Guide prepared by Abigail Dixon for History Associates Incorporated
California Institute of the Arts
California Institute of the Arts Archive
California Institute of the Arts
24700 McBean Parkway
Valencia, California 91355-2397
Phone: (661) 253-7882
Fax: (661) 254-4561
Email: libraryarchive@calarts.edu
URL: http://calarts.edu/library/collections/archive
2008
Administrative Summary
Creator:
California Institute of the Arts
Title: California Institute of the Arts Feminist Art Materials Collection
Dates: 1971-2007
Date (bulk): (bulk 1972-1977)
Quantity:
2.3 cubic feet
Repository:
California Institute of the Arts. Library.
Valencia, California 91355-2397
Abstract: The California Institute of the Arts Feminist Art Materials Collection contains articles, brochures, correspondence, exhibition
catalogs, invoices, newsletters, and other materials documenting the influence of feminism on the training of artists and
the making of art. The collection covers the years 1971 to 2007 with the bulk of the material ranging from 1972 to 1977.
Physical Location: California Institute of the Arts Archive
Identification: CalArts-003
Language of Material:
English
Administrative Information
Restrictions on Access
This collection is open for research with permission from California Institute of the Arts Archive staff.
Publication Rights
Property rights and literary rights reside with California Institute of the Arts. For permission to reproduce or to publish,
please contact California Institute of the Arts Archive staff.
Related Material Located in the California Institute of the Arts Archive Archives
Unprocessed collections with related material are located in the CalArts Library Archives.
Preferred Citation
California Institute of the Arts Feminist Art Materials Collection. California Institute of the Arts Archive, California
Institute of the Arts, Valencia, California.
Acquisition Information
Collected by California Institute of the Arts as part of the California Institute of the Arts Archive.
Processing Information
Preliminary arrangement by library staff. Processed by History Associates Incorporated, 2007-2008.
Accruals
Future additions are possible.
Administrative History of the California Institute of the Arts Feminist Art Materials Collection
California Institute of the Arts, commonly known as CalArts, is located in Valencia, California, and grants degrees in the
visual and performing arts. Incorporated on September 1, 1961, it was the first degree-granting institution of higher learning
in the United States created specifically for students of both the visual and the performing arts. It was the dream and vision
of Walt Disney to create such an institute and he provided funding for it in his will. Initially formed through the merger
of the Chouinard Art Institute (founded 1921) and the Los Angeles Conservatory of Music (founded 1883), it opened at its present
campus in Valencia, California, in November 1971.
In that same year, CalArts faculty members and noted artists Judy Chicago and Miriam Schapiro co-founded the Feminist Art
Program (FAP). Based on the experimental program Chicago had started at Fresno State College the previous year, the FAP at
CalArts was one of the first in the country to offer team taught courses on female art history taught exclusively by women
for women only. Also founded in 1971 was the Women’s Design Program, led by Sheila de Bretteville. Like the FAP, the Women’s
Design Program was a one-year program that focused on participation in various processes by which art is created, including
group consciousness raising sessions, performance workshops, and reading of feminist literature.
Approximately twenty-five young women artists joined the FAP during the program’s opening year. Work on the program’s first
class project, “Womanhouse," began on November 8, 1971. The purpose of “Womanhouse" was to “provide a better understanding
of women artists by themselves and by the predominately male art community." Together the artists transformed a deserted,
seventeen-room, Los Angeles mansion into an exhibit space. Each artist chose a portion of the house in which she had complete
freedom to “explore aspects of female experience" through her art.
The completion of “Womanhouse" coincided with the West Coast Women Artists’ Conference, hosted by CalArts. Despite its name,
the conference included participants from states all over the country. On the evening of Friday, January 21, 1972, the conference
commenced with a tour of “Womanhouse" followed by performances presented in the living room of the house. The next morning,
Schapiro opened the official conference during which various women artists gave talks, showed slides of artwork, and discussed
the exclusion of women from major museum exhibits and gallery spaces. “Womanhouse" opened for public exhibition on January
30, 1972. Approximately 4,000 visitors viewed the house and attended the evening performances over the course of the installation’s
exhibit period.
Activities related to feminist art continued to emerge throughout the early 1970s. On June 6, 1972, an exhibit entitled “Ablutions,"
created by Chicago and three students, Suzanne Lacy, Aviva Rahmani and Sandra Orgel opened for public exhibition off-campus.
In 1973, Chicago, de Bretteville, and art historian Arlene Raven founded the Feminist Studio Workshop (FSW), the first independent
school for women artists. That same year, the Woman’s Building in Los Angeles was also founded. Other events held at CalArts
included the Feminist Art Festival which took place from May 27-31, 1974. However, despite the positive impact of such activities,
the FAP dissolved, mainly as a result of Chicago and Schapiro’s departures in 1973 and 1975 respectively.
Although many of the organized feminist art programs at CalArts formally ceased to exist, beliefs and ideas cultivated from
the programs of the early 1970s continued to be influential. In May 1998, CalArts students, alumni, and faculty began meeting
to discuss those programs and their effects on feminist art. Based on these meetings, the Feminist Art Workshop took place
from September 28-October 3, 1998. Individuals from CalArts, as well as people from other Southern California art institutions,
participated in various discussions, events, and workshops. From March 5-10, 2007, a student-organized event entitled “Exquisite
Acts and Everyday Rebellions" was held consisting of exhibitions, performances, workshops, and a day-long symposium of panel
discussions. Such events are responsible for preserving the role CalArts played in the feminist art movement of the 1970s.
Bibliography
Dellabough, Robin. “Shattering the Glass Slipper."
Cal Arts Today. March 1982.
Lovelace, Carey. “The CalArts Program That Transformed Feminist Art."
CalArts, Summer/Fall 2007.
Chronology
| 1970 |
Judy Chicago founds Feminist Art Program (FAP) at Fresno State College. |
| 1971 |
Judy Chicago and Miriam Schapiro co-found Feminist Art Program (FAP) at CalArts. |
| |
Sheila de Bretteville founds Women’s Design Program at CalArts. |
| November 1971 |
CalArts opens at present campus in Valencia, California. |
| |
Work begins on FAP’s first exhibition, “Womanhouse." |
| January 21-23, 1972 |
West Coast Women Artists’ Conference held at CalArts. |
| January 30, 1972 |
“Womanhouse" opens for public exhibition. |
| June 6, 1972 |
“Ablutions" opens for public exhibition. |
| 1973 |
Woman’s Building in Los Angeles founded. |
| |
Chicago, de Bretteville, and art historian Arlene Raven found the Feminist Studio Workshop (FSW). |
| |
Chicago leaves FAP/FSW to work on collaborative project entitled “The Dinner Party." |
| May 27-31, 1974 |
Feminist Art Festival held at CalArts. |
| 1975 |
Schapiro leaves FAP. |
| 1981 |
FSW closes. |
| September 28-October 3, 1998 |
Feminist Art Workshop held at CalArts. |
Scope and Contents of the Records
The California Institute of the Arts Feminist Art Materials Collection contains articles, brochures, correspondence, exhibition
catalogs, invoices, newsletters, and other materials documenting the influence of feminist art on CalArts. The collection
covers the years 1971 to 2007 with the bulk of the material ranging from 1972 to 1977.
The collection consists primarily of materials related to CalArts’ Feminist Art Program (FAP). However, materials related
to other feminist art programs and events, including the Women’s Design Program and the Feminist Studio Workshop (FSW), are
also included. The largest series in the collection, Publications, is divided into two series. The first series in comprised
of materials published by CalArts while the second series consists of materials published by outside publishers. In addition
to factual information about various feminist art programs and events, the Publications series also gives insight into perspectives
on feminist art from the opinions of program participants, other CalArts students, and individuals not associated with the
institution. The Events series consists of materials related to feminist art events such as exhibits, symposiums, and workshops.
However, this collection does not include documentation for every feminist event related to CalArts. Likewise, the administrative
records are not comprehensive as they focus mainly on the sale of Feminist Art Program publications.
Due to the large amount of duplication within the collection and the scattered nature of the materials, this collection was
reorganized during processing to bring consistency to its arrangement and to improve research access.
The collection is organized into four series:
Index Terms
The following terms have been used to index the description of this collection in the library's online public access catalog.
Subjects:
California Institute of the Arts
Chicago, Judy, 1939-
de Bretteville, Sheila
Feminism and art
Raven, Arlen, 1944-2006
Schapiro, Miriam, 1923-
Subjects and Indexing Terms
Genres and Forms of Materials
Articles
Black-and-white photographs
Brochures
Correspondence
Exhibition catalogs
Invitations
Invoices
Magazines (Periodicals)
Newsletters
Series 1.
Administrative Records,
1972-1986,
Physical Description:
.2 cubic foot
Scope and Content Note
This series contains documents related to the administration of the feminist arts programs at CalArts and includes correspondence,
invoices, and other materials. Financial documents refer mostly to the sale of publications by the Feminist Art Program (FAP).
Files are arranged alphabetically by title, and chronologically within each folder.
Box 1:1
Board of Equalization,
1978-1980
Box 1:2
Correspondence,
1972-1974
Box 1:5-1:9
Invoices and Orders,
1976-1977,
1981-1986
Box 1:10
Payment Request Forms,
undated
Series 2.
Events,
1972-1975,
1988,
2007,
Physical Description:
.3 cubic foot
Scope and Content Note
This series contains information about events related to feminist art. Some events were held at CalArts while others took
place off-campus, but involved participants from CalArts programs. Documents include announcements, brochures, exhibition
catalogs, invitations, and photographic materials promoting feminist art activities, programs, and projects.
Files are arranged alphabetically by title, and chronologically within each folder.
Box 1:12
"Exquisite Acts and Everyday Rebellions",
2007
Box 1:14-1:15
"Feminist Art Workshop",
1998
Box 1:16
"Festival of the Arts",
1974
Box 1:17
"It’s All About Time Past",
1975
Box 1:18
"Joyce Kozlaff Paintings",
1974
Box 1:19
"Old Mistresses: Women Artists of the Past",
1972
Box 1:20
"Robin Mitchell: Paintings and Drawings",
undated
Box 1:21
"West Coast Feminist Speakers Bureau",
undated
Series 3.
Publications,
1971-2007,
Physical Description:
1.4 cubic feet
Scope and Content Note
This series contains publications related to feminist art. Some publications were created by CalArts while others were published
by outside publishers.
Subseries 3-1.
CalArts Publications,
1971-2007,
Physical Description:
.6 cubic foot
Scope and Content Note
This subseries contains articles, exhibition catalogs, newsletters, and other materials created by CalArts. Many of the publications
sold by the Feminist Art Program (FAP) are included in this subseries.
Files are arranged alphabetically by title, and chronologically within each folder.
Box 2:2
Anonymous Was A Woman,
1974
Box 2:3
Art: A Woman’s Sensibility,
1975
Box 2:4
The Big News, Articles,
1972-1973
Box 2:6
The Bridge, "Feminist Art Festival, May 27-31",
1974
Box 2:8
CalArts, "The CalArts Program that Transformed Feminist Art",
2007
Box 2:9
Cal Arts Today, "Shattering the Glass Slipper",
1982
Box 2:14
Networks 1, "Women’s Design Program",
1972
Box 2:15
Publications Sheet,
undated
Box 2:16
Register of Women Artists,
1973
Box 3:1
The Shrine, The Computer, and The Dollhouse,
1975
Box 3:2
Walt, "Feminism at CalArts: The Ideal Persists",
1983
Box 3:3
West Coast Women Artists’ Conference,
1972
Subseries 3-2.
Non-CalArts Publications,
1971-1978,
Physical Description:
.4 cubic foot
Scope and Content Note
This subseries contains articles, books, brochures, and magazines that focus on, or make reference to feminist art, but were
not published by Cal Arts. This subseries offers insight into various aspects of feminist art from a non-CalArts perspective.
Box 3:5
Art Journal, "The Education of Women as Artists: Project Womanhouse",
1972
Box 3:8
Daily Pilot, "Should Women’s Art Be Neuter or Female",
1974
Box 3:10
Evening Outlook, "Womanhouse: A First",
undated
Box 3:12
Icographic, "The Women’s Design Program",
1973
Box 3:13
Los Angeles Times, "Lair of Female Creativity",
1972
Box 3:14
Los Angeles Times View, "Emergence of the Feminist Artist",
1972
Box 3:15
New Day: Films About Women and Men,
undated
Box 3:16
New York Times, "Winning the West",
undated
Box 3:17
New Woman, "An Interview With Two Artists From Womanhouse",
1972
Box 3:18
New York, "Vaginal Iconology",
undated
Box 3:19
Time, "Bad-Dream House",
1972
Box 3:20
WARM: Women’s Art Registry of Minnesota,
1974
Box 3:22
Woman’s Work: American Art, 1974,
1974
Box 3:23
Women In American History: Lectures and Videotapes,
1974
Box 3:24
Women’s History Research Center, Inc.,
[circa 1974]
Series 4.
Oversize Materials,
1971,
Physical Description:
.4 cubic foot
Scope and Content Note
This series consists of oversize material that was removed from the collection and filed separately in an oversize box. Oversize
material is located in box 4.
