Series 1. Papers
1. Notebook 1987-881987-1988
Scope and Content Note
2. Meaning of the Interval" edit notes, file 2, 19861986
Scope and Content Note
3. Color photocollage for Meaning of the Interval postcard made in the style of the video, 19871987
4. "Meaning of the Interval" edit notes, file 1, 1985-86
5. "Dance of Darkness" edit notes, spiral bound notebook, 1988
Scope and Content Note
6. Two architectural renderings of 3 channel video installation: "Naruhodo"
7. Eight pages, manuscript on grid paper, color coded for final audio mix: Dance of Darkness.
Scope and Content Note
8. Dance of Darkness, edit notes file, 38 pages 1988-89
Scope and Content Note
9. "The Date" 1988
10. Guatemala Video Logs, 1988
Scope and Content Note
11. Signal to Noise: video logs with notations
Scope and Content Note
12. Memory of Fire: 6 Scripts 1990,92,93
Scope and Content Note
13. Memory of Fire: Fax correspondence between EV and producers of film 93-94
Scope and Content Note
14. Memory of Fire:
Scope and Content Note
15. Memory of Fire
Scope and Content Note
16. Memory of Fire
17. Memory of Fire
18. Memory of Fire
19. Memory of Fire
Scope and Content Note
20. Memory of Fire
Scope and Content Note
21. A Mosque in Time: Edit file: 1990
22. Fura dels Baus: correspondence
Scope and Content Note
23. Revelaciones
Scope and Content Note
24. Dance of Darkness
Scope and Content Note
25. Dance of Darkness
Scope and Content Note
Series 2. Videotapes
Access Information
Kazuo Ohno interview, Pt 2
Ohno int., Pt 3
Ohno int., Pt 4
Dairakudakan, port perf. no audio
Dairakudakan, port perf
Dairakudakan, beach perf
Ohno, Dead Sea Performance, pt 1
Ohno, Dead Sea Performance, Pt 2
Ohno, Dead Sea Performance, pt 4
Ohno, Siren Performace, pt 2
Ohno. Mother perf., part 1
Ohno, Mother perf., part 2
Ohno, Mother perf., pt 3
Ohno, rehearsal at home pt 1
Ohno, rehearsal at home pt 2
Ohno, rehearsalat home Pt 3
Ohno, rehearsal at home Pt 4
Ohno, Interv. pt 1
Ohno, La Argentina Perf. Pt. 1
Ohno, La Argentina Perf. Pt 2
Ohno, La Argentina Perf. Pt 3
Ohno, Interv. Pt 5
Ohno, Mother, reh. Pt 1
Ohno, Mother, reh. Pt 2
Ohno, Mother makeup, Argentina reh.
Ohno , La Argentina makeup
Ohno, Dead Sea reh. Pt 1, La Argentina reh.
Ohno, La Argentina reh. 2
Ohno, Dead Sea reh. Pt 2
Ohno, Dead Sea reh. pt 3
Dai Rakuda Kan perf. Durham N.C.
Dai Rakuda Kan , perf Tokyo 1984
Dai Rakuda Kan , perf Tokyo 1984
Dai Rakuda Kan , perf Tokyo 1984
Dai Rakuda Kan , perf Tokyo 1984 women's group
Dai Rakuda Kan , perf Tokyo 1984 women's group
Dai Rakuda Kan , perf Tokyo 1984
Dai Rakuda Kan , perf Tokyo 1984
Dai Rakuda Kan , perf Tokyo 1984
Dai Rakuda Kan , perf Tokyo 1984
Dai Rakuda Kan , perf Tokyo 1984 women's group
Dai Rakuda Kan , perf Tokyo 1984 women's group
Hljikata, Rebellion of the Body, archival film 1968
Donald Richie, mt.
Ichikawa, mt.
Dai Rakuda Kan , perf Tokyo 1984 women's group
Dai Rakuda Kan , perf Tokyo 1984 women's group, no audio
Dai Rakuda Kan , perf Tokyo 1984 women's group, audio starts halfway
Dai Rakuda Kan, perf
Dai Rakuda Kan, Port perf. no audio
Ohno, Dead Sea perf. Pt 1
Ohno, Dead Sea perf. pt 2
Ohno, Dead Sea perf. Pt 3
Dai Rakuda Kan, Port perf.
DaiRakudaKanBeachperf.
Dai Rakuda Kan, Temple Steps perf.
Dai Rakuda Kan, temple steps cutaways
Dai Rakuda Kan, Shinjuku perf.
Dai Rakuda Kan, Shinjuku perf.
Akiko Motofuji Interv.
Akaji Maro, interv Pt 1
Akaji Maro, interv Pt 2
Dai Rakuda Kan workshop, NYC
Dai Rakuda Kan, Durham, N.C. perf pt 1
Dai Rakuda Kan, Durham, N.C. perf Pt 3
Dai Rakuda Kan, Durham, N.C. perf pt 4
Dai Rakuda Kan, Durham, N.C. perf Pt 5, Charles Reinhardt interv.
Dai Rakuda Kan, Durham, N.C. perf Pt 6
Dai Rakuda Kan, Durham, N.C. perf Pt 7
Dai Rakuda Kan, Durham, N.C. perf Pt 8
Dai Rakuda Kan, Durham, N.C. perf Pt 9
Byakko Sha, Kyoto Mountain perf. Pt 1
Byakko Sha, Kyoto Mountain perf. pt 2
Byakko Sha, Kyoto Mountain perf. Pt 3
Akiko Motofuji at Hijikata's Tomb
Akiko Motofuji at Hijikata's Tomb steps, Hijikata period posters
Ishii Pt. 2
Ishii Pt 3, mt.
Tenkei perf~
Ohno, Suiren perf. Pt 2
Ohno, Suiren perf Pt 3
Ohno, Suiren perf Pt 4
Isamu Ohsuga, interv. Pt 2
Oblique Strategist, Long version (PBS) 28:00
Scope and Content Note
Meta Mayan II, Long version, with Holy Week 1993 re edit
Scope and Content Note
As Is; (1984) revised 1985
Meaning of the Interval
First edited video made by Vélez in 1970, very poor technical quality, B/W
Scope and Content Note
On the Road to Atitlan (1977) very poor tech quality, B/W
Scope and Content Note
Meta Mayan 11,20 mm. version 1981
Tale, The Cuna Indians of San Bias, first version 1977
Scope and Content Note
AMosqueinTime(1990)8:00 1990
Memory of Fire (1994) 23:00 shorter version than PBS one, currently in distnb.
Dance of Darkness( 1989) 56:00
Sanctus, 10:00 mm
Scope and Content Note
Phaedra (Ellen) 1974 2:30
Scope and Content Note
Rainbow 1974 5:00
Scope and Content Note
Andes, 3min
Scope and Content Note
Pyramid 7 min
Scope and Content Note
Gemini 3:00 min
Scope and Content Note
Edin Vélez, self interview for Spanish TV
NHK TV program, includes a 15 min segment on Vélez
ArteSano del Siglo XX, arts prog Argentina, mostly about
Making "A Mosque in Time" production documentation
Making" Memory of Fire" production documentation
Making" Memory of Fire" production documentation
Making" Memory of Fire" production documentation
Making" Memory of Fire" production documentation
Making" Memory of Fire" production documentation
Maldng" Memory of Fire" production documentation
Making" Memory of Fire" production documentation
Making" Memory of Fire" production documentation
Making" Memory of Fire" production documentation
Making "A Mosque in Time" production documentation
Making "A Mosque in Time" production documentation
Making "A Mosque in Time" production documentation
Making "A Mosque in Time" production documentation
Making "A Mosque in Time" production documentation
Making "A Mosque in Time" production documentation
Butoh Videotapes, camera original dubs, part 2
Byakko Sha, Kyoto Mountain perf. Pt 5
Byakko Sha, Kyoto Mountain perf. p 6, Ohsuga int
Eiko and Koma, interv.
Ishii Interv
Ohno Perf Ikeda Museum, Yoshito Ohno interv
Butoh slow motions, test layerings for final edit
Hakutobo reh., Yoko Ashikawa, interv.
Takai Nakamura perform. Pt I
Takai Nakamura perform. Pt 2
Ohno perf,, Ashikawa Archival perf.
Ashikawa solo, archival
Kaze No Kishki, Hijikata archival
Ohno very early performance films (1960's)
Mother Mallard's Portable Masrepiece company (1976) 30 min
Scope and Content Note
Merian, 1975
Scope and Content Note
Series 3. Fotos
1.MetaMayan
2.Tule
3. Oblique Strategist ( Brian Eno Portrait)
4. As Is
5. Unique artists books ( handmade pop ups)
6. Mosque In Time