Finding Aid for the Albert Boime papers, 1963-2007
Processed by Kimberly Williams in the Center for Primary Research and Training (CFPRT), with assistance from Megan Fraser,
2011; machine-readable finding aid created by Caroline Cubé.
The processing of this collection was generously supported by
Arcadia
funds.
UCLA Library Special Collections
Room A1713, Charles E. Young Research Library
Box 951575
Los Angeles, CA 90095-1575
Email: spec-coll@library.ucla.edu
URL: http://www.library.ucla.edu/libraries/special/scweb/
© 2011
The Regents of the University of California. All rights reserved.
Descriptive Summary
Title: Albert Boime papers
Date (inclusive): 1963-2007
Collection number: 1834
Creator:
Boime, Albert
Extent:
149 boxes (73 linear ft.)
3 oversize boxes.
Abstract: The collection contains drafts, correspondence, notes, course materials, and research aids pertaining to the academic career
of art historian and professor Albert Boime. Materials in the collection span Boime's graduate studies and lengthy career,
including seminal research on Vincent Van Gogh, Impressionism and the French Commune, and a 6-volume History of Modern Art
written from a social history perspective. Though best known for his work on 18th and 19th century European art, Boime's papers
cover a broad range of traditional and avant-garde Art History topics approached from a social history theoretical framework.
Language: Finding aid is written in
English.
Some materials in French, German, and Italian.
Repository:
University of California, Los Angeles. Library Special Collections.
Los Angeles, California 90095-1575
Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special
Collections Reference Desk for paging information.
Administrative Information
Restrictions on Access
COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special
Collections Reference Desk for paging information.
Restrictions on Use and Reproduction
Property rights to the physical object belong to the UCLA Library,
Department of Special Collections. Literary rights, including copyright,
are retained by the creators and their heirs. It is the responsibility of
the researcher to determine who holds the copyright and pursue the
copyright owner or his or her heir for permission to publish where The UC
Regents do not hold the copyright.
Provenance/Source of Acquisition
Gift of Myra Boime, 2007.
Processing Note
Processed by Kimberly Williams in the Center for Primary Research and Training (CFPRT), with assistance from Megan Fraser,
2011.
The processing of this collection was generously supported by
Arcadia
funds.
Preferred Citation
[Identification of item], Albert Boime papers (Collection Number 1834). Library Special Collections, Charles E. Young Research
Library, UCLA.
Biography
Albert Boime was born in St. Louis, Missouri on March 17, 1933 to Max and Dorothy Boime, both eastern European Jewish immigrants.
In 1955 Boime joined the U.S. Army, serving in Germany before his discharge in 1958. Upon returning to the states Boime began
his studies at the University of California, Los Angeles and received his B.A. in 1961. He went on to receive both his M.A.
(1963) and Doctorate (1968) from Columbia University. Through his brother Jerome (1934-1977), Boime met teacher and social
activist Myra Block, and they married in 1964.
He began his career as an instructor at the State University of New York at Stony Brook in 1967 and became an associate professor
in 1969. He was appointed professor of art at the State University of New York at Binghamton in 1971. Boime chaired the art
department at Binghamton from 1972-74 and was recruited by the University of California, Los Angeles in 1978. He served as
a professor of art history there for three decades. Al Boime died in 2008.
As a social art historian Boime was concerned with overlooked artists and ventured outside traditional research methods to
evaluate an artist's work. He approached artworks as social documents, not simply artistic expressions, and demonstrated how
artists are influenced by the historical events of their lifetime. Though Boime is best known for his studies of 19th-century
European art, his work touched on many genres including popular imagery in Europe and America and emblematic national monuments.
In the course of his career Boime authored nearly 20 books and over 100 articles. He also received various awards including
two Guggenheim fellowships (1974, 1984), a Rome Fellowship (1979), and the A. Kingsley Porter Prize for his Art Bulletin article
"The Second Republic's Contest for the Figure of the Republic" (1971). In 2006 a symposium on the social history of art was
convened at UCLA in his honor.
Quoting from the preface of his book "The Birth of Abstract Romanticism," Boime described his art historical intent:
By examining the political forces that motivated the art makers and finders, and revealing the hidden mainsprings in visual
production, I truly believed that I was contributing to the emancipation of thought, at least in one small corner of the minds
of my students and readers. Thus art history became my raison d'ètre, a vehicle for enhancing the lives of my fellow citizens,
while at the same time bringing about a nano-change toward social justice in society.
Scope and Content
The collection consists of notes, correspondence, drafts, and annotated photocopies relating to Boime's academic career. This
includes documentation corresponding to universities and Art History departments where he was employed, syllabi and outlines
for courses and seminars, notes associated with research, conference materials, drafts of publications, and correspondence.
The bulk of the collection consists of materials collected as part of Boime's research activities. Research topics span a
wide range, although the bulk of material relates to Thomas Couture, imagery and symbolism of U.S. monuments and icons, artists
and movements associated with his Social History of Modern Art series, social issues, academies and academic painting, the
Macchiaioli, and comics and cartoons. Boime often revisited research topics after initially encountering the subject matter,
so his files may include materials from different decades on the same research topic.
Organization and Arrangement
The collection is organized into six series, by subject and type of material.
-
Series 1, Career.
Materials relating to Boime's career as a professor of modern art history. The series is arranged by subject into six subseries,
which are ordered chronologically.
-
Series 2, Course Materials.
Materials compiled by Boime during his extensive teaching career, mostly related to his UCLA modern art survey course (Art
History 54: Introduction to Modern Art). The series also includes teaching materials for special seminars and upper division
and graduate modern art courses. The series is arranged by course.
-
Series 3, Research Materials.
Materials relating to Boime's research interests during his 45-year career as an art historian. The majority of research topics
listed in this series correspond to publications, articles, books, and lectures produced by Boime. This series is arranged
by subject into 52 subseries, which are ordered by volume of material.
-
Series 4, Conferences and Lectures.
Materials in this series were gathered by Boime through his participation in a variety of conferences, symposia, and lecture
series. This series also contains drafts of lectures given by Boime. Materials are arranged alphabetically by file title.
-
Series 5, Publication Drafts.
Includes drafts of articles, books, and other types of publications prepared by Boime. Materials are filed alphabetically
by topic with general and untitled drafts at the end of the series.
-
Series 6, Correspondence.
This series includes correspondence between Boime and colleagues, museums, students, publishers, and personal contacts from
his graduate studies until his death. The series is divided into three subseries based on the type of correspondence.
Indexing Terms
The following terms have been used to index the description of this collection in the library's online public access catalog.
Subjects
Boime, Albert --Archives.
Art historians --United States --Archival resources.
Container List
Career
1970-2004
Scope and Content Note
This series is comprised of materials relating to Boime's career as a professor of modern Art History. Most
of the early files relate to Boime's high school and college studies, including coursework and yearbooks. The later files
include
materials related to Boime's faculty positions at SUNY Binghamton, Williams College, and UCLA. The series also includes
documentation about fellowships and grants for which Boime applied, and special projects in which he participated. Lastly,
the
series encompasses correspondence, recommendations, and other materials relating to Boime's interactions with colleagues
and students. The series is arranged by subject into six subseries, which are ordered chronologically.
Early Academic Life
1950-64, 2005
Scope and Content Note
This subseries contains material from Boime's high school and college studies, including high school
yearbooks, college papers, and class notes. Of note is a selection of original cartoons created by Boime.
Box 1, Folder 1
High school yearbook 1950
1950
Scope and Content Note
Alexander Hamilton High School yearbook for class of 1950 (Boime's junior year) with signatures and
inscriptions from classmates.
Box 1, Folder 2
High school yearbook 1951 and notes
1951
Scope and Content Note
Alexander Hamilton High School yearbook for class of 1951 (Boime's senior year) with signatures and
inscriptions.
Box 1, Folder 3
Student papers
1959
Scope and Content Note
Copies of papers by Boime with comments and grades from professors.
Box 1, Folder 4
Student papers
1961-1962
Scope and Content Note
Copies of papers "Van Gogh and Seurat: A Study of Stylistic Evolution," "Bipolarization: A Study of Diderot's
Esthetic," "Comte, Maine, and the Law of Numbers," and "The Role of Claude's Figures." Also includes an Italian Architecture
syllabus.
Box 1, Folder 5
Student papers
1964
Scope and Content Note
Copy of student paper "A Venetian Source for Lodovico Carracci, Guido Reni, and Guercino" for Professor
Hibbard.
Box 1, Folder 6
Class notes
undated
Scope and Content Note
Notes and scribbles from Boime's courses on the Greeks/Classics and the Philosophy of Art. Also includes
cartoons by Boime.
Box 1, Folder 7
Cartoons
ca. 1960, 2005
Scope and Content Note
Originals and copies of cartoons by Boime submitted to the New Yorker, including rejection note from New
Yorker.
Box 1, Folder 8
Cartoons
1960
Scope and Content Note
Original cartoons by Boime submitted to Laughs Unlimited.
Box 1, Folder 9
Cartoons
undated
Scope and Content Note
Original cartoons by Boime submitted to Laughs Unlimited.
Box 1, Folder 10
Dream journal
1964
Scope and Content Note
A journal with entries describing Boime's dreams.
Box 1, Folder 11
Dissertation notes
undated
Scope and Content Note
Notes and outlines for Boime's PhD dissertation.
Fellowships and Grants
1973-2002
Scope and Content Note
This subseries includes applications, informational materials, and correspondence regarding a variety of
grants, fellowships, and awards for which Boime applied during his career.
Box 2, Folder 1
American Academy in Rome
1978-1979
Scope and Content Note
Correspondence and fellowship information for Rome Prize from American Academy in Rome.
Box 2, Folder 2
American Academy in Rome
1979-1980
Scope and Content Note
Draft of "The Spirit of the Place--Realism and Tradition in Venetian Ottocento Painting." Correspondence and
application materials for fellowship at American Academy in Rome. Some materials in Italian.
Box 2, Folder 3
American Academy in Rome - notes
ca. 1980
Scope and Content Note
Notes taken in Italian found within drawer containing, amongst other files, a file on Boime's fellowship with
the American Academy in Rome. A receipt inside one of the notebooks is dated May 1980.
Box 2, Folder 4
Film grant
1973, 1979
Scope and Content Note
Drafts of application materials for a grant to fund an hour-length documentary film on contemporary American
figurative painters. Correspondence and Boime's curriculum vitae.
Box 2, Folder 5
Draft and proposal
1987
Scope and Content Note
Proposal for museum tour program. Pages from unidentified draft with edits (topics include Lunar Society
and Industrial Revolution).
Box 2, Folder 6
National Endowment for the Humanities grant proposal
undated
Box 2, Folder 7
Grant proposal
1999
Scope and Content Note
National Endowment for the Humanities Grant proposal for President's Research Fellowship to write "Art in
an Age of Genocide, 1915-1989." NEH Evaluation sheet regarding Boime's proposed project.
Box 2, Folder 8
Fellowships
1974-1975, 1981-1982
Scope and Content Note
Correspondence from the Guggenheim Foundation, SUNY Research Foundation application, and National
Endowment for the Humanities Grant application (with budgets, project descriptions, and proposals). Other correspondence and
Boime's curriculum vitae.
Box 2, Folder 9
Grants, fellowships, etc.
1973
Scope and Content Note
Correspondence, drafts of budgets, statement of plans, and applications (for American Academy in Rome,
Guggenheim Fellowship, and American Philosophical Society research grants).
Box 2, Folder 10
Research grants
1982-1994
Scope and Content Note
Correspondence, research funding application, Guggenheim fellowship information, and College Art
Association conference materials.
Box 2, Folder 11
Academic senate faculty grants
1993, 2000-2002
Scope and Content Note
UCLA memos, information packets, and applications regarding research funding from UCLA Academic
Senate Council on Research. Correspondence. Some materials are in Italian.
Box 3, Folder 1
Chorafas
ca. 1995
Scope and Content Note
Correspondence and notes regarding nomination for a prize from the Dimitris N. Chorafas Foundation.
Box 3, Folder 2
DTOAH letters
1995
Scope and Content Note
Recommendation letters in support of Boime's nomination for a Distinguished Teaching Award from the
College Art Association.
Box 3, Folder 3
Myers award
1999
Scope and Content Note
Myers Award presented to Albert Boime for Study of Human Rights in North America.
Department Affairs
1970-2004
Scope and Content Note
This subseries encompasses internal university documents acquired through Boime's appointment as a
faculty member at SUNY Binghamton, Williams College, and UCLA. The bulk of the subseries relates to Boime's teaching
position at UCLA and includes subjects such as faculty promotions (including Boime's), university policies on sexual
harassment and diversity, Art History curriculum changes, and advocacy by Boime on behalf of his students.
Box 3, Folder 4
Binghamton
undated
Scope and Content Note
Broome County Historical Society Newsletter.
Box 3, Folder 5
Williams
1978
Scope and Content Note
Correspondence and notes, likely from Boime's research period at Williams College.
Box 3, Folder 6
Department shit
1976-2002, bulk 1991-1994
Scope and Content Note
Correspondence and documentation regarding requirements for Boime's appointment to above-scale. Art
History department meeting minutes, program and minor guidelines, and 1983 budget reports. University policy on sexual
harassment and correspondence regarding student sexual harassment filing against professor Don Preziosi. Other topics include
department revisions to accord with graduate review and financial aid disbursements. (File title assigned by Boime.)
Box 3, Folder 7
Harassment file
1988-1990, 1992-1994
Scope and Content Note
UCLA Memo regarding diversity issues. Correspondence and reports regarding Boime's appointment to
above scale including Boime's response to departmental decisions. Correspondence regarding alleged prejudicial activities
by
department to Boime and his students. 1989 Teaching Assistant evaluations of Boime and correspondence regarding this matter.
Inter-departmental correspondence regarding graduate students, committees, and faculty pay scale changes. (File title assigned
by Boime.)
Box 3, Folder 8
Boime faculty file
1989-1993
Scope and Content Note
Correspondence and documents in support of Boime's accomplishments; list of Boime's publications.
Box 3, Folder 9
Faculty review file
1992-1997
Scope and Content Note
Correspondence generally supporting and emphasizing Boime's accomplishments as a scholar and
educator. Some correspondence regarding Bram Dijkstra.
Box 3, Folder 10
Department service
ca. 2000
Scope and Content Note
Correspondence and documents detailing Boime's professional accomplishments.
Box 3, Folder 11
Name lists
undated
Scope and Content Note
Lists of Boime's references outside UCLA.
Box 3, Folder 12
Promotion review
1993-1996
Scope and Content Note
Review articles of Boime's books, copies of his articles, and correspondence regarding his assistance with
lectures and other activities, likely all gathered as evidentiary support for Boime's promotion/salary review.
Box 4, Folder 1
Department affairs
1996
Scope and Content Note
Art History Department meeting minutes and agendas. Copies of letters in support of Boime's merit
increase.
Box 4, Folder 2
UCLA administration
1970, 1984-1987
Scope and Content Note
Notes, memos, and correspondence regarding university matters such as the closure of the word processing
center, Dean's review committee, Art History department profile, and other department matters.
Box 4, Folder 3
UCLA Art History
1978
Scope and Content Note
Profile of UCLA Art History faculty and graduate students.
Box 4, Folder 4
Art History department
1992
Scope and Content Note
Paper entitled "Advertising and Experience in France, 1880-1918," author unknown. Department notices
regarding foreign language examination requirements and PhD qualifying exam for Aaron Segal.
Box 4, Folder 5
New general curriculum
1997
Scope and Content Note
Proposal from faculty working group on new general education curriculum for UCLA. Report "Guidelines for
Developing and Reporting Departmental Teaching Policies and Practices at UCLA." Honors Discussion Section Proposal Form.
Brochure on information literacy at UCLA.
Box 4, Folder 6
Art History department curriculum committees
1991-2004
Scope and Content Note
Art History department meeting minutes. Reports from various curriculum committees on topics including
teaching load, MA and PhD programs, undergraduate programs, and museum studies.
Box 4, Folder 7
Art History department language requirement and minor
2001-2002
Scope and Content Note
Correspondence regarding language requirements for undergraduate major and proposals for revision to
undergraduate art history degree requirements. Copy of UCLA Department of History Eight Year Review and proposal for an
undergraduate minor in Art History.
Box 4, Folder 8
Education-undergraduate
bulk 1992-1993, 1998
Scope and Content Note
Booklet from UC Faculty Conference on Undergraduate Education and clippings.
Box 4, Folder 9
Faculty critical theory group
ca. 1986
Scope and Content Note
Paper related to a presentation for Faculty Critical Theory Group.
Special Projects
1975-2003
Scope and Content Note
This subseries encompasses work performed by Boime outside the scope of his university responsibilities
as a professor. Materials include documentation regarding several court cases in which Boime served as an expert witness,
materials for a festschrift in his honor, drafts of speeches and lectures, materials for a Bicentennial celebration of the
French
Revolution, and correspondence regarding special programs at the Smithsonian Institution.
Box 132, Folder 1
Hart v. Warner Brothers court case
1998-1999
Scope and Content Note
Copies of depositions and remarks for court case over bas-relief on cathedral at Duke University campus.
Brochures for Duke University, related papers and publications, and declarations in court case Hart, et al. v. Warner Bros,
et al.
for which Boime was a counselor.
Box 4, Folder 10
Nash history project
1998
Scope and Content Note
Proposal for Nash History Project: collaborative program between UCLA and the Getty Center offering
supplementary History and Art Education teaching units to middle school teachers.
Box 4, Folder 11
Yamagata and court case
ca. 1990
Scope and Content Note
Newspaper clippings and copy of court proceedings for trademark case between Hard Rock Corporation and
Martin Lawrence Galleries regarding a Hiroshi Yamagata painting. Photocopies from publication about Yamagata.
Box 4, Folder 12
O'Melveny
1998
Scope and Content Note
Correspondence and legal documents related to court case Hart, et al. v. Warner Bros, et al. spearheaded
by O'Melveny & Myers LLP, for which Boime was a counselor. File includes numerous images and photographic reproductions
regarding an art reproduction at the center of the lawsuit.
Box 4, Folder 13
Boime fest
undated
Scope and Content Note
Remarks for a conference for Boime (a Festschrift).
Box 4, Folder 14
Jobs
1998, 2000
Scope and Content Note
Notice and e-mail regarding academic job postings.
Box 4, Folder 15
Interview
1991
Scope and Content Note
Notes on interview questions and responses.
Box 5, Folder 1
Smithsonian
1986-1988
Scope and Content Note
Correspondence with Louis Fink and Charles C. Eldredge, correspondence with Smithsonian regarding
Regents Fellowship and notes. Copy of National Endowment for the Humanities grant application from Helene Roberts.
Box 5, Folder 2
Bicentennial program
ca. 1989
Scope and Content Note
Notes and documents regarding UCLA's French Revolution bicentennial program.
Box 5, Folder 3
In memoriam
ca. 1998-1999
Scope and Content Note
Drafts of eulogy and speech, invitations to funerals, and various speech materials for graduations and
symposia.
Box 5, Folder 4
Graduation talks
ca. 1996
Scope and Content Note
Drafts of graduation speeches.
Box 5, Folder 5
Expenses and bills
1975-1977
Scope and Content Note
Correspondence regarding payments and invoices for academic work.
Box 5, Folder 6
Reader reports
1989-1991
Scope and Content Note
Copies of Boime's reports as a reader of other scholars' material for Kent State Press and Princeton
University Press. Some correspondence.
Box 5, Folder 7
Questionnaires
2003
Scope and Content Note
Author questionnaires from publishers with Boime's responses.
Box 5, Folder 8
Disney exchange
1992
Scope and Content Note
Correspondence regarding anti-Semitism in "Newsies."
Colleagues
1980-2003
Scope and Content Note
This subseries is comprised of materials relating to Boime's correspondence and service to academic
colleagues. Most materials are publications by colleagues that were submitted to Boime for his review and commentary.
Colleagues include David Galenson, Bram Dijkstra, Andrew Brainerd, and Barry Shifman. There are also student and colleague
recommendations composed by Boime. The subseries is arranged by colleague, beginning with the largest volume of material.
Box 132, Folder 2
Photos
undated
Scope and Content Note
Photos of Boime with colleagues and correspondence (probably from subject in photo).
Box 5, Folder 9
Galenson manuscript (1 of 2)
2000
Scope and Content Note
Manuscript for "The Careers of Modern Artists: A Quantitative Analysis" by David Galenson with edits by
Boime.
Box 5, Folder 10
Galenson manuscript (2 of 2)
2000
Scope and Content Note
Manuscript for "The Careers of Modern Artists: A Quantitative Analysis" by David Galenson with edits by
Boime.
Box 5, Folder 11
Dijkstra manuscript
undated
Scope and Content Note
Manuscript of "America and Georgia O'Keeffe" by Bram Dijkstra.
Box 5, Folder 12
Dijkstra
1997
Scope and Content Note
Correspondence regarding Boime's role as a member of the ad hoc review committee to consider Bram
Dijkstra's academic review at UC San Diego.
Box 5, Folder 13
Dijkstra
2003
Scope and Content Note
E-mail correspondence and copy of "Review of Bram Dijkstra's Book 'American Expressionism: Art and
Social Change 1920-1950" by Boime.
Box 5, Folder 14
Brainerd-book
2000
Scope and Content Note
Correspondence with Andrew Brainerd, drafts of chapters 1, 2, and 4 to untitled volume (presumably written
by Andrew Brainerd) with edits by Boime.
Box 5, Folder 15
Brainerd
2000-2001
Scope and Content Note
Photocopies and copy of Boime's paper "Manet's Lost Infanta" in collaboration with Alexander Kossolapov.
Correspondence related to Brainerd's research and publication "The Rise of Reason in the Authentication of Fine Art: New
Perspectives on Connoisseurship in a Disillusioned World."
Box 6, Folder 1
Shifman draft
1982
Scope and Content Note
Correspondence and draft of work by Barry Shifman for Boime's review: "Depictions of French Royal and
Imperial Chateaux in the Decorative Arts: An Iconographic Study."
Box 6, Folder 2
Barry Shifman draft
1983
Scope and Content Note
Note from Barry Shifman and draft of his paper "Depictions of Chateaux in the Decorative Arts: Symbols for
Propaganda" with edits
Box 6, Folder 3
Barry Shifman materials
undated
Scope and Content Note
Copy of paper on European Ornament Prints by Barry Shifman. Catalogue entries and introduction for
exhibition on European Ornament Prints.
Box 6, Folder 4
Duro file
1981-1984
Scope and Content Note
Correspondence regarding Paul Duro. File includes Duro's curriculum vitae, letters of recommendation,
transcript, and summary of academic interests.
Box 6, Folder 5
Patricia McGinn
1991-1996
Scope and Content Note
Eulogy for Patricia McGinn, correspondence, and materials regarding McGinn Memorial Fellowship.
Box 6, Folder 6
Liverpool
undated
Scope and Content Note
Critique of proposal by Jonathan Harris (likely at University of Liverpool). Proposal not included with
materials.
Box 6, Folder 7
Curriculum vitae
1980, 1984, 1989
Scope and Content Note
Correspondence and curriculum vitae for Boime to compose recommendations.
Box 6, Folder 8
Tenure letters
1986, 1993-1994
Scope and Content Note
Recommendation letters composed by Boime endorsing colleagues for tenure. Colleagues include Leonard
Folgarait, Jonathan Ribner, and Barbara Ann Day.
Box 6, Folder 9
Letters of recommendation
1984-1992, 1994
Scope and Content Note
Boime's letters of recommendation for students and colleagues. Selected student curriculum vitae and
papers.
Box 6, Folder 10
Guggenheim recommendations
1987-2002
Scope and Content Note
Copies of Boime's recommendations for colleagues and artists for Guggenheim Fellowships.
Recommendees include Vivien Green Fryd, Linda J Albertano, Simon Dinnerstein, Don De Mauro, Gabriel Laderman, Clare
Spark (not Guggenheim), Jonathan Harris (not Guggenheim), David Kunzle (not Guggenheim), and Cecile Whiting.
Box 6, Folder 11
Connie Hamburg
1996-1997
Scope and Content Note
Correspondence from Cornelia Hamburg regarding a Couture painting. A response from Boime is included.
Students
1987-2002
Scope and Content Note
This subseries includes work by specific students, thank you notes, recommendations by Boime, and
documentation about student aid and student strikes at UCLA. Materials related to Boime's students can also be found
throughout the Research Materials series. The subseries is arranged alphabetically by student's last name, with general
materials at the end.
Box 6, Folder 12
Anderson, Susanne
2000
Scope and Content Note
E-mail from Susanne Anderson-Riedel. Contents are in German.
Box 6, Folder 13
Farr
1999
Scope and Content Note
Report on African and Oceanic Art in France by Francine Farr. Contents are in French.
Box 6, Folder 14
Gross
2000
Scope and Content Note
E-mail from Adam Gross with responses and notes by Boime.
Box 6, Folder 15
Pat Hills miscellaneous
1987, 1992
Scope and Content Note
Clippings and correspondence (topics include John Singer Sargent).
Box 6, Folder 16
Matheny MA thesis
1995
Scope and Content Note
Copy of MA thesis by Lynn Kellmanson Matheny: "The Walls of Berlin: Coming to Terms with the Berlin
Wall."
Box 6, Folder 17
Mladenovic MA thesis
1996
Scope and Content Note
Copy of MA thesis by Ivana Mladenovic: "Victorian Painting: Locating Femininity."
Box 6, Folder 18
Reusch
1991
Scope and Content Note
Correspondence, teaching materials, and dissertation prospectus for Johann J. Reusch (Boime agreed to sit
on his dissertation committee). Folder also includes a floppy disk.
Box 6, Folder 19
Sacco
1998
Scope and Content Note
Dissertation by Ellen Sacco: "Spectacular Masculinities: The Museums of Peale, Baker and Bowen in The
Early Republic."
Box 7, Folder 1
Segal, Eric Jefferson
1993
Scope and Content Note
Thesis "Norman Rockwell: Post Modern" submitted by Eric Jefferson Segal and untitled paper with edits.
Materials originally titled "Rockwell" by Boime.
Box 7, Folder 2
Spark correspondence
bulk 1990, 1995, 1998, 2002
Scope and Content Note
Correspondence regarding Clare Spark's dissertation (correspondents include Alex Saxton, Regina Morantz-
Sanchez, and Clare Spark). Recommendations for Clare Spark. The second half of file includes recommendations and
biographical information on David Kunzle in support of his nomination for a Gold Shield Faculty Prize. Other miscellaneous
correspondence and recommendations are included.
Box 7, Folder 3
Dissertations
1995
Scope and Content Note
Dissertation proposals by Rachel Bindman and Rosalind Bickel (the latter's work is entitled "Edward Hopper
and the Architecture of History").
Box 7, Folder 4
Student papers
1991
Scope and Content Note
Untitled paper by J.P. Bowles (covering topics such as Simon Rodia, consumerism, and Conner), and
dissertation proposal by Susan Masuoka on "Concepts of 'Primitivism' and the Mexican Mural Movement."
Box 7, Folder 5
Student thank yous
Undated
Scope and Content Note
Thank you notes from students.
Box 7, Folder 6
Student aid
1998-1999
Scope and Content Note
Correspondence and internal department/UCLA lists regarding student fellowships and scholarships, notes,
and department meeting minutes.
Box 7, Folder 7
Student recommendations
1990-1991
Scope and Content Note
Copies of Boime's recommendations for students.
Box 7, Folder 8
SAGE and letter
1996
Scope and Content Note
Correspondence and notices from students, UCLA, and SAGE (Student Association of Graduate
Employees) regarding proposed strike and demands for collective bargaining.
Course Materials
1978-2008
Scope and Content Note
This series contains course materials compiled by Boime during his extensive teaching career, mostly
related to his UCLA modern art survey course, Art History 54: Introduction to Modern Art. The series also includes teaching
materials for special seminars and upper division and graduate modern art courses. The series is arranged by course.
Box 132, Folder 3
Seminar proposal: fine arts in Paris 1850-1886
undated
Scope and Content Note
Proposal to National Endowment for the Humanities for seminar titled "Fine Arts in Paris 1850-1886"
(Rosenbloom and Beaufort), notes, and questions for Art History comprehensive exam (perhaps related to seminar).
Box 132, Folder 4
Art History 108
undated
Scope and Content Note
Draft of introduction, notes about proposed course.
Box 8, Folder 1
Lecture notes 1978
1978
Scope and Content Note
Copies of lecture notes for Art History 54, syllabus for Art History 563, and notes on Third Republic religious
painting.
Box 8, Folder 2
Lecture notes 1987
1987
Scope and Content Note
Draft of lecture titled "The Collaboration of Architects, Sculptors, and Painters in the Public Buildings of
Nineteenth Century France." Information on 19th century French studies colloquium at Northwestern University and notes.
Box 8, Folder 3
Art History 54 lecture notes
1978
Scope and Content Note
Lecture notes for Art History 54: Modern Art.
Box 8, Folder 4
Art History 54
1998, 2000-2001
Scope and Content Note
Correspondence, slides, section outlines, study questions, notes, and slide lists for Art History 54: Modern
Art.
Box 8, Folder 5
Art History 54 - 1999
1999-2001
Scope and Content Note
Correspondence, final reviews, and section outlines for Art History 54: Modern Art. File also includes
LACMA members magazine, exhibition schedule, and an exhibition packet on "Van Gogh's Van Goghs."
Box 8, Folder 6
Art History 54 miscellaneous
2000
Scope and Content Note
Section outlines, slide lists, review questions, and slides for Art History 54: Modern Art. File also includes
Hammer Museum exhibition brochures and exhibition catalogs.
Box 8, Folder 7
Art History 54 miscellaneous
2000-2001, 2008
Scope and Content Note
Syllabi, section outlines, and photocopies for Art History 54: Modern Art.
Box 8, Folder 8
Art History 54 - 2002
2001
Scope and Content Note
Study Questions and section outlines for Art History 54: Modern Art.
Box 8, Folder 9
Art History 54 -Fall 2003
2003
Scope and Content Note
Outlines, study questions, slide sheets, and weekly information for Art History 54: Modern Art.
Box 9, Folder 1
Art History 54 - 2005
2005
Scope and Content Note
Notes, clippings, study questions, section outlines, syllabi, and photocopies for Art History 54: Modern Art.
Box 9, Folder 2
Modern art course materials
undated
Scope and Content Note
Notes, slide lists, and lecture notes for Art History 54: Modern Art.
Note
Personal correspondence removed.
Box 9, Folder 3
Art History 110A guidelines
1996
Scope and Content Note
Correspondence, syllabi, and term paper guidelines for Art History 110A: Neo-Classicism to Romanticism.
Box 9, Folder 4
Art History 110D reader
undated
Scope and Content Note
Reader for Art History 110D: Contemporary Art.
Box 9, Folder 5
Art History 127
1996
Scope and Content Note
Notes, syllabi for course on Pre-Raphaelites, and Arts Library information.
Box 9, Folder 6
Art History 253 - sculpture
1992
Scope and Content Note
Dissertation proposal, bibliography, and PhD exam materials for Karen Lang. Photocopies and Art History
253 syllabus also included.
Box 9, Folder 7
Pre-Raphaelite Brotherhood seminar notes
ca. 1999
Scope and Content Note
Photocopies, notes, miscellaneous pages from unidentified paper, and Dahesh Muse newsletter.
Box 9, Folder 8
Pre-Raphaelite Brotherhood seminar
ca. 1994
Scope and Content Note
Galley proof for "The dialectics of Modernism and English Art" by Dianne Sachko Macleod and reader's
report for "Art and Money: The Construction of Victorian Culture."
Box 9, Folder 9
Teaching file
undated
Scope and Content Note
Syllabus for Art 125 (Contemporary Art Institutions), outline for Art 253 (Seminar on Contemporary Art),
notes, and clippings.
Box 9, Folder 10
Class file
1978
Scope and Content Note
Correspondence, draft of paper by Judy Hurwitz, and copy of proposed revisions to Art History Graduate
Program.
Box 9, Folder 11
Miscellaneous course materials
ca. 1994
Scope and Content Note
Office hours sign up sheet, annotated photocopies, notes, and correspondence. Some materials are in
Hebrew.
Research Materials
1941-2008
Scope and Content Note
This series includes a broad range of materials relating to Boime's research interests during his 45-year
career as an art historian. The series covers a variety of subjects, including research conducted during Boime's graduate
studies.
A constant researcher and student, Boime frequently revisited topics and collected new materials decades after initially
embarking on a research endeavor. In addition to his academic interests, Boime's research reveals his sensitivity to
contemporary events. Many of his research topics and the materials he collected directly correspond to social, political,
and
technological changes on campus, locally, nationally, and globally. Though Boime's research materials correspond to a variety
of
topics ranging from the traditional canon of modern western art to avant-garde contemporary trends, all of his research
incorporates a heightened awareness of issues of race, class, and gender. Boime favored social interpretations of art history,
and
many of the materials in this series relate to his 6-volume Social History of Modern Art series. The majority of research
topics
listed in this series also correspond to publications, articles, books, and lectures produced by Boime. This series is arranged
by
subject into 52 subseries, which are ordered by volume of material.
Thomas Couture
bulk 1963-1977, 1949-1951, 1980s-2008
Scope and Content Note
Boime's research on Thomas Couture, likely for his publication "Thomas Couture and the Eclectic Vision."
Materials include research notes, annotated photocopies, and image reproductions. Also includes a complete draft of "Thomas
Couture and the Eclectic Vision" as well as correspondence and materials supplied by Jerome Howe. The subseries is
arranged topically, beginning with Boime's drafts and concluding with his research files and correspondence. Research files
are
sub-organized by topic, such as the Juste Milieu, correspondence and materials provided by Jerome Howe, Couture's
students, and Boime's correspondence regarding Couture. Some materials in French.
Box 10, Folder 1
Chapter III
undated
Scope and Content Note
Chapter III: The Genesis of the Juste Milieu Style from "Thomas Couture and the Eclectic Vision."
Box 10, Folder 2
Chapter IV
undated
Scope and Content Note
Chapter IV: Thomas Couture's Entry into the Juste Milieu from "Thomas Couture and the Eclectic Vision."
Box 10, Folder 3
Chapter V
undated
Scope and Content Note
Chapter V: Couture's Quest for the Juste Milieu Expression from "Thomas Couture and the Eclectic Vision."
Box 10, Folder 4
Chapter VI
undated
Scope and Content Note
Chapter VI: The Romans: "C'est la Decadence" from "Thomas Couture and the Eclectic Vision."
Box 10, Folder 5
Chapter VII
undated
Scope and Content Note
Chapter VII: The Enrollment of the Volunteers and the Republic of 1848 from "Thomas Couture and the
Eclectic Vision."
Box 10, Folder 6
Chapter VIII
undated
Scope and Content Note
Chapter VIII: Couture's Caesarian Operation from "Thomas Couture and the Eclectic Vision."
Box 10, Folder 7
Chapter IX
undated
Scope and Content Note
Chapter IX: Couture's Later Easel Painting from "Thomas Couture and the Eclectic Vision."
Box 10, Folder 8
Chapter X
undated
Scope and Content Note
Chapter X: Couture's Portrait de Lui-Meme from "Thomas Couture and the Eclectic Vision."
Box 10, Folder 9
Chapter X draft
undated
Scope and Content Note
Draft of Chapter X from "Thomas Couture and the Eclectic Vision" with edits. Pages from draft of Chapter IV
from same volume.
Box 11, Folder 1
Chapter XI
undated
Scope and Content Note
Chapter XI: The Influence of Couture on His Peers from "Thomas Couture and the Eclectic Vision."
Box 11, Folder 2
Chapter XII
undated
Scope and Content Note
Chapter XII: Couture's Workshop from "Thomas Couture and the Eclectic Vision."
Box 11, Folder 3
Chapter XIII
undated
Scope and Content Note
Chapter XIII: Couture's Influence on the Younger Generation from "Thomas Couture and the Eclectic Vision."
Box 11, Folder 4
Chapter XIV
undated
Scope and Content Note
Chapter XIV: European Students Outside France from "Thomas Couture and the Eclectic Vision."
Box 11, Folder 5
Chapter XV
undated
Scope and Content Note
Chapter XV: "A L'Amerique" from "Thomas Couture and the Eclectic Vision."
Box 11, Folder 6
Bibliography
undated
Scope and Content Note
Bibliography from "Thomas Couture and the Eclectic Vision."
Box 11, Folder 7
Revisions to Couture draft
undated
Scope and Content Note
Revisions for individual pages of Couture draft.
Box 11, Folder 8
Missing pages
undated
Scope and Content Note
Miscellaneous pages from Couture draft.
Box 11, Folder 9
Preface
undated
Scope and Content Note
Copy of "Thomas Couture and the Juste Milieu."
Box 11, Folder 10
Introduction
undated
Scope and Content Note
Image lists with notes and multiple drafts of "Baudelaire and the Juste Milieu" with edits. Some materials in
French.
Box 11, Folder 11
Chapter III: Couture's subject matter
undated
Scope and Content Note
Draft of chapter about Couture with edits, but not likely for "Thomas Couture and the Eclectic Vision."
Box 11, Folder 12
Chapter 7: Romans of the decadence
undated
Scope and Content Note
Draft of Chapter VI: "The Romans: 'C'est la decadence'" for an unidentified volume about Thomas Couture.
Box 12, Folder 1
Thomas Couture French version
undated
Scope and Content Note
Draft of Thomas Couture article translated into French.
Box 12, Folder 2
Couture file - draft
1978
Scope and Content Note
Miscellaneous pages from draft on Thomas Couture, with edits.
Box 12, Folder 3
Couture manuscript (draft)
undated
Scope and Content Note
Draft for publication about Couture, but materials do not match draft of "Thomas Couture and the Eclectic
Vision."
Box 12, Folder 4
Couture volume (1 of 2)
1991-2001
Scope and Content Note
Correspondence (correspondents include Jean-Luc Gautier), drafts, photos, slides, proof, and notes
regarding "Rethinking Couture's Les Romans de la Decadence." Drafts of volume with and without edits and publishing contract.
Box 12, Folder 5
Couture volume (2 of 2)
1991-2001
Scope and Content Note
Correspondence (correspondents include Jean-Luc Gautier), drafts, photos, slides, proof, and notes
regarding "Rethinking Couture's Les Romans de la Decadence." Drafts of volume with and without edits and publishing contract.
Box 12, Folder 6
Bibliography illustrations
undated
Scope and Content Note
List of Illustrations with edits.
Box 12, Folder 7
Publishers
1976-1979
Scope and Content Note
Correspondence with publisher Yale University Press regarding Couture volume. Correspondents include
Faith Hart and John Nicoll. Abstract and table of contents for "Thomas Couture and the Eclectic Vision."
Box 12, Folder 8
Couture monograph
ca. 1969
Scope and Content Note
Photographic negatives, notes, and paper "Manet, Feuerback, Puvis, Hunt, and LaFarge: All Students of
Couture" by Gerald M. Ackerman.
Box 12, Folder 9
Influences
undated
Scope and Content Note
Notes and annotated photocopies. Some materials in French.
Box 13, Folder 1
Couture research
1971
Scope and Content Note
Notes and postcard. Some materials in French.
Box 13, Folder 2
Couture research notes
1974
Scope and Content Note
Notes (topics include Couture and Daumier, Couture and Millet). Copy of Notes to Chapter IV and annotated
photocopies. Some materials in French.
Box 13, Folder 3
Orgy and ancient history (1 of 2)
1960s-1970s
Scope and Content Note
Notes related to novels, drama, poetry, and ancient literature about orgies.
Box 13, Folder 4
Orgy and ancient history (2 of 2)
1960s-1970s
Scope and Content Note
Notes related to novels, drama, poetry, and ancient literature about orgies.
Box 13, Folder 5
Orgy miscellaneous
undated
Scope and Content Note
Notes.
Box 13, Folder 6
Romans of the decadence salons
undated
Scope and Content Note
Photocopies of papers and articles on salons, orgies, Romans, and Thomas Couture.
Box 13, Folder 7
L'Amour Romans
undated
Scope and Content Note
Notes. Some materials in French.
Box 13, Folder 8
Feminism and prostitution
ca. 1987
Scope and Content Note
Article and copy of "History Workshop."
Box 13, Folder 9
Prostitution - 18th Century
ca. 1993, 1996
Scope and Content Note
Student and academic papers. Authors include Kate Norberg, James R. Farr, Susan Staves, Michael
Meranze, Cornelia H. Dayton, Rachael Fromahter.
Box 13, Folder 10
Sales, catalogs, and collections
1961
Scope and Content Note
Lists of paintings and prices.
Box 13, Folder 11
1913 Exhibition of Couture's Works
undated
Scope and Content Note
Photocopy of "Exposition des Oeuvres de Thomas Couture." Some materials in French.
Box 13, Folder 12
Political background
1973
Scope and Content Note
Notes. Some materials in French.
Box 13, Folder 13
Couture
undated
Scope and Content Note
Photocopies and notes.
Box 13, Folder 14
Eclecticism
undated
Scope and Content Note
Notes, pages from draft with edits, and annotated photocopies. Some materials in French.
Box 132, Folder 5
Couture
1977
Scope and Content Note
Publication "Couture et le Second Empire" (not authored by Boime) and notes.
Box 132, Folder 6
Philosophy
undated
Scope and Content Note
Notes (topics include Winckelmann and Comte).
Box 132, Folder 7
Religious background, Saint-Eustache
undated
Scope and Content Note
Photocopies, notes, and drafts of articles by colleagues.
Box 132, Folder 8
Pierrot
undated
Scope and Content Note
Notes from Italy. Materials in Italian.
Box 132, Folder 9
Portrait sitters
1969
Scope and Content Note
Photocopies of ledgers and copies of letters and writings.
Box 132, Folder 10
Couture - landscape
undated
Scope and Content Note
Annotated photocopies and letters. Some materials in French.
Box 132, Folder 11
Annotated publications
ca. 1970
Scope and Content Note
Publications about Thomas Couture with annotations by Boime.
Box 132, Folder 12
Juste Milieu questions, eclecticism
undated
Scope and Content Note
Notes (miscellaneous and on texts) and photocopies. Some materials in French.
Box 133, Folder 1
Couture - Photocopy (1 of 2)
undated
Scope and Content Note
Annotated photocopies of "Conversations on Art Methods" by Thomas Couture.
Box 133, Folder 2
Couture - Photocopy (2 of 2)
undated
Scope and Content Note
Annotated photocopies of "Conversations on Art Methods" by Thomas Couture, French translation.
Box 133, Folder 3
Dusseldorf
undated
Scope and Content Note
Annotated photocopies and notes. Some materials in German.
Box 133, Folder 4
Folio 1: Baptism, Second Empire
1960s-1970s
Scope and Content Note
Research notes. Some materials in French.
Box 133, Folder 5
Revision by Goldstein
undated
Scope and Content Note
Notes and edited copy of manuscript on Couture.
Box 133, Folder 6
Howe correspondence
bulk 1949-1950, 1969-1971
Scope and Content Note
Jerry Howe's correspondence with scholars regarding Couture dissertation, research, and images. Some
materials in French.
Box 133, Folder 7
Documents accompanying Couture photo files
1972-1977, 1981-1988, 1990-1992, 1996-1997
Scope and Content Note
Correspondence, notes, photocopies, and draft on Thomas Satterthwait Noble. Some materials in French.
Box 14, Folder 1
Duc, Daumier, and Couture
undated
Scope and Content Note
Notes and photocopies of transcriptions of Couture's letters to his students. Some materials in French.
Box 14, Folder 2
Theater and music
undated
Scope and Content Note
Notes.
Box 14, Folder 3
Campiegno archives and miscellaneous
undated
Scope and Content Note
Notes on Couture letters. Some materials in French.
Box 14, Folder 4
Critics
undated
Scope and Content Note
Notes. Some materials in French.
Box 14, Folder 5
Enrollment of volunteers
undated
Scope and Content Note
Notes and photocopies of letters from Madeleine Orieux. Some materials in French.
Box 14, Folder 6
Couture research
undated
Scope and Content Note
Notes and articles about Couture.
Box 14, Folder 7
Religion
undated
Scope and Content Note
Edited photocopies of papers and notes.
Box 14, Folder 8
Literary Background, Michelet, Sand, and Béranges
undated
Scope and Content Note
Notes. Some materials in French.
Box 14, Folder 9
Pierrot
undated
Scope and Content Note
Notes and copy of publication "Couture and the Commedia dell'Arte."
Box 14, Folder 10
Germans
undated
Scope and Content Note
Annotated photocopies and notes.
Box 14, Folder 11
Special research problems
1963
Scope and Content Note
Correspondence, notes, and photocopies of letters. Most materials in French.
Box 14, Folder 12
Atelier practices
undated
Scope and Content Note
Pages from unidentified draft with edits and notes.
Box 14, Folder 13
Baudelaire, Charles
undated
Scope and Content Note
Notes.
Box 14, Folder 14
Drummer Boy - Detroit
1977
Scope and Content Note
Correspondence from colleagues regarding Boime's Couture article. Notes, photos, and reprints of artwork,
all regarding Couture's "Drummer Boy."
Box 14, Folder 15
Drummer Boy
undated
Scope and Content Note
Draft of "Thomas Couture's Drummer Boy Beating a Path to Glory" and Art History 107 Syllabus.
Box 147, Folder 1
Les Arts: Revue Mensuelle des Musees collections Expositions
ca. 1914
Scope and Content Note
Publication with annotations by Boime.
Box 147, Folder 2
Art Forum March 1969
ca. 1969
Scope and Content Note
Art Forum journal with annotations by Boime.
Box 15, Folder 1
Entretiens influence
undated
Scope and Content Note
Notes and photocopies about Couture's writings.
Box 15, Folder 2
Scandinavians
undated
Scope and Content Note
Notes and photocopies.
Box 15, Folder 3
Kaplan's inventory
ca. 1975
Scope and Content Note
Copies of inventories of paintings and photos.
Box 15, Folder 4
Salon
undated
Scope and Content Note
Photocopies of papers on the Salon of 1840. Some materials in French.
Box 15, Folder 5
Retrospective 1880
undated
Scope and Content Note
Photocopies of articles on Thomas Couture's work. Some materials in French.
Box 15, Folder 6
Thomas Couture en generale
1970
Scope and Content Note
Notes, annotated photocopies, and edited pages from an unidentified draft. Some materials in French.
Box 15, Folder 7
Thomas Couture Obituary
undated
Scope and Content Note
Copy of obituary for Thomas Couture from 1879. Materials in French.
Box 15, Folder 8
Portraits
undated
Scope and Content Note
Notes, photographic negatives, copy of image, and list of photos.
Box 15, Folder 9
Falconer
1975, 1983
Scope and Content Note
Notes and correspondence regarding Couture's work "The Falconer." Copies of images.
Box 15, Folder 10
Couture inquiries
1973, 1975
Scope and Content Note
Correspondence regarding Couture works and copies of images.
Box 15, Folder 11
Elshemius
undated
Scope and Content Note
Notes and photocopy.
Box 15, Folder 12
Prodigal 1870s
undated
Scope and Content Note
Copies of images and photocopy. Some materials in French.
Box 15, Folder 13
Notebooks
undated
Scope and Content Note
Notebooks with research notes, copies of images, and Couture exhibition catalog. Some materials in
French.
Box 15, Folder 14
Damocles - The Fool
ca. 1982-1985, 1994
Scope and Content Note
Correspondence, 4x5 transparencies, and notes.
Box 15, Folder 15
Noblesse - Roi de L'epoque
undated
Scope and Content Note
Notes and article regarding Girodet.
Box 15, Folder 16
Couturiers
undated
Scope and Content Note
Notes.
Box 15, Folder 17
Thomas Couture melancholy
undated
Scope and Content Note
Notes.
Box 15, Folder 18
Genre/Allegory
ca. 1990
Scope and Content Note
Notes and correspondence.
Box 15, Folder 19
Genre Miscellaneous
undated
Scope and Content Note
Notes and photocopies. Some materials in French.
Box 15, Folder 20
Juste Milieu
1991
Scope and Content Note
Draft of "Going to Extremes over the Construction of the Juste Milieu" with edits, notes, and photocopies.
Box 15, Folder 21
Juste Milieu
1993
Scope and Content Note
Correspondence and draft of "Going to Extremes over the Construction of the Juste Milieu."
Box 16, Folder 1
Jerry Howe
1950
Scope and Content Note
Correspondence and notes. Some materials in French.
Box 16, Folder 2
Howe thesis
ca. 1951
Scope and Content Note
Copy of dissertation by Jerome Howe, Jr.: "Thomas Couture: His Career and Artistic Development."
Box 16, Folder 3
Miscellaneous Couture
undated
Scope and Content Note
Notes. Some materials in French.
Box 16, Folder 4
Miscellaneous Thomas Couture notes
undated
Scope and Content Note
Notes.
Box 16, Folder 5
Thomas Couture miscellany
1979
Scope and Content Note
Correspondence regarding Couture image requests and notes for Bielefeld Lecture.
Box 16, Folder 6
Couture miscellaneous
ca. 1968
Scope and Content Note
Draft of "Thomas Couture: The Development of Painting in the Nineteenth Century," photographic prints, and
galley proof of "Thomas Couture and the Evolution of painting in Nineteenth Century France."
Box 16, Folder 7
Pifferaro
undated
Scope and Content Note
Notes.
Box 16, Folder 8
Charles Gleyre
1974
Scope and Content Note
Correspondence regarding Gleyre illustrations, 4x5 transparency, notes, and copy of Gleyre painting. Folder
originally titled Gleyre le Loup. See box 26 for additional research on Charles Gleyre.
Box 16, Folder 9
Paul Delaroche
undated
Scope and Content Note
Notes and photocopies. Some materials in German.
Box 16, Folder 10
Robert Loftin Newman
undated
Scope and Content Note
Notes and research file for article "Newman, Ryder, Couture And Hero-Worship in Art History."
Box 16, Folder 11
Newman and Ryder
undated
Scope and Content Note
Articles, drafts of "Robert Loftin Newman, Thomas Couture, Albert Pinkham Ryder and the Problem of
Artistic Obscurity," and notes.
Box 16, Folder 12
Manet
undated
Scope and Content Note
Photocopies. Materials are in French. See box 94 for additional research on Manet.
Box 16, Folder 13
Manet and Puvis
undated
Scope and Content Note
Edited copy of "Chapter VII: The Academic Landscape: The Traditional Phase." Also includes pages from an
untitled draft. See box 29 for additional research on Puvis de Chavannes and box 95 for additional research on Manet.
Box 16, Folder 14
Puvis de Chavannes
ca. 1969
Scope and Content Note
Notes, correspondence, article, and draft of "Chapter Four: Classicizing Painting" (unclear authorship).
Some materials in French. See box 29 for additional research on Puvis de Chavannes.
Box 16, Folder 15
Other pupils
1974
Scope and Content Note
Notes, photocopy, pages from untitled draft, and invoice.
Box 16, Folder 16
Pupils
undated
Scope and Content Note
Annotated photocopies and notes (topics include Robert Loftin Newman).
Box 17, Folder 1
Danish
ca. 1973
Scope and Content Note
Notes and a letter (related to Couture). Some materials in Danish.
Box 17, Folder 2
Italian students
1969-1970
Scope and Content Note
Correspondence, notes, and annotated photocopies regarding Couture's Italian students. Some materials in
French and Italian.
Box 17, Folder 3
Eastern European students
1969, 1974
Scope and Content Note
Copies of images, correspondence, and notes.
Box 17, Folder 4
English students
1971
Scope and Content Note
Correspondence and notes regarding Couture's English students.
Box 17, Folder 5
Crowninshield Boston MFA
undated
Scope and Content Note
Notes.
Box 17, Folder 6
Miscellaneous students
undated
Scope and Content Note
Notes. Some materials in Italian.
Box 17, Folder 7
Appraisals by Boime
1969-1997
Scope and Content Note
Appraisal requests and responses from Boime regarding specific Couture works. Correspondence regarding
Couture paintings and works by his students. Folder contains some slides and original photographic material.
Box 17, Folder 8
Couture appraisal
2008
Scope and Content Note
Correspondence with Gail Cooper, photographs, and documents regarding appraisal and painting condition.
Box 17, Folder 9
Couture lecture
ca. 1988
Scope and Content Note
Correspondence regarding Couture appraisal and note cards for lecture on Romans of the Decadence.
Box 17, Folder 10
Correspondence 1949
1949
Scope and Content Note
Correspondence with Jerome Howe and copies of his notes on Couture. Some materials in French.
Box 17, Folder 11
Correspondence 1950s
1950s
Scope and Content Note
Correspondence with Jerome Howe and copies of his notes on Couture. Some materials in French.
Box 17, Folder 12
Correspondence 1967-1969
1967-1969
Scope and Content Note
Correspondence regarding Couture paintings. Some materials in French and German.
Box 17, Folder 13
Correspondence 1970
1970
Scope and Content Note
Correspondence and invoices regarding Couture, Ryder, and Newman paintings. Some materials in French.
Box 17, Folder 14
Correspondence 1971
1971
Scope and Content Note
Correspondence regarding Couture and William Babcock's Paintings. Some materials in French and
German.
Box 17, Folder 15
Correspondence 1972-1974
1972-1974
Scope and Content Note
Correspondence regarding Couture, his students, and the Academy.
Box 17, Folder 16
Correspondence 1975-1979
1975-1979
Scope and Content Note
Correspondence regarding paintings by Couture and his students.
Box 17, Folder 17
Correspondence 1980s
1980s
Scope and Content Note
Some materials in French and German.
Box 17, Folder 18
Correspondence 1996
1996
Scope and Content Note
Correspondence regarding Thomas Couture paintings.
Box 17, Folder 19
Correspondence, no date
undated
Scope and Content Note
Correspondence between Boime and Howe regarding Couture, his paintings, and his students.
Box 17, Folder 20
Bertants Couture correspondence
1949-1950
Scope and Content Note
Correspondence with Bertants Couture and some transcriptions. Correspondence from Jerome Howe. All
materials are in French.
Box 9, Folder 12
Preface
undated
Scope and Content Note
Preface from "Thomas Couture and the Eclectic Vision."
Box 9, Folder 13
Chapter I
undated
Scope and Content Note
Chapter I: Eclecticism and the Society of the Juste Milieu from "Thomas Couture and the Eclectic Vision."
Box 9, Folder 14
Chapter II notes
undated
Scope and Content Note
Chapter II: Eclecticism and the Plastic Arts from "Thomas Couture and the Eclectic Vision."
Monuments and Icons
bulk 1988-1996, 2000-2007
Scope and Content Note
Boime's research on U.S. monuments and icons, likely for his publication "The Unveiling of the National
Icons." The subseries includes a complete draft of "The Unveiling of the National Icons" as well as research on Gutzon Borglum
and Mount Rushmore, the American flag, the Lincoln Monument, the Statue of Liberty, and the Flag-Raisers at Iwo Jima.
Within these topics Boime collected a range of material including basic information about each monument as well as examples
of this iconography or imagery being repurposed for other purposes. The file is arranged by type of material beginning with
publication drafts and associated correspondence, and ending with research files. The research files are sub-organized by
topic.
Box 133, Folder 8
Unveiling of the National Icons (8 of 8)
undated
Scope and Content Note
Galley proof from publisher for Boime's text "The Unveiling of the National Icons" with edits.
Box 134, Folder 1
Icons - additions (1 of 2)
1994
Scope and Content Note
Fellowship application materials for student Suzanne Loizeaux-Witte and paper "Struggle over Needs:
Outline of a Socialist-Feminist Critical Theory of Late-Capitalist Political Culture" by Nancy Fraser. Folder also includes
clippings, pages from draft on Statue of Liberty with edits, museum brochures, bibliography, and 4x5 transparencies.
Box 134, Folder 2
Icons - additions (2 of 2)
1994
Scope and Content Note
Fellowship application materials for student Suzanne Loizeaux-Witte and paper "Struggle over Needs:
Outline of a Socialist-Feminist Critical Theory of Late-Capitalist Political Culture" by Nancy Fraser. Folder also includes
clippings, pages from draft on Statue of Liberty with edits, museum brochures, bibliography, and 4x5 transparencies.
Box 134, Folder 3
National Icons - miscellaneous additions
1994
Scope and Content Note
Photocopies, clippings, notes, draft of paper on allegory, and correspondence.
Box 134, Folder 4
Photo miscellaneous
1993
Scope and Content Note
Correspondence, illustration list, and clippings.
Box 134, Folder 5
Icons
1990-1991
Scope and Content Note
Copies of photographs from National Archives and Records Administration of Lincoln Memorial, Washington
Monument, and demonstrations at these sites. Notes, correspondence, comics, and book proposal for "Burn This Book" by
Dread Scott.
Box 134, Folder 6
Gutzon Borglum
1990-1991
Scope and Content Note
Notes, photocopies of newspaper articles regarding Sioux protests at Mt. Rushmore, correspondence,
research materials, and drafts of "Gutzon Borglum's Mt. Rushmore Monument: Patriarchy Fixed in Stone."
Box 134, Folder 7
Mount Rushmore Archives
1990
Scope and Content Note
Photocopies of correspondence from 1930s between Sioux representatives and a legal counselor and notes.
Items presumably collected through archival research by Boime.
Box 135, Folder 1
Flag
1989-1991
Scope and Content Note
Invoice, clippings, correspondence, exhibition packet from The New Museum of Contemporary Art for "Have
You Attacked America Today?" Folder also includes table of contents and chapters from "True Blue-Constructing a National
Identity" by Suzanne Loizeaux-Witte.
Box 135, Folder 2
Lincoln
undated
Scope and Content Note
Notes, annotated photocopies, and 4x5 transparencies.
Box 135, Folder 3
Lincoln monument
ca. 1993
Scope and Content Note
Photocopies and clippings.
Box 135, Folder 4
Iwo Jima Archives (1 of 2)
1992, 1996
Scope and Content Note
Notes, clippings, photocopies, and student paper "Public Art and Bunker Hill" by Hiroko Shimizu. Other
materials include notes, script for "Return to Iwo Jima" produced by Arnold Shapiro Productions, and Navy and Marine Corps
documents regarding Iwo Jima.
Box 135, Folder 5
Iwo Jima Archives (2 of 2)
1992, 1996
Scope and Content Note
Notes, clippings, photocopies, and student paper "Public Art and Bunker Hill" by Hiroko Shimizu. Other
materials include notes, script for "Return to Iwo Jima" produced by Arnold Shapiro Productions, and Navy and Marine Corps
documents regarding Iwo Jima.
Box 135, Folder 6
Iwo Jima additions
bulk 1991-1992, 1996
Scope and Content Note
Notes, newspaper index printouts, photocopies, correspondence, and issues of "Fortitudine" (newsletter of
the Marine Corps Historical Program).
Box 135, Folder 7
Vietnam
ca. 1994
Scope and Content Note
Clippings, photocopies, and notes.
Box 18, Folder 1
Draft: Unveiling of the National Icons
undated
Scope and Content Note
Bound draft of "The Unveiling of the National Icons" with substantial edits throughout.
Box 18, Folder 2
Unveiling of the National Icons 1
undated
Scope and Content Note
Complete draft of "Introduction" and "Chapter II, The Engendering of Moderate Politics: The Statue of Liberty"
for "The Unveiling of the National Icons: A Plea for Patriotic Iconoclasm in a Nationalist Era" with edits. Folder also includes
1
page of notes.
Box 18, Folder 3
Unveiling of the National Icons 2
undated
Scope and Content Note
Manuscript draft of Chapter I, Patriotism and Protest: Reconstituting Old Glory, for "The Unveiling of the
National Icons."
Box 18, Folder 4
Unveiling of the National Icons 3
undated
Scope and Content Note
Draft of "Chapter III-Patriarchy Fixed in Stone: Gutzon Borglum's Mt. Rushmore" for "The Unveiling of the
National Icons" with edits.
Box 18, Folder 5
Unveiling of the National Icons 4
undated
Scope and Content Note
Draft of "Chapter IV-The Battle for Hearts and Minds: The Marine Corps Memorial" for "The Unveiling of the
National Icons" with edits.
Box 18, Folder 6
Unveiling of the National Icons 5
undated
Scope and Content Note
Draft of "Chapter V, A House Divided Cannot Stand: The Recuperation of the Lincoln Memorial," for "The
Unveiling of the National Icons," with edits throughout. Pages are out of order.
Box 18, Folder 7
Unveiling of the National Icons 6
undated
Scope and Content Note
Two copies of draft of "Epilogue-Vietnam Veterans Memorial" for "The Unveiling of the National Icons."
Box 18, Folder 8
Unveiling of the National Icons 7
undated
Scope and Content Note
Draft of Appendix I and III with notes for "The Unveiling of the National Icons."
Box 18, Folder 9
Unveiling of the National Icons (1 of 8)
undated
Scope and Content Note
Galley proof from publisher for Boime's text "The Unveiling of the National Icons" with edits.
Box 18, Folder 10
Unveiling of the National Icons (2 of 8)
undated
Scope and Content Note
Galley proof from publisher for Boime's text "The Unveiling of the National Icons" with edits.
Box 18, Folder 11
Unveiling of the National Icons (3 of 8)
undated
Scope and Content Note
Galley proof from publisher for Boime's text "The Unveiling of the National Icons" with edits.
Box 19, Folder 1
Unveiling of the National Icons (4 of 8)
undated
Scope and Content Note
Galley proof from publisher for Boime's text "The Unveiling of the National Icons" with edits.
Box 19, Folder 2
Unveiling of the National Icons (5 of 8)
undated
Scope and Content Note
Galley proof from publisher for Boime's text "The Unveiling of the National Icons" with edits.
Box 19, Folder 3
Unveiling of the National Icons (6 of 8)
undated
Scope and Content Note
Galley proof from publisher for Boime's text "The Unveiling of the National Icons" with edits.
Box 19, Folder 4
Unveiling of the National Icons (7 of 8)
undated
Scope and Content Note
Galley proof from publisher for Boime's text "The Unveiling of the National Icons" with edits.
Box 19, Folder 5
Chapter II
1996
Scope and Content Note
Photocopies and correspondence.
Box 19, Folder 6
IV
1994
Scope and Content Note
Invoice and copies of co-opted images of Iwo Jima flag-raising.
Box 19, Folder 7
Icons - Chapter V
undated
Scope and Content Note
Complete draft of "Chapter V: The Recuperation of the Lincoln Memorial."
Box 19, Folder 8
Brand new icon
1996-1997
Scope and Content Note
Clippings, correspondence, notes, and photocopies.
Box 19, Folder 9
National Icons
undated
Scope and Content Note
Pages from draft of "The Unveiling of the National Icons: Patriotic Iconoclasm in a Nationalist Era."
Box 19, Folder 10
National Icons
1985
Scope and Content Note
Photocopied images of US national icons.
Box 19, Folder 11
Newspaper insert
1991
Scope and Content Note
Newspaper insert from LA X-Press featuring creative uses of the American flag. Also includes a 4 x 5
transparency.
Box 19, Folder 12
Unveiling - readers reports
1994-1995
Scope and Content Note
Lillian Vernon catalog, notes, and reports and reviews of Boime's work "The Unveiling of the National Icons."
Box 19, Folder 13
Illustrations
undated
Scope and Content Note
Illustration list of one of Boime's books, presumably "The Unveiling of the National Icons."
Box 19, Folder 14
Additional photos - Icons
1993-1995
Scope and Content Note
Correspondence, photos of Washington National Monuments, clippings, and photocopies.
Box 19, Folder 15
Miscellaneous photos icons
undated
Scope and Content Note
Clippings and political cartoons featuring national monuments.
Box 19, Folder 16
New additions
1996, 2004
Scope and Content Note
Photocopies of newspaper articles about controversial art exhibit and clippings.
Box 19, Folder 17
More additions - Icons
undated
Scope and Content Note
Photocopies, notes, and bibliography.
Box 19, Folder 18
National Icons miscellaneous
bulk 1991, 1995
Scope and Content Note
Clippings, correspondence, notes, image requests, and student paper by Richard Iosty "The AIDS Memorial
Quilt: Mourning, Activism, and the Politics of Sentimentality."
Box 19, Folder 19
Permissions
1992-1995
Scope and Content Note
Correspondence regarding photo/image permissions and invoices.
Box 19, Folder 20
Permissions sent
1993-1994
Scope and Content Note
Correspondence regarding photo/image permissions.
Box 20, Folder 1
Miscellaneous permissions
1990-1991, 1996
Scope and Content Note
Correspondence, invoices, and clippings.
Box 20, Folder 2
New permissions
1993, 1996
Scope and Content Note
Correspondence regarding photo/image permissions.
Box 20, Folder 3
Publication correspondence
bulk 1994-1996, 1999
Scope and Content Note
Correspondence regarding photo permissions and other publication details for "The Unveiling of the National
Icons."
Box 20, Folder 4
Public art
1991-1992
Scope and Content Note
Notes, photocopies, proposal, slides, and correspondence from Audrey Flack. Folder also includes
University of Manitoba course materials and an application for historic sculpture designation for Pershing Square statuary.
Box 20, Folder 5
Monumental sculpture
ca. 1991
Scope and Content Note
Bibliography, notes, photocopy, student paper, article, and syllabus for unidentified course.
Box 20, Folder 6
Monuments
ca. 1990
Scope and Content Note
Proposal, student paper, and photocopies.
Box 20, Folder 7
Monuments II
2001
Scope and Content Note
Draft of "War and Peace and Clay: A Tribute to World War II Veterans" (authorship unclear) and student
paper "Playing with Play: The Appropriation of Children's Activities, Symbols, and Play" by Ali Conklyn.
Box 20, Folder 8
Monument images
undated
Scope and Content Note
Photocopies of images for Boime's volume on national icons.
Box 20, Folder 9
Photos
1993-1994
Scope and Content Note
Photocopies, clippings, and 4x5 transparency
Box 21, Folder 1
Borglum film interview
2007
Scope and Content Note
Correspondence, script, and travel itinerary for filmed interview for "History Detectives" regarding Borglum
and Mount Rushmore.
Box 21, Folder 2
Borglum
undated
Scope and Content Note
Notes and draft of "Gutzon Borglum's Mt. Rushmore Monument: Patriarchy Fixed in Stone."
Box 21, Folder 3
Rushmore additions
1991, 1995, 1998
Scope and Content Note
Photocopies, promotional materials from Mount Rushmore Preservation Fund, book featuring "The Me
Collection" by Neil Grayson, correspondence, and copy of IF Magazine from March-April 1998.
Box 21, Folder 4
Mount Rushmore
1990-1991
Scope and Content Note
Notes, correspondence, and photocopies of images of Mount Rushmore with illustration lists for Boime's
publication. Folder also includes 4x5 transparencies, drafts of "Gutzon Borglum's Mt. Rushmore Monument: Patriarchy Fixed
in
Stone," and Mt. Rushmore brochures and tourist literature.
Box 21, Folder 5
Mount Rushmore II
1987, 1991
Scope and Content Note
Photocopies from DeKalb Historical Society, drafts of "Gutzon Borglum's Mt. Rushmore Monument:
Patriarchy Fixed in Stone," correspondence, clippings, notes, and inquiries regarding the Ku Klux Klan and Borglum.
Box 21, Folder 6
Flag
1990
Scope and Content Note
Catalog of selected artworks by African American artists, photocopies, correspondence, 4x5 transparency,
and draft of "Waving the Red Flag and Reconstituting Old Glory" with edits.
Box 21, Folder 7
Flag additions
1991
Scope and Content Note
Clippings, photocopies, and copy of University of Miami Law Review Volume 45 from September 1990,
Number 1.
Box 21, Folder 8
Flag permission
1990, 1993
Scope and Content Note
Correspondence regarding photo/image permissions, clippings, and catalog of American flag paintings by
Howard Finster.
Box 21, Folder 9
Miscellaneous flag and Lincoln
1993
Scope and Content Note
Notes and correspondence.
Box 21, Folder 10
Ebony - Lincoln 1963
ca. 1992
Scope and Content Note
Bibliography and photocopies about monuments.
Box 22, Folder 1
Statue of Liberty
undated
Scope and Content Note
Conference paper "Western Theory and Chinese Reality" by Shang Longxi featuring elements on Statue of
Liberty, and photocopies.
Box 22, Folder 2
Statue of Liberty
1985, 1988
Scope and Content Note
Student paper "The Lincoln Memorial" by Patricia I. Carranza and Michael Edelstein. Also includes
correspondence and notes.
Box 22, Folder 3
Statue of Liberty
1991-1992
Scope and Content Note
Clippings, photocopies, notes, and student paper "Appropriate Protest at the Statue of Liberty: Appropriation
Through Action."
Box 22, Folder 4
Statue of Liberty
2002
Scope and Content Note
Brochures and chronology of Statue of Liberty, notes, and Long Range Interpretive Plan for Statue of Liberty
National Monument.
Box 22, Folder 5
Statue of Liberty
undated
Scope and Content Note
Notes and annotated photocopies.
Box 22, Folder 6
Statue of Liberty redux
2002
Scope and Content Note
Travel correspondence, invoices, photocopied articles, and correspondence regarding a collaborative project
on the Statue of Liberty between the National Park Service and the Organization of American Historians.
Box 22, Folder 7
The black Statue of Liberty rumor
2000
Scope and Content Note
Report "The Black Statue of Liberty Rumor: An Inquiry into the History and Meaning of Bartholdi's Liberte
eclairant le Monde" by Rebecca M. Joseph.
Box 22, Folder 8
Statue of Liberty
1997
Scope and Content Note
Postcard, American Airlines napkins and placemat--all carrying Statue of Liberty iconography.
Box 22, Folder 9
Iwo Jima
1995
Scope and Content Note
Brochures for Iwo Jima Memorial Monument, clippings from New York Times, photos of Iwo Jima memorial,
correspondence, Iwo Jima Survivors Journal, and journal of George G. Gentile (Iwo Jima Survivor).
Box 23, Folder 1
Kyoto Arashiyama Museum
1991
Scope and Content Note
Images, photos, and museum catalog of materials related to Iwo Jima from Kyoto Arashiyama Museum.
Materials in Japanese.
Box 23, Folder 2
The flag raisers
1991
Scope and Content Note
Photocopies of articles regarding Iwo Jima flag raisers and correspondence with various historical societies.
A large portion of research in this folder is related to flag raiser Ira Hayes and the Pima Indians.
Box 23, Folder 3
Japanese perspective
1991
Scope and Content Note
Photocopies, clippings, notes, and political cartoons. Some materials in Japanese.
Box 23, Folder 4
Indian and Japanese issues
1992
Scope and Content Note
Correspondence, clippings, and notes. Folder also includes dissertation prospectus "An Investigation of the
'Exceptional:' Women's Involvement in Sculptural Production in Late Nineteenth Century Paris" by Anastasia Easterday and
student paper "Monumental Sculpture" by Beth Reuter.
Box 23, Folder 5
Lavoie 9/11
2003
Scope and Content Note
Notes, paper by Boime "Can There be Art History After the Trade Towers?" and e-mail correspondence with
Vincent Lavoie.
Box 23, Folder 6
Lavoie 9/11
2003
Scope and Content Note
Correspondence with Vincent Lavoie regarding Boime's interest in the image-memorialization of the Twin
Towers after 9/11. Folder also includes a publication contract between Le Mois de la Photo a Montreal and Boime.
Assorted Artists
1972-2008
Scope and Content Note
Boime's research on a variety of artists. Most of the materials incorporated here did not result in a
publication included with the files or did not constitute a large enough volume of material to be considered a separate
subseries. Much of this research may have contributed to Boime's Social History of Modern Art series. The files are arranged
alphabetically by artist's last name.
Box 136, Folder 1
William Blake and the Lunar Society
undated
Scope and Content Note
Notes, photocopies, Italian newsletter, student paper "The Lunar Society as Patrons of the Arts" by Christin
Mamiya, and miscellaneous pages to untitled draft. Folder also includes pages from drafts of papers on Henry Fuseli, William
Blake, Robert Fulton, Thomas Hope, and John Flaxman. Topics include the Industrial Revolution.
Box 136, Folder 2
18th century and William Blake
undated
Scope and Content Note
Art History 127 syllabi and notes (topics include Blake and Greuze).
Box 136, Folder 3
Revelation of Modern Art - notes (1 of 2)
undated
Scope and Content Note
Copy of "Modern Thought and Catholicism" by Paul Gauguin (translated and annotated by Frank Lester
Pleadwell)--versions in French and English with notes by Boime.
Box 136, Folder 4
Revelation of Modern Art - notes (2 of 2)
undated
Scope and Content Note
Copy of "Modern Thought and Catholicism" by Paul Gauguin (translated and annotated by Frank Lester
Pleadwell)--versions in French and English with notes by Boime.
Box 136, Folder 5
Notes on Ingres (1 of 2)
1975, 1979
Scope and Content Note
Correspondence and photocopies.
Box 136, Folder 6
Paul Klee
undated
Scope and Content Note
Notes and photocopy. Folder includes article "Klee's 'Letter Ghost'" by Elizabeth Pess.
Box 136, Folder 7
Egypt report
undated
Scope and Content Note
Photocopies of report on Egypt. According to note in file, materials relate to Marisol.
Box 136, Folder 8
Thomas Satterthwaite Noble (1 of 3)
ca. 1987
Scope and Content Note
Notes, correspondence, photocopies, and draft of exhibition catalog. See box 97 for additional research on
this topic.
Box 136, Folder 9
Thomas Satterthwaite Noble (2 of 3)
ca. 1987
Scope and Content Note
Notes, correspondence, photocopies, and draft of exhibition catalog. See box 97 for additional research on
this topic.
Box 136, Folder 10
Thomas Satterthwaite Noble (3 of 3)
ca. 1987
Scope and Content Note
Notes, correspondence, photocopies, and draft of exhibition catalog. See box 97 for additional research on
this topic.
Box 137, Folder 1
Pablo Picasso
1973
Scope and Content Note
Correspondence, chronology, notes (topics include Newman-Ryder), and photocopies.
Box 137, Folder 2
Piero della Francesca (1 of 2)
ca. 1992
Scope and Content Note
"Piero and His Legacy" conference materials from the National Gallery of Art, maps, brochures, list of
conference registrants, draft of "Piero and the Two Cultures, clippings, photocopies, notes, and chronology of Piero Della
Francesca.
Box 137, Folder 3
Piero della Francesca (2 of 2)
ca. 1992
Scope and Content Note
"Piero and His Legacy" conference materials from the National Gallery of Art, maps, brochures, list of
conference registrants, draft of "Piero and the Two Cultures, clippings, photocopies, notes, and chronology of Piero Della
Francesca.
Box 137, Folder 4
Albert Pinkham Ryder (1 of 2)
ca. 1986-1993
Scope and Content Note
Notes, drafts of lecture "Ryder on a Gilded Horse", annotated photocopies, photos, 4x5 negatives, and
correspondence. Folder also includes a draft of a paper by Lloyd Goodrich entitled "Albert Pinkham Ryder: The Man and His
Art."
Box 137, Folder 5
Albert Pinkham Ryder (2 of 2)
ca. 1986-1993
Scope and Content Note
Notes, drafts of lecture "Ryder on a Gilded Horse", annotated photocopies, photos, 4x5 negatives, and
correspondence. Folder also includes a draft of a paper by Lloyd Goodrich entitled "Albert Pinkham Ryder: The Man and His
Art."
Box 147, Folder 3
Notes on Ingres (2 of 2)
1975, 1979
Scope and Content Note
Correspondence and photocopies.
Box 147, Folder 4
Photocopied images
ca. 1987
Scope and Content Note
Image request form and photocopies of work by Albert Pinkham Ryder.
Box 23, Folder 7
William Blake
1972
Scope and Content Note
Notes and photocopies about William Blake. Folder includes draft of a paper on Blake, though it is unclear
whether the paper was authored by Boime or Dr. Moore.
Box 23, Folder 8
Anthony Blunt
bulk 2002, 1979
Scope and Content Note
Newspaper article on "The Blunt Case," correspondence from Andrew Brainerd, and text from Commentary
magazine.
Box 23, Folder 9
Louis Leopold Boilly
1991-1992
Scope and Content Note
Correspondence, notes, 4x5 negatives, drafts of speech, and article entitled "Louis Boilly's Reading of the
XIth and XIIth Bulletins of the Grande Armee."
Box 24, Folder 1
William Bouguereau
1986
Scope and Content Note
Student papers "William Bouguereau In Perspective" by Lilian Staple, "The Bouguereau Movement is Back"
by Irina Costache, "Bouguereau's Pastorale, In France and in America" by Patricia McGinn, and "Bouguereau and the Late
Nineteenth Century American Collector" by William Steinway. File originally titled Boogie.
Box 24, Folder 2
William Bouguereau
bulk 1975-1978, 1986
Scope and Content Note
Correspondence, notes, annotated photocopies of letters, map of Bordeaux, France, paper "Decoration in
Time, Decoration in Space: A Preliminary Discussion of Edgar Degas and Ballet Technique" by Janet Anderson, notes, 4x5
transparencies of Bouguereau works, and photo reprints. Correspondents include Miriam Gardner Dunnan. Some materials in
French. File originally titled Boogie.
Box 24, Folder 3
William Bouguereau
1979, 1986
Scope and Content Note
Notes, correspondence, and photocopy. Correspondents include Miriam Gardner Dunnan and Stafford
Calvin.
Box 24, Folder 4
William Bouguereau (research files)
1978-1986
Scope and Content Note
Correspondence (postcards), map of Lyon, France, 4x5 transparencies of Bouguereau works, photo reprints
of Bouguereau works, notes, bibliography, and photocopied article. Some materials in French.
Box 24, Folder 5
William Bouguereau (class materials)
undated
Scope and Content Note
Notes and materials for Art History 253 (2-quarter seminar on William Bouguereau and Modern Paris). Folder
includes attendance list, syllabi, and lecture notes.
Box 24, Folder 6
Weinberg's seminar
1977
Scope and Content Note
Notes and bibliographies.
Box 24, Folder 7
Tanenbaum catalog
bulk 1977-1978, 1969
Scope and Content Note
Correspondence (postcard), notes, photocopies, 6.5x10 transparency of J.J. Henner work "Le Levite
d'Ephraim et sa femme morte," and pages from draft of Thomas Couture paper.
Box 24, Folder 8
Kalan Brunink
1990
Scope and Content Note
Notes, flyer for talk by Kalan Brunink, draft of paper "Kalan's Letter" (authorship unclear), correspondence
with Kalan and others about her work, and copies of images of Kalan's portraits.
Box 24, Folder 9
Eugene Carriere
undated
Scope and Content Note
Bibliographic reference regarding Eugene Carriere.
Box 24, Folder 10
George Catlin
2007
Scope and Content Note
Draft of "George Catlin's Wilderness Utopia" by Boime with correspondence and contributor agreement for
publication of paper.
Box 24, Folder 11
Bergson and Cezanne
undated
Scope and Content Note
Notes and photocopies about Paul Cezanne.
Box 24, Folder 12
Paul Cezanne
1998, 2002-2003
Scope and Content Note
E-mail correspondence, notes, draft of "Out of Time" by Fred Orton, and draft of "Cezanne's Real and
Imagined Estate" by Boime.
Box 24, Folder 13
Marc Chagall
ca. 1996, 1998
Scope and Content Note
Exhibition brochures and images of stained glass windows.
Box 24, Folder 14
Marc Chagall
undated
Scope and Content Note
Notes, poem, and postcard.
Box 24, Folder 15
Honore Daumier
2003
Scope and Content Note
Correspondence, draft of "Chapter VII: Fractures in the Juste Milieu," notes, and annotated photocopies of
Daumier works.
Box 24, Folder 16
Harvey Dinnerstein
2002
Scope and Content Note
Gallery catalog of Harvey Dinnerstein works and LINEA newsletters.
Box 24, Folder 17
Simon Dinnerstein
1989
Scope and Content Note
Correspondence and draft of "Simon Dinnerstein's Family Romance" with edits.
Box 24, Folder 18
Simon Dinnerstein
ca. 1988
Scope and Content Note
Photocopies, correspondence, and images of Simon Dinnerstein works.
Box 24, Folder 19
[Simon] Dinnerstein
1984
Scope and Content Note
Letter and photos of Simon Dinnerstein images.
Box 24, Folder 20
Julius Kaplan
ca. 1994
Scope and Content Note
Notes and correspondence. Potentially related to Simon Dinnerstein.
Box 25, Folder 1
Don Demauro
undated
Scope and Content Note
Draft of paper about Demauro "Don Demauro and the Struggle Against the Artist's Mystique." Folder also
includes notes and a small notebook.
Box 25, Folder 2
Don Demauro
1974
Scope and Content Note
Correspondence, photographic negatives, draft of paper "Don Demauro and the Struggle Against the Artist's
Mystique," and Demauro curriculum vitae.
Box 25, Folder 3
Thomas Eakins file
undated
Scope and Content Note
Photocopy of volume on Thomas Eakins.
Box 25, Folder 4
El Greco
undated
Scope and Content Note
Notes and photocopy of article.
Box 25, Folder 5
El Greco
2001-2002
Scope and Content Note
Correspondence with the Fundacion Amigos del Museo del Prado regarding a lecture by Boime entitled "El
Greco. Obras Maestras."
Box 25, Folder 7
El Greco/Pollock
2002
Scope and Content Note
Correspondence, notes, and draft of "El Greco in New York: The Empowerment of Jackson Pollock" with
some edits.
Box 25, Folder 8
El Greco/Pollock
2003
Scope and Content Note
Outline for paper "El Greco in New York: The Empowerment of Jackson Pollock." Folder also includes notes
and receipts for airplane tickets.
Box 25, Folder 9
EL Greco/Pollock
2002
Scope and Content Note
Photocopies, correspondence, and notes.
Box 25, Folder 10
El Greco/Pollock notes
undated
Scope and Content Note
Annotated photocopies.
Box 25, Folder 11
El Greco/SCW
2003
Scope and Content Note
Correspondence, notes, galley proof of Boime's article "El Greco in New York: The Empowerment of
Jackson Pollock" in Spanish.
Box 25, Folder 12
Unamuno/El Greco
undated
Scope and Content Note
Paper "Les Demoiselles of 1898: Using Unamuno to Understand Picasso" by Michelle Tanenbaum, including
a note to Boime.
Box 25, Folder 13
Caspar David Friedrich
1987-1988, 1990
Scope and Content Note
Photocopies, several copies of "Caspar David Friedrich: The Monk on the Seashore," UCLA Library
newsletter, and correspondence. Some materials in German and Italian.
Box 25, Folder 14
Friedrich talk
undated
Scope and Content Note
Copy of "Caspar David Friedrich: The Monk on the Seashore." Text likely constitutes a lecture or talk
delivered by Boime.
Box 26, Folder 1
Paul Gauguin
2001-2002
Scope and Content Note
Notes, correspondence, Hammer museum exhibition brochure, and draft pages from paper regarding
Gauguin's painting "Where do we come from? What are we? Where are we going?"
Box 26, Folder 2
Paul Gauguin
undated
Scope and Content Note
Notes and clipping.
Box 26, Folder 3
Gauguin - colonialism
1975
Scope and Content Note
Correspondence and notes.
Box 26, Folder 4
Gauguin - revelation
undated
Scope and Content Note
Notes.
Box 26, Folder 5
Jean-Leon Gerome
ca. 1981
Scope and Content Note
Draft of "Gerome and the White Artist's Burden," photocopies, and correspondence.
Box 26, Folder 6
Jean-Leon Gerome
ca. 1982
Scope and Content Note
Photos, notes, postcard, "St. Gerome and His World" lecture, and copies of images.
Box 26, Folder 7
Jean-Leon Gerome
ca. 1979
Scope and Content Note
Correspondence, notes, photocopies, and drafts of articles related Jean-Leon Gerome.
Box 26, Folder 8
Jean-Leon Gerome
1972, 1974
Scope and Content Note
Correspondence and notes.
Box 26, Folder 9
Jean-Leon Gerome
ca. 1970
Scope and Content Note
Notes and art exhibition press release.
Box 26, Folder 10
Gerome - Sleeping Gypsies
1969
Scope and Content Note
Annotated draft of "Jean-Leon Gerome, Henri Rousseau's Sleeping Gypsy and the Academic Legacy,"
correspondence, and notes.
Box 26, Folder 11
Anne-Louis Girodet
1968
Scope and Content Note
Photocopies and notes.
Box 26, Folder 12
Charles Gleyre
undated
Scope and Content Note
Pages from draft "The Instruction of Charles Gleyre and the Evolution of Painting in the Nineteenth Century."
See box 16 for addition research on Gleyre.
Box 26, Folder 13
Charles Gleyre
undated
Scope and Content Note
Photocopies. See box 16 for addition research on Gleyre.
Box 26, Folder 14
Philip Guston
2005
Scope and Content Note
Correspondence with Intercambio de Arte y Cultura Internacional, Michoacán brochure, photocopy about
Philip Guston, and copy of oral history interview with Frederick John de St. Vrain Schwankovsky.
Box 26, Folder 15
Reuben Kadish and Philip Guston
2005-2007
Scope and Content Note
Copy of Kadish links and interview with Manuel Tolegian (oral history transcript). Folder also includes
photocopies, correspondence, and prints of artwork.
Box 26, Folder 16
Hildebrand
undated
Scope and Content Note
Notes on Hildebrand.
Box 26, Folder 17
Hogarth - 18th century
undated
Scope and Content Note
Notes.
Box 27, Folder 1
Jean Auguste Dominique Ingres
undated
Scope and Content Note
Notes and annotated photocopies.
Box 27, Folder 2
Prix de Rome - Ingres originals
ca. 1984
Scope and Content Note
Drafts of "Prix de Rome: Images of Authority and Threshold of Official Success" speech and "Declassicizing
the Academic and Accentuating the Affirmative." Folder also includes photos, correspondence, letter from Rose Weil and an
incomplete Ingres draft.
Box 27, Folder 3
Chavard
1971
Scope and Content Note
Correspondence, photocopies, notes, and draft of paper "Ingress et Egress Chez Ingres" with edits. Some
materials in French.
Box 27, Folder 4
Kamran Khavarani
2005-2006
Scope and Content Note
Correspondence, copies of images, notes with references to Rumi, and notes from interviews.
Box 27, Folder 5
Khavarani, Kamran
undated
Scope and Content Note
Notes and copy of poster advertising Kamran's work.
Box 27, Folder 6
Abstract Romanticism: Kamran Khavarani
2006
Scope and Content Note
Manuscript copy of "Abstract Romanticism: The Art and Passion of Kamran Khavarani."
Box 27, Folder 7
Kamran Khavarani and the Birth of Abstract Romanticism
2007
Scope and Content Note
Bound volume "Kamran Khavarani and the Birth of Abstract Romanticism" with illustrations and some
writing.
Box 27, Folder 8
Abstract Romanticism
2008
Scope and Content Note
Correspondence regarding Boime's book "The Birth of Abstract Romanticism" and clippings.
Box 27, Folder 9
Wassily Kandinsky
undated
Scope and Content Note
Photos and images of works by Wassily Kandinsky.
Box 27, Folder 10
Wassily Kandinsky
undated
Scope and Content Note
Notes.
Box 27, Folder 11
Wassily Kandinsky
undated
Scope and Content Note
Notes.
Box 27, Folder 12
Paul Klee
1976
Scope and Content Note
File contains a letter and orientalist photo and paper "Paul Klee and Christian Existentialism: Around the
Fish."
Box 27, Folder 13
Klee and primitive
undated
Scope and Content Note
Notes.
Box 27, Folder 14
Klee and kids
undated
Scope and Content Note
Notes.
Box 28, Folder 1
Franz Kline
undated
Scope and Content Note
Draft of "Franz Kline and the Figurative Tradition" and notes.
Box 28, Folder 2
Franz Kline
1975, 1977
Scope and Content Note
Draft of "Franz Kline and the Figurative Tradition" with some edits, correspondence and notes
Box 28, Folder 3
Franz Kline
1976-1977
Scope and Content Note
Notes, exhibition catalog, photograph of artwork, draft of lecture or proposal on Franz Kline's work,
correspondence, photocopies, photographic negatives, and Franz Kline bibliography.
Box 28, Folder 4
Franz Kline
1976-1977
Scope and Content Note
Correspondence, notes, and 4 x 6 transparencies.
Box 28, Folder 5
Fernand Leger
undated
Scope and Content Note
Notes.
Box 28, Folder 6
Ernest Lothar file
undated
Scope and Content Note
Reference file about Lothar. Photos of Lothar's work taken by Helen Benson. Photocopies of news clippings
about Lothar. Materials in file date from 1946-1952.
Box 28, Folder 7
Franz Marc
undated
Scope and Content Note
Notes on Franz Marc and Der Bleue Reiter.
Box 28, Folder 8
Marisol
1992-1993
Scope and Content Note
Copy of article in American Art "The Postwar Redefinition of Self: Marisol's Yearbook Illustrations for the
Class of '49" and drafts of same article. Folder also includes correspondence regarding photo permissions, clippings, photos,
notes, 4x5 transparency, and photocopies.
Box 28, Folder 9
Henri Matisse
undated
Scope and Content Note
Notes.
Box 28, Folder 10
McNeilly
2000
Scope and Content Note
Notes and correspondence with Mike McNeilly regarding his mural. Folder also includes photography and
8x10 image of McNeilly mural.
Box 28, Folder 11
Edvard Munch
undated
Scope and Content Note
Notes on Munch.
Box 28, Folder 12
Munch
ca. 1996
Scope and Content Note
Lecture outline, notes, and student paper regarding Edvard Munch. Materials potentially gathered for
Princess Cruise lecture series.
Box 28, Folder 13
Pablo Picasso
ca. 1996
Scope and Content Note
Notes, correspondence, and exhibition brochure regarding Picasso works.
Box 28, Folder 14
Pablo Picasso
1993
Scope and Content Note
Catalog from Picasso exhibit at LACMA and lecture notes from Getty Lecture.
Box 28, Folder 15
Pablo Picasso
1986
Scope and Content Note
Notes, outline of Picasso lecture, and article "Picasso's Man with a Sheep: Beyond Good and Evil" by Albert
Elsen.
Box 28, Folder 16
Vincent Polo and Picasso
1996
Scope and Content Note
Photocopies and images of Picasso artworks and inquiry documents regarding employment history of
Vincent Polo.
Box 28, Folder 17
Guernica
undated
Scope and Content Note
Notes and materials from internet research.
Box 29, Folder 1
Piero della Francesca
1992
Scope and Content Note
Photocopies, notes, correspondence, and conference materials from National Gallery of Art on Piero Della
Francesca symposium. Folder also includes drafts of "Piero and the Two Cultures" with edits.
Box 29, Folder 2
Piero della Francesca II
bulk 1992, 1994-1996
Scope and Content Note
Abstracts for Piero Della Francesca symposium with edits by Boime and draft of "Piero and the Two
Cultures" with edits and galley proof of the same. Folder also includes correspondence and a clipping from Christian Science
Monitor.
Box 29, Folder 3
"Il Perugino" Institute
undated
Scope and Content Note
Packet and business card about "Il Perugino" Institute.
Box 29, Folder 4
Puvis de Chavannes
undated
Scope and Content Note
Notes. See box 16 for additional research on Puvis de Chavannes.
Box 29, Folder 5
Puvis - miscellaneous 19th century
ca. 1968
Scope and Content Note
Notes. See box 16 for additional research on Puvis de Chavannes.
Box 29, Folder 6
Odilon Redon
undated
Scope and Content Note
Notes on Odilon Redon (and Albert Ryder).
Box 29, Folder 7
Repin
2000-2001
Scope and Content Note
E-mail correspondence with Irina Tatarinova and faxed translations of text regarding Ilya Repin.
Box 29, Folder 8
Auguste Rodin
undated
Scope and Content Note
Notes.
Box 29, Folder 9
Rodin paper
1994, 1996
Scope and Content Note
Student paper "Sculpture Seen Through Rodin" by Ashkan Lashkari for Art History 199 with Boime in Spring
1996 and paper "Mengs' Parnassus & David's Victors Returning to Brutus the Bodies of his Sons: Recapturing and Redefining
Antiquity" by same student for Art History 110A.
Box 29, Folder 10
Victor Hugo
undated
Scope and Content Note
Notes on Rodin's monument to Victor Hugo.
Box 29, Folder 11
Runge
undated
Scope and Content Note
Notes.
Box 29, Folder 12
Albert Pinkham Ryder - Brooklyn
1972, 1990
Scope and Content Note
Correspondence, draft of paper by Eric Rosenberg, and draft of "Ryder on a Gilded Horse" with edits.
Box 29, Folder 13
Raphael Soyer
1987
Scope and Content Note
Notes and obituaries about Raphael Soyer. See box 59 for additional research on Raphael Soyer.
Box 29, Folder 14
Sargent drafts
undated
Scope and Content Note
Miscellaneous pages from drafts on John Singer Sargent with edits (out of order).
Box 29, Folder 15
Sargent notes
undated
Scope and Content Note
Notes and New York Times World of New York fliers.
Box 29, Folder 16
Sargent symposium
1986
Scope and Content Note
Notes and business cards. Bulk of folder contains correspondence with H. Barbara Weinberg and a draft of
her lecture for a symposium on John Singer Sargent.
Box 30, Folder 1
John Singer Sargent
1982, 1985
Scope and Content Note
John Singer Sargent articles, 4x5 transparencies, miscellaneous pages from draft on Sargent, notes, and
correspondence. Folder also includes a Guide to Research at the Historic New Orleans Collection and photocopies of materials
from Historic New Orleans Collection (specifically Trist Wood Papers Inventory, copies of photos, and paperwork from Survey
of
New Orleans cemeteries).
Box 30, Folder 2
Sargent correspondence (1 of 2)
1985-1986
Scope and Content Note
Correspondence regarding Sargent images, consultations, and research for Boime's co-authorship of a
Sargent catalog. Other materials include a draft of a Sargent paper with edits, notes, annotated photocopies, and paper "Sargent
and Venice" by Linda Ayers. Some materials in French.
Box 30, Folder 3
Sargent correspondence (2 of 2)
1985-1986
Scope and Content Note
Correspondence regarding Sargent images, consultations, and research for Boime's co-authorship of a
Sargent catalog. Other materials include a draft of a Sargent paper with edits, notes, annotated photocopies, and paper "Sargent
and Venice" by Linda Ayers. Some materials in French.
Box 30, Folder 4
Schoneberg
ca. 2002
Scope and Content Note
Copies of works by S.C. Schoneberg.
Box 30, Folder 5
Jane Wooster Scott and Walter Keane
1991
Scope and Content Note
Correspondence, descriptive articles about Jane Wooster Scott and Walter Keane, and photocopies of book
about Walter Keane. Other materials include gallery brochures and publications, some photos of artwork, and notes.
Box 30, Folder 6
Mike Tanzer (1 of 2)
2001
Scope and Content Note
Correspondence, drafts of "Michael Tanzer: An Artist Searching for His Routes" with edits, notes,
photocopied articles and clippings, and slides.
Box 30, Folder 7
Mike Tanzer (2 of 2)
2001
Scope and Content Note
Correspondence, drafts of "Michael Tanzer: An Artist Searching for His Routes" with edits, notes,
photocopied articles and clippings, and slides.
Box 30, Folder 8
Tattoo
undated
Scope and Content Note
Paper (likely by Michael Tanzer) "Outermost Boundaries: Challenging Assumptions about Art," regarding
tattoo art.
Box 30, Folder 9
Tattoo Writings
undated
Scope and Content Note
Draft of paper/article on tattoos.
Box 31, Folder 1
Velasquez
undated
Scope and Content Note
Bibliographic reference regarding Velasquez. Possibly referring to Diego Velazquez.
Box 31, Folder 2
Vuillard
ca. 1998
Scope and Content Note
Copy of Thesis "Symbiosis: Edward Vuillard and the Natansons in Fin de Siècle Paris" by Heloise Bertman
Levit.
Box 31, Folder 3
Warshaw
1959-1981 (bulk 1960s)
Scope and Content Note
Photocopies of clippings about Howard Warshaw and his works.
Box 31, Folder 4
Offbeat artists
1989, 1996-1997
Scope and Content Note
Gallery brochures, correspondence, various exhibition announcements, and articles.
Research Notes and Notebooks
bulk 1963-1978, 2000-2003
Scope and Content Note
Research notes and notebooks that are not easily attributable to a specific research topic. A large volume
of the material includes notebooks filled with notes, likely from the beginning of Boime's academic career. There are also
some
notebooks from Boime's research in a French archive and original documents collected by Jean-Jacques Pick (a member of
the Salon d'Automne). This subseries is filed topically by type of material.
Box 137, Folder 6
Articles
undated
Scope and Content Note
Photocopies. Some materials in French.
Box 137, Folder 7
Original documents (1 of 2)
1916-1936
Scope and Content Note
Correspondence, clippings, and legal documents collected by Jean-Jacques Pick (member of Salon
d'Automne). Some materials in French and Greek. The time at which Boime collected these materials is unclear, but the items
date from 1916-1936.
Box 138, Folder 1
Original documents (2 of 2)
1916-1936
Scope and Content Note
Correspondence, clippings, and legal documents collected by Jean-Jacques Pick (member of Salon
d'Automne). Some materials in French and Greek. The time at which Boime collected these materials is unclear, but the items
date from 1916-1936.
Box 148, Folder 1
Lecture note cards
undated
Scope and Content Note
Numbered note cards likely from a lecture delivered by Boime at the 10th anniversary of the Patricia
McCarron McGinn series.
Box 148, Folder 2
Note cards
undated
Scope and Content Note
Note card catalog of artworks with identifying collection information.
Box 149, Folder 1
Research note cards
undated
Scope and Content Note
Topics include Feuerbach, Gerome, and Manet.
Box 31, Folder 5
Notes and correspondence
1974
Scope and Content Note
Correspondence regarding a lecture by Boime and notes. Some materials in German.
Box 31, Folder 6
Notes and correspondence
1978
Scope and Content Note
Miscellaneous notes and correspondence with faculty. Some materials in French.
Box 31, Folder 7
Notes and correspondence
1978, 1983
Scope and Content Note
Paper "British Painting 1750-1850/The Rebels" by Lilian Staple, notes on American religious painting, and
photocopies of correspondence to Esther Williams in the early 20th century.
Box 31, Folder 8
Notes
1978
Scope and Content Note
Notes (topics include Thomas Nast) and memo regarding department philosophy and discussions from Don
Preziosi.
Box 31, Folder 9
Notes
undated
Scope and Content Note
Notes and scribbles on Art 563 syllabus.
Box 31, Folder 10
Notes
undated
Scope and Content Note
Notes and sheet of images.
Box 31, Folder 11
Notes
undated
Scope and Content Note
Miscellaneous pages from a draft and notes.
Box 31, Folder 12
Notes
1973-1974, 1976
Scope and Content Note
Notes and correspondence.
Box 31, Folder 13
Notes
ca. 1963
Scope and Content Note
Notes (topics include Hofstra, Charles Henry, Seurat, and Couture), correspondence, negatives, clippings,
photocopies, and miscellaneous pages from draft "I don't want to set the world on fire, I just want to start a flame in your
heart"
with edits.
Box 31, Folder 14
Notes
1973, 1976
Scope and Content Note
Correspondence and notes (topics include Simon Dinnerstein).
Box 31, Folder 15
Notes
undated
Scope and Content Note
Notes from correspondence with Francois Gerard (topics include Girodet).
Box 31, Folder 17
Notes
ca. 1978
Scope and Content Note
Notes, correspondence, paper submissions, and syllabus for Art History 110B (taught by David Kunzle).
Box 31, Folder 18
Notes
2000-2001
Scope and Content Note
Correspondence and notes.
Box 31, Folder 19
Miscellaneous notes
2000-2001
Scope and Content Note
Notes (topics include monuments, colonialism, modern art), photocopies, and correspondence regarding
Boime's library loans. Other materials include drafts of minutes and agendas from Art History department meetings.
Box 32, Folder 1
Miscellaneous biographies
undated
Scope and Content Note
Notes.
Box 32, Folder 2
Research materials
1995, 1997, 2003
Scope and Content Note
Correspondence, notes, and bibliographies (topics include Mexico and Masonic influence, Seurat, Gauguin,
Van Gogh, and the French-Jewish press).
Box 32, Folder 3
Miscellaneous research
undated
Scope and Content Note
Paper "Action Potential Alternans and Irregular Dynamics in Quinidine-Intoxicated Ventricular Muscle Cells,"
notes, and correspondence.
Box 32, Folder 4
Miscellaneous research
1984
Scope and Content Note
Notes and correspondence from Wendy Slatkin.
Box 32, Folder 5
Research notes (1 of 2)
undated
Box 32, Folder 6
Research notes (2 of 2)
undated
Box 32, Folder 7
Notes 1
undated
Scope and Content Note
Notebooks with notes on miscellaneous topics, such as early modern art, early Christian art, Courbet, and
realism. Notebooks are likely from Boime's graduate studies.
Box 32, Folder 8
Notes 2
undated
Scope and Content Note
Notebooks with notes on topics like educational policy. Notebooks are likely from Boime's graduate studies.
Box 33, Folder 1
Notes 3
undated
Scope and Content Note
Notebooks with notes on topics like economics, social issues, and race relations. Notebooks are likely from
Boime's graduate studies.
Box 33, Folder 2
Research notebooks
undated
Scope and Content Note
Research notebooks: topics include Vernet, Journal des Artistes, Delaroche, Ottin, Sculpture, Deperthes,
Gleyre, Salon Refuses and Jury, and Henner. Some materials in French.
Box 33, Folder 3
Research notebooks
undated
Scope and Content Note
Research notebooks: topics include Manette, sketches, David, bibliographie, Salon de Refuses, and Monet.
Box 33, Folder 4
Research notebooks
undated
Scope and Content Note
Research notebooks: topics include Stranahan, Revue des deux mondes, and Dimier.
Box 34, Folder 1
Research notebooks
undated
Box 34, Folder 2
Research notebooks
undated
Scope and Content Note
Research notebooks: topics include the Academy.
Box 34, Folder 3
Research notebooks
undated
Scope and Content Note
Research notebooks: topics include Ottin, Salon de Refuses, and revue des deux mondes.
Box 34, Folder 4
Research notebooks
undated
Scope and Content Note
Research notebooks: topics include Couture, encyclopedie, and juste milieu.
Box 35, Folder 1
Research notebooks
undated
Scope and Content Note
Research notebooks: topics include Georg Sauter and Manuel Arsenne.
Box 35, Folder 2
Research notebooks
undated
Scope and Content Note
Research notebooks: topics include Prudhomme. Some materials in French and German.
Box 35, Folder 3
Research notebooks
undated
Scope and Content Note
Research notebooks: topics include Beaux-Arts. Some materials in French and German.
Box 35, Folder 4
Research notebooks
undated
Box 35, Folder 5
Research notebooks
undated
Scope and Content Note
Research notebooks: topics/authors include Ingres, Pisanello, Magic-Copy, and John Singer Sargent.
Box 36, Folder 1
Research notebooks
ca. 1968
Scope and Content Note
Research notebooks: topics include the English Academy, Impressionism, and 1851 Catalogue. Some
materials in German.
Box 36, Folder 2
Research notebooks
undated
Scope and Content Note
Some materials in French.
Box 36, Folder 3
Research notebooks
undated
Scope and Content Note
Some materials in German and Italian.
Box 36, Folder 4
Research notebooks
undated
Scope and Content Note
Some materials in Spanish.
Box 36, Folder 5
Archives research notebooks
undated
Scope and Content Note
Research notebooks on materials in unidentified archive. Materials in French.
Box 37, Folder 1
Archives research notebooks
undated
Scope and Content Note
Research notebooks on materials in unidentified archive. Materials in French.
Box 37, Folder 2
Archives research notebooks
undated
Scope and Content Note
Research notebooks on materials in unidentified archive. Materials in French.
Modern Art Series
1971-1997, 2000-2006
Scope and Content Note
Research materials specifically attributed to Boime's 6-volume Social History of Modern Art Series. The
series includes Volume I: Art in an Age of Revolution, Volume II: Art in an Age of Bonapartism, Volume III: Art in an Age
of
Counterrevolution, Volume IV: Art in an age of Civil Struggle, Volume V: Art in an Age of Empire, and Volume VI: Art in an
Age
of Genocide. The bulk of material corresponds to volumes III and IV. Materials include research files, drafts, and publication
correspondence. The subseries is arranged by volume. Within each volume, folders are sorted by type of material ranging from
drafts to research files to correspondence.
Box 138, Folder 2
Reaction and counter reaction (1 of 2)
ca. 1980-1987
Scope and Content Note
Draft, notes, photocopies, correspondence, and 4x5 transparency.
Box 138, Folder 3
Reaction and counter reaction (2 of 2)
ca. 1980-1987
Scope and Content Note
Draft, notes, photocopies, correspondence, and 4x5 transparency.
Box 138, Folder 4
Notes
1985
Scope and Content Note
Notes, drafts, and photocopies, Art 253 materials (required readings), and African Art bibliography. Materials
are likely part of research for Volume 4 of Boime's Modern Art Series.
Box 138, Folder 5
Additions for Art in an Age of Bonapartism
1986, 1989
Scope and Content Note
Notes and Victoria and Albert Museum catalog.
Box 138, Folder 6
Goya and Napoleon
1980-1982
Scope and Content Note
Notes and correspondence (correspondents include Beverly Twitchell), photocopy of chapter on The
Caprichos, and student papers.
Box 139, Folder 1
Chapter IV
1995
Scope and Content Note
Photographs, 4x5 slides, correspondence, notes, and Art 253 reading list.
Box 139, Folder 2
1848, 1871
undated
Scope and Content Note
Notes, photographs, and draft of speech.
Box 139, Folder 3
Volume 5
1987-1990
Scope and Content Note
Clippings, correspondence, pages from unidentified draft, booklet commemorating Abraham Lincoln Brigade,
notes, and booklet of political cartoons entitled "Simplicissimus."
Box 37, Folder 3
Modern art series
1988
Scope and Content Note
Prospectus for Boime's modern art series, correspondence, and flyer for speaking engagement.
Box 37, Folder 4
Chapter 1
1983-1984
Scope and Content Note
Clippings, outline for Art in the Age of Revolution, correspondence, J. Paul Getty Trust Publication Program
Guidelines, and manuscript reading reports.
Box 37, Folder 5
Age of Revolution additions
1985, 1991-1992
Scope and Content Note
Notes, correspondence, draft of work on neoclassicism with edits, article on Jewish artists, and draft of "The
Death of Lucretia." Some materials in German and French.
Box 37, Folder 6
New edition Art in an Age of Revolution
1979, 1987-1988
Scope and Content Note
Notes, student paper on William Blake by Bridget Johnson and "Greuze, Diderot, and the Critical
Implications of Bas-Relief" by Rick Weiche.
Box 37, Folder 7
New edition Art in an Age of Revolution
1992, 1998
Scope and Content Note
Correspondence, proposed dissertation from Parme Giuntini, notes, student paper, brochures, and exhibition
catalogs.
Box 37, Folder 8
Haussmannization
undated
Scope and Content Note
Notes and introduction.
Box 38, Folder 1
Additions for Art in an Age of Bonapartism
1985, 1987
Scope and Content Note
Notes, photocopies, correspondence, and thesis by Barry Shifman entitled "Depictions of French Royal and
Imperial Châteaux: A Study of its Use in the Decorative Arts from the Reigns of Louis XIV Through Napoléon."
Box 38, Folder 2
Additions for Art in an Age of Bonapartism
1988
Scope and Content Note
Notes, correspondence, and brochures.
Box 38, Folder 3
Counterrevolution
undated
Scope and Content Note
Draft of Chapter I to Art in an Age of Counterrevolution, photocopied notes and images.
Box 38, Folder 4
Illustration lists
undated
Scope and Content Note
Notes, list of illustrations (by chapter), footnotes, and realism and Romanticism outline.
Box 38, Folder 5
Preface and Chapter I
undated
Scope and Content Note
Drafts of Preface and Chapter I for Volume 3 of Boime's Modern Art Series.
Box 38, Folder 6
Chapter II (Volume 3)
undated
Scope and Content Note
Draft of "Chapter II: Restoration Bliss: The Nazarenes" for Volume 3.
Box 38, Folder 7
Chapter II (Volume 3)
undated
Scope and Content Note
Draft of "Chapter II: Restoration Bliss: The Nazarenes" for Volume 3 with some edits.
Box 38, Folder 8
Chapter III (Volume 3)
undated
Scope and Content Note
Draft of "Chapter III: The Restoration: The Horror" for Volume 3.
Box 39, Folder 1
Chapter III (Volume 3)
undated
Scope and Content Note
Draft of "Chapter III: The Restoration: The Horror" for Volume 3 with some edits.
Box 39, Folder 2
Chapter III (Volume 3)
undated
Scope and Content Note
Draft of "Chapter III: The Restoration: The Horror" for Volume 3 with some edits.
Box 39, Folder 3
Chapter III (Volume 3)
undated
Scope and Content Note
Draft of "Chapter III: The Restoration: The Horror" for Volume 3 with some edits.
Box 39, Folder 4
Museums and catalogue information
ca. 1983
Scope and Content Note
Notes, correspondence (correspondents include Paul Duro), and image lists.
Box 39, Folder 5
Drafts
undated
Scope and Content Note
Miscellaneous pages from unidentified draft(s) with edits and notes. Likely part of research for Volume 3 of
Boime's Modern Art Series.
Box 39, Folder 6
Draft
undated
Scope and Content Note
Draft of "The Napoleonic Salons: Grandiose Visions."
Box 39, Folder 7
Bibliography references
1987-1988
Scope and Content Note
Call slips and library notices.
Box 39, Folder 8
Volume 3 update
1997
Scope and Content Note
Correspondence and slide, copy of image, notes, slide lists, and notes.
Box 39, Folder 9
New third volume (1 of 2)
2000-2003
Scope and Content Note
Catalog, paper on Delacroix, notes, annotated photocopies, copy of thesis on gothic revival in San
Francisco, CA, outline for Vol. 3, clippings, paper on Jews in North Africa, exhibition brochures, and correspondence.
Box 40, Folder 1
New third volume (2 of 2)
2000-2003
Scope and Content Note
Catalog, paper on Delacroix, notes, annotated photocopies, copy of thesis on gothic revival in San
Francisco, CA, outline for Vol. 3, clippings, paper on Jews in North Africa, exhibition brochures, and correspondence. Some
materials in French.
Box 40, Folder 2
Notes to Volumes 3 and 4
1984, 1991-1993
Scope and Content Note
Notes, correspondence, student paper, photocopies, photos, 4x5 transparency, and syllabus for a class not
taught by Boime.
Box 40, Folder 3
Volume 4
ca. 1996
Scope and Content Note
Paper by Karen Lang, photocopies, Siri Wennberg Dissertation Proposal, publication regarding Minne and
Meunier, and notes.
Box 40, Folder 4
Volume 4
ca. 1978, 1987-1988
Scope and Content Note
Notes, drafts, photocopies (topics include Gustave Flaubert, Emile Zola, and Renoir), correspondence, and
draft papers by Michael Orwicz. Some materials in French.
Box 40, Folder 5
For Volume 4 (1 of 2)
undated
Scope and Content Note
Draft of "Texts into Context: An Essay on Manichaeism in Modern Art" by Maricler Mosto.
Box 40, Folder 6
For Volume 4 (2 of 2)
undated
Scope and Content Note
Draft of "Texts into Context: An Essay on Manichaeism in Modern Art" by Maricler Mosto.
Box 40, Folder 7
New Volume 4
2003
Scope and Content Note
Correspondence, exhibition brochure, clipping, notes, and annotated photocopies. Some materials in
French.
Box 41, Folder 1
New Volume 4
2004
Scope and Content Note
Photocopies, correspondence, notes, and readers report on Art in an Age of Civil Struggle. Some materials
in French.
Box 41, Folder 2
VII and USA landscape and genre
1993-1994
Scope and Content Note
Notes regarding US landscape and genre painting and correspondence.
Box 41, Folder 3
Restoration, etc.
ca. 1988
Scope and Content Note
Notes, photocopies, and conference paper.
Box 41, Folder 4
Restoration
ca. 1991
Scope and Content Note
Notes and map of Vienna. Topics include Caspar David Friedrich, Mary Shelley, and Percy Bysshe Shelley.
Box 41, Folder 5
Volume IV coda: Menzel
2004
Scope and Content Note
Letter. Materials in German.
Box 42, Folder 1
1848
ca. 1986
Scope and Content Note
Notes, drafts of "The 1848 Contest for the Symbolic Figure of the Republic as a Vent for Domestic and
Foreign Reaction" with edits, photocopies, and correspondence (Michael Orwicz). See box 84 for additional research on this
topic.
Box 42, Folder 2
1848 miscellaneous
ca. 1996
Scope and Content Note
Notes, photocopies, and student papers. See box 83 for additional research on this topic.
Box 42, Folder 3
Turner's slaveship
1989-1990
Scope and Content Note
Notes, correspondence, draft of "Turner's Slaveship" and bibliography, photocopies, and student paper.
Box 42, Folder 4
Imperialist gaze
ca. 1991
Scope and Content Note
Postcard, photocopies, clippings, and notes.
Box 42, Folder 5
Royal Academy
ca. 1971
Scope and Content Note
Notes and correspondence regarding the Royal Academy.
Box 42, Folder 6
Realist symposium
1979-1982
Scope and Content Note
Notes, draft, photocopies, correspondence, student paper, copies of letters from the Archives Nationales,
and draft of "The Baptism of the Second Empire" with edits. Some materials in French.
Box 42, Folder 7
Ruskin - student papers
1997
Scope and Content Note
Dissertation prospectus by Ivana Mladenovic on John Ruskin with edits, and student paper.
Box 42, Folder 8
Dissertation prospectus - 19th century English poetry
undated
Scope and Content Note
Prospectus on 19th century English poetry by Wilhelmina L. Hotchkiss.
Box 43, Folder 1
Gustave Courbet
1993
Scope and Content Note
Notes, photocopies, and student paper.
Box 43, Folder 2
Gustave Courbet
1997
Scope and Content Note
Notes and student paper.
Box 43, Folder 3
Gustave Courbet
1994
Scope and Content Note
Notes, annotated photocopies, and student exam.
Box 43, Folder 4
Ford Maddox Brown
ca. 1977-1980
Scope and Content Note
Notes, correspondence, and draft of "Ford Maddox Brown, Thomas Carlyle, and Karl Marx: Meaning and
Mystification of Work in the Nineteenth Century."
Box 43, Folder 5
Brown's Work
ca. 1978
Scope and Content Note
Notes, draft of lecture, chapter titled "Ford Maddox Brown (1821-1893), Early Life and Artistic Development
to the Beginnings of Pre-Raphaelitism," 4x5 negatives, correspondence (Linda Nochlin), and annotated photocopies.
Box 43, Folder 6
Pre-Raphaelite Brotherhood individuals
undated
Scope and Content Note
Notes, photocopies, and student paper.
Box 43, Folder 7
Pre-Raphaelite Brotherhood
1975-1994
Scope and Content Note
Notes, correspondence, and student papers.
Box 43, Folder 8
Pre-Raphaelite Brotherhood novels
undated
Scope and Content Note
Handwritten notes.
Box 43, Folder 9
Miscellaneous Pre-Raphaelite Brotherhood
ca. 1972, 1994
Scope and Content Note
Notes, photocopies, and student paper.
Box 44, Folder 1
Volume 5
2006
Scope and Content Note
Photocopies, correspondence regarding image permissions, and catalog regarding William Morris company.
Box 44, Folder 2
Volume 5
1995, 1997
Scope and Content Note
Correspondence, photocopied articles, and clippings.
Box 44, Folder 3
Volume 5 miscellaneous architecture
1997
Scope and Content Note
Notes, paper by Anthony Vidler, clippings, and syllabi for Art History 110C with Marie Clifford.
Box 44, Folder 4
Volume 6
2006
Scope and Content Note
Photocopy regarding George Grosz and invoice.
Box 44, Folder 5
Volume 6 Preface
undated
Scope and Content Note
Preface and draft chapters of Art in an Age of Genocide.
Box 44, Folder 6
Volume 6 Chapter III
undated
Scope and Content Note
Draft of Chapter III for Art in an Age of Genocide: "No Man's Land, Dadaism, and the Origins of Surrealism."
Social Issues
1986-2004
Scope and Content Note
Boime's research on a variety of social issues. These materials are not accompanied by a corresponding
publication draft. The subseries is arranged by subject, including topics such as labor, social services, politics, race and
ethnicity, environmental issues, war, religion, sexuality and 9/11.
Box 147, Folder 5
Graffiti photos
undated
Scope and Content Note
Large photographs of graffiti on the Berlin Wall.
Box 44, Folder 7
Labor and art
1991-1992
Scope and Content Note
Labor Heritage Foundation newsletter and correspondence from Rutgers University Labor Education Center.
Box 44, Folder 8
Orwellian
2003
Scope and Content Note
Article "Big Liberty is Watching" by Roberto Lovato from In These Times.
Box 44, Folder 9
Labor issues
1989-2000
Scope and Content Note
Newsletters, clippings, and e-mail correspondence regarding labor issues and advocacy.
Box 44, Folder 10
Labor conference
2005
Scope and Content Note
Materials from UCLA Conference "Is Wal-Mart Good for America?" including flyers and publication entitled
"Examining the Evidence: The Impact of the Los Angeles Living Wage Ordinance on Workers and Businesses."
Box 44, Folder 11
AFSCME
bulk 2002-2003, 1993-2007
Scope and Content Note
Clippings, UCLA Housing and Hospitality Services Team Member Handbook, newsletter and flyers regarding
AFSCME Local 3299 (labor union), e-mail correspondence and copies of letters between UCLA and workers, and notes.
AFSCME is an abbreviation of American Federation of State, County, and Municipal Employees.
Box 44, Folder 12
Social security
ca. 2005
Scope and Content Note
Mailings
Box 45, Folder 1
Health plan
1992-1994, 2002-2004
Scope and Content Note
Clippings, newsletters, and correspondence.
Box 45, Folder 2
Socialism
undated
Scope and Content Note
Notes, photocopies, and copies of images.
Box 45, Folder 3
Socialism - democracy
1988-1992, 2001-2003
Scope and Content Note
Clippings, correspondence, and photocopies.
Box 45, Folder 4
Democratic Socialists of America
ca. 1989
Scope and Content Note
Clippings, newsletters, and publications regarding the Democratic Socialists of America.
Box 45, Folder 5
Party politics
ca. 1993, 1999, 2003-2004
Scope and Content Note
Clippings, brochures, and mailings regarding political parties and their perspectives on policy issues.
Box 45, Folder 6
Policy positions
1993-1995, 1997
Scope and Content Note
Clippings (from the Democracy Project), correspondence, policy document "Welfare to Work," flyers, and
publications regarding Mumia Abu Jamal.
Box 45, Folder 7
Proportional representation
1998
Scope and Content Note
Clippings from the New Democracy Forum including article "The Case for Proportional Representation."
Box 45, Folder 8
Elections 2000
2001-2002
Scope and Content Note
"In These Times" magazine from February 19, 2001, e-mail correspondence, Volume XXVIII Number 3-4 of
"Democratic Left," and issues of "The Hightower Lowdown" newsletter.
Box 45, Folder 9
Propaganda
undated
Scope and Content Note
Pamphlet entitled "Chapter 27: Propaganda" by Paul Kecskemeti.
Box 45, Folder 10
Publication and photos
undated
Scope and Content Note
Photos of unidentified building with Americana and flag designs. Folder also includes a copy of "Guns,
Globalization, Greed: A Guide to the New World Economy" by Christopher Ney.
Box 45, Folder 11
July 4, 1776
1976
Scope and Content Note
Clipping of Declaration of Independence from New York Times on July 4, 1976.
Box 45, Folder 12
General education
2001
Scope and Content Note
Clippings.
Box 45, Folder 13
The Academy
ca. 1989-1990
Scope and Content Note
Copy of journal "Current," newsletters, notes, clippings, articles, and meeting notes regarding faculty
concerned about El Salvador's civil war.
Box 45, Folder 14
Sexual harassment
1993-1994
Scope and Content Note
Clippings regarding UCLA cover-up of sexual harassment suits against university and the school's
unwillingness to produce records for Daily Bruin newspaper.
Box 45, Folder 15
Nuclear issues
2002
Scope and Content Note
Clippings.
Box 45, Folder 16
Terrorism - violence
2001-2004
Scope and Content Note
E-mail correspondence, photocopied articles, clippings, and galley proof of "Suicide on My Mind, Britannica
on My Table" by Edwin Schneidman.
Box 45, Folder 17
Homelessness
1987-1994
Scope and Content Note
Clippings.
Box 45, Folder 18
Poverty
1994
Scope and Content Note
Copy of Public Affairs Reports and clippings.
Box 46, Folder 1
Los Angeles public development
ca. 1992
Scope and Content Note
Community Redevelopment Agency Art in Public Places guidelines and proposed public art policy. Folder
also includes clippings.
Box 46, Folder 2
Public transport
2002
Scope and Content Note
Copy of The Washington Spectator newsletter.
Box 46, Folder 3
Medicine
1993, 1997, 2000, 2005
Scope and Content Note
UCLA school of medicine report, bibliography, pamphlets, newsletters, and clippings.
Box 46, Folder 4
Drugs
1989
Scope and Content Note
Clippings.
Box 46, Folder 5
Abortion
1989, 1992, 1994
Scope and Content Note
Clippings.
Box 46, Folder 6
Gun control
1999, 2001
Scope and Content Note
Clippings from In These Times and American Educator.
Box 46, Folder 7
CIA
1991-1992, 1999-2000
Scope and Content Note
Clippings, CIA warfare manual, Affidavit of Daniel P. Sheehan, and paper "Evolution of Warfare--How Will the
Revolution in Military Affairs Make a Difference?" (authorship unclear).
Box 46, Folder 8
Environment
2001-2002
Scope and Content Note
Clippings regarding topics such as bioterror and global climate change.
Box 46, Folder 9
Environment
1989-1992
Scope and Content Note
Clippings, dissertation proposal "Determinating the Political Enframement in the Art of Robert Smithson" by
Ron Graziani.
Box 46, Folder 10
Battle in Seattle
2000
Scope and Content Note
Clippings from People's Weekly World, In These Times, and Dollars and Sense, and e-mail correspondence
(all regarding World Trade Organization and Seattle protest).
Box 46, Folder 11
Energy crisis
2001
Scope and Content Note
Newsletters including The Hightower Lowdown.
Box 46, Folder 12
Media - entertainment
2001, 2005
Scope and Content Note
Clippings and untitled draft of paper (likely by Susana Lee).
Box 46, Folder 13
The media
1985, 1991, 1994
Scope and Content Note
Epcot Center Guide Book, article "The Moving Image" in Daedalus journal, Contemporary Arts Press
Distribution Catalog, portfolio on Time Warner Inc, and clippings.
Box 46, Folder 14
Racism and media
undated
Scope and Content Note
Pamphlet "The Struggle for Civil Rights: A Photographic Journey."
Box 46, Folder 15
Civil liberties
2003-2004
Scope and Content Note
E-mail correspondence and clippings.
Box 46, Folder 16
Starr Report
undated
Scope and Content Note
Mailing from Public Citizen "Did Kenneth Starr Go Too Far?"
Box 46, Folder 17
September 11
2001-2003
Scope and Content Note
E-mail correspondence, reflections by Boime "Can There be Art History after the Trade Towers?"
correspondence from Columbia University, publications from War Resistors League and College Art Association regarding the
World Trade Towers, and transcript of an Arundhati Roy reading at the Lensic Performing Arts Center.
Box 46, Folder 18
9/11
2001
Scope and Content Note
E-mail correspondence and newsletters.
Box 46, Folder 19
Post 9/11
2001
Scope and Content Note
E-mail from Saloni Mathur regarding Arundhati Roy publication and articles regarding falling woman statuary.
Box 46, Folder 20
Rosenberg/McCarthy
undated
Scope and Content Note
Exhibition/film proposal "Unknown Secrets: Art and the Rosenberg Era."
Box 46, Folder 21
Nader
2003
Scope and Content Note
Comic, mailings, and informational material regarding Ralph Nader's campaign for US president.
Box 46, Folder 22
Social injustice
2002
Scope and Content Note
Clippings and e-mail correspondence.
Box 47, Folder 1
Chicano East Los Angeles
1994
Scope and Content Note
Clippings on Chicano art movement, several student papers on Chicano art and murals with particular
attention to East Los Angeles, and notes.
Box 47, Folder 2
Chicano
1980-1993
Scope and Content Note
UCLA correspondence, notes, and flyers regarding support/maintaining Chicano/a Studies department.
Other materials include photocopied articles on Chicano art (many authored by Shifra M. Goldman), bibliography of Mexican
art,
and exhibition book from "The Chicano Codices: Encountering Art of the Americas" at The Mexican Museum.
Box 47, Folder 3
Latin American art
2003
Scope and Content Note
Notes, and program for play "The General and the Archbishop."
Box 47, Folder 4
South American nationalism
1987, 1993, 1997
Scope and Content Note
Clippings, paper by Ericka Kim Verba entitled "The Common Women of Santiago, 1880-1920: Images and
Realities," paper by Ingrid E. Fey entitled "The Latin America of Paris: Argentines in France, 1860-1940," and paper by Gerardo
Mosquera entitled "On Art, Politics and Millennium in Latin America."
Box 47, Folder 5
Mexico
1995, 1997
Scope and Content Note
Syllabi and course materials for Art History 110H/254 on Modern Mexican Art/Latin American Art of the 20th
Century. Folder also includes correspondence, catalog "Arte Mexicano: Imagenes en el Siglo del SIDA," student paper by
Sarah Vyden entitled "Frida Kahlo: Interior Reality vs. Exterior Mythology," student paper by Biz Lopez entitled "Televisa:
The
Control and Production of Culture," and dissertation proposal by Biz Lopez entitled "A Study of Contemporary Art in Mexico."
Box 47, Folder 6
Central America
undated
Scope and Content Note
Photocopied article on The Shining Path.
Box 47, Folder 7
Cuba
undated
Scope and Content Note
Photocopy of chapter on Aesthetics and Foreign Policy.
Box 47, Folder 8
Immigrant
1997
Scope and Content Note
Dissertation progress report for student Amy Galland.
Box 47, Folder 9
Native American
1996
Scope and Content Note
Bibliography and Native American calendar.
Box 47, Folder 10
Multicultural
1992, 2004
Scope and Content Note
Flyers for graduate student symposium, thesis project proposal on multiculturalism from student Cheol-
Woong Sim, notes, and e-mail correspondence with Clare Spark.
Box 47, Folder 11
African American course
1995
Scope and Content Note
Copy of syllabus for Introduction to African and African-American art.
Box 47, Folder 12
Black art
1982, 1986, 1992, 2005
Scope and Content Note
Notes, brochure from Museum of African American Art, bibliography, paper "A History of Haitian Society and
Art" by Mary Tureaud, paper on Harlem Renaissance and African-American Assimilation by Lucinda H. Gedeon, and museum
exhibition brochures (featured artists include Richard Wyatt and Romare Bearden).
Box 47, Folder 13
African American
1977, 1990, 2004
Scope and Content Note
Photocopies of articles regarding African American art, copy of "Chapter III: The Harlem Renaissance 1920-
1933" (likely composed by colleague at Arizona State University), thesis "Protest Symbolism" by Ms. J. McGee, clippings, and
notes.
Box 48, Folder 1
African American II
1995-2002
Scope and Content Note
Publication "Black History and the Class Struggle No. 7: Black Soldiers Fight for Freedom", copy of
"Chapter VI: The Modern Movement for Civil Rights and the Patronage of Black American Artists 1954-1976" (authorship
unclear), comics, correspondence, photocopies, brochures for various African American art exhibitions, (featured artists include
Ernie Barnes, Romare Bearden, Faith Ringgold, Horace Pippin, and Kara Walker), and fellowship proposal and plans for Paul
Von Blum.
Box 48, Folder 2
African American III
1994-1995, 1999, 2002
Scope and Content Note
Papers by colleagues and students on African American art (topics include black male images, paintings of
Robert Colescott, work of Charles White, contemporary art historical theory, and Henry Ossawa Tanner). Other materials include
museum exhibition brochures (artists featured include Romare Bearden, Harlem Renaissance artists, and Paul Robeson) and
photocopies of articles about African American art and leadership.
Box 48, Folder 3
African American IV
1982
Scope and Content Note
Papers by colleagues and students on African American art (topics include Harlem Renaissance and African
American assimilation), bibliography of African American art, notes, and museum exhibition brochures (topics include clay
art,
Benny Andrews, black church, South African photography, and 20th century African American works).
Box 48, Folder 4
Blacks and Jews
1987, 2000
Scope and Content Note
Copies of Jewish Currents magazine from 1967 and 1987, e-mail correspondence, and copy of article "Black
Demagogues and Pseudo-Scholars" by Henry Louis Gates Jr.
Box 48, Folder 5
Black male New York
ca. 1994
Scope and Content Note
Paper and exhibition brochures on art work and representations of black masculinity.
Box 48, Folder 6
Japanese American
1989-1990, 2001
Scope and Content Note
Clippings, student paper "My Arizona: Isamu Noguchi and the Incarceration of Japanese-Americans During
World War II" by Amy Lyford of Boston University, and e-mail correspondence.
Box 48, Folder 7
Chinese American
ca. 1995-1996
Scope and Content Note
Copies of essays by Paul Von Blum and Anthony Lee regarding Chinese Americans.
Box 48, Folder 8
Diaspora issues
1995-1996
Scope and Content Note
Exhibition Outline from Neery Melkonian for "Between Heaven and Hell: Contemporary Art from the Middle
Eastern Diaspora" and notes.
Box 48, Folder 9
University of Washington workshop
1991
Scope and Content Note
Notes, annotated photocopies, flyers, correspondence regarding Boime's "Race, Gender and Class"
workshop at the University of Washington, and project descriptions from students in the class that Boime visited at U of W.
Box 48, Folder 10
Stereotypes
1991-1992
Scope and Content Note
Bibliography and outline for paper on cartoons and stereotypical representations of Irish immigrants, paper
on unusual physical features, and outline and bibliography for "Issues of Ethnicity, Representation, and Gender in Nineteenth
Century American Popular Art" by Stacy Kamehiro.
Box 49, Folder 1
Art History 202: Ethnographic Studies of Art
ca. 1990
Scope and Content Note
Book outline/proposal for "Form and Function of Bidjogo Shrine Sculpture" (authorship unclear), "Aesthetics
and Semiotics: New Visions and New Voices" conference materials, and Art History 202 syllabus.
Box 49, Folder 2
Feminism II
1992
Scope and Content Note
Women's Studies pamphlet, paper "Masculinity in Crisis" by Amy Kesselhaut, Dictionary of Women Artists,
correspondence, and copy of UCLArt Interview (possibly with Lucy R. Lippard).
Box 49, Folder 3
Modernism and Feminism
1992
Scope and Content Note
Syllabus and readings for course "Women and Art in Contemporary United States" led by Sondra Hale.
Folder also includes articles.
Box 49, Folder 4
Gay and lesbian
1992
Scope and Content Note
Correspondence and publication "Studies in Homosexuality" featuring anthology of scholarly articles.
Box 49, Folder 5
Gay and racial
ca. 1999
Scope and Content Note
Notes, article "Homoeroticism and the Quest for Originality in Girodet's Revolt at Cairo (1810)," and foldout
poster for exhibition "Sex, Lies, and Stereotypes: Posters on Sexism and Homophobia" by the Center for the Study of Political
Graphics.
Box 49, Folder 6
Trompe L'Oeil painting
1989
Scope and Content Note
Exhibition brochure for "Yani: The Brush of Innocence" by the Smithsonian Institution, papers on Trompe
L'Oeil painting by David Lubin for several conferences, and pages from unidentified drafts (topics include Winckelmann).
Box 49, Folder 7
Miscellaneous social issues
1989
Scope and Content Note
Notes, brochure on "The Papers of African American Artists," correspondence, invoices, photocopies, and
Washington DC maps.
Box 49, Folder 8
AIDS
1989
Scope and Content Note
Publication regarding The Names Project AIDS Memorial Quilt in Washington DC, catalog for exhibition
"Images & Words: Artists Respond to AIDS," and draft of "The AIDS Memorial Quilt: Mourning, Activism, and the Politics of
Sentimentality" by Richard Iosty.
Box 49, Folder 9
Angels from the Vatican
1997
Scope and Content Note
Exhibition packet for Angels from the Vatican exhibit at the Hammer Museum (sponsored by the Chrysler
Corporation).
Box 49, Folder 10
Islam
ca. 1991
Scope and Content Note
Flyers, newsletters, and political publications.
Box 49, Folder 11
Islam
1998
Scope and Content Note
Saudi Arabia brochures, pamphlet "A Parent's Guide to Religion in the Public Schools," and resource
manual from Parent Education Outreach "Islamic Awareness Conference."
Box 49, Folder 12
Religion
ca. 1998
Scope and Content Note
Photocopied article on Afrocuban rites and rituals in Cuba and paper by Jacques Derrida "Avowing--The
Impossible: 'Returns,' Repentance and Reconciliation."
Box 49, Folder 13
Southwest crypto-Jews
undated
Scope and Content Note
Photocopied article "The Secret Legacy of Christopher Columbus in the Southwest."
Box 49, Folder 14
Jews and Israel (1 of 2)
1996-1998, 2000
Scope and Content Note
Articles, working paper from SUNY Stony brook by Richard Williams on "Stereotype Research: A
Sociological Analysis (1918-1970)," typed memoir of Holocaust survivor, clippings, notes, copies of papers on Jewish identity,
conference programs, and e-mail correspondence (general theme of perspectives on Israeli-Palestinian conflict).
Box 50, Folder 1
Jews and Israel (2 of 2)
1996-1998, 2000
Scope and Content Note
Articles, working paper from SUNY Stony brook by Richard Williams on "Stereotype Research: A
Sociological Analysis (1918-1970)," typed memoir of Holocaust survivor, clippings, notes, copies of papers on Jewish identity,
conference programs, and e-mail correspondence (general theme of perspectives on Israeli-Palestinian conflict).
Box 50, Folder 2
Transnational
undated
Scope and Content Note
Paper by George Baker "Response to Okwui Enwezor, 'Mega-Exhibitions and the Antinomies of a
Transnational Global Form.'"
Box 50, Folder 3
India
ca. 1994-1995
Scope and Content Note
Exhibition brochure for LACMA exhibition on Jain Art from India and project description by Debashish Banerji
"Locating Abanindranath Tagore: Local, National and Transnational Concerns in a Turn-of-the-Century Indian Artist."
Box 50, Folder 4
Iraq
2003
Scope and Content Note
Clippings and issue of magazine "Nonviolent Activist" from March-April 2003. All items are related to U.S.
intervention in Iraq.
Box 50, Folder 5
Gulf War
1991
Scope and Content Note
Program from day of alternative education on Gulf War, clippings, and flyers.
Box 50, Folder 6
Vietnam
undated
Scope and Content Note
Publication "Lessons of the Vietnam War."
Box 50, Folder 7
Bosnia, etc.
1996
Scope and Content Note
Paper "The New Apartheid" by Omer Ale Suleimanagich and issue of The Washington Spectator from June
15, 1996.
Box 50, Folder 8
The Sixties
undated
Scope and Content Note
Note and paper by Claudia Mesch entitled "Marcuse and the End of the '60s"
Box 50, Folder 9
Social history
ca. 1989
Scope and Content Note
Notes, correspondence, article photocopy, and draft of talk regarding homelessness.
Academies
1968-1998
Scope and Content Note
Boime's research on art academies and academic painting, likely for his publication "Towards a Theory of
the Academy," among others. The subseries includes several drafts and papers for an anthology that Boime compiled on the
Academy. Other materials include correspondence with specific academies, informational materials about their programs, and
notes. This subseries is arranged topically beginning with drafts and general academy research, and ending with research on
specific academies.
Box 139, Folder 5
Vrije Academie
ca. 1970
Scope and Content Note
Mailings from Vrije Academie in the Hague. Materials in Dutch.
Box 139, Folder 6
Loose materials
1980-1982
Scope and Content Note
Small notebook, maps, and New York Drawing Association brochures.
Box 139, Folder 7
Loose materials
1960-1972
Scope and Content Note
Correspondence, mailings from art academies, and notes. Folder also includes small blue book: Art as a
Function of Government (possibly an exam or lecture notes), information regarding the Royal Swedish Academy, syllabus from
Durban, University of Canterbury course material and student work samples, and Warburg Institute booklet. Some materials in
German and Dutch.
Box 50, Folder 10
Academy papers
1983-1984
Scope and Content Note
Notes and correspondence. Folder also includes a copy of draft by Clark V. Poling "Kandinsky's Analytical
Drawing Class at the Bauhaus," draft by Bruce Laughton "The Slade School: An Anti-Academic Academy," draft by Karen-edis
Barzman "Institutionalizing Albertian Principles of Education," draft by Judith Testa "A Graduate of the 'Ghent-Bruges School':
Simon Bening's Acquisition and Uses of Traditional Compositions," and draft of "Towards a Theory of the Academy."
Box 50, Folder 11
Academy papers
undated
Scope and Content Note
Drafts of papers and table of contents for anthology on the Academy.
Box 50, Folder 12
Academy - essay #1
undated
Scope and Content Note
Notes and pages from draft of "Towards a Theory of the Academy."
Box 50, Folder 13
Royal Academy - draft
undated
Scope and Content Note
Miscellaneous pages from draft on Royal Academy.
Box 50, Folder 14
Academy - draft
undated
Scope and Content Note
Draft of "Towards a Theory of the Academy."
Box 51, Folder 1
Chapter IV: Pedagogical Reform
undated
Scope and Content Note
Draft of "Pedagogical Reform" with some edits.
Box 51, Folder 2
Reforms of 1863
undated
Scope and Content Note
Draft of "The Reforms of 1863."
Box 51, Folder 3
1863 additions
undated
Scope and Content Note
Notes and photocopies. Some materials in French.
Box 51, Folder 4
Prix de Rome
undated
Scope and Content Note
Paper with subheading "The Minor Competitions."
Box 51, Folder 5
Prix de Rome
undated
Scope and Content Note
Notes and photocopies. Some materials in French.
Box 51, Folder 6
Oil sketches
undated
Scope and Content Note
Notes and draft of "Political Signification and Ambiguity in the Oil Sketch" with edits. Folder also includes a
photo of Boime.
Box 51, Folder 7
Oil sketches
ca. 1998
Scope and Content Note
Several drafts of "Political Signification and Ambiguity in the Oil Sketch" with some edits.
Box 51, Folder 8
Academy notes and drafts (1 of 5)
undated
Scope and Content Note
Notes, drafts, and unidentified publications relating to Boime's work on Academies.
Box 51, Folder 9
Academy notes and drafts (2 of 5)
undated
Scope and Content Note
Notes, drafts, and unidentified publications relating to Boime's work on Academies.
Box 51, Folder 10
Academy notes and drafts (3 of 5)
undated
Scope and Content Note
Notes, drafts, and unidentified publications relating to Boime's work on Academies.
Box 52, Folder 1
Academy notes and drafts (4 of 5)
undated
Scope and Content Note
Notes, drafts, and unidentified publications relating to Boime's work on Academies.
Box 52, Folder 2
Academy notes and drafts (5 of 5)
undated
Scope and Content Note
Notes, drafts, and unidentified publications relating to Boime's work on Academies.
Box 52, Folder 3
Academy anthology (1 of 3)
ca. 1974
Scope and Content Note
Drafts of chapters for an anthology about the Academy and art. Folder includes correspondence from the
publisher and lecture notes. Authors include LeGrace Benson, Peg Weiss, Alessandra Comini, Dorathea K Beard, Jack Cowart,
Alfonz Lengyel, Aidron Duckworth, Henri Dorra, Manuela Hoelterhoff, Eric Cameron, and Carl Goldstein.
Box 52, Folder 4
Academy anthology (2 of 3)
ca. 1974
Scope and Content Note
Drafts of chapters for an anthology about the Academy and art. Folder includes correspondence from the
publisher and lecture notes. Authors include LeGrace Benson, Peg Weiss, Alessandra Comini, Dorathea K Beard, Jack Cowart,
Alfonz Lengyel, Aidron Duckworth, Henri Dorra, Manuela Hoelterhoff, Eric Cameron, and Carl Goldstein.
Box 52, Folder 5
Academy anthology (3 of 3)
ca. 1974
Scope and Content Note
Drafts of chapters for an anthology about the Academy and art. Folder includes correspondence from the
publisher and lecture notes. Authors include LeGrace Benson, Peg Weiss, Alessandra Comini, Dorathea K Beard, Jack Cowart,
Alfonz Lengyel, Aidron Duckworth, Henri Dorra, Manuela Hoelterhoff, Eric Cameron, and Carl Goldstein.
Box 52, Folder 6
Drafts of academy papers
undated
Scope and Content Note
Draft of paper entitled "Official Art: Crystallization and History, The Typical Official Career (Beginning), The
Concepts of 'Official' and 'Academic.'"
Box 53, Folder 1
Academies
1970
Scope and Content Note
Correspondence from art academies around the world including Université Laval (Quebec), Royal College of
Art, Academie van Beeldende Kunsten Rotterdam, école Supérieure des Beaux-Arts d'Athénes, Jan Van Eyck Academie,
Accademia di Belle Arti - Firenze, Banaras Hindu University, College for Advanced Technical Education, école Nationale des
Beaux-Arts de Dijon, College of Chinese Culture, Instituto Statale D'Arte Di Bologna, and School of Arts Trivandrum. Some
materials in Italian and French.
Box 53, Folder 2
Academies
bulk 1978, 1973-1975
Scope and Content Note
Notes, photocopies, correspondence (correspondents include Alastair Granville-Jackson), Italian and
Spanish pamphlets about art academies, and draft "Academies of Art." Some materials in French.
Box 53, Folder 3
Academies
1970s-1980s
Scope and Content Note
Correspondence, notes, articles, bibliography of Academy of San Carlos, draft of "History without Roots: The
Birth and Early Growth of American Art Institutions" by Carrie Rebora, and photographic negatives. Some materials in Italian.
Box 53, Folder 4
Academies
bulk 1979, 1993
Scope and Content Note
Correspondence from American Academy in Rome, notes, copy of "To Copy to Create: The Louvre's
Bicentennial" by Wayne Andersen, and copy of Art Bulletin, 58, March 1975. Folder also includes a draft of "Towards a Theory
of
the Academy" with some edits and a draft of "Two Documents for the Roman Academy of Saint Luke."
Box 53, Folder 5
Academies
1968-1974, 1982-1983
Scope and Content Note
Correspondence and materials regarding academies and study in the Netherlands, Great Britain, Italy, and
New York. Some materials in German and French.
Box 53, Folder 6
Academies
1970, 1982-1984
Scope and Content Note
Correspondence, notes, and materials from Kyoto College of Fine Arts, Royal Swedish Academy of Fine
Arts, and the New York Drawing Association. Some materials in German.
Box 53, Folder 7
Academies - miscellaneous
1974-1976, 1978
Scope and Content Note
Correspondence (correspondents include William Dubin), illustration lists, drawings, copy of Educational
Statistics of the Republic of China, and academy photographs. Folder also includes copy of paper by Stephanie R. Cassidy
"Reconstructing the Artist: The Rise of the Art Students League of New York, 1875-1920" and a Louvre catalog.
Box 53, Folder 8
Academies - miscellaneous
1974, 1986
Scope and Content Note
Images from Grand Central Art Gallery, photographic negatives and associated slide list of Matisse
drawings, and notes.
Box 54, Folder 1
Academies - miscellaneous
1972-1975, 1994-1996
Scope and Content Note
Articles, photocopies, correspondence, copy of Systemanalyse Akademie München: Verfassungsanalyse,
newsletter, and programs about drawing. Some materials in German.
Box 54, Folder 2
The cultural politics of the art academy
1993
Scope and Content Note
Correspondence and draft of "The Cultural Politics of the Art Academy" (correspondents include Joel Reed).
Box 54, Folder 3
Novack - utopia
undated
Scope and Content Note
Draft of "Art from Nowhere: The Academy in Utopia" with some edits.
Box 54, Folder 4
Novack - academy
2003-2004
Scope and Content Note
Annotated photocopies, notes, correspondence regarding program "Age of Projects: Changing and Improving
the Arts, Literature, and Life during the Long Eighteenth Century, 1660-1820" coordinated by Maximillian Novack, and drafts
of
"Art from Nowhere: The Academy in Utopia" with edits.
Box 54, Folder 5
Academy notes
undated
Scope and Content Note
Photocopies and notes.
Box 54, Folder 6
Academy
1968, 1970
Scope and Content Note
Correspondence, notes, paper by Robin Messick "Aspects of Indian Art Under British Rule," and Art
Academy of Cincinnati history and timeline.
Box 54, Folder 7
Academies: comparison
undated
Scope and Content Note
Draft of "French Academic Training and Art Education in Korea."
Box 54, Folder 8
Seoul National University
1998
Scope and Content Note
Draft of "French Academic Training and Art Education in Korea" with some edits, correspondence, course
materials, and notes.
Box 54, Folder 9
Materials from New York Academy of Art
undated
Scope and Content Note
Articles and papers.
Box 55, Folder 1
New York Drawing Association
1981
Scope and Content Note
Correspondence, photocopies (topics include murals), informational materials for NY Drawing Association
(faculty lists, maps, tuition and course information), and copies of press clippings.
Box 55, Folder 2
Academie Julian Project
1981-1982, 1986
Scope and Content Note
Slides and slide notes on works by Oscar Fehrer, notes, and correspondence with Catherine Fehrer. Folder
also includes draft of "The Academie Julian and the Marketing of Art" and draft of "The Academie Julian: A Successful Enterprise
of the Third Republic."
Box 55, Folder 3
Cincinnati
1973-1974
Scope and Content Note
Correspondence, letter from Cincinnati Art Museum on Art Academy of Cincinnati, student paper by Richard
S. Schneiderman, and 2 student papers by Mel Lader.
Box 55, Folder 4
Cincinnati Academy
undated
Scope and Content Note
Notes and photocopies.
Box 55, Folder 5
English Art Institutes
undated
Scope and Content Note
Notes.
Box 55, Folder 6
Canada Academy
undated
Scope and Content Note
Notes. Some materials in French.
Box 55, Folder 7
Henry Few Smith - Dusseldorf Academy
undated
Scope and Content Note
Photocopies and article "Henry Few Smith, Philadelphia Artist, 1821-1846" by Maurice Browning Cramer
(annotated by Boime). Folder also includes annotated copies of letters from and to Henry.
Box 55, Folder 8
The Ecole at Rome (before 1863)
undated
Scope and Content Note
Draft of paper titled "The Ecole at Rome" (unclear authorship) with corrections throughout.
Box 55, Folder 9
Drawing forum
undated
Scope and Content Note
Notes.
Box 55, Folder 10
Bauhaus
1974
Scope and Content Note
Correspondence and writings by Clark V. Poling on Bauhaus.
Box 55, Folder 11
Sketch miscellaneous
undated
Scope and Content Note
Preface and Introduction to unidentified exhibition (Preface composed by Rudolf Wittkower).
Box 55, Folder 12
Revue Illustree
undated
Scope and Content Note
Notes, correspondence, and photocopies. All materials related to Carl Martinez. Materials in French.
Box 55, Folder 13
Notes
undated
Scope and Content Note
Notes about Royal Academy and sketches.
Freedom of Information Act [FBI Files]
1941-1968, 1988-2003
Scope and Content Note
Materials requested by Boime through the Freedom of Information Act. The subseries includes FBI files on
a variety of artists (most suspected of Communist activities), all requested by Boime. Materials are filed alphabetically
by
artist's last name, with general materials at the end.
Box 55, Folder 14
Charles Henry Alston
1995
Scope and Content Note
FBI Files on Charles Henry Alston requested through the Freedom of Information Act.
Box 55, Folder 15
William Baziotes
1989
Scope and Content Note
FBI files on William Baziotes requested through the Freedom of Information Act.
Box 55, Folder 16
Thomas Hart Benton
1990
Scope and Content Note
FBI files on Thomas Hart Benton requested through the Freedom of Information Act.
Box 55, Folder 17
David Burliuk
1990
Scope and Content Note
FBI files on David Burliuk requested through the Freedom of Information Act.
Box 55, Folder 18
David Burliuk
1991
Scope and Content Note
FBI files on David Burliuk requested through the Freedom of Information Act.
Box 56, Folder 1
Aaron Douglas
1996
Scope and Content Note
FBI Files on Aaron Douglas requested through the Freedom of Information Act.
Box 56, Folder 2
Arshile Gorky, Adolph Gottlieb, and Mark Rothko
1989
Scope and Content Note
FBI Files on Arshile Gorky, Adolph Gottlieb, and Mark Rothko requested through the Freedom of Information
Act.
Box 56, Folder 3
Clement Greenberg
1998-2003
Scope and Content Note
FBI files on Clement Greenberg requested through the Freedom of Information Act and correspondence.
Box 56, Folder 4
Samuel (William) Gropper (1 of 2)
undated
Scope and Content Note
FBI Files on Samuel Gropper (AKA William Gropper) requested through the Freedom of Information Act.
Box 56, Folder 5
Samuel (William) Gropper (2 of 2)
undated
Scope and Content Note
FBI Files on Samuel Gropper (AKA William Gropper) requested through the Freedom of Information Act.
Box 56, Folder 6
William Gropper
1988
Scope and Content Note
FBI files on William Gropper requested through the Freedom of Information Act.
Box 56, Folder 7
Norman Lewis
undated
Scope and Content Note
FBI files on Norman Lewis requested through the Freedom of Information Act.
Box 56, Folder 8
Rockwell Kent (1 of 5)
1949-1968
Scope and Content Note
FBI files on Rockwell Kent requested through the Freedom of Information Act.
Box 57, Folder 1
Rockwell Kent (2 of 5)
1949-1968
Scope and Content Note
FBI files on Rockwell Kent requested through the Freedom of Information Act.
Box 57, Folder 2
Rockwell Kent (3 of 5)
1949-1968
Scope and Content Note
FBI files on Rockwell Kent requested through the Freedom of Information Act.
Box 57, Folder 3
Rockwell Kent (4 of 5)
1949-1968
Scope and Content Note
FBI files on Rockwell Kent requested through the Freedom of Information Act.
Box 57, Folder 4
Rockwell Kent (5 of 5)
1949-1968
Scope and Content Note
FBI files on Rockwell Kent requested through the Freedom of Information Act.
Box 57, Folder 5
Rockwell Kent (1 of 4)
1941-1963
Scope and Content Note
FBI files on Rockwell Kent requested through the Freedom of Information Act.
Box 58, Folder 1
Rockwell Kent (2 of 4)
1941-1963
Scope and Content Note
FBI files on Rockwell Kent requested through the Freedom of Information Act.
Box 58, Folder 2
Rockwell Kent (4 of 4)
1941-1963
Scope and Content Note
FBI files on Rockwell Kent requested through the Freedom of Information Act.
Box 58, Folder 3
Rockwell Kent (3 of 4)
1941-1963
Scope and Content Note
FBI files on Rockwell Kent requested through the Freedom of Information Act.
Box 58, Folder 4
Rockwell Kent and Hale Aspacio Woodruff
1992-1996
Scope and Content Note
FBI files on Hale Aspacio Woodruff and Rockwell Kent requested through the Freedom of Information Act.
Folder also includes correspondence and notes.
Box 58, Folder 5
Yasuo Kuniyoshi
1988
Scope and Content Note
FBI files on Yasuo Kuniyoshi requested through the Freedom of Information Act.
Box 58, Folder 6
Lee Krasner Pollock and Meyer Schapiro
1959-1963, 1997-2000
Scope and Content Note
FBI files on Meyer Schapiro and Lee Krasner Pollock requested through the Freedom of Information Act and
correspondence.
Box 58, Folder 7
Adophe Reinhardt
1990
Scope and Content Note
FBI files on Adolph Reinhardt requested through the Freedom of Information Act.
Box 59, Folder 1
Leo Wilton on Reinhardt
1991
Scope and Content Note
Two drafts of paper by Boime's student Leo Wilton, "The FBI's Misuse of Power: A Case Study on Adolph
Reinhardt", correspondence, and photocopied articles.
Box 59, Folder 2
Boardman Robinson
1989
Scope and Content Note
FBI files on Boardman Robinson requested through the Freedom of Information Act.
Box 59, Folder 3
Harold Rosenburg (1 of 2)
2001
Scope and Content Note
FBI files on Harold Rosenburg requested through the Freedom of Information Act.
Box 59, Folder 4
Harold Rosenburg (2 of 2)
2001
Scope and Content Note
FBI files on Harold Rosenburg requested through the Freedom of Information Act.
Box 59, Folder 5
Ben Shahn
1990
Scope and Content Note
FBI Files on Ben Shahn requested through the Freedom of Information Act.
Box 59, Folder 6
Moses Soyer
1990
Scope and Content Note
FBI Files on Moses Soyer requested through the Freedom of Information Act.
Box 59, Folder 7
Raphael Soyer
1990
Scope and Content Note
FBI files on Raphael Soyer requested through the Freedom of Information Act. See box 29 for additional
research on Raphael Soyer.
Box 59, Folder 8
Charles White
1950-1964
Scope and Content Note
FBI files on Charles White requested through the Freedom of Information Act.
Box 60, Folder 1
Richard Wright
1942-1956
Scope and Content Note
FBI files on Richard Wright requested through the Freedom of Information Act.
Box 60, Folder 2
Miscellaneous Freedom of Information Act files (1 of 2)
1984, 1988
Scope and Content Note
Bulk of contents are FBI Files on Philip Evergood with some about Adolph Frederick Reinhardt. All materials
were requested through the Freedom of Information Act.
Box 60, Folder 3
Miscellaneous Freedom of Information Act files (2 of 2)
1984, 1988
Scope and Content Note
Bulk of contents are FBI Files on Philip Evergood with some about Adolph Frederick Reinhardt. All materials
were requested through the Freedom of Information Act.
Box 60, Folder 4
Miscellaneous Freedom of Information Act files
1994
Scope and Content Note
FBI Files on Rockwell Kent, Lee Krasner Pollock, Archibald Motley Jr., Dox Thrash, Louis Nevelson, and
Isabel Bishop.
Box 60, Folder 5
Freedom of Information Act miscellaneous
1991-1994
Scope and Content Note
Correspondence regarding FOIA requested files, file on Rockwell Kent, and photocopied articles.
Box 60, Folder 6
FBI files (1 of 2)
1989
Scope and Content Note
Correspondence with the FBI regarding requested files through the Freedom of Information Act. Files on
Moses Soyer, Raphael Soyer, and David Smith.
Box 60, Folder 7
FBI files (2 of 2)
1989
Scope and Content Note
Correspondence with the FBI regarding requested files through the Freedom of Information Act. Files on
Moses Soyer, Raphael Soyer, and David Smith.
Box 61, Folder 1
FBI files
1987-1992
Scope and Content Note
FBI Files on Adolph Reinhardt, Samuel Gropper (AKA William Gropper), Stuart Davis, Alexander Calder, and
correspondence.
Box 61, Folder 2
FBI/CIA correspondence
bulk 1991, 1994
Scope and Content Note
Correspondence with the CIA and FBI regarding requested artist files through the Freedom of Information
Act.
Box 61, Folder 3
Freedom of Information Act Correspondence
1989
Scope and Content Note
Correspondence with the FBI regarding requested Freedom of Information Act files. Folder also includes
unidentified documents regarding Mark Rothko.
Art Movements
1974-2002
Scope and Content Note
Materials relating to art movements, possibly for Boime's Social History of Modern Art series and other
publications. The general art movements featured in this subseries are modernism, orientalism, neoclassicism, realism,
impressionism, expressionism, Romanticism, symbolism, formalism, and genre painting. The subseries is arranged by art
movement, beginning with the largest volume of material.
Box 139, Folder 8
Primitive
ca. 1989-1990
Scope and Content Note
Notes, pages from miscellaneous drafts (topics include African art, colonialism, Gauguin, Picasso, cubism,
and Georges Braque), exhibition catalogs, and annotated lecture notes from Getty Lectures.
Box 139, Folder 9
Romanticism seminar
1990
Scope and Content Note
Notes, correspondence from Clark Library, and attendance list for Art History 253.
Box 139, Folder 10
Post-Colonialism
1996
Scope and Content Note
"Nonviolent Activist" newsletter, clippings, notes, and photocopies.
Box 61, Folder 4
Modern primitive
1976
Scope and Content Note
Exhibition catalog from "Theater of the Object" at the Alternative Museum, notes, article by Wayne
Andersen "Picasso and the Alien Oilcloth," and Heard Museum Gallery Guide and map.
Box 61, Folder 5
Primitive
1991-1992
Scope and Content Note
Bibliography on physiognomy and phrenology, correspondence, photocopied articles, clippings, notes, PhD
qualifying exam materials for Susan Masuoka, and syllabi for seminar "Primitivism and Art" offered by Cecilia Klein.
Box 61, Folder 6
Cubism - origins
1983, 1993
Scope and Content Note
Lecture "Cubist Critics: Riviere and Metzinger" (authorship unclear), correspondence, and photocopied
articles.
Box 61, Folder 7
Futurists
1996
Scope and Content Note
Photocopied articles, PhD proposal for Alexander Waintrub, student paper "Futurism: The Power of Ideas"
by Douglas Revere, and correspondence. Some materials in Italian.
Box 61, Folder 8
Arte Povera
undated
Scope and Content Note
"Zero to Infinity: Arte Povera 1962-1972": transcribed version of an audio presentation.
Box 61, Folder 9
Social art
1993-1994
Scope and Content Note
Exhibition brochure and book jacket cover.
Box 61, Folder 10
Recycling as art
2000
Scope and Content Note
Clippings, photocopies of articles, and paper by Beth Dungan on "Collecting and Collating: The Stuff of
Everyday Life."
Box 61, Folder 11
Environmentalism
1990
Scope and Content Note
Notes and informational materials for conference "Our Common Future: Healing the Planet."
Box 61, Folder 12
Earth art
1991-1992, 1997
Scope and Content Note
Journal of Urban History pamphlet regarding the Chavez Ravine, clippings, copy of "A Conversation with
Robert Smithson on April 22, 1972," photocopies, and paper by Bruce Kurtz. Folder also includes brochure of reed sculptures
by
Roy Staab, correspondence and paper "Overburden: Art, the Environment, and the Economy in Mining Robert Smithson" by Ron
Graziani, and publication by Wayne Andersen "Restoring Spiral Jetty: What if......?"
Box 61, Folder 13
Modernism
ca. 1995, 2001
Scope and Content Note
Notes, Art History 110C syllabus, correspondence, and copy of "An Excursus Upon Blood and Dirt: Tipsy
Margothians Versus the Moderate Men" (authorship unclear). Other materials include Art History 54 Section notes for week on
Modernisms and copy of PhD examination for Susanne Kelley.
Box 62, Folder 1
Modernism and ideology
1997, 2002
Scope and Content Note
Booklet by Terry Smith on Contemporary Art, pages from untitled draft, photocopies, flyers, notes, e-mail
correspondence, magazine clippings, and papers by Marie Clifford regarding fashion and modernism.
Box 62, Folder 2
Modernism and Cold War
undated
Scope and Content Note
Notes.
Box 62, Folder 3
Modern Chinese realism
ca. 2002
Scope and Content Note
Photocopies.
Box 62, Folder 4
Orientalism
undated
Scope and Content Note
Notes and copies of short papers.
Box 62, Folder 5
Orientalism seminar
2000
Scope and Content Note
Notes, Reserve list for Art History 127x1/253, student outlines, syllabus, student assignments, enrollment
lists, 1 slide from Dahesh Museum, 1 unidentified slide, bibliography, and student papers.
Box 62, Folder 6
Orientalism seminar
2000-2001
Scope and Content Note
Paper "Disorienting Orientalism," Week 9 notes, magazine article "Going Global," photocopies from book
"Colonial Fantasies." Folder also includes dissertation prospectus from Susanne Kelley with edits, bibliographies, and
correspondence and PhD qualifying exams for Susanne Kelley.
Box 62, Folder 7
Orientalism seminar
2000
Scope and Content Note
Notes, annotated photocopies, syllabus for AH 127/253, and reading outline (topics include Homi Bhabha,
Edward Said, and Sardar).
Box 62, Folder 8
Orientalism - week 5
2000
Scope and Content Note
Notes for Week 5 discussion of Orientalism in Art History 127/253.
Box 62, Folder 9
Orientalism lecture
2001
Scope and Content Note
Notes, draft of "Disorienting Orientalism," and galley proof of "Multiple Wives, Multiple Pleasures" by Joan
DelPlato with edits.
Box 62, Folder 10
New Orientalism
2003
Scope and Content Note
Draft of "Disorienting Orientalism" with edits, thesis abstract for Simon Kenrick, and syllabus for course
"Perspectives on September 11."
Box 63, Folder 1
Eugene Delacroix
undated
Scope and Content Note
Notes.
Box 63, Folder 2
Near East - Delacroix
ca. 1980
Scope and Content Note
Draft of prologue and abstract, notes, photocopies, and student paper.
Box 63, Folder 3
Neoclassicism
1979, 1982
Scope and Content Note
Notes (topics include Canova and Angelica Kauffmann) and correspondence.
Box 63, Folder 4
18th century Neoclassicism
undated
Scope and Content Note
Notes on Neoclassicism including topics like Angelica Kauffman, Wedgwood, Batoni, and Albani. Folder
includes copy of Revue de L'Art, photocopies, and brochure "The Treasure Houses of Britain" from National Gallery of Art.
Some
materials in French.
Box 63, Folder 5
Jacques Louis David
1978
Scope and Content Note
Cowboy Artists of America Newsletter, correspondence, and paper by Miriam Levin "La Définition du
Caractère républicain dans l'art français après la Révolution." Some materials in French.
Box 63, Folder 6
Jean-François Marmontel
1978-1979
Scope and Content Note
Edited draft of "Marmontel's Belisaire and the Pre-Revolutionary Radicalism of David" with notes on
Marmontel and Belisaire. Some materials in French.
Box 63, Folder 7
Third Republic
1987
Scope and Content Note
Photocopies of endnotes, notes, and lists of artworks. All materials in French.
Box 63, Folder 8
Realism
1980
Scope and Content Note
Correspondence, photocopies, brochures, notes, and edited pages from paper "Pouring New Realist Wine
from Old Academic Bottles."
Box 64, Folder 1
Realism
1984
Scope and Content Note
Itinerary for 1984 Conference on Corporate Art Collecting, draft of "The Return of the Academic Tradition,"
and conference itinerary for The Artist as Realist: The Academic Tradition. Folder also includes notes, booklet by NY Drawing
Association, and articles.
Box 64, Folder 2
Realism
1974, 1979, 1993
Scope and Content Note
Correspondence, drafts, New York trip itinerary, contact information, and notes (topics include Moses
Soyer).
Box 64, Folder 3
Realism
2000
Scope and Content Note
Correspondence, photocopied articles, notes, and several drafts of "Realism, A Proposal."
Box 64, Folder 4
Miscellaneous research
1974, 1977-1978
Scope and Content Note
Photos, some slides, pages from draft of paper, notes, correspondence, photocopies, copies of interview
material with Audrey Flack, notes regarding Raphael Soyer, and schedule for New York trip.
Box 64, Folder 5
Edouard Manet and Impressionism
1990
Scope and Content Note
Museum brochures, notes, draft of "The Sum of all Substance" with edits, and booklet "Degas and the
Literature of His Time."
Box 64, Folder 6
Impressionism
1976-1986, 1995
Scope and Content Note
Paper by Anne Wagner "Courbet's Landscapes and Their Market," syllabi and course materials for Art
History 253, 110B, and 54, correspondence, program and papers for the UCLA Art History Graduate Student Symposium,
photocopies of impressionist works, untitled draft of a paper, and museum brochures. Some materials in French.
Box 64, Folder 7
Impressionism
bulk 1985, 1981-1984
Scope and Content Note
Notes, correspondence, brochures, and postcards.
Box 64, Folder 8
Impressionism
undated
Scope and Content Note
Lecture notes, photocopies of "His Majesty," and notes (topics include Van Gogh, Gauguin, Japanese
influence, and Seurat).
Box 64, Folder 9
Impressionism paper
1988, 1993
Scope and Content Note
Correspondence with Takano Yoshiaki and paper "The First Two Impressionist Exhibitions and the Salon" by
Setsuko Yoshikawa.
Box 64, Folder 10
Impressionism - permissions
1993-1995
Scope and Content Note
Correspondence and invoices regarding photo permissions for book "Studies in Early Impressionism." Some
materials in French.
Box 64, Folder 11
Expressionism
undated
Scope and Content Note
Notes.
Box 64, Folder 12
German Expressionism
ca. 1993
Scope and Content Note
Copy of dissertation proposal "Max Beckmann: Sex and Politics" by Dagmar Grimm with edits, exhibition
brochures and catalogs, and postcards.
Box 65, Folder 1
Symbolism
1980
Scope and Content Note
Notes and catalog from CSU San Bernardino Exhibition: "Symbolism: Europe and America at the End of the
Nineteenth Century."
Box 65, Folder 2
Romanticism and Colonialism
ca. 1979, 1987
Scope and Content Note
Miscellaneous pages from paper and bibliography, notes, and Shanghai Museum Exhibition Brochure.
Box 65, Folder 3
Cezanne and Formalism in Bloomsbury
undated
Scope and Content Note
Draft of "Chapter V, Cezanne and Formalism in Bloomsbury: The Artists" by Beverly Twitchell. Folder
includes list of plates and photocopies of images.
Box 65, Folder 4
Late 19th century art
ca. 1978
Scope and Content Note
Copy of "Kommunistische Volkszeitung" (Communist People's Daily), photocopied images, and notes
(topics include Jules Breton, Seurat, Pissaro, Gauguin, and Communism).
Box 65, Folder 5
Theory of genre
ca. 1997
Scope and Content Note
Wendy Katz dissertation proposal with edits, Katz bibliography, and Dahesh Museum exhibition catalog.
Box 65, Folder 6
Art Nouveau
undated
Scope and Content Note
Notes.
Macchiaioli
1983-2003
Scope and Content Note
Materials related to Boime's research on the Macchiaioli and Risorgimento, likely for his publication "The
Macchia and the Risorgimento" and an exhibition on the same topic. Filed by subject. Some materials in Italian.
Box 139, Folder 11
Macchiaioli
1988-1990
Scope and Content Note
Notes, reading report on Boime's Macchiaioli text, photocopies, and correspondence.
Box 140, Folder 1
Big Macchiaioli
1983-1985
Scope and Content Note
Clippings, correspondence, photocopies, notes, and copy of NEH application.
Box 140, Folder 2
Macchiaioli research
1985
Scope and Content Note
Booklet: Art in Italy, pages from draft of "Macchia and Risorgimento", notes on Garibaldi, articles, and
annotated photocopies.
Box 140, Folder 3
Bianciforte
1985
Scope and Content Note
Notes and correspondence with Suzanne Bianciforte, photocopies from La Nazione (topics include
Macchiaioli and Ricasoli), map of Rome, and student paper by Pamela Kort "Alessandro Manzoni's The Betrothed and its
Relationship to The Risorgimento."
Box 140, Folder 4
Ricasoli 1861
1984-1986
Scope and Content Note
Annotated photocopies and notes.
Box 140, Folder 5
Gioli
1987
Scope and Content Note
Photocopies regarding Francesco Gioli. Materials in Italian.
Box 140, Folder 6
Macchiaioli additions
1992-1993
Scope and Content Note
Wine labels and Brolio wine book, correspondence, and photocopies.
Box 140, Folder 7
Macchiaioli project
1983-1989
Scope and Content Note
Notes, correspondence, and bound volume about Museum Nazionale del Risorgimento Italiano. Other
materials include photocopies, exhibition funding projections, meeting notes, budget, and copies of miscellaneous exhibition
proposals.
Box 140, Folder 8
Macchiaioli essays
1985-1986
Scope and Content Note
Notes, articles, and photocopies. Materials in Italian.
Box 140, Folder 9
Macchiaioli fifth revision
undated
Scope and Content Note
Notes and photocopies.
Box 65, Folder 7
Italian seminar
1984-1985, 1991
Scope and Content Note
Correspondence, notes, bibliographies, and artist lists for Macchiaioli exhibition. Other materials include
photocopies, Art 253 syllabus (topics include the Risorgimento), student paper, and Asbarez newspaper.
Box 65, Folder 8
Italian ottocento
undated
Scope and Content Note
Notes and miscellaneous pages from draft. Some materials in Italian.
Box 65, Folder 9
Italian academies miscellaneous
undated
Scope and Content Note
Art Quarterly Reprint, photocopies, notes, and bound manuscripts by Giuseppina Allegri Tassoni. Some
materials in Italian.
Box 65, Folder 10
Macchiaioli exhibition
1983-1986
Scope and Content Note
Correspondence, notes, photo, and photocopies. Some materials in Italian.
Box 66, Folder 1
Macchiaioli exhibition
1983-1984
Scope and Content Note
Macchiaioli exhibition information, photocopies, correspondence (with Dario Durbe and Edith Tonelli), and
meeting notes/minutes.
Box 66, Folder 2
Macchiaioli exhibition
1982-1983, bulk 1985-1986
Scope and Content Note
Macchiaioli Press Clipping Packet, correspondence (with Dario Durbe and Edith Tonelli), notes,
photocopies, exhibition list, and NEH grant materials. Some materials in Italian.
Box 66, Folder 3
Macchiaioli exhibition
1985
Scope and Content Note
Italian maps, notes, photocopies, and correspondence (with Edith Tonelli and Dario Durbe) regarding
Macchiaioli exhibition. Some materials in Italian
Box 66, Folder 4
Risorgimento
undated
Scope and Content Note
Notes and essay "Tuscany and the Italian Risorgimento" by Denis Mack Smith.
Box 66, Folder 5
Mezzadria - geography
undated
Scope and Content Note
Notes and photocopies. Materials in Italian.
Box 66, Folder 6
Timeline slides
undated
Scope and Content Note
Macchiaioli timeline slides and slide list.
Box 66, Folder 7
Macchiaioli additions
1998
Scope and Content Note
Notes, correspondence, and photocopies. Some materials in German.
Box 66, Folder 8
Tuscan life
1986
Scope and Content Note
Notes and correspondence.
Box 66, Folder 9
Big Macchiaioli
1988, 2001
Scope and Content Note
Several reader's reports on "The Art of the Macchia and the Risorgimento," correspondence, photocopies,
and untitled draft of paper on Battle of Volturno and Il Risorgimento. Some materials in Italian.
Box 66, Folder 10
More Macchiaioli
1983, 1985
Scope and Content Note
Fellowship application materials, draft of paper "The Macchiaioli: Art and Culture of the Risorgimento", and
correspondence.
Box 66, Folder 11
Macchiaioli miscellaneous
1985
Scope and Content Note
Catalogue entries, correspondence, and exhibition packets.
Box 67, Folder 1
Macchiaioli fan mail
1995-1997
Scope and Content Note
Correspondence and catalog.
Box 67, Folder 2
Macchiaioli source
ca. 1985
Scope and Content Note
Notes, annotated photocopies, map of Firenze, Italy, and two copies of paper "The Macchiaioli: Art and
History." Some materials in Italian.
Box 67, Folder 3
Macchiaioli illustrations
undated
Scope and Content Note
Illustration list.
Box 67, Folder 4
Macchiaioli photos
1988
Scope and Content Note
Correspondence and image lists for Macchiaioli manuscript.
Box 67, Folder 5
Garibaldi and Gioli research
1987-1988
Scope and Content Note
Correspondence regarding Gioli appraisal, notes (topics include Garibaldi), and annotated photocopies.
Box 67, Folder 6
Macchiaioli redux
2003
Scope and Content Note
Library printouts with citations and other research materials.
Box 67, Folder 7
Macchiaioli correspondence
bulk 1990-1993, 1983-1988
Scope and Content Note
4x5 transparencies and photos, correspondence with publishers and others regarding "The Art of the
Macchia and the Risorgimento," receipts/invoices, and copy of index for Macchiaioli book. Some materials in Italian.
Box 67, Folder 8
Macchiaioli permissions
bulk 1991-1992, 1985-1988
Scope and Content Note
Correspondence regarding photo permissions for Boime's Macchiaioli volume, figure captions, illustration list,
photos, and 4x5 transparencies. Some materials in Italian.
Box 67, Folder 9
Macchiaioli Staple paper
1984
Scope and Content Note
Paper "The Macchiaioli: Sources - Political and Artistic" by Lilian Staple.
Box 67, Folder 10
Preface - Intro, etc.
1987
Scope and Content Note
Article outline, report on Boime's article, notes, photocopies, and Risorgimento bibliography. Materials in
Italian.
Box 67, Folder 11
Draft: Macchiaioli
undated
Scope and Content Note
Draft: "I Macchiaioli ed il Risorgimento." All materials in Italian.
Vincent Van Gogh
1973-1999
Scope and Content Note
Materials related to Boime's research on the artist Vincent Van Gogh. A significant portion of material
corresponds to astronomical phenomena. This body of work is likely related to Boime's argument that Van Gogh's painting
"Starry Night" reflected actual astronomical events rather than the imaginary musings of a madman. The subseries also
includes comparative research on Van Gogh and Thomas Nast for several publications. Materials include correspondence and
information from the Voyager company about an educational Van Gogh CD-ROM for which Boime was a consultant. The
subseries is filed by subject.
Box 141, Folder 1
Astronomia
1987
Scope and Content Note
Correspondence and astronomical diagrams supplied to Boime by Astronomia. Materials in Italian.
Box 141, Folder 2
Zemel - Van Gogh
1983
Scope and Content Note
Notes and astronomical calculations, copies of publications by Carol Zemel including some about Van
Gogh, photocopies of images, Zemel curriculum vitae, and copy of Request for Art Council Faculty Grant. Some materials in
French.
Box 141, Folder 3
Van Gogh/Nast article
undated
Scope and Content Note
Notes and draft of Van Gogh / Nast article: "Van Gogh, Thomas Nast and the Social Role of the Artist" with
edits. Folder also includes annotated photocopies, notes, and correspondence (correspondents include Joseph Mascheck).
Box 141, Folder 4
Thomas Nast notes
bulk 1995, 1973
Scope and Content Note
Notes, photocopies, and correspondence regarding Nast article (correspondents include Richard West, Dr.
V.W. Van Gogh and John Addler at Harper's Weekly). Folder also includes Van Gogh Conference materials, annotated
photocopies from Harper's Weekly, and Nast cartoons.
Box 67, Folder 12
Van Gogh
1994
Scope and Content Note
Notes, photocopies, and correspondence for June 22, 1994 lecture at Van Gogh Museum.
Box 67, Folder 13
Vincent
undated
Scope and Content Note
Notes (topics include artworks like The Potato Eaters).
Box 67, Folder 14
Vincent Van Gogh
1985
Scope and Content Note
Copy of lecture for a symposium.
Box 68, Folder 1
Van Gogh
1998
Scope and Content Note
Correspondence, notes, photocopied articles, and drafts of "Van Gogh's Mountains, Saint-Remy" with edits
by Boime and others. Folder originally titled Van Googie.
Box 68, Folder 2
NASA
undated
Scope and Content Note
Packet of brochures and educational materials on solar system and Mars Pathfinder.
Box 68, Folder 3
Astronomy II
bulk 1998, 2002
Scope and Content Note
Correspondence regarding INSAP conference and draft of "Art History Written in the Stars."
Box 68, Folder 4
INSAP II conference
1998
Scope and Content Note
Conference information for Second Conference on the Inspiration of Astronomical Phenomena (INSAP II),
map of Malta and Gozo, itinerary, building diagrams, and list of conference attendees. Other materials include notes, copy
of
conference paper "Van Gogh's Starry, Starry Night", correspondence regarding the conference, business cards, and brochures
on Malta.
Box 68, Folder 5
Starry Night - pop and ads
1995-1997
Scope and Content Note
Popular images of Van Gogh's Starry, Starry Night (cards, stickers, and labels).
Box 68, Folder 6
Van Gogh
undated
Scope and Content Note
Draft of "Van Gogh's Starry, Starry Skies" and Van Gogh exhibition brochures.
Box 68, Folder 7
Van Gogh (1 of 2)
1983-1986
Scope and Content Note
Copy of "Boime's Out of Academia Experience", correspondence (with Jan Hulsker), sky calendar and
astronomical maps, and notes on Flammarion. Other materials include a paper by Lawrence Ruiz "Scientific Influences in Early
Modern Art, 1850-1936", 4x5 transparencies, slide request forms, annotated photocopies, astronomical photographs, catalog
from International Symposium on Vincent Van Gogh in Tokyo, and copy of Van Gogh bulletin. Some materials in French.
Box 68, Folder 8
Van Gogh (2 of 2)
1983-1986
Scope and Content Note
Copy of "Boime's Out of Academia Experience", correspondence (with Jan Hulsker), sky calendar and
astronomical maps, and notes on Flammarion. Other materials include a paper by Lawrence Ruiz "Scientific Influences in Early
Modern Art, 1850-1936", 4x5 transparencies, slide request forms, annotated photocopies, astronomical photographs, catalog
from International Symposium on Vincent Van Gogh in Tokyo, and copy of Van Gogh bulletin. Some materials in French.
Box 68, Folder 9
Van Gogh
bulk 1989-1992, 1984, 1987
Scope and Content Note
Miscellaneous pages from untitled draft, photo reprints, Getty Museum list of Munch holdings and exhibition
information, notes on astronomy and Van Gogh, and correspondence (correspondents include Jan Hulsker, Antoinette King, the
Voyager Company, and Tetravision Productions). Other materials include 4x5 transparencies, packet from Van Gogh 100:
Centenary Conference at Hogstra University, drafts of papers by colleagues, draft of review for Jan Hulsker's "Vincent and
Theo:
A Tale of Two Brothers", and materials about the Hubble Telescope.
Box 68, Folder 10
Van Gogh
1994, 2000
Scope and Content Note
Correspondence, photocopies of articles about Van Gogh, and notes.
Box 69, Folder 1
Van Gogh catalog
undated
Scope and Content Note
Bergmans & Brouwer Vincent Van Gogh catalog and transparency.
Box 69, Folder 2
Van Gogh miscellaneous
undated
Scope and Content Note
Outlines and notes regarding Van Gogh and Starry, Starry Night.
Box 69, Folder 3
Starry Night lecture
1994
Scope and Content Note
Lecture notes and conference/symposium outline. Folder originally titled Vini, Vidi, Vici.
Box 69, Folder 4
Van Gogh lecture
1992
Scope and Content Note
Letter, drafts of "Van Gogh's Starry night: A History of Matter, and a Matter of History" and "Van Gogh's
Starry, Starry Skies" with edits.
Box 69, Folder 5
Van Gogh
ca. 1990
Scope and Content Note
Notes, annotated photocopies, and correspondence regarding Van Gogh 100 conference at Hofstra
University.
Box 69, Folder 6
Van Gogh
1987, 1993
Scope and Content Note
Correspondence with Jan Hulsker, draft of "Theo et son frère Vincent" with edits, Van Gogh timeline, and
bound volume on Van Gogh by Connie Homburg. Some materials in French and German.
Box 69, Folder 7
Van Gogh
1985
Scope and Content Note
Correspondence, notes, miscellaneous pages from Van Gogh draft, and passport photo of Boime. Some
materials in French.
Box 69, Folder 8
Van Gogh review
1985
Scope and Content Note
Correspondence regarding Van Gogh publications and notes. Some materials in French.
Box 69, Folder 9
Van Gogh and Holland (1 of 2)
1983-1985
Scope and Content Note
Drafts of "Van Gogh's Starry Night: A History of Matter and a Matter of History" with edits, correspondence
(correspondents include G. Anna Van Gogh, Carl Sagan, Jan Hulsker, and William Rubin), pages from untitled draft, obituary
for
George O. Abell, notes, photocopies, and brochure for Van Gogh symposium. Some materials in French.
Box 69, Folder 10
Van Gogh and Holland (2 of 2)
1983-1985
Scope and Content Note
Drafts of "Van Gogh's Starry Night: A History of Matter and a Matter of History" with edits, correspondence
(correspondents include G. Anna Van Gogh, Carl Sagan, Jan Hulsker, and William Rubin), pages from untitled draft, obituary
for
George O. Abell, notes, photocopies, and brochure for Van Gogh symposium. Some materials in French.
Box 69, Folder 11
Meijer de Haan
undated
Scope and Content Note
Copy of paper "Meijer de Haan."
Box 69, Folder 12
Student paper
1999
Scope and Content Note
Copy of paper for Art History 253 by Natasha Medvedev.
Box 69, Folder 13
Miscellaneous drafts
undated
Scope and Content Note
Catalog of works by David Gilmour Blythe, abstract by Allan Sekula, and draft of paper on Mexican art with
edits. Topics include photography and Clement Greenberg.
Box 69, Folder 14
Van Gogh and mental illness
1992
Scope and Content Note
Bound work by Wilfred Niels Arnold "Vincent Van Gogh: Chemicals, Crises, and Creativity."
Box 70, Folder 1
Van Gogh scandal, false works
1997
Scope and Content Note
Photocopies of newspaper articles.
Box 70, Folder 2
Van Gogh Museum
ca. 1995
Scope and Content Note
Exhibition catalog, pages from untitled draft, and photocopies.
Box 70, Folder 3
Film consultation
1982
Scope and Content Note
Correspondence and script for documentary film "Pissarro: At the Heart of Impressionism" for Boime's
review. Folder also includes an exhibition catalog.
Box 70, Folder 4
Van Gogh CD-rom
1994-1995, 1999
Scope and Content Note
Image list, correspondence, lecture notes, notes, Voyager correspondence, photos, script, annotated
photocopies, department meeting minutes, Art History 110B syllabus, and brochures/postcards.
Box 70, Folder 5
Nast and Van Gogh
ca. 1998
Scope and Content Note
Draft of "Vincent van Gogh and Thomas Nast: The Blurring of High and Low Art" and magazine clipping.
Box 70, Folder 6
Nast and Van Gogh
1990
Scope and Content Note
Drafts of two papers: "Vincent van Gogh and Thomas Nast: The Blurring of High and Low Art" and "Millet,
van Gogh, Pissaro, and Seurat." Folder also includes notes, photocopies, a fellowship proposal, and correspondence.
Box 70, Folder 7
Thomas Nast
1972, 1996
Scope and Content Note
Notes and drafts of two articles about Thomas Nast, one published in American Art Journal in 1972
("Thomas Nast and French Art") and the other in Harper's Weekly ca 1996 ("The Interactivity of Thomas Nast and High Art").
Box 70, Folder 8
Harper's Weekly
bulk 1999, 2005
Scope and Content Note
Correspondence regarding Harper's Weekly's holdings of work by Thomas Nast.
Dada and Surrealism
1993-2006
Scope and Content Note
Materials related to a seminar class by Boime on Dada and Surrealism. The subseries is organized by
subject beginning with weekly class materials and ending with general research on Dada and Surrealism.
Box 141, Folder 5
Magritte and Duchamp
undated
Scope and Content Note
Notes, photocopies, clippings, and miscellaneous pages from draft on surrealism.
Box 70, Folder 9
Week 1 intro
1999, 2002
Scope and Content Note
Art History 127/253 reading list, photocopies, notes, and correspondence.
Box 70, Folder 10
Week 2 - general sources
undated
Scope and Content Note
Photocopies for Surrealism seminar.
Box 70, Folder 11
Week 3 - Dada sources (Zurich and Berlin)
undated
Scope and Content Note
Photocopies for Surrealism seminar.
Box 70, Folder 12
Week 4 - Dada sources (New York)
undated
Scope and Content Note
Photocopies for Surrealism seminar.
Box 70, Folder 13
Week 5 - Surrealism sources
undated
Scope and Content Note
Photocopies for Surrealism seminar.
Box 71, Folder 1
Week 6 - Dali
undated
Scope and Content Note
Photocopies for Surrealism seminar.
Box 71, Folder 2
Week 7 - Surrealism and Psychology
undated
Scope and Content Note
Photocopies for Surrealism seminar.
Box 71, Folder 3
Week 8 - Surrealism, Feminism, and Dada
undated
Scope and Content Note
Photocopies for Surrealism seminar.
Box 71, Folder 4
Week 9 - offbeat Surreal texts
undated
Scope and Content Note
Photocopies for Surrealism seminar.
Box 71, Folder 5
Week 10 - Postmodern interpretation
undated
Scope and Content Note
Photocopies for Surrealism seminar.
Box 71, Folder 6
Dada/Surrealism seminar
1998
Scope and Content Note
Correspondence, photocopies, notes, and bibliographies. Some materials in French.
Box 71, Folder 7
Dada/Surrealism seminar
1999
Scope and Content Note
Notes, photocopies, class roster, week 1 course outline with Boime's notes, and Surrealism exhibition
catalog.
Box 71, Folder 8
Dada
1999
Scope and Content Note
Correspondence and bibliography.
Box 71, Folder 9
Dada
2000
Scope and Content Note
Photocopy, notes, clipping, and annotated bibliography by Acacia Warwick.
Box 72, Folder 1
Dada
ca. 1998-1999
Scope and Content Note
Paper on Dada by Rachael Steele, photocopy of article about Marcel Duchamp, and exhibition brochure from
"Joseph Cornell/Marcel Duchamp…in resonance" at the Philadelphia Museum of Art.
Box 72, Folder 2
Dada redux
2000-2002
Scope and Content Note
E-mail correspondence, photocopies of letters from 1914-1915, draft of "Dada's Dark Secret", and notes.
Box 72, Folder 3
Dada - Surrealism
2002, 2006
Scope and Content Note
Notes, photocopies, correspondence, and Hammer Museum Exhibition catalog.
Box 72, Folder 4
Surrealism
1980, 1989, 2002
Scope and Content Note
Notes, photocopies, clippings, pamphlet and related materials from exhibition "The Shadow of Gradiva" at
the Getty Center (artists of interest include Salvador Dali and Max Ernst), and e-mail correspondence.
Box 72, Folder 5
Surrealism and Mexico
2001
Scope and Content Note
Dissertation prospectus for Acacia Warwick: "Prefabricated Desire: Surrealism, Mannequins, and the
Fashioning of Modernity."
Box 72, Folder 6
Waintrub - Surrealism
1993
Scope and Content Note
PhD examination, bibliographies, and papers on surrealism for Alexander Waintrub.
Box 72, Folder 7
Dali - Angelus
undated
Scope and Content Note
Copy of "Salvador Dali: Le Mythe Tragique de l'Angelus de Millet" by Jean-Jacques Pauvert. All materials in
French.
Box 72, Folder 8
Marcel Duchamp
undated
Scope and Content Note
Notes, photocopies, and clippings.
Box 72, Folder 9
Marcel Duchamp
undated
Scope and Content Note
Notes and correspondence. Some materials in French.
Box 72, Folder 10
Leonardo, Freud, and Duchamp
undated
Scope and Content Note
Notes on Leonardo, Freud, and Duchamp. Folder also includes Leonardo Da Vinci catalog from National
Gallery of Art.
Box 72, Folder 11
Rene Magritte
undated
Scope and Content Note
Photocopy of article by Michel Foucault about Rene Magritte. Some materials in French. Folder originally
titled Sir Maggie.
Box 72, Folder 12
Magritte
1997
Scope and Content Note
Catalog of Magritte works by UCLA Hammer Museum.
Comics
1973-2006, bulk 1981-1995
Scope and Content Note
Materials include comic books collected by Boime and general research materials on comic strips,
graphic novels, and animation, possibly for a class on comics. The subseries is filed by type of material beginning with comic
books and ending with research files.
Box 72, Folder 13
Comic books 1
1985, 1992
Scope and Content Note
DC and Marvel comic books including Superman, Swamp Thing, Nomad, Kitty Pryde and Wolverine,
Phoenix, and Spiderman.
Box 73, Folder 1
Comic books 2
1989-1990, 1993, 1995
Scope and Content Note
Assortment of comic books by Eightball, America's Best Comics, and Fantagraphics Books.
Box 73, Folder 2
Comic books 3
1996
Scope and Content Note
Comic book magazines Wizard, Amalgam, and Beautiful Decay.
Box 73, Folder 3
Comic books 4
1984-1986, 1993
Scope and Content Note
DC Comic books featuring Swamp Thing and The Sandman.
Box 73, Folder 4
Comic books 5
1986, 1992-1993
Scope and Content Note
Marvel comic books featuring The Fantastic Four and The Hood comic book by South Central Comics.
Box 73, Folder 5
Comic books 6
1991-1993
Scope and Content Note
DC comic books featuring Sandman character.
Box 73, Folder 6
Comic books 7
1989-1991, 1993, 1995
Scope and Content Note
Eightball comic books by Fantagraphic Books.
Box 73, Folder 7
Comics
undated
Scope and Content Note
Notes.
Box 73, Folder 8
Comics
undated
Scope and Content Note
Comics by Boime and photos.
Box 73, Folder 9
Comics
undated
Scope and Content Note
Comics by Boime.
Box 74, Folder 1
Comic strip
1982, 1987
Scope and Content Note
Photocopies, correspondence, notes, clippings, and comic strip books.
Box 74, Folder 2
Comic strip II
ca. 1981
Scope and Content Note
Clippings and proposal by Jeremy Kay for a comic book course.
Box 74, Folder 3
Comics miscellaneous
1981, 1988, 1993, 2003
Scope and Content Note
Photocopies, comic magazines, articles, clippings, correspondence, 4x5 transparencies, and copies of
images.
Box 74, Folder 4
Comic book seminar
1992, 2000, 2006
Scope and Content Note
Photocopies, clippings, and correspondence.
Box 74, Folder 5
Comic book seminar
1973-1976, 1993-2003
Scope and Content Note
Clippings, notes, and articles.
Box 74, Folder 6
Art History 127 - comics
1997
Scope and Content Note
Clippings, notes, and student writings.
Box 75, Folder 1
Melodrama
1991-1998
Scope and Content Note
Copies of "From Hell" (melodrama in 16 parts) including Volumes 1-3, 6-7, and 11.
Box 75, Folder 2
Graphic novel seminar
2005-2006
Scope and Content Note
Hammer Museum Winter 2005-2006 Calendar of events/exhibitions, printouts on history of DC Comics, and
comics.
Box 75, Folder 3
Animation
1979-1982
Scope and Content Note
Clippings.
Box 75, Folder 4
Feiffer
undated
Scope and Content Note
Notes and slide.
Box 75, Folder 5
Cartoons
undated
Scope and Content Note
Photo prints of cartoons, application for leave of absence, and notes.
Corporate Art
1980-2006
Scope and Content Note
Boime's research on corporations and corporate art collections, including brochures and catalogs about
specific collections. The subseries is filed by topic.
Box 141, Folder 6
Corporate art
1982, 1984
Scope and Content Note
Brochures and correspondence regarding corporate art collecting (especially in Houston, Texas),
photocopies, and notes.
Box 75, Folder 6
Corporate art
1982
Scope and Content Note
Prospectus for Art History 125 class on corporate art collecting and brochures regarding Cedars Sinai
Medical Center.
Box 75, Folder 7
Corporate art (1 of 2)
1990, 1994
Scope and Content Note
Photocopies, booklets regarding Atlantic Richfield Foundation and its art patronage, reports and pamphlets
regarding corporate art, and Art History 253 syllabi.
Box 75, Folder 8
Corporate art (2 of 2)
1990, 1994
Scope and Content Note
Photocopies, booklets regarding Atlantic Richfield Foundation and its art patronage, reports and pamphlets
regarding corporate art, and Art History 253 syllabi.
Box 75, Folder 9
Corporate art
ca. 1982
Scope and Content Note
Fine Art Services Incorporated program information and photocopies of articles regarding corporate art
collecting.
Box 75, Folder 10
Corporate art
ca. 1994
Scope and Content Note
Photocopies, class roster, notes, clippings, and flyer and bibliography for Boime's seminar on censorship.
Box 76, Folder 1
Art 253 Recasting
bulk 1993-1994, 2001
Scope and Content Note
Photocopies, articles, clippings, notes, and correspondence.
Box 76, Folder 2
Corporate
ca. 1991
Scope and Content Note
Transparency, photocopy of corporate art holdings by corporation, and clippings.
Box 76, Folder 3
Corporate
1984-1990
Scope and Content Note
Brochures and booklets for items in the CIGNA collection. Folder also includes correspondence and
information about CIGNA Collection.
Box 76, Folder 4
Corporate
1984
Scope and Content Note
Materials from Conference on Corporate Art Collecting, articles, Sotheby's newsletter, booklets, and
brochures.
Box 76, Folder 5
Economics - savings and loans
ca. 1990, 1997, 2003
Scope and Content Note
Clippings.
Box 76, Folder 6
Corporation
1980-1981, 1991-1992, 1998, 2004-2005
Scope and Content Note
Student Papers, correspondence, photocopies and information on Philip Morris and art, clippings, and
newsletters.
Box 76, Folder 7
Philip Morris
1994
Scope and Content Note
Clippings, catalog of art at Philip Morris, and correspondence.
Box 76, Folder 8
Cigarettes
1998, 2002
Scope and Content Note
Clippings and cigarette ads.
Box 76, Folder 9
Enron, Wal-Mart
2002, 2006
Scope and Content Note
Clipping and Issue No. 68 of Co-op America Quarterly.
Box 76, Folder 10
Disney
1997
Scope and Content Note
Internet Articles, essays, and blog posts regarding Disney.
Box 76, Folder 11
Disney parks
ca. 1990
Scope and Content Note
Clippings and articles regarding Disney hotels.
Box 77, Folder 1
Consumerism
1993
Scope and Content Note
Clippings.
Box 77, Folder 2
Houston Art Dealer's Association
undated
Scope and Content Note
Brochures and catalogs for various Houston-based art galleries.
Jewish Art and Anti-Semitism
1988-2003
Scope and Content Note
Materials related to Boime's research on Jewish art, artists, and anti-semitism. Subseries includes
informational materials, drafts, and correspondence for Ken Aptekar's "Too Jewish" exhibition. The subseries is arranged by
topic.
Box 77, Folder 3
"Too Jewish" exhibition
1996
Scope and Content Note
Notes, papers by Eunice Lipton including "The Pastry Shop and the Angel of Death: What's Jewish in Art
History", instructional material, flyers, brochures, and press release for "Too Jewish" exhibition at the Hammer Museum.
Box 77, Folder 4
Aptekar - "Too Jewish"
1997
Scope and Content Note
Correspondence regarding an essay by Boime for the catalog of an exhibition by Ken Aptekar at the
Corcoran Museum of Art (likely the "Too Jewish?" exhibition). Folder also includes multiple drafts of "Aptekar's Family Album"
with edits (essay for catalog), notes, and photos/press releases for exhibition.
Box 77, Folder 5
"Too Jewish" exhibition correspondence
1993-1996
Box 77, Folder 6
Jewish art
1998
Scope and Content Note
Draft of Michael Blacher's paper "Russian Conceptions of Jewish Origins, 1893-1932: An Encyclopedic
Examination" and brochures.
Box 77, Folder 7
Jewish art
1976, 1988, 1994
Scope and Content Note
Correspondence and copy of catalog essay on Sidney Chafetz by Henry Klein. Other materials include
notes, class syllabi, and articles.
Box 77, Folder 8
Jewish art
ca. 1999-2002
Scope and Content Note
Clippings, pamphlets, research project outline by Carol Zemel, correspondence, and photocopied articles.
Box 77, Folder 9
Jewish art in Russia
undated
Scope and Content Note
Photocopies of works by M. Antokolsky.
Box 77, Folder 10
Chasidic art
2000
Scope and Content Note
Notes, photocopies, and correspondence.
Box 77, Folder 11
Jews and avant-garde
ca. 1998
Scope and Content Note
Photocopies, brochures and pamphlets, and papers (likely by students).
Box 78, Folder 1
American Jewish identity
undated
Scope and Content Note
Draft of "Chapter III: From Tragedy to Triumph: Demystifying American Jewish Identity."
Box 78, Folder 2
Jews - USA cinema
bulk 1989-1990, 1997
Scope and Content Note
Jewish Museum brochure/newsletter, images, Jews in American Cinema conference schedule,
correspondence, and student exam.
Box 78, Folder 3
Women - Jews
undated
Scope and Content Note
Notes and annotated photocopies.
Box 78, Folder 4
Kabbalah
2002
Scope and Content Note
Correspondence, notes, and photocopies.
Box 78, Folder 5
Temple
2000-2002
Scope and Content Note
Correspondence, photocopies, notes, syllabus for Art History 127: The Temple Mount, Joshua Schwartz
Curriculum Vitae, course outline, and general timeline of Temple Mount.
Box 78, Folder 6
Yiddish
ca. 1993
Scope and Content Note
Photocopies, notes, and writings "Jews in the Ghetto." Some materials in Hebrew.
Box 78, Folder 7
Maus
1998
Scope and Content Note
Draft of chapter "Der Sturmer and the Stormtroopers", correspondence, library research printouts, notes,
draft of "A Psychoanalytic View of Racial Myths in a Nazi Propaganda Film: Der ewige Jude (The Eternal Jew)" by John J.
Hartman, and photocopies. Topics of materials are generally related to Art Spiegelman's MAUS books.
Box 78, Folder 8
Shica Greenberg
undated
Scope and Content Note
Draft of "Shica Greenberg and Jewish Art" and photographic prints.
Box 78, Folder 9
Anti-Semitism
1998-2000
Scope and Content Note
Photocopies, draft of "Embetements semitiques: Author-Publisher Relations in fin-de-siècle France: The
Case of Gyp and Calmann-Levy," copy of Journal of Jewish Art, History 191F syllabus, clippings, and e-mail correspondence.
Box 79, Folder 1
Anti-Semitism
2002-2003
Scope and Content Note
Photocopies, clippings, and e-mail correspondence.
Box 79, Folder 2
Anti-Semitism chapter
undated
Scope and Content Note
Draft of "Chapter VI: British Modernism, Anti-Materialism, and Anti-Semitism."
Box 79, Folder 3
Art of the Third Reich
1997
Scope and Content Note
UCLA Library Research and dissertation proposal by Sandra Esslinger with edits.
German Art
1978-1992
Scope and Content Note
Boime's research on German art, including topics like Napoleon, Little Boney, and Alfred Rethel. Arranged
by topic.
Box 79, Folder 4
German art
1978
Scope and Content Note
Notes, annotated photocopies (topics include Caspar David Friedrich and German naturalism), and draft of
paper "Caspar David Friedrich: The Monk on the Seashore." Some materials in French and German.
Box 79, Folder 5
German art
bulk 1979, 1988
Scope and Content Note
Photocopies, notes, and correspondence. Most materials in German.
Box 79, Folder 6
Germans
1985
Scope and Content Note
Notes and pages from untitled draft. Materials in German.
Box 79, Folder 7
Germans
1985
Scope and Content Note
Pages from untitled draft, notes, and photocopies.
Box 79, Folder 8
19th century Germany
1985-1986
Scope and Content Note
Notes and photocopies. Some materials in German.
Box 79, Folder 9
Napoleon
1989
Scope and Content Note
Notes and correspondence. Materials in German.
Box 80, Folder 1
Adolphe von Menzel
undated
Scope and Content Note
Notes and untitled draft.
Box 80, Folder 2
Germany, Napoleon, and Romans
1985-1987
Scope and Content Note
Draft of untitled paper with edits, draft of "The Astory of Perth-Amboy," notes, draft of "Enlightenment to
Romantic," and photocopies.
Box 80, Folder 3
Little Boney - 2nd edition
1992
Scope and Content Note
Draft of Prospectus "James Gilray's Little Boney 1803-1805: A Study in the Manipulation of Collective
Attitudes," photocopies of Little Boney caricatures, draft of "Antoine-Jean Gros and the Napoleonic Image" by Ann Friedman,
draft of paper by Peter Klein, and list of Napoleonic laws in Rome. Materials in German.
Box 80, Folder 4
Dusseldorf
1978-1979, 1988
Scope and Content Note
Correspondence, notes, copy of New York Historical Society Quarterly (Volume 58, No. 4), and annotated
photocopies. Some materials in German.
Box 80, Folder 5
Hasenclave Dusseldorf
1978-1979, 1987-1988
Scope and Content Note
Notes, photocopies, and correspondence. Some materials in German
Box 80, Folder 6
Durkheim
undated
Scope and Content Note
Notes.
Box 80, Folder 7
German prints
1988
Scope and Content Note
Copies of images requested by Boime from the German Information Center.
Box 80, Folder 8
Miscellaneous research
1978-1979
Scope and Content Note
Notes, photocopies, and correspondence. Topics of contents include Rethel, Dusseldorf, Hasenclaver, and
German Romantic Painting.
Box 81, Folder 1
Alfred Rethel
1990
Scope and Content Note
Correspondence and draft of "Alfred Rethel's Counterrevolutionary Death Dance."
Box 81, Folder 2
Alfred Rethel
undated
Scope and Content Note
Notes and annotated photocopies. Some materials in German.
Box 81, Folder 3
Alfred Rethel's Counterrevolutionary Death Dance
undated
Scope and Content Note
Draft of "Alfred Rethel's Counterrevolutionary Death Dance" by Boime with some edits.
The French Commune
1990-2000
Scope and Content Note
Materials related to Boime's research on the French Commune, likely for his book "Art and the French
Commune." Arranged topically.
Box 142, Folder 1
Commune
1973, 2000
Scope and Content Note
Slides, 4x5 transparencies, draft of "The Commune and the Impressionists" with edits, photocopies of card
catalog index cards, and newspaper clipping.
Box 81, Folder 4
Art and the French Commune
undated
Scope and Content Note
Photocopies of pages from "Art and the French Commune" with edits and notes.
Box 81, Folder 5
French Commune
1995-1996
Scope and Content Note
Correspondence, photocopies, notes, and proof pages from "Art and the French Commune" with edits.
Some materials in French.
Box 81, Folder 6
Commune
1993
Scope and Content Note
Notes, photocopies, and correspondence. Some materials in Italian and French.
Box 81, Folder 7
Commune
1990s
Scope and Content Note
Copy of Paris Observer from 1971, photocopies, copies of images, 4x5 images, clippings, and notes.
Box 81, Folder 8
Commune - Olin
undated
Scope and Content Note
Notes, draft of "AAA-OLW-Paris Commune" with edits, and photocopies.
Box 82, Folder 1
Commune additions
1994
Scope and Content Note
Notes, draft of introduction for volume, photocopies, proof of French Commune volume, and 4x5
transparencies. Some materials in French.
Box 82, Folder 2
SUNY - Commune
1990, 1993
Scope and Content Note
Photocopies, copies of images, notes, clippings, student paper, correspondence, images, and 4x5
transparencies. Some materials in French.
Box 82, Folder 3
The Commune and 1848
undated
Scope and Content Note
Notes.
Box 82, Folder 4
Illustrations
1993-1994
Scope and Content Note
Copies of photographs from the French Commune, illustration list, correspondence, 4x5 transparency, and
notes.
Box 82, Folder 5
French Commune proof
1996
Scope and Content Note
Correspondence and proof of "Art and the French Commune" from Princeton University Press.
Box 82, Folder 6
Reader's reports
1994
Scope and Content Note
Notes, correspondence, and reader's reports for "Art and the French Commune."
Box 82, Folder 7
Princeton University correspondence
bulk 1994-1996, 1991
Landscape
1988-1997
Scope and Content Note
Materials related to Boime's research on landscape painting, likely for one of his publications. The
subseries also includes research on Walt Whitman and his relationship to landscape. Materials are filed by topic.
Box 142, Folder 2
The new American landscape
ca. 1988-1990
Scope and Content Note
Notes, annotated photocopies, papers, and reprint request letters.
Box 142, Folder 3
Landscape photos
ca. 1988
Scope and Content Note
Photos, correspondence, notes, and annotated photocopies.
Box 142, Folder 4
Landscape notes
undated
Scope and Content Note
Photocopies and notes.
Box 142, Folder 5
Walt Whitman notes
undated
Scope and Content Note
Notes on American Renaissance, Gustave Courbet, and Walt Whitman. Folder also includes a Whitman
bibliography.
Box 82, Folder 8
Landscape
undated
Scope and Content Note
Photocopies of slide labels by landscape artists, notes, and project description for proposed exhibition.
Box 82, Folder 9
Landscape project
1976, 1979
Scope and Content Note
Photocopies of "Der Mond" article, student paper, notes (topics include the moon and lunar society), class
syllabus, correspondence, and call slips. Some materials in German.
Box 83, Folder 1
Landscape project part II
undated
Scope and Content Note
Notes and photocopies. Folder also includes draft of "The Moon and Sixpence: Lunar Madness in the 19th
Century Painting." Some materials in German.
Box 83, Folder 2
American landscape
ca. 2000
Scope and Content Note
Notes, exhibition summary, and proposal from John Ott (Ph.D. candidate) for research.
Box 83, Folder 3
American landscape
ca. 1988
Scope and Content Note
Notes and student paper.
Box 83, Folder 4
Landscape illustrations
ca. 1980
Scope and Content Note
Photos, notes, photocopies, and correspondence.
Box 83, Folder 5
Landscape additions
ca. 1990-1991
Scope and Content Note
Notes, photocopies, prospectus of book by Alan Wallach, annotated photocopies (topics include Thomas
Cole), correspondence , and photo reproduction documents.
Box 83, Folder 6
Landscape permissions
1990-1991
Scope and Content Note
Correspondence regarding photo permissions and draft of book summary.
Box 83, Folder 7
Landscape contract and correspondence
1989-1990
Scope and Content Note
Correspondence and publishing contract for "Manifest Destiny and the Magisterial Gaze in 19th Century
American Landscape Painting."
Box 83, Folder 8
Constable - Turner (English painting)
undated
Scope and Content Note
Notes.
Box 83, Folder 9
Walt Whitman
1989
Scope and Content Note
Notes and draft of "Leaves of Grass and Real Allegory: A Case Study of International Rebellion." Some
materials in French.
Box 83, Folder 10
Walt Whitman
1988
Scope and Content Note
Notes, photocopies, correspondence, and draft "Chapter Three: New England Transcendentalism and New
York Rowdyism: Corot, Courbet, and the Search for the Poetic Style."
Box 83, Folder 11
Draft
1989
Scope and Content Note
Correspondence and draft of article titled "Leaves of Grass and Real Allegory: A Case Study of International
Rebellion."
Box 83, Folder 12
West as America reviews
ca. 1991, 1997
Scope and Content Note
Notes, photocopies of articles, proposal, brochure, and student research project proposal.
Box 83, Folder 13
Lecture
undated
Scope and Content Note
Notes.
Box 83, Folder 14
Survey
undated
Scope and Content Note
Notes.
Box 83, Folder 15
Crazies
undated
Scope and Content Note
Notes.
Box 83, Folder 16
Expeditions
undated
Scope and Content Note
Notes regarding various expeditions including the Washburn Expedition and Fremont Expedition.
July Monarchy
1981-2008
Scope and Content Note
The subseries is filed by subject as general July Monarchy, 1848 topics, and 1830 topics.
Box 142, Folder 6
July Monarchy
1991
Scope and Content Note
Photocopies, notes, and miscellaneous pages from paper on Delacroix and Ingres. Some materials in
French.
Box 83, Folder 17
July Monarchy
undated
Scope and Content Note
Drafts of articles and chapters, annotated photocopies, and notes. Folder also includes draft of "Chapter IV:
The Counter-Revolution of the July monarchy: An Umbrella Organization (1830-1848)" and 2 other July Monarchy Papers.
Box 84, Folder 1
July Monarchy
1990
Scope and Content Note
Notes, photocopies of book, and correspondence regarding Boime's attendance at symposium about July
Monarchy. Some materials in French.
Box 84, Folder 2
July Monarchy
ca. 1993
Scope and Content Note
Dissertation proposal from Dennis Sexsmith and dissertation abstract from Barbara Ann Day.
Box 84, Folder 3
July Monarchy Press
undated
Scope and Content Note
Notes. Some materials in French.
Box 84, Folder 4
Germany 1848
undated
Scope and Content Note
Articles, notes (topics include Romanticism and Friedrich), draft of paper "Social identity and Political
Authority in the response of Two Prussian Painters to the Revolution of 1848." Some materials in German. See box 42 for
additional research on this topic.
Box 84, Folder 5
1848 - Germany
undated
Scope and Content Note
Draft of "Left, Right, and Center: The Response of Three Prussian Painters to the Revolution of 1848." See
box 42 for additional research on this topic.
Box 84, Folder 6
Contest 1848
1968
Scope and Content Note
Notes, correspondence, copies of images, photocopies, and draft of "The Second Republic's Contest for the
Figure of the Republic" with edits. Some materials in French. See box 42 for additional research on this topic.
Box 84, Folder 7
New 1848
ca. 1989
Scope and Content Note
Draft of "Social Identity and Political Authority in the Response of Two Prussian painters to the Revolution of
1848" and correspondence. See box 42 for additional research on this topic.
Box 84, Folder 8
Beidermeier
undated
Scope and Content Note
Notes, map of Copenhagen, and photocopies. Some materials in German.
Box 84, Folder 9
Beidermeier 1848
2000
Scope and Content Note
Correspondence, article, and color photocopy of image from Jewish Museum. See box 42 for additional
research on this topic.
Box 84, Folder 10
Last chapter 1830-1848
ca. 1985
Scope and Content Note
Drafts, notes, photocopies, correspondence, and bibliographies (topics include Juste Milieu, 1848, Realism,
and Ingres). See box 42 for additional research on this topic.
Box 85, Folder 1
Contests 1830
undated
Scope and Content Note
Pages from draft on Contests, notes, and annotated photocopies.
Box 85, Folder 2
1830 Contest
1981-1983
Scope and Content Note
Notes, photocopies, correspondence, and drafts of "The Quasi-Open competitions of the Quasi-Legitimate
July Monarchy" with edits. Some materials in French.
Box 85, Folder 3
1830 miscellaneous
ca. 2008
Scope and Content Note
Call slips, notes, photos, and correspondence regarding appraisal of Couture painting.
Box 85, Folder 5
Opera comique
undated
Scope and Content Note
Contract and notes. Materials in French.
Graduate School Research
bulk 1960-1970, 1979-1988
Scope and Content Note
Materials corresponding to research conducted by Boime during his graduate studies and early academic
career. The subseries is arranged by subject.
Box 142, Folder 7
Archivo Academia Di Belle Arti
undated
Scope and Content Note
Annotated photocopies. Materials in Italian.
Box 142, Folder 8
Conference paper
ca. 1979
Scope and Content Note
Correspondence, proof sheet, notes, and draft of paper given at a Latin American Studies Assoc conference
in Pittsburgh (1979) entitled "The Effects of the Social Sciences on Pre-Columbian Art History."
Box 143, Folder 1
Notes
1987-1988
Scope and Content Note
Notes, correspondence, and drafts. Some materials in French.
Box 85, Folder 6
Georg Sauter
1968
Scope and Content Note
Notes and draft on Georg Sauter and his "Bridal Morning" including correspondence with his wife Ralda
Sauter.
Box 85, Folder 7
Notes (1 of 2)
ca. 1960
Scope and Content Note
Notes on range of topics including Puvis de Chavannes, Van Gogh, academies, abstract art, and notes from
French archives. Materials were likely collected as reference for Boime's dissertation. Other materials include brochures
for art
schools and academies.
Box 85, Folder 8
Notes (2 of 2)
ca. 1960
Scope and Content Note
Notes on range of topics including Puvis de Chavannes, Van Gogh, academies, abstract art, and notes from
French archives. Materials were likely collected as reference for Boime's dissertation. Other materials include brochures
for art
schools and academies.
Box 86, Folder 1
Comics
1968
Scope and Content Note
Correspondence, notes, photocopies, clippings, draft of "The Comic Stripped and Ash Canned", copies of
images, and draft of "Thomas Nast and French Art."
Box 86, Folder 2
Comic papers
undated
Scope and Content Note
Papers by Boime on comics and art including "Roy Lichtenstein and the Comic Strip" and "Pop Art and the
Comic Strip." Folder also includes draft of "Charles Bouleau and the Painter's Geometry" with edits.
Box 86, Folder 3
References and notes
undated
Scope and Content Note
Drawing books. Materials in French.
Box 86, Folder 4
Proposal, bibliography, etc.
1960s-1970s
Scope and Content Note
Copies of "The Pragmatist in Art" newsletter, draft of "Official and Academic Art" with edits, and Boime's
PhD Thesis Proposal "Sketch and Copy: French Official Painting 1840-1900."
Box 86, Folder 5
Baroque notes
ca. 1960
Scope and Content Note
Notes on Bernini and Baroque art.
Box 86, Folder 6
Modern art notes
ca. 1969-1970
Scope and Content Note
Notes (topics include Futurism, Duchamp, Michelangelo, David, sculpture, and Parthenon), Sistine Chapel
pamphlet, and copy of Futurist Manifesto.
Box 86, Folder 7
Open forum
1969-1970
Scope and Content Note
Radical American Studies newsletter, SUNY Stony Brook newsletter, drafts of resolutions for the College Art
Association, meeting minutes, and correspondence.
Box 86, Folder 8
Notes
undated
Scope and Content Note
Notes, photocopies, and clippings. Some materials in French.
Box 86, Folder 9
Brueghel
ca. 1969
Scope and Content Note
Notes regarding Brueghel.
Box 86, Folder 10
El Greco, Brueghel, and Rembrandt
1970
Scope and Content Note
Correspondence and notes.
Box 87, Folder 1
Scythian
undated
Scope and Content Note
Bibliography and notes.
Box 87, Folder 2
Research notes
ca. 1965
Scope and Content Note
Notebooks. Materials in French.
Box 87, Folder 3
November 13, 1863
undated
Scope and Content Note
Notes.
Box 87, Folder 4
Exhibitions and musee des copies
ca. 1965
Scope and Content Note
Newsletter "Les Expositions," exhibition catalog on Wilde's Salome, and annotated copies. Some materials
in French.
Box 87, Folder 5
Stony brook and photos
undated
Scope and Content Note
Photos of artwork and memo regarding Stony brook's Legal Defense Fund.
Box 87, Folder 6
Reforms
1969-1970
Scope and Content Note
Memos from SUNY Stony Brook regarding Independent Study Courses and newsletter from The New Art
Association.
Box 87, Folder 7
Salons
undated
Scope and Content Note
Draft of "Studies of the Monkey by Seurat and Pisanello."
Assorted 18th and 19th Century Research
1968-2008
Scope and Content Note
Boime's research on 18th and 19th century topics, which are not easily attributable to a specific project or
publication. The subseries is filed by topic.
Box 87, Folder 8
1750s miscellaneous
undated
Scope and Content Note
Notes and brochure on the history of the Washington Monument.
Box 87, Folder 9
Joe Wright of Derby
ca. 1994
Scope and Content Note
Copy of Comford Mill News and drafts of lecture on Joseph Wright of Derby.
Box 87, Folder 10
Industrial Revolution
1982-1983
Scope and Content Note
Correspondence, notes, and photocopied articles (topics include Fuseli and Blake).
Box 87, Folder 11
Auction catalogs - 19th century miscellaneous
undated
Scope and Content Note
Selected pages from auction catalogs featuring images and descriptions of 19th century European artworks.
Box 87, Folder 12
Miscellaneous reference materials
1992, 1995, 2008
Scope and Content Note
Correspondence, photocopies, writings by Seymour Howard, and Broome County Historical Society
Newsletter.
Box 87, Folder 13
French documents
undated
Scope and Content Note
Letters and clippings collected by Jean-Jacques Pick (member of Salon d'Automne). Materials date between
1917-1927.
Box 87, Folder 14
Arts and crafts
2007
Scope and Content Note
Student paper and power point about the Arts and Crafts movement.
Box 87, Folder 15
19th-20th century papers
1974-1982, 1993, 2003- 2007
Scope and Content Note
Correspondence and copy of paper "Gericault in the Hands of the New Conservatives." Folder includes other
student papers.
Box 87, Folder 16
Religious tolerance
1992, 2005
Scope and Content Note
Correspondence regarding one of Boime's essays, notes, and outline regarding the religious right and
tolerance.
Box 87, Folder 17
1851 and beyond
2000
Scope and Content Note
Clippings, Guggenheim Museum magazine, and photocopies.
Box 87, Folder 18
History painting novels
undated
Scope and Content Note
Notes and 4x5 transparency. Some materials in Italian.
Box 88, Folder 1
Modern history notes
1985
Scope and Content Note
Correspondence, notes, photocopies, and course materials for History 126D. Some materials in Italian.
Box 88, Folder 2
Chapter IV
1977
Scope and Content Note
Letter from Barbara R. Walters and draft of her work "Chapter XII: The Elective Affinity Between Impressionist
Art and the Dreyfusards."
Box 88, Folder 3
Miscellaneous 19th century
1968
Scope and Content Note
Article on realism in art, notes, manuscript on "The Heade Show at the Whitney" with edits, and paper
"Corot at Wildenstein's."
Box 88, Folder 4
Psychology and art
ca. 1970
Scope and Content Note
Notes, pages from untitled draft, student paper, and memos.
Box 88, Folder 5
Bibliographies
undated
Scope and Content Note
Bibliographies with notes by Boime (topics include Meyer Schapiro, 19th century, classicism, and
Romanticism).
Box 88, Folder 6
Realists
1974-1976
Scope and Content Note
Draft of "Realism and Social Reality" and "An Introduction to the Art of John Koch" by Richard
Schneiderman, articles, notes, Simon Dinnerstein Exhibition catalog, budget and proposal paperwork for unidentified grant,
and
correspondence with Sidney Tillim.
Box 88, Folder 7
Romantic
undated
Scope and Content Note
Notes (topics include Blake, Courbet, and David).
Box 88, Folder 8
Reading lists
undated
Scope and Content Note
Reading lists on John Stuart Curry, Grant Wood, and Thomas Hart Benton.
Box 88, Folder 9
Barbash
1973
Scope and Content Note
Letter from Steve Barbash and drafts of letter to Murry (last name not included).
Box 88, Folder 10
Seder
2003
Scope and Content Note
Notes, announcement from Hillel Jewish Student Center, and draft of "The Wicked Child of Certainty."
Box 88, Folder 11
Ed Bell
1990-1999
Scope and Content Note
Writings and journal entries by Edward Bell. Folder includes note to Boime from Bell.
Box 88, Folder 12
Fane project
1982
Scope and Content Note
Exhibition catalog, correspondence, notes, photocopy of article in Arts Magazine by Fane, Fane exhibition
list, and exhibition proposal.
Box 88, Folder 13
Maurer article
1982
Scope and Content Note
Correspondence, draft of article on Alfred Maurer with photocopied images and 1 slide, and Maurer
illustration list by Nick Madormo.
Box 88, Folder 14
Colonialism - slavery
1984, 1993
Scope and Content Note
NEH grant application materials for Richard Williams, notes, drafts, student paper, class syllabi, and
dissertation for Joan DelPlato.
Box 89, Folder 1
Baron Gudin
undated
Scope and Content Note
Notes and photocopies.
Box 89, Folder 3
Notes
undated
Scope and Content Note
Notes on nihilism, Nietzsche, photos, and syllabus for Art 167I.
Francisco Goya
1994-2003
Scope and Content Note
Materials relating to Boime's research on Francisco Goya, likely for several publications on the artist.
Folder also includes correspondence and drafts of lectures about Goya and his work. Folders are arranged topically.
Box 89, Folder 5
Goya's light
ca. 2003
Scope and Content Note
Clippings, notes, and pages from unidentified draft with edits.
Box 89, Folder 6
Goya's light
1997
Scope and Content Note
Correspondence, travel details, notes, and photocopied articles about lamps.
Box 89, Folder 7
Goya publication
undated
Scope and Content Note
Copy of "Goya's Deadly Light and the Enlightenment" and galley proof in Spanish of same publication.
Box 89, Folder 8
Museo del Prado and Goya's light
1996
Scope and Content Note
Correspondence, curriculum vitae, abstract, and lecture "Negotiations in Electric Light" from Daves Rossell.
Other materials include articles and notes related to research on Spain, correspondence, informational material and research
on
Museo Del Prado, and copy of "Goya's Deadly Light and the Enlightenment." Some materials in Spanish.
Box 89, Folder 9
Goya lecture
2001
Scope and Content Note
E-mail correspondence, notes, and outline of points for lecture on Goya in Spain.
Box 89, Folder 10
Goya
1997
Scope and Content Note
Pages from unidentified draft, correspondence, and draft of "Goya's Deadly Light and the Enlightenment"
Box 89, Folder 11
Goya's junta
ca. 1994
Scope and Content Note
Copy of "Darkness at Noon: Goya's Junta de Filipinas" and flyer for environmental conference.
Box 89, Folder 12
Goya's junta
undated
Scope and Content Note
Draft of "Darkness at Noon: Goya's Junta de Filipinas" for Alejandro Lee Chan.
Box 89, Folder 13
Goya
2000
Scope and Content Note
Notes, correspondence, draft of "Darkness at Morningtide: Goya's Junta de Filipinas", and 7x9.5
transparency.
Box 89, Folder 14
Goya
1999-2001
Scope and Content Note
Correspondence, photos of unidentified artworks, slides, photocopies, invoices, notes, and draft of
"Darkness at Noon: Goya's Junta de Filipinas."
Box 90, Folder 1
Goya
2000
Scope and Content Note
Correspondence, invoices, and notes.
Box 90, Folder 2
Goya
undated
Scope and Content Note
Notes, page from lecture in relation to Museo del Prado, and outline with general points about Goya and his
work.
Box 90, Folder 3
Goya
undated
Scope and Content Note
Notes.
Box 90, Folder 4
Blake and Goya
undated
Scope and Content Note
Notes.
William Holman Hunt
1997-2003
Scope and Content Note
Boime's research on William Holman Hunt, likely for his publication "William Holman Hunt's The
Scapegoat: Rite of Forgiveness/Transference of Blame." The subseries is arranged by type of material beginning with drafts
and ending with research files.
Box 90, Folder 5
William Holman Hunt
undated
Scope and Content Note
Draft of "William Holman Hunt's The Scapegoat: Rite of Forgiveness/Transference of Blame" with edits.
Box 90, Folder 6
William Holman Hunt
1998-2003
Scope and Content Note
Invoices and receipts, photocopies, e-mail correspondence, and copy of "William Holman Hunt's The
Scapegoat: Rite of Forgiveness/Transference of Blame."
Box 90, Folder 7
William Holman Hunt
1998, 2001
Scope and Content Note
Photocopies, notes, draft of "William Holman Hunt's The Scapegoat: Rite of Forgiveness/Transference of
Blame," and galley proof of article.
Box 90, Folder 8
Holman Hunt (1 of 2)
ca. 1998
Scope and Content Note
Several drafts of "William Holman Hunt's The Scapegoat: Rite of Forgiveness/Transference of Blame" with
edits and 3 final copies. Folder also includes a conference invitation.
Box 90, Folder 9
Holman Hunt (2 of 2)
ca. 1998
Scope and Content Note
Several drafts of "William Holman Hunt's The Scapegoat: Rite of Forgiveness/Transference of Blame" with
edits and 3 final copies. Folder also includes a conference invitation.
Box 90, Folder 10
Spolsky Hunt
2001
Scope and Content Note
E-mail correspondence from Ellen Spolsky regarding William Holman Hunt and copy of paper by Spolsky
"Introduction: Iconotropism, or Turning Toward Pictures."
Box 91, Folder 1
Scapegoat
1997-1998, 2001
Scope and Content Note
Correspondence (correspondents include Ellen Spolsky), abstracts from Iconotropism conference sponsored
by Bar-Ilan University, photocopies, and research materials related to William Holman Hunt. Some materials in Hebrew.
Box 91, Folder 2
Scapegoat
undated
Scope and Content Note
Draft of William Holman Hunt's The Scapegoat: Rite of Forgiveness/Transference of Blame."
Georges Boulanger Seurat
bulk 1988, 1982-2001
Scope and Content Note
Materials relating to Boime's research on Georges Boulanger Seurat, likely for a publication. The subseries
is filed by topic.
Box 143, Folder 3
Seurat
1988
Scope and Content Note
Photocopies and studies of French parks, 2 edited drafts of "Georges Seurat's Un Dimanche à La Grande-
Jatte and the Scientific Approach to History Painting," and correspondence. Some materials in French.
Box 143, Folder 4
The Utopians
1988
Scope and Content Note
Notes, photocopy, and letter from France.
Box 91, Folder 3
Seurat draft
undated
Scope and Content Note
Draft of "Georges Seurat's Un Dimanche a La Grande-Jatte and the Scientific Approach to History Painting."
Box 91, Folder 4
La Grande Jatte
undated
Scope and Content Note
Photocopy of article by Boime "Georges Seurat's Un Dimanche a la Grande-Jatte and the Scientific
Approach to History Painting." Folder also includes notes and several maps and city plans.
Box 91, Folder 5
La Grande Jatte proper
1982, 1989-1990
Scope and Content Note
Draft of "Seurat and La Grande Jatte" by Meyer Schapiro, notes, miscellaneous pages from Seurat drafts,
draft of "Seurat and the Dissolution of the Grande Jatte" by Robert Kirsch, and copy of "Seurat and the Evolution of La Grande
Jatte" by Daniel Catton Rich.
Box 91, Folder 6
General Boulanger Seurat
1999-2001
Scope and Content Note
Correspondence, photocopies, notes, and copy of paper with publication agreement "Seurat's La parade de
Cirque as Political Allegory." Some materials in French.
Box 91, Folder 7
Seurat - bio
undated
Scope and Content Note
Handwritten notes, slide of Eiffel Tower, and brochure regarding Alexander Calder.
Box 91, Folder 8
Parks
1988
Scope and Content Note
Notes, correspondence, and untitled paper by Florence M. Baker.
Box 91, Folder 9
Work and Sunday
1982
Scope and Content Note
Notes.
Box 91, Folder 10
David Sutter
undated
Scope and Content Note
Notes and copies of "Excursus on David Sutter."
Box 91, Folder 11
Science
undated
Scope and Content Note
Notes and photocopies (topics include Seurat and Science). Some materials in French.
Box 92, Folder 1
Anarchism and science
undated
Scope and Content Note
Notes and photocopy of article "Anarchism, Geography and Science."
Box 92, Folder 2
Anarchism
undated
Scope and Content Note
Notes and photocopies, including article "The Politics of Aesthetic Harmony: Neo-Impressionism, Science,
and Anarchism" by Robyn S. Roslak.
Box 92, Folder 3
Individual characters
1988
Scope and Content Note
Notes. Some materials in French.
Box 92, Folder 4
Critics
undated
Scope and Content Note
Notes and photocopies.
Box 92, Folder 5
Monkey business
undated
Scope and Content Note
Draft of "The Monkeys of Seurat and Pisanello" with edits.
Jan Stussy
1992-1995
Scope and Content Note
Boime's research on Jan Stussy for his book "The Odyssey of Jan Stussy in Black and White." Filed by
type of material.
Box 92, Folder 6
Stussy manuscript
1994
Scope and Content Note
Manuscript copy of "The Odyssey of Jan Stussy in Black and White."
Box 92, Folder 7
Stussy publication
ca. 1995
Scope and Content Note
Notice regarding Stussy publication and mailing list.
Box 92, Folder 8
Jan Stussy book
1993-1994
Scope and Content Note
Correspondence and proposal for Stussy essay.
Box 92, Folder 9
Stussy library
undated
Scope and Content Note
Notes and photocopies of various articles.
Box 92, Folder 10
Stussy acknowledgments
1993
Scope and Content Note
Copy of agreement between Boime and Stussy Foundation to write a manuscript on Stussy's life and work.
Box 92, Folder 11
Stussy miscellaneous
bulk 1993, 1995
Scope and Content Note
Correspondence regarding Boime's Stussy publication, exhibition catalog of work by Ronald Gonzalez,
notes, draft of "Basis for an Inclusive Aesthetics" by Stanton Macdonald Wright, note cards with outline of Stussy studies,
photocopies, catalog of artworks by Elliot Elgart, and catalogs of Stussy artworks.
Box 92, Folder 12
Interviews
1992-1993
Scope and Content Note
Notes from interviews.
Box 92, Folder 13
Audio tapes
1979
Scope and Content Note
Notes.
Box 92, Folder 14
Clinton Adams
1992-1993
Scope and Content Note
Correspondence with Clinton Adams regarding Jan Stussy, writings on Jan Stussy, and publication of
paintings and watercolors by Clinton Adams.
Jacques-Louis David
1982-1993
Scope and Content Note
Materials correspond to Boime's research on Jacques-Louis David, possibly for a publication. Research
topics include the relationship between David and freemasonry and the role of satire and caricature in his work. The subseries
is filed by topic.
Box 143, Folder 5
David notes
ca. 1989
Scope and Content Note
Notes and photocopies regarding Louvre exhibit "David contre David" in December 1989. Some materials in
French.
Box 143, Folder 6
Caricature
ca. 1988
Scope and Content Note
Notes and accompanying materials in folder regarding exhibit on French caricature.
Box 93, Folder 1
David and revolution
1982
Scope and Content Note
Notes, draft copy of "Male Responses to the political Activism of Women of the People in Paris, 1789-1793"
by Harriet B. Applewhite, correspondence, and annotated photocopies. Some materials in French.
Box 93, Folder 2
Revolutionary
ca. 1989
Scope and Content Note
Notes, photocopies, and drafts of Boime's work regarding David and the French Revolution with edits
("Jacques-Louis David, Scatological Discourse in the French Revolution, and the Art of Caricature").
Box 93, Folder 3
David and Freemasonry
ca. 1989
Scope and Content Note
Notes, photocopies, photos, and draft of paper "David's Oath Themes, and the Relationship of Freemasonry
to his Prerevolutionary and Revolutionary Works".
Box 93, Folder 4
David - freemasons
1989-1990
Scope and Content Note
Notes, correspondence, photo, and bibliography for article about Jacques David and Freemasonry.
Box 93, Folder 5
Photos - David and freemasonry
undated
Scope and Content Note
Photos, photocopies, and 4x5 negatives.
Box 93, Folder 6
Freemasons
undated
Scope and Content Note
Draft of "David's Oath Themes, and the Relationship of Freemasonry to his Prerevolutionary and
Revolutionary Works" with edits and photocopied images (likely for inclusion with paper).
Box 93, Folder 7
Notes
ca. 1989
Scope and Content Note
Notebook, notes, and photocopies (topics include David and freemasons). Some materials in French and
German.
Box 93, Folder 8
David and 18th century satire
1987-1988
Scope and Content Note
Notes, correspondence, articles, prints of 18th century comics/cartoons, and annotated photocopies.
Box 93, Folder 9
David and caricature
1986-1988
Scope and Content Note
Photos, draft of essay "Jacques-Louis David, Scatological Discourse in the French Revolution, and the Art of
Caricature" and draft of preface and acknowledgments. Folder also includes correspondence, notes, draft of "Politics and
Polemics: French Caricature and the French Revolution, 1789-1799" and "David's Caricatures."
Box 93, Folder 10
The new David
ca. 1989-1990
Scope and Content Note
Notes, correspondence, photocopies, and itinerary for David colloquium. Folder originally titled The New J-L
David: Rougher, Tougher, and More Terrific! Some materials in French.
Box 94, Folder 1
David lecture
ca. 1989
Scope and Content Note
Notes, annotated photocopies, correspondence, and draft of lecture on presentation of David paper (topics
include David and freemasonry). Some materials in French.
Box 94, Folder 2
Review article
1988-1989, 1993
Scope and Content Note
Photos, correspondence, notes, and draft of a paper titled "Rousseau's Confessions and the Caricatural
Idea."
Henry O. Tanner
1991-1995
Scope and Content Note
Materials relate to Boime's research on Henry Ossawa Tanner, likely for his publication "Henry Ossawa
Tanner's Subversion of Genre." Filed topically.
Box 94, Folder 3
Tanner notes
1991-1993
Scope and Content Note
Photocopies, correspondence, and notes.
Box 94, Folder 4
Tanner's subversion of genre
1991-1992
Scope and Content Note
Henry Ossawa Tanner exhibition brochure at the De Young Museum, copy of lecture on Tanner, clippings,
notes, photocopies, maps of Philadelphia, and draft of "Henry Ossawa Tanner's Subversion of Genre" with edits.
Box 94, Folder 5
Tanner - AB/OK
undated
Scope and Content Note
Draft of "Henry Ossawa Tanner's Subversion of Genre" with notes and edits.
Box 94, Folder 6
Tanner Photos
1992
Scope and Content Note
Correspondence regarding image permissions, photocopies of works by Tanner with figure numbers, draft of
"Henry Ossawa Turner's Subversion of Genre", and pages from draft "Reconstructing Duncanson" (authorship unclear).
Box 94, Folder 7
Tanner
undated
Scope and Content Note
Draft of "Henry Ossawa Tanner's Subversion of Genre."
Box 94, Folder 8
End of racism
ca. 1995
Scope and Content Note
Notes and photocopies (including review of Boime's Book "The Art of Exclusion").
Edouard Manet
1994-2003
Scope and Content Note
The subseries is filed by topic. For additional research on Manet see box 16.
Box 95, Folder 1
Manet
undated
Scope and Content Note
Notes, photocopies, and images. Some materials in French.
Box 95, Folder 2
Manet
1994
Scope and Content Note
Photocopies, correspondence, and booklet on "Popular Traditions and Learned Culture in France."
Box 95, Folder 3
Manet redux
2002-2003
Scope and Content Note
Research notebook: Delaroche Musee Campana, correspondence, copies of "Manet's Lost Infanta" written
by Boime and Alexander Kossolapov, notes, and copies of images.
Box 95, Folder 4
Manet miscellaneous
undated
Scope and Content Note
Bibliographies and notes.
Box 95, Folder 5
Manet - Bar at the Folies Bergere (1 of 2)
1995
Scope and Content Note
Photocopies, correspondence, images, an paper "Role, Emotion, and Power in Manet: A Sartrean
Examination" by Raymond Barglow. Some materials in French.
Box 95, Folder 6
Manet - Bar at the Folies Bergere (1 of 2)
1995
Scope and Content Note
Photocopies, correspondence, images, an paper "Role, Emotion, and Power in Manet: A Sartrean
Examination" by Raymond Barglow. Some materials in French.
Box 95, Folder 7
Eva Gonzales
1994
Scope and Content Note
Photocopies, notes, correspondence with Woman's Art Journal, and drafts of "A Critique of Eva Gonzales's
Une loge aux Theatre des Italiens by a Founder of the French Feminist Movement."
Theodore Gericault
1988-1998
Scope and Content Note
The subseries is filed by topic.
Box 95, Folder 8
Gericault
ca. 1980, 1988
Scope and Content Note
Correspondence, student paper, and notes.
Box 95, Folder 9
Gericault
ca. 1990
Scope and Content Note
Draft of "Gericault and Georget: Images of Monomaniacs to Service the Alienist's Monomania" and notes.
Box 95, Folder 10
Gericault
undated
Scope and Content Note
Notes.
Box 96, Folder 1
Gericault
1991-1992
Scope and Content Note
Correspondence, La Meduse newsletters (assorted 1996-2000), notes, photocopies, and 4x5
transparencies. Some materials in French.
Box 96, Folder 2
Gericault
bulk 1991, 1998
Scope and Content Note
Exhibition brochures, exhibition packet for "Manet, Monet, and the Gare Saint-Lazare", correspondence, La
Meduse newsletters, and draft of paper "Gericault's African Slave Trade and the Physiognomy of the Oppressed."
Box 96, Folder 3
Gericault
ca. 1991
Scope and Content Note
Miscellaneous pages from untitled draft on Gericault, photocopies, and correspondence.
Box 96, Folder 4
Gericault
ca. 1991
Scope and Content Note
4x5 transparency, correspondence, and brochure about the Castle of the Dukes of Brittany in Nantes.
Box 96, Folder 5
Gericault
undated
Scope and Content Note
Drafts of "Gericault's African Slave Trade and the Physiognomy of the Oppressed" with edits and figures.
Box 96, Folder 6
Gericault
1992
Scope and Content Note
Correspondence, notes, program from Colloque Gericault, and photocopies.
Box 96, Folder 7
Gericault
ca. 1988
Scope and Content Note
Photocopies and notes.
Box 96, Folder 8
Gericault photos
undated
Scope and Content Note
Photocopy of Gericault's Negre Et Negresse.
Box 96, Folder 9
Gericault Louvre
ca. 1991
Scope and Content Note
Notes, photocopies, library research materials (call slips, book holdings, etc.), draft of "Gericault's African
Slave Trade and the Physiognomy of the Oppressed" with edits, wedding invitation, floppy disk, and Louvre exhibition brochure
on Gericault.
Box 96, Folder 10
Madame Cave
undated
Scope and Content Note
Research notebook, manuscript "Constructing a Modern Draftsman: Eugene Delacroix's Review of Le Dessin
Sans Maitre" (authorship unclear) with edits by Boime. Some materials in French.
Box 96, Folder 11
Artist vs. personal bio
1995
Scope and Content Note
Clipping and correspondence. Some materials in French.
Black Imagery
1982-1999
Scope and Content Note
Materials relating to Boime's research on black representation and imagery in art. A significant portion of
materials correspond to slavery and Francisco Oller. Materials in this subseries may have been part of Boime's research for
his
publication "Art of Exclusion." The subseries is filed by topic.
Box 143, Folder 7
Hierarchy and exclusion
ca. 1988
Scope and Content Note
Notes and correspondence.
Box 143, Folder 8
Hierarchy and exclusion additions
ca. 1988
Scope and Content Note
Notes, correspondence, photocopies, and draft of endnotes.
Box 97, Folder 1
Oller
1983-1985
Scope and Content Note
Correspondence, photocopies, and notes regarding Francisco Oller.
Box 97, Folder 2
Puerto Rico
1982-1983
Scope and Content Note
Notes, drafts of "Oller and the Image of Black People in the 19th Century" and "Oller and the 19th Century
Puerto Rican Nationalism." Folder also contains 4x5 transparencies.
Box 97, Folder 3
Slavery
1986-1989
Scope and Content Note
Photos, notes, photocopies, 4x5 negatives, bibliography, and publishing agreement.
Box 97, Folder 4
Slavery
undated
Scope and Content Note
Format letter for image requests for "Art in an Age of Bonapartism", bibliography on slavery and African
Americans in art, photocopies of artworks, and symposium concert program for "On the Eve of the French Revolution Literature
and Politics in the Age of Goethe."
Box 97, Folder 5
The enslaved and free
undated
Scope and Content Note
Notes and bibliography.
Box 97, Folder 6
Jacobs - slave trade
1999
Scope and Content Note
Correspondence with Nancy (Editha) Jacobs regarding outline for paper "Art as a Weapon: The Use of the
Visual Arts with Special Reference to Cartoon and Caricature, in the Campaign to Abolish the British Slave Trade and Slavery,
1780-1834."
Box 97, Folder 7
Art of darkness
undated
Scope and Content Note
Notes and paper by Boime titled "Art of Darkness."
Box 97, Folder 8
African Americans
1988-1989
Scope and Content Note
Correspondence and photocopies.
Box 97, Folder 9
History
ca. 1992
Scope and Content Note
Photocopies, notes, lecture, and student paper.
Box 97, Folder 10
Thomas Noble - images of black people
ca. 1988
Scope and Content Note
Notes and draft of article "Burgoo and Bourgeois: Thomas Noble's Images of Black People."
Box 97, Folder 11
Hierarchy and subordination
undated
Scope and Content Note
Notes, photos, and pages from unidentified draft.
Box 97, Folder 12
Art of exclusion
undated
Scope and Content Note
Photocopies from Boime's book Art of Exclusion, draft of a preface, and pages from manuscript on William
Sidney Mount (likely for lecture "Racism and Minstrelsy").
Box 97, Folder 13
Permissions - hierarchy
1988-1991
Scope and Content Note
Correspondence and draft of insert for Art of Exclusion.
Arshile Gorky and Armenian Genocide
1996-2005
Scope and Content Note
A significant portion of materials in this subseries were compiled or represent the work of Boime's student
Ramela Grigorian. The subseries is arranged by topic.
Box 98, Folder 1
Gorky
2001
Scope and Content Note
Photocopies and thesis preparatory work by Ramela Grigorian.
Box 98, Folder 2
Gorky and the Armenian genocide
2003, 2005
Scope and Content Note
Articles and conference abstracts regarding the Armenian genocide. Folder also includes draft of "Chapter I:
The Armenian Genocide and Arshile Gorky."
Box 98, Folder 3
Armenia - Gorky
1996-1998
Scope and Content Note
Outlines, stories of genocide survivors compiled by Ramela Grigorian, photocopies, slides, correspondence,
and paper "The Armenian Genocide and the Unpaid Life Insurance Policies" by Hrayr Karagueuzian.
Box 98, Folder 4
Armenia
2003
Scope and Content Note
Notes, photocopies, and Armenia brochure.
Box 98, Folder 5
Armenian
bulk 1997-1998, 2001
Scope and Content Note
Paper on Khatchkar, photocopies, outlines, bibliographies, papers and drafts by Ramela Grigorian, and
correspondence.
Box 98, Folder 6
Ramela Grigorian
2001
Scope and Content Note
MA Thesis and other degree/department materials for Ramela Grigorian.
Box 98, Folder 7
Miscellaneous Karagueuzian
1990
Scope and Content Note
Notes, correspondence, slides, copy of paper "A Concise History of Fountain Pens," and investigation paper
"Ventricular Fibrillation as Chaos" by Hrayr Karagueuzian.
The Holocaust
1993-2004
Scope and Content Note
Materials correspond to Boime's research on the Holocaust, including a particular interest in revisionist
scholars and Holocaust deniers. The subseries is filed by topic.
Box 100, Folder 1
Holocaust monument
undated
Scope and Content Note
Draft pages from "The Architecture of Aftermath" by Terry Smith.
