Art and Urban Resources, 1977-1978

Scope and Content Note

The Institute for Art and Urban Resources founded P.S. 1 Contemporary Art Center.
Box 61, Folder 2

Robert Freidus Gallery, 1978

Box 61, Folder 3-4

Other New York institutions, 1971-1995

Box 61, Folder 5-6

Other United States institutions, 1971-1978

Box 61, Folder 7

International institutions, 1973-1985

 

Series V. Photographic and audiovisual materials, 1958-1998

Physical Description: 5.5 linear feet (19 boxes)

Scope and Content Note

This series contains slides, negatives, transparencies, color photography and audiovisual materials. Personal photographs form the bulk of the series. Other photographic materials focus on individual artists, the Otis Art Gallery, brain hemispheres, Collage and Assemblage exhibition. Many of the audiovisual recordings relate to specific artists and exhibitions. Slides and photographs were originally housed in metal boxes with plastic partitions, plastic slide boxes, paper boxes and envelopes from developers, wood boxes, and slide carousels.
Audiovisual materials are unavailable until reformatting is complete. Contact the repository for information regarding access. Use copies are indicated in container list below. Online access to selected digitized audio recordings  is available to on-site readers and Getty staff. Items were numbered by the repository.

Arrangement note

Some slides were arranged topically by Glicksman, while other slides are in no discernable order. Topics identified by Glicksman have been documented on the slide housing. The original order of audiovisual materials was also retained.
Box 63, Folder 1-4

Black-and-white photographs, undated

Scope and Content Note

The black-and-white negatives that correspond to these photographs are housed in box 78.
Box 64

Metal box, undated

Scope and Content Note

Box originally housed photographs of Glicksman's trip to Italy in the 1960s. See box 71 for photographs.
Box 65-78

Slides and other photographic formats, 1958-1976

Box 79-81

Audio tapes (C1-C51, R2), 1968-1998, undated

Scope and Content Note

Contains audio cassette tapes and one sound tape reel.
Box 79, Item C1

Unlabeled, undated

Box 79, Item C2

Hal's changes and projects at PAM, 1969 Jan 24

Box 79, Item C3

2/23 WWII text discussion; WWII Misc, undated

Box 79, Item C4

Von Huene, undated

Box 79, Item C5

3/14/72 Misc personal; 2/28 WWII, 1972

Box 79, Item C6

Marshal, 1968

Box 79, Item C7

Talbert, Efron pt.1; June 29 Eatherton house tearing down party Berman, Herms, 1968 Jul 4

Box 79, Item C8

A.B. Heinsbergen, 1976 Mar 18

Box 79, Item C9

Unlabeled, undated

Box 79, Item C10

Last 1/2 3/14 WWII; Venice Biennale G&G HLG & MM 3/8/72, 1972

Box 79, Item C11

Unlabeled, undated

Box 79, Item C12

Fundamentals of art & how to teach it; Fundamentals nite of Irvine offer, 1972 Feb 8

Box 79, Item C13

Bubby Maisas, 1979 Jul 15

Box 79, Item C14

L. Hamrol, 1977 Aug 26

Box 79, Item C15

C. Britten; Errase, 1968 Aug 12

Box 79, Item C16

Unlabeled, undated

Box 79, Item C17

Unlabeled, 1979

Scope and Content Note

Includes note with return address: 208 River Street Santa Cruz, CA 95060.
Box 79, Item C18

Eugene Butler, 1975 Mar 23

Box 79, Item C19

2/18/72 Museum training class; 2/2/72 WWII styles cat cry 50, 1972

Box 79, Item C20

2/25/72 WWII TH&G Argue; 2/12/72 HG GTG M. Morris income apportionment, 1972

Box 79, Item C21

6/26/75 Stewitz, Ossmun Glicksman; 6/26 Kate Stewitz, Bill Ossmun, Hal Glicksman, 1975 Jun 26

Box 79, Item C22

Unlabeled, undated

Box 79, Item C23

Peter Alexander, 1974 Aug 31

Box 79, Item C24

L4MV Kienholz, undated

Box 79, Item C25

Peter G&H History of Corcoran, 1972 Mar 3

Box 79, Item C26

Bob Alexander; Part Keinholz, undated

Box 79, Item C27

Marcia Ceramics, 1974 Sep 19

Box 79, Item C28

Unlabeled, undated

Box 79, Item C29

Barbara Smith meal, ca. 1970

Box 79, Item C30

Asher pt II, 1977 Jul 21

Box 79, Item C31

Michael Asher HG & GTG WDC, 1972

Box 79, Item C32

Ben Talbert pt two; Sunday Ben Talbert pt three, 1968 Aug 11

Box 79, Item C33

Asher pt I, 1977 Jul 21

Box 79, Item C34

Grand Canyon by Rachel Rosenthal, 1978

Box 79, Item C35

Talbert, Efron pt II; HG & GTG & P. Dworkin, 1968 Jul 4

Box 80, Item C36

HG G&G M. Morris income apportionment cont., 1972 Feb

Box 80, Item C37

Heinsbergen, 1969 Dec 27

Box 80, Item C38

Bob Alexander I, 1975 Mar 12

Box 80, Item C39-C40

Kit Schwartz, 1975

Scope and Content Note

Includes project description by Schwartz.
Box 80, Item R2

Kesey, undated

Box 80, Item C41

Betty Edwards, "Drawing on the Artist Within," 1987

Box 80, Item C42

Tony Gand, undated

Scope and Content Note

Use copy available.
Box 80, Item C43

Phil Hefferton, 1979 May 26

Box 80, Item C44-C45

Betty Edwards, "Drawing on the Right Side of the Brain," 1986

Box 80, Item C46

Bob Durow, Janis Joplin,

Box 80, Item C47

Hal's dumb fly joke; Israel, farm joke, 1987 Jun 1

Box 80, Item C48-C49

Guy De Cointet, "TSNX C24VA7ME," Act I Scene 5, 1998 Apr

Scope and Content Note

Audio tape C49 is damaged and missing parts. Use copy available for C48.
Box 80, Item C50

Guy De Cointet, undated

Scope and Content Note

Use copy available.
Box 80, Item C51

Notes to Hal Glicksman from Bob A., 1986 Jul 7

Box 81

Films (F2-F7) 1970, undated

Scope and Content Note

All film reels are Super 8.
Box 81, Item F2

Assemblage, undated

Box 81, Item F3-F4

Unlabeled, undated

Box 81, Item F5-F6

De Boeck, undated

Box 81, Item F7

The American Wilderness filmstrips, 1970

Box 88

Videos (V25-V28, V34), 1980-1996

Scope and Content Note

Contains video tapes. Content to be determined. Videos which relate to exhibition material are filed with artist or exhibition.
Box 88, Item V25

Unlabeled, undated

Box 88, Item V26-V27

The Microcomputer in the Home Environment of the Severely Physically Handicapped Child, (2 copies), 1980 Feb 4

Box 88, Item V28

Collector's Favorites XII: Best of the Worst, 1992 Dec 12

Scope and Content Note

Producer: Sally Shishmanian. Includes letter and flyer.
Box 88, Item V29-V31

Four Works by Guy De Cointet w/ Mary Ann Duganne Glicksman Moca, 1985 Sep 7

Scope and Content Note

Taped by Joyce Hayashi, dubbed 2001.
Box 88, Item V32-V33

Guy De Cointet, At Sunset a Cry was Heard, 1996 Oct 7

Box 88, Item V34

What About Tomorrow, 1980 Sep 24