The collection is open for research.
Copyright has not been assigned to the Department of Special Research Collections, UCSB. All requests for permission to publish
or quote from manuscripts must be submitted in writing to the Head of Special Research Collections. Permission for publication
is given on behalf of the Department of Special Research Collections as the owner of the physical items and is not intended
to include or imply permission of the copyright holder, which also must be obtained.
[Identification of Item], Self Help Graphics and Art archives, CEMA 3. Department of Special Research Collections, UC Santa
Barbara Library
Donated by Self Help Graphics and Art in 1986 and continues to grow yearly.
Finding aid prepared by: Project Archivist Salvador Güereña. Principal processors Rosemary León, Alicia E. Rodríquez, Naomi
Ramieri-Hall, Alexander Hauschild, Victor Alexander Muñoz, Maria Velasco, and Benjamin Wood. Curatorial support Zuoyue Wang.
Updated by Callie Bowdish and Katherine H. Aguilar.
Supplemental materials processed and finding aid updated in 2018 by Mari Khasmanyan and Chelsea Lumidao.
Self-Help Graphics and Art, Inc. is a non-profit organization and serves as an important cultural arts center that has encouraged
and promoted Chicano/a art in the Los Angeles community and beyond.
The seeds of what would become Self-Help Graphics and Art, Inc. were planted in 1970 during the height of the Chicano Civil
Rights movement when two young Mexican artists, Carlos Bueno and Antonio Ibaez and several Chicano artists, including Frank
Hernandez, met Franciscan nun and Temple University-trained Master Artist, Sister Karen Boccalero. Reflective of the contemporary
social and political climate, Bueno and Ibaez were frustrated by the inaccessibility and lack of facilities available to young
Chicanos wishing to develop their talents as artists. The cost of private art schools were prohibitive to most Chicanos. While
it is generally conceded that art is an intensely personal expression that holds no creative boundaries, some in the art world
did not yet accept the concept of a unique Chicano art that would serve as an expression of cultural values. In this context,
they set out to develop a plan that would remedy this situation; a plan that would not only serve the needs of aspiring Chicano
artists, but that would also serve the greater East Los Angeles community.
Long hours of careful planning and canvassing the community for support ultimately paid off. With a grant from the Order of
the Sisters of St. Francis, the trio (who by this time were joined by others interested in serving their cause) were able
to acquire 2,000 square feet of space that had once served as a gymnasium in the heart of East Los Angeles. Its subsequent
conversion into an art studio and gallery enabled the group to open the doors of Self-Help Graphics in 1972. The organization
was so well received by the surrounding community and by aspiring artists that operations soon outgrew the 2,000 square foot
facility. Continuing the search for funding through public as well as private resources, a grant from the Campaign for Human
Development in 1973 enabled SHGA to acquire an additional 7,000 square feet adjacent to the existing studio and gallery space.
Once Self-Help Graphics and Art was firmly established as an art center, the core members of the group began to think beyond
the walls of the studio and imagine how in addition to developing their own talents and furthering Chicano art, they could
reach out in a way that would benefit the greater East Los Angeles community. Placed in its larger historical context, Self-Help
Graphics and Art's efforts may be seen as a microcosm of the macrocosmic Chicano Power movement of the late 1960s and early
1970s. One of the goals of this movement was to foster an appreciation for Chicano roots. Chicano activists placed an emphasis
on their Mesoamerican past rather than on their European Spanish heritage. Many contemporary activists argued that rather
than honoring and preserving this heritage, the dominant Anglo socio-cultural norms were eroding the indigenous culture. Like
these activists, Self-Help Graphics and Art feared that within such an atmosphere, young Chicanos would not only soon forget
their cultural values, but would also develop a negative sense of their heritage and of themselves in light of the Anglo socio-cultural
practices and values being taught in the public school system and disseminated by the popular media.
Self-Help Graphics and Art spent long hours developing and planning ways through which in addition to exposing barrio children
to a variety of artistic media, they could utilize art forms to instill within these children a positive sense of self, community,
and culture. Many of the children that Self-Help Graphics and Art wished to help were either immigrants themselves, or the
sons and daughters of immigrants not far removed from their Mexican past. Since participation in art does not require a sophisticated
command of spoken or written language, art was perceived as an excellent vehicle by which to achieve this end.
While Self-Help Graphics and Art held workshops on its premises to educate neighborhood children (as well as adults) about
art and culture, the sheer physical geography of East Los Angeles isolated much of the target group from their services. In
an effort to remedy this shortcoming, they set out to devise a plan that would bring the art studio to the surrounding community.
In August 1975, following an exhaustive fund raising campaign, Self-Help Graphics and Art instituted the Barrio Mobile Art
Studio. The organization acquired and customized a van for this purpose. This specially equipped van introduced children to
filmmaking, silkscreen, photography, sculpture, batik, painting, and puppetry. Through contract with the Los Angeles Unified
School District, Self-Help Graphics and Art was able to bring its program to various East Los Angeles elementary schools and
thus provide a level of multicultural education in the arts to children who currently had none in their curriculum. The Barrio
Mobile Art Studio program was enormously successful and well received by students, teachers, school administrators, and civic
leaders. It remained in operation until Self-Help Graphics and Art phased out the program in 1985. Arguably, the Barrio Mobile
Art Studio served as a prototype for the types of multicultural curriculum programs that the Los Angeles Unified School District
would later adopt.
Self-Help Graphics and Art has played an active role in community affairs. Included among these activities are the sponsoring
of numerous workshops and art exhibitions. Ever since 1974, the organization staged the now nationally recognized East Los
Angeles Dia de los Muertos Celebration. This holiday, which is traditionally celebrated on November 1 and has its origins
in Mexico, was originally conceived of as a one-time celebration to be staged by Self-Help Graphics and Art. The following
year the community demand for this event was so great that the organization decided to continue sponsoring the annual event.
With support from the National Endowment for the Arts and the National Endowment for the Humanities, the East Los Angeles
Dia de los Muertos celebration grew into an event that attracted national attention. The elaborate celebration continued to
survive and thrive not only because of grant money received from numerous public agencies and private foundations, but through
the widespread community support that served as the backbone for producing the celebration. This three day celebration accomplished
some of Self-Help Graphics and Art's goals by educating East Los Angeles residents of their heritage, introducing them to
the creative processes involved in art, and ultimately, helping to build a stronger community. By 1985, the Dia de los Muertos
celebration had become so popular among the residents of East Los Angeles that the program could be sustained without the
primary support of Self-Help Graphics and Art. With assurance that others would take up the responsibility for planning and
organizing the event, the organization decided to take a secondary role in staging the celebration. Such a role allowed SHGA
to devote more time and energy to the primary reason behind its founding: furthering Chicano Art and providing a training
ground for aspiring Chicano artists.
Self-Help Graphics and Art has developed a national reputation for the exceptional quality of the screenprints produced by
artists at the facility, while its private gallery, the Galera Otra Vez, also receives much praise and is well recognized
as an important arena for exhibiting artists' works. With its continued emphasis on advancing Chicano art, Self-Help Graphics
and Art remains one of the most important centers in the country for training Chicano artists.
The Self-Help Graphics and Art, Inc. Collection (SHG) consists of eight series distributed among sixty-seven archival boxes
that occupy twenty-seven linear feet of space. These boxes hold information pertaining to the everyday operation of SHGA.
In addition, the collection contains over 650 silk screens that were produced at the East Los Angeles facility. The organizational
records cover the years 1960-1997, while the silk screen series holds works that were produced between 1979-2017.
Also included in this series are Educational Programs. This subseries consists of documents that may be used to trace SHG's
efforts to expose the low-income and otherwise culturally isolated East Los Angeles community to various types of art media
and techniques for producing art. In addition to developing an appreciation for the arts, the participants in these SHG- sponsored
educational programs were encouraged to use art as means of cultural expression. Another goal of SHG's programs was to instill
within each participant a sense of pride in his or her Chicano culture.
In addition to housing documents which describe the educational programs implemented by SHG at local public and private schools,
this subseries consists of information pertaining to the many programs sponsored at locations throughout the East Los Angeles
community, as well as those held at the SHG Avenida Cesar Chavez facilities. Of particular interest are the contracts between
the Los Angeles Unified School District and SHG which outlined the policies and guidelines for services rendered by SHG to
the District. Also of interest are documents which detail the program agenda and goals of the activities which SHG developed
for the many East Los Angeles schools it visited.
The Exhibition subseries consists of loan agreements, print purchase receipts, and documents relating to exhibitions sponsored
by SHG. The organization has sponsored exhibitions and loaned prints to galleries both nationally and internationally. While
the exhibition documentation represents a small number of the exhibitions actually staged, the materials preserved in this
subseries are indeed rich.
The General subseries consists of a wide variety of material that is related directly and indirectly to activities of SHG.
Contracts for artworks commissioned by SHG, minutes of meetings of various Chicano artist organizations, and information which
highlights various Chicano issues on the state and local level are among the most significant holdings in this subseries.
They reflect the social and political climate under which SHG operated during various phases of its existence. (Minutes of
SHG staff meetings are found in the Personnel subseries.
The Grant Proposals, Reports, and Applications, subseries is the largest in Series I. The California Arts Council, the Campaign
for Human Development, the City of Los Angeles, and the National Endowment for the Arts figure prominently among the many
institutions that provided funding to SHG. Documentation of various gifts and grants awarded by these agencies are a large
part of this subseries. This subseries includes copies of applications for funds submitted to various public and private foundations,
detailed proposals of the programs for which SHG requested funding, and actual contracts between SHG and various supporters.
These contracts reveal the amount of the grant and detail the provisions of the award. Included in this subseries are a multitude
of letters of inquiry from Sister Karen Boccalero to various organizations requesting information on the types and conditions
of grants offered by these groups. Also included are a number of replies from agencies which rejected SHG's requests for support.
The Newspapers, Magazines, and Miscellaneous Articles subseries primarily consists of clippings which highlight the accomplishments
of and services provided by SHG. Most of the articles in this subseries deal in general with SHG's activities and programs.
Articles that focus primarily with the Barrio Mobile Art Studio and the Día de los Muertos are found in their appropriate
series. The clippings in this subseries were originally found in Spanish as well as English language publications. There are
also materials which do not deal directly with the activities of SHG, but were housed in the organizational files of SHG and
are retained in this collection at the request of Sister Karen Boccalero.
SHG subscribed to numerous periodicals which focused on Chicano art and culture. These periodicals, which SHG kept among their
organizational files for reference, were not produced by SHG, and because they are among the titles that are already held
by the UCSB Library, they have been removed from the SHG archives.
The Personnel subseries holds applications, resumes, and other personnel-related documents pertaining to artists and other
staff employed by SHG. These records, however, provide only an impressionistic view of SHG's personnel history and should
not be interpreted as a complete collection of the personnel files of all those who were a part of SHG during the 1972-1990
period. Such detailed records of a potentially sensitive nature have not yet been made available by SHG. Included in this
subseries is an incomplete collection of SHG staff meeting minutes which illuminate the decision making process of, and issues
dealt with, at SHG.
The Correspondence subseries consists of copies of letters written by teachers and other school officials in the Los Angeles
Unified School District to state and local officials. The letters inform these officials of the Barrio Mobile Art Studio's
valuable service to the district's schoolchildren. School employees urged these officials to support SHG's request for grants
from city, county, and state agencies. Four of the seven folders in this subseries contain "thank you" notes written by schoolchildren
expressing gratitude to BMAS staff artists for visiting their schools and for introducing them to various artistic media.
The General subseries consists of a variety of documents relating to the daily operation of the Barrio Mobile Art Studio program.
This subseries provides a wealth of information on the many schools visited by the mobile studio. Of particular interest are
copies of the worksheets distributed to the schoolchildren during BMAS visits, as well as the detailed lesson plans developed
by the staff artists. These items testify to the careful planning that went into each mobile studio visit. Also included in
this subseries are evaluations of the program by teachers whose classrooms were visited by the BMAS. These short-answer evaluations
shed light on what the schoolteachers perceived to be the strengths and weaknesses of the BMAS educational program.
The Grant Proposals, Reports, and Applications subseries consists of documents relating to SHG's efforts to secure funds for
the continuation of the BMAS program. This subseries contains applications to the California Arts Council as well as to local
fund-granting agencies. Because most agencies required that SHG submit with the grant application information about the BMAS
program's operation, the goals and objectives of the program, and a projected budget, richly detailed program descriptions
as well as information about BMAS operations costs may be gleaned from the documents.
The Newspaper and Magazine Articles subseries consists of a selection of articles from English and Spanish language publications.
While the majority of these articles survey the history and accomplishments of the Barrio Mobile Art Studio, there are a few
which highlight other SHG endeavors, such as the Galeria Otra Vez, and focus on SHG personalities, such as Carlos Bueno and
Antonio Ibanez.
The Personnel subseries within the Barrio Mobile Art series contains copies of various personnel-related documents, such as
employment applications and program evaluation forms. Like the personnel subseries in the series I, there are no files in
this subseries that provide information on individual artists associated with SHG. Included however, is a folder with material
that deals exclusively with the career of Carlos Bueno, one of the founding artists of SHG.
The vast majority of the photographs in this series were taken by SHG staff members. These photographs document many of the
BMAS visits to schools and artists at work in the SHG Avenida Cesar Chavez facilities. Two of the forty-five folders in this
subseries consist of photographic prints purchased by SHG. These are primarily comprised of photographs of pre-Columbian architectural
ruins, sculpture, pottery, paintings, and other artifacts from Latin and South America. Also included are candid photographs
of contemporary indigenous peoples from the regions noted above. The items noted above served as visual tools for artists
wishing to study their cultural roots and incorporate old world techniques and subjects into contemporary Chicano art.
Also included in this series are color photocopies, flyers, and invitations. Many of the color photocopies capture the activities
of artists and children at work at the BMAS and in the SHG studio. Others are of the works produced by the SHG artists. Still
others are photographic reproductions of well known pieces of art from a variety of cultures from several periods in the history
of art. Included are color photocopies of photographs of Latin and South American indigenous peoples. SHG sponsors numerous
activities at its Avenida Cesar Chavez facility and receives a multitude of invitations from groups and institutions hosting
workshops, art shows, and other community activities. Preserved in this subseries is both a selection of flyers distributed
by SHG announcing activities at its studio, and many of the invitations that it received.
General. This subseries contains a series of documents (such as applications for parade permits and insurance contracts) which
reflect the bureaucratic processes involved in staging the Día de los Muertos celebration (technically a private event) on
public property. Included in this subseries are copies of the itinerary of activities planned by SHG for the Día de los Muertos
celebration.
Grant Proposals, Reports, and Applications. This subseries contains applications for federally supported grants. The applications
seek support for the Día de los Muertos parade and celebration -- the single most costly and widely attended event sponsored
by SHG up until 1985 when it discontinued being its primary organizer. Most of the grant applications in this subseries were
to the National Endowment for the Arts (NEA) and to the National Endowment for the Humanities (NEH). In order to evaluate
requests for financial support, both the NEA and NEH required that detailed reports attesting to a project's past or potential
success and cultural value be submitted with the grant application. As a result of these reports, a wealth of detailed information
on the Día de los Muertos celebration may be found in this subseries. In addition to the detailed curriculum plans which deal
with the Day of the Dead holiday that were used by the Barrio Mobile Art Studio staff, newspaper clippings, photographs, and
negatives also accompany the reports and will be valuable to researchers.
Magazine, Newspaper, Journal, and Miscellaneous Articles holds an extensive collection of materials which deal almost exclusively
with the Día de los Muertos. Most of the articles in this subseries were originally featured in Spanish as well as English
language publications, however, SHG also produced several short articles for publicity and cultural education purposes. These
articles are found in this subseries.
Photographs, Negatives, and Slides. The vast majority of the photographs and slides were taken by SHG staff members in an
effort to document the festivities of Día de los Muertos celebration. Also included is a sampling of photographs of the holiday
as celebrated in Mexico.
Color Photocopies, Flyers, Invitations, and Posters. Included in this subseries are photographs documenting activities at
the SHG facilities, posters and flyers announcing SHG's upcoming events, and photocopies of SHG-produced essays that inform
potential celebration participants of the Día de los Muertos historical background and cultural significance. The flyers distributed
by SHG are in themselves illustrative of the type of art produced by SHG during the Día de los Muertos celebration.
Notecards consists of two folders of notecards produced and sold by SHG artists during the Día de los Muertos celebration.
Of special interest in this series are several photographic proofs documenting United Farm Workers' leader, Cesar Chavez,
and episodes of the farm workers' movement, as well as an additional set of proofs which show members of the Chicano student
organization, MECHA rallying in protest of the 1978 Bakke v. the University of California Supreme Court decision. Additionally,
there are photographs depicting the history of Self-Help Graphics, the Concilio de Arte Popular Meeting, and Art Exhibition.
The series' prominent feature is a large collection of slides. These slides provide visual images of various art works such
as assemblage, graphic arts, drawings, indigenous Chicano art, installation art, murals, paintings, performance and conceptual
art, photographs, and sculptures related to the SHG, and of center activities and programs. They are an unusually rich source
of Chicano art and culture. Additionally, there are Chicano Muralists slides housed in a mixed materials box.
Many of the now-prominent Chicano/Latino artists produced their early work at Self-Help Graphics; such artists include Carlos
Almaraz, Michael Amescua, Barbara Carrasco, Yreina Cervantez, Richard Duardo, Diane Gamboa, Antonio Ibanez, Leo Limon, and
Michael Ponce, to name a few. The silkscreen collection is a rich source of documentation and reflects the evolution of the
Chicano art movement. A diversity of themes, including social, political, and cultural issues are represented in these intense
and personal artistic statements.
There have been three master printers involved in the Atelier program from its inception in 1983 to the present. The first
was Stephen Grace, responsible for producing Ateliers I through VII. His tenure as a master printer with the program is represented
by sixty archival quality limited edition prints by forty-two artists. Grace's successor, Oscar Duardo, is the brother of
the renowned artist and master printer Richard Duardo. In addition to maintaining Self-Help Graphics' high standards of printing,
the former Durado is someone whose talent and commitment has sparked considerable enthusiasm and creativity at Self-Help Graphics.
Duardo's successor Jose Alpuche, continued Self-Help Graphics fine print-making tradition.
One poster by Eduardo Oropeza exceeds the length of the map case drawers, and is thus labeled as box 66 and is rolled in a
telescope tube.
Series I.
Internal Administrative Records
1960-1992
Correspondence, Incoming
1971-1984
box 1, folder 1
About Productions-Aztln Multiples
box 1, folder 2
Bakersfield College-Bustamante
box 1, folder 3
Cafe Cultural-(California, State of) Governors Office
box 1, folder 4
California State University, Dominguez Hills-Centro Cultural de la Raza
box 1, folder 5
Centro de Estudios Economicos y Sociales del Tercer Mundo A.C.-Cuadra
box 1, folder 6
Dallas, City of-Dorothy Chandler Pavilion
box 1, folder 7
East Long Beach Neighborhood Center, Inc.-The Exhibit Planners
box 2, folder 1
Family Health Center-Future Perfect
box 2, folder 2
Galera de la Raza-Guldeman
box 2, folder 6
Los Angeles Area Chamber of Commerce (Los Angeles, City of) Los Angeles Street Scene Fest
box 2, folder 7
(Los Angeles, City of) Mayor's Office-Personnel Department
box 2, folder 8
Los Angeles City Schools-(Los Angeles, County of) Urban Affairs, Department of
box 2, folder 9
Los Angeles County Art Education Council-Los Angeles Weekly
box 2, folder 10
Los Dos Streetscapers-Lundgren
box 3, folder 1
Macas-The Music Center Mercado
box 3, folder 3
P and R Secretarial Service-Publishers Association of Southern California (PASCAL)
box 3, folder 5
Saint Josephs' School-System Development Corporation
box 3, folder 6
Taller Mexicano de Grabado-Trojan Security Services, Inc.
box 3, folder 7
Ukrainian Art Center-University of California, Irvine
box 3, folder 8
University of California, Los Angeles-University of Wollongong
Correspondence, Outgoing
1960-1992
box 4, folder 5
Funding: Letters of Request
1971-1976
box 4, folder 6
Campaign for Human Development (CHD)
1974
box 4, folder 7
Publicity Correspondence
1974-1976
Educational Programs
1972-1992
box 5, folder 7
Art Activity Workshop
1977
box 5, folder 8
Artists in Schools and Communities
1977
box 5, folder 10
Children's Exhibit-Rio Hondo College, Arrangements for Exhibition
1983
box 5, folder 11
Children's Summer Arts Program
1972-1974
box 6, folder 2
Exemplary Arts in Education Program-El Rancho School District, Pico Rivera
1981-1982
box 6, folder 3
Exemplary Arts in Education Program-El Rancho School District, Pico River
1982-1983
box 6, folder 4
Experimental Silkscreen Atelier Evaluation Form
1985-1986
box 6, folder 5
Life Drawing Workshop (Otis Art Institute of Parson's School of Design),Summer
1983
box 6, folder 6
Life Drawing Workshop
1984-1985
box 6, folder 7
Los Angeles City College-Contracts and Information
1977-1978
box 6, folder 8
Los Angeles City Schools Information (Bi-cultural Programs, Health Education and Welfare News-Los Angeles Unified School District)
1976-1977
box 6, folder 9
Maravilla Youth and Senior Citizen Organizational Project(MYSCOP) Food Co-op
, 1980
box 6, folder 10
Monoprint Silkscreen Workshop
1987-1988
box 7, folder 1
Multicultural Arts Program-Herb Workshop Packet
, 1980
box 7, folder 2
Multicultural Arts Program-Workshop Packet
1980-1981
box 7, folder 3
Multicultural Program Los Angeles School District Contacts
1977-1979
box 7, folder 4
Multicultural School Contracts, Policies, Procedures, Responsibilities, Sample Forms, etc.
1979
box 7, folder 5
Multicultural School Contracts
, 1980
box 7, folder 6
New Directions: Los Angeles City College
1972-1974
box 7, folder 7
Packet for Presentation to Schools for Multicultural Program
, 1978
box 7, folder 8
Printing Workshop
1988-1990
box 7, folder 9
Resource Contact Sheets for Visiting Artists Program
1984
box 7, folder 10
Self-Help Graphics and Art, Inc. Program Outlines
1975
box 7, folder 11
Self-Help Graphics and Art, Inc. Workshops
1973-1975
box 7, folder 12
Silkscreen/Watercolor Workshops
1984-1985
box 7, folder 13
Tuesday Night Film Series-List of Film Titles
, 1974
box 8, folder 1
Arrangements for Exhibitions
1984-1986
box 8, folder 2
Artists Donor Reports
undated
box 8, folder 3
Atelier Program
1983-1986
box 8, folder 4
Chicano Art: Resistance and Affirmation (CARA) Exhibit at UCLA Wight Gallery
1988
box 8, folder 5
Donation of Art Work to the Seminario de Estudios Chicanos
1988
box 8, folder 6-7
Exhibition Print Program
1990
box 8, folder 9
Galeria Otra Vez Exhibitions
1980-1981
box 8, folder 10
"Grafica Chicana" at Museo del Chopo, Mexico City
1984
box 8, folder 11
International Exhibitions
1987-1988
box 8, folder 12
Inventory List of Art Prints for Exhibits and Consignments
1984-1985
box 8, folder 13
Letter from Seminario de Estudios Chicanos y Fronteras Requesting Donations of Art Work
1990
box 8, folder 14
Loan Agreements
1986-1987
box 8, folder 15
Prints on Consignment
1984-1988
box 9, folder 1
Resource Contact Sheets
1984-1986
box 9, folder 2
"Social Commentary-Selected Self-Help Graphic Prints,"
1988
box 9, folder 3
"Taller de Seragrafia," IV International Festival de la Raza, Tijuana, Mexico
1987
box 9, folder 4
"Taller de Seragrafia," Bills
1987-1989
box 9, folder 5
Traveling Exhibitions
1985-1986
box 9, folder 7
Articles of Incorporation, By-laws and Social Action Through Art Proposal
, 1973
box 9, folder 8
Artists Union for Revolutionary Art(AURA) Minutes
1975
box 9, folder 9
Atlantic Swimming Pool Mural
1980-1981
box 9, folder 10
Bank of America Mural Contract
1975
box 9, folder 11
California Arts Council-Bills
1978
box 9, folder 12
California Coalition of Hispanic Organizations
1978
box 9, folder 13
Caltrans Ceramic Tile Community Mural
1979
box 9, folder 14
Centro Leadership, Training and Development Project Description
1978
box 9, folder 15
Certificate of Appreciation
1976
box 9, folder 16
"Cholo Film Treatment" by Moises Medina
1976
box 9, folder 17
City Arts Program-Agreement, Invoices and Documentation Lists
1979
box 9, folder 18
Community Arts Programs in Los Angeles-Draft
1977-1978
box 9, folder 19
Concilio de Arte Popular
1977-1978
box 9, folder 21
Downtown Gallery Exhibits
1983
box 9, folder 22
El Rancho Unified School District Directory
1980-1981
box 9, folder 23
Estimates for Tile Mural
1980
box 10, folder 1
Governor's Statewide Chicana Issues Conference
1980
box 10, folder 2
Governor's Statewide Chicana Issues Conference- Invoices
1980
box 10, folder 3
Guest Lectures-Speakers and Topics
box 10, folder 4
Los Angeles Task Force on the Arts, Preliminary Working Document, August 29
1986
box 10, folder 6
Meeting of Chicano Artists on Bicentennial Committee
1975
box 10, folder 7
Model Release Agreement
1974
box 10, folder 8
National Association Pro-Spanish Speaking Elderly
1976
box 10, folder 9
OJOS Mailing List
1974-1975
box 10, folder 10
Our Lady of Guadalupe - Procession and Poster Contest
1979-1984
box 65
Our Lady of Guadalupe - Procession and Poster Contest
box 10, folder 11
Photocopies of Stencils by Carlos Buenos
1976-1977
box 10, folder 12
Photographic Study of La Cultura Del Barrio-Minutes of Meeting
1974
box 11, folder 1
Prints Sold on the "Gil Plan"
1983-1987
box 11, folder 2
Report on The Task Force on Hispanic American Arts
1979
box 11, folder 3
Schedule of Events
1985-1986
box 11, folder 4
Self-Help Graphics Completed Hall Reservation Contracts
1983-1986
box 11, folder 5
Self-Help Graphics and Art, Inc. Logos
1974
box 11, folder 6
VEX Alternative Space for Musicians-Flyers and Concept Proposal
1980
box 11, folder 7
Miscellaneous Items
1976-1991
Grant Proposals, Reports, and Applications
1970-1989
box 11, folder 8
Brody Arts Fund Application
1988-1989
California Arts Council (CAC)
box 11, folder 9
Artistic and Administrative Development Grant
1987-1989
box 11, folder 10
Artists in Residence Grant, Linda Vallejo
, 1979
box 11, folder 11
Artists in Residence Grant, Margaret Garcia
, 1987
box 11, folder 12
Artists in Residence Proposals
1979-1980
box 11, folder 13
Artists in Schools and Community
1978-1979
box 12, folder 4
Contract for Multicultural Technical Assistance Program
, 1989
box 12, folder 5
Expanding Participation Funds Grant
, 1980
box 12, folder 6
Grant Application and Correspondence
1976-1977
box 12, folder 7
Miscellaneous Information
1977
box 12, folder 8
Multicultural Advancement Program Application
1987-1989
box 12, folder 9
Multicultural Grant Application and Supporting Materials
1987-1988
box 12, folder 10
Multicultural Grant Report
1988-1989
box 13, folder 8
Silkscreen Project
1976-1977
box 13, folder 9
Technical Assistance Contract, Forms and Correspondence
1978-1980
box 13, folder 10
California Community Foundation, Grant Application
1987
Campaign for Human Development (CHD)
box 13
11 Proposal, copies
, 1975
box 13, folder 12
Proposal and Budget Sheet
, 1976
box 13, folder 13
Proposal and California Arts Council(CAC) Grant Agreement
1972-1977
box 14, folder 1
Proposal and Grant Application for Hispanic Filmmakers
1975-1980
box 14, folder 2
Quarterly Reports/Applications for Funding
1973-1974
box 14, folder 3
CETA Title VI Grant (original), Affirmative Action Plan, Personnel Policies and Procedures
, 1978
box 14, folder 4
CETA Title VI and Public Art as Education Proposals
1978
box 14, folder 5
CETA Program-Yearly Summary Reports
1980-1983
box 14, folder 6
City of Los Angeles Arts Support Grant Application
1987
City of Los Angeles Cultural Grant
box 14, folder 11
Conrad Hilton Foundation
, 1974
box 14, folder 12
Cultural News and Services Grant and CAC (original)
1977-1978
box 14, folder 13
Dutch Sisters Grant (original)
, 1978
box 14, folder 14
Ethnic Heritage Grant Application, Barrio Mobile Art Book and Xeroxed Pictures
1980-1981
box 15, folder 1
Ethnic Heritage Studies Program
1979
box 15, folder 2
Ethnic Heritage Studies Program-Concept Paper of Proposal
1980-1981
box 15, folder 3
Funding Foundations, Information and Criteria
1970-1977
box 15, folder 4
Funding Foundations
1973-1975
box 15, folder 5
Foundation Replies, Incoming and Outgoing
1972-1975
box 15, folder 6
Hollywood Turf Club Associated Charities, Inc.
, 1974
box 15, folder 7
Liberty Hill Foundation Proposal (original)
, 1979
box 15, folder 8
Los Angeles Clearing House
1978
box 15, folder 9
Los Angeles County Department of Community Development Funding
1977-1978
box 15, folder 10
The Los Angeles Times Fund
, 1975
box 15, folder 11
11 Application and Inservice Training For Artists Materials, Barrio Mobile Art
1976-1978
box 16, folder 5
Mayors Grant and Correspondence
1977-1980
box 16, folder 6
Metropolitan Life Foundation-Museum Grant for Minority Visual Arts
, 1987
box 16, folder 7
Mexican American Opportunity Foundation(MAOF) Proposal and Correspondence
, 1977
box 16, folder 8
Mexico City Mural Project Support Material for Robert Delgado
, 1987
box 16, folder 9
Mexico Mural Project Application and Letters of Rejection
1988
box 16, folder 10
Municipal Arts Grant, City of Los Angeles, Office of the Mayor
1977-1978
box 16, folder 11
Municipal Arts Grant, City of Los Angeles, Office of the Mayor
, 1979
box 16, folder 12
Municipal Arts Program Description and Budget
1977-1978
National Endowment for the Arts (NEA)
box 16, folder 13
Artist Spaces and Gallery Grant (Original)
1979-1981
box 16, folder 17
Individual Grant Application
1980-1981
box 17, folder 1
Grant Application
1982-1983
"Ojos En Los/LA Through Our Eyes" (original)
box 17, folder 4
Organization Grant Application, 1987-1988
box 17, folder 9
National Endowment For The Humanities(NEH) Brochures and Guidelines
1976-1977
box 17, folder 10
National/State/County Partnership Grant Application
1985-1986
box 17, folder 11
National/State/County Partnership Grant Application
, 1987
box 17, folder 13
Poverello Fund (original)
1978-1979
box 17, folder 14
Proposal Due Dates and Program Outline
1974-1975
box 17, folder 15
Proposals-Pasadena Silkscreen Factory and Campaign for Human Development
box 18, folder 1
Revenue Sharing Request. Los Angeles County-Pasedena Community Service Commission Proposal Sample
1973
box 18, folder 2
UNO/SCOC Olympic Legacy Proposal Application
1985
box 18, folder 3
Miscellaneous Information
1977-1979
Newspaper, Magazine, and Miscellaneous Articles
1971-1984
Personnel
Bulk, 1972-1990 1972-1997
1972-1990
box 18, folder 11
Alma Family Services
1984
box 18, folder 12
Applications and Resumes
1977
box 18, folder 13
CETA-Past Workers
1975-1983
box 18, folder 14
City Volunteer Corps
1977
box 19, folder 1
Court Referral Community Service Program
1975-1985
box 19, folder 2
Free-lance Application and Training Record, Richard Duardo
1977
box 19, folder 3
Information on Artist Job Bank
1976
box 19, folder 4
In-Service Training
1976-1977
box 19, folder 5
Jessie Escobedo Work Study Contract
1976
box 19, folder 6
Letter of Resignation: Gloria Amalia Flores
1977
box 19, folder 7
Letters of Reference
1984-1990
box 19, folder 8
Minutes, Board Meetings
1977-1982
box 19, folder 9
Minutes, Staff Meetings
1975
box 19, folder 10
Minutes, Staff Meetings
1980
box 19, folder 11
The Music Commission
1980-1981
box 19, folder 12
National Endowment for the Arts(NEA)Questionnaire for Contract Information, Miscellaneous Personnel Forms
1978
box 19, folder 13
Pasadena City Art Center. CETA Workers
1979-1981
box 19, folder 18
Resumes, Miscellaneous Photographs
1972-1975
box 59, folder 5
In Memory of Sister Karen Boccalero
1997
box 59, folder 6
Information Packet Upon Her Death
1997
box 59, folder 7
Guest Book for Sister Karen's Memorial
box 59, folder 8
Liturgy in honor of Sister Karen Boccalero O.S.F.
box 59, folder 9-10
Letters Received by SHG Upon Sister Karen's Death
box 59, folder 11
Sister Karen Funeral Arrangements
box 59, folder 12
Thank You List for Condolences Sent Upon Sister Karen's Death
box 59, folder 14
Cards Received by SHG Upon Sister Karen's Death
1997
box 59
Guest Journal for Sister Karen's Funeral
box 19, folder 19
Resumes of Humanists
1977-1978
box 19, folder 20
Self-Help Graphics Studio and Personnel Policies
, 1976
Sister Karen Boccalero (Director)
box 58, folder 1-4
Sister Karens Self-Help Graphics Photo Album
box 58, folder 5-11
Sister Karen's Photographs
box 59, folder 3
Photo Used for Sister Karen's Funeral
Series II.
Barrio Mobile Art Studio
1972-1988
Correspondence, Incoming
1974-1986
box 20, folder 1
Benson-(Los Angeles, County) Board of Supervisors
box 20, folder 2
Los Angeles Philharmonic Association-United Teachers Los Angeles Letters of Support from Children
box 20, folder 8
City of Los Angeles Bicentennial Award
July 4, 1976
box 20, folder 10
Mobile Art Project Concept Paper
undated
box 21, folder 1
Mobile Art Studio Aesthetic Workshop
undated
box 21, folder 2
Program Components: 6 months-5 day week
undated
box 21, folder 3
Program Components: 9 months-3 day week
[1975]
Program Records: Documentation, Curriculum Plans, Participants, Schedules, etc.
box 23, folder 1-3
December 1977-December 1978
Grant Proposals, Reports and Applications
1974-1979
box 24, folder 2
California Arts Commission Application (original)
1975-1976
box 24, folder 3
California Arts Council Proposal "Alternatives in Education Program" (original)
1976
box 24, folder 4
California Arts Council: Artists in Residence-- Linda Vallejo
1978-1979
box 24, folder 5
Department of Community Development, Original Contract
1977-1978
box 24, folder 6
General Revenue Sharing Program for Community Organizations, Budget and Program Description
1975-1976
box 24, folder 7
Mobile Arts Education and Training Proposal to City of Los Angeles
1977-1978
box 24, folder 8
Program Description, Budget and School Visits Schedule
1976
box 24, folder 9
Program Description for LA County Office of Urban Affairs
1974
box 24, folder 10
Program Proposal: Mayor's Office of Urban Development
1976
box 24, folder 11
Revised Proposal, Original Submitted Through GLCAA, (original)
1975
box 24, folder 12
Revised Proposal, Original Submitted Through GLCAA, 1975 (copies)
Newspaper and Magazine Articles
1976-1978
box 25, folder 4
Blank Forms: Applications, Checklists, Evaluations and Studio Policies
box 25, folder 6
Employment Application
1980
box 25, folder 7
Minutes of Meetings
1975-1976
box 25, folder 8
Minutes of Meetings and Miscellaneous Documents
1977-1988
box 25, folder 9
Miscellaneous Forms, Schedules, Staff Directory, etc.
box 25, folder 10
Orientation Materials and Program Description
1975-1976
Color Photocopies
1977-1978
Series III.
El Día de los Muertos (Day of the Dead)
1960-1991
Correspondence, Incoming
1974-1987
box 32, folder 1
(Los Angeles, City) Mayor-Urbina
box 32, folder 3
Día de los Muertos Confirmation of Participation and Statements of Interpretation
1991
box 32, folder 4
Día de los Muertos Exhibition and Celebration
1991
box 32, folder 5
Día de los Muertos Parade Application
1978
box 32, folder 6
Día de los Muertos Youth Project
1978
box 32, folder 7
Día de los Muertos Youth Project, Humanist's Evaluations
1978
box 32, folder 8
Employment Regulations &Job Description for Program
undated
box 32, folder 9
Miscellaneous Information on Day of the Dead
1971
box 32, folder 11
Research by Participants in NEH Grant for Day of the Dead
Grant Proposals, Reports & Applications
1976-1986
box 32, folder 12
City of Los Angeles Cultural Grant Application
1979- 1980
box 32, folder 13
City of Los Angeles Folk Art Grant Application, Contract, Invoice and Final Report
1985-1986
box 32, folder 14
National Endowment for the Arts (NEA)-Grant Application
1976
box 32, folder 15-16
Report-Original and Copy
1976
box 33, folder 4
Proposal-First Draft
1979
box 33, folder 9
NEA Expansion Arts Program Grant Application
1981
box 33, folder 10
NEA Final Descriptive Report of Da de los Muertos
1981
box 33, folder 11
NEA Expansion Arts Program Grant Application
1982- 1983
box 34, folder 1
National Endowment for the Humanities (NEH), Da de los Muertos Youth Project-Original Grant Application
1978
NEH El Día de los Muertos Youth Project
box 34, folder 4
Proposal with Revisions
1978
box 34, folder 7
Proposed Concept Paper
1979
Magazine, Newspaper, Journal and Miscellaneous Articles
1968-1991
Photographs, Negatives and Slides
1960-1985
Color Photocopies, Flyers, Invitations and Posters
1975-1986
Invitations, Flyers and Posters
box 37, folder 5
Pink Paper cutout/Papel Picado, Olvera Street, Los Angeles and poster
Series IV.
Magazine, Newspaper, Journal and Miscellaneous Articles
1963-1991
Series V.
Photographs, Negative and Slides
1920-1986
box 67, folder 1
Artists in Action
CIrca 1990
box 67, folder 2
Imagenes de un Movimiento
1998
box 67, folder 3
Self Help Graphics Posterboards
circa 1998
box 60
Self Help Graphics History
box 60
Concilio de Arte Popular Meeting and Art Exhibition Photographs
box 62
Dia de los Muertos
1974-1982
album 68
Self-Help Graphics miscellaneous photographs and slides
Other Descriptive Information
Miscellaneous photographs, slides, and negatives of artwork, exhibits, and artists in action.
album 1, slide Cat.1 001(1-6)
Title unknown
November 1975
creator: [Artist Unknown]
Description/Comments
altar, ofrenda, Fund: National Endowment for the Arts and Self-Help Graphics.
album 1, slide Cat. 1 002(1-13)
Title unknown
November 7, 1976
creator: [Artist Unknown]
Physical Description: altar, ofrenda
Description/Comments
Altars and ofrendas for Day of the Dead celebration and exhibition at SHG. Cross: Installation Art and Indigenous Chicano
Mediums and Art Forms.
album 1, slide Cat.1 003(1-15)
Title unknown
November 7, 1976
creator: [Artist Unknown]
Physical Description: altar, ofrenda
Description/ Comments
Detalis of altars from Day of the Dead- Altar Exhibition at Self Help Graphics. Cross CAP and Indigenous Chicano Mediums and
Art Forms.
album 1, slide Cat. 1 004(1-10)
Title unknown
November 6, 1977
creator: [Artist Unknown]
Physical Description: altar, ofrenda
Description/ Comments
Cross: Installation Art, CAP and Indigenous Chicano Mediums and Art Forms.
album 1, slide Cat. 1 005(1-11)
Title unknown
November 6, 1977
creator: [Artist Unknown]
Physical Description: altar, ofrenda
Description/ Comments
From Day of the Dead-Altar Exhibition at SHG. Cross: CAP and Indigenous Chicano Mediums and Art Forms.
album 1, slide Cat. 1 006(1-35)
Title unknown
November 6, 1978
creator: [Artist Unknown]
Physical Description: altar, ofrenda
Description/ Comments
From Day of the Dead Exhibition at SHG, organized by Micheal M. Amescua and Linda Vallejo. Cross: CAP and Indigenous Chicano
Mediums and Art Forms.
album 1, slide Cat. 1 007
Title unknown
1989
creator: [Artist Unknown]
Physical Description: altar, ofrenda
Description/ Comments
From Day of the Dead '89 Exhibition at SHG. Cross: CAP and Indigenous Chicano Mediums and Art Forms.
album 1, slide Cat.1 008(1-12)
Untitled
November 7, 1982
creator: [Artist Unknown]
Physical Description: altar, ofrenda
Description/Comments
Cross: Installation Art and Indigenous Chicano Mediums and Art Forms.
album 1, slide Cat.1 009(1-20)
Title unknown
November 5, 1978
creator: Pineda-Rico, Sarah
creator: Boccalero, Karen, Sister
creator: Vallejo, Linda
creator: Castañeda, Cecilia
creator: Yáñez, Mari
creator: Yáñez, Christopher
creator: Honesto, Cindy
creator: Amescua, Michael M.
Physical Description: altar, ofrenda
Description/ Comments
Cross: Indigenous Chicano Mediums and Art Forms
album 1, slide Cat. 1 010(1-16)
Untitled
undated
creator: Cervantez, Yreina D.
Physical Description: altar, ofrenda
Description/Comments
Cross: Indigenous Chicano mediums and Art Forms
album 1, slide Cat.1 011
Outside
undated
creator: Gómez, Patricia
album 1, slide Cat. 1 012
Ritual Hand
undated
creator: Gómez, Patricia
album 1, slide Cat. 1 013
Tabloid Figure
undated
creator: Gómez, Patricia
album 1, slide Cat. 1 014
Los Cipotes
July 1987
creator: Los Cipotes
Physical Description: mixed media
Description/ Comments
Cross: CAP and Installation Art and Indigenous Chicano Mediums and Art Forms.
album 1, slide Cat. 1 015
María Ester Urista 1942-1989
1989
creator: Urista, Arturo
Physical Description: mixed media
Description/ Comments
From Day of the Dead '89 Exhibition at SHG. Cross: CAP and Indigenous Chicano Mediums and Art Forms.
album 1, slide Cat. 1 016
Day of the Dead Fan
1989
creator: Vallejo, Linda
Physical Description: mixed media
Description/ Comments
From Day of the Dead '89 Exhibition. Cross: CAP and Indigenous Chicano Mediums and Art Forms.
album 1, slide Cat. 1 017
Title unknown
undated
creator: Yáñez, Larry
Physical Description: altar, ofrenda
Description/ Comment
Cross: Indigenous Chicano Mediums and Art Forms.
album 1, slide Cat.2 001
Calaca Alucinada en L.A.
January 26-30, 1987
creator: Antonio Aguirre, José
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 002
Firedream
March 7-11, 1988
creator: Antonio Aguirre, José
Physical Description: silkscreen
Description/Comments
My work is closely related to personal experience. This visual poem tells the story of a relationship that was so intense
that it was extinguished by the fire of passion. This love is being reborn through a new fire of life but it has to face a
deconstruction of its past and in a cathartical experience overcome the present to be able to grow into the future." J.A.
Aguirre Fund: Self-Help Graphics, California Arts Council, National Endowment for the Arts Visual Arts. Slide photographer:
Color House.
album 1, slide Cat.2 003
It's Like the Song, Just Another Op'nin' Another Show...
January 8-12, 1990
creator: Antonio Aguirre, José
Physical Description: silkscreen
Description/Comments
"This print is intended to be a tribute to the memory of Carlos Almaraz and to those that have also died from AIDS. The image
of the cross coming from the head/photograph of Almaraz is combined/appropriated with a few symbols from Carlos' own iconography,
developed with my own treatment and color perception." J.A. Aguirre Fund: Self-Help Graphics, California Arts Council, National
Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 004
Icon
February 15-20, 1987
creator: Alferov, Alex
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 005
Koshka
January 24-29, 1988
creator: Alferov, Alex
Physical Description: silkscreen
Description/Comments
"I live in Hollywood, in a part of the city that used to be residential but is now in a state of change. There are a lot of
stray cats in this neighborhood. The cats are forced to survive on their own. The cities are in the same state of plight.
I have used the stray cat as a symbol of what happens to a city in decline and to its inhabitants--an electric neon existence
of surviving at any cost--casting an uncertain shadow to its future." A. Alferov Fund: Self-Help Graphics, California Arts
Council, National Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 006
Oriental Blond
October 3-7, 1988
creator: Alferov, Alex
Physical Description: silkscreen
Description/Comments
Oriental Blond is a portrait that speaks of the two diverse background cultures from which Mr. Alferov has come. The bright
blond side of the face is the white cultural roots while the blue side represents his oriental ancestry. The body of Mr. Alferov's
work speaks about the conflicts and resolutions of meeting middle ground through cultural and emotional diversity. Fund: National
Endowment for the Arts Visual Arts, Self-Help Graphics, California Arts Council. Slide photographer: Color House.
album 1, slide Cat.2 007
Sobreviviente
January 29-February 2, 1990
creator: Alicia, Juana
Physical Description: silkscreen
Description/Comments
"Originally done as a book illustration on the theme of 'Tales of survival and disappearance in Argentina', then as a pastel
painting, a lithograph and now as a silkscreen, the image has evolved to mean an expression of the tenacity and spiritual
inner light of all women who persevere in oppressive situations, be they imprisoned in concentration camps, jails or their
own homes." J. Alicia Fund: National Endowment for the Arts Visual Arts, Self-Help Graphics, California Arts Council. Slide
photographer: Color House.
album 1, slide Cat.2 008
Where's My Genie in the Bottle
October 23, 1989
creator: Amemiya-Kirkman, Grace
Physical Description: silkscreen
Description/Comments
Content of print: Depression, the escape--the glamour, addiction, the high--the hysteria--emptiness. Fund: Self-Help Graphics,
California Arts Council, National Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 009
Mara 'akame
January 10-15, 1988
creator: Amescua, Michael M.
Physical Description: silkscreen
Description/Comments
"Other shamans dream that someone wants to throw a cloud which will destroy all of the people. All of us will end from this
cloud. Others say they dream that a giant animal will fall and, where it falls, everything will burn in a great fire. The
only way to stop this is to renew the candles so the gods are contented. The shamans know how; they did this once a very long
time ago. Maybe they will do it again, maybe not. They will dream what they have to do." Ulu Temayk, Mara'akame (Huichol Shaman)
Fund: National Endowment for the Arts Visual Arts, Self-Help Graphics, California Arts Council. Slide photographer: Color
House.
album 1, slide Cat.2 010
Toci
January 14-19, 1989
creator: Amescua, Michael M.
Physical Description: silkscreen
Description/Comments
"'Toci' mother of the gods and heart of the earth. The divine grandmother. Mother Earth. She says, 'Look at me, I am beautiful,
do not destroy me'." M. Amescua Fund: Self-Help Graphics, California Arts Council, National Endowment for the Arts Visual
Arts. Slide photographer: Color House.
album 1, slide Cat.2 011
Xolotl
January 2-6, 1990
creator: Amescua, Michael M.
Physical Description: silkscreen
Description/Comments
"Xolotl guides the sun thru the underworld. Here he is asking, 'Who will speak for the animals, will they all drown in mankind's
pollution or will you speak and act now, today, this minute to pick up your own garbage?'" M. Amescua Fund: Self-Help Graphics,
California Arts Council, National Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 012
The Single Word
March 1983
creator: Anton, Don
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts, California Arts Council, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 013
Plumas Para Paloma
March 20-24, 1989
creator: Boltuch Avila, Glenna
Physical Description: silkscreen
Description/Comments
"A personal piece celebrating the birth of my first child, Sara Paloma, depicted at 4 months. The 2 weavings are used to symbolize
two cultures from her background--Mexican and Indian--and also the textures and interweavings of one's life. The photographs
symbolize her connections to her past (she is named for her great-grandmother Sarah). The feathers on the rug symbolize feathers
of the dove which in Native American cultures stand for good deeds and power in one's life." This print represents gifts she
has received from her past. G. Avila Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual
Arts. Slide photographer: Color House.
album 1, slide Cat.2 014
Untitled
March 3-6, 1986
creator: Boltuch Avila, Glenna
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 015
Advenimiento de Primavera
February 5-9, 1990
creator: Baray, Samuel A.
Physical Description: silkscreen
Description/Comments
"Advenimiento de Primavera--the arrival of spring. Ancient and contemporary Angels of Los Angeles. There are very few angels
that sing." S. Baray Fund: California Arts Council, National Endowment for the Arts Visual Arts, Self-Help Graphics. Slide
photographer: Color House.
album 1, slide Cat.2 016
Santuario
March 9-13, 1987
creator: Baray, Samuel A.
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila
album 1, slide Cat.2 017
Calaveras in Black Tie
October 30-November 3, 1989
creator: Bautista, Vincent
Physical Description: silkscreen
Description/Comments
Three calaveras attending a Día de los Muertos art opening, a party and celebration. Fund: Self-Help Graphics, California
Arts Council, National Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 018
...And His Image Was Multiplied
January 22-26, 1990
creator: Bert, Guillermo
Physical Description: silkscreen
Description/Comments
"Refer[s] to the alienation of people who live in a super metropolis experience. Human beings are separated from direct contact
with nature. The person becomes a mere reflection of self. These entities are defined by the image of them within the little
box of a television set." G. Bert Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual
Arts. Slide photographer: Color House.
album 1, slide Cat.2 019
Dilemma in Color
November 16-21, 1987
creator: Bert, Guillermo
Physical Description: silkscreen
Description/Comments
"The ambivalence of thoughts amid the strong influence of television and the hidden energy that makes it possible. The conflict
is intensified by the aggressive, brilliant colors." G. Bert Fund: National Endowment for the Arts Visual Arts, Self-Help
Graphics, California Arts Council. Slide photographer: Adam Avila.
album 1, slide Cat.2 020
Without
March 1983
creator: Boccalero, Karen, Sister
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts, California Arts Council, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 021
Long Life to the Creative Force
February 13-19, 1989
creator: Botello, David
Physical Description: silkscreen
Description/Comments
"The elder represents long life in a peaceful setting. The plumed serpent is 'Quetzalcoatl' representing the 'creative force'
but also 'chaos' which surrounds the elder and wants the heart as the final sacrifice of life. The braids on the heart are
her/his life's story; the nopales cactus are new life still growing. The cat is the jaguar, 'Tezcatlipoca', death lingering
over your left shoulder, waiting for the person giving up on life. Message: We must remain in balance, rest and soothe our
hearts, not succumb to desires, etc., around us." D. Botello Fund: Self-Help Graphics, California Arts Council, National Endowment
for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 022
Reconstruction
November 27-December 1, 1989
Physical Description: silkscreen
Description/Comments
"This piece is about the reconstruction of man with the help of a woman. Time swings back and forth, half man, half skeleton.
The pregnant woman lying down shackled is a reference to the responsibility of motherhood." P. Botello Fund: Self-Help Graphics,
California Arts Council, National Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 023
Untitled
February 16-20, 1986
creator: Brehm, Qathryn
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts, Self-Help Graphics, California Arts Council. Slide photographer: Adam Avila.
album 1, slide Cat.2 024
Manifestation of Trinity
December 7-11, 1987
creator: Calderón, Rudy
Physical Description: silkscreen
Description/Comments
"Manifestation of Trinity is an attempt to portray analogies between the ancient and the universal concept of Trinity and
recognizable manifestations in life that are triple in nature, the three primary colors from which all other colors emerge,
and the family unit of father, mother and child from which all nations take form. Spirit endows matter with dynamic conscious
life." R. CalderÙn Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer:
Adam Avila.
album 1, slide Cat.2 025
In Our Remembrance Is Our Resurrection
December 10-11, 1983
Physical Description: silkscreen
Description/Comments
Fund: ARCO, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 026
Untitled
ca. Fall 1983
Physical Description: silkscreen
Description/Comments
Fund: Self-Help Graphics, ARCO. Slide photographer: Adam Avila.
album 1, slide Cat.2 027
Negativity Attracts
March 26-30, 1990
Physical Description: silkscreen
Description/Comments
"The print is the result of minimalizing detail work in order to focus more clearly on color and content (form). Negativity
Attracts reflects male-female relationships often seen as conflicting yet attracting because of, or in spite of, differences."
B. Carrasco Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer:
Color House.
album 1, slide Cat.2 029
Self-Portrait
February 24-March 1, 1984
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts, Self-Help Graphics, California Arts Council. Slide photographer: Adam Avila
album 1, slide Cat.2 030(1-2)
Camino Largo
February 6-March 27, 1985
creator: Cervantez, Yreina D.
Physical Description: silkscreen
Description/Comments
Cross-reference with Installation Art and Indigenous Chicano Mediums and Art Forms Fund: California Arts Council, Self-Help
Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 031
El Pueblo Chicano con el Pueblo Centroamericano
March 1986
creator: Cervantez, Yreina D.
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts, Self-Help Graphics, California Arts Council. Slide photographer: Adam Avila.
album 1, slide Cat.2 032
La Noche y los Amantes
February 1987
creator: Cervantez, Yreina D.
Physical Description: silkscreen
Description/Comments
Fund: Self-Help Graphics, California Arts Council, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 033
Danze Ocelot
ca. Fall 1983
creator: Cervantez, Yreina D.
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts, California Arts Council, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 034
Victoria Ocelotl
December 4-10, 1983
creator: Cervantez, Yreina D.
Physical Description: silkscreen
Description/Comments
Fund: Self-Help Graphics, ARCO. Slide photographer: Adam Avila.
album 1, slide Cat.2 035
Stadium
February 21-26, 1988
creator: Chamberlin, Ann
Physical Description: silkscreen
Description/Comments
Soldiers playing and posing in a menacing manner. Fund: California Arts Council, Self-Help Graphics, National Endowment for
the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 036
Pan Dulce
November 7-11, 1988
creator: Coronado, Sam
Physical Description: silkscreen
Description/Comments
Based on distorted perspective creating abstract-like forms and accented by lines to frame the objects. Shadows are also incorporated
into the design with use of shape and color. The subjects are familiar ones to most Mexican-Americans; they evoke an ethnic
feeling unique to the culture which has introduced this type of pastry, "Molletes", to our society. "The subjects I paint
are a reflection of the bi-cultural work that surrounds me. These subjects express the rebirth of ideas and feelings which
are emerging in today's society." S. Coronado Fund: Self-Help Graphics, California Arts Council, National Endowment for the
Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 037
Media Madness
March 1983
creator: Costa, Sam
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts, California Arts Council, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 038
Act on It
March 5-14, 1985
creator: Davis, Alonzo
Physical Description: silkscreen
Description/Comments
The Vote Series is a group of paintings and prints that emphasize the vote. The artist reacted to apathy on the part of many
of our citizens. He was born in the south when the right to vote was denied his family because of their race. "Many people...
particularly in the south have made great sacrifices to assure the right to vote for all people, and the Vote Series is intended
to be a nonpartisan motivator and consciousness raiser for all citizens." A. Davis Fund: National Endowment for the Arts Visual
Arts, Self-Help Graphics, California Arts Council. Slide photographer: Adam Avila
album 1, slide Cat.2 039
King Melon
January 19-23, 1987
creator: Davis, Alonzo
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts, Self-Help Graphics, California Arts Council. Slide photographer: Adam Avila.
album 1, slide Cat.2 040
Now Is the Time
March 15-19, 1988
creator: Davis, Alonzo
Physical Description: silkscreen
Description/Comments
"The print emphasizes the power and impact of the right to vote. This print is to raise the consciousness of the Jesse Jackson
Presidential Campaign." A. Davis Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual
Arts. Slide photographer: Color House.
album 1, slide Cat.2 041
Comet Over City Hall
December 9-12, 1985
creator: De Batuc,, Alfredo
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts, California Arts Council, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 042
Seven Views of City Hall
January 13-16, 1987
creator: De Batuc,, Alfredo
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts, California Arts Council, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 043
Guatemala
November 21-25, 1988
creator: Delgado, Roberto L.
Physical Description: silkscreen
Description/Comments
"Pregnant female figure in anxious position with umbilical attachment to ground--fertility of people; of the earth. Soldier
as a set piece in the game of exploitation between countries. The clown figure from pack of 'Payaso' cigarettes common to
Guatemala. Three headed dog whose symbolism probably has some deep mythological story that has to do with Hades, the river
Styx, Dante Alleghieri, and so on, but it's just an image from the Mexican state of Guerrero that looked cool." R. Delgado
Fund: Self-Help Graphics, California Arts Council, National Endowment for the Arts Visual Arts. Slide photographer: Color
House.
album 1, slide Cat.2 044
Loto
December 19-20, 1985
creator: Delgado, Roberto L.
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts, Self-Help Graphics, California Arts Council. Slide photographer: Adam Avila.
album 1, slide Cat.2 045(1-2)
Untitled
March 5-14, 1984
creator: Delgado, Roberto L.
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 046
Champ de Bataille
October 13-19, 1989
creator: Donis, Alex
Physical Description: silkscreen
Description/Comments
"It was a dream, it was all a dream." A. Donis Fund: National Endowment for the Arts Visual Arts, Self-Help Graphics, California
Arts Council. Slide photographer: Color House.
album 1, slide Cat.2 047
Río, por no llorar
November 28-December 2, 1988
creator: Donis, Alex
Physical Description: silkscreen
Description/Comments
"Basically my print is a statement about oppression. It's about people who struggle to survive while their lands are stripped
away and their resources siphoned. I recently read the lyrics to a song which I think most clearly defines my piece: '...So
take a good look at my face, you'll see my smile looks out of place, look even closer, it's easy to trace the track of my
tears'." A. Donis Fund: Self-Help Graphics, California Arts Council, National Endowment for the Arts Visual Arts. Slide photographer:
Color House.
album 1, slide Cat.2 048
The Father, the Son and the Holy Ghost
February 29-March 6, 1988
Physical Description: silkscreen
Description/Comments
"Well, it was quite a spontaneous activity indeed. The content of this image is totally appropriated from the commonplace
of contemporary culture. Their layout is to indicate the following: Mickey, omnipotent god (benevolent and happy); the robot,
man on earth, a replicant of god--Symbols: O.K, meaning everything is swell on earth." R. Duardo Fund: California Arts Council,
Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 050
Untitled
January 25-February, 1985
Physical Description: silkscreen
Description/Comments
Female torso, on abstract field including Japanese characters, Made in U.S.A. Fund: California Arts Council, Self-Help Graphics,
National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 051
Jaguar
March 1983
creator: Flores, Florencio
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts, California Arts Council, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 052
Little Gold Man
February 12-16,1990
creator: Gamboa, Diane
Physical Description: silkscreen
Description/Comments
"I continued to build texture and detail. The Little Gold Man himself is the focal point of the other figures in the piece,
but at the same time is one of the many figures involved in this print, as in other prints I have created through the Atelier
program. I attempted to work on an image using a new technique that is very different from my other prints." D. Gamboa Fund:
National Endowment for the Arts Visual Arts, Self-Help Graphics, California Arts Council. Slide photographer: Color House.
album 1, slide Cat.2 053
She's My Puppet
October 21-23, 1983
creator: Gamboa, Diane
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, National Endowment for the Arts Visual Arts, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 054
Three
March 17-20, 1986
creator: Gamboa, Diane
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila
album 1, slide Cat.2 055
Untitled
January 9-18, 1984
creator: Gamboa, Diane
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts, California Arts Council, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 056(1-5)
Atelier No. 8/ Four Prints
October 6-9, 1986
creator: Gamboa, Diane
Physical Description: silkscreen
Description/Comments
Overpowered (upper left),
Loose (upper right),
Expression (lower left), and
Desired (lower right) silkscreen prints from the Atelier 8 collection.
Fund: Self-Help Graphics, California Arts Council, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 057
Untitled
November 6-11, 1984
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts, California Arts Council, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 058
Anna Comiendo Salsa
December 1-5, 1986
creator: Garcia, Margaret
Physical Description: silkscreen
Description/Comments
Fund: Self-Help Graphics, California Arts Council, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 059
Romance
January 4-8, 1988
creator: Garcia, Margaret
Physical Description: silkscreen
Description/Comments
"The print is symbolic of the sexual tensions in the first stages of 'Romance'. The fork foams on the appetite of those involved.
Chili, sex, something that feels so good can burn so bad." M. García Fund: California Arts Council, Self-Help Graphics, National
Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 060
Untitled
February 24-27, 1986
creator: Garcia, Margaret
Physical Description: silkscreen
Description/Comments
Fund: Self-Help Graphics, National Endowment for the Arts Visual Arts, California Arts Council. Slide photographer: Adam Avila.
album 1, slide Cat.2 061
Untitled
February 24-27, 1986
creator: Garcia, Margaret
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 062
Movie House
February 8-12, 1988
creator: Montes, Roberto Gil de
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts, Self-Help Graphics, California Arts Council. Slide photographer: Color
House.
album 1, slide Cat.2 063
El Vaquero
December 11-15, 1989
creator: Gonzalez, Yolanda
Physical Description: silkscreen
Description/Comments
"Designed for Plaza de la Raza Cultural Center. The legend of the cowboy, my concept is, 'life is to be lived' and El Vaquero
is certainly living life. His motion is free; with the air blowing through his scarf and hair, he has no worries. Life should
be as free and fun loving as El Vaquero." Y. Gonzalez Fund: California Arts Council, Self-Help Graphics, National Endowment
for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 064
Don Juan's Got the Blues
December 5-9, 1988
creator: Gonzalves, Ricardo
Physical Description: silkscreen
Description/Comments
"The image of the coyote is a representation of the brujo Don Juan as he is transformed into animal form. This work is an
expression of an indigenous epistemological view that considers an alternative reality. Don Juan is presented here as an animal
warrior on a mission to preserve and advance Chicano culture. ¿Y qué?" R. Gonzalves Fund: California Arts Council, Self-Help
Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 065
Ancient Dreamers
November 10-14, 1986
creator: Grace, Gerry
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 067
El Perro y la Mujer
February 15-19, 1988
creator: Guerrero-Cruz, Dolores
Physical Description: silkscreen
Description/Comments
Fund: Self-Help Graphics, California Arts Council, National Endowment for the Arts Visual Arts. Slide photographer: Color
House.
album 1, slide Cat.2 068
La Mujer y el Perro
February 15-19, 1988
creator: Guerrero-Cruz, Dolores
Physical Description: silkscreen
Description/Comments
"The dog or perro symbolizes men or man. It's a concept of men chasing women. This woman does not want to be chased and therefore
hides in her room, holding her body in despair.", D. Guerrero-Cruz. Fund: Self-Help Graphics, California Arts Council, National
Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 069
Mujeres y Perros
March 2-6, 1987
creator: Guerrero-Cruz, Dolores
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts, California Arts Council, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 070
Peacemakers
November 4-7, 1985
creator: Guerrero-Cruz, Dolores
Physical Description: silkscreen
Description/Comments
This print depicts the irony of three Chicano children growing up in an Anglo society with images of the society, therefore
losing the heritage. It also speaks to the idea that children can be taught to save the world from nuclear war with their
peacemaking friends. Fund: National Endowment for the Arts Visual Arts, Self-Help Graphics, California Arts Council. Slide
photographer: Adam Avila.
album 1, slide Cat.2 071
Perro en mi Cama
October 31-November 4, 1988
creator: Guerrero-Cruz, Dolores
Physical Description: silkscreen
Description/Comments
"This is part of my series on women and dogs. The other prints consist of the dogs on the prowl for women. In this print,
the dog accomplishes his goal. Here he lies comfortably with the woman with a smug smile on his face because of his achievement.
These dogs represent men who continually harass women with their cat calls.", D. Guerrero-Cruz. Fund: California Arts Council,
Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 066
Untitled (The Bride)
February 19-28, 1985
creator: Guerrero-Cruz, Dolores
Physical Description: silkscreen
Description/Comments
"The bride is a statement about my struggle as an artist, who leaves the professional field of art in order to survive as
a single parent. During this time, this woman feels like she is slowly dying because she is not able to be what she wants
to be. This is not against marriage, but a statement that one must be what she really wants to be before she can be anything
else. Women have a harder struggle than men simply because we are women; I hope that for the women of tomorrow the struggle
will be easier to make their lives better.", Dolores Guerrero-Cruz. Fund: National Endowment for the Arts Visual Arts, California
Arts Council, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 072
Untitled
November 5-6, 1983
creator: Hamada, Miles
Physical Description: silkscreen
Description/Comments
Fund: ARCO, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 073
Sight One
February 23-27, 1987
creator: Hamilton, Vijali
Physical Description: silkscreen
Description/Comments
Fund: Self-Help Graphics, California Arts Council, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 074
Sawin' at Sunset
March 16-20, 1987
creator: Healy, Wayne Alaniz
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 075
The Cosmic Cruise
January 15-18, 1990
creator: Ester Hernandez
Physical Description: silkscreen
Description/Comments
"The theme is our interconnectedness with each other and The Universe. The car represents movement in space and time is represented
by the images of four women: La Virgen de Guadalupe (the driver), the Mexican Indian grandmother, the modern Chicano mother
and child. The Aztec moon goddess Coyolxauqui signifies our link with the past. The print is part of my ongoing tribute to
La Mujer Chicana.", E. Hernández. Fund: National Endowment for the Arts Visual Arts, Self-Help Graphics, California Arts Council.
Slide photographer: Color House.
album 1, slide Cat.2 076
Untitled
October 23-November 1, 1984
creator: Herrʹon, Willie
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts and California Arts Council. Slide photographer: Adam Avila
album 1, slide Cat.2 077
Journey to the Astral World
October 19-23, 1987
creator: Hoyes, Bernard Stanley
Physical Description: silkscreen
Description/Comments
"Revivalist sect of the new world conjuring ancient spirits through the releasing of doves. This ritual opens the door to
the spiritual world, praying, prancing, dancing, clapping of hands; trumpeting in the night transcends the participants into
the world of the Eternal.", B. Hoyes. Fund: Self-Help Graphics, National Endowment for the Arts Visual Arts, California Arts
Council. Slide photographer: Adam Avila.
album 1, slide Cat.2 078
Macumba Ritual
October 20-25, 1986
creator: Hoyes, Bernard Stanley
Physical Description: silkscreen
Description/Comments
Fund: Self-Help Graphics, California Arts Council, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 079
Some Kind of Buckaroo
March 12-15, 1990
creator: La Marr, Jean
Physical Description: silkscreen
Description/Comments
"The warrior spirit continues in contemporary times. Encroachment on sacred land area of nature by people for U.S. military
testing, and fencing off lands keeping Indian people from sacred areas.", J. LaMarr. Fund: Self-Help Graphics, National Endowment
for the Arts Visual Arts, California Arts Council. Slide photographer: Color House.
album 1, slide Cat.2 080
Vulcán de Pacaya
March 6-10, 1989
creator: Lane, Leonie
Physical Description: silkscreen
Description/Comments
"This print is based on my New Year's Eve 1988-89 spent with 14 people on top of Vulcán de Pacaya just south of Guatemala
City, Guatemala. The combination of the active volcano, fireworks, campfire and fireflies is a potent mixture of heat, light
and symbols. The volcano is a symbol for many things--underlying tensions exploding to the surface--political, social, sexual
and emotional. This night and this mountain serve as a stage for reflection on events of the present and future. Fire is a
catalyst for change, ignition of passion, destruction of the old, commencement of the new.", L. Lane. Fund: Self-Help Graphics,
California Arts Council, National Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 081
Untitled
October 29-30, 1983
creator: Leal, Steve
Physical Description: silkscreen
Description/Comments
Fund: ARCO, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 082
Camine, No Camine
January 20-23, 1986
creator: Castro Lenero, Jose
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 083
Susana
January 24-30, 1986
creator: Castro Lenero, Jose
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts, California Arts Council, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 084
Dando Gracias
October 16-22, 1983
creator: Limon, Leo
Physical Description: silkscreen
Description/Comments
Fund: Self-Help Graphics, ARCO. Slide photographer: Adam Avila.
album 1, slide Cat.2 085
Madre Tierra--Padre Sol I
December 8-11, 1986
creator: Limon, Leo
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 086
Madre Tierra--Padre Sol II
December 8-11, 1986
creator: Limon, Leo
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 087
Soñando
January 6-9, 1986
creator: Limon, Leo
Physical Description: silkscreen
Description/Comments
Fund: Self-Help Graphics, California Arts Council, National Endowment for the Arts Visual Arts.
album 1, slide Cat.2 088
Wovoka's Corazón
October 21-24, 1985
creator: Limon, Leo
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 089
Lost Childhood
October 1-9, 1984
creator: Maradiaga, Ralph
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts, California Arts Council, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 090
The Promised Land
November 10-14, 1986
creator: Martinez, Daniel J.
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts, Self-Help Graphics, California Arts Council. Slide photographer: Adam Avila.
album 1, slide Cat.2 091
The Dream
March 13-17, 1989
creator: Montaño Valle, Ernest
Physical Description: silkscreen
Description/Comments
"Primer trabajo realizado conjunto con ayuda Chicana, la característica principal se refiera a la situación real--abstracta
del dibujo que interpreta el sueño, así como la utilización de colores con la elisura tónica, colores un tanto absurdos pero
relacionados.", E. Montaño Valle. Fund: Self-Help Graphics, California Arts Council, National Endowment for the Arts Visual
Arts. Slide photographer: Color House.
album 1, slide Cat.2 092
Tijerina Tantrum
February 27-March 3, 1989
creator: Montoya, Delilah
Physical Description: silkscreen
Description/Comments
"The Tijerina Tantrum is about Reyes Tijerina, the Aloncia, the forest station and the U.S. Military. The image in the center
symbolizes Shiva Energy that is through her dance of the Tijerina Tantrum; energy spins off igniting the tension between Reyes-Aloncia
and the Forest Ranger-Military. In general this print embraces the energy generated by the politically turbulent 60's.", D.
Montoya. Fund: National Endowment for the Arts Visual Arts, California Arts Council, Self-Help Graphics. Slide photographer:
Color House.
album 1, slide Cat.2 093
Sí Se Puede
January 9-13, 1989
creator: Montoya, Malaquías
Physical Description: silkscreen
Description/Comments
"These images deal with struggle. I use the maguey plant as a symbol of strength. In this image the plant and its power are
the manifestation of the frustration of the poor represented by the person looking out of the rectangular box. The maguey
is ripping through the American flag, which I use here as a symbol of those things which oppress people.", M. Montoya. Fund:
Self-Help Graphics, California Arts Council, National Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 094
Savagery and Technology
March 1983
creator: Norte, Armando
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts, California Arts Council, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 095
Shadows of Ghosts
December 18-22, 1989
creator: Norte, Armando
Physical Description: silkscreen
Description/Comments
"We wear the scars of our past, bad experience, touch them and feel the fear, the anger, the pain, over and over again. Those
moments from our past are but a collage of fading images. Shadows of ghosts. We must look forward, to life.", A. Norte. Fund:
California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 096
Untitled
November 19-20, 1983
creator: Norte, Armando
Physical Description: silkscreen
Description/Comments
Fund: Self-Help Graphics, ARCO. Slide photographer: Adam Avila.
album 1, slide Cat.2 097
Border Bingo/Lotería Fronteriza
October 25-30, 1987
creator: Ochoa, Victor
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat. 2 098(1-2)
El Jarabe de los Muertianos
January 16- February 17
creator: Oropeza, Eduardo
Physical Description: silkscreen
Description/ Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 2, slide Cat. 2 099
Onward Christian Soldiers
1985
creator: Oropeza, Eduardo
Physical Description: silkscreen
Description/ Comments
Slide Photgraph for Ateliers VI and VII exhibition and reception at Self Help Graphics, organized by Self Help Graphics staff
and Sister Karen Boccalero. (April 1986). Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts
Visual Arts.
album 1, slide Cat.2 100
Onward Christian Soldiers
December 15-18, 1985
creator: Oropeza, Eduardo
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila
album 1, slide Cat.2 101
Arreglo
October 8-9, 1983
creator: Perez, Jesús
Physical Description: silkscreen
Description/Comments
Fund: Self-Help Graphics, ARCO. Slide photographer: Adam Avila.
album 1, slide Cat.2 102
The Best of Two Worlds
November 9-13, 1987
creator: Perez, Jesús
Physical Description: silkscreen
Description/Comments
"Mexican-Americans. These three generations formulated the passionate Mexican-American heritage. But the Mexican-American
was to enter his own revolution: to fight for his identity; to establish his values in a country which differed in culture
and in values from the three generations that had preceded him. Now the fifth generation has to respond to a new-age culture:
electronics, space, sex, materialism, Ronald Reagan, etc. Like the cactus which supports the eagle on the Mexican flag, they
are all undeniably Mexican-rooted!", J. Perez. Fund: California Arts Council, Self-Help Graphics, National Endowment for the
Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 103
Say Yes
January 30-February 3, 1989
creator: Perez, Jesús
Physical Description: silkscreen
Description/Comments
"Between hope and hopelessness, any child, including the child within us, is fragile, vulnerable, and dependent on an external
world for its very survival. Many factors will shape and mold its future. Needy children, through no fault of their own, are
subject to a murky world of oppression. As a volunteer chair of a YMCA fundraising campaign, I see many campaigners and donors
who are making a difference in many of these children's lives. I salute these volunteers who dare 'say yes' to the YMCA and
help us to 'Say yes!' to life.", J. Perez. Fund: Self-Help Graphics, California Arts Council, National Endowment for the Arts
Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 104
Try Angle # 1
November 2-6, 1986
creator: Perez, Jesús
Physical Description: silkscreen
Description/Comments
Fund: Self-Help Graphics, California Arts Council, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 105
Untitled
December 29-31, 1985
creator: Perez, Jesús
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 106
Vértigo
November 24-28, 1986
creator: Perez, Juan
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 107
Thinking of Jesus and Mary
February 6-10, 1989
creator: Pérez, Louie
Physical Description: silkscreen
Description/Comments
"Based on series of pastel sketches on newspaper. The religious imagery of the sacred hearts of Jesus and Mary conveys personal
religious convictions in a purely aesthetic approach. The print medium has recreated the newspaper accurately, while the image
retains the immediacy of the original. I've also used monotype to enhance the attitude of making art at the moment. The overall
piece conveys an irony in the juxtaposition of religious symbols and the disposable, temporary material on which they are
executed." L. Perez Fund: Self-Help Graphics, California Arts Council, National Endowment for the Arts Visual Arts. Slide
photographer: Color House.
album 1, slide Cat.2 108
Familia
March 1983
creator: Ponce, Michael D.
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts, California Arts Council, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 109
Untitled
October 7-10, 1985
creator: Rodriguez, Elizabeth
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 110
Untitled
October 27-30, 1986
creator: Rodriguez, Elizabeth
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 111
Night Falls as I Lay Dreaming
February 19-23, 1990
creator: Rodriguez, Joe Bastida
Physical Description: silkscreen
Description/Comments
"This print depicts a young girl who, while in her sleep, visualizes her fear of a snake curled close to her which may strike
as it reaches towards the sunset. Images of unborn children within a tree (tree of life) and the dark clouds shaped like an
eagle edge towards the sunset, reflecting an old Indian wise man that oversees her presence. Symbols relate to the notion
of the fear of losing one's cultural identity and of the hope for children to maintain their heritage.", J. Bastida-Rodriguez.
Fund: National Endowment for the Arts Visual Arts, California Arts Council, Self-Help Graphics. Slide photographer: Color
House.
album 1, slide Cat.2 112
A Part of You and Me
1989
creator: Rodriguez, Reyes
Physical Description: silkscreen
Description/Comments
"The print is inspired by my daughter. The coming together of two Latin cultures, one Brazilian and the other Chicano. The
snake is transformed from an Aztec symbol to the streets of Rio. On the upper left corner is the diety Yemanja, Goddess of
the Sea, and in front of her are lilies associated with Chicano and Mexican art. A calavera peeks through on the right hand
side.", R. Rodriguez. Fund: National Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 113
Carro
February 3-6, 1986
creator: Romero, Frank E.
Physical Description: silkscreen
Description/Comments
Fund: Self-Help Graphics, National Endowment for the Arts Visual Arts, California Arts Council. Slide photographer: Adam Avila.
album 1, slide Cat.2 114
Cruz Arroyo Seco
January 18-22, 1988
creator: Romero, Frank E.
Physical Description: silkscreen
Description/Comments
The white cross standing in a field of yellow sunflowers exists in Arroyo Seco, New Mexico, in the local cemetery. Arroyo
Seco is near Taos, New Mexico, and the background is an indication of the magic mountain sacred to the Pueblo Indians. Fund:
National Endowment for the Arts Visual Arts, Self-Help Graphics, California Arts Council. Slide photographer: Color House.
album 1, slide Cat.2 115
Cruz Hacienda Martínez
January 18-22, 1988
creator: Romero, Frank E.
Physical Description: silkscreen
Description/Comments
"The print depicts a small cross hanging in the Martínez Hacienda in Taos, New Mexico. I've tried to convey an emotional feeling
this kind of imagery evokes." F. Romero Fund: National Endowment for the Arts Visual Arts, California Arts Council, Self-Help
Graphics. Slide photographer: Color House.
album 1, slide Cat.2 116
Frutas y Verduras
October 16-20, 1989
creator: Romero, Frank E.
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts, California Arts Council, Self-Help Graphics. Slide photographer: Color
House.
album 1, slide Cat.2 117
Pingo con Corazón
February 3-6, 1986
creator: Romero, Frank E.
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts, Self-Help Graphics, California Arts Council. Slide photographer: Adam Avila.
album 1, slide Cat.2 118
Untitled
October 12-17, 1986
creator: Romero, Frank E.
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts, Self-Help Graphics, California Arts Council. Slide photographer: Adam Avila.
album 1, slide Cat.2 119
Eternal Seeds
December 1989
creator: Salazar, Daniel
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Expansion Arts. Self Help Graphics and Art Inc.
album 1, slide Cat.2 120
Eternal Seeds
December 4-8, 1989
creator: Salazar, Daniel
Physical Description: silkscreen
Description/Comments
"The love and sacrifice of Jesus Christ is to plant seeds of eternal life." D. Salazar Fund: California Arts Council, Self-Help
Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 121
Like Father, Like Son
March 1983
creator: Segura, Daniel
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts, California Arts Council, Self-Help Graphics. Slide photographer: Adam Avila
album 1, slide Cat.2 122
This Is Pain
December 18-20, 1983
creator: Segura, Daniel
Physical Description: silkscreen
Description/Comments
Fund: Self-Help Graphics, ARCO. Slide photographer: Adam Avila.
album 1, slide Cat.2 123
Atelier IV Group Poster
November 6-December 13, 1984
creator: Self-Help Graphics and Art, Inc.
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 124
Atelier V Group Poster
1985
creator: Self-Help Graphics and Art, Inc.
Physical Description: silkscreen, collage
Description/Comments
Fund: National Endowment for the Arts Visual Arts, California Arts Council, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 125
Untitled
March 1-3, 1984
creator: Self-Help Graphics and Art, Inc.
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 126
Omens
March 1983
creator: Sparrow, Peter V.
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts, California Arts Council, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 127
Untitled
January 8-15, 1985
creator: Sparrow, Peter V.
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 128
Balance of Knowledge--Balance of Power
October 11-16, 1987
creator: Taylor, Neal
Physical Description: silkscreen
Description/Comments
"Balance of Knowledge--Balance of Power deals with the individual coming to a point in himself and society, being educated
by its own example. The use of the arch for knowledge and balance; the spiral for inner strength, understanding and compassion;
the lightning for physical strength and endurance. Power to the person.", N. Taylor. Fund: Self-Help Graphics, California
Arts Council, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 129
Cosmic Patterns Print II
October 2-6,1987
creator: Thomas, Matthew
Physical Description: silkscreen
Description/Comments
"The inner worlds made visible to our senses through symbols: form, color and line are used." M. Thomas Fund: California Arts
Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 130
Untitled
October 11-14, 1985
creator: Thomas, Matthew
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 131(1-2)
The Pope of Broadway
November 19-30, 1984
creator: Torrez, Eloy
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 132
Untitled
December 3-13, 1985
creator: Torrez, Eloy
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, National Endowment for the Arts Visual Arts, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 133
Duel Citizenship
November 23-27, 1987
creator: Urista, Arturo
Physical Description: silkscreen
Description/Comments
"The fight represents the differences in ideologies concerning the decision-making about citizenship. The decision is either
to maintain Mexican citizenship and deny any involvement in policy making in the United States or to give up Mexican citizenship
and, much more, to become U.S. citizens. The images that I include are: A flag: a country's symbolic identity; el Apache:
a reminder of the country's cultural roots; the drum: the disciplining of a country's ideologies; el valiente: the defender
of one's country.", A. Urista. Fund: National Endowment for the Arts Visual Arts, Self-Help Graphics, California Arts Council.
Slide photographer: Adam Avila.
album 1, slide Cat.2 134
El Llamado Dividido
October 24-28, 1988
creator: Urista, Arturo
Physical Description: silkscreen
Description/Comments
"El Llamado Dividido or The Divided Call is images and messages that constitute a call for unity under cultural/social and
political beliefs, but are divided because of social upbringing.", A. Urista. Fund: California Arts Council, Self-Help Graphics,
National Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 135
The Travel Back
1989
creator: Urista, Arturo
Physical Description: silkscreen
Description/Comments
"The migration of the cultural from the logic of Blind Justice back to the spirituality of the Mayans. The imagery depicts
women as the sole identity of the movement towards the roots of cultural awareness; from Mexico to the U.S. and back.", A.
Urista. Fund: National Endowment for the Arts Visual Arts, California Arts Council, Self-Help Graphics. Slide photographer:
Color House
album 1, slide Cat.2 136
Welcome to Aztlán
February 2-6, 1987
creator: Urista, Arturo
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila
album 1, slide Cat.2 137
Untitled
March 19-26, 1985
creator: Valadez, John M.
Physical Description: silkscreen
Description/Comments
Fund: California Arts Council, National Endowment for the Arts Visual Arts, Self-Help Graphics. Slide photographer: Adam Avila
album 1, slide Cat.2 138
The Dressing Table
November 14-18, 1988
creator: Valdez, Patssi
Physical Description: silkscreen
Description/Comments
Depict[s] a section of my environment. P. Valdez Fund: Self-Help Graphics, California Arts Council, National Endowment for
the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 139
Scattered
November 30-December 4, 1987
creator: Valdez, Patssi
Physical Description: silkscreen
Description/Comments
"This print is autobiographical: The breaking away of the old and the emergence of the new self.", P. Valdez. Fund: California
Arts Council, Self-Help Graphics, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
album 1, slide Cat.2 140
Black Orchid
January 5-9, 1987
creator: Vallejo, Linda
Physical Description: silkscreen
Description/Comments
Fund: Self-Help Graphics, California Arts Council, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila
album 1, slide Cat.2 141(1-2)
Untitled
December 4-13, 1984
creator: Vallejo, Linda
Physical Description: silkscreen
Description/Comments
Fund: Self-Help Graphics, California Arts Council, National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila
album 1, slide Cat.2 142
Mexico Frantico
February 1-5, 1988
creator: Walker, J. Michael
Physical Description: silkscreen
Description/Comments
"The print deals with ways of thinking of Mexico: the banner is tourist brochure style; the eagle is folk-artsy; the snake
is designy; the cactus is just a cactus. The frame is a stream-of-consciousness field of images (visual, historical, narrative
and musical and sensual) that I associate with Mexico and Mexicanos. The calaveras of Posada accompany the cantante on her
guitar--her song of love becomes the lovers in a desert on the bottom of the frame. Hidden behind the eagle is the Virgen
de Guadalupe, the unofficial symbol of Mexico.", J. M. Walker. Fund: California Arts Council, Self-Help Graphics, National
Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 143
Amor Matizado
October 17-21, 1988
creator: Yepes, George
Physical Description: silkscreen
Description/Comments
"The title Amor Matizado translates into Blended Love, hence a blending of thought, ideas, personal preference. The idea began
as a skeleton and a woman kissing, then it became a man and a woman, then ultimately as both figures drew closer to completion,
the end result was two women. My print as the artist on this design was that of an impartial observer.", G. Yepes. Fund: National
Endowment for the Arts Visual Arts, California Arts Council, Self-Help Graphics. Slide photographer: Color House.
album 1, slide Cat.2 144
Phantom Fear II
March 1983
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts, California Arts Council, Self-Help Graphics. Slide photographer: Adam Avila.
album 1, slide Cat.2 145
Raised in the U.S.A.
February 21-25, 1989
Physical Description: silkscreen
Description/Comments
"This work portrays passages of my life as a Mexican raised and educated in the U.S. Having left Mexico at a very young age,
I had to adjust to a new culture, new environment, and hardest of all, a new language. Thinking back, it was an experience
impossible to match, but easy to express. Mom once said, 'Vamos a Estados Unidos, donde todo es color de rosa.' (We are going
to the U.S. where everything is like paths covered with rose petals [sic]). It has not been that easy!", A. Zaragoza. Fund:
Self-Help Graphics, California Arts Council, National Endowment for the Arts Visual Arts. Slide photographer: Color House.
album 1, slide Cat.2 146
Sunflowers for Gauguin
October 14-17, 1985
Physical Description: silkscreen
Description/Comments
Fund: National Endowment for the Arts Visual Arts. Slide photographer: Adam Avila.
Center Activities and Programs
album 1, slide Cat.3 110(1-5)
Day of the Dead '77 Bread-Making (Pan de Muerto) Workshop
November 1977
creator: Boccalero, Karen, Sister
Description/Comments
Funds:National Endowment for the Arts and Self Help Graphics
album 1, slide Cat.3 001(1-9)
CAC Workshop
June 1982
creator: Limon, Leo
Description/Comments
Slide Photographer: Leo Limón.
album 2, slide Cat.3 002
General Meeting to Discuss Artists' Needs
April 1989
Description/Comments
Funds: Self Help Graphics; slide photographer: Arturo Urista.
album 2, slide Cat.3 003(1-4)
Atelier Exhibition
January 20, 1984
creator: Self-Help Graphics and Art, Inc.
album 2, slide Cat.3 004
Atelier IX Workshop Meeting
March 1987
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: California Arts Council, Visual Arts, Self Help Graphics.
album 2, slide Cat.3 005(1-29)
Atelier VIII and IX Exhibition and Reception
May 1987
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds:***
album 2, slide Cat.3 006(1-14)
Atelier XIV
April 8, 1990
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds:National Endowment for the Arts Visual Arts, California Arts Council, SHG
album 2, slide Cat.3 007(1-24)
California Arts Council Workshop
December 1981
creator: Self-Help Graphics and Art, Inc.
album 2, slide Cat.3 008(1-18)
California Arts Council Workshop
March 1982
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: California Arts Council
album 2, slide Cat.3 009
Carlos Bueno Working on Mural
undated
creator: Self-Help Graphics and Art, Inc.
album 2, slide Cat.3 010(1-27)
Cinco de Mayo Celebration
May 5, 1985
creator: Self-Help Graphics and Art, Inc.
album 2, slide Cat.3 011(1-5)
Day of the Dead '75
November 1975
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Musicians, reception and exhibition. Funds: Self Help Graphics and National Endowment for the Arts
album 2, slide Cat.3 012(1-5)
Day of the Dead '75 Procession
November 1975
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: Self Help Graphics and National Endowment for the Arts
album 2, slide Cat.3 013(1-4)
Day of the Dead '76
November 7, 1976
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Musicians performing during Day of the Dead celebration.
album 2, slide Cat.3 014(1-15)
Day of the Dead '76
November 7, 1976
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Participants at Cemetery. Funds: Self Help Grapics and National Endowment for the Arts
album 2, slide Cat.3 015(1-16)
Day of the Dead '76
November 7, 1976
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Participants. Funds:Self Help Graphics and National Endowment for the Arts.
album 2, slide Cat.3 016(1-12)
Day of the Dead '76 Celebration
November 7, 1976
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Celebration with preist at cemetery. Funds: Self Help Graphics and National Endowment for the Arts
album 2, slide Cat.3 017(1-2)
Day of the Dead '76 Celebration and Exhibition
November 1976
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts and Self Help Graphics
album 2, slide Cat.3 018(1-6)
Day of the Dead '76 Procession
November 7, 1976
creator: Self-Help Graphics and Art, Inc.
album 2, slide Cat.3 019(1-14)
Day of the Dead '76 Reception
November 1976
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts and Self Help Graphics
album 2, slide Cat.3 020
Day of the Dead '77
November 1977
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Musicians performing during Day of the Dead celebration. Funds:Self Help Graphics and National Endowment for the Arts
album 2, slide Cat.3 021(1-33)
Day of the Dead '77
November 1977
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Participants. Funds:Self Help Graphics
album 2, slide Cat.3 022(1-7)
Day of the Dead '77
November 1977
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Priest at cemetery
album 2, slide Cat.3 023(1-16)
Day of the Dead '77
November 6, 1977
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Participants at cemetery. Funds: Self Help Graphics and National Endowment for the Arts
album 2, slide Cat.3 024(1-3)
Day of the Dead '77 Celebration
November 6, 1977
creator: Self-Help Graphics and Art, Inc.
creator: Limon, Leo
Description/Comments
Cross: Instillation Art. Funds: Self Help Graphics and National Endowment for the Arts.
This 35 mm slide is of Marisela Norte in Day of the Dead makeup by Armando Norte.
album 2, slide Cat.3 025(1-28)
Day of the Dead '77 Procession
November 6, 1977
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Procession from Evergreen Cemeter to SHG during a Day of the Dead celebration.
album 2, slide Cat.3 026(1-12)
Day of the Dead '77 Reception
November 1977
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: Self Help Graphics
album 3, slide Cat.3 027(1-14)
Day of the Dead '78
November 5, 1978
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Art left at cemetery and pictures of cemetery before event. Funds: Self Help Graphics and National Endowment for the Arts
album 3, slide Cat.3 028(1-33)
Day of the Dead '78
November 5, 1978
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Participants at Cemetery
album 3, slide Cat.3 029(1-6)
Day of the Dead '78
November 5, 1978
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Indian ceremony during Day of the Dead '78 celebration
album 3, slide Cat.3 030(1-9)
Day of the Dead '78
November 5, 1978
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Members of the community performing Aztec dances during Day fo the Dead '78 celebration. Funds: National Endowment for the
Arts and Self Help Graphics
album 3, slide Cat.3 031(1-19)
Day of the Dead '78
November 5, 1978
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Participants in the Day of the Dead Celebration. Funds: Self Help Graphics and National Endowment for the Arts
album 3, slide Cat.3 032(1-15)
Day of the Dead '78
November 5, 1978
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Musicians performing during a Day of the Dead celebration. Funds: Self Help Graphics and National Endowment for the Arts
album 3, slide Cat.3 033(1-11)
Day of the Dead '78 Celebration
November 5, 1978
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: Self Help Graphics and National Endowment for the Arts
album 3, slide Cat.3 034(1-64)
Day of the Dead 78' Celebration
November 5, 1978
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: Self Help Graphics and National Endowment for the Arts
album 3, slide Cat.3 035(1-2)
Day of the Dead '78 Celebration and Exhibition
November 6, 1978
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Humanities and Self Help Graphics
album 3, slide Cat.3 036(1-15)
Day of the Dead '78 Celebration with Zoot Suit Group
November 5, 1978
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Zoot Suit group among participants. Funds: Self Help Graphics and National Endowment for the Arts
album 3, slide Cat.3 037(1-11)
Day of the Dead '78 Procession
November 5, 1978
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: Self Help Graphics and National Endowment for the Arts
album 3, slide Cat.3 038(1-10)
Day of the Dead '78 Procession
November 5, 1978
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Procession with Teatro Campesino. Funds: Self Help Graphics and National Endowment for the Arts
album 3, slide Cat.3 039(1-20)
Day of the Dead '78 Procession
November 5, 1978
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: Self Help Graphics and National Endowment for the Arts
album 3, slide Cat.3 040(1-28)
Day of the Dead '78 Procession with Performance by Xipe-Totec
November 5, 1978
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Procession with performance of Aztec dancing by the group Xipe- Totec during a Day fo the Dead Celebration. Funds: Self Help
Graphics and National Endowment for the Arts
album 3, slide Cat.3 041(1-14)
Day of the Dead '78 Sugar Skull-Making Workshop
November 1978
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds:National Endowment for the Humanities and Self Help Graphics
album 3, slide Cat.3 042(1-28)
Day of the Dead '79
November 1979
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Participants at Cemetery. Funds: Self Help Graphics and National Endowment for the Arts
album 3, slide Cat.3 043(1-57)
Day of the Dead '79
November 1979
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Performance of Aztec dances at cemetery during a Day of the Dead celebration. Funds: Self Help Graphics and National Endowment
for the Arts
album 4, slide Cat.3 044
Day of the Dead '79
November 1979
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Musicians at reception. Funds: Self Help Graphics and National Endowment for the Arts
album 4, slide Cat.3 045(1-2)
Day of the Dead '79 Celebration and Exhibition
November 2, 1979
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts and Self Help Graphics
album 4, slide Cat.3 046(1-18)
Day of the Dead '79 Exhibition and Reception
November 1979
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: Self Help Graphics and National Endowment for the Arts
album 4, slide Cat.3 047(1-6)
Day of the Dead '79 Procession
November 1979
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Performance by Aztec dances during a Day of the Dead procession. Funds: Self Help Graphics and National Endowment for the
Arts
album 4, slide Cat.3 048(1-31)
Day of the Dead '79 Procession
November 1979
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: Self Help Graphics and National Endowment for the Arts
album 4, slide Cat.3 049(1-8)
Day of the Dead '80
November 1980
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: Self Help Graphics and National Endowment for the Arts
album 4, slide Cat.3 050(1-3)
Day of the Dead '80
November 2, 1980
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Musicians and dancers. Funds: Self Help Graphics, National Endowment for the Arts, ARCO, City of Los Angeles
album 4, slide Cat.3 051(1-48)
Day of the Dead '80
November 2, 1980
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Participants. Funds: Self Help Graphics, National Endowment for the Arts, ARCO, City of Los Angeles
album 4, slide Cat.3 052(1-27)
Day of the Dead '80 Exhibition
November 1980
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Cross: Photography. Funds: Self Help Graphics and National Endowment for the Arts
album 4, slide Cat.3 053(1-19)
Day of the Dead '80 Procession
November 2, 1980
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts, Self Help Graphics, ARCO, City of Los Angeles
album 4, slide Cat.3 054(1-14)
Day of the Dead '80 Reception
November 2, 1980
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: Self Help Graphics, National Endowment for the Arts, ARCO, City of Los Angeles
album 4, slide Cat.3 055(1-21)
Day of the Dead '81
November 1981
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Participants at Cemetery. Funds:Self Help Graphics and National Endowment for the Arts
album 4, slide Cat.3 056(1-3)
Day of the Dead '81
November 1981
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Musicians at reception. Funds: Self Help Graphics and National Endowment for the Arts
album 4, slide Cat.3 057(1-11)
Day of the Dead '81
November 1981
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Performing dances. Funds:National Endowment for the Arts and Self Help Graphics
album 4, slide Cat.3 058(1-41)
Day of the Dead '81
November 1981
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Participants at Self Help Graphics and Evergreen Cemetery. Funds: National Endowment for the Arts and Self Help Graphics
album 5, slide Cat.3 059(1-47)
Day of the Dead '81 Procession
November 1981
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds:National Endowment for the Arts and Self Help Graphics
album 5, slide Cat.3 060(1-85)
Day of the Dead '81 Reception
November 1981
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts and Self Help Graphics
album 5, slide Cat.3 061(1-90)
Day of the Dead '81 Workshop
November 1981
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds:National Endowment for the Arts and Self Help Graphics
album 5, slide Cat.3 062(1-5)
Day of the Dead '81 Celebration and Exhibition
November 1981
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts and Self Help Graphics
album 5, slide Cat.3 063(1-53)
Day of the Dead '82
November 7, 1982
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: Self Help Graphics and National Endowment for the Arts
album 5, slide Cat.3 064(1-13)
Day of the Dead '82
November 7, 1982
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Play by ASCO Ballet Rouge. Funds: Self Help Graphics and National Endowment for the Arts
album 6, slide Cat.3 065(1-3)
Day of the Dead '82 Celebration
November 7, 1982
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: Self Help Graphics and National Endowment for the Arts
album 6, slide Cat.3 066(1-4)
Day of the Dead '82 Reception
November 7, 1982
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: Self Help Graphics and National Endowment for the Arts
album 6, slide Cat.3 067(1-7)
El Fin del Sol
November 5, 1978
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Teatro Campesino's play
album 6, slide Cat.3 068(1-17)
Two Pink Dolls
May 6, 1984
creator: Gamboa, Diane
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts Expansion Arts, Self Help Graphics
Gamboa and Navarro Exhibition
Two Pink Dolls
1984 Painting
Exhibited:
1984 Gamboa/Navarro
Two Person Exhibit, New Directions Gallery/Self Help Graphics and Art, Los Angeles, CA
May 6-June 5, 1984
Note: See Diane Gamboa Archives. Binder Book for more information on Gamboa/Navarro exhibition.
album 6, slide Cat.3 069(1-22)
John Valadez Exhibition
December 9, 1983
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts Expansion Arts
album 6, slide Cat.3 070(1-12)
Maria Zains Exhibition
June 1983
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts Expansion Arts, Self Help Graphics
album 6, slide Cat.3 071(1-6)
Míranos Exhibition
June 1980
creator: Self-Help Graphics and Art, Inc.
album 6, slide Cat.3 072(1-59)
Multi-Cultural Program
March 1980
creator: Self-Help Graphics and Art, Inc.
album 6, slide Cat.3 073
Opening Reception for Atelier VI
March 1986
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts Expansion Arts, Self Help Graphics
album 6, slide Cat.3 074
Patssi Valdez's Painting Class
February 1987
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: California Arts Council
album 6, slide Cat.3 075(1-13)
Political Exhibition
December 1988
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds:National Endowment for the Arts, California Arts Council, and Self Help Graphics
album 6, slide Cat.3 076
Video Class
February 1987
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: California Arts Council resident artist and Self Help Graphics
album 6, slide Cat.3 077(1-17)
Atelier at Los Angeles Nicole
April 1988
creator: Self-Help Graphics and Art, Inc.
creator: Alferov, Alex
album 6, slide Cat.3 078(1-8)
SHG Exhibition
November 7-December 6, 1989
creator: Self-Help Graphics and Art, Inc.
Description/Comments
slide photographer: Dolores Gurrero-Cruz
album 6, slide Cat.3 079
Day of the Dead '82
1982
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Celebration with fashion show of Paper Fashions. Funds: Self Help Graphics. This 35 mm slide is of Marisela Norte in Armando
Norte's Paper Fashion at the 1982 Day of the Dead with ASCO Fashion Show.
album 6, slide Cat.3 080(1-34)
Algo Nuevo Exhibition
March 11-April 8, 1988
creator: Urista, Arturo
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts Expansion Arts, Self Help Graphics
album 6, slide Cat.3 081(1-30)
AIC-CAC Workshop
August 1982
creator: Self-Help Graphics and Art, Inc.
album 6, slide Cat.3 082(1-6)
Míranos Children's Exhibition of Soft-Sculpture/Batik
June 1980
creator: Self-Help Graphics and Art, Inc.
creator: Pineda-Rico, Sarah
album 6, slide Cat.3 083
Los Four Exhibition
October 7, 1974
creator: Romero, Frank E.
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: Campaign for Human Development
album 6, slide Cat.3 084(1-8)
It's the Law Exhibition
March 16, 1989-April 10, 1989
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts Expansion Arts and Self Help Graphics
album 6, slide Cat.3 085(1-39)
Míranos Exhibition
June 1980
creator: Castañeda, Cecilia
creator: Self-Help Graphics and Art, Inc.
album 6, slide Cat.3 086(1-8)
Soft Mask Workshop
undated
creator: Castañeda, Cecilia
creator: Self-Help Graphics and Art, Inc.
album 7, slide Cat.3 087(1-11)
Day of the Dead '89 Exhibition
November 3, 1989
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Assistants: Sandra Hahn and Frances España. Funds: Self Help Graphicse and National Endowment for the Arts
album 7, slide Cat.3 088
Fire Show 1985
October 19, 1985
creator: Amescua, Michael M.
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Curator: Michael M. Amescua. Funds:National Endowment for the Arts Expansion Arts and Self Help Graphics
album 7, slide Cat.3 089(1-13)
Day of the Dead '82
November 7, 1982
creator: Self-Help Graphics and Art, Inc.
creator: Gamboa, Diane
Description/Comments
Paper Fashion by ASCO. Funds: Self Help Graphics and National Endowment for the Arts
2. Please note: Not Diane Gamboa image/artwork. 3.
Not Dead Yet. 1982
Hit and Run series by Diane Gamboa. Paper Fashion modeled by Linda Gamboa. Day of the Dead with ASCO, Self Help Graphics and Art, Los
Angeles, CA. 4. Please note: Not Diane Gamboa image/artwork. 5.
Not Dead Yet.1982
Hit and Run series by Diane Gamboa. Paper Fashion modeled by Linda Gamboa. Day of the Dead with ASCO, Self Help Graphics and Art, Los
Angeles, CA. 6. Please note: Not Diane Gamboa image/artwork. 7. Please note: Not Diane Gamboa image/artwork. 9. Please note:
Not Diane Gamboa image/artwork. 10. Please note: Not Diane Gamboa image/artwork. 11.
Not Dead Yet. 1982
Hit and Run series by Diane Gamboa. Paper Fashion modeled by Linda Gamboa. Day of the Dead with ASCO, Self Help Graphics and Art, Los
Angeles, CA. 12. Please note: Not Diane Gamboa image/artwork. This 35 mm slide is of Marisela Norte in Armando Norte's Paper
Fashion at the 1982 Day of the Dead with ASCO Fashion Show. 13. Please note: Not Diane Gamboa's image/artwork. This 35 mm
slide is of Marisela Norte in Armando Norte's Paper Fashion at the 1982 Day of the Dead with ASCO Fashion Show.
album 7, slide Cat.3 090(1-4)
1989 Christmas Fair
December 10, 1989
creator: Self-Help Graphics and Art, Inc.
creator: Guerrero-Cruz, Dolores
creator: Amescua, Michael M.
Description/Comments
Funds: National Endowment for the Arts Expansion Arts; slide photographer: Dolores Gurerrero-Cruz
album 7, slide Cat.3 091(1-7)
Slide Presentation on Jean Canol
October 1978
creator: Self-Help Graphics and Art, Inc.
album 7, slide Cat.3 092(1-21)
Edgar Aparicio Exhibition
December 5, 1986-January 18, 1987
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts Expansion Arts and Self Help Graphics
album 7, slide Cat.3 093(1-7)
Hollywood Mural Presentation
November 1983
creator: Torrez, Eloy
creator: Self-Help Graphics and Art, Inc.
album 7, slide Cat.3 094(1-13)
L.A. Festival
1989
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: L.A. Festival; slide photographer: Dolores Guerrero- Cruz and Micheal M. Amescua
album 7, slide Cat.3 095(1-20)
Video Class
June 1989
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts, California Arts Council, and Self Help Graphics
album 7, slide Cat.3 096(1-15)
Atelier Prints from Los Angeles Prints Contemporary Graphics Art
November 1986
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: Self Help Graphics
album 7, slide Cat.3 097
Barrio Mobil Art Studio--Folk Tale--"How the Basilish Obtained His Crest"
April 1978
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Instructor: Beth Gregory. Funds:Community Development City of Los Angeles; Mayan folk tale puppet show by students.
album 7, slide Cat.3 098
Puppet Show at Hamel Street School--Barrio Mobil Art Studio
May 1978
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Instructor: Beth Gregory; funds:Community Development, City of Los Angeles.
album 7, slide Cat.3 099
Four Color Process Printing Workshop
April 1990
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Instructor: Jean LaMarr; assistants: Micheal M. Amescua. Funds:National Endowment for the Arts Expansion Arts, Self Help Graphics;
slide photographer: Micheal M. Amescua.
album 7, slide Cat.3 100
Drawing Class
1985 -1986
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Instructor: Joe Gatto. Funds:California Arts Council resident artist and National Endowment for the Arts Expansion Arts
album 7, slide Cat.3 101(1-3)
Tile Workshop
June 1980
creator: Self-Help Graphics and Art, Inc.
album 7, slide Cat.3 102(1-18)
The Waitress Series Exhibition
March 8-30, 1991
creator: Perez, Jesús
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts Expansion Arts and Self Help Graphics
album 7, slide Cat.3 103(1-18)
Atelier I Workshop
1983
creator: Boccalero, Karen, Sister
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Assistants: Stephen Grace
album 7, slide Cat.3 104(1-9)
Atelier III Workshop
April 1984
creator: Boccalero, Karen, Sister
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts, California Arts Council, and Self Help Graphics
album 7, slide Cat.3 105(1-15)
Atelier III Workshop
September 1984
creator: Self-Help Graphics and Art, Inc.
creator: Boccalero, Karen, Sister
Description/Comments
Assistants: Stephen Grace. Funds:California Arts Council, National Endowment for the Arts, Self Help Graphics
album 7, slide Cat.3 106(1-13)
Atelier IV and V Exhibition
April 21, 1985
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds:National Endowment for the Arts, California Arts Council, Self Help Graphics
album 7, slide Cat.3 107(1-21)
Atelier V Workshop
ca. 1985
creator: Boccalero, Karen, Sister
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Assistants: Stephen Grace. Funds:National Endowment for the Arts, California Arts Council, Self Help Graphics
album 7, slide Cat.3 108(1-10)
Atelier VI and VII Exhibition and Reception
April 1986
creator: Self-Help Graphics and Art, Inc.
creator: Boccalero, Karen, Sister
album 7, slide Cat.3 109(1-29)
Atelier XII and XIII 1989 Exhibition
April 23, 1989
creator: Self-Help Graphics and Art, Inc.
creator: Boccalero, Karen, Sister
Description/Comments
Assistants: Sam Baray, Mitz Baray and Dolores Guerrero- Cruz. Funds:National Endowment for the Arts Visual Arts, California
Arts Council, Self Help Graphics
album 7, slide Cat. 3 110 (1-5)
Day of the Dead '77 Bread-Making (Pan de Muerto) Workshop
November 1977
creator: Self-Help Graphics and Art, Inc.
creator: Boccalero, Karen, Sister
Description/Comments
Assistants: Mari Yáñez. Site/Location: 1168 North Eastman, East Los Angeles, CA; fund: National Endowment for the Arts and
Self Help Graphics
album 7, slide Cat.3 111(1-11)
Day of the Dead '78 Bread-Making (Pan de Muerto) Workshop
November 6, 1978
creator: Self-Help Graphics and Art, Inc.
creator: Boccalero, Karen, Sister
Description/Comments
Funds: National Endowment for the Humanities and Self Help Graphics
album 7, slide Cat.3 112(1-12)
Las Mujeres de la Raza Project Monoprint Workshop
August 1989
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Karen Boccalero and members of El Colegio de La Frontera Norte. Slide photographer: Micheal M. Amescua.
album 7, slide Cat.3 113(1-12)
Etching Workshop
April 1990
creator: Boccalero, Karen, Sister
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Instructor: Jean La Marr. SlIde photographer: Michael M. Amescua
album 7, slide Cat.3 114(1-10)
Etching Workshop
July 1990
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Instructor: Jean La Marr. Slide photographer: Micheal M. Amescua
album 8, slide Cat.3 115(1-22)
Silkscreen Workshop
August 1982
creator: Self-Help Graphics and Art, Inc.
creator: Limon, Leo
album 8, slide Cat.3 116(1-12)
Day of the Dead '78 Mask-Making Workshop
October 1978
creator: Self-Help Graphics and Art, Inc.
creator: Castañeda, Cecilia
creator: Yáñez, Mari
Description/Comments
Funds:National Endowment for the Humanities and Self Help Graphics
album 8, slide Cat.3 117(1-4)
Against Cocaine Paperwork
March 1-28, 1987
creator: Self-Help Graphics and Art, Inc.
creator: Amescua, Michael M.
Description/Comments
Funds:National Endowment for the Arts Expansion Arts and Self Help Graphics
album 8, slide Cat.3 118(1-7)
Fire Show V
May 12-23, 1989
creator: Amescua, Michael M.
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds:National Endowment for the Arts Visual Arts and California Arts Council; slide photographer: Arturo Urista.
album 8, slide Cat.3 119(1-19)
Fuego Nuevo Show
November 1985
creator: Self-Help Graphics and Art, Inc.
creator: Amescua, Michael M.
Description/Comments
Funds:National Endowment for the Arts Expansion Arts, Self Help Graphics
album 8, slide Cat.3 120(1-10)
Michael M. Amescua Studio Exhibition
April 16, 1984
creator: Amescua, Michael M.
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Assistants: Karen Boccalero and Leo Limón. Funds:National Endowment for the Arts Expansion Arts, Self Help Graphics
album 8, slide Cat.3 121(1-7)
New Fire Exhibition
October 19, 1985
creator: Amescua, Michael M.
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds:National Endowment for the Arts Expansion Arts, Self Help Graphics
album 8, slide Cat.3 122(1-6)
Pintura Fresca Exhibition
February 12-March 10, 1989
creator: Guerrero-Cruz, Dolores
creator: Amescua, Michael M.
creator: Self-Help Graphics and Art, Inc.
creator: Urista, Arturo
Description/Comments
Funds: National Endowment for the Arts Expansion Arts
album 8, slide Cat.3 123(1-14)
Day of the Dead '78 Workshop
September 1978
creator: Vallejo, Linda
creator: Amescua, Michael M.
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Music Jam; assistants: Cecilia Casteñeda.
album 8, slide Cat.3 124(1-3)
Day of the Dead '90 Exhibition
November 2, 1990
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Assistants: Sandra Hahn and Leonardo Ibañez. Funds:National Endowment for the Arts Expansion Arts and Self Help Graphics;
slide photographer: Ed Carreon.
album 8, slide Cat.3 125(1-12)
For the Love of Art Exhibition and Reception
January 6-26, 1991
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts Expansion Arts; slide photographer: Gloria Westcoat.
album 8, slide Cat.3 126(1-7)
III Exhibition
August 6-31, 1989
creator: Self-Help Graphics and Art, Inc.
creator: Calderón, Rudy
Description/Comments
Funds: National Endownment for the Arts Expansion Arts, Self Help Graphics
album 8, slide Cat.3 127(1-18)
Tradición y Futuro Exhibition
February 8, 1991
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: Self Help Graphics and National Endowment for the Arts Expansion Arts
album 8, slide Cat.3 128(1-38)
Batik/Silkscreen Workshop
undated
creator: Self-Help Graphics and Art, Inc.
creator: Pineda-Rico, Sarah
album 8, slide Cat.3 129(1-14)
Batik/Silkscreen Workshop for Adults
undated
creator: Self-Help Graphics and Art, Inc.
creator: Pineda-Rico, Sarah
album 8, slide Cat.3 130(1-16)
Batik/Silkscreen Workshop for Teenagers
undated
creator: Self-Help Graphics and Art, Inc.
creator: Pineda-Rico, Sarah
album 8, slide Cat.3 131(1-4)
New Language Exhibition
June 3, 1990
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts Expansion Arts, Self Help Graphics
album 8, slide Cat.3 132
Demonstration of Silkscreen Techniques to High School Students
1986
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: Self Help Graphics
album 8, slide Cat.3 133(1-11)
Workshop--Visiting Artist John Valadez
June 1986
creator: Cervantez, Yreina D.
creator: Self-Help Graphics and Art, Inc.
Description/Comments
Funds: National Endowment for the Arts, California Arts Council, and Self Help Graphics
album 8, slide Cat.3 134(1-3)
Alerta Exhibition
June 19, 1987
creator: Self-Help Graphics and Art, Inc.
creator: Cervantez, Yreina D.
Description/Comments
Funds:National Endowment for the Arts Expansion Arts, Self Help Graphics; slide photographer: Shifra Goldman.
album 8, slide Cat.4 001
La Cruda
undated
creator: [Artist Unknown]
Physical Description: pen and ink
Description/Comments
From Day of the Dead '89 Exhibition at Self Help Graphics, 3802 Brooklyn Ave, Los Angeles, CA (November 3, 1989). Cross: CAP.
album 8, slide Cat.4 002
Untitled
undated
creator: Antonio Aguirre, José
Physical Characteristics and Technical Requirements note
dry point
album 8, slide Cat.4 003(1-2)
album 8, slide Cat.4 004
Sin Hogar
ca. 1986
creator: Alicia, Juana
Physical Characteristics and Technical Requirements note
pencil on paper
album 8, slide Cat.4 005(1-2)
title unknown
undated
Physical Characteristics and Technical Requirements note
ink
album 8, slide Cat.4 006
Somos de la Vida Caliente (detail)
undated
Physical Characteristics and Technical Requirements note
india ink on paper
album 8, slide Cat.4 007
Somos de la Vida Caliente (detail)
undated
Physical Characteristics and Technical Requirements note
india ink on paper
album 8, slide Cat.4 008
Burla a la Gente
undated
Physical Characteristics and Technical Requirements note
india ink on paper
album 8, slide Cat.4 010
Homosexual
undated
Physical Characteristics and Technical Requirements note
india ink on paper
album 8, slide Cat.4 011
Las Vanidosas
undated
Physical Characteristics and Technical Requirements note
india ink on paper
album 8, slide Cat.4 012
Miedo
undated
Physical Characteristics and Technical Requirements note
india ink on paper
album 8, slide Cat.4 013
Mujer
undated
Physical Characteristics and Technical Requirements note
india ink on paper
album 8, slide Cat.4 014
La Ociocidad Es Madre De Todos Los Vicios
1974
Physical Characteristics and Technical Requirements note
india ink on paper
album 8, slide Cat.4 015
Oh Shit
undated
Physical Characteristics and Technical Requirements note
india ink on paper
album 8, slide Cat.4 016
Pensativa
undated
Physical Characteristics and Technical Requirements note
india ink on paper
album 8, slide Cat.4 017
La que Ama Intensamente
undated
Physical Characteristics and Technical Requirements note
india ink on paper
album 8, slide Cat.4 018
La que Está Muerta de Amor
undated
Physical Characteristics and Technical Requirements note
india ink on paper
album 8, slide Cat.4 019
Somos de la Vida Caliente
undated
Physical Characteristics and Technical Requirements note
india ink on paper
album 8, slide Cat.4 020
Dreaming
undated
Physical Characteristics and Technical Requirements note
pencil
album 8, slide Cat.4 021(1-5)
album 8, slide Cat.4 022(1-6)
title unknown
ca. 1975
Physical Characteristics and Technical Requirements note
pencil
album 8, slide Cat.4 023
Rest in Peace My Child
undated
creator: Gonzalez, Yolanda
Physical Characteristics and Technical Requirements note
pen and ink
Description/Comments
From Day of the Dead '89 Exhibition at Self Help Graphics, 3802 Brooklyn Ave, Los Angeles, CA (November 3, 1989). Cross: CAP.
album 8, slide Cat.4 024(1-11)
title unknown
undated
Physical Characteristics and Technical Requirements note
pen and ink, markers
album 8, slide Cat.4 025(1-23)
album 8, slide Cat.4 027(1-10)
title unknown
undated
creator: Limon, Leo
Physical Characteristics and Technical Requirements note
pen and ink, pencil and color pencils
album 9, slide Cat.4 028
Agustin's Song
undated
creator: Limon, Leo
Physical Characteristics and Technical Requirements note
pen and ink, pencil and color pencils
album 9, slide Cat.4 029
Amor Flys Away
1989
creator: Limon, Leo
Physical Characteristics and Technical Requirements note
pen and ink, pencil and color pencils
album 9, slide Cat.4 030(1-8)
Cortina of Smoke
1990
creator: Limon, Leo
Description/Comments
From Cortina of Smoke series.
album 9, slide Cat.4 032(1-2)
From 5 Puntos
1989
creator: Limon, Leo
Physical Characteristics and Technical Requirements note
pen and ink, pencil and color pencils
album 9, slide Cat.4 033(1-3)
In the Light of La Luna
1990
album 9, slide Cat.4 034
Locura
ca. 1986
creator: Limon, Leo
Physical Characteristics and Technical Requirements note
pen and ink on paper
album 9, slide Cat.4 035
Los Fires
undated
creator: Limon, Leo
Physical Characteristics and Technical Requirements note
pen and ink, pencil and color pencils
album 9, slide Cat.4 036
Mirando Las Marigolds
1990
album 9, slide Cat.4 037
Spiritual Cielos
1988
creator: Limon, Leo
Physical Characteristics and Technical Requirements note
pen and ink, pencil and color pencils
album 9, slide Cat.4 039
title unknown
1989
Physical Characteristics and Technical Requirements note
title unknown
album 9, slide Cat.4 040
Peppers #2
1989
Physical Characteristics and Technical Requirements note
monoprint
album 9, slide Cat.4 041(1-2)
Eyefly
undated
Physical Characteristics and Technical Requirements note
pen and ink
album 9, slide Cat.4 042(1-2)
Fish and the Mermaid
undated
Physical Characteristics and Technical Requirements note
pen and ink
album 9, slide Cat.4 043(1-2)
Owl
undated
Physical Characteristics and Technical Requirements note
pen and ink
album 9, slide Cat.4 044(1-2)
Porthole Fish
undated
Physical Characteristics and Technical Requirements note
pen and ink
album 9, slide Cat.4 045(1-2)
Seahorse
undated
Physical Characteristics and Technical Requirements note
pen and ink
album 9, slide Cat.4 046(1-2)
Unicorn
undated
Physical Characteristics and Technical Requirements note
pen and ink
album 9, slide Cat.4 047
Mr. Penski
undated
creator: Torrez, Eloy
Physical Characteristics and Technical Requirements note
pen on paper
album 9, slide Cat.4 048
Untitled
undated
creator: Torrez, Eloy
Physical Characteristics and Technical Requirements note
pen on paper
album 9, slide Cat.4 049
Untitled
undated
creator: Torrez, Eloy
Physical Characteristics and Technical Requirements note
pen on paper
album 9, slide Cat.4 050(1-5)
title unknown
undated
Physical Characteristics and Technical Requirements note
oil, paint and pencil
album 9, slide Cat.4 051
Roll Over
undated
Physical Characteristics and Technical Requirements note
pencil, charcoal and pastel
album 9, slide Cat.4 052
Untitled
undated
Physical Characteristics and Technical Requirements note
oil, photos, straw, sticks and stones
album 9, slide Cat.5 001(1-2)
R
esistencia Poster
1983
creator: [Artist Unknown]
Description/Comments
Poster for Resistencia Exhibition of Willier Herrón at Galería Otra Vez, 3802 Brooklyn Avenue, Los Angeles, CA, organized
by Self Help Graphics (September 30,1983). Cross: CAP.
album 9, slide Cat.5 002(1-2)
title unknown
1977
creator: [Artist Unknown]
Physical Description: silkscreen
Description/Comments
Fund: National Endownment for the Arts and Self Help Graphics. Poster Design for the Day of the Dead celebration and exhibition
at Self Help Graphics (November 6,1977).
album 9, slide Cat.5 003
title unknown
1989
creator: [Artist Unknown]
Physical Description: collage
album 9, slide Cat.5 004
title unknown
undated
creator: [Artist Unknown]
Physical Description: mixed media
Description/Comments
From Political Exhibition at Self Help Graphics, 3802 Brooklyn Avenue, Los Angeles, CA, during the month of December 1988.
album 9, slide Cat.5 005
title unknown
undated
creator: [Artist Unknown]
Physical Description: serigraphy
Description/Comments
From Political Exhibition at Self Help Graphics, 3802 Brooklyn Avenue, Los Angeles, CA, during the month of December 1988.
album 9, slide Cat.5 006
Day of the Dead 1980 Poster
November 1980
creator: [Artist Unknown]
Description/Comments
Assistants/Design: Leo Límon. Fund: Self Help Graphics, National Endowment for the Arts, City of Los Angeles. Cross: CAP
album 9, slide Cat.5 007
Day of the Dead '74
October 1974
creator: [Artist Unknown]
Physical Description: silkscreen
Description/Comments
Fund: Self Help Graphics. Poster for Día de Los Muertos celebration.
album 9, slide Cat.5 008(1-8)
Mayan Bank--Past, Present, Future
undated
creator: [Artist Unknown]
Description/Comments
Details of works by children during the Míranos Exhibition of soft sculpture at Self Help Graphics, organized by Sarah Pineda-
Rico and Beth Gregory. Cross: CAP.
album 9, slide Cat.5 009
Ecos de Mayo...Nostalgia de mi Tierra
August 1982
creator: Antonio Aguirre, José
Physical Description: linoleum cut
album 9, slide Cat.5 010
La Evolución de la Revolución
1987
creator: Antonio Aguirre, José
Physical Description: linoleum cut
album 9, slide Cat.5 011
No Tools
1987
creator: Antonio Aguirre, José
Physical Description: relief etching
album 9, slide Cat.5 012
Sacrifice
1987
creator: Antonio Aguirre, José
Physical Description: linoleum cut
album 9, slide Cat.5 013
Journey
undated
Physical Description: felt tip
album 9, slide Cat.5 014(1-3)
title unknown
undated
creator: Alferov, Alex
Physical Description: silkscreen
album 9, slide Cat.5 015(1-2)
El Paseo del Siglo/The Ride of the Century
1984
creator: Alicia, Juana
Physical Description: silkscreen
album 9, slide Cat.5 016
La Ponkalavera Güera
1985
creator: Alicia, Juana
Physical Description: silkscreen
album 9, slide Cat.5 017
title unknown
undated
Physical Description: serigraphy
album 9, slide Cat.5 018
Behind the Woman
1989
creator: Amemiya-Kirkman, Grace
Physical Description: monoprint
album 9, slide Cat.5 019
Nature Becomes a Dream
1990
creator: Amemiya-Kirkman, Grace
Physical Description: monoprint/linocut
album 9, slide Cat.5 020
The Remembering
1990
creator: Amemiya-Kirkman, Grace
Physical Description: monoprint
album 9, slide Cat.5 021
title unknown
undated
creator: Amescua, Michael M.
album 9, slide Cat.5 022
Día de los Muertos
undated
creator: Amescua, Michael M.
Physical Description: silkscreen
album 9, slide Cat.5 023
Mariposo
undated
creator: Amescua, Michael M.
Physical Description: silkscreen
album 9, slide Cat.5 024
Visions of Dreams
1986
Physical Description: monotype
album 9, slide Cat.5 025
title unknown
undated
Physical Description: silkscreen
Description/Comments
From Day of the Dead '90 Exhibition at Self Help Graphics, 3802 Brooklyn Ave, Los Angeles, CA (November 2, 1990). Cross: CAP.
album 9, slide Cat.5 026(1-2)
title unknown
undated
Physical Description: serigraphy
album 9, slide Cat.5 027(1-2)
title unknown
undated
Physical Description: silkscreen
album 9, slide Cat.5 028
title unknown
undated
Physical Description: silkscreen
Description/Comments
From Day of the Dead '90 Exhibition at Self Help Graphics, 3802 Brooklyn Ave, Los Angeles, CA (November 2, 1990). Cross: CAP.
album 9, slide Cat.5 029
Queen of Hearts
1989
Physical Description: silkscreen
album 9, slide Cat.5 030
Albuquerque
1985
Physical Description: collage
album 9, slide Cat.5 031
Cruisin'
1985
Physical Description: serigraphy
album 9, slide Cat.5 032
Gracias
1985
Physical Description: collage
album 9, slide Cat.5 033
Paradise Cove
1980
Physical Description: serigraphy
album 9, slide Cat.5 034
TV Times
1981
Physical Description: serigraphy
album 9, slide Cat.5 035
title unknown
undated
Physical Description: silkscreen
album 9, slide Cat.5 036(1-15)
title unknown
undated
creator: Boccalero, Karen, Sister
Physical Description: silkscreen, various mediums
album 9, slide Cat.5 037
Growing Up in America
1986
creator: Boltuch Avila, Glenna
Physical Description: mixed media
album 9, slide Cat.5 038
Portrait of Janine
1986
creator: Boltuch Avila, Glenna
Physical Description: mixed media
album 9, slide Cat.5 039
Portrait of Rosa
1986
creator: Boltuch Avila, Glenna
Physical Description: mixed media
album 9, slide Cat.5 040(1-4)
title unknown
undated
creator: Brehm, Qathryn
Physical Description: silkscreen
album 9, slide Cat.5 041
Al Cuidado de las Virgenes
ca. 1973
Physical Description: silkscreen
album 9, slide Cat.5 042
Baño del Narcizo
ca. 1974
Physical Description: silkscreen
album 9, slide Cat.5 043
Huichol
undated
Physical Description: silkscreen
album 9, slide Cat.5 044
Invierno
undated
Physical Description: silkscreen
album 9, slide Cat.5 045
Luna Vanidosa
undated
Physical Description: silkscreen
album 9, slide Cat.5 046
Necesita Ayuda
undated
Physical Description: silkscreen
album 9, slide Cat.5 047
Novia
ca. 1973
Physical Description: silkscreen
album 9, slide Cat.5 048
Novia en Feria
ca. 1973
Physical Description: silkscreen
album 9, slide Cat.5 049
Novia Roja
undated
Physical Description: silkscreen
album 9, slide Cat.5 050
Novia Tipo Oriental
undated
Physical Description: silkscreen
album 9, slide Cat.5 051
Novia Venadita
undated
Physical Description: silkscreen
album 9, slide Cat.5 052
Otoño
undated
Physical Description: silkscreen
album 9, slide Cat.5 053
Primavera
undated
Physical Description: silkscreen
album 9, slide Cat.5 054
Vato Loco
undated
Physical Description: silkscreen
album 9, slide Cat.5 055
Verano
undated
Physical Description: silkscreen
album 9, slide Cat.5 056(1-32)
title unknown
undated
Physical Description: silkscreen
album 9, slide Cat.5 057
title unknown
1982
Physical Description: serigraphy
Description/Comments
Poster for Día de las Madres Celebration at MEmorial Park, Pasedena, CA (May 9, 1982).
album 9, slide Cat.5 058(1-3)
Carmen Cortez
1975
creator: Cervantez, Yreina D.
Physical Description: lithography
album 9, slide Cat.5 059(1-2)
Felicia and the Fox
1974
creator: Cervantez, Yreina D.
Physical Description: lithography
album 9, slide Cat.5 060
title unknown
ca. 1980
Physical Description: serigraphy
Description/Comments
Flyer for Día de los Muertos Celebration November 2, 1980 Self Help Graphics (3802 Brooklyn Ave., Los Angeles, Ca.).
album 9, slide Cat.5 061
Xiconen
1980
Physical Description: serigraphy
album 9, slide Cat.5 062
Canoe, Talud-Tablero
undated
creator: Chamberlin, Ann
Physical Description: monotype on chine collé
album 9, slide Cat.5 063
Clouds, Green Things
undated
creator: Chamberlin, Ann
Physical Description: monotype with oil
album 9, slide Cat.5 064
Curtains, Hand
undated
creator: Chamberlin, Ann
Physical Description: monotype with oil on handmade paper
album 9, slide Cat.5 065
Fire, Cape
undated
creator: Chamberlin, Ann
Physical Description: monotype with oil on handmade paper
album 9, slide Cat.5 066
Olla, Canoe, Coffee
undated
creator: Chamberlin, Ann
Physical Description: monotype
album 9, slide Cat.5 067
Olla, Little Lifeboat
undated
creator: Chamberlin, Ann
Physical Description: monotype
album 9, slide Cat.5 068
Olla, Loveboat, Icewater
undated
creator: Chamberlin, Ann
Physical Description: monotype
album 9, slide Cat.5 069
Olla, Spinning
undated
creator: Chamberlin, Ann
Physical Description: monotype with pencil
album 9, slide Cat.5 070
Olla, Volcanos
undated
creator: Chamberlin, Ann
Physical Description: monotype on gouache
album 9, slide Cat.5 071
Pennants, Smoke
undated
creator: Chamberlin, Ann
Physical Description: monotype with oil on handmade paper
album 9, slide Cat.5 072
U.F.O.s
ca. 1984
creator: Chamberlin, Ann
Physical Description: monotype
album 9, slide Cat.5 073
Judy Buffalo Reads "Portnoy's Complaint" (detail)
1988
Physical Description: monoprint
album 9, slide Cat.5 074
Rachel Sitting in the Big Red Chair (detail)
1988
Physical Description: monoprint
album 9, slide Cat.5 075
Dineh Elder
undated
Physical Description: monoprint
album 9, slide Cat.5 076
Joe Benally, Big Mountain
1987
Physical Description: monoprint
album 9, slide Cat.5 077
Judy Buffalo and the Spirit Wall
1988
Physical Description: monoprint
album 9, slide Cat.5 078
Judy Buffalo Reads "Portnoy's Complaint"
1988
Physical Description: monoprint
album 9, slide Cat.5 079
Katharine Smith and Child
1987
Physical Description: monoprint
album 9, slide Cat.5 080
Larry Booth Takes a Coffee Break
1988
Physical Description: monoprint
album 9, slide Cat.5 081
Living on the Land
1987
Physical Description: monoprint
album 9, slide Cat.5 082
Mary and the Bougainvillea
1988
Physical Description: monoprint
album 9, slide Cat.5 083
Rachel Sitting in the Big Red Chair
1988
Physical Description: monoprint
album 9, slide Cat.5 084
We Are Told We Have To Move, But We Will Not Go
undated
Physical Description: monoprint
album 9, slide Cat.5 085
Woman With Her Sheep
1987
Physical Description: monoprint
album 9, slide Cat.5 086
Abuelito
1985
creator: Coronado, Sam
Physical Description: silkscreen
album 9, slide Cat.5 087
Cosmic Mixer
1986
Physical Description: paper on paper
album 9, slide Cat.5 088
Reclining Figure
1986
Physical Description: paper on paper
album 9, slide Cat.5 089
Weightless
1986
Physical Description: paper on paper
album 9, slide Cat.5 090
Día de los Muertos 1981
1981
creator: De Batuc,, Alfredo
Physical Description: serigraphy
album 9, slide Cat.5 091
title unknown
undated
Physical Description: serigraphy
album 9, slide Cat.5 092
title unknown
1985
Physical Description: silkscreen
album 9, slide Cat.5 093
Oppression Series
undated
Physical Description: silkscreen
album 9, slide Cat.5 094
De Batuc
undated
creator: Garcia, Margaret
Physical Description: monotype
album 9, slide Cat.5 095
Hyena I
undated
creator: Garcia, Margaret
Physical Description: monotype
album 9, slide Cat.5 096
Hyena II
undated
creator: Garcia, Margaret
Physical Description: monotype
album 9, slide Cat.5 097
Perro Fuego
undated
creator: Garcia, Margaret
Physical Description: monotype
album 9, slide Cat.5 098
Viejo Perro
undated
creator: Garcia, Margaret
Physical Description: monotype
album 9, slide Cat.5 099
Wolf-Dog Ceres [sic] Cactus
undated
creator: Garcia, Margaret
Physical Description: monotype
album 9, slide Cat.5 100
Attica Is Fascismo
1976
Physical Description: serigraphy
album 9, slide Cat.5 101
Human Rights Day
1976
Physical Description: serigraphy
Description/Comments
For Amnesty International Human Rights Day December 10, 1976 based upon El Grito Rebelde.
album 9, slide Cat.5 102(1-10)
title unknown
ca. 1981- 1983
Physical Description: serigraphy
album 9, slide Cat.5 103
Altar Madness
1991
creator: Guerrero-Cruz, Dolores
Physical Description: monotype
album 9, slide Cat.5 104
El Beso
1990
creator: Guerrero-Cruz, Dolores
Physical Description: serigraphy
album 9, slide Cat.5 105
Mujeres y Perros
1987
creator: Guerrero-Cruz, Dolores
Physical Description: serigraphy
album 9, slide Cat.5 106
Peace Makers
1985
creator: Guerrero-Cruz, Dolores
Physical Description: serigraphy
album 9, slide Cat.5 107
Untitled (The Bride)
1985
creator: Guerrero-Cruz, Dolores
Physical Description: serigraphy
album 9, slide Cat.5 108
La Ofrenda
1988
creator: Ester Hernandez
Physical Description: screenprint
album 9, slide Cat.5 109
Los Illegals
undated
creator: Herrʹon, Willie
Physical Description: unknown
Description/Comments
From Resistencia Exhibition of Willie Herrón at Galería Otra Vez (3802 Brooklyn Avenue, Los Angeles, CA), organized by Self
Help Graphics (September 30, 1983). Cross CAP.
album 9, slide Cat.5 110
Birthin
undated
creator: Hoyes, Bernard Stanley
Physical Description: monoprint
Description/Comments
From Rag Series.
album 9, slide Cat.5 111
Celestial Bodies in Eclipse
undated
creator: Hoyes, Bernard Stanley
Physical Description: monoprint
Description/Comments
From Rag Series.
album 9, slide Cat.5 112
Chicken in Rag
undated
creator: Hoyes, Bernard Stanley
Physical Description: monoprint
Description/Comments
From Rag Series.
album 9, slide Cat.5 113
Dying Bull
undated
creator: Hoyes, Bernard Stanley
Physical Description: monoprint
Description/Comments
From Rag Series.
album 9, slide Cat.5 114
Hands on Rags
undated
creator: Hoyes, Bernard Stanley
Physical Description: monoprint
Description/Comments
From Rag Series.
album 9, slide Cat.5 115
Rag Existence
undated
creator: Hoyes, Bernard Stanley
Physical Description: monoprint
Description/Comments
From Rag Series.
album 9, slide Cat.5 116
Rag Nouveau
undated
creator: Hoyes, Bernard Stanley
Physical Description: monoprint
Description/Comments
From Rag Series.
album 9, slide Cat.5 117
Redemption Song
undated
creator: Hoyes, Bernard Stanley
Physical Description: multimedia
Description/Comments
From Rag Series.
album 9, slide Cat.5 118
title unknown
undated
Physical Description: taffeta silkscreen
album 9, slide Cat.5 119
Día Alegre
undated
Physical Description: silkscreen
album 9, slide Cat.5 120
The American Indians U.S. Constitution
1988
creator: La Marr, Jean
Physical Description: monotype
album 9, slide Cat.5 121
From the Boudoir
1988
creator: La Marr, Jean
Physical Description: monotype
album 9, slide Cat.5 122
Lighting Up No. 1
1988
creator: La Marr, Jean
Physical Description: monotype
album 9, slide Cat.5 123
Only in America No. 3
1988
creator: La Marr, Jean
Physical Description: monotype
album 9, slide Cat.5 124
She's Black Mountain
1988
creator: La Marr, Jean
Physical Description: monotype
album 9, slide Cat.5 125(1-4)
title unknown
undated
creator: Leal, Steve
Physical Description: serigraphy
album 9, slide Cat.5 126
title unknown
1978
creator: Limon, Leo
Physical Description: unknown
Description/Comments
Poster for Beto's Dream by Teartro Urbano.
album 9, slide Cat.5 127
title unknown
1979
creator: Limon, Leo
Physical Description: unknown
Description/Comments
Poster for Teatro Urbano play The Silver Dollar.
album 9, slide Cat.5 128
title unknown
1980
creator: Limon, Leo
Physical Description: unknown
Description/Comments
Poster for the 7th Annual International Film Festival: Los Angeles the Ethnic Experience 1980.
album 9, slide Cat.5 129
title unknown
1982
creator: Limon, Leo
Physical Description: unknown
Description/Comments
Poster for Santa Monica Mountains Folklife Festival.
album 9, slide Cat.5 130(1-20)
title unknown
undated
creator: Limon, Leo
Physical Description: unknown
album 9, slide Cat.5 131
Poster to Lolita Lebrón
1977
Physical Description: silkscreen
album 9, slide Cat.5 132
title unknown
ca. 1973
creator: Maradiaga, Ralph
Physical Description: silkscreen
Description/Comments
Poster for El Sol Nunca Muere Exhibtion at Galería de la Raza (September 7, 1973).
album 9, slide Cat.5 133
title unknown
ca. 1973
creator: Maradiaga, Ralph
Physical Description: photo silkscreen
album 9, slide Cat.5 134
Onward Christian Soldiers
1985
creator: Oropeza, Eduardo
Physical Description: silkscreen
Description/Comments
Fund:National Endownment of Arts and CAC.
album 9, slide Cat.5 135
Amantes
ca. 1985
Physical Description: silkscreen
album 9, slide Cat.5 136
Cholo con Blaster
ca. 1987-1989
Physical Description: silkscreen
album 9, slide Cat.5 137
El Don y la Doña García
ca. 1985
Physical Description: silkscreen
album 9, slide Cat.5 138
La Familia García
ca. 1985
Physical Description: silkscreen
album 9, slide Cat.5 139
Grupo Folklórico
ca. 1987- 1989
Physical Description: silkscreen
album 9, slide Cat.5 140
Grupo Folklórico Mexicano
ca. 1987- 1989
Physical Description: silkscreen
album 9, slide Cat.5 141
Hombres con Ponchos
ca. 1985
Physical Description: silkscreen
album 9, slide Cat.5 142
Los Musicos
ca. 1987- 1989
Physical Description: silkscreen
album 9, slide Cat.5 143
Puesto con Chicas
ca. 1985
Physical Description: monotype
album 9, slide Cat.5 144
San Antonio Cinco de Mayo
ca. 1985
Physical Description: silkscreen
album 9, slide Cat.5 145
La Troca Lowrider
ca. 1987- 1989
Physical Description: monotype
album 9, slide Cat.5 146
Unto con Cigarro
ca. 1987- 1989
Physical Description: monotype
album 10, slide Cat.5 147
title unknown
undated
Physical Description: airbrush on silk
album 10, slide Cat.5 148
title unknown
1983
Physical Description: serigraphy
album 10, slide Cat.5 149(1-8)
title unknown
1985
Physical Description: serigraphy
album 10, slide Cat.5 150(1-10)
title unknown
undated
Physical Description: serigraphy
album 10, slide Cat.5 151
title unknown
undated
creator: Ponce, Michael D.
Physical Description: silkscreen
Description/Comments
Día de los Muertos Poster.
album 10, slide Cat.5 152(1-6)
title unknown
undated
Physical Description: silkscreen
album 10, slide Cat.5 153
Craig and Kim
1974
Physical Description: silkscreen
album 10, slide Cat.5 154
K Mart
1972
Physical Description: silkscreen
album 10, slide Cat.5 155
Lucky
1973
Physical Description: silkscreen
album 10, slide Cat.5 156(1-6)
title unknown
undated
creator: Sparrow, Peter V.
Physical Description: silkscreen
album 10, slide Cat.5 157
title unknown
undated
creator: Sparrow, Peter V.
Physical Description: silkscreen
album 10, slide Cat.5 158
Cleo
undated
creator: Sparrow, Peter V.
Physical Description: linocut
album 10, slide Cat.5 159
Thank You Bucky
undated
Physical Description: collage
album 10, slide Cat.5 160
Plan B
undated
Physical Description: serigraphy
album 10, slide Cat.5 161
Plan III
undated
Physical Description: serigraphy
album 10, slide Cat.5 162
Plan IV
undated
Physical Description: serigraphy
album 10, slide Cat.5 163
Zen
undated
Physical Description: serigraphy
album 10, slide Cat.5 164
title unknown
undated
creator: Urista, Arturo
Physical Description: silkscreen
album 10, slide Cat.5 165
Amarillo
undated
creator: Urista, Arturo
Physical Description: silkscreen
album 10, slide Cat.5 166
Mosquito
1985
creator: Urista, Arturo
Physical Description: silkscreen
album 10, slide Cat.5 167
Statement #1
1984
creator: Urista, Arturo
Physical Description: ink
album 10, slide Cat.5 168
Statement #2
1984
creator: Urista, Arturo
Physical Description: ink
album 10, slide Cat.5 169
Statement #3
1984
creator: Urista, Arturo
Physical Description: ink
album 10, slide Cat.5 170
Vato
1985
creator: Urista, Arturo
Physical Description: silkscreen
album 10, slide Cat.5 171
Beautificado
1976
creator: Valadez, John M.
Physical Description: serigraphy
album 10, slide Cat.5 172(1-6)
title unknown
undated
creator: Valdez, Patssi
Physical Description: silkscreen
album 10, slide Cat.5 173
Altar for Day of the Dead
1988
creator: Valdez, Patssi
Physical Description: silkscreen
album 10, slide Cat.5 174
Conversation
undated
creator: Vallejo, Linda
Physical Description: litho monotype
album 10, slide Cat.5 175
Lofty Cynicism
1975
creator: Vallejo, Linda
Physical Description: litho monotype
album 10, slide Cat.5 176(1-2)
Potato Prints
undated
creator: Vallejo, Linda
Physical Description: unknown
Description/Comments
From Míranos Children Exhibition of soft sculpture at Self Help Graphics, organized by Sara Pineda-Rico and Beth Gregory .
Cross: CAP.
album 10, slide Cat.5 177
Ronald
1976
creator: Vallejo, Linda
Physical Description: litho monotype
album 10, slide Cat.5 178
title unknown
1980
Physical Description: serigraphy
Description/Comments
Poster for Día de los Muertos Photography exhibition at Self Help Graphics (November 2,1980).
album 10, slide Cat.5 179(1-2)
Fault Line
undated
Physical Description: offset litho
album 10, slide Cat.5 180
title unknown
undated
Physical Description: serigraphy
Description/Comments
Poster designed for Día de los Muertos Exhibition at Self Help Graphics
album 10, slide Cat.5 181(1-16)
title unknown
undated
creator: Yáñez, Larry
Physical Description: mixed media
album 10, slide Cat.5 182(1-2)
title unknown
undated
creator: Yepes, George
Physical Description: silkscreen
album 10, slide Cat.5 183
Mad Miss Whale
undated
Physical Description: color xerox
album 10, slide Cat.5 184
Chamber Music
1984
Physical Description: silkscreen
album 10, slide Cat.5 185
title unknown
undated
Physical Description: unknown
Description/Comments
From New Language Exhibition at Galería Otra Cez, 3802 Brooklyn Avenue, Los Angeles, CA, organized by Self Help Graphics .
Cross: CAP.
album 10, slide Cat.5 186
title unknown
undated
Physical Description: silkscreen and paint
album 10, slide Cat. 7 001
title unknown
undated
creator: [Artist Unknown]
Description/Comments
From Political Exhibition at Self Help Graphics during the month of December, 1988.
album 10, slide Cat. 7 002
title unknown
undated
creator: [Artist Unknown]
Description/Comments
Fron New Fire Exhibition, organized by Micheal M. Amescua. Cross: CAP. Fund: NEA Expansion Arts and Self Help Graphics.
album 10, slide Cat. 7 003
title unknown
November 2, 1990
Description/Comments
From Day of the Dead '90 Exhibtion at Self Help Graphics. Cross: CAP.
album 10, slide Cat. 7 004
title unknown
undated
creator: Amescua, Michael M.
album 10, slide Cat. 7 005(1-2)
album 10, slide Cat. 7 006
title unknown
November 2, 1990
creator: Gómez, Patricia
Description/Comments
From Day of the Dead '90 Exhibiton at Self Help Graphics. Cross: CAP.
album 10, slide Cat. 7 007(1-2)
Fatal Contradiction
undated
creator: Gonzalves, Ricardo
album 10, slide Cat. 7 008
Untitled
November 3, 1989
Description/Comments
From Day of the Dead '89 Exhibtion at Self Help Graphics. Cross:CAP.
album 10, slide Cat. 7 009(1-17)
L.A. Store
undated
creator: Sparrow, Peter V.
album 10, slide Cat. 7 010
album 10, slide Cat.8 001(1-2)(1-2)
(title unknown)
June 1980
creator: [Artist Unknown]
Physical Description: tile mural
Description/Comments
Details of tile murals during the Tile Workshop at Self Help Graphics, organized by Jack Alexander. Cross:CAP.
album 10, slide Cat.8 002(1-26)
(title unknown)
june 1980
creator: [Artist Unknown]
Physical Description: tile mural
Description/Comments
Details of tile murals during the Tile Workshop at Self Help Graphics, organized by Jack Alexander. Cross: CAP.
album 10, slide Cat.8 003(1-3)
(title unknown)
June 1980
creator: [Artist Unknown]
Physical Description: tile mural
Description/Comments
From Míranos Exhibition of tile mural at Self Help Graphics (June 1980). Cross:CAP.
album 10, slide Cat.8 004
Earth Book
ca. 1987
creator: Alicia, Juana
Physical Description: skyline collage
album 10, slide Cat.8 005
(title unknown)
June 1980
creator: Amescua, Michael M.
Physical Description: tile mural
Description/Comments
From the Tile Workshop at Self Help Graphics, organized by Jack Alexander.
album 10, slide Cat.8 006(1-3)
(title unknown)
undated
creator: Amescua, Michael M.
Physical Description: tile mural
Description/Comments
Form Míranos Exhibition of tile mural at Self Help Graphics (June 1980).Cross: CAP.
album 10, slide Cat.8 007
L.A. Freeway Kids Olympic Mural 1984
1984
creator: Boltuch Avila, Glenna
Description/Comments
Fund:Los Angeles Olympic Organizations
album 10, slide Cat.8 008
Black Folk Art Museum
1983
creator: Boltuch Avila, Glenna
album 10, slide Cat.8 009
(title unknown)
undated
Description/Comments
Detail of mural
album 10, slide Cat.8 010
(title unknown)
June 1,1980
Physical Description: tile mural
Description/Comments
From Tile Workshop at Self Help Graphics, organized by Jack Alexander. Cross:CAP
album 10, slide Cat.8 011
(title unknown)
undated
Physical Description: tile mural
Description/Comments
From Míranos Exhibition of tile mural at Self Help Graphics (June 1980). Cross:CAP
album 10, slide Cat.8 012
(title unknown)
undated
creator: Delgado, Roberto L.
album 10, slide Cat.8 013
Hombre de Oxchue
1979
creator: Delgado, Roberto L.
Description/Comments
A detail from Phil Meisinger's mural Hombre de Oxchue (7' x 5').
album 10, slide Cat.8 014
(title unknown)
undated
Physical Description: acrylic
album 10, slide Cat.8 015(1-4)
(title unknown)
June 1980
Physical Description: tile mural
Description/Comments
From the Tile Workshop at Self Help Graphics, organized by Jack Alexander. Cross: CAP.
album 10, slide Cat.8 016(1-2)
(title unknown)
1980
Physical Description: tile mural
Description/Comments
From the Tile Workshop at Self Help Graphics, organized by Jack Alexander. Cross:CAP.
album 10, slide Cat.8 017
(title unknown)
June 1980
Physical Description: tile mural
Description/Comments
Form Míranos Exhibiton of tile mural at Self Help Graphics (June 1980). Cross:CAP.
album 10, slide Cat.8 018
(title unknown)
June 1980
creator: Limon, Leo
Physical Description: tile mural
Description/Comments
From the Tile Workshop at Self Help Graphics, organized by Jack Alexander. Cross:CAP.
album 10, slide Cat.8 019
(title unknown)
June 1980
creator: Limon, Leo
Physical Description: tile mural
Description/Comments
From Míranos Exhibition of tile mural at Self Help Graphics (June 1980). Cross:CAP.
album 10, slide Cat.8 020(1-9)
album 10, slide Cat.8 021(1-2)
album 10, slide Cat.8 022
album 10, slide Cat.8 023(1-2)
Filling Up on Ancient Energies
1981
album 10, slide Cat.8 024
(title unknown)
June 1980
creator: Pineda-Rico, Sarah
Physical Description: tile mural
Descrition/Comments
From the Tile Workshop at Self Hlep Graphics, organized by Jack Alexander. Cross:CAP.
album 10, slide Cat.8 025
(title unknown)
June 1980
creator: Pineda-Rico, Sarah
Physical Description: tile mural
Description/Comments
From Míranos Exhibition of tile mural at Self Help Graphics (June 1980). Cross:CAP.
album 10, slide Cat.8 026
(title unknown)
undated
Physical Description: serigraphy mounted
Description/Comments
Mural from park, La Brea,CA.
album 10, slide Cat.8 027
Going to the Olympics 1984
1984
creator: Romero, Frank E.
Physical Description: acrylic on concrete
album 10, slide Cat.8 028(1-3)
Hollywood Mural: Legends of Hollywood
November 1983
album 10, slide Cat.8 029
album 10, slide Cat.8 030
(title unknown)
June 1980
creator: Vallejo, Linda
Material Specific Details: tile mural
Description/Comments
From Míranos Exhibition of tile mural at Self Help Graphics(June 1980). Cross:CAP.
album 10, slide Cat.9 001(1-15)
(title unknown)
undated
creator: [Artist Unknown]
Description/Comments
From Carnalismo Exhibition at Tijuana, Mexico, organized by Self Help Graphics (September 1987). Cross:CAP.
album 10, slide Cat.9 002
(title unknown)
undated
creator: [Artist Unknown]
Description/Comments
From New Fire Exhibition at Galería Otra Vez. 3802 Brooklyn Ave, Los Angeles , CA, organized by Michael M. Amescua through
Self Help Graphics (Ocober 19, 1985). Cross:CAP.
album 10, slide Cat.9 003(1-5)
(title unknown)
undated
creator: [Artist Unknown]
Description/Comments
From Day of the Dead Exhibition at Self Help Graphics (November 2, 1980).Cross: CAP.
album 10, slide Cat.9 004(1-2)
(title unknown)
undated
creator: Alferov, Alex
Physical Description: acrylic
album 10, slide Cat.9 005
(title unknown)
undated
creator: Alferov, Alex
Physical Description: acrylic
album 10, slide Cat.9 006
(title unknown)
undated
creator: Alferov, Alex
Physical Description: acrylic
album 10, slide Cat.9 007
(title unknown)
undated
creator: Alferov, Alex
Physical Description: acrylic
album 10, slide Cat.9 008
(title unknown)
undated
creator: Alferov, Alex
Physical Description: acrylic
album 10, slide Cat.9 009(1-4)
album 10, slide Cat.9 010(1-2)
Auto-Vision
1987
creator: Alicia, Juana
Physical Description: pastel on paper
album 10, slide Cat.9 011
Corazón
1987
creator: Alicia, Juana
Physical Description: pastel on paper
album 10, slide Cat.9 012
Danzante
1987
creator: Alicia, Juana
Physical Description: watercolor on paper
album 10, slide Cat.9 013
Mi Dicotomía
1987
creator: Alicia, Juana
Physical Description: pastel on paper
album 10, slide Cat.9 014
Rosa
1987
creator: Alicia, Juana
Physical Description: pastel on paper
album 10, slide Cat.9 015
album 10, slide Cat.9 016
(title unknown)
1989
creator: Amemiya-Kirkman, Grace
album 10, slide Cat.9 017
(title unknown)
undated
creator: Amescua, Michael M.
Physical Description: spray and enamel
album 10, slide Cat.9 018
(title unknown)
undated
creator: Amescua, Michael M.
Physical Description: spray and enamel
album 10, slide Cat.9 019
Xolotl
undated
creator: Amescua, Michael M.
Physical Description: spray enamel
album 10, slide Cat.9 020
album 10, slide Cat.9 021
album 10, slide Cat.9 022
album 10, slide Cat.9 023
album 10, slide Cat.9 024
album 10, slide Cat.9 025
Calling the Dancers
October 1986
album 10, slide Cat.9 026
album 10, slide Cat.9 027
album 10, slide Cat.9 028
White Hawk Maiden
undated
album 10, slide Cat.9 029(1-3)
(title unknown)
undated
Physical Description: mixed media
album 10, slide Cat.9 030
(title unknown)
undated
Physical Description: watercolor,ink
album 10, slide Cat.9 031
(title unknown)
undated
Physical Description: oil, acrylic
album 10, slide Cat.9 032(1-2)
(title unknown)
undated
Physical Description: mixed media
album 10, slide Cat.9 033
Pieta
undated
Physical Description: acrylic-enamel on canvas
album 10, slide Cat.9 034
Untitled
undated
Physical Description: acrylic-enamel on canvas
album 10, slide Cat.9 035
Untitled
undated
Physical Description: acrylic-enamel on canvas
album 10, slide Cat.9 036
Abstraction #4
1986
Physical Description: watercolor
album 10, slide Cat.9 037
Self-Portrait
1984
Physical Description: oil
album 10, slide Cat.9 038
Concurrent
ca. 1988- 1989
creator: Bert, Guillermo
Physical Description: oil on canvas
album 10, slide Cat.9 039
The Flasher
1987
creator: Bert, Guillermo
Physical Description: oil on canvas
album 10, slide Cat.9 040
Seeds of Illusion 1,2 and 3
1988
creator: Bert, Guillermo
Physical Description: oil on canvas
album 10, slide Cat.9 041
Seeds of Illusion #2
1988
creator: Bert, Guillermo
Physical Description: oil on canvas
album 10, slide Cat.9 042
Seeds of Illusion #3
ca. 1988- 1989
creator: Bert, Guillermo
Physical Description: oil on canvas
album 10, slide Cat.9 043(1-2)
Two Silents Echos [sic]
1987
creator: Bert, Guillermo
Physical Description: oil on canvas
album 10, slide Cat.9 044
The Warning
1987
creator: Bert, Guillermo
Physical Description: oil on canvas
album 10, slide Cat.9 045
(title unknown)
undated
Physical Description: From Tradición y Futuro Exhibition at Galería Otra Vez, 3802 Brooklyn Avenue, Los Angeles, CA, organized by Self Help Graphics(February
8, 1981). Cross:CAP.
album 10, slide Cat.9 046
Self-Portrait with Jaguar and Serpent
ca. 1979
creator: Botello, David
Physical Description: acrylic on canvas
album 10, slide Cat.9 047
(title unknown)
ca. 1985- 1986
Physical Description: acrylic on canvas
album 10, slide Cat.9 048
Bridge
undated
Physical Description: acrylic on canvas
album 10, slide Cat.9 049
For You
1989
Description/Comments
From Day of the Dead '90 Exhibition at Self Help Graphics, 3802 Brooklyn Avenue, Los Angeles, CA (November 3, 1989). Cross:CAP.
album 10, slide Cat.9 050
Security
1984
Physical Description: acrylic on campus
album 10, slide Cat.9 051
Temptation
1987
Physical Description: acrylic on canvas
album 10, slide Cat.9 052
album 10, slide Cat.9 053
Isabel, Novia de Pueblo
undated
Physical Description: acrylic
album 10, slide Cat.9 054
Novia de Metepec
undated
Physical Description: acrylic
album 10, slide Cat.9 055
album 10, slide Cat.9 056
Remedios, Novia de Pueblo
undated
Physical Description: acrylic
album 10, slide Cat.9 057
album 10, slide Cat.9 058
album 10, slide Cat.9 059
album 10, slide Cat.9 060(1-3)
album 10, slide Cat.9 061
Innerman
1986
creator: Calderón, Rudy
Physical Description: oil on window screen
album 10, slide Cat.9 062
Walking With My Child
1984
creator: Calderón, Rudy
Physical Description: oil and gold enamel on canvas
album 10, slide Cat.9 063(1-2)
album 10, slide Cat.9 064
Despedida a las Ilusiones
1985
creator: Cervantez, Yreina D.
album 10, slide Cat.9 065
Homenaje a Frida Kahlo
undated
creator: Cervantez, Yreina D.
album 10, slide Cat.9 066
La Muerte de Artemio Cruz
1974
creator: Cervantez, Yreina D.
album 10, slide Cat.9 067(1-2)
Self-Portrait
undated
creator: Cervantez, Yreina D.
album 10, slide Cat.9 068(1-2)
Still Life with Titere
1975
creator: Cervantez, Yreina D.
album 10, slide Cat.9 069
album 10, slide Cat.9 070
album 10, slide Cat.9 071(1-4)
album 10, slide Cat.9 072
album 10, slide Cat.9 073(1-12)
album 11, slide Cat.9 074
album 11, slide Cat.9 075
Pulse of Life--Bite of Death
undated
album 11, slide Cat.9 076
La Vida, Días para Nacimiento, Amor y Morir
undated
album 11, slide Cat.9 077
album 11, slide Cat.9 078
album 11, slide Cat.9 079
album 11, slide Cat.9 080
(title unknown)
ca. 1985
creator: Delgado, Roberto L.
album 11, slide Cat.9 081
(title unknown)
ca. 1985
creator: Delgado, Roberto L.
album 11, slide Cat.9 082
(title unknown)
ca. 1985
creator: Delgado, Roberto L.
album 11, slide Cat.9 083
(title unknown)
ca. 1985
creator: Delgado, Roberto L.
album 11, slide Cat.9 084
(title unknown)
ca. 1985
creator: Delgado, Roberto L.
album 11, slide Cat.9 085(1-2)
(title unknown)
1987
creator: Delgado, Roberto L.
album 11, slide Cat.9 086(1-2)
(title unknown)
1987
creator: Delgado, Roberto L.
album 11, slide Cat.9 087(1-5)
(title unknown)
1987
creator: Delgado, Roberto L.
album 11, slide Cat.9 088(1-7)
(title unknown)
undated
creator: Delgado, Roberto L.
album 11, slide Cat.9 089(1-5)
(title unknown)
undated
creator: Delgado, Roberto L.
album 11, slide Cat.9 090(1-6)
album 11, slide Cat.9 091(1-9)
album 11, slide Cat.9 092(1-3)
album 11, slide Cat.9 093
album 11, slide Cat.9 094
El Diablo in the Projects
undated
album 11, slide Cat.9 095
album 11, slide Cat.9 096
Triumph and Tragedy
undated
album 11, slide Cat.9 097
album 11, slide Cat.9 098
Love and Good in Hollywood
1989
album 11, slide Cat.9 099
album 11, slide Cat.9 100(1-2)
album 11, slide Cat.9 101
album 11, slide Cat.9 102(1-4)
album 11, slide Cat.9 103 (1-6)
album 11, slide Cat.9 104
album 11, slide Cat.9 105
album 11, slide Cat.9 106
album 11, slide Cat.9 107
album 11, slide Cat.9 108
album 11, slide Cat.9 109
album 11, slide Cat.9 110
album 11, slide Cat.9 111
album 11, slide Cat.9 112
album 11, slide Cat.9 113
album 11, slide Cat.9 114 (1)
His Blue Cat
1982
creator: Gamboa, Diane
Description/Comments
His Blue Cat 1982 Drawing. 20 x 16 in. pastel on board. Exhibited: 1982
Toma Toda. Solo Exhibit, Galeria Orta Vez/ Self Help Graphics and Art, Los Angeles, CA.
Way Under. Group Exhibition, Western Studio, Los Angeles, CA.
album 11, slide Cat.9 114 (2)
Tribal Trace
1982
creator: Gamboa, Diane
Description/Comments
Tribal Trace 1982 Painting. 20 x 24 in., acrylic on canvas. Exhibited: 1982
Way Under. Group Exhibition, Western Studio, Los Angeles, CA.
album 11, slide Cat.9 114 (3)
album 11, slide Cat.9 115
(title unknown)
undated
creator: Garcia, Margaret
album 11, slide Cat.9 116
Babies Sleeping
undated
creator: Garcia, Margaret
album 11, slide Cat.9 117
Dancing Calaveras
1987
creator: Garcia, Margaret
album 11, slide Cat.9 118
Marcos Monroy
undated
creator: Garcia, Margaret
album 11, slide Cat.9 119
Margaret Guzman
undated
creator: Garcia, Margaret
album 11, slide Cat.9 120
Oscar Duardo
undated
creator: Garcia, Margaret
album 11, slide Cat.9 121
Willie My Cousin
undated
creator: Garcia, Margaret
album 11, slide Cat.9 122
album 11, slide Cat.9 123
album 11, slide Cat.9 124
album 11, slide Cat.9 125(1-2)
album 11, slide Cat.9 126
album 11, slide Cat.9 127
album 11, slide Cat.9 128
Belief
1988
creator: Gómez, Patricia
album 11, slide Cat.9 129(1-2)
City Block
1988
creator: Gómez, Patricia
album 11, slide Cat.9 130
Death Is a Breakthrough
undated
creator: Gómez, Patricia
album 11, slide Cat.9 131
Inner Calm
1985
creator: Gómez, Patricia
album 11, slide Cat.9 132(1-6)
Iron Maiden
1989
creator: Gómez, Patricia
album 11, slide Cat.9 133(1-3)
Last Innocents
1989
creator: Gómez, Patricia
album 11, slide Cat.9 134
Lost in It
undated
creator: Gómez, Patricia
album 11, slide Cat.9 135(1-2)
Mother and Child
1988
creator: Gómez, Patricia
album 11, slide Cat.9 136
Mother and Child
1989
creator: Gómez, Patricia
album 11, slide Cat.9 137(1-3)
Muddled by Detail
1989
creator: Gómez, Patricia
album 11, slide Cat.9 138
Passages
undated
creator: Gómez, Patricia
album 11, slide Cat.9 139(1-2)
Passing Phases
1988
creator: Gómez, Patricia
album 11, slide Cat.9 140
Ritual Hand
1989
creator: Gómez, Patricia
album 11, slide Cat.9 141
Tabloid Figure
1988
creator: Gómez, Patricia
album 11, slide Cat.9 142
Tabloid Figure II
1988
creator: Gómez, Patricia
album 11, slide Cat.9 143
Transition
1988
creator: Gómez, Patricia
album 11, slide Cat.9 144
Turn It On...Again
1987
creator: Gómez, Patricia
album 11, slide Cat.9 145
album 11, slide Cat.9 146
album 11, slide Cat.9 147
album 11, slide Cat.9 148
album 11, slide Cat.9 149
Moonlight Nopales
undated
album 11, slide Cat.9 150
album 11, slide Cat.9 151
album 11, slide Cat.9 152
album 11, slide Cat.9 153
album 11, slide Cat.9 154
album 11, slide Cat.9 155
album 11, slide Cat.9 156
Man in White Turban
undated
album 11, slide Cat.9 157
The Memory of Our Embrace
undated
creator: Gonzalez, Yolanda
album 11, slide Cat.9 158
Painful Thoughts
undated
creator: Gonzalez, Yolanda
album 11, slide Cat.9 159
Santera Miau
undated
creator: Gonzalez, Yolanda
album 11, slide Cat.9 160
Tino Cano
undated
creator: Gonzalez, Yolanda
album 11, slide Cat.9 161
(title unknown)
1990
creator: Guerrero-Cruz, Dolores
album 11, slide Cat.9 162
(title unknown)
undated
creator: Guerrero-Cruz, Dolores
album 11, slide Cat.9 163
Altar de Doña Lola
1989
creator: Guerrero-Cruz, Dolores
album 11, slide Cat.9 164
Altar de Doña Lola
1989
creator: Guerrero-Cruz, Dolores
album 11, slide Cat.9 165
Celebration Bride
1990
creator: Guerrero-Cruz, Dolores
album 11, slide Cat.9 166
The Dressing Are Jewels
1990
creator: Guerrero-Cruz, Dolores
album 11, slide Cat.9 167
The Heavy Heart
1991
creator: Guerrero-Cruz, Dolores
album 11, slide Cat.9 168
The Last Bride
1990
creator: Guerrero-Cruz, Dolores
album 11, slide Cat.9 169
Liana mi Hija
1988
creator: Guerrero-Cruz, Dolores
album 11, slide Cat.9 170
Lost Milagros
1990
creator: Guerrero-Cruz, Dolores
album 11, slide Cat.9 171
Lydia y Silvia
1988
creator: Guerrero-Cruz, Dolores
album 11, slide Cat.9 172
Michael
1988
creator: Guerrero-Cruz, Dolores
album 11, slide Cat.9 173
Oscar
1988
creator: Guerrero-Cruz, Dolores
album 11, slide Cat.9 174
Silla y Sarape
1990
creator: Guerrero-Cruz, Dolores
album 11, slide Cat.9 175
Unclaim My Heart
1991
creator: Guerrero-Cruz, Dolores
album 11, slide Cat.9 176
Walking with Death
1989
creator: Guerrero-Cruz, Dolores
album 11, slide Cat.9 177
Wounded Heart
1991
creator: Guerrero-Cruz, Dolores
album 11, slide Cat.9 178
album 11, slide Cat.9 179
album 11, slide Cat.9 180
Orígenes of Wisdom and Ignorance
1986
album 11, slide Cat.9 181
album 11, slide Cat.9 182
album 11, slide Cat.9 183
album 11, slide Cat.9 184
album 11, slide Cat.9 185
album 11, slide Cat.9 186
At the Table of Zion
undated
creator: Hoyes, Bernard Stanley
album 11, slide Cat.9 187
Banana with Lily
undated
creator: Hoyes, Bernard Stanley
album 11, slide Cat.9 188
Baptism by the Sea
undated
creator: Hoyes, Bernard Stanley
album 11, slide Cat.9 189
Bible Reading Under the Stars
undated
creator: Hoyes, Bernard Stanley
album 11, slide Cat.9 190
Closing Hymn
undated
creator: Hoyes, Bernard Stanley
album 11, slide Cat.9 191
Cow, Crane, Rainbow
undated
creator: Hoyes, Bernard Stanley
album 11, slide Cat.9 192
Day Passes in the Park
undated
creator: Hoyes, Bernard Stanley
album 11, slide Cat.9 193
Forest Offering
undated
creator: Hoyes, Bernard Stanley
album 11, slide Cat.9 194
Hexing Rites
undated
creator: Hoyes, Bernard Stanley
album 11, slide Cat.9 195
Hymn of the Puecomania
undated
creator: Hoyes, Bernard Stanley
album 11, slide Cat.9 196
Morning for Preparing Elixirs
undated
creator: Hoyes, Bernard Stanley
album 11, slide Cat.9 197
Oak on a Ridge
undated
creator: Hoyes, Bernard Stanley
album 11, slide Cat.9 198
album 11, slide Cat.9 199(1-31)
album 11, slide Cat.9 200(1-7)
album 11, slide Cat.9 201(1-19)
album 11, slide Cat.9 202
album 11, slide Cat.9 203
album 11, slide Cat.9 204
album 11, slide Cat.9 205
album 11, slide Cat.9 206
album 11, slide Cat.9 207
album 11, slide Cat.9 208
album 11, slide Cat.9 209
album 11, slide Cat.9 210
album 11, slide Cat.9 211
album 11, slide Cat.9 212
album 11, slide Cat.9 213
album 11, slide Cat.9 214
album 11, slide Cat.9 215
album 11, slide Cat.9 216
album 11, slide Cat.9 217(1-12)
album 11, slide Cat.9 218(1-10)
album 11, slide Cat.9 219
album 11, slide Cat.9 220
album unknown, slide Cat.9 221(1-27)
(title unknown)
undated
creator: Oropeza, Eduardo
album 12, slide Cat.9 222(1-19)
(title unknown)
undated
creator: Oropeza, Eduardo
album 12, slide Cat.9 223(1-2)
Carla, Yolanda y Fulana
undated
creator: Oropeza, Eduardo
album 12, slide Cat.9 224
A Cual me Llevo
undated
creator: Oropeza, Eduardo
album 12, slide Cat.9 225
album 12, slide Cat.9 226
album 12, slide Cat.9 227
album 12, slide Cat.9 228
album 12, slide Cat.9 229
album 12, slide Cat.9 230
album 12, slide Cat.9 231(1-7)
album 12, slide Cat.9 232
album 12, slide Cat.9 233
album 12, slide Cat.9 234
album 12, slide Cat.9 235
album 12, slide Cat.9 236
album 12, slide Cat.9 237
album 12, slide Cat.9 238(1-4)
album 12, slide Cat.9 239
album 12, slide Cat.9 240
album 12, slide Cat.9 241
album 12, slide Cat.9 242
album 12, slide Cat.9 243
album 12, slide Cat.9 244
(title unknown)
undated
creator: Rodriguez, Reyes
album 12, slide Cat.9 245
Danzantes
undated
creator: Rodriguez, Reyes
album 12, slide Cat.9 246
Desaparecido
undated
creator: Rodriguez, Reyes
album 12, slide Cat.9 247
Mother and Son
undated
creator: Rodriguez, Reyes
album 12, slide Cat.9 248
Shells
undated
creator: Rodriguez, Reyes
album 12, slide Cat.9 249
(title unknown)
undated
creator: Romero, Frank E.
album 12, slide Cat.9 250
(title unknown)
undated
creator: Romero, Frank E.
album 12, slide Cat.9 251
La Llorona
1982
creator: Romero, Frank E.
album 12, slide Cat.9 252
Piso de Sangre
1986
creator: Romero, Frank E.
album 12, slide Cat.9 253
Still Life with Red Car
1986
creator: Romero, Frank E.
album 12, slide Cat.9 254
album 12, slide Cat.9 255
album 12, slide Cat.9 256
The Biological Clock
1990
album 12, slide Cat.9 257
album 12, slide Cat.9 258
album 12, slide Cat.9 259
album 12, slide Cat.9 260
album 12, slide Cat.9 261
album 12, slide Cat.9 262
album 12, slide Cat.9 263
Out the Kitchen Window
1989
album 12, slide Cat.9 264
album 12, slide Cat.9 265
album 12, slide Cat.9 266
Aunt Irma Prepares New Year's Dinner
ca. 1988
album 12, slide Cat.9 267
album 12, slide Cat.9 268
album 12, slide Cat.9 269
The Corruption of Love
ca. 1988
album 12, slide Cat.9 270
Cristo in the New World
ca. 1988
album 12, slide Cat.9 271
album 12, slide Cat.9 272
Down to the Sea in Ships I Go, I Go
ca. 1988
album 12, slide Cat.9 273
Ethiopia Saluting the Colors
ca. 1988
album 12, slide Cat.9 274
Uptown Saturday Night
ca. 1988
album 12, slide Cat.9 275
album 12, slide Cat.9 276
album 12, slide Cat.9 277(1-4)
album 12, slide Cat.9 278
album 12, slide Cat.9 279
album 12, slide Cat.9 280
album 12, slide Cat.9 281
album 12, slide Cat.9 282
album 12, slide Cat.9 283
album 12, slide Cat.9 284
album 12, slide Cat.9 285
album 12, slide Cat.9 286
album 12, slide Cat.9 287
album 12, slide Cat.9 288
album 12, slide Cat.9 289
Edward in the Desert
1987
album 12, slide Cat.9 290
album 12, slide Cat.9 291
Grandpa and Grandma Watson
1987
album 12, slide Cat.9 292
album 12, slide Cat.9 293(1-12)
(title unknown)
ca. 1980- 1985
album 12, slide Cat.9 294
album 12, slide Cat.9 295(1-4)
album 12, slide Cat.9 296(1-5)
album 12, slide Cat.9 297
Carlos and Sonia in the Rose Garden
undated
album 12, slide Cat.9 298
Exorcism of Cultural Inquisition
undated
album 12, slide Cat.9 299(1-2)
Girl at the Beach
undated
album 12, slide Cat.9 300(1-2)
album 12, slide Cat.9 301(1-3)
album 12, slide Cat.9 302
album 12, slide Cat.9 303
album 12, slide Cat.9 304
album 12, slide Cat.9 305
album 12, slide Cat.9 306
album 12, slide Cat.9 307
album 12, slide Cat.9 308
album 12, slide Cat.9 309
album 12, slide Cat.9 310
album 12, slide Cat.9 311
album 12, slide Cat.9 312
album 12, slide Cat.9 313
album 12, slide Cat.9 314
album 12, slide Cat.9 315
album 12, slide Cat.9 316
album 12, slide Cat.9 317(1-16)
album 12, slide Cat.9 318
album 12, slide Cat.9 319
album 12, slide Cat.9 320
album 12, slide Cat.9 321
album 12, slide Cat.9 322
album 12, slide Cat.9 323
album 12, slide Cat.9 324
album 12, slide Cat.9 325
album 12, slide Cat.9 326
album 12, slide Cat.9 327
Myra
1982
creator: Valadez, John M.
album 12, slide Cat.9 328
Pollo Macho
1983
creator: Valadez, John M.
album 12, slide Cat.9 329
album 12, slide Cat.9 330
album 12, slide Cat.9 331
Old Women in Future
undated
album 12, slide Cat.9 332
Sad Jester Landing on Earth
undated
album 12, slide Cat.9 333
album 12, slide Cat.9 334
album 12, slide Cat.9 335
album 12, slide Cat.9 336
album 12, slide Cat.9 337
The Glass (Self-Portrait)
1990
album 12, slide Cat.9 338
album 12, slide Cat.9 339
album 12, slide Cat.9 340
album 12, slide Cat.9 341
album 12, slide Cat.9 342
album 12, slide Cat.9 343
album 12, slide Cat.9 344
album 12, slide Cat.9 345
Souvenirs of Spain
undated
album 12, slide Cat.9 346(1-3)
album 12, slide Cat.9 347
album 12, slide Cat.9 348
album 12, slide Cat.9 349
Man As His Complex Self
1976
album 12, slide Cat.9 350
album 12, slide Cat.9 351(1-8)
album 12, slide Cat.9 352
album 12, slide Cat.9 353
album 12, slide Cat.9 354
album 12, slide Cat.9 355
album 12, slide Cat.9 356
album 12, slide Cat.9 357
album 12, slide Cat.9 358
album 12, slide Cat.9 359
album 12, slide Cat.9 360
album 12, slide Cat.9 361
album 12, slide Cat.9 362
album 12, slide Cat.9 363
album 12, slide Cat.9 364
album 12, slide Cat.9 366
album 12, slide Cat.9 367
album 12, slide Cat.9 368
The Land of Sassafrass Tea
1988
album 12, slide Cat.9 369
album 12, slide Cat.9 370
album 12, slide Cat.9 371
album 12, slide Cat.9 372(1-2)
album 12, slide Cat.11 001(1-4)
(title unknown)
undated
creator: [Artist Unknown]
album 12, slide Cat.11 002
Eloy Torrez and Mural
ca. 1983- 1984
creator: [Artist Unknown]
album 12, slide Cat.11 003(1-7)
Untitled
1978
creator: [Artist Unknown]
album 12, slide Cat.11 004
title unknown
undated
creator: Delgado, Roberto L.
album 12, slide Cat.11 005
Alienation Series
undated
album 12, slide Cat.11 006
Transition Series
undated
album 12, slide Cat.11 007
album 12, slide Cat.11 008(1-3)
album 12, slide Cat.11 009
album 12, slide Cat.11 010(1-11)
album 12, slide Cat.11 011(1-8)
European Images '83-'84: A Celebration of Life
ca. 1983
album 12, slide Cat.11 012
album 12, slide Cat.11 013(1-11)
Olympics '84--A View From the Street
ca. 1984
album 12, slide Cat.11 014
Untitled
undated
creator: Ponce, Michael D.
album 12, slide Cat.11 015(1-2)
album 12, slide Cat.11 016
album 12, 13, slide Cat.12 001(1-8)
title unknown
1981
creator: [Artist Unknown]
Material Specific Details: unknown
album 13, slide Cat.12 002(1-9)
title unknown
1982
creator: [Artist Unknown]
Material Specific Details: unknown
album 13, slide Cat.12 003
title unknown
undated
creator: [Artist Unknown]
Material Specific Details: wood and ceramic
album 13, slide Cat.12 004
title unknown
undated
creator: [Artist Unknown]
Material Specific Details: unknown
album 13, slide Cat.12 005
title unknown
ca. 1989
creator: Amescua, Michael M.
Material Specific Details: metal
album 13, slide Cat.12 006
title unknown
ca. 1989
creator: Amescua, Michael M.
Material Specific Details: metal
album 13, slide Cat.12 007
title unknown
ca. 1989
creator: Amescua, Michael M.
Material Specific Details: metal
album 13, slide Cat.12 008
title unknown
ca. 1989
creator: Amescua, Michael M.
Material Specific Details: metal
album 13, slide Cat.12 009
title unknown
ca. 1989
creator: Amescua, Michael M.
Material Specific Details: metal
album 13, slide Cat.12 010(1-4)
title unknown
1977
creator: Amescua, Michael M.
Material Specific Details: unknown
album 13, slide Cat.12 011
title unknown
1989
creator: Amescua, Michael M.
Material Specific Details: ceramic
album 13, slide Cat.12 012(1-2)
title unknown
undated
creator: Amescua, Michael M.
Material Specific Details: wood
album 13, slide Cat.12 013(1-33)
title unknown
undated
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 014
title unknown
undated
creator: Amescua, Michael M.
Material Specific Details: steel
album 13, slide Cat.12 015
title unknown
undated
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 016(1-17)
title unknown
undated
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 017(1-14)
title unknown
undated
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 018
title unknown
undated
creator: Amescua, Michael M.
Material Specific Details: ceramic
album 13, slide Cat.12 019
title unknown
undated
creator: Amescua, Michael M.
Material Specific Details: metal
album 13, slide Cat.12 020(1-10)
title unknown
undated
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 021(1-3)
title unknown
undated
creator: Amescua, Michael M.
Material Specific Details: unknown
album 13, slide Cat.12 022
title unknown
undated
creator: Amescua, Michael M.
Material Specific Details: metal
album 13, slide Cat.12 023
title unknown
undated
creator: Amescua, Michael M.
Material Specific Details: metal
album 13, slide Cat.12 024
title unknown
undated
creator: Amescua, Michael M.
Material Specific Details: ceramic
album 13, slide Cat.12 025(1-3)
title unknown
undated
creator: Amescua, Michael M.
Material Specific Details: steel and wood
album 13, slide Cat.12 026(1-2)
title unknown
undated
creator: Amescua, Michael M.
Material Specific Details: steel
album 13, slide Cat.12 027(1-13)
title unknown
undated
creator: Amescua, Michael M.
Material Specific Details: steel
album 13, slide Cat.12 028(1-2)
title unknown
undated
creator: Amescua, Michael M.
Material Specific Details: ceramic
album 13, slide Cat.12 029
Before
undated
creator: Amescua, Michael M.
Material Specific Details: steel
album 13, slide Cat.12 030
Birth of Xipe
undated
creator: Amescua, Michael M.
Material Specific Details: steel
album 13, slide Cat.12 031
Birth of Xipe
undated
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 032
Bondage III Side 2
undated
creator: Amescua, Michael M.
Material Specific Details: welded, forged steel
album 13, slide Cat.12 033
Corn Dance
undated
creator: Amescua, Michael M.
Material Specific Details: steel
album 13, slide Cat.12 034
Culto Felino
undated
creator: Amescua, Michael M.
Material Specific Details: steel
album 13, slide Cat.12 035
Dawn III
undated
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 036
Devotee
undated
creator: Amescua, Michael M.
Material Specific Details: welded, forged steel
album 13, slide Cat.12 037
Devotee Side 2
undated
creator: Amescua, Michael M.
Material Specific Details: welded, forged steel
album 13, slide Cat.12 038
Diving Eagle
1985
creator: Amescua, Michael M.
Material Specific Details: mixed media, handmade paper
album 13, slide Cat.12 039
Dreamer and the Dream
1988
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 040(1-2)
Drum Series
1977
creator: Amescua, Michael M.
Material Specific Details: ceramic and leather
album 13, slide Cat.12 041
Drum Series Tlaloc
1977
creator: Amescua, Michael M.
Material Specific Details: ceramic and leather
album 13, slide Cat.12 042
Happy Prophet
1985
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 043
Horse Bit
1984
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 044
Hummingbird on the Left
undated
creator: Amescua, Michael M.
Material Specific Details: steel
album 13, slide Cat.12 045
Kiva Cycle
undated
creator: Amescua, Michael M.
Material Specific Details: steel
album 13, slide Cat.12 046
Last Dance
1989
creator: Amescua, Michael M.
Material Specific Details: iron sculpture
album 13, slide Cat.12 047
Love Song
1984
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 048
Love Song
undated
creator: Amescua, Michael M.
Material Specific Details: steel
album 13, slide Cat.12 049
Madwoman
1985
creator: Amescua, Michael M.
Material Specific Details: mixed media, relief on handmade paper
album 13, slide Cat.12 050
Mariposo
1987
creator: Amescua, Michael M.
Material Specific Details: welded, forged steel
album 13, slide Cat.12 051
Mariposo
1983
creator: Amescua, Michael M.
Material Specific Details: handmade paper relief
album 13, slide Cat.12 052
Maya Ritual
1984
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 053
Maya Ritual
undated
creator: Amescua, Michael M.
Material Specific Details: steel
album 13, slide Cat.12 054
Mirage
1984
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 055
Mirage II
undated
creator: Amescua, Michael M.
Material Specific Details: steel
album 13, slide Cat.12 056
Nagual I
1984
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 057
Nopal Sunrise
undated
creator: Amescua, Michael M.
Material Specific Details: steel
album 13, slide Cat.12 058
Penitente 2 Side 2
undated
creator: Amescua, Michael M.
Material Specific Details: welded, forged steel
album 13, slide Cat.12 059
Penitente I Side 1
undated
creator: Amescua, Michael M.
Material Specific Details: welded, forged steel
album 13, slide Cat.12 060
Penitente I Side 2
undated
creator: Amescua, Michael M.
Material Specific Details: welded, forged steel
album 13, slide Cat.12 061
The Pledge
undated
creator: Amescua, Michael M.
Material Specific Details: steel
album 13, slide Cat.12 062
Pueblo Lover
1985
creator: Amescua, Michael M.
Material Specific Details: mixed media, relief on handmade paper
album 13, slide Cat.12 063
Quarter Moon
1987
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 064
San Carlos II
1982
creator: Amescua, Michael M.
Material Specific Details: handmade paper relief and acrylic
album 13, slide Cat.12 065
The Scribe
1988
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 066
She Didn't Want to Talk About It
1985
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 067
Star Skirt
undated
creator: Amescua, Michael M.
Material Specific Details: steel
album 13, slide Cat.12 068
Star Skirt
undated
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 069
Tlaloque
undated
creator: Amescua, Michael M.
Material Specific Details: steel
album 13, slide Cat.12 070
Touches the Earth
undated
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 071
Touches the Sky
undated
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 072
Tribute Side 1
undated
creator: Amescua, Michael M.
Material Specific Details: welded, forged steel
album 13, slide Cat.12 073
Tribute Side 2
undated
creator: Amescua, Michael M.
Material Specific Details: welded, forged steel
album 13, slide Cat.12 074
Vietnam
1987
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 075
Vigil for a Strangler Candelabra/Incense Burner
undated
creator: Amescua, Michael M.
Material Specific Details: welded, forged steel
album 13, slide Cat.12 076
Warrior at the Threshold
undated
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 077
Xipe
undated
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 078
Xipe 10
undated
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 079
Xipe Totec
1985
creator: Amescua, Michael M.
Material Specific Details: relief on handmade paper
album 13, slide Cat.12 080
Young Corn
undated
creator: Amescua, Michael M.
Material Specific Details: welded, forged steel
album 13, slide Cat.12 081
Young Corn I Side 1
undated
creator: Amescua, Michael M.
Material Specific Details: welded, forged steel
album 13, slide Cat.12 082
Young Corn I Side 2
undated
creator: Amescua, Michael M.
Material Specific Details: welded, forged steel
album 13, slide Cat.12 083(1-3)
title unknown
undated
Material Specific Details: unknown
album 13, slide Cat.12 084
Nudes #2
undated
Material Specific Details: soft-sculpture of fiber construction and apple heads
album 13, slide Cat.12 085(1-2)
Gorda
undated
Material Specific Details: ceramic
album 13, slide Cat.12 086
Madre Sur America
1986
creator: Calderón, Rudy
Material Specific Details: ceramic--red alabaster
album 13, slide Cat.12 087
Catman and Batman
undated
creator: Chamberlin, Ann
Material Specific Details: oil on wood and aluminum
album 13, slide Cat.12 088
A and E
undated
creator: Chamberlin, Ann
Material Specific Details: oil on wood and aluminum
album 13, slide Cat.12 089(1-2)
Lady in Limbo
undated
creator: Chamberlin, Ann
Material Specific Details: oil on wood and aluminum
album 13, slide Cat.12 090
Masked Man
undated
creator: Chamberlin, Ann
Material Specific Details: oil on wood and aluminum
album 13, slide Cat.12 091
Message From God
undated
creator: Chamberlin, Ann
Material Specific Details: oil on wood and aluminum
album 13, slide Cat.12 092
Nagging Angel
undated
creator: Chamberlin, Ann
Material Specific Details: oil on wood and aluminum
album 13, slide Cat.12 093
title unknown
undated
Material Specific Details: unknown
album 13, slide Cat.12 094(1-7)
title unknown
undated
Material Specific Details: unknown
album 13, slide Cat.12 095
title unknown
undated
Material Specific Details: unknown
album 13, slide Cat.12 096
Aerial
1990
Material Specific Details: rust, earth, metal
album 13, slide Cat.12 097
Beekeeper
1990
Material Specific Details: rust, earth, metal
album 13, slide Cat.12 098
Dancers
1990
Material Specific Details: cement on wood
album 13, slide Cat.12 099
Nerve
1990
Material Specific Details: sulfate, rust on metal
album 13, slide Cat.12 100
Offering
1990
Material Specific Details: rust, cement on metal
album 13, slide Cat.12 101
Tell
1990
Material Specific Details: cement, pigment, wood
album 13, slide Cat.12 102
Union
1990
Material Specific Details: cement, pigment, wood
album 13, slide Cat.12 103
Walker
1990
Material Specific Details: bluing, pigment, metal
album 13, slide Cat.12 104(1-4)
title unknown
undated
Material Specific Details: unknown
album 13, slide Cat.12 105
A Head of Our Time
1989
creator: Gamboa, Diane
Material Specific Details: mixed media
Description/Comments
1989 Sculpture. 15.5 x 13W x 12 D in.
Exhibited: 1989 Day of the Dead. Group Exhibit, Galeria Orta Vez/ Self Help Graphics, Los Angeles, CA.
album 13, slide Cat.12 106
title unknown
undated
Material Specific Details: unknown
album 13, slide Cat.12 107(1-2)
title unknown
undated
Material Specific Details: plaster
album 13, slide Cat.12 108(1-2)
Barbed Wire
undated
Material Specific Details: mixed media
album 13, slide Cat.12 109
Afrodiddy
undated
Material Specific Details: unknown
album 13, slide Cat.12 110
Bandiera Preta
undated
Material Specific Details: mobile
album 13, slide Cat.12 111
Black Flora
undated
Material Specific Details: mobile
album 13, slide Cat.12 112
Blue Skies
undated
Material Specific Details: unknown
album 13, slide Cat.12 113
de Caju
undated
Material Specific Details: unknown
album 13, slide Cat.12 114
Dumont
undated
Material Specific Details: mobile
album 13, slide Cat.12 115
Galileo's Lecture
undated
Material Specific Details: unknown
album 13, slide Cat.12 116
Gramma's Sofa
undated
Material Specific Details: unknown
album 13, slide Cat.12 117
Gromfin's Wall
undated
Material Specific Details: unknown
album 13, slide Cat.12 118
King's Grin
undated
Material Specific Details: unknown
album 13, slide Cat.12 119
Llamas
undated
Material Specific Details: unknown
album 13, slide Cat.12 120
Number 5
undated
Material Specific Details: unknown
album 13, slide Cat.12 121
One Indian
undated
Material Specific Details: unknown
album 13, slide Cat.12 122
Scattered Blocks
undated
Material Specific Details: unknown
album 13, slide Cat.12 123
Sliding Panels
undated
Material Specific Details: unknown
album 13, slide Cat.12 124
Snake Feast
undated
Material Specific Details: mobile
album 13, slide Cat.12 125
Sobre Verde
undated
Material Specific Details: unknown
album 13, slide Cat.12 126
Vegetables
undated
Material Specific Details: unknown
album 13, slide Cat.12 127
Vertical Orbit
undated
Material Specific Details: unknown
album 13, slide Cat.12 128
Wall Stack
undated
Material Specific Details: unknown
album 13, slide Cat.12 129(1-4)
title unknown
undated
Material Specific Details: bread dough
album 13, slide Cat.12 130
title unknown
ca. 1986
creator: Limon, Leo
Material Specific Details: ceramic plate
album 13, slide Cat.12 131
title unknown
undated
Material Specific Details: unknown
album 13, slide Cat.12 132
title unknown
undated
creator: Sparrow, Peter V.
Material Specific Details: unknown
album 13, slide Cat.12 133
Anahuac
1981
creator: Vallejo, Linda
Material Specific Details: m/m paper, mylar, silicon, fiber
album 13, slide Cat.12 134
Blue Head-Dress
1983
creator: Vallejo, Linda
Material Specific Details: printed handmade and dyed paper, fiber, silicon
album 13, slide Cat.12 135
Bronzestar
1983
creator: Vallejo, Linda
Material Specific Details: handmade paper, copper, banding, silicon, wood
album 13, slide Cat.12 136
Butterfly Boy
1985
creator: Vallejo, Linda
Material Specific Details: mixed media, handmade paper
album 13, slide Cat.12 137
Cabroncito
1984
creator: Vallejo, Linda
Material Specific Details: mixed media
album 13, slide Cat.12 138
Calavera
1985
creator: Vallejo, Linda
Material Specific Details: mixed media, handmade paper
album 13, slide Cat.12 139
The Comedune
1983
creator: Vallejo, Linda
Material Specific Details: ceramic
album 13, slide Cat.12 140(1-2)
Conception
1984
creator: Vallejo, Linda
Material Specific Details: handmade and print paper, metal, bone shell, stone
album 13, slide Cat.12 141
Dream Tree
1985
creator: Vallejo, Linda
Material Specific Details: mixed media, handmade paper
album 13, slide Cat.12 142
Feathered Head-Dress
1985
creator: Vallejo, Linda
Material Specific Details: mixed media, handmade paper
album 13, slide Cat.12 143
Food of the Gods
1984
creator: Vallejo, Linda
Material Specific Details: mixed media, handmade paper
album 13, slide Cat.12 144
Mariposa/Butterfly
1981
creator: Vallejo, Linda
Material Specific Details: mixed media, paper
album 13, slide Cat.12 145
Meditation
1983
creator: Vallejo, Linda
Material Specific Details: printed and handmade paper, silicon, shell, bone, fiber
album 13, slide Cat.12 146
Meditation II
1984
creator: Vallejo, Linda
Material Specific Details: mixed media
album 13, slide Cat.12 147
Mictlantecutli
1983
creator: Vallejo, Linda
Material Specific Details: mixed media
album 13, slide Cat.12 148
Mourning Old Man
1974
creator: Vallejo, Linda
Material Specific Details: ceramic
album 13, slide Cat.12 149
Olmeca Dream
1983
creator: Vallejo, Linda
Material Specific Details: mixed media, handmade paper
album 13, slide Cat.12 150
Palo de Fuego
1985
creator: Vallejo, Linda
Material Specific Details: mixed media, handmade paper
album 13, slide Cat.12 151
Quetzalcoatl
1984
creator: Vallejo, Linda
Material Specific Details: handmade and print paper, wood, metal, shell, plastics
album 13, slide Cat.12 152
Radiating Hand
undated
creator: Vallejo, Linda
Material Specific Details: monotyped, dyed and handmade paper, silicon, doily
album 13, slide Cat.12 153
Running Deer
1984
creator: Vallejo, Linda
Material Specific Details: handmade and print paper, wood, acrylic, silicon
album 13, slide Cat.12 154
Serpiente
1985
creator: Vallejo, Linda
Material Specific Details: mixed media, handmade paper
album 13, slide Cat.12 155
Spirit Bow
1983
creator: Vallejo, Linda
Material Specific Details: handmade paper, wood, fabric, metal, silicon
album 13, slide Cat.12 156
Spirit Cloak
1984
creator: Vallejo, Linda
Material Specific Details: handmade and print paper, wood, metal, shell, plastics
album 13, slide Cat.12 157
Sunstar
1983
creator: Vallejo, Linda
Material Specific Details: wood, paper, silicon, acrylic
album 13, slide Cat.12 158
title unknown
undated
creator: Yáñez, Larry
Material Specific Details: unknown
album 13, slide Cat.12 159(1-2)
title unknown
undated
creator: Yáñez, Larry
Material Specific Details: mixed media
album 13, slide Cat.12 160(1-3)
title unknown
1978
creator: Yáñez, Mari
Material Specific Details: unknown
Slides B (Supplement 1)
1991-2003
album 15, slide Cat.1 001
Altar
1996
creator: [Artist Unknown]
Material Specific Details: mixed media
Description/Comments
An altar with crosses, candles, flowers, papel picado, pan de muerto (pretzels) and images of the deceased and religious figures.
"Self-Help Graphics and Art collaborated with Glasgow Print Studio in their first ever Day of the Dead Celebration."
album 15, slide Cat.1 002
Altar for the Day of the Dead at Galería Otra Vez
1991
creator: [Artist Unknown]
Material Specific Details: mixed media
Description/Comments
Altar under flower arches composed of framed photographs, small sculptures, flowers, candles, et cetera. "Golden Cempazuchiles
[Zempoalxochitles - marigolds] are used in traditional altars. The name means 'twenty flowers.' They are associated with wisdom,
beauty, truth, and 'the desire never to die.'"
album 15, slide Cat.1 003
Altar to la Virgen
undated
creator: [Artist Unknown]
Material Specific Details: mixed media
Description/Comments
Altar on the steps leading to the statue of la Virgen de Guadalupe is composed on many devotional candles, religious icons,
marigolds, and flower petals.
album 15, slide Cat.1 004
Altar to Sister Karen Boccalero
ca. 1990s
creator: [Artist Unknown]
Material Specific Details: mixed media
Description/Comments
Altar is enormous, taking up an entire exhibition room, and is composed primarily of candles and flowers. "Sister Karen is
respected and loved by many Chicano/a artists in Los Angeles. Sister Karen is the founder of Self-Help Graphics and Art."
album 15, slide Cat.1 005
Day of the Dead Altar
1993
creator: [Artist Unknown]
Material Specific Details: mixed media
Description/Comments
Altar is composed of items placed on two shelves. On the upper shelf is a framed photo of Cesar Chávez that has been altered
to make it appear that Chávez is dressed as a calavera. Above his picture hangs the Lotería image of "El Valiente." Also on
the shelf with the portrait is a vase of flowers, a statuette of La Virgen de Guadalupe, a bowl of nuts, a candle, and a sugar
skull. On the lower shelf is a black-and-white photo of a Mexican family, a bowl of vegetables, candles, and a copy of the
book Conquering Goliath.
album 15, slide Cat.1 006
Flores de Esperanza Altarpiece (detail)
1996
creator: [Artist Unknown]
Material Specific Details: mixed media
Description/Comments
Visible portion of the altar features a large yellow sculpture of a calavera, a Mexican Coca-Cola, a candle, a donut, and
marigold petals.
album 15, slide Cat.1 007
Flowers
undated
creator: [Artist Unknown]
Material Specific Details: mixed media
Description/Comments
Visible portion of an altar for the deceased is composed of an ear of dry corn, marigolds, a calavera sculpture, placards
with the names of the dead, a ceramic candleholder, and a candle.
album 15, slide Cat.1 008
title unknown
ca. 1990s
creator: [Artist Unknown]
Material Specific Details: mixed media
Description/Comments
An altar on a tabletop with marigolds, daisies, pottery, a candleholder, an ear of corn, a small sculpture, a Virgen veladora,
and cards with peoples' names. "Cempazuchiles [Zempoalxochitles] (marigolds) are traditionally used in altars. The name means
'twenty flowers'."
album 15, slide Cat.1 009
title unknown
ca. 1990s
creator: [Artist Unknown]
Material Specific Details: mixed media
Description/Comments
A large altar composed of flowers, sarapes, photographs, food, skulls, candles, beer bottles, and many other items.
album 15, slide Cat.1 010
title unknown
ca. 1990s
creator: [Artist Unknown]
Material Specific Details: Plastic crates, photographs, garments, flowers, artworks, candles
Description/Comments
Altar to an unknown man composed of plastic crates, photographs, a fedora and jacket, flowers, artwork, and candles.
album 15, slide Cat.1 011
title unknown
1977
creator: [Artist Unknown]
Material Specific Details: mixed media
Description/Comments
Altar is composed of papel picado, calavera masks, flowers, small sculptures, devotional icons and statues, fruit, candles,
etc.
album 15, slide Cat.1 012
title unknown (detail)
1977
creator: [Artist Unknown]
Material Specific Details: mixed media
Description/Comments
Visible portion of altar features pan de muerto, papel picado, marigolds, a candle, a straw sculpture, and an ojo de Dios.
album 15, slide Cat.1 013(1-4)
title unknown
1992
creator: [Artist Unknown]
Material Specific Details: mixed media
Description/Comments
1. An altar on steps embedded with pieces of ceramic pottery. Religious candles, marigolds, and flower petals. 2. Altar on
steps embedded with pieces of ceramic pottery. The steps lead to a platform where a large statue of Our Lady of Guadalupe
rests. In this photo, devotional candles surround the base of the statue, of which only the bottom is visible. 3. Altar at
the base of a statue of La Virgen de Guadalupe composed of flowers and candles. 4. Altar in the form of a cross at the foot
of a statue of la Virgen de Guadalupe composed of flowers and candles.
album 15, slide Cat.1 014(1-3)
title unknown
1994
creator: [Artist Unknown]
Material Specific Details: mixed media
Description/Comments
An ofrenda/altar so large it fills an entire kitchen. In the third photo, detail is of a photograph of a man surrounded by
flowers, sculptures, and candles, from the altar that fills an entire kitchen.
album 15, slide Cat.1 015
title unknown
1994
creator: [Artist Unknown]
Material Specific Details: mixed media
Description/Comments
Assemblage in a corner of an exhibition space consists of a large book that has been fixed open by the melted wax of candles.
There are items pertaining to consumerism, beer bottles, an American flag, and a Mexican flag.
album 15, slide Cat.1 016
title unknown
1994
creator: [Artist Unknown]
Material Specific Details: mixed media
Description/Comments
An altar on a square table with a red tablecloth. An image of La Virgen de Guadalupe leans against a vase of flowers that
sits in the center of the table and is surrounded by curios. The front of the table has hanging photographs, including one
of Cesar Chávez with the word "¡Presente!"
album 15, slide Cat.1 017
title unknown
1996
creator: [Artist Unknown]
Material Specific Details: mixed media
Description/Comments
From Day of the Dead, Flores de Esperanza Exhibition and Celebration. Work is composed of a painting of a nude woman in a
purple chair with calaveras behind it and a bouquet of exotic flowers on a platform draped with blue cloth. A piece of blue
cloth hangs above and on the sides of the painting and unifies the two elements.
album 15, slide Cat.1 018
title unknown (detail)
November 1994
creator: [Artist Unknown]
Material Specific Details: mixed media
Description/Comments
Detail is of the lower part of an altar, with photographs, flowers, calaveras, and candles.
album 15, slide Cat.1 019
David Alfaro Siqueiros
ca. 1990s
creator: [Artist Unknown]
Material Specific Details: Mixed media
Description/Comments
Photo is of an altar to muralist David Alfaro Siqueiros composed of a portrait painting of the artist surrounded by candles,
flowers, artworks, and tools of the trade. Text forming an arc above the painting reads "David Alfaro Siqueiros" in graffiti
script. Text beneath the name gives his lifespan. "Chaz has worked with graffiti since 1969. He usually works with a paint
brush rather than a spray can." Artist unknown; Chaz Bojórquez, assistant.
album 15, slide Cat.1 020
Esta Noche
ca. 1990s
Material Specific Details: mixed media
Description/Comments
Assemblage is composed of plastic covering the outside of a chickenwire cage in the form of a coffin. On top of the coffin
is a calavera with flowers and leaves. Within the coffin is an altar behind red curtains with calavera diners. Surrounding
the stand of the coffin are more flowers and vegetable matter.
album 15, slide Cat.1 021(1-6)
Altar
1994
Material Specific Details: mixed media
Description/Comments
Altar composed of items set atop wooden blocks painted pink and yellow. Items include framed photographs, flowers, pan de
muerto, candles, sugar skulls, etc. Above the altar is an arch of marigolds, and on the wall behind it hang pieces of papel
picado. The papel picado piece that hangs in the center has calaveras and the name "Blanche." It appears to be an exhibition
installation. Cross-reference with Installation Art.
album 15, slide Cat.1 022(1-2)
title unknown
1998
creator: Gómez, Patricia
Material Specific Details: mixed media
Description/Comments
"The Big Two Five, Day of the Dead Gallery Exhibit." 1. Photo is of a small statue of the Virgin of Guadalupe in a pot of
flowers. 2. Photo is of flowers in ceramic pots.
album 15, slide Cat.1 023(1-4)
Altar
1996
Material Specific Details: mixed media
Description/Comments
Self-Help Graphics and Art collaborated with Glasgow Print Studio in their first ever Day of the Dead Celebration. 1. Detail
of the front left corner of altar. 2. A multi-level altar set up like stairs has a few calaveras set on it. "Altar 1st stage."
3. Papel picado by Margaret Sosa features a calavera and reads "Dia de los Muertos Los Angeles Glasgow." 4. Full view of Glasgow
altar.
album 15, slide Cat.1 024
East Side Spirit
undated
Material Specific Details: mixed media
Description/Comments
A caja containing a sculpture of a skull wearing a sombrero on top of a brown bottle with a label reading, "East Side Spirit"
in a mix of Gothic and graffiti scripts. Behind the bottle is an image of La Virgen de Guadalupe, and the visible interior
side is affixed with shards of broken glass.
album 15, slide Cat.1 025(1-2)
Memory Altar
1994
creator: Alferov, Alex
Material Specific Details: mixed media
Description/Comments
1. An altar with photos and numerous fruits and vegetables is illuminated by candlelight. 2. Altar on a shelf and tabletop.
On the shelves are framed photographs, candles, sugar skulls, a pack of cigarettes, a can of Budweiser, a bottle of Bombay
Gin, and small sculptures. On the tabletop is a cornucopia of produce.
album 15, slide Cat.1 026
A Day in the Sun
1994
Material Specific Details: Mixed Media
Description/Comments
Three-dimensional assemblage-painting features two calaveras amidst milagritos, hearts, and small vegetables. On top of the
piece is a bunch of grapes, false roses, a UFW huelga flag, and three pins with the words "No Grapes."
album 15, slide Cat.1 027
title unknown
1992
Material Specific Details: mixed media
Description/Comments
Altar on a set of four shelves. The lowest shelf has small boxes that resemble coffins. The next shelf up has four items set
on lace doilies. The second shelf from the top has a tray of pan de muerto and a framed black-and-white photograph. The top
shelf has candles, calaveras, and an image of the Virgin of Guadalupe. Above the shelf are five ceramic calavera masks. Flowers
are grouped at the base of the shelving. This photo is out of focus. "An offering of the deceased's favorite foods is traditional
for altars."
album 15, slide Cat.1 028
Santísima Muerte
1994
Material Specific Details: mixed media
Description/Comments
Three-dimensional painting depicts the Virgen de Guadalupe as a calavera. In her hands is a sacred heart with the face of
Christ. The moon upon which she stands has a skeletal face and drinks a bottle of tabasco sauce. Small cherubim sit on guitars
on either side of the moon. Interspersed among the rays of light that emanate from la Virgen are milagros in the shape of
arms and legs. Small sculptures affixed to the outer edge of the piece form a border. At the top is a blue cross; the rest
are bones, bottles, dishes, and flowerpots. The work is signed and dated in the lower right corner, but the signature is indecipherable.
"Calaca as a virgin."
album 15, slide Cat.1 029
Luchando Con La Vida
1994
Material Specific Details: mixed media
Description/Comments
A caja with glass doors that are propped open. At the back of the caja is the painted or drawn image of a sorrowful woman
clutching an icon of the sacred heart. In front of her are candles and flower petals. Painted on the front of the box is the
artist's last name. "Agonized person (possibly dead) holding framed sacred heart, inside curio cabinet."
album 15, slide Cat.2 001
Grandma
April 10-21, 2001
Physical Description: Insert size: 18 x 26 in., Paper size: 22 x 30 in.
Description/Comments
Photosilkscreened family photos on a yellow background with anecdotal text. "3 photographs. Grandma taken 1920-1923. Grandma,
Aunt Bea, brother John, and self. Last of grandma and self. Text about grandma." - Laura Aguilar. Colors used: Cream White,
LT White Yellow, Clear Gloss, Sepia, and Silver. From Atelier XXXVIII, Maestras II., 66 ed., Printer: José Alpuche, Slide
Photo: UCSB Photography.
album 15, slide Cat.2 002
Dos Mundos (Two Worlds)
August 28-31, 2001
Physical Description: Insert size: 15 x 21 in., Paper size: 26 x 30 in.
Description/Comments
Hand Pulled Serigraph print. Six colors on Coventry rag paper. Art print contains; yellow background, blue/gray surface. Female/Virgin
figure in center with halo-like shape over head. Symbolism includes; plant forms (3) crosses in and above the horizon. "This
print is based on the Christian religion's influence on the indigenous people of the America's mainly the Hispanic cultures.
I hope to portray the surrealistic landscapes of the spiritual world. The iconography plays between the time before the Spanish
conquest and the aftermath of it. It was a conquest of a way of life, but not a conquest of the spirit." - Jack Alvarez. Colors
used: Light Yellow 1205, Charcoal Brown 497, Light Lavender 503, Gray Black 431, Orange 130, and Blue/Gray 5493. From Atelier
XXXIX., 84 ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 003
The Double Agent Sirvienta Blow Up the Hard Drive
1999
Physical Description: Insert size: 18 x 22 in., Paper size: 22 x 30 in.
Description/Comments
Image is of a maid typing on a laptop and speaking into a communication device in her backpack. There is fire in the background
and the entire print is covered in alphanumeric symbols that resemble lines of computer code. At the top of the print is a
filetab with the text, "File:/Translation.underdone." "The Double Agent Sirvienta, surrounded by the computer goobledy gook
is discovered while mixing up files on a laptop computer." - Laura Alvarez. From Atelier XXXIII - Maestras I., 56 ed., Printer:
José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 004
Mission in the Garden
March 27-30, 2001
Physical Description: Insert size: 18x 22 in., Paper size: 22x 30 in.
Description/Comments
"The Double Agent Sirvienta, an international spy posing as a maid and expert in the field of domestic technology, looks after
and involves a blond baby in secret missions while vacationing in a tropical garden landscape. The agent/gardener in the distance
is really her childhood sweetheart from a small Mexican Colonial town, but with the plastic surgery after his accident, she
doesn't recognize him. Her mission plan hovers in the grass with the promise of love and small explosions. A small toy hides
the preciouse [sic] data. Will the Double Agent Sirvienta be caught as she scrambles the files of a laptop while "cleaning"
out a big wigs bedroom? Fire is in the background, gobbledy-goop surrounds her. She is a spy posing as a maid." - Laura Alvarez.
This print is alternately titled The Double Agent Sirvienta: Blow Up The Hard Drive. Colors used: Light Green, Pink, Brown
Skin, Sky Blue, Yellow, Light Flesh, Brown Skin (again), Dark Green, Black, and Clear Gloss. From Atelier XXXVIII - Maestras
II., 74 ed., Printer: José Alpuche, Slide Photo: UCSB Photography - Photography of duplicate by Marissa Rangel.
album 15, slide Cat.2 005
98 (degrees) in the Shade
January 6-12, 2002
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"Prints shows el paletero (ice-cream man) huffing onward w/ achey [sic] feet/cloudy head/and running on empty. The blended
background gives the illusion of extreme heart. With the sun beating down, symbols surround the figure showing what he is
working for, what has been left behind, his hopes and his realities, and what is in the future."- Amos. Colors used: Blend
Orange/Tan, Turquoise Blue, Red Sh. Blue, Yellow, Ochre, Sienna, Magenta, Grey (light), Black, Trans White (t.p.'s only),
and Trans Black (t.p.'s only). From Atelier XXXIX., 50 ed., Printer: Amos, Slide Photo: UCSB Photography.
album 15, slide Cat.2 006
Double Happiness
November 7-10, 2000
Physical Description: Insert size: 25 x 31 in., Paper size: 30 x 35 in.
Description/Comments
"Image of an Asian woman eating with chopsticks; loteria cards and Japanese 'Hanfuda' playing cards, and map of East L.A.
are set against a black background. Double Happiness is a piece about the mix of cultures that make up the East L.A. / Boyle
Heights Community. In this piece a young Asian woman reflects while she is eating; the interplay of Japanese Chicano and Chinese
from Boyle Heights and Monterey Park are represented through an array of Chicano loteria cards, Japanese 'Hanafuda' cards
and Chinese English language flash cards."- Tomie Arai. Colors used: Yellow, Blue, Green, Pink, Red, Black, and Silver., 42
ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 007
Kaeru / Finding Home
May 1-6, 2000
Physical Description: Insert size: 20.125 x 28.25 in., Paper size: 27.125 x 34.25 in.
Description/Comments
"7 color silkscreen was produced in conjunction with a two month residency at Self-Help Graphics through an Artist and Communities/Mid
Atlantic Arts Foundation and NEA grant. In this piece, a young boy is pulling back a screen to reveal an array of images which
represent memory and the passage of time. These images form a visual arc or lifeline which flow towards a taiko drum head
with rose imprinted on it. The rose (an image symbolic of my stay in East LA) represents the heart and pulse." KAERU/ FINDING
HOME" is a piece which explores the construction of identity through a reconnection with the past."- Tomie Arai. Colors used:
Yellow, Gray/Green, Light Gray Green, Blue, Pink, Black, and Yellow/Brown. From Atelier XXXVI., 60 ed., Printer: José Alpuche,
Slide Photo: UCSB Photography.
album 15, slide Cat.2 008
No Bullshit
July 25-27, 2002
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"An "invasion" of doorknobs gathering to resist displacement and eviction." No Seremos Desalojados." In collaboration with
the "We Shall No[t] Be Moved" project."- David "Think Again" Attyah. Colors used: Fire Red, Orange, Teal, Purple, Dark Purple,
and Dark Fuscia, 88 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 009
New World Order
June 28-July 2, 1994
Physical Description: Insert size: 33.5 x 26 in., Paper size: 44 x 30 in.
Description/Comments
Black and white print features the names of conquistadors in graffiti script on the background of an Aztec stele. From Atelier
XXIV., 59 ed., Printer: José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 010
Santa/Maguey
March 20-24, 2001
Physical Description: Insert size: 18 x 26 in., Paper size: 20 x 30 in.
Description/Comments
Atelier silkscreen print depicts a woman, nude from the waist up, with her arms wrapped about her torso and her hands clutching
leaves of the maguey plant behind her. Her head is tilted back and her eyelids droop. The background is made up of floral
and vegetable images. Colors used: Light Yellow, Red Orange, Thalo Blue, Purple, Transparent Orange, Gold, Mid-T-Yellow, Off
White, T-Sienna, T-Red Black, and Dark Burgundy. From Atelier XXXVIII - Maestras II., 77 ed., Printer: José Alpuche, Slide
Photo: UCSB photography - Photo of duplicate by Marissa Rangel.
album 15, slide Cat.2 011
La Virgen de los Pescados
April 2-9, 1993
Physical Description: Insert size: 34 x 26 in., Paper size: 38 x 30 in.
Description/Comments
Image of a woman with Guadalupan attributes. She holds a bouquet of flowers hemmed in with fish. Text in script at the bottom
of the print reads, "La Virgen de los Pescados." ,75 ed., Printer: José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 012
Dolores
1999
Physical Description: Insert size: 18 x 26 in., Paper size: 22 x 30 in.
Description/Comments
"Hard edge graphic image of Dolores Huerta, co-founder of the United Farm Workers Union, with her name, Dolores, printed above
her portrait image."- Barbara Carrasco. From Atelier XXXIII - Maestras I., wn ed., Printer: José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 013
Primas
April 18-20, 2001
Physical Description: Insert size: 18 x 26 in., Paper size: 22 x 30 in.
Description/Comments
"Portrait of the artist's daughter and niece in an embrace, surrounded by a braid (trensa) showering hearts around the portraits.
The trensa represents the older women in the lives of the young girls, nurturing their love for each other and themselves
as strong and independent females. The trensa also symbolizes traditional values and customs and rituals. The girls' hair
is loose and flows freely next to the tightly braided trensa. The trensa is opening up to allow love to flow towards the girls.
*Note: The clear varnish is not matched up (registered) with the background and every print color. The style is hard edge
graphic with flat colors, no texture. Most of the color separations were hand-cut with amberlith with some ink work applied
minimally as touch ups."- Barbara Carrasco. Colors used: Peach, Skin-Beige, Skin-LT. Brown, Lime Green, Turquoise, Purple,
and Clear., 62 ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 014
Mujer de Mucha Enagua: Pa' Ti Xicana
1999
creator: Cervantez, Yreina D.
Physical Description: Insert size: 18 x 26 in., Paper size: 22 x 30 in.
Description/Comments
Image is of poet Sor Juana Inés de la Cruz (a.k.a. Sor Juana de Asbaje) and E.Z.L.N. comandante Ramona. Between the two of
them is a hand with a spiral and the words "mixik' balamil" in the palm. On Sor Juana's habit are many Nahuatl words and the
English poem, "Blessed lady / do not go / Mother do not / Cause us woe / If to heaven / you ascend / will you still / your
love extend?" On Ramona's dress is a quote from the Popol Vuh and the words, "Todos Somos Ramona." "Tan background with stylized
stars, flowers, and spots representing the pelt of the sacred jaguar. Three main female figures: la mujer Zapatista con sus
niños, Sor Juana with portrait of poet Rosario Castellanos in her bosom. The central image is the hand of the goddess. Various
Nahua and Mayan symbols along with text and poetry."- Yreina D. Cervantez. From Atelier XXXIII - Maestras I., 60 ed., Printer:
José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 015
Bone Yard
February 15-17, 2000
Physical Description: Insert size: 16 x 13 in., Paper size: 19 x 22 in.
Description/Comments
"AZ sunset with old cars. The image is one of the many scenes of Reservations in Montana and AZ. Cars are kept in back yards,
empty lots (ie LA, Phoenix, Etc...) for many different reasons and they become a part of the landscape. The stories of many
of the owners are varied. To me they represent time history and a place for occasional stray (man or beast) to live for a
short time. Everyone seems to find their own story with in the image of days gone by or the possibilities held with in the
cars frame work."- Damian Charette. Colors used: Blend (purple, red, yellow), Red, Green, Yellow, Blue, and Black. From Atelier
XXXV - Arizona., 91 ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 016
The Key
July 20, 23, and 24, 2002
Physical Description: Insert size: 16 x 22 in., Paper size: 20x 26 in.
Description/Comments
"Four adult figures plus one child pushing against green man with City Hall in his pocket. Two figures holding house with
large key hole. Key up in the air between reaching hands with sky background." "Image designed for the "We shall not be moved"
Project with anti-gentrification theme. The community is protecting their homes from greedy big business. Although big business
has City Hall in it's pocket, the community has access as well if they pull their string. The struggle to gain control represented
by the key is up in the air."- Jerolyne Crute. Colors used: Golden Yellow, Light Brown, Brown, Cyan, Red, and Dark Brown.,
89 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 017
D.O.D. 1981: Las Cuatas
1981
creator: De Batuc,, Alfredo
Physical Description: Insert size: 17 x 22 in., Paper size: 19 x 25 in.
Description/Comments
Print is a reinterpretation of Frida Kahlo's "The Two Fridas." In this version, the Frida on the left has the face of a calavera
and holds a mask of Frida's face. The Frida on the right holds a calavera mask. They hold hands and are connected by a common
circulatory system. Cherubim on either side of the Fridas hold a banner bearing the words, "Dia De Los Muertos 1981." Atop
columns on either side of the print rest a rat, left, and a bird, right. Through three windows behind the Fridas three different
scenes are visible: the Hollywood sign, City Hall, and Watts Towers., 71 ed., Printer: unknown, Slide Photo: .
album 15, slide Cat.2 018
Knowingly Walking Through the Imaginary River Towards Divine Destiny
April 30 and May 1-5, 2002
Physical Description: Insert size: 18 x 26 in., Paper size: 22 x 30 in.
Description/Comments
Atelier silkscreen print depicts a woman crossing a river toward the viewer. Her skin and hair are multicolored. In her right
hand she holds a black cylinder with an image of an anatomical heart. In her right hand she holds a yellow rectangle featuring
the "Wheel of Fortune." The background is a Los Angeles cityscape with a green sky, yellow sun, and black skyscrapers. Several
sacred hearts dot the horizon. Colors used: Light Yellow, Dark Yellow, Pale Grey, Dark Green, Red, Dark Blue, Light Blue Transparent,
Medium Yellow, Yellow-Green, Brown, Salmon Pink, Beige, Medium Yellow. From Atelier XL Maestras III., 82 ed., Printer: José
Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 019
Primavera
May 31- June 3, 1994
Physical Description: Insert size: 27 x 37 in., Paper size: 30 x 44 in.
Description/Comments
A stylized image of a mother jaguar in springtime. From Atelier XXIV., 64 ed., Printer: José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 020
I Know Her... All About Her
May 7-11 and 30, 2002
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"Woman in Central Figure surrounded by a corona of maguey plants. 2 spirits appear (L.L. corner) in the foreground while a
third in the background tells (URHC) the story. A humming bird hovers above the woman, with LA central and the Belmont tunnel
from the background as a point of reference." - Elena Esparza. Colors used: Orange/Red-Opaque, Sage Green-Opaque, Marigold-Semi
Opaque, Lime Green- Transparent, Magenta-90% Opaque, Electric Blue-Semi Opaque, and Dark Maroon-90% Opaque., 67 ed., Printer:
José Alpuche, Slide Photo: UCSB Photography - Photo of duplicate by Marissa Rangel.
album 15, slide Cat.2 021
Hyper Myth
August 21-24, 2001
Physical Description: Insert size: 10 x 20 in., Paper size: 20 x 26 in.
Description/Comments
"hyper" against yellows background. "Myth" against blues background silkscreen "dyptich." Commentary on mass media via recognizable
packaged goods and advertising design inspired work."- Ruben Esparza. Colors used: Clear Base, Warm Red, T. Yellow, Baby Blue,
T. White, Red Shade Blue, and Clear Gloss. From Atelier XXXIX., 70 ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 022
The Making of a Trophy Grrl!
May 21-25, 2002
Physical Description: Insert size: 16 x 22 in., Paper size: 20x 26 in.
Description/Comments
Atelier silkscreen print is a mock movie poster for a film. Text reads, "Chicana Feminista Films presenta The Making of a
Trophy Grrl! una drama de amor con Señora Tentacion como La Tina el mero mero La Peligrosa." Text in the lower left corner
reads, "Bring Your Love 2002." A woman's face is depicted on the left side of the print. She is smoking a cigarette through
a holder and the blue smoke spirals upward. On the right side of the print are three figures: a nude "Señora Tentacion" holding
a fan and only wearing a blue rebozo around her shoulders. Her face is painted to resemble that of a geisha. Beneath her and
to the left is a man (el mero mero) dressed in blue bellbottoms and pointing directly at the viewer. His stance and dress
are reminiscent of Elvis Presley. To the right of "el mero mero" and beneath "Señora Tentacion" is the topless bust of "La
Peligrosa." On her side is an image of an eagle with a serpent in its beak. The background is entirely red. Colors used: Red,
Ivory/Beige, Pink Flesh Tone, Burgundy/Red, Blue, Purple, Black, Yellow, and White., 75 ed., Printer: José Alpuche, Slide
Photo: UCSB Photography - photo of dupe by Marissa Rangel.
album 15, slide Cat.2 023
Greñuda
April 3-7, 2001
Physical Description: Insert size: 18 x 26 in., Paper size: 22 x 30 in.
Description/Comments
"A little girl is getting her hair done by her mother. The words surrounding the girl express the frustration being felt by
her. The colors around her are messy and random, like her hair. The little girl in the print is going through what every little
girl goes through. She's showing frustration and uneasiness as her mom is trying to comb her hair. The print also shows how
women from an early age suffer to fit societies views to look good. The messy background is to represent anger and the messy
way she'd rather have her hair."- Yvette Flores. Colors used: Yellow Light, Orangel Yellow, Red Orange, Ultra Marine Blue,
Medium Flesh, Light Blue, Maroon, Ivory White, and Light Red Orange. From Atelier XXXVIII - Maestras II., 74 ed., Printer:
José Alpuche, Slide Photo: UCSB photography - photo of duplicate by Marissa Rangel.
album 15, slide Cat.2 024
Altered State
1999
creator: Gamboa, Diane
Physical Description: Insert size: 18 x 26 in., Paper size: 22 x 30 in.
Description/Comments
Image is of a nude woman with purple skin dressed in bondage gear. "Woman heavily drenched in accessory equipment and tattoos
with a serpent around her right leg."- Diane Gamboa. From Atelier XXXIII - Maestras I., SP ed., Printer: José Alpuche, Slide
Photo: unknown.
Slide of
Altered State
9 colors
Edition of: 75
Note: Special Maestras No. 1 Project, Curated by Yreina Cervantez
album 15, slide Cat.2 025
Revelation Revolution
May 14-18, 2002
creator: Gamboa, Diane
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"The piece is set on the horizontal. The central figure is of a woman in her white lingerie, a ring on her right hand and
she is holding a red handbag. Another woman is up front with a flower in her hair and tattoos across her shoulders. A third
woman is in the background in black line over brown. To the right of the figures is a custom type pattern and to the left
is another pattern with flowers. The artwork is trapped in a tight black." "REVELATION REVOLUTION is dedicated to the women
of the past, present, and futures. To the women of great accomplishments if it be physically or intellectually and to the
bad-ass women who don't take bull shit. It addresses the limitless imagination of the communication and it is a symbol of
knowledge and wisdom. It is a look at enlightened women who do not fall into slavery of the stereotype of woman as object.
This piece is dedicated to the broad spectrum of women who are changing the way we see ourselves and the world around us.
It is for the innovators and challengers who are unafraid of leading and require us to think deeper. This piece looks at Urban
Goddess as visionary. This piece is also about the medium of silk screen printing. It is about color, form, design and the
love of art making."- Diane Gamboa. Colors used: Makeup beige, chicana brown, go-go girl yellow, martini olive green, not
so red, gunmetal gray, urban goddess yellow, high heel green, cha-cha burgundy, million dollar green, and black as black.,
88 ed., Printer: José Alpuche, Slide Photo: UCSB Photography - Duplicate photo by Marissa Rangel.
album 15, slide Cat.2 026
The Next Generation
undated
creator: Garcia, Margaret
Physical Description: Insert size: 25.5 x 31.5 in., Paper size: 30 x 37.5 in.
Description/Comments
Image is of a young child., 70 ed., Printer: , Slide Photo: UCSB Photography.
album 15, slide Cat.2 027
A Secret Garden
February 10-11, 2000
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"Three red hearts/Roses with yellow auras on a blued blend ground. "A Secret Garden" emerged from a series of works based
on the innocence and exploitation of sexuality. Using childlike iconography it contains "roses" with exaggerated thorns on
the stems and stylized picked hearts as the petals. The red roses allude to the stereotypes of idealizes [sic] romantic love
while the thorns provide a harsh balance of pain. The title refers to the childrens story "The Secret Garden" by Francis B.
Hodges, a tale about self-discovery and acceptance."- Xochitl Gil. Colors used: Drk to light Blue, Red, Green, Yellow 1-Medium,
Yellow 2-Light. From Atelier XXV - Arizona Xicanindio., 78 ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 028
The Trappings of Sor Juana
1999
creator: Gómez, Patricia
Physical Description: Insert size: 18 x 26 in., Paper size: 22 x 30 in.
Description/Comments
Image is of roses in a vase with an image of Sor Juana. A red curtain and a rosary hang from the upper portion of the print.
Beside the vase are a stack of books and a framed image of a brain imprisoned by brambles. Text in script in the lower right
corner reads, "Liberty itself for me is no boon: If I hold it such, it will soon be my bane. No more worries for me over boons
so uncertian [sic]: I will own my very soul, as if it [illegible]." From Atelier XXXIII 1999 - Maestras I Sor Juana Series.,
63 ed., Printer: José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 029
War Stories
March 4-8, 1991
creator: Gómez, Patricia
Physical Description: Insert size: 26 x 35.5 in., Paper size: 26 x 35.5 in.
Description/Comments
Repeating image of purple and red sacred hearts and roses. The pattern is repeated in the center of the image, however in
blue and green. Over the pattern, text describes the stories of "my uncles and cousins."- Pat Gomez.From Atelier XVI., 56
ed., Printer: José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 030
Props and Scenery
May 27-31 and June 3, 2003
Physical Description: Insert size: 22 x 16 in., Paper size: 26 x 20 in.
Description/Comments
"Multi-Colored Abst[r]act depicting minorities in background. Gold-yellow line symbolizes color barrier in advertisement and
film industries. This abstract was created after observing first hand, how the media (adver[t]ising and film) reduces minorities
to 'Props and Scenery' in ads and/or films. The absence of people of color, particularly in front of the camera, in the adver[t]ising
and film world is alive and well in Los Angeles. The abstract here is the background is full of color yet there is a color
barrier represented by the yellow-gold line in the foreground."- Cici Segura. Colors used: Blue, Red, Yellow, Orange, Lt.
Purple, Dark Purple, and Black. From Atelier XLII - Maestras 4., 78 ed., Printer: José Alpuche, Slide Photo: UCSB photography
- duplicate photo by Marissa Rangel.
album 15, slide Cat.2 031
La Reyna
May 6-10, 2003
creator: Gonzalez, Yolanda
Physical Description: Insert size: 22.5 x 15.5 in., Paper size: 26 x 20 in.
Description/Comments
"Female sitting arms crossed with a lovely head[d]ress and a colorful shall [sic]. her dress is adorned by lots of textures
and colors. As he sits she's the Queen. La Reyna[.]" The strength of the woman is always that of a queen." La Reyna" is loving,
stern, brilliant and always true to herself."- Yolanda Gonzalez. Colors used: Black, Blue, Red, Ochre, Light Yellow Ochre,
Light Grey, Off White, Black, and Clear Gloss. From Atelier XLII - Maestras IV., 72 ed., Printer: José Alpuche, Slide Photo:
UCSB Photography - Duplicate photo by Marissa Rangel.
album 15, slide Cat.2 032
Cause and Effect
2000
Physical Description: Insert size: 32 x 22 in., Paper size: 30 x 40 in.
Description/Comments
Minstrel Orchestra in blackface with tornado in background and text. "Weel about turn about and da jis' so / Ebry/ time I
weel about I jump Jim Crow." "Images of people in blackface have been a source of both disturbance and fascination to me.
These images are intensely powerful in both their literal statements and in their ability to allow the viewer to create a
context through the bias of their associations. Generations of African Americans have suffered grievous injury at the hands
of people whose livelihood was derived from creating and reinforcing stereotypes through blackface minstrelsy. The creation
of a stereotype was an essential element in maintaining white America's illusion of superiority. It characterized us as buffoons
and tricksters, as inherently lazy and immoral and perennial children who were dependent on the paternalism of our "masters"
for survival. Slavery, even the post emancipation more subliminal variety, was contingent on making its victims appear to
be less than human. The images I've used are taken from late nineteenth century photographs of vaudeville and minstrel show
performers. Ironically, blackface minstrelsy, through its wholesale appropriation of African American culture, is recognized
as the "America's first indigenous musical-theater genre." Manifestations exist to this day in everything from black stand-up
comedy to the "crews" and "posses" of hip-hop. My work entreats the viewer to look at these images, while at the same time
looking through them, to discover an alternate context. It is my hope that the work might offer a glimpse into the origins
of some conscious or subconscious contemporary thinking with regard to race, color, and gender. If you are discomforted by
what you see, I invite you to examine those feelings, for out of this examination will come enlightenment."- Mark Steven Greenfield.
Colors used: Blue Green, Burgundy, Gray/Brown, and Eggshell Yellow., 50 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 033
Some Indignities Persist
April 24 and May 8 (year unknown)
Physical Description: Insert size: 25 x 18 in., Paper size: 30 x 22 in.
Description/Comments
"Man in blackface holds up dress against wooden fence background with text over printed in the form of an eye chart reading
Some Indignities Persist." Images of people in blackface have been a source of both disturbance and fascination to me. These
images are intensely powerful in both their literal statements and in their ability to allow the viewer to create a context
through the bias of their associations. Generations of African Americans have suffered grievous injury at the hands of people
whose livelihood was derived from creating and reinforcing stereotypes through blackface minstrelsy. The creation of a stereotype
was an essential element in maintaining white America's illusion of superiority. It characterized us as buffoons and tricksters,
as inherently lazy and immoral and perennial children who were dependent on the paternalism of our "masters" for survival.
Slavery, even the post emancipation more subliminal variety, was contingent on making its victims appear to be less than human.
The images I've used are taken from late nineteenth century photographs of vaudeville and minstrel show performers. Ironically,
blackface minstrelsy, through its wholesale appropriation of African American culture, is recognized as the "America's first
indigenous musical-theater genre." Manifestations exist to this day in everything from black stand-up comedy to the "crews"
and "posses" of hip-hop. My work entreats the viewer to look at these images, while at the same time looking through them,
to discover an alternate context. It is my hope that the work might offer a glimpse into the origins of some conscious or
subconscious contemporary thinking with regard to race, color, and gender. If you are discomforted by what you see, I invite
you to examine those feelings, for out of this examination will come enlightenment."- Mark Steven Greenfield. Colors used:
Rust/Beige, Off White, Dark Gray, and Gray Black., 43 ed., Printer: SHG?, Slide Photo: UCSB photography.
album 15, slide Cat.2 034
Topsyturvy
2000
Physical Description: Insert size: 22.5 x 18 3/4 in., Paper size: 30 x 22 in.
Description/Comments
"Photographic image of woman in blackface surrounded by a lavender ring with the word "Topsyturvy" in blue letters that get
progressively smaller."- Mark Steven Greenfield. Color separations by Ed Almanzor. Colors used: Black, Blue, Lavendar, and
Light Ochre., 65 ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 035
Untitled (So Tell Me Who's the Nigger Now)
January 24-28, 2000
Physical Description: Insert size: 16 x 23 3/4 in., Paper size: 20 x 26 in.
Description/Comments
Image of a man in drag in black face holding a feather duster with text arranged as an eye chart reading "So Tell Me Who's
the Nigger Now." Colors used: Beige, Off White, Cold Gray/Brown, and Brown/Black. From Atelier XXXIV., 40 ed., Printer: José
Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 036
Untitled (Sometimes We Become What We Hate)
January 24-28, 2000
Physical Description: Insert size: 18 x 23 in., Paper size: 20 x 26 in.
Description/Comments
Image of four men in drag in black face holding golliwog dolls with text arranged as an eye chart reading "Sometimes We Become
What We Hate." Colors used: Beige, Off White, Warm Dk Brown, and Warm Brown/Black. From Atelier XXIV., 50 ed., Printer: José
Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 037
D.O.D. Commemorative 1981
1981
Physical Description: Insert size: F/C in., Paper size: F/C in.
Description/Comments
Image is of a skull with black hair and eye sockets in the shape of hearts. There are two red roses below the face. The print
has been splattered with pink ink. Text beneath the image area reads, "Dia de Los Muertos, Commemorative Poster / Made Possible
By Grants From The N.E.A., And The City Of Los Angeles / SHG copyright 81.", wn ed., Printer: unknown, Slide Photo: unknown.
album 15, slide Cat.2 038
Avenida Cesar Chavez
November 17-20, 1993
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"The local traffic patterns of local people, commemorates the former corners of Brooklyn and Gage Avenues which will change
to Avenida Cesar Chavez. The conception of the piece was drawn on site over a period of 3 months."- Roberto Gutierrez. From
Atelier XXIII., 60 ed., Printer: José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 039
Velo/Veil
1999
Physical Description: Insert size: 18 x 26 in., Paper size: 22 x 30 in.
Description/Comments
Image is of Sor Juana writing in a book. Her head is open, revealing her brain. She is enclosed by a wreath. Text in the lower
right corner reads, "Sor Juana Inés de la (cross) (1669)." From Atelier XXXIII 1999 - Maestras I Sor Juana Series., 65 ed.,
Printer: José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 040
Achealy's Heel
2002
creator: Healy, Wayne Alaniz
Physical Description: Insert size: 22 x 16 in., Paper size: 20 x 26 in.
Description/Comments
"Buff is background color. Cerulean blue is delineated photo repro of Joe and WH printing. Yellow orange is text and arrows.
Maroon is dwgs of dog, panther, and lounge lizard. A play on words, the artist's Acheille's [sic] tendon is savagely attacked
by an evil Chihuahua named Wesley."- Wayne Healy. Colors used: Buff/Lt Cream, Cerulean Blue, Yellow orange, and Maroon. From
Atelier XLI - Special Project., 06 ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 041
Bolero Familiar
December 4-7, 2001 and January 15-19, 22-26, and 29-31 2002
creator: Healy, Wayne Alaniz
Physical Description: Insert size: 36 x 50 in., Paper size: 36 x 50 in.
Description/Comments
"Two guys sitting on living room couch play guitars and sing, one girl plays maracas and sings while other girl replaces low
E-string on her guitar. A baby girl reaches for Chihuahua hiding under the coffee table. Nana cooks food in the kitchen. I
grew up with musk in the house. My aunts and uncles would gather to play boleros made famous by Trio Los Panchos and Los Dandys.
Grandma was always cooking food served with her corpus christi style tortillas. My wife has a Chihuahua and the miserable
creature keeps showing up in my prints."- Wayne Healy. Colors used: OHCO-U, 523 U Lavender, 106 U Light Yellow, 345 U Light
Green, 467 U Light Brown, 185 C Red, EF00 C Flesh, TSRO-C Brown, 300 C Blue, TL00-C Orange, OIRO-C Gray Blue, 468 C Khaki,
1000 U Yellow White, OZAF-U Purple, 165 C Orange, 266 C Violet, Black, Trans White, and 2100 Clear Gloss., 79 ed., Printer:
José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 042
Con Cariño, Lydia Mendoza
May 15-19, 2001
creator: Ester Hernandez
Physical Description: Insert size: 18 x 26 in., Paper size: 22 x 30 in.
Description/Comments
"A portrait of a Mexican American woman dressed in a full length Mexican "Folkloriko" [sic] dress. She is holding the top
of an upright acoustic guitar. The entire image is framed by a red stripe."- Ester Hernandez. Colors used: Bluish Purple-Dark
Blue Blended into Light Blue, White (w/ blue tint), Sierra, Ochre, Gold Pearlescents, Green, Red, Purple-Transparent, and
Opaque Blue/Black., 76 ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 043
Lecho de Rosas: Día de los Muertos 1992
September 30-October 3, 1992
creator: Herrʹon, Willie
Physical Description: Insert size: 41.125 x 28.5 in., Paper size: 35 3/4 x 23 3/4 in.
Description/Comments
Three calaveras amidst rose bushes with bed sheets. The entire image is framed by a "Border of sun, water and cricket (symbols)"(--Willie
Herrón) as well as text. The text at the top reads, "Dia de los" and at the bottom "19-muertos-92." From Atelier XX., 55 ed.,
Printer: José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 044
Seeds From a Hybrid Generation
October 30-November 03, 2001
creator: Herrʹon, Willie
Physical Description: Insert size: 18 x 24 in., Paper size: 22 x 30 in.
Description/Comments
"Overlaying images and zine articles taken from various publications and flyers from THE VEX from 1980, including THE VEX
stage back drop THE VEX HEAD. To Document Self-Help Graphics' contribution to the rise and fall of the influence THE VEX had
on the hybrid Punk and New Wave Movement by Chicano Musicians for E.L.A."- Willie F. Herrón III. Colors used: Grey (Warm),
Orange (Dull), Deep Red (Dull), Burgandy Red (Dark), and Black. From Atelier XXXIX, special project., 29 ed., Printer: José
Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 045
Block Party Ritual
April 2-10, 2002
creator: Hoyes, Bernard Stanley
Physical Description: Insert size: 14 x 33 in., Paper size: 20x 26 in.
Description/Comments
"Central Figures swirling as a conga players emerge as well as evoke the swirls, symbolizing the rhythm of the music. To the
left figures in praising motion to the right, figures in chorus against cityscape of sky scrapers and palms over seen by concentric
skies in rhythm."- Bernard Hoyes. Colors used: Green Pantone 355c, Orange Pantone 021c, Cyan (Process)-2c, Blue Pantone 286c,
Yellow (warm) 2c, Transparent White, Warm Red C, Tan Pantone 158c, White 50%, Red Pantone 200c, Violet Pantone 70% bare, and
Varnish (overall). From Atelier XXXIX, special project., 21 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 046
Sanctified Dance
August 14-19, 2001
creator: Hoyes, Bernard Stanley
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"Group of figures in a Revival Ritual that involves hand clapping, tambourines and dance. The print conveys a ceremonial dance.
The figure in full motion, in the Spirit of Sanctified Joy, dance to celebrate their connection to the Astral world."- Bernard
Hoyes. Colors used: Light Yellow (O), Ultramarine Blue, Green, Red (Dark), Trans White, Warm Red (Trans), Deep Yellow (Trans),
Brown (trans), Transparent Magenta, and Gloss Varnish. From Atelier XXXIX, special project., 78 ed., Printer: José Alpuche,
Slide Photo: UCSB photography.
album 15, slide Cat.2 047
Elegie
March 13-17, 2001
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"Red roses with music sheet and 5 photos in cross configuration. This print is about my father's recent death. The Elegie
is a piece that my son was learning and had wanted to play at his grandfather's funeral. He didn't get to do that so I have
placed their images and the music on this print to, in a sense, give them both this last opportunity to share their music."-
Leticia Huerta. Colors used: Clear Blue, Yellow, Light Green, Dark Green, Dark Red, Off White, Transparent White, Violet,
Black, and Grey., 80 ed., Printer: Joe Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 048
Untitled (María Felix)
May 28-June 1 and June 18
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"Maria Felix on a red background. Homage to Maria Felix."- Salomon Huerta. Color separations by Miguel Angel Reyes. Colors
used: Fusia 21u - 232u, Dark Pink pr-63-semitrans, Light Dusty Purple, Pale Pink Opaque, Red 70% Opaque, White Opaque, Light
Fusia Opaque, Black Opaque, Brown/Purple 70and opaque, Trans/White, and Clear Gloss., 20 ed., Printer: José Alpuche, Slide
Photo: UCSB Photography.
album 15, slide Cat.2 049
La Virgen de los Nopales
May 18-23, 2003
Physical Description: Insert size: 22 x 16 in., Paper size: 26 x 20 in.
Description/Comments
"Nopales with the Americas are under an intense barbed wire rain. The Virgens are watching. America is represented by the
nopal. The continent is under attack. The barbed wire that cut up our land are still raining upon us. The virgen watches.
The sun, moon, and flower below are uncertain and uncomfortable with the situation."- Consuelo Jimenez Underwood. Colors used:
Green - warm-mid, Blue - Light Turq., Brown - Light warm, Magenta, Light Warm Grey, and Black Rain." From Atelier XLII, Maestras
IV., 72 ed., Printer: José Alpuche, Slide Photo: UCSB Photography - Duplicate photo by Marissa Rangel.
album 15, slide Cat.2 050
Spiritual Warrior
February 8-12, 2000
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"Yellow/Orchor Figured and Background. Blue Angel Wings. Four Circular design elements at bottom foreground (Horse, Eagle,
Turtle, and Buffalo). My works include both the raditional flat, two-dimensional depiction of tribal life, as well as works
in contemporary Indian themes and views. Like many before me, the innate drive to become an artist is an away of life that
has compelled me to be nothing other than an artist. It is an amazing period to share with a generation of American Indian
artists who are utilizing today's worldwide mediums of art with the same continuous strength on "Indianness" as in generations
before us. Thus, expressing and preserving the dignity, respect, purity and beauty of our Indian people."- Randy Kemp. Colors
Used: Yellow Orchor, Dark Purple/Red, Light Blue, Red/Orange, and Deep Red/Black. From Atelier XXXIV - Arizona Xicanindio.,
75 ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 051
¡No Más Tratos! (No More Deals!)
July 30-31, 2002
Physical Description: Insert size: 16 x 16 in., Paper size: 20x 26 in.
Description/Comments
"A brown and black empowerment poster. Brown and black fists join in solidarity against corporate control of affordable housing."-
Garland Kirkpatrick. Colors used: O-Fire Red, O-Dark Brown, and T-Flesh., 91 ed., Printer: José Alpuche, Slide Photo: UCSB
Photography.
album 15, slide Cat.2 052
Seekers of Gold
July 28-30, August 3, and December 7-8 1999
Physical Description: Insert size: 16 x 20 in., Paper size: 20 x 26 in.
Description/Comments
"The background consists of four different vertical rectangles of men's faces in dark blue tones; an outline map of the United
States in red with statistical dots and direction lines emanate from siljouettes [sic] of Chinese laborers circa early 1900.
Seekers of Gold refers to the desire of statistical information in matters especially of immigration and its effect on commerce,
population and culture. Real numbers and actually unavailable in this work, and the statistical symbols are misleading. And
just as well- Americans seem to prefer the statistics in their imaginations. Seekers of Gold is intended for the viewer to
recall the prevailing attributes given to Chinese immigrants who arrived in the United States in the 19th and 20th centuries.
Despite laws intended to prevent discrimination in the workplace, the impact of the newly-arrived, then and now on American
culture is uneasy."- Betty Lee. Colors used: Milori Blue, T-DK Cyan Blue, T-LT. Trans baby Blue, T-Ultra Marine Blue, O-Yellow,
O-Red, and O-Black. From Atelier XXXIV., 51 ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 053
D.O.D. Commemorative 1980 (Parade)
1980
creator: Limon, Leo
Physical Description: Insert size: in., Paper size: in.
Description/Comments
Image is of celebrating calaveras in costumes. They stand behind a yellow rectangle with the announcement, "Come and celebrate
with us, Vengan y Celebren con nosotros. Dia de los Muertos (Day of the Dead) November 2, 1980 Self-Help Graphics and Art,
Inc. 3802 Brooklyn Ave., East Los Angeles, CA 90063 Phone 264-1259 or 268-2335 Traigan sus mascaras y ofrendas al altar."
Text at the bottom of the print reads, "Los Angeles Bicentennial 1781-1981 Made Possible By Grants From N.E.A., Atlantic Richfield,
and the City of Los Angeles. Design/Limon Copyright 1980." ,54 ed., Printer: , Slide Photo: unknown.
album 15, slide Cat.2 054
DOD Commemorative 1981 (Legs)
1981
creator: Limon, Leo
Physical Description: Insert size: F/C in., Paper size: F/C in.
Description/Comments
Image is of a woman's legs in white high-heeled shoes. She wears black leggings with purple calaveras. "Blue sky, white clouds
and bubbles [are] in [the] background.- Leo Limon. 25 ed., Printer: unknown, Slide Photo: unknown.
album 15, slide Cat.2 055
Morena Y Quetzalcoatl
2001
creator: Limon, Leo
Physical Description: Insert size: 16x 22 in., Paper size: 20x 22 in.
Description/Comments
"La mujer, madre tierra y la jovencita sit at the bus bench. She's watching Quetzacoatl's word over-taking the huffing-puffing
intervention horses as they approach our templo's in Aztlan movimiento is in the Air, the Sky. Young Native lady seated on
bus bench. High rise hairdo. Green background. Serpent image on bench."- Leo Limon. Colors used: Blue, Tan, Blue (ultra-marine),
Yellow (medium), Yellow Green, Red, Orange, Green-Eyes, Green-Bench, Gray, Light Blue, Black. From Atelier XXXIX., 78 ed.,
Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 056
Chuparosa
June 11-15, 2002
Physical Description: Insert size: 16 x 22 in., Paper size: 20x 26 in.
Description/Comments
Atelier silkscreen print depicts a photo-silkscreened image of a woman's back, arms akimbo. Her head is cocked to the side
revealing part of her face. She has short hair and her shirt features two stylized Mayan females holding hands. This entire
image is superimposed on an image of a red hummingbird that fills the rest of the space of the print. At the bottom of the
print, in front of the woman, another stylized female Mayan sits with her legs open. She is seated in front of a recumbent
Mayan deity. "A woman with hands on her hips (instead of pelvis), a reverse pose of the Earth goddess."- Alma Lopez. Colors
used: Charcoal/grey, Red, Brown, Blue, Light Grey, Yellow Ochre/Mustard, Orange Red, Transparent White, Transparent Brown,
Transparent Black, White, Black, and Gloss. From Atelier XL, Maestras III., 78 ed., Printer: Joe Alpuche, Slide Photo: UCSB
Photography. Duplicate photo by Marissa Rangel.
album 15, slide Cat.2 057
Mnesic Myths
July 20-24, 1999
Physical Description: Insert size: 16 x 20 in., Paper size: 22 x 30 in.
Description/Comments
"A young woman extends her hands to another young woman who lays/rests on the image of coyolxauhqui- the Aztec moon goddess.
Behind them is a line drawing of coatlique- Earth Goddess, and Popocatepl and Ixtacihuatl. Below is a band of Aztec codex
to symbolize the sky. Mnesic Myths is an adjective to describe something that is relative to memory. Mnesic myths, the title,
refers to myths which may be remembered or recalled. This silkscreen has the myth of Coatlique and Coyolxauhqui, and the Romeo-Juliette
type myth of Popocatepetl and Ixtacihuatl. Both are pre-Colombian myths which are places in western contemporary times with
the image of two young homegirls."- Alma Lopez. Colors used: Off White, Beige/Brown, M. Brown, Red Brown, White, Blue Black,
and Black. From Atelier XXXIV., 47 ed., Printer: Joe Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 058
Our Lady of Controversy
December 3-7, 2002
Physical Description: Insert size: 22 x 16.25 in., Paper size: 26 x 20 in.
Description/Comments
"Image of a woman wearing flowers and blue cape, on a flowery-patterned background, held by a bare breasted butterfly angel."-
Alma Lopez. Colors used: brown, orange, red brown, flesh, transparent white, blue, green, red, yellow, white, and black. From
Atelier XLI., 73 ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 059
Jaguar Woman Warrior: Woman's Work is Never Done
1999
Physical Description: Insert size: 18 x 26 in., Paper size: 22 x 30 in.
Description/Comments
Image is of a female Aztec jaguar knight, a calavera, a hand writing a prescription, a heart, and two purple orchids. Text
running sideways along the left side of the print reads, "Jaguar Woman Warrior Woman's Work Is Never Done." From Atelier XXXIII,
Maestras I., 72 ed., Printer: José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 060
Moved by Your Rhythmic Eyes
March 25-28 and April 1-3, 2003
Physical Description: Insert size: 20 x 15.5 in., Paper size: 26 x 20 in.
Description/Comments
"The print was created to represent the Grand Performances brochure for the 2003 Summer program in downtown Los Angeles."-
Aydee Lopez Martinez. Colors used: Ultramarine Blue semi-trans., Yellow Ochre, Blue shade red, Sienna light, Semi-Opaque white,
Magenta, Transparent white, Black, Ultramarine Blue, Transparent white, Magenta, and Gloss. From Atelier XLI., 18 ed., Printer:
, Slide Photo: UCSB photography.
album 15, slide Cat.2 061
El Ropero de Frida / Frida's Armoir
March 19-23, 2002
Physical Description: Insert size: 16 x 20.25 in., Paper size: 20 x 26 in.
Description/Comments
"The image is of the artist Frida Kahlo. Its an homage to her talent and spirit. The image deals with the allure of Frida
Kahlo. Its commenting on Frida becoming as popular as BARBIE. I'm drawn to her strength as an image maker and personality.
I like the idea of her being portable and taking her along everywhere physically and spiritually. It's another one of my many
homages to her."- Jose Lozano. Colors used: Black, Pink, Flesh, Light Blue, Brick Red, Dark Brown, Dark Blue, Dark Red, Olive
Green, Yellow Ochre. From Atelier XXXIX., 75 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 062
Hero-Héroe
1991
Physical Description: Insert size: in., Paper size: 28 x 36 5/8 in.
Description/Comments
The head of a Mexican wrestler in a mask. The background is made up of a repeating pattern of people's faces. From Atelier
XVII., 57 ed., Printer: José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 063
Dreamers, Magicians, and Star Navigators
February 1-2, 2000
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"Stellae carving, fish, crosses, pyramid, multi-blend arch. This print depicts elements of the mayan civilization along with
incongruous elements that yet portray their quest and achiev[e]ment in astrological navicational [sic] skills. The presentation
of the crosses, burial fields and explosion burst add to the dream-like layers of incongruent dreams."- R. David Manje. Colors
used: Blend-Purple to Cerulian bl., Yellow-Trans, Red Orange- Trans, Green-Trans, Green-Trans, Dk Violet/Black Opaque, Gold-Opaque,
and Beige-Trans. From Atelier XXXV - Arizona Xicanindio., 80 ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 064
Raza y Cultura
1995
Physical Description: Insert size: in., Paper size: 30 x 41.875 in.
Description/Comments
Multicolored, active print has few distinguishable images. Among them are faces and a heart. From Atelier XXV., 58 ed., Printer:
José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 065
V.G. Got Her Green Card
February 8-15, 2001
Physical Description: Insert size: 22 x 16 in., Paper size: 26 x 20 in.
Description/Comments
"A Virgin of Guadalupe holding a green card."- Isabel Martinez. Colors used: T-Ultra Blue, T-Violet, T-Magenta, T-Yellow,
T-Turquoise, T-Green Shade Yellow, T-Flesh, O-Black, O-Green, T-White, Clear Gloss, and T-Yellow-Orange. From Atelier XXXVII.,
80 ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 066
In Memory of Cesar Chavez
November 12-16, 1993
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"Memorial of Cesar Chavez consists of a "NO GRAPES" sticker on top left. Brahma bull on the lower left hand corner with four
oval portraits of Cesar Chavez and falling typography on right side."- Paul Martinez. From Atelier XXIII., 65 ed., Printer:
José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 067
Caution (Captive)
2002
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"The image "CAPTIVE" reveals a close up of a face with wide open eyes. The face is framed by a red border filled with blue
flowers, and green and yellow leaves. The pattern of flowers, leaves, and branches grows to form a layer in front of the face
outlined in black. The face and frame (border) are mainly red. CAUTIVA 'Captive' (a) kept within bounds: confined b) held
under control (c) extremely pleased or gratified (d) making departure difficult. (Webster's Collegiate Dictionary) The image
"CAPTIVE" as the word's definition is ambiguous and has positive and negative implications. Although i[t]s formal elements
are vivid and pleasant, the face is confined within a frame (and) the layer formed by the branches, flowers and leaves in
front of the face represents elements of incarceration. Many women are confined and kept apparently gratified with material
goods but their soul[s] are locked away."- Beatriz Mejia-Krumbein. Colors used: T-Skin, T-Yellow, T-Red, T-Light Gray, T-Dark
Gray, T-Brown, T-Green, Blue, and T-Black., 80 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 068
Cliché Inversion
July 17-19, 2002
Physical Description: Insert size: 22 x 16 in., Paper size: 26 x 20 in.
Description/Comments
"The shape of the tree is formed with the word "TU CASA ES MI CASA." Poring [sic] out from the leaves is a deranged pig wearing
a poor ball helmet and holding a carfe football over the head of a dazed and angry canary who sits in his broken shell on
the ground with egg yolk dripping off of his head from the other eggs the pig has cast to the ground." "CLICHE' inversion
takes the familiar CLICHE 'MI CASA ES TU CASA' and flips it to now !AY 'TU CASA ES MI CASA'. This statement is the pigs spin
in the phrase as he has scaled up a tree and kicked out its inhabitants (A SMALL CANARY) and its unhatched siblings with no
regard to the fact that the birds were there first to say nothing of the fact that in general, trees are homes to birds, even
squirrels but never pigs. Symbolically, the pig with his football helmet represent the greed of capitalistic developers -
specifically the powers that be behind the football stadium currently being proposed for downtown Los Angeles. The helpless
canary is both bewilder[ed] and angry at this hostile take over. The canary represents the people who live in the proposed
stadium site. The Broken eggs that ( ) the landscape are literally bird embryos. These represent the destruction of dreams,
futures and quite possibly the lives of those persons ( ) in 'STADIUM LAND' and the ripple that this variety of displacement
( ) has for the residents children/family."- Memphis. Colors used: Black, Bright Red, Crayola Yellow, Medium Brown, Forest
Green, and Bubble gum Pink., 73 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 069
Respect
August 6-10, 2002
Physical Description: Insert size: 16 x 21.5 in., Paper size: 20 x 26 in.
Description/Comments
"A developer is hammering the spike of Gentrification into a building covered with the American flag and destroying it. The
residents are facing the developer in silho[u]ette spelling out the word RESPECT across their backs. A larger figure represents
"Justice and Dignity" has denoted expensive roots below which are being eaten by termites of greed and indifference. The developers
hands also eat at the community by roots and are being showered with money." "The theme was developed from the goal to serve
a dialogue for both the oppressor and the oppressed; The Development/Landlords and the resident tenants. I wanted to present
illegal evictions as an Un-American act in response to the often one sided patriotism experienced today. The tenants in silhouette
are dipicted [sic] as standing up to the developer, looming large figure with a football head. He is however, vulnerable in
that he is plug in being pulled by the figure representing "Justice and Dignity" her roots are being eaten away by termites
representing 'indifference' and 'greed'."- Ricardo Mendoza. Colors used: Black, Ultra Marine Blue, Cerulean/Cobalt Blue, Cadmium
Red, Golden Sienna, and Cad Yellow., 91 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 070
Mangán Tayón- Food for Thought
May 1-8th, 2001
Physical Description: Insert size: 26x 18 in., Paper size: 22x 30 in.
Description/Comments
"The central image of the piece is a woman cooking food and wearing an apron which reads Mangán Tayón" which in Ilocano means
"Let's Eat." fields of gold surround her and feature portraits and images of the artist's grandparents, faces, and as farmworkers
working in the fields. They are depicted in sepia and skin color/flesh tones to indicate a feeling of the past in comparison
to the central figure of the woman who is shown in more intense colors with warmer flesh tones to indicate the present. In
the foreground are plates of food, spices, sauces, fruit and vegetables used in the preparation of the food which are all
symbolic to the artist family community and culture." "The Mangan Tayon-Food for Thought print was designed to conceptualize
the process of food consumption, the labor of agriculture and importance of cuisine preparation to the family. The theme of
food for the print was inspired by personal memory, identity and heritage. The images in the print brought together many different
environments relating to food: the labor involved in bringing food to our tables in the kitchen and also in the agricultural
fields we often take for granted. The work also represents the cultural and traditional significance that food represents
to the artist's Pilipino culture and cross-cultural significance where food is a way to bring family together. Each image
was based on family pictures taken in the kitchen of the artist's mother cooking, from old family photo albums showing the
diaspora of the artist's grandfather who was a part of the historical first wave of immigrant farm-workers from the Philipines
and her grandmother who was able to come here as a contracted nurse and personal domestic care-giver for a family of Multinational
Chevron Oil Corporate Officer. This was rare due to the fact that this took place during a time when Asian Women were banned
from immigrating to the US due to the Tydings McDuffy Law restricting them due to the threat of them marrying into the Anglo
society. In addition historical photos were integrated into the piece depicting the early farm workers photos taken at Agbayani
Village showing the significance of Pilipinos to the UFW movement specifically the early grape strikes where Chicanos, Mexicans
and Pilipinos came together to fight against the injustices of the grape farm workers researched at Visual Communications
in Los Angeles. There are culturally symbolic foods, spices, and produce on the table indicative of the Pilipino culture,
showing how culture is passed on to future generations through the tradition of food preparation. Some of most favorite memories
are those of working in the fields with my cousins and preparing food in the kitchen sharing stories with my sisters and mom.
According to one's background and culture, food takes on different meanings. Due to mulicultuatlism and globalization the
people of the world are continually interating with each other and as a result are constantly being intoduced to a diversity
of customs, traditions and ways of life. With this work, I hope to reinforce a new sensitivity to a deeper understanding of
one another based on tolarance and cross-cultural understanding. Mangan Tayon is about the familiar act of eating we all take
part in and functions as a metaphor for life exploring diffferent perspectives existing in our society on the theme of food.
The work is about the experience of eating. I believe the process of producing this work was personally more important that
the product which supported people sharing their own oral histories and family stroies provoking discussion with the viewwers
about their family on the theme of "food." Discussion was brought up in the process of creating this work deconstructing the
issues of food and perstaining to how produce is grown, picked and distributed. Revealing personal accounts of injustice to
workers, details of the hard work involved and personal accounts from family members of the artist in tems of exposure to
pesticides and harmful working conditions were all provoked due to the subject matter of this piece. 'My mother remembers
the foreman telling my lolo, my granpa, to mix the pesticides he had been exposed to while unappreciated, and [was] often
the subject of xenophobia and racism."- Cristina Miguel-Mullen. 84 ed., Printer: José Alpuche, Slide Photo: UCSB Photography
- Duplicate photo by Marissa Rangel.
album 15, slide Cat.2 071
Echo Park
July 24 - 27, 2001
Physical Description: Insert size: 16x 22 in., Paper size: 20x 26 in.
Description/Comments
"Landscape showing water lilies in bloom with foliage reflected in the water. Location Echo Park, Los Angeles. Landscape:
view of the lake in Echo Park, Los Angeles showing water lilies in bloom, with reflections of foliage in the water. Developed
from the original painting of the [sic] same title. Original painting commissioned in 1986 by linda sessions."- Sally Mincher.
Colors used: T. Salmon Pink, O. Lemon Yellow, O. Turquoise, T. Burnt Sienna, T. Lime Green, T. Powder Blue, T. Ivory warm-white,
T. Magenta/Purple, and T. Dark blue/Green., 80 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 072
Cihualyaomiquiz, The Jaguar
December 10-14, 2002 and March 18, 19, and 20, 2003
Physical Description: Insert size: 22 x 16 in., Paper size: 26 x 20 in.
Description/Comments
"A leaping female figure wearing a skin-tight ocelot leotard, wrestling boots and a feathered Native-American headdress in
front of a yellow star burst on a deep violet background. Upper left corner has Insurgent Comix" logo with a clenched fist.
The comic book title appares [sic] at the top with dialogue balloons around the figure and descriptive text in lower left
corner."- Laura Molina. Colors used: Pink - Yellow Blend, Gold, Ocelot Orange, Flesh Tone, Red, Aqua, Violet, Orange, Black,
Deep Gray, Transparent Black, Deep Blue, Block-Out White, Aqua and Gloss Clear. From Atelier XLI, special project., 46 ed.,
Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 073
El Guadalupano
1999
creator: Montoya, Delilah
Physical Description: Insert size: 18 x 26 in., Paper size: 22 x 30 in.
Description/Comments
"Photographic image depicting a Pinto" (inmate) standing in front of prison bars with handcuffs on and a tattoo of the Virgen
de Guadalupe on his back. A bouquet of roses with hand turned upward below the image."- Delilah Montoya. From Atelier XXXIII
- 1999 Maestras I., 51 ed., Printer: José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 074
Mickey Mao
July 25-27, 2000
Physical Description: Insert size: 26 x 40 in., Paper size: 30 x 44 in.
Description/Comments
""Mickey Mao" simple use of corporate and communist images juxtaposed with humor and poetry. Corporate and communist cultures
have merged in this millenium. The contradictions are here. I yearn secretly for both. I salute Mao and I enjoyed Coke in
Chiapas."- Richard Montoya. Colors used: Electric Blue, Fire Engine Red, Twinkie, Dark Purple, and Creamy Yellow. From Atelier
XXXVII., 00 ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 075
Dualities
February 17-18, 2000
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"Half of the image deals with life, the other with death showing the intricacy between life and death skeleton dropping seeds
into life's hand (woman). The print deals with dualities night and day, life and death, light and dark. Dualities deals wit[h]
the balance of life our life cycle. that from death comes life."- Martin Moreno. Colors used: O-Flesh Brown, T-Light Brown,
T-Blue Shade Red, T-Baby Blue, T-Red Shade Yellow, and O-Dark midnite blue. From Atelier XXXV, Arizona Xicanindio., 80 ed.,
Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 076
Niña Héroe
August 22-25, 1992
creator: Norte, Armando
Physical Description: Insert size: 24 x 30 in., Paper size: 30 x 36.25 in.
Description/Comments
Image is of a young girl in calavera makeup holding a wooden rifle with a skeleton dangling from it. She wears a sombrero
and bandolero and her arms are skeletal. A plush toy doll is on the ground beside her. The background is brown. Possibly a
play on the "Niños Héroes of Chapultepec." From Atelier XX, 68 ed., Printer: Richard Balboa, Slide Photo: .
album 15, slide Cat.2 077
King James Version
1999
Physical Description: Insert size: 18 x 26 in., Paper size: 22 x 30 in.
Description/Comments
A pregnant woman's hands are bound above her head to a post and her back is bloody. In the background is an African fetish.
In the lower area is a revolver superimposed on two pages from the King James Version of the Bible. From Atelier XXXIII, Maestras
I., 58 ed., Printer: José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 078
Chicuelina
1996
creator: Oropeza, Eduardo
Physical Description: Insert size: 17 x 21 in., Paper size: 22 x 26 in.
Description/Comments
Image is of a bullfight where the spectators are calaveras., 77 ed., Printer: José Alpuche, Slide Photo: .
album 15, slide Cat.2 079
(title unknown)
undated
creator: Oropeza, Eduardo
Physical Description: Insert size: in., Paper size: in.
Description/Comments
A priest leads a funerary procession of calaveras. From Atelier VI., n. ed., Printer: , Slide Photo: unknown.
album 15, slide Cat.2 080
Angel de la Vida
June 17-21, 2003
Physical Description: Insert size: 22 x 16 in., Paper size: 26 x 20 in.
Description/Comments
"The figure of an Angel over a blue blend background. He is criss crossed with scars. There is the image of a Pre-Columbian
face with Huelga Eagle designs on his face. I titled this print on a[n] on-going series of Meso-American Angels. These angels
are male/female and they are indegnious [sic] to the America's! This Angel I title Angel de la Vida." He has served his time
here on earth by helping us in our daily pendejas! As symbolized by the scars on his body -! He is being brought back to his
home as symbolized by a guardian gatekeeper ---- He served his time on Earth and is being rewarded by being allowed to go
home -- back to his cante! (home) It's actually very simple, an angel served his time!"- Juanishi Orosco. Colors used: Blended
Colors, P26C Violet 263 C, P.29C Ultra Blues 283 C, P.29C Ultra Blue 287 C, P.32C Light Tralo Blues 304C, P.33 Med. Thale
Blues, Off White, Clear Gloss, and Black. From Atelier XLT., 82 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 081
Frida y Diego Nos Muestran Mexico
March 25 - 29, 1991
Physical Description: Insert size: 35 x 26 in., Paper size: 37.5 x 28 in.
Description/Comments
Image is of the artists Frida Kahlo and Diego Rivera. Kahlo holds a brush. In the background is a group of people, an automobile,
and a pyramid (Chichen Itza). From Atelier XVI., 64 ed., Printer: Oscar Duardo, Slide Photo: unknown.
album 15, slide Cat.2 082
Blue Venus
2001
Physical Description: Insert size: 18x 22 in., Paper size: 22x 30 in.
Description/Comments
"A linear and cross-hatched version of Bottecelli's Venus (sans the half shell) holds paint brushes, their tips with the primary
colors and gold, with her left arm. She puts her hand over her heart are which has a tattoo with a small banner in Latin that
is not entirely legible. Over her head is a full banner with the words on the tattoo- "Ars longa, vita brevis" (Art is long,
life is short-Hippocrates). Yellow sunrays shine from behind her on a red background. In keeping with the theme of the Maestra's
Atelier - nurturing. I wanted to show the nurturing aspect of art, how it cultuvates [sic] and promotes a culture or civilization.
I've appropriated Botticellis image of Venis [sic] in part for its curva-linear quallities [sic] which I've often used in
my work. Largely though, I've used this image as to me it represents Art and how it caresses and protects a culture. She is
blue as the Greek god and the Hindu god, Vishnu were blue. I wanted to show the enlightened quality that women possess that
passes on culture through the ages. Ancillary to the theme of nurturing are the banners over her tattoo and her head, a reassurance
of the timelessness of art in the Latin phrase "Ars longa, vita brevis" (unless the Taliban rebels get it)."- Elizabeth Pérez.
Colors used: Deep Crimson, Pale Yellow, Light Blue (warm), Medium Blue (warm), Grey, Gold, and Purple. From Atelier XXXVIII
- Maestras 2., 70 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 083
Sor Juana Rebelling Once Again
1999
Physical Description: Insert size: 18 x 26 in., Paper size: 22 x 30 in.
Description/Comments
Sor Juana wears a handkerchief veil and a manta like that of la Virgen de Guadalupe. From her head sprout two fiery roses.
Text in the sky next to her reads, "plucking courage up from her very [illegible], she resolved, rebelling once again to see
herself made sovereign in that half of the globe left unprotected from the sun...." Text running along the outside of her
manta reads, "If There's One Thing Drives The Devil Up A Tree, Its Hearing Of A Woman Who's Smarter Than He...." Text on her
handkerchief reads, "tears and sighs dissolve my heart and soul together, the soul reducing to wind, turning the heart to
water." From Atelier XXXIII, Maestras I., 64 ed., Printer: José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 084
Leading by Example
January 28, 1995
Physical Description: Insert size: 26.25 x 36.25 in., Paper size: 30 x 46 in.
Description/Comments
Image is of eyes. Text reads, "moderno, think, peace, power." From Atelier XXV., 58 ed., Printer: José Alpuche, Slide Photo:
unknown.
album 15, slide Cat.2 085
Hasta Que La...Los Separe
November 6-10, 2001
Physical Description: Insert size: 16x 22 in., Paper size: 20x 26 in.
Description/Comments
"Bano, Mujer, Hombre, Ropa Interior, Zapatos y Collage."- Julio Ceasar "Mi Yo" Ramirez. Colors used: Clear Base, (T. Blue
Grey), T. Red, T. Olive Green, T. Turquiose Blue, T. Purplish Blue, T. Dark Blue, T. Grey (Charcoal), T. Violet, O. Black,
and Clear Gloss. From Atelier XXXIX., 75 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 086
The Here and Now
October 2-6, 2001
Physical Description: Insert size: 21.5 x 35.5 in., Paper size: 30 x 44 in.
Description/Comments
"DJ Calaca with titles (Self-Help Graphics Presents El Día De Los Muertos 2001, "The Here and Now")." "My contribution to
the print is the DJ Calaca spinning records on two turntables. This image represents the Hip Hop Nation that has permeated
all aspects of Chicano and Latino Culture. It expresses the voice of "The Here and Now" and my generation views on progressive
culture, politics and philosophy." - Omar. "My contribution to the print is the addition of the lettering. My "Cholo" East
Los Angeles style to reinforce our streetwise Latino heritage with the new millenium the title "The Here and Now" is what
we are all about." - Chaz. Colors used: Light Blue Field, Green, Purple, Ochre, White, Ultramarine Blue, Black line drawing,
Red, and Black Border. From Atelier XXXIX., 80 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 087
Día De Los Muertos 1999
September 5-12, 1999
Physical Description: Insert size: 25.5 x 24 in., Paper size: 31.5 x 30 in.
Description/Comments
"Día De Los Muertos com[m]emorative poster for SHG 1999. The Content of the Image deals with the Ford Anson Theatre towers
in the background, because of the concert (to be held there) and the calacas driving to the concert. The driver is me (Chuy
C/S) in my 1956 Chevy Bel Air, the passenger is my girlfriend, Belén throwing zempaxochitl out the window, blessing the path,
and a rocker is jamming on the cab of my ranfla."- Chuy "C/S" Rangel. Colors used: O.P. Black, Red Purple, Drk Brown, Light
Blue, Ultra Blue, Drk Green, Medium Green, Yellow Ochre, Maroon, Pink, Green Shade Yellow, T-White, T-Orange, and O. White.
From Atelier XXXIV., 85 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 088
Untitled
May 13-16, 2003
Physical Description: Insert size: 16 x 20 in., Paper size: 20 x 26 in.
Description/Comments
"Person looking up with hands in the air."- Marissa Rangel. Colors used: Eggplant purple - 525U, Flesh - Creme, Magenta, Purple
(220U), Purple - Dark (228U), Purple Darker (242U), Black, and Clear Gloss. From Atelier XLII, Maestras IV., 66 ed., Printer:
José Alpuche, Slide Photo: UCSB Photography. Photo of duplicate by Marissa Rangel.
album 15, slide Cat.2 089
Tacos Con Huevos!
February 24, 2000
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"Red Gallo Romantico eating a Nopal Taco- text in background- 3 hearts at bottom. A moment frozen in time- a tale of drunken[n]ess
and babosadas of irresponsible youth. Dona Nati's house and anger along with 3 drunken cabrones who wanted something to eat.
I wanted to tell a story about a collage of events that involved a lot of idiotic nonsense, some events and some fiction.
the lingering song and/or tune ties in some emotion as do the three hearts."- Joe Ray. Colors used: Pale Yellow, Butterscotch
Yellow, Purple, Green, Red, and Blue Black. From Atelier XXXV - Arizona Xicanindio., 80 ed., Printer: José Alpuche, Slide
Photo: UCSB photography.
album 15, slide Cat.2 090
Epoca de Oro
2002
Physical Description: Insert size: 22 x 16 in., Paper size: 26 x 20 in.
Description/Comments
Atelier silkscreen print depicts 12 stars from the Golden Age of Mexican cinema in individual squares. 84 ed., Printer: ,
Slide Photo: UCSB Photography.
album 15, slide Cat.2 091
El Regalo
March 28-30, 2000
Physical Description: Insert size: 37 x 25.5 in., Paper size: 40.25 x 28 in.
Description/Comments
"Is a poster, but also a cartoon with the fantastic story about a woman who enter in the house for take care of the television.
She become part of the family, but one time she transformes [sic] herself in cow. Then the family has fun for a while but
the animal protector society take care of the cow and the family becomes like a normal family."- Honorio Robledo Tapia. Colors
used: Blue, Yellow, Red, Pink, and Purple. From Atelier XXXVI., 60 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 092
Day of the Dead 2002
September 10 and 11, 2002
Physical Description: Insert size: 16 x 22 in., Paper size: 20x 26 in.
Description/Comments
"Text: Celebrating / Jose Guadalupe Posada/ 150 Anniversary/ Self-Help Graphics/ Day of the Dead/ MMII Border compose of calaveras
(skeletons) by Jose Guadalupe Posada. Central Image: a copy of a linoleum cut by Artemio Rodriguez. Design: LA MANO Press"
"The central image is a portrait (one of the only two that exist of the artist) of Jose Guadalupe Posada and his son. Around
them are scenes and characters based on Posada's imagery. The border is composed of skeletons for which Posada is more well
known."- Artemio Rodriguez. Colors used: Orange, Red, and Black., 65 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 093
Father Time
undated
Physical Description: Insert size: 23.875 x 23 3/4 in., Paper size: 37 3/4 x 30 in.
Description/Comments
Winged beings in woodcut style. 00 ed., Printer: , Slide Photo: UCSB Photography.
album 15, slide Cat.2 094
The King of Things (Poster)
July 9-12, 2002
Physical Description: Insert size: 20 3/4 x 26.25 in., Paper size: 27.5 x 35 in.
Description/Comments
"Using the loteria game, I wrote this short prose where a child likes so much his loteria game that he imagines and believes
all the loteria characters are part of his personal and unique world."- Artemio Rodriquez. Colors used: O. Light Blue, T.
Red, T. Magenta, O. Flesh, T. Yellow, T. Green, T. Off White, T.White, and O. Black., 97 ed., Printer: José Alpuche, Slide
Photo: UCSB Photography.
album 15, slide Cat.2 095
Community Control of the Land
July 9-12, 2002
creator: Rodriguez, Favianna
Physical Description: Insert size: 22 x 16 in., Paper size: 26 x 20 in.
Description/Comments
"A business executive is standing over the city of Los Angeles, with a rolled up bunch of eviction notices. There are two
devil horns protruding from his bald head, and his eyes are red with evilness. Around his feet are cockroaches and a rat.
On the left side of the print is the resistance, the Latina woman organizer speaking into a megaphone, calling all neighbors
to raise up against the redevelopment forces and protect their homes. In the lower center of the print there is an African
American woman with her child, staring at the viewer. These are the people who will be displaced. The poster reads "Alto A
Los Desalojos!" and "Stop the Evictions!" Housing is a human right. For many people of color, the issue of land and housing
is one that dates back to over 500 years, beginning with the rape of land and housing is one that dates back to over 500 years,
beginning with the rape of Indian land by white colonizers, the theft of Mexican territories, the racist policies that prohibited
black people from owning land. Today, working class people of color are at the mercy of big business and corporate greed,
which exploit the land for profit and destroy communities. The basic demand for community control of the land, which was set
forth by our revolutionary predecessors, is still relevant to us today. Black Panther Party 13 Point Platform Program #4:
We want decent housing that is fit for shelter of human beings. We believe that if the white landlords will not give decent
housing to our black community, then the housing and land should be made into cooperatives, so that our community, with government
aid, can build and make decent housing for its people. Brown Beret Platform #9[:] We demand housing fit for human beings.
Red Guard Platform #2[:] We want decent housing and help in child care. Young Lords Platform[:] We want community control
of our institutions and land. The Figueroa Corridor in Downtown Los Angeles is in [a] large battle with city redevelopers."-
Favianna Rodriguez. Colors used: Yellow, Flesh, Orange, Red, Ultramarine Blue, and Black., 85 ed., Printer: José Alpuche,
Slide Photo: UCSB Photography.
album 15, slide Cat.2 096
Del Ojo No Se Escapa Nadie
1999
creator: Rodriguez, Favianna
Physical Description: Insert size: 18 x 26 in., Paper size: 22 x 30 in.
Description/Comments
Image is of a nude woman with a long, curled tongue on a bed. She has eyes instead of her breasts and generative organ. To
the left of the woman is a horned serpent. Text reads, "Real...Pulsing Drama! Primitive Passion! El Ojo De Dios No creas que
no me doy cuenta que tu lengua es una rapiña... que tus huesos me destrozan...que tu cuerpo me incinera. No creas que no me
doy cuenta de las 185 cosas que no me dices, de las formas en que me has cambiado, de las cosas que ma has robado, no creas
que no me doy cuenta de que miras a otros cuerpos...de que juegas con otras [illegible] enseñando a ser una bestia humana...".
From Atelier XXXIII, Maestras I., 12 ed., Printer: José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 097
Margarita
Nov. 13-17, 2001
creator: Rodriguez, Favianna
Physical Description: Insert size: 16x 22 in., Paper size: 20x 28 in.
Description/Comments
"Woman with a mask and a big black hairdo. Woman is surrounded by colorful orchids. Inside her head, there are figures of
people giving birth, losing a child, throwing ashes to sea, receiving a letter, and reuniting. On the top of the print there
are two names, Richard and Margarita. On 10.5.01 my mother mother was reunited with a son she had given up for adoption in
1970. She got pregnant with my uncle (father's brother[)] and he was an alcoholic, so he did not want to take responsibility
[sic] for the child. She realized she had to give him up for adoption. This tormented her for 31 years. In September 1999,
my brother's adopted father died, and that's when he realized he wanted to find my mother, who [was] his blood mother. So
he searched and searched and found her in 10/2001. He wrote her a letter and then the two were reunited in 10/5/01. I depicted
her with a mask because of the secret she held in for 31 years."- Favianna Rodriguez. Colors used: Clear Gloss, Red Blended
into Yellow, O. Flesh, O. Sienna, O. Light Blue, O. Green, O. Gray, O. Pink, O. Light Yellow, O. Black. From Atelier XXXIX.,
66 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 098
Self-Portrait with Muse
June 3-8, 2002
Physical Description: Insert size: 16 x 22 in., Paper size: 20x 26 in.
Description/Comments
"Woman recieving lapdance from her cartoon self." "The statement "Upraise fo the Urban Goddess" inspired me to create an image
of a tomboy embracing her sexuality, benefit[t]ing from it, and at the same time defending herself from freeloaders. I drew
this cartoon as a reaction to the jealous ones, you know the drive by jerks who hang their heads out their windows shouting
obs[c]enities and their female companions who quietly look on with disgust and ridicule and then later pretend to be her friend."-
Isis Rodriguez. Colors used: brick red, blue, ochre, lime green, flesh, transp. black, black, and transp. white. From Atelier
XL, Maestras III., 70 ed., Printer: José Alpuche, Slide Photo: UCSB Photography. Duplicate photo is by Marissa Rangel.
album 15, slide Cat.2 099
Curandero
April 1993
Physical Description: Insert size: in., Paper size: 30.125 x 38 in.
Description/Comments
Image is of two human figures during a curación. 75 ed., Printer: José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 100
California Plaza
June 12-25, 2001
creator: Romero, Frank E.
Physical Description: Insert size: 38 x 26 in., Paper size: 38 x 26 in.
Description/Comments
"A 16 color print celebrating the California Plaza Summer Concerts in Downtown Los Angeles. The print was made in commemoration
of their 15th anniversary!"- Frank Romero. Colors used: Lt Blue, Magenta, Red Orange, Middle Blue, Deep Green, Pink, Turquoise,
Deep Purple/Brown, Grey - Transparent, Bright Orange, Blue Black, Bright Red, Yellow, Lt. Med. Blue, Gloss, and White., 40
ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 101(1-2)
Cruising
April 15, 18, and 20, 2000
creator: Romero, Frank E.
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"A very active rendition of a couple out for a spin in their vintage jalopy! Monotypes series utilizing three screens. 1.
Hand printed by artist 2. 5-7 color split fountain 3. Blue Line Drawing"- Frank Romero. 75 ed., Printer: José Alpuche, Slide
Photo: UCSB photography.
album 15, slide Cat.2 102
Grand Father's House
October 19-21 and November 14-15, 2000
creator: Romero, Frank E.
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"A picture of the family gathering house (grandfather's) near First and State streets in Boyle Heights. A recollection done
from memory."- Frank Romero. Colors used: Blue blended into White and Yellow, Green Blended into Brown w/ hand painted Red,
Opaque Pink, Trans Blue, Trans Yellow/Red, and Lt Grey., 47 ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 103
Heart
2002
creator: Romero, Frank E.
Physical Description: Insert size: 17 x 23 in., Paper size: 20 x 26 in.
Description/Comments
"Heart Series - 1-15, Hand embellished by the artist. One of a series of heart images, going back 30 years."- Frank Romero.
Colors used: Light Blue, Light Orange, Deep Red, Turquoise Blue, and Clear Gloss. From Atelier XXXIX., 75 ed., Printer: José
Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 104
Starry Night
July 18-22
creator: Romero, Frank E.
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"A family driving through a magical starry night!"- Frank Romero. Colors Used: Blended B/g Dr. Blue to Light Blue, Blended
Orange to Yellow Orange, Engine Red, Hand-painted Blue Grey-White and Green, Trans-Dark Purple, Black, and Blue., 40 ed.,
Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 105
La Placa
November 5-13, 2002
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"The image depicts my hand holding my old homemade tattoo machine, I clipped the roller ball point pen off a bic pen and threaded
a sharpened guitar wire through the pen tube. The wire was the N attached to the spindle of a hair dryer motor which were
taped to a bent spoon which served as a handle. I used to work on homemade tattoos with original designed, back in the early
to mid eighty, in my barrio at the Mirasol Courts in the Westside of San Antonio."- Alex Rubio. Colors used: Pantone AOOE-C,
Pantone 414C, Pantone 416C, Pantone 417C, Pantone 418C, Pantone 418C, Pantone Black, T-Black, and Clear Gloss., 72 ed., Printer:
José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 106
Poster Girl
December 12-14, 2000
Physical Description: Insert size: 22 x 16 in., Paper size: 26" x 20" in.
Description/Comments
"Woman standing in front of a graffittied [sic] wall. This print is based off a photo taken of a close friend while waiting
in line for Morrissey's autograph."- Shizu Saldamando. Colors used: Ultramarine Blue, Cool Grey, Taupe, Warm Yellow, Red,
and Black. From Atelier XXXVII., 75 ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 107
Snapshot
May 8-11, 2001
Physical Description: Insert size: 18x 26 in., Paper size: 22x 30 in.
Description/Comments
"Three young women strike a pose with their finely plucked eyebrows and matching ensembles. This print comes from a frustration
at the lack of diversity in mainstream/pop culture. This print is about friendship, representation and commercialism."- Shizu
Saldamando. Colors used: Mint Green, Blue, Drk Brown, Light Brown, Pink, Pale Yellow, Silver, and Drk Grey. From Atelier XXXVIII,
Maestras II., 66 ed., Printer: José Alpuche, Slide Photo: UCSB Photography. Duplicate slide photography by Marissa Rangel.
album 15, slide Cat.2 108
Smoker's Game
September 19-23, 1999
creator: Healy, Wayne Alaniz
Physical Description: Insert size: 34 3/8 x 23.5 in., Paper size: 44 x 30 in.
Description/Comments
"Its a picture with a strong gun, bullet-cigarette, skeleton with big sombrero; smoke, fire, and deathly habit. Its the ideological
poster; the habit like Russian R[o]ulette- Smoker's Game like the unknown end -- for every one and every where; its the big
challenge for tobacco companies: Which cigarette is the last? For Death or life?" --Tomasz Sarnecki. "Major Image; A revolver
with a cigarette in the open cylinder. Above is skeleton with a big sombrero holding a cigarette. All are on a background
of fire and smoke, fire of the deadly habit. The content of the print is to compare smoking with Russian Roulette, Ergo, Smoker's
Game." --Wayne Healy. Colors used: Cream White, Orange Red, Powder Blue, Blood Red, and Black. From Atelier XXI, special project.,
78 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 109
Fandango
May 2- 6, 1995
Physical Description: Insert size: 26 x 38 in., Paper size: 30 x 44 in.
Description/Comments
Image of three dancers in animal suits, consisting of a jaguar, parrot, and rooster. From Atelier XXVI., 58 ed., Printer:
José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 110
Culture Clash=15 Years of Revolutionary Comedy
June 29-July 1, 1999
Physical Description: Insert size: 20 x 26 in., Paper size: 22 x 30 in.
Description/Comments
"Commemorative print celebrating Culture Clash's 15th Anniversary. Pictures of the three members of Culture Clash and three
performance pictures surrounding a full figure of Cantinflas. Photos of Ric Salinas, Richard Montoya y Herbert Siguenza[.]
Photos of A Bowl of Beings" and "The Mission."- Hervert Sigüienza. Colors used: Beige (base), Primary Yellow, Primary Red,
Primary Blue, Primary Green, Black, and Transparent Gray., 78 ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 111
They Mistook the Determination in our Eyes for Hopelessness
August 2, 3, and 6, 2002
Physical Description: Insert size: 16 x 22 in., Paper size: 20 x 26 in.
Description/Comments
"Hand lettered text at top of print within speed bubble reads "Si no hay lucha no hay victoria." Image is distorted such that
it appears to have been taken through a fish eye lens. A woman stands on a side walk with her child in one arm at the center
of the print. In the other hand she holds a small iconic home. In simple gray lettering "home" floats below it. In back of
her you can see a wall with a mural of stylized figures raising fists and identical men in suits painted over." "To put it
simply, this print was inspired by and created for the residents of the Figueroa Corridor area of Los Angeles as they struggle
for their homes and dignity in the face of gentrification. In conversations with some residents, it became clear that there
was a great deal of frustration that they live in direct view of LA's financial district they felt they [were] very marginalized
from any decision making processes and power. Therefore I felt it very important to feature the residents, represented by
the woman and her child at the center of the piece; further accentuated by the fish eye - like distortion of perspective.
The representations of financial power - the stamp-like men men in suites [sic] - are marginal and partially obscured. Their
clone-like appearance accentuates the other homogenizing effect of gentrification - the displacement of locally owned businesses
in favor of corporate mono culture. The statemtent "no hay lucha, no hay victoria" was pulled directly from translated conversations
amongst residents and represents their passion and determination to keep their homos and take back their voices"- Weston Teruya.
83 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 112
Under the Spell
1992
creator: Torrez, Eloy
Physical Description: Insert size: 16 x 24 in., Paper size: 20 x 28 in.
Description/Comments
Image is of a skeleton embracing a nude woman from behind. There are curtains on either side of them. From Atelier XIX., of
ed., Printer: unknown, Slide Photo: unknown.
album 15, slide Cat.2 113
Novelas Kachina
undated
creator: Valadez, John M.
Physical Description: Insert size: 24.25 x 38 in., Paper size: 24.25 x 38 in.
Description/Comments
Multiple images superimposed on one another. Images are of men's faces and Native American kachina figures. From Atelier XX.,
52 ed., Printer: unknown, Slide Photo: .
album 15, slide Cat.2 114
Calaveras de Azucar
undated
creator: Valdez, Patssi
Physical Description: Insert size: 25.25 x 34 in., Paper size: 30 x 44 in.
Description/Comments
Image is of three calaveras in party hats in a yellow circle with alcoholic beverages. Along the upper edge of the circle
are two calaveras. The one on the left is feminine and yellow; the one on the right is masculine and green. On the bottom
half of the circle is a red fan-like extension with blue spirals. There are framing designs in the bottom corners and upper
portion of the print. Six crosses fill the space between the bottom of the fan and the lower border. From Atelier XX., 55
ed., Printer: unknown, Slide Photo: unknown.
album 15, slide Cat.2 115
Dia de los Muertos 2000
September 5-13, 2000
creator: Valdez, Patssi
Physical Description: Insert size: 21 x 14 in., Paper size: 28.5 x 19.875 in.
Description/Comments
"Table alter [sic] for day of the dead. Chocolate skulls and calaveras, angeles, black cat, candles, marigolds, 2 copal burners,
basket of candied fruit, dollie, steamers."- Patssi Valdez. Colors used: Light Cerullean Blue, Dark Blue, Dark Brown, T Magenta,
Marigold, T White, Light Purple, T Red, T Yellow, T Midtone Blue, Opaque White, T Drk Turquoise Blue, D Chocolate Brown, Clr
Bse, Ivory White, Brown Blck. From Atelier XXXVII., 80 ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 116
Suspect: Dark Hair, Dark Eyes, Dark Skin
November 14 and 21-27, 2002
Physical Description: Insert size: 22 x 16 in., Paper size: 26 x 20 in.
Description/Comments
"The context of this print deals with ideas and communities, social and political. The idea stemmed from several elements,
particularly individual figures and incidents in society, For example, St. Sebastian was a religious martyrs, [sic] perseated
[sic] and profiled for his religious beliefs, which is where the pose comes from. Bullet holes replaced the arrows which were
shot into Sebastian. Second, his T-shirt identifies Bin Laden and is portraying a stereotypical and profiled Middle [Ea]stern
male "This is the enemy" - Not only is this another type of racial profiling and brainwashing done in America, it is also
a [sic] another hypocritical stone that America takes. Obviously we have foreign enemies, yet we present [sic] our own and
abuse our own. Finally this image was done in memory of, who was gunned down by several off-duty officers in Brooklyn, . He
was stopped while walking on the sidewalk for no reason and as he reached into his pocket, he was shot 42 times and killed.
He reached into his pocket for his I.D. "It is a dangerous time and a dangerous place to have dark clothes, dark hair, dark
eyes, and dark skin."- Vincent Valdez. [Note: the artist seems to be referring here to Amadou Diallo.] Colors used: 120C Yellow,
167C Orange, 032C Red, 000Z-C Black, ZN)R-C Brown, OSZN-C Dark Brown, 277C Light Black, 000Z-C Black, and Clear Gloss., 77
ed., Printer: José Alpuche, Slide Photo: UCSB photography.
album 15, slide Cat.2 117
The Mercury Weeps
February 27- March 1, 2001
Physical Description: Insert size: 18 x 22 in., Paper size: 26 x 30 in.
Description/Comments
"Half-tone images from 1930's-1950's Popular Science, Popular Mechanics issues. Man wearing goggles, woman playing organ;
woman playing organ, woman with the head of a chicken; fluorescent light bulbs; feet in high heels, xerox enlargements, cut
and paste, five color separations with ruby lith and stat film."- Tecpatl Vargas. Colors used: Light Blue, Dark Blue, Green,
Yellow Green, Dark Grey Green. From Atelier XXXVIII, Maestras 2., 62 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
Photography of duplicate by Marissa Rangel.
album 15, slide Cat.2 118
Volador
1993
Physical Description: Insert size: in., Paper size: in.
Description/Comments
Image is of a face inside a circle with colorful wings surrounding it., 76 ed., Printer: José Alpuche, Slide Photo: unknown.
album 15, slide Cat.2 119
Homefront Homeboy
June 10-14, 2003
Physical Description: Insert size: 22 x 16 in., Paper size: 26 x 20 in.
Description/Comments
"Close-up head and shoulder side view of a young Chicano man. His white T-shirt is used as a blind fold. Against a midnight-blue
back ground are what appears to be bullet casings and blood drops metamorp[h]ized into hot jalapenos. "Homefront Homeboy"
Street wars are happening. Boys are playing with guns. Like the Civil War its brother against brother. The blind fold on this
young Chicano is symbolic of blind fury blind date blind execution blind presecution [sic] blind justice."- Esteban Villa.
Colors used: Clear Base, Ultra Blue, Sienna Flesh, Off White, Yellow Ochre, Red, Black, and Clear Gloss. From Atelier XLI.,
72 ed., Printer: José Alpuche, Slide Photo: UCSB Photography.
album 15, slide Cat.2 120
Cama Na My Howze
December 14 and 17, 1999
creator: Yáñez, Larry
Physical Description: Insert size: 26.5 x 31.875 in., Paper size: 30 x 34 in.
Description/Comments
"Bedroom Scene[.] Part of the Dream Chicano House - each room based on childhood memories - elements from different homes
of my mother and many many tias + cousins, ninas + amigas de mi madre."- Larry Yánez. Colors used: Pink, Blue, Purple, Red,
Green, Yellow, Brown, Gray, Black, and Trans/Gloss. From Atelier XXXVI., 72 ed., Printer: José Alpuche, Slide Photo: UCSB
Photography.
album 15, slide Cat.2 121
Our Lady of Guadalupe, Arizona
2000
Physical Description: Insert size: , Paper size: in.
Description/Comments
"Our Lady of Guadalupe, Street Scene, landscape in background, rays extending our on upper third of print. My piece represents
the town of Guadalupe, Arizona. A small town located south-east of Phoenix. Guadalupe has remained a small traditional community
untouched by big development, surrounded by Mega malls and typical modern suburban living."- Frank Ybarra. Colors used: Dk.
Violet Black, Yellow, Blue, Red, Purple, Green, and Beige/Transparent. From Atelier XXXV, Arizona Xicanindio., 80 ed., Printer:
José Alpuche, Slide Photo: unknown.
Center Activities and Programs
album 15, slide Cat.3 001
Artist's Community Meeting
undated
Description/Comments
Artist's Community Meeting. Photographer: unknown.
album 15, slide Cat.3 002
Artist Signing Silkscreens
undated
Description/Comments
Michiko Furukawa. Photographer: unknown.
album 15, slide Cat.3 003(1-10)
Arts of Mexico Atelier XVI
February 1991
Description/Comments
1. David Botello matching color for the workshop. 2. David Botello at the orientation meeting. 3. Photo from the orientation
meeting. Right to left: Karen Boccalero, Yolanda Gonzalez, Dolores Guerrero Cruz, Alex Donis, Oscar Duardo, Daniel Salazar,
Yreina Cervantez, Margaret Garcia, Pat Gomez, Leo Limón, Miguel Angel Reyes, and unknown. 4. Right to left: Yolanda Gonzalez,
Alex Donis, Daniel Salazar, Oscar Duardo, Yreina Cervantez, Leo Limón, Margaret Garcia, and Michael Amescua. 5. Right to left:
Pat Gomez, Daniel Salazar, Raul de la Sota, unknown, Leo Limón, Yreina Cervantez, Margaret Garcia, Miguel Angel Reyes, Michael
Amescua, and David Botello. 6. Printing in progress. Right to left: Oscar Duardo and Yolanda Gonzalez. 7. Leo Limón holds
a finished silkscreen. 8. Yolanda Gonzalez poses in front of Oscar Duardo's silkscreen. 9. Oscar Duardo and David Botello
preparing to run color on print. 10. Silkscreening in process. Right to left: Oscar Duardo and Pat Gomez. Photographer: unknown.
album 15, slide Cat.3 004
Arturo and Endina Casares Vasquez
undated
Description/Comments
Arturo and Endina Casares Vasquez. Photographer: unknown.
album 15, slide Cat.3 005
Barbara Carrasco and José Alpuche
February 1999
Description/Comments
Barbara Carrasco and José Alpuche. Photographer: unknown.
album 15, slide Cat.3 006
Barbara Carrasco Standing Next to her Print "Self-Portrait" Made in 1984
1984
Description/Comments
Barbara Carrasco. Photographer: unknown.
album 15, slide Cat.3 007
Barrio Mobile Art Studio, Community Workshops
ca. 1970s
Description/Comments
An unidentified woman in an apron stands before the Barrio Mobile Art Studio van during a workshop. Photographer: unknown.
album 15, slide Cat.3 008
Barrio Mobile Art Studio, Papier-mâché Mask Workshop
June 1976
Description/Comments
Unidentified workshop participants hold their masks up to their faces. Photo is slightly blurred. Photographer: unknown.
album 15, slide Cat.3 009(1-4)
Birthday Party
undated
Description/Comments
Birthday party at Self-Help Graphics and Art, Inc., Los Angeles. 1. Right to left: Karen Boccalero, Bertha Velasquez, unidentified
student, Maria Elena Espinoza, and Tomás Benítez. 2. Maria Elena Espinoza. 3. Right to left: Maria Elena Espinosa, Bertha
Velasquez, and Karen Boccalero. 4. Right to left: Maria Elena Espinosa, Bertha Velasquez, and Karen Boccalero. Photographer:
unknown.
album 15, slide Cat.3 010
Cathy Gallegos
September 1998
Description/Comments
Cathy Gallegos. (This slide is damaged.) Photographer: unknown.
album 15, slide Cat.3 011
Ceramic Tile Project
1995
Description/Comments
Christina Perez (center). Photographer: unknown.
album 15, slide Cat.3 012
Children's Workshop
undated
Description/Comments
Unidentified women and a child. Photographer: unknown.
album 15, slide Cat.3 013
Cleaning Screen
undated
Description/Comments
José Alpuche. Photographer: unknown.
album 15, slide Cat.3 014
Consuelo Flores and Armando Norte and Sons
1998
Description/Comments
Consuelo Flores and Armando Norte and sons. Photographer: unknown.
album 15, slide Cat.3 015
Costume
undated
Description/Comments
An unidentified woman in calavera makeup wears a skeleton costume. Photographer: unknown.
album 15, slide Cat.3 016(1-4)
Day of the Dead
ca. 1990s
Description/Comments
Day of the Dead is an annual event where there is a gallery exhibition and several performances. Guests participate in creating
a festive atmosphere celebrating the lives of deceased loved ones. Children learn to accept death as a part of the circle
of life, celebrating Day of the Dead. 1. A woman in calavera makeup at a Dia de los Muertos celebration. This photo is out
of focus. 2. A man in calavera makeup at a Día de los Muertos celebration with fire in the background. This photo is out of
focus. 3. Four girls in calavera makeup holding calavera masks and sugar skulls. 4. Two danzantes Aztecas in calavera makeup
lay on grass. Photographer: Unknown.
album 15, slide Cat.3 017
Day of the Dead
undated
Description/Comments
Two unidentified women wear papier-mâché calavera masks." Guests are encouraged to attend in calavera attire." Photographer:
Mario Lopez.
album 15, slide Cat.3 018
Day of the Dead 1974
1974
Description/Comments
Two dancing calaveras painted on cardboard. Photographer: Unknown.
album 15, slide Cat.3 019(1-3)
Day of the Dead 1975
October- November 1975
Description/Comments
1. Children painting calaveras on cloth or butcher paper. October 29, 1975. 2. Children and adults surround a table covered
with pan de muerto with calavera designs. November 1975. 3. A priest gives mass for the dead in a cemetery. November 1975.
Photographer: Unknown.
album 15, slide Cat.3 020(1-6)
Day of the Dead 1976
1976
Description/Comments
1. A woman serves pan de muerto with calavera icing to Day of the Dead participants. 2. Photo is of cardboard painted calavera
masks leaning against graves in a cemetery. 3. Two women and two children stand in an alley watching an approaching procession.
4. Photo is of ASCO artists (Harry Gamboa, Jr., Gronk, Willie Herrón, and Patssi Valdez) performing on the streets of East
Los Angeles. 5. Photo is of a crowd in a cemetery. 6. A bride and a groom wear calavera makeup outside a church. Photographer:
Unknown.
album 15, slide Cat.3 021(1-6)
Day of the Dead 1977
1977
Description/Comments
1. A man paints a sculpture of a calavera. 2. Photo of a Día de los Muertos procession. The truck was designed by Leo Limón
and Los Four, East L.A. 3. A sculpture of a skeleton is pushed in a cart during a Día de los Muertos procession. 4. A calavera
"priest" and several other procession participants. 5. A priest gives mass for the dead in a cemetery. 6. Processioners carry
large effigies of calaveras. Photographer: Unknown.
album 15, slide Cat.3 022(1-7)
Day of the Dead 1979
1979
Description/Comments
1. Photo of a large sugar skull on aluminum foil. 2. Aztec dancers process in Los Angeles streets secured by L.A. County Sheriffs.
3. Day of the dead processioners carry a large image of La Virgen de Guadalupe. 4. Photo is of a procession for Día de los
Muertos. 5. A calavera at the top of a flight of stairs holds a calavera doll. 6. Photo is of bouquets of marigolds around
the base of a headstone. 7. Photo is of three Day of the Dead participants in calavera masks. Photographer: Unknown.
album 15, slide Cat.3 023(1-4)
Day of the Dead 1980
1980
Description/Comments
1. Calaveras having fun. 2. A calavera in a straw hat drinks from a large glass bottle. 3. Photo is of children in calavera
makeup. 4. Photo is of a man with his face painted red and black. His nametag bears the appellation "Michael." Photographer:
#2 Mary McNally, the rest unknown.
album 15, slide Cat.3 024(1-3)
Day of the Dead 1982
1982
Description/Comments
1. This 35 mm slide is of Marisela Norte in Day of the Dead makeup by Armando Norte. 2. Photo is of a man in calavera makeup
wearing a breastplate. 3. Photo is of artist Diane Gamboa. This 35 mm slide is of Diane Gamboa in classic early 1980's makeup
and attire. Day of the Dead with ASCO, Self Help Graphics and Art, Los Angeles, CA. Photographer: Unknown.
album 15, slide Cat.3 025(1-9)
Day of the Dead 1991
November 1,1991
Description/Comments
1. From right to left: Rose Portillo and Mita Cuarón at Self-Help Graphics. 2. Pat Gomez during Day of the Dead at Self-Help
Graphics. 3. Lalo Lopez (of the Chicano Secret Service), in a brown beret, holds a microphone. "Chicano Secret Service started
in the late 1980's in Berkeley. Lalo proceeded to write for Culture Clash, the legendary skit show." 4. Rick Salinas from
Culture Clash. "Culture Clash is the country's leading Chicano/Latino theatre group." 5. Raquel Salinas stands in front of
the Altar for Day of the Dead at Galería Otra Vez. "Raquel has been depicted as "Our Lady" in the piece by Alma Lopez." 6.
La Vida and La Gloria Performance for Day of the Dead. Raquel Salinas in an Alma Lopez performance art or teatro piece at
Self-Help Graphics. She is dressed as La Virgen de Guadalupe and she stands behind a row of flames. 7. Evelina Fernandez and
her daughter Valentina in calavera makeup at Self-Help Graphics. "Evelina is a writer, actress, and motivational speaker."
8. An elegantly-dressed Yolanda Gonzalez at Self-Help Graphics. Behind her is a man dressed as the devil. "Yolanda started
creating art in the late 1980's. She studied at Self-Help Graphics and was introduced to the public at the First Annual Nuevo
Chicano Los Angeles Art Exhibition at Plaza de la Raza in 1988." 9. Raquel Salinas dressed as the Virgen de Guadalupe for
a Day of the Dead teatro piece entitled "La Vida y la Gloria." Photographer: Unknown.
album 15, slide Cat.3 026(1-6)
Day of the Dead 1992
1992
Description/Comments
1. Unidentified Day of the Dead celebrants, a man and a woman, with their faces painted as calaveras. "Day of the Dead is
a celebration of life." 2. Señora Rivas lights a candle on a shelf serving as a temporary altar. "Señora Rivas was a neighbor
of Self-Help Graphics and Art who built an altar for her deceased husband. She devotedly displayed it for several years, until
her death." 3. Three sculptures and several two-dimensional pieces at an exhibition. "The gallery is open during the Day of
the Dead." 4. Photo is of a large crowd of exhibition attendees. "Every year there is an open call for artists to exhibit
Day of the Dead-themed art." 5. Seven unidentified Aztec dancers in full regalia perform. "Danza costumes usually include
the colors of the four directions. Traditionally black, white, red, and yellow (or blue)." 6. Photo is of three masked performers
on stage. "'Chusma' is a Chicano theatre group. The performances concentrate on the unique life experiences of the community."
Photographer: Unknown.
album 15, slide Cat.3 027(1-11)
Day of the Dead 1994
November 1994
Description/Comments
Photos from Day of the Dead 1994. 1. Preparation for celebration. "From right to left: Sister Karen Boccalero and her cousin
Toni Guadagnoli." 2. Sister Karen Boccalero (left) and other unidentified Day of the Dead activity participants, including
one in calavera makeup. 3. A filing cabinet is set with framed photos of people in calavera makeup. The photo is out of focus.
4. Slide photo of a man in calavera makeup and an elaborate costume. 5. November 5 Day of the Dead performance. A woman reads
into a microphone on a stage where a guitarist also performs. The backdrop features the words, "Luchando con la Vida." 6.
Galeria Otra Vez exhibition opening on November 1. A woman admires works at the exhibition. 7. Another Gallery opening photograph.
Diane Gamboa, in white makeup, stands behind an installation composed of a giant heart bound in chains resting on small white
pillows on the floor of a structure resembling a small boxing ring. "Diane has been creating art for more than twenty years."
1994 Day of the Dead Installation. This 35 mm slide is of Diane Gamboa in Muertos Attire with
In this Corner Installation, Self Help Graphics and Art, Los Angeles, CA. November 5, 1994. 8. Photo is of exhibition attendees. "The gallery
is open during the Day of the Dead." 9. This 35 mm slide is of Diane Gamboa (left) and Christina Ochoa (right) standing with
the
In this Corner installation by Diane Gamboa. November 5, 1994. "Diane has been involved with Self-Help Graphics and Art since the 1980's.
Christina Ochoa is the Galería Otra Vez gallery director." 10. Photo is of two Day of the Dead participants in calavera makeup.
11. Exhibition photo of a large altar and several works on the walls of the gallery. Photographer: unknown.
album 15, slide Cat.3 028
Day of the Dead Celebration
ca.1998
Description/Comments
Jose Luis Valenzuela and Nancy de la Santos regard one another fondly. "Nancy is a writer and producer originally from Chicago.
Jose Luis is a performer and director." Photographer: unknown.
album 15, slide Cat.3 029
Day of the Dead Celebration
1993
Description/Comments
Beatris de Alba and her son in calavera makeup. Photographer: Ann Murdy.
album 15, slide Cat.3 030
Day of the Dead Celebration
undated
Description/Comments
An adult in a wedding veil and two children all have their faces painted. In the background is an artwork with the face of
Jerry Garcia. "Day of the Dead is a family tradition for many people in Los Angeles." Photographer: Mario Lopez.
album 15, slide Cat.3 031
Day of the Dead Children's Workshop Calavera Masks
ca. 1990s
Description/Comments
A display of many calavera masks. "Children are very involved with the preparation and celebration of the Day of the Dead."
Photographer: Unknown.
album 15, slide Cat.3 032
Day of the Dead Exhibit in Galería Otra Vez
ca.1990s
Description/Comments
Photo is of several works at an exhibition. "The gallery is open during the Day of the Dead." Photographer: Unknown.
album 15, slide Cat.3 033
Day of the Dead Exhibition
undated
Description/Comments
Photo is of six works at the exhibition. Two are cajas, two are assemblages, and two are paintings or prints. Photographer:
Unknown.
album 16, slide Cat.3 034
Day of the Dead Exhibition
undated
Description/Comments
A view of three works at the exhibition. "Day of the Dead is an annual event where there is a gallery exhibition and several
performances." Photographer: Unknown.
album 16, slide Cat.3 035(1-2)
Day of the Dead Exhibition at Galería Otra Vez
ca.1990s
Description/Comments
Photos are wide views of the exhibition. "A gallery exhibit is held in conjunction with performances and a procession on the
Day of the Dead." Photographer: Mario Lopez.
album 16, slide Cat.3 036(1-11)
Day of the Dead Flores de Esperanza
Nov. 2, 1996
Description/Comments
1. Gathering for procession at Cinco Puntos. Photo is of an unidentified man in a sarape with a calavera mask and Felicia
Montes holding a wooden sculpture of a female calavera. She holds her fist in the air, as in protest. They stand before an
architectural column. "Felicia Montes is a cultural activist from Los Angeles. She creates, documents, and organizes Xicana
feminist multimedia art events." 2. A young child gets his face painted at Flores de Esperanza. "Many adults and children
get their faces painted as calaveras to honor the dead." 3. Aztec Blessing at Cinco Puntos, the gathering point for processioners.
A young female danzante Azteca holds an incensario out to Felicia Montes, who holds a wooden sculpture of a female calavera.
4. Photo is of a man in a sarape and calavera mask and Felicia Montes holding a wooden sculpture of a female calavera. Montes
holds her fist in the air. 5. A woman in calavera makeup holds an infant close to her body. "Guests participate in creating
a festive atmosphere celebrating the lives of deceased loved ones." 6. Danza Azteca performance at Flores de Esperanza, Day
of the Dead. "Danza costumes usually include the colors of the four directions. Traditionally black, white, red, and yellow
(or blue)." 7. Unidentified procession participant in calavera makeup. This photo is out of focus. 8. Danzantes Aztecas in
calavera makeup carry incense during Día de los Muertos procession. 9. Photo is of an unidentified Aztec dancer in calavera
makeup. 10. Photo is of an unidentified girl in calavera makeup and a red dress. 11. Aztec dancer Felicia Montes is performing
copal blessing before procession. Burning copal represents the binding together of heaven, earth, and air.Photos are wide
views of the exhibition. "A gallery exhibit is held in conjunction with performances and a procession on the Day of the Dead."
Photographer: Unknown.
album 16, slide Cat.3 037(1-4)
Day of the Dead Gallery Exhibit
1998
Description/Comments
1. Photo is of Karen Bonfigli seated in a room. 2. Photo is of Pat Gomez and Karen Bonfigli seated in a room full of potted
flowers. 3. Photo is of Karen Bonfigli and Pat Gomez seated in a room full of potted flowers. 4. Photo is of Karen Bonfigli
and Pat Gomez seated in a room full of potted plants. "Karen has been a curator and teacher in Los Angeles. Pat specializes
in installation-based work. She has exhibited nationally and internationally and has also been an arts administrator, curator,
and associate director of Self-Help Graphics and Art." Photographer: unknown.
album 16, slide Cat.3 038
Day of the Dead Musical Performance
1990s
Description/Comments
A band in black and white gabanes plays on a stage. Behind them are images of a clown, a skull, and the Devil. A sign on stage
reads, "Puto Wilson Act V." Photographer: Unknown.
album 16, slide Cat.3 039
Day of the Dead Performers Exhibiting a Day of the Dead Silkscreen
1995
Description/Comments
A man in calavera makeup speaks into a microphone as he holds up a print with the text, "Day of the dead Día de los Muertos
1995". "Every year a print is produced to commemorate the Day of the Dead event." A Gronk temporary mural forms the backdrop
for the scenario. Photographer: Mario Lopez.
album 16, slide Cat.3 040(1-2)
Day of the Dead Procession
1981
Description/Comments
1. Photo is of a male processioner in calavera makeup holding a Día de los Muertos poster. 2. Three children in calavera makeup.
Photographer: Unknown.
album 16, slide Cat.3 041(1-2)
Day of the Dead Procession
1990s
Description/Comments
1. Two figures, an unidentified woman (right) and Margaret Limon (left), wearing calavera makeup. 2. At the procession gathering
point, a woman paints a man's face with calavera makeup. They both wear sombreros. Photographer: Unknown.
album 16, slide Cat.3 042
Day of the Dead Procession
undated
Description/Comments
Día de los Muertos processioners carry a large dragon with a calavera in its mouth. Photographer: Unknown.
album 16, slide Cat.3 043
Drying Screens in the Sunshine
March 2001
Description/Comments
Two screens lean against the Self-Help Graphics building. Photographer: unknown.
album 16, slide Cat.3 044
Etching
undated
Description/Comments
Unidentified workshop participants. Photographer: unknown.
album 16, slide Cat.3 045
Etching Class, Visit by Diego Marcial Rios
1993
Description/Comments
Visiting artist Diego Marcial Rios, center, looks at work by unidentified artist. He is surrounded by unidentified people.
Photographer: unknown.
album 16, slide Cat.3 046(1-3)
Etching Workshop
1992
Description/Comments
Etching workshop led by Janet Kassner. 1. Ana Gomez. 2. Right to left: Cathy Gallegos, Antonio Ibañez, and Linda O'Hagan.
3. Cathy Gallegos. Photographer: unknown.
album 16, slide Cat.3 047
Examining Silkscreen
March 1991
Description/Comments
Raúl de la Sota." The Fourth Estaciones", atelier XVI. Photographer: unknown.
album 16, slide Cat.3 048
Examining Silkscreens
ca. 1990s
Description/Comments
José Alpuche and Paul Martinez. Photographer: unknown.
album 16, slide Cat.3 049
Exhibition, Galería Otra Vez
undated
Description/Comments
An exhibition photo of cajas and altares. Photographer: unknown.
album 16, slide Cat.3 050
Filing Down a Copper Plate
ca. early 1990s
Description/Comments
The hands of an unidentified person. Photographer: unknown.
album 16, slide Cat.3 051(1-2)
Filming of, "Blood in, Blood Out"
September 17, 1991
Description/Comments
This is not a Self-Help Graphics event. Slides should not be included. 1. Giawe and Alan Norte in calavera attire at Blood
in Blood Out at Evergreen Cemetery. 2. Gloria Westcott and Consuelo Norte put their arms around a large gravestone with cross.
The name on the marker is "Charnock." Photographer: Unknown.
album 16, slide Cat.3 052
Gallery Exhibit
ca. 1990s
Description/Comments
Tomás Benítez. Photographer: unknown.
album 16, slide Cat.3 053
Gallery Exhibit
undated
Description/Comments
Elizabeth (last name unknown). Photographer: unknown.
album 16, slide Cat.3 054
Gallery Exhibit
undated
Description/Comments
John Valadez and his son. Photographer: unknown.
album 16, slide Cat.3 055
Gallery Exhibit "Automatic Shutdown"
March 8, 1992
Description/Comments
Sandra P. Hahn and Armando Norte at an exhibition at Galería Otra Vez. Photographer: unknown.
album 16, slide Cat.3 056
Gallery Exhibit, Galería Otra Vez
undated
Description/Comments
Linda Lopez. Photographer: unknown.
album 16, slide Cat.3 057
Gil Cardenas
undated
Description/Comments
Photo is of scholar and art collector Gilberto "Gil" Cardenas. Photographer: unknown.
album 16, slide Cat.3 058(1-29)
Glasgow Print Studio Day of the Dead Workshops and Festivities
October 1996
Description/Comments
"Self-Help Graphics and Art collaborated with Glasgow Print Studio in their first ever Day of the Dead Celebration." 1. Margaret
Sosa, sitting on the ground, is surrounded by papel picado. 2. Ofelia Esparza (right) and unidentified art students. 3. From
the 31st, Yolanda Gonzalez holds up two small flags made of papel picado. 4. From the November 1 exhibition, a man in calavera
makeup plays the saxophone. 5. Margaret Sosa, atop a ladder, hangs papel picado. 6. Ofelia Esparza holds a bouquet of marigolds.
7. Painting calaveras. 8. Margaret Sosa hangs strings of papel picado. 9. From November 1, a woman in calavera makeup wears
a sombrero and an embroidered vest. 10. Ofelia Esparza adds to the altar, still in its early stages. 11. Yolanda Gonzalez
and Ofelia Esparza create an arch decorated with marigolds. 12. A photo from opening night of (right to left): John Ferry's
wife, John Ferry, (Board members from Glasgow print studio) and Ofelia Esparza. 13. Band players and Yolanda Gonzalez (center,
with camera). 14. On a table covered with bubble wrap, Yolanda Gonzalez writes. 15. Photo from October 30: Papel picado with
flowers and a calavera and title text. 16. Right to left: Margaret Sosa and Janie Nicholl. 17. Unidentified parade participants.
18. From right to left: John and Sue Mackechnie, person unknown, Janie Nicholl and Margaret Sosa. 19. Taken November 2, this
photo is of Glasgow with the ocean in the background. 20. Taken November 1, (right to left): Sue, Janie, and John Mackechnie.
21. Yolanda Gonzalez holds a guitar painted with a nude woman. 22. Taken November 1, this photo is of a man dressed as Frida
Kahlo with carnations in his hair and a picture of a monkey on his jacket. 23. Altar in progress, work by Ofelia Esparza.
24. Margaret Sosa and Ofelia Esparza at the Necropolis Cemetery, Glasgow. 25. Margaret Sosa holding pieces of papel picado.
26. Margaret Sosa in Glasgow. 27. Photo is of a Day of the Dead participant named Janie. 28. Ofelia Esparza creates an altar
for an Installation in Glasgow, Scotland. 29. Photo is of a man in calavera makeup wearing a suit that makes it appear that
he's riding a horse. He holds a toy rifle in one hand. Many parade participants are visible in the background. Photographer:
unknown.
album 16, slide Cat.3 059
Greta Diderich and Nikki Joentze
undated
Description/Comments
Greta Diderich and Nikki Joentze. Photographer: unknown.
album 16, slide Cat.3 060
Making a Monoprint
undated
Description/Comments
Ofelia Esparza and Alejandro de la Loza. Photographer: unknown.
album 16, slide Cat.3 061
Making a Silkscreen
undated
Description/Comments
Oscar Duardo and Yreina Cervantez. Photographer: unknown.
album 16, slide Cat.3 062
Making a Silkscreen
undated
Description/Comments
José Alpuche and Alejandro Romero. Photographer: unknown.
album 16, slide Cat.3 063
Making of a Monoprint
ca. 1990s
Description/Comments
Ofelia Esparza and José Alpuche. Photographer: unknown.
album 16, slide Cat.3 064
The Making of "Dolores" by Barbara Carrasco
undated
Description/Comments
Barbara Carrasco. Photographer: unknown.
album 16, slide Cat.3 065
Mask
undated
creator: [Artist Unknown]
Description/Comments
An unidentified woman in calavera makeup, a long black dress, and gold-colored gloves holds a mask of a 'living' face on a
handle shaped like a human arm and hand. Photographer: unknown.
album 16, slide Cat.3 066(1-3)
Mask-Making Workshop
ca.1990s
Description/Comments
1. Calavera masks, some colored and some blank, and a sign reading "Create Your Own Mask $2.00 ea." are posted on the exterior
wall of the Self-Help Graphics building. "A favorite children's workshop which dates back to the 1970's." 2-3. Unidentified
children participate in workshop." Self-Help Graphics and Art conducts arts workshops for both children and adults on the
Day of the Dead and in the weeks prior to the event." Photographer: Mario Lopez.
album 16, slide Cat.3 067
Masks
October 1978
Description/Comments
Photo is of three unidentified Day of the Dead participants in elaborate masks. Photographer: Unknown.
album 16, slide Cat.3 068
Meeting
undated
Description/Comments
Right to left: Noni Olabisi, Laura Alvarez, and Barbara Carrasco. Photographer: unknown.
album 16, slide Cat.3 069
Michael Amescua Painting
undated
Description/Comments
Michael Amescua. Photographer: unknown.
album 16, slide Cat.3 070
Miranos Workshop
undated
Description/Comments
Unidentified workshop participants. Photographer: unknown.
album 16, slide Cat.3 071
Monoprint Silkscreen Production
undated
Description/Comments
Wayne Healy. Photographer: unknown.
album 16, slide Cat.3 072(1-2)
Monoprint Silkscreen Workshop
April 27, 1991
Description/Comments
Patssi Valdez. Photographer: unknown.
album 16, slide Cat.3 073(1-6)
Monoprint Workshop
November 1993
Description/Comments
1. Making a monoprint. Right to left: unknown, Roberto Gutierrez, and Gina (last name unknown). 2. Patricia Lazalde. 3. Teddy
Sandoval. 4. Patricia Lazalde pulls a fresh monoprint off a plate. 5. Unidentified artist. 6. Patricia Lazalde. Photographer:
unknown.
album 16, slide Cat.3 074(1-17)
Monoprint Workshop
March 2000
Description/Comments
1. Chuy Rangel. 2. Unidentified workshop participant. 3. Chopmark embossed on a print. 4. Chuy Rangel. 5. Paul Botello. 6.
Unidentified artist. 7. Otoño Luján. 8. Otoño Luján and unknown. 9. Jerry Ortega drying a monoprint. 10. A student drying
a monoprint. 11. Wayne Healy. 12. Wayne Healy eats lunch. 13. Unidentified artists. 14. Unidentified artist. 15. Paul Botello.
16. Unidentified artist. 17. Wayne Healy. Photographer: unknown.
album 16, slide Cat.3 075
Monoprint Workshop
undated
Description/Comments
Alejandro Dela, master printer José Alpuche. Photographer: unknown.
album 16, slide Cat.3 076(1-2)
Murals in Motion Exhibit
April 1993
Description/Comments
1. Three men squat in front of a lowrider in mid-hop. 2. Photo is of an airbrushed painting on the spare tire holder of a
Chevrolet depicting a male and a female Aztec with a pyramid in the background. Photographer: unknown.
album 16, slide Cat.3 077
Music Center
1993
Description/Comments
Photo is of a family of Aztec dancers. Photographer: copyright 1993 Ann Murdy.
album 16, slide Cat.3 078(1-80)
New Identities of Los Angeles: Artist Talk
April 1996
Description/Comments
Artist's talk and monosilkscreen collaboration. 1. Tomás Benítez (left), Roderick Sykes (center) and Jackie Alexander (right
[both from St. Elmos Village] ) sit at a table with microphones. 2. Roderick Sykes (left), Jackie Alexander (center), and
Miguel Angel (right) from "Viva G and L Latino Artists Collective." 3. From Right to Left: Jackie Alexander, Roderick Sykes,
José Antonio Aguirre, Sister Karen Boccalero, and Leda Ramos. 4. Roundtable discussion. From Right to Left: José Antonio Aguirre,
Sister Karen Boccalero, Leda Ramos, and Diane Gamboa. 5. From Left to Right (background): Miguel Angel Reyes, Sister Boccalero,
Jose Antonio Aguirre, Leda Ramos, Diane Gamboa. 6. Miguel Angel Reyes, Sister Boccalero, Tomás Benitez, Jose Antonio Aguirre,
and Diane Gamboa. 1996 New Identities of Los Angeles Mono Silkscreen Print Project meeting at Self Help Graphics and Art,
Los Angeles, CA. 7. Roundtable discussion between collaboration participants. Right to left: unknown, Tomás Benítez, Sister
Karen Boccalero, and Leda Ramos. 8. Roundtable discussion between collaboration participants. Right to left: Tomás Benítez,
Sister Karen Boccalero, and Leda Ramos. 9. Roundtable discussion between Mathew Thomas, from the Watts Tower Art Center, and
two unidentifiable participants. 10. Roundtable discussion between unidentified collaboration participants, three of whom
are pictured. 11. Three unidentified collaboration participants. 12. Seven collaboration participants including (starting
from the right), Jackie Alexander and Roderick Sykes. Second and third from the left are Karen Boccalero and Tomás Benítez.
13. Three unidentified collaboration participants. The other two participants include Raymundo Tonatiuh Reynoso and Lois Ramirez.
14. Three unidentified collaboration participants and Raymundo Tonatiuh Reynoso. 15. One unidentified collaboration participant
and Karen Kimura. 16. Collaboration participants include Karen Kimura, one unidentified participant, and Mahara T. Sinclaire.
17. Diane Gamboa addresses artists, including Ulysses Diaz, at roundtable discussion. 1996 Mono Silkscreen Print Project Meeting
at Self Help Graphics and Art, Los Angeles, CA. 18. Three collaboration participants, including Ulysses Diaz, Mahara T. Sinclaire
and one unidentified participant. 19. Three collaboration participants, including Ulysses Diaz, Mahara T. Sanchez and one
unidentified participant. 20. Four collaboration participants, including (starting from the right) Dean Sameshima, June Edmunds,
Ruben Esparza and Miguel Angel Reyes. 21. Four collaboration participants, including Ruben Esparza and Miguel Reyes. 22. Four
collaboration participants, including (starting from the right) Mathew Thomas, Dean Sameshima, June Edmunds, and Ruben Esparza.
23. Three collaboration participants, including (starting from the right) Mathew Thomas, Dean Sameshima, and June Edmunds.
24. Roundtable discussion between collaboration participants including Miguel Angel Reyes and Ruben Esparza (in the foreground).
25. Roundtable discussion between collaboration participants, including Miguel Angel Reyes (in the front) and Diane Gamboa
(in the back). 26. Roundtable discussion between collaboration participants. Right to left: unknown, Tomás Benítez (second
from right), and Sister Karen Boccalero. 27. Roundtable discussion between collaboration participants. From right to left,
the participants include Ruben Esparza, Miguel Angel Reyes, two unidentified participants, Tomás Benítez and Sister Karen
Boccalero. (Bad slide) 28. Roundtable discussion between collaboration participants. The two people on the left are Sister
Karen Boccalero, Tomás Benítez, and an unidentified participant. 29-31. Roundtable discussion between collaboration participants,
including Sister Karen Boccalero, and Tomás Benítez (on the left). 1996 Mono Silkscreen Print Project meeting at Self Help
Graphics and Art, Los Angeles, CA. 32. Two artists, Jaqueline Alexander and Roderick Sykes, in Self-Help Graphics aprons.
(bad slide) 33. Unidentified collaboration participant. 34. An unidentified artist, Jaqueline Alexander, Diane Gamboa, and
Sister Karen Boccalero stand around a tray of inks. 1996 Mono Silkscreen Print Project educational session at Self Help Graphics
Print Studio, Los Angeles, CA. 35. Three unidentified artists. 36. Slide photo of artist Ulysses Diaz. 37. Unidentified artist.
38. Slide photo of artists Sister Karen Boccalero and Roderick Sykes. 39-41. Sister Karen (center) talks to artists. 42. Four
artists including Jaqueline Alexander, Roderick Sykes, and two others that are unidentified. 43. Image of artist Roderick
Sykes. 44. Two unidentified collaboration participants. 45. Artists examine a print. 46. Roundtable discussion among artists.
47. Roundtable discussion among artists. Tomás Benítez, left. 48. Roundtable discussion among artists. 49. Unidentified artists.
50. Sister Karen and an unidentified artist. 51. Unidentified collaboration participant. 52. Unidentified artist at work.
53. Five unidentified collaboration participants. 54-55. c56. Prints drying on racks. 57. Unidentified artist silkscreening.
58. Leda Ramos. 59-60. Unidentified artist. 61. Leda Ramos and another artist express joy at their handiwork. 62. Tomás Benítez
speaks at a roundtable discussion among collaboration participants. 63. Diane Gamboa (left) and unknown. 64. Two artists hold
up a print. 65-66. An artist signs a print. 67-68. Roundtable discussion among collaboration participants. 69. New Identity
of Los Angeles scheduling with Sister Karen. 70. Left to right: Diane Gamboa and unknown. 1996 Mono Silkscreen Print Project
educational session at Self Help Graphics Print Studio, Los Angeles, CA. 71. José Alpuche and unknown. 72. Four collaboration
participants. 73. Three artists hold a print. 74. Sister Karen moves prints drying on racks. 75. Sister Karen speaks with
an unidentified artist. 76. An unidentified artist at work. 77. Roundtable discussion among collaboration participants. 78.
An artist signs a print. 79. Leda Ramos and another artist hold a print. 80. An artist signs a print. Photographer: unknown.
album 16, slide Cat.3 079
Ofelia Esparza Holding her Monoprint
ca. early 1990s
Description/Comments
Right to left: José Alpuche and Ofelia Esparza. Photographer: unknown.
album 16, slide Cat.3 080
Ofelia Esperanza and Altar
1990s
Description/Comments
Ofelia Esparza stands next to a large altar. The photo is out of focus. Photographer: Unknown.
album 16, slide Cat.3 081
Papel Picado Workshop for Day of the Dead
ca. 1990s
Description/Comments
"Carving tools are hammered into papel to produce the delicate design." Photographer: Unknown.
album 16, slide Cat.3 082
Papel Picado Workshop for Day of the Dead
1998
Description/Comments
Margaret Sosa gives a papel picado workshop. "Margaret Sosa has been the main papel picado instructor for several years."
Photographer: Alex Alferov.
album 16, slide Cat.3 083
Paper Flores
undated
Description/Comments
Ofelia Esparza makes flowers out of paper. Photographer: Unknown.
album 16, slide Cat.3 084
Papier-Mâché Workshop
1998
Description/Comments
Unidentified workshop participants with a giant skeleton in the background. "Papier-mâché calacas decorate Self-Help Graphics
and provide a festive atmosphere on the Day of the Dead." Photographer: Alex Alferov.
album 16, slide Cat.3 085
Papier-Mâché Workshop for Day of the Dead
1998
Description/Comments
Photo is of Leo Limón and an unidentified child. "Artists volunteer for arts workshops during the Day of the Dead event every
year." Photographer: Alex Alferov.
album 16, slide Cat.3 086
Quetzal
November 1, 1995
Description/Comments
Two people in blue overalls speak or sing into microphones. One wears calavera face paint. "Quetzal is a Los Angeles-based
music group led by brother and sister Martha and Gabriel Gonzalez." Photographer: Mario Lopez.
album 16, slide Cat.3 087
Readying the Screen for Printing
undated
Description/Comments
Right to left: Tomás Benítez, Joe Alpuche, photographer and Margaret Garcia. Photographer: unknown.
album 16, slide Cat.3 088
Reception at Galería Otra Vez for Day of the Dead
1992
Description/Comments
Unidentified reception attendees. Photographer: unknown.
album 16, slide Cat.3 089
Roberto Delgado
undated
Description/Comments
Roberto Delgado. Photographer: unknown.
album 16, slide Cat.3 090
Silkscreening
July 1991
Description/Comments
Oscar Duardo and Yreina Cervantez silkscreening the print "Mas Allá", atelier XVII. Photographer: unknown.
album 16, slide Cat.3 091
Silkscreening
undated
Description/Comments
José Alpuche. Photographer: unknown.
album 16, slide Cat.3 092
Silkscreening Process
1991
Description/Comments
Carlos Gonzalez Castro. Photographer: unknown.
album 16, slide Cat.3 093
Sister Karen Boccalero
undated
Description/Comments
Sister Karen Boccalero. Photographer: unknown.
album 16, slide Cat.3 094
Sketching out a Mural
undated
Description/Comments
Roberto Delgado. Photographer: unknown.
album 16, slide Cat.3 095(1-5)
Students in Advanced Etching Class
May 1993
Description/Comments
1-2. Unidentified students in an advanced etching class. 3. Unidentified student in an advanced etching class. 4. Unidentified
students in an advanced etching class. 5. An etching by an unknown artist. Photographer: unknown.
album 16, slide Cat.3 096
Sugar Skulls
undated
Description/Comments
Photo is of sugar skulls. Text before them reads, "Buy 1 and I'll put the name." Photographer: Unknown.
album 16, slide Cat.3 097(1-14)
UK / LA Reception at Galería Otra Vez
October 1994
Description/Comments
1. Right to left: Janie Nicoll, members of the British Consulate, British Council General - John (last name unknown), Ashley
Cook, and Tomás Benítez. 2-3. Ashley Cook. 4. Janie Nicoll. 5. José Alpuche and Wayne Healy. 6. Wayne Healy. 7. José Alpuche
and unknown. 8. Unidentified artist cleaning a screen. 9. Right to left: unknown, José Alpuche, Janie Nicoll, Wayne Healy,
and unknown. 10. José Alpuche and Wayne Healy. 11. Right to left: Janie Nicoll, José Alpuche, and Ashley Cook. 12. Ashley
Cook and Wayne Healy. 13. Right to left: José Alpuche, Ashley Cook, Wayne Healy, and Janie Nicoll. 14. Janie Nicoll and Ashley
Cook. Photographer: unknown.
album 16, slide Cat.3 098
Unidentified People
undated
Description/Comments
A man and a woman, both unidentified. Photographer: unknown.
album 16, slide Cat.3 099
Virgen
undated
Description/Comments
Photo is of an impromptu altar at the base of a statue of La Virgen de Guadalupe composed of large masks. Photographer: Unknown.
album 16, slide Cat.3 100
Watching a Film
undated
Description/Comments
An unidentified person watches a film while two others work at a computer. Photographer: unknown.
album 16, slide Cat.3 101
Workshop
undated
Description/Comments
Pedro Rios Martinez. Photographer: unknown.
album 16, slide Cat.3 102
Workshop
undated
Description/Comments
Unidentified workshop participants. Photographer: unknown.
album 16, slide Cat.3 103
Workshop
undated
Description/Comments
Oscar Duardo (holding print). Photographer: unknown.
album 16, slide Cat.3 104(1-5)
Workshop and Gallery Exhibit
August 1997
Description/Comments
1. Christina Perez. 2. Unknown photographer and Rose Portillo. 3. Consuelo Flores at the exhibit. 4. Peter Tovar. 5. Jose
Antonio Aguirre. Photographer: unknown.
album 17, slide Cat.3 105
Yolanda Gonzalez
undated
Description/Comments
Yolanda Gonzalez. Photographer: unknown.
album 17, slide Cat.5 001
Ave Sin Fronteras
1995
creator: Antonio Aguirre, José
Physical Description: Monosilkscreen
Descripton/Comments
Image of a red bird (quetzal) in flight. Night is represented by stars and three comets flying overhead, with a design of
a Mexican flag and skulls. Two chain-link fences converge at the bird's beak. Signed, inscription in pencil reads, "M/P Ave
Sin Fronteras JA Aguirre 95."
album 17, slide Cat.5 002
Las Califas del 2000
1996
creator: Antonio Aguirre, José
Physical Description: Monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
Print depicts two abstracted faces. The background is blue and violet. Signed, Inscription in pencil reads, "Las Califas del
2000 JAguirre 96."
album 17, slide Cat.5 003
Con Máscara O Sin Máscara, Siempre Vivire
1995
creator: Antonio Aguirre, José
Physical Description: Monosilkscreen
Descripton/Comments
A Zapatista and a calavera are inside a purple square with a red border. A bearded man in a bandolero is inside a red trapezoid
beside the square. In the background are a cross, a moon, stars, and designs. Signed, inscription in pencil reads, "M/P Con
Máscara O Sin Máscara, Siempre [illegible]... JA Aguirre 95."
album 17, slide Cat.5 004
Cyber Pink Calaca
1996
creator: Antonio Aguirre, José
Physical Description: Monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a stylized calavera with pink designs outlined in yellow on a blue and black background. Signed, inscription in
pencil reads, "M/S Cyberpink Calaca JAguirre"
album 17, slide Cat.5 005
Guadalupe at the End of the Millenium
1995
creator: Antonio Aguirre, José
Physical Description: Monoprint
Physical Description: 20 x 26 1/2 in.
Descripton/Comments
An abstract image of la Virgen de Guadalupe, somewhat resembling a calavera. She has no body and her head rests on an inverted
crescent moon. The rays that emanate from her body are red and jagged, and one protrudes from her mouth. Signed, inscription
in pencil reads, "M Guadalupe at the End of the Millenium JAguirre 95."
album 17, slide Cat.5 006
New World Border (After Guillermo Gomez-Peña)
2000
creator: Antonio Aguirre, José
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
Image is of the face of a man wearing a wrestling mask with a leopard print. At the top of the mask, feathers protrude, making
it resemble an Aztec or Native American headdress. Text at the bottom of the print beneath the image reads, "Free Trade Art".
album 17, slide Cat.5 007
Ode to Siqueiros
ca.1997- 1998
creator: Antonio Aguirre, José
Physical Description: monosilkscreen
Physical Description: 14 x 16 in.
Descripton/Comments
Work is composed of 18 silkscreened panels arranged in the form of a diamond. Image is of Siqueiros holding an indeterminate
tool. Opposite him is a bloody body on a track leading to a swirling mass. There is one eye on either side of the work to
form the points of the diamond.
album 17, slide Cat.5 008
Fertility
1996
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
Print depicts an African fetish and the Venus of Wittendorf on a green background. Signed, inscription in pencil reads, "M.P.
Fertility Jacqueline Alexander '96."
album 17, slide Cat.5 009
Olivia
1998
creator: Alferov, Alex
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a woman's face; signed.
album 17, slide Cat.5 010
Our Lady
1995
creator: Amescua, Michael
creator: Alferov, Alex
Physical Description: serigraph
Physical Description: 30 x 44 in
Descripton/Comments
Image of the Virgin's face, slightly tilted, in yellow and purple. It is framed by a purple and black border with faces. From
the Virgen de Guadalupe project. Signed, inscription in pencil reads, "18/50 Alferov/Amescua 95."
album 17, slide Cat.5 011
Untitled (Abstract)
1998
Physical Description: monoprint
Physical Description: 16 x 20 in.
Descripton/Comments
Abstract print in black, yellow, purple, and green. Signed, inscription in pencil reads, "Monotype Jose Alpuche."
album 17, slide Cat.5 012
Gift
1998
creator: Amescua, Michael
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Print depicts an anthropomorphic winged figure holding a staff or other long object in a Pre-Columbian style; signed.
album 17, slide Cat.5 013
Nagual 00120
1996
creator: Amescua, Michael
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a face in a circle with four long brushstrokes coming down from it, causing it to resemble a Native American war
shield. Predominant color is yellow. Signed, inscription in pencil reads, "Nagual 00120 Mamescua 1996."
album 17, slide Cat.5 014
Las Dos Grandes - Frida y Sor Juana
ca. 2000-2001
Physical Description: woodcut and watercolors
Descripton/Comments
Two female faces share a common eye. On the forehead of one is an image of la Virgen de Guadalupe.
album 17, slide Cat.5 015
Estrellas
1995
Physical Description: monoprint
Physical Description: 20 x 26 1/2 in.
Descripton/Comments
Stylized image of la Virgen de Guadalupe with pink skin, large earrings, and a light green manta. Her eyes are closed and
yellow rays emanate from her. The background is light blue. Signed, inscription in pencil reads, "M.P. Estrellas Vibiana Aparicio-Chamberlin
95."
album 17, slide Cat.5 016
El Orgullo de Cesar
1994
Physical Description: mixed media
Physical Description: 29 1/2 x 22 in.
Descripton/Comments
Image is of Cesar Chávez's face. In all four corners are iconographic symbols, some of animals, some of people. Text near
his head reads, "Cesar Chavez Labor Leader".
album 17, slide Cat.5 017
No Le Hagan Daño
1995
Physical Description: etching
Descripton/Comments
Image is of a woman in an apron above a landscape. A bird with the number "2727" sits on her shoulder. Text at the top of
the print reads, "Moore No Le Hagan Daño A La Viuda Ni Al Huerfano". Signed, inscription in pencil reads, "2/12 No le hagan
daño. Vibiana Aparicio Chamberlain."
album 17, slide Cat.5 018
Alumbramdo mi Entrada
1995
Physical Description: etching
Descripton/Comments
Image is of a woman under an arch topped with candles. In the background, another woman is visible through a window, backdropped
by a cityscape. Signed, inscription in pencil reads, "1/20 Alumbramdo Mi Entrada' Magda Audifrey 95."
album 17, slide Cat.5 019
Disfrutando de la Vida
October 15, 1994
Physical Description: monosilkscreen
Descripton/Comments
Image is of a person's face beneath an arch. Background is blue, purple, and white. Signed, inscription in pencil reads, "1/1
"Disfrutando de la Vida" Magda Audifred 94"
album 17, slide Cat.5 020
Dreaming
October 15, 1994
Physical Description: monosilkscreen
Descripton/Comments
Black and white image is of a face. Created as a part of the UK/LA workshop. Signed, inscription in pencil reads, "A/P Dreaming
Magda Audifred 94"
album 17, slide Cat.5 021
Wondering Above the Ocean
1996
Physical Description: lithograph
Descripton/Comments
Image is of a heart suspended above water surrounded by a spiral of barbed wire. On either side of it, buildings crumble.
Signed, inscription in pencil reads, "21/27 Wondering Above the Ocean Magda Audifred 96".
album 17, slide Cat.5 022
Coming of Youth
1998
creator: Baray, Samuel A.
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a stylized face on a blue, green, and red background.
album 17, slide Cat.5 023
Virgen de la Guarda
1995
creator: Baray, Samuel A.
Physical Description: serigraph
Descripton/Comments
Image of the virgin protecting a neighborhood with her arms. In between the rays of light emanating from her body are faces
reminiscent of indigenous warriors.
album 17, slide Cat.5 024
Mayo 2, 1998
1998
Physical Description: woodcut and watercolor
Physical Description: 14 3/4 x 18 1/2 in.
Descripton/Comments
Woodblock print depicts five blue human figures hanging their heads. Two pieces of barbed wire encircle them.
album 17, slide Cat.5 025
Nagual
undated
Physical Description: plate monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
In the center of the print is an anthropomorphic crow on a yellow background. Other images include cacti and a lizard. Colors
create the impression of a desert. Signed, inscription in pencil reads "M/P "Nagual" Agustin Baron"
album 17, slide Cat.5 026
La Vida No Es Un Juego
2001
Physical Description: monosilkscreen
Physical Description: 5 x 6 in.
Descripton/Comments
Image is of a calavera at the end of a hopscotch court. Signed, inscription in pencil reads, "M/S "La Vida no es un juego"
Agustin Barón 2000."
album 17, slide Cat.5 027
Deer Heart and A Declaration of Interdependence II
1995
Physical Description: monoprint
Physical Description: 16 x 20 in.
Descripton/Comments
Black-and-white image of an anatomical heart with antlers on each side. On the heart are three small globes, two of which
are not whole. Signed, inscription in pencil reads, "Monoprint Deer Heart And A Declaration of Interdependence II Beltrán
95."
album 17, slide Cat.5 028
Deer Heart and A Declaration of Interdependence III
1995
Physical Description: monoprint
Physical Description: 16 x 20 in.
Descripton/Comments
Image is of an anatomical heart (in color) with antlers on either side. On the heart are three small globes, two of which
are not whole. Signed, inscription in pencil reads, "Monoprint Deer Heart And A Declaration of Interdependence III Beltrán
95."
album 17, slide Cat.5 029
Sunrise Girl III
1995
Physical Description: monoprint
Physical Description: 16 x 20 in.
Descripton/Comments
Image is of a woman with yellow hair with her eyes closed. Signed, inscription in pencil reads, "Monoprint Sunrise Girl: Beneath
A Veil of Pollen And Patriotic Permission III Beltrán 95."
album 17, slide Cat.5 030
Sunrise Girl IV
1995
Physical Description: monoprint
Physical Description: 16 x 20 in.
Descripton/Comments
Image is of a woman in black with her eyes closed. The background is blue with yellow circles. Signed, inscription in pencil
reads, "Monoprint Sunrise Girl : Beneath A Veil Of Pollen And Petriotic Permission IV Beltrán '95."
album 17, slide Cat.5 031
Los Avenues
1987
Physical Description: silkscreen
Descripton/Comments
Print depicts a calavera in a fedora with a cross above its head. Text in graffiti script beneath the skull reads, "Los Avenues".
album 17, slide Cat.5 032
Mi Hijo
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of a man with his arms extended outward. The image is cropped so that the torso dominates the print. Created as part
of the AIDS project. Signed, inscription in pencil reads, "M.S. Mi Hijo Chaz Bojorquez 98."
album 17, slide Cat.5 033
All in One
2000
Physical Description: monosilkscreen
Descripton/Comments
Image is of five faces and two partial faces side-by-side in blue, green and yellow. Created as part of the "Y Tú Qué Más"
special project. Signed, inscription in pencil reads, "M/S "All in One" Paul Botello 00."
album 17, slide Cat.5 034
Unassimilable
1995
Physical Description: photo etching
Descripton/Comments
A young woman in front of a dark background shields her eyes with her left arm. From the "La Raza Festival".Inscription in
pencil reads "5/10 Unassimilable Ada Pullini Brown"
album 17, slide Cat.5 035
Maria Montez
2001
Physical Description: monosilkscreen
Descripton/Comments
Image is of the face of Dominican actress Maria Montez. Created as a part of the "Los Perspectivos de Hollywood" project.
Signed, inscription in pencil reads, "M/S Maria Montez Mario Calvano '01."
album 17, slide Cat.5 036
Portrait of a Sumo Judge
2000
Physical Description: monosilkscreen
Descripton/Comments
Image is of a man's face. His eyelids are lowered, as if closed or reading. He appears to be Asian or Asian American. Created
as a part of the "Y Tú Qué Más" special project.unknown
album 17, slide Cat.5 037
Agreeable Encounter
1995
Physical Description: etching
Descripton/Comments
Image is of an angel appearing to three children, as seen through a hole in a chain-link fence. Created for the La Raza Festival.signed.
Inscription in pencil reads, "6/7 Agradable encuentro [illegible]."
album 17, slide Cat.5 038
Myself
1997
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Cropped image of a woman's face. Three hearts at the bottom. Created as a part of the Arizona Xicanindio project. Signed,
inscription in pencil reads, "M.S. -myself- CCardenas 97."
album 17, slide Cat.5 039
Tan Lejos de mi Vida
1997
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a woman's face. Text in cursive surrounding the face reads, "tan lejos de mi vida, tan cerca de mis ojos." Created
for the Arizona Xicanindio project.
album 17, slide Cat.5 040
Yearning II
1997
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is a portrait of a woman. Signed, inscription in pencil reads, "M.S. -Yearning II- CCardenas 97."
album 17, slide Cat.5 041
¡Dámelo!
1995
Physical Description: monosilkscreen
Descripton/Comments
A white hand in a business suit hands a torch to an athlete whose face is cropped. Created for the La Raza Festival. Signed,
inscription in pencil reads, "Monoprint "¡Dámelo" Xavier Cortéz Cázares 1995."
album 17, slide Cat.5 042
¡Sal Si Puedes!
1995
Physical Description: monosilkscreen
Descripton/Comments
A hand reaches out to a crowd on the other side of some barbed wire. The background is red. Created for the La Raza Festival.
Signed, inscription in pencil reads, "Monoprint ¡Sal Si Puedes! Xavier Cortéz Cázares 1995."
album 17, slide Cat.5 043
Colores del Muerte
1996
Physical Description: monosilkscreen
Physical Description: 16 x 20 in.
Descripton/Comments
Image is of a calavera with red lips on the right side of the print. The background is made up of curved swaths of various
colors.
album 17, slide Cat.5 044
(title unknown)
October 1994
Physical Description: media unknown
Descripton/Comments
Image is of a multitude of calaveras in different colors with different designs under a full moon; signed.
album 17, slide Cat.5 045
Kyrie Eleison (Raining Roses)
2001
creator: De Batuc,, Alfredo
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of two human figures, one with its arms around the other. All around them, roses fall like rain. Created as a part
of the AIDS project. Signed, inscription in pencil reads, "M.S. Kyrie Eleison (Raining Roses) [illegible]."
album 17, slide Cat.5 046
Mexican Bombshell
2001
creator: De Batuc,, Alfredo
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of the face of María Félix laying down with her hair spread around her head. From Los Perspectivos de Hollywood.
Signed, inscription in pencil reads, "MS Mexican Bombshell deBatuc 2001."
album 17, slide Cat.5 047
Navarro Rema
2001
creator: De Batuc,, Alfredo
Physical Description: monosilkscreen ghost print
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of actor Carlos Navarro rowing. Signed, inscription in pencil reads, "M.S. Ghost "Navarro rema" de Batuc 2001."
album 17, slide Cat.5 048
The Persistence of Images
1995
creator: De Batuc,, Alfredo
Physical Description: monoprint
Physical Description: 32 x 41 in.
Descripton/Comments
Print depicts Madonna (the material girl) on the left side. On the right side is an empty, luminous manta like the one the
Virgen de Guadalupe wears. In between the two images is de Batuc's City Hall, which pokes up above the horizon. From the Virgen
de Guadalupe project. Signed, inscription in pencil reads, "[illegible] M.P." The Persistence of Images" de Batuc 95."
album 17, slide Cat.5 049
Sailing 1
2001
creator: De Batuc,, Alfredo
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of two men in water up to their chests. A flame burns in front of the man in the foreground. In between the two men,
a paper boat floats. AIDS project.
album 17, slide Cat.5 050
Capitalista
ca. 1997- 1998
Physical Description: monosilkscreen
Physical Description: 7' 2 1/2 x 7' 9 in.
Descripton/Comments
Work is composed of 20 silkscreen panels and depicts George Washington riding the monster of Eurocentrism. A jaguar looks
on as indigenous people confront this beast. In the background, the Capitol"ista" Records building looms. In the sky above
George Washington is a seal with Caesar's quote "Veni Vidi Vici".
album 17, slide Cat.5 051
Keep Your Word
1995
Physical Description: etching
Descripton/Comments
The left side of the image consist of a stylized crow whose body encompasses the cosmos and two ears of corn. Two human arms
protrude from the crow's body toward the right, where a dragonfly and butterfly fly, and seem to embrace the Earth. From the
"La Raza Festival." Signed, inscription in pencil reads, "2/20 "Keep Your Word" Judy De Rosa [illegible]."
album 17, slide Cat.5 052
Where I Stand
1996
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
Two footprints and two smears in a salmon tone. New Identity of Los Angeles project. Signed, inscription in pencil reads,
"MP "Where I Stand" Christian G. Defazio 96'."
album 17, slide Cat.5 053
Dia de los Muertos
1996
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of two faces in calavera makeup. Signed, inscription in pencil reads, "Monotype "Dia de los Muertos" Delgadillo"
album 17, slide Cat.5 054
La Calaca Embarazada
1996
creator: Delgado, Roberto L.
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a pregnant body wrapped in chains with the head of a skull. The background is green and the print is bordered
with shapes of bones and diamonds. Signed, inscription in pencil reads, "La Calaca Embarazada [illegible] 96"
album 17, slide Cat.5 055
La Escalera
2000
creator: Delgado, Roberto L.
Physical Description: monosilkscreen
Descripton/Comments
Image is composed of two photosilkscreened images in the center and faces looking inward on the outsides. Photos are of a
WWII-era machine gun, top, and a large group of workers performing manual labor. From the special project "Y Tú Qué Más".
Signed, inscription in image area reads, "R A Delgado M/S Escalera 2000."
album 17, slide Cat.5 056
El Nuevo Mundo Valiente
2001
creator: Delgado, Roberto L.
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Two photosilkscreened images in the center of the print depict a child sneaking through a hole in a fence and a military helicopter.
Designs around the outside bring the eye to the center. From the "Los Perspectivos de Hollywood" project. Signed, inscription
in pencil reads, "M/S El Nuevo Mundo Valiente [illegible] 01."
album 17, slide Cat.5 057
Siquieros En El Bote (detail)
ca. 1997- 1998
creator: Delgado, Roberto L.
Physical Description: monosilkscreen
Physical Description: 5' 4 x 9' 2 in.
Descripton/Comments
Photosilkscreened images of Siqueiros are repeated in different colors.
album 17, slide Cat.5 058
House/Car Registration
1996
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
Image of a yellow house and a round symbol. New Identity of L.A. project. Signed, inscription in pencil reads, "M/P "House/Car
Registration" Ulises Diaz'."
album 17, slide Cat.5 059
Mi Corazón
1994
Physical Description: etching
Descripton/Comments
A stylized jaguar or other big cat with its mouth wide open. In the foreground is an anatomical heart. Signed, inscription
in pencil reads "7/36 Mi Corazón Ricardo Duffy."
album 17, slide Cat.5 060
Washington En Tijuana
1995
Physical Description: monosilkscreen
Descripton/Comments
Image is of George Washington in a Speedo or blue briefs, through which his genitals are visible. He stands next to a Chihuahua
in front of the border. Text behind him reads, "United States [B]order Inspection Sta[tion]." La Raza Festival. Signed, inscription
in pencil reads, "1/1 95 Washington en Tijuana Ricardo Duffy."
album 17, slide Cat.5 061
Whats in a Face? (VI)
1995
Physical Description: monoprint
Physical Description: 20 x 26 1/2 in.
Descripton/Comments
Inclined face of la Virgen de Guadalupe with her eyes half-closed. Virgen de Guadalupe project. Signed, inscription in pencil
reads, "monoprint What's in a face? (VI) V Ech 95."
album 17, slide Cat.5 062
Know What I'm Sayin'? #4
1996
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
Image of a smiling woman wearing a red blouse. She has purple skin, which stands out from the yellow background. From the
New Identities of L.A. project. Signed, inscription in pencil reads, "M.P." Know What I'm Sayin'? #4" June [illegible] '96."
album 17, slide Cat.5 063
Logging Miles
1997
Physical Description: Monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
A child has an airplane on its head and cars on its shoulders. In the background, clouds are blue, pink, and yellow. From
the Arizona project. Signed, inscription in pencil reads, "Logging Miles Lence Eller copyright 97."
album 17, slide Cat.5 064
Hope
1995
Physical Description: etching
Descripton/Comments
Image is of a crucified nude woman. At her feet is a nude infant. The sun rises (or sets) in the background. From La Raza
Festival. Signed, inscription in pencil reads, "2/8 "Hope" Emerson Sy 1995."
album 17, slide Cat.5 065
Red Worms
1997
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of white and yellow tubes resembling worms. The background is red. From the Arizona project. Inscription in pencil
reads "M.S."
album 17, slide Cat.5 066
Allied
1997
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of stylized human figures in white on a black background. Text behind the figures reads, "Allied." The print is framed
in yellow and red. Arizona project; signed.
album 17, slide Cat.5 067
Zapata ¡Vive Culeros!
ca. 1999-2000
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of Zapata's face of a red, white, and green gradated background. Signed, inscription in pencil reads, "M./P. Zapata
¡Vive Culeros! Gregorio Escobar 94"
album 17, slide Cat.5 068
Diosa de la Vida
1996
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a woman's face on a red square. At the bottom of the print are three ears of corn with designs on them behind
a calavera. Behind the red square are celestial bodies. Signed, inscription in pencil reads, ""Diosa de la Vida" Ofelia Esparza"
album 17, slide Cat.5 069
Diosa de Maiz
1998
Physical Description: woodcut and watercolors
Descripton/Comments
A female figure with snakes on her head holds a flower. Her plaited hair resembles rows of corn. From the 25th anniversary
woodcut/watercolor project. Signed, inscription in pencil reads, "1/1 Diosa de Maiz Ofelia Esparza."
album 17, slide Cat.5 070
La Linea I
1995
Physical Description: monoprint collograph
Physical Description: 12 x 16 in.
Descripton/Comments
A red wall and a black row of soldiers separate a crowd of people from the United States flag. Text in the crowd reads, "Dignidad
Y Justicia", "Libertad", and "En contra del sistema injusto." Created for La Raza Festival. Signed, inscription in pencil
reads, "Monoprint "La linea" Ofelia Esparza '95."
album 17, slide Cat.5 071
Lo Que Es Justo (What Is Fair)
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of a man with blue hair with a UFW huelga eagle on his shoulder. Text forming an arc over his head reads, "El derecho
del trabajador de mantener a su familia es justo y necesario".
album 17, slide Cat.5 072
Neighborhood Watch I
1995
Physical Description: monoprint collograph
Physical Description: 12 x 16 in.
Descripton/Comments
An anciano and two children look out a window. Behind them, a luminous Virgen de Guadalupe is visible. La Raza Festival. Signed,
inscription in pencil reads, "Monoprint ["]Neighborhood Watch" Ofelia Esparza '95."
album 17, slide Cat.5 073
Neighborhood Watch II
1995
Physical Description: monoprint
Physical Description: 12 x 16 in.
Descripton/Comments
An anciano and two children look out a window. Behind them, a luminous Virgen de Guadalupe is visible. This print differs
from version I in that the frame of the window is green rather than brown. Created for La Raza Festival. Signed, inscription
in pencil reads, "Monoprint "Neighborhood Watch" Ofelia Esparza '95."
album 17, slide Cat.5 074
Neighborhood Watch III
1995
Physical Description: monoprint collograph
Physical Description: 12 x 16 in.
Descripton/Comments
An anciano and two children look out a window. Behind them, a luminous Virgen de Guadalupe is visible. This print differs
from versions I and II in coloration. La Raza Festival. Signed, inscription in pencil reads, "Monoprint "Neighborhood Watch"
Ofelia Esparza '95."
album 17, slide Cat.5 075
Nuestra Madre Guadalupe-Tonantzín
1995
Physical Description: monoprint
Physical Description: 20 x 26 1/2 in.
Descripton/Comments
A woman wearing a blue mantle inclines toward the viewer. In her hands she holds a single rose. The lower portion of the print
is filled with vegetation and the upper portion depicts yellow, orange, and red rays emanating from the Virgin. There is also
a bird and several faces. From the Virgen de Guadalupe project. Signed, inscription in pencil reads, "MP "Nuestra Madre Guadalupe-Tonantzín"
Ofelia Esparza 95."
album 17, slide Cat.5 076
Ofrenda a la Madre
1998
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Print depicts a small altar surrounded by papel picado on top, marigolds on the right, and calla lilies on the bottom. Altar
is composed of an image of la Virgen de Guadalupe, a framed photograph, roses, candles, and a sugar skull. From the "El Big
25" monoprint project. Signed, inscription in pencil reads, "Ofrenda a la Madre Ofelia Esparza."
album 17, slide Cat.5 077
Quetzal De La Libertad (Quetzal of Liberty)
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of a quetzal (meaning "beautiful" in Azteca) behind a female Zapatista with a rifle over her shoulder. From the fall
1998 taller: Tierra, Libertad, e Independencia.
album 17, slide Cat.5 078
Invisible
2001
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
On a light-dark blue gradated background, the letters of the word "Invisible" are arranged like the letters of the Hollywood
sign. From the "Los Perspectivos de Hollywood" project. Signed, inscription in pencil reads, "M/S Rubén Esparza 02."
album 17, slide Cat.5 079
New Identity of Los Angeles
1996
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
Print depicts a sarape in black, green, yellow, and red. Ghosted text and logo read, "NILA." From the "New Identities of L.A."
project. Signed, inscription in pencil reads, "M.P. NILA TM New Identity of Los Angeles Rubén Esparza '96."
album 17, slide Cat.5 080
Pecado
2001
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of flames on a black background. In the center of the print is the word "Pecado" with the "TM" symbol. Created as
part of the AIDS project. Signed, inscription in pencil reads, "M/S Pecado TM Rubén Esparza 01."
album 17, slide Cat.5 081
SI DA
2001
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Background to the word "sida" and the "®" symbol is a gradation from black to pink to white to pink back to black. AIDS project.unknown.
album 17, slide Cat.5 082
Sin ®
2001
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
On a blue-to-white gradated background appears the word "Sin" and the "Registered" symbol (®). From the AIDS project. Signed,
inscription in pencil reads, "M/S Sin ® Rubén Esparza '01."
album 17, slide Cat.5 083
Azul Desesperado
1997
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a face composed of white geometric figures superimposed on another, undistinguishable, image. The background is
black. Arizona project. Signed, inscription in pencil reads, "M.S. Azul Desesperado Gonzalo [illegible] 97."
album 17, slide Cat.5 084
Palabras a la Brava
1997
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
In the upper right corner, a green-faced man speaks. A UFW huelga eagle appears to be rolling over two other people. Signed,
inscription in pencil reads, "M.S ~Palabras a la Brava~ Espinoza 97"
album 17, slide Cat.5 085
Be Love
2000
Physical Description: monosilkscreen
Descripton/Comments
Image is of a woman in purple negligé. She has gray skin and red hair. From the "Y Tú Qué Más" special project. Signed, inscription
in pencil reads, "M.S." Be Love" Lysa Flores 2000."
album 17, slide Cat.5 086
Favor No Tocar
2000
Physical Description: monosilkscreen
Descripton/Comments
Image is of a young girl's head and shoulders. She wears a white headband and the background is divided into yellow and purple
areas. From the "Y Tú Qué Más" special project. Signed, inscription in pencil reads, "MP Favor No Tocar Adriana Gallego 2000."
album 17, slide Cat.5 087
No Me Desampares
1997
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a man in a hat and a woman in a rebozo. Arizona project. Signed, inscription in pencil reads, "M.S." No Me Desampares:
A. Gallego '97."
album 17, slide Cat.5 088
Transcender
1997
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a Virgen of Guadalupe with bare shoulders and blue rebozo against a yellow circular aura. Signed, inscription
in pencil reads, "MS "Transcender" A. Gallego '97."
album 17, slide Cat.5 089
Education
1996
creator: Gamboa, Diane
Physical Description: Mono Silkscreen Print.
Physical Description: 16 x 22 in. image, 20 x 26 in. paper
Description/Comments
Male. Image is of two turquoise men. From the "New Identities of Los Angeles" project. Signed, inscription in pencil reads, "M/P
Education Gamboa96."
Special Project: 1996 New Identities of Los Angeles. Self Help Graphics and Art, Los Angeles, CA. Prints produced in series:
All 1996, 16 x 22 in. images, mono silkscreen on paper.
Accident, Choosing, Discrimination, Equal Pay, Housing, Male, One and Only, Physical Force, Random Violence, Sexism, Teenage
Pregnancy, The Right to Choose, Toxic Substance, Voice.
Note: Some ghost prints pulled during printmaking session and those prints became mixed media on paper works.
album 17, slide Cat.5 090
Family, Lies, Disfunctions and Denials
ca. 1997- 1998
creator: Gamboa, Diane
Physical Description: monosilkscreen
Physical Description: 6' x 9' 3 1/2 in.
Descripton/Comments
Work consists of twelve silkscreened panels and depicts four women among thorny flowerbushes. The background is turquoise.
album 17, slide Cat.5 091
Joe and the Girls from Glasgow
1996
creator: Garcia, Margaret
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
"Blue black, and white image of Joe Alpuche and girls from Glasgow, Scotland as calacas."
album 17, slide Cat.5 092
Rita Hayworth
2001
creator: Garcia, Margaret
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a the actress Rita Hayworth. The background is violet. From "Los Perspectivos de Hollywood" project. Signed, inscription
in pencil reads, "Rita Hayworth Una Margaret Garcia."
album 17, slide Cat.5 093
The Seduction
undated
creator: Garcia, Margaret
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Two high-heeled shoes and four jalapeños on a yellow background. Signed, inscription in pencil reads, ""The Seduction" MS
Margaret Garcia."
album 17, slide Cat.5 094
Sister Karen
1998
creator: Garcia, Margaret
Physical Description: monoprint
Descripton/Comments
Image is of Sister Karen Boccalero; signed.
album 17, slide Cat.5 095
With Attitude
2000
creator: Garcia, Margaret
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of the torso and head of a nude woman with yellow skin. The background is blue. From the "Y Tú Qué Más" special project.
Signed, inscription in pencil reads, "With Attitude Margaret Garcia."
album 17, slide Cat.5 096
Con el Señor En Frente
1995
Physical Description: etching
Descripton/Comments
Image is of Christ wearing a crown of thorns. A man looks over his shoulder at the viewer. From the La Raza Festival. Signed,
inscription in pencil reads, "8/50 Con el Señor En Frente Martín V. García 1995."
album 17, slide Cat.5 097
La Despedida
1995
Physical Description: etching
Descripton/Comments
Image is of a man with a sack clung over his shoulder with his back to a woman in an attitude like that of La Virgen de Guadalupe
and a child. From La Raza Festival. Signed, inscription in pencil reads, "2/20 La Despedida Martín V. García 1995."
album 17, slide Cat.5 098
Mi Familia
1995
Physical Description: etching
Descripton/Comments
Image is of a child and a woman resembling La Virgen de Guadalupe. Signed, inscription in pencil reads, "2/20 Mi Familia Martín
V. García 1995."
album 17, slide Cat.5 099
Observando
2000
Physical Description: monosilkscreen
Descripton/Comments
Image is of a man's face with intent eyes. From the "Y Tú Qué Más" special project. Signed, inscription in pencil reads, "M/S
Observando Martín V. Garcia 2000."
album 17, slide Cat.5 100
Somos Cuatachos
1996
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a woman with her arm around a calavera in a red beret.
album 17, slide Cat.5 101
Buenas con El
2001
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of an unused condom on a blue background. Text at the top of the print reads, "el condón." From the AIDS project.
Signed, inscription in pencil reads, "MS Buenas con el condón Rebecca Guerrero '01."
album 17, slide Cat.5 102
Enredada En Sueños del Cuerpo
1997
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a woman's body wrapped in barbed wire and draped with leaves or seaweed. Arizona project.
album 17, slide Cat.5 103
Chavez
undated
Physical Description: photo etching
Descripton/Comments
The face of Cesar Chávez in the sky above a group of protesters carrying the UFW Huelga flag. The man at the front of the
group carries a flag with the image of Our Lady of Guadalupe.Inscription in pencil reads "A/P Chavez Ignacio Gomez"
album 17, slide Cat.5 104
Dolores Huerta
1998
Physical Description: plate monoprint
Descripton/Comments
Image is of Huerta's face superimposed on an agricultural landscape.Inscription in pencil reads "MP Dolores Huerta Ignacio
Gomez '98"
album 17, slide Cat.5 105
DOD at SHG
1998
creator: Gómez, Patricia
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a skeleton in a window and three lit candles; signed.
album 17, slide Cat.5 106
Virgen de Guadalupe
1995
creator: Gómez, Patricia
Physical Description: monoprint
Physical Description: 20 x 26 1/2 in.
Descripton/Comments
Stylized image of la Virgen de Guadalupe on a yellow background with red roses. From the Virgen de Guadalupe project. Signed,
inscription in pencil reads, "Monoprint "Virgen of Gaudalupe [sic]" Pat [illegible]."
album 17, slide Cat.5 107
I Wait
1998
Physical Description: photo etching and handpainting
Descripton/Comments
A woman with calavera makeup wearing the traditional dress of Veracruz.Inscription in pencil reads " [illegible]litho I wait
Temoc 98"
album 17, slide Cat.5 108
The Light Covers All (La Luz Cubre Todo)
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of a woman in traditional Mexican dress holding a torch (resembling the statue of liberty). Mexican and U.S. flags
in the background meld with her dress. From "Taller: Tierra, Libertad y Independencia".
album 17, slide Cat.5 109
No Matter Where You Are, There You Are (No Importa Donde Estés, Allí Estarás)
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of a man wearing a Mexican Flag bandanna. A U.S. flag appears in the background. Text forming a border around the
image is illegible. From the "Taller: Tierra, Libertad, y Independencia".unknown.
album 17, slide Cat.5 110
Corona y Cruz
1995
Physical Description: monoprint
Physical Description: 20 x 26 1/2 in.
Descripton/Comments
La virgen has a red face and wears a crown and a cross. The background is gray and blue. Virgen de Guadalupe project. Signed,
inscription in pencil reads, "M.P. Corona y Cruz 95 C.M Gonzalez."
album 17, slide Cat.5 111
Electric Altar
1995
Physical Description: monoprint
Descripton/Comments
On a television screen are images of the Statue of Liberty, the Virgen de Guadalupe, devotional candles, and partial faces
in distress. In front of the television, a man stands with his hand on the image of La Virgen. From La Raza Festival. Signed,
inscription in pencil reads, "Electríc Altar 1/1 C M Gonzalez '95."
album 17, slide Cat.5 112
Tango Negro
undated
Physical Description: etching
Descripton/Comments
A man and woman are dancing. The colors are black and white.Inscription in pencil reads " Tango Negro 2/20 C.M. Gonzalez"
album 17, slide Cat.5 113
Above The Sky
1998
Physical Description: monosilkscreen
Descripton/Comments
Print depicts a woman with her back to the viewer hovering in the air in front of a red, white, and green flag. A René Magritte-style
bowler hat floats above her head. From the project "Taller: Tierra, Libertad y Independencia." Signed, inscription in pencil
reads, "Above the Sky CGonzalez."
album 17, slide Cat.5 114
Angel De Libertad (Angel of Liberation)
1998
Physical Description: monosilkscreen
Descripton/Comments
An angel with braided hair appears before a red, white, and green flag. Two bowler hats float above its head. The background
is blue. From the project "Taller: Tierra, Libertad, y Independencia."
album 17, slide Cat.5 115
Baile Rojo
1998
Physical Description: woodcut and watercolors
Descripton/Comments
Image is of a matador and a bull. From the 25th anniversary project.
album 17, slide Cat.5 116
El Hombre y la Mujer II
May 1998
creator: Gonzalez, Yolanda
Physical Description: woodcut and watercolor
Physical Description: 22 1/4 x 29 1/4 in.
Descripton/Comments
Painted woodblock depicts a woman and an inverted man. Signed, inscription in pencil reads, "1/1 "El Hombre y Mujer II" Yolanda
Gonzalez 9[illegible]."
album 17, slide Cat.5 117
Hombre Siqueiros
ca. 1997-1998
creator: Gonzalez, Yolanda
Physical Description: monosilkscreen
Physical Description: 9' 6 1/2 x 5' 7 1/2 in.
Descripton/Comments
Work is composed of 12 silkscreened panels and depicts a stylized man wearing a sombrero.
album 17, slide Cat.5 118
Jose, El Indio
1998
creator: Gonzalez, Yolanda
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a boy's face with green skin and spiked hair. The background consists of black and light blue horizontal stripes.
From "The Big 25" monoprint project. Signed, inscription in pencil reads, "M/P "Jose El Indio" [illegible]."
album 17, slide Cat.5 119
Jose Luis
1997
creator: Gonzalez, Yolanda
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
A man's face in primary colors. Signed, inscription in pencil is illegible.
album 17, slide Cat.5 120
Maria Felix
2001
creator: Gonzalez, Yolanda
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of the face of María Félix. She looks toward the viewer's right and the background is red. From the "Los Perspectivos
de Hollywood" project. Signed, inscription in pencil reads, "M/S "Maria Felix" Yolanda Gonzalez 01."
album 17, slide Cat.5 121
Mi Pasado Muerto
1996
creator: Gonzalez, Yolanda
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of the partial figure of a nude woman. She wears a red hat with a red circle on it. She is surrounded in yellow and
the background is red.
album 17, slide Cat.5 122
Pedro Infante
2001
creator: Gonzalez, Yolanda
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of actor/singer Pedro Infante. The background is red. From the "Los Perspectivos de Hollywood" project. Signed, inscription
in pencil reads, "M/S "Pedro Infante" Yolanda [illegible] 01."
album 17, slide Cat.5 123
Rosie
November 2000
creator: Gonzalez, Yolanda
Physical Description: monosilkscreen
Descripton/Comments
Image is of a nude woman with olive green skin and purple hair. She has a red garment draped around her arms and the background
is yellow. From the "Y Tú Qué Más" special project. Signed, inscription in pencil reads, "M/S "Rosie" Yolanda Gonzalez 11/2000."
album 17, slide Cat.5 124
Rosie Series
July 2001
creator: Gonzalez, Yolanda
Physical Description: monosilkscreen
Descripton/Comments
Image is of a nude woman with orange hair. She has a red garment draped over her right shoulder and left arm. The background
is yellow. From the AIDS project.signed. Inscription in pencil reads, "MS "Rosie Series' Yolanda Gonzalez 7/2001."
album 17, slide Cat.5 125
(title unknown)
ca. 1999
creator: Gonzalez, Yolanda
Physical Description: monosilkscreen
Descripton/Comments
Image is of four red flowers in a blue vase. Background is yellow.
album 17, slide Cat.5 126
Vida de Santos
1995
creator: Gonzalez, Yolanda
Physical Description: monoprint
Physical Description: 32 x 41 in.
Descripton/Comments
The face of the Virgen de Guadalupe is represented in non-representational colors. From the Virgen de Guadalupe project.
album 17, slide Cat.5 127
Virgen de Guadalupe
1995
creator: Gonzalez, Yolanda
Physical Description: monoprint
Physical Description: 20 x 26 1/2 in.
Descripton/Comments
Print depicts la Virgen de Guadalupe with roses. The background is red. From the Virgen de Guadalupe project. Signed, inscription
is illegible.
album 17, slide Cat.5 128
Chiapas
1995
creator: Guerrero-Cruz, Dolores
Physical Description: monosilkscreen
Descripton/Comments
Image is of a woman with a child on her back. Behind them are four stylized soldiers surrounded by fire. Created for the La
Raza Festival. Signed, inscription in pencil in image area reads, "Dolores Guerrero-Cruz M/P Chiapas."
album 17, slide Cat.5 129
Culture, Identity and Self Preservation
1998
creator: Guerrero-Cruz, Dolores
Physical Description: monoprint
Descripton/Comments
Print depicts a woman wearing a sombrero on a blue-yellow-green gradated background. From the "Big 25" monoprint project.
Signed, inscription in pencil reads, "[illegible] Culture Identity and Self Preservation Dolores Guerrero-Cruz '98."
album 17, slide Cat.5 130
The Falling of America
1995
creator: Guerrero-Cruz, Dolores
Physical Description: monosilkscreen
Descripton/Comments
Image of the Statue of Liberty blindfolded. Strings attach her limbs to handles like those used to manipulate marionettes.
The handles are controlled by red hands. Created for the La Raza Festival. Signed, inscription in gold pen in image area reads,
"The Falling of America Dolores Guerrero-Cruz."
album 17, slide Cat.5 131
The 8th Street Off Ramp
1997
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a colorful freeway offramp with buildings, palm trees, and a red sky. Signed, inscription in pencil reads, "M.S.
The 8th Street Off Ramp Roberto Gutierrez 97"
album 17, slide Cat.5 132
Pan Dulce y Cafe
1996
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of an altar to La Virgen de Guadalupe with photos, a flower, pandulce, and a cup of coffee on a tray. Beneath the
tray two candles burn. The background is a garden and the exterior of a building. Signed, inscription in pencil reads, "M.P.'
Pan Dulce y Cafe Roberto Gutierrez 96."
album 17, slide Cat.5 133
Self Help Graphics
1998
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of the Self-Help Graphics building in East L.A. Above the building flies a paletero or elote man. This print is also
known by the title "SHG." From the "El Big 25" monoprint project. Signed, inscription in pencil reads, "1/1 M.S. Self Help
Graphics Roberto Gutierrez 98"
album 17, slide Cat.5 134
The Spirit Guide
1995
Physical Description: monoprint
Physical Description: 32 x 41 in.
Descripton/Comments
The Virgin of Guadalupe watches over the Self-Help Graphics and Art building. From the Virgen de Guadalupe project.
album 17, slide Cat.5 135
La Trenza
1996
Physical Description: woodcut
Descripton/Comments
A woman with a long braid waits at a bus stop. Signed, inscription in pencil reads, "11/18 La Trenza Roberto Gutiérrez 96."
album 17, slide Cat.5 136
Calla Lilies
1998
Physical Description: woodcut and watercolor
Physical Description: 22 1/8 x 29 3/4 in.
Descripton/Comments
A woman's face appears behind three calla lilies. From the "El Big 25" monoprint project. Signed, inscription in pencil reads,
"1/1 Calla Lilies D. Haro."
album 17, slide Cat.5 137
Cool Calavera
1991
creator: Healy, Wayne Alaniz
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a calavera in a yellow zoot suit.
album 17, slide Cat.5 138
¿De Veras?
2000
creator: Healy, Wayne Alaniz
Physical Description: monosilkscreen
Descripton/Comments
Two women in red dresses sit chismeando. From the "Y Tú Qué Más" special project. Signed, inscription in pencil reads, "¿De
Veras? Healy 00."
album 17, slide Cat.5 139
Excuse U.S.
1995
creator: Healy, Wayne Alaniz
Physical Description: monosilkscreen
Descripton/Comments
Image is of a soldier in a Mexican War-era uniform holding up a dotted line between the U.S. and Mexico, which is a pink background.
On the Mexican side, a man in a sombrero holds a green stick. Signed, inscription in pencil reads, "M/P Excuse U.S Healy 95."
album 17, slide Cat.5 140
Intravenous Suicide
2001
creator: Healy, Wayne Alaniz
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a man and a skeleton holding a needle. From the AIDS project. Signed, inscription in pencil reads, "M/S Intravenous
Suicide Healy."
album 17, slide Cat.5 141
Jarabe Tapatio Muerto
1993
creator: Healy, Wayne Alaniz
Physical Description: monoprint
Physical Description: 20 x 26 in.
Descripton/Comments
Print depicts two calaveras dancing the Jarabe Tapatío. Signed, inscription in pencil reads, "M/P Jarabe Tapatío Muerto Healy
'93."
album 17, slide Cat.5 142
Jaripeo Nacional (National Rodeo)
1998
creator: Healy, Wayne Alaniz
Physical Description: monosilkscreen
Descripton/Comments
Image is of a woman in a sombrero and pink dress with a Mexican flag in one hand and a U.S. flag in the other riding a bronco.
From the project: "Tierra, Libertad, e Independencia." Signed, inscription in pencil reads, "M/S Jaripeo Binacional Healy
98."
album 17, slide Cat.5 143
La Mano de Siqueiros
ca. 1997-1998
creator: Healy, Wayne Alaniz
Physical Description: monosilkscreen
Physical Description: 8' 5 1/2 x 12' 2 in.
Descripton/Comments
Work is an ensemble of twenty silkscreen prints and depicts Siqueiros. In his hand are two children who hold a large paintbrush.
album 17, slide Cat.5 144
Reet Zoot Drape
1991
creator: Healy, Wayne Alaniz
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a pachuco in a yellow Zoot Suit twirling his chain. Signed, inscription in pencil reads, "Healy 91."
album 17, slide Cat.5 145
The Scottish-Mexican Thorn Conspiracy
October 15, 1994
creator: Healy, Wayne Alaniz
Descripton/Comments
Black and white print features an image of a nude woman holding a champagne glass. She is moving toward a field filled with
burrs. Behind her follows a dinosaur dressed as a pachuco. He emerges from a field of nopales. From the UK/LA monoprint collaboration.
Signed, inscription in pencil reads, "Etage II The Scottish-Mexican Thorn Conspiracy Healy 94."
album 17, slide Cat.5 146
South Wall, SHG
1998
creator: Healy, Wayne Alaniz
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Print depicts a man at the top of a ladder. From the "El Big 25" monoprint project. Signed, inscription in pencil reads, "M/S
South Wall, SHG Healy 98."
album 17, slide Cat.5 147
Tierra y Libertad
1998
creator: Healy, Wayne Alaniz
Physical Description: monosilkscreen
Descripton/Comments
Emiliano Zapata wears a sombrero with the word "Tierra." A banner crossing in front of his chest reads, "Libertad." From the
project "Taller: Tierra, Libertad, y Independencia." Signed, inscription in pencil reads, "M/S Tierra y Libertad Healy."
album 17, slide Cat.5 148
(title unknown)
October 15, 1994
creator: Healy, Wayne Alaniz
Physical Description: silkscreen
Descripton/Comments
Images of soccer players are framed by World Cup tickets. Spelled out in more tickets are the words USA Mundial 94. A hand
holding a trophy emerges from the lower right corner. On either side of the hand are the words "Brasil" and "Campeon." Possibly
from the UK/LA monoprint collaboration; signed.
album 17, slide Cat.5 149
Tunas Sangrando
1992
creator: Healy, Wayne Alaniz
Physical Description: etching
Physical Description: 6 x 9 in.
Descripton/Comments
A conquistador carries a sword that has skewered nopales. A rattlesnake follows closely behind.Inscription in pencil reads
"Healy 92"
album 17, slide Cat.5 150
La Virgen de la Cancha
1995
creator: Healy, Wayne Alaniz
Physical Description: monoprint
Physical Description: 32 x 41 in.
Descripton/Comments
Image is of la Virgen de Guadalupe doing a reverse slam dunk. The background is red. From the Virgen de Guadalupe project.
Signed, inscription in pencil reads, "Ghost MP La Virgen de la Cancha Healy 95."
album 17, slide Cat.5 151
La Virgen del Mandado
1995
creator: Healy, Wayne Alaniz
Physical Description: monoprint
Physical Description: 32 x 41 in.
Descripton/Comments
A child tugs on the Virgen's mantle as she holds bags at a bus stop. A sign behind them reads "Grand Centra[l] Marke[t]."
The child's shirt reads, "Jesus Salva." From the Virgen de Guadalupe project. Signed, inscription is illegible.
album 17, slide Cat.5 152
Sin Título
2001
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of an eye on a butterfly wing. From the AIDS project.
album 17, slide Cat.5 153
Just for Fun
1997
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of tableware in a sideboard. The background is yellow. From the Arizona project. Signed, inscription in pencil reads
"M.S." Just for Fun" dora '97"
album 17, slide Cat.5 154
La Causa
1998
Physical Description: woodcut and watercolors
Descripton/Comments
Print depicts Cesar Chávez on a farmland with grapes and a UFW flag in the background. Text in the upper left corner reads
"La Causa." From the "Big 25" monoprint workshop. Signed, inscription in pencil reads, "1/1 Ernie Herrera."
album 17, slide Cat.5 155
Sister's Dream
ca. 2000-2001
Physical Description: woodcut
Descripton/Comments
The face of Sister Karen Boccalero in front of the Self-Help Graphics and Art building. Signed, inscription in pencil reads,
"2/2 Sister's Dream Ernie Herrera"
album 17, slide Cat.5 156
The Wave
undated
Physical Description: plate monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of an ocean wave. Colors are red, orange, and violet.Inscription in pencil reads " M/P The Wave Ernie Herrera."
album 17, slide Cat.5 157
Brando
2001
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of the face of Marlon Brando. Text within the image area reads, "Viva Zapata Brando." From "Los Perspectivos de Hollywood"
project. Signed, inscription in pencil reads, "1/1 Brando H."
album 17, slide Cat.5 158
Chicana Boy
1998
Physical Description: monoprint
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of an androgynous person with a pink top hat, purple jacket, and a ruffled pink collar on a dark green background.
From "El Big 25" monoprint project. Signed, inscription in pencil reads, "M.S." Chicana-Boy" H."
album 17, slide Cat.5 159
Diego
1998
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of the face of muralist Diego Rivera. From the "Héroes" series. Signed, inscription in pencil reads, "MS 1/1 "diego"
H 98."
album 17, slide Cat.5 160
Frida
1998
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of the face of painter Frida Kahlo. From the "Héroes" suite. Signed, inscription in pencil reads, "1/1 MP "Frida"
H."
album 17, slide Cat.5 161
El Indio
ca. 2000
Physical Description: monosilkscreen
Descripton/Comments
Image is of a man's face. He wears a mustache and a sombrero and the background is blue. From the "Héroes" series. Signed,
inscription in pencil reads, "1/1 "El Indio" H."
album 17, slide Cat.5 162
M-M
undated
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a Mexican wrestler wearing a mask that doesn't cover his mustache. Text in script on his chin reads, "Mil Máscaras."
From the "Héroes" suite. Signed, inscription in pencil reads, "1/1 "M-M" H."
album 17, slide Cat.5 163
La Novela
2001
Physical Description: monosilkscreen
Physical Description: 23 x 29 in.
Descripton/Comments
Image is of two stylized telenovela actors, one man and one woman, in a passionate embrace. The background is red with yellow
streaks. From the AIDS project. Signed, inscription in pencil reads, "1/1 La Novela."
album 17, slide Cat.5 164
Orozco
1998
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of the face of muralist José Clemente Orozco. From the "Héroes" suite. Signed, inscription in pencil reads, "1/1
M/S "orozco" H 98."
album 17, slide Cat.5 165
Pancho Villa
2000
Physical Description: monosilkscreen
Descripton/Comments
Image is of the face of Pancho Villa. The background is blue. Signed, inscription in pencil reads, "1/1 H."
album 17, slide Cat.5 166
Siqueiros (1)
1998
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of the face of muralist David Alfaro Siqueiros. From the "Héroes" suite. Signed, inscription in pencil reads, "1/1
M/S "Siquieros" H 98."
album 17, slide Cat.5 167
Tin Tan
2001
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of the actor Germán Valdés (Tin-Tán) with a gun to his head and a cigarette in his mouth. Text beneath his face reads,
"TIN TAN." From the "Los Perspectivos de Hollywood" project. Signed, inscription in pencil reads, "1/1 Tin Tan H."
album 17, slide Cat.5 168
Untitled
2000
Physical Description: monosilkscreen
Descripton/Comments
Image is of the head and chest of a man with red skin. He has his eyes closed and his arms are cropped. From the "Y Tú Qué
Más" special project. Signed, inscription in pencil reads, "1/1 H."
album 17, slide Cat.5 169
Untitled (Che)
1998
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of Che Guevara's face on a red, white, and green gradated background. From the "Héroes" suite. Signed, inscription
in pencil reads, "M/T H."
album 17, slide Cat.5 170
Untitled (Frida)
1998
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of the face of painter Frida Kahlo. She wears yellow flowers in her hair. From the "Héroes" suite of prints. Signed,
inscription in pencil reads, "1/1 [illegible] H 98."
album 17, slide Cat.5 171
Untitled (Zapata)
1998
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of Emiliano Zapata's face on a red, white, and green gradated background. Text beneath the image reads, "¡Raza!"
From the "Héroes" suite of prints. Signed, inscription in pencil reads, "MT H."
album 17, slide Cat.5 172
The Border Crossed Us
1995
Physical Description: monoprint
Physical Description: 16 x 21 in.
Descripton/Comments
Three overlapping female figures split into two sides, with half American and Mexican flags on each side. Created for the
La Raza Festival. Signed, inscription in pencil reads, "Monoprint We Didn't Cross The Border II Virgi Iniguez, '95."
album 17, slide Cat.5 173
From the Beginning We Have Been Here I
1995
Physical Description: monoprint
Physical Description: 16 1/2 x 21 1/2 in.
Descripton/Comments
Cornstalks, handprints, and figures resembling indigenous petroglyphs. Repeated text forming a border aroud the image area
reads, "From The Beginning We Have Been Here, We Didn't Cross The Border, The Border Crossed Us!" Created for the La Raza
Festival. Signed, inscription in pencil reads, "Monoprint From The Beginning We Have Been Here I Virgi Iniguez '95."
album 17, slide Cat.5 174
From the Beginning We Have Been Here III
1995
Physical Description: monoprint
Physical Description: 16 1/2 x 21 1/2 in.
Descripton/Comments
Images of botanical plants, hands, and the moon. From the La Raza Festival. Signed, inscription in pencil reads, "Monoprint
From The Beginning We Have Been Here III Virgi Iniguez 95."
album 17, slide Cat.5 175
We Didn't Cross the Border I
1995
Physical Description: monoprint
Physical Description: 16 x 21 in.
Descripton/Comments
The featureless figure of a woman split in the middle. Her left side is the Mexican flag, her right the U.S flag. The left
side of the background is night, the right, day. Signed, inscription in pencil reads, "Monoprint The Border Crossed Us I Virgi
Iniguez 95."
album 17, slide Cat.5 176
Metamorfosis de Quetzalcoatl
ca.1997- 1998
Physical Description: monosilkscreen
Physical Description: 8' 5 1/2 x 12' 2 in.
Descripton/Comments
Work is composed of twenty silkscreened prints and depicts abstract shapes on a blue background.
album 17, slide Cat.5 177
Untitled
1997
Physical Description: monosilkscreen
Descripton/Comments
Image is of the face of a Native American man. From the Arizona project. Signed, inscription in pencil reads, "M.S. Randy
Kemp 97."
album 17, slide Cat.5 178
Chung King Road
1997
Physical Description: etching
Descripton/Comments
A view along Chung King Road of small Asian American shops. Inscription in pencil reads "3/10 Chung King Road Sojin Kim."
album 17, slide Cat.5 179
Gin Ling Way
1998
Physical Description: color woodblock
Descripton/Comments
Woodblock print depicts an Asian American business. Signs read, "Chinese Wearing Apparel Dress Kimonos", "Chen Yuen Co." ,and
"Art Goods and Jewelry 469." From the 25-year anniversary project. Signed, inscription in pencil reads, "1/7 Gin Ling Way
[illegible]."
album 17, slide Cat.5 180
Lings, 974 Chung King Rd.
1999
Physical Description: color woodcut
Descripton/Comments
Print depicts an Asian-American market. Signed, inscription in pencil reads "3/10 Lings, 974 Chung King Rd."
album 17, slide Cat.5 181
Mei Ling Way
1998
Physical Description: woodcut and watercolors
Descripton/Comments
Street scene in an Asian-American neighborhood. Signed, inscription in pencil reads, "1/1 Mei Ling Way [signature]."
album 17, slide Cat.5 182
One in Each Hand V
1996
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
Print is in two halves. The left side is dark orange and features a yellow hand holding an indistinguishable object. The right
side is yellow and features a brown hand holding the same object. From the New Identity project. Signed, inscription in pencil
reads, "M.P. One in each hand V K. Kimura 1996."
album 17, slide Cat.5 183
El Baile con la Muerte
1996
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
A woman in a green dress dances with a skeleton on a moonlit night.
album 17, slide Cat.5 184
Nacimiento de mi Corazón
2000
Physical Description: monosilkscreen
Descripton/Comments
A blue child with a red heart on its chest seems to emerge from a squatting woman with red skin. The child stands above a
blue and red spiral. From the "Y Tú Qué Más" special project. Signed, inscription in pencil reads, "M/P Nacimiento de mi corazon
Lacámara 2000."
album 17, slide Cat.5 185
La Salsa
1996
Physical Description: woodblock
Physical Description: 22 x 15 in.
Descripton/Comments
Image is of two dancers. Colors are orange and green. From the Arizona project. Signed, inscription in pencil reads, "5/10
La Salsa Laura Lacámara."
album 17, slide Cat.5 186
Juan Diego mi Corazon
1995
Physical Description: monoprint
Physical Description: 20 x 26 in.
Descripton/Comments
Image is of a kneeling Juan Diego with his head bowed. From the Virgen de Guadalupe project. Signed, inscription in pencil
reads, "M/P Juan Diego mi Corazon Lazalde 95."
album 17, slide Cat.5 187
Day of the Dead
1996
Physical Description: silkscreen
Physical Description: 30 x 21 in.
Descripton/Comments
Print depicts many calaveras dancing and playing music. One prays at an altar de muerto. Text reads, "Self-Help Graphics Dia
De Los Muertos - 1996 Flores De Esperanza Day Of The Dead"; signed.
album 17, slide Cat.5 188
Racial Harmonization
1996
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
Abstract print features two hands among unidentifiable objects. From the New Identity project. Signed, inscription in pencil
reads, "M.P. Racial Harmonization V Hyun Li 96."
album 17, slide Cat.5 189
Barrio Mobile Art Studio
1998
creator: Limon, Leo
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Two images depicted on successive frames of a length of film are hands and art utensils pointing to a heart and the national
symbol of Mexico. At the bottom of the film there are wheels. From the "El Big 25" monoprint project. Signed, inscription
in pencil reads, "M/S Barrio Mobile Art Studio [illegible] 98."
album 17, slide Cat.5 190
Destiny (Destino)
1998
creator: Limon, Leo
Physical Description: monosilkscreen
Descripton/Comments
Against a backdrop of flags, a family joins others on the other side of a barbed wire border. From the "Taller: Tierra, Libertad,
y Independecia" project.
album 17, slide Cat.5 191
Fertile Corazones (Fertile Hearts)
1998
creator: Limon, Leo
Physical Description: monosilkscreen
Descripton/Comments
A length of barbed wire crosses the image area vertically. Hooked on the barbs are bleeding green hearts. From the "Taller:
Tierra, Libertad, y Independecia" project.
album 17, slide Cat.5 192
Lunas Appearance
1996
creator: Limon, Leo
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is a woman wearing a corn headdress. She holds a war shield in one hand and pencils in the other. In the background
are two houses containing "Aztec indigenous symbols...(Flint and Techtli)."
album 17, slide Cat.5 193
Musica del Corazon (Music of the Heart)
1998
creator: Limon, Leo
Physical Description: monosilkscreen
Descripton/Comments
Print depicts three musicians: a guitarist, a trumpet player, and a clarinet player. Dancers and city buildings are in the
background. From the "Taller: Tierra, Libertad, y Independencia" project.
album 17, slide Cat.5 194
Prayer
1996
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
Image is of two yellow stylized hands folded in prayer. The background is sea green. From the "New Identity" project. Signed,
inscription in pencil reads, "MP Prayer [illegible] 1996."
album 17, slide Cat.5 195
Abuelita Fights for Her Son (Abuelita Lucha Por Su Hijo)
1998
Physical Description: monosilkscreen
Descripton/Comments
A female revolutionary wearing a bandolero and a blue rebozo holds a rifle and looks down at a child. Colors used: Blue, White,
and Yellow (background). From the "Taller: Tierra, Libertad, Y Independencia" project.
album 17, slide Cat.5 196
La Dulce Imagen de Independencia (The Sweet Image of Independence)
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of a brown hand holding an image of la Virgen de Guadalupe. From the "Taller: Tierra, Libertad, y Independencia"
project. Signed, inscription in pencil reads, "M/S La Dulce Imagen de Independencia [illegible]."
album 17, slide Cat.5 197
Feeling The City
2000
Physical Description: monosilkscreen
Descripton/Comments
A woman's face hovers above a cityscape with tall buildings. From the "Y Tú Qué Más" special project. Signed, inscription
in pencil reads, "M/S Feeling the city Aydee."
album 17, slide Cat.5 198
El Grito Se Oye en las Calles Aun (You Can Still Hear the Cry Out in the Streets)
1998
Physical Description: monosilkscreen
Descripton/Comments
Print depicts three people walking in front of a large image of Miguel Hidalgo y Costilla holding a knife in front of a Mexican
flag. From the "Taller: Tierra, Libertad, y Independencia" project.
album 17, slide Cat.5 199
Las Dos Damas I
1995
Physical Description: monoprint
Physical Description: 16 x 20 in.
Descripton/Comments
Image is of La Virgen de Guadalupe in the sky above a desert highway. A nopal on the side of the road resembles the Statue
of Liberty. Nopal leaves form a border for the upper part of the print. From the La Raza Festival. Signed, inscription in
pencil reads, ""Las Dos Damas" I 1/1 Carlos S Loya '95."
album 17, slide Cat.5 200
Las Dos Damas II
1995
Physical Description: monoprint
Physical Description: 16 x 20 in.
Descripton/Comments
Image is of La Virgen de Guadalupe in the sky above a desert highway. A nopal on the side of the road resembles the Statue
of Liberty. Nopal leaves form a border for the upper part of the print. In this version of the print, La Virgen's skin is
darker than in "Las Dos Damas" I. From the "La Raza Festival". Signed, inscription in pencil reads, ""Las Dos Damas" II 1/1
Carlos S Loya '95."
album 17, slide Cat.5 201
Las Dos Damas III
1995
Physical Description: monoprint
Physical Description: 16 x 20 in.
Descripton/Comments
Black-and-white print is of La Virgen de Guadalupe in the sky above a desert highway. A nopal on the side of the road resembles
the Statue of Liberty. Nopal leaves form a border for the upper part of the print. From the "La Raza Festival". Signed, inscription
in pencil reads, ""Las Dos Damas" III 1/1 Carlos S Loya."
album 17, slide Cat.5 202
Las Dos Damas IV
1995
Physical Description: monoprint
Physical Description: 16 x 20 in.
Descripton/Comments
Black-and-white print is of La Virgen de Guadalupe in the sky above a desert highway. A nopal on the side of the road resembles
the Statue of Liberty. Nopal leaves form a border for the upper part of the print. From the "La Raza Festival". Signed, inscription
in pencil reads, ""Las Dos Damas" IV 1/1 Carlos S Loya 95."
album 17, slide Cat.5 203
Las Dos Damas V
1995
Physical Description: monoprint
Physical Description: 16 x 20 in.
Descripton/Comments
Black-and-white print is of La Virgen de Guadalupe in the sky above a desert highway. A nopal on the side of the road resembles
the Statue of Liberty. Nopal leaves form a border for the upper part of the print. From the "La Raza Festival". Signed, inscription
in pencil reads, ""Las Dos Damas" V 1/1 Carlos S Loya 95."
album 17, slide Cat.5 204
Las Dos Damas VI
1995
Physical Description: monoprint
Physical Description: 16 x 20 in.
Descripton/Comments
Black-and-white print is of La Virgen de Guadalupe in the sky above a desert highway. A nopal on the side of the road resembles
the Statue of Liberty. Nopal leaves form a border for the upper part of the print. From the "La Raza Festival". Signed, inscription
in pencil reads, ""Las Dos Damas" VI 1/1 Carlos S Loya '95."
album 17, slide Cat.5 205
Chicana Rites of Passage
1995
Physical Description: etching
Descripton/Comments
A spiraling indigenous design surrounds an image of Frida Kahlo, a girl with books entitled "History of the Xicanos" and "Aztlan",
a woman and child, and a girl with a book entitled "Feminist Studies." Other images include a cross atop a sacred heart, the
sun, la Virgen de Guadalupe, an American flag, three running silhouettes, and Pete Wilson in a dunce cap holding signs reading,
"No Education For Mexicans" and "No Human Rights for Wetbacks." From the "La Raza Festival". Signed, inscription in pencil
reads, "2/15 Chicana Rites of Passage Rosa M 1995."
album 17, slide Cat.5 206
Este Dato No Está En Las Estadísticas Oficiales
2001
Physical Description: monosilkscreen
Physical Description: 23 x 29 in.
Descripton/Comments
Image is of a red angel whose wings become arms. Text above the image reads, "Todos somos ángeles caídos." From the AIDS project.
Signed, inscription in pencil reads, "Monosilkscreen (...este dato no está en las estadísticas oficiales...) Poli Marichal
2000"
album 17, slide Cat.5 207
Muerte Dolorosa
1996
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of personified Death carrying a dying young man. The background is black, red, orange, and yellow. Signed, inscription
in pencil reads, "Muerte Dolorosa Poli Marichal."
album 17, slide Cat.5 208
...Porqué Soy Como el Arbol Talada Que Retoño
2000
Physical Description: monosilkscreen
Descripton/Comments
Image is of an anthropomorphic green tree that grows from a purple cityscape with a red sky. From the "Y Tú Qué Más" special
project. Signed, inscription in pencil reads, "Mono Silkscreen porque soy como el arbol talado que retoño Poli Marichal 2000."
album 17, slide Cat.5 209
Angelito
1995
Physical Description: monoprint
Physical Description: 20 x 26 1/2 in.
Descripton/Comments
Print depicts the cherub under the moon upon which the Virgin stands. The background is red. From the Virgen de Guadalupe
project.
album 17, slide Cat.5 210
En La Madre Patria (In the Motherland)
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of a recumbent woman with her hands on her face. A Mexican flag is visible behind her. The remainder of the background
is black. From the "Taller: Tierra, Libertad y Independencia" project.
album 17, slide Cat.5 211
Nuestra Señora de Guadalupe
1995
Physical Description: monoprint
Physical Description: 20 x 26 in.
Descripton/Comments
La Virgen de Guadalupe, seen from the hands up, posed in a traditional manner and wearing a crown. The background is red.
From the Virgen de Guadalupe project. Signed, inscription in pencil reads "Ghost M/P Sra Guadalupe Daniel Marquez."
album 17, slide Cat.5 212
Sendero de Gloria
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of a Native American reaching his hand out as he crawls away from the viewer. From the "Taller: Tierra, Libertad,
y Independencia" project.
album 17, slide Cat.5 213
Te Veo Siqueiros
ca. 1997- 1998
Physical Description: monosilkscreen
Physical Description: 5' 7 x 9' 5 3/4 in.
Descripton/Comments
Work is composed of twenty silkscreen panels and depicts an eye. A pencil curves in toward the pupil, from whence emerge two
arms, one of which is bloody. The other holds a paintbrush.
album 17, slide Cat.5 214
Travesías - El Reptil
1994
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a green-skinned man creeping under a barbed wire fence.Inscription in pencil reads "M/P Travesías - El Reptil
D. Marquez '94"
album 17, slide Cat.5 215
Travesías - La Cerca de Picos
1994
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
A man climbing a barbed wire fence makes up the negative space of a black-purple-red gradation. Signed, inscription in pencil
reads, "M/P Travesías - La Cerca de Picos D. Marquez 94"
album 17, slide Cat.5 216
Travesías - Río Bravo
1994
Physical Description: monosilkscreen
Descripton/Comments
Image is of a man wading across the Río Bravo (Rio Grande), the river separating Texas from Chihuahua. Signed, inscription
in pencil reads, "monoprint Travesías- Río Bravo D Marquez 94"
album 17, slide Cat.5 217
Villa
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of the Mexican revolutionary Pancho Villa. From the "Taller: Tierra, Libertad, e Independencia".
album 17, slide Cat.5 218
Welcome to L.A.
2000
Physical Description: monosilkscreen
Descripton/Comments
Image is of a celestial human figure traced in constellations holding a city. Its head is radiant. Palm trees make ud the
lower third of the image. From the "Y Tú Qué Más" special project. Signed, inscription in pencil reads, "M/S Welcome to L.A.
[illegible]."
album 17, slide Cat.5 219
A Mi Hermano
1996
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of the face of a young girl framed by an oval. Beneath her portrait are flowers and candles. The print was made for
the artist's brother.
album 17, slide Cat.5 220
Diferentes Culturas, Diferentes Dioses
1995
Physical Description: monoprint
Physical Description: 32 x 41 in.
Descripton/Comments
An image of la Virgen de Guadalupe is contained with in a diamond-shaped frame. Beneath it and to the right is a sideways
face with a band across the forehead. Beneath la Virgen is a sideways indigenous face. From the Virgen the Guadalupe project.
Signed, inscription in pencil reads, "M/P Diferentes Culturas Diferentes Dioses Isabel martinez 95."
album 17, slide Cat.5 221
Es Este El Mundo Que Me Dejas
2000
Physical Description: monosilkscreen
Descripton/Comments
Image is of a child's face with blue and orange skin. It wears a yellow hat and jacket. From the "Y Tú Qué Más" special poject.
Signed, inscription in pencil reads, "M/S "Es este el mundo que Me dejas" Isabel Martínez 00."
album 17, slide Cat.5 222
Looking For A New Home
1995
Physical Description: monosilkscreen
Descripton/Comments
Multicolored image of three faces and a mask. From the "La Raza Festival". Signed, inscription in pencil reads, "M/P "Looking
For A New Home" Isabel Martínez 95."
album 17, slide Cat.5 223
No Strings Attached
2001
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a female marionette in a sun hat and a summer dress. There are strings connected to all her limbs. From "Los Perspectivos
de Hollywood". Signed, inscription in pencil reads, "M/S "No Strings Attached" Isabel Martínez '01."
album 17, slide Cat.5 224(1-4)
Our Goddess (Nuestra Diosa) (Four Panels)
1998
Physical Description: monosilkscreen
Descripton/Comments
First panel is of the goddess' head. Second panel is of a calavera beneath the goddess' folded hands. Third panel depicts
the goddess' dress above her feet. Fourth panel depicts the goddess' luminous feet. From the "Taller: Tierra, Libertad, y
Independencia" project.
album 17, slide Cat.5 225
The Spiritual World
ca. 1997- 1998
Physical Description: monosilkscreen
Physical Description: 8' 6 x 12' 2 in.
Descripton/Comments
Work is composed of twenty silkscreen panels and depicts a woman with arms outreached on either side of a fire. Other images
include anthropomorphic animals and a tree.
album 17, slide Cat.5 226
La Virgen De La Esperanza (The Virgen of Hope)
1998
Physical Description: monosilkscreen
Descripton/Comments
Print depicts the Virgen de Guadalupe holding a lit candle. Her manta is pink, rather than green, and the background is red.
From the "Taller: Tierra, Libertad y Independencia" project. Signed, inscription is illegible.
album 17, slide Cat.5 227
Carlos Gonzalez Castro
1998
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a boy's face. Text in the upper left corner reads, "Think Differently". From the "El Big 25" monoprint project;
signed.
album 17, slide Cat.5 228
Untitled
2000
Physical Description: monosilkscreen
Descripton/Comments
Image is a blue woman's face with white designs. Her hair is pink and the background is light pink with brown and white circles.
From the "Y Tú Qué Más" special project; signed.
album 17, slide Cat.5 229
Viaje Sin Fronteras
1995
Physical Description: etching
Descripton/Comments
A man and a woman with elongated necks stand before a railroad track with a locomotive on it. From the "La Raza Festival".
Signed, inscription in pencil reads, "2/7 "Viaje Sin Fronteras" [illegible] Martinez."
album 17, slide Cat.5 230
Untitled
2001
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
The Orpheum Theater. Sign reads, "Gratis Caliente." From "Los Perspectivos de Hollywood". Signed, inscription in pencil reads,
"M.S. Pablo Martinez 9-28-01."
album 17, slide Cat.5 231
Watching Over You
ca.1997- 1998
Physical Description: monosilkscreen
Physical Description: 9' x 6' in.
Descripton/Comments
An image of Siqueiros, in a style reminiscent of analytical cubism.
album 17, slide Cat.5 232
Ciros
1998
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a shop exterior. From the "El Big 25" monoprint workshop. Signed, inscription in pencil reads, "M/S "Ciros" Pablo
Martinez 98."
album 17, slide Cat.5 233
Esperanza
undated
Physical Description: woodcut
Descripton/Comments
A young woman draped in a blanket resting her head on her knee. Inscription in pencil reads "4/10 Esperanza John V. Montelongo"
album 17, slide Cat.5 234
El Gran Dos Cinco
1998
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of an angel holding the number twenty-five. From the "El Big 25" monoprint project. Signed, inscription in pencil
reads, "1/1 El Gran Dos Cinco L.V. Montelongo."
album 17, slide Cat.5 235
Maria Resting
1997
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
A woman on her hands and knees rests. She is partially covered by a blanket. Signed, inscription in pencil reads, "M/P Maria
resting John Montelongo".
album 17, slide Cat.5 236
Para Karen
1998
Physical Description: woodcut and watercolors
Physical Description: 29 3/8 x 22 1/4 in.
Descripton/Comments
Image is of La Virgen de Guadalupe. Signed, inscription in pencil reads, "1/1 Para Karen J. Montelongo."
album 17, slide Cat.5 237
The Rescue (El Rescate)
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is an indigenous version of the descent from the cross. All four figures removing the Christ are nude. The background
is red, white, and green. From the "Taller: Tierra, Libertad, y Independencia" project.
album 17, slide Cat.5 238
Total Liberation (Liberacion Total)
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of a nude person surrounded by green, red, white, and yellow color fields. From the "Taller: Tierra, Libertad, y
Independencia" project. Signed, inscription in pencil reads, "Total Liberation [illegible]."
album 17, slide Cat.5 239
La Virgen de Guadalupe
1995
Physical Description: monoprint
Physical Description: 20 x 26 1/2 in.
Descripton/Comments
Print depicts the crowned Lady of Guadalupe with a yellow halo. Two angels fly in the background, which is a gradation from
blue to white to blue. From the Virgen de Guadalupe project. Signed, inscription in pencil reads "Monoprint La Virgen de Guadalupe
John Montelongo."
album 17, slide Cat.5 240
Your Love Is Killing Me
1997
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
A winged sacred heart bleeds as it flies. The background is a gradation from white to blue to red. From the Arizona project.
Signed, inscription in pencil at bottom of print reads, "M.S." Your Love is Killing Me" 97."
album 17, slide Cat.5 241
La Identidad De Los Recuerdos
1996
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
This print depicts two people as if they were photographs. The image on the left is of a man, framed. The image on the right
is a woman who is only partially visible; only the upper left half is present. In lieu of the other half is a pink ellipse
containing a double-sided arrow. From the "New Identities of Los Angeles" project. Signed, inscription in pencil reads "M.P."
La identidad de los recuerdos Munguia 96."
album 17, slide Cat.5 242
Calavera Virgen de Guadalupe
1994
Physical Description: monoprint/mixed media
Descripton/Comments
Image is of la Virgen de Guadalupe as a calavera. Signed, inscription in pencil reads, "Monoprint/Mixed Media Calavera Virgen
de Guadalupe Ann Murdy"
album 17, slide Cat.5 243
Border Lights
1995
Physical Description: monosilkscreen
Physical Description: 18 x 24 in.
Descripton/Comments
Row of human figures in red, white, and blue aligned in the center opening of a fence. They are surrounded by yellow lights.
From the "La Raza Festival". Signed, inscription in pencil reads, "1/1 "Border Lights" E.Novelo 95."
album 17, slide Cat.5 244
Border Lights Divided By Lights
1995
Physical Description: monoprint
Physical Description: 12 x 16 in.
Descripton/Comments
Row of human figures aligned in the center between a fence, with a red and blue sun on each side. From the "La Raza Festival".
Signed, inscription in pencil reads, ""Border Lights Divided By Lights" E.Novelo 95."
album 17, slide Cat.5 245
Border Lights - Flag Reflection
1995
Physical Description: monosilkscreen
Descripton/Comments
Row of abstract figures aligned in the center opening of a fence. There is an image of a U.S. flag on the chest of the first
person in line. Ahead of them two suns are on the horizon. From the "La Raza Festival". Signed, inscription in pencil reads,
""Border Lights - Flag Reflection" E.Novelo 95."
album 17, slide Cat.5 246
Faced Suns
1995
Physical Description: monosilkscreen
Physical Description: 18 x 24 in.
Descripton/Comments
Image is of two faces placed in the center, in opposite directions. Each gazes at a radiating sun in the corner. From the
"La Raza Festival". Signed, inscription in pencil reads, "1/1 "Faced Suns" E.Novelo 95."
album 17, slide Cat.5 247
Give Me Your Poor-- Give me Your Weak...
1995
Physical Description: monosilkscreen
Physical Description: 19 x 22 in.
Descripton/Comments
Image is of a Mexican and American flag split diagonally by a barbed wire. A Statue of Liberty is shown on the U.S. side with
a crowd of people watching on the Mexican side divided by a fence. From the "La Raza Festival". Signed, inscription in pencil
reads, ""Give Me Your Poor-- Give me Your Weak..." E.Novelo 95."
album 17, slide Cat.5 248
Ribbon of Life
2001
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Two hands hold a ribbon that surrounds the globe. The background is formed by the colors of the rainbow. Created as part of
the AIDS project. Signed, inscription in pencil reads, "1/1 "Ribbon of Life" E Novelo 2001."
album 17, slide Cat.5 249
El Pitero
1998
Physical Description: plate monoprint
Descripton/Comments
Image is of a Mexican man holding a trumpet. Signed, inscription in pencil reads, "El Pitero 1/1 L. O'hagan '98."
album 17, slide Cat.5 250
Trucos del Matrero
1998
Physical Description: plate monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of two horses, one of which has a rider, in a show ring. Inscription in pencil reads "Trucos del Matrero 1/1 Linda
O'Hagan '98."
album 17, slide Cat.5 251
Me Pico (He Bit Me)
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of a rooster in front of a U.S. flag. Barbed wire appears on the white stripes. From the "Taller: Tierra, Libertad
e Independencia" project.
album 17, slide Cat.5 252
Paz (Peace)
1998
Physical Description: monosilkscreen
Descripton/Comments
Two hands hold a stylized rose beneath the words "Paz." The background is red. From the "Taller: Tierra, Libertad, y Independencia"
project.
album 17, slide Cat.5 253
Xipe-Totec Warrior with Flesh of Victim
1998
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a man with yellow arms. From the "El Big 25" monoprint project. Signed, inscription in pencil reads, "M/S Warrior
with Flesh of Victim "Xipe-Totec" Jaime Ochoa 97."
album 18, slide Cat.5 254
El Nacimiento
1998
Physical Description: woodcut and watercolors
Descripton/Comments
Print depicts a woman surrounded by rays of the sun growing from the root of a plant. A border frames the entire image. Signed,
inscription in pencil reads, "1/1 El Nacimiento E. Organista."
album 18, slide Cat.5 255
Armas al Frente
1998
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a zapatista holding a rifle in front of his or her face. From the "El Big 25" monoprint project. Signed, inscription
in pencil reads, "Monoscreen Armas al Frente Jerry Ortega 98."
album 18, slide Cat.5 256
Guerrilleras
1997
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of four women with bandannas covering their faces holding rifles. Signed, inscription in pencil reads, "Monoscreen
!Guerrilleras! [illegible] 97 copyright."
album 18, slide Cat.5 257
Poetas de la Revolucion (Poets of the Revolution)
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of the Flores-Magón brothers. Text in the lower right corner reads, "Think Different." From the "Taller: Tierra,
Libertad, Y Independencia" project.
album 18, slide Cat.5 258
Por Un Mundo Donde Cabrán Muchos Mundos
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of a saluting Zapatista. From the "Taller: Tierra, Libertad, y Independencia" project.
album 18, slide Cat.5 259
El Sup
1997
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of Subcomandante Marcos sitting on a log smoking a pipe. Signed, inscription in pencil reads, "Monosreen. [sic] "El
Sup" [illegible] 97".
album 18, slide Cat.5 260
Untitled
2000
Physical Description: monosilkscreen
Descripton/Comments
Image is a rendition of the Aztec god Mictlantecuhtli. From the "Y Tú Qué Más" special project. Signed, inscription in pencil
reads, "1/1 J Ortega 2000."
album 18, slide Cat.5 261
...Y de la Tierra Crece el Maiz
1997
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
A woman with a kerchief covering the lower half of her face holds four ears of corn out to the viewer. Background is a gradation
from red to white to green. Signed, inscription in pencil reads, "Monoscreen ." ..Y De La Tierra Crece El Maiz" [illegible]
97 (copyright)."
album 18, slide Cat.5 262
1,111... La Marcha de El E.Z.L.N. Hacia Mexico
ca. 1997- 1998
Physical Description: monosilkscreen
Physical Description: 5' 9 x 9' 8 1/2 in.
Descripton/Comments
Work is composed of twenty silkscreen prints and depicts the Zapatista march to the D.F.
album 18, slide Cat.5 263
Untitled
1998
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Print is split into two halves. The left half depicts a red Olmec head on a green and purple background. The right half depicts
two vaqueros chasing a blue horse on a blue and yellow background. From the "El Big 25" monoprint project; signed.
album 18, slide Cat.5 264
Knife
1997
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a knife resembling a fountain pen. The background is yellow. From the Arizona project. Signed, inscription in
pencil reads, "M.S. Knife [signature] 97."
album 18, slide Cat.5 265
Las Mascaras I
1995
Physical Description: plate monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is split by a river that runs diagonally. There are blue masks with long noses on either side of the river. The background
of the left side is urban and dark, while the background of the right side is a brightly-colored desert. Inscription in pencil
reads "1/1 Las Mascaras I Elizabeth Perez 1995."
album 18, slide Cat.5 266
Atada A Ti (Fasten to You)
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of two hearts in boxes that share a common artery. The background is blue. From the "Taller: Tierra, Libertad y Independencia"
project.
album 18, slide Cat.5 267
Creo En Ti Patria (I Believe in You Homeland)
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of a medieval close helmet and sword in a cube and the Mexican national symbol. The background is orange. From the
"Taller: Tierra, Libertad e Independencia" project.
album 18, slide Cat.5 268
El Encierro de Cortez (The Enclosure of Cortez)
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of a boy on a yellow background. To the right of the boy is the Mexican national seal. From the "Taller: Tierra,
Libertad, Y Independencia" project.
album 18, slide Cat.5 269
Esperanza
1994
Physical Description: monosilkscreen
Descripton/Comments
Image is of a woman wearing a rebozo. Background is violet. Signed, inscription in pencil reads, "M/P "Esperanza" Eva Cristina
Perez '94."
album 18, slide Cat.5 270
Santana
1995
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of Carlos Santana wearing a bandanna looking upward. Signed, inscription in pencil reads, "M/P Santana Eddie S. Portillo."
album 18, slide Cat.5 271
Virgen With Hazel Eyes
1995
Physical Description: monoprint
Physical Description: 20 x 26 1/2 in.
Descripton/Comments
Image is of a luminous Virgen de Guadalupe looking directly at the viewer. From the Virgen de Guadalupe project. Signed, inscription
in pencil reads "M.P." Virgen With Hazel Eyes" Eddi A. Portillo 95."
album 18, slide Cat.5 272
Godzilla Lives
1996
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
A calavera with green scales down its back breathes smoke and fire. Signed, inscription in pencil reads "Rose Portillo '96."
album 18, slide Cat.5 273
...the Dead
1996
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Text in script in upper left corner reads "the." Four hands spell out the word "Dead" in American Sign Language. A luminous
oval in the center of the print apparently represents the threshold between life and death. A human figure approaches it alone
and is accompanied on the other side. In the lower left corner a hand holds a heart, a cross, and an anchor. Signed, inscription
reads "Refugio Posadas 96."
album 18, slide Cat.5 274
El Pepe
1997
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a man in a business suit wearing a calavera mask with the word "Pepe" on the brow. The background is yellow. From
the Arizona project. Signed, inscription in pencil reads, "Alfred Quiroz '97."
album 18, slide Cat.5 275
Untitled
2001
Physical Description: monosilkscreen
Descripton/Comments
Print consists of three main images: At the top is the photosilkscreened face of an unidentified woman. In the lower right
is the photosilkscreened image of a young charro. And in the lower right is a photosilkscreened image of a Lucha Libre wrestler.
Text in the lower right corner of the image area reads, "Latino Hollywood. Latinos have contributed to the American film industry
since its earliest days. During the silent and early talkie era, latinos were almost always stereotyped as tempestuous lovers,
bandidos, or cantina girls. This program remembers many of the early Latino actors and actresses and examines some of the
stereotypical roles they portrayed. Mexican American Studios and Research Center, University of Arizona, 1994. 31 min. Video/C4428..."
From the "Los Perspectivos de Hollywood" project. Signed, inscription in pencil reads, "M/S Christopher 01."
album 18, slide Cat.5 276
El Fin
2001
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a cinema screen with the words "El Fin." Three people are in the audience. From the "Los Perspectivos de Hollywood"
project. Signed, inscription in pencil reads, "M.S. El Fin J. Ramirez 2001."
album 18, slide Cat.5 277
Untitled
2001
Physical Description: monosilkscreen
Descripton/Comments
Image is of a calavera in bed. It has crosses instead of eye sockets. There is a red heart on the bedspread, and the bedposts
are also crosses. From the AIDS project. Signed, inscription in pencil reads, "M.S. J. Ramirez 2000."
album 18, slide Cat.5 278
Welcome
1996
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
In this print, letters are connected together to spell out the word "Bienvenue." The background consists of patches of pink,
yellow, green, and red. From the "New Identities of Los Angeles" project. Signed, inscription in pencil reads "M.P. Welcome
Lois Ramirez 96."
album 18, slide Cat.5 279
La Troka
2000
Physical Description: monosilkscreen
Descripton/Comments
Image is of an orange pickup truck with eight people in the bed. The background is red and black. From the "Y Tú Qué Más"
special project. Signed, inscription in pencil reads, "La Troka R Ramirez."
album 18, slide Cat.5 280
Tigres Del Norte
1996
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
Image is of a girl with a frightened look on her face. She seems to be looking at something tall and blue with a semblance
of a face. The background of the print is formed by brushstrokes and ink globs. From the "New Identities of Los Angeles" project.
Signed, inscription in pencil reads "M/P "Tigres del Norte" Leda Ramos 6/96"
album 18, slide Cat.5 281
The Big Two-Five
1998
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Print depicts the Self-Help Graphics emblem (a bird with a yin-yang symbol on its body) flying over a row of palm trees. Two
other birds appear in the lower right corner. Signed, inscription in pencil reads, "M/P The Big Two-FiveChuy C/S 98."
album 18, slide Cat.5 282
La Calavera Oaxaqueña (The Oaxaqueña Skull)
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of a skeleton in a sombrero in midair holding a machete. From the "Taller: Tierra, Libertad, y Independencia" project.
Signed, inscription in pencil reads, "La Calavera Oaxaqueña Chuy C/S."
album 18, slide Cat.5 283
Carlos Almaraz, 1941-89
2001
Physical Description: monosilkscreen
Descripton/Comments
Image is of the artist Carlos Almaraz. From the AIDS project. Signed, inscription in pencil reads, "M/S Carlos Almaraz, 1941-89Chuy
C/S 01."
album 18, slide Cat.5 284
La Carmen
2001
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of an unidentified woman. From the "Los Perspectivos de Hollywood" project. Signed, inscription in pencil reads,
"M/S La Carmen Chuy C/S 01."
album 18, slide Cat.5 285
Don Quixote
1998
Physical Description: monosilkscreen
Descripton/Comments
Silkscreen of a skeletal Don Quijote riding a horse is based on José Guadalupe Posada's La Calavera de Don Quijote. From the
"Talelr: Tierra, Liberad y Independencia" project.
album 18, slide Cat.5 286
Dressed to Kill
1996
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
A calavera in a red zoot suit with a red background. Signed, inscription in pencil reads "Dressed to Kill Chuy C/S 96."
album 18, slide Cat.5 287
Father Luis Olivares
2001
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of AIDS victim Father Luis Olivares. From the AIDS project. Signed, inscription in pencil reads, "M/S Father Luis
Olivares [cross symbol] Chuy C/S '01."
album 18, slide Cat.5 288
L.A. Pop #4
1999
Physical Description: monosilkscreen
Physical Description: 22 x 26 in.
Descripton/Comments
Image is of a statue of a baseball player in a Dodgers uniform. Text on the statue's base reads, "Los Angeles". Inscription
in pencil reads " M/P L.A. Pop #4 Chuy [ illegible] 99"
album 18, slide Cat.5 289
Nonunion Worker
2001
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a Chihuahua on a blue background. From the "Los Perspectivos de Hollywood" project. Signed, inscription in pencil
reads, "M/S Nonunion Worker Chuy [illegible] 01."
album 18, slide Cat.5 290
Señor Gonzalez
2001
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of cartoon character Speedy Gonzalez. From the "Los Perspectivos de Hollywood" project. Signed, inscription in pencil
reads, "M/S Señor González Chuy c/s 01."
album 18, slide Cat.5 291
Spanish Inquisition
2001
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of two copulating figures (appears to be a male and a female) that appear to be indigenous statues. The one on top
is brown and the one on the bottom is pink. The background to the upper portion is pink, while the background of the lower
portion is dark blue. From the AIDS project.signed. Inscription in pencil reads, "M/S Spanish inquisition Chuy C/S."
album 18, slide Cat.5 292
Trinidad
1995
Physical Description: monoprint
Physical Description: 20 x 26 1/2 in.
Descripton/Comments
Two skeletons in sombreros hold a framed image of la Virgen de Guadalupe. Beneath them are eleven red roses. The background
is black with calaveras and designs. From the Virgen de Guadalupe project. Signed, inscription in pencil reads, "M/P Trinidad
Chuy C/S 95."
album 18, slide Cat.5 293
Untitled (2 Eagles Fighting)
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of a Mexican Eagle and a Bald Eagle locked in aerial combat. Behind the Mexican Eagle are the colors red, white,
and green, and behind the Bald Eagle is the U.S. flag. From the "Taller: Tierra, Libertad, y Independencia" project.
album 18, slide Cat.5 294
Fever
1998
Physical Description: woodcut and watercolors
Descripton/Comments
Woodcut print depicts two monsters in a bedroom where an ill person suffers. His or her face has drops on it, as if of sweat.
From the 25th anniversary project. Signed, inscription in pencil reads, "1/1 Fever Pete Rangel."
album 18, slide Cat.5 295
March for Liberty (Marcha por Libertad)
1998
Physical Description: monosilkscreen
Descripton/Comments
Print depicts a demonstration march in which participants hold signs, including one with an image of a clenched fist. From
the "Taller: Tierra, Libertad, y Independencia" project. Signed, inscription in pencil reads "Monoprint March For Liberty
Pete Rangel."
album 18, slide Cat.5 296
Solitude
undated
Physical Description: color woodcut
Descripton/Comments
A person huddled in a corner with their face in their hands.
album 18, slide Cat.5 297
You Can't Stop the Revolution (No Puedes Parar la Revolucion)
1998
Physical Description: monosilkscreen
Descripton/Comments
Stylized image of a man behind a podium with his fist in the air addressing a crowd of demonstrators with signs. Blue buildings
form the skyline in the background. From the "Taller: Tierra, Libertad Y Independencia" project.
album 18, slide Cat.5 298
(title unknown)
1998
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Print composed of two separate images, both of buildings, one above the other. The building in the upper portion bears the
text "Wilshire Boulevard Temple." The other appears to be a church. Buildings are brown and the background is blue. Signed,
inscription in pencil reads, "M.S. V. Raphael 98".
album 18, slide Cat.5 299
(title unknown)
1998
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Print composed of two separate images, both of buildings, one above the other. The building in the upper portion bears the
text "Wilshire Boulevard Temple." The other appears to be a church. Outline of buildings is black and the background of the
entire print is a gradation from black to red to yellow. Signed, inscription in pencil reads, "M.S. V. Raphael 98".
album 18, slide Cat.5 300
Couch Nopal
1997
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
A man sitting with his arms spread across the top of a sofa has a nopal cactus instead of a head. The background is yellow.
From the Arizona project. Signed, inscription in pencil reads, "M.S. Couch Nopal [signature] '97."
album 18, slide Cat.5 301
Beso Transparente
2001
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of two men kissing. Superimposed on the kiss is an equilateral cross, like that of the Red Cross. Within this cross,
the image is clearer than outside of it. From the AIDS project.
album 18, slide Cat.5 302
Cantinflas
2001
Physical Description: monosilkscreen
Descripton/Comments
Image is of the face of Mario Moreno, Cantinflas. From the "Latin Golden Age" suite. Signed, inscription in pencil reads,
"M/S Cantinflas [illegible] 2002."
album 18, slide Cat.5 303
Cantinflas II
2001
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of the actor Mario Moreno (Cantinflas). Written in script in the image area is "Cantinflas." The background is light
green. From the "Los Perspectivos de Hollywood" project. Signed, inscription in pencil reads, "M/P Cantinflas II [illegible]
2001."
album 18, slide Cat.5 304
Dolores del Rio
2002
Physical Description: monosilkscreen
Descripton/Comments
Image is of the face of Dolores del Rio. The background is pink and yellow. From the "Latin Golden Age" suite of prints. Signed,
inscription in pencil reads, "M/S Dolores del Rio [illegible] 2002."
album 18, slide Cat.5 305
Informate o Inflamate
2001
Physical Description: monosilkscreen
Physical Description: 29 x 23 in.
Descripton/Comments
Image is of a muscular young man. Text in script in the image area reads, "Infórmate o Inflamate." From the AIDS project.
Signed, inscription in pencil reads, "M/S Informate o Inflamate [illegible] 2001."
album 18, slide Cat.5 306
Jorge Negrete
2002
Physical Description: monosilkscreen
Descripton/Comments
Image is of the face of Jorge Negrete. The background is green. From the "Latin Golden Age" suite. Signed, inscription in
pencil reads, "M/S Jorge Negrete [illegible] 2002."
album 18, slide Cat.5 307
Liquido
1996
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
Image of a male's face with blue skin resembling water, with superimposed images of fish and feathers in white. The background
is red. From the "New Identities of Los Angeles" project. Signed, inscription in pencil reads "MP Liquido Miguel Angel Reyes
'96."
album 18, slide Cat.5 308
Lupe Velez
2002
Physical Description: monosilkscreen
Descripton/Comments
Image is of the face of Lupe Velez. The background is blue. From the "Latin Golden Age" suite. Signed, inscription in pencil
reads, "M/S Lupe Velez [illegible] 2002."
album 18, slide Cat.5 309
Maria Felix
2002
Physical Description: monosilkscreen
Descripton/Comments
Image is of the face of María Félix. The background is blue. From the "Latin Golden Age" suite. Signed, inscription in pencil
reads, "M/S Maria Felix [illegible] 2002."
album 18, slide Cat.5 310
Maria Montez
2002
Physical Description: monosilkscreen
Descripton/Comments
Image is of the face of María Montez. The background is blue-green. From the Latin Golden Age suite. Signed, inscription in
pencil reads, "M/S Maria Montez [illegible] 2002."
album 18, slide Cat.5 311
Olmos I
2001
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of Edward James Olmos as the Pachuco from Luis Valdez's Zoot Suit. The background is green. From the "Los Perspectivos
de Hollywood" project. Signed, inscription in pencil reads, "MP Olmos I [illegible] 2001."
album 18, slide Cat.5 312
Pedro Armendariz Jr.
2002
Physical Description: monosilkscreen
Descripton/Comments
Image is of the face of Pedro Armendáriz, Jr.. The background is green. From the "Latin Golden Age" suite. Signed, inscription
in pencil reads, "M/S Pedro Armendariz [illegible] 2002."
album 18, slide Cat.5 313
Pedro Infante
2002
Physical Description: monosilkscreen
Descripton/Comments
Image is of the face of Pedro Infante. From the "Latin Golden Age" suite. Signed, inscription in pencil reads, "M/S Pedro
Infante [illegible] 2002."
album 18, slide Cat.5 314
Raquel II
2001
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of Raquel Welch in a bathing suit. From the "Los Perspectivos de Hollywood" project. Signed, inscription in pencil
reads, "MP Raquel II [illegible] 2001."
album 18, slide Cat.5 315
Rita
2001
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of the actress Rita Hayward holding what appears to be a whip. From the "Los Perspectivos de Hollywood" project.
Signed, inscription in pencil reads, "MP Rita [illegible] 2001."
album 18, slide Cat.5 316
Rita Hayward
2002
Physical Description: monosilkscreen
Descripton/Comments
Image is of the face of Rita Hayward. The background is green. From the "Latin Golden Age Suite". Signed, inscription in pencil
reads, "M/S Rita Hayward [illegible] 2002."
album 18, slide Cat.5 317
Los Angeles Unified
1996
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
Cropped image of a schoolbus in the center, framed by a red border. From the "New Identity of Los Angeles" project. Signed,
inscription in pencil reads "MP "Los Angeles Unified" RReynoso 96."
album 18, slide Cat.5 318
Chicano Less? IV
2001
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a multicolored 'director' holding a clapper board. From the "Los Perspectivos de Hollywood" project. Signed, inscription
in pencil reads, "M/S "Chicano Less?" IV Pedro Rios Martinez 01."
album 18, slide Cat.5 319
Cruces de Fuego
1996
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Landscape of field of crosses with a fire burning in the distance.
album 18, slide Cat.5 320
Independencia Y Libertad (Series V)
1998
Physical Description: monosilkscreen
Descripton/Comments
A boy rides on a man's shoulders on a red, white, and green background. From the "Taller: Tierra, Libertad, y Independencia"
project. Signed, inscription in pencil reads, "Independencia Y Libertad (Series V) Pedro Rios Martinez 98."
album 18, slide Cat.5 321
Independencia Y Libertad (series I) (Independence and Liberty)
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of a mother chasing a child who pursues a globe. The background is blue, red, white, and green. From the "Taller:
Tierra, Libertad, y Independencia" project.
album 18, slide Cat.5 322
Juan Diego
1995
Physical Description: monoprint
Physical Description: 20 x 26 in.
Descripton/Comments
An image of la Virgen de Guadalupe appears on Juan Diego's chest. The background is blue. From the Virgen de Guadalupe project.
Signed, inscription in pencil reads, "M/P "Juan Diego" Pedro Rios Martinez '95."
album 18, slide Cat.5 323
Puente de Conveniencia
1995
Physical Description: etching
Descripton/Comments
Image is of a large crowd of people standing on an American flag. To the left of them is the Virgin of Guadalupe and an open
palm. To the right of the crowd is a pair of chained hands in front of skyscrapers. Beneath the flag, two hands grasp an eagle's
claws. At the bottom of the print is a snake, also held by two hands. From the "La Raza Festival". Signed, inscription in
pencil reads, "6/15 "Puente de Conveniencia" Pedro Rios Martinez 95."
album 18, slide Cat.5 324
Virgen con Guitarra
1995
Physical Description: monoprint
Physical Description: 32 x 41 in.
Descripton/Comments
A person kneels as they hold a guitar bearing an image of la Virgen de Guadalupe. From the Virgen de Guadalupe project. Inscription
in pencil reads "M/P."
album 18, slide Cat.5 325
Quiubole!
1995
Physical Description: etching
Descripton/Comments
Image is of two girls holding hands in a playground. The playground is inhabited by small animals, people, and plants. In
the background are hills with trees and a few houses. A winged Zapata hovers between the two girls. His sombrero reads, "Libertad."
From the "La Raza Festival". Signed, inscription in pencil reads, "5/19 "Quiubole!" Artemio Rodriguez 1995."
album 18, slide Cat.5 326
Untitled
1995
Physical Description: monoprint
Physical Description: 32 x 41 in.
Descripton/Comments
La Virgen de Guadalupe wears an orange dress with red flowers and wings. She is surrounded by winged cherub heads, dog's heads,
and small demons. From the Virgen de Guadalupe project.
album 18, slide Cat.5 327
(title unknown)
1994
Physical Description: monoplate
Physical Description: 15 x 11 in.
Descripton/Comments
Image is of an indigenous human figure above a dolmen with a curved lintel.
album 18, slide Cat.5 328
Apparition I.
1996
Physical Description: woodblock
Physical Description: 30 x 45 in.
Descripton/Comments
Black and white woodblock print of la Virgen de Guadalupe. On the left side of her manta are a weeping eye and a flower. On
the right side of her manta are four anatomical hearts. There is another anatomical heart in the center of her chest, and
below it, a skeletal hand. There is a white anatomical heart in the upperright corner of the print. The background is black.
From the Virgen de Guadalupe project. Signed, inscription in pencil reads, "AP Apparition I Israel."
album 18, slide Cat.5 329
Apparition II
1996
Physical Description: woodblock
Physical Description: 30 x 45 in.
Descripton/Comments
Black and white woodblock print of la Virgen de Guadalupe. The background is split into black (right) and white (left) halves.
On the Virgen's chest is a winged rectangle containing skeletal hands folded in prayer position. Toward the bottom of her
body two hands hold a heart. She is supported by two crescent moons. Hands and faces fill the background. From the Virgen
de Guadalupe project. Signed, inscription in pencil reads, "AP "Apparition II" Israel 96."
album 18, slide Cat.5 330
Apparition III
1996
Physical Description: woodblock
Physical Description: 30 x 45 in.
Descripton/Comments
On a disc before la Virgen de Guadalupe, with her arms up, is an anatomical heart with a cross in it. A black and white bird
hang in the opposite upper hand corners and connect, by what looks to be a string. Faces line the side of the "road" surrounding
the disc with the heart. From the Virgen de Guadalupe project. Signed, inscription in pencil reads, "AP "Apparition III" Israel
96."
album 18, slide Cat.5 331
Noches En Una Frontera Abstracta
1995
Physical Description: woodblock
Descripton/Comments
Woodcut print depicts several abstract images. Among them are two people in front of a sun, animals, a woman with four arms,
and a disembodied head. From the "La Raza Festival". Signed, inscription in pencil reads, "3/17 "Noches en una frontera abstracta"
Ismael Rodríguez. 1995."
album 18, slide Cat.5 332
Los Postes
1998
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is a cityscape in silhouette in which telephone poles tower above buildings. The background is red and orange. From
the "El Big 25" monoprint project. Signed, inscription in pencil reads, "M/S Israel 98."
album 18, slide Cat.5 333
Sadness I
1996
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Three yellow faces behind five lit candles.
album 18, slide Cat.5 334
Anonimos
2001
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Print consists of nine separate images divided into equally-sized squares. Four are faces, two of which have four eyes, and
the other five are human figures in various poses. The background is dark green. From the AIDS project. Signed, inscription
in pencil reads, "M/S "Anónimos" Ixrael 01".
album 18, slide Cat.5 335
Diversidad
2001
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Print area is divided in nine equal portions, each one containing an anatomical heart of a different color. From the AIDS
project. Signed, inscription in pencil reads, "M/S "La Diversidad" Ixrael 01".
album 18, slide Cat.5 336
Quien Dirije
2001
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of an empty director's chair. From the "Los Perspectivos de Hollywood" project. Signed, inscription in pencil reads,
"A/P "Quien Dirije" Ixrael 01."
album 18, slide Cat.5 337
Pieceworker
1995
Physical Description: etching
Descripton/Comments
Etching is of a woman working with a sewing machine. From the "La Raza Festival". Signed, inscription in pencil reads, "8/20
Pieceworker [illegible] 95."
album 18, slide Cat.5 338
Today's Special Bargain
1995
Physical Description: etching
Descripton/Comments
Etching is of a girl in overalls or an apron, with both hands on her left hip. From the "La Raza Festival". Signed, inscription
in pencil reads, "8/20 Today's Special Bargain [illegible] 95."
album 18, slide Cat.5 339
Untitled
1997
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a girl riding a bicycle. Signed, inscription in pencil reads, "[illegible] Maria [illegible]."
album 18, slide Cat.5 340
Carro de Muerte
undated
creator: Romero, Frank E.
Physical Description: silkscreen
Descripton/Comments
Print depicts a skeleton holding a bow and arrow seated on top of a car. Text beneath the car reads, "Carro De Muerte."
album 18, slide Cat.5 341
Spring Flowers
undated
creator: Romero, Frank E.
Physical Description: monotype
Descripton/Comments
Yellow flowers in a blue vase against a red background.
album 18, slide Cat.5 342
(title unknown)
ca.1999-2000
creator: Romero, Frank E.
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of an automobile in blue, black, and red as seen from the side. Background is red. Signed, inscription in marker
(?) reads, "FE Rom (sun symbol)."
album 18, slide Cat.5 343
Untitled
1996
creator: Romero, Frank E.
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a skeleton with its arms up. Text on its forehead reads, "¡Paco!" The background is brown with rows of "red, yellow,
and green zig-zag stripes."
album 18, slide Cat.5 344
Untitled
2000
creator: Romero, Frank E.
Physical Description: monosilkscreen
Descripton/Comments
Image is of a red car seen from the side. Its occupants are two people and a dog. The blue background is filled with white
circles. From the "Y Tú Qué Más" special project.
album 18, slide Cat.5 345
Untitled
2001
creator: Romero, Frank E.
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a man and a woman kissing. From the "Los Perspectivos de Hollywood" project. Signed, inscription in marker in
image area reads, "FE Romr."
album 18, slide Cat.5 346
Untitled
undated
creator: Romero, Frank E.
Physical Description: monosilkscreen
Physical Description: 29 x 23 in.
Descripton/Comments
Image is of an abstracted face. Dominant color is red. From the AIDS project. Signed, inscription in marker in image area
reads, "FE Romero."
album 18, slide Cat.5 347
Untitled (Car)
1998
creator: Romero, Frank E.
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of an orange and pink car as seen from the side on a blue background. From the "El Big 25" monoprint project.
album 18, slide Cat.5 348
Fiesta de San Miguel
1998
Physical Description: woodcut and watercolor
Physical Description: 14 3/4 x 18 1/2 in.
Descripton/Comments
Woodblock print depicts a woman with a wire hat. Behind her flies an angel, likely the Archangel Michael.
album 18, slide Cat.5 349
El Bandito
2001
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a "stereotypical Mexican" in a sombrero and bandolero. Text above the image reads, "El Bandito." The background
is red and full of flames. From the "Los Perspectivos de Hollywood" project. Signed, inscription in pencil reads, "M/S Shizu
Saldamando."
album 18, slide Cat.5 350
La Cha Cha
2001
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a seated hispanic woman in a red dress. Text above her reads, "La Cha Cha." From the "Los Perspectivos de Hollywood"
project. Signed, inscription in pencil reads, "M/S Shizu Saldamando."
album 18, slide Cat.5 351
El Cholo
2001
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a cholo in a bandanna and sunglasses. Text above him reads, "El Cholo." From the "Los Perspectivos de Hollywood"
project. Signed, inscription in pencil reads, "M/S Shizu Saldamando."
album 18, slide Cat.5 352
Mary Janes
1999
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
Image is of a girl's legs from the knee down. She is wearing Mary Janes (shoes). Signed, inscription in pencil reads, "M.S."
Mary Janes" Shizu Saldamando '99."
album 18, slide Cat.5 353
Road Line
2000
Physical Description: monosilkscreen
Descripton/Comments
Image is of a man laying across the dotted yellow line that separates directions of traffic in a street. From the "Y Tú Qué
Más" special project. Signed, inscription in pencil reads, "Roadline Shizu Saldamando."
album 18, slide Cat.5 354
Untitled
1996
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
In the negative space of a black background, a white silhouette of a person looking down wearing a cap similar to a police
officers. From the "New Identity of Los Angeles" project. Signed, inscription in pencil reads "M.P. Untitled [illegible] 96."
album 18, slide Cat.5 355
Cuidado Con Los Coyotes
1995
Physical Description: monosilkscreen
Descripton/Comments
A coyote sits with its back to the viewer and another sits in profile. The one in profile has the face of a man. The background
is divided in two, with the top being red and the bottom a mixture of pink, yellow, and orange. From the "La Raza Festival".
Signed, inscription in pencil reads, "M/P "Cuidado con los Coyotes" Teddy Sandoval."
album 18, slide Cat.5 356
Nuestra Señora en el Mar
1995
Physical Description: monoprint
Physical Description: 20 x 26 1/2 in.
Descripton/Comments
The Virgen de Guadalupe on a seashell á la Botticelli. The background is a gradation of blue and white. From the Virgen de
Guadalupe project. Signed, inscription in pencil reads "M/P "Nuestra Señora en el Mar" David Serrano 95."
album 18, slide Cat.5 357
Sisters
1996
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
Image of two smiling sisters represented in bright colors. From the "New Identities of Los Angeles" project. Signed, inscription
in pencil reads "M.P." Sisters "Mahara T. 96."
album 18, slide Cat.5 358
Los Deid
undated
Physical Description: silkscreen?
Descripton/Comments
Calaveras in traditional Scottish dress march in a band. One leads, one plays bagpipes, and two play drums. From the SHG/Glasgow
print studio collaboration. Signed, inscription in pencil reads, "12/12 'Los Deid' Snyder."
album 18, slide Cat.5 359
Infant Joy
1996
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
Four purple hands hold an infant with a smile that extends beyond the perimeter of its face. The background is in two shades
of blue. From the "New Identities of Los Angeles" project. Signed, inscription in pencil reads "M.P Infant Joy Angela Sohn
Lee 96."
album 18, slide Cat.5 360
City Mask
1996
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
Abstract print in red, white, and black. From the "New Identity" project. Signed, inscription in pencil reads "MP City Mask
Roderick Sykes 96."
album 18, slide Cat.5 361
Universe
1996
creator: Thomas, Matthew
Physical Description: monosilkscreen
Physical Description: 20 x 26 in.
Descripton/Comments
Upper portion of image area depicts planetary orbits. The lower portion is a series of designs, possibly intended to represent
stars. From the "New Identities of L.A." project. Signed, inscription in pencil reads "MP Universe Matthew Thomas 96."
album 18, slide Cat.5 362
Untitled
1998
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Central image of black-and-white print is abstract. Image in the upper left corner is of a billboard over a house, in the
upper right corner is of a piñata, and in the lower right corner is of a cholo and his tattoo. From the "El Big 25" monoprint
project. Signed, inscription in pencil reads, "1/1 P. Tovar '98."
album 18, slide Cat.5 363
Eagle Warrior Ready For Battle (Guerrero de Aguila Listo para Batalla)
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of the head of an Aztec Eagle knight. From the "Taller: Tierra, Libertad, y Independencia" project.
album 18, slide Cat.5 364
Peace, Earth, and Love (Paz, Tierra y Amor)
1998
Physical Description: monosilkscreen
Descripton/Comments
Image is of a female figure resembling the Virgin Mary. Floating in front of her are an orb, possibly a representation of
the Earth, and a dove. A white circle in the upper right corner may represent the moon. The background is red. From the "Taller:
Tierra, Libertad, y Independencia" project.
album 18, slide Cat.5 365
Ruby
2000
creator: Valdez, Patssi
Physical Description: monosilkscreen
Descripton/Comments
Image is of a woman's head an shoulders. Her hair sticks up and her shoulder is a spiral. The background is red. From the
"Y Tú Qué Más" special project. Signed, inscription in pencil reads, "MS Ruby Patssi Valdez 00."
album 18, slide Cat.5 366
Sleepy Payaso
1998
creator: Valdez, Patssi
Physical Description: monoprint
Physical Description: 16 x 20 in.
Descripton/Comments
Clouds rain on a horizontal clown's face with closed eyes and a funny hat. From the "El Big 25" monoprint project. Signed,
inscription in pencil reads, "M.S. Sleepy Payaso Patssi Valdez 98."
album 18, slide Cat.5 367
Untitled
1992
creator: Valdez, Patssi
Physical Description: silkscreen
Physical Description: 25 1/4 x 34 in.
Descripton/Comments
Papel picado hangs above a tables set with elements of a altar: a photograph surrounded by marigolds, four sugar skulls, two
of which have candles, a small sarape, and candy.
album 18, slide Cat.5 368
Santana and Our Lady
1995
Physical Description: monoprint
Physical Description: 20 x 26 1/2 in.
Descripton/Comments
Print depicts Carlos Santana playing guitar and wearing a shirt with an image of la Virgen de Guadalupe. From the Virgen de
Guadalupe project.
album 18, slide Cat.5 369
She Appeared to US
1995
Physical Description: monoprint
Physical Description: 20 x 26 1/2 in.
Descripton/Comments
La Virgen de Guadalupe appears to an archer in a wood. From the Virgen de Guadalupe project.
album 18, slide Cat.5 370
Child's Calavera
1977
Physical Description: silkscreen
Descripton/Comments
Silkscreened image of a calavera in a sombrero.
album 18, slide Cat.5 371
Justicia Para los Secuestrados de Canathlan
undated
Physical Description: woodcut
Descripton/Comments
A blind-folded Goddess, personifying justice, carrying balanced scales in one hand. In the other hand, she carries four blindfolded
men away from a city.Inscription in pencil reads "3/5 Justicia Para Los Secuestrados de Canathlan Cesar Vasquez"
album 18, slide Cat.5 372
The Great White Goddess
1998
creator: Yáñez, Larry
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a refrigerator. From the "El Big 25" monoprint project. Signed, inscription in pencil reads, "M/S The Great White
Goddess L Yáñez '98."
album 18, slide Cat.5 373
Reclinando
1997
creator: Yáñez, Larry
Physical Description: monosilkscreen
Physical Description: 22 x 16 in.
Descripton/Comments
A man with hearts in his palms wearing glasses. Nopales are in the background, which is made up of a zig-zag rainbow of dots.
From the Arizona project. Signed, inscription in pencil reads, ""Reclinando" MS Copyright L Yañez '97""
album 18, slide Cat.5 375
Trock of Harts
1997
creator: Yáñez, Larry
Physical Description: monosilkscreen
Physical Description: 16 x 22 in.
Descripton/Comments
Image is of a truck filled with hearts. From the Arizona project. Signed, inscription in pencil reads, ""Trock of Harts" M.S.
copyright L Yañez '97."
album 18, slide Cat.5 375
Surviving Q
1998
Physical Description: monoprint
Physical Description: 16 x 22 in.
Descripton/Comments
Abstract print in which the only distinguishable image is the face of Quetzalcoatl. From the "El Big 25" monoprint project.
album 18, slide Cat.5 376
Monotony
1998
Physical Description: woodcut and watercolor
Physical Description: 21 1/4 x 29 in.
Descripton/Comments
Print depicts a bearded man with five stylized images of la Virgen de Guadalupe in the background. Signed, inscription in
pencil reads, "1/1 Monotony Zuno."
album 18, slide Cat.7 001
"Day of the Dead Exhibition"
1990s
creator: [Artist Unknown]
Physical Description: mixed media
Description/Comments
Installation in two corners of an exhibition room. In the left corner, a shelf unit has been adorned with photographs, garments,
artworks, and candles. In the right corner is an installation that resembles a classroom, with a calavera in a small chair.
Papel picado hangs above words affixed to the wall reading, "Nuestra Muerte Ilumina Nuestra Vida."
album 18, slide Cat.7 002
title unknown
ca. 1990s
creator: [Artist Unknown]
Physical Description: paper cutouts
Description/Comments
Installation piece set in an architectural arch. At the top of the arch hangs a paper semicircle. On the semicircle are paper
cutout images of a skull and two hands. Hanging from both sides of the semicircle are strips of paper with more calavera paper
cutouts. In the center between the two strips of paper is a mirror surrounded by stencilled images of the same calaveras.
album 18, slide Cat.7 003
title unknown
ca. 1990s
creator: [Artist Unknown]
Physical Description: paper bags, feathers, Lotería cards, string, paint
Description/Comments
Installation piece composed of brown lunch bags painted with hearts and skulls hanging from a ceiling painted blue. The bags
have white downfeathers on their sides. From the bags dangle lotería cards on pieces of string.
album 18, slide Cat.7 004
title unknown
ca. 1990s
creator: [Artist Unknown]
Physical Description: media unknown
Description/Comments
Installation piece set in a window. Streamers hanging from the top of the window have images of hearts and Lotería cards adhered
to them. The hearts and cards have messages written on them.
album 18, slide Cat.7 005
title unknown
ca. 1996-1997
creator: [Artist Unknown]
Physical Description: mixed media
Description/Comments
Installation in a corner is composed of a piece of blue cloth with calaveras on it that serves as a backdrop. In front of
it is a table set with a vase, flowers, and feathers. Flowers and feathers are also under the table. Hanging from above are
strings with loteria cards and heart-shaped cut-outs.
album 18, slide Cat.7 006
title unknown
ca. 1998
creator: Alferov, Alex
Physical Description: painted cut-outs arranged to form an installation
Description/Comments
A number of painted cut-outs have been arranged in a room to form an installation. The one in front depicts three cholo calaveras
driving a lowrider. Others include a nopal, a calavera, a large pack of cigarettes called "Lucky Zapatista" with a picture
of a Zapatista and the text "Hecho en Aztlan Tabaco Marcos", large pieces of fruit, a shotglass and bottle of tequila, a large
devotional candle, another calavera, and a three-dimensional coffin.
album 18, slide Cat.7 007(1-2)
In this Corner
November 5, 1994
creator: Gamboa, Diane
Physical Description: mixed media
Description/Comments
A large heart is bound in chains and placed on small white pillows within a wooden structure somewhat resembling a small boxing
ring. There are lit red candles atop each of the four posts of the ring. "Boxing ring with bleeding heart inside, red candles
on each corner."
1994 Day of the Dead Altar Installation
album 18, slide Cat. 8 001
Celebration of Life
November 5, 1994
creator: [Artist Unknown]
Description/Comments
Portable mural in unknown media depicts a woman whose bones and organs are visible through her skin. Corn, calla lillies,
nopales, and mushrooms grow beneath her. The moon encloses the woman and the plants. A banner across the moon with cala veras
reads, "Celebration of Life". In the upper left corner is a purple calavera, in the upper right an orange sun. In the lower
left corner is a Yin-Yang symbol, in the lower right is a red scarab beetle.
album 18, slide Cat. 9 001
title unknown
1989
creator: [Artist Unknown]
Description/Comments
Work in unknown media depicts a round table set with skulls with the words "Paz" and "Amor" written on them, a flower vase,
a glass of wine, and fruit. Behind the table hangs a tapestry with a Christ-like figure, a blindfolded angel, and a woman.
All three figures are composed of diagonal lines of alternating colors. Next to the table stands a woman witha a yellow flower
on her abdomen. She shares her face with a skull.
album 18, slide Cat. 9 002
title unknown
1989
creator: [Artist Unknown]
Description/Comments
Painting of three skeletons on a fan features a three-dimensional yellow sculpture of a face in unknown media at the handle.
album 18, slide Cat. 9 003
title unknown
1993
creator: [Artist Unknown]
Description/Comments
Painting of Cesar Chávez with half his face a calavera. Agricultural fields form the background. Slide photo, copyright 1993
Ann Murdy.
album 18, slide Cat. 9 004
title unknown
1996
creator: [Artist Unknown]
Physical Description: Acrylic on wood
Description/Comments
Acrylic painting on an irrregularly- shaped pice of wood depicts two calaveras. One has orange hair and holds popcorn; the
other wears a bandanna.
album 18, slide Cat. 9 005
Somos Vatos Locos
ca. 1990's
Physical Description: acrylic
Description/Comments
Text in three-dimensional letterig reads, "Somos Vatas Locos De-V-LA". Background is red with black strokes.
album 18, slide Cat. 9 006
La Junta
1994
Physical Description: Dr. Martin watercolor, gouache, and pastel; 22"x30".
Description/Comments
Four calaveras in rebozos surround a statue or apparition of La Virgen de Guadalupe.
album 18, slide Cat. 9 007
title unknown
1994
Description/Comments
Painting in unknown media depicst three calaveras on the North American continent. On their heads grow three cactuses. Above
the cacti are strings of papel picado and jalapeños.
album 18, slide Cat. 12 001
Mask
1978
creator: [Artist Unknown]
Physical Description: media unknown; sculpture
Descriptions/Comments
Gold- colored calavera mask.
album 18, slide Cat. 12 002
Sugar Skulls
November 2, 1996
creator: [Artist Unknown]
Physical Description: sugar skull casting; 2 slides; sculpture
Description/Comments
From the Day of the Dead Flores de Esperanza. Photos are of sugar skulls.
album 18, slide Cat. 12 003
title unknown
1979
creator: [Artist Unknown]
Physical Description: sculpture
Description/Comments
A calavera mask on a stick has a feather headress.
album 18, slide Cat. 12 004
R.I.P.
undated
Physical Description: papier-maché;slide photo, Mario Lopez; sculpture
Description/Comments
Sculpture of a calavera bride and groom. Behind them are two other calavera sculptures. Text on a sign beneath the sculptures
reads, "R.I.P Jose Fernandez Velasquez Escuela de Arte San Carlos Mexico [illegible]". "Traditional papier maché calaveras".
album 18, slide Cat. 12 005
Cathedral Calaveras
November 1994
Physical Description: medium unknown; sculpture
Description/Comments
Sculpture in unknown media is in the form of a tall cathedral. Calaveras sit on window ledges. The entire cathedral is painted
with ornate designs.
album 18, slide Cat. 12 006
Day of the Dead Mask
1976
Physical Description: media unknown; sculpture
Description/Comments
Decorated calavera mask features the name "Millton Antonio".
album 18, slide Cat. 12 007(1-2)
title unknown
1994
Physical Description: stone and metal; sculpture
Description/Comments
A round, flat stone carved with the image of Mictlantecuhtli, the Aztec lord of Mictlán, the ninth and lowest realm of the
underworld. This stone is mounted on a metal stand.
Series VI
Color Photocopies, Flyers, Invitations and Posters
box 60
Self-Help Graphics Program Overview: The Early Years
Flyers, Invitations and Posters
box 54, folder 4
Self Help Graphics and Art inc. brochure
undated
box 60
Silkscreen Cards Archives
Series VIII.
Graphic Arts and Poster Collection
map-case Drawers 1-19
Silk Screen Prints
1983 - 2017
Comales
1987
creator: [Artist Unknown]
Physical Description: Image Size: 16.25 x 22 in.; Poster Size: 20 x 26 in.
Description/Comments
The print uses the colors red, orange, green, pink, purple, and blue. The background of the print is of colors fading into
each other. There are four horizontal panels of various patterns. A nude man and woman are in the center of the print. Chopmark:
embossed Self Help Graphics insignia in the lower left hand corner. 37/55 ed; signed.
Labored
2012
creator: [Artist Unknown]
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description/Comments
The print uses the colors red, salmon, dark red, grey, brown, and black. The print is of a young, male worker holding a cog
up on his shoulders. The background is a cityscape. There is a Home Depot building in the background. Chopmark: embossed Self
Help Graphics insignia in the lower left hand corner. 4/43, 6/43 ed.; signed.
Mama Said There'd Be Day'z [sic] Like This
undated
creator: [Artist Unknown]
Physical Description: unknown; Image size: 14.875 x 21 in. Poster size: 19 x 25 in.
Description/Comments
On a yellow background there is a black and white image of a group of three women of different generations (one old and two
young) and one man. In the right hand side there is an enlarged image of a 'green card' with information related to 'Maria
Clara R; signed. Inscription in pencil below image area reads: "20/50, 'Mama said there'd be day'z [sic] like this, signature
[illegible]"; Printer: unknown; unknown
Queerios
Physical Description: Silkscreen; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
This poster is a copy of the cereal brand Cheerios' design, except it is titled, "Queerios." In center of the cereal box is
outlined a red heart containing Cheerios and strawberries. Around the heart is red text that reads, "Love your heart so you
can... be who you are!" The poster is signed in pencil on the bottom front right corner; 4/50.
La Santa Cecilia Buika
Physical Description: Silkscreen; Poster size: 20 x 26 in. Image size: 16 x 22 in.
Physical Description: This silkscreen is set on a bright yellow background with a thick white border. In center of the poster is a large image of
a pair of red heels. The heel on the right has "Chula" inscribed in purple ink with white polka dots. The poster also has
additional purple text under the image that reads, "March 26/Walt Disney Concert Hall." The poster is signed in pencil on
the bottom front right corner; 153/154.
Mission in the Garden
March 27-30, 2001
creator: [Artist Unknown]
Physical Description: Coventry Rag, 290 gms.; Image size: 18 x 22 in. Poster size: 22 x 30 in.
Description/Comments
The Double Agent Sirvienta, an international spy posing as a maid and expert in the field of domestic technology, looks after
and involves a blond baby in secret missions while vacationing in a tropical garden landscape. The agent/gardener in the distance;
signed; Printer: José Alpuche; Atelier XXXVIII
Monthly Calendar
1979
creator: [Artist Unknown]
Physical Description: unknown; Image size: 6.625 x 16.5 in. Poster size: 7 x 17.25 in.
Description/Comments
Monthly Calendar. On a green background, the image of a sun is delineated on red ink. Outside of the image area, red type
reads: "Tawa, the Sun Kachina." There are two versions of this print: lime green and dark blue in the background.; unsigned.;
Printer: unknown; unknown
(title unknown)
Undated
creator: [Artist Unknown]
Physical Description: Coventry Rag. 290 grms; image size: 22 x 16 in.; poster size:26 x 20 in.
Description/Comments
The poster uses seven colors. The screenprint has a dark brown background with a colorful rooster in the bottom left corner.
In the center is a circle which is split into two sides. The left side has a blue background with a skeleton surrounded by
various flowers. The skeleton has an armadillo on the top part of its skull with a striped box as its body. The background
of the right side is yellow and has a female wearing a striped dress. The skeleton and female have their arms around each
other. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/67 ed.; signed.
(title unknown)
creator: [Artist Unknown]
Physical Description: unknown; Image size: unknown Poster size: unknown
Description/Comments
The face of a wrestler which has a white mask with words such as "mariachi" and "construction" in colors red, blue, and green.;
unknown; Printer: unknown; none
Guantanamo Slay
2008
Physical Description: Coventry Rag. 290 grms; image size: 22 x 16 in.; poster size: 26 x 20 in.
Description/Comments
The print is in red and black. "Red and black serigraph Guantanamo Bay commentary. Visualization on the subject of U.S. prison
camps." 2 Cents. Chopmark: Embossed Self Help Graphics insignia in the lower left hand corner. 2/100 ed.; prnt: José Alpuche;
mtrx: destroyed; signed.
Sky Shark
2010
Physical Description: Coventry Rag 290 grms; image size: 25 x 35 in.; poster size: 25 x 35 in.
Description/Comments
The print uses the colors red, orange, and shades of grey and blue. The print is of a mosaic hawk with its wings spread. "My
friends raise Tumbler pigeons and Boyle Heights Fireball Rollers. They tell me the Red-tailed [sic] Hawk is the enemy. 'Sky
Shark' will kill my friend's prize trained pigeons." William Acedo. Chopmark: embossed Self Help Graphics insignia in the
lower left hand corner. 2/70 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Grandma
April 10-21, 2001
Physical Description: Coventry Rag, 290 gms.; Image size: 18 x 26 in. Poster size: 22 x 30 in.
Description/Comments
3 Photographs -one of my grandma taken 1920-1923 -one of my grandma, Aunt Bea my brother John and myself -one with my grandma
and myself, text about my grandma. Colors used: Cream White, LT White Yellow, Clear Gloss, Sepia, Silver.; signed; Printer:
José Alpuche; Atelier XXXVIII
(title unknown)
2012
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description/Comments
The print uses the colors green, light brown, blue, and black. The print is a portrait of a man wearing a baseball cap. The
man's face and hat are made up of smaller faces. At the bottom of the print is written "Hay millones de rostros como este..."
which translates to "There are millions of faces like this." Chopmark: embossed Self Help Graphics insignia in the lower left
hand corner. 4/61, 6/61 ed.; signed.
El Canto de Quetzalcoatl
1995
Physical Description: poster; Image size: 32 x 24.5 in. Poster size: 38.25 x 30 in.
Description/Comments
Abstract profile of a multicolored human face with an abstract feather headdress. Red crescent moon in upper right corner
with blue planet and comet zooming in. On top of the human head is a green bird.; signed.; Printer: unknown; Atelier 3
La Partida
1996
Physical Description: unknown; Image size: 25.625 x 38 in. Poster size: 30 x 44 in.
Description/Comments
Nomadic family (father, mother, and son) travel across the baren land with a fire and a tornado in the background.; signed.;
Printer: José Alpuche; Atelier 29
Ché
1997
Physical Description: unknown; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
Ché wearing beret with a Nike emblem on the front. Print in red and black.; signed.; Printer: Amos Menjivar, supervised by
José Alpuche; Atelier 31
"Who's Afraid?" for "Cuentos de mi Tata"
2012
Physical Description: Coventry Rag 290 grms; image size: 12 x 11 in.; poster size: 15 x 14 in.
Description/Comments
The print uses the colors yellow, beige, red, and brown. The print is of a close up of a man's face. There is a horn on his
forehead and a bandage under the horn. There is a Republican elephant pin on his shirt. Behind him is a rooster. "My piece
is about 'El Cucuy,' is a ghost-monster equivalent to the bogey man but not really.The cucuy is a child eater and a kidnapper,
it immediately devours the child and leaves no trace of him or her or takes the child away to a place of no return, but it
only does this to disobedient children. While my worke takes 'El Cucuy' as a subject, it is more about modern day fears. The
question I ask is 'Who is El Cucuy's bogey man?'" Abel Alejandre. Chopmark: embossed Self Help Graphics insignia in the lower
left hand corner.4/60 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
White Men Can't
1992
Physical Description: unknown; Image size: 21.5 x 16.625 in. Poster size: 28 x 20 in.
Description/Comments
George Bush and Daryl Gates dressed in sports outfits. A wire fence and the City Hall in flames are behind them. Gates' basketball
player t-shirt reads: "property of / LAPD". Bush's runner t-shirt reads: "White / men / can't / run / the system" White; signed.
Inscription in pencil below image area reads: "White Men Can't, 4/59, Lalo Alcaraz, [cross symbol]"; Printer: unknown; Atelier
19 L.A. Riots
Koshka
(Jan 24-29) 1988
creator: Alferov, Alex
Physical Description: Westwinds; Image size: 24 x 36 in. Poster size: 26 x 40 in.
Description/Comments
A city cat, twilight casting its shadow at the doorway of a stranger. I live in Hollywood, in a part of the city that used
to be residential but is now in a state of change. There are a lot of stray cats in this neighborhood. The cats are forced
to sur; signed. Inscription in pencil located at the bottom below the image area reads: "4/52, title and signature"; Printer:
Oscar Duardo; Atelier 11
Oriental Blond
(Oct 3-7) 1988
creator: Alferov, Alex
Physical Description: Westwind (heavyweight); Image size: 24 x 31 in. Poster size: 26 x 33 in.
Description/Comments
Portrait of a man (yellow and blue), next to a window (dark magenta to red). Outside are bare trees with a split fountain
background. Walls are purple to pastel green.; signed. Inscription in pencil on the bottom reads: "46/58, Oriental Blond,
Alferov"; Printer: Oscar Duardo; Atelier 12
Love Potion #9
1992
creator: Alferov, Alex
Physical Description: unknown; Image size: 24 x 36 in. Poster size: 28 x 40 in.
Description/Comments
Juxtaposition of what looks like the enlarged face of person and a lying torso of another. The composition is blurred. Main
colors are pink, yellow, blue and purple.; signed. Inscription in pencil at the bottom inside image area reads: "love potion
#9, 18/28, Alferov"; Printer: unknown; Atelier 19 L.A. Riots
Passage
creator: Alferov, Alex
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 24 x 26 in.
Description/Comments
"Many young gays go through a 'right of passage' actively investing their own sexuality and soon find themselves in great
favor with a variety of sexual partners. This 'social night-life' generates drug and alcohol use, making many vulnerable to
'risky' b; December 12-14; Printer: Jose Alpuche; unknown
Passport
1993
creator: Alferov, Alex
Physical Description: unknown; Image size: 15.125 x 16 in. Poster size: 26 x 20 in.
Description/Comments
On a multi-colored background, the green outline of a face is visible within layers of other lines and shapes. The face seems
superimposed--as if it is not the focus although it is the only image.; signed. Inscription in pencil below image area reads:
"signature [illegible], 93, passport, 4/78"; Printer: unknown; Images Of The Future
Without You
undated
creator: Alferov, Alex
Physical Description: unknown; Image size: 39.25 x 24.25 in. Poster size: 44 x 30 in.
Description/Comments
Mahatma Gandhi quotes in multicolor, "Wealth without work..." rising sun towards bottom of the poster. Co-artist Michael Amescua.;
signed.; Printer: José Alpuche; Atelier 29-31 #4 and #6
Sobreviviente
(Jan 29-Feb 2) 1989
creator: Alicia, Juana
Physical Description: Westwinds (heavyweight); Image size: 29.5 x 24 in. Poster size: 32.25 x 26 in.
Description/Comments
Image of a blindfolded woman, rays of light emanating from her eyes beneath the blindfold. A large building looms behind her,
and a bit of sunset filled sky is seen above and beyond the building.; signed. Inscription in pencil on the bottom reads:
"Sobreviviente, 41/60, Juana Alicia". signed. Inscription in pencil located below the image area at the bottom reads: "Title,
42/60, signature"; Printer: Oscar Duardo; Atelier 15
Another Aftershock Hits LA
1992
Physical Description: unknown; Image size: 22.125 x 16 in. Poster size: 26.125 x 20 in.
Description/Comments
Image of 'The Thinker' by August Rodin in green and black in the center of the composition. Along the top and left edges are
newspaper clippings in gold, superimposed on the purple-blue background. Big lettering reads: "...Studio City wants police
to sw; signed. Inscription in pencil below image area reads: "4/54,'Another aftershock hits La', José Alperche [illegible],
92"; Printer: unknown; Images Of The Future
El Espíritu Azteca
1995
Physical Description: poster; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
Colors of the Mexican flag in the background fading vertically from green to white to red. In the foreground is an Indian
holding a bow and arrow kneeling down on the ground. His chest is exposed and he is wearing a feather headband.; signed.;
Printer: José Alpuche; Atelier 16
Material Girl
1997
Physical Description: unknown; Image size: 24 x 18 in. Poster size: 26 x 20 in.
Description/Comments
Picture of Madonna--the singer of the hit song "Material Girl."; signed.; Printer: unknown; Atelier 29
Maestras/Mujeres Totemicas
Physical Description: Coventry Rag.290 grms; Image size: 18 x 24 in. Poster size: 20 x 26 in.
Description/Comments
Three scrolls containing Gloria Alvarez's mujeres totemicas poem.; June; Printer: Jose Alpuche; unknown
Dos Mundos (Two Worlds)
August 28-31, 2001
Physical Description: Coventry Rag, 290 gms.; Image size: 15 x 21 in. Poster size: 26 x 30 in.
Description/Comments
Hand Pulled Serigraph print. Six colors on Coventry rag paper. Art print contains; yellow background, blue/gray surface. Female/Virgin
figure in center with halo-like shape over head. Symbolism includes; plant forms (3) crosses in and above the horizo; signed;
Printer: José Alpuche; Atelier XXXIX
Shoot Back Behind my Back
2012
Physical Description: Coventry Rag 290 grms; image size: 11 x 12 in.; poster size: 14 X 15 in.
Description/Comments
The print uses the colors mauve, light prussian blue, dark prussian blue, and dark crimson red. The print is of a young women
riding a horse. She is holding a bottle with a skull on it. Behind her is a headless horseman with a head in his hand. "'Shoot
Back Behind My Back' is an interpretation of The Legend of Sleepy Hallow in which Laura has placed her character the 'Double
Agent Sirivieta'-a spy posing as a maid on both sides of the border- in the role of Ichabod Crane. In the place of Ichabod's
pursuer is 'Clown Taco,' one of the evil villains who DAS works against. Clown Taco's aim is to take over all the taco trucks
in LA and McDonaldize them. The imagery is inspired by Tim Burton's Alice in Wonderland." Laura E. Alvarez. Chopmark: embossed
Self Help Graphics insignia in the lower left hand corner. 6/61 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
The Double Agent Sirvienta: Blow up the Hard Drive
1999
Physical Description: silkscreen; Image size: 25.75 x 18 in. Poster size: 30.25 x 22 in.
Description/Comments
Image is of a girl in a waitress uniform. The background is a folder with title "File://Translations.underdone" with letters
and characters as a second background. There is a red flame that fades from orange to yellow to bottom of image. "Alvarez
uses; signed. Inscription in pencil below image reads: "4/56, The Double Agent Sirvienta: Blow up the Hard Drive, Laura E.
Alvarez '99."; Printer: unknown; Atelier 33
From Within Ourselves, The Phoenix Arises
(May 23 - 27) 1992
creator: Amemiya-Kirkman, Grace
Physical Description: Westwinds; Image size: 17.5 x 24 in. Poster size: 18.125 x 25.5 in.
Description/Comments
Pheonix rising from fire/Destruction of its egg. Colors used: 1. Silver mettalic (sic.), 2. gold mettalic (sic.), 3. Yellow,
4. Process Magenta, 5. Split fountain Blue/Green, 6. Maroon. "From within Ourselves, the Phoenix Arises. Like many young childr;
; Printer: Richard Balboa; Atelier 19
Where's My Genie In The Bottle
(Oct 23-27) 1989
creator: Amemiya-Kirkman, Grace
Physical Description: Westwinds (heavyweight); Image size: 24 x 36 in. Poster size: 24.75 x 37 in.
Description/Comments
Image is "very wild, freeforms". The colors are very bright-red, blue, lavender, gold, yellow, white, green, orange, magenta.
"There's a central figure in oranges and ochre". Also there are some identifiable objects, such as, a mirror, a ruler, envelope;
signed. Inscription in pencil on the bottom reads: "Where's My Genie In The Bottle, 10/55, Grace Amemiya Kirkman"; Printer:
Oscar Duardo; Atelier 14
Buenos Días
1994
creator: Amescua, Michael
Physical Description: unknown; Image size: 38 x 26 in. Poster size: 44 x 30 in.
Description/Comments
Image of a hare playing an instrument stepping on a stag (both in brown). Both animals are on an abstract blue, yellow, orange
and light green background.; signed. Inscription in pencil on the bottom reads: "4/68, Buenos Dias, Michael Amescua, 94";
Printer: unknown; unknown
Día de los Muertos, Announcement Poster for
1973
creator: Amescua, Michael
Physical Description: unknown; Image size: 21.25 x 16 in. Poster size: 22.125 x 17 in.
Description/Comments
Announcement Poster for "Día de los Muertos." Red, green, and blue colors. On the upper left hand side is a skeleton head
outlined in blue ink with its tounge sticking out. Glitter is adhered to the skull's red mouth. Two geometric fields-one red
and the; unsigned.; Printer: unknown; unknown
98 (degrees) in the Shade
Jan. 6-12, 2002
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Prints shows el paletero (icecream man) huffing onward w/ achey feet/cloudy head/and running on empty. The blended background
gives the illusion of extreme heart. With the sun beating down, symbols surround the figure showing what he is working for,
what; signed; Printer: Amos; Atelier XXXIX
Fire in the Forest
1996
creator: Amescua, Michael
Physical Description: poster; Image size: 30 x 26 in. Poster size: 36.25 x 30 in.
Description/Comments
Animal sitting on limb facing left with swirls around him. Colors appear to be applied with spray painting. Colors present
on this print are: light yellow, foam green, red shade yellow, cerulean and midnight blue, and emerald green.; signed.; Printer:
José Alpuche; Atelier 28
Mara'akame
(Jan 10-15) 1988
creator: Amescua, Michael
Physical Description: Westwinds; Image size: 36 x 24 in. Poster size: 40 x 26 in.
Description/Comments
none; signed. Inscription in pencil located at the bottom in the blue border reads: "Signature, title and 4/45"; Printer:
Oscar Duardo; Atelier 11
Toci
(Jan 14-19) 1989
creator: Amescua, Michael
Physical Description: Westwinds (heavyweight); Image size: 38.5 x 25.5 in. Poster size: 38.5 x 25.5 in.
Description/Comments
There is a purple mountain and a blue sky. There is a pregnant anthropomorphic deer skipping from right to left wearing stockings.;
signed. Inscription in pencil on the bottom of image reads: "Michael Amescua, Toci, 49/55"; Printer: Oscar Duardo; Atelier
13
Touches The Sky
(April 29-May 4) 1991
creator: Amescua, Michael
Physical Description: unknown; Image size: 25.5 x 35.5 in. Poster size: 25.5 x 25.5 in.
Description/Comments
Full bleed. Two very abstracted yellow figures with four feathers. There is a yellow-orange mass towards the bottom. There
is a 2" tear in the top center.; signed. Inscription in pencil located at the bottom reads: "4/59, title and signature"; Printer:
Oscar Duardo; Atelier 16
Xólotl
(Jan 2-6) 1990
creator: Amescua, Michael
Physical Description: Westwinds (heavyweight); Image size: 35 x 22 in. Poster size: 35 x 22 in.
Description/Comments
Full bleed. Blue abstracted Mayan god with a pink, yellow, red and white floral lace patterned femur. From a blue disc in
upper right hand corner the colors yellow and orange ripple outward. "Xolotl guides the sun thru the underworld. Here he is
asking; signed. Inscription in pencil on the bottom of the image reads: "Michel Amescua, 44/58, Xólotl" signed. Inscription
in pencil at the bottom reads: "Signature, 4/58 and title"; Printer: Oscar Duardo; Atelier 15
Untitled
1995
creator: Amescua, Michael
creator: Alferov, Alex
Physical Description: poster; Image size: 38 x 25.75 in. Poster size: 44 x 30 in.
Description/Comments
Alferov's Byzantine Virgin surrounded by Amescua's sculptural symbols and ancient faces giving homage to the Virgin. A blend
of Eastern European religious icon in contrast to ancient Aztec anthropological imagery. Dark blues and purple dominate the
prin; signed.; Printer: José Alpuche; Atelier 7
Insurgency Ribbon
2008
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description/Comments
The print uses the colors green, black, and red. The print is of a black ribbon, which is also made to look like a woman wearing
a niqab. "Support" is written at the top of the print and "Insurgency" is written at the bottom. Across the ribbon is a quote
by Franz Fanon saying "Decolonization is always a violent phenomenon." Chopmark: embossed Self Help Graphics insignia in the
lower left hand corner. 2/135 ed/; prnt: José Alpuche; mtrx: destroyed; signed.
Firedream
(Mar 7-11) 1988
creator: Antonio Aguirre, José
Physical Description: unknown; Image size: 24 x 36.5 in. Poster size: 26 x 38.5 in.
Description/Comments
Central image of five black and white firemen, a fire truck with four firemen and an abstract border. The lower part of the
print contains a sleeping yellow nude female and a profile of a face with a nose in the act of smelling.; signed. Inscription
reads: "4/45, title, signature, date" signed. Inscription in pencil on the area between the two sections of the print reads:
"43/45, Firedream, J A Aguirre, 88"; Printer: unknown; Atelier 11
It's Like The Song, Just Another Op'nin' Another Show...
(Jan 8-12) 1990
creator: Antonio Aguirre, José
Physical Description: Westwind (heavyweight); Image size: 24 x 36 in. Poster size: 26.25 x 39 in.
Description/Comments
A large red cross dominates the center of the print. On the upper part of the cross there is a plaque with "SIDA". At its
base is a portrait of a bearded man. Behind the cross on the top there is a landscape of Echo Park.; signed. Inscription in
pencil below image area reads: "4/62, title and signature" Inscription in pencil on the bottom reads: "It's Like The Song,
Just Another Op'nin' Another Show..., 16/62, J A Aguirre, 90"; Printer: Oscar Duardo; Atelier 15
Postcard From 'Elei'
1992
creator: Antonio Aguirre, José
Physical Description: unknown; Image size: 24.75 x 19 in. Poster size: 26.125 x 20 in.
Description/Comments
A human figure on profile next to an image of City Hall in L.A. intertwined with what looks like sharp knife blades of fire
and/or blood. At the bottom are three hands with drops of blood.; signed.Inscription in pencil below image area reads: "Postcard
From 'Elei', 4/64, J Aguirre, 92"; Printer: unknown; Atelier 19 L.A. Riots
Santa Patria
1995
creator: Antonio Aguirre, José
Physical Description: unknown; Image size: 38.5 x 26.5 in. Poster size: 44 x 30 in.
Description/Comments
Nude masked woman tied to a cross.; signed.; Printer: unknown; Atelier 29-31 #4 and #6
Mongo Santamaria
1997
creator: Antonio Aguirre, José
Physical Description: unknown; Image size: 16 x 21.875 in. Poster size: 20 x 26 in.
Description/Comments
Portrait of Mongo Santamaria playing Congas, with a graphic bolt zig-zag design in the background and foreground in red, blue,
and orange. Another edition of this print exists in green. According to the artist statement, "Aguirre created the overall
image of the print with the idea that the bolt design emulated the energy and projection of Mongo's playing congas live.
After exploring some solid colors and split fountain effect in the background (Artist proofs), the artist decided to produce
an edition with a singular color background and split fountain approach for each print and therefore make them unique works
of art. Due to time constraints, Aguirre instructed Jose Alpuche to run the edition and gave them the go-ahead to choose a
variety of colors that reflected the exploration and discovery established initially in the artist proofs. Instead of creating
a title for the print, Jose Antonio Aguirre approached Mr. Santamaria and asked him to sign each print, his autograph became
the title for this work of art." Atelier 31.; signed.; Printer: unknown; Atelier 29-31 #4 and #6
Subjects and Indexing Terms
Alpuche, José
Things to Come
1999
Physical Description: silkscreen; Image size: 20 x 9.5 in. Poster size: 22.125 x 12 in.
Description/Comments
Image is of a blue cartoon-like creature that is bowling with an ignited canon ball aiming for green glass bottles. The background
is yellow with a thinking bubble of an alien/robot demolishing a city. Poster reads "Things to Come...and things that neve;
signed. Inscription in pencil under image reads: "4/65, Amos 99."; Printer: unknown; Atelier 33
Night Vision
ca. 1992
Physical Description: Coventry Rag. 290 grms; Image size: 24 x 16 in. Poster size: 28 x 20 in.
Description/Comments
The print is done in blue, dark green, red, yellow, and black. The print is of a woman in a forest. There is a snake wrapped
around the woman. "The dragon lady and the bearded dragon are usually pictured in the house of the Old God in the company
of the Old God and God. I have brought her outside with the Great Dragon, who also symbolized visions, and placed her in the
jungle at night. This position of the new crescent moon and venus is very special and for me takes me back to a night in Coba.
I use the Mayan glyphs as metaphors and symbols for my own stories or self portrait landscapes." Patricia Ancona Ha. Chopmark:
embossed Self Help Graphics insignia in the lower left hand corner. Inscription in pencil below image area reads: "Night Vision,
4/55, Ancona Ha, [chinese symbol]"; 4/55, 5/55 ed.; prnt: Richard Balboa; mtrx: destroyed; signed; Atelier 14 L.A. Riots
The Single Word
(March) 1983
creator: Anton, Don
Physical Description: Artprint; Image size: 19.25 x 19 in. Poster size: 23 x 35 in.
Description/Comments
Image of a white face with closed eyes and white branches radiating from the face into a blue background. Yellow and orange
sporadic lines.; signed. Inscription in pencil reads: "21/60, title and signature [illegible]"; Printer: Stephen Grace; Atelier
1
Double Happiness
November 7-10, 2000
Physical Description: Coventry Rag 290 gms.; Image size: 25 x 31 in. Poster size: 30 x 35 in.
Description/Comments
Image of an Asian woman eating with chopsticks; loteria cards and Japanese 'Hanfuda' playing cards, and map of East L.A. are
set against a black background. Double Happiness is a piece about the mix of cultures that make up the East L.A. / Boyle Heights;
signed. Inscription in pencil reads, "10/42 Double Happiness Arai '00".; Printer: José Alpuche; special project
Kaeru / Finding Home
May 1-6, 2000
Physical Description: Coventry Rag 290 gms.; Image size: 20.125 x 28.25 in. Poster size: 27.125 x 34.25 in.
Description/Comments
7 color silkscreen was produced in conjunction with a two month residency at Self-Help Graphics through an Artist and Communities/Mid
Atlantic Arts Foundation and NEA grant. In this piece, a young boy is pulling back a screen to reveal an array of images;
signed. Inscription in pencil reads, "60/60 Kaeru/Finding Home Arai '00".; Printer: José Alpuche; Atelier XXXVI
The Labyrinth of the Soul
1996
Physical Description: poster; Image size: 21.75 x 16 in. Poster size: 26 x 20 in.
Description/Comments
There are two large black tires in this image, one in the bottom center and the other in the upper left-hand corner. Two large
images of St. Ludovia and one repetition of St. Ludovia. Type style in orange reads "a" "it" and "L'Unita." Colors include:
m; signed.; Printer: José Alpuche; Atelier 28
Encantacion
1988
Physical Description: unknown; Image size: 36 x 24 in. Poster size: 40.5 x 26.25 in.
Description/Comments
Patterned design. The image seems to be a candelabra, with a Mexican eagle in its center. The background is brown with a gold
lyrical pattern. Frogs, bird and fish line the fringe.; signed. Inscription in pencil on the lower right reads: "signature
[illegible] and edition"; Printer: unknown; National Chicano Screenprint Atelier
No Bullshit
July 25-27, 2002
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
An "invasion" of doorknobs gathering to resist displacement and eviction. "No Seremos Desalojados." Colors used: Fire Red,
Orange, Teal, Purple, Dark Purple, Dark Fuscia; signed; Printer: José Alpuche; Atelier
El Teatro
1992
Physical Description: unknown; Image size: 24 x 16 in. Poster size: 28 x 20 in.
Description/Comments
An elongated face of an androgynous person wearing a blue shirt with a red collar. A theater-like design is in the upper section
of the print and around the person's head. It is not clear whether the person is a cut out paper or three-dimensional.; signed.
Inscription in pencil below image area reads: "4/46, El Teatro, Magda Audifred, M 92"; Printer: unknown; Atelier 19 L.A. Riots
Plumas Para Paloma
(Mar 20-24) 1989
creator: Boltuch Avila, Glenna
Physical Description: Westwinds (heavyweight); Image size: 32.5 x 21.25 in. Poster size: 37 x 26 in.
Description/Comments
The print includes a central figure of a baby (unclothed) laying on a navajo rug with many feathers. The baby is surrounded
by five photographs of her grandparents and great grand parents (two photos are of children, two are wedding phots and one
is a cu; signed. Inscription in pencil on the bottom reads: "30/64, Glenna Avila"; Printer: Oscar Duardo; Atelier 13
Absolutely Chicana
Physical Description: Coventry Rag.290 grms; Image size: 21 x 16 in. Poster size: 20 x 26 in.
Description/Comments
"Self portrait of Pachuca, yellow back ground, eight colors." - Judy Baca.; June 10-14; Printer: Jose Alpuche; unknown
Invertible
2012
Physical Description: Coventry Rag 290 grms; image size: 24 x 24 in.; poster size: 30 x 30 in.
Description/Comments
The colors used in this print are blue, yellow, red, green, black, and gold. The print is a collage. There are two women in
punk attire at the center of the collage. "Experience Castration Squad" is written around the women. Chopmark: embossed Self
Help Graphics insignia in the lower left hand corner. 4/58, 6/58 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Bloom Fully in All Your Glory as if You'll Die by Midnight Tonight
2012
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description/Comments
The artist uses eight colors in the print, in varying shades of gray, purple, brown and pink. The print is of flowers scattered
across the poster. "This print is important because it's the first screen print the artist has ever made. Made/inspired by
lesbian porn magazines, to love, live fully, to remind us all life is short. Flowers are like butterflies. Artists created
rockett in studio." Bai, Yun. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 4/42, 6/42 ed.;
prnt: José Alpuche; mtrx: destroyed; signed.
Para Karen, Eastlos
undated
Physical Description: unknown; Image size: 26 x 38 in. Poster size: 30 x 44 in.
Description/Comments
Cathedral-like stain glass window with La Virgen de Guadalupe in the center.; signed.; Printer: unknown; Atelier 29-31 #4
and #6
Cordova's Candle
undated
Physical Description: studio proof; Image size: 22.5 x 16.25 in. Poster size: 22.5 x 16.25 in.
Description/Comments
The mutilated body of a naked woman represents a candle melting. It has no arms and in the place of the head is the wick .
The melted wax is red and drips over the yellow body. The background is a bright orange with splashed drips of black.; signed.
Inscription in pencil located at the bottom of the print reads: "Cordovas Candle, special project, 2/2, R. Balboa [illegible]";
Printer: unknown; unknown
Culture Of Consumption
(Jun 21-25) 1994
Physical Description: Coventry Rag 290 grm.; Image size: 35.5 x 26 in. Poster size: 44 x 30 in.
Description/Comments
The image is an altar with dollar signs, text, and a television that tops the altar. Text is written by Zack De La Rocha.;
signed. Incription in pencil on the bottom reads: "Raul Baltazar, Culture Of Consumption, De La Rocha, 20/56"; Printer: José
Alpuche; Atelier 24
Advenimiento de Primavera
(Feb 5-9) 1990
creator: Baray, Samuel A.
Physical Description: Westwinds (heavyweight); Image size: 34 x 23.5 in. Poster size: 36.75 x 26 in.
Description/Comments
Large female figure dressed in an ornate dress in blue, brown, and pink. In her left hand she is holding blue rosary beads
and with her right hand she is propping up an elaborate spray of pink flowers which produce a halo effect. She is surrounded
by tr; signed. Inscription in pencil on the bottom reads: "Advenimiento De Primavera, 47/79, S.A. Baray, 1990"; Printer: Oscar
Duardo; Atelier 15
Aurora-El Primer Milagro del Día
(Mar 8-15) 1994
creator: Baray, Samuel A.
Physical Description: unknown; Image size: 27 x 42 in. Poster size: 30 x 44 in.
Description/Comments
Central female bust in a colorful costume. Her hands are brown with green triangles on the palms. She is in a smaller frame
within a larger round topped frame. This outer frame is decorated with gold trimming. Flowers and plants emerge from behind
the; signed. Inscription in pencil on the black black border within the image reads: "4/58, Aurora El Primer Milagro Del Dia,
S A Baray, 1994"; Printer: José Alpuche; Atelier 24
Santuario
(March 3-13) 1987
creator: Baray, Samuel A.
Physical Description: Westwinds; Image size: 35.5 x 19.75 in. Poster size: 40 x 30 in.
Description/Comments
Floral arrangement of saturated colors on a black and maroon background.; signed. Inscription in pencil located below image
area reads: "4/46, title, signature and date"; Printer: Oscar Duardo; Atelier 9
Señora en su jardín--Harvest
1996
creator: Baray, Samuel A.
Physical Description: poster; Image size: 16.25 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Depiction of a woman with braids working. Abstract scenery which appears to be surrounded by flowers. One of the prints is
in dark green, lavender, and light green, while the other print is deep blue, bright orange, and off-white. Next to the edition
n; signed.; Printer: José Alpuche; Atelier 9
Virgen de la Guarda
1997
creator: Baray, Samuel A.
Physical Description: unknown; Image size: 26.25 x 19.875 in. Poster size: 30.375 x 24 in.
Description/Comments
Woman with elaborate head-dress containing eagles, faces, and sun rays protects a village. Jagged edges with black background.;
signed.; Printer: José Alpuche; Atelier 30
Cordones
2012
Physical Description: Coventry Rag 290 grms; image size: 24 x 24 in.; poster size: 30 x 30 in.
Description/Comments
The print uses the colors blue, yellow, pink, teal, and grey. The print is of shoelaces. Chopmark: embossed Self Help Graphics
insignia in the lower left hand corner. 4/58 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Las Flores
2009
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description/Comments
The print uses four colors: light green, green, flesh, and magenta. The print is a close up of a woman's face. She has a scarf
covering the lower half of her face. The background is green flowers. "This print is dedicated to the people of Iran who are
struggling to create collective solutions for their communities, in order to determine their own futures. This is part of
a bigger struggle going on in the world today through out the global south." Jesus Barraza. Chopmark: embossed Self Help Graphics
insignia in the lower left hand corner. 2/74 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Sobreviviendo
November 18-20, 2003
Physical Description: Coventry Rag, 290grms.; Image size: 26 x 16 in. Poster size: 26 x 20 in.
Description/Comments
A rock style political poster about the Palestinian struggle for liberation. It shows a woman holding a gun over her right
shoulder with rays coming from behind. The text 'long live free Palestine' is translated into Spanish and Arabic.-Jesus V.
Barraza.; signed. Inscription in pencil beneath image area.; Printer: José Alpuche; Atelier XLIII
Jornaleros en la Lucha
2011
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description/Comments
The colors used in this print are red, blue, green, salmon pink, black, and flesh tone. The print is of a Lucha Libre wrestler
fighting a police officer. Surrounding the fighters are people who create obstacles for a jornalero(day laborer). "The print
was inspired by the current challenges the jornaleros face. The police, the minuteman, the racist, the banker, the corrupt
boss, and the racist laws such as SB 1070." Jose Barrera. Full description available on file. Chopmark: embossed Self Help
Graphics insignia in the lower left hand corner. 4/51, 6/51 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Calavera's In Black Tie
(Oct 30-Nov 3) 1989
creator: Bautista, Vincent
Physical Description: Westwinds (heavyweight); Image size: 36 x 24.5 in. Poster size: 38.5 x 26.5 in.
Description/Comments
Three calaveras wearing black ties and tux in the foreground. Red, yellow, green, purple, and white abstracted background
with crosses and little calaveras.; signed. Inscription in pencil located below the image area reads: "Title, 4/55, signature
and 89" signed. Inscription in pencil on the bottom reads: "Calavera's In Black Tie, 18/55, Bautista, 89"; Printer: Oscar
Duardo; Atelier 14
Ethereal Mood
(Dec 3) 1993
creator: Bautista, Vincent
Physical Description: Coventry Rag 290 grms.; Image size: 16 x 24 in. Poster size: 17.875 x 26 in.
Description/Comments
An angel sitting on a rock with ribbon flowing. Also, three winged hearts coming towards the angel.; signed. Inscription in
pencil on the bottom reads: "4/74, Etheral Mood, Bautista, 93"; Printer: José Alpuche; Atelier 25 (special project)
Imágenes De La Frontera: El Coyote
1992
creator: Bautista, Vincent
Physical Description: unknown; Image size: 16.25 x 24.25 in. Poster size: 20 x 28 in.
Description/Comments
Enlarged face of a coyote wearing a suit and whose tongue has become the U.S.A. flag. There are several dollar bills in his
pocket and a skeleton pin in his suit. In the background, there is a gray fence against a dark sky with a sun or a moon.;
signed. Inscription in pencil below image area reads: "Imágenes de la frontera: 'El Coyote', 4/56, Bautista 92"; Printer:
unknown; unknown
...And His Image Was Multiplied...
(Jan 22-26) 1990
creator: Bert, Guillermo
Physical Description: Westwinds (heavyweight); Image size: 35.5 x 24.5 in. Poster size: 37.5 x 26 in.
Description/Comments
Six collaged images. Four photo-silkscreened, large 1 1/2" letters at the bottom. Colors are magenta, red, black, gold, green,
blue, yellow, and white. Center blue television has an image of "The Creation," Michelangelo's Sistene Chapel's forearms,
two; signed. Inscription in pencil located below the image area reads: "4/55, signature and 90" signed. Inscription in pencil
on the bottom reads: "16/55, Giullermo Bert/90"; Printer: Oscar Duardo; Atelier 14
Dilemma In Color
(Nov 16-21) 1987
creator: Bert, Guillermo
Physical Description: Westwinds; Image size: 34.5 x 23.5 in. Poster size: 26 x 40 in.
Description/Comments
A dual image of a sitting man with a background of TV screens and power lines embedded in brilliant colors. "The ambivalence
of thoughts amid the strong influence of television and the hidden energy that makes it possible. The conflict is intensified
by; signed. Inscription in pencil at the bottom below image area reads: "4/49, signature and title"; Printer: Oscar Duardo;
Atelier 10
El Político
1993
Physical Description: unknown; Image size: 22.125 x 16 in. Poster size: 26 x 20 in.
Description/Comments
An abstract figure of a person, arm extended holding a saxophone, wearing a crown, is the primary image amongst a black background
with wavy blue, yellow, and pink lines. The figure is standing on a blue circle outlined in pink as if it is the spotlight;
signed. Inscription in pencil below image area reads: "4/79, El Politico, Paupée? Boccaccio? [illegible], '93"; Printer: unknown;
Images Of The Future
In Our Rememberance In Our Resurrection
(Dec 10-11) 1983
creator: Boccalero, Karen, Sister
Physical Description: Artprint 25% rag; Image size: 21.75 x 24.75 in. Poster size: 22 x 34.25 in.
Description/Comments
Abstracted gold, magenta, and blue design on a white and yellow background.; signed. Inscription in pencil located at the
bottom "4/77, title, signature and '83."; Printer: Stephen Grace; Atelier 11
Without
(March) 1983
creator: Boccalero, Karen, Sister
Physical Description: unknown; Image size: 19 x 25.25 in. Poster size: 23 x 35 in.
Description/Comments
Text reads: "There were seven sins in the world. Wealth without work, Pleasure without conscience, Knowledge without character,
Commerce without morality, Science without humanity, Worship without scrifice, and Politics without principle. Mahatma Ghandi.;
signed. Inscription in pencil below the image area reads: "52/60, '83 without, SKB."; Printer: Stephen Grace; Atelier 1
L.A. Mix
1997
Physical Description: unknown; Image size: 30 x 24 in. Poster size: 36 x 30 in.
Description/Comments
Gold skull smiling with gold and red-purple frills surrounding "L.A." which is written on the lower right corner.; signed.;
Printer: José Alpuche; Atelier 30
New World Order
(Jun. 28-July 2) 1994
Physical Description: Coventry Rag 290; Image size: 33.5 x 26 in. Poster size: 44 x 30 in.
Description/Comments
Dark grafitti conquistador names over image of Aztec Stella" (carved painted wood sculpture by artist). Colors are monocromatic
black, white, silver. Roll call of conquistadors: Cristobal Colon with Christian cross, Cortez, Cabeza De Vaca, Alvarado,
Cor; signed. Inscription in pencil on the bottom of image reads: "4/60, New World Order, Chaz Bojorquez, 94"; Printer: José
Alpuche; Atelier 24
(title unknown)
(March 3-6) 1986
creator: Boltuch Avila, Glenna
Physical Description: Accent 290 gram - white; Image size: 32 x 21 in. Poster size: 38 x 25 in.
Description/Comments
Child with dolls on a silver background.; signed. Inscription in pencil located at the bottom reads: "4/45 and signature.";
Printer: Stephen Grace; Atelier 7
Long Life To The Creative Force
(Feb 13-19) 1989
creator: Botello, David
Physical Description: Westwind (heavyweigt); Image size: 23.625 x 36 in. Poster size: 25.5 x 38.25 in.
Description/Comments
The image focuses on three figures rendered with ink and brush, scratching and china marker on mylar sheeting. The edges of
the artwork are free form with rounded corners. An elder sit[s] in meditation in the center, holding a heart in large hands,
and; signed. Inscription in pencil at the bottom reads: "34/61, Long Life To The Creative Force, copyright 89, David Botello";
Printer: Oscar Duardo; unknown
Draw
(July 01-05) 1991
Physical Description: Westwinds; Image size: 36 x 24 in. Poster size: 40 x 28 in.
Description/Comments
The central character is a head of an Aztec queen connected at the hip to a spanish king. 1/2 of a man's body is joined by
a ribbon to 1/2 a woman's body [--] Both are seen from the back.; signed. Inscription in pencil on the bottom reads: "16/66,
Draw, Paul J. Botello, 1991; Printer: Oscar Duardo; Atelier 21
Inner Nature
1999
Physical Description: silkscreen; Image size: 30.5 x 23.625 in. Poster size: 38.125 x 30 in.
Description/Comments
Centered on the poster is an image of a man and a woman surrounded by animals, two trees at opposite ends, and nopales in
the foreground. The image is created by sun rays coming from the woman's praying hands.; signed. Inscription in pencil below
image reads: "4/75, 'Inner Nature', Paul Botello 99."; Printer: unknown; Atelier 33
Reconstruction
(Nov 27-Dec 1) 1989
Physical Description: Westwinds (heavyweight); Image size: 36 x 24 in. Poster size: 38 x 26.5 in.
Description/Comments
Three geometric heads with multicolored hatching. One with sunglasses. Three female torsos in motion. A reclining figure on
top of the black and orange head. A cracked woman's face is part of the sunglassed figure's chest. "The piece is about the
reco; signed. Inscription in pencil located below the image reads: "4/56, title, signature and 89" signed. Inscription in
pencil on the bottom of print reads: "41/56, Reconstruction, Paul J. Botello, 89"; Printer: Oscar Duardo; Atelier 14
Re-Inventions of Reality
2011
Physical Description: Coventry Rag 290 grms; image size: 9 x 12 in.; poster size: 11 x 14 in.
Description/Comments
The print uses the colors cream, cyan, yellow, red, black, and burdandy. The print is a collage of various performers, street
signs, and containers. "A mixture of photocopied cut-outs, digital extractions, and oil-marked additions Re-inventions of
Reality merges performances created by Asco with alterations of archived happenings. East LA as a backdrop is removed in order
to focus on the transcendent aspect of Asco's art, which could be re-posited for another metropolis. The multilingual assertions
of Asco intersect with my own art work, for instance a performance still titled Ejercicio del Dialogocreated in Mexico City,
using the mixture of abbreviations DF TJ LA. The cities I was then experiency turned into mere sounds and abbreviations with
unusually balanced cultural mixtures." Cindy Bravo. Chopmark: embossed Self Help Graphics insignia in the lower left hand
corner. 4/50, 6/50 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Untitled
(Feb 16-20) 1986
creator: Brehm, Qathryn
Physical Description: Accent 290 gram - white; Image size: 24 x 36.25 in. Poster size: 24.25 x 36.5 in.
Description/Comments
Collage of downtown Los Angeles. Image on a floating triangle.; signed. Inscription on the right side of the image in sky
area reads: "4/45 and signature"; Printer: Stephen Grace; Atelier 7
Mother of Sorrow
1996
Physical Description: poster; Image size: 22.25 x 33 in. Poster size: 29 x 42 in.
Description/Comments
Multiple images of the Virgin with Nicole Simpson and Ron Goldman. Colors that predominate are yellows and browns, turquiose
Madonna on right hand side in blue.; signed.; Printer: José Alpuche; Atelier 28
The Fruit of Discord
1995
Physical Description: poster; Image size: 37.5 x 26 in. Poster size: 44 x 30 in.
Description/Comments
Woman in a blue dress holds a red apple with text and vase in the background.; signed.; Printer: José Alpuche; Atelier 26
Mexica New Year
Physical Description: unknown; Image size: unknown Poster size: unknown
Description/Comments
Black and white; unknown; Printer: unknown; none
Manto a Tamayo
1995
Physical Description: poster; Image size: 38 x 26.25 in. Poster size: 44 x 30 in.
Description/Comments
Manto a Tamayo is in homage to Maestro Rufino Tamayo. As master, Tamayo brought painting to its most ephemeral intensity.
The central figure wears a Tehuana costume from Oaxaca and ascends to a cosmic realm facing one of Tamayo's works of the separation;
signed.; Printer: José Alpuche; Atelier 26
Earth's Prayer
1992
creator: Calderón, Rudy
Physical Description: unknown; Image size: 23.875 x 15.875 in. Poster size: 28 x 20 in.
Description/Comments
Landscape image of the top of a mountain resembling a human profile pointing towards the sky. A big white bird is flying against
a sunset background with some smoke and clouds.; signed. Inscription in pencil below image area reads: "22/61, 'Earth's Prayer',
Calderón, 92"; Printer: unknown; Atelier 19 L.A. Riots
Manifestations Of Trinity
(Dec 7-11) 1987
creator: Calderón, Rudy
Physical Description: Westwinds; Image size: 24.5 x 36.5 in. Poster size: 26 x 37.625 in.
Description/Comments
Three figures in primary colors emerging from a mountain range. "Manifestation of Trinity is an attempt to portray analogies
between the ancient and universal concept of Trinity and recognizable manifestations in life that are triple in nature, the
three; signed. Inscription in pencil located at the bottom below the image area reads: "4/55, title, signature and 87"; Printer:
Oscar Duardo; Atelier 10
Omnipresence
1996
creator: Calderón, Rudy
Physical Description: poster; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
Landscape with arched ocean horizon, parting clouds, blue sky, and five pointed swirling star. Colors that predominate are:
magenta, cyan, green shade yellow, violet, ultramarine, and pearl white.; signed.; Printer: José Alpuche; Atelier 28
Portrait Of The Artist's Mother
ca. 1991
Physical Description: unknown; Image size: 39.5 x 24.125 in. Poster size: 41.5 x 26.25 in.
Description/Comments
Portrait of a smiling woman in a light green and blue dress. In the foreground is an antique record player, a skull wearing
a diadem of roses, and groupings of calla lilies that lead to the upper part of the image where two black silhouettes resemble
the; signed., Inscription in pencil below image area reads: "35/58, 'Portrait of the Artist's Mother', Mari Cabamo [illegible]
"; Printer: unknown; unknown
Speedy
Physical Description: unknown; Image size: unknown Poster size: unknown
Description/Comments
Speedy Gonzalez with his fist up wearing a red shirt with the Royal Chicano Air Force logo.; undated; Printer: unknown; unknown
La Virgen De Los Pescados
(Feb 11-July 11) 1993
Physical Description: Coventry Rag 290 grms.; Image size: 23 x 34 in. Poster size: 30 x 44 in.
Description/Comments
Woman with flowers and fishes looking at you. Colors are: gold, light brown, dark brown, white, dark blue, aqua blue, ultra
blue, brown, yellow orange, majenta, cyan blue, and yellow.; signed. Inscription in pencil below the image reads: "4/57, C
Cardenas, 93." And in ink within the image the title reads: "La Virgen De Los Pescados"; Printer: José Alpuche; Atelier 23
Santa/Maguey
March 20-24, 2001
Physical Description: Coventry Rag, 290 gms.; Image size: 18 x 26 in. Poster size: 20 x 30 in.
Description/Comments
Colors used: Light Yellow, Red Orange, Thalo Blue, Purple, Transparent Orange, Gold, Mid-T-Yellow, Off Whie, T-Sienna, T-Red
Black, Dark Burgundy.; signed; Printer: José Alpuche; Atelier XXXVIII
(title unknown)
(Nov 4-5) 1983
Physical Description: Artprint 25% Rag Archival; Image size: 18.5 x 24.5 in. Poster size: 22 x 34 in.
Description/Comments
Six color print: two greys, green, magenta. Cerise and yellow bird.; signed. Inscription in pencil located at the bottom reads:
"4/77 and signature"; Printer: Stephen Grace; Atelier 2
MLK Monte Carlo
2011
Physical Description: Coventry Rag 290 grms; image size: 13.75 x 21.875 in.; poster size: 20 x 26 in.
Description/Comments
The print uses the colors yellow and black. The print is of a yellow Monte Carlo parked infront of a discount furniture store.
"This photo was taken January 18, 2010 during the Martin Luther King parade near the corner of Martin Luther King Blvd. and
Western Ave. There was a rain storm that day. This car was in line to enter the parade route." Rafael Cardenas. Chopmark:
embossed Self Help Graphics insignia in the lower left hand corner. 4/83, 6/83 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Stop U.S. Aggression
2009
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description/Comments
The print uses the colors blue, red, and black. The print is a map of the Afghanistan and Pakistan border. The map is super
imposed over President Obama's face. On the bottom of the print is written "Stop U.S. Agression." Aritist's statement about
the content of the print is available on file. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner.
2/65 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
We Love Iraq
2008
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description/Comments
The print uses three colors: black, light brown, and tan. The print is of two skulls facing eachother, with the noses touching
to create a heart shape. Behind the skulls are two crossed swords. "U.S.A." is written at the top of the print and "Iraq"
is written at the bottom."A comment on the professed love and concern for the people of Iraq by the U.S. elite. Color scheme
relfects desert camoflage worn by U.S. troops. Background from a satellite photo of Baghdad [sic]." John Carr. Chopmark:
embossed Self Help Graphics insignia in the lower left hand corner. 2/118 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Dolores
1999
Physical Description: silkscreen; Image size: 26 x 18 in. Poster size: 30.125 x 22 in.
Description/Comments
Close-up portrait "pays tribute to the indefatigable UFW Vice-President, Dolores Huerta." She is wearing a pink shirt with
a button saying "¡Si Se Puede!" which "reflects the clarity and power of Huerta's non-violent politics of social change."
The back; signed. Inscription in pencil below image reads: "4/66, Dolores, Carrasco '99."; Printer: unknown; Atelier 33
Negativity Attracts
(March 26-30) 1990
Physical Description: Westwinds (heavyweight); Image size: 36 x 24 in. Poster size: 40 x 26 in.
Description/Comments
Two faces facing towards each other. Pink face with the open eye. Turquoise face w/ closed eye. "The print is the result of
minimalizing detail work in order to focus more closely on color and content (form). Negativity, attracts and reflects male-female;
signed. Inscription in pencil below the image reads: "4/62, title, signature and 90" signed. Incription in pencil below the
image reads: "16/66, Negativity Attracts, Carrasco, 90; Printer: Oscar Duardo; Atelier 15
Primas
April 18-20, 2001
Physical Description: Coventry Rag, 290 grms.; Image size: 18 x 26 in. Poster size: 22 x 30 in.
Description/Comments
Portrait of the artist's daughter and niece in an embrace, surrounded by a braid (trensa) showering hearts around the portraits.
The trensa represents the older women in the lives of the young girls, nurturing their love for each other and themselves
as; signed.; Printer: José Alpuche; Atelier
Self Portrait
(Feb 24-Mar 1) 1984
Physical Description: Somerset 320 gram 100% Rag Archival; Image size: 23 x 34.5 in. Poster size: 28 x 40 in.
Description/Comments
Light blue grid background. White paint roller. Large green paint brush. Female figure with a green to white #2 t-shirt. Atelier
information on the back.; signed. Inscription in pencil below the image area reads: "2/70, title and signature"; Printer:
Stephen Grace; Atelier 3
Tina Modotti
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
"Portrait of famous Italian photographer Tina Modotti with a Flower." - Barbara Carrasco.; May 27-31; Printer: Jose Alpuche;
Atelier III, Announcement Poster for
ca. 1984
creator: Delgado, Roberto L.
creator: Gamboa, Diane
creator: Oropeza, Eduardo
Physical Description: Somerset 320 gram 100% Rag; Image size: 22 x 32 in. Paper size: 29 x 40 in.
Description/Comments
Print for "Atelier III, Spring 1984: Carrasco, Delgado, Duardo, Gamboa, Oropeza. Self-Help Graphics And Art Inc., East Los
Angeles, California." Collage of images by the artists participating in Atelier III. On the left hand side of the print there
is a fragmented image of the singer Boy George. The bottom image is a brush by Barbara Carrasco. Unknown ed; unsigned.; Printer:
unknown; Atelier 3
Note: This a print and not a poster.
Imagenes De Ayer
1987
Physical Description: unknown; Image size: 15 x 21 in. Poster size: 19 x 25 in.
Description/Comments
On a light grey background there are several images resembling enlarged 'Kodak' negative film and 'Ektachrome' slides. The
images from left to right and top to bottom are: "Juan Cervantes / Southside Park / Mural / August, 1977"; "Rudy / Día del
Barrio; signed. Inscription in pencil below image area reads: "Juan M. Carrillo, Oct., '87."; Printer: unknown; unknown
Resistance To Cultural Death, An Affirmation Of My Past
(July 18-23) 1988
Physical Description: Westwinds (heavyweight); Image size: 36 x 24 in. Poster size: 36 x 24 in.
Description/Comments
The image is dense with elements, some of which are: parallel vertical yellow stripes; step pattern in lower half; white/black
skull in circle with rising undulating serpent; face behind skull and lines; floating triangles; additional geometric forms.;
signed. Incription in pencil within the image: "17/60, Resistance to Cultural Death, An Affirmation Of My Past" and "Castillo,
88 [illegible]" in blue ink within the image on lower right.; Printer: Oscar Duardo;
Heart Measured in Inches 2013
2013
Physical Description: Coventry Rag 290 grms; image size: 22 x 30 in.; poster size: 27 x 35.5 in.
Description/Comments
The image uses five colors: gold, pink, red, black, and blue. At the center of the print is a human heart. Extending from
the heart are black lines, connecting to fractions. "Print based on collage drawing called Heart Measured in Inches. Hand
drawn based on drawing measured to reflect various lines in heart. Measurement used to describe the lines and shapes of heart."
Enrrique Castrejon. Complete artist description available on file. Chopmark: embossed Self Help Graphics insignia in the
lower left hand corner. 4/55, 6/55 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Una noche en Tejas
1997
Physical Description: unknown; Image size: 16.875 x 23 in. Poster size: 20 x 26 in.
Description/Comments
Couples dancing with band in background and bar.; signed.; Printer: José Alpuche; Atelier 30
Buenos Días
1993
Physical Description: poster; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
Two graduates wearing black mortarboards stand in the center of this print holding an oversized diploma. At their feet are
scattered a number of open books. The trunks of the trees are pencils. Fields, clouds, and blue sky are the backdrop. A rooster;
signed.; Printer: unknown; Atelier 14
De Colores
1987
Physical Description: unknown; Image size: 15 x 21 in. Poster size: 19 x 25 in.
Description/Comments
The composition is diagonal and shows two groups of images. The upper section shows two men; one of them is an indigenous
person. The background depicts Aztec pyramids on right hand side, and contemporary buildings on left hand side. The lower
section; signed. Inscription below image area reads: "Juan Cervantes, 1987, (c)."; Printer: unknown; unknown
Rigoberta Menchu
2009
Physical Description: Coventry Rag 290 grms; image size: 16 x 20 in.; poster size: 20 x 26 in.
Description/Comments
The print uses the colors sky blue, mint green, dark mint green, magenta, maroon, sienna brown. The print is a portrait of
Rigoberta Menchu with the sky and a green hillside in the background. "Rigoberta has dedicated her life to informing people
of the genocidal attacks on indigenous people during and after the Guatamalan Civil War in 1992. She won a Nobel Peace Prize
for her work." Melanie Cervantes.Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/80 ed.; prnt:
José Alpuche; mtrx: destroyed; signed.
Camino Largo
(Feb 6-Mar 27) 1985
creator: Cervantez, Yreina D.
Physical Description: Stonehenge 320 gram-white; Image size: 37 x 24.5 in. Poster size: 41.75 x 28.5 in.
Description/Comments
Central figure of a light-radiating individual with outstretched arms and large exposed heart. At the figure's right side
a devilish cat snarles with sharp fangs and claws. At the figure's left are two drama masks, one yellow and one white, which
are s; signed. Inscription in pencil below the image area reads: "4/88, title, signature and '88" signed. Inscription in pencil
below the image reads: "Camino Large, 50/88, Yreina D. Cervantez, 85"; Printer: Stephen Grace; Atelier 5
Danza Ocelotl
1983
creator: Cervantez, Yreina D.
Physical Description: Artprint 25% rag; Image size: 22 x 34 in. Poster size: 22 x 34 in.
Description/Comments
Female face image made up of different icons: the nose is a jaguar, cheeks are skulls and hearts, red lips, green background,
and a black border with nine yellow jaguars.; signed. Inscription in pencil located below the image area reads: "18/60 and
signature"; Printer: Stephen Grace; Atelier 1
El Pueblo Chicano Con El Pueblo Centroamericano
1986
creator: Cervantez, Yreina D.
Physical Description: Accent 290 gram-white; Image size: 24 x 37 in. Poster size: 25 x 38 in.
Description/Comments
Freeway underpass with Mesoamerican motifs and Chicano iconography.; signed. Inscription in pencil located below the image
area reads: "4/45, date and signature"; Printer: Stephen Grace; Atelier 7
La Noche Y Los Amantes
1987
creator: Cervantez, Yreina D.
Physical Description: Westwinds; Image size: 25.5 x 19.5 in. Poster size: 25.5 x 19.5 in.
Description/Comments
Fantasy images on a purple/magenta background. Frida Kahlo, jaguar and calaveras.; signed. Inscription located at the bottom
of image area reads: "4/45, title, date and signature"; Printer: Oscar Duardo; Atelier 9
Mujer de Mucha Enagua: Pa' ti Xicana
1999
creator: Cervantez, Yreina D.
Physical Description: silkscreen; Image size: 17.875 x 26 in. Poster size: 22 x 30.125 in.
Description/Comments
To the right of the poster is a black and white photograph of a woman on Sor Juana Ines de la Cruz's nunnery dress. A Popul
Vuh excerpt, "Nahuatl and Mayan Pre-Colombian glyphs address female experiences and texts from Sor Juana and Rosario Castellanos
r; signed. Inscription in pencil below image reads: "4/60, 'Mujer de Mucha Enagua': Pa' ti Xicana, Yreina D. Cervántez.";
Printer: unknown; Atelier 33
Victoria Ocelotl
(Dec 4-10) 1983
creator: Cervantez, Yreina D.
Physical Description: Artprint 25% Rag; Image size: 18 x 24 in. Poster size: 22 x 34 in.
Description/Comments
Brown, blue, dark purple, green, gold, ochre, black background. Images of guns, helicopters, a sphere, and black glitter animals.;
signed. Inscription in pencil below the image area reads: "4/77, 12-83, title and signature"; Printer: Stephen Grace; Atelier
2
Estrella Of The Dawn
(Aug 29-Sept 2) 1988
creator: Cervantez, Yreina D.
creator: Limon, Leo
Physical Description: Westwinds (heavyweight); Image size: 36 x 24 in. Poster size: 40 x 26 in.
Description/Comments
Cat at bottom, bird on top, open lozenge in center, corazón at upper left, people running, barbed wire in center. The major
colors are: green, orange, yellow, dark blue, and light blue. Colors used: transparent red, light blue/dark blue split ftn
(sic.; signed. Inscription in pencil located at the bottom of the print reads: "17/60, Estrella Of The Dawn, Yreina D. Cervantez
y Limón -Dos De Los- '88"; Printer: Raul Castillo (Rolo); unknown
Stadium
(Feb 21-26) 1988
creator: Chamberlin, Ann
Physical Description: Westwinds; Image size: 35 x 23 in. Poster size: 35 x 23 in.
Description/Comments
Full Bleed. Image of seven male military figures: two are on stilts; one is balancing on a beam; one is on a table waving
a red cape like a bullfighter; one is smoking a cigarette; and two are chatting.; signed. Inscription in faint pencil located
at the bottom reads: "4/46, Stadium and signature"; Printer: Oscar Duardo; Atelier 11
La Chola Blessed Mother
1998
Physical Description: silkscreen; Image size: 19.25 x 15.875 in. Poster size: 26 x 20 in.
Description/Comments
Colorful cartoon-like figure of a chola with two green reptiles crawling down the side of her face. The background is composed
of stars and Lotería cards such as la Vibora, el Diablo, el Payaso, and la Sirena.; signed. Inscription in pencil below image
reads: "4/60, La Chola Blessed Mother, Vibiana-Aparicio Chamberlin."; Printer: unknown; Atelier 33
Many Horses
1999
Physical Description: silkscreen; Image size: 24.75 x 16.5 in. Poster size: 30.125 x 22 in.
Description/Comments
Picture is of an indigenous woman standing to the right of the poster. She is wearing a purple skirt with moon and stars,
and a white top with stars lined across her chest. There are three horses: a shadow, an outline, and a complete horse. The
backgr; signed. Inscription in pencil below image reads: "4/69, Many Horses, Damian Charette 99 ©."; Printer: unknown; Atelier
33
Bone Yard
February 15-17, 2000
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 13 in. Poster size: 19 x 22 in.
Description/Comments
AZ sunset with old cars. Colors used: Blend (purple, red, yellow), Red, Green, Yellow, Blue, and Black.; signed; Printer:
José Alpuche; Atelier XXXV
Jueves
ca. 1992
Physical Description: unknown; Image size: 21 x 16.25 in. Poster size: 26 x 20 in.
Description/Comments
The back view of a child in a scene of flames, fire, and what looks like broken pieces of glass.; signed. Inscription in pencil
below image area reads: "Jueves, 4/70, Chavez? [illegible]"; Printer: unknown; Atelier 19 L.A. Riots
Veterano
1995
Physical Description: poster; Image size: 38 x 26 in. Poster size: 44 x 30 in.
Description/Comments
Drawing of a man wearing a blue bandana and a white sleeveless shirt tucked into blue slacks. His arms are outstretched with
is palms turned upward. The background is surrounded by gold and blue stripes.; signed.; Printer: José Alpuche; unknown
TruDell
Physical Description: Coventry Rag 290 grms; image size: 22 x 16 in.; poster size: 26 x 20 in.
Description/Comments
The print uses the colors brown, red, orange, yellow, and black. The print is a portrait of Native American activist, John
Trudell. "John Trudell was a Native American activist who was the chairman of the American Indian movement from 1971-1978.
As a sign of protest, he burned the American flag in front of the FBI building in Washington. Less than 24 hours later, his
house burned down with his wife, children, and in laws trapped inside. I chose this image of John to represent his deep, pensive
thought." Contra. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/72 ed.; prnt: José Alpuche;
mtrx: destroyed; signed.
I Will Never Be Satisfied, Will I Ever Be Satisfied?
1994
Physical Description: unknown; Image size: 21.25 x 24.5 in. Poster size: 38.5 x 29.25 in.
Description/Comments
The image is a game board with 100 squares with a black and blue/green checkered pattern. Five women, four nude, are displayed
on the board with snakes and ladders.; signed. Inscription in pencil located below the print reads: "4/66 'I will never be
satisfied, will I ever be satisfied ?', Ashley Cook, '94"; Printer: unknown; unknown
The World Is On Hard
1993
Physical Description: unknown; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
The central figure is an oversized rabbit--as if a genetic experiment gone wrong. The scene is a meeting of science fiction
and industrialization. Factories emit smoke. A dinosaur smaller than the rabbit is running is the foreground. U.F.O.'s shine
st; signed. Inscription in pencil below image area reads: "4/78, The World Is On Hard, J.[illegible] L. Cooling, 1993"; Printer:
unknown; Images Of The Future
Bailando Con el Sol
1996
Physical Description: poster; Image size: 22 x 15 in. Poster size: 26 x 20 in.
Description/Comments
The earth, an emotional human figure with decorative tribal design, sunrays and the sun. Quote from Certificate of Authenticity
reads "When the sun's rays touch a human being it transmits energy, that is generally manifested in happiness and positive
ene; signed.; Printer: José Alpuche; Atelier 29
The Struggle
(Apr 22-26) 1991
creator: Coronado, Sam
Physical Description: Stonehenge (heavyweight); Image size: 36 x 26 in. Poster size: 38.5 x 28.5 in.
Description/Comments
Dark figure with serpent entwined with moon in background. The major colors are: green and purple.; signed. Inscription in
pencil below the image area reads: "Sam Coronado, The Struggle, 14/65"; Printer: Oscar Duardo; Atelier 16
$.$.$ American Güey Of Life
1992
Physical Description: unknown; Image size: 24.125 x 18.125 in. Poster size: 26.25 x 20 in.
Description/Comments
The Statue of Liberty rendered in red and black and carrying a pack an waht looks like a paper in her hands. Underneath it,
three images depict dollar bills, human shaped targets, and abstract images and shapes.; signed. Inscription in pencil below
image area reads: "$.$.$ American Güey Of Life, 4/55, X. Cortéz, .92"; Printer: unknown; Atelier 19 L.A. Riots
Media Madness
1983
creator: Costa, Sam
Physical Description: Artprint; Image size: 19 x 25 in. Poster size: 23 x 35 in.
Description/Comments
Red, yellow, blue, tints and shades of all three colors on a white background. Abstracted collage effect with torn book pages
and folded color relief.; signed. Inscription in pencil "12/60, title and illegible signature"; Printer: Stephen Grace; Atelier
1
Through the Crossing Lines
2013
Physical Description: Coventry Rag 290 grms; image size: 30 x 22 in.; poster size: 35.5 x 27 in.
Description/Comments
The print uses six colors: pink magenta, light blue, process magenta, process blue, light grey, and gold. The print has several
pieces of cloth layered over each other. There are four hand stitched strings on the print. "What have we done so wrong i
was watching an indecisive which i thought i could never" is written across the print. Chopmark: embossed Self Help Graphics
insignia in the lower left hand corner. 4/55, 6/55 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
The Key
July 20, 23, and 24, 2002
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Four adult figures plus one child pushing against green man with City Hall in his pocket. Two figures holding house with large
key hole. Key up in the air between reaching hands with sky background. Colors used: Golden Yellow, Light Brown, Brown, Cyan,
Re; signed; Printer: José Alpuche; Atelier
Barrio Flag
1996
Physical Description: poster; Image size: 25.875 x 38 in. Poster size: 30 x 44 in.
Description/Comments
Drawing of a brown eagle with outstretched wings. Above the eagle is a red star-shaped image. Below the eagle's fanned tail
is a green wreath with four outstretched arms touching a book. Below in a gold banner reads "Barrios United is Peace and Power.";
signed.; Printer: José Alpuche;
Virgen de la Sandía
1996
Physical Description: poster; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
A nude woman centers the print. She is surrounded by a watermelon with red, orange, yellow, and white glow. She is standing
on a crescent-shaped object of what appears to be a peach colored moon. Surrounding the scene is a midnight blue sky with
golde; signed.; Printer: José Alpuche; Atelier 29
Artist's Daughters Gema Y Perla
undated
Physical Description: unknown; Image size: 15 x 21 in. Poster size: 19 x 25 in.
Description/Comments
Enlarged photographic images of two little girls looking at the viewer in a frontal position. The background is a gradation
of violet.; signed. Inscription in pencil below image area reads: "R.O. Cuellar"; Printer: unknown;
Act On It
(Mar 5-14) 1985
creator: Davis, Alonzo
Physical Description: Stonehenge 320 grams - white; Image size: 24 x 36 in. Poster size: 24 x 36 in.
Description/Comments
The word VOTE on yellow, red, orange ochre background. Small photographic image in center of O. The "Vote Series" is a group
of paintings and prints that emphasize the vote. The artist created apathy on the part of many of our citizens. He was born
in; signed. Inscription in pencil below the magenta area reads: "4/88, title and signature" signed. Inscription in pencil
on the image surface on the bottom reads: "30/88, Act On It, Alonzo Davis"; Printer: Stephen Grace; Atelier 5
King Melon
(Jan 19-23) 1987
creator: Davis, Alonzo
Physical Description: Westwinds; Image size: 36 x 23.75 in. Poster size: 36 x 23.75 in.
Description/Comments
Textured field of blue, peach, green, red and pastel orange with arrows and watermelon. Full bleed.; signed. Inscription in
pencil located below the image area reads: "4/45, King Melon, signature and '87"; Printer: Oscar Duardo; Atelier 9
Now Is The Time
1988
creator: Davis, Alonzo
Physical Description: unknown; Image size: 36 x 25 in. Poster size: 40 x 26.5 in.
Description/Comments
Multicolored postage stamp image that reads: "VOTE." "The print emphasizes the power and impact of the right to vote. This
print is to raise the consciousness of the Jesse Jackson Presidential Campaign." A. Davis.; signed. Inscription in pencil
located at the bottom of the image area reads: "4/55, title, signature and date"; Printer: unknown; Atelier 11
Día de los Muertos 79, Announcement Poster for
ca. 1979
creator: De Batuc,, Alfredo
Physical Description: unknown; Image size: 15 x 22.25 in. Poster size: 19 x 25 in.
Description/Comments
A male skeleton in a green and red shirt is holding a 'XX' can of beer. A female skeleton in a red, non-sleeved dress is wearing
hoop earrings. They are smiling, holding each other's waist, and dancing against an oval composition consisting of a moon,;
signed. Inscription in blue ink below image area reads: "debatuc"; Printer: unknown;
Emiliano con suecos
(June 21-25) 1994
creator: De Batuc,, Alfredo
Physical Description: Coventry Rag 290 grms.; Image size: 36.875 x 24 in. Poster size: 44 x 30 in.
Description/Comments
Emiliano Zapata, after one of his most famous photographic portraits, holding an umbrella instead of a rifle, and naked from
the waste down and wearing wooden clogs. Surrounded by text in English and Spanish that read: Stock Cultural Images and Symbols;;
signed. Inscription in pencil below the image reads: "Emiliano con suecos, 20/62, debatuc, 1994"; Printer: José Alpuche; Atelier
24
Seven Views Of City Hall
(Jan 13-16) 1987
creator: De Batuc,, Alfredo
Physical Description: Westwinds; Image size: 24 x 36 in. Poster size: 26 x 40 in.
Description/Comments
Los Angeles City Hall in the center surrounded by six small City Halls in ovals.; signed. Inscription in pencil located below
the image area reads: "12/45, title, signature and '87"; Printer: Oscar Duardo; Atelier 9
La Luz de la Esperanza y Libertad
2012
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description/Comments
The print uses eight colors, primarily shades of yellow, grey, and purple. This print is of a woman holding up a street lamp.
The woman has a shawl on her head. Behind her isa chainlink fence, overlayed with yellow spirals. "This concept of the image
is to represent the hope in the form that comes from a street lamp. The subject of the woman is a community friend named Carmen
whom I chose to resemble. The structure and foundation to which she holds and with her arms open as to embrace the 'City of
Los Angeles' as to bring freedom to the inner cities." Faian Debora. Chopmark: embossed Self Help Graphics insignia in the
lower left hand corner. 4/61, 6/61 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Boneca
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 20 in.
Description/Comments
"In this work, I try to capture the essence of elements that reveal the nature of feminine archetypes. "Boneca" is an allegory
to the cruelty that women suffer, and it is as well, a representation of an imaginary universe reflecting childhood memories."
-; March 11-15; Printer: Jose Alpuche;
Bolsa de Mercado
2012
Physical Description: Coventry Rag 290 grms; image size: 22 x 30 in.; poster size: 27 x 35.5 in.
Description/Comments
The print uses the colors peach, blue, yellow, and magenta. The print is of a shoping bag with a plaid print. "Bolsa de Mercado,
a serigraph silk screen print encourages the viewer to recycle. Since the 1990s there has been a trend in America to down-size
consumption, wasttefulness and space gluttony. As the world faces the ecological upsets of dying species, extreme pollution
and increased blight, conscientious activists are calling for cultural changes to improv world-eco. Growing up in a dual cultures,
recycling has always been practiced in my family. This Mexican recycling shopping bag used in Bolsa de Mercado, has always
been an icon in my artwork. It represents the conscientiousness of working class people." Victoria Delgadillo. Chopmark: embossed
Self Help Graphics insignia in the lower left hand corner. 4/40, 6/40 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Knowingly Walking Through the Imaginary River Towards Divine Destiny
4/30, 5/1-5, 2002
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Colors used: Light Yellow, Dark Yellow, Pale Grey, Dark Green, Red, Dark Blue, Light Blue Transparent, Medium Yellow, Yellow-Green,
Brown, Salmon Pink, Beige, Medium Yellow.; signed; Printer: José Alpuche; Atelier XL
Guatemala
undated
creator: Delgado, Roberto L.
Physical Description: unknown; Image size: 37 x 25 in. Poster size: 37.75 x 25.875 in.
Description/Comments
The print is a multi-colored abstract piece. Orange figures converge on top of pale green and yellow figures. It seems as
if heads of various animals--lizards, birds--erupt from a place directly in the middle of the print.; signed. Inscription
in pencil below image area reads: "signature [illegible], Guatemala, 31/53"; Printer: unknown;
Loto
(Dec 19-20) 1985
creator: Delgado, Roberto L.
Physical Description: Accent 290 gram - white; Image size: 23.125 x 32.625 in. Poster size: 23.125 x 32.625 in.
Description/Comments
Juxtaposed silhouette figures in yellow and green. Monoprint edition over silkscreen and spray enamel stenciling.; signed.
Inscription in pencil located in the lower right in white area reads: "Initials, 86, and 4/45"; Printer: Stephen Grace and
Roberto Delgado; Atelier 6
Untitled
(March 14-15) 1984
creator: Delgado, Roberto L.
Physical Description: Somerset 320 gram, textured white 100% Rag.; Image size: 21.5 x 31 in. Poster size: 26.5 x 37 in.
Description/Comments
Two female glyph (Mayan ornamental carving). Tints and shades of secondary color group. Atelier information on the back.;
signed. Inscription in pencil below image area reads: "2/70, signature and '84"; Printer: Stephen Grace; Atelier 3
Loto
1985
creator: Delgado, Roberto L.
Physical Description: unknown; Image size: 38 x 24.5 in. Poster size: 38.5 x 25 in.
Description/Comments
Abstract Image. On the left and right sides are two green figures. They are in profile and facing each other. In the middle
is a red silhouette of a male figure. He seems to be holding a transparent flower. The flower's outline is determined by negat;
signed. Inscription in pencil within the image reads: "R A, 86 and 25/45"; Printer: unknown; Atelier VI
Arizona Highway
2012
Physical Description: Coventry Rag 290 grms; image size: 16 x 21 in.; poster size: 20 x 26 in.The print uses the colors blue, gray, red, yellow,
black, and brown. The print is of people on a bus in Arizona. The bus driver is a devil and there is a poster saying "Devils
Highway." There are also references to SB 1070. "Bus riders, of various ethnicities, daily ives where Arizona current laws
and banning of books effect local native residents and migrants." Melo Dominguez. Chopmark: embossed Self Help Graphics insignia
in the lower left hand corner.
Description/Comments
The print uses the colors blue, gray, red, yellow, black, and brown. The print is of people on a bus in Arizona. The bus driver
is a devil and there is a poster saying "Devils Highway." There are also references to SB 1070. "Bus riders, of various ethnicities,
daily ives where Arizona current laws and banning of books effect local native residents and migrants." Melo Dominguez. Chopmark:
embossed Self Help Graphics insignia in the lower left hand corner. 4/56, 6/56 ed.; signed.
Between The Lines
1992
creator: Donis, Alex
Physical Description: Westwinds; Image size: 21.625 x 35 in. Poster size: 21.625 x 35 in.
Description/Comments
Full bleed image vertically divided into two main areas, purple to the left, vanilla color to the right. In the left area
is a pink form in the shape of a heart which allows to see through a photograph of a young man from the bust and up. In the
center; signed. Inscription in pencil below image area reads: "22/49, Maria [illegible], 92"; Printer: Richard Balboa; Atelier
19 L.A. Riots
Champ De Bataille
(Oct 9-13) 1989
creator: Donis, Alex
Physical Description: Westwinds; Image size: 36 x 24 in. Poster size: 38 x 26 in.
Description/Comments
There are two angels with wings, one is red-orange in color, the other is blue-green. They are holding each other close by
the arms and each one is holding a sword over-head. The background color is purple with gold colored writing. Colors used:
1. Tran; signed. Inscription in pencil below the image reads: "14/61, Champ de Bataille, A Donis" signed. Inscription in pencil
located below the image area reads: "4/61, title, and signature"; Printer: Oscar Duardo; Atelier 14
David and Dalilah
(April 15-19) 1991
creator: Donis, Alex
Physical Description: Westwinds; Image size: 35 x 26 in. Poster size: 40 x 28 in.
Description/Comments
This is an oval shaped print boardered by yellow drapery, angels, and stars. With in [sic] this boarder [sic] stands a central
man, standing on a platform, swinging a sling-shot. A bed is behind him with a woman seated on it. Beneath the platform lay
a; signed. Inscription in pencil below the image reads: "56/63 'David and Dalilah', A Donis, 91"; Printer: Oscar Duardo; Atelier
16
LA Queen
(Sept 14-15) 1991
creator: Donis, Alex
Physical Description: Westwinds; Image size: 35 x 26 in. Poster size: 40 x 28 in.
Description/Comments
Colors used: 1. Red Oxide Brown, 2. Light Ochre Flesh Tone, 3. Yellow, 4. Cyan Blue, 5. Magenta, 6. Crimson Red, 7. Black.
"A beauty queen in a blue gown stands befor [sic] red curtains and below a theatrical marquee which displays in brilliant
red letter; signed. Inscription in pencil within the image's lower ribbon reads: 11/40, 'La Queen', A Donis, 91"; Printer:
Richard Ball...[illegible]; special project
Rio, Por No Llorar
(Nov 28-Dec 2) 1988
creator: Donis, Alex
Physical Description: Westwinds (heavyweight); Image size: 36 x 23 in. Poster size: 39 x 26 in.
Description/Comments
A Brazilian (or Latin) woman in carnival costume and fruit headdress [slice of watermelon, can of coffee, bunch of bananas,
etc.] entwined in barbed wire and thorns. The figure [is] bordered by a film strip and musical instruments. Colors used: 1.
Green/; signed. Inscription in pencil below the image reads: "30/59, Rio, Por No Llorar, A Donis"; Printer: Oscar Duardo;
Atelier 12
Spider and Officer Johnson
creator: Donis, Alex
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
"This is a horizontal image depicting two figures with their arms extended out to each other. The character on the left is
a large African-American male with a spider tatoo on his elbo and the character on the right is a blond Anglo L.A.P.D officer;
undated; Printer: Jose Alpuche; unknown
"Yo Keith"
undated
Physical Description: unknown; Image size: unknown Poster size: 26 x 40 in.
Description/Comments
; undated; Printer: unknown; unknown
The Father, The Son And The Holy Ghost
(Feb 29-Mar 6) 1988
Physical Description: Westwinds (heavyweight); Image size: 36.75 x 23.75 in. Poster size: 36.75 x 23.75 in.
Description/Comments
Portrait of Mickey Mouse hovering over a robot. Colors used: 1. Yellow, 2. Red/Purple (split fountain), 3. Colbalt (sic.)
Blue, 4. Mint Green, 5. White, 6. Black. "Well, it was quite a spontaneous activity indeed. The content of this image is totally
ap; signed. Inscription in pencil at the bottom of the image area reads: "signature, In the Beggining [sic], Disney Created
God, and 4/45"; Printer: unknown; Atelier 11
Untitled
(Jan 27-Feb 2) 1984
Physical Description: Somerset 320 gram, textured 100% Rag.; Image size: 24 x 35 in. Poster size: 27.5 x 39.5 in.
Description/Comments
Fourteen color image of boy (sic.) george (sic.): white, light flesh, pink, light green, metallic gold, light blue, yellow,
fire red, metallic silver, dark metallic silver, metallic silver blue, metallic silver red, medium flesh, and black. Atelier
infor; signed. Inscription in pencil below image area reads: "2/80, and signature"; Printer: Stephen Grace; Atelier 3
Untitled
(Jan 25-Feb) 1985
Physical Description: Stonehenge 320 gram-white; Image size: 25 x 36 in. Poster size: 28.75 x 41 in.
Description/Comments
Female torso in a black bathing suit on a blue, light green, and pink background. Green Japanese characters. (Made in U.S.A.).;
signed. Inscription in pencil below the image area reads: "4/88, and signature" signed. Inscription in pencil located below
the image reads: "6/88, Richard Duardo"; Printer: Stephen Grace; Atelier 5
Veronika's Flight
(Mar 14-19) 1994
Physical Description: Coventry Rag 290 grms; Image size: 28.5 x 41 in. Poster size: 29.5 x 43.5 in.
Description/Comments
Horizontal format, nude female figure with wings moving thru [sic] stylized aqua environment left to right w/ a gold and black
border of fragmented metal. Colors used: 1. Mint green, 2. Pastel green, 3. Salmon, 4. Powder blue, 5. Magenta, 6. Purple,
7. P; signed. Inscription in pencil below the image reads: "4/72, Richard Duardo"; Printer: José Alpuche; Atelier 24
Zen
1998
Physical Description: unknown; Image size: 36 x 27.5 in. Poster size: 38.375 x 30 in.
Description/Comments
Abstract with central box of text: Art, Fun, God" stencils were greated in a generative process. The print was fully determined
by a collaborative effort by both participating artist and master printer, Alpuche. Last two colours pulled were selected
by pr; signed.; Printer: José Alpuche; Atelier 31
Beaning Indigenous
(Mar 10-15) 1991
Physical Description: Westwinds; Image size: 34.625 x 23.625 in. Poster size: 38.25 x 27 in.
Description/Comments
A Pinto Bean Floating in the night sky with stars out. The background with corn stalks behind the Bean, futher back the corn
is a black back drop. Colors used: 1. Light transparent tan, 2.Cyan Blue, 3. Transparent Lime, 4. Transparent Tan-Red, 5.
Dark B; signed. Inscription in pencil located below the image reads: "14/64, 'Beaning Indigenous', Richardo Duffy"; Printer:
Oscar Duardo; Atelier 16
The New Order
undated
Physical Description: unknown; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
Desert cliffs in background with "Marlboro County," George Washington smoking a cigarette, Prop 187, and a caution sign.;
signed.; Printer: unknown; Atelier 29
Primavera
(May 31-June 3) 1994
Physical Description: Coventry Rag 290 grms; Image size: 24 x 37 in. Poster size: 30 x 44 in.
Description/Comments
Jaguar at spring time done in earth tones with mucho breastsesesese's R. Duffy. Colors used: 1. Orange-yellow, 2. Red Cadmium,
3. Burnt Umber, 4. Burnt Siena (sic.), 5. Yellow Cadmium, 6. Gold, 7. Black, 8. Maphthol (sic.) Red. 9. Magenta. "The Jaguar
i; signed. Inscription in pencil below the print reads: "4/64, 'Primavera', Richardo Duffy"; Printer: José Alpuche; Atelier
24
Three Virgins
undated
Physical Description: Coventry Rag 290 grms; image size: 22 x 16 in.; poster size: 26 x 20 in.
Description/Comments
The print uses five colors: magenta, cyan, yellow, black, and red. There are three people in the print. Sister Karen Boccalero,
a young girl at a bus stop, and the Pope surrounded by flames. On the Pope's hat is written, "I sold SHG." The scene depicted
takes place on Cesar Chavez Avenue. On the bottom right hand corner is written "ELA." Chopmark: embossed Self Help Graphics
insignia in the lower left hand corner. 2/68, 6/68 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
General Electric
( July 1-3) 1992
Physical Description: Westwinds; Image size: 17 x 24.5 in. Poster size: 20 x 28 in.
Description/Comments
Multicolored image composed of glasses, dollar signs, circles (coins?). The center of the composition is a vase with flowers.
To the right is the enlarged symbol for General Electric company. Colors used: 1. Blue, 2. Yellow, 3. White, 4. Lt. Purple,
5.; signed. Inscription in pencil below image area reads: "General Electric, 4/57, Durazo, 1992"; Printer: Richard Balboa;
Atelier 19 L.A. Riots
Tiankistli
(Oct 2-6) 1995
Physical Description: Coventry; Image size: 35.5 x 25.625 in. Poster size: 38 x 28.625 in.
Description/Comments
In the center of the poster is a wood structure which is supporting a large piece of yellow cloth. The structure is standing
on a yellow circle with flames radiating from the object. Next to the structure is a book shelf with legs in the compartments.;
signed.; Printer: José Alpuche; unknown
Anafre
(March 7) 1998
Physical Description: Coventry Rag, 290 grms; Image size: 21 x 26.5 in. Poster size: 25.5 x 30.125 in.
Description/Comments
Nude woman sitting under a tree with some books at her side, a coal burner (Anafre) on right. Colors used: 1. Green, 2. Red,
3. Dark Brown, 4. Peach, 5. Yellowish White. "See 'Paella' Certificate." F. Ehrenberg; signed.; Printer: José Alpuche; Atelier
31
Mi Hogar en Istelei
1995
Physical Description: poster; Image size: 10 x 38 in. Poster size: 15 x 44 in.
Description/Comments
The print is long and horizontal in shape. On the left is an architect's blue-print ground plan for a one-room house with
outdoor attachments. On the right, against a sunsetting sky, is the same stone house in perspective. A cross and a necktie
hanging; signed.; Printer: José Alpuche; unknown
Nudos-Ties-SHG L.A. (x-95)
1995
Physical Description: poster; Image size: 16.875 x 11 in. Poster size: 22 x 15 in.
Description/Comments
A rectangular shaped object is the focus of this print with a white cloth covering it. There are different colored ties over
this object with a dark string holding them in place. Colors: red, black, and cream white.; signed.; Printer: José Alpuche;
Atelier 13
Otra Canelita
(Feb 12-17) 1994
Physical Description: Coventry Rag 290 grms; Image size: 22.375 x 38 in. Poster size: 30 x 44 in.
Description/Comments
A large room. Two windows on the lef (sic.) allow the light to fall on [a] young woman, on right, covered by towel and wearing
[a] turban, who stands before a mirror. Greenish specks of light dance in the room, in the middle. Colors used: 1. Dark Orange;
signed. Inscription in pencil below the image reads: "Ehrenberg, Otra Canelita, 4/66, '94"; Printer: José Alpuche; Atelier
24
Paella
(Mar. 7) 1998
Physical Description: Coventry Rag, 290 grms; Image size: 15 x 25 in. Poster size: 18 x 30 in.
Description/Comments
Nude woman with one arm up in the air and the other is around her neck. Colors used: 1. Green, 2. Red. 3. Dark Brown, 4. Peach,
5. Yellowish White. "This one was printed at the same time as 'Anafre'. Both 'Paella' and 'Anafre' form part of a larger seri;
signed.; Printer: José Alpuche; Atelier 31
Primero De Enero-I
(Feb 12-17) 1994
Physical Description: Coventry Rag 290 grms; Image size: 18 x 26 in. Poster size: 22 x 28 in.
Description/Comments
An [enormous] amount of crutches rises from the ground and marches across the horizon, as the light of dawn begins to rise.
Colors used: 1. Mango Orange, 2. Night Blue, 3. Burnt Umber, 4. Off White, 5. White. "The crutch is a recurren (sic.) ikon
(sic.); signed. Inscription in pencil located below the print reads: "Ehrenberg, Primero de Enero-I, 4/55"; Printer: José
Alpuche; Atelier 24
Primero De Enero-II
(Feb 12-17) 1994
Physical Description: Coverntry 290 grms; Image size: 18 x 26 in. Poster size: 22 x 28 in.
Description/Comments
In the background, the faintest suggestion of jungle land; in the foreground, long planks are violently pushed up and splinter
in the air, suggesting a volcano. Colors used: 1. Mango Orange, 2. Night Blue, 3. Burnt Umber, 4. Off White, 5. White, 6.
Transp; signed. Inscription in pencil below the image reads: "Ehrenberg Primero de Enero-II, 4/55, '94"; Printer: José Alpuche;
Atelier 24
Cry Now
2010
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description/Comments
The print is in black and white. It shows a crying tragedy mask with "Cry Now" written at the bottom. Chopmark: embossed Self
Help Graphics insignia in the lower left hand corner. 2/88 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Amor y Arte
2017
General Physical Description note
Silkscreen; Poster Size: 20 x 26 in
Description/Comments
The silkscreen depicts a red heart in the center wrapped around by a black banner with the red words "Amor Arte" wrapped around
the heart. There are black roses as well as red and black linear patterns encompassing the heart. Artist statement: "Flowing
red heart surrounded by roses. A ribbon with the words "Amor" and "Arte" surround the heart. Original art commissioned in
2009 for a film by Alberto Barboza." This silkscreen has a chop mark located on the bottom center of the silkscreen and the
edition 4/90 written on the bottom left corner. The edition, artist signature, and date are written in pencil along the bottom
edge of the print.
Ixtaccihuatl
2009
Physical Description: Coventry Rag 290 grms; image size: 24 x 24 in.; poster size: 30 x 30 in.
Description/Comments
The poster uses three colors: black, white, and red. The print is of an Azteca man holding an Azteca princess in front of
a man. The man is visible from the lower half of his face down. "The print is a depiction of a classic theme in Mexican poster
art: Popocatépetl and Ixtaccihuatl, but rendered in my own brushwork style for a bold, strange and somewhat more modern feel.
I tried to make the image as powerful as possible by only using a rich orange-red color along with the almost calligraphic
black brushwork." El Mac. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/75 ed.; prnt: José
Alpuche; mtrx: destroyed; signed.
"Out of Reach"
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
"Two elderly people on a purple couch." - Carol Es. Artist's elerly parents sit on a lavender couch, the first time they would
come to visit their daughter. The image captures their personalities, their relationship to the artist and each other. The
print; March 04-08; Printer: Jose Alpuche; unknown
I Know Her... All About Her
May 7-11 and 30, 2002
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Woman in Central Figure surrounded by a corona of maguey plants. 2 spirits appear (L.L. corner) in the foreground while a
third in the background tells (URHC) the story. A humming bird hovers above the woman, with LA central and the Belmont tunnel
from th; signed; Printer: José Alpuche; Atelier XL
Cesar Vive
(Sept 28-Apr 15) 1993-94
Physical Description: Coventry Rag 290 grms; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
The Image of Cesar Chavez appears integrated into an ear of corn in yellows + greens within a a [sic] red circle where a blk.
Aztec Eagle Soars. All this against a blue backgorund with an outlined, eagle pattern. The script: Cesar Vive" flows along
the; signed. Inscription in pencil below the image reads: "4/60, Cesar Vive, Ofelia Esparza, '94"; Printer: José Alpuche;
Atelier 24
How Many More?
2008
Physical Description: Coventry Rag 290 grms; Image size: 20 x 26 in. Poster size: 20 x 26 in.
Description/Comments
There are four colors used in this print: black, white, red, and tan. The print is an image of an old woman holding a framed
photo of a young man in uniform. Behind her is an arc of pictures of a silhouette of a head against a white background. Written
in red above of the woman's head is "¿Cuántos Más?" Chopmark: embossed Self Help Graphics insignia in the lower left hand
corner. 2/130 ed.; signed.
Recuerdos Que Nunea Mueren
2012
Physical Description: Coventry Rag 290 grms; image size: 22 x 30 in.; poster size: 27 x 35.5 in.
Description/Comments
The print uses the colors 7 colors: lime green, cyan, yellow orange, magenta, sienna, black, and transparent white. The print
is of an altar. On the altar are objects personal to the artists. Included are photos of family members, a bowl of fruit,
and a vase of flowers. At the top of the print is written "Recuerdos Que Cunca Mueren" and underneath that is "Dia de Los
Muertos." "The three artists collaborated in this serigraph. Each contributed personal motifs reflecting their art signitaures,
in concert with honoring their family members with symbolic elements to the altar image. Remembering their husband and father
and grandmother. The altar design follows the actual altars this family is known for throughout Los Angeles and beyond." Ofelia
Esparza.Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 4/72, 6/72 ed.; prnt: José Alpuche;
mtrx: destroyed; signed.
Hyper Myth
August 21-24, 2001
Physical Description: Coventry Rag, 290 gms.; Image size: 10 x 20 in. Poster size: 20 x 26 in.
Description/Comments
hyper against yellows background. "Myth" against blues background silkscreen "dyptich" Colors used: Clear Base, Warm Red,
T. Yellow, Baby Blue, T. White, Red Shade Blue, and Clear Gloss.; signed; Printer: José Alpuche; Atelier XXXIX
Si Se Puede
2008
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description/Comments
The print uses two colors: black and green. The print is a portrait of President Obama with "Si Se Puede" written at the bottom.
"Although my work is not politcal -- maybe subtly subversive or ironic-- I was taken by Barack Obama's intellect and charisma,
I thought to create a small art-piece as an homage to the presidential candidate, a man of color, and show solidarity between
African-Americans and Chicanos/Mexican-Americans. The piece works well as a banner to take to the streets or as a framed art
to settle on a wall somewhere." Ruben Esparza. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner.
2/108 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Y Que
Physical Description: Coventry Rag.290 grms; Image size: 16 x 20 in. Poster size: 20 x 26 in.
Description/Comments
"Figure of tatooed man in foreground with decorative wallpapered background … Gay pride in the Latino community - decoration
as a symbolism of queer culture - the meshing of hyper masculinity and decorative motif as its main visual objective." - Ruben
Esp; December 4-8; Printer: Jose Alpuche; unknown
We The People
(Aug 22-26) 1988
Physical Description: Westwinds (heavyweight); Image size: 36 x 24 in. Poster size: 40 x 26 in.
Description/Comments
There is a woman holding a dove. The background is a flag dripping black, red, and blues. Colors used: 1. Trans. Ultramarine
Blue, 2. Trans. Light Brown, 3. Reddish Brown, 4. Trans. Pink, 5. Red, 6. Ultramarine Blue, 7. Black, 8. Flesh, 9. Rusty Red,
10; signed. Inscription in pencil below the image reads: "We The People, 88, Carlota Espinoza, 17/65"; Printer: Oscar Duardo;
National Chicano Screenprint Taller, Wight Art Gallery, UCLA
Cihuacoatl
2012
Physical Description: Coventry Rag 290 grms; image size: 22 x 16 in.; poster size: 26 x 20 in.
Description/Comments
This print uses eleven colors, all in shades of gray. The poster is an image of a man holding his shirt over his head. There
is an impression of a skull showing through the cloth of the t-shirt. On his arms and chest are various tattoos. "The legend
of Cihuacoatl or 'la llorena.'" Ricardo Estrada. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner.
4/41, 6/41 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Aqui Estamos....,
1987
Physical Description: unknown; Image size: 15.5 x 21 in. Poster size: 19 x 25 in.
Description/Comments
Three men (who?) in black and white looking at the viewer and showing images of `Día de los Muertos', and 'Tiburcio Vasquez'.
The men are inscribed in an orange-yellow gradation where blue ink repeats the logo 'RCAF'. In the background there is a blue
g; signed. Inscription in pencil below image area reads: "Richardo Favela 87'."; Printer: unknown; unknown
Re-elect Sheriff Joe
2009
Physical Description: Coventry Rag 290 grms; image size: 26 x 34 in.; poster size: 30 x 38 in.
Description/Comments
The print uses the colors red, blue, and navy. The print is a portrait of Joe Arpaio.The background of the print are red and
white stripes. "Re-elect Sheriff Joe" is written at the top of the print. "Support Racism & Human Rights Abuse" is written
at the bottom of the print. "Ironic print making fun of Joe Arpaio supporters which in many cases are racist minutemen or
nativists." Shepard Fairey and Ernesto Yerena. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner.
2/108 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Don't Become a Dish to a Man... You Will Soon Break
1996
Physical Description: poster; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Scene of a broken doll with cracked dishes in the background. Doll has orange skin and long dark hair. Dishes are colored
gray-green.; signed.; Printer: José Alpuche; Atelier 29
Hope
2009
Physical Description: Coventry Rag 290 grms; image size: 21 x 16 in.; poster size: 26 x 20 in.
Description/Comments
The print uses the colors six colors: beige, blue, orange, green, red, and black. The print is of a store front with several
homeless people in front of it. On the store front is written "Hope." "'Hope' shows a homeless person's abode, in the form
of a tant, underneath a sign for Hope Sportswear Company. Next to the tent grows a palm tree representing life and rebirth.
Underneath the image reads 'Approximately 3.5 million people, 1.35 million of them children, are likely to experience homelessness
in a given year.'" Karen Fiorito. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/77 ed.;
prnt: José Alpuche; mtrx: destroyed; signed.
Jagar
(March) 1983
creator: Flores, Florencio
Physical Description: Artprint; Image size: 19 x 25 in. Poster size: 23 x 35 in.
Description/Comments
Red, blue, and gray car in the center. Burnt umber background with white "SCOT" and yellow "REX" letters on a gray and black
dotted foreground. Colors used: 1. Red, 2. Blue, 3. Yellow, 4. Black, 5. Rust.; signed. Inscription in pencil reads: "37/60
and signature"; Printer: Stephen Grace; Atelier 1
The Making of a Trophy Grrl!
May 21-25
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Colors used: Red, Ivory/Beibe, Pink Flesh Tone, Burgundy/Red, Blue, Purple, Black, Yellow, and White.; signed; Printer: José
Alpuche; Atelier XL
Greñuda
April 3-7, 2001
Physical Description: Coventry Rag, 290 gms.; Image size: 18 x 26 in. Poster size: 22 x 30 in.
Description/Comments
A little girl is getting her hair done by her mother. The words surrounding the girl express the frustration being felt by
her. The colors around her are messy and random, like her hair. Colors used: Yellow Light, Orangel Yellow, Red Orange, Ultra
Mar; signed; Printer: José Alpuche; Atelier XXXVIII
Liberty Hell
2008
Physical Description: Coventry Rag 290 grms; image size: 11 x 15 in.; poster size: The print uses the colors silver and black. The print is of the
Liberty Bell. On the bell are modified logos of popular brands which comment on politcal issues such as substance abuse. "Mark
of the beast." Brandy Flower. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 20 x 26 in.
Physical Description: The print uses the colors silver and black. The print is of the Liberty Bell. On the bell are modified logos of popular brands
which comment on politcal issues such as substance abuse. "Mark of the beast." Brandy Flower. Chopmark: embossed Self Help
Graphics insignia in the lower left hand corner. 2/120 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
New Day
Physical Description: Coventry Rag.290 grms; Image size: 9 x 12 in. Poster size: 12 x 18 in.
Description/Comments
"In 2007, following theme of 'cityscape,' I created a digital collage incorporating an image of a paper collage of first generation
New York City apartment buildings. The sun shines over everything in its ambiguous position. The title 'New Day' is meant
t; August; Printer: Jose Alpuche; unknown
Obsesión De La Muerte
(Apr) 1994
Physical Description: Coventry Rag 290 grms; Image size: 18 x 23.25 in. Poster size: 20 x 26 in.
Description/Comments
Arbol de la vida. Spanish text encircles a purple linear tree/trail. Candles stand on seven upper curved areas. Figures, skeletons,
flowers and birds perform along the branches/trails. Colors used: 1. Yellow, 2. Magenta, 3. Cyan Blue, 4. Flesh, 5. Gra; signed.
Inscription in pencil below the image reads: "4/55, 'Obsesión de la Muerte', Michiko, '94"; Printer: José Alpuche; Atelier
24
Una Vida Mejor
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Physical Description: The colors used in the print are red, blue, pink, grey, yellow, beige, maroon, and shades of green. The print is of a mountain
side. There is a path leading into the mountain. There are three people walking on the path. Chopmark: embossed Self Help
Graphics insignia in the lower left hand corner. 4/50, 6/50 ed.; signed.
Ayotzinattica
2016
Physical Description: Silkscreen; Image size: 9 x 12 in. Poster size: 11 x 15 in.
Description/Comments
This black and white poster shows an image of a large fire which consumes a majority of the print. On the left side of the
print, a man wearing 6 skulls stands proudly with his hands in the air, below him lies another skull and a decaying corpse.
The bottom-center shows an open book enveloped by the fire, above it stands a blindfolded man with his arms extending outwards.
Towards the bottom right of the print is an image of another man lying on the ground, next to him stands a figure with a slingshot
aimed at the man wearing the skulls. Included are editions 4/30 and 6/30 of this print, and both signed and dated by the artist
in pencil.
Luna Roja
(May 5, 6, 7, 8 and June 9) 1998
Physical Description: Coventry Rag, 290 grms.; Image size: 22.125 x 17.25 in. Poster size: 26 x 20 in.
Description/Comments
Headless woman's torso wrapped in barbed wire. Two green leaves are around her and a red moon behind her body. Colors used:
1. Yellow, 2. Green, 3. Red, 4. Purple, 5. Sienna, 6. Light Sienna, 7. Dark Green, 8. Burgandy - Crimson, 9. Brown. "'Luna
Roja' i; signed.; Printer: José Alpuche; Atelier 29-31 #4 and #6
Altered State
1999
creator: Gamboa, Diane
Physical Description: silkscreen; Image size: 18 x 26.25 in. Poster size: 22 x 30.25 in.
Description/Comments
The poster creates a scenario where the boundaries between love, sexuality, and the religious are blurred, while exploring
the centrality of women, and the power of the feminine in these spheres--Maestras Atelier XXXII 1999.; signed. Inscription
in pencil below image reads: "4/75, 'Altered State', Gamboa 99."; Printer: unknown; Atelier 33
1999 Silkscreen Print
9 colors
Edition of: 75
Self Help Graphics Print Studio
Note: Special Maesrtas No. 1 Project, Curated by Yreina Cervantez
Deadly Stylish, Announcment Poster
2009
creator: Gamboa, Diane
Physical Description: Coventry Rag 290 grms; image size: ; poster size:
Little Gold Man
(Feb 12-16) 1990
creator: Gamboa, Diane
Physical Description: Westwinds (heavyweight); Image size: 36 x 24 in. Poster size: 38 x 26 in.
Description/Comments
Eight light-green skinned figures, whose focus is a gold horned pink creature with a tail, and a small gold man on the top
of his hat. Very elaborately decorated interior with tables, chairs, curtains, etc. "A black line drawing of figures in an
interior; signed. Inscription in pencil below image area reads: "2/73, title, signature and 90" signed. Inscription in pencil
located below the image reads: "16/73, Little Gold Man, Gamboa, 90"; Printer: Oscar Duardo; Atelier 15
1990 Silkscreen Print
Atelier No. 15
Printing Dates: February 12-16, 1990
Edition of: 73
Self Help Graphics Print Studio
Lost And Found
1994
creator: Gamboa, Diane
Physical Description: unknown; Image size: 26 x 30 in. Poster size: 30 x 34 in.
Description/Comments
Many figures make up the image. The central figure is a male wearing a crown with a heart pierced by a dagger. On the upper
left is a man wearing a suit with gold pinstripes and circles on the lapels. A red headed female figure with exposed breasts;
signed. Inscription in pencil below the image reads: "4/49, Lost and Found, Gamboa, 94"
1994 Silkscreen Print
Edition of: 49
Self Help Graphics Print Studio
box 4
Malathion Baby
(June 18-29) 1990
creator: Gamboa, Diane
Physical Description: Westwinds (heavyweight); Image size: 48 x 36 in. Poster size: 50 x 38 in.
Physical Location: CEMA office area
Description/Comments
Eight figures in malathion yellow are grouped for a snap shot. Flowers in pink and red with gold throughout image. Malathion
Baby is traped with a black outline. Colors used: 1. Dark Yellow, 2. Yellow, 3. Red, 4. Blue, 5. Bark Green, 6. Gray, 7. Green,;
signed. Inscription in pencil below the image reads: "4/79, Malathion Baby, Gamboa, 90"; Printer: Oscar Duardo; L.A. Festival
1990 Silkscreen Print
Printing Dates: June 18-29, 1990
Edition of: 79
Self Help Graphics Print Studio
Note: Special Los Angeles Festival 90 Project
Revelation Revolution
May 14-18, 2002
creator: Gamboa, Diane
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
The piece is set on the horizontal. The central figure is of a woman in her white lingerie, a ring on her right hand and she
is holding a red handbag. Another woman is up front with a flower in her hair and tattoos across her shoulders. A third woman
i; signed; Printer: José Alpuche; Atelier XL
2002 Silkscreen Print
Printing Dates: May 14- 18, 2002
Edition of: 88
Self Help Graphics Print Studio
Note: A series of sequence prints made of
Revelation Revolution print.
Self Portrait
(Jan 9-18) 1984
creator: Gamboa, Diane
Physical Description: Somerset 320 gram, textured 100% Rag.; Image size: 23.5 x 35 in. Poster size: 28 x 40 in.
Description/Comments
Twelve color image. Self portrait on a black background. Atelier information on the back. Emerging from the black background
are a face and hand. Squares of different colors break up or add to the face. This image is a self-portrait of Diane Gamboa.;
signed. Inscription in pencil below the image area reads: "2/78, and signature" signed. Inscription in pencil below the image
reads: "18/78, Diane Gamboa"; Printer: Stephen Grace; Atelier 3
1984-Silkscreen Print. Printing dates: January 9-18, 1984
35 x 23.5 in., 40 x 28 in. paper.
Edition of: 78
Self Help Graphics Print Studio
She's My Puppet
(Oct 21 and 23) 1983
creator: Gamboa, Diane
Physical Description: Artprint Archival 25% Rag; Image size: 15 x 21 in. Poster size: 22 x 34 in.
Description/Comments
Announcement Poster for "Experimental Screen Print II: Self Help Graphics and Art Inc.: Fall 1983". Silkscreen image of two
figures--a man holding a woman. Both figures are facing the viewer. Her dress is lime green and his suit is black. Purple
scrat; signed. Inscription in pencil below image area reads: "4/77 and signature" "B.A.T.Z., Diane Gamboa"; Printer: Stephen
Grace; Atelier 2
1983 Silkscreen Print
Atelier No. 2
Printing Dates: October 21-23, 1983
Edition of: 77
Self Help Graphics Print Studio
Three
(March 17-20) 1986
creator: Gamboa, Diane
Physical Description: Accent 290 grams - white; Image size: 24 x 32 in. Poster size: 25 x 24 in.
Description/Comments
Three fantastic characters on a black background.; signed. Inscription in pencil below image area reads: "4/45, title, signature
and 86"; Printer: Stephen Grace; Atelier 7
1986 Silkscreen Print
Atelier No. 7
Printing Dates: March 17-21, 1986
12 colors
Edition of: 45
Self Help Graphics Print Studio
Loose
(Oct 6-9) 1986
creator: Gamboa, Diane
Physical Description: Westwinds; Image size: 11 x 9 in. Poster size: 18.5 x 12.5 in.
Description/Comments
Blue, red, yellow, green, orange and black colors. There is a face on the left-hand side.; signed., Inscription in pencil
below the image area reads: "4/45, Diane Gamboa, 86"; Printer: Oscar Duardo; unknown
1986 Silkscreen Print
Atelier No. 8
Printing Dates: October 6-10, 1986
6 colors
Note: One of four prints on one sheet of paper
Overpowered
(Oct 6-9) 1986
creator: Gamboa, Diane
Physical Description: Westwinds; Image size: 11 x 9.5 in. Poster size: 18.5 x 12.5 in.
Description/Comments
Pink, blue and yellow. On the right-hand side is the blue and yellow face of a woman and on the left-hand side is a small
man's face.; signed., Inscription in pencil below the image area reads: "4/45, Diane Gamboa, 86"; Printer: Oscar Duardo; unknown
1986 Silkscreen Print
Atelier No. 8
Printing Dates: October 6-10, 1986
9 colors
Edition of: 45
Note: One of four prints on one sheet of paper.
Desired
(Oct 6-9) 1986
creator: Gamboa, Diane
Physical Description: Westwinds; Image size: 11 x 9 in. Poster size: 18.5 x 12.5 in.
Description/Comments
Man with a green face and red hair. He is wearing a pink shirt, and a green and brown jacket. Gray background.; signed., Inscription
in pencil below the image area reads: "4/45, Diane Gamboa, 86"; Printer: Oscar Duardo; unknown
Desired.
1986 Silkscreen Print.
Atelier No. 8
Printing Dates: October 6-10, 1986
8 colors
18.5 x 12.5 in. paper
Edition of: 45
Self Help Graphics Print Studio
Note: One of four prints on one sheet of paper
Subjects and Indexing Terms
Duardo, Oscar
Expression
(Oct 6-9) 1986
creator: Gamboa, Diane
Physical Description: Westwinds; Image size: 11 x 9 in. Poster size: 18.5 x 12.5 in.
Description/Comments
Face with red, orange, green, blue and yellow colors.; signed., Inscription in pencil below the image area reads: "4/45, Diane
Gamboa, 86"; Printer: Oscar Duardo; unknown
1986 Silkscreen Print
Atelier No. 8
Printing Dates: October 6-10, 1986
8 colors
Edition of: 45
Note: One of four prints on one sheet of paper.
Mujer de Maiz
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
"Portrait of an indigenous woman with maiz. The piece is of a Zapatista woman with corn in hand. There is somewhat of yellow
glow surrounding her to symbolize her strength. There are corn stalks with deep roots and drops of blood which represents
the bloo; April 16-18, April 22-25; Printer: Jose Alpuche; unknown
El Pirka
2017
General Physical Description note
Silkscreen; Poster Size: 26 x 20 in.
Description/Comments
The silkscreen depicts a man in his boat with teal wires driving his boat away from land. Behind the individual in the water
are two other boats with "Cucapa" and a red star written along the side of the vessel. The water is a blend of blue and yellow
paints. In the distance on land there are people and cars. This silkscreen has a chop mark located on the bottom left corner
of the silkscreen with edition 4/37. The edition, title, and artist signature are written in pencil along the bottom edge
of the print.
La Santa Cecilia
2016
Physical Description: Silkscreen; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Against a yellow backdrop, the poster shows a pair of red shoes that take up most of center. The left shoe is painted with
two patterns; the ankle-end of the shoe has green poka-dots, while the toes have a gray sprinkle design. "Chula" is written
over the sprinkles in purple with white dots. The top of the poster reads, "La Santa Cecilia Buika" in purple, surrounding
it are 3 butterflies, one green, one blue, and one purple. The bottom of the poster, also in purple writing, reads, "March
26; Walt Disney Concert Hall." Bellow that, a small red icon accompanied by the words "LA Phil" The poster is signed by the
artist, and a chopmark is included on the lower left corner of the print.
Artist described print as,"print featuring dance shoes, with of shoe, embellished/decorated."
Untitled
(Nov 6-11) 1984
Physical Description: Stonehenge 245 gram - white; Image size: 24 x 35.5 in. Poster size: 28 x 40.75 in.
Description/Comments
Photo silkscreen with blue tape on a beige, pink, and orchid textured background. Smudge on the lower left outside of the
image area. Colors used: 1. Pink/White font, 2. Lavender, 3. Light Pink, 4. Light Grey, 5. Light Lavender, 6. Grey, 7. Grey/Blue,
8; signed. Inscription in pencil below image area reads: "4/86, and Lorraine Garcia", "30/86, and Lorraine Garcia"; Printer:
Stephen Grace; Atelier 4
Atelier IV, Announcement Poster for
(Nov 3-Dec 13) 1984
creator: Maradiaga, Ralph
creator: Vallejo, Linda
creator: Herrʹon, Willie
creator: Torrez, Eloy
Physical Description: Stonehenge 245 grams - white; Image size: 24 x 36 in. Poster size: 29 x 41.75 in.
Description/Comments
Announcement Poster for "Atelier IV". Five images representing the work of these artists done during this atelier on a blue
and gray background. Yellow, gray, and blue type.; signed. Inscription in pencil below image area reads: "2/21, copyright
and SHG"; Printer: Stephen Grace; Atelier 4
El Sonido de La Lucha Estudiantil
2011
Physical Description: Coventry Rag 290 grms; image size: 8 x 10 in.; poster size: 10 x 12 in.
Description/Comments
The print uses the colors shades of blue. The print is of a drummer in the middle of a protest. "The image of this print was
originally a photograph taken during a Student/ Teacher protest on March 26 2011 against the Los Angeles School District's
5,000pink slips given to teachers. The student drummer, Victor Carcamo, was in the middle of a drill when the photograph was
taken. The content in the background reflects the few of many necessities of inner-city communities, the working class, and
inner-city students. A critical pedagogy is one that starts in the classroom and helps students make connections outside of
the classroom with the same subjects that are taught in school." Luis Garcia. Chopmark: embossed Self Help Graphics insignia
in the lower left hand corner. 4/65, 6/65 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Una Cita con la Vida
2015
Physical Description: Silkscreen; Image size: 22.5 x 30.5 in. Poster size: 27 x 35 in.
Description/Comments
The title of the poster translates to "A meeting with life". The background contains various shades of purples containing
various images of life, such as graduation, old age, and meeting ones true love. The skeleton shaves his chin while putting
on a yellow dress shirt, a black waistcoat, and orange tie with pink stripes. In front of him lies a green lawn with a skull
and several flowers including tulips, a lily, and a assortment of flowers. Over his head are numerous banners of various colors,
the largest two are positioned on opposite sides of his head. The green banner on the left reads "SHG 2014" and the orange
banner on the right has an image of a skull with its mouth open. Included are editions 4/50 and 6/50, and both are signed
by the artist in pencil.
(title unknown)
(Feb 24-27) 1986
creator: Guerrero-Cruz, Dolores
Physical Description: Accent 290 gram-white; Image size: 24.25 x 18.25 in. Poster size: 24.25 x 18.25 in.
Description/Comments
A red dog. A desert night. Full bleed. Hand torn top and bottom edges.; signed. Inscription in pencil below image area: "4/45
and signature"; Printer: Stephen Grace; Atelier 7
Anna Comiendo Salsa
(Dec 1-5) 1986
creator: Garcia, Margaret
Physical Description: Westwind; Image size: 32.25 x 22 in. Poster size: 36 x 24 in.
Description/Comments
Image of a woman which consists mainly of thick strokes of gold, purple and yellow. The background is light blue with watery
lines of dark blue streaking it. The image represents: "girl seated at a table mopping up salsa with a tortilla." M. García.
Fu; signed. Inscription in pencil located below image area reads: "4/46, title and signature."; Printer: Oscar Duardo; Atelier
8
De Colores
(July 5-9) 1994
creator: Garcia, Margaret
Physical Description: Coventry Rag 290 grms; Image size: 25.75 x 37 in. Poster size: 25.75 x 37 in.
Description/Comments
Full bleed silk screen image of a "Man with Red Hat w/farm workers' eagle." Colors used: 1. Red, 2. Brown , 3. Manilla , 4.
Light Purple, 5. Phtalo (sic.) Blue, 6. Dk Green, 7. Yellow - Orange, 8. Dk. Trans. Purple, 9. Light Green, 10. Trans. White,
11.; signed. Inscription in pencil along the left hand edge within the image reads: "Margaret Garcia, De Colores, 4/66"; Printer:
José Alpuche; Atelier 24
F. Emilio And Mom
(May 27-31) 1991
creator: Garcia, Margaret
Physical Description: Westwinds; Image size: 23.5 x 30 in. Poster size: 23.5 x 30 in.
Description/Comments
Full bleed. Image of a woman holding a baby. Colors used: 1. Grape, 2. Phalo Green, 3. Magenta, 4. Cad. Red, 5. Blue, 6. Yellow,
7. Ultramarine, 8. Orange, 9. White, 10. Purple, 11. Phalo Blue, 12. Pink. "It is my nephew and sister-in-law Gia Garcia.
B; signed. Inscription in pencil located at the bottom reads: "4/64 and signature"; Printer: Oscar Duardo; Atelier 17
Memory of a Haunting
1999
creator: Garcia, Margaret
Physical Description: silkscreen; Image size: 17 x 23.25 in. Poster size: 20 x 26.125 in.
Description/Comments
Painting of a close-up of a skeleton with red hair. Background is purple. The bones are grey, silver, and white.; signed.
Inscription in pencil below image reads: "4/71, Memory of a Haunting, Margaret Garcia."; Printer: unknown; Atelier 33
My Ego Is Devil, My Ego Is My Demon
undated
creator: Garcia, Margaret
Physical Description: studio proof; Image size: 23 x 34 in. Poster size: 23 x 34 in.
Description/Comments
More than half of the print is the face of a woman, red eyes, purple hair, facing the viewer. A hand with sharp, claw-like
fingers is holding a red mask outlines in purple of a devil's face. Behind the mask is a green background. Full bleed image.;
signed. Inscription in pencil at the bottom inside image area reads: "3/6, My Ego is Devil, my Ego is my Demon, special project,
3/6, Margaret Garcia"; Printer: unknown; unknown
Romance
(Jan 4-8) 1988
creator: Garcia, Margaret
Physical Description: Westwinds; Image size: 35.5 x 24.5 in. Poster size: 40 x 26.5 in.
Description/Comments
Image of magenta, blue, green and orange shoes, peppers, and a fork on a yellow background. Colors used: 1. Yellow, 2. Emerald
Green, 3. Lime Green, 4. Magenta, 5. Powder Blue, 6. Ultramarine Blue, 7. Purple, 8. Dark Blue, 9. Medium Yellow, 10. Vermilion;
signed. Inscription reads: "Title, signature, 4/36"; Printer: Oscar Duardo; Atelier 11
SiDa Que Amor Eterno
1992
creator: Garcia, Margaret
Physical Description: unknown; Image size: 22.5 x 17 in. Poster size: 26.125 x 20 in.
Description/Comments
A figure--half human-half skeleton is embracing a woman who is wearing a red dress and red lipstick and whose skin color is
yellow. It is night time and one can see the full moon in a dark blue sky.; signed. Inscription in pencil below image area
reads: "4/61, SiDa que Amor Eterno, Margaret Garcia"; Printer: unknown; Images Of The Future
The Next Generation
undated
creator: Garcia, Margaret
Physical Description: Coventry Rag, 290 gms.; Image size: 25.5 x 31.5 in. Poster size: 30 x 37.5 in.
Description/Comments
Image is of a young child.; signed. Inscription in pencil reads, "4/70 The next Generation Margaret García".; Printer: unknown;
Atelier?
Untitled
(Feb 24-27) 1986
creator: Garcia, Margaret
Physical Description: Accent 290 gram - white; Image size: 14.25 x 17.25 in. Poster size: 14.25 x 17.25 in.
Description/Comments
Portrait of a woman against a blue background. Full bleed.; signed. Inscription in pencil below image area "4/45 and signature";
Printer: Stephen Grace; Atelier 7
Amor Eterno
(May 6-8) 1997
Physical Description: Coventry Rag 290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Nude man is holding nude woman. Predominant colors: yellow and black. Colors used: 1. Dark Purple/Opaque, 2. Wine Red/Trans,
3. Yellow Orange/ Trans, 4. Yellow Green/Trans, 5. Purple/Trans, 6. Dark Purple/ Trans. "Love is eternal. Even death is an
exten; signed.; Printer: José Alpuche; Atelier 30
Observando
(July 19-21) 1994
Physical Description: Coventry Rag white; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Faces shown looking at the viewer. There is a large face in orange with black details on the right side. The composition is
divided by a yellow column, several art frames and a figure falling through an hour glass. Colors used: 1. Orange, 2. Red,
3. Ye; signed. Inscription in pencil located at the bottom reads: "4/69, Observando, Martin V. Garcia, 1994"; Printer: José
Alpuche; Atelier 24
"Los Angeles, 1992"
2009
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Collaboration with Gronk, consisting of Gronk's work and Garcia's poem.; June 25; Printer: Jose Alpuche; unknown
Dos Caras A.D.
(June 24-28) 1997
Physical Description: Coventry Rag, 290 grms; Image size: 19.125 x 12.875 in. Poster size: 26 x 20 in.
Description/Comments
Action-figure head in blue, silver, and black with a silver speckled background and "Dos Caras" written on top. Colors used:
1. True White, 2. Off White, 3. Silver, 4. Black, 5. Blue, 6. Gray (Dk). "'Dos Caras' is a Mexican pro werstler on 'Luchandon'
fr; signed.; Printer: José Alpuche; Atelier 30
A Secret Garden
February 10-11, 2000
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Three red hearts/Roses with yellow auras on a blued blend ground. Colors used: Drk to light Blue, Red, Green, Yellow 1-Medium,
Yellow 2-Light.; signed; Printer: José Alpuche; Atelier XXXV
Red 22
2009
Physical Description: Coventry Rag.290 grms; Image size: 12.5 x 22 in. Poster size: 20 x 26 in.
Description/Comments
The print is done in red, orange, yellow, and black. The print is of a front-facing skull. The skull is covered in various
drawings. "Working with iconic, graphic skull images throughout my graphic professional work. I've been working in the skateboard,
motorcycle, extreme sports industry for many years. I've been interested in translating the skull images into fine art works.
The skull transcends every culture and religion. It's a human constant that the viewer connects with on a very personal and
perhaps mental level. People always seem to react instantly with surprisingly varied opinions." Tanner Goldbeck. Chopmark:
embossed Self Help Graphics insignia in the lower left hand corner. 2/80, 4/80 ed.; prnt: Jose Alpuche; mtrx: destroyed; signed.
Stay Tuned
(Aug. 11-12) 1992
creator: Gómez, Patricia
Physical Description: Westwinds; Image size: 16.75 x 22.75 in. Poster size: 20 x 28 in.
Description/Comments
A black and white photo silkscreened image of the debris and destruction of a city in a background of what looks like fire.
Juxtaposed are nine lavender colored t.v. monitors showing selected areas of the previous image, enhanced by pointing arrows.
To; signed. Inscription in pencil below image area reads: "22/63, 'Stay Tuned', Pat Gomez [illegible]"; Printer: Richard Balboa;
Atelier 19 L.A. Riots
The Trappings of Sor Juana
1999
creator: Gómez, Patricia
Physical Description: silkscreen; Image size: 26.125 x 18 in. Poster size: 30.25 x 22 in.
Description/Comments
The center piece of the poster is of an altar-like composition with a vase that has a picture of Sor Juana Ines de la Cruz.
Pink flowers are held in the vase. There is a red scarf that creates the border and rosaries that hang from the top of poster.
T; signed. Inscription in pencil below image reads: "4/63, The Trappings of Sor Juana, Pat Gomez [illegible] 99."; Printer:
unknown; Atelier 33
Untitled
(Sept 11-15) 1988
Physical Description: Westwinds (heavyweight); Image size: 34 x 21 in. Poster size: 40 x 26 in.
Description/Comments
At the top there are two celestial figures, an angel and a demon. In the middle there are one human and one skeletal figure
in combat. At the bottom there is a "ollin" sign. Colors used: 1. Light tan, 2. Dark tan, 3. Light blue, 4. Dark blue, 5.
Purple; signed. Inscription in pencil below the image reads: "17/60, D M Gonzales"; Printer: Oscar Duardo; unknown
Día de los Muertos 97: Viva la Vida!!
undated
Physical Description: unknown; Image size: 19.5 x 22 in. Poster size: 25.5 x 26 in.
Description/Comments
Skeleton figures standing at a Chavez shrine/altar offering gifts of fruit and plants. "Self-Help Graphics" at the bottom
of the print.; unsigned.; Printer: José Alpuche; Atelier 29-31 #4 and #6
La Madona
1995
Physical Description: unknown; Image size: 18.25 x 10.5 in. Poster size: 22 x 13 in.
Description/Comments
Silk screen in black ink. Image of the Self-Help Graphics altar with the Virgin Mary. Four Children play near the altar. Above
the Virgin Mary are two angels (good and evil) boxing each other. The sun radiates bright on the upper left.; signed. Inscription
in pencil below the image reads: "4/41, La Madona, Gonzales Castro, 95"; Printer: unknown; unknown
Props and Scenery
May 27-31 and June 3, 2003
Physical Description: Coventry Rag, 290 gms; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
Multi-Colored Abst[r]act depicting minorities in background. Gold-yellow line symbolizes color barrier in advertisement and
film industries. This abstract was created after observing first hand, how the media (adver[t]ising and film) reduces minorities;
signed; Printer: José Alpuche; Atelier XLII
Concrete Bilingual Cancion De Ansia
1987
Physical Description: unknown; Image size: 15 x 20.875 in. Poster size: 19 x 25 in.
Description/Comments
On a textured background, white type reveals fragments of a bilingual poem and reveals the profile of a woman.; signed. Inscription
in pencil below image area reads: "20/50, Concrete Bilingual Cancion de Ansia, Louie the Foot, c/s, 1987."; Printer: unknown;
unknown
Alma de una Mujer
1995
creator: Gonzalez, Yolanda
Physical Description: poster; Image size: 37 x 26 in. Poster size: 44 x 30 in.
Description/Comments
Woman in red and yellow embracing herself. Her arms are crossed against her chest as she holds her shoulders. Blue background.
She needs only her force or belief in herself to continue her battle of a world filled with sadness and struggle. She lives;
signed.; Printer: José Alpuche; Atelier 26
El Vaquero
(Dec 11-15) 1989
creator: Gonzalez, Yolanda
Physical Description: Westwinds (heavyweight); Image size: 30 x 21 in. Poster size: 35.5 x 26 in.
Description/Comments
Expressionistic male figure riding a yellow horse on a purple background. Red boots, dark blue pants, gray hat and a red vest.
Colors used: 1. Red, 2. Lt. Pastel Violet, 3. Tran. Milori Blue, 4. Yellow, 5. Tran. Tan, 6. Purple (Tran.), 7. Tran. Gray,
8.; signed. Inscription in pencil below the image reads: "14/20, El Vaquero, Yolanda Gonzalez"; Printer: Oscar Duardo; Atelier
14
La Reyna
May 6-10, 2003
creator: Gonzalez, Yolanda
Physical Description: Coventry Rag, 290 gms; Image size: 22.5 x 15.5 in. Poster size: 26 x 20 in.
Description/Comments
Female sitting arms crossed with a lovely head[d]ress and a colorful shall [sic]. her dress is adorned by lots of textures
and colors. As he sits she's the Queen. La Reyna"[.] The strength of the woman is always that of a queen. "La Reyna" is loving,;
signed; Printer: José Alpuche; Atelier XLII
Lauren
2009
creator: Gonzalez, Yolanda
Physical Description: Coventry Rag 290 grms; image size: 12 x 18 in.; poster size: 20 x 26 in.
Description/Comments
The print uses three colors: beige, black, and transparent ochre. The print is a portrait of a young girl. There are three
flowers on the bottom of the print. "'Lauren' Gonzalez's neice. Lauren is the daughter/child Gonzalez never had." Yolanda
Gonzalez. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/38 ed.; prnt: José Alpuche; mtrx:
destroyed; signed.
Mi Indio
(Feb 18-22) 1991
creator: Gonzalez, Yolanda
Physical Description: Westwinds; Image size: 36 x 26 in. Poster size: 39 x 28 in.
Description/Comments
Expressionistic indian figure on [a] yellow horse. [Done in a] painterly style [with] very bold colors. [The] indian [is]
holding a shield with [the] left hand, [and] holding [a] spear with [the] right hand. (from original certificate of authenticity);
signed. Inscription in pencil below the image reads: "18/70, Mi Indio, Yolanda Gonzalez" signed. Inscription in pencil located
at the bottom below image area: "4/70, title and signature"; Printer: Oscar Duardo; Atelier 16
Women Know Your Strength!
(Nov. 13-17) 1992
creator: Gonzalez, Yolanda
Physical Description: Coventry Rag, 290 grms; Image size: 23 x 18 in. Poster size: 26 x 20 in.
Description/Comments
The faces of two women looking at the viewer are the only image. The one on the left is African looking and is wearing a blue
turban and long straight earrings; the one in the right is Chicano looking, and is wearing hoop earrings. The upper right
corne; signed. Inscription in pencil below image area reads: "4/54, 'Women Know Your Strenght!', Mohada Pegg [illegible],
92"; Printer: José Alpuche; Images Of The Future
Ancient Dreamers
(Nov 10-14) 1986
creator: Grace, Gerry
Physical Description: Westwind; Image size: 22 x 30 in. Poster size: 22 x 30 in.
Description/Comments
Two maroon tinted figures on a blue and yellow textured background. Black letters read: "Most stencils were monoprints." Colors
used: 1. Peacock Blue, 2. Turquoise, 3. Dark Blue, 4. Yellow Iron Oxides, 5. Pastel Maroon, 6. Yellow Iron Oxide/Prime Yellow;
signed. Inscription in pencil below the image area: "Title, signature and 4/45"; Printer: Oscar Duardo; Atelier 8
Cause and Effect
2000
Physical Description: Coventry Rag, 290 gms.; Image size: 32 x 22 in. Poster size: 30 x 40 in.
Description/Comments
Minstrel Orchestra in blackface with tornado in background and text. "Weel about turn about and da jis' so / Ebry/ time I
weel about I jump Jim Crow". Colors used: Blue Green, Burgundy, Gray/Brown, and Eggshell Yellow.; signed. Inscription in pencil
reads, "13/40 Cause and Effect Mark Steven Greenfield"; Printer: José Alpuche; special project SC
Some Indignities Persist
April 24 and May 8 (year unknown)
Physical Description: Coventry Rag, 290 gms; Image size: 25 x 18 in. Poster size: 30 x 22 in.
Description/Comments
Man in blackface holds up dress against wooden fence background with text over printed in the form of an eye chart reading
Some Indignities Persist". Images of people in blackface have been a source of both disturbance and fascination to me. These
image; signed; Printer: SHG?; Atelier
Untitled (So Tell Me Who's the Nigger Now)
January 24-28, 2000
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 23.75 in. Poster size: 20 x 26 in.
Description/Comments
Image of a man in drag in black face holding a feather duster with text arranged as an eye chart reading "So Tell Me Who's
the Nigger Now". Colors used: Beige, Off White, Cold Gray/Brown, Warm Brown/Black.; signed; Printer: José Alpuche; Atelier
XXXIV
A Tale of Two Rocks
Physical Description: Coventry Rag.290 grms; Image size: 8 x 10 in. Poster size: 8 x 10 in.
Description/Comments
The print is black and white. The print is of various shapes arrranged in the shape of a column with a rounded top. "A tale
of two rocks a take off of A Tale of Two Cities by Charles Dickens book. 'It was the best of times, it was the worst of times.'"
Gronk. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/55, 4/55 ed.; prnt: José Alpuche; mtrx:
destroyed; signed.
Desaparecidos
2008
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
The print is done in red and black. In the center of the print is a figure with crossed arms, surrounded by flames. On the
figure's chest is the word 'fin.' There are a pair of eyes on top of the figure. Above the figure is written "Buñuel" and
underneath is written "Nazarin." "Based on a film called Nazarin by Buñuel. Title has many meanings. Disparaecidos, it is
very open ended. The figure in the center is holding 'Fin.' Not in end bot. No end, very simple, but deep in its meaning."
Gronk. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/120, 4/120 ed.; prnt: Jose Alpuche;
mtrx: destroyed; signed.
Human Denial
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
The print is in red, dark maroon, and black maroon. The print is of various words that have been scratched over."Denial of
words but also of self." Gronk. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/81, 4/81 ed.;
prnt: Jose Alpuche; mtrx: destroyed; signed.
Maya Texting
2013
Physical Description: Coventry Rag 290 grms; image size: 22 x 30 in.; poster size: 27 x 35.5 in.
Description/Comments
The print uses the colors red, grey, green, brown, maroon, light blue, and white. The print is of colorful sahpes and lines.
"Taking apart a codex tormenta, sending the lines and shapes into space where it forms lights and darks." Gronk. Chopmark:
embossed Self Help Graphics insignia in the lower left hand corner. 4/58, 6/58 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Number Art the Words
2009
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
The print is done in light green, black, and brown black. The print has a light green background with black shapes covering
it. "A play on prints numbered prints art that replaces words, the piece is scratch marks on text but text 'words' unknown."
Gronk. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/52, 4/52 ed.; prnt: Jose Alpuche; mtrx:
destroyed; signed.
Untitled Number One
(Dec 16-24) 1982
Physical Description: Arches, w/water marks; Image size: 25 x 17 in. Poster size: 29.5 x 21.5 in.
Description/Comments
There is a pink cross with light green details.; signed. Inscription in pencil located below the image reads: "Untitled No
One, 18/25, Gronk, 83"; Printer: Stephen Grace; Atelier 3
Untitled Number Two
(Dec 16-24) 1982
Physical Description: Arches, with water marks; Image size: 25 x 17 in. Poster size: 29.5 x 21.5 in.
Description/Comments
Pink cross with many blue details using photo stencils; signed. Inscription in pencil located below the image area reads:
"Untitled No Two, 12/25, Gronk, 83"; Printer: Stephen Grace; Atelier 4
El Perro Y La Mujer
(Feb 15-19) 1988
creator: Guerrero-Cruz, Dolores
Physical Description: Westwinds (heavyweight); Image size: 24.25 x 16 in. Poster size: 26 x 18 in.
Description/Comments
Image of a dog howling at a woman in the window. Colors used: 1. Ocher (sic.) (Flesh), 2. Ocher (sic.) (Flesh), 3. Melon (split
fountain), 4. Light Purple, 5. Yellow, 6. Yellow Orange (Peach), 7. Red, 8. Dark Purple, 9. Blue, 10. Green, 11. Ocher (sic.),;
signed. Inscription in pencil below image area reads: "4/48, El Perro y La Mujer, Dolores Guerrero-Cruz, 2/88"; Printer: Oscar
Duardo; Atelier 11
Flores Para Las Mexicana's
(Sept) 1987
creator: Guerrero-Cruz, Dolores
Physical Description: unknown; Image size: 24.25 x 17.5 in. Poster size: 26 x 20 in.
Description/Comments
There is an open window through which a town can be seen. A flower vase with flowers, and two small photographs are on a table.
The main colors are: orange, yellow, purple, and aqua blue. "Again this is a tribute to the women of Mexican heritage. The;
signed. Inscription in pencil located below the image reads: "37/55, Flores Para Las Mexicana's, Dolores Guerrero-Cruz, 10/78";
Printer: Oscar Duardo; unknown
Jugo De Naranja
(July 12-16) 1994
creator: Guerrero-Cruz, Dolores
Physical Description: Coventry Rag 290 grms; Image size: 26 x 38 in. Poster size: 30 x 44 in.
Description/Comments
Red Dog in foreground. Orange [colored] orange in background. Dark clouds in sky and green Palm on side of Dog. Colors used:
1. Orange, 2. Yellow Orange, 3. Transp. Red, 4. Blue Green, 5. Dark Red, 6. Varnish, 7. Purple, 8. Trans White, 9. Deep Purple.;
signed. Inscription in pencil located below the image reads: "4/58, Juego de Naranja, Dolores Guerrero-Cruz, '94"; Printer:
José Alpuche; Atelier 24
La Mujer Y El Perro
(Feb 15-19) 1988
creator: Guerrero-Cruz, Dolores
Physical Description: Westwinds (heavyweight); Image size: 22 x 18 in. Poster size: 24.25 x 20.25 in.
Description/Comments
Image of a woman sitting on a bed with her back towards you. She's facing the window looking at a dog outside the window.
"The dog or perro symbolizes men or man. It's a concept of men chasing women. This woman does not want to be chased and therefore;
signed. Inscription in pencil below image area reads: "4/48, La Mujer y El Perro, Dolores Guerrero-Cruz, and 2/88"; Printer:
Oscar Duardo; Atelier 11
Mujeres Y Perros
(March 3-6) 1987
creator: Guerrero-Cruz, Dolores
Physical Description: Westwind; Image size: 36 x 24 in. Poster size: 40 x 26 in.
Description/Comments
Reclining nude female on a blue bed. Gray background. A window and two red dogs.; signed. Inscription in pencil below image
area reads: "4/45, signature and 1987"; Printer: Oscar Duardo; Atelier 9
Peacemakers
(Nov 4-7) 1985
creator: Guerrero-Cruz, Dolores
Physical Description: Accent 290 gram - white; Image size: 27.75 x 22.6875 in. Poster size: 27.75 x 22.6875 in.
Description/Comments
Full bleed. Three children with "Superman", "Spiderman", and "Batman" on a yellow background with red dots. This print depicts
the irony of three Chicano children growning up in an Anglo society with images of the society, therefore losing the heritage.;
signed. Inscription in pencil on lower edge of image reads: "45/45, title, signature and '85"; Printer: Stephen Grace; Atelier
6
Phoenix
(Nov. 18-24) 1992
creator: Guerrero-Cruz, Dolores
Physical Description: Coventry Rag, 290 grms; Image size: 16.25 x 22.375 in. Poster size: 20 x 26 in.
Description/Comments
Image of a fire burning and six dark silhouettes of human figures with purple hard hats. A bent street sign reads: "Soto St."
Oversized busts of a woman and a child appear behind the courtain of fire, both of them smiling and looking at the viewer.
A y; signed. Inscription in pencil below image area reads: "4/60, 'Phoenix', Dolores Guerreo-Cruz, '92"; Printer: José Alpuche;
Images Of The Future
Sometimes...
(May 8-13) 1992
creator: Guerrero-Cruz, Dolores
Physical Description: Westwinds; Image size: 20.5 x 14.25 in. Poster size: 28 x 20 in.
Description/Comments
A male angel who seems to be coming out of a vibrant red fire is carrying a fainted woman in his arms. Three small angels
fly around the couple. The sky is dark and cloudy containing several light pink horses blending in with the clouds. Colors
used: 1; signed. Inscription in pencil located below image area reads: 'Sometimes...', 4/52, Dolores Guerrero-Cruz, '92";
Printer: Richard Balboa; Atelier 14 L.A. Riots
The Bride
(Feb 19-28) 1985
creator: Guerrero-Cruz, Dolores
Physical Description: Stonehenge 320 gram-white; Image size: 22 x 33.75 in. Poster size: 27.75 x 39.75 in.
Description/Comments
Adult female figure with a skull face wearing a white dress. Child wearing white dress with flowers. Textured purple, blue,
magenta and ochre background. "The bride is a statement about my struggle as an artist, who leaves the professional field
of art; signed. Inscription in pencil below image area reads: "4/88, and Dolores Guerrero-Cruz"; Printer: Stephen Grace; Atelier
5
Y si tuyo fuera el 44
2016
Physical Description: Silkscreen; Image size: 9 x 12 in. Poster size 11 x 15 in.
Description/Comments
This black and white poster shows a pair of arms in the air with a bracelet in between them that reads, "not 1 more." On the
right arm, there is the number 43 and on the left the words "no peace." Above the arms are the words, "what if your loved
one is next?" and below it are the words, "we never forget." The title of this print translates to "And if yours was the 44th?"
Included are editions 4/30 and 8/30, and both are signed and dated by the artist.
Chromosomos
2012
Physical Description: Coventry Rag 290 grms; image size: 24 x 24 in.; poster size: 30 x 30 in.
Description/Comments
The print is done in electric green, forest green, yellow, and black. The print is of a computer. On the computer screen are
four people lined up against a chain link fence. "Translalis do panochutopia * XYXXXYXXX Why World" is written at the bottom
of the print. "Inspired by Kraftwerk's 'Computerworld' and the internet making us consume our identities and gender outlaws
everywhere [sic]." Raquel Gutierrez. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 4/54, 6/54
ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Self-Help Graphics In East Los
(Nov 10-12) 1992
Physical Description: Coventry Rag, 290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Multicolored image of a neighbourhood and streetscape. The main building is yellow and green. A woman is sitting on a bench
in front of it. A bus full of people is coming through the adjacent street, where a street sign reads: "Brooklyn Av.". In
the b; signed. Inscription in pencil below image area reads: "4/58, Robert Gutiérrez, 92"; Printer: José Alpuche; Images Of
The Future
Avenida Cesar Chavez
(Nov 17-20) 1993
Physical Description: Coventry Rag, 290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
signed print. Busy street scene. A bus that says "Av Cesar Chavez" is the central focus. Lots of orange, red, yellow and pink
are used. Black border. Colors used: 1. Yellow, 2. Blue, 3. Magenta, 4. Gry (sic.) 5. White, 6. Brown, 7. Dark Blue, 8. Black,;
; Printer: Robero Gutiérrez, 1993; Atelier 23
Cesar E. Chavez Avenida
(Nov 17-20) 1993
Physical Description: Coventry Rag 290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
The local traffic patterns of both local people, commerace [sic] on the former corners of Brooklyn and Gauge Aves wich [sic]
well [sic] change to Avenida Cesar Chavez. The conception of the peace was drawn on site over a period of 3 months. White
border.; signed. Inscription in pencil on the bottom of the print reads: "4/60, Cesar E. Chavez Avenida, Robert Gutiérrez,
94"; Printer: José Alpuche; Atelier 23
Veil/Veil
1999
Physical Description: silkscreen; Image size: 26.125 x 18 in. Poster size: 30.25 x 22 in.
Description/Comments
Focal point of poster is a picture of Sor Juana Ines de la Cruz reading to a child and at the same time protecting her. They
are both framed by a circular wreath of leaves. The background appears to be roots at the bottom and red and yellow leaves
at th; signed. Inscription in pencil below image reads: "4/65, 'Veil/Veil,' M. Guzmán 1999."; Printer: unknown; Atelier 33
Untitled
(Nov 5-6) 1983
creator: Hamada, Miles
Physical Description: Artprint 25% Rag Archival; Image size: 19 x 25 in. Poster size: 22 x 34 in.
Description/Comments
Three color print: Red, black and transparent. Two figures on an abstracted flag background.; signed. Inscription in pencil
reads: "4/77 and signature"; Printer: Stephen Grace; Atelier 2
Sight One
Feb 23-27, 1987
creator: Hamilton, Vijali
Physical Description: Westwinds; Image size: 24 x 36 in. Poster size: 26 x 40 in.
Description/Comments
Medicine Wheel of Rocks and Four Diorections (sic.), Red, Black, White, Yellow. Colors: 1. Black/Brown, 2. Red/Orange, 3.Ultra
Blue, 4. Transparent Light Blue, 5. Yellow, 6. Gray, 7. Transparent Brown, 8. Transparent Yellow Ochre, 9. Transparent, 10.
Tra; ; Printer: Oscar Duardo; Atelier 9
Smokers' Game
Sept. 19-20, 1999
creator: Healy, Wayne Alaniz
Physical Description: Coventry Rag, 290 grms. (sic.); Image size: 34.375 x 23.5 in. Poster size: 44 x 30 in.
Description/Comments
Major Image; A revolver with a cigarette in the open cylinder. Above is a skeleton with a big sombrero and holding a cigarette.
All are on a background of smoke, fire of the deadly habit.; ; Printer: José Alpuche; unknown
Bolero Familiar
December 4-7, 2001 and January 15-19, 22-26, and 29-31 2002
creator: Healy, Wayne Alaniz
Physical Description: Coventry Rag, 290 gms; Image size: 36 x 50 in. Poster size: 36 x 50 in.
Description/Comments
Two guys sitting on living room couch play guitars and sing, one girl plays maracas and sings while other girl replaces low
E-string on her guitar. A baby girl reaches for Chihuahua hiding under the coffee table. Nana cooks food in the kitchen. I
grew; signed. Inscription in marker in image area reads "6/79 Bolero Familiar Healy".; Printer: José Alpuche; special project
Domingo Deportivo
(Apr 19-23) 1994
creator: Healy, Wayne Alaniz
Physical Description: Coventry Rag 290 grms; Image size: 26 x 37.5 in. Poster size: 30 x 44 in.
Description/Comments
There is a lady making tacos on the left side. In the middle, there is a soccer game being played. On the right hand side,
there is a soccer player with her daughter. Colors used: 1. Violet, 2. Magenta, DK, 3. Green, Mint, T, 4. Beige, 5. DK Blue,
6. Re; signed. Inscription in pencil below the image reads: "4/51, Domingo Deportivo, Healy, '94"; Printer: José Alpuche;
Atelier 24
Sawin' at Sunset
March 16-20, 1987
creator: Healy, Wayne Alaniz
Physical Description: Westwinds; Image size: 23.5 x 35.5 in. Poster size: 26 x 40 in.
Description/Comments
Street fiddler against L.A. skyline. Colors used: 1. Yellow ochre/split fount in yellow, Orange-red, Blue/brown--orange split
fount, Gray-blue, Red-pink, Ultra-blue, Lt. blue, Lt. yellow, Dk. blue, Flesh tone, Black, Yellow-orange, Yellow-cream.; ;
Printer: Oscar Duardo; unknown
Tight "D"
creator: Healy, Wayne Alaniz
Physical Description: Coventry Rag.290 grms; Image size: 18 x 26 in. Poster size: 22 x 30 in.
Description/Comments
"The image was commissioned by the NBA to be used in marketing to the so-called Hispanic Market. A young boy and girl face
off in basketball with Latino culture as a sweeping backdrop." - Wayne Healy.; unknown; Printer: Jose Alpuche; none
We Are Still Here
2017
General Physical Description note
Silkscreen; Poster Size: 26 x 20 in.
Description/Comments
The silkscreen shows a green and gray map design of a proposed Riverside highway with the slogan "You Are On Indian Land,"
written in blue collegiate font with a white outline, layered over the map design. The 'L' and 'A' in land are in red in the
style of the Los Angeles Dodgers logo. The map background has locations and directions written in black. This silkscreen has
a chop mark located on the bottom left corner of the silkscreen with edition 60/40. The edition, title, and artist signature
are written in pencil along the bottom edge of the print.
Yes!! We Can
2008
Physical Description: Coventry Rag 290 grms; image size: 16 x 20 in.; poster size: 20 x 26 in.
Description/Comments
The print uses black and white. The print is composed of sentence fragments and words in the shape of an O. "O for Obama and
the bill of rights. Abstract use of letters intertwined with frragment phrases from bill of rights - artist signature L O
V Ǝ in 4 corners." George Herms. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/132 ed.;
prnt: José Alpuche; mtrx: destroyed; signed.
Con Cariño, Lydia Mendoza
May 15-19, 2001
creator: Ester Hernandez
Physical Description: Coventry Rag, 290 gms.; Image size: 18 x 26 in. Poster size: 22 x 30 in.
Description/Comments
A portrait of a Mexican American woman dressed in a full length Mexican "Folkloriko" dress. She is holding the top of an upright
acoustic guitar. The entire image is framed by a red stripe. Colors used: Bluish Purple-Dark Blue Blended into Light Blue,;
signed; Printer: José Alpuche; Atelier XXXVIII
If This Is Death, I Like It
undated
creator: Ester Hernandez
Physical Description: Westwinds; Image size: 32 x 26 in. Poster size: 34.75 x 28 in.
Description/Comments
Portrait of Frida Kahlo as a 'Calaca' with a watermelon headdress, and watermelon leaves and flower emanating from her. E.
Hernandez "This print is part on my ongoing homage to Chicana-Mexicana women, in thi scase Frida Kahlo. It acknowledges that
we ar; ; Printer: Oscar Duardo; unknown
La Ofrenda
(Sept 4-9) 1988
creator: Ester Hernandez
Physical Description: Westwinds (heavyweight); Image size: 33.25 x 23.25 in. Poster size: 34 x 25 in.
Description/Comments
Nude woman with Virgen de Guadalupe tattooed on her back. Coming in from the lower left part of the image is a hand holding
a rose. The background is dark blue with gold marks. Nos. (sic.) 61 and 62 and the 2 exemplars (sic.) are in the possession
of t; signed. Inscription in pencil below the image reads: "17/62, 'La Ofrenda', Ester Hernandez"; Printer: Oscar Duardo;
unknown
The Cosmic Cruise
(Jan 15-18) 1990
creator: Ester Hernandez
Physical Description: Westwinds (heavyweight); Image size: 36 x 24 in. Poster size: 38 x 26 in.
Description/Comments
Four females in a light and dark blue vintage car (Model T). Background gradation magenta/purple. Border of dark blue. The
lower part has several gold circular images of the Aztec moon godess. "The theme is our interconnectedness with each other
and t; signed. Inscription in pencil located at the bottom of the image reads: "4/60, title, signature, copyright 90" signed.
Inscription in pencil below the image reads: "16/60, 'The Cosmic Cruise', Ester Hernandez (c), '90"; Printer: Oscar Duardo;
Atelier 15
Eve Awakening
2012
Physical Description: Coventry Rag 290 grms; image size: 30 x 24 in.; poster size: 38 x 30 in.
Description/Comments
The print uses the colors black, light olive, olive, violet, red, gray, and aubergine. The print is of a woman wearing a mask
with antlers on it. There are koi fish surrounding the woman. There is a red hand reaching out for the woman. "Eve figure
with deer antlers floating under water surrounded by koi fish." Judithe Hernandez. Chopmark: embossed Self Help Graphics insignia
in the lower left hand corner. 4/74, 6/74 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
The Encuentro Astral
Aug. 14-17, 1991
Physical Description: Westwinds; Image size: 26 x 36 in. Poster size: 28 x 40 in.
Description/Comments
The moon with her locks of birds represents the wind, the sun, the fire, the fish, water and veins of the earth sympolize
the natural elements that gives life to mankind. L. Hernandez "I use animal elements to configurate in a human concept the
sun and; ; Printer: Oscar Duardo; unknown
Monterey Park, CA
2010
Physical Description: Coventry Rag 290 grms; image size: 19 x 15 in.; poster size: 26 x 20 in.
Description/Comments
The print uses the colors grey, brown, green, blue, cream white, and black. The print is of the outside of a house at night.
"From a series of drawings and photographs of 1950's track housing in Monterey Park, CA." Miyo Hernandez. Chopmark: embossed
Self Help Graphics insignia in the lower left hand corner. 2/55 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Zinatlahuet
2012
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 26 x 20 in.
Description/Comments
The print uses the colors yellow, rose, black, dark blue, and cienna. The print is of a hand with various symbols and words
drawn on the palm. "Hands are the most important tool for a day laborer or worker since without them, life would be difficult.
This is the hand of the livelihood of a lower class family. Without this hand it would be more difficult to work." Noel Vargas
Hernandez. Translated from original spanish description. Chopmark: embossed Self Help Graphics insignia in the lower left
hand corner. 4/51, 6/51 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Seeds From a Hybrid Generation
October 30-November 03, 2001
creator: Herrʹon, Willie
Physical Description: Coventry Rag, 290 gms.; Image size: 18 x 24 in. Poster size: 22 x 30 in.
Description/Comments
Overlaying images and zine articles taken from various publications and flyers from THE VEX from 1980, including THE VEX stage
back drop THE VEX HEAD. To Document Self-Help Graphics' contribution to the rise and fall of the influence THE VEX had on
the h; signed. Inscription in pencil reads, "4/129 Seeds From a New Generation WFH"; Printer: José Alpuche; special project
Lecho De Rosas
Sept. 30 - Oct 3, 1992
creator: Herrʹon, Willie
Physical Description: Coventry Rag ,290 grams; Image size: 23.75 x 35.75 in. Poster size: 28.5 x 41.125 in.
Description/Comments
Announcement Poster for "Día de los Muertos." Three skulls amongst flowers in a rose bed. The image resembles stained glass
and is framed by patterns that remind of traditional craft work on wood boxes. "Three skeletons with bed sheet sitting ona
bed of; signed. Inscription in pencil below image area reads: "39/55, "Lecho de Rosas", WG Herrón [illegible], 92"; Printer:
José Alpuche; unknown
Untitled
(Oct 23-Nov 1) 1984
creator: Herrʹon, Willie
Physical Description: White Stonhenge 245 grams; Image size: 22.5 x 27.375 in. Poster size: 26.25 x 32 in.
Description/Comments
Two foreground figures, two background figures surrounded by green seaweed. Green, yellow, and pink fish and mountains. Transparent
colors used: yellow ochre, red, light blue, yellow and a varnish. Colors used: 1. Greyish white, 2. Light green, 3. Ligh;
signed. Inscription in pencil below image area reads: "4/82 and signature"; Printer: Stephen Grace; Atelier 4
Block Party Ritual
April 2-10, 2002
creator: Hoyes, Bernard Stanley
Physical Description: Coventry Rag, 290 gms.; Image size: 14 x 33 in. Poster size: 20 x 26 in.
Description/Comments
Central Figures swirling as a conga players emerge as well as evoke the swirls, symbolizing the rythm of the music. To the
left figures in praising motion to the right, figures in chorus against city scape of sky scrapers and palms over seen by
concentri; signed; Printer: José Alpuche; Atelier XXXIX
Journey To The Astral World
(Oct 19-23) 1987
creator: Hoyes, Bernard Stanley
Physical Description: Westwinds; Image size: 36 x 24 in. Poster size: 36 x 24 in.
Description/Comments
Dark starry skies, with white doves flyng beside and above an arched window. Looking out into a seascape as revivalist figures
dance in possession, conjuring the spirit world in candlelight. B. Hoyes "Revivalist sect of the new world conjuring ancient;
signed. Inscription in pencil located in the bottom left on the image area reads: "Title, signature and 4/51"; Printer: Oscar
Duardo; Atelier 10
Macumba Ritual
(Oct 20-25) 1986
creator: Hoyes, Bernard Stanley
Physical Description: Westwinds; Image size: 18.25 x 25 in. Poster size: 25.75 x 18.25 in.
Description/Comments
Central foreground figure in white holding a bird. Multi-color figures in backgroud hand in the air rejoicing. B. Hoyes. Colors
used: 1. Peacock Blue, 2. Ultramarine Blue, 3. Scarlet Red, 4. Orange, 5. Light Yellow, 6. Dark Blue, 7. Light Green, 8. Brow;
; Printer: Oscar Duardo; unknown
Mystic Drummer
1996
creator: Hoyes, Bernard Stanley
Physical Description: poster; Image size: 22.5 x 16.5 in. Poster size: 26 x 20 in.
Description/Comments
Old Rastafarian in tattered rags beating a drum, with coal iron stove behind him. In front, kerosene tin lamp burns. Over
head a Bob Marley poster taped to the wall. Symbolic reference to living a humble, mystical life. Colors which predominate
are: r; signed.; Printer: José Alpuche; Atelier 28
Sanctified Dance
August 14-19, 2001
creator: Hoyes, Bernard Stanley
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Group of figures in a Revival Ritual that involves hand clapping, tambourines and dance. Colors used: Light Yellow (O), Ultramarine
Blue, Green, Red (Dark), Trans White, Warm Red (Trans), Deep Yellow (Trans), Brown (trans), Transparent Magenta, and Glos;
signed; Printer: José Alpuche; special project
Positive + Spirit
Physical Description: Coventry Rag.290 grms; Image size: 16 x 20 in. Poster size: 20 x 26 in.
Description/Comments
Art of HIV positive men.; unknown; Printer: Jose Alpuche; none
Elegie
(Mar. 13-17) 2001
Physical Description: Coventry Rag, 290 grams; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Red roses with music sheet and 5 photos in cross configuration. "This print is about my father's recent death. The Elegie
is a piece that my son was learning and had wanted to play at his grandfather's funeral. He didn't get to do that so I have
placed; ; Printer: Joe Alpuche; special project
Cara de Chiapas
undated
Physical Description: poster; Image size: 15 x 12.875 in. Poster size: 26 x 19.875 in.
Description/Comments
Sketch in black of a child with closed eyes centers the print. Light peach brush strokes surround the head with symbol in
cerulean blue. Unidentified mark at lower left.; signed.; Printer: José Alpuche; Atelier 26
Untitled (María Felix)
May 28-June 1 and June 18
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Maria Felix on a red background. Colors used: Fusia 21u - 232u, Dark Pink pr-63-semitrans, Light Dusty Purple, Pale Pink Opaque,
Red 70% Opaque, White Opaque, Light Fusia Opaque, Black Opaque, Brown/Purple 70and opaque, Trans/White, and Clear Gloss.;
unsigned; Printer: José Alpuche; special project
Sueños Y Mitos
1992
Physical Description: unknown; Image size: 24.25 x 16.25 in. Poster size: 28 x 20 in.
Description/Comments
Multicolored composition of a horse, a guitar, a sun, and two cocks facing each other. The background is dark purple. "My
print is related with images who came from our South-American mythology. Images representing the struggle for a better and
dignify; signed. Inscription in pencil below image area reads: "'Sueños Y Mitos', 4/58, Leonardo Ibañez, 92"; Printer: unknown;
Atelier 19 L.A. Riots
La Virgen de los Nopales
May 18-23, 2003
Physical Description: Coventry Rag, 290 gms.; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
Nopales with the Americas are under an intense barbed wire rain. The Virgens are watching. America is represented by the nopal.
The continent is under attack. The barbed wire that cut up our land are still raining upon us. The virgen watches. The su;
signed; Printer: José Alpuche; Atelier XLII
Spiritual Warrior
(Feb 8 - 12) 2000
Physical Description: Coventry Rag, 290 grams; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Yellow/Orchor (sic.) Figured and Background. Blue Angel Wings. Four Circular design elements aat bottom foreground (Horse,
Eagle, Turtle, and Buffalo). Colors used: 1. Yellow Orchor (sic.) (Fig./Backrd), 2. Dark Purple/ Red, 3. Light Blue (Wings)
4. Re; ; Printer: José Alpuche; Atelier 35
¡No Más Tratos! (No More Deals!)
July 30-31, 2002
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 16 in. Poster size: 20 x 26 in.
Description/Comments
A brown and black empowerment poster. Brown and black fists join in solidarity against corporate control of affordable housing.;
unsigned; Printer: José Alpuche; Atelier
More Than We Seem
1993
Physical Description: unknown; Image size: 15.875 x 22 in. Poster size: 20 x 26 in.
Description/Comments
The print is divided by a scene which takes place on a stage and the scene below it. A pale body in the middle of the stage
floats in a stream of light towards a cross. Figures hide behind or hold the curtains through which we view the scene. Stairs
de; signed. Inscription in pencil below image area reads: "4/73, 'More Than We Seem', Kittredge, '93"; Printer: unknown; Images
Of The Future
box 66
I Heard the Song of My Grandmothers
(July 23 - Aug. 3) 1990
creator: La Marr, Jean
Physical Description: Westwind (heavyweight); Image size: 35 x 47 in. Poster size: 38 x 50 in. (in telescope box 66)
Description/Comments
World collage with three women, Indain grandmothers juxatposed (sic.) 3 variations from the picture plane. Earth is in the
background with silver and off white clouds. Designs of Indain culture are placed around the bottom. Colors used: 1. Tran.
Milori; ; Printer: Oscar Duardo; L.A. Festival
Some Kind Of Buckaroo
(Mar 12-15) 1990
creator: La Marr, Jean
Physical Description: Westwinds (heavyweight); Image size: 24 x 36 in. Poster size: 26 x 38 in.
Description/Comments
Nine colors. A purple and yellow polarized "buckaroo" behind three strands of gray metalic barbed wire. Middle ground of earth's
horizon in beige with alace pattern. Background of two planes flying east. Purple/gray metalic sky. "The warrior spirit co;
signed. Inscription in pencil below the image reads: "16/58, 1990, Some Kind of Buckaroo, La Marr"; Printer: Oscar Duardo;
Atelier 15
Vulcán de Pacaya
(Mar. 6-10) 1989
creator: Lane, Leonie
Physical Description: Westwinds (heavyweight); Image size: 24 x 36 in. Poster size: 27.5 x 25 in.
Description/Comments
A vetical format, 24" x 36", divided into 2 contained sections. The larger setion on the left is the main image area featuring
a might scene illuminated by a (sic.) active volcano (Vulcán de Pacaya), fireworks, campfires and fireflies. Two figures stack;
; Printer: Oscar Duardo; Atelier 13
Rouge d'Andrinople
2013
Physical Description: Coventry Rag 290 grms; image size: 21.5 x 29.25 in.; poster size: 27 x 35.5 in.
Description/Comments
The print uses the colors red, black, grey, and ochre. The print is of a mannequin. Surrounding the mannequin are roses. There
is a patterned border surrounding the image. "My lifelong passion with antique textiles has influenced much of my art. I choose
a circa mid 1800's red and black print fabric to showcase a vintage mannequin. I selected this material not only for the visual
impact - but also for it's historical significance. The introuction of a colorfast red dye was a huge boon to the textile
industry. I purposely included the imperfections of the original fabric in the print, hoping to convey beauty is often flawed.
Textiles are a significant art form throughout cultural history world wide - and will continue to be for future generations."
Mavis Leahy. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 4/61, 6/61Two Gulls Migrating And
A Bed Of Workers ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Untitled
(Oct 29-30) 1983
creator: Leal, Steve
Physical Description: Artprint Archival 25% rag; Image size: 19 x 25 in. Poster size: 22 x 34 in.
Description/Comments
Five color image: light green, dark green, gray blue woman. White lilies on a light blue background.; signed. Inscription
in pencil in the lower right reads: "4/77 and signature"; Printer: Stephen Grace; Atelier 2
Day of the Dead
1996
Physical Description: poster; Image size: 31 x 21 in. Poster size: 36.75 x 28 in.
Description/Comments
A scene of a group of skeletons celebrating. Some are playing instruments while others are dancing. Scene primarily in shades
of blue. Around the edges of the print are square shaped pieces colored in green, yellow, and white. Text in capital dark
blu; ; Printer: unknown; not in Atelier 26 or 28
Flor de Esperanza
undated
Physical Description: Coventry Rag 2909R981; Image size: 21 x 30 in. Poster size: 28 x 36.5 in.
Description/Comments
Dia de Los Muertos theme, graphic design on a multi-colored flooed monoprint background. "This print is a homage to Posada,
it features the calavera figures involved in various activities. From dancing to worshiping at the altar. Dancing figures
through; ; Printer: José Anponche; special project Atelier 29
Seekers of Gold
July 28-30, August 3, and December 7-8 1999
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 20 in. Poster size: 20 x 26 in.
Description/Comments
The background consists of four different vertical rectangles of men's faces in dark blue tones; an outline map of the United
States in red with statistical dots and direction lines emanate from siljouettes [sic] of Chinese laborers circa early 1900.
Col; signed.; Printer: José Alpuche; Atelier XXXIV
Seekers Of Gold
1999
Physical Description: Coventry Rag, 290 grams; Image size: 16 x 20 in. Poster size: 20 x 26 in.
Description/Comments
The background consists of four different vertical rectangles of men's faces in dark blue tones; an outline map of the United
States in red with statistical dots and directional lines emanate from siljouettes (sic.) of Chinese laborers circa early
1900.; ; Printer: José Alpuche; Atelier 34
Two Gulls Migrating And A Bed Of Workers
2010
Physical Description: Coventry Rag 290 grms; image size: 36 x 24 in.; poster size: 40 x 28 in.
Description/Comments
The print uses the colors magenta, yellow, cyan, grey, and black. The print is split into two. On the left side are two seagulls
migrating. On the right side are immigrants in the bed of a truck. "The print explores the notion [sic] of immirgation. The
work compares the relationship between admired migration (bird migration) and polemic migration ('illegal' immigrants)." Nery
Gabriel Lemus. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/70 ed.; prnt: José Alpuche;
mtrx: destroyed; signed.Media Assassin Nation
Susana
(Jan 27-30) 1986
Physical Description: Accent 290 gram-white; Image size: 24 x 37 in. Poster size: 25 x 38 in.
Description/Comments
Woman's lower torso in shades of gray. Beige worked background. Green facial image in the lower left. On the lower right-hand
side is a triangle.; signed. Inscription in pencil below image area reads: "40/45, title, signature and '86"; Printer: Stephen
Grace; Atelier 7
Camine, No Camine
(Jan 20-23)
creator: Castro Lenero, Jose
Physical Description: Accent 290 gsm white; Image size: 17.5 x 33 in. Poster size: 25 x 38 in.
Description/Comments
18 juxtaposed images.; ; Printer: Stephen Grace; Atelier 7
Sacra-Momento
1987
Physical Description: unknown; Image size: 15 x.5 x 21.5 in. Poster size: 19 x 25 in.
Description/Comments
In a room there is a Mexican flag and some people on military attire. On the wall there is an image of the 'Virgen de Guadalupe'
underneath which it reads: "Free / of the city of / Sacramento by his friends through the / cooperation and efforts of / the;
signed. Inscription in pencil below image area reads: "Irma C. Lerma-Barbosa, c/s, 10/'87.; Printer: unknown; unknown
"Arbol de la Vida"
creator: Limon, Leo
Physical Description: Coventry Rag.290 grms; Image size: 10 x 15.75 in. Poster size: 12 x 18 in.
Description/Comments
"Night and Day sky. Green tree with images of 'Ometeotl' (duality). Two people under tree giving thanks to the spirits. Upper
right hand corner is 'Tonatiuh' (sun spirit) giver of life, showering our lives with love. Bottom center are two hands emerging
f; March 18-20; Printer: Jose Alpuche; unknown
Buenos Días - The Los Angeles River I and II
(Feb. 12 - Mar. 3) 1992
creator: Limon, Leo
Physical Description: Westwinds; Image size: 12.25 x 38.25 in. Poster size: 28 x 40 in.
Description/Comments
Visual trip of the Los Angeles River in the future, Diptych (two-part print) four bridges (Olympic, Macy, North Broadway and
Summynook) Blue sky, white clouds, three giant palm trees, Queen Mary on the left. Colors used: 1. Red, 2. Grey, 3. Blue,
4. Grey; ; Printer: Richard Duardo; special project
Chusma/The Mission
1999
creator: Limon, Leo
Physical Description: silkscreen; Image size: 26 x 18 in. Poster size: 30.25 x 22 in.
Description/Comments
There are various images that compose the poster. There are theatrical comedy and tragedy masks, and a Mexican cowboy wearing
a brown sombero sticking his tongue out. There are other frames from various skits. To the bottom left is an image of a skelet;
signed. Inscription in pencil below image reads: "4/100, signature [illegible]."; Printer: unknown; Atelier 33
Cultura Cura!
1992
creator: Limon, Leo
Physical Description: unknown; Image size: 15.875 x 23.875 in. Poster size: 20 x 28 in.
Description/Comments
Interior scene with out-of-scale drawings. On the left corner are three small black silhouettes carrying an enlarged heart,
a sun, and what looks like a birthday cake. The bending tip of a pencil is coming out of a hole on the floor. A gigantic picture;
signed, Inscriptionin pencil below image area reads: "4/62, Cultura Cura!, Leo Limon [illegible], '92"; Printer: unknown;
Atelier 19 L.A. Riots
Dando Gracias
1983
creator: Limon, Leo
Physical Description: Artprint 25% Rag; Image size: 18 x 28 in. Poster size: 22 x 34 in.
Description/Comments
A god holding a yellow, red and green fruit and cactus. White moon. Blue background. "Certain incorrectly numbered-actual
edition length is 74, not 77"; signed. Inscription in pencil below image area reads: "Title, 4/77 and signature"; Printer:
Stephen Grace; Atelier 2
Día de los Muertos, Announcement Poster for
1979
creator: Limon, Leo
Physical Description: unknown; Image size: 38.75 x 24.375 in. Poster size: 40 x 26 in.
Description/Comments
Announcement Poster for "Día De Los Muertos, 4 Nov., 1979." The image is of Virgen De Guadalupe surrounded by a roses crown
and two skulls at each side. The background consists of a color gradation of black, purple, and violet. Below image area gray
an; signed. Inscription in ink inside image area reads: " (c) Imagen por Limón."; Printer: unknown; unknown
Espíritu De Olvera Street
1994
creator: Limon, Leo
Physical Description: Coventry Rag 290 grms; Image size: 17 x 22.5 in. Poster size: 17 x 22.5 in.
Description/Comments
Full bleed. "Indoor scene, door way with cross above it, large woman pointing at a cross with [her] hand. Boat on water with
person rowing boat with passenger that is a giant heart with tic-tac-toe image on the inside on far right side is [a] deity
Tezc; signed. Inscription in pencil within the image reads: "Espíritu de Olvera Street, 4/60, Limón, 13x-94"; Printer: José
Alpuche; Atelier 24
Hermanos Del Fuego
(Aug 3-7) 1987
creator: Limon, Leo
Physical Description: Westwinds; Image size: 19 x 25 in. Poster size: 20 x 26 in.
Description/Comments
Many pairs of hands gesturing. Palm trees are in the middle area. At the bottom corners of image are two women pushing baby
buggies. Colors: 1. Red, 2. Yellow, 3. Violet Blue, 4. Blue (medium), 5. Green, 6. White "Hands clasped in various positions
in; signed. Inscription in pencil below the image reads: "40/61, Hermanos del fuego, Limón, 87"; Printer: Oscar Duardo; unknown
Hummingbird Spirit
(Mar 21-25) 1995
creator: Limon, Leo
Physical Description: Coventry Rag-290 grms; Image size: 26 x 40 in. Poster size: 30 x 44 in.
Description/Comments
Large central figure of feline woman holding swirling scroll that raps [sic] around a corazón. Large green leaf froms at left
bottom with hummingbird sucking beautiful flower.; signed. Inscription in pencil below the image reads: "Hummingbird Spirit,
4/56, Limón, '95"; Printer: José Alpuche; Atelier 25
La Crusada
(Apr 1-5) 1991
creator: Limon, Leo
Physical Description: Westwinds; Image size: 35.5 x 23 in. Poster size: 40 x 26 in.
Description/Comments
Woman with basket of hearts (corazones) on her head, Nopales on both her sides (with red tuna fruit) Bridge with cars and
figures with sombreros. Tic-Tac-Toe of love cards, indigenous motifs, horseriders two palm trees (one on each side), Two large
siloue; signed. Inscription in pencil on the right side of image reads: "La Crusada, 16/60, Limón, '91"; Printer: Oscar Duardo;
Atelier 16
La Ozone Burns II
1987
creator: Limon, Leo
Physical Description: Westwinds from Paper Source; Image size: 11 x 35.75 in. Poster size: 13 x 38 in.
Description/Comments
Four hands point down, small T.V. sets float across with women and palm trees and a man cruising in his car, bottom of print
show a large corazon with a woman, three women and palm trees. L.Limón; ; Printer: Oscar Duardo; unknown
Madre Tierra - Padre Sol
(Dec 8-11) 1986
creator: Limon, Leo
Physical Description: Westwind; Image size: 35.75 x 11 in. Poster size: 37.5 x 13 in.
Description/Comments
Diptych. Horizontal landscape. Images of Los Angeles, Statue of Liberty, hearts, palm trees and a buffalo, all on a blue and
pink textured background. Colors: 1. trans -gray silver, 2. trans - rodine, 3. overal dark outline silver violet, 4. light
red,; signed. Inscription in pencil below image area reads: "4/53 I, II, title, signature and 86"; Printer: Oscar Duardo;
Atelier 8
Morena Y Quetzalcoatl
undated
creator: Limon, Leo
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 22 in.
Description/Comments
La mujer, madre tierra y la jovencita sit at the bus bench. She's watching Quetzacoatl's word over-taking the huffing-puffing
intervention horses as they approach our templo's in Aztlan movimiento is in the Air, the Sky. Colors used: Blue, Tan, Blue
(ultr; signed; Printer: José Alpuche; Atelier XXXIX
box 66
Mosaic Corazon
(July 2-3) 1990
creator: Limon, Leo
Physical Description: unknown; Image size: 35 x 46 in. Poster size: 38 x 50 in. (in telescope box 66)
Description/Comments
Giant yellow corazon with red rim in center - chair with bust at lower left, bluish/black feline with earring on lower right,
three large figures holding corazones in the lower center, purple/violet figures with sombreros across center horizontaly.
Colors; ; Printer: Oscar Duardo; L.A. Fest
Muchachas Talk
Summer 1987
creator: Limon, Leo
Physical Description: Westwinds from Paper Source (L.A.); Image size: 35.625 x 24 in. Poster size: 37 x 26 in.
Description/Comments
22 color run, figures and faces at bottom, corazon with person climbing stairs, corazon with 2 lovers kissing, flying curved
art pencils in the sky L.Limón; ; Printer: Oscar Duardo; special project
Soñando
(Jan 6-9) 1986
creator: Limon, Leo
Physical Description: Accent 290 gram-white; Image size: 35 x 22 in. Poster size: 38 x 25 in.
Description/Comments
A woman sleeps. Her breasts, arm and stomach are exposed, but a blanket covers her below the waist. An image of the upper
part of a heart sits behind her--as if it is the rising sun. Small carpets (sarapes) fly above her and around the heart.;
signed. Inscription in pencil below image area reads: "4/45, Leo Limon [illegible], '86"; Printer: Stephen Grace; Atelier
7
The Sun Burns, The Stars Shine
(Mar. 30 - April 3) 1987
creator: Limon, Leo
Physical Description: Westwinds; Image size: 11 x 35.75 in. Poster size: 13 x 38 in.
Description/Comments
West coast scene of Venice Beach, small Colonial ships, California brown bear and yellow star, Santa Barbara church, condor
in the sky and small flying corazones; other side shows dark sky with large heart with stars.; ; Printer: Oscar Duardo; unknown
Vida Y Muerte
1986
creator: Limon, Leo
Physical Description: unknown; Image size: 25.5 x 20 in. Poster size: 30.125 x 22.125 in.
Description/Comments
The print is a horizontal compostion separated into two parts. The upper half has a multi-colored four-chamber heart as the
focus. Two black figures are climbing stairs within the heart. Two figures of women kneel before the heart, making an offering
o; signed. Inscription in pencil below image area reads: "53/75, 'Vida y Muerte', Leo Limon [illegible], '86"; Printer: unknown;
unknown
Wovoka's Corazon
(Oct. 21-24) 1985
creator: Limon, Leo
Physical Description: Accent 290 gsm (sic.) white; Image size: 34.75 x 23 in. Poster size: 25 x 38 in.
Description/Comments
Ten color image; stylised heart, with buffalo and other figures. Colors used: 1. Light cerise trans/mixed, 2. Greyish purple
trans/mixed, 3. Purple trans/ mixed, 4. light lbue super trans/mixed 5. Yellow straight, 6. Yellow Orange, 7. Red Straight,
8. Bl; ; Printer: Stephen Grace; Atelier 6
La Curandera
(Feb 13-16, 17-19) 1993
Physical Description: Coventry Rag 290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Strong woman's face looking out at viewer - wearing earrings and rebozo. Top of her head a chicken stands and also looks at
viewer. To the woman's right a bird like mask with a rose comingout of its mouth. G. Longval. Colors used: 1. Cigar Base,
2. Opa; ; Printer: José Alpuche; Atelier 22
Moved by Your Rhythmic Eyes
March 25-28 and April 1-3, 2003
Physical Description: Coventry Rag, 290 gms; Image size: 20 x15.5 in. Poster size: 26 x20 in.
Description/Comments
The print was created to represent the Grand Performances brochure for the 2003 Summer program in downtown Los Angeles. Colors
used: Ultramarine Blue semi-trans., Yellow Ochre, Blue shade red, Sienna light, Semi-Opaque white, Magenta, Transparent white,;
signed; Printer: unknown; Atelier XLI
Still Complete
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
"I wanted my image to give the impression that one is viewing it through many filters that sort of blur out any definite lines.
For this effect, I used a lot of sponging and unsteady line work. This "filtered" look was important to further my idea of
my h; unknown; Printer: Jose Alpuche; none
Chuparosa
June 11-15, 2002
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Colors used: Charcoal/grey, Red, Brown, Blue, Light Grey, Yellow Ochre/Mustard, Orange Red, Transparent White, Transparent
Brown, Transparent Black, White, Black, and Gloss.; signed; Printer: Joe Alpuche; Atelier XL
Genesis õ
1992
Physical Description: unknown; Image size: 23 x 17 in. Poster size: 26 x 20 in.
Description/Comments
A young woman who is wearing a white dress is looking up, her right hand about to touch a woman's hand coming from heaven,
the left one joining hands with an older woman who represents a virgen and is wearing a green shawl with a golden aura around
her.; signed. Inscription in pencil below image area reads: "4/60, Genesis [female genetic symbol], Alma Lopez, 92"; Printer:
unknown; Images Of The Future
Genesis Woman
(Dec 10-12) 1992
Physical Description: Coventry Rag, 290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
A woman rising from flames, tempted by the serpent and death, holding hands with a mother/guadalupe figure. In the backgournd
is a picture frame with a mother and her children/chickens. In the foreground, are apples turning into sarcred heart. Meaning:;
; Printer: unknown; Atelier 21
Mnesic Myths
(July 20-24) 1999
Physical Description: Coventry Rag, 290 grms; Image size: 16 x 20 in. Poster size: 22 x 30 in.
Description/Comments
A young woman extends her hands to hold another young woman who lays/rests on the images of coyolxauhqui - the Aztec moon
goddess. Befind (sic.) them is a line of drawing coatlique - Earth Goddess, and Popocatepl and Ixtacihuatl. Below is a hand
of Azte; ; Printer: Joe Alpuche; Atelier 34
Our Lady of Controversy
December 3-7, 2002
Physical Description: Coventry Rag, 290 gms; Image size: 22 x 16.25 in. Poster size: 26 x 20 in.
Description/Comments
Image of a woman wearing flowers and blue cape, on a flowery-patterned background, held by a bare breasted butterfly angel.
Colors used: brown, orange, red brown, flesh, transparent white, blue, green, red, yellow, white, and black.; signed; Printer:
José Alpuche; Atelier XLI
Sadness, Madness, Anger, Hate!
1998
Physical Description: silkscreen; Image size: 16 x 22.5 in. Poster size: 20 x 26 in.
Description/Comments
Image on poster is composed of four colorful theatrical masks. From left to right they symbolize sadness, madness, anger,
and hate. The background is blue.; signed. Inscription in pencil below image reads: "4/61, 'Sadness, Madness, Anger, Hate',
Aydee"; Printer: unknown; Atelier 33
Woman's Work is Never Done: Your Vote has Power
1996
Physical Description: poster; Image size: 19 x 16.25 in. Poster size: 25 x 24 in.
Description/Comments
Two young women from mid chest facing forward. One with her arm around the other. Background image of women from circa 1919
carrying signs in city street, signs read "Votes for Women." Text reads: Right "From: South Africa to North America." Left:
"Am; signed.; Printer: José Alpuche; Atelier 28
Media Assassin Nation
2009
Physical Description: Coventry Rag 290 grms; image size: 22 x 16 in.; poster size: 26 x 20 in.
Physical Description: The print uses the colors shades of brown, grey, and black. In the center of the print is a caricature of President Obama
with a target around his head. The background is a quote by Mark Twain. The quote is partially obscured by the target around
President Obama. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/89 ed.; prnt: José Alpuche;
mtrx: destroyed; signed.
Siqueiros, Announcement Poster for
1994
Physical Description: unknown; Image size: 34 x 19.5 in. Poster size: 35 x 23 in.
Description/Comments
Announcement Poster for "Siqueiros--July 26, 1994--Back On The Street. Silk Screen in black and red ink. Central image of
an indigenous man being crucified. There is an eagle with its wings open at the top of the cross. Large lettering at the top
of t; signed. Inscription in pencil located at the bottom reads: "A/P 15/17, Ernesto Cokos [illegible], 94'"; Printer: unknown;
Spacechola Live!
2012
Physical Description: Coventry Rag 290 grms; image size: 24 x 24 in.; poster size: 30 x 30 in.
Description/Comments
The print uses the colors orange, yellow, maroon, and turquoise. The print is the repeated image of a woman standing with
a machine gun. "Spacechola Live!" is written at the top of the print. "This print is based off a photoshoot of a character
that I began to develop during the early 2000's, Spacechola. I used an image from a blue negative from a photoshoot in which
I began to develop this character, who would be part of a fictional band, Higlas de la Chingada. Artist, Lilia Ramirez, as
my model." Sandra De La Loza. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 4/54, 6/54 ed.;
prnt: José Alpuche; mtrx: destroyed; signed.
Japonesas Club
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
"Two color print figures enjoying a night out at the Japonesas club. Giant geisha murals dwarf the patrons. Image comments
on cultural differences and customs which make people similar and keeps them far apart." - Jose Lozano.; unknown; Printer:
Jose Alpuche; none
La Marisoul
2011
Physical Description: Coventry Rag 290 grms; image size: 16 x 20 in.; poster size: 20 x 26 in.
Description Comments
The print uses eight colors: salmon, blue, yellow, brown, pink, black, orange, and dark blue. The print is of the singer,
La Marisoul, surrounded by various objects such as clothing, makeup, and household objects. "Homenaje to East L.A.'s homegrown
singer La Marisoul. She is a singer of boleros, ranchero, blues, soul, and rock. Her voice incomparable, soothing, moving
like no other." José Lozano. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 4/58, 6/58 ed.;
prnt: José Alpuche; mtrx: destroyed; signed.
El Ropero de Frida / Frida's Armoir
March 19-23, 2002
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 20.25 in. Poster size: 20 x 26 in.
Description/Comments
The image is of the artist Frida Kahlo. Its an homage to her talent and spirit. The image deals with the allure of Frida Kahlo.
Its commenting on Frida becoming as popular as BARBIE. I'm drawn to her strength as an image maker and personality. I like;
signed; Printer: José Alpuche; Atelier XXXIX
The Utamaro Lounge
2010
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description Comments
The print uses eight colors: light and dark yellow, light and dark blue, green, orange, brown, and beige. The print is of
a lounge. There are three women dressed in a traditional Japenese style. At the bottom of the print are five people dressed
in more modern clothing. "It is an homage to Japanese woodblock printmakers. Wanted to be a blend of two cultures intermixing
into an interesting hybrid. This is an imaginary setting of a lush lounge with giant, graceful imagery as decor." José Lozano.
Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/7La Marisoul5 ed.; prnt: José Alpuche; mtrx:
destroyed; signed.
La familia que nunca fue
1995
Physical Description: poster; Image size: 33.875 x 26 in. Poster size: 39 x 30 in.
Description/Comments
A scene of a family in paper doll format with an audience in the background.; signed.; Printer: José Alpuche; Atelier 26
La Sonambula
1998
Physical Description: silkscreen; Image size: 20.25 x 16 in. Poster size: 26 x 20 in.
Description/Comments
There is a woman canoeing in a river with trees in the background. There are super-imposed outlines of a woman's face which
covers the entire image, including the red border.; signed. Inscription in pencil below image reads: "4/58, La Sonambula,
José Lozano 1998."; Printer: unknown; Atelier 33
Three Suspicious Types
2009
Physical Description: Coventry Rag.290 grms; Image size: 15.5 x 20 in. Poster size: 20 x 26 in.
Description/Comments
The poster uses seven colors: orange, blue, teal, green, purple, black, and tan. The poster is divided into four sections.
In each one is the face of a masked man, with a phrase written on the bottom of each section. From left to right, they read
"No toma leche," "Nunca ha pecado," "No sabe llarar," and "No tiene madre." Chopmark: embossed Self Help Graphics insignia
in the lower left hand corner. 2/72 ed.; prnt: Jose Alpuche; mtrx: destroyed; signed.
Koo Koo Roo
(Jan 26-28) 1993
Physical Description: Country Rag 290 grams; Image size: 16 x 22 in. Poster size: 16 x 22 in.
Description/Comments
With Images of the future" the theme for Atelier XXII[sic.] I choose tradition being kepted[sic] alive in the future. The
title of the peice[sic] is "Coo Coo Roo." The tree growing into the form of a schull[sic] represents Mexican tradition/heritage.;
signed. Inscription in pencil on the bottom of the image area reads: "4/82, LUCAS, 93"; Printer: Jose Alpuche; unknown
Cruising Turtle Island
(March 10-14) 1986
Physical Description: Accent 290 grams - white; Image size: 37 x 24 in. Poster size: 38 x 25 in.
Description/Comments
Multicolored figure in a blue car. White road. Blue and yellow textured background. Multicolored icons and symbols.; signed.
Inscription in pencil below image area reads: "4/45, title, signature and '86"; Printer: Stephen Grace; Atelier 7
Break It!
(Sept 10-14) 1993
Physical Description: Coventry Rag 290 grms; Image size: 14 x 20 in. Poster size: 20 x 26 in.
Description/Comments
A man and a woman are staring at the viewer ready to fight. In the background are red and white jagged stripes with light
blue barbed wire running in the white area. Colors used: 1. Red (opaque), 2. Blue-grey (opaque), 3. Yellow-Ochre (transparent),
4.; signed. Inscription in pencil below the image reads: "4/56, 'Break It', Otoño Luján, c/s, 1993"; Printer: Otoño Luján;
Atelier 23
Los Angeles
2016
Physical Description: Silkscreen; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
A woman and man wearing grey zoot suits and brown/white shoes take the center of the poster. The woman faces toward the viewer
while the man faces to his right. They wear black and white angel wings on their backs. The background has a red, gray, and
white pattern against a red backdrop. Included are editions 4/40 and 6/40, and both are singed and dated by the artist in
pencil.
Ixtaccihuatl
Physical Description: Coventry Rag.290 grms; Image size: 24 x 24 in. Poster size: 30 x 30 in.
Description/Comments
"Square image of Azteca man holding Azteca princess … The print is a depiction of a classic theme in Mexican poster art: Popocatepetl
and Ixtaccihuatl, but rendered in my own brushwork style for a bold, strange and somewhat more modern feel. I tried to ma;
June 4-5; Printer: Jose Alpuche; unknown
And the Boss laughs
2009
Physical Description: Coventry Rag 290 grms; image size: 22 x 16 in.; poster size: 26 x 20 in.
Description Comments
The print uses the colors shades of red, grey, black, brown, and green. The print is of two skeletons, wearing trousers and
fedoras, fighting one other. Behind them are the silhouettes of various people and religious beings. Written across a bandana
is the phrase "Fighting for crumbs in a bread factory." Chopmark: embossed Self Help Graphics insignia in the lower left hand
corner. 2/69 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Hard to Swallow
Physical Description: Coventry Rag.290 grms; Image size: 15.5 x 20.5 in. Poster size: 20 x 26 in.
Description/Comments
Self Portrait with beard and blue bird with wings spread open in mouth.; January 8-12; Printer: Jose Alpuche; unknown
Dreamers, Magicians, and Star Navigators
February 1-2, 2000
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Stellae carving, fish, crosses, pyramid, multi-blend arch. Colors used: Blend-Purple to Cerulian bl., Yellow-Trans, Red Orange-
Trans, Green-Trans, Green-Trans, Dk Violet/Black Opague, Gold-Opaque, Beige-Trans.; signed; Printer: José Alpuche; Atelier
XXXV
Lost Childhood
(Oct 1-9) 1984
creator: Maradiaga, Ralph
Physical Description: Stonehenge 245 gram; Image size: 22 x 30 in. Poster size: 28 x 36 in.
Description/Comments
Images are of a red toy fire truck, a "Land of the Lost" lunch box, yellow/brown rocking horse and a blue rectange in a field
of green grass. Gloss varnish over entire image.; signed. Inscription in pencil below the image area reads: "4/88, title,
signature and '84" signed. Inscription in pencil below the image area reads: "28/88, Lost Childhood, Ralph Maradiaga, 84";
Printer: Stephen Grace; Atelier 4
A Command Tree for LA
2016
General Physical Description note
Silkscreen; Poster Size: 11 x 15 in.
Description/Comments
The silkscreen depicts the base of a tree and its trunk in brown and yellow paints. An aerial view of a city with bridges,
freeways, and buildings are mixed into the base and trunk of the tree. The tree trunk splits into two main branches that have
faces on them with small branches fanning out leading to the leaves of the tree. Artist statement: "The print depicts a two
trunk tree (male/female) that protects the city of Los Angeles. The roots of he tree are the roads and freeways that connect
our city." This silkscreen has a chop mark located on the bottom left corner of the silkscreen with edition 5/21. The edition,
title, artist signature, and date are written in pencil along the bottom edge of the print.
Arbol de la Sabiduría
1997
Physical Description: unknown; Image size: 26.875 x 19.125 in. Poster size: 30 x 22 in.
Description/Comments
Human figure forms molded to create a tree. Four triangular sections create: earth, wind, fire, and air. "The compistion plays
with polarities and female symbols. The tree is composed of stylized human figures in silver. The tree crown is make of three;
signed.; Printer: unknown; Atelier 31
Mujer de Fuego
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
"Depicts two main images: a woman tree, whose branches are covered with red hand-like leaves, is in the background; a woman
of fire, whose arms are crossed across her chest, soars into space. Also in the background is a long ladder that rises high
in the; February 26-29; Printer: Jose Alpuche; unknown
Enseñanza del Sahuaro
1996
Physical Description: poster; Image size: 16.125 x 22 in. Poster size: 20 x 26 in.
Description/Comments
A myriad of images make up this print. On the bottom of the print are a row of bricks with Aztec images painted on them. Above
the bricks are a green snake, two white eagles, three red roses, a pyramid, a woman, a cluster of skulls, a Native American
In; signed.; Printer: José Alpuche; Atelier 28
Por Qué
undated
Physical Description: unknown; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Man praying with sun on top of his head, stained glass window pieces from a church with an angel carrying one of them. Below
is a farmer and barbed wire. Colors used: 1. Light Blue, 2. Yellow, 3. Green, 4. Orange, 5. Ocre (sic.), 6. Purple, 7. Sky
Blue,; signed.; Printer: unknown; Atelier 30
La Gran Tradicion
2016
Physical Description: Silkscreen; Image size: 9 x 12 in. Poster size: 11.25 x 15 in.
Description/Comments
The title translates to "The Grand Tradition." The background shows the sun appearing out of a cloudy sky, giving the skyline
a yellow/gray shade. Only a lone bird is flying in the air, on the ground lies a graveyard with black and white crosses. In
the center, there is a red heart-shaped cactus with a Golden Eagle perched on top of it. The eagle holds a black snake in
its mouth and is attempting to eat it, while the snake is tries to fight back by biting the eagle. Included are editions 6/30
and 4/30, and both are signed and dated by the artist in pencil.
The Promised Land
(Nov 10-14) 1986
creator: Martinez, Daniel J.
Physical Description: Westwinds; Image size: 36 x 24 in. Poster size: 38 x 26 in.
Description/Comments
Green, yellow, blue, and purple landscape. Royal blue sky. Figures, boxes, skeletons. Colors used: 1. gray, 2. blue, 3. red,
4. primrose yellow, 5. transparent yellow, 6. yellow oxide, 7. green, 8. tran. lime green, 9. orange, 10. peacock blue, 11.
tra; signed. Inscription in pencil below image area reads: "4/46, title, signature and 86"; Printer: Oscar Duardo; Atelier
8
Raza and Culture
(Jan 24-Feb 1) 1995
Physical Description: Coventry Rag 290 grms; Image size: 26 x 38 in. Poster size: 30 x 41.75 in.
Description/Comments
A multi-colored abstract image with many faces/masks and a large heart on the left side. Colors used: 1. Opaque orange, 2.
T-Primrose Yell., 3. T-Cadmio Yellow, 4. Cadmio Red, 5. Covalto Blue, 6. T-Shape Green, 7. T-Magenta, 8. T-Shape Green, 9.
T-Dark M; signed. Inscription below the image reads: "4/58, 'Raza and Culture', Isabel Martinez, '95"; Printer: José Alpuche;
Atelier 25
Woman of Color
1997
Physical Description: unknown; Image size: 26 x 37.875 in. Poster size: 30.125 x 44.125 in.
Description/Comments
Woman of many colors surrounded by many different colored flowers. "'Women of Color' is a representation of a strong woman
who has to fight against adversities. Her smile and flowers represent hope to keep going. This print is the Metaphor (sic.)
of Li; signed.; Printer: unknown; Atelier 29-31 #4 and #6
V.G. Got Her Green Card
February 8-15, 2001
Physical Description: Coventry Rag, 290 gms.; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
A Virgin of Guadalupe holding a green card. Colors used: T-Ultra Blue, T-Violet, T-Magenta, T-Yellow, T-Turquoise, T-Green
Shade Yellow, T-Flesh, O-Black, O-Green, T-White, Clear Gloss, and T-Yellow-Orange.; signed; Printer: José Alpuche; Atelier
XXXVII
Intertwined
Physical Description: Coventry Rag.290 grms; Image size: 16.5 x 22 in. Poster size: 20 x 26 in.
Description/Comments
"Silkscreen of two guys facing each other with white and red bars overlapping one of the guys … The print showcases two individuals
in love and unable to come together due to the current political climate on gay marriage in the United States." - Luciano
M; November 13-16; Printer: Jose Alpuche; unknown
In Memory of Cesar Chavez
(Nov 12-16) 1993
Physical Description: Coventry Rag 290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
A "No Grapes" sticker on the top left side, a Brahma Bull on the lower left had side, and four images of Cesar Chavez in oval
portait frames. Also, there are falling letters on the right side. Colors used: 1. Ruby Red, 2. Rusty Brown, 3. Tiel (sic.)
Gre; signed. Inscription in pencil below the image reads: "4/65, 'Cesars Memory', Paul Martinez; Printer: José Alpuche; Atelier
23
Mi Amor
1995
Physical Description: poster; Image size: 38 x 26 in. Poster size: 44 x 30 in.
Description/Comments
Yellow background with orange splashes. Green yellow spikes/halo encircle the head of a virgen with a lavender robe draped
around her head and body. At the base of poster is a batch of roses with angels.; signed.; Printer: José Alpuche; Atelier
26
Kill
(July 28-30) 1992
Physical Description: Westwinds; Image size: 24.25 x 18.25 in. Poster size: 26 x 20 in.
Description/Comments
A skeleton in yellow and red in a gesture of pain and with knife blades coming out from behind his neck. Behind him is an
insignia encircled by flames with a United States flag, the California bear, olives, grapes... The background is purple. Colors
us; signed. Inscription in pencil below image area reads: "Kill, 4/61, Rudy Martinez, 1992"; Printer: Richard Balboa; Atelier
19 L.A. Riots
Legend
1998
Physical Description: unknown; Image size: 31.75 x 23 in. Poster size: 38.75 x 30 in.
Description/Comments
Lime green skull with 4 arms taking the place of the crossbones. Emblem of "City of Los Angeles Founded in 1787" surrounded
by flames on a hot pink background. Colors used: 1. black, 2. magenta, 3. gold, 4. red, 5. blue, 6. silver, 7. green, 8. yellow.;
signed.; Printer: unknown; Atelier 30
...del altar a la tumba...
undated
Physical Description: poster; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
Drawing of a woman with a blue face and short, straight black hair. She has brown eyes, red lips, and streaks of blue and
red in her hair. The background is brown and there are crosses in the background.; signed.; Printer: unknown; Atelier XXIX
Al Norte
2017
General Physical Description note
Linocut Silkscreen; Poster Size: 22 x 15 in.
Description/Comments
The black and white silkscreen shows a portrait of three individuals. Two of the individuals, a woman and child, are shown
in detail while the man is shown as a blackened figure. The portrait of the three is surrounded by pictures of corn, a candle,
an American dollar bill, and a sign stating "American Dreams Money Transfer." The total image is framed by a black and white
linear design. Artist statement: "This print, part of a 12 print series, ties together several narrative elements of the whole
series while visualizing the physical absence of the protagonist in his family's lives. The barbed wire and border fence framing
the image situate the narrative as one rooted in militarized borders and restrictive immigration policies, while the date
on the photograph provides a historical context for the entire series. The date, 11/8/1994, was the date that the racist,
anti-immigrant Proposition 187 was passed. The print also references elements from the rest of the series, providing a threat
with which to piece together disparate snapshots. These include a receipt for an international money transfer, an ear of form
(our protagonist was a corn famer before being forced to migrate), a dollar bill (symbol of global capital), and a religious
candle to San Judas Teadeo (Saint Jude Thaddeus), patron saint of impossible causes." This silkscreen is part of the Al Norte
y P'Atras project and has a chop mark located on the bottom left corner of the silkscreen with edition 5/21. The edition,
title, artist signature, and date are written in pencil along the bottom edge of the print.
Asking for Protection
2017
General Physical Description note
Linocut Silkscreen; Poster Size: 22 x 15 in.
Description/Comments
The black and white silkscreen portrays a family consisting of a father, mother, and small boy kneeling at an altar of Lady
of Guadalupe in prayer. Artist note: "In this scene, we see our protagonist and his family praying at an altar to the Virgen
de Guadalupe, asking for her protecting before he embarks on his journey." This silkscreen is part of the Al Norte y P'Atras
project and has a chop mark located on the bottom left corner of the silkscreen with edition 5/21. The edition, title, artist
signature, and date are written in pencil along the bottom edge of the print.
El Coyote
2017
General Physical Description note
Linocut Silkscreen; Poster Size: 22 x 15 in.
Description/Comments
The black and white silkscreen illustrates a figure with the body of a man but the head of a coyote receiving money from an
individual with a hat and backpack. In the background there is a truck with another individual sitting in the bed of the trunk
under the night sky. Artist statement: This print shows our protagonist paying cash to the coyote for his journey North, as
another migrant waits in the back of delivery truck at night. The depiction of the smuggler as an actual coyote offers a somewhat
playful, sardonic representation of a person who's own economic wellbeing is premised on the insecurity of others. This silkscreen
is part of the Al Norte y P'Atras project and has a chop mark located on the bottom left corner of the silkscreen with edition
5/21. The edition, title, artist signature, and date are written in pencil along the bottom edge of the print.
Headed to the Fields
2017
Physical Description: Linocut Silkscreen; Poster Size: 22 x 15 in.
Description/Comments
Center image of the black and white silkscreen includes a bus hauling portable restrooms and four individuals standing at
the entrance of the bus. A grocery store titled Monte Mart is in the background with the store sign in the top right corner.
Artist statement: "In this image, we see the protagonist of the series loading a refurbished school bus end route to work.
The store sign "Monte Mart," references a now defunct grocery store that used to exist in East Salinas, CA. There, I grew
up seeing the field workers arriving from a long day's work (my former middle school is cross the street from this site on
Williams Road). What always stood out to me was the way the women would cover their faces with bandanas to protect themselves
from the sun, wind, and pesticides. The inclusion of portable bathrooms was a testament to the farm worker movement, often
associated with the struggles of the United Farm Worker's Union in the 1970s." This silkscreen is part of the Al Norte y P'Atras
project and has a chop mark located on the bottom left corner of the silkscreen with edition 5/21. The edition, title, artist
signature, and date are written in pencil along the bottom edge of the print.
La Cosecha
2017
General Physical Description note
Linocut Silkscreen; Poster Size: 22 x 15 in.
Description/Comments
The black and white silkscreen depicts the back of an individual looking across fields. The crops of the fields are to the
left of the main figure with a shack, out house, and donkey to their right. There are trees and clothes hanging out to dry
in the far distance. Artist statement: "In this print, the protagonist of the series looks over his corn harvest. Rather than
evoking an image of poverty and dread (for the farmer has his land, a mule, and a home) this print works to situate our protagonist
as someone who works to make a living in the context of neoliberal globalization policies." This silkscreen is part of the
Al Norte y P'Atras project and has a chop mark located on the bottom left corner of the silkscreen with edition 5/21. The
edition, title, artist signature, and date are written in pencil along the bottom edge of the print.
La Llamada
2017
General Physical Description note
Linocut Silkscreen; Poster Size: 22 x 15 in.
Description/Comments
The black and white silkscreen depicts two ends of a phone call. The image is split in half diagonally with the bottom left
half showing a lady on the phone in the living room of her home with a little boy playing with his toy truck in the background,
while the top half of the image depicts a man at a payphone with two signs behind him stating "Metro, Paisa" and "American
Dreams Money Transfer, share the dream." Artist statement: "This print depicts the protagonist on the phone with his wife,
with a border fence creating a diagonal separation between the two geographic spaces; spaces bridged by the sonic connection
facilitated by the phone call. The two scene visualize the gendered spaces they both inhabit: the wife in the domestic space
of the home with her child, and the husband in the streets of the U.S., where he works to provide. Subtle markers of capitalism
and religiosity are evident in the scenes. At home, the wife sits next to a lit candle that serves as a continued plea for
protection by the Guadalupana, while in the U.S., the husband speaks on a public phone secured to a wall advertising the mobile
phone service, "Metro Paisa" (a parody of low-cost phone carrier Metro PCS, which offers affordable phone plans that allows
users to call Mexica as part of their service plan)." This silkscreen is part of the Al Norte y P'Atras project and has a
chop mark located on the bottom left corner of the silkscreen with edition 5/21. The edition, title, artist signature, and
date are written in pencil along the bottom edge of the print.
Las Taqueras
2017
General Physical Description note
Linocut Silkscreen; Poster Size: 22 x 15 in.
Description/Comments
The black and white silkscreen shows two individuals preparing tacos at a taco stand. The taco stand has a sign on the left
stating "Tacos $1.50" with three people lined up. There is a man in a hat on the right corner of poster eating a taco. The
taco stand is set up in front of a building with the sign "Auto Body" on Breed street. Artist statement: "This print depicts
the protagonist of the series eating a plate of tacos, prepared y a pair of entrepreneurial women vending on a street corner.
The street sign in the print references Breed Street, located in Boyle Heights, Los Angeles. Long a place where vendors would
ply their trade, it has been central to the fight for the legalization of street food vending in the city of Los Angeles."
This silkscreen is part of the Al Norte y P'Atras project and has a chop mark located on the bottom left corner of the silkscreen
with edition 5/21. The edition, title, artist signature, and date are written in pencil along the bottom edge of the print.
Looking for Chamba
2017
General Physical Description note
Linocut Silkscreen; Poster Size: 22 x 15 in.
Description/Comments
The black and white silkscreen depicts the backs of three men in front of a store titled "The Home Warehouse" waving down
a truck that is driving by in the parking lot. Artist statement: "In this print, the protagonist of the series stands with
a group of men looking for work outside of a hardware store; a typical scene in Los Angeles, the Southwest, and beyond." This
silkscreen is part of the Al Norte y P'Atras project and has a chop mark located on the bottom left corner of the silkscreen
with edition 5/21. The edition, title, artist signature, and date are written in pencil along the bottom edge of the print.
Río Grande
2017
General Physical Description note
Linocut Silkscreen; Poster Size: 22 x 15 in.
Description/Comments
The black and white silkscreen depicts five individuals crossing a river with bags in their hands. One individual has a child
on their shoulders as they make their way across the river bank. Artist statement: "This print depicts our protagonist and
a group of people crossing the river at dawn, with their belongings on hand. The sun rising in the East still leaves a darkness
on the Western part of the sky; a visual metaphor that highlights the fact that the journey in the U.S., and its concomitant
dangers, is far from over once you arrive on U.S. soil." This silkscreen is part of the Al Norte y P'Atras project and has
a chop mark located on the bottom left corner of the silkscreen with edition 5/21. The edition, title, artist signature, and
date are written in pencil along the bottom edge of the print.
Salinas Valley
2017
General Physical Description note
Linocut Silkscreen; Poster Size: 22 x 15 in.
Description/Comments
The black and white silkscreen shows nine figures working on the fields picking the crops. The foreground shows the men working
in the rows of crops with a machine in the center of the image. The background consist of mountains and a cloudy sky. Artist
statement: "This linocut depicts the series' protagonist picking lettuce as part of a work crew, as the picturesque mountain
range that typifies commercial and touristic representations of the valley offers a serene background. The scale of the environment,
relative to the farm workers, is suggestive of the social, historical, and economic dynamics that shape this form of labor.
The print also highlights the human-made symmetrical harmony that has shaped the geography of the region, reminting us that
this seemingly 'natural' commodity is borne of human's manipulation of the natural environment and is predicated on the exploitation
of a racialized and marginalized working class." This silkscreen is part of the Al Norte y P'Atras project and has a chop
mark located on the bottom left corner of the silkscreen with edition 5/21. The edition, title, artist signature, and date
are written in pencil along the bottom edge of the print.
Sharing the Dream
2017
Physical Description: Linocut Silkscreen; Poster Size: 22 x 15 in.
Description/Comments
The black and white silkscreen depicts an individual with a hat and bag facing the teller window of money transfer store titled
"American Dreams." Artist statement: "This scene shows out protagonist wiring money to his family back home. The satirical
name of the fictitious business, "American Dreams Money Transfer," parades the slew of businesses that facilitate such transfers
of cash, while alluding to the oft-repeated discourse that immigrants come this country to chase the elusive dream of financial
stability and a chance to get ahead. Whether or not this dream is ever achieved is called into question here, as the lack
of closure in the series' narrative and the separation from loved ones suggests such dreams are often the stuff of nightmares.
" This silkscreen is part of the Al Norte y P'Atras project and has a chop mark located on the bottom left corner of the silkscreen
with edition 5/21. The edition, title, artist signature, and date are written in pencil along the bottom edge of the print.
Sonoran Desert
2017
General Physical Description note
Linocut Silkscreen; Poster Size: 22 x 15 in.
Description/Comments
The black and white silkscreen depicts the three men crossing a desert landscape with many cacti and other native desert plants
in the foreground and the mountains in the distance. The image contains a sky that is partly cloudy. Artist description: "This
print depicts our protagonist, along with two other men, making their way across the desert with water in hand. The piece
highlights the vastness of the terrain through which they must cross and speaks to both the danger and possibility inherent
to such a journey; the peril symbolized by the rattlesnake hidden among the cacti, and the opportunity portrayed by the wide
open sky and land laying above, beyond, and around the three men." This silkscreen is part of the Al Norte y P'Atras project
and has a chop mark located on the bottom left corner of the silkscreen with edition 5/21. The edition, title, artist signature,
and date are written in pencil along the bottom edge of the print.
Are You Ready to Die For Your Country?
2009
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description Comments
The print uses six colors: yellow, red, sand, chalk green, warm mid green, and green brown. The print is of a young boy dressed
as a soldier, holding a rifle. "Are you ready to die for your country?" is written at the top of print. "Designed to rattle
the nerves and depthen the guilt - enlighten the mind. " Mear one. Chopmark: embossed Self Help Graphics insignia in the bottom
center. 2/81 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Caution (Captive)
2002
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
The image "CAPTIVE" reveals a close up of a face with wide open eyes. The face is framed by a red border filled with blue
flowers, and green and yellow leaves. The pattern of flowers, leaves, and branches grows to form a layer in front of the face
outli; signed; Printer: José Alpuche; special project
Wax Cloth
2012
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description Comments
The print uses the colors blue, magenta, yellow, maroon, black, and gold. The print is of a pair of hoop earrings on top of
a wax Dashiki fabric. "A piece combing traditional African fabric, the Kente wax cloth from Ghana, which prints, patterns,
and colors hold important cultural significance and a symbol of one's status, wrapped around a classic statement piece in
hip hop fashion, the bamboo door knocker. The bamboo door knocker is a large playful gold earring in the shape of a 'door
knocker.' A symbol of one's social and economic status. The larger the earring, the more wealth one holds, knocking on the
door of wealth. The purpose of this print is to bridge the gap between contemporary urban fashion with everyday traditional
wear. We are knocking on the door of culture, history, and tradition." Tanya Melendez. Chopmark: embossed Self Help Graphics
insignia in the lower left hand corner. 4/46, 6/46 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Cliché Inversion
July 17-19, 2002
Physical Description: Coventry Rag, 290 gms; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
The shape of the tree is formed with the word TU CASA ES MI CASA". Poring [sic] out from the leaves is a deranged pig wearing
a poor ball helmet and holding a carfe football over the head of a dazed and angry canary who sits in his broken shell on
the gr; signed; Printer: José Alpuche; Atelier
Balam Huipil Remix
2013
Physical Description: Coventry Rag 290 grms; image size: 30 x 22 in.; poster size: 27 x 35.5 in.
Description Comments
The print uses the colors blue, yellow, red, and brown. The print is a collection of images and writing from various cultures.
The print contains images from modern culture, such as the Nike symbol and military tanks, and traditional/ancient cultures.
At the center of the piece is a jaguar. "My piece is inspired by my Pipil/Mayan ancestry use of thread to tell a story. I
chose to recreate a huipil, a traditional woven blouse, which represents the town and tells a story. Usually women create
huipiles that are loomed or embroidered with a creation story or family story. For my piece I chose to tell a story about
how violence is having a devastating consequence and the need for balance. The images are a remix of old and new cultural
symbols, negative and positive, violence and peace. The Jaguar (Balam) is a symbol for people to be resilient and purposeful
in leaving a world that is healthy for our future generations." Dalila Mendez. Chopmark: embossed Self Help Graphics insignia
in the lower left hand corner. 4/55, 6/55 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Respect
August 6-10, 2002
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 21.5 in. Poster size: 20 x 26 in.
Description/Comments
A developer is hammering the spike of Gentrification intop a building covered with the American flag and destroying it. The
residents are facing the developer in silhoette spelling out the word RESPECT across their backs. A larger figure represents
"Jus; signed; Printer: José Alpuche; special project
The Golden Tree
2010
Physical Description: Coventry Rag 290 grms; image size: 20 x 16 in.; poster size: 26 x 20 in.
Description Comments
The print uses seven colors: baby blue, blue, yellow green, yellow orange, red, metallic gold, and black. The print is of
a large, gold tree with red houses hanging from it. In front of the tree are a man and a woman. There are various houses and
farm animals in the scene as well. "A silhouette of a couple stands before a gold tree with red houses. A royal blue damask
pattern background marges with a yellow and green landscape." Stephanie Mercado.Chopmark: embossed Self Help Graphics insignia
in the lower left hand corner. 2/70 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Mangán Tayón- Food for Thought
May 1-8th, 2001
Physical Description: Coventry Rag, 290 gms.; Image size: 26 x 18 in. Poster size: 22 x 30 in.
Description/Comments
The central image of the piece is a woman cooking food and wearing an apron which reads "Mangán Tayón" which in Ilocano means
"Let's Eat." fields of gold surround her and feature portraits and images of the artist's grandparents, faces, and as farmworkers;
signed; Printer: José Alpuche; Atelier XXXVIII
Apache Los Angeles
2010
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description Comments
The print is in black and white. The print is of a young man holding a gun in each hand. Around his neck is a cross. The man
has a halo around his head an wings on his back. On the bottom of the print written on a banner is "Apache." Chopmark: embossed
Self Help Graphics insignia in the lower left hand corner. 2/88 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Echo Park
24th, July - 27th July, 2001
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Landscape showing water lilies in bloom with foliage reflected in the water. Location Echo Park, Los Angeles. Colors used:
T. Salmon Pink, O. Lemon Yellow, O. Turquiose, T. Burnt Sienna, T. Lime Green, T. Powder Blue, T. Ivory warm-white, T. Magenta/Purpl;
signed; Printer: José Alpuche; special project
Apache 59
2017
General Physical Description note
Silkscreen; Poster Size: 20 x 30 in.
Description/Comments
The silkscreen shows a black Chevrolet Apache truck with teal detailing in the center of the poster and the portrait of three
women above the truck with graffiti filled brick wall in the background. Below the truck are black and white outlines of four
individuals. The portrait of the three women have teal detailing on their accessories. This silkscreen has a chop mark located
on the bottom left corner of the silkscreen with edition 4/59. The edition, title, and artist signature are written in pencil
along the bottom edge of the print.
Mascara
undated
Physical Description: Coventry Rag 290 grms; image size: 16 x 20 in.; poster size: 20 x 26 in.
Description Comments
The print is in black and white. The print is of a girl's face. She is wearing a gas mask and around her head is a halo. There
are cans of hairspray around her hand. There are clouds surrounding her as well.Chopmark: embossed Self Help Graphics insignia
in the lower left hand corner. 2/85 ed.; signed.
Teen Age Fair 1966
2012
Physical Description: Coventry Rag 290 grms; image size: 20 x 20 in.; poster size: 26 x 26 in.
Description Comments
The print uses the colors red, orange, yellow, brown, and beige. The print is of a band performing. In the upper right hand
corner is written "Teen Age Fair." "Mock album cover for teen Age Fair 1966, intended to be a fake promotional record where
one never existed for the actual Teen Age Fair of 1966." John Everett Miner. Chopmark: embossed Self Help Graphics insignia
in the lower left hand corner. 4/50, 6/50 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Cihualyaomiquiz, The Jaguar
December 10-14, 2002 and March 18, 19, and 20, 2003
Physical Description: Coventry Rag, 290 gms.; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
A leaping female figure wearing a skin-tight ocelot leotard, wrestling boots and a featherd Native-American headdress in front
of a yellow star burst on a deep violet background. Upper left corner has Insurgent Comix" logo with a clenched fist. The
com; signed; Printer: José Alpuche; Atelier XLI
Divine Pollution
1996
Physical Description: unknown; Image size: 22 x 37 in. Poster size: 24 x 37.667 in.
Description/Comments
Four separate panels make up this print, each with its own idea and image. An audience of onlookers rest at the top and bottom
of the print.; signed. at bottom of third panel. A stamp of "The Divine Pollution" is on the left side of the signature.;
Printer: unknown; Atelier 28
El Día De Una Vida
1994
Physical Description: Coventry Rag 290 grms; Image size: 18 x 24 in. Poster size: 22 x 30 in.
Description/Comments
Text encircles the image upon a blue-grey, yellow, purple, and red-brown strip. The day, in yellow and red-brown, is in transition
with the night, in blue. "At the upper right the moon appears with angel forms." "Print represents the human life cycle tr;
signed. Inscription in pencil below the image area reads: "4/64, El día de una vida, J. V. Montelongo, 94"; Printer: José
Alpuche; unknown
Lenguaje de mis Padres
1996
Physical Description: poster; Image size: 16.125 x 22.125 in. Poster size: 20 x 26 in.
Description/Comments
Open flower coming out of a pair of hands with two organic forms coming out of it. Two faces representing the meeting of two
symbols, a person and lost language. Text around the exterior of the print in Spanish reads: "Nacimos juntos y entre los años
no; signed.; Printer: José Alpuche; Atelier 28
Prayer Placazo. Occupied LA CMA
2011
Physical Description: Coventry Rag 290 grms; image size: 9 x 12 in.; poster size: 11 x 14 in.
Description Comments
The print uses the colors beige, cream, brown, and dark brown. The print is of a Native American ritual. The background is
a map of Los Angeles. "The silkscreen 'Prayer Placaso, Occupied LACMA' is a creative manifestation of the Indigenous People's
Day Performance Prayer Protest and Ceremonial Intervention at LACMA's Olmec Exhibit that took place on October 12, 2010. This
piece is based on a photograph taken by Robert Loza ..." Felicia Mendez. Full artist statement available on file. Chopmark:
embossed Self Help Graphics insignia in the lower left hand corner. 4/50, 6/50 ed.; signed.
Movie House
(Feb 8-12) 1988
creator: Montes, Roberto Gil de
Physical Description: Westwinds; Image size: 36 x 24 in. Poster size: 36 x 24 in.
Description/Comments
Image of a single figure, a man in front of the sea. Separate frame design. "A man is standing in front of the sea with his
eyes closed, his arms extended, the sky is at sunset, the end of a happy day." R.G. De Montes.; signed. Inscription in pencil
located at the bottom reads: "4/49, signature and 88"; Printer: Oscar Duardo; Atelier 11
El Guadalupano
1999
creator: Montoya, Delilah
Physical Description: silkscreen; Image size: 25 x 17.25 in. Poster size: 30.25 x 22 in.
Description/Comments
Image is of a man kneeling with his back to the audience to reveal his hands cuffed. There is a colorful tattoo of the Virgen
de Guadalupe on his black and white skin. The background is a prison cell and the foreground is covered in pink flowers. "El
G; signed. Inscription in pencil below image reads: "4/51, El Guadalupano, Delilah Montayo 99."; Printer: unknown; Atelier
33
They Raised All of Us; City Terrace, L.A. CA, 1955
1996
creator: Montoya, Delilah
Physical Description: poster; Image size: 11.125 x 15.875 in. Poster size: 22 x 28 in.
Description/Comments
An old faded family portrait centers this print against a green and blue floral background.; signed.; Printer: José Alpuche;
Atelier 28
Chicano Elder
undated
Physical Description: unknown; Image size: 15 x 21.5 in. Poster size: 19 x 25 in.
Description/Comments
Rendering of Andrés Zepeda. In the background there is an image of a soldier and a house. Colors: gradation of red to yellow,
and ochre. On the top, white type reads: "!Toda una vida / al pie de / lucha!." At the bottom, black type reads: "Don / André;
signed. Inscription in pencil below image area reads: "José Montoya, RCAF, c/s".; Printer: unknown; unknown
Mickey Mao
July 25-27, 2000
Physical Description: Coventry Rag, 290 gms.; Image size: 26 x 40 in. Poster size: 30 x 44 in.
Description/Comments
Mickey Mao simple use of corporate and communist images juxtaposed with humor and poetry. Colors used: Electric Blue, Fire
Engine Red, Twinkie, Dark Purple, and Creamy Yellow.; signed. Inscription in pencil reads, "6/100 Mickey Mao Richard Montoya
CC/RCAF 00".; Printer: José Alpuche; Atelier XXXVII
Dualities
February 17-18, 2000
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Half of the image deals with life, the other with death showing the intricacy between life and death skeleton dropping seeds
into life's hand (woman).; signed; Printer: José Alpuche; Atelier XXXV/ Atelier XXXV
Life As A Doll: Cracked Doll
(May 4-6) 1993
Physical Description: Coventry Rag 290 grms; Image size: 19 x 16 in. Poster size: 24.25 x 20 in.
Description/Comments
Image of a doll in a white dress with red jagged cracks on its forehead. Blue background on which is hovering a pink ribbon
with text. Colors used: 1. Op. Ultramarine blue blended to baby blue, 2. Op. dusty rose blended to flesh, 3. T yellow orche
(sic.; signed. Inscription in pencil below the image area reads: "4/55, Life As A Doll: Cracked Doll, Ann Murdy, '93"; Printer:
José Alpuche; unknown
Monuments, Machinery and Memorials
(Oct 10-14) 1994
Physical Description: Coventry Rag 290 grms; Image size: 37.25 x 27.25 in. Poster size: 43 x 30 in.
Description/Comments
This print uses images of monuments, machinery and memorials in a phallic shaped arrangement. It deals with the masculine
nature of war; manipulation and depersonalisation by the state and the destruction of lives and society. At the top there
is an ima; signed. Inscription in pencil below the image reads: "4/56, 'Monuments, Machinery, and Memorials', Janie Nicoll,
'94"; Printer: José Alpuche; Atelier 25
Día de los Muertos, Announcement Poster for
1982
creator: Norte, Armando
Physical Description: unknown; Image size: 23.25 x 17.5 in. Poster size: 30.75 x 23.125 in.
Description/Comments
Announcement Poster for "Día de los Muertos." Rendering of a skull as a woman facing the viewer. Images of bones and a small
skull in woman's hair are amongst pink and white streamers. Black lettering on bottom of poster reads: "Dia de los Muertos
/ Da; signed. Inscription in pencil below image area reads: "Norte, 82"; Printer: unknown; unknown
Niña Héroe
(Aug 22-25) 1992
creator: Norte, Armando
Physical Description: Coventry Rag; Image size: 30 x 24 in. Poster size: 36.125 x 30.125 in.
Description/Comments
A skull rendered as a girl, probably 'Adelita', is holding a gun and staring at the viewer. The figure is wearing a hat, hoop
earrings, two braids and two rows of bullets accross her chest. A doll is lying on the ground by the girl's feet. Colors used:;
signed. Inscription in pencil below image area reads: "47/68, 'Niña Héroe', Norte, 92"; Printer: Richard Balboa; Atelier 20
Savagery and Technology
1983
creator: Norte, Armando
Physical Description: Artprint 25% Rag; Image size: 19 x 24.875 in. Poster size: 22 x 34 in.
Description/Comments
Lime green, gray, white, black, turquoise technological figure on a black background. Writting on poaster reads "Experimental
Screenprint Atelier."; signed. Inscription in pencil below image area reads: "Norte 83, 22/60, title, copyright insignia,
1983, SHG East LA, CA"; Printer: Stephen Grace; Atelier 1
Shadows Of Ghosts
(Dec 18-22) 1989
creator: Norte, Armando
Physical Description: Westwinds (heavyweight); Image size: 22.25 x 32.25 in. Poster size: 26.25 x 36.25 in.
Description/Comments
Blue female with dark blue web pattern on her dress. She has her head turned looking back at a purple, pink, blue, abstracted
area. Three dark lines separate the woman from the background. "We wear the scars of our past bad experiences. Touch them
and; signed. Inscription in pencil below image reads: "4/64, title, signature and 89" signed. Inscription in pencil below
the image reads: "16/64, 'Shadows of Ghosts', Norte, 89"; Printer: Oscar Duardo; Atelier 14
Untitled
(Nov 19-20) 1983
creator: Norte, Armando
Physical Description: Artprint 25% Rag; Image size: 18 x 30 in. Poster size: 22 x 34 in.
Description/Comments
Face of a woman in black and red. There is a white web over her face.; signed. Inscription in pencil below the image area
reads: "4/77 and signature"; Printer: Stephen Grace; Atelier 2
Todos Somos Chusma
1998
Physical Description: unknown; Image size: 22 x 15.375 in. Poster size: 26 x 20 in.
Description/Comments
Audience members to a performance are dressed up in costume as are the actors on stage. "Chusma" is written at the top of
the print in bold, brown letters.; signed.; Printer: unknown; Atelier 29-31 #4 and #6
Border Bingo/Loteria Fronteriza
1987
creator: Ochoa, Victor
Physical Description: unknown; Image size: 23.5 x 33 in. Poster size: 26 x 37 in.
Description/Comments
Nine images: El Vato, La Migra, El Nopal, La Turista, La Criada, El Marine, La Facil, El Indio, La Punk. Colors used: 1. Yellow,
2. Red, 3. Blue, 4. Green, 5. Pink, 6. Orange, 7. Gray, 8. Purple, 9. Brown, 10. Turquoise blue, 11. Dark Brown.; signed.
Inscription in pencil below image area reads: "4/53, title, signature and date"; Printer: unknown; Atelier 10
box 66
Self Portrait
1990
Physical Description: image size: 36 x 48 in.; paper size 38x 50 in. (in telescope box 66)
Description/Comments
"Multiple eyes with orange and green pastel discs and line drawing on central white oval shape. 'This print represents a journey
shared by Oscar Duardo and me in a search for an image which was, in effect, a search for identity. Because the theme of the
project was about cultural portraits, I thought about my feelings of cultural alienation and fragmentation --- an American
cultural condition. The United States is a young country comprised of peoples of all cultures and we have settled for a superficial
expression of culture vested in ecoonomic interests. We are a nation fixated in adolescence with enormous growing pains. I
share in that pain and yearn for a cultural identity to clothe my naked and bruised spirit, searching desperately for symbols
to wear to protect my defenseless condition. It is a condition ripe for voodoo realities; where images, however superficial,
possess enormous potency. I see the devastating effects of their power in the barbaric conditions of the streets. Tribal witch
doctors, at least, had respect for the power of images and were careful about their use. Today, images of astounding power
are produced with impunity. A truly dangerous irresponsibility, for there is no catharsis available under such conditions.
With these thoughts in mind, I have struggled with the meaning of my finished printed image and finally came to the reaization
that it was, in fact, my image --- a self portrait. The dissonant confusion of eyes, as if searching for a face to wear, and
the sometimes cloying symbol of religiosity are all about me. I owe a great deal to Master Printer Oscar Duardo for his extraordinary
sensitivity and grace to allow for the conditions that led to the final realization and acceptance of my image." Keisha Okayama
4/10 ed.; prnt: Oscar Duardo; mtrx: destroyed; signed.
Death to the Ego/Here Comes the Sun
2008
Physical Description: Coventry Rag.290 grms; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
The print is done in red, yellow, and black. The print is of an eagle. There are spears pointing towards the eagle. There
are a pair of hands holding a broken chain as well. In the background is the sun. Chopmark: embossed Self Help Graphics insignia
in the lower left hand corner. 2/100 ed.; prnt: Jose Alpuche; mtrx: destroyed; signed.
King James Version
1999
Physical Description: silkscreen; Image size: 26.5 x 19.25 in. Poster size: 30.25 x 22 in.
Description/Comments
Image is of a man kneeling with his hands tied above him. There are blood spots on his shirt. To the left of the image is
a female figure. The background is red. The foreground is an open book with the scripture of Lebiticus, Chapter 26 and a hand
gun; signed. Inscription in pencil below image area reads: "4/58, King James Version, Noni Olabisi 1999."; Printer: unknown;
Atelier 33
Tradition
2013
Physical Description: Coventry Rag 290 grms; image size: 22.25 x 30.75 in.; poster size: 27 x 35.5 in.
Description Comments
The print uses the colors beige, ochre, magenta, burnt umber, chocolate, and black. The print is of a sheep with four horns.
The background is a crocheted yarn. "Created as an homage to the sheep - wool is used to create yarn and eventually is weaved,
knitted - and in this case, crocheted- to create clothing. The sheep depicted is a Navajo Churro sheep, sacred to the Diné."
Racquel "Rocky" Olivares. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 4/53, 6/53 ed.; prnt:
José Alpuche; mtrx: destroyed; signed.
Sonidero Compisition in Red
2011
Physical Description: Coventry Rag 290 grms; image size: 9 x 12 in.; poster size: 11 x 14 in.
Description Comments
The print uses the colors yellow, blue, red, and black. The print is of an advertisment for "Sonidero." The print is of two
men. "This piece is a riff on Piet Modrian's famus painting, Composition in Red, Blue, and Yellow. I placed an old flyer for
a Mexican sound system (Sonidero) in the red quadrant of the painting. It's about high and low culture, and what happens when
you force them to interact. When i was invited to make a work influenced by ASCO, the first thing I thought of was their ability
to transform themselves into "movie stars" or famous artists using simple materials and means, and by jamming the barrio into
the museum." Eamon Ore-Giron. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 4/50, 6/50 ed.;
prnt: José Alpuche; mtrx: destroyed; signed.
Chicuelina
1996
creator: Oropeza, Eduardo
Physical Description: poster; Image size: 17 x 21 in. Poster size: 22 x 26 in.
Description/Comments
Scene of two bullfighters waving a red cape in front of a bull's face while he charges at them. The scene is surrounded by
what appears to be fire. Skeleton faces line the background.; signed.; Printer: José Alpuche; Atelier 17
box 66
Esperanza
1990
creator: Oropeza, Eduardo
Physical Description: image size: 36 x 48 in. paper size: 36 x 48 in. (in telescope box 66)
Description/Comments
"Blue and magenta skeleton with background consisting of flowers and leafs a purple with dashes of red and golden yellow dots.
The skeleton is standing posed over the figure of a nude crying child with frighteneded eyes looking up at the skeleton. Beneath
the child there is buried in the blue earth a white figure of a child from who's heart bursting through the earth is a flock
of golden doves." Eduardo Oropeza 73 ed.; prnt: Oscar Duardo; mtrx: destroyed; signed.
El jarabe muertiaño
(Jan 16-Feb 17) 1984
creator: Oropeza, Eduardo
Physical Description: Somerset 320 gram, textured 100% Rag; Image size: 24.5 x 34 in. Poster size: 24.5 x 34 in.
Description/Comments
Three skeleton costumed figures.; signed. Inscription in pencil located in the lower left bottom of the print reads: "2/73,
and signature"; Printer: Stephen Grace; Atelier 3
oversize 66
Hechale
1989
creator: Oropeza, Eduardo
Physical Description: Silkscreen; Poster size: 48 x 36 in.
Other Descriptive Information
Silkscreen poster of over ten calaveras playing guitar. Each one wears different multipatterned and colored sombreros. The
background consists of a floral pattern in colorful shades of green, red, blue, and violet. This silkscreen was signed by
the artist in pencil in the lower right hand corner.
Onward Christian Soldiers
(Dec 15-18) 1985
creator: Oropeza, Eduardo
Physical Description: Accent 290 gram-white; Image size: 33 x 24 in. Poster size: 33 x 24 in.
Description/Comments
This silkscreen contains an image of numerous skeleton figures in costume. One wears a cardinal outfit. Full bleed. Hand torn
edges.; signed. Inscription in pencil located in the lower left corner reads: "4/45 and signature"; Printer: Stephen Grace;
Atelier 6
Madre Santa, Tierra Sol, Madre Santa, Libertad!
1987
Physical Description: unknown; Image size: 15 x 21 in. Poster size: 19 x 25 in.
Description/Comments
The composition is organized around an orange and hot pink cross shape. There is an indigenous woman at the center. Two deers
at each corner of the image area are looking at her. The background shows two Aztec comets crossing the sky and a section
of t; signed. Inscription in pencil below image area reads: "Juanishi Orosco 10/87".; Printer: unknown; unknown
Angel de la Vida
June 17-21, 2003
Physical Description: Coventry Rag, 290 gms.; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
The figure of an Angel over a blue blend background. He is criss crossed with scars. There is the image of a Pre-Columbia
face with Huelga Eagle designs on his face. I titled this print on a on-going series of Meso-American Angels. These angels
are ma; signed.; Printer: José Alpuche; Atelier XLT
Natilus
2013
Physical Description: Coventry Rag 290 grms; image size: 22 x 30 in.; poster size: 27 x 35.5 in.
Description Comments
The print uses the colors red, black, yellow, blue and magenta. At the center of the print is an abstract cross section of
a natilus. The background is a woven texture. "This is a liberal reproduction of a photograph of an attempt to reproduce the
patterns of a bisection of a natilus shell using the technique and principles of hyperbolic crochet. Chopmark: embossed Self
Help Graphics insignia in the lower left hand corner. 4/51, 6/51 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Neo-Mexico
(Mar. 19-21 and 31) 1998
Physical Description: unknown; Image size: 22.125 x 16.5 in. Poster size: 26.125 x 20 in.
Description/Comments
Man with scarf over mouth is walking through corn fields with the city in the background. Colors used: 1. cyan blue (t), 2.
magenta (t), 3. yellow shade green (t), 4. violet (t), 5. ochre orange (t), 6. white dark blue (t). "In relation to Siqueiros,
'A; one of two posters signed.; Printer: José Alpuche; Atelier 31
A la Frontera de Aztlán
(Feb 28-Mar 3) 1995
Physical Description: Coventry Rag 290 grms; Image size: 26.5 x 38 in. Poster size: 30 x 44 in.
Description/Comments
Street scene with two fold up impala Lowrider cars; Chicano and Mexican Icons. Main colors are: orange, yellow, purple, and
lime green. Colors used: 1. T. Yellow (light), 2. T.Orange, 3. T. Red Purple, 4. T. Green, 5. T. Blue, 6. T. Brown (warm),
7. T.; signed. Inscription in pencil within the image in the middle reads: "A Frontera de Aztlán, 4/64, Ortega, (c)"; Printer:
José Alpuche; Atelier 25
Frida y Diego Nos Muestran México
(Mar 25-29) 1991
Physical Description: Westwinds; Image size: 35 x 26 in. Poster size: 37.5 x 28 in.
Description/Comments
Portraits (in three quarters) of Frida Kahlo and Diego Rivera in the foreground. Frida is holding a paintbrush and they are
standing side by side, looking at something in the distance. Behind them is a group of people (tourists) beside a car. In
the ba; signed. Inscription in pencil below the image reads: Frida y Diego nos Muestra México, 18/64, Ortega, 91 (c)"; Printer:
Oscar Duardo; Atelier 16
Los De Abajo
(May 20-22) 1993
Physical Description: Coventry Rag, 290 grms; Image size: 22.375 x 32.25 in. Poster size: 25.5 x 35 in.
Description/Comments
Two trucks--one pink, one purple--are the central image before a deep green and light green background of rolling hills and
grass. People load or unload the purple truck while others stop beside the pink truck, whose driving plate reads: "UFW" (United
Fa; signed. Inscription in white below image area reads: "Los de Abajo, 4/58, Ortega, (c) copyright"; Printer: José Alpuche;
Atelier 23
Tree Of Understanding
1987
Physical Description: unknown; Image size: 15.25 x 21 in. Poster size: 19 x 25 in.
Description/Comments
The images shows three indigenous, one adult, and two children, gathered around a symbolic tree. Around the image there is
a number of personal and Aztec symbols and patterns. Colors: gradation of blue and dark brown.; signed. Inscription in pencil
below image area reads: "Stan Padilla '87".; Printer: unknown; unknown
Blue Venus
2001
Physical Description: Coventry Rag, 290 gms.; Image size: 18 x 22 in. Poster size: 22 x 30 in.
Description/Comments
A linear and cross-hatched version of Bottecelli's Venus (sans the half shell) holds paint brushes, their tips with the primary
colors and gold, with her left arm. She puts her hand over her heart are which has a tattoo with a small banner in Latin that
i; signed; Printer: José Alpuche; Atelier XXXVIII
Arreglo
(Oct 8-9) 1983
creator: Perez, Jesús
Physical Description: Artprint 25% Rag; Image size: 17 x 23 in. Poster size: 22 x 34 in.
Description/Comments
Abstract design of red, orange, yellow, blue, pink. The eyes and vase are blue. Title about the print is in orange.; signed.
Inscription in pencil below atelier logo reads: "4/78 and signature"; Printer: Stephen Grace; Atelier 2
The Best Of Two Worlds
(Nov 9-13) 1987
creator: Perez, Jesús
Physical Description: Westwinds; Image size: 24 x 38 in. Poster size: 24 x 38 in.
Description/Comments
Image of a cactus resting on a male bust with his hands holding his collar. The cactus contains photo images of five generations;
documentation of two cultures. Colors used: 1. Gray, 2. Dark Red/Vermillion, 3. Opaque Turquoise, 4. Opaque Aqua Transaqua;
signed. Inscription in pencil located at the bottom reads: "4/59, title, signature and 87"; Printer: Oscar Duardo; Atelier
10
Try-Angle #1
(Nov 2-6) 1986
creator: Perez, Jesús
Physical Description: Westwinds; Image size: 36.375 x 24.75 in. Poster size: 36.375 x 24.75 in.
Description/Comments
Pyramid-triangular shape with tube-like form twisting around and through it. Colors used: 1. Blue, 2. Red, 3. Yellow, 4. Blue/Green/Red,
5. Orange/Yellow, 6. Black/Blue, 7. Purple, 8. White, 9. Red, 10. Yellow/Red, 11. Sepia, 12. Blue.; signed. Inscription in
pencil at the bottom within the image area reads: "12/45, Try-Angle #1, Perez, '86"; Printer: Oscar Duardo; Atelier 8
Untitled
(Oct 29-31) 1985
creator: Perez, Jesús
Physical Description: Accent 290 gram - white; Image size: 25 x 36 in. Poster size: 25 x 36 in.
Description/Comments
Human figure in four parts, each part when put together completes the whole image. This piece is the upper right corner. Colors
used: 1. Blue and orange, 2. Ivory, 3. Black, brown, and blue.; signed. Inscription in pencil located vertically in the upper
left reads: "17/44, 85 and signature"; Printer: Stephen Grace; Atelier 6
Vértigo
(Nov 24-28) 1986
creator: Perez, Juan
Physical Description: Westwind; Image size: 25.75 x 37.75 in. Poster size: 26 x 38 in.
Description/Comments
Abstract figure holding a vase on a light yellow/peach colored background. Colors used: 1. Cream, 2. Blue/White/Lavendar,
3. Grey, 4. Brown, 5. Salmon, 6. Aqua/Green/Yellow/Red, 7. Purple, 8. Emerald Green, 9. Red/Purple, 10. Pearl; signed. Inscription
at the bottom of the image area reads: "4/45, title and signature"; Printer: Oscar Duardo; Atelier 8
Thinking of Jesus and Mary
(Feb 6-10) 1989
creator: Pérez, Louie
Physical Description: Westwinds (heavyweight); Image size: 22.25 x 26.5 in. Poster size: 26 x 30.75 in.
Description/Comments
Two hearts (one red-one purple) with newsprint backround [sic], monotyped coffee stain"-lower right corner - signed and numbered
or (sic.) printed page." Colors used: 1. Tran. Lt. Gray, 2. Tran. Lt. Milori Blue, 3. Tran. Red, 4. Tran. Charcoal Black,
5.; signed. Inscription in pencil below the image area reads: "45/62, Louie Pérez"; Printer: Oscar Duardo; Atelier 13
Montebello G.K.K
Physical Description: Coventry Rag.290 grms; Image size: 14.5 x 22 in. Poster size: 20 x 26 in.
Description/Comments
"Car clubs are part of the Chicano culture since the 1930s. Following shifts from East L.A. to the San Gabriel suburbs car
culture changed while aspiring to a bomb ride stayed the same. This image is of the [Montebello] Gay Kar Klub's tricked out
vehicles; October 27, 30, 31; Printer: unknown; unknown
Displaced
2017
General Physical Description note
Silkscreen; Poster Size: 15 x 11 in.
Description/Comments
The silkscreen shows a rooster, orange tree, and house being carried by a crane, and palm trees in the forefront while the
backdrop displays a city skyline. The tree, house, rooster, and palm trees are painted in various colors such as red, yellow,
green, orange, and pale yellow. In contrast, the city skyline is painted in a bale blue, light blue grey, medium blue grey,
and a dark blue grey. This silkscreen has a chop mark located on the bottom left corner of the silkscreen with edition 5/21.
The edition, title, artist signature, and date are written in pencil along the bottom edge of the print.
Mni Wiconi Water is Life
2016
General Physical Description note
Linocut Silkscreen; Poster Size: 22 x 26.5 in.
Description/Comments
The black and white silkscreen shows six separate images on the one poster. One of the images shows a crowd of people with
a banner stating "We Are Water" in front of the crowd; another image shows four individuals protesting with a sign "You Can't
Eat Oil;" two of the images display construction workers standing with a forklift carrying pipes; another image displays a
symbol of a star with a fist in the center, and the last image shows a group of people carrying branches. There are two copies
of this four print series.
Mni Wiconi Water is Life
2016
General Physical Description note
Linocut Silkscreen; Poster Size: 25 x 18 in.
Description/Comments
The black and white silkscreen has people, buildings, turtles, fishes, birds, and a buffalo surrounding the main image of
a black grass field. Above the center image is the phrase "Mni Wi'coni" with a circular symbol that is divided into four parts
with a water droplet in each fourth. Below the center image is the phrase "Water is Life." The sides of the image displays
water droplets and thin lines that resemble the flow of water. Additional notes: Puppet Theater - 4 prints in two editions,
total of 8 prints
Mni Wiconi Water is Life
2016
General Physical Description note
Linocut Silkscreen; Poster Size: 22 x 26.5 in.
Description/Comments
The black and white silkscreen displays multiple images. The top half of the poster displays an outline of North and South
Dakota with a line going through it and the phrase "DAPL;" another image shows three women in dresses; another image shows
three cars and a house with the phrase "USA" and "441 Billion Barrels Oil;" and a TV with a group of people on the screen
with the phrase "Under Arrest, Democracy Now." The bottom half of the poster displays a river bank with a line of ducks and
a turtle in the water. There are two copies of this four print series.
Mni Wiconi Water is Life
2016
General Physical Description note
Linocut Silkscreen; Poster Size: 22 x 23.5 in.
Description/Comments
The black and white silkscreen displays six separate images on one poster. One of the images is a faucet with a flow of water
coming out of the spout; another image displays three individuals with headdresses on while one of the individuals is beating
a drum; another image is a cup of water; another image shows two huts with animal figures on the front and the sign stating
"No Pipeline" in between the huts; a different image displays a man and woamn over a fire place cooking a meal; and the lasy
image is a dog with a collar and chain around its neck. Additional notes: Puppet Theater - 4 prints in two editions, total
of 8 prints.
Monthly Calendar
ca. 1979
creator: Pineda-Rico, Sarah
Physical Description: unknown; Image size: 6.625 x 16.125 in. Poster size: 7 x 16.75 in.
Description/Comments
Monthly Calendar. Urban landscape showing the wall of a house, palm trees, and a cloudy sky. There are six differently colored
versions of this print in combinations of lime-red, green-blue, white-red.; signed. Inscription inside image area reads: "Pineda";
Printer: unknown; unknown
Sharia
2012
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 25.75 in.
Description Comments
The print uses the colors yellow, orange, red, blue, lavender, black, and green. The print is of two abstract male figures.
The background is multi-colored. "Imagery taken from original oil painting based off Islamic Law (Sharia) and the common narratives
it weaves through christian ideals and suspension of will." Raul Pizarro. Chopmark: embossed Self Help Graphics insignia
in the lower left hand corner. 4/54, 6/54 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Familia
1983
creator: Ponce, Michael D.
Physical Description: Artprint; Image size: 19 x 25 in. Poster size: 23 x 35 in.
Description/Comments
Two large faces in the background. Seven burnt sienna figures in the middle ground. Blue grid pattern with green circular
pattern in the foreground. Smudge on upper right corner.; signed. Inscription in pencil reads: "4/60, title, and signature";
Printer: Stephen Grace; Atelier 1
Sor Juana Rebelling Once Again
1999
Physical Description: silkscreen; Image size: 24 x 18.25 in. Poster size: 30.25 x 22 in.
Description/Comments
Image is of Sor Juana dressed in the Virgin of Guadalupe's blue cloak with yellow stars. Sor Juana also has a red bandana
covering her mouth and a tear falls from her right eye. There are two red horns with intertwined leaves and flower on top
of her he; signed. Inscription in pencil below image reads: "4/65, 'Sor Juana, Rebelling Once Again', Rose Portillo '99.";
Printer: unknown; Atelier 33
Festín de Aromas
1996
Physical Description: poster; Image size: 21.5 x 15.25 in. Poster size: 26 x 20 in.
Description/Comments
The print combines images of Mexican popular culture (Mexican calendar of roses as background), everyday life, catholicism
(cross), and sexual repression (14th cent. chastity belts). Colors: magenta, cyan, yellow, black, and violet. "Through juxtaposing;
signed.; Printer: José Alpuche; Atelier 28
La Tarde
1995
Physical Description: unknown; Image size: 17.25 x 10 in. Poster size: 22 x 13 in.
Description/Comments
Black and white silk screen with two boys, a book, a drum, and a cat. Above them is a falling sun.; signed. Inscription in
pencil below the image reads: "4/43, 'La Tarde', Artemio [illegible] R ?, 1995.; Printer: unknown; unknown
Alpha-Omega
ca. 1993
Physical Description: unknown; Image size: 21 x 14 in. Poster size: 25.125 x 18 in.
Description/Comments
The entire print is dominated by the image of a head (skull) in profile. It looks as if it is a colored x-ray or computer
image. Abstract images and bubbles float beside the skull.; signed. Inscription in pencil below image area reads: "4/37, 'alpha/omega',
Christopher [illegible]"; Printer: unknown; Images Of The Future
Leading By Example
ca. 1992
Physical Description: unknown; Image size: 21 x 16.25 in. Poster size: 24.5 x 19 in.
Description/Comments
A distorted face divided in quarters on a red background. In the upper and bottom section of the print, green type reads:
"moderno / power". A horizontal section across the print shows an image of two enlarged eyes on a yellow background. On each
eye,; signed. Inscription in pencil located below image area reads: "'Leading By Example', 4/49, Christopher [illegible]";
Printer: unknown; Atelier 19 L.A. Riots
Target Market
(Oct 18-Oct) 1993
Physical Description: Coventry Rag 290 grms; Image size: 36 x 20 in. Poster size: 39.625 x 24.5 in.
Description/Comments
A skeleton situated centrally. Its bones are red-brown in color with white outlines. The background is brown/black with eyes
scattered throughout. Colors used: 1. T-Cyan Blue, 2. T-Magenta, 3. T-Fire Red, 4. T-Primrose Yellow, 5. T-Ultra-Blue, 6.
T-Vio; signed. Inscription in pencil below the image reads: "4/61, 'Target Market', Christopher, '93"; Printer: José Alpuche;
Atelier 23
25 Calakas, Announcement Poster for
1998
Physical Description: silkscreen; Image size: 21.75 x 15.25 in. Poster size: 26 x 20 in.
Description/Comments
Image is of 25 skulls of different shapes, color, and design. Writing in silver on black background reads "Self-Help Graphics
presents Day of the Dead/Dia de los Muertos Annual Exhibition and Celebration November 1-22, 1998 el big two-five 25th Annivers;
signed. Inscription in pencil below image area reads: "4/79, 25 Calakas, J. Ramirez 1998."; Printer: unknown; Atelier 33
CCF100
2016
General Physical Description note
Silkscreen; Poster Size: 15 x 11 in.
Description/Comments
The silkscreen displays a skyline of a city with five individuals standing infront of the skyline. The city skyline is painted
with blue, yellow, green, orange, brown, and pink paints. There are multiple trees spread throughout the skyline. The five
orange painted individuals are evenly spaced on a pink and red painted path infront of the skyline each carrying a different
item. This silkscreen has a chop mark located on the bottom left corner of the silkscreen with edition 136/150. The edition,
title, artist signature, and date are written in pencil along the bottom edge of the print.
The Boy
2012
Physical Description: Coventry Rag 290 grms; image size: 11 x 10 in.; poster size: 15 x 14 in.
Description Comments
The print uses the colors light grey, magenta, lighy cyan, and charcoal grey. The print is of a boy sitting by a wolf. Behind
the boy is a city. "Print inspired by fable: The Boy Who Cried Wolf." Jose Ramirez.Chopmark: embossed Self Help Graphics insignia
in the lower left hand corner. 4/56, 6/56 ed.; prnt: José Alpuche; mtrx: destroyed; signed
Escuela
2008
Physical Description: Coventry Rag.290 grms; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
The print is done in green, black, and brown. The image is of four students in a classroom. "Disenfranchized discrimination
nonwhite noncitizen reclaim reconstruct rebuild" is written behind the students. Chopmark: embossed Self Help Graphics insignia
in the lower left hand corner. 2/135 ed.; prnt: Jose Alpuche; mtrx: destroyed; signed.
La Migra
Physical Description: Coventry Rag.290 grms; Image size: 9.25 x 16 in. Poster size: 18 x 12 in.
Description/Comments
"Image of three calaveras with downtown L.A. in the distance." - Jose Ramirez.; undated; Printer: Ivan Alpuche; unknown
Las Tres Reinas
2009
Physical Description: Coventry Rag.290 grms; Image size: 13.5 x 9.5. Poster size: 15 x 11 in.
Description/Comments
The print is done in brown, yello, red, orange, purple, black, and blue. The print is of three woman. One is holding a heart,
one is holding a dove, and one is holding a rose. "A take on Los Tres Reyes but instead Las Tres Reinas bringing peace, love,
life." Jose Ramirez. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/189 ed.; prnt: Jose Alpuche;
mtrx: destroyed; signed.
Hasta Que La...Los Separe
Nov. 6-10, 2001
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Bano, Mujer, Hombre, Ropa Interior, Zapatos y Collage. Colors used: Clear Base, (T. Blue Grey), T. Red, T. Olive Green, T.
Turquiose Blue, T. Purplish Blue, T. Dark Blue, T. Grey (Charcoal), T. Violet, O. Black, Clear Gloss; signed; Printer: José
Alpuche; Atelier XXXIX
Luci in the Sky
Physical Description: Coventry Rag.290 grms; Image size: 9.5 x 14.25 in. Poster size: 12 x 18 in.
Description/Comments
"City scape with skulls, crosses, etc. It is a comment on society and the direction we are taking." - Omar Ramirez.; undated;
Printer: Jose Alpuche; unknown
The Here and Now
October 2-6, 2001
Physical Description: Coventry Rag, 290 gms.; Image size: 21.5 x 35.5 in. Poster size: 30 x 44 in.
Description/Comments
DJ Calaca with titles (Self-Help Graphics Presents El Día De Los Muertos 2001, "The Here and Now"). "My contribution to the
print is the DJ Calaca spinning records on two turntables. This image represents the Hip Hop Nation that has permeated all
aspect; signed. Inscription in marker in image area reads, "Omar ramirez Chaz Bojorquez"; Printer: José Alpuche; Atelier XXXIX
Por Vida
(Sept 12-14) 1993
Physical Description: Coventry Rag 290 grms; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
A man and a woman gaze at the viewer. The man wears a bandana with text which reads: "somos como somos". Her hair is black
and very long. There is a sign post behind them which reads: "B--Venice--X 3"; signed. Inscription in pencil below the image
reads: "Vincent Ramos, Por Vida, 4/54"; Printer: José Alpuche; Atelier 23
Teardrops and Gumdrops
2012
Physical Description: Coventry Rag 290 grms; image size: 24 x 24 in.; poster size: 30 x 30 in.
Description Comments
The print uses the colors black, lavender, yellow, dark blue, and turquoise. The print is of tear drops and gum drops falling
down. The background has various names and phrases written on it such as "The Teen Queen," "Joan Baez," and "Charlie Parker."Chopmark:
embossed Self Help Graphics insignia in the lower left hand corner. 4/52, 6/52 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Día De Los Muertos 1999
September 5-12, 1999
Physical Description: Coventry Rag 290 gms.; Image size: 25.5 x 24 in. Poster size: 31.5 x 30 in.
Description/Comments
Día De Los Muertos com[m]emorative poster for SHG 1999. The Content of the Image deals with the Ford Anson Theatre towers
in the background, because of the concert (to be held there) and the calacas driving to the concert. The driver is me (Chuy
C/S) in; signed. Inscription in pencil reads, "4/85 Chuy C/S 99"; Printer: José Alpuche; Atelier XXXIV
Puro Lovers Lane
1998
Physical Description: unknown; Image size: 15.75 x 18.625 in. Poster size: 20 x 26.25 in.
Description/Comments
Two skeletons on either side of a heart watching a car go by. Colors predominantly blue and green. "'Puro Lovers Lane' is
a piece on the isue of true love vs. lust. As the two lovers are on a lonely stretch of pavement away from the busy streets
of eas; signed.; Printer: José Alpuche; Atelier 31
Untitled
May 13-16, 2003
Physical Description: Coventry Rag, 290 gms.; Image size: 20 x 16 in. Poster size: 26 x 20 in.
Description/Comments
Person looking up with hands in the air.; signed; Printer: José Alpuche; Atelier XLT
Tacos Con Huevos!
36580
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Red Gallo Romantico eating a Nopal Taco- text in background- 3 hearts at bottom. Colors used: Pale Yellow, Butterscotch Yellow,
Purple, Green, Red, and Blue Black.; signed; Printer: José Alpuche; Atelier XXXV
Trinidad
(Nov 9-11) 1993
Physical Description: Coventry Rag 290 grms; Image size: 24 x 19 in. Poster size: 26 x 20 in.
Description/Comments
An arch with three angels in the center. A cross is on the top done in two types of red. "As a symbol of three important 'Forces'
'Persons' (sic.), 'Meanings' in Life (sic.). It is a personal piece." M. Rendon; signed. Inscription in pencil below the image
reads: "4/38, Trinidad, M. Rendón, 94"; Printer: José Alpuche; Atelier 23
Invest In Revolution
2009
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description Comments
The print uses the colors blue, green, yellow, black, and pearlescent. "The print titled 'Invest in Revolution' shows the
masonic logo turned into an L.A. logo. The eye of God is above in the clouds looking tired or 'high.' A 'G' is below the L.A.
in a bright yellow color, dripping. 2 devilish green characters representing greed and money . Traditional elements are included
in the design - 'Taking old traditions and revisionig them.'" Jaime Reyes. Chopmark: embossed Self Help Graphics insignia
in the lower left hand corner. 2/83 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Butch/Top
Physical Description: Coventry Rag.290 grms; Image size: 16 x 20 in. Poster size: 20 x 26 in.
Description/Comments
"Defiant portrait of Butch, gay male." - Miguel Angel Reyes.; October 23-26; Printer: Jose Alpuche; unknown
Dozena
1999
Physical Description: silkscreen; Image size: 18.625 x 24.75 in. Poster size: 22 x 30.25 in.
Description/Comments
Image is of 12 faces aligned in three rows of four. There are six women and six men in yellow and orange tones. Every square
alternates gender. Background is brown with black borders.; signed. Inscription below image area reads: "6/67, 'Dozena', signature
[illegible] 99."; Printer: unknown; Atelier 33
Epoca de Oro
2002
Physical Description: unknown; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
n; signed; Printer: unknown; SP
Flip
2008
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description Comments
The print consists of black and olive green. The print is half a portrait of President Obama and half a portrait of John McCain.
"This print's image give[s] the view[er] a choi[c]e - you can either see Obama on top - or can 'flip' the print - and see
McCain on top." Miguel Reyes. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/187 ed.; prnt:
José Alpuche; mtrx: destroyed; signed.
Herido
(Aug 6-8) 1992
Physical Description: Westwinds; Image size: 24 x 18 in. Poster size: 28 x 20 in.
Description/Comments
A green winged-man bending on his knees and touching his shoulder and the lower part of his leg. His face has an expression
of pain. The background is covered in curled designs resembling flames. Colors used: 1. Brick (Red), 2. Lemon Yellow, 3. Moss
(G; signed. Inscription in pencil below image area reads: "Herido, 4/64, Miguel Angel Reyes "; Printer: Richard Balboa; Atelier
19 L.A. Riots
Papillon
2010
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description Comments
The print uses the colors cream, coral, baby blue, chocolate, pearl white, and navy. The print is a portrait of a young man.
The man has a cloth covering his mouth and tattoos on his chest. "Profile portrait of young Latino man. body tatooed in Japanese
style, leather strap over his shoulder and under his armpits. Mouth gaged by same leather strap. Hair in a mohawk style. Whole
image is semi-solarized. Papillon is a beautiful butterfly that reminds me of the color and attitude of this portrait." Miguel
Reyes. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/84 ed.; prnt: José Alpuche; mtrx: destroyed;
signed.
SKB-SHG
Physical Description: Coventry Rag.290 grms; Image size: 14 x 20 in. Poster size: 20 x 26 in.
Description/Comments
"Portrait of Sister Karen Boccalero with hand resting on chain. Self Help Graphics logo on the background." - Miguel Angel
Reyes.; May 15-26; Printer: Ivan Alpuche; unknown
Tension
1991
Physical Description: Westwinds; Image size: 30.125 x 24.25 in. Poster size: 34.25 x 28.125 in.
Description/Comments
[A] figure in starting runner's position on top of a blue electrical pole. Red background with multicolor transparent stars,
orange plus and minus signs on lower left and right of image--eye with a circle on top of pole...; signed. Inscription in
pencil located at the bottom below the image area reads: "Signature, title and 4/61" signed. Inscription in pencil below the
image reads: "Miguel Angel Reyes, 'Tension', 42/61"; Printer: Oscar Duardo; Atelier 17
Autonomous
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
The print is done in light yellow, light blue, and black. The print has a yellow background with a blue shape at the top of
the print and a black and blue shape at the bottom. "Autonomous- Someone who acts morally for the sake of doing 'good,' independently
of other incentives." Ricky Ridecos. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/79 ed.;
prnt: Jose Alpuche; mtrx: destroyed; signed.
Mexico sin Espinas
1997
Physical Description: unknown; Image size: 21.375 x 16 in. Poster size: 26 x 20 in.
Description/Comments
A nude woman holds a snake in one hand and the Mexican flag in the other. An eagle behind her holds on to both objects as
well.; signed.; Printer: unknown; Atelier 29-31 #4 and #6
Slay
2017
General Physical Description note
Silkscreen; Poster Size: 26 x 20 in
Description/Comments
The silkscreen has the word "Slay" in pink cursive laid over a copper background with the smaller phrase "settler colonial,
white supremacist, heteropatriarchal, capitalist bullshit" repeated in turquoise paint. Artist statement: "Informed by black,
indigenous, and women of color, this print pays homage to the women - identified warriors who led the resistance against the
settler colonial, white-supremacist, capitalist, and heteropatriarchal bullshit that permeates our lives and affect our ability
to live in relationships with one another wit the earth, with our ancestors, and with our future." This silkscreen has a chop
mark located on the bottom left corner of the silkscreen with edition 6/43. The edition, title, artist signature, and date
are written in pencil along the bottom edge of the print.
El Regalo
March 28-30, 2000
Physical Description: Coventry Rag, 290 gms.; Image size: 37 x 25.5 in. Poster size: 40.25 x 28 in.
Description/Comments
The print uses four colors: blue, yellow, red, pink, and purple. The print is of twenty panels, arranged with four across
and five down. The first panel is of a gift wrapped box with a horse on the front. On the top of the panel, El Regalo, or
The Gift, is written. The rest of the panels describe the story titled El Regalo. "Is a poster, but also a cartoon with the
fantastic story about a woman who enter in the house for take care of television. She become part of the family, but one time
she transformes herself in cow. Then the family has fun for a while but the animal protector society take care of the cow
and the family becomes like a normal family.[It is a poster, but also a cartoon with the fantastic story about a woman who
enters the house to take care of the television. She becomes a part of the family, but one time she transforms herself into
a cow. Then the family has fun for a while but the animal protector society takes care of the cow and the family becomes like
a normal family.]" Honorio Robledo Tapia. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. Inscription
in pencil reads, "4/60 El Regalo Honorio 2000"; 8/60 ed.; prnt: Jose Alpuche; mtrx: destroyed; signed; Atelier XXXVI
Carlos and Fernando
2017
General Physical Description note
Silkscreen; Poster Size: 20 x 26 in
Description/Comments
The silkscreen displays two men embracing one another with halos around their heads. The man with a beard is wearing a red
shirt with a green halo, while the man with a mustache has a mustard yellow shirt with a red halo. Gold painted phrases in
Spanish surround both men with a teal background. This silkscreen has a chop mark located on the bottom left corner of the
silkscreen with edition 4/64. The edition, title, artist signature, and date are written in pencil along the bottom edge of
the print.
Spinach
(April 24-25 and 30) 1992
Physical Description: Westwinds; Image size: 32 x 24.5 in. Poster size: 40 x 28 in.
Description/Comments
The center of the composition is a conglomeration of anthropomorphic forms of legs and feet, and hands and arms in black and
white. The top shows a curtain rod with a hanging fabric over which blue type reads: "Spinach never appealed to me / I decided
to; signed. Inscriptionin pencil below image area reads: "Spinach, 22/44, Anna M. Rodriguez"; Printer: Richard Balboa; Atelier
19 L.A. Riots
Day of the Dead 2002
September 10 and 11, 2002
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Text: Celebrating / Jose Guadalupe Posada/ 150 Anniversary/ Self-Help Graphics/ Day of the Dead/ MMII Border compose of calaveras
(skeletons) by Jose Guadalupe Posada. Central Image: a copy of a linoleum cut by Artemio Rodriguez. Design: LA MANO Pre; signed;
Printer: José Alpuche; SP
Father Time
undated
Physical Description: Coventry Rag, 290 gms.; Image size: 23.875 x 23.75 in. Poster size: 37.75 x 30 in.
Description/Comments
Winged beings in woodcut style.; signed. Inscription in pencil reads, "6/100 "Father Time" Artemio Rodriguez MM".; Printer:
unknown; unknown
The King of Things (Poster)
37051
Physical Description: Coventry Rag, 290 gms.; Image size: 20.75 x 26.25 in. Poster size: 27.5 x 35 in.
Description/Comments
Using the loteria game, I wrote this short prose where a child likes so much his loteria game that he imagines and believes
all the loteria characters are part of his personal and unique world. Colors used: O. Light Blue, T. Red, T. Magenta, O. Flesh,
T.; signed. Inscription in pencil reads, "4/10 Artemio Rodriguez".; Printer: José Alpuche; special project
Community Control of the Land
July 9-12, 2002
creator: Rodriguez, Favianna
Physical Description: Coventry Rag, 290 gms.; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
A business executive is standing over the city of Los Angeles, with a rolled up bunch of eviction notices. There are two devil
horns protruding from his bald head, and his eyes are red with evilness. Around his feet are cockroches and a rat. On the
lef; signed; Printer: José Alpuche; Atelier
Del Ojo No Se Escapa Nadie
1999
creator: Rodriguez, Favianna
Physical Description: silkscreen; Image size: 26 x 18 in. Poster size: 30.25 x 22 in.
Description/Comments
Image is of a woman sitting at the edge of a pink bed with her legs straddled. There are eyes covering her private areas.
To the left of her is a green devil-like snake. "Rodriguez renders the panocha a site of sacred knowledge, boldly staring
the patr; signed. Inscription below image reads: "4/64, 'Del Ojo No Se Escapa Nadie', Favianna Rodriguez 99."; Printer: unknown;
Atelier 33
Llega Todo A Su Tiempo
creator: Rodriguez, Favianna
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
"This piece is about timing and the various forces that collide at any given moment. It's about destiny, and the belive that
'everything happens for a reason'. If there is something in life that does not stop, it is time. El tiempo no para. And so,
it can; November 4-8; Printer: Jose Alpuche; unknown
Margarita
Nov. 13-17, 2001
creator: Rodriguez, Favianna
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 28 in.
Description/Comments
Woman with a mask and a big black hairdo. Woman is surrounded by colorful orchids. Inside her head, there are figures of people
giving birth, losing a child, throwing ashes to sea, receiving a letter, and reuniting. On the top of the print there are
two n; signed; Printer: José Alpuche; XXXIX
Walk of Life
2009
creator: Rodriguez, Favianna
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description Comments
The print uses the colors orange, light green, turquoise, magenta, yellow, and maroon. The print is of a boy drawing a map.
Around him are abstract plants growing. "Another world is possible" is written at the bottom of the print in English and Spanish.
"The print celebrates the various people's struggles taking place around the world, calling for a better and more sustainable
planet. From the fighters in Chiapas, to the climate justice activists in Copenhagen, to the farmers in India - we collectively
are calling out to say 'Another World is Possible.' The images focuses on young people, and the role they play in social change.
The title of the piece is derived from a song by Dire Straits, 'Walk of Life,' one of my favorite 80's songs. " Favianna Rodriguez.
Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/76 ed.; prnt: José Alpuche; mtrx: destroyed;
signed.
Self-Portrait with Muse
June 3-8, 2002
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Woman recieving lapdance from her cartoon self. Colors used: brick red, blue, ochre, lime green, flesh, transp. black, black,
and transp. white.; signed; Printer: José Alpuche; Atelier
Armagedon
(April 22-26) 1997
Physical Description: Coventry Rag, 290 grms; Image size: 26 x 37.875 in. Poster size: 30.25 x 44 in.
Description/Comments
Multi-faced creatures with fire swords ride horses in the sky overlooking the city. "Four Horses, Four Horsemen, Buildings,
Four Swords of Fire." Colors used: 1. Trans Baby Blue, 2. Trans Ultra Marine, 3. Trans Blue Shade Red, 4. Trans Bronw (sic.)
Sienn; signed.; Printer: José Alpuche; Atelier 29
Extraño tu Boca
1996
Physical Description: poster; Image size: 25.25 x 18.625 in. Poster size: 32.875 x 24.625 in.
Description/Comments
A myriad of images make up this print including: faces, cups of coffee, a boat, ladders, hands, a fish, a mouth, heart, horse,
window, and city. Black background.; signed.; Printer: José Alpuche; Atelier 28
Night Fall As I Lay Dreaming
(Feb 19-23) 1990
creator: Rodriguez, Joe Bastida
Physical Description: Westwinds (heavyweight); Image size: 28 x 19.5 in. Poster size: 33 x 25 in.
Description/Comments
An image of a woman lying with her eyes closed and holding a rosary. Colors are blue, red, ochre, yellow, green, purple, pink,
red and orange. Purple, blue and yellow sky. A snake is in the foreground coiled facing the sunset. Southwestern type mountain;
signed. Inscription in pencil below image area reads: "18/60, Night Fall As I Lay Dreaming, Bastida"; Printer: Oscar Duardo;
Atelier 15
(title unknown)
(Oct 27-30) 1986
Physical Description: Westwind; Image size: 35.5 x 47.25 in. Poster size: 35.5 x 47.25 in.
Description/Comments
Lavender, yellow/gold background along with a mixture of black with silver additive. Photo xerox and Kodalith transfer to
screen. Full bleed. Diptych. Colors used: 1. Rose, 2. Yellow/Gold, 3. Lavender, 4. Black (with silver additive), 5. Grey (with
gol; signed. Inscription in silver located near the lower left corner: "4/27"; Printer: Oscar Duardo; Atelier 8
Untitled
1985
Physical Description: unknown; Image size: 35.5 x 23 in. Poster size: 35.5 x 23 in.
Description/Comments
Full bleed. Xerox image. Kodalith transfer of a contemporary woman in a wedding dress and a male torso with female legs. The
background is a woman's face.; signed. Inscription in pencil at the bottom of the image reads: "45/45 and signature"; Printer:
unknown; Atelier 6
Mas Out There
2012
creator: Rodriguez, Reyes
Physical Description: Coventry Rag 290 grms; image size: 24 x 24 in.; poster size: 30 x 30 in.
Description Comments
The print uses the colors blue, yellow, pink, orange, black, and teal. The print is of a woman wearing sunglasses, with her
head turned upwards. The background is pink and blue stripes. At the top of the print is written "Mas Out There East Los Sessions
2012." Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 4/46, 6/46 ed.; prnt: José Alpuche;
mtrx: destroyed; signed.
Curandera (The Healer)
(April 2-9) 1993
Physical Description: Coventry; Image size: 26 x 34 in. Poster size: 30 x 38 in.
Description/Comments
Within the multicolored, image-packed print, there is a man with a jaguar in his shoulders who is placing his hands on another
man's forefront. The background is a jungle with superimposed images of animals, skulls, fruits, and mythological figures,
amon; signed. Inscription in pencil below image area reads: "Curandera, 5/75, Alejandro Romero, L.A., 1993"; Printer: José
Alpuche; Special
L.A. California
1993
Physical Description: unknown; Image size: 37 x 26 in. Poster size: 40.5 x 29 in.
Description/Comments
An image of the Madonna with Little Jesus; both are wearing crowns. She has an intricate robe. Its weave is that of figures,
animals, Aztec iconography, and a hand holding an object. Water flows below this robe, with a woman's face peaking above the
wa; signed. Inscription in pencil below the image reads: "4/66, Alejandro Romero, L.A. California, 1993"; Printer: unknown;
unknown
California Plaza
June 12-25, 2001
creator: Romero, Frank E.
Physical Description: Coventry Rag, 290 gms.; Image size: 38 x 26 in. Poster size: 38 x 26 in.
Description/Comments
A 16 color print celebrating the California Plaza Summer Concerts in Downtown Los Angeles. The print was made in commemoration
of their 15th anniversary!; signed. Inscription in marker in image area reads, "FE Rom 6/140"; Printer: José Alpuche; special
project
City Scape
March 26-30
creator: Romero, Frank E.
Physical Description: Coventry Rag.290 grms; Image size: 10 x 16 in. Poster size: 18 x 12 in.
Description/Comments
"A downtown L.A. cityscape with city hall, palms, and freeway." - Frank Romero.; unknown; Printer: Joe; unknown
Cruising
April 15, 18, and 20, 2000
creator: Romero, Frank E.
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
A very active rendition of a couple out for a spin in their vintage jalopy! Monotypes series utilizing three screens. 1. Hand
printed by artist 2. 5-7 color split fountain 3. Blue Line Drawing; signed; Printer: José Alpuche; Atelier
Grand Father's House
October 19-21 and November 14-15, 2000
creator: Romero, Frank E.
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
A picture of the family gathering house (grandfather's) near First and State streets in Boyle Heights. A recollection done
from memory. Colors used: Blue blended into White and Yellow, Green Blended into Brown w/ hand painted Red, Opaque Pink, Trans
Blu; signed; Printer: José Alpuche; Atelier
Heart
2000?
creator: Romero, Frank E.
Physical Description: Coventry Rag, 290 gms.; Image size: 17 x 23 in. Poster size: 20 x 26 in.
Description/Comments
Heart Series - 1-15, Hand embellished by the artist. One of a series of heart imags, going back 30 years. Colors used: Light
Blue, Light Orange, Deep Red, Turquoise Blue, and Clear Gloss.; signed; Printer: José Alpuche; Atelier XXXIX
Starry Night
July 18-22
creator: Romero, Frank E.
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
A family driving through a magical starry night!; signed; Printer: José Alpuche; Atelier
(title unknown)
(Oct 12-17) 1986
creator: Romero, Frank E.
Physical Description: Westwind; Image size: 30 x 25 in. Poster size: 38 x 26 in.
Description/Comments
Red landscape view with a multicolored car. Yellow and peach City Hall.; signed. Inscription in pencil located in the upper
left corner on the image reads: "4/48 and signature"; Printer: Oscar Duardo; Atelier 8
(title unknown)
undated
creator: Romero, Frank E.
Physical Description: unknown; Image size: 35 x 26 in. Poster size: 37.5 x 27.5 in.
Description/Comments
Image of blue cars driving down a street. Sky scrapers and city hall is in the background.; signed. Inscription in pencil
located in the lower left corner reads: "4/63 and signature"; Printer: Oscar Duardo; unknown
(title unknown)
undated
creator: Romero, Frank E.
Physical Description: unknown; Image size: 36 x 24 in. Poster size: 40 x 26 in.
Description/Comments
Skeleton woman in pink wearing a long dress with a silver outlined holster in a purple background. One of the prints has no
edition number.; signed. Signature in pencil located in the lower left corner below the image area reads: "FE Romero, [symbol],
20/25" signed. Inscription in pencil below the image reads: "F E Romero, (-) 12/26" signed. Inscription in pencil in the lower
left corner belo; Printer: unknown; unknown
(title unknown)
undated
creator: Romero, Frank E.
Physical Description: unknown; Image size: 38 x 26.25 in. Poster size: 41 x 29.25 in.
Description/Comments
A transarent green/brown flower pot with transparent light blue, beige and black (centers) flowers; background is a deep red.;
signed. Inscription in pencil below the image reads: "F E Romero"; Printer: unknown; unknown
(title unknown)
undated
creator: Romero, Frank E.
Physical Description: unknown; Image size: 36 x 24 in. Poster size: 39 x 26 in.
Description/Comments
Image of an old Model T Ford with three passangers and a dog. White background. The car is tan and lavender in the 8/10 edition,
and purple and violet in the 4/30 and 18/30 editions.; signed. Inscription in pencil located at lower left hand corner reads:
"signature and edition"; Printer: unknown; unknown
Ayanna
(June 7) 1991
creator: Romero, Frank E.
Physical Description: unknown; Image size: 22.75 x 30 in. Poster size: 22.75 x 30 in.
Description/Comments
Image of a woman lying on a purple field with her eyes closed. Hand torn edges. Full bleed image. Colors used: 1. Dr Purple,
2. Tran. Tan, 3. Tran Brown, 4. Tran. Lt. Lavendar, 5. Tran. Lt. Rose, 6. Lt Tran. Magenta.; signed. Inscription in pencil
located in the lower right corner reads: "19/20 and signature"; Printer: Oscar Duardo; unknown
Carro
(Feb 3-6) 1986
creator: Romero, Frank E.
Physical Description: Accent 290 gram-white; Image size: 18.5 x 25 in. Poster size: 18.5 x 25 in.
Description/Comments
A blue and silver car on a multicolored background. Full bleed.; signed. Inscription in pencil located below the image area
reads: "Signature, 4/52 and 3/6/86"; Printer: Stephen Grace; Atelier 7
Cruz Arroyo Seco
(Jan 18-22) 1988
creator: Romero, Frank E.
Physical Description: Westwinds; Image size: 17.5 x 13 in. Poster size: 25 x 19.25 in.
Description/Comments
Image of a white cross, sunflowers, and a magic mountain. The title of the piece is in ink within the image. Colors used:
1. Iron Oxide Yellow, 2. Turquious (sic.) Green, 3. Marion Blue, 4. Tran. White, 5. Tran. Green, 6. Brown, 7. Yellow, 8. White,
9.; signed. Inscription in pencil located below the image area reads: "F E Romero, 16/45"; Printer: Oscar Duardo; Atelier
11
Cruz Hacienda Martinez
(Jan 18-22) 1988
creator: Romero, Frank E.
Physical Description: Westwinds; Image size: 17.5 x 13 in. Poster size: 25 x 19.25 in.
Description/Comments
A blue cross on active hot pink background. The title of the work is in ink within the image. Colors used: 1. Iron Oxide Yellow,
2. Pink, 3. Marion Blue, 4. Gray, 5. Tran. Red, 6. Blue Gray, 7. Violet, 8. Magenta, 9. Orange. "The print depicts a small
c; signed. Inscription in pencil below the image reads: "F E Romero, 16/45" signed. Inscription in pencil located below the
image area reads: "Signature and 4/45"; Printer: Oscar Duardo; Atelier 11
Frutas Y Verduras
(Oct 16-20) 1989
creator: Romero, Frank E.
Physical Description: Westwind (heavyweight); Image size: 36 x 24 in. Poster size: 36 x 24 in.
Description/Comments
Full bleed. Blue transparent, Model A fruit and vegetable truck with a red sign reading: "Frutas y Verduras." Blue, yellow,
pink, orange and a magenta tinted background. Colors used: 1. Baby Blue/Pasetel (sic.) Yellow/Peach/Orange/Pastel Magenta,
2. Mag; signed. Inscription in pencil located at the top of the print reads: "Signature and 4/70"; Printer: Oscar Duardo;
Atelier 14
Pingo Con Corazón
(Feb 3-6) 1986
creator: Romero, Frank E.
Physical Description: Accent 290 gram-white; Image size: 18.5 x 25 in. Poster size: 18.5 x 25 in.
Description/Comments
A blue abstract dragon head on a textured background of blue, pink, light orange. Full bleed.; signed. Inscription in pencil
located below the image area reads: "Signature, 4/52 and 3/6/86"; Printer: Stephen Grace; Atelier 7
Untitled
1999
creator: Romero, Frank E.
Physical Description: silkscreen; Image size: 22.5 x 16.375 in. Poster size: 26 x 20 in.
Description/Comments
Image is of a stylized caricature of a woman in mutli-colored lines. She has full red lips and hair parted down the middle
with two braids circled at each side of the face. Background is green with red lines. (Day of the Dead); signed. in black
marker in lower-left hand corner; Printer: unknown; Atelier 33
D.O.D. Goes AWOL
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 22 x 30 in.
Description/Comments
Contemporary interpretation of "Dia de los Muertos," using a television, cabeza "wall paper" and 5 colors to illustrate a
mixture of art and technology from pictograph to pixel.; October 16-20; Printer: Jose Alpuche; unknown
La Placa
November 5-13, 2002
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
The image depicts my hand holding my old homemade tattoo machine, I clipped the roller ball point pen off a bic pen and threaded
a sharpened guitar wire through the pen tube. The wire was the N attached to the spindle of a hair dryer motor which were
tap; signed; Printer: José Alpuche; Atelier
Sagrada Sandía
(May 26, 29)1998
Physical Description: unknown; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
A heart with barbed wire wrapped around it and a band of fire surrounding it. A cross on top and a night sky background. Colors
used: 1. Cyan Blue, 2. Magenta, 3. Yellow, 4. Baby Blue, 5. Dark Purple, 6. Red. "The Sagrada Corazon has been an image that;
signed.; Printer: José Alpuche; Atelier 29-31 #4 and #6
La Llorena
2012
Physical Description: Coventry Rag 290 grms; image size: 11 x 12 in.; poster size: 14 x 15 in.
Description Comments
The print uses the colors light orange, brown, blue, and grey. The print is of a woman with flowing hair. Her hair becomes
a river. There are several children in the river. Behind the woman is a mountain range. "'La Llorona' is a Meican legend that
talks about a woman that drowns her own children and later throws herself in the river after her husband left her. It is said
that you can still hear her cries at night. 'La Llorona' is a very well known legend and most people grew up with the 'fear'
of encountering 'La Llorona' some night and end up with the same fate [sic] as her children. This point shows in the background
a night vision of imigrants crossing from Mexico into the U.S. through the Rio Grande." Marianne Sadowski. Chopmark: embossed
Self Help Graphics insignia in the lower left hand corner. 4/52, 6/52 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Joven Soldadera
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
"Soldadera girl with a rifle and reboto … During the Mexican Revolution (between 1910 and 1920) many women joined the Revolution
and played a key role in the fight for land and freedom. They were called the 'soldaderas'. They cooked, kept the soldiers
com; February 17-21; Printer: Jose Alpuche; unknown
Feria Arbol de la Vida
Physical Description: unknown; Image size: unknown Poster size: unknown
Description/Comments
Event poster given by Self Help Graphics. Green Lettering.; April 19; Printer: unknown; unknown
Toile de East L.A.
2012
Physical Description: Coventry Rag 290 grms; image size: 22 x 30 in.; poster size: 27 x 35.5 in.
Description Comments
The print uses the colors two shades of magenta, aqua, and white, with a magenta background. Various groups of people dancing
and playing music. "The print is a quinceanera scene. It contains an image of a girl in a dress, a church (Lourdes in E. LA),
and an image of the Quinceañera court in their dresses and tuxedos standing in front of the hummer limousine. Also shown are
the guests at the event, dancing viejos, and a dancing young guest. There is a pinata and a lady showing off the birthday
cake she's made for the event, as well as the happy mariachis." Leslie G. Saiz. Chopmark: embossed Self Help Graphics insignia
in the lower left hand corner. 4/40, 6/40 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Eternal Seeds
(Dec 4-8) 1989
creator: Salazar, Daniel
Physical Description: Westwinds (heavy weight); Image size: 35 x 24 in. Poster size: 38 x 26 in.
Description/Comments
Central image of a rose. Walter w/rose stems in the lower right. Upper right background is a cross with fire behind it. Multi-colored
tears are falling down behind the rose in an angle from right to left. Colors used: 1. Gold, 2. Green (Tran.), 3. Blu; signed.
Inscription in pencil below the image reads: "title, 4/59, signature and 89" signed. Inscription in pencil below the image
reads: "Eternal Seeds, 18/59, Daniel Salazar"; Printer: Oscar Duardo; Atelier 14
One Nation Under God
(May 6-9) 1991
creator: Salazar, Daniel
Physical Description: Westwinds (heavyweight); Image size: 24 x 34.5 in. Poster size: 28 x 38.25 in.
Description/Comments
From the right to the left there are: a muscular woman, an american flag, an eagle, and a sunset framed by roses. Colors used:
1. Tran. Powder Blue, 2. Tran. Phaylo Blue, 3. Tran. Purple, 4. Tran. Brown, 5. Tran. Red, 6. Tran. Green, 7. Tran. Gray,
8. Tr; signed. Inscription in pencil below the image reads: "'One Nation Under God', 16/66, Daniel Salazar, 1991"; Printer:
Oscar Duardo; Atelier 16
Dia De Los Muertos 2016, Alice Bag
2016
creator: Saldamando, Shizu
General Physical Description note
Silkscreened Cotton Paño; Poster size: 16 x 16 in.
Description/Comments
The silkscreened cotton paño displays a portrait of a woman done in navy blue paint. To the left of the lady there is a logo
with the phrases "Self Help Graphics" and "43rd Annual" written around it. To the right of the lady there is a flower with
the phrases "Alice Bag" and "Chulita Vinyl Club y Mas" written around it. "Dia de los Muertos 2016" is written at the bottom
of the portrait.
Poster Girl
December 12-14, 2000
Physical Description: Coventry Rag, 290 gms.; Image size: 22 x 16 in. Poster size: 26" x 20" in.
Description/Comments
Woman standing in front of a graffittied [sic] wall. This print is based off a photo taken of a close friend while waiting
in line for Morrissey's autograph. Colors used: Ultramarine Blue, Cool Grey, Taupe, Warm Yellow, Red, and Black.; signed;
Printer: José Alpuche; Atelier XXXVII
Snapshot
May 8-11, 2001
Physical Description: Coventry Rag, 290 gms.; Image size: 18 x 26 in. Poster size: 22 x 30 in.
Description/Comments
Three young women strike a pose with their finely plucked eyebrows and matching ensembles. Colors used: Mint Green, Blue,
Drk Brown, Light Brown, Pink, Pale Yellow, Silver, Drk Grey.; signed; Printer: José Alpuche; Atelier XXXVIII
Survive
2012
Physical Description: Coventry Rag 290 grms; image size: 24 x 24 in.; poster size: 30 x 30 in.
Description Comments
The print uses the colors black, white, and silver. The print Is of a group of people. At the center is a young girl. At the
bottom of the print is written "Sobrevivir". "This print is a fictional worn album oer depicting a young woman at a skacore
show at the old SHG. The title 'Survive' is a testament to the women of different subcultures who have had to carve out their
place and voice in a larger patriarchal culture. This is also an homage to subcultural in general be it punks, cholas, or
who ever had created their own scne or community regardless of mainstream bs." Shizu Saldamando. Chopmark: embossed Self Help
Graphics insignia in the lower left hand corner. 4/50, 6/50 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Una Cobija
2010
Physical Description: Coventry Rag 290 grms; image size: 22 x 16 in.; poster size: 26 x 20 in.
Description Comments
The print uses mostly in shades of blue, with some pink, gold, and silver details. The print is of a couple embracing. The
background is of blue roses, with pink and white petals floating around as well. "A couple embracing against the pattern of
a floral quilt. Petals float around them." Shizu Saldamando. Chopmark: embossed Self Help Graphics insignia in the lower left
hand corner. 2/69 ed.; prnt: José Alpuche; signed.
Vexing
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
"DIY patch with safety pins and image of woman drawing on her eyebrows. Text reads "Vexing, Fastlos Punk, Para las Rockeras
… This print was commissioned by the Claremont Museum, for their "Vexing, Female Voices of East L.A. Punk" Exhibition. This
print c; unknown; Printer: Jose Alpuche; none
Animal Farm
2016
Physical Description: Silkscreen; Image size: 16 x 12 in. Poster size: 20 x 26 in.
Description/Comments
Against a yellow backdrop, the poster portrays numerous images and icons. The bottom of the poster has an image of a group
of people marching to the left, and a couple of them hold American flags. Above that image are a couple of policemen with
dogs attacking civilians, between the policemen is the image of a pig facing the viewer. Above the k-9 units are more policemen,
on the left the cop wears riot gear and holds a baton, while the cop on the right wears a gas mask. Between them is a panther
seemingly ready to pounce on the pig. At the top of the poster, are a couple of dogs growling. These images are painted in
dark blue, in correspondence with the yellow backdrop. Surrounding these images are red stars, along with green fireworks,
plants, and doves. Included are editions 4/40 and 6/40, both are signed by the artist in pencil.
Mulata Que Sera
October 7-11, 2005
Physical Description: Coventry Rag, 290 gms; Image size: 13.125 x 17.75 in. Poster size: 26 x 20 in.
Description/Comments
A computer generated digital, printed on a silkscreen press. All colors were separated and converted into indiuvidual [sic]
color screens and then printed.--Fernando Salicrup. Colors used: Amber, Blue, Green, First Skin tone, Second Skin tone, Brown,
Yell; signed. Inscription in pencil beneath the image area reads, "6/85 Mulata Que Sera Salicrup".; Printer: José Alpuche;
Atelier XLIII
Chacahua
(Dec 2-4)
Physical Description: Coventry Rag, 290 gr.; Image size: 17.125 x 18.75 in. Poster size: 20 x 26 in.
Description/Comments
'Chacahua' is a fisherman's village in the State of Oaxaca, México. It is surrounded by the sea and salt lagoons full of animal
and vegetation life. It's magic comes from teh harmonie (sic.) people have with their ambiance, so I wanted to rpresent (sic.;
signed. Inscription in pencil below image area reads: "4/52, Chacahua, Cecilia Sánchez Duarte [the smaller 'u' inside the
bigger 'D'], '92"; Printer: José Alpuche; Atelier 21
Indigena Cruzando la Frontera
2012
Physical Description: Coventry Rag 290 grms; image size: 16 x 20 in.; poster size: 20 x 26 in .
Description Comments
The print uses the colors tan, brown, yellow, dark teal, and red. The print is of a cave painting. There is a man lying down
in the desert. Written at the top is "Tekitke Ximo Kololoka Huan Tikitika Seka." Chopmark: embossed Self Help Graphics insignia
in the lower left hand corner. 4/50, 6/50 ed.; signed.
Hilos Ancestrales
2013
Physical Description: Coventry Rag 290 grms; image size: 22 x 30 in.; poster size: 27 x 35.5 in.
Description Comments
The print uses seven colors: flesh tone, yellow, blue, red, brown, black, and white. The back ground is a colorful pattern,
and there is a hand holding a mandolina. "The image consists of a danzante Azteca in full regalia, holding his mandolina (an
instrument used by concheros, during ceremony). Feathers play an integral part of a danzante's regalia, as they represent
the rays of the sun, reaching up to the creator. It is an homage to the contemporary vesturario makers, keeping our culture
alive." Eva Sandoval. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 4/61 ed.; prnt: José Alpuche;
mtrx: destroyed; signed.
Angel Baby
(April 11) 1995
Physical Description: Coventry Rag 290 grms; Image size: 38 x 26 in. Poster size: 44 x 30 in.
Description/Comments
Main figure is a winged boxer framed by a snake wrapped around a curtain. There is a floating palm in a cloudy sky. (Taken
from Certificate of Authenticity) Colors used: 1. Yellow, 2. Lavender, 3. Sky blue, 4. Magenta, 5. Transparent Flesh, 6. Light
Red,; signed. Inscription in pencil below the image reads: "4/55, 'Angel Baby', Teddy Sandoval, 95"; Printer: José Alpuche;
Atelier 25
Las Reglas de la Gente
2012
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description Comments
The print uses the colors light orange, red orange, brown, cream, and maroon. The print is of three men leaning against a
brick wall. "Las reglas de la gente: habla del exodo de Mexicanos en los años 40's a 60's, de los problemas de los años 70's
y hasta hoy. Yo como jornalero he sabido las reglas de la gente." (Translation: The rules of the people: speaks of the exodus
of Mexicans in the 1940's to the 1960's, of the problems from the 1970's until toady. I speak as a day laborer, I have known
the rules of the people.) Ricardo Santibañez. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner.
4/54, 6/54 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Filth Saints Manifestos Ballons: All Clouds Are
2012
Physical Description: Coventry Rag 290 grms; image size: 24 x 24 in.; poster size: 30 x 30 in.
Description Comments
The print uses the colors beige, light brown, lavender, and dark brown. "Four color print of a rabit with an open chest revealing
disorganised innards. The rabbit has an extra finger or cigarette in each upraised hand. Image was made photographically,
originally starting as a paper bas-relief that was photographed and manipulated on the computer. The print has a lavender
border with the title 'Filth Saints Manifestos, Ballons Recordings' on the top and on the bottom '1989-1996.' There's also
a titel embedded in the image itself that reads 'All Clouds Are' which came from a dream the rabbit had one night that woke
her up thinking that the quote was a profound utterance that might unlock some puzzle. The work is the cover art for the only
recording produced by the fictional (?) publication cooperative Filth Saints Manifestos Ballons." Arturo Ernesto Romo Santillano.
Full artist description available on file. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 4/53,
6/53 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Smoker's Game
September 19-23, 1999
creator: Healy, Wayne Alaniz
Physical Description: Coventry Rag 290 gms.; Image size: 34.375 x 23.5 in. Poster size: 44 x 30 in.
Description/Comments
Its a picture with a strong gun, bullet-cigarette, skeleton with big sombrero; smoke, fire, and deathly habit. Its the ideological
poster; the habit like Russian R[o]ulette- Smoker's Game like the inknown end -- for every one and every where; its the big;
signed. Inscription in pencil reads, "4/78 Szausa na sukies Toman Sarnecki '99 Healy 99".; Printer: José Alpuche; Atelier
XXI special project
Cross Fire/Truth From the Bloodstorm Series
(Jan 21-23) 1992
Physical Description: Coventry Rag, 290 grms; Image size: 22 x 16.125 in. Poster size: 26.125 x 20 in.
Description/Comments
The image of a person's back, shoulders and head without skin (as if an anatomy lesson--drawn to show false-looking muscles,
arteries, spine, etc.) is visible through the window of a three-dimensional cross. The words "boxer", "judge", "bodies" and
"trut; signed. Inscription in pencil below image area reads: "4/67, 'Cross Fire/Truth', signature [illegible], '93"; Printer:
José Alpuche; Atelier 22
Corazones Potentes/ Power Hearts
2011
Physical Description: Coventry Rag 290 grms; image size: 9 x 12 in.; poster size: 11 x 14 in.
Description Comments
The print uses the colors magenta, yellow, blue, and black. The image is of the La Brea tar pits. There is a woman singing
on the left portion and a pterodactyl on the right portion. The background are lyrics from a song by My Barbarian. "A confrontation
between the Virgin Goddess and the Pterodactyl [sic], a battle between culture and nature, at the La Brea tar pits. This image
comes from the performance 'Non-Western,' a psychedlic operetta by My Barbarian about the early days of California, set in
1848. The text is from a song by My Barbarian, the drawings based on how and where the artists would like to perform it. The
performance premiered in Madrid at El Matadero, and has been performed in California at Santa Barbara Contemporary Arts Forum,
UCLA, UCSD, and Lui Velazquez in Tijuana for 2008 California Biennial." Alexandro Segade. Chopmark: embossed Self Help Graphics
insignia in the lower left hand corner. 4/50, 6/50Dos Genios ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Like Father Like Son
1983
creator: Segura, Daniel
Physical Description: Artprint; Image size: 15.5 x 20.5 in. Poster size: 22.875 x 35 in.
Description/Comments
Red, turquoise, ochre, yellow on a gray background. Image of a gray father, ochre wind-up child, and yellow houses.; signed.
Inscription in pencil below the image area reads: "45/60, copyright, signature/83"; Printer: Stephen Grace; Atelier 1
This Is Pain
(Dec 18-20) 1983
creator: Segura, Daniel
Physical Description: Artprint 25% Rag; Image size: 17.5 x 23 in. Poster size: 22 x 34 in.
Description/Comments
Light yellow figure on a black background.; signed. Inscription in pencil below the print: "4/77 and title"; Printer: Stephen
Grace; Atelier 2
Dos Genios
2012
Physical Description: Coventry Rag 290 grms; image size: 24 x 24 in.; poster size: 30 x 30 in.
Description Comments
The print uses the colors orange, turquoise, grey, black, and mint green. The print is of a brick wall. There is a screen
door and window on the wall. There are boxes at the bottom of the wall. "Dos Genios" is written at the top of the print and
at the bottom is "En La Ciudad de Los Angeles." Chopmark: embossed Self Help Graphics insignia in the lower left hand corner.
4/59, 6/59 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Fandango
1995
Physical Description: poster; Image size: 26 x 38 in. Poster size: 30 x 44 in.
Description/Comments
Three dancers, one in a jaguar suit, another with a parrot suit, and one more with a rooster outfit stands on his own egg.
The stage they stand on is composed of golden panels and the background is made up of green speckles.; signed.; Printer: Jose
Alpuche; Atelier 26
Rapto
1996
Physical Description: poster; Image size: 26.25 x 30 in. Poster size: 30 x 34.75 in.
Description/Comments
Zeus. Rapes. Europa in a stage like the woods. Light, shows an autumn day. Europa wears a straight-jacket. Colors that predominate
are orange, blue, green, lemon yellow, ochre dark, and flesh.; signed.; Printer: José Alpuche; Atelier 28
Raga/Saga
2013
Physical Description: Coventry Rag 290 grms; image size: 30 x 22 in.; poster size: 35.5 x 27 in.
Description Comments
The print uses six colors: taupe, metallic black, foam green, black, blue, and bronze. The print is of two hands holding up
a round, coiled basket with bronze shapes floating over the basket. "I see textiles as a recording device for both cultural
and intimate history. This print titled: Raga/Saga references our often simultaneous cyclical and linear experiences of time."
Carol Shaw-Sutton. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 4/53 ed.; prnt: José Alpuche;
mtrx: destroyed; signed.
Los Angeles
(July 10-14) 1992
Physical Description: Westwinds; Image size: 16.125 x 24 in. Poster size: 20 x 28.125 in.
Description/Comments
A series of concentric and broken yellow circles resembling strata. The center is an outlined apple containing half an orange
surrounded by worms. Two lizards watch the scene from right and left sides. Colors used: 1. Light Lavender, 2. Baige (sic.),
3.; signed. Inscription in pencil located below image area reads: "Los Angeles [illegible sign], 4/55, Sister Shimotsuma,
'92"; Printer: Richard Balboa; special project (Atelier 19 L.A. Riots)
Obon
(Oct 21-23) 1992
Physical Description: Coventry Rag, 290 grms; Image size: 23.75 x 16 in. Poster size: 26.125 x 20 in.
Description/Comments
An spherical shape that looks like a yellow Chinese lantern with the image of a skull in the center. Two butterflies and a
dragon-flie fly around it and above red and yellow flames on a cyan blue background. Colors used: 1. Trans Lt Yell (sic.),
2. Tran; signed. Inscription in pencil located below image area reads: "Obon, 4/55, Sister Shitmotsuma, '92"; Printer: José
Alpuche; special project (Images Of The Future)
Culture Clash=15 Years of Revolutionary Comedy
June 29-July 1, 1999
Physical Description: Coventry Rag, 290 gms.; Image size: 20 x 26 in. Poster size: 22 x 30 in.
Description/Comments
Commemorative print celebrating Culture Clash's 15th Anniversary. Pictures of the three members of Culture Clash and three
performance pictures surrounding a full figure of cantinflas. Colors used: Beige (base), Primary Yellow, Primary Red, Primary
Blu; signed; Printer: José Alpuche; Atelier 34
Saint Drastiko
Physical Description: Coventry Rag.290 grms; Image size: 15.5 x 19 in. Poster size: 20 x 26 in.
Description/Comments
"Portrait of a yound homeboy, shoulders and up, wearing a gray hoodie with barbed wired halo behind his head. Black roses
at the bottom and one white rose included." - Hector Silva.; November 17, 20, 21, 27; Printer: Jose Alpuche; unknown
Spanish History
1993
Physical Description: unknown; Image size: 22.125 x 16.125 in. Poster size: 26 x 20 in.
Description/Comments
The print is divided into four boxes or "windows." The two upper boxes are shorter and have a blue frame. The view inside
is of a night sky or outer space. In the upper left-hand side a moon, a meteor, colored dots which could be planets or stars
are s; signed. Inscription in pencil below image area reads: "4/72, Spanish History, Raoul De la Sota '93"; Printer: unknown;
Images Of The Future
Omens
1983
creator: Sparrow, Peter V.
Physical Description: Artprint; Image size: 19.5 x 25 in. Poster size: 23 x 35 in.
Description/Comments
Purple, dark blue, gray, and florescent orange graffiti. Symbols on a white background.; signed. Inscription in pencil below
the image area reads: "10/60, title and signature"; Printer: Stephen Grace; Atelier 1
Untitle
(Jan 8-15) 1985
creator: Sparrow, Peter V.
Physical Description: Stonehenge 320 gram-white; Image size: 36 x 24 in. Poster size: 36 x 24 in.
Description/Comments
Light brown and gray circle. Three purple bars on a blue/gray field with red accents. Full bleed. Hand torn edges.; signed.
Inscription in pencil located below the image area reads: "4/89, and signature"; Printer: Stephen Grace; Atelier 5
Vibrate
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
"Silk screen scrigraph with abstracted trees ascending to sky. This print is based on an oil painting called "Vibrate" 2005.
It represents a Canadian Pacific Northwest landscape. The trees 'vibrate' signifying the non-solid nature of nature." - Gina
Stepa; April 8-12; Printer: Jose Alpuche; unknown
Chavez Ravine
2016
General Physical Description note
Silkscreen; Poster Size: 15 x 11 in.
Description/Comments
The silkscreen depicts the landscape of brown open land with a few establishments and trees in the foreground while Dodger
stadium centers the image. The stadium is mainly black and white with a few specs of red and blue paint. There is dark green
shrubbery that separates the stadium from the open land. The background has two red and white fireworks exploding in the blue
sky with a white moon hovering in the top left corner. The trunk of a tree frames the left side of the image. This silkscreen
has a chop mark located on the bottom left corner of the silkscreen with edition 134/150. The edition, title, artist signature,
and date are written in pencil along the bottom edge of the print.
43
2016
Physical Description: Silkscreen; Image size: 16.5 x 17.5 in. Poster size: 19 x 20 in.
Descripton/Comments
The image is a tri-color of green, white, and red. The green and white areas have a few marks of red on them. The center has
a large, black number 43 and writing that reads, "no se olvida." Translated, it reads "don't forget." This edition is a monoprint,
with the title and name of artist in pencil.
Dia Con Dia
2012
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description Comments
The print uses the colors red, yellow, teal, gray, and black. The print is a portrait of a man. The man is wearing a beanie
and a coat. The background is text which is partially obstructed by the man. The first line is "Jornalero."Chopmark: embossed
Self Help Graphics insignia in the lower left hand corner. 4/49, 6/49 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Balance Of Knowledge/Balance Of Power
(Oct 11-16) 1987
creator: Taylor, Neal
Physical Description: Westwinds; Image size: 36 x 24 in. Poster size: 36 x 24 in.
Description/Comments
A blue stone arch with red spirals and yellow lightning. Colors used: 1. Blue, 2. Red, 3. Green, 4. Yellow, 5. Black, 6. White,
7. Silver. " 'Balance of Knowledge/Balance of Power' deals with the individual coming to a point in himself and society, being;
signed. Inscription in pencil at the bottom reads: "Title, 4/45, signature and 87"; Printer: Oscar Duardo; Atelier 10
Rutas Peligrosas
2012
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in .
Description Comments
The print uses the colors red, black, yellow, grey and light green. At the center of the print is a man facing a skeleton.
Under his feet is a train. To the left of the man is a scorpion. To the right is written "Home Depot" and a symbol of three
raised fists. "My personal work. The theme of the serigraph is day laborers, like we all know, day laborers look for jobs
on street corners, Home Depot, job centers etc. They (day laborers) do not have contracts or benefits, only going per day
because they are undocumented, this is their daily life. However, in the serigraph, I wanted to express the dangers that they
had to confront before arriving to the United States of America. Central Americans come on a train they call 'the beast.'
For them, it is more difficult to travel across Mexico because of the corruption and violence unleashed by the mafias and
Mexican police. They kidnap them, demand money from their family members and often they kill them. This is why I wanted to
express in a visually dramatic form with skulls, scorpions, and blood the enormous risks that the people run into almost always.
Young people of both sexes and what they confront to find a better life." Hugo Martinez Tecoatl. English translation of artist
description. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 4/52, 6/52 ed.; prnt: José Alpuche;
mtrx: Archived for Educational Purposes; signed.
Remembrance (for Teddy and Arnie)
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
"Two figures holding birds of paradise and gladilas in a garden with yucca plants in background." - Joey Terrill.; January
15-20; Printer: Jose Alpuche; unknown
They Mistook the Determination in our Eyes for Hopelessness
August 2, 3, and 6, 2002
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Hand lettered text at top of print within speed bubble reads "Si no hay lucha no hay victoria". Image is distorted such that
it appears to have been taken through a fish eye lens. A woman stands on a side walk with her child in one arm at the center
of; signed; Printer: José Alpuche; Atelier
Cosmic Patterns Print II
(Oct 2-6) 1987
creator: Thomas, Matthew
Physical Description: Westwinds; Image size: 36 x 23 in. Poster size: 26 x 23 in.
Description/Comments
Full bleed. Image of two Egyptian mummies flanking the center image of four purple and two yellow X's. Colors used: 1. Yellow,
2. Gold, 3. Purple, 4. Magenta, 5. Burgandy, 6. Pink, 7. Light Blue, 8. Tran. Blue-Gray, 9. Peralecence (sic.) White, 10.
Perl; signed. Inscription in pencil located below the image area on the purple border reads: "Signature, 11/87 and 4/48";
Printer: Oscar Duardo; Atelier 10
Untitled
(Oct 11-14) 1985
creator: Thomas, Matthew
Physical Description: Accent 290 gram-white; Image size: 21.25 x 34.25 in. Poster size: 21.25 x 34.25 in.
Description/Comments
Two figures on abstracted yellow field. Pink, red, green, and gray background.; signed. Inscription on a pink line located
in the lower left reads: "4/45 and signature"; Printer: Stephen Grace; Atelier 6
Viva La Raza
1998
Physical Description: silkscreen; Image size: 30.375 x 23.75 in. Poster size: 35.5 x 28.125 in.
Description/Comments
The center of the poster is a depiction of the United Farm Workers Union eagle in red and purple. Background colors are various
shades of green and white. Poster reads "Viva La Raza" in large letters.; signed. Inscription in pencil below image reads:
"4/129, Viva La Raza, © Salvador Roberto Torres 98."; Printer: unknown; Atelier 33
Deceit Under The Lurking Eye
(Nov 1-3) 1994
creator: Torrez, Eloy
Physical Description: Coventry Rag 290 grms; Image size: 29.5 x 21 in. Poster size: 38.75 x 25 in.
Description/Comments
Angel under a lurking eye surrounded by clouds and the red ocean. (Taken from Certificate of Authenticty) Colors used: 1.
Off White, 2. Light Blue, 3. Light Ochre, 4. Light Pink, 5. Light Ultra Blue, 6. Rust Red, 7. Amarillo Ochre, 8. Light Green
Yellow,; signed. Inscription in pencil below the image reads: "4/40, Deceit Under The Lurking Eye, Eloy Torrez, 94"; Printer:
José Alpuche; Atelier 25
The Pope Of Broadway
(Nov 19-30) 1984
creator: Torrez, Eloy
Physical Description: Stonehenge 245 gms White; Image size: 36 x 24 in. Poster size: 40.5 x 28 in.
Description/Comments
Full-length portrait of Anthony Quinn standing in front of a theatre. (Taken from Certificate of Authenticity) Colors used:
1. White, 2. Dark Purple, 3. Orange Ochre, 4. Light Magenta, 5. Medium Navy Blue, 6. Light Ochre, 7. Light Yellow, 8. Yellow,
9. B; signed. Inscription in pencil below the image reads: "Eloy Torrez, 28/85"; Printer: Stephen Grace; Atelier 4
Under The Spell
(May 19-21) 1992
creator: Torrez, Eloy
Physical Description: Westwinds; Image size: 24 x 16 in. Poster size: 28 x 20 in.
Description/Comments
A skeleton representing Death is holding a naked woman by her waist and carrying her away. Two red curtains with golden tassels
frame the scene. Colors used: 1. Terracotta, 2. Yellow Fleshtone, 3. Yellow Gold, 4. Black, 5. Burgandy, 6. Lime-Green. "I
a; signed. Inscription in pencil located below image area reads: "'Under the Spell', 4/65, Eloy Torrez, 92"; Printer: Richard
Balboa; Atelier 19 L.A. Riots
Untitled
(Dec 3-13) 1985
creator: Torrez, Eloy
Physical Description: Accent 290 gram-white; Image size: 37 x 24.5 in. Poster size: 37 x 24.5 in.
Description/Comments
Woman and child on a gray textured background. Full bleed.; signed. Inscription in pencil located at the bottom on the back
of the print reads: "4/45 and signature"; Printer: Stephen Grace; Atelier 6
All Is Not Forgotten
Physical Description: unknown; Image size: unknown Poster size: unknown
Description/Comments
unknown; unknown; Printer: unknown; none
L.A./ 92
(May 5-7) 1992
Physical Description: unknown; Image size: 24.5 x 16.5 in. Poster size: 28 x 20 in.
Description/Comments
Multicolored collage of images depicting a moon, a heart, a cactus, an eye, and a fish among others. On the lower left corner,
black type on a dark purple background reads: "Can we get along..." Colors used: 1. Yellow (Transparent), 2. Red (Transparent);
signed. Inscription in pencil located below image area reads: "LA/92, 4/55, P. Tovar"; Printer: Richard Balboa; Atelier 19
L.A. Riots
Lies
undated
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description Comments
The colors in the print are black, red, yellow, green, blue, white, and cream. The print is an abstract, partially human figure.
In the middle of the figure is a cactus and a heart. The figure has one red eye. On the bottom right hand corner of the print
is a black fish. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/72 ed.; signed.
No Tears No Nada
(Oct 8-10) 1992
Physical Description: Coventry Rag, 290 grms; Image size: 33 x 24.25 in. Poster size: 40.875 x 30.125 in.
Description/Comments
Composition made of a conglomeration of oversized figures such as a Nopal, a dagger, a chile, a slice of watermelon, and a
long narrow-neck glass, among others. Colors used: 1. Lt. Medium Yell, 2. Lt Pink, 3. Trans-Green, 4. Lt Trans. Blue, 5. Trans.
Mag; signed., Inscription in pencil below image area reads: "43/61, No Tears No Nada, P. Tovar, '92"; Printer: José Alpuche;
unknown
The Voyage Of The Akatsuki Maru
(Feb 23-25) 1993
Physical Description: Coventry Rag, 290 grms; Image size: 16.125 x 22.125 in. Poster size: 20 x 26 in.
Description/Comments
A black ship sails on light green and dark green sea. The green sky has white clouds--one which dominates and overlooks the
ship, roughly the shape and demeanor of a skull. The cloud is reflected in the sea with an ominous black shadow--larger than
the; signed. Inscription in pencil below image area reads: "4/69, 'The Voyage of The Akatsuki Maru', signature [illegible],
'93"; Printer: José Alpuche; Images Of The Future
Califas State Badge
(Apr 12-14) 1994
creator: Urista, Arturo
Physical Description: Coventry Rag 290 grms; Image size: 26 x 17 in. Poster size: 30 x 21 in.
Description/Comments
3 poles intersecting a ribbon over an eagle-symbol. Text frames and makes up most of the compostion. Colors used: 1. Bright
Yellow, 2. Deep Green, 3. Deep Magenta Red, 4. Light Yellow Green, 5. Magenta-Red, 6. Black.; signed. Inscription in pencil
below the image reads: "4/70, Califas State Badge, Arturo Urista, 94"; Printer: José Alpuche; Atelier 24
Chicano P.D. Badge
(Apr 12-14) 1994
creator: Urista, Arturo
Physical Description: Coventry Rag 290 grms; Image size: 26 x 17 in. Poster size: 30 x 21 in.
Description/Comments
An East Los police department badge of Chicanos. Central image of a "shield" with a figure in the middle. Text frames and
makes up most of the composition. Colors used: 1. Bright Yellow, 2. Deep Green, 3. Deep Magenta Red, 4. Ligh (sic.) Yellow
Green,; signed. Inscription in pencil below the image reads: "4/70, Chicano P.D. Badge, Arturo Urista, 94"; Printer: José
Alpuche; Atelier 24
Commonalities
(July 22-24) 1987
creator: Urista, Arturo
Physical Description: unknown; Image size: 19 x 25 in. Poster size: 20 x 26 in.
Description/Comments
The imagery has 3 elements; [sic] The helicopter beaming down it's light (top left), 2 obscure figures facing one way and
a directional target mark (top right). The three figures carry common religious related symbols. The fist figure to the left
has th; signed. Inscription in pencil on the right hand corner of the image reads: "Arturo Urista, 87, 49/61, Commonalities";
Printer: Oscar Duardo; unknown
Duel Citizenship
(Nov 23-27) 1987
creator: Urista, Arturo
Physical Description: Westwinds; Image size: 36 x 24 in. Poster size: 37 x 26 in.
Description/Comments
Two figures fighting on a green and red checkered floor enclosed in a shrine. Colors used: 1. Red to Pink, 2. Light Grey,
3. Yellow, 4. Green, 5. Blue, 6. Dark Red, 7. Light Yellow, 8. Turquoise to Gray, 9. Black. "The fight represents the differences
i; signed. Inscription in pencil located at the bottom reads: "Arturo Urista, Duel Citizenship, and 4/53"; Printer: Oscar
Duardo; Atelier 10
El Llamado Dividido
undated
creator: Urista, Arturo
Physical Description: unknown; Image size: 22.5 x 35 in. Poster size: 26.25 x 40 in.
Description/Comments
Two main cartoon-like images almost identical and facing in opposite directions. The background is a big plane of yellow with
several pieces of writing, small triangle- and cross-shapes, and small cartoon-like drawings. Colors used: 1. Yellow, 2. Split/;
signed., Inscription in pencil below image area reads: "34/58, El Llamado Dividido, [triangle symbol], Arturo Urista"; Printer:
unknown; unknown
Juego De Pelotá
(July 19-24) 1987
creator: Urista, Arturo
Physical Description: Westwinds; Image size: 19 x 25 in. Poster size: 20 x 26 in.
Description/Comments
Colors used: 1. Blue gray (light), 2. Light Blue, 3. Yellow, 4. Red, 5. Black, 6. Blue. "'Juego de Pelotá' is a socal historical
perspecive on the competitive games being played emotionally. The images shows [sic] the consequences of the games that never;
signed. Inscription in pencil on the left side, on the left corner below the image, and on the right side below the image;
they read: "Juego De Pelotá, 42/57, Arturo Urista, 87"; Printer: Oscar Duardo; unknown
Spiral and Bones
(Sept 5-6) 1993
creator: Urista, Arturo
Physical Description: Coventry Rag, 290 grms; Image size: 15 x 18.625 in. Poster size: 20.125 x 26.125 in.
Description/Comments
Two skeletons in black ink, wearing hats and suits are holding each other's arms and dancing on the top of spirals shapes.
On each side, a stream of flowers grows a little higher than the figures, in a symbolic stem of leaves and fire. There are
two versi; signed. Inscription in pencil below image area reads: "Mono / type, 4/67, Spiral y Bonez [sic], Arturo Urista,
93"; Printer: José Alpuche; special project (Monotype)
The Travel Back
(Nov 20-24) 1989
creator: Urista, Arturo
Physical Description: Westwinds (heavyweight); Image size: 20.5 x 30 in. Poster size: 26 x 35.75 in.
Description/Comments
A background of crosses (gold) and figures transforming from the cross[es]. Five gold goddess[es] pass through the scale of
lady justice and proceed towards a Mayan Residential" pyramid." (Taken from Certificate of Authenticity) Gold abstracted heads
wea; signed. Inscription in pencil below the image reads: "The Travel Back, 42/65, Arturo Urista, 89" signed. Inscription
in pencil below image area reads: "4/65, title, signature and 89"; Printer: Oscar Duardo; Atelier 14
Welcome To Aztlan
(Feb 2-6) 1987
creator: Urista, Arturo
Physical Description: Westwinds; Image size: 22.5 x 37 in. Poster size: 26.125 x 40.125 in.
Description/Comments
A configuration which is similar to a map of states in the southwest United States is the major image. Each state has small
images such as guns, cacti, longhorns, and footprints within the borders. The map has some triangles across it and is surrounded;
signed. Inscription in pencil below image area reads: "Welcome to Aztlan, 20/46, Arturo Urista"; Printer: Oscar Duardo; Atelier
9
Chicano Heaven
2013
creator: Valadez, John M.
Physical Description: Coventry Rag 290 grms; image size: 30 x 22.25 in.; poster size: 35.5 x 27 in.
Description Comments
The print uses the colors shades of red, blue, and orange. The print is of a large group of workers dressed in blue, wearing
hats, facing a red sky. "Print is based on a pastel from 2012 entitled 'Chicano Heaven.' Sombrero imagery is inspired and
taken from a Casasola historic photograph. Sky areas are heaven inspired." John M. Valdez. Chopmark: embossed Self Help Graphics
insignia in the lower left hand corner. 6/55 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Día de los Muertos, Announcement Poster for
ca. 1977
creator: Valadez, John M.
Physical Description: unknown; Image size: 33 x 22.875 in. Poster size: 35 x 23.125 in.
Description/Comments
Announcement Poster for "Día de los Muertos." Image of Jesus Christ holding a heart in his hand with a figure of a dead man
beneath it. There is lettering on the left-hand side of the print which reads: "In commemoration of / the dead and the / reaffirm;
signed. Inscription in blue ink in lower right corner inside image area reads: "J. M. Valadez, (c) copyright Rcaf, 1977";
Printer: unknown; unknown
Novelas Kachina
(Oct 13-15) 1992
creator: Valadez, John M.
Physical Description: Coventry Rag, 290 grms; Image size: 24.125 x 38 in. Poster size: 24.125 x 38 in.
Description/Comments
Within the multi-colored, image-packed print there are three emotional, realistic, male faces surrounding a center that consists
largely of wild, indigenous images. Throughout, there are small, subtle faces which seem real enough to be drawn from or as
p; signed. Inscription in pencil below image area reads: "37/52, Novelas Kachina, J.M. Valadez, 92'"; Printer: José Alpuche;
unknown
Untitled
(March 19-26) 1985
creator: Valadez, John M.
Physical Description: Stonehenge 320 grams-white; Image size: 24.75 x 35.5 in. Poster size: 24.75 x 35.5 in.
Description/Comments
Three blue male figures in the foreground. On a red field the remainder of the human figures are superimposed on each other.;
signed. Inscription in pencil located below the image area reads: "4/88, and signature"; Printer: Stephen Grace; Atelier 5
What now my love
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
"This contains a city view of Los Angles, Hollywood, California. This cityscape has a romantic scene of a Rock and Roll young
man leaving his wife with a child, for the band on the road. To seek his dream as a Rock and Roll star. That final goodbye
for th; January 27; Printer: Jose Alpuche; unknown
Calaveras De Azucar
(Oct 16-20) 1992
creator: Valdez, Patssi
Physical Description: Coventry Rag, 290 grms; Image size: 34 x 25 in. Poster size: 34 x 25 in.
Description/Comments
Two grinning skulls, one female (yellow head encircled by blue beads where neck would normally be, matching blue earrings,
shoulder length hair) and one male (bow tie in place of neck, short red hair, green face) sit upon a circular table top with
three s; signed. Inscription in pencil blending within the patterns at bottom reads: "Calaveras de Azucar, 43/55, Patssi Valdez";
Printer: José Alpuche; Atelier 20
DEDE Starring in the SHG Revival Print 2011
2011
creator: Valdez, Patssi
Physical Description: Coventry Rag 290 grms; image size: 19.5 x 19.5 in.; poster size: 26 x 26 in.
Description/Comments
The print uses the colors gold, ochre, magenta, hot pink, black, and pearlescent yellow. The print is a portrait of a woman.
"Self Help Graphics a Lit Revival" is written around the woman's face. "This print is in homage to my friend and muse DEDE
who passed away from breast cancer in 2011. Originally from a hand tinted photograph of DEDE, which I took in the 80's. It
was then manipulated in Photoshop, film outputted digitally and reworked by hand in studio. Lastly it was embellished by hand
with glitter." Patssi Valdez.Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 4/55, 6/55 ed.;
prnt: José Alpuche; mtrx: destroyed; signed.
Dia de los Muertos 2000
September 5-13, 2000
creator: Valdez, Patssi
Physical Description: Coventry Rag, 290 gms.; Image size: 21 x 14 in. Poster size: 28.5 x 19.875 in.
Description/Comments
Table alter for day of the dead. Colors used: Light Cerullean Blue, Dark Blue, Dark Brown, T Magenta, Marigold, T White, Light
Purple, T Red, T Yellow, T Midtone Blue, Opaque White, T Drk Turquoise Blue, D Chocolate Brown, Clr Bse, Ivory White, Brown
Blc; signed; Printer: José Alpuche; Atelier XXXVII
Scattered
(Nov 30 - Dec 4) 1987
creator: Valdez, Patssi
Physical Description: Westwinds; Image size: 24 x 36 in. Poster size: 24 x 36 in.
Description/Comments
A black and white collaged self portrait. Kodalith transfer. Full bleed. Colors used: 1. White, 2. Black/Blue, 3. White. "This
print is autobiographical: The breaking away of the old and the emergence of the new self." P. Valdez.; signed. Inscription
located at the bottom of the image area reads: "Signature, title, date"; Printer: Oscar Duardo; Atelier 10
Split Image
1987
creator: Valdez, Patssi
Physical Description: Westwinds; image size: 19 x 25 in..; poster size: 19 x 25 in.
Description/Comments
The print is hot pink, yellow, blue, mauve, and purple. The image is a self portrait, showing the artist's face split in half
by a bar. On the left side is written "Tijuana" and on the right is written "Los Angeles." The edges of the print are uneven.
"This image is about the feeling of being torn between two worlds, born in Los Angeles, I feel very much apart of L.A. , but
at the same time the other part of me relates very much of Mexico and my ancestry. My image is a self-portrait depicting the
flip side of carnalismo, feeling the unity and at the same time acknowledging the obvious separation by the border." Patssi
Valdez. Chopmark: embossed Self Help Graphics insignia in the bottom center. A/P [Artist Proof].; prnt: Oscar Duardo; mtrx:
destroyed; signed.
(title unknown)
1998
creator: Valdez, Patssi
Physical Description: silkscreen; Image size: 18.25 x 12.125 in. Poster size: 26 x 20 in.
Description/Comments
The artist honors a woman recently deceased. Her framed picture is on a purple mat surrounded by the Zempasuchil/Marigold
flowers. There are calaveras with lit candels, papel picado hanging on a string, and multi-colored confetti.; signed. Inscription
in pencil below image reads: "4/57, November 2, Patssi Valdez 98."; Printer: unknown; Atelier 33
L.A. Romance
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 26 x 20
Description/Comments
"Los Angeles City scene with the Disney Music Center, the Hollywood Hills Capital Records Building. A young man with sunglasses
singing with a guitar to a beautiful angel lady sitting on a rock. Also there [are] Palm Trees, freeway cars and hearts just
ab; June 5-9; Printer: Jose Alpuche; unknown
Chavez Ravine
undated
Physical Description: unknown; Image size: unknown Poster size: unknown
Description/Comments
no description; unknown; Printer: unknown; unknown
Christmas in L.A.
Physical Description: unknown; Image size: unknown Poster size: unknown
Description/Comments
Pink moving into a blue sky and pitbull in the center with roof tops and palmtrees in the background.; undated; Printer: unknown;
unknown
Suspect: Dark Hair, Dark Eyes, Dark Skin
November 14 and 21-27, 2002
Physical Description: Coventry Rag, 290 gms.; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
The context of this print deals with ideas and communities, social and political. The idea stemmed from several elements,
particularly individual figures and incidents in society, For example, St. Sebastian was a religious martyrs, [sic] perseated
[sic]; signed; Printer: José Alpuche; Atelier
03:15 PM, Tijuana, Mexico, 1983
2012
Physical Description: Coventry Rag 290 grms; image size: 20 x 26 in.; poster size: 27 x 35.5 in.
Description/Comments
The print uses the colors six colors: pearlescent ocher, pink, blue, silver, gold, and pearlescent rust. The print is of an
abstracted photograph. The image is in two parts. The top part is the photo split vertically, and the bottom part is the photo
split horizontally. In one of the vertical pieces, there is a woman visible. Chopmark: embossed Self Help Graphics insignia
in the bottom center. 4/50 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Black Orchid
(Jan 5-9) 1987
creator: Vallejo, Linda
Physical Description: Westwind; Image size: 36.125 x 24.125 in. Poster size: 40.125 x 26.125 in.
Description/Comments
Oversized image of a multicolored flower in pink and purple tones on a navy blue background. Straight stems are spreading
out from the center--like a light beam and spreading out in different directions. Colors used: 1. Pink-White, 2. Yellow Primrose,
3; signed. Inscription in pencil below image area reads: "Black Orchid, 27/45, Vallejo, 87"; Printer: Oscar Duardo; Atelier
9
Electric Landscape
creator: Vallejo, Linda
Physical Description: Coventry Rag.290 grms; Image size: 21.375 x 15.313 in. Poster size: 20 x 26 in.
Description/Comments
"California Valley oak tree in the foreground on bright greeen hills with large orange/red cloud above." - Linda Vallejo.;
April; Printer: ; unknown
Untitled
(Dec 4-13) 1984
creator: Vallejo, Linda
Physical Description: Stonehenge 245 gram; Image size: 24 x 36 in. Poster size: 41.25 x 28.5 in.
Description/Comments
Human head. Tints and shades of magenta, with circular design. Center ground: yellow, orange, magenta, pink amd green in front
of a dark blue sky. Mat varnish. Colors used: 1. White, 2. Dark Blue, 3. Magenta, 4. Pink, 5. Yellow, 6. Purple, 7. Pink,
8.; signed. Inscription in pencil below image area reads: "4/88, signature and '84"; Printer: Stephen Grace; Atelier 4
The Mercury Weeps
February 27- March 1, 2001
Physical Description: Coventry Rag, 290 gms.; Image size: 18 x 26 in. Poster size: 16 x 30 in.
Description/Comments
Half-tone images from 1930's-1950's Popular Science, Popular Mechanics issues. Man wearing goggles, woman playing organ; woman
playing organ, woman withte head of a chicken; flourescent light bulbs; feet in high heels, xerox enlargements, cut and paste,
f; signed; Printer: José Alpuche; Atelier XXXVIII
Volador
(April 12-21) 1993
Physical Description: Coventry Rag, 290 grms; Image size: 26.5 x 38.5 in. Poster size: 26.875 x 38.875 in.
Description/Comments
Multicolored composition of geometrical shapes around a blue round form with human face. From the tip of the nose, a curvilinear
shape opens up resembling sexual organs and extending around in the shape of wings. Colors used: 1. Trans Ultramarine, 2.
T; signed. Inscription in white color located at the bottom of the print reads: "4/76, 'Volador', Salvador J. Vela [illegible],
93"; Printer: José Alpuche; special project (Chicago)
Algo Quedó
1997
Physical Description: unknown; Image size: 22.25 x 16 in. Poster size: 26 x 20 in.
Description/Comments
Faceless woman with a black and purple cloak.; signed.; Printer: unknown; Atelier 29-31 #4 and #6
Homefront Homeboy
June 10-14, 2003
Physical Description: Coventry Rag, 290 gms.; Image size: 22 x 16 in. Poster size: 26 x 20 in.
Description/Comments
Close-up head and shoulder side view of a young Chicano man. His white T-shirt is used as a blind fold. Against a midnight-blue
back ground are what appears to be bullet casings and blood drops metamorp[h]ized into hot jalapenos. Homefront Homeboy" St;
signed; Printer: José Alpuche; Atelier XLI
Ruben's Graffitti
undated
Physical Description: unknown; Image size: 15 x 21 in. Poster size: 19 x 25 in.
Description/Comments
Multiplied image of different sizes of a Ruben Salazar. On the top of the print, flourescent orange type reads: 'Ruben's Graffitti;
on the bottom, blue type reads: "Califa's Aztlan."; signed. Inscription in pencil below image area reads: "20/50, Rubens Graffitti,
Villa"; Printer: unknown; unknown
San Ysidro de los Angeles
creator: Walker, J. Michael
Physical Description: Coventry Rag.290 grms; Image size: 26 x 34 in. Poster size: 30 x 38 in.
Description/Comments
"Horizontal image of a latino gardener, from the waist up in denim shirt and clutching a rake, set before an open arch, festooned
with vines, leaves and berries, inside a great sculptural arch reacding 'Todos los Santos de Los Angeles' and below a billowi;
unknown; Printer: Joe A.; none
Amexican Spirito
2009
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description/Comments
The print uses five colors: brown black, turquoise, yellow, red orange, and navy blue. At the top of the print is written
"Amexican Spirito." There is a man bending over a white cooler that has four advertisments over it. The print is made to look
like an American Spirit cigarette carton. Chopmark: embossed Self Help Graphics insignia in the lower right hand corner. 2/72
ed.; prnt: José Alpuche; mtrx: destroyed; signed
Sold My Soul To Rock N Roll
2010
Physical Description: Coventry Rag 290 grms; image size: 9 x 12 in.; poster size: 11 x 14 in.
Description/Comments
The print is black and white. The print is of a greaser playing a guitar. There are a pair of women's legs as well, with a
devil's tail. There are several stars in the print as well. Chopmark: embossed Self Help Graphics insignia in the lower left
hand corner. 2/84 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
¡Adiós Hollywood!
(June 26-29) 1992
Physical Description: Westwinds; Image size: 25.625 x 17.625 in. Poster size: 28 x 20 in.
Description/Comments
The foreground is a palm tree whose leaves have been partially cut out to show different designs and patterns: asian characters,
moiré patterns, flowers, maps... The background is a view of the business district in downtwon Los Angeles with City Hall
and; signed. Inscription in pencil below image area reads: "4/54, ¡Adiós Hollywood!, Gloria Westcott, '92"; Printer: Richard
Balboa; Atelier 19 L.A. Riots
Cama Na My Howze
December 14 and 17, 1999
creator: Yáñez, Larry
Physical Description: Coventry Rag 290 gms.; Image size: 26.5 x 31.875 in. Poster size: 30 x 34 in.
Description/Comments
Bedroom Scene[.] Part of the Dream Chicano House - each room based on childhood memories - elements from different homes of
my mother and many many tias + cousins, ninas + amigas de mi madre. Colors used: Pink, Blue, Purple, Red, Green, Yellow, Brown,;
signed. Inscription in pencil in image are reads, "4/72 -Para Karen- Cama Na My Howze TL Yáñez '99". There is also a signature
and copyright symbol incorporated into the print.; Printer: José Alpuche; Atelier XXXVI
Once Juan Won One
(May 12-14) 1993
Physical Description: Coventry Rag, 290 grms; Image size: 26.125 x 38 in. Poster size: 30 x 44 in.
Description/Comments
Interior of a bathroom. The opened window reveals the landscape of Arizona. The curtains are green and have a pattern of skulls.
To the left is the bath tub and the 'tacos' shower curtain. To the right is a blue dresser and a painting of San Juan Baut;
signed. Inscription in pencil below image area reads: "Once Juan Won One, 4/56, ? [illegible] Yañez, '93"; Printer: José Alpuche;
special project
Sofa So Good
(Jan 24-28) 1991
Physical Description: Westwinds (heavyweight); Image size: 36 x 26 in. Poster size: 38.5 x 28 in.
Description/Comments
[A] living room scene with a sofa, a back wall with a desert image, and carpet on the floor. Colors used: 1. Red, 2. Gray,
3. Tan, 4. Pink , 5. Lt. Green, 6. Green, 7. Lt. Turquoise, 8. Lt. Lavender, 9. Orange-Yellow, 10. Yellow, 11. Silver, 12.
Black.; signed. Inscription in pencil and in ink within the image reads: "(pencil) 14/56, Yañez [illegible], and (ink) Sofa
So Good, (c) Yañez, '91"; Printer: Oscar Duardo; Atelier 16
Cocina Jaiteca
(Aug 1-5) 1988
Physical Description: Westwind (heavyweight); Image size: 36 x 24 in. Poster size: 39 x 26 in.
Description/Comments
Kitchen interior with taco in foreground, refrigerator, stove, white, window view of the southwest. (Taken from Certificate
of Authenticity) Colors used: 1. Peach Orange, 2. Scarlet Red, 3. Green, 4. Pink, 5. Light Gray, 6. Transparent Turquoise,
7. Tr; signed. Inscription in ink and in pencil within the image area reads: "(pencil) 17/60, Yañez [illegible] and (ink)
c/s Cocina Jaiteca, (c) Yañez, '91"; Printer: Oscar Duardo;
Pericardium
1998
Physical Description: silkscreen; Image size: 16 x 22 in. Poster size: 20 x 26.125 in.
Description/Comments
Image of a winged sphinx in black with silver outline centers the poster. The figure has the face of a woman with horns, a
yin and yang sign, and a moon with stars on her forehead. There is a golden halo-like shield behind the woman's head. Background;
signed. Inscription in pencil below image reads: "4/55, Pericardium, Mary Yanish 98"; Printer: unknown; Atelier 33
Our Lady of Guadalupe, Arizona
February 3-4, 2000
Physical Description: Coventry Rag, 290 gms.; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
Our Lady of Guadalupe, Street Scene, landscape im background, rays extending our on upper third of print. My piece represents
the town of guadalupe, Arizona. A small town located south-east of Phoenix. Guadalupe has ermained a small traditional communi;
signed; Printer: Joe Alpuche; Atelier XXXV
Aqui Estoy Y No me Voy
2009
Physical Description: Coventry Rag 290 grms; image size: 9 x 13 in. ; poster size: 11 x 15 in.
Description/Comments
The print uses four colors: black, light turquoise, orange, and light tan. The print is a close up of a young boys face. At
the top is written "Aqui Estoy" and on the bottom "Y No me Voy." "Print is based on photo by Abraham Caldron, shot of Echo
Park May Day 2009 Immigration reform rally. I chose this image cause the little boy seemed angered about the current situation
of his parents possibly being detained or deported. For that reason I chose to write Aqui estoy y no me voy meaning I am here
and I will not leave." Ernesto Yerena. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 72/130
ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Gana's soldier
2010
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description/Comments
The print is in shades of turquoise, yellow, and orange. The image is of a soldier wearing a helmet and glasses. On his chest
is written "Ganas" and " Protegiendo dignidad." Behind his shoulder is the top of a rifle. "Ganas Soldier para la liberacion
de las Ganas." Ernesto Yerena. Chopmark: embossed Self Help Graphics insignia in the lower left hand corner. 2/78 ed.; prnt:
José Alpuche; mtrx: destroyed; signed.
Frank Del Olmo
2012
Physical Description: Coventry Rag 290 grms; image size: 16 x 22 in.; poster size: 20 x 26 in.
Description/Comments
The print uses the colors cream, light green, dark green, and shades of brown. The print is a portrait of Frank Del Olmo.
The background of the print is a collection of articles, photos, and objects relating to Del Omo's life. Chopmark: embossed
Self Help Graphics insignia in the lower left hand corner. 4/113, 6/113 ed.; prnt: José Alpuche; mtrx: destroyed; signed.
Ruben Salazar: La Voz de la Raza
2009
Physical Description: Coventry Rag.290 grms; Image size: 16 x 22 in. Poster size: 20 x 26 in.
Description/Comments
"Portrait of Ruben Salazar." - Ernesto Yereno.Chopmark: embossed Self Help Graphics insignia in the lower left hand corner.
2/85 ed.; prnt: Jose Alpuche; mtrx: destroyed; signed.
The View
1995
Physical Description: poster; Image size: 38.5 x 26 in. Poster size: 44 x 30 in.
Description/Comments
View of an artist's studio in predominantly browns and greens. In the studio is the back of a female model and an easel.;
signed.; Printer: José Alpuche; Atelier 26
"710 Exit Florence"
Physical Description: Coventry Rag.290 grms; Image size: 15.94 x 35.5 Poster size: 15.94 x 35.5
Description/Comments
"710 exit Florence was inspired by the exit I take mostly every day going home. I've notice[d] women selling flowers while
taking care of their young. I find it interesting and heart warming to see mothers making so many sacrifices for their children."
-; June 2-7; Printer: Joe/Jose; unknown
Phantom Feur II
1983
Physical Description: Artprint; Image size: 19 x 25 in. Poster size: 23 x 35 in.
Description/Comments
High contrast woman holding a yellow dot pattern. The sphere has a blue/purple gradation for the background.; signed. Inscription
in pencil reads: "27/60, title, signature and 83"; Printer: Stephen Grace; Atelier 1
Untitled
1992
Physical Description: Coventry Rag, 290 grms; Image size: 19 x 17.25 in. Poster size: 26 x 20 in.
Description/Comments
Seven independent black and white abstract shapes in a white background. It is not clear what they are although a cross, a
female figure, an eye, an other anthropomorphic forms can be identified. These forms are filled in with several patterns that
seem; signed. Inscription in pencil below image area reads: "Sergio Zenteno, 92, 4/62"; Printer: José Alpuche; Images Of The
Future
Sunflowers For Gauguin
(Oct 14-17) 1985
Physical Description: Accent 290 gram-white; Image size: 29 x 18 in. Poster size: 33 x 22.25 in.
Description/Comments
Abstract saturated color fields. Red, yellow, green, blue and black outlines. White background.; signed. Inscription in pencil
located at the bottom of the image area reads: "4/30, title and signature"; Printer: Stephen Grace; Atelier 6
Silk Screen Special Project
box 64
"The King of Things" By Artemio Rodriguez
June 9, 2001
disk Atelier_1995-2005
Atelier and Self-Help Graphics production files
1995-2003
Physical Description: cemashare\ARCHIVAL_DigitalDocuments\Self-HelpGraphics\Atelier-production
Sister Karen Boccalero's Photos and Artwork Series IX
flat-oversize 63
Sister Karen Personal Possessions
ca. 1997
flat-oversize 68
Sister Karen Personal Possessions framed artwork
ca. 1997
Sister Karen Personal Possessions fabric tapestries
ca. 1997
General
File contains three painted fabric tapestries that are located in the flate files.
Series X.
Audio and Video Series X.
item A20065/CS
A message to Presidents Club Members from Walker Lewis English
undated
item A20069/CS
Antonio BMAS/Carlos BMAS
undated
item A20063/CS
Galeria Otra Vez "Voices"
9/24/1994
item V1127/VHS
KCET "Life and Times"
undated
item A20064/CS
LA Phil Joffrey
10/21/1991
item A20067/CS
"Maiz" Bridge St. School
undated
item A20073/CS
Side 1 Discussion After Jose Rivera / Kay Hardeman
undated
item V4534/VHS
"Candlelight Dinner" A Film by Mobolaji Olambiwonnu
undated
item V4510/VHS
"OCCCA" and The Day of the Dead
10-11/1994
item V4548/VHS
"Samples of Our Work-2005"
2005
item V4531/VHS
"The Men of Company E"
undated
item V4541/VHS
A Language of Passion
2004
item V4543/VHS
AIDS/Vista L.A. CHEE/Leap Horn
undated
item V4513/VHS
Alferoy/Espana and Video Workshop Product: Atelier Notes
4/1988
item V4500/VHS
American: KCET "State of the Art" Featuring: George Evans & Art Team
undated
item V4521/VHS
Angels over L.A.: Dolores Guerrero-Cruz, screen printer
undated
item V4535/VHS
Animeche Keitsitacua: ofrenda para las animas, noche de muertos
undated
item V4511/VHS
Art and Identity: Chicano Artists of Los Angeles
1990
item V4529/VHS
Classroom Creative Experience: A Culture and Art Lesson
undated
item V4532/VHS
Collage Ensemble, Inc.
1995
item V4539/VHS
Corita: On Teaching/On Celebration
undated
item V4516/VHS
Dan/SHG, Master, Tomie/Chaz@end
2000-2001
item V4518/VHS
Day of the Dead: Ed Alamanza
11/00
item V4506/VHS
Day of the Dead: Talk by Tomas Benitez
undated
item V4522/VHS
Dia de los Muertos/X-Mas Effects/Fire
11/1/1992
item V4547/VHS
Finding Family Stories
5/11/2003
item V4537/VHS
First Aid For What's Killing Our Kids--A Prescription for Prevention
2/22/1995
item V4495/VHS
Illuminating the City of Los Angeles
undated
item V4526/VHS
Insights: Museums, Visitors, Attitudes, Expectations [A Focus Group Experiment]
1991
item V4517/VHS
Interview w/Roberto G.
undated
item V4520/VHS
KCET's "Life and Times Tonight"
6/8/1999
item V4496/VHS
L.A. Hip Hop Video: Volume 1
1997
item V4525/VHS
La Frasesita Los Jornaleros Del Norte
undated
item V4527/VHS
La Guadalupana En El Corazon de Santa Julia
undated
item V4538/VHS
Mumia: A Case For Reasonable Doubt?
undated
item V4519/VHS
Patron's Show-Amescua: "At One With," Espana and Benitez
7/10/1988
item V4523/VHS
Patssi's Animation Workshop
5/9/1990
item V4528/VHS
Planeta Siqueiros de Jose Ramon Mikelanjauregui
1995
item V4499/VHS
Programa Especial Canal 7 Expressiones Chicanas
undated
item V4550/VHS
Rough Cuts from Documentary "Attitude Matters" Regarding Our Lady's Gates
3/4
item V4552/VHS
Self Help Graphics & Art and Sol show--Painting Loop
2/4/2005
item V4512/VHS
Self Help in Tijuana
5/1995
item V4542/VHS
Self Help Graphics & Art, Inc.
2/3/2005
item V4545/VHS
Self Help Graphics Youth Digital Arts Program Video Loop
undated
item V4507/VHS
Signs of the Time
10/28/1991
item V4502/VHS
Sister Karen Day of the Dead
undated
item V4508/VHS
Sister Karen Memorial By: Oscar Castillo
6/1997
item V4509/VHS
Sociological Patterns and Assumptions that Shape Our North American Identity - Robert Belkh, Ph.D. Study Artist S. Karen B.
1986
item V4536/VHS
Testimonios de la Repression, Loxicha Oax.
undated
item V4530/VHS
The Making of Florencia en el Amazonas' Video Preview
undated
item V4505/VHS
Tribute to Sister Karen/Self Help Graphics Art Show: University of La Verne Panel Discussion
9/1997
item V4524/VHS
Vista L.A. Chicano Movement: 25 Years Later
9/17/1995
item V4540/VHS
Vista L.A.'s Tenth Anniversary Show
5/2/2004
