Finding aid for the Harald Keller papers, 1929-1990
Rose Lachman.
Descriptive Summary
Title: Harald Keller papers
Date (inclusive): 1929-1990
Number: 920043
Creator/Collector:
Keller, Harald,
1903-1989
Physical Description:
15 Linear Feet
Repository:
The Getty Research Institute
Special Collections
1200 Getty Center Drive, Suite 1100
Los Angeles 90049-1688
reference@getty.edu
URL: http://hdl.handle.net/10020/askref
(310) 440-7390
Abstract: German art historian and teacher
(1903-1989). Lecture notes, correspondence, and manuscripts compiled during Keller's 35-year
academic career cover major periods and works in the history of art and architecture. Papers
include research notes and annotated copies of several Keller publications, including his
dissertation. The correspondence documents Keller's relationships with numerous art
historians, including Richard Krautheimer, Christoph Frommel, Hans Sedlmayr, L.H.
Heydenreich, K. Müller, Ulrich Middeldorf, and Rudolf Wittkower.
Request Materials: Request access to the physical materials
described in this inventory through the
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Language: Collection material is in
German .
Biographical/Historical Note
Harald Keller was trained as an art historian in Leipzig, Heidelberg, and Munich by such
influential scholars as Wilhelm Pinder, Heinrich Wölfflin, C. G. Heise at the Lübeck Museum
and Hans Jantzen in Frankfurt. Keller served as Assistant Director of the Hertziana in Rome
from 1930 - 1935. He wrote 20 books and over 100 articles. In his 35 years as a teacher,
Keller helped shape a generation of German art historians, in part by supervising 53
dissertations. The course and lecture notes included among his papers provide a precise
record of his teaching methods and document a formative period in the discipline.
Administrative Information
Access
Open for use by qualified researchers, except letters from Keller to Elfriede R. Knauer
(Philadelphia), 1976-1989, 11 letters. Sealed until 2019.
Publication Rights
Preferred Citation
Harald Keller papers, 1929-1990, Research Library, The Getty Research Institute, Accession
no. 920043.
http://hdl.handle.net/10020/cifa920043
Acquisition Information
Acquired in 1992.
Processing History
Rose Lachman processed, arranged and described the collection in early 1995. Wherever
possible, the collection retains Keller's original order and labeling.
Scope and Content of Collection
Harald Keller's papers span the years 1929-1990 and comprise extensive lecture and course
notes from 35 years of teaching (mostly undated); research notes related to his writings,
teachings, and travels (ca. 1930-1987); manuscripts of published and unpublished books and
articles, arranged chronologically (ca. 1935-1988); and correspondence with students and
colleagues, including some on the versos of lectures and notes. (1930-1989).
Keller taught widely on art subjects, and his detailed, carefully-composed course and
lecture notes deal with aspects of painting, sculpture, architecture, and urbanism from the
Early Christian and Byzantine eras to the Impressionist period. His manuscripts likewise
cover a broad range of topics, including Baroque staircases (the subject of his
dissertation), Renaissance landscape, Italian Gothic sculpture, urbanism in Italy, Central
Europe and the Baltic countries, Impressionism, the history of portraiture, a scholarly
autobiography, and notes for an historical novel. Many manuscripts included in the
collection contain his annotations, as does a printed copy of his dissertation,
Das
Treppenhaus im deutschen Schloss- und Klosterbau des Barock
.
The reverse side of many of the pages of lecture and course notes contain correspondence
between Keller and art historians, primarily from the years 1938 - 1963. Series IV contains
significant correspondence with other scholars and includes 50 letters (1943-1989) from
Richard Krautheimer, rich in detail about their common scholarly interests and the work of
other colleagues, 11 letters (1974-1980) from Christoph Frommel, as well as letters from
Hans Sedlmayer, Rudolf Wittkower, L.H. Heydenreich, T. Müller and others.
Arrangement note
The Papers are arranged in 4 series:
Series I. Lectures and notes, with correspondence on
verso, ca. 1939-1987;
Series II. Research notes, ca. 1930-1987, n.d.;
Series III. Manuscripts, ca. 1929-1988;
Series
IV. Correspondence, ca. 1930-1989
Indexing Terms
Subjects - Names
Keller, Harald,
1903-1989
Subjects - Corporate Bodies
Bibliotheca Hertziana,
Max-Planck-Institut
Subjects - Topics
Cities and towns -- Europe
Art, Medieval
Architecture, Medieval -- Germany
Architecture -- Germany
Staircases -- Germany
Architecture, Baroque -- Germany
Painting, French -- 19th century
Impressionism (Art) -- France
Historical fiction
Art, Romanesque -- France
Art, French
Landscape painting, Renaissance -- Italy
Art, Renaissance -- Italy
Architecture -- Italian
Sculpture, Italian
Painting, Italian
Sculpture -- History
Painting -- History
Art -- History -- Study and teaching
Art -- History
Architecture -- History -- Study and teaching
Architecture -- History
Art, Gothic -- France
Contributors
Frommel, Christoph
Luitpold
Heydenreich,
Ludwig H. (Ludwig Heinrich), 1903-1978
Keller, Harald,
1903-1989
Middeldorf, Ulrich,
1901-1983
Krautheimer,
Richard, 1897-1994
Schlumberger, Daniel
Müller, Theodor,
1905-1996
Wittkower, Rudolf
Sedlmayr, Hans,
1896-1984
Series I.
Lecture and course notes, with correspondence on verso,
ca. 1939-1987
Physical Description:
10 Linear
Feet
Scope and Content Note
Keller frequently wrote lecture and course notes on the verso of bills, announcements,
invitations, and especially correspondence (both letters he received and letters he
wrote). These papers, therefore, are described in two subseries, lecture and course
notes, and correspondence on the reverse of lecture notes.
The series comprises 10 lin. feet of material, essentially described twice.
Series I.A.
Lecture and course notes,
ca. 1937-1980
Container Summary: 10 lin.
ft.
Scope and Content Note
Lecture and course notes, divided by subject. Subseries keeps material in Harald
Keller's original order.
box 1, folder 1
Donatello Freifigur vorpaduanisch,
n.d.
box 1, folder 1
Donatello Relief vorpaduanisch,
n.d.
box 1, folder 2
Donatello Padua (1443-53),
n.d.
box 1, folder 2
Donatello nach paduanisch,
n.d.
box 1, folder 2
Donatello Apokryphen and Spätwerke Donatellos,
n.d.
box 1, folder 3
Venice: Kolleg.,
1980 Oct
20
box 1, folder 3
Venedig Einleitungsstunde,
1980 Oct
20
box 1, folder 4
Piazza und Piazzetta,
1980 Oct
20
box 1, folder 4
Karolingische Kirchen-Gründungen,
1980 Oct
20
box 1, folder 4
Venezian. Paläste bis Ende der Gotik,
1980 Oct
20
box 1, folder 4
Die Lombarden,
1980 Oct
20
box 1, folder 4
Venedig früh Renaissance,
1980 Oct
20
box 1, folder 5
2. Hälfte (1494-1797)
1980 Oct 20
n.d.
box 1, folder 5
Ausmalung das Dogenpalastes nach 1577,
1980 Oct
20
box 1, folder 5
Tetrastyle Anlagen in Venedig u. Veneto,
1980 Oct
20
box 1, folder 5
Venezianische Villa (aüsser Palladio, )
1980 Oct
20
box 1, folder 5
Venez. Paläste seit 1500,
1980 Oct
20
box 1, folder 5
Seicento Veneziano,
1980 Oct
20
box 1, folder 6
Venezianische Malerei von den Anfängen bis Tiepolo, Notizen und Excerpte
zum Kolleg WS
1957/1958
box 1, folder 6
Venezian. Malerei Einleitungsstunde
1957 Nov
14
box 1, folder 6
Venedig Trecento,
1957 Nov
4
box 1, folder 6
Venezian. Malerei d. Weichen Stils
box 1, folder 6
Jacopo Bellini,
1957/1958
box 1, folder 6
Gentile Bellini,
1957/1958
box 1, folder 7
Giovanni Bellini bis 1475,
1957/1958
box 1, folder 7
Giovanni Bellini seit 1475,
1957/1958
box 1, folder 7
Carlo Crivelli,
1957/1958
box 1, folder 8
Vittore Carpaccio,
1957/1958
box 1, folder 8
Bartolomeo Veneto,
1957/1958
box 1, folder 8
Giorgione Schulbilder,
1957/1958
box 2, folder 1
Italien Bildhauer u. Architekten,
n.d.
box 2, folder 2
Römischer Palastbau das Seicento,
n.d.
box 2, folder 3
Venezianische Malerei 18. Jh.,
n.d.
box 2, folder 3
Venedig im 18. Jh. (allgemein),
n.d.
box 2, folder 3
Venedig (ohne Piazzetta u. Tiepolo,
n.d.
box 2, folder 5
Italien. Barockmalerei,
1961, n.d.
box 2, folder 5
Einleitungsstunde (includes printed bibliographic compilation of
literature by Erich Hubala)
11/7/61
box 2, folder 8
G.B. Crespi (Cerano),
n.d.
box 3, folder 1
Französische romanische Architektur I,
1961, n.d.
box 3, folder 1
Einleitungestunde (Romanische Architektur u. Bauplastik in
Frankreich)
11/7/60
box 3, folder 1
Karolingische Westwerke in Frankreich,
n.d.
box 3, folder 1
Französische Zentralbauten vor 1000,
n.d.
box 3, folder 1
Schlafende Ile de France,
n.d.
box 3, folder 2
Modell-Kirchen von Typ Charlieu II,
n.d.
box 3, folder 2
Weg von Cluny nach Hirsau,
n.d.
box 3, folder 3
Burgund nach Cluny III,
n.d.
box 3, folder 4
Französische romanische Architektur II,
n.d.
box 3, folder 5
Aquitanische Kuppelkirchen,
n.d.
box 3, folder 6
Englische Kathedralae der normannischen Schule,
n.d.
box 3, folder 6
Cisterzienser (romanische Stufe),
n.d.
box 4, folder 1
Französische romanische Plastik,
1962, n.d.
box 4, folder 1
Französ. Plastik des Ma., Einleitungsstunde
5/2/62
box 4, folder 1
Merowingische Plastik,
n.d.
box 4, folder 1
Karolingische Plastik,
n.d.
box 4, folder 2
Burgund (ausser Cluny, Vézelay u. Autun),
n.d.
box 4, folder 3
Toulouse / St. Sernin,
n.d.
box 4, folder 3
Toulouse / La Daurade,
n.d.
box 4, folder 4
Entspechende Einzelwerke d. Steinplastik 12.Jahrh.,
n.d.
box 4, folder 4
Poitou (mit Angoumois u. Saintonge),
n.d.
box 4, folder 4
Burgund (nach Chartres West),
n.d.
box 4, folder 4
Holzplastik Franz. 12.Jh.,
n.d.
box 4, folder 5
Französische gotische Architektur, 1137-1270,
1961, 1970, n.d.
box 4, folder 5
Baukunst d. französ. Gotik, Einleitungsstunde
5/8/61 und
4/14/70
box 4, folder 5
Ausstattung d. französ. Kathedralen das 12 u. 13 Jh.,
n.d.
box 4, folder 5
Ästhetische Theorie zur Entstehung der Gotik,
n.d.
box 4, folder 6
Beauvais / Dommartin,
n.d.
box 4, folder 6
Tewkesbury / Pershore,
n.d.
box 4, folder 7
Pariser Kirchen d. 12 Jh. (ausser Notre Dame),
n.d.
box 4, folder 8
Mantes / Soissons / Chars / Creil / Provins / St. Leu
d'Esserent,
n.d.
box 4, folder 8
"Übergangsstil" zwischen Früh- u. Hochgotik (Filigran-Gotik),
n.d.
box 5, folder 1
Französische gotische Architektur II,
n.d.
box 5, folder 1
5 geschossiges System,
n.d.
box 5, folder 2
Hofkunst Ludwigs d. Heiligen,
n.d.
box 5, folder 2
"Königsgotik" ausserhalb d. Pariser Hofkunst,
n.d.
box 5, folder 2
Zisterzienser (gotische Stufe),
n.d.
box 5, folder 3
Poitou u. Anjou (12. u. 13. Jh.),
n.d.
box 5, folder 4
Französische Kathedralplastik der Gotik,
1974, n.d.
box 5, folder 4
Französische Kathedral-Plastik der Gotik,
n.d.
box 5, folder 4
Einleitungsstunde
1974 Jan
8
box 5, folder 4
Notre Dame de Sous-Terre, Chartres, Kathedral,
n.d.
box 5, folder 5
St. Denis, Querhaus - Chalons-sur-Marne (York),
n.d.
box 5, folder 5
Chartres Querhäuser,
n.d.
box 5, folder 6
Paris, Notre Dame Westfassade,
n.d.
box 5, folder 6
Paris, Ste. Chapelle,
n.d.
box 5, folder 6
Gotische Holzplastik,
n.d.
box 6, folder 1
Spätgotische Plastik (seit 1350),
1969, n.d.
box 6, folder 1
Deutsche Plastik d. Hoch-u. Spätgotik (seit 1350),
n.d.
box 6, folder 1
Einleitungsstunde
1969 Apr
15
box 6, folder 1
Das Andacctsbild II,
n.d.
box 6, folder 1
Bauplastik 1.Hälfte 14.Jh.,
n.d.
box 6, folder 2
Statuen-Typen in Entwicklungsreihen 1.Hälfte 14.Jh.,
n.d.
box 6, folder 2
Parler-Plastik, I. Böhmen,
n.d.
box 6, folder 2
Parler-Plastik, II. Wien,
n.d.
box 6, folder 2
Parler-Plastik, III Westdeutschland,
n.d.
box 6, folder 3
Weicher Stil, Schöne Madonnen,
n.d.
box 6, folder 3
Weicher Stil, Sitz-Madonnen,
n.d.
box 6, folder 3
Hans von Judenburg / Meister von Grosslobming,
n.d.
box 6, folder 3
Bauplastik des Weichen Stils,
n.d.
box 6, folder 3
Tragik u. Trauer im Weichen Stil,
n.d.
box 6, folder 4
Nicolaus Gerhaert von Leyden,
n.d.
box 6, folder 4
Nördlinger Hochaltar u. d. Strassburger Nikolaus,
n.d.
box 6, folder 4
Südtiroler Plastik d. Spätgotik nach Pacher,
n.d.
box 6, folder 5
Frühchristl. Kunst d. Ostens / Frühbyzant. Kunst -565,
1958, n.d.
box 6, folder 5
Frühchristliche u. frühbyzantinische Kunst,
n.d.
box 6, folder 5
Einleitungsstunde Dura Europos
11/3/58
/
box 6, folder 5
Vatikanische Nekropole, Katakomben,
n.d.
box 6, folder 5
Frühchristliches Italien (mit ausnahme v. Rom),
n.d.
box 6, folder 5
Frühchristliche Sarkophage,
n.d.
box 6, folder 5
Katakomben-Ikonographik,
n.d.
box 6, folder 6
Palästina / Ephesus,
n.d.
box 6, folder 6
Konstantinopel Stadtbaukunst,
n.d.
box 6, folder 6
Konstantinopel zur Zeit Konstantins u. Theodosius,
n.d.
box 6, folder 6
Konstantinopel in der Justinians-Zeit (Architektur),
n.d.
box 6, folder 7
Konsular-Diptychen u. Verwandtes,
n.d.
box 6, folder 7
Frühchristliche Kleinkunst,
n.d.
box 6, folder 7
Frühchristliche Architektur i. d. Balkan-Länder,
n.d.
box 6, folder 7
Syrien Frühchristliche Architektur,
n.d.
box 6, folder 7
Afrika (einschliesslich Ägypten),
n.d.
box 7, folder 1
Stadtbaukunst Römerzeit, Karolingerzeit, Ottonischezeit und
Später,
n.d.
box 7, folder 1
Römische Städte bis zur Karolingerzeit,
n.d.
box 7, folder 1
Römerstadt u. ottonische Neustadt,
n.d.
box 7, folder 1
Ottonische Städte an der Slawen-Grenze,
n.d.
box 7, folder 2
Zähringer Städte I. deutsche,
n.d.
box 7, folder 2
Zähringer Städte II. schweizerische,
n.d.
box 7, folder 2
Lippstadt / Lerngo / Fellin,
n.d.
box 7, folder 2
Gründungen Heinrichs des Löwen,
n.d.
box 7, folder 3
Staufische Städtegründungen,
n.d.
box 7, folder 3
Staufische Städte I Elsass, Neckarfranken, Pleissengau
12.Jh.,
n.d.
box 7, folder 3
Staufische Städte II Oberschwäbische Reichsstädte 12.Jh.,
n.d.
box 7, folder 3
Zettel für mittelalterlichen Stadtbaukunst,
n.d.
box 7, folder 4
Römische Stadtbaukunst in MA,
n.d.
box 7, folder 4
Die Denkmäler der Antike in der Mittelalt.,
n.d.
box 7, folder 4
Römische Antikensammlungen,
n.d.
box 7, folder 4
Rom=Ansichten (Gesamtstadtbild),
n.d.
box 7, folder 5
Römische Stadtbaukunst der Renaissance I. Quattrocento,
n.d.
box 7, folder 5
Rom Quattrocento (profan bis Paul II),
n.d.
box 7, folder 5
Rom Quattrocento (profan seit Sixtus IV),
n.d.
box 7, folder 5
Rom Quattrocento, Einzelwerke, Profan, übergang zur
Hochrenaissance,
n.d.
box 7, folder 6
Stadtbaukunst der Hochrenaissance,
n.d.
box 7, folder 6
Stadtbaukunst Seicento,
n.d.
box 7, folder 6
Rom, 18.Jh. Stadtbaukunst,
n.d.
box 7, folder 6
Suburbane Villen 1570-1770,
n.d.
box 7, folder 7
Stadtbaukunst Osten,
n.d.
box 7, folder 7
Deutsche Ostsee-Städte (vor d. "Kolonial" Grd. Vorstufen des
Kolonialstadt-Typs,
n.d.
box 7, folder 7
Die deutsche Kolonialstadt d. 13.Jh. - I. West- u.
Ostpreussen,
n.d.
box 7, folder 7
II. Gross- u. Kleinpolen,
n.d.
box 8, folder 1
Stadtbaukunst 16.-19.Jhd.,
n.d.
box 8, folder 1
Frankreich, 16.Jhd.,
n.d.
box 8, folder 1
Frankreich, 17.Jhd.,
n.d.
box 8, folder 1
Frankreich, 18.Jhd.,
n.d.
box 8, folder 2
17.Jhd. (ausser Frankreich, Deutschland),
n.d.
box 8, folder 2
Deutschland 17.Jhd.,
n.d.
box 8, folder 2
Die duetschen Hugenottenstadt,
n.d.
box 8, folder 2
Deutschland 18.Jhd. Grosse Residenzen,
n.d.
box 8, folder 3
Kleinere deutsche Residenzen 18.Jhd.,
n.d.
box 8, folder 3
England, Dänemark, Russland 18.Jhd.,
n.d.
box 8, folder 3
19.Jhd. Paris, Wien, München, Berlin,
n.d.
box 8, folder 4
Stadtbaukunst, Frankreich, Deutschland, Schweiz,
1976, n.d.
box 8, folder 4
Südfranzösische Gründungsstädte d. 12. u. 13.Jhd.,
n.d.
box 8, folder 4
Italienische Gründungsstädte d. 13.Jhd.,
n.d.
box 8, folder 5
Altbayerische Herzogs-Residenzen,
n.d.
box 8, folder 6
Hessische Grundungsstädte d. Landgrafen von Thuringen,
n.d.
box 8, folder 6
Sachsen (einschliesslich Provinz Sachsen),
n.d.
box 8, folder 6
Niederrhein (Kurköln),
n.d.
box 8, folder 6
Die ostdeutsche Kolonialstadt (lecture, )
5/8/76
box 8, folder 7
Die Neustadt d. 14.Jhd.,
n.d.
box 8, folder 7
Gründungsstädte das 15.Jhd.,
n.d.
box 8, folder 8
Karolingische Miniaturen,
n.d.
box 8, folder 9
Ottonische Miniaturen (deutsch),
n.d.
box 9, folder 1
Deutsche spätromanische Architektur,
n.d.
box 9, folder 2
Zisterzienser romanische Stufe,
n.d.
box 9, folder 3
Hallenkirchen des 12.Jhd.,
n.d.
box 9, folder 3
Sakralbaukunst 12.Jhd. (ohne Dome, Hirsauer, Zisterzienser,
Schotten),
n.d.
box 9, folder 4
Romanische Backsteinbauten,
n.d.
box 9, folder 5
Deutsche, ottonische und romanische Plastik,
n.d.
box 9, folder 5
Merowingische u. Karolingische Reliquiare,
n.d.
box 9, folder 5
Karolingisch: Bronzetüren, Kleinbronzen, Kristallschnitt, Buchdeckel,
Tragaltäre,
n.d.
box 9, folder 5
Ottonische Kruzifixe,
n.d.
box 9, folder 6
Ottonische Elfenbeine,
n.d.
box 9, folder 8
Heiltums-Altäre und Reliquienschätze,
n.d.
box 9, folder 8
Kleinodien (Kronen, Gewänder und a.) nicht zu den Reichskleinodien
gehörig,
n.d.
box 9, folder 8
Die Domschätze der deutschen Bistümer,
n.d.
box 10, folder 1
Deutsche romanische Architektur,
, 1950, n.d.
box 10, folder 1
Romanische Baukunst in Deutschland: Einleitungskolleg am
1950 Feb
5
box 10, folder 1
Nachfolgebauten Aachen, Corvey, Fulda, Seligenstadt, Hersfeld,
Lorsch,
n.d.
box 10, folder 2
More Romano ("Carolingian Revival"),
n.d.
box 10, folder 2
Frankfurt, Ingelheim, Pfalzen im Hessen u. Mittelrhein,
n.d.
box 10, folder 3
Memleben, Hildesheim, Paderborn, Quedlinburg, Köln,
n.d.
box 10, folder 4
Ottonische Zentralbauten,
n.d.
box 10, folder 4
Spätottonisch-frühsalisch (Doppelgesicht),
n.d.
box 10, folder 4
Niederrhein und Maas-gebiet bis 1100,
n.d.
box 10, folder 5
Deutsche gotische Architektur,
n.d.
box 10, folder 5
Die Ausstattung der deutschen gotischen Kathedralen,
n.d.
box 10, folder 5
Die Träger der deutschen Gotik,
n.d.
box 10, folder 5
Hallen d. 13.Jhd. (Hessen und Mittelrhein),
n.d.
box 10, folder 5
Magdeburger Dom, Köln, Xanten, Strassburg, Metz, Freiburg im
Breisgau,
n.d.
box 10, folder 6
Franken und Altbayern,
n.d.
box 10, folder 6
Westfälische Dome (Hallenkirchen),
n.d.
box 10, folder 6
Zisterzienser 13.Jhd.,
n.d.
box 10, folder 7
Backsteingotik 13.Jhd.,
n.d.
box 10, folder 7
Bettelorden 13.Jhd.,
n.d.
box 11, folder 1
Deutsche spätgotische Architektur,
n.d.
box 11, folder 1
Böhmen, Mähren, Österreich. 13.Jhd.,
n.d.
box 11, folder 1
Österreich 1.Hälfte 14.Jhd.,
n.d.
box 11, folder 1
Mitteldeutschland 1.Hälfte 14.Jhd.,
n.d.
box 11, folder 1
Bettelorden 1.Hälfte 14.Jhd.,
n.d.
box 11, folder 2
Böhmen (aüsser Prag),
n.d.
box 11, folder 2
Deutsche Birgitten Klöster,
n.d.
box 11, folder 3
Ingolstadt, Augsburg, Nördlingen, Nürnberg,
n.d.
box 11, folder 3
Tiroler spätgotische Hallenkirchen (Ms. nie gedruckt!),
n.d.
box 11, folder 3
Schweiz. Halle (S.),
n.d.
box 11, folder 3
Halle (Bibliographie und Schema),
n.d.
box 11, folder 4
Deutsche Plastik 13.Jhd.,
1968, n.d.
box 11, folder 4
Einleitungsstunde Kolleg.:
6.Mai
1968
box 11, folder 4
Strassburg Ecclesia-Meister-Zeit,
n.d.
box 11, folder 5
Strassburg II. Lettner u. Westfassade,
n.d.
box 11, folder 5
Le beau reste (Paderborn, Münster, Trier),
n.d.
box 11, folder 6
Kunst in Hessen und Mittelrhein I,
1967, 1970, n.d.
box 11, folder 6
Einleitungsstunde
1967 Apr
18
box 11, folder 6
Christliche Mission Karolinger-Zeit,
n.d.
box 11, folder 6
Gelnhausen im Rahmen staufischer Stadtbaukunst, Festrede zum 800
Jahrfeier d. Stadt (Roman. Haus)
1970 Jun
28
box 11, folder 6
Wetterau als staufisches Reichs-Territorium,
n.d.
box 11, folder 7
Hessen 12.Jhd. Architektur,
n.d.
box 11, folder 7
Malerei und Plastik 12.Jhd.,
n.d.
box 11, folder 7
Heilige Elisabeth und Marburg,
n.d.
box 11, folder 8
Restliche Malerei und Plastik des 13.Jhd.,
n.d.
box 11, folder 8
Architektur 14.Jhd.,
n.d.
box 12, folder 1
Kunst in Hessen und Mittelrhein II,
n.d.
box 12, folder 1
Plastik Weicher Stil,
n.d.
box 12, folder 1
Malerei Weicher Stil,
n.d.
box 12, folder 1
Spätgotische Plastik (seit 1430),
n.d.
box 12, folder 2
Spätgotische Malerei (seit 1430),
n.d.
box 12, folder 2
Ashaffenburg und Albrecht von Brandenburg,
n.d.
box 12, folder 2
Matthias Grünewald (soweit Mittelrheinische Wirksamkeit),
n.d.
box 12, folder 2
Mainz-Ashaffenburger Plastik um 1520-1. ("Grünewald"-Wyditz) 2.
(Leinberger-Einfluss),
n.d.
box 12, folder 3
Deutsche Barock-Architektur 1600-1720,
1948, n.d.
box 12, folder 3
Einleitungsstunde Kolleg. (München, Salzburg, Innsbruck,
Ashaffenburg)
1948 Apr
7
box 12, folder 3
Deutsche Sakral-Architektur 1620-1690,
n.d.
box 12, folder 4
Deutsche Profan-Architektur 1620-1690 (ohne Klosterbau),
n.d.
box 12, folder 4
Vorarlberger Münsterschema,
n.d.
box 12, folder 4
Der hochbarocke Klostertyp,
n.d.
box 12, folder 5
Giovanni Antonio Viscardi,
n.d.
box 12, folder 5
Domenico Martinelli,
n.d.
box 12, folder 5
Fischer von Erlach in Böhmen,
n.d.
box 12, folder 5
Joseph Emanuel Fischer,
n.d.
box 12, folder 6
Johann Lucas von Hildebrandt,
n.d.
box 12, folder 7
Deutsche Barock-Architektur 1720-1760,
n.d.
box 12, folder 7
Einleitungsstunde vor und nach 1720,
n.d.
box 12, folder 7
Südwestdeutsche Klöster,
n.d.
box 12, folder 7
Sachsen I (G. Bähr, Chiaveri),
n.d.
box 12, folder 7
Sachsen II (Longuelune, de Bodt, Knöffel, Krubsacius),
n.d.
box 12, folder 8
Rhein-Frankisch Schlösser 1697-1720,
n.d.
box 12, folder 8
Maximilian von Welsch,
n.d.
box 12, folder 9
Böhmen - Dientzenhofer, Santini Aichel,
n.d.
box 12, folder 9
Frankische Johann Dientzenhofer
box 12, folder 9
Hallenkirchen des 18.Jhd. in Südwestdeutschland,
n.d.
box 12, folder 10
François de Cuvilliés,
n.d.
box 12, folder 10
Dominikus Zimmermann,
n.d.
box 12, folder 10
Johann Michael Fischer,
n.d.
box 13, folder 1
Deutsche Barock-Architektur III,
1968, 1970, 1971, n.d.
box 13, folder 1
Joh. Balthasar Neumann,
n.d.
box 13, folder 1
Die Familie du Ry (Kassel),
n.d.
box 13, folder 1
Zweibrücken, Saarbrücken,
n.d.
box 13, folder 2
Johann Konrad Schlaun,
n.d.
box 13, folder 3
Zopf[stil]; Louis XVI,
n.d.
box 13, folder 3
Bauten der Kurfürsten Clemens August,
n.d.
box 13, folder 3
Franz Ignaz Michael v. Neumann,
n.d.
box 13, folder 3
Goethe, Palladio und England,
1968 Nov
8
Scope and Content Note
notes for a lecture given at the Bayerische Akademie der Wissenschaften and
published in Munich, 1971.
box 13, folder 3
Goethe und die Kunst der Italienische Renaissance,
1970
Scope and Content Note
Notes for a lecture given at the Karlsruhe Goethe Gesellschaft, 1970 Jan 23
box 13, folder 4
Barockgärten I. 1550-1648,
n.d.
box 13, folder 4
Barockgärten II.Die Oranier-gärten und die holländisch beeinflussten
Gärten in Deutschland,
n.d.
box 13, folder 4
Barockgärten III.Le Nôtre und die französische beeinflussten Gärten in
Deutschland,
n.d.
box 13, folder 5
Barockgärten IV.Wien und Österreich,
n.d.
box 13, folder 5
Barockgärten V.Franken und Mittelrhein,
n.d.
box 13, folder 5
Barockgärten VI.Bayern, Schwaben,
n.d.
box 13, folder 5
Barockgärten VII.Mittel- und Norddeutschland im 18.Jhd.,
n.d.
box 13, folder 5
Pomeranzen, Orangerien,
n.d.
box 13, folder 6
Frühchristliches Florenz,
n.d.
box 13, folder 6
Von der langobardisch Landnahme zum 2.Mauerkreis,
n.d.
box 13, folder 6
Der zweite Mauerkreis und sein Inhalt,
n.d.
box 13, folder 6
Der dritte Mauerring: Das Florenz Dantes,
n.d.
box 13, folder 7
Das Trecento nach Dantes und Giottos Tod,
n.d.
box 13, folder 7
Quattrocento in Florenz,
n.d.
box 13, folder 7
Medicaer-Ikonographie,
n.d.
box 13, folder 7
Cinquecento das Florenz des Prinzipats,
n.d.
box 13, folder 7
Cinquecento Villen und Gärtenfuori,
n.d.
box 14, folder 1
Vor- und Frühgeschichte Roms,
n.d.
box 14, folder 1
Republikanische Mauer,
n.d.
box 14, folder 1
Vom Hervor "zur Märtyrer-Basilika,"
n.d.
box 14, folder 2
Römischer Gerwölbe Bau (1.Jhd. vor - 4.Jhd. nach Chr.),
n.d.
box 14, folder 2
Der Verfall der Spätantike,
n.d.
box 14, folder 2
Rom in der ausgehende Antike (Verfallszeit),
n.d.
box 14, folder 2
Mittelalter (Einzelbauten und Baukomplexe),
n.d.
box 14, folder 3
Mittelalterliche Kirchengründungen,
n.d.
box 14, folder 3
Mäzenatentum der Päpste während der Frührenaissance,
n.d.
box 14, folder 4
Italienische Kunst frühchristlich bis karolingisch,
n.d.
box 14, folder 4
Katakomben Mausoleen,
n.d.
box 14, folder 4
Konstantinisches Rom,
n.d.
box 14, folder 4
Mailand, Spätantike Rundbauten, Sto. Stefano-Rom,
n.d.
box 14, folder 4
Frühchristliche Plastik und Mosaikkunst bis vor Ravenna,
n.d.
box 14, folder 5
Ravenna Architektur,
n.d.
box 14, folder 5
Langobardische Kunst in Italien,
n.d.
box 14, folder 5
Karolingische Kunst in Italien,
n.d.
box 14, folder 6
Italienische Romanische Kunst,
n.d.
box 14, folder 6
Italienische Architektur der 11.Jhd.
box 14, folder 6
Ottonische Kunst (Malerei und Plastik) in Italien,
n.d.
box 14, folder 6
Nach-ottonische Malerei d. 11.Jhd. in Italien,
n.d.
box 14, folder 7
Mailand, Pavia, Verona, Modena, Piacenza, Lucca, Berletta Kattedrale,
Troya Kattedrale, Brindisi and other cities
n.d.
box 14, folder 7
Romanische Plastik in Italien,
n.d.
Scope and Content Note
Contained in a loose notebook entitled, "E. Delins."
box 14, folder 7
Süditalien im Mittelalter (Skizze) I.bis zur Ende der
Normannen,
n.d.
box 15, folder 1
Italienische Malerei der Giotto Zeit, 1235-1348,
n.d.
box 15, folder 1
Holztafeln (Kruzifixe und Franziskus-Bilder),
n.d.
box 15, folder 1
Stadtrömische Malerei d. 13.Jhd.,
n.d.
box 15, folder 3
Ambrogio Lorenzetti,
n.d.
box 15, folder 3
Pisa, Camposanto- Fresken,
n.d.
box 15, folder 3
Florenz Spanische Kapelle,
n.d.
box 15, folder 4
Italienische Plastik 13. -15.Jhd.,
1937 n.d.
General note
(N.B., notes in this group are not sequentially arranged)
box 15, folder 4
Italienische Plastik von 1250-1430, Einleitungsstunde
1957 Nov
5
box 15, folder 4
Giovanni Pisano, Nino Pisano, Andrea Pisano,
n.d.
box 15, folder 4
Der kalligraphische Stil 1300-1330 in Italien,
n.d.
box 15, folder 5
Italienische Gotische Kunst, Architektur, Plastik,
1942-1971 n.d.
box 15, folder 5
Italienische Kunst des Mittelalters, Einleitungsstunde
1955 Nov
7
box 15, folder 5
Kunst der Gotik in Italien, Einleitungsstunde
1956 Nov
5
box 15, folder 5
Italienische Kunst in Zeitalter Dantes, Einleitungsstunde
1971 Oct
1
box 15, folder 5
Italienische Kunst zwischen Gotik und Renaissance 1250-1420 (Frankfurter
Antrittsvorlesung
1947 Oct
20
Scope and Content Note
Inaugural lecture at Frankfurt University.
box 15, folder 5
Die Kunst am Hofe Friedrichs II,
n.d.
box 15, folder 5
Staufische Kastelle (ausser Castel del Monte),
n.d.
box 15, folder 5
Süditalienische staufische Plastik II. Einzelstücke,
n.d.
box 15, folder 6
Die Zisterzienser als Wegbereiter d. gotischen,
n.d.
box 15, folder 6
Architektur (Rezeption),
n.d.
box 15, folder 6
Assisi, San Francesco,
n.d.
box 15, folder 6
Umbrische Bettelordenskirchen 13.Jhd.,
n.d.
box 15, folder 6
Toskanische Bettelordenskirchen 13.Jhd.,
n.d.
box 15, folder 7
Oberitalienische Bettelordenskirchen d. 13.Jhd.,
n.d.
Scope and Content Note
(Backsteinbauten)
box 15, folder 7
Toskanische Dome 13.Jhd. (einschliesslich Orvieto),
n.d.
box 15, folder 8
Plastik der grossen Kathedralen,
n.d.
box 15, folder 8
Giovanni Pisano (alles seit Keller )
1942
box 15, folder 8
Italien Holzplastik 13.Jhd.,
n.d.
box 15, folder 8
Toskanische Baukunst 2.Helfte Trecento,
n.d.
box 16, folder 1
Italienische Früh-Renaissance Architektur 1420-1500,
n.d.
box 16, folder 1
Architektur der italienischen Renaissance, Einleitungsstunde
20.XI.1944 und
4.XI.63, n.d.
box 16, folder 1
Brunellesco, L.B. Alberti,
n.d.
box 16, folder 2
Bernardo Rossellino,
n.d.
box 16, folder 2
Stadtbaukunst 15.Jhd.,
n.d.
box 16, folder 2
Rom im Quattrocento sakral,
n.d.
box 16, folder 2
Rom Quattrocento profan (liegt unter "Palaste" im Rom-Kolleg,
n.d.
box 16, folder 2
Florenz frühe Paläste,
n.d.
box 16, folder 3
Giuliano da Sangallo (nur florentin. Tätigkeit),
n.d.
box 16, folder 3
Siena im Quattrocento,
n.d.
box 16, folder 3
Italienische Architektur ausserhalb Florenz 1421-1472, 1472-1499, vor und
nach 1500,
n.d.
box 16, folder 4
Quattrocento Malerei I. Florenz,
1948, n.d.
box 16, folder 6
Alesso Baldovinetti,
n.d.
box 16, folder 7
Quattrocento Malerei II. ausser Florenz,
n.d.
box 16, folder 7
Perugino, Pinturicchio, Francesco Squarcione,
n.d.
box 16, folder 7
Ercole de Roberti, Lorenzo Costa, Marco Zoppo, Francesco Francia, Amico
Aspertini,
n.d.
box 16, folder 8
Antonello da Messina,
n.d.
box 16, folder 8
Einleitungsstunde
1948 Nov
2
box 16, folder 8
Gentile da Fabriano,
n.d.
box 16, folder 8
Pisanello, Domenico di Bartolo,
n.d.
box 16, folder 9
Giovanni di Paolo, Sano di Pietro, Matteo di Giovanni, Francesco di
Giorgio,
n.d.
box 16, folder 9
Piero della Francesco,
n.d.
box 16, folder 9
Sistin. Kapelle im Quattrocento,
n.d.
box 17, folder 1
Quattrocento Plastik,
1938-1962 n.d.
box 17, folder 1
Italienische Plastik d. Renaissance Einleitungsstunde
5.XI.62 und
4.XI.38
box 17, folder 1
Entwicklung das Reliefs,
n.d.
box 17, folder 1
Brunellesco (als Bildhauer),
n.d.
box 17, folder 1
Ghiberti (Beide Bronzetüren),
n.d.
box 17, folder 1
Ghiberti (die drei Bronzstatuen, die Schreine, die sieneser
Taufe,
n.d.
box 17, folder 2
L.B. Alberti als Bildhauer,
n.d.
box 17, folder 3
Desiderio da Settignano,
n.d.
box 17, folder 4
Bertoldo di Giovanni,
n.d.
box 17, folder 5
Italienische Architektur 1500-1600,
n.d.
box 17, folder 6
Giacomo della Porta,
n.d.
box 17, folder 6
Collegio Romano, S. Giacomo degli Incunabili, Palazzo,
n.d.
box 17, folder 6
Venezianische Kuppelkirchen,
n.d.
box 17, folder 7
Palladio I. Stadtpaläste,
n.d.
box 17, folder 8
Palladio II. Landvillen,
n.d.
box 17, folder 8
Palladio III. Kirchen,
n.d.
box 17, folder 8
Palladio IV. Theater, Ehrenbogen, Brücken u. andere,
n.d.
box 17, folder 8
Zweckbauten; Scamozzi,
n.d.
box 18, folder 1
Italienische Malerei 1520-1590,
1959 n.d.
box 18, folder 1
Italienische Malerei d. Manierismus u. Barock,
Einleitungsstunde
1959 Nov
2
box 18, folder 3
Daniele da Volterra,
n.d.
box 18, folder 4
Seicento Plastik und Malerei,
1951, n.d.
box 18, folder 4
Bernini u. d. römische Hochbarock, Einleitungsstunde
1951 Nov
5
box 18, folder 4
Bernini früheste Jugendwerke,
n.d.
box 18, folder 4
Die mythologischen Gruppen der Villa Borghese,
n.d.
box 18, folder 4
Arbeiten fü St. Peter unter Urban VIII,
n.d.
box 18, folder 5
Grabmal Alexander VII,
n.d.
box 18, folder 6
Italienische Plastik d. 17.Jhd. ausser Bernini,
n.d.
box 18, folder 7
Italienische manieristische Plastik,
1949 n.d.
box 18, folder 7
Italienische Plastik von Michelangelo bis Bernini,
Einleitungsstunde
1949 Nov 4, 1949
Nov 7
Scope and Content Note
Frankfurt and Marburg
box 18, folder 7
Daniele da Volterra, Baccio Bandinelli,
n.d.
box 18, folder 7
Bartolomeo Ammanati, Vincenzo de' Rossi, Vincenzo Danti, Guglielmo della
Porta,
n.d.
box 18, folder 8
Fontana delle Tartarughe,
n.d.
box 19, folder 1
Italienische Malerei der Hochrenaissance, 1500-1527,
1965, n.d
box 19, folder 1
Malerei der italienischen Hochrenaissance, Einleitungsstunde
1965 Nov
8
box 19, folder 1
Lionardo I bis 1500,
n.d.
box 19, folder 1
Lionardo II seit 1500,
n.d.
box 19, folder 1
Mailänder Lionardo-Schule,
n.d.
box 19, folder 2
Raffael I. Bis zur Ankunft in Florenz,
n.d.
box 19, folder 2
Raffael II. Florenz,
n.d.
box 19, folder 2
Raffael III. Rom, Die drei vatikanische Zyklen a: Stanzen,
n.d.
box 19, folder 3
Raffael IV. Römische Madonnen, Altarblätter und Kirchlichen
Fresken,
n.d.
box 19, folder 3
Raffael V. Bildnisse der römischen Zeit,
n.d.
box 19, folder 3
Raffael VI. Teppiche, Loggien, Farnesina,
n.d.
box 19, folder 4
Marc Anton Raimondi,
n.d.
box 19, folder 4
Sebastiano del Piombo,
n.d.
box 19, folder 5
Italienische Architektur, 1500-1600,
n.d.
box 19, folder 5
Bramante, St. Peter,
n.d.
box 19, folder 5
Rom, St. Peter, Skelett d. Baugeschichte (Daten, Fakten,
Urkunden),
n.d.
box 19, folder 5
Raffael als Architekt,
n.d.
box 19, folder 6
Antonio da Sangallo der Älte (nur römische Tätigkeit),
n.d.
box 19, folder 6
Antonio da Sangallo der Jüngere,
n.d.
box 19, folder 6
Einzelne Zentralkirchen der Hochrenaissance,
n.d.
box 19, folder 7
Michelangelo als Architekt,
n.d.
box 20, folder 1
Michelangelo und seine Statuen (Pièta von St. Peter, Madonna an der
Treppe),
n.d.
box 20, folder 1
Verlorene Jugendwerke,
n.d.
box 20, folder 1
Florentiner Jahre 1501-1508,
n.d.
box 20, folder 1
Karton d. badenden Soldaten,
n.d.
box 20, folder 3
David-Apollo, Piazza della Signoria, Vittoria Colonna Michelangelo
Fresken,
n.d.
box 20, folder 3
Cavalieri Zeichnungen, Brutusbüstem, Ganymede,
n.d.
box 20, folder 3
Späte Pièta-Gruppen,
n.d.
box 20, folder 3
Falsche Zuschreibungen,
n.d.
box 20, folder 4
Michelangelo II, Systematischer Teil,
1963-1964 n.d.
box 20, folder 4
Michelangelo als Handwerker,
n.d.
box 20, folder 4
Michelangelo und die Antike,
n.d.
box 20, folder 4
Michelangelo Stellung in seiner Zeit,
n.d.
box 20, folder 4
Michelangelos als Zeichner Vortrag, Frankfurt, Rede zum 400. Todestag von
Michelangelo an der Universität Frankfurt am Main, "Der künstlerische
Schaffensprozess bei Michelangelo"
5.III.63 1964 Feb
18,
box 20, folder 5
Tintoretto, Veronese, Greco,
n.d.
box 20, folder 5
Frühwerke Tintoretto 1540-1548,
n.d.
box 20, folder 5
Tintoretto 1549-1560,
n.d.
box 20, folder 5
Tintoretto 1560-1570,
n.d.
box 20, folder 6
Tintoretto 70er Jahre (stile della grazia),
n.d.
box 20, folder 6
Tintoretto 1580-1594,
n.d.
box 20, folder 6
Paolo Veronese, Vita,
n.d.
box 20, folder 7
Kolleg Führungen
1933-1934n
1935-1937, n.d.
Scope and Content Note
Italien. Barock Archit.
box 20, folder 7
Italienische Barockarchitektur, Einleitungsstunde
1936 Apr
17
box 20, folder 7
Italienische Architektur 1585-1630,
n.d.
box 20, folder 7
Italienische Architektur 1630-80, Einleitungsstunde
1937 Apr
19
box 20, folder 8
Italienische Barockkirchen,
n.d.
box 20, folder 9
Habilitationsvortrag [Inaugural address] in München: "Die Entstehung d.
architekton. Entwurfe bei Borromini und Bernini,"
1935 May
22
box 20, folder 9
Künstler und Auftraggeben in römischen Seicento,
n.d.
box 20, folder 9
Führungsabschluss
1934 Mar 21
box 21, folder 1
Französische und englische Architektur des 18.Jhd.,
n.d.
box 21, folder 1
Französische Kunsttheorie,
n.d.
box 21, folder 1
Französische Architektur des Frühklassizismus,
n.d.
box 21, folder 1
Englische Architektur 18.Jhd.,
n.d.
box 21, folder 2
Der englische Park des 18.Jhd.,
n.d.
box 21, folder 3
Französische Malerei des 19.Jhd.,
1961 n.d.
box 21, folder 3
Meisterwerke der französischen Malerei des 19.Jhd.,
n.d.
box 21, folder 3
Einleitungsstunde
1961 Nov
6
box 21, folder 5
Malerei des französischen Impressionismus,
n.d.
box 21, folder 6
Jean Frédéric Bazille,
n.d.
box 21, folder 6
Der Impressionismus und Russland,
n.d.
box 22, folder 1
Manet Kompositionen,
n.d.
box 22, folder 1
Manet als Graphiker,
n.d.
box 22, folder 2
Die Malerei des französischen Impressionismus
Einleitungsstunde
1978 Oct
23
box 22, folder 2
Der Weg zum Impressionismus von 1855 an,
n.d.
box 22, folder 2
Degas als Porträtist,
n.d.
box 22, folder 3
Degas Kompositionen,
n.d.
box 22, folder 3
Degas Historienbilder,
n.d.
Series I.B.
Correspondence on reverse of lecture notes,
ca. 1939-1987
Container Summary: 10 lin.
ft.
Scope and Content Note
Subseries describes letters written on the reverse side of lecture notes listed in
Subseries I.A. Included are letters Keller wrote and those he received. Most letters
listed below are with significant art historians. Also included are letters of a
general nature from family, publishers, and students; these have not been described.
Folder titles refer to course and lecture note subjects in Subseries I.A; all dates
refer to correspondence. The number in brackets which precedes the title refers to
Keller's original box number.
box 1, folder 1-2
[1] Donatello - six sets of lecture course notes,
1938-1968
Scope and Content Note
Significant letters include: Hans Wetzel, Reallexikon zur Deutschen
Kunstgeschichte, regarding publication of articles and use of catchword,
"Blattmaske," 1939; Dr. W. Linke, Staatliches
Berufspädagogisches Institut (Frankfurt am Main), regarding linkage of studies in
history and art history, 1962; Erich Hubala, personal
letter, 1963; Willibald Sauerländer gives reasons he
regretfully cannot teach for Keller while Keller travels in celebration of his 60th
birthday, 1962; Franz Steiner Verlag (Wiesbaden)
regarding Keller's manuscript,
Kunstlandschaften Frankreichs,
1962,
1963,
1963; Anselmo M. Albareda, m.b., Biblioteca Apostolica Vaticana (in
Italian), tells Keller that the plan he sent to the Monsignor is not a drawing of
the Palazzo Barberini by Pietro da Cortona, but the actual plans, 1938; Dr. Ulrich Middeldorf, Kunsthistorisches Institut
Florenz, congratulates Keller on 65th birthday, compares his position with a
university professor and compares the times with 1933, 1968;
H. Paatz about conflict between himself and Möhle, 1939.
box 1, folder 3-5
[2] Venice: Kolleg - sixteen sets of lecture notes,
1974-1980
Scope and Content Note
Significant letters include: Erich Hubala, personal letter referring to Keller's
support for the Frankfurther Institut, 1980; Margarete
Kühn regarding her thoughts on Goëthe and Schinkel's Orianda, 1974.
box 1, folder 6-8
[3] Venezianische Malerei von den Anfängen bis Tiepolo, Notizen und
Excerpte zum Kolleg WS 1957/1958 - twelve sets of lecture notes,
1949-1967
Scope and Content Note
Significant letters include: Karl Swoboda, Universität Wien Kunsthistorisches
Institut, asking Keller to contribute to the journal, "Alte und Neue Kunst," 1956
Oct; A.E. Brinckmann personal letter also referring to a collection being bought by
Turin Museum if not left in Germany, 1957 Nov; Hans Sedlmayr accepting Keller's
recommendation granting a scholarship to Walter Vitzthum, though he is not
particularly impressed, undated; Theodor Müller personal letter, 1967; Wolfgang
Braunfels asking Keller to contribute to a series on iconography on the subject of
the crucifix, 1949; Ulrich Middeldorf, congratulates on their common birthday and
describes his work at the Florence, Kunsthistorisches Institut, inviting Keller to
lecture, 1955; Berthold Hackelsberger, thanking Keller for participating in the
Festschrift for Kurt Bauch, 1958.
box 2, folder 1-2
[4] Italien Bildhauer u. Architekten - seven sets of lecture
notes,
1952-1971
Scope and Content Note
Significant letters include: Carl A. Willemsen, regarding a lecture he wishes to
present in Frankfurt, 1952; C.L. Frommel, how highly he
thought ofKeller's essay on Titian, looking forward to meeting Keller in Italy and
possibility of speaking in Frankfurt, 1970; Jürgen
Lehmann, personal letter and comments on lecture given by Stechow, 1970; Margarete Kühn, about Polish works of the 17th and 18th
centuries, 1971.
box 2, folder 3-4
[5] Venezianische Malerei 18 Jhd. - six sets of lecture notes,
1964-1969
Scope and Content Note
Significant letters include: Helmut Börsch-Supan, regarding his contributions to
the Propyläen art history book, 1969,; Georg Kauffmann,
regarding size of photographs for book, 1964.
box 2, folder 5-8
[6] Italien. Barockmalerei - twenty sets of lecture notes,
1950-1969
Scope and Content Note
Significant letters include: Otto Hahn, about bringing the Roman institutes outside
Germany, such as Bibliotheca Hertziana, under German jurisdiction, 1952 and a letter giving the evolution of the "Kommission für
die Deutsche Wissenschaftliche Arbeit im Ausland," 1950;
Peter Anselm Riedl, personal letter about his teaching assignments in Marburg
and Heidelberg, 1969; W. Sauerländer, personal letter
referring to Keller's ideas on Goethe and his book on Italy, 1962; Wolfgang Braunfels, about photographs for Keller's book on Venetian
painting, 1962 and information on the Georg Kauffmann
Festschrift, 1955; Hans Kauffmann, urging Keller to
accept a Kuratorium position at the Bibliotheca Hertziana, 1955.
box 3, folder 1-3
[7] Französische Romanische Architektur I - fourteen sets of lecture
notes,
1959-1961
Scope and Content Note
Significant letters include: Hans Kauffmann, concerning publication of Keller's
Kunstlandschaften Italiens,
1959;
Willibald Sauerländer, personal letter and comments on Augsburg architecture,
1960; Hans Sedlmayr, thanking Keller for invitation to
lecture and naming talk "Ars humilis," 1960; Heinrich
Siebenhüner, personal letter thanking Keller for invitation to attend the opening of
his Institut, 1961; Christian Adolf Isermeyer, personal
letter and architectural description of SS. Giovanni e Paolo in Venice, 1960.
box 3, folder 4-6
[8] Französische romanische Architektur II - seven sets of lecture
notes,
1956-1961
Scope and Content Note
Many letters written on the reverse of typescript with annotations for
Die
Kunstlandschaften Italiens;
significant letters include: Wolfgang
Braunfels, about the support for Keller's appointment to the Hertziana, 1960; Carl Georg Heise, asking whether Keller supports the
appointment of Christian Beutler as director of the Frankfurt Goethe House, 1961; Hans Sedlmayr, 7 letters concerning his lectures at the
Kunstgeschichtliches Institut in Frankfurt, 1960-1961; Sedlmayr, disagreeing with Keller on construction of churches
in Tours and agreeing with other Keller views such as Cluny, 1960; Hans Kauffmann, personal letter arranging meeting, 1956; Hans Hahnloser, congratulates Keller on his book
Die Kunstlandschaften Italiens and describes his own work, 1960; Letter from Keller, thanking the Friends of the Johann
Wolfgang Goethe University for funds supporting the library of the
Kunstgeschichtliches Institut, 1961; Hans Wentzel,
personal letter thanking Keller for his support, 1960;
Wolfgang Braunfels, personal letter regarding architect Kramer, 1960; Willibald Sauerländer, personal letter thanking Keller
for his visit, Undated and letter accepting invitation to opening of
the Keller's Institut, 1961.
box 4, folder 1-4
[9] Französische romanische Plastik- eighteen sets of lecture
notes,
1961-1962
Scope and Content Note
Significant letters include: Margarete Kühn, regarding Keller's comments on the
sculpture at the entrance of Reims Cathedral, 1962 and
various other publications, 1962; Wolfgang Braunfels,
about Keller manuscript and substituting Titian photographs, 1962; Karl Swoboda, invitation for Keller to lecture to the
Kunsthistorischen Gesellschaft (4 letters), 1962; Karl
Arndt, thanking Keller for acknowledging his work on portraits, 1962; Hans Sedlmayr, requesting Keller prepare a review of the first
volume of the bibliography of art in Bavaria, 1962;
Sedlmayr, personal letter, 1961; Willibald
Sauerländer, personal letter, critique of German university and students and
possibility of move to New York University, 1962; Herbert
von Einem, personal letter and addressing Keller's criticism of his work on Titian,
1961; Einem, addressing concerns between himself and
Keller, especially Keller's response in rejecting the curatorship at the Hertziana,
1962; Daniel Schlumberger, addressing the study of
geography and history, 1962.
box 4, folder 5-9
[10] Französische gotische Architektur, 1137-1270 - nineteen sets of
lecture notes,
1961-1985
Scope and Content Note
Significant letters include: Cesare Gnudi, inviting Keller to speak at the
Congresso di Storia dell'Arte in New York on Italian v. French gothic architecture,
1961; Willibald Sauerländer, personal letters
referring to memorial address to Sedlmayr and Keller's son Ulrich in Santa Barbara,
8/29/85,
1985; Wolfgang Braunfels,
personal letter concerning funds Keller is seeking for an American tour, 1961.
box 5, folder 1-3
[11] Französische gotische Architektur II - eleven sets of lecture
notes,
1959-1985
Scope and Content Note
Significant letters include: Max Seidel, personal letter about his work and meeting
with Keller, 1970; Adolf Butenandt, asking Keller to stay on for another year as
curator at the Hertziana, 1961; Theodor Müller, personal letters also regarding new
publications and Keller's study of the gothic in the Tyrol, 1985, 1985; Erich
Hubala, informing Keller that no one in Munich is working on Peter Candid, 1959;
Otto Hahn, personal letter, 1961.
box 5, folder 4-6
[12] Französische Kathedral-Plastik der Gotik - sixteen sets of lecture
notes
Scope and Content Note
Significant letters include: Hans Sedlmayr, thanking Keller for becoming the
reviewer of the
Bibliographie zur bayerischen Kunst,
1962; Carl Benno Heller, regarding photographs taken in
Toulouse which he wants to send to Keller, 1962.
box 6, folder 1-4
[13] Spätgotische Plastik (seit 1350) - nineteen sets of lecture notes,
1969-1985
Scope and Content Note
Significant letters include: Willibald Sauerländer, personal letter stating his
philosophy on education, undated ; Robert Oertel, commenting on
specific works in the Berlin, Gemäldegalerie and Panofsky's influence, 1969; Theodor Müller, response to inquiries by Keller
about several Austrian artists and sculptures, 1985.
box 6, folder 5-7
[14] Frühchristl. Kunst d. Ostens / Frühbyzant. Kunst - 565 - thirteen sets
of lecture notes.
1958-1959
Scope and Content Note
Significant letters include: Klaus Parlasca, sending Keller a copy of his book on
mosaics, thanking Keller for his assistance and asking for a critique, 1959; Hans Maria Wingler, about the manuscript for his
book on the Bauhaus, 1959; includes typescript
[lecture?] on portraiture by Keller; includes photograph of Konstantinopel
Treppenhaus des Seepalastes; Herbert von Einem, regarding publication of Keller's
book, 1958; includes clippings of
Resafa-Sergiupolis.
box 7, folder 1-2
[15] Stadtbaukunst Römerzeit, Karolingerzeit, Ottonischezeit und Später -
seven sets of lecture notes,
1971-1977
Scope and Content Note
Significant letters include: Ulrich Middeldorf, personal letter, 1977; Erich Hubala, regarding three students,
scholarships and misunderstandings with Keller, 1972,
1973; Willibald Sauerländer, personal
letter, 1973 and letter asking Keller to write
obituary for Rudolf Wittkower, 1971; Theodor Müller,
personal letter, 1973; includes clippings photocopies
of critiques of Keller's book,
Die Kunst des 18. Jahrhunderts in "Das
Bücherblatt" Zurich, 1972 and "Österreichisches Café
Journal" dated April.
box 7, folder 3
[16] Staufische Städtegründungen - three sets of lecture notes,
n.d.
Scope and Content Note
Includes bibliographic compilation on single small notepaper.
box 7, folder 4-6
[17] Römische Stadtbaukunst in MA - thirteen sets of lecture
notes,
1967-1969
Scope and Content Note
Significant letters include: Patrik Reuterswärd, regarding problems of polychrome
during the Renaissance and giving a lecture on that topic or on Bosch, 1967; Georg Kauffmann, thanks Keller for the book,
Italien und die Welt der höfischen Gotik and comments about
content, 1967; Robert Oertel, about meeting with
Keller in Frankfurt, 1967; Willibald Sauerländer,
personal letter and his difficulties in writing about Heydenreich, 1979; Sauerländer, thanks Keller for suggesting Carl
Georg Heise be included in the "Kunstchronik," 1979.
box 7, folder 7-8
[18] Stadtbaukunst Osten - ten sets of lecture notes,
1973-1976
Scope and Content Note
Significant letters include: Theodor Müller, asks Keller to endorse Rückert to keep
him from leaving his current post, 1973; Willibald
Sauerländer, personal letter describing Peter Hilger's work, 1976.
box 8, folder 1-3
[19] Stadtbaukunst 16.-19. Jhd. - eleven sets of lecture notes,
1974-1975
Scope and Content Note
Significant letters include: Herbert von Einem, personal letters about his and
Keller's work, 1975,
1975; Carl Benno Heller, about publishing his dissertation which needs
Keller's approval, 1974; Letter from Keller to Mr.
& Mrs. von Bismarck, start of a letter of congratulations, 1976; Georg Kauffmann, personal letter, 1975.
box 8, folder 4-7
[20] Stadtbaukunst, Frankreich, Deutschland, Schweiz - seventeen sets of
lecture notes,
1972-1973
Scope and Content Note
Significant letters include: Carl Georg Heise, personal letter, 1973; Ludwig Heinrich Heydenreich, regarding the
difficulties in publishing his book,
Italienische Kunst von 1400-1460,
1973; Margarete Kühn, thanks Keller for his
book,
Goethe, Palladio und England and critiques a part of it, 1972; Willibald Sauerländer, personal letter based on
birthday congratulations, 1973.
box 8, folder 8-9
[21] Miniaturen - two sets of lecture notes,
1964-1975
Scope and Content Note
Significant letters include: Letter from Keller to Bertold Hinz about the study of
portraiture and Keller's contributing a new piece on antique portraits, 1967; Willibald Sauerländer, personal letter, 1974; Georg Kauffmann, complimenting Keller's work on
Goethe's Hymnus, 1975; Wolfgang Braunfels, about
Keller's article in the "Frankfurter Allgemeine" and why it disturbed [Bernhard]
Degenhart, 1973; Hans Sedlmayr, explains why his
commitments in Salzburg prevent him from lecturing in Frankfurt, 1964.
box 9, folder 1-4
[22] Deutsche spätromanische Architektur - fourteen sets of lecture
notes,
1958-1959
Scope and Content Note
Significant letters include: Wolfgang Braunfels, about an article on Italian
renaissance artists which Keller will write, 1959;
Herbert von Einem, states reasons for delay in evaluating Keller's
manuscript, 1958.
box 9, folder 5-8
[23] Deutsche, ottonische und romanische Plastik - ten sets of lecture
notes,
1953-1969
Scope and Content Note
Significant letters include: Max Horkheimer, personal letter and that he has
secured funds for Keller's trip to Italy, 1953;
Horkheimer, regarding compensatory time at the University, 1953; Carl A. Willemsen, regarding his book and
conversation with Heydenreich; Willibald Sauerländer, about his work and Keller's
comments on Fragonard, 1969; Fritz Arens, responds to
Keller's questions on specific works in Mainz, 1968.
box 10, folder 1-4
[24] Deutsche romanische Architektur - eleven sets of lecture
notes,
1971
Scope and Content Note
Significant letters include: Hans A. Lüthy, inviting Keller to an exhibition of the
Institut für Kunstwissenschaft in Zurich, 1971.
box 10, folder 5-7
[25] Deutsche gotische Architektur - ten sets of lecture notes,
1951-1972
Scope and Content Note
Significant letters include: Hans Sedlmayr, personal letter and thanking Keller for
present, 1951; Herbert von Einem, asks Keller to
critique his work on Goethe, 1972; Alexander Kreuter,
about misunderstanding between von Erffa and Middeldorf, 1964; Erich Hubala, personal letter and looking forward to Keller's
lecture in Kiel, 1970; Ludwig Heydenreich and
Alexander Kreuter and Theodor Müller, invite Keller to the dedication ceremony of
the new Kunsthistorischen Instituts in Florenz building, 1964.
box 11, folder 1-3
[26] Deutsche spätgotische Architektur - fourteen sets of lecture
notes,
1952-1955
Scope and Content Note
Significant letters include: Herbert von Einem, cautions Keller about establishing
relationship with Troescher, 1952; Wolfgang
Braunfels, about funding for Kauffmann's Zeitschrift, 1955,
1955; Letter from Keller, incomplete
typescript of an unpublished work on Tiroler spätgotische Hallenkirchen,
undated; Erich Hubala, bibliography for late gothic architecture,
1955.
box 11, folder 4-5
[27] Deutsche Plastik 13.Jhd. - ten sets of lecture notes,
1966-1968
Scope and Content Note
Significant letters include: Wolfram Prinz, informs Keller about his visit to the
Accademia di San Luca and describes Domenichino's work, 1966; Rudolf Zeitler, personal letter and describes churches at Vadstena,
Alvastra and Linköping and discusses his differences with Herbert von Einem, 1968; Willibald Sauerländer, accepts invitation to
Frankfurt and explains why he previously had to decline and therefore upset Keller,
1968; Ulrich Middeldorf, personal letter, 1967; Erich Hubala, invitation to Keller, 11/26/67; Wolfgang Braunfels, about Keller's son, Ulrich,
and his dissertation subject, 1968.
box 11, folder 6-8
[28] Kunst in Hessen und Mittelrhein I - thirteen sets of lecture
notes,
1966-1972
Scope and Content Note
Significant letter include: Walter Paatz, critique and endorsement of Keller's
publication "Hessen und der Mittelrhein als Kunstlandschaft" but questions the
inscription to Paatz and other references, 1968;
includes two photocopies, critiques of Keller's book,
Die Kunst des
18. Jahrhunderts
"Als Europa französisch dachte" from
Die Presse
1972 and
Propyläen
Kunstgeschichte
from
Oberösterreichische Nachrichten
1972; Hans Wentzel, compliments Keller on his
publication[?], 1966; Erich Wise, bemoans the
separation of Palazzo Zuccari and the Hertziana and comments on art history as an
accepted science, 1968; Wilhelm Messerer, about his
move from Munich to Saarbrücken, 1967.
box 12, folder 1-2
[29] Kunst in Hessen und Mittelrhein II - eight sets of lecture
notes,
1968-1969
Scope and Content Note
Significant letters include: newspaper clipping announcing Keller's talk on
"Spätgotische Plastik in Hessen und Mittelrhein" from FAZ v. 1969; Willibald Sauerländer, personal letter about stay in Frankfurt,
1968.
box 12, folder 3-6
[30] Deutsche Barock-Architektur 1600-1720 - nineteen sets of lecture
notes,
1956-1967
Scope and Content Note
Significant letters include: Hans Sedlmayr, about Keller's book on Salzburg, 1956; Herbert von Einem, invites Keller to participate in
a seminar at the Kunsthistorischen Instituts Florenz on the subject "Probleme der
Florentiner Quattrocentomalerei," 1965; Rudolf
Zeitler, invites Keller to lecture at Uppsala University, 1967.
box 12, folder 4-10
[31] Deutsche Barock-Architektur 1720-1760 - eighteen sets of lecture
notes,
1966-1971
Scope and Content Note
Significant letters include: Kurt Badt, inquiring about a book by Reinhard Bentmann
on the Villa Maser, 1971; Hans Sedlmayr, seeks
support from Keller to prevent demolition of Salzburg landmark, 1966; Tilmann Buddensieg, follow-up from a phone
conversation with Keller about support for an individual, 1970;
Fritz Baumgart, personal letter and encloses proofs of a Pieta for Keller,
1966; Erich Hubala, (only first page of a letter) gives
reasons why he cannot accept an invitation to join Keller at the university in
Frankfurt, 1971.
box 13, folder 1-3
[32] Deutsche Barock-Architektur III - thirteen sets of lecture
notes,
1956-1974
Scope and Content Note
Significant letters include: Wolfgang Braunfels, about annotations he made to an HG
publication, 1956; Max Seidel, personal letter and
sends Keller a photocopy review of the Moore/Ayrton book probably written by
Pope-Hennessy, 1971; Seidel, about his work on
Giovanni Pisano and asks for Keller's opinion, 1968;
Theodor Müller, thanks Keller for acceptance of speech engagement on the
Ingolstadt work, 1974.
box 13, folder 4-5
[33] Gartenbaukunst - eight sets of lecture notes,
1957
Scope and Content Note
Significant letters include: Udo von Alvensleben, about his interest in garden
landscaping, 1957; Ludwig Heinrich Heydenreich,
regrets being unable to join Keller on a trip to Belgium, 1957.
box 13, folder 6-7
[34] Florenz Stadtbild - twelve sets of lecture notes.
box 14, folder 1-3
[35] Rom Stadtbild - thirteen sets of lecture notes,
1962-1978
Scope and Content Note
Significant letters include: Willibald Sauerländer, turns down appointment to
Harvard University and indecision about accepting at New York University, 1962; Theodor Müller, personal letter, 1978.
box 14, folder 4-5
[36] Italienische Kunst frühchristlich bis karolingisch - eight sets of
lecture notes,
1955-1962
Scope and Content Note
Significant letters include: Wolfgang Braunfels, personal letters and about Hans
Kauffmann Festschrift, 1955,
1956; Erich Hubala, about his book project, 1962.
box 14, folder 6-7
[37] Italienische Romanische Kunst - six sets of lecture notes,
1956-1965
Scope and Content Note
Many letters written on the reverse of typescript for lecture,
Referat über
die späte Architektur Michelangelos
by Kurt Schwarzweller. Significant
letters include: Berthold Hackelsberger, asks Keller to contribute to the
Festschrift for Kurt Bauch, 1956; Willibald
Sauerländer, comments on art and architecture in Italy with comparisons to Monreale,
1965.
box 15, folder 1-3
[38] Italienische Malerei der Giotto-Zeit, 1235-1348 - twelve sets of
lecture notes,
1956-1979
Scope and Content Note
Significant letters include: Theodor Müller, about relationship between the
Akademie and the University in response to Keller's inquiry, 1979; Rodolfo Pallucchini, thanks Keller for sending him Titian's
"Poesie", 1970; photocopies of clippings, review of
Keller's book,
Die Kunst des 18. Jahrhunderts from "Hamburger
Abendblatt" 1971, from "Bücherschiff" no.4 1971 and
from "Augsburger Allgemeine" 1971; Ulrich Middeldorf,
about the Milan, Castello, 195?; A.E. Brinckmann,
personal letter expressing his interest in Keller's Frankfurt Institut and his own
upcoming book on architecture, 1956; Carl Georg
Heise, awaits Keller's new edition of the manuscript on the Strassburg Engelpfeiler,
1957.
box 15, folder 4
[39] Italienische Plastik 13.-15.Jhd - six sets of lecture
notes,
n.d.
box 15, folder 5-8
[40] Italienische Gotische Kunst, Architektur, Plastik - nineteen sets of
lecture notes,
1956-1971
Scope and Content Note
Significant letters include: Wolfgang Braunfels, personal letter also about list of
possible professorial appointments, 1956; photocopies
of clippings, review of Keller's book,
Die Kunst des 18. Jahrhunderts
from "Der Tagesspiegel" 1971 and "Südost
Tagespost" 1971; Berthold Hackelsberger, about Prof
Bauch's Festschrift, 1956.
box 16, folder 1-3
[41] Italienische Früh-Renaissance Architektur 1420-1500 - eighteen sets of
lecture notes,
1962-1973
Scope and Content Note
Significant letters include: numerous letters of congratulations to Keller's 60th
birthday; Theodor Müller, personal letter, 1974;
Klaus Parlasca, personal letter, 1963;
Willibald Sauerländer, about his acceptance at the University of Giessen with
Keller's recommendations and his work on Wilhelm of Modena, 1963; Sauerländer, personal letter about Keller's son, Ulrich and origins
of Wiligelmo aus Santiago, 1963; Sauerländer,
personal letter, 1962.
box 16, folder 4-6
[42] Quattrocento Malerei I. Florenz - thirteen sets of lecture
notes,
1952-1968
Scope and Content Note
Significant letters include: Herbert von Einem, personal letter and quoting
Wölfflin, 1952; Letter from Keller to W. Ludwig
sending a partial copy of his analysis of "Poesie des Tizian für König Philipp II
for comment, 1968; Hans Kauffmann, arranges meeting
with Keller to discuss Hertziana conflict, 1952.
box 16, folder 7-9
[43] Quattrocento Malerei II. ausser Florenz - seventeen sets of lecture
notes
Scope and Content Note
Significant letters include: Herbert von Einem, personal letter about his work on
Michelangelo and inquiring if Keller is familiar with his work on Goethe, 1950; Wolfgang Braunfels, regarding Keller's work on a
book about Italy and discussions about getting the library for the Institut, 1950.
box 17, folder 1-4
[44] Quattrocento Plastik - twenty-three sets of lecture notes,
1961-1963
Scope and Content Note
Significant letters include: Willibald Sauerländer, personal letter of
congratulations, 6/22/63; Letter from Keller(?) to
Karl Noehles, comments on writing a catalog for the Italian drawings in the Berlin
(Dahlem) Kupferstichkabinett and critique of Hubala's work, 1962; Ulrich Middeldorf, personal letter, 1961;
Erich Hubala, disturbed by Keller's reaction to his university lecture and
asks for further critique, 1962; Willibald
Sauerländer, consults with Keller about a monograph on Houdon's, Voltaire (seated,
marble statue) that Sauerländer is writing, 1963;
Silvie Beguin, thanks Keller for sending her his publication on the Bellelli
Family of Degas, 1962; Erich Hubala, plans for
changing a lecture he would present in Frankfurt, 1963
and personal letter with an enclosure [not in archive] of volume three of the
Bulletin 1961, 1962 and a personal letter about his
arrival in Frankfurt, 1963.
box 17, folder 5-8
[45] Italienische Architektur 1500-1600 - twenty-two sets of lecture
notes,
1965-1973
Scope and Content Note
Significant letters include: Georg Kauffmann, about his work in Münster and
Keller's support especially with the negative comments coming from Heydenreich in
Florence about himself and Middeldorf, 1965;
Willibald Sauerländer, about critical reviews of work, 1973; Letter from Keller to Mr. Ross at Yale University
[in English] requesting two catalogs, "Jubilee Catalogue of 1972" and "French
Impressionist Paintings", 1973.
box 18, folder 1-3
[46] Italienische Malerei 1520-1590 - seventeen sets of lecture
notes,
1959-1971
Scope and Content Note
Significant letters include: Hans Sedlmayr, recommending a candidate for a position
to Keller and inviting him to give a lecture in Munich, 1963; Wolfgang Braunfels, as editor, plans for contents of the
Wallraf-Richartz Jahrbuch, 1959; Erich Hubala,
congratulates Keller on his book for Propyläen Kunstgeschichte, especially with
Rudolf Wittkower's entry, 1971 and personal letter
looks forward to meeting Professor Kleiner, 1963;
Ludwig Heinrich Heydenreich, invites Keller to participate in a colloquium on
("An Encyclopedia of German Art History") "Reallexikons zur deutschen
Kunstgeschichte," 1960; Justus Müller Hofstede,
regrets having missed Keller's letter but hopes he found the material he needed on
Earl of Harewood's Collection at the Courtauld Institute, 1968.
box 18, folder 4-6
[47] Seicento Plastik und Malerei - seventeen sets of lecture
notes,
1970
Scope and Content Note
Includes postcard depicting Francesco I d'Este and photograph of an unidentified
site. Significant letters include: Erich Hubala, about the application of Dr. Volker
Hoffmann for a position in Frankfurt or Florence, 1970
and 1970; Max Seidel, about his common
interest with Keller on sculpture of the Siena Cathedral and presenting a discussion
on that topic, 1970.
box 18, folder 7-8
[48] Italienische manieristische Plastik - seven sets of lecture
notes.
box 19, folder 1-4
[49] Italienische Malerei der Hochrenaissance, 1500-1527 - thirteen sets of
lecture notes,
1965-1966
Scope and Content Note
Significant letters include: Letter from Keller, written warrant [title] for a sum
of money to cover travel expenses, 1965; Ludwig
Heinrich Heydenreich, invites Keller to stay with him during his lecture visit,
1966; Erich Hubala, about his writings and
collaborations with Keller, 1966; Hans Sedlmayr,
about the books on Kaschnitz, 1966; Hubala, about his
gift to Keller of the Adalbert-Stifter-Jahrbuch and his works in progress, 1965.
box 19, folder 5-8
[50] Italienische Architektur, 1500-1600 - thirteen sets of lecture
notes,
1963-1966
Scope and Content Note
Significant letters include: Hans Sedlmayr, unable to accept an invitation from
Keller due to activities during his last semester at the University in Munich, 1963; Erich Hubala, critique of Keller's lecture in
Munich, 1966.
box 20, folder 1-4
[51] Michelangelo I, Systematischer Teil II - nineteen sets of lecture
notes,
1965-1976
Scope and Content Note
Significant letters include: Günter Passavant, asks Keller to write the critique
for Burke's book, 1976; Herbert von Einem, personal
letter and appreciates Keller's contribution to his Festschrift, 1965; Letter from Keller to Dr. Günter Busch,
congratulations on Busch 's receiving a prize at the Darmstadt Dichterakademie and
Keller accepting a lecture engagement in Bremen to speak on Michelangelo, 1974; photocopies of reviews on Keller's book,
Die
Kunst des 18. Jahrhunderts,
from "Tages-Anzeiger", Zürich, 1972 and "Die Wirtschaft" 1972.
box 20, folder 5-6
[52] Tintoretto, Veronese, Greco - eleven sets of lecture
notes,
1959-1971
Scope and Content Note
Significant letters include: Wolfgang Braunfels, expresses views on Marxism and art
history especially regarding youth and Keller's son, 1971;
Erich Hubala, about an inventory of Guido Kaschnitz-Weinberg's writings and
asking Keller to review for omissions, 1959.
box 20, folder 7
[53] Kolleg Führungen Winter 33/34 Italienische Barock Architektur - six
sets of lecture notes.
box 21, folder 1-2
[54] Französische und englische Architektur des 18.Jhd. - eight sets of
lecture notes,
1978
Scope and Content Note
Also includes a a photocopy from a portion of C.F. Gellers, Sämmtliche Schriften,
part V (Leipzig) 1840. Significant letters include: Wolfram Prinz, invitation to
Keller to celebrate Keller's 75th birthday at the Kunstgeschichtliches Institut in
Frankfurt, 1978; Letter from Keller to Die Deutsche
Staatsbibliothek Abteilung Kartographie (Berlin), requesting photographs of
elevations and plans for several German cities, 1978;
Wolfgang Braunfels, about Otto Stolz' book Geschichte Tirols, 1977.
box 21, folder 3-4
[55] Französische Malerei des 19.Jhd. - seven sets of lecture
notes.
box 21, folder 5-6
[56] Malerei des französisches Impressionismus - eight sets of lecture
notes
Scope and Content Note
Includes part of an exhibition catalog for a Toulouse-Lautrec show in Tübingen,
1986-1987. Many of the notes are written on the
reverse of photocopies of images used in Keller's book,
Das Alte
Europa.
box 22, folder 1
[57] Manet - three sets of lecture notes,
n.d.
Scope and Content Note
Many of the notes are written on the reverse of photocopies of images used in
Keller's book, Das Alte Europa.
box 22, folder 2-3
[58] Degas - five sets of lecture notes,
1962
Scope and Content Note
Significant letters include: Letter from Keller to Dem Herrn Vorsitzenden der
Wissenschaftlichen Gesellschaft zu Frankfurt, requesting additional funds to travel
in France in order to complete his book,
Die Kunstlandschaften Frankreichs,
1962.
Series II.
Research notes,
ca. 1930-1987, n.d.
Container Summary: 1.5 lin.
ft.
Scope and Content Note
63 small bundles of scholarly notes that include some related correspondence and 1
large bundle (ca. 200 pp.) of notes on churches and galleries (Box 25).
box 23, folder 1
Geschichte des europ. Kunstsammlers,
n.d.
box 23, folder 1
Christliches Grabmal,
n.d.
box 23, folder 1
Geschichtsbewusstsein d. deutschen Heimeinbaues
(neues Material Seit 1940)
box 23, folder 1
Aesthetik des Reliefs,
n.d.
box 23, folder 1
Lionardo's Stellung zwischen Wissenschaft und Kunst,
1952
Scope and Content Note
(1952 Jun 27 Akademische Festrede)
box 23, folder 1
Zentralbau des Renaissance und freie Schicksal im Manierismus,
n.d.
box 23, folder 2
Bambergensia (Bibliographie),
n.d.
box 23, folder 2
Freitreppen [includes postcard],
n.d.
box 23, folder 2
Pisanello Zeichnungen,
n.d.
box 23, folder 2
Der Schnitzaltar als Reliquien Schrein
1952-1956
Scope and Content Note
Includes letters to Keller on folder topic; postcard from Hans Kauffmann to L.
Heydenreich dated 9/15/52; two pencil sketches of relics.
box 23, folder 2
Stadtmodelle,
n.d.
Scope and Content Note
Includes study photograph with angel holding city
box 23, folder 3
Bildhauer Zeichnung
neues seit 1950
box 23, folder 3
Die neuen Bildvorstellungen (Zyklische Themen des ausgefunden
Mittelalters),
n.d.
Scope and Content Note
Includes postcard
box 23, folder 3
Buchillustration des 19.Jhd.,
n.d.
Scope and Content Note
Includes 2 partial publications with caricatures
box 23, folder 3
Stadtbaukunst,
n.d.
Scope and Content Note
Includes street map, aerial view of a city, 3 photographs of city views and 1
photograph of Emperor Otto
box 23, folder 3
Noch nicht Vorgetragenes,
n.d.
box 23, folder 4
Italienische Landschaftsmalerei,
n.d.
Scope and Content Note
Includes postcard
box 23, folder 4
Dresdner Galerie,
March 1956-April
1975
box 23, folder 4
Untitled,
n.d.
Scope and Content Note
2-ring notebook with notes on Delacroix and Daubigny
box 23, folder 4
Effigies,
1956-1975
Scope and Content Note
Includes
Reallexikon zur Deutschen Kunstgeschichte offprint of
definition for Effigie written by Keller; 7 letters from various persons on subject of
effigies
box 23, folder 4
Lebendmasken,
n.d.
Scope and Content Note
Includes postcard and study photograph
box 23, folder 4
Oberbayern Bibliographie,
n.d.
box 23, folder 4
Goethes Italienische Reise
1962 Oct 24
Scope and Content Note
Includes letter from Herbert von Einem primarily about Goethe.
box 23, folder 5
Entstehung d. Bildnisse für eine Neuauflage,
1938-1947
Scope and Content Note
Includes letter by Robert Oertel, dated dated 1947, on
the topic of portraits and specifically about the comments of Kurt Bauch; one
postcard; letter by Hans Wentzel, dated 1938, also on
the subject of portraits.
box 23, folder 5
Barock Bibliotheken,
n.d.
Scope and Content Note
Includes 3 postcards; offprint from publication "Literaturberichte und Anzeigen" with
article by Gert Adriani on libraries
box 23, folder 5
Das Portrait seit van Eyck,
n.d.
box 23, folder 5
Salzburg 2.Auflage,
1956
Scope and Content Note
Includes 6 postcards and letter by Paul Kirn, dated 1956, on settlement symbolism.
box 23, folder 5
Salzburg Bibliographie
Scope and Content Note
Includes contract between Keller and Verlagen Anton Schroll for the work entitled
Salzburg
box 23, folder 5
Abseitiges Umbrien
1958 Sep 22-1958 Oct
11
Scope and Content Note
Travel log of a trip to Italy.
box 23, folder 5
"L" Literatur Anhang z. Renaissance Buch,
n.d.
box 24, folder 1
Mittelalterliche deutsche Plätze,
n.d.
box 24, folder 1
"Von deutsche Baukunst" 1772-1972,
ca. 1972?
Scope and Content Note
Includes copy of an offprint by Wilhelm Sche[r?]er (1873) on German architecture]
box 24, folder 1
Domenico Tiepolo / Flucht nach Aegypten,
n.d.
box 24, folder 1
Raffael Druckgraphik,
n.d.
Scope and Content Note
Includes partial offprint by Rudolf Zeitler on the cathedral at Uppsala
box 24, folder 1
Domenichino / Darmstadt
Scope and Content Note
Includes letter by Wolfram Prinz, dated 1964, about
the self-portrait of Domenichino in the Uffizi.
box 24, folder 1
Von Trient bis z. Cisa-Pass
1966 Sep 26-1966 Oct
12
Scope and Content Note
Travel log of a trip to Italy.
box 24, folder 2
Lazium (Latina, Südlazium),
n.d.
box 24, folder 2
Spätmittelalterl. Andachtsbild,
n.d.
Scope and Content Note
Includes photograph, possibly Keller's wife.
box 24, folder 2
Bildhauerzeichnung,
1937
Scope and Content Note
Includes 2 photographs; letter from Robert Oertel 1937
about his work on Giotto;
Reallexikon zur Deutschen Kunstgeschichte
offprint of definition for Bildhauerzeichnung written by Keller and with
manuscript annotations
box 24, folder 2
Der Masenhof v. Ferrara,
n.d.
box 24, folder 3
Untitled notebook,
n.d.
Scope and Content Note
Primarily describes works of art in the United States and probably belonged to
Keller's son Ulrich Keller whose address in New Jersey is written on the front of the
notebook
box 24, folder 3
Antikisches Bildniss,
n.d.
Scope and Content Note
Includes postcard.
box 24, folder 3
Bebilderung des Renaissee Buchs,
n.d.
Scope and Content Note
Front of notebook: Dr. Phil. Keller
box 24, folder 4
Salzburg Plastik 1400-1520,
n.d.
box 24, folder 4
Büsten,
n.d.
Scope and Content Note
Includes postcard
box 24, folder 4
Notizen,
n.d.
Scope and Content Note
Includes primarily notes on works in museums in Italy, England and France
box 24, folder 4
Das deutsches Rokoko,
n.d.
box 24, folder 4
Rom Geistesgeschichte,
n.d.
box 24, folder 5
Rom: Einzelne Denkmäler,
n.d.
box 24, folder 5
Fischer von Erlach "Historische Architektur,"
n.d.
box 24, folder 5
Aesthetik von Winckelmann bis Schlegel,
n.d.
box 24, folder 5
Deutsches Italienbild I. 18.Jhd.,
n.d.
box 25, folder 1
Notes on buildings, Italy,
1930s
Scope and Content Note
Loose-leaf pages from 3-ring binder(s) of notes on churches and galleries, primarily
in Rome and Naples and includes some photographs and maps. Written by Keller in the
1930s.
Series III.
Manuscripts,
ca. 1929-1988
Physical Description:
3 Linear
Feet
Scope and Content Note
Series contains material for published (boxes 26-28) and unpublished (box 29) books by
Keller; articles, essays, Festschrifts and memorial orations (box 30) together with
notes and letters referring to the work; lecture notes, evaluations of student
dissertations and a folder about Willy Wiegand and the Bremer Presse (box 31). Arranged
chronologically for the books and lectures and alphabetically for the correspondence
relating to specific works.
box 26, folder 1
Das Treppenhaus im deutschen Schloss- und Klosterbau des
Barock
,
1929, 1935
Scope and Content Note
Keller's doctoral dissertation presented 1929 Feb 28
to Dr. W. Pinder and Dr. P. Wolters, published in 1935. This edition has many blank
pages annotated by Keller; Keller's notes for the book are included separately.
box 26, folder 2
The Renaissance in Italy,
1969
Scope and Content Note
Manuscript copy with annotations by Keller for book on Italian renaissance published
in 1969. Some letters are found on verso.
box 26, folder 3
The Renaissance in Italy,
n.d.
Scope and Content Note
Originally in a folder entitled, "Geschichte Italienische Renaissance, Kap. 1-4" with
contents: partial manuscript (partial chapter and chapter 4) for book; on reverse are
some letters and partial typescript with manuscript annotations by Keller.
box 26, folder 4
The Renaissance in Italy,
n.d.
Scope and Content Note
Partial manuscript (chapters 3 and 4) and notes for book; on reverse are some letters
and partial typescript for the book with manuscript annotations by Keller.
box 26, folder 5
The Renaissance in Italy,
ca. 1963?
Scope and Content Note
Written in 1963 as a first (rejected) draft of book, in manuscript (chapters 5 and 6)
and typescript (chapter 6 in duplicate); on reverse are some letters and partial
typescript for the book with manuscript annotations by Keller.
box 26, folder 6
The Renaissance in Italy ,
n.d.
Scope and Content Note
Partial manuscript (chapters 13-15) with annotations for book; on reverse are some
letters and partial typescript for the book with manuscript annotations by Keller.
box 26, folder 7
Originalfolder title: "Tizian `allein'"
n.d.
Scope and Content Note
Contains partial manuscript for book
Tizians Poesie für König Philipp II. von
Spanien;
on reverse are letters and partial typescript for book,
The
Renaissance in Italy
with manuscript annotations by Keller.
box 27, folder 1
Die Kunstlandschaften Italiens,
1960
Scope and Content Note
Bound publisher's edition of Keller's book (includes loose spine), with manuscript
annotations by Keller on facing pages.
box 27, folder 2
Enclosures,
n.d.
Scope and Content Note
Loose items found in folder 1 book include: typescript and manuscript notes;
newspaper clippings; maps; 21 postcards with and without writing; announcements;
letters from K. Oettinger and Erik Jayme; medicinal prescription for Keller's wife;
printed article about Cristoforo da Lendinara; two offprint pages.
box 27, folder 3
Typescript pages,
n.d.
Scope and Content Note
Three pages with manuscript annotations by Keller for chapter I, Grundlegung, on
reverse of notes.
box 27, folder 4
Pages 3-19,
n.d.
Scope and Content Note
Pages of a discarded typescript with manuscript annotations by Keller for the
book.
box 27, folder 5
Twenty-six letters,
1961-1963
Scope and Content Note
Letters from friends regarding book (Bede(?). Letters from Fritz v. Borries, Wolfgang
Braunfels two letters, Walter Euler, Hans Ficker, Billy Haynes two letters, Hans
Kauffmann, Eugen Keller (Keller's nephew), Le (?), Norbert Lieb, Hans Martin two
letters, F. Metternich, Theodor Müller two letters, Alfred Neumeyer, Robert Oertel,
Julius Overhoff, Hans Sedlmayr, Walter V? Hans Van...? two letters, and Rudolf
Wittkower.
box 27, folder 6
Additional material regarding
Bede,
n.d.
Scope and Content Note
Material includes: six postcards; published journal article by Ernst Rodenwaldt and
Herbert Lehmann, "Die antiken Emissare von Cosa-Ansedonia...; several maps of areas in
Italy.
box 27, folder 7
Die Kunstlandschaften Italiens,
n.d.
Scope and Content Note
Manuscript notes for chapter called "Lombardei."
box 27, folder 8
Die Kunstlandschaften Italiens,
n.d.
Scope and Content Note
Manuscript notes for chapter called "Unteritalien" or "Süditalien."
box 27, folder 9
Die Kunstlandschaften Italiens,
n.d.
Scope and Content Note
Typescript pp. 20-32 for part entitled, "Romanische Kunst Italiens"; lecture notes
used by Keller for the book.
box 28, folder 1
Die Kunstlandschaften Frankreichs ,
1963
Scope and Content Note
Folder contains newspaper articles from "Frankfurter Allgemeine Zeitung" 1963 in triplicate and "Frankfurter Rundschau" 1963; letter from F. Ganshof 1963.
box 28, folder 2
Mon Portrait comme Savant,
1967
Scope and Content Note
27 manuscript pages of an autobiography written in 1967.
box 28, folder 3
Michelangelo als Bauplastiker,
1976
Scope and Content Note
35 typescript pages, part of a book published in 1976, includes manuscript
annotations.
box 28, folder 4
Französische Impressionisten,
1993
Scope and Content Note
Published posthumously. Originally in a folder: "Impressionismus Aufsatz
Durchschriften und Handgeschriebenes" and includes typescript chapters: Einführung,
Die neue Form, Degas, Monet, Renoir, Zusammenfassung; few manuscript annotations.
box 28, folder 5-6
Französische Impressionisten,
n.d.
Scope and Content Note
Originally in a box: "Impressionismus Aufsatz Durchschriften" which incudes some
typescript but mostly manuscript pages.
box 29, folder 1
Kunstgeschictliche Grundbegriffe [Principles of Art
History],
1941-1942
Scope and Content Note
Unpublished manuscript, ca. 77 pages, written at Strelnja near St. Petersburg, Dec
1941-Jan 1942. Also includes: two typescript letters from A. Grisebach 1941 and
Heinrich Lützeler 1941; small notebook with one postcard contains commentaries on
Titian.
box 29, folder 2
Original folder title: "Venedig,"
1981
Scope and Content Note
Inside title of folder, "Fassung eines Venedig-Buchs für d. Insel-Verlag 1981) das Ms
ist sauber abgetippt (p.1-58)." Includes: 58 pages of typescript for an unpublished
book,
A History of the Art and Urbanism of Venice with manuscript
annotations, followed by manuscript version of the book. [Note from Ulrich Keller
(son) stating that the book was abandoned when N. Huse and W. Wolters published their
much acclaimed Venice book.]
box 29, folder 3
Der Historische Roman,
1979
Scope and Content Note
Fragments of unpublished work on the historical novel with 41 typescript pages. Also
includes: notes entitled "der historischer Roman" with offprint from
Der
historische Roman II: 20. Jahrhundert
by Richard Humphrey; notes entitled,
"Historischer Roman seit 1987" with a newspaper article, "Schillers Geschichtsbild
from
Neue Zürcher Zeitung
1979 Jan
27-28; offprint in English of an article by Leo Tolstoy, "Some Words about
`War and Peace'" published in
Russian Archive, 1868 and translated by
Louise and Aylmer Maude, Oxford University Press (1945); offprint "Johann Jakob
Wilhelm Heinse: Kritische Gesamtausgabe" by Heinrich Mohr.
box 29, folder 4
Der Historische Roman,
1989
Scope and Content Note
Manuscript with annotations for Keller's unpublished book. The manuscript is written
on notepaper with many personal letters, announcements, invitations and letters from
publishers on the verso, as well as a partial typescript section, "Anstatt eines
Vorwort" für Gerard E. Gaspary zum 10 Jan 1989, an
autobiographical preface.
box 29, folder 5
"Wesen und Entstehung des historischen Romans / Festschrift für Joachim Fest,
J. 60, Feb. Berlin 1986 `Von Geschichte Umgeben p.93-148' Siedler-Verlag,"
1985-1986
Scope and Content Note
Includes manuscript introduction for projected book on historicizing novels in the
19th century and chapters entitled, Conrad Ferdinand Meyer; Witiko; Balzac; Stendahl;
Karthäuse von Parma; Scheffels Ekkehard; Lichtenstein; Promessi sposi 11. Seitiger
Text plus Beilagen, with article by Karl Korn, "Freigeist, Konvertit, Dichter der
italienischen Nation" from the
Frankfurter Allgemeine
1985; loose manuscript pages; eleven offprint pages with
manuscript annotations.
box 30, folder 1
"Cortona Notizen,"
1961
Scope and Content Note
Includes four photographs and notes for article on Pietro da Cortona by Keller,
published in 1961.
box 30, folder 2
"Degas-Studien,"
1979
Scope and Content Note
Published offprint by Keller with manuscript annotations from
Staedel-Jahrbuch
NF VII, 1979, pp.271-295.
box 30, folder 3
"Die Entwicklung des gotischen Schnitzaltars,"
n.d.
Scope and Content Note
Typescript 12 page essay by Keller.
box 30, folder 4
"Das Stadtbild von Florenz im Zeitalter Dantes,"
n.d.
Scope and Content Note
Typescript 19 page essay by Keller.
box 30, folder 5
"Guido Reni und Europa"
1988 Dec
24.
Scope and Content Note
Duplicate photocopy of article written by Keller on an exhibition in Frankfurt, from
the
Frankfurter Allgemeine Zeitung.
box 30, folder 6
"Harald Keller über Harald Keller,"
1987
Scope and Content Note
6 typescript pages and 7 manuscript pages written for a column called
"Geisteswissenschaften" in the
Frankfurter Allgemeine
and the letter by Henning Ritter 1987, requesting Keller write the column.
box 30, folder 7
"Michelangelo und die Toskana,"
n.d.
Scope and Content Note
4 typescript pages by Keller.
box 30, folder 8
"Zum Sogenannten Reliquienschrein Ottos des Grossen in
Quedlinburg,"
1987
Scope and Content Note
Published offprint by Keller from the
Dumbarton Oaks Papers no.
41.
box 30, folder 9
"Manuskript, Einleitung zu einer Geschichte des florentiner
Domplastik,"
1945
Scope and Content Note
Includes the words [translated], "Written in early summer 1945 in Planegg to keep my
mind occupied. There were no books at my disposal. This must not be published
[underlined]." Includes: manuscript essay with annotations on the history of
sculptures in the Florence Cathedral.
box 30, folder 10
"Patrozinien,"
n.d.
Scope and Content Note
Manuscript notes for an article on patron saints.
box 30, folder 11
"Ereignisbild,"
n.d.
Scope and Content Note
22 page duplicate typescripts with manuscript annotations and one manuscript copy of
unpublished article for
Reallexikon zur deutschen Kunstgeschichte,
later subsumed in the article "Historienbild," on representations of
historical events in art.
box 30, folder 12
"Deutsches Rokoko,"
1963
Scope and Content Note
21 page duplicate typescripts and one manuscript copy of article by Keller, published
with a collection of essays by various authors in 1963.
box 30, folder 13
Untitled typescript,
n.d.
Scope and Content Note
Partial, 3 page typescript from an unidentified manuscript; from an unidentified
essay, pages 52-54 of an offprint with the manuscript words, nicht drucken and pages
crossed out in red.
box 30, folder 14
Festschriften and memorial addresses,
1958-1985
Scope and Content Note
Published offprint from the Festschrift for the architect, Gerhard Kleiner, by
Keller, "Zur Clemens-Tumba des Bamberger Doms and 2 four page typescripts by Keller in
memorium, and in duplicate, a memorial address 1978 May
3;Hans Jantzen lecture commemorating his 100th birthday delivered at the
Wissenschaftl. Gesellschaft in Freiburg im Briesau, 1981 May
14; 6 page typescript Festschrift for Ludwig Klages on his 60th birthday by
Wilhelm Pinder with manuscript page of notes by Keller; published offprint, memorial
article by Keller commemorating Hans Sedlmayr from
Jahrbuch der Bayerischen
Akademie der Wissenschaften 1985;
3 page typescript memorial address, in
duplicate, on the death of Otto Vossler, faculty member at the Frankfurt, Johann
Wolfgang Goethe Universität, 1987 Dec 29; 10 page
typescript eulogy by Keller for Guido Freiherr von Kaschnitz-Weinberg, first director
of the German Archeological Institute in Rome, delivered as an introductory lecture
1958 Nov 3; 13 manuscript pages by Keller about
Rudolf Kautzsch.
box 31, folder 1-2
Original folder title: "Bildnis, Reliquie" [Portraits,
Reliquary],
1949-1984
Scope and Content Note
contains 12 sets of manuscript notes used by Keller in articles and speeches. The
sets are entitled, Römische Baukunst 18Jhd., Juvara, Ephesos, Entstehung des
Kunstplastik um 1000: Reliquien (includes letter by A. Ress about reliquaries, 1956 and two letters by H. Schnitzler with
responses to Keller's inquiries about reliquaries, 1949; Römische Brunnen (includes letter from Bibliotheca Hertziana with
responses to Keller's inquiries about fountains, 1984;
Entstehung des verkleidetes Bildnisse, Entstehung des frühmittelalterliche Bildnisse
Exzerpte (includes two newspaper clippings on Keller's lectures on the development of
portraiture from the
Stuttgarter Nachrichten,
1955 and the
Stuttgarter Zeitung
undated),
Verkleidetes Bildnisse, Architektur-Reliquien (includes newspaper clipping on
reliquaries in the Braunschweiger Dom from
Kirchenzeitung Hildesheim,
1966; photocopy of article "Die
Reliquienfunde in St. Godehard zu Hildesheim" by H. Engfer with copy photographs;
letter from Ludwig Falkenstein about reliquaries, 1972;
letter from Klaus Wessel about reliquaries, 1972;
letter from Erich Bachmann about buildings in Bohemia, 1972; Die Schaustellung der Reliquie in Reliquiar (includes postcard),
Büsten-Reliquiare aus Holz 13 Jhd. (includes letter from Theodor Müller, 1954; list of Italian metal head and bust reliquaries from
the end of the 12th century to ca. 1525).
box 31, folder 3
Sets of notes for public lectures,
1929-1967
Scope and Content Note
Lecture 1929 with list of 18 slides; Deutsche
Barockplastik delivered in Lübeck, 1930; Porträts am
ende d. Hochmittelalters delivered at University of Frankfurt, 1935; Deutsche und italienische Kunst, 2 letters 1938; Deutsche und italienische Kunst im
Mittelalter delivered in Elberfeld, 1940; Deutsche und
italienische Kathedralplastik delivered in Munich, 1940
and in Stuttgart, 1941; Entstehung des
monumentalen Kultbildes um das Jahr 1000, Eröffnungsvortrag d. Nymphenberger Kongress
1949, (contents: 13 manuscript pages for the opening lecture on origins of monumental
religious sculpture at the German Art Historical Convention, Munich 1949; typescript
letters from Rolf Fritz 1950, Paul Pieper 1949, A. Ress 1953, Albert
Verbeek 1952, Hans Wetzel 1949,
all referring to art objects and concepts stemming from the above presentation;
manuscript page from the "Bulletin de la Société des antiquaires de la france, 1928"
referring to the dating of the statue of Sainte Foy de Conques); Arbeitsvergang (?) in
der mittelalterliche Werkstatt delivered in Freiburg in Briesau, 1951 and Switzerland, 1951
with list of 48 slides; welcoming speech delivered at the reopening of the
Deutschen Kunsthistorischen Instituts in Florenz on 1953 Oct 7 in duplicate
typescript; Die Baukunst d. italienische Renaissance delivered in Ludwigshafen, 1954 with list of 39 slides; Das Bildniss in Frankreich
delivered in Karlsruhe, 1956 with list of 47 slides and
a bibliography; lecture 1958; Das französische Bildniss
in 19.Jhd. delivered in Karlsruhe, 1959 with list of 44
slides; Die Kunstlandschaften Frankreichs delivered in Aachen, 1961 with list of 44 slides; Die französische Revolution u. die Kunst ihre
Zeit delivered at Bremen Rathaus, 1962 with list of 37
slides; Süditalien als Kunstlandschaft delivered at Schloss Morsbroich, Kunstverein
Leverkusen, 1967.
box 31, folder 4
Original folder title: Goethes Hymnus,
1972-1988, n.d.
Scope and Content Note
Goethes Hymnus auf das Strasburger Münster delivered Karlsruhe, 1972 with list of 30 slides; Kunstlandschaften delivered at
University in Bern, 1976; Denkmalpflege in der DDR
delivered at Ambassador's Club in Frankfurt, 1976;
Europäische Hofkultur des 17. Jahrhunderts delivered at Herzog August
Bibliothek in Wolfenbüttel, 1979; Piranesi,
Eröffnung d. Ausstellung bei Rumbler, delivered at an opening in Frankfurt, 1988; Die Entstehung d. Bilnisses am ende d.
hochmittelalters with list of 42 slides; Die italienischen Kunstlandschaften with list
of 48 slides; Die Entstehung d. bildnisse am ende d. Hochmittelalters with list of 41
slides; Caravaggio with list of 44 slides; Jan Liss; Goethe und die Kunst das
Mittelalters delivered in Santa Barbara, CA; unidentified and undated set of lecture
notes including a page on Rubens.
box 31, folder 5
Original folder title: "Paulus in Rom /... ne nimis praevaleat S. Petrus
Apostolus,"
n.d.
Scope and Content Note
Includes Keller manuscript descriptions of 42 printed plates, partially
annotated.
box 31, folder 6
Original folder title, "Dissertations - Habilitationsgutachten,"
1953-1962
Scope and Content Note
Includes 20 Keller dissertation evaluations for university lecturers.
box 31, folder 7
Original folder entitled, "Bremer Presse, W. Wiegand,"
1951-1962
Scope and Content Note
Includes material related to Keller's friend, W. Wiegand and his publishing house,
Bremer Presse. Folder includes: published offprint of memorial address by Rudolf
Alexander Schröder, "Zum Tode Willy Wiegands" with document establishing the founding
of the Bremer Presse [publishing house] and announcement by Hugo von Hofmannsthal from
Philobiblon, Jahrgang VI Heft 2 (1962); published
offprint by R.A. Schröder, "Von meinen Bemühungen um das schüne Buch" from
Imprimatur, Band X (1951); published offprint by Willy
Wiegand, "Die Bremer Presse und ihre Arbeitsweise" from
Imprimatur Neue Folge,
Band III (1962); published offprint by G. Schauer (?) about the
Bremer Presse from
Deutsche Buchkunst
1890-1960, Band I;
published offprint by Herbert Steiner entitled "Corona" [1962] about the
Bremer Presse.
Series IV.
Correspondence,
ca. 1930-1989
Physical Description:
0.5 Linear
Feet
Scope and Content Note
Letters to and from art historians and other colleagues, with several files of letters
from with Richard Krautheimer (1948-1988). Eleven letters from Keller to Elfriede R.
Knauer (1976-1989) are sealed until 2019.
box 32, folder 1
Eleven letters,
1974-1988
Scope and Content Note
Letters from Christoph Luitpold Frommel, [architectural historian at the Bibliotheca
Hertziana (Rome)] to Keller.
box 32, folder 2
Eight letters and one postcard,
1948-1968
Scope and Content Note
Letters from Richard Krautheimer [art historian], 1948-1968
box 32, folder 3
Seventeen letters,
1970-1979
Scope and Content Note
Letters from Richard Krautheimer includes one letter between the wives.
box 32, folder 4
Eighteen letters,
1980-1983
Scope and Content Note
Letters from Richard Krautheimer, 1980-1983, include eulogy Krautheimer
delivered at the death of Wolfgang L. and a special letter of congratulations to
Keller's 80th birthday.
box 32, folder 5
Nineteen letters,
1984-1986.
Scope and Content Note
Letters from Richard Krautheimer, 1984-1986
box 32, folder 6
Twelve letters,
1987-1988
Scope and Content Note
Letters from Richard Krautheimer 1987-1988. In addition to letters
written to Keller, includes letter to Keller in memorium, 1990, read by
Christoph L. Frommel at the Schloss des Kunsthistorischen Kolloquiums. Five manuscript
pages written by (Krautheimer?) as an introduction to unpublished book by Keller,
Blick von Monte Cavo.
box 32, folder 7
Seventeen pieces of correspondence,
1943-1987
Scope and Content Note
Markus Bierich? 1987; Wolfgang Braunfels 1953, 1983; Georgette Capellmann 1961; Inge
Eichler, with design for print, Christmas / 1974; Josef Fleckenstein 1984, 1984; Heinz
Friedrich 1986; Billy Haynes 1985-1986; Elisabeth Herget, 1987; Ludwig Heinrich
Heydenreich 1943, 1961, 1977.
box 32, folder 8
Nineteen pieces of correspondence,
1975-1987
Scope and Content Note
Eduard Hüttinger 1984; Erik Jayme? 1985; Len Kaschnitz 1986;
Ernst Kitzinger 1984,
1986; Gerhart Ladner 1976,
1985; Karla Lanckoronska 1985
(postcard); Rudolf Lenner? 1985; Herbert Lepper
1985; Heinrich Magirius 1984;
Hans Martin 1983; Norbert Miller 1975; Monogram K.H.? undated; Theodor Müller
1979,
1984,
1987.
box 32, folder 9
Fifteen pieces of correspondence,
1967-1989
Scope and Content Note
Wilhelm Schlink 1981,
1984,
1985,
1989; Daniel Schlumberger 1967-1968 Hans
Sedlmayr 1969,
n.d.; Herbert Siebenhüner
1966; Gisela Strasburger 1985; Rolf and
Monica Stucky 1972,
1989.
box 32, folder 12
Eleven letters,
1976-1989
Scope and Content Note
Letters from Keller to Elfriede R. Knauer (Philadelphia).
box 32, folder 10
Ten pieces of correspondence,
1979-1990
Scope and Content Note
Suhrkamp Verlag 1985; Helmut Viebrock 1987; Hans Weirauch (double postcard) 1979; Conrad Wiedemann 1984,
1989; Rudolf
Wittkower 1971; Wolfgang Wolters 1981,
1985,
1986; letter to Gerda Keller from Klaus Sch? [signature
illegible], Tübingen University, regrets being unable to attend ceremony commemorating
Keller 1990.
box 32, folder 11
Two envelopes,
n.d.
Scope and Content Note
Envelopes entitled: "Düren 1830" with coat-of-arms and "Postkutsche".