Guide to the Peter S. Odegard musical scores MS.F.033

Finding aid prepared by Carole McEwan, 2014.
Special Collections and Archives, University of California, Irvine Libraries
(cc) 2014
The UCI Libraries
P.O. Box 19557
University of California, Irvine
Irvine 92623-9557
spcoll@uci.edu


Contributing Institution: Special Collections and Archives, University of California, Irvine Libraries
Title: Peter S. Odegard musical scores
Creator: Odegard, Peter S.
Identifier/Call Number: MS.F.033
Physical Description: 4.4 Linear Feet (5 boxes)
Date (inclusive): 1967-1986
Abstract: This collection consists of manuscripts of original scores and arrangements composed by Professor Peter S. Odegard, Chair of the University of California, Irvine, Department of Music from 1969-1975 and well-known local conductor. The majority of the scores are for the play The Love Apple. Included are newspaper clippings and ephemera related to the play.
Language of Material: English .

Access

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Publication Rights

Property rights reside with the University of California. Copyrights are retained by the creators of the records and their heirs. For permission to reproduce or to publish, please contact the University Archivist.

Preferred Citation

Peter S. Odegard musical scores. MS-F033. Special Collections and Archives, The UC Irvine Libraries, Irvine, California. Date accessed.
For the benefit of current and future researchers, please cite any additional information about sources consulted in this collection, including permanent URLs, item or folder descriptions, and box/folder locations.

Collection Scope and Content Summary

This collection consists of manuscripts of original scores and arrangements composed by Professor Peter S. Odegard, Chair of the University of California, Irvine, Department of Music from 1969-1975 and well-known local conductor. The majority of the scores are for the play The Love Apple. Included are newspaper clippings and ephemera related to the play.

box accn2009-021 001

Box 1 1967-1986

Series Scope and Content Summary

This box contains "The Love Apple": 5 reel-to-reel tapes (1974); "Marat-Sade": 5 reel-to-reel tapes (undated); "Mozart and Salieri": 1 reel-to-reel tape (undated); "Botchan, The boy Who Drew Cats": book and lyrics, playscript fragments (1975, undated); "Dressing Minuet": copy of manuscript (undated); "The Drunkard": scripts, Orange Coast College publicity materials (1986); music from "Dr. Faustus": programs, scripts, scores (1988); "The Love Apple": libretto, scores, and clippings (1973-1974); "The Love Apple" scores, scene list, cast list (circa 1974); "The Love Apple": program; Marat/Sade: clippings, ephemera, memos (1967-1969); unidentified scores (undated).
box accn2009-021 002

Box 2 1967-1986

Series Scope and Content Summary

This box contains "The Love Apple" scores (undated).
box accn2009-021 003

Box 3 1967-1986

Series Scope and Content Summary

This box contains "The Love Apple" scores: "There is a Cure," "Operation," "Catalog", "Finale", "Praise the Lord," "Confession," "Money," "Roll in the Hay," "What's Important," "I'm My Only Friend," "Darkness," "Castration," and "Wise Men" (undated).
box accn2009-021 004

Box 4 1967-1986

Series Scope and Content Summary

This box contains "The Love Apple": conductor's scores; "The Love Apple": scores including "There is a Cure," "Operation," "Catalog" (undated).
box accn2009-021 005

Box 5 1967-1986

Series Scope and Content Summary

This box contains vocal music for Marat-Sade, a play written by Peter Weiss: manuscript (1967); unidentified manuscript fragment (undated); unidentified manuscript fragment (undated); music for The Cremation of Sam MGee, a poem by Robert W. Service: manuscript (undated); full score of "Resurrection, A Symphonic Collage upon The Cremation of Sam McGee": spiral-bound reproduction (undated); "The Winner, An Entertainment in One Act After Pushkin's Mozart and Salieri": typescript libretto and manuscript score fragments (undated); "The Calling of St. Gregory: Opera Scene for Two Bass-Baritones and Orchestra": original manuscript and four copies (undated); duets, "Tom" and "Jane": manuscripts (undated).