Guide to the J. Paul Getty Collected Photographs and Postcards of Los Angeles and Vicinity, 1857-1940
Finding aid prepared by Cyndi Shein
Descriptive Summary
Title: Collected photographs and postcards of Los Angeles, California and vicinity
Date (inclusive): circa 1857-1940
Number: IA40005
Creator/Collector:
Getty, J. Paul (Jean Paul), 1892-1976
Physical Description:
0.6 linear feet
Repository:
The Getty Research Institute
Institutional Records and Archives
1200 Getty Center Drive, Suite 1100
Los Angeles, California, 90049-1688
(310) 440-7390
archives@getty.edu
Abstract: This collection primarily comprises black-and-white photographs of early California (1857-1940s). J. Paul Getty collected
these images; they reflect his interest in Los Angeles and the coastal region of Santa Monica and Malibu, where he spent much
of his life. The bulk of the images trace the development of Los Angeles from a small pueblo to a bustling city and show the
Santa Monica coastline, canyons, and mountains prior to their development. The collection also contains several photographs
of waterfront communities to the north and south of Los Angeles, a few shots of California missions, and one of the Redwoods.
It also includes a small set of non-photographic postcards of California (1885).
Request Materials:
To access physical materials at the Getty, go to the
library catalog record for this collection and click "Request an Item." Click here for
general library access policy . See the Administrative Information section of this finding aid for access restrictions specific to the records described
below. Please note, some of the records may be stored off site; advanced notice is required for access to these materials.
Language: Collection material is in
English
Biographical Note
American oil tycoon and art collector Jean Paul Getty was born in Minneapolis, Minnesota on December 15, 1892 to George Franklin
Getty (1855-1930) and Sarah Catherine McPherson Risher Getty. Around 1906 the Getty family moved to Los Angeles. Jean Paul,
called "Paul," attended a private military school before going on to the University of Southern California in Los Angeles
and the University of California, Berkeley. In 1911, Paul went to Oxford to study economics and political science, completing
his diploma in 1913. Afterwards he embarked on a year-long Grand Tour of Europe, which no doubt sparked his interest in art
and antiquities.
In 1914 Paul joined the family oil business and spent a year in the oil fields of Oklahoma. An astute investment in 160 acres
near Stone Bluff, Oklahoma led to Paul's announcement two years later that he had earned his first million dollars. He returned
to Los Angeles and took a break of more than a year before returning to the oil business. Paul then persuaded his father to
shift the focus of the family business to the Los Angeles basin. Paul continued to work for the family company in addition
to conducting oil drilling of his own, securing the family fortune by the time the stock market crashed in 1929. Upon his
death in 1930 George left controlling interest in the company to Sarah. In 1934 Paul forced Sarah out of control of the company
and gave her an annuity. His fortune grew as he acquired the controlling interest in several companies and became the head
of a vast organization with activities in oil exploration, transportation, production and marketing, as well as minerals,
manufacturing, real estate and agriculture. In the mid-1940s Getty bought the Saudi Arabian portion of the lease on the mineral
rights in the Neutral Zone between Saudi Arabia and Kuwait; his wealth dramatically increased when this site produced oil
in 1953.
Beginning in the early 1930s Getty lived in a house he built next to William Randolph Hearst's on the beach in Santa Monica.
During World War II he moved to Tulsa, Oklahoma for four years to supervise wartime production of parts for Allied aircraft
at his Spartan Aircraft plant. In 1946 he purchased 64 acres in Pacific Palisades, California and renovated the existing hacienda,
known as the Ranch House, where he lived until 1951. When Getty departed the United States for Europe in 1951, he kept his
Pacific Palisades estate for the display of his art collection and for the possibility of his eventual return. Getty had been
collecting art since the 1930s and continued collecting throughout his lifetime. By 1968 his art collection had begun to outgrow
the Ranch House and he began planning a new building on the property to properly house these works. He chose to pattern this
new museum building after a first-century Roman country house, based primarily on the plans of the ancient Villa dei Papiri
near Herculaneum. This museum, often called the Villa, opened to the public on January 16, 1974.
After leaving the United States Getty lived in hotel suites in Europe until 1960 when he moved to Sutton Place, a historic
72-room Tudor manor located 25 miles southwest of London. In 1957
Fortune magazine designated Getty as the world's wealthiest man, and he became the object of considerable public interest. For the
rest of his life, both the respectable press and the tabloids reported on his perceived eccentricities and his private life,
which included five marriages and divorces. J. Paul Getty died in England on June 6, 1976 without ever returning to California.
Although he never saw the museum, he is buried at the Getty Villa property, on a bluff overlooking the Pacific Ocean. Much
to everyone's surprise Getty left the bulk of his fortune to the museum with a mission to promote "the diffusion of artistic
and general knowledge."
J. Paul Getty's publications include:
- Getty, J. Paul.
The history of the oil business of George F. and J. Paul Getty from 1903 to 1939. Los Angeles (?), 1941.
- Getty, J. Paul.
Europe in the eighteenth century. [Santa Monica, Calif.]: privately printed, 1949.
- Le Vane, Ethel, and J. Paul Getty.
Collector's choice: the chronicle of an artistic odyssey through Europe. London: W.H. Allen, 1955.
- Getty, J. Paul.
My life and fortunes. New York: Duell, Sloan & Pearce, 1963.
- Getty, J. Paul.
The joys of collecting. New York: Hawthorn Books, 1965.
- Getty, J. Paul.
How to be rich. Chicago: Playboy Press, 1965.
- Getty, J. Paul.
The golden age. New York: Trident Press, 1968.
- Getty, J. Paul.
How to be a successful executive. Chicago: Playboy Press, 1971.
- Getty, J. Paul.
As I see it: the autobiography of J. Paul Getty. Englewood Cliffs, N.J. : Prentice-Hall, 1976.
Administrative Information
Restrictions on Access
These records are available for use by qualified researchers.
The J. Paul Getty Trust reserves the right to restrict access to any records held by the Institutional Archives.
Publication Rights
Preferred Citation
[Cite the item and series (as appropriate)], Collected photographs and postcards of Los Angeles and vicinity, J. Paul Getty.
Institutional Archives, Research Library, Getty Research Institute, Finding aid no. IA40005.
Immediate Source of Acquisition note
These materials were entered into the archives as accession number 1986.IA.29.
Related Archival Materials Note
The following materials are offered as possible sources of further information on the agencies and subjects covered by these
records. The listing is not exhaustive.
Contributing Institution:
The Huntington Library
Contributing Institution:
Charles E. Young Research Library, University of California, Los Angeles
The
Adelbert Bartlett Papers , [1900s]. Located in: Department of Special Collections, Charles E. Young Research Library, University of California, Los
Angeles. Collection 1300.
Contributing Institution:
USC Libraries Special Collections, Doheny Memorial Library
Scope and Content of Collection
This collection primarily comprises black-and-white photographs of early California (1857-1940s). J. Paul Getty collected
these images; they reflect his interest in Los Angeles and the coastal region of Santa Monica,Malibu, and the Pacific Palisades,
where he spent much of his life. The bulk of the images trace the development of Los Angeles from a small pueblo to a bustling
city and show the Santa Monica area coastline, canyons, and mountains prior to their development. The collection also contains
several photographs of waterfront communities and resorts to the north and south of Los Angeles, a few shots of California
missions, and one of the Redwoods. It also includes a small set of non-photographic postcards of California (1885). Among
this collection are also a few photographs of New York City, a photograph of an unidentified weightlifting competition, and
a color photogravure of Château de Pierrefonds (France).
Many of the photographs in this collection were originally collected by Charles C. Pierce (1861-1946), a notable photographer
of early California, who sold photographs out of his store on Spring Street in Los Angeles. Although many of these images
are stamped on the verso with the name C. C. Pierce, they were not necessarily created by Pierce. Pierce assembled an impressive
library of historic California photographs (and negatives), removed the original photographers' signatures from the works,
and stamped his own name on the images. Several other photographs in this collection are attributed to Adelbert Bartlett (1887-1966),
a photographer based in Santa Monica, who was known locally and abroad for his images of Southern California.
Arrangement
This collection is arranged in two series:
Series I. Photographic prints;
Series II. Postcards.
Indexing Terms
Subjects - Topics
Beaches--California--19th century
Beaches--California--20th century
Piers--California--19th century
Piers--California--20th century
Waterfronts--California--19th century
Waterfronts--California--20th century
Subjects - Places
Los Angeles (Calif.)--Buildings, structures, etc.--19th century
Los Angeles (Calif.)--Buildings, structures, etc.--20th century
Los Angeles (Calif.)--History--20th century--Pictorial works
Los Angeles (Calif.)--Pictorial works--19th century
Malibu (Calif.)--Pictorial works--19th century
Malibu (Calif.)--Pictorial works--20th century
Ocean Park (Calif.)--Pictorial works--19th century
Ocean Park (Calif.)--Pictorial works--20th century
Pacific Palisades (Los Angeles, Calif.)--Pictorial works--20th century
Santa Monica (Calif.)--Pictorial works--19th century
Santa Monica (Calif.)--Pictorial works--20th century
Santa Monica Mountains (Calif.)--Pictorial works--19th century
Santa Monica Mountains (Calif.)--Pictorial works--20th century
Topanga Canyon (Calif.)--Pictorial works--20th century
Venice (Los Angeles, Calif.)--History--20th century--Pictorial works
Genres and Forms of Material
Photographic prints--California--19th century
Photographic prints--California--20th century
Photogravures--France--Color
Postcards--California--19th century
Contributors
Bartlett, Adelbert, 1885-1946
Getty, J. Paul (Jean Paul), 1892-1976
Pierce, C. C. (Charles C.), 1861-1946
Series I.
Photographic prints
Scope and Content Note
This series comprises black-and-white photographs of early California (1857-1940s). J. Paul Getty collected these images;
they reflect his interest in Los Angeles and the coastal region of Santa Monica and Malibu. The bulk of the images trace the
development of Los Angeles from a small pueblo to a bustling city and show the Santa Monica coastline, canyons, and mountains
prior to their development. The collection also contains several photographs of waterfront communities and resorts to the
north and south of Los Angeles, a few shots of California missions, and one of the Redwoods. Within this series are also a
few photographs of New York City and a photograph of an unidentified weightlifting competition.
Many of the photographs in this collection were originally collected by Charles C. Pierce (1861-1946). Several photographs
in this collection are attributed to Adelbert Bartlett (1887-1966).
This series contains approximately 186 black-and-white photographic prints (plus four duplicates) ranging from 5 x 7 to 8
x 10 inches in size.
Please Note: Photographic negatives have been created from some of the prints. The negatives are housed in box 1986.AI.29-3.
Arrangement note
The photographs in this series are arranged in binders by geographic region, divided by tabs. They are arranged chronologically
within each geographic region. Their original order has been retained.
Box 1986.IA.29-01
Long Beach "Bathing beauties,"
1900
Physical Description:
(1 photograph, 8 x 10 inches)
Box 1986.IA.29-02
Los Angeles,
1857-1930
Physical Description:
(83 photographs, 8 x 10 inches and 2 photographs, 6 x 8 inches)
Scope and Content Note
These photographs depict street scenes from locations in the heart of Los Angeles. Most of them bear captions written by J.
Paul Getty describing cross streets and vantage points. Some of the buildings and events noted are Central High School (labeled
as Los Angeles High School), the residence of Able Stearns, a Main Street parade, Pico House, Fort Moore Hill, San Pedro,
Washington Gardens, Opening day of cable car service (June 8, 1889), Hamburger's (People's) Store, Hotel Westminster, Mason
Opera House, Hotel Angeles, Blanchard Hall, Pacific Electric building, Call Building (burning on April 18, 1906), Los Angeles
Furniture Company, Hotel Alexandria, Hotel Lankershim, and Los Angeles Plaza. The oldest images are two photographs of what
appear to be sketches of Los Angeles (1857 and 1864).
Box 1986.IA.29-02
Missions San Luis Rey, Santa Inéz, and San Antonio de Pádua,
undated
Physical Description:
(3 photographs, 5 x 7 inches)
Box 1986.IA.29-02
New York City: 5th Avenue, Delmonico's, and the Vanderbilt residence,
circa 1876-1920
Physical Description:
(3 photographs, 8 x 10 inches)
Box 1986.IA.29-01
Ocean Park: pier, beach, bath house, and La Monica Ballroom,
1890-1926
Physical Description:
(7 photographs ranging from 5 x 7 to 8 x 10 inches)
Box 1986.IA.29-01
Playa del Rey,
1908
Physical Description:
(1 photograph, 8 x 10 inches)
Box 1986.IA.29-02
Redwoods of Cathedral Grove,
circa 1900s
Physical Description:
(1 photograph, 8 x 10 inches)
Box 1986.IA.29-01
Santa Monica and neighboring areas,
1875-1940 and undated
Physical Description:
(67 photographs, ranging from 5 x 7 to 8 x 10 inches)
Scope and Content Note
These photographs focus on the coastlines, canyons, landscapes, and cityscapes of Santa Monica, Malibu, and Pacific Palisades.
Hand-written captions include references to the Santa Monica Hotel, Hotel Arcadia, Las Flores Inn, Santa Monica Beach Club,
the Lighthouse Café, bath houses, Santa Monica Pier, Southern Pacific Long Wharf, Santa Monica Bank, Ocean View Avenue, the
stage road, fishermen's villages, road racers, Miramar Hotel, Miramar Estates opening, Castellemare, Castle Rock, and Arch
Rock. They also include one photograph of what appears to be a photogravure depicting Santa Monica Pier and surrounding area
in 1880; one photograph of a collage of the Southern Pacific Long Wharf; and one photograph of a sketch of Santa Monica Hotel.
Significant to Getty history are 1927 and 1929 photographs of Claude Parker's Ranch and the surrounding hills, the current
site of the Getty Ranch House and Villa Museum in Malibu.
Box 1986.IA.29-01
Topanga Canyon and the Outside Inn,
circa 1918
Physical Description:
(10 photographs, 5 x 7 inches)
Box 1986.IA.29-01
Venice: pier, swimmers, and aerial view of city,
1905-1918
Physical Description:
(7 photographs, ranging from 6 x 8 to 8 x 10 inches)
Box 1986.IA.29-02
Weightlifting competition,
circa 1920s
Physical Description:
(1 photograph, 8 x 10 inches)
Series II.
Postcards
Scope and Content Note
This series primarily consists of a set of 17 non-photographic postcards measuring 3 x 4.5 inches, printed in sepia on vanilla
cardstock, collected by J. Paul Getty in a scrapbook entitled "Los Angeles and Vicinity." The postcards were published in
1885 by Wittemann Bros. of New York. The postcards portray typical images of early California, including Los Angeles area
streets, beaches, harbors, native vegetation, a vineyard, and a few missions. The first card is twice the size of the others
and depicts a broad view of the city of Los Angeles, including Central High School and the Court House. Also included in this
series is the embossed cover of the original scrapbook in which the set of California postcards were collected and one unrelated
color photogravure of the Cháteau de Pierrefonds, France.
Arrangement note
The original order of the postcards has been retained.
Box 1986.IA.29-03, Folder 1
Scrapbook cover: "Los Angeles and Vicinity,"
undated
Box 1986.IA.29-03, Folder 2
California postcards,
1885
Physical Description:
(16 postcards, 3 x 4.5 inches and 1 postcard, 3 x 9 inches)
Box 1986.IA.29-03, Folder 3
Château de Pierrefonds postcard,
undated
Physical Description:
(1 color photogravure, 10.5 x 5.25 inches)