Container List
Three Wise Fools (M-G-M, 1946).
Scope and Content Note
- Completely annotated continuity.
- Completely annotated scenario by King Vidor.
The Strangers' Return (M-G-M, 1933).
Scope and Content Note
- Typed copy of novel with King Vidor's holographic notes for adaptation.
- Fully annotated treatment.
So Red the Rose (Paramount, 1935).
Scope and Content Note
- One final annotated script.
- One annotated censorship script.
Wild Oranges (Metro-Goldwyn, 1924).
Scope and Content Note
- Fully annotated working script and production breakdown.
- Script and holographic notes.
H.M. Pulham, Esqire (M-G-M, 1941).
Scope and Content Note
- Fully annotated working script.
- Annotated script before J.P. Marquand arrived.
- Photographs -- clippings.
The Texas Rangers (Paramount, 1936).
Scope and Content Note
- Fully annotated working script.
- Progression of scripts including production orders, and casting notes -- annotated.
- Rare personal photographs.
Wedding Night (United Artists, 1935).
Scope and Content Note
His Hour (Metro-Goldwyn, 1924).
Scope and Content Note
- Fully annotated working script.
- Original treatment by Elinor Glyn -- holographic notes.
Hallelujah! (M-G-M, 1929).
Scope and Content Note
Stella Dallas (United Artists, 1937).
Scope and Content Note
- Annotated script and working notes.
- Silent picture detail upon which remake was based.
- Clippings and publicity.
The Jack Knife Man (First National, 1920).
Scope and Content Note
Miscellaneous
Production and correspondence, 1939-1941. In re Northwest Passage.
Production and correspondence, 1937-1959.
Southern Storm.
Scope and Content Note
Museum of Modern Art -- pamphlets.
The Standard, 1933.
The Hollywood Reporter, Thirteenth Anniversary Edition.
The Cast, February 1933.
The Cast, October 1932.
Witch Of The Wilderness (Original, never produced).
Six miscellaneous folders.
Proud Flesh (Metro-Goldwyn, 1925).
Scope and Content Note
The Big Parade (M-G-M, 1925).
Scope and Content Note
Miracles Can Happen (United Artists, 1948).
Scope and Content Note
Duel in the Sun (Selznick, 1946).
Scope and Content Note
- Original continuity sketches -- water color, pencil, pen and ink.
- Clippings and reports.
Comrade X (M-G-M, 1940).
Scope and Content Note
The Patsy (M-G-M, 1928).
Scope and Content Note
The Fountainhead (Warner Brothers, 1949).
Scope and Content Note
Northwest Passage (M-G-M, 1940).
Scope and Content Note
- Fully annotated working script with additions and notes.
- Fully annotated dialogue cutting continuity.
- One script with changes.
- An earlier script by Robert Sherwood -- not used.
- Clippings and publicity.
The Citadel (M-G-M, 1938).
Scope and Content Note
- Fully annotated progression of scripts, including working script.
- Miscellaneous holographic research and notes.
- Folder of photographs.
Our Daily Bread (United Artists, 1934).
Scope and Content Note
- Holographic production notes and correspondence.
- Interviews, reviews, advertising.
- Two albums of photographs.
- Photographs of King Vidor ( re The League of Nations Medal).
American Romance (M-G-M, 1944).
Scope and Content Note
- Progression of scripts leading to final script. Includes retakes, outtakes, fully annotated working script with holographic notes, changes, revisions, cuts and research.
- Holographic file on Vincent Lawrence (writer) and Holographic file on William Ludwig (writer).
- Miscellaneous correspondence with studio, agent, etc.