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Jon Phetteplace Papers
MSS 0135  
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Table of contents What's This?

 

CORRESPONDENCE

Scope and Content of Series

Series 1) CORRESPONDENCE: Phetteplace's correspondence from 1965 to 1991, arranged alphabetically by correspondent. The amount of correspondence is not extensive, sometimes consisting of only single letters or postcards. This is the case for Larry Austin, Allan Bryant, Peter Garland, Otto Luening, Pauline Oliveros, and Ned Rorem. There are multiple letters, however, from several correspondents, most particularly, Robert Ashley, Sylvano Bussotti, Alvin Curran, C.F. Peters, John Cage, Giuseppe Chiari, and Pietro Grossi. The correspondence with Bussotti, Chiari, and Grossi is in Italian. The correspondence with C.F. Peters and John Cage documents a dispute over tapes of Cage's Imaginary Landscape No.5 and Where Are We Going? And What Are We Doing? that Phetteplace prepared for performance in 1967.
Box 1, Folder 1

A-Z Miscellaneous

Box 1, Folder 2

Andrews, Bruce 1973

Box 1, Folder 3

Ashley, Robert 1972

Box 1, Folder 4

Austin, Larry 1968

Box 1, Folder 5

Bryant, Allan 1970

Box 1, Folder 6

Bussotti, Sylvano 1970 and 1990-1991

Box 1, Folder 7

C.F. Peters Corporation 1965 - 1967

Box 1, Folder 8

Cage, John 1965 - 1972

Box 1, Folder 9

Chiari, Giuseppe 1967-1970 and 1991

Box 1, Folder 10

Curran, Alvin 1969 - 1991

Box 1, Folder 11

Garland, Peter 1972

Box 1, Folder 12

Grossi, Pietro 1969 - 1977

Box 1, Folder 13

Johnson, Maxine-Karen 1986

Box 1, Folder 14

Kosugi, Takehisa 1978

Box 1, Folder 15

Lacy, Steve 1978 and 1990

Box 1, Folder 16

Luening, Otto 1972

Box 1, Folder 17

Lund, Ross 1970 - 1971

Box 1, Folder 18

Oliveros, Pauline 1982

Box 1, Folder 19

Partch, Harry 1972 - 1974

Box 1, Folder 20

Pfeiffer, John F. 1973 - 1991

Box 1, Folder 21

Phetteplace, Dale [Jon Phetteplace's father] 1983 - 1989

Box 1, Folder 22

Rorem, Ned 1983

Box 1, Folder 23

Schloss, Edith undated

Box 1, Folder 24

Subotnick, Morton 1970

Box 1, Folder 25

Teitelbaum, Richard 1970 - 1971

Box 1, Folder 26

Wakoski, Diane 1975 and 1989

 

MUSICAL WORKS BY PHETTEPLACE

Scope and Content of Series

Series 2) MUSICAL WORKS BY PHETTEPLACE. Arranged in two subseries: A) Musical Compositions, and B) Working Materials.
A) Musical Compositions: Musical scores, sketches and notes, which take the form of both drafts of works in progress and instructions on performance.
B) Working Materials: Drafts of works that remain unfinished, notebooks in which notes for works remain bound with other material, and texts, such as computer routines, which are not clearly defined as works. The notebooks contain details on the planning and execution of performances during the late sixties and early seventies. These notebooks double as a chronicle of performances with MEV and with others. Lastly, there is a significant amount of material for computer music, often consisting of transcriptions of J.S. Bach.
 

Musical Compositions

Oversize FB-296-01

Accordo (No. 5) - Includes transparency, Ozalid print, and notes 1968

Oversize FB-296-02

Displacements - Includes transparencies, Ozalid prints, photocopy of score, and notes 1967

Oversize FB-296-03

ESA/me, for Mauricio Kagel - Includes letter from Kagel, first draft of score, and photocopy and carbon of the letter to Kagel which includes the score 1967

Box 1, Folder 27

Four-Tape Version of J.S. Bach's Die Kunst Der Fuge - Includes holograph score and photocopies 1984

Oversize FB-296-04

Free Lecture - Notes and Sketches. Includes texts by Aldo Braibanti 1967 - 1970

Oversize FB-296-05

Free Lecture - Scores. Versions I and II. Includes transparencies, Ozalid prints, and photocopies 1967 - 1970

Oversize FB-296-06

Gira-Gira. Includes transparency and Ozalid prints 1967

Oversize FB-296-07

Last Blues - Holograph score or sketch undated

Oversize FB-296-08

Mimneogram - Transparency 1968

Oversize FB-296-09

No. 1 - Includes transparencies, graphs, and Ozalid prints 1965 and 1972

Oversize FB-296-10

No. 2 - Includes transparencies, graphs, Ozalid prints, photocopy, and photograph 1965

Oversize FB-296-11

No. 3 - Includes holograph score, photocopies, and sketches 1965

Oversize FB-296-12

No. 4 - Includes transparency and Ozalid print 1967

Oversize FB-296-13

One or Two Instruments or Two or Three Sustaining Instruments with Voice - Holograph score 1971

Oversize FB-296-14

Paesaggio Naturale, I and II - Includes transparency, offset master, Ozalid print, and photocopies 1966 and 1968

Oversize FB-296-15

Partita con Bach - Transparencies 1968

Oversize FB-297-01

Peasant Song - Includes transparencies, Ozalid prints, and photocopies 1972

Oversize FB-297-02

Porism - First Porism, undated; Porism: Quartet, 1972; Porism: Quartet Retrograde, 1972

Box 1, Folder 28

Radio City Music-Haul. Includes holograph score and photocopy 1972

Box 1, Folder 29

Satisfaction - Holograph score 1971

Box 1, Folder 30

Solo - Holograph score undated

Oversize FB-297-03

Three Plus Four - Includes transparency, Ozalid print, and photocopy 1967

Oversize FB-297-04

Virulentia - Includes holograph text by Aldo Braibanti, sketches, and notes 1965 - 1968

Oversize FB-297-05

Woyzeck - Includes sketches, notes, and typescripts 1968 - 1969

 

Working Materials

 

Bach Transcriptions

Languages: English
Box 1, Folder 31-32

Contrapunctus I and Contrapunctus VIII

Box 1, Folder 33

Vor Deinen Thron Tret'ich Hiermet 1970

Box 1, Folder 34

Wir Glauben All An Einen Gott and Contrapunctus XII 1970

Oversize FB-297-06

Cello Transcriptions - Various transcriptions, including works of J.S. Bach and Fritz Kreisler

Box 2, Folder 1

Computer Music

Box 2, Folder 2

Miscellaneous Sketches - Includes drawings by Frederic Rzewski and Giuseppe Chiari

Box 2, Folder 3

Notebook - Includes notes for performance of Tf=0,2/R 1,3 (6), No. 4, Displacements, and No. 3. Also includes notes during travel to Turkey 1967

Box 2, Folder 4

Notebook 1967 - 1969 and 1985

Box 2, Folder 5

Notebook and Journal - Includes a version of "Satisfaction" 1969 - 1985

 

MUSICAL WORKS BY OTHERS

Scope and Content of Collection

Series 3) MUSICAL WORKS BY OTHERS: Scores that Phetteplace performed, most notably the preparations for making the tape of Cage's Imaginary Landscape No.5. Also included are several scores by Giuseppe Chiari and Pietro Grossi, as well as a performance piece by Takehisa Kosugi, which Phetteplace performed in the early 1970s.
Oversize FB-297-07

Ashley, Robert. In Memoriam; String Quartet; Trios

Box 2, Folder 6

Behrman, David. Wavetrain

Box 2, Folder 7

Bussotti, Sylvano. Rara 1965 and 1967

 

Cage, John

Oversize FB-297-08

Cartridge Music - Includes published score and Phetteplace's realization in ink and watercolor

Box 2, Folder 8-9

Imaginary Landscape No. 5 and Variations II 1961

Oversize FB-297-09

Variations IV - Includes published score and transparencies and Ozalid prints of Phetteplace's realization

Box 2, Folder 10

Cardew, Cornelius. The Great Digest - Includes photocopy of score and working materials

Oversize FB-297-10

Chiari, Giuseppe - Includes Ave Maria Di Schubert; Le Corde; La Folla Solitaria; Lyndon Johnson; La Luce; N.6; Per Arco; Pubblico; Teatrino. Consists of scores, translations, and typescripts

Oversize FB-298-03

Curran, Alvin. Three Illustrated Lectures 1968

Oversize FB-298-04

Feldman, Morton. Durations 2 - Annotated score

Oversize FB-298-05

Grossi, Pietro. Attimi di Homeart; Compositioni N.3, 11, 12; Tre Pezzi - Annotated scores

Box 2, Folder 11

Kosugi, Takehisa. For Mr. M - Holograph score 1967

Box 2, Folder 12

Orchestral Scores - Traditional music

Box 2, Folder 13

Paredes, Robert. Flowerchordia 1975

Box 2, Folder 14

Schnebel, Dieter. Aus Auschlage-Ausschlage

Box 2, Folder 15-16

Young, La Monte - Death Chant and Trio for Strings

 

EPHEMERA

Scope and Content of Series

Series 4) EPHEMERA: Announcements, programs and posters for many concerts which featured Phetteplace, either as a performer or composer, between 1963 to 1988. There are also Italian newspaper articles which document concerts in Italy from 1965 to 1969.
Box 2, Folder 17

Clippings about performances

 

Programs

Box 2, Folder 18

1959 - 1965

Box 3, Folder 1-5

1966 - 1990 and undated

Oversize FB-298-06

Posters

 

PHOTOGRAPHS

Scope and Content of Series

Series 5) PHOTOGRAPHS: Photographic prints of Jon Phetteplace and his family, and of musicians and composers in the United States and Italy. Many of the photographs were taken or printed by Phetteplace. In June 1990, before giving his papers to UC San Diego, Phetteplace dictated an inventory describing the numbered prints. A transcription of the photography portion of the inventory is found in the Index file. Names in the transcript may be spelled phonetically. Additional notes by Phetteplace can be found on the backs of the prints. The series also includes several photograms created by Phetteplace. Arranged by print number, with photographs from the 2009 accession at the end of the series.
Box 3, Folder 6

Index - Descriptions of prints 1-98 (transcript, 1990)

Box 3, Folder 7

P1-P2: Sylvano Bussotti 1965 - 1966

Box 3, Folder 8

P3: Vittorio Gelmetti and Frederic Rzewski 1967

Oversize FB-298-01

P4-P6: Frederic Rzewski, Jon Phetteplace, Giuseppe Chiari, and Alvin Curran. Accademia Filarmonica Romana 1966 - 1967

Oversize FB-298-02

P7: Bill Hupfer, Carnegie Hall 1965

Box 3, Folder 9

P8-P9: Gaspar Cassado cello class, 1961. Gaspar Cassado and Cheiko Hara wedding, 1959

Box 3, Folder 10

P10: Sylvano Bussotti and Jon Phetteplace 1965

Box 3, Folder 11

P11: Alfred Cortot 1960

Box 3, Folder 12

P12: Pablo Casals, Jon Phetteplace and class at Palazzo Chigi 1961

Box 3, Folder 13

P12a-P13: Jon Phetteplace 1965-1973

Box 3, Folder 14

P14-P15: Sylvano Bussotti and Jon Phetteplace 1965-1966

Box 3, Folder 15

P16-P21: Jon Phetteplace 1940 - 1970

Box 3, Folder 16

P22-P29: Jon Phetteplace and family, Deana Takadean, and David Hemphill 1950-1976

Box 3, Folder 17

P30a-P30b: Pierre Clementi and Jon Phetteplace in Partner 1968

Box 3, Folder 18

P31-P32: Jon Phetteplace 1942-1947

Box 3, Folder 19

P33, P35-P36: Jon Phetteplace, student recital undated

Box 3, Folder 20

P34, P38: Jon Phetteplace and Fred Gualda, San Diego Marathon 1979

Box 3, Folder 21

P37: Jon Phetteplace ca. 1944

Box 3, Folder 22

P39: Musica Electronica Viva (MEV) collage undated

Box 3, Folder 23

P40-P41: Dialoghi musical score, page 1 undated

Box 3, Folder 24

P42: Vittorio Gelmetti and Frederic Rzewski 1967

Box 3, Folder 25

P43-P44: Janos Starker and Robert LaMarchina, 1985. Sylvano Bussotti, undated

Box 3, Folder 26

P45: Sylvano Bussotti and Buell Neidlinger 1965

Box 3, Folder 27

P46: Sylvano Bussotti multiple exposure 1965

Box 3, Folder 28

P47-P51: Jon Phetteplace ca. 1942 - 1967

Box 3, Folder 29

P52-P55: Jon Phetteplace and Frederic Rzewski at Accademia Filarmonica Romana undated

Box 3, Folder 30

P56: Schulte family, Anaheim (Phetteplace's grandparents) ca. 1885

Box 3, Folder 31

P57-P58: Jon Phetteplace with Vuillaume cello 1977

Box 3, Folder 32

P59-P62: Jon Phetteplace, family members, and Deana Takadean 1943 - 1973

Box 3, Folder 33

P63: Sylvano Bussotti undated

Box 3, Folder 34

P64-P68: Jon Phetteplace 1958 - 1983

Box 3, Folder 35

P69: Bruno Walter 1937

Oversize FB-298-07

P70-P71: Sylvano Bussotti 1966

Oversize FB-298-08

P72: Jon Phetteplace self-portrait 1966

Oversize FB-298-09

P73: Raymond Lewenthal 1965

Oversize FB-298-10

P74: Takehisa Kosugi, Tender Music, 1967. Includes "Story of Tender Music" (essay, 1991)

Oversize FB-550-01

P75: Jon Phetteplace, Giuseppe Chiari, and Vittorio Gelmetti undated

Oversize FB-550-02

P76: Photogram, Cartridge Music musical score, page 1 1965

Oversize FB-550-03

P77: Raymond Lewenthal at Webster Hall, Alkan recording 1965

Oversize FB-550-04

P78: First Porism, photogram of musical score with self-portrait and text by Rimbaud 1966 - 1973

Oversize FB-550-05

P79: Piatigorsky Thinks, photogram with musical score and portrait of Gregor Piatigorsky ca. 1973

Oversize FB-550-06

P80: La Monte Young, Canal Street, New York 1965

Oversize FB-550-07

P81: Alvin Curran, Rome 1966

Oversize FB-550-08

P83-P87: La Passion selon Sade, Cathy Berberian and Romano Amadea 1966

Oversize FB-550-09

P88-P89: La Passion selon Sade, Cathy Berberian and Romano Amadea 1966

Oversize FB-550-10

P90-P91: Tender Music, Kosugi Sequence IV and V 1967

Oversize FB-550-11

P92-P93: Tender Music, Kosugi Sequence I and III 1967

Oversize FB-550-12

P94: Tender Music, Kosugi Sequence II 1967

Oversize FB-550-13

P95: John Cage/ Rozart Mix/Cartridge Music/Morel Mushrooms 1965

Box 3, Folder 36

P96: Pablo Casals 1961

Box 3, Folder 37

P97: Vladimir Horowitz 1982

Box 3, Folder 38

P99: Unidentified man 1966

Box 3, Folder 39

Jon Phetteplace 1991 and undated

 

WRITINGS

Scope and Content of Series

Series 6) WRITINGS. Arranged in two subseries: A) Miscellaneous Writings and B) Appointment Books, Calendars, and Training Logs
A) Miscellaneous Writings: Notebooks and manuscript drafts, including an essay written by Phetteplace and Francis J. Busco, a collaborator on some of Phetteplace's computer music compositions, on the notation of computer music, and a translation of an article by Giuseppe Chiari. The notebooks include observations, inventories, notes, and lesson plans.
B) Appointment Books, Calendars, and Training Logs: Annotated calendars and appointment books, many of which contain journal entries and running logs. Earlier journal entries were kept in notebooks that were used primarily for creative work; these are found in the Working Materials subseries of MUSICAL WORKS BY PHETTEPLACE. Arranged chronologically.
 

Miscellaneous Writings

Box 4, Folder 1

Chiari, Giuseppe. "Music and Its Gestures" - Translated by Phetteplace 1967

Box 4, Folder 2

COMBAC: Report on a Keypunch Method of Encoding Music for Real-Time Programs. With Francis J. Busco 1972

Box 4, Folder 3-6

Notebooks - Answers to Adages; Encinitas: Inventories and Stories; Ideas, Poems, and Observations; Lessons 1979-1986

Box 4, Folder 7

Program notes

 

Appointment Books, Calendars, and Training Logs

Box 4, Folder 8-15

1973 - 1980

Box 5, Folder 1-2

1980 - 1981

Oversize FB-298-11

1982

Box 5, Folder 3-12

1983 - 1988

Oversize FB-298-12

1988

Oversize FB-298-13

1989

 

MISCELLANEOUS

Scope and Content of Series

Series 7) MISCELLANEOUS: Biographical materials, such as Phetteplace's passport and a photocopy of his birth certificate; curricula vitae; brief autobiographical writings; files on the Olympic torch relays of 1980 and 1984 (Phetteplace was an alternate torch runner); subject files; and information on the musical instruments that Phetteplace owned. Arranged alphabetically.
Box 5, Folder 13

Acoustics articles

Box 5, Folder 14

Address books

Box 6, Folder 1

Biographical documents

Box 6, Folder 2

Casals, Pablo - Clippings

Box 6, Folder 3

Cello Playing - Lessons with Frieda Belinfante

Box 6, Folder 4

Curricula vitae

Box 6, Folder 5

Genealogies of the Phetteplace Family

Oversize FB-298-14

Gregor Piatigorsky interview, Los Angeles Times West 1972 - 1973

Box 6, Folder 6

Indian music

Box 6, Folder 7

La Jolla Civic/University Orchestra; San Diego Chamber Orchestra

Box 6, Folder 8

Miscellaneous

Box 6, Folder 9

Musical instruments

Box 6, Folder 10-11

Olympics Torch Relay 1980 - 1984

Box 6, Folder 12

Revox tape recorder

Box 6, Folder 13

Tonality

 

AUDIO RECORDINGS

Restrictions

Original audio recordings are restricted. Researchers may request user copies be produced.

Scope and Content of Series

Series 8) AUDIO RECORDINGS: Sound recordings of musical performances in which Phetteplace participated, and of performances of his compositions and those of other composers. Most of the recordings are on reel-to-reel tape, although some were also transferred, by Phetteplace, to cassette tape. There are also examples of concrete music that he recorded in Venice and elsewhere, and recordings of music that Phetteplace made by taping Italian radio. Some works are found only in the AUDIO RECORDINGS series, such as "Symphony" (1957) and "Sound City" (1973). Occasionally, the boxes include notes for performance, or lists of contents, if none are provided on the packaging. The score for "Sound City" is housed with the tape. Original audio recordings are restricted; researchers may request user copies be produced.
Arranged in five subseries: A) Index to Audio Recordings, B) Reel-to-Reel by Phetteplace, C) Reel-to-Reel by Others, D) Audiocassette Recordings by Phetteplace, and E) Audiocassette Recordings by Others.
A) Index to Audio Recordings: Transcript of Phetteplace's 1990 oral inventory of his audio recordings. This inventory sometimes provides details that are not always available in the notations on the tapes themselves.
B) Reel-to-Reel by Phetteplace: Reel-to-reel audio recordings of performances by, or compositions by Phetteplace, 1955-1984. Arranged chronologically.
C) Reel-to-Reel by Others: Reel-to-reel audio recordings by Phetteplace of performances of the work of other composers or musicians. Arranged alphabetically.
D) Audiocassette Recordings by Phetteplace: Cassette audio recordings of performances by, or compositions by Phetteplace. Arranged alphabetically.
E) Audiocassette Recordings by Others: Cassette audio recordings by Phetteplace of performances of the work of other composers or musicians. Arranged alphabetically.
 

Index to Audio Recordings

Box 6, Folder 14

Transcript 1990

 

Reel-to-Reel by Phetteplace

Box 7, Folder 1

My Voice and First Recordings: Chopin, Tchaikovsky. 5" reel 1955

Box 7, Folder 2

Unpredictable Symphony; Musique Verite. 7" reel 1957

Box 7, Folder 3-5

No.1, First Position, Electronic Version for Palermo; First Position; No.1, Positions 1, 2 and 4. 7" reels 1965

Box 7, Folder 6

Material for Schoenberg TF. 4" reel 1966

Box 7, Folder 7

Matrix for TF - 0.2, R - 1.3, Six Examples. 4" reel 1966

Box 7, Folder 8-11

No.1, 3rd Position. Voice 2; Voice 2 and 3. 7" reels 1966

Box 7, Folder 12-13

No.1, 1965 4th and 2nd Positions. 7" reels

Box 7, Folder 14

Natural Landscape (mono); LBJ (stereo). 5" reel 1966

Box 7, Folder 15

Paesaggio Naturale. 5" reel 1966

Box 7, Folder 16

Casper (Gira-Gira). 7" reel 1967

Box 7, Folder 17

No.4. 7" reel 1967

Box 7, Folder 18

Displacements, Rehearsals and Premiere Performance. 10" reel 1967

Box 7, Folder 19-21

No.1, 1965, Position 1; 13' 54" (Work in Progress). Position 2. Position 4, 50/60, corrected master. 7" reels

Box 7, Folder 22

No.4, 1967; No.3, 3rd Position; No.3, 3rd Positions Modulated by No.4. 7" reel

Box 7, Folder 23

No.1, 1965, Position 4. 7" reel

Box 7, Folder 24

Three Plus Four. 5" reel 1967

Box 7, Folder 25-28

No.3, 1965: 3 PM - 4 PM. Voices A, B, C, and D. Chiara, G: Lyndon Johnson. 10" reels

Box 7, Folder 29

Musica Verita, with Performance Instructions. 7" reel 1967

Box 7, Folder 30

Lyndon Johnson. 7" reel. Chiari, G. 1967

Box 7, Folder 31

No.3: 4 - 5 PM: Voices A and B. 10" reel 1967

Box 8, Folder 1

No.3, 1965. 7" reel

Box 8, Folder 2

No.3: 4 - 5 PM, Voices C and D. 10" reel 1967

Box 8, Folder 3-5

Paesaggio Naturale. 7" and 4" reels

Box 8, Folder 6

Church Service. 5" reel 1967

Box 8, Folder 7

Vocalise "Live." 7" reel 1967

Box 8, Folder 8

Flush, (Ch 1). 7" reel 1967

Box 8, Folder 9

Duo: Monteverdi: 6th L. Marenzio. Bussotti, Sylvano: Due Voci, Soprano and Ondes Martenot. 7" reels 1967

Box 8, Folder 10

3 and 4 modulated 4 and 3; Partita on Bach. 10" reel 1967

Box 8, Folder 11

Partita con Bach. 7" reel 1968

Box 8, Folder 12-13

Paesaggio Naturale. 5" and 7" reels 1968

Box 8, Folder 14

Church Music. 7" reel 1968

Box 8, Folder 15

Partita con Bach. 7" reel 1968

Box 8, Folder 16

Processions. 7" reel 1968

Box 8, Folder 17

Accordo, No.5. 7" reel 1968

Box 8, Folder 18

Suttman Job No.1. 7" reel. Contraband (Steve Lacy, Richard Teitelbaum and Jon Phetteplace) 1968

Box 8, Folder 19

Contraband (Steve Lacy, Richard Teitelbaum and Jon Phetteplace). 7" reel 1968

Box 8, Folder 20

Suttman Job No.2. Contraband (Steve Lacy, Richard Teitelbaum and Jon Phetteplace). 7" reel 1968

Box 8, Folder 21-22

Free Lecture. 7" reels 1968

Box 8, Folder 23

Play. 7" reel. Contraband (Steve Lacy, Richard Teitelbaum and Jon Phetteplace) 1968

Box 8, Folder 24

Free Lecture, Tape for Parts 2-6. 7" reel 1968

Box 8, Folder 25

Work In Progress. 7" reel 1969

 

Woyzeck

Box 8, Folder 26-31

Intervallo and Death Chant. Tour copy, tape 1 of 2. Dance Scene, with Steve Lacy. Scene 2, Explicit Rosarium, Loop A, Loop B and Death Chant. Safety copy, tapes 1 & 2. 7" reels 1969

Box 9, Folder 1

Tour copy, tape 2 of 2. 7" reel 1969

Box 9, Folder 2-3

Free Lecture, Players 7 and 8. 7" reels 1969

Box 9, Folder 4

Free Lecture, Premiere. Grossi, P.: Ricerca Tempo; Rapporti; Battimenti. 7" reel 1969

Box 9, Folder 5

I Wonder What Time It Is. Walker, J. 7" reel 1969

Box 9, Folder 6-7

Sound City, tapes 1 and 2 (with score). 7.5 ips stereo, 7" reels 1973

Box 9, Folder 8

Paesaggio Naturale. Musica ex Machina: RAI Fonologia 5-7. Bryant, A.: Pitch Out. Krenek, E.: Spiritus Intelligentia Sanctus. Stockhausen, K.: Gesang der Juenglinge. Dallapicola, L.: Interview with Pietro Grossi. 10" reel 1975

Box 9, Folder 9

Work In Progress III. 4" reel in 7" box 1984

Box 9, Folder 10

Work In Progress IV, with notes. 7" reel 1984

Box 9, Folder 11

Cage Concert Intermission. 5" reel undated

Box 9, Folder 12

Contraband (Steve Lacy, Richard Teitelbaum and Jon Phetteplace). 7" reel undated

Box 9, Folder 13

Death Chant; Sax for Woyzeck. Bach, J.S.: Suite, Cello, E Major - Prelude; Suite, Cello, D Minor - Minuet, Prelude, Allemande. 5" reel undated

Box 9, Folder 14-15

Free Lecture. Player 8. 7" reels undated

Box 9, Folder 16

Last Blues; Paessagio Naturale. 7" reel undated

Box 9, Folder 17-18

No.1, Positions 1 and 2, (tour copies). Positions 3 and 4, (tour copies). 7" reels undated

Box 9, Folder 19

No.1, 1965, 1st Position (Stereo). Chiari, G,: Il Cielo e la Terra; Omaggio a Rene Clair. Grossi, P.: Progetti II e III. (mono) undated

Box 9, Folder 20-21

No.1, Positions 2 and 4. 5" reels undated

Box 9, Folder 22-23

No.3, 1965. 3 - 4 PM. 7" reels undated

Box 9, Folder 24

Photograms 2: Sounds of Venice, Italy. 5" reel undated

Box 9, Folder 25

Processions. Feldman, M.: Durations. 5" reel undated

Box 9, Folder 26

Various unidentified pieces. 10" reel undated

Box 9, Folder 27

Three Plus Four, 3. 7" reel undated

Box 9, Folder 28-29

Woyzeck, Excerpts and Intervalo. 7" reels undated

 

Reel-to-Reel By Others

Box 10, Folder 1-2

Battimenti: Tapes 1 & 2. 7" reels

Box 10, Folder 3

Boulez, Pierre: Structures; Electronic Etude #2. Barraque, J. Concrete Etude. Auder, A.: Jazz E Jazz. Stockhausen, K.: Spiel. Schoenberg, A.: Variations For Orchestra, Op.31. 7" reel

Box 10, Folder 4

Brown, E.: Synergy. Cage, J.: 26" 1.1499" for a String Player. Chiari, G.: Per Arco. Stockhausen, K.: Plus Minus. Ichiyanagi, T.: Duet II. 7.5 ips mono, 7" reel.

Box 10, Folder 5-7

Bussotti, Sylvano - Memoria. Phrase a Trois. Pour Voix de Femme; Due Voci; Mit Einem Gewissen Sprechenden Ausdruck.. Setti Folgi. Chadabe, J.: Three Ways of Looking At a Square. Brown, E.: Hodograf 1. Feldman, M.: Intersection 2. 7.5 ips., 7" reels

 

Cage, John

Box 10, Folder 8

45'00" For a Speaker. 7" reel

Box 10, Folder 9

Aria and Solo, Cello, 2 Rehearsals, 1967. 7" reel

Box 10, Folder 10

Cartridge Music; For Second Player. 3" reel

Box 10, Folder 11

Concerto, Prepared Piano and Orchestra. Reich, S: Piano Phase. 7" reel

Box 10, Folder 12-20

Imaginary Landscape #5 - IA (M1 + M2), IB, IM, M1-5. 4" and 5" reels

Box 10, Folder 21-22

Intermission I-II. 7" reels

Box 10, Folder 23

Intermission Piece, Tape 1. 7" reel

Box 10, Folder 24

String Quartet In Four Parts; 0'00" Solo with Williams Mix. 7" reel

Box 10, Folder 25-29

Where Are We Going? And What Are We Doing? Parts 1 and 4. German. Italian. Wo Gehen Wir Hin? Was Tun Wir? - Part 3. 7" reels

 

Chiari, Giuseppe

Box 10, Folder 30-34

La Folla Solitaria. La Luce. Lyndon Johnson. 4" and 7" reels

Box 11, Folder 1-3

Per Arco. Quando il Cinema e Lontano. Omaggio a Rene Clair; Woody; Triste (Ramona); Il Cielo e la Terra. Teatrino. 5" and 7" reels

Box 11, Folder 4

Club d'ascolto: Gruppo "Musica Elettronica Viva" - Gelmetti, Vittorio: Traumdentung. Curran, A.: La Lista del Giorna. Rzewski, F.: For 2. Bryant, A.: Pitch Out. Vandor, I.: Project Deux. 7" reel

Box 11, Folder 5

Curran, Alvin: La Lista del Giorno, Speeded Up a Fragment. 5" reel

Box 11, Folder 6

Eaton, John: Synket Piece with Voice - Smith, W.O.: Synket Piece with Clarinet, Percussion and Bass. Ketoff, G.: Synket Improvisation. Krenek, E.: Spiritus Sanctus. Stockhausen, K.: Gesang der Junglinge. Hausmann, R.: Lautgedichte (1918). Clementi, A.: Collage No.3, "Dies Irae." Vandor, I.: Project Deux. Also works by Francois, Klauss, Heissig, Guacerro, Gomez and Arrigo. 10" Hub only

Box 11, Folder 7-9

Gelmetti, Vittorio - Modulazioni per Michelangelo, 1965 - Nous Irons a Tahiti. Prossimamente (Treni d'onda a modula 2 d'intensita). Untitled - Riedl, ?.: Composition #3. Schalf, P.: Utrecht. Grossi, P.: Collage 3. Interviews with Pietro Guaccero and Aldo Clementi. 7" reels

Box 11, Folder 10-25

Grossi, Pietro - Algorhythms. Arrangements of Works of Bach and Paganini; Composizione 11. Calcolatore; Computer Arrangements of Webern and Paganini. Computer Music = Transcriptions of Bach, Paganini and Webern; Algorhythms. OM, Channels 1 - 6. OM, Parts 3, 4, 5 and 6. OM, Tracks 1 and 2 of 6. Progetto 2; Progetto 3; RF 2; RF 1.9. Research on the Program Structures; 6 Canons of J.S. Bach. RF 1; S2FM: Battimenti a 5. S2FM: R1, 7, a 1, 2, e Parte a 3. Tetrafono - Verdi, G.: La Traviata, Rehearsals Conducted by Toscanini. Zulian: Ricerca Tempo. 5" and 7" reels

Box 11, Folder 26

Halffter, Cristobal: Lineas y Puntas - Ligeti, G.: Lontano. Kelemen, M.: Composee. Penderecki, K.: Capriccio, Violin and Orchestra. Malecz, I.: Orale. 7" reel

Box 11, Folder 27

Kosugi Concert, Rome 1967 - Kosugi, Takehisa: Monodharma; Tender Music; Bis. 7" reel

Box 11, Folder 28

Ligeti, Gyorgy: Apparitions; Atmospheres - Lehmann, ?.: Quanti I. Nilsson, B.: Szene 1. Ionesco, E.: Il Salone Dell'automobile. 7" reel

Box 11, Folder 29

Maderna, Bruno: Invenzioni Per Una Voce Sola - Berio, L.: Chemins, Harp and Orchestra. 7" reel

 

Musica Elettronica Viva (MEV)

Box 11, Folder 30-32

2 Improvisations, 1968. Improvisation 5, Tapes 1 and 3. 7" reels

Box 12, Folder 1-6

Improvisation No.7: Spacecraft. Improvisations 8. London 1, 2, 3 & 4. 7" and 10" reels

Box 12, Folder 7

Musica ex Machina: Fonologia 3 and 4 - Ussachevsky, V.: King Lear. Blomdahl, K.: Arianna. Macchi: Anno Domini. Pousseur, H.: Electra, Excerpt. Also Works by Schaeffer, Nono, N.P.S and Zaffari. 10" reel

Box 12, Folder 8

Nilsson, Bo: Quantitaeten - Boulez, P.: Pli Selon Pli. Berg, A.: Concerto, Violin. 7" reel

Box 12, Folder 9-11

Pfeiffer, John - Office Routine; Toad Tango. Electronic Variations on a February 4th Theme - Moment; Experimental Film Sequences (Winter Sports), with dedication card. Algorhythms - Alpha Modulation; Violin and Reflection; Convolution 62; Rhythm Solo; 2 Formant Preparations; Vocalise on a Spiritual; Office Routine; Toad Tango. 7" reels

Box 12, Folder 12-14

Rapporti - 1 and 2. Channels 3-6. 7" reels

Box 12, Folder 15

Raxach, Enrique: Summer Music - Berio, L.: Syncronie. Wolff, C.: Summer. Schoenberg, A.: Vier Lieder, op.22. Stockhausen, K.: Gruppen. 7" reel

Box 12, Folder 16-22

Rzewski, Frederic - Glass Piece; Composition for Two. Impersonation, first performance and rehearsals, with program. Requiem - Bryant, A.: Masses. Chiari, G.: Fuer Elise. Gelmetti, Vittorio: Organum Quadruplum. For 2. 5" and 7" reels 1967

Box 12, Folder 23

Schnebel, Dieter: Amn - Kagel, M.: Tre Pezzi da Sonant, Guitar. Cage, J.: Solo for Voice 1. Bense, M.: Rosenschuttplatz. 7" reel

Box 12, Folder 24

Varese, Edgard: Deserts - Kagel, M.: Sonant. Rzewski, Frederic: Phi. Offrandes - Rzewski, Frederic: Impersonation, Rehearsal 1. 7" reels

Box 12, Folder 26-31

Venice. Venice 1 - 4. Venice 7 and 8 - American Sailor Songs; Gondole 2 AM. Venice 9 and 10 - First American Sailor Songs; S. Marco Orchestra. 5" reels

 

Audiocassette Recordings by Phetteplace

Box 13, Folder 1

Accordo materials - Woyzeck, rehearsal

Box 13, Folder 2

Campo Santo Stefano - Venice, Italy; Musique Verite 1967

Box 13, Folder 3-6

Hours and Quarters - 1-7. Penderecki, K.: Sonata, Cello and Orchestra

Box 13, Folder 7

Improvisation 7 - Musique Verite

Box 13, Folder 8-9

Last Blues, 1969. Natural Landscape, 1966; Imaginary Landscape #5, 1966; Church Music, 1967

Box 13, Folder 10

Music for Radios, Tape and Record Player - Unpredictable Symphony; Hypnosis Episode; No.1, 1965, position 1, 2, 3 and 4; Imaginary Landscape #5

Box 13, Folder 11

Natural Landscape - Cage, J.: Aria

Box 13, Folder 12-13

Paesaggio Naturale - Kagel, M.: Match. Musica Elettronica Viva: Improvisation 5

Box 13, Folder 14

Sound City, Tape 3, 1973

Box 13, Folder 15

Symphony (1957) - No.1, 1965, positions 1 - 4; Landscape; Free Lecture

Box 13, Folder 16

Vocalise - Breath; Espressivo

Box 14, Folder 1

Vocalise, "Live" - Flush

Box 14, Folder 2-6

Woyzeck - Fiera "B" - Grossi, P.: Battimenti. First Performance, Turin 1969. Performance of February 28, 1969. Turina Rehearsals

 

Audiocassette Recordings by Others

Box 14, Folder 7

Cage, John: Where Are We Going? What Are We Doing? (German and Italian) - Tape 1 of 2

Box 14, Folder 8

The Contraband: Doors

Box 14, Folder 9

Musica Elettronica Viva: Improvisation 5

Box 14, Folder 10-11

Stockhausen, Karlheinz: Hymnen, Regions 1-4

Box 14, Folder 12-15

Turkey Notes 1-6