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Finding Aid for the Albert Boime papers, 1963-2007
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Box 100, Folder 3

Der sturmer undated

Scope and Content Note

Draft of chapter "Der Sturmer and the Stormtroopers", photocopies, and notes. Some materials in German.
Box 100, Folder 4

German socialism undated

Scope and Content Note

Notes and photocopies.
Box 100, Folder 5

Der ewige Jude pictorial ca. 1994

Scope and Content Note

Notes, draft of chapter "Der Sturmer and the Stormtroopers", and clippings.
Box 100, Folder 6

Other genocides 1999, 2002

Scope and Content Note

Clippings on global genocide issues such as those in Kosovo, Cambodia (including catalog of exhibition on Cambodian art), and Armenia.
Box 99, Folder 1

Holocaust 1993-1998, 2000-2004

Scope and Content Note

Notes, e-mail correspondence, and dissertation proposal by Andrea Liss "Trespassing through Shadows: History, Mourning, and Photography in Contemporary Representations of Holocaust Memory." Some materials in German.
Box 99, Folder 2

Holocaust notes 1995-1999

Scope and Content Note

Clippings, photocopies of "Der Ewige Jude" [The Eternal Jew], exhibition materials for "Exiles and émigrés: The Flight of European Artists from Hitler" at LACMA, notes, and promotional materials regarding opening of Museum of Tolerance in Los Angeles.
Box 99, Folder 3

Goldhagen reviews 1996-1997

Scope and Content Note

Clippings and photocopies of reviews of Daniel [Erich] Goldhagen's book on the Holocaust: "Hitler's Willing Executioners." Some materials in German.
Box 99, Folder 4

Holocaust revision bulk 1999-2000, 1990

Scope and Content Note

Clippings regarding the trial of a Holocaust revisionist and other Holocaust deniers. Folder also includes e- mail correspondence.
Box 99, Folder 5

Klemperer 2000

Scope and Content Note

Photocopies of "I Will Bear Witness: A Diary of the Nazi Years, 1939-1941" by Victor Klemperer (some underlining and notes, presumably by Boime).
Box 99, Folder 6

Nazi society 1997-2001

Scope and Content Note

Clippings, e-mail correspondence, and internet articles regarding controversial Holocaust publications, draft of "Chapter 1: Art in the Third Reich and its Link to Volk and Religion" by Sandra Esslinger.
 

World Wars 1981-2003

Scope and Content Note

Boime's research on war and art, with a particular emphasis on World War I and II. The subseries is filed by topic.
Box 100, Folder 7

World War I 1981

Scope and Content Note

Notes, correspondence, and booklets on Kandinsky, war images, Max Beckmann, and Cuban and Mexican murals. Some materials in German.
Box 100, Folder 8

World War I miscellaneous 1991

Scope and Content Note

Photocopies, correspondence, and clippings.
Box 100, Folder 9

World War II art pillaging in Europe 1994

Scope and Content Note

Correspondence.
Box 100, Folder 10

World War II miscellaneous 1994-1995, 2002

Scope and Content Note

Student paper "Varian Fry and the Emergency Rescue Committee: The History and a Critique," clippings, and student paper "Painting War: The Intersection of Global Conflict and Modernism."
Box 100, Folder 11

Film 2003

Scope and Content Note

E-mail correspondence.
Box 100, Folder 12

Hiroshima 1994, 2001

Scope and Content Note

Clippings.
Box 100, Folder 13

War and art (1 of 2) 1983-1987, 1999

Scope and Content Note

Dissertation proposal "The Emergency Rescue Committee and its Artist-Clients in Vichy France and the United States, 1940-1942," notes, correspondence, and copy of lecture "Making Art at the Front: Cubism and the First World War in France" by Elizabeth Kahn Baldewicz, exhibition brochures on Kandinsky.
Box 100, Folder 14

War and art (2 of 2) 1983-1987, 1999

Scope and Content Note

Dissertation proposal "The Emergency Rescue Committee and its Artist-Clients in Vichy France and the United States, 1940-1942," notes, correspondence, and copy of lecture "Making Art at the Front: Cubism and the First World War in France" by Elizabeth Kahn Baldewicz,
Box 101, Folder 1

Heartfield 2000

Scope and Content Note

Photocopies, correspondence, notes, student paper "The Propaganda of the First World War and its Influence on the Photomontage of the Berlin Dada Movement," catalog of works by John Heartfield, and paper "The Art of Engagement" by Wayne Andersen. Some materials in German.
Box 101, Folder 2

Enola Gay 1995

Scope and Content Note

Brochures, flyers, notes, and materials from Historians' Committee for Open Debate on Hiroshima. Other materials also include clippings and correspondence regarding a teach-in.
Box 101, Folder 3

Civil War undated

Scope and Content Note

Notes.
 

Censorship 1989-1996

Scope and Content Note

Boime's research on censorship, particularly as it relates to art and visual material. A significant portion of this subseries is concerned with instances of censorship by the NEA. The subseries is arranged by topic.
Box 101, Folder 4

Censorship 1990

Scope and Content Note

Correspondence, syllabus and course materials for Art History 253: Corporate Art, Government Protection and Free Market Obscenity, and paper by Suzanne Loizeaux-Witte "Bordering on the Obscene: Censorship, Aesthetics, and Morality in the American Body Politic , 1980-1991."
Box 101, Folder 5

Censorship symposia 1992

Scope and Content Note

Conference materials for UCLA symposia on censorship in the arts, and notes. Other materials include articles and photocopies regarding artistic freedom.
Box 101, Folder 6

Censorship 1991

Scope and Content Note

Class rosters, syllabi for Art History 127 course on censorship, and clippings.
Box 101, Folder 7

Censorship ca. 1994

Scope and Content Note

Articles and clippings.
Box 101, Folder 8

Censorship ca. 1996

Scope and Content Note

Museum News magazine and research materials.
Box 101, Folder 9

Censorship seminar 1989, 1994

Scope and Content Note

Press release, photocopies, articles, and AVISO newsletters.
Box 101, Folder 10

Art History 253, Winter 1990 ca. 1990

Scope and Content Note

Art History 125 syllabus and bibliography, photocopies, articles (from Museum News, ArtNews, and Corporate Art Report), and clippings and photocopies of articles regarding Robert Mapplethorpe and censorship.
Box 102, Folder 1

NEA 1990

Scope and Content Note

Photocopied articles, notes, and student papers on NEA funding for New York Theatre and the Robert Mapplethorpe censorship controversy.
Box 102, Folder 2

Art and politics 1990

Scope and Content Note

Paper "Art and Politics" by Carol A. Wells of the Center for the Study of Political Graphics with lengthy edits and commentary from Boime.
Box 102, Folder 3

Political correctness undated

Scope and Content Note

Proposal at College Art Association conference for panel on art history and political correctness.
Box 143, Folder 9

NEA and censorship 1989

Scope and Content Note

Correspondence (including letters between Nora H. Brougher and several senators), articles and letters regarding NEA grant decisions and censorship, and packet of materials from the Coalition for Freedom of Expression.
Box 143, Folder 10

Pornography 1990

Scope and Content Note

Notes, project description for post-doctoral studies by Clare Spark, annotated photocopies from "The Politics of Propaganda," and mid-term examination questions for summer course Art History 150D on "Obscenity and Art"
Box 147, Folder 6

Mapplethorpe article 1989

Scope and Content Note

Photocopied article from LA Weekly about Robert Mapplethorpe.
 

Business of Art 1972-2003

Scope and Content Note

Materials relating to Boime's research on the business of art. General topics of interest include artists as entrepreneurs, the art market, patronage, and research on other industries. The subseries is filed by topic.
Box 102, Folder 4

Artist as entrepreneur 1975, 1979

Scope and Content Note

Notes, correspondence, photocopies, and illustration lists. Some materials in French.
Box 102, Folder 5

Collectors undated

Scope and Content Note

Notes and photocopies.
Box 102, Folder 6

Man-Max 1972

Scope and Content Note

Correspondence, notes, and annotated photocopies.
Box 102, Folder 7

General and basic 1973, 1975

Scope and Content Note

Notes and correspondence. Some materials in French.
Box 102, Folder 8

Footnote additions undated

Scope and Content Note

Annotated footnotes relating to Freud.
Box 102, Folder 9

Basic core undated

Scope and Content Note

Notes (topics include European Economic Development).
Box 102, Folder 10

Publishers undated

Scope and Content Note

Notes and photocopies. Some materials in French.
Box 102, Folder 11

Bankers undated

Scope and Content Note

Notes and photocopies. Some materials in French.
Box 102, Folder 12

Department stores undated

Scope and Content Note

Notes and photocopies. Some materials in French.
Box 102, Folder 13

Literature undated

Scope and Content Note

Notes (Topics include Flaubert and Zola) and draft of "Entrepreneurial Patronage in Nineteenth-Century France."
Box 102, Folder 14

Sugar, textiles undated

Scope and Content Note

Notes (catalogues) and photocopies.
Box 102, Folder 15

Steel and sundry undated

Scope and Content Note

Notes.
Box 102, Folder 16

Definition undated

Scope and Content Note

Notes.
Box 102, Folder 17

Rothschilds 1973

Scope and Content Note

Correspondence and notes.
Box 102, Folder 18

Dealers 1973

Scope and Content Note

Correspondence and notes.
Box 102, Folder 19

Clippings undated

Scope and Content Note

Clippings from Princeton publication and "Guns, Globalization, Greed: A Guide to the New World Economy" edited by Christopher Ney and circulated by War Resisters League.
Box 102, Folder 20

Art theft ca. 1998

Scope and Content Note

Magazine and newspaper clippings and photocopies regarding art thefts.
Box 102, Folder 21

Patronage - contemporary 1978

Scope and Content Note

Clipping from LA Times Home Magazine regarding an art collecting couple.
Box 102, Folder 22

Lewis undated

Scope and Content Note

Notes on Wyndham Lewis.
Box 102, Folder 23

Camera work ca. 2000

Scope and Content Note

Notes and galley proofs of several artworks (in color).
Box 103, Folder 1

Dealers now ca. 1991

Scope and Content Note

Promotional brochure for Jill Newhouse (a gallery or auction house).
Box 103, Folder 2

Art market 2002-2003

Scope and Content Note

Christie's education catalog and exhibition brochure on business of art.
Box 103, Folder 3

Avant-garde ca. 1986, 2001

Scope and Content Note

Copy of paper "The Avant-Garde Object: Form & Fetish between World War I and WWII" by Jack Spector, article "The New Adventures of the Avant-Garde in America" by Serge Guilbaut, annotated photocopy about Clement Greenberg's theory of art, and Hammer Museum exhibition brochure for works by Paul Pfeiffer.
Box 103, Folder 4

Photo IDs 1988-1989

Scope and Content Note

Correspondence, 1 slide, and images and 4x5 transparencies of artworks (majority portraits).
Box 103, Folder 5

Print techniques 1991

Scope and Content Note

Exhibition brochure for "The Re-Design of Nature: Graphic Constructions of Natural Space in Europe, 1760- 1860" by the Grunwald Center for the Graphic Arts, UCLA.
Box 103, Folder 6

Business of art (1 of 2) 1987-1988

Scope and Content Note

Clippings, correspondence, draft of paper "Bonaparte's Subsidy of the Art of Engraving: A Decree and a Note on the Musee Francais/Royal" by George D. McKee, slide request forms, notes, images of works by Simon Dinnerstein, interview notes (unclear who interviewee is), and photocopies on topics like Yoruba art.
Box 103, Folder 7

Business of art (2 of 2) 1987-1988

Scope and Content Note

Clippings, correspondence, draft of paper "Bonaparte's Subsidy of the Art of Engraving: A Decree and a Note on the Musee Francais/Royal" by George D. McKee, slide request forms, notes, images of works by Simon Dinnerstein, interview notes (unclear who interviewee is), and photocopies on topics like Yoruba art.
Box 103, Folder 8

Entrepreneurs 1988-1989

Scope and Content Note

Notes, correspondence, and draft of "Rethinking Patronage" (later to be called "Entrepreneurial Patronage"), 4x5 transparency, and copies of images.
 

American Art 1986-2003

Scope and Content Note

The subseries is filed by topic.
Box 103, Folder 9

The Getty 1997-1998

Scope and Content Note

Clippings regarding the Getty Villa and correspondence.
Box 103, Folder 10

Return to LA 1998

Scope and Content Note

Clippings, photocopies of articles, exhibition proposals and announcements, and booklet regarding artwork in Our Lady of Angels Cathedral (Los Angeles).
Box 103, Folder 11

San Diego undated

Scope and Content Note

Photocopies of articles regarding San Diego art.
Box 103, Folder 12

Regionalism 1987

Scope and Content Note

Clippings.
Box 103, Folder 13

American impressionism 1986-1987, 1997

Scope and Content Note

Photocopies of articles and clippings.
Box 103, Folder 14

Urban realism USA volume V 2000

Scope and Content Note

Clippings and paper "American Expressionism" by Bram Dijkstra
Box 103, Folder 15

Historical scholarship 1988

Scope and Content Note

Clippings, articles, and paper by Barbara Ann Day "Representing Aging and Death in French Culture." Some materials in German.
Box 103, Folder 16

Art in America 1977

Scope and Content Note

Correspondence from editor of Art in America, notes, and business cards.
Box 103, Folder 17

Exhibition packet 1989

Scope and Content Note

Exhibition Packet for "Paris 1889: American Artists at the Universal Exposition" at the Chrysler Museum.
Box 104, Folder 1

Primitive undated

Scope and Content Note

Notes, photocopies, correspondence, annotated photocopies, and paper on "The Metaphysics of Baseball" by Roland Garrett.
Box 104, Folder 2

Auction 1987

Scope and Content Note

Notes and Auction and Exhibition Catalogue from The Knoedler Library.
Box 104, Folder 3

Notes undated

Box 104, Folder 4

Photocopies undated

Scope and Content Note

Photocopies from one of Boime's volumes on Couture and notes.
Box 104, Folder 5

Students 1989, 1997

Scope and Content Note

Art History Department Meeting agenda, description of LA Department of Cultural Affairs Percent-for-art program, and booklet from graduate student symposium "Images and Spaces of Transformation: Festival, Spectacle, and Ritual in Visual Culture."
Box 104, Folder 6

California Impressionism 1998-1999, 2003

Scope and Content Note

Notes and various exhibition brochures.
Box 104, Folder 7

California Orientalism 2003

Scope and Content Note

E-mail correspondence, notes, and copy of "California Orientalism."
Box 104, Folder 8

California plein air painting 2003

Scope and Content Note

Notes and correspondence related to California plein air, early modernist, and impressionist paintings.
Box 104, Folder 9

1930s/WPA undated

Scope and Content Note

Photocopies (artists of interest include John Graham, Arshile Gorky, and Ben Shahn), dissertation proposal, symposium notes/outline, student papers, and clippings.
Box 104, Folder 10

American art bibliography undated

Scope and Content Note

Bibliography for course reserves.
 

Museums Bulk 1992-2003, 1979-2005

Scope and Content Note

Most folders contain research on specific museums. Arranged topically.
Box 104, Folder 11

Realist revolt/Whitney 1995

Scope and Content Note

Copy of Whitney Protest Update and petition against Whitney Museum of Art to include contemporary realist painting, drawing, and sculpture.
Box 104, Folder 12

Whitney biennial 2000

Scope and Content Note

Informational packet regarding artists and exhibitions in 2000 Whitney Biennial. Folder also includes correspondence with Museum of Modern Art regarding image requests.
Box 104, Folder 13

Smithsonian PAEC 1992, 1998

Scope and Content Note

Professional Appraisal and Evaluation Committee (PAEC) Report and guidelines. Other materials include call slips, notes, and photocopies.
Box 104, Folder 14

Smithsonian bulk 1988-1991, 1996-1997

Scope and Content Note

Correspondence, photocopies, newsletters, and booklet on Intern Opportunities with the National Museum of American History 1996-1997.
Box 104, Folder 15

Wallraf-Richartz Museum 1989

Scope and Content Note

Correspondence and documentation regarding images from the Wallraf-Richartz Museum. Some materials in German.
Box 104, Folder 16

National Museum of American Art 1989

Scope and Content Note

National Museum of American Art exhibition funding information, photocopies, correspondence, exhibition proposals, and notes.
Box 104, Folder 17

Bellagio Gallery of Fine Art 1998

Scope and Content Note

Photocopied articles and list of works owned by Bellagio Gallery in Las Vegas.
Box 104, Folder 18

Craft and folk art 1993, 2001

Scope and Content Note

Internship and background information from the Craft and Folk Art Museum, clippings and photographs of The Clothesline Project at UCLA, and exhibition brochures.
Box 104, Folder 19

Georgia Museum of Art 1990, 1998

Scope and Content Note

Correspondence with Georgia Museum of Art and copy of Georgia Museum of Art News. Other materials include a flyer and note regarding lecture by Judith Wilson (originally referred to as Askman by Boime).
Box 104, Folder 20

Cooper-Hewitt National Design Museum 2003

Scope and Content Note

Promotional packet for prospective students to Hewitt Cooper New Design Museum.
Box 105, Folder 1

Dahesh Museum 1998

Scope and Content Note

Exhibition packet for "Training an Artist: Alexandre Cabanel and The Academic Process in 19th Century France."
Box 105, Folder 2

Musee Campana undated

Scope and Content Note

Notes and annotated photocopies. Some materials in French.
Box 105, Folder 3

Museum studies 1990

Scope and Content Note

Articles, museum newsletters, and press releases. Some materials in French.
Box 105, Folder 4

Museum brochures 1979-2005

Scope and Content Note

Museum brochures (institutions include National Building Museum, Bowers Museum, Virginia Museum of Fine Arts, Guggenheim, Hammer Museum, Museum of Jewish Heritage, Seattle Art Museum, Getty Museum, LACMA, and Huntington Library). Other materials include list of publications of the Wallace Collection and photocopied article "The Getty Scandal."
Box 105, Folder 5

Museum 1996

Scope and Content Note

Copy of Museum News magazine.
Box 105, Folder 6

Museum addresses 1985-1986

Scope and Content Note

Correspondence and invoices from museums regarding photo permissions.
Box 105, Folder 7

Addresses 1997

Scope and Content Note

Assorted correspondence, fax cover sheets, envelopes, and other documents with addresses of publishers, museums, and literary correspondents.
Box 105, Folder 8

Madrid seminar 2000

Scope and Content Note

Fax containing informational materials on ESTER seminar "Language, History and Art in Nationalistic Movements, 19th and 20th Centuries."
Box 105, Folder 9

Roberson 2003

Scope and Content Note

Roberson Museum contract for an exhibition essay.
Box 144, Folder 1

Goupil - Nouveau 1996

Scope and Content Note

Promotional packet from Musee Goupil, likely an exhibition packet. All materials in French
Box 144, Folder 2

Museums ca. 1996, 1997

Scope and Content Note

Calendars and season information for The Getty Museum and the Museum of Contemporary Art in Los Angeles.
 

Late 20th Century Art 1988-2003

Scope and Content Note

Boime's research on trends, artists, and movements in art during the second half of the 20th century. Filed by topic.
Box 105, Folder 10

Performance 1998

Scope and Content Note

Description of performance art by Linda J. Albertano and brochure for exhibition "Out of Actions: Between Performance and the Object, 1949-1979" at the Geffen Contemporary.
Box 105, Folder 11

Video art 1994, 1997

Scope and Content Note

Photocopied articles, student papers and bibliographies, and Guggenheim and Getty brochures advertising Bill Viola exhibits.
Box 105, Folder 12

Film 1996-1997

Scope and Content Note

Notes and description of films "Imago" by Meret Oppenheim, paper "The Tactile Eye: Theory and Method" by Jennifer M. Barker, and calendar of activities at California Museum of Photography.
Box 105, Folder 13

Installations - Wilson ca. 1993, 1997

Scope and Content Note

Photocopied articles on installations by Fred Wilson.
Box 105, Folder 14

Andy Warhol 1989-1990

Scope and Content Note

Clippings about Andy Warhol and his work.
Box 105, Folder 15

Art education undated

Scope and Content Note

Photocopied article.
Box 105, Folder 16

Bios 2003

Scope and Content Note

E-mail correspondence with Andrew Brainerd regarding obituary for John Rewald (nee Gustav).
Box 105, Folder 17

Gender and Art History 1993

Scope and Content Note

Exhibition brochure for "Daughters of Eve: Representations of Women in Renaissance Prints" at Grunwald Center for the Graphic Arts and article "Critical Critics and Historical Critiques" by Griselda Pollock.
Box 105, Folder 18

Judy Chicago (1 of 2) 1988-1992

Scope and Content Note

Correspondence with Judy Chicago (Artistic Director of Through the Flower) and informational materials/newsletters about the organization's Holocaust Project. Other materials include clippings about Judy Chicago, student papers and correspondence regarding Judy Chicago's work "The Dinner Party", articles, and bibliography for "The Dinner Party."
Box 106, Folder 1

Judy Chicago (2 of 2) 1988-1992

Scope and Content Note

Correspondence with Judy Chicago (Artistic Director of Through the Flower) and informational materials/newsletters about the organization's Holocaust Project. Other materials include clippings about Judy Chicago, student papers and correspondence regarding Judy Chicago's work "The Dinner Party", articles, and bibliography for "The Dinner Party."
Box 106, Folder 2

Advertising 1995

Scope and Content Note

Student papers on advertising and censorship, brochure for new UCLA student housing and conference facilities, and promotional publication by the Chrysler Corporation.
Box 106, Folder 3

Art and AIDS 1986-1992

Scope and Content Note

Clippings of articles and advertisements and student paper by Wendy Lau "Herstory as Told by Him."
Box 106, Folder 4

Watts Towers undated

Scope and Content Note

Notes and photocopied articles regarding Simon Rodia and the Watts Towers.
Box 106, Folder 5

LA culture ca. 1992, 2000

Scope and Content Note

Photocopied articles and op-ed pieces mostly related to LA Rebellion. Folder also includes exhibition brochures on California and masks.
Box 106, Folder 6

Outsider art 1992

Scope and Content Note

Copies of student paper "Are There Any True Outsiders? Or Are All Artists Crazy?: An Examination of a Los Angeles Exhibit of Outsider Art" by Heather Propes.
Box 106, Folder 7

Muralismo 1997-1998

Scope and Content Note

Papers regarding muralism, correspondence with Shifra Goldman and others, and photocopies of images. Some materials in Spanish.
Box 106, Folder 8

Contemporary American social artists undated

Scope and Content Note

Project description for "Hidden Visions: Contemporary American Social Artists" (researcher unclear) and notes.
 

Miscellaneous 20th Century Topics Bulk 1997-2003, 1969-2006

Scope and Content Note

Boime's research on a range of topics in the 20th century that are not clearly attributable to a specific project. Filed by topic.
Box 106, Folder 9

McLuhan 1969

Scope and Content Note

Clippings from The New York Times Magazine.
Box 106, Folder 10

Robert Rosenbloom 2006

Scope and Content Note

Newspaper article about curator Robert Rosenbloom's death.
Box 106, Folder 11

Ad Reinhardt 2000

Scope and Content Note

Notes, correspondence regarding Freedom of Information Act files, and library request forms for Smithsonian research activities.
Box 106, Folder 12

France 1968 ca. 1989

Scope and Content Note

Student paper "Getting Back to Zero: The Climate in Paris, 1968 and the Work of Jean-Luc Godard and Daniel Buren" by Nora Halpern Brougher. Folder also contains some clippings.
Box 106, Folder 13

Millennial - 21st century ca. 1984, 1997-2000

Scope and Content Note

Clippings and notes.
Box 106, Folder 14

New landscape theory - Olwig undated

Scope and Content Note

Article by Kenneth Olwig "Recovering the Substantive Nature of Landscape" and notes.
Box 106, Folder 15

Evolution - bio undated

Scope and Content Note

Clippings, photocopies, and brochure for symposium "Evolution! Facts and Fallacies" by the UCLA Center for the Study of Evolution and the Origin of Life.
Box 106, Folder 16

Haake 1987

Scope and Content Note

Clippings.
Box 106, Folder 17

Bauhaus 1997, 2001

Scope and Content Note

Syllabi for course on Bauhaus by Loewenberg, paper "Towards an Understanding of the Bauhaus View of Technology and Science: A Spiritual Connection" by Naomi A. Weiss, brochure for architecture exhibition at MOCA, photocopies, and e-mail correspondence.
Box 106, Folder 18

Turks undated

Scope and Content Note

Traveler's map for Istanbul, Turkey.
Box 107, Folder 1

Mexican Revolution 1997-1998, 2002

Scope and Content Note

Syllabi for course on Mexican Revolution since 1910, Diego Rivera exhibition brochure, LACMA Exhibition publication for "Mexican Masterpieces from the Bernard and Edith Lewin Collection," and student paper "Diego Rivera and the Rockefeller Center Scandal" by Thomas Tokuza.
Box 107, Folder 2

Collectors undated

Scope and Content Note

Student papers on various galleries and museums.
Box 107, Folder 3

Post-1945 abstraction 1998-1999

Scope and Content Note

Notes, clippings, and exhibition brochure about Jackson Pollock.
Box 107, Folder 4

New NY school 2000

Scope and Content Note

Notes and photocopies.
Box 107, Folder 5

Pop undated

Scope and Content Note

Notes.
Box 107, Folder 6

Pop 1996

Scope and Content Note

Copy of paper "Pop Art as Consumerist Realism" by David Kunzle.
Box 107, Folder 7

Conceptual undated

Scope and Content Note

Catalog of works by Robert Morris.
Box 107, Folder 8

Haring 1997

Scope and Content Note

Correspondence, images of work by Keith Haring, and promotional material from Kantor Gallery.
Box 107, Folder 9

Freud and culture 2000

Scope and Content Note

Card and pamphlet on "Freud: Conflict and Culture" (exhibition at the Skirball Cultural Center).
Box 107, Folder 10

Castellane Gallery 1977

Scope and Content Note

Correspondence, print, and notes.
Box 107, Folder 11

2010 2005-2006

Scope and Content Note

Correspondence, Art History 54 class evaluation summary, and National Park Service bound booklet "Statue of Liberty National Monument: New Directions."
Box 107, Folder 12

Epilogue 2001

Scope and Content Note

Clippings.
Box 107, Folder 13

Recentering 2003

Scope and Content Note

E-mail correspondence with Raymond Barglow.
Box 107, Folder 14

The ugly undated

Scope and Content Note

Photocopy of article "The Ugly" by Mark Cousins.
Box 107, Folder 15

Neiman ca. 2001

Scope and Content Note

Notes on LeRoy Neiman, photocopied article about Neiman, and exhibition brochures of his work.
Box 107, Folder 16

Flyers ca. 1997-1998

Scope and Content Note

Flyers for upcoming events surrounding Judaism and Che Guevara.
 

Early Career 1962-1970

Scope and Content Note

Materials collected during Boime's early career. Most topics relate to France or French research. Arranged topically.
Box 107, Folder 17

Ladies undated

Scope and Content Note

Miscellaneous pages from draft about Statue of Liberty, notes, and paper by Heidi Hebert on "Cindy Sherman's Masquerade: A Recontextualization of the Female Image."
Box 107, Folder 18

Renaissance undated

Scope and Content Note

Notes.
Box 107, Folder 19

Salon de Refuses 1962, 1968

Scope and Content Note

Notes, draft of paper "The Salon des Refuses" with edits, and photocopies.
Box 107, Folder 20

French art/National Archives (1 of 2) ca. 1962

Scope and Content Note

Notes including some from French National Archives and draft "Piero and Seurat: A Neglected Stylistic Link" with edits. Folder also includes photocopies and correspondence. Some materials in French.
Box 108, Folder 1

French art/National Archives (1 of 2) ca. 1962

Scope and Content Note

Notes including some from French National Archives and draft "Piero and Seurat: A Neglected Stylistic Link" with edits. Folder also includes photocopies and correspondence. Some materials in French.
Box 108, Folder 2

Miscellaneous French art research 1965

Scope and Content Note

Notes and correspondence, likely related to research in French Archives. Some materials in French.
Box 108, Folder 3

Miscellaneous 19th century undated

Scope and Content Note

Notes.
Box 108, Folder 4

Lusker 1970

Scope and Content Note

Clippings, notes, and photocopies.
Box 108, Folder 5

Berea notes 1970

Scope and Content Note

Photocopies and "Berea notes."
Box 108, Folder 6

Endnotes undated

Scope and Content Note

Endnotes to unidentified publication, photocopies, passport photo, and comics.
Box 108, Folder 7

Articles undated

Scope and Content Note

Notes and drafts of articles about Seurat, Piero della Francesca, and Charles Bouleau.
Box 108, Folder 8

French correspondence 1962, 1964-1966

Box 108, Folder 9

Business correspondence - U.S. and abroad 1966-1967

Scope and Content Note

Correspondence, invoices, and clippings.
 

Miscellaneous Research Topics 1954-2006

Scope and Content Note

Materials relating to specific research topics that are not clearly related to any of Boime's larger projects. The subseries includes research on a French petition, pompiers (firefighters), music, architecture, children, and unconventional scholars. The subseries is arranged by subject.
Box 108, Folder 10

Petition undated

Scope and Content Note

Drafts of "An Unpublished Petition Exemplifying the Oneness of the Community of Nineteenth-Century French Artists." Other materials include notes and photocopies.
Box 108, Folder 11

Petition undated

Scope and Content Note

Notes. Some materials in French.
Box 108, Folder 12

Pompiers (Firefighters) undated

Scope and Content Note

Notes.
Box 108, Folder 13

Pompiers (Firefighters) undated

Scope and Content Note

Miscellaneous pages of article on pompiers and notes.
Box 108, Folder 14

Music undated

Scope and Content Note

Paper on censorship in rap (authorship unclear).
Box 108, Folder 15

Music 1988, 1998, 2002

Scope and Content Note

Photocopied articles, conference on music in 1492: outline and program, newspaper clipping, and promotional comic "Bebop to Hip hop" produced by City of LA Cultural Affairs Department.
Box 108, Folder 16

Music - 19th-20th century 1981

Scope and Content Note

Notes and paper "Johannes Kreisler and Ludwig van Beethoven: The Image of the Romantic Composer for the Nineteenth Century" by Janet Marquardt.
Box 108, Folder 17

USA music 20th century 2002

Scope and Content Note

Dissertation prospectus by Charles Hiroshi Garrett "Struggling to Define a Nation: Reconstructing American Music in the 20th Century" with edits. Folder also includes a brochure for Smithsonian exhibition on Woody Guthrie.
Box 108, Folder 18

Songs of revolution 2000, 2006

Scope and Content Note

Correspondence and lyrics to anti-establishment songs.
Box 109, Folder 1

Architecture undated

Scope and Content Note

Notes.
Box 109, Folder 2

Architecture undated

Scope and Content Note

Notes and draft of "The Campus Architecture: A Bright Future After a Sad Beginning" with edits.
Box 109, Folder 3

Neo-Boydell 1997

Scope and Content Note

Correspondence and catalog of Boydell collection.
Box 109, Folder 4

Gear - baby portraits undated

Scope and Content Note

Josephine Gear curriculum vitae, fellowship application, and paper on baby portraits.
Box 109, Folder 5

Children ca. 1976-1977

Scope and Content Note

Notes on childbirth, copy of paper and bibliography of Mexican Muralists, and copy of paper "Babes in the Woods" by Mary Warlick.
Box 109, Folder 6

Children's books 1998

Scope and Content Note

Clippings from UCLA Librarian magazine.
Box 109, Folder 7

Anderson 2000

Scope and Content Note

Outline and draft of "The Creation of the Rome Prize for Engraving" (possibly by Susanne Anderson).
Box 109, Folder 8

Medieval undated

Scope and Content Note

Notes.
Box 109, Folder 9

Bergstrom - library 1997

Scope and Content Note

Library reports from Janet Bergstrom written for "Guide to Resources in French Studies" and article "Jean Renoir's Return to France" by Janet Bergstrom.
Box 109, Folder 10

Chemung County Historical Society 1993

Scope and Content Note

Correspondence and exhibition proposal by Chemung County Historical Society titled "Through Mark Twain's Eyes."
Box 109, Folder 11

Offbeat scholars 1996

Scope and Content Note

Correspondence with John Alan Walker, including copies of his publications.
Box 109, Folder 12

Shticks 1998

Scope and Content Note

Collection of clever interpretations of conventional written works including "Have Yourself a Microsoft Christmas", correspondence, and paper by John Alan Walker "Out-Side Historicisms and Other Boo-Boos in the Manet Secular Modernist Literature."
Box 109, Folder 13

Senior, Nassau undated

Scope and Content Note

Notes from "Conversations" by William Senior Nassau.
Box 109, Folder 14

Marksman manual ca. 1954

Scope and Content Note

Shooting manual entitled "Hits Count" published by The Infantry School in Fort Benning, Georgia.
 

Eastern Europe 1992-2005

Scope and Content Note

The subseries is filed by topic.
Box 109, Folder 15

Totalitarianism undated

Scope and Content Note

Paper "Totalitarisme" by Krzysztof Pomian, draft of "On the notion of the 'exceptionality' of the 'Final Solution'" by Saul Friedlander, and draft of "Remembrance and Revisionism: Denial of the Armenian and Jewish Genocides" by Michael Blacher. Some materials in French.
Box 109, Folder 16

Russia 2000

Scope and Content Note

Correspondence with Irina Tatarinova, paper "Ilya Repin and his Procession of the Cross in the Kursk Province" of unclear authorship, and paper by Tatarinova for Boime to proofread.
Box 110, Folder 1

Russian A-G 1999-2005

Scope and Content Note

Clippings, Szymon Bojko curriculum vitae, course information, papers, and exhibition brochures. Folder also includes paper by Kathryn Goodyear "The Influence of the Icon and the Iconic Style on the Russian Artists of the Early Twentieth Century," e-mail correspondence, and writing samples from Masha Galkina.
Box 110, Folder 2

Three days in Moscow: the August putsch 1992-1993

Scope and Content Note

Photographs, conference materials, correspondence and notes for conference "Three Days in Moscow: The August Putsch" by International Museum of Photography at George Eastman House.
Box 110, Folder 3

East European 1995

Scope and Content Note

correspondence, photocopies of Polish statuary/monuments, papers, and newsletters.
Box 110, Folder 4

Cold War 2002, 2004

Scope and Content Note

E-mail correspondence with Clare Spark, articles, and brochure for Exhibition "Arnold Mesches: FBI Files" at the Skirball Cultural Center.
Box 110, Folder 5

Railroad undated

Scope and Content Note

Photocopies.
 

Perestroika 1992-1993

Scope and Content Note

The subseries is filed by topic.
Box 110, Folder 6

Perestroika undated

Scope and Content Note

Draft of "Hollow Icons and Perestroika in the Glasnost Period" with edits.
Box 110, Folder 7

Perestroika 1993

Scope and Content Note

Draft of "Perestroika and the Destabilization of the Soviet Monuments" with edits (2 copies) and faxed copies of articles/clippings.
Box 110, Folder 8

East Europe and modernity undated

Scope and Content Note

Draft of paper "New Visions of Modernity" by Rostislav Svacha and draft pages from paper "Perestroika and the Destabilization of Soviet Monuments."
Box 110, Folder 9

Romania (1 of 2) ca. 1992

Scope and Content Note

Drafts of "Perestroika and the Destabilization of the Soviet Monuments", drafts of "Hollow Icons and Perestroika in the Glasnost Period" with edits, photocopies, correspondence, clippings, notes, and catalog of Czechoslovakian art.
Box 144, Folder 3

Romania (2 of 2) ca. 1992

Scope and Content Note

Drafts of "Perestroika and the Destabilization of the Soviet Monuments," drafts of "Hollow Icons and Perestroika in the Glasnost Period" with edits, photocopies, correspondence, clippings, notes, and catalog of Czechoslovakian art.
 

Photography 1975-2004

Scope and Content Note

The subseries is filed by topic.
Box 111, Folder 1

Photography 1987-1991, 2000-2004

Scope and Content Note

Notes, "History of Photography" quarterly magazine about Ingres, photo newsletter, correspondence, notes, Art History 253 syllabus for Spring 1991 (Modernism, Photography and the Body), photocopies, articles, brochures, and exhibition catalogs.
Box 111, Folder 2

Photo symposium 1975-1979, 1984-1986

Scope and Content Note

Clippings, photocopies, brochures, and pamphlets.
Box 111, Folder 3

Photo 1998-2003

Scope and Content Note

Photocopies, brochures, clippings, pages from untitled draft, booklets (artists include Ansel Adams, Edgar Degas, and Walker Evans), and draft of introduction to untitled paper.
 

Science and Art 1983-2004

Scope and Content Note

Materials correspond to Boime's research on relationships between science and art, including an interest in technology. Filed by topic.
Box 111, Folder 4

Atmospheric optics in art undated

Scope and Content Note

Copy of "Atmospheric Optics in Art" by Stanley David Gedzelman.
Box 111, Folder 5

Science and modernism undated

Scope and Content Note

Dissertation Proposal from William Barr.
Box 111, Folder 6

Science and art 1986

Scope and Content Note

Photocopied articles, information on sci-realism, notes, and correspondence.
Box 111, Folder 7

Science bulk 2000-2004, 1994

Scope and Content Note

Articles, notes, correspondence, and clippings.
Box 111, Folder 8

Responsibility of science 1990

Scope and Content Note

Articles, notes, and clippings.
Box 112, Folder 1

Science and moon ca. 1983

Scope and Content Note

Notes, course syllabus, and student paper. Some materials in German.
Box 112, Folder 2

Chaos ca. 1990

Scope and Content Note

Press release and copy of paper/lecture regarding chaos theory.
Box 112, Folder 3

Physics undated

Scope and Content Note

Slide lists for "Physics and Painting" and "Color and Light in Painting."
Box 112, Folder 4

Information super highway 2000

Scope and Content Note

Clippings.
Box 112, Folder 5

Fax/Computer use 1991-1992, 1994

Scope and Content Note

UCLA memos and information regarding computer access and UCLA library online. Folder also includes invoices.
 

Art Theory 1960-2002

Scope and Content Note

Various papers, correspondence, and articles relating to theoretical approaches to art interpretation, including a brief paper by Boime outlining his preference for social history perspectives. The subseries is arranged by topic.
Box 112, Folder 6

Methodological 1988-1989

Scope and Content Note

Correspondence and copy of Wayne Andersen paper "Rebuilding Art History."
Box 112, Folder 7

Theory, etc. 1999-2002

Scope and Content Note

Notes, photocopied articles, conference program and description on "Aesthetics and Semiotics: New Visions and New Voices," various papers by students and colleagues including collection of works by Howard Singerman, and e- mail correspondence.
Box 112, Folder 8

More theory 2000

Scope and Content Note

E-mail correspondence, notes, article by Erwin Panofsky, and brief writing "Why I Prefer Social Art History" (likely composed by Boime).
Box 112, Folder 9

Words of wisdom undated

Scope and Content Note

Words of wisdom from Hopi Nation and unidentified source.
Box 112, Folder 10

Status of Art History 2002

Scope and Content Note

Notes and e-mail correspondence with David Kunzle.
Box 112, Folder 11

What is writing? 1960

Scope and Content Note

Copy of "Bird's Eye View," a short story submitted by Boime to the Samuel Goldwyn Writing Contest.
Box 112, Folder 12

Literature of art 1976

Scope and Content Note

Notes and photocopy.
Box 144, Folder 4

Whither Art History? 1987, 1989

Scope and Content Note

Photocopies, articles, notes, clippings, and correspondence.
Box 144, Folder 5

Social history of art 1986

Scope and Content Note

Copy of lecture by Leonard Folgarait "The Social History of Art," correspondence, grad student symposium agenda and abstracts, photocopies, and papers by Stephen Couch. Some materials in French.
 

Miscellaneous International Topics 1994-2004

Scope and Content Note

Boime's research on countries and topics such as Mexico, Asian art, Japonisme, and Africa. Arranged by topic.
Box 112, Folder 13

Tijuana undated

Scope and Content Note

Notes and clipping.
Box 112, Folder 14

Mexico 2003-2004

Scope and Content Note

Notes, correspondence, and photocopies.
Box 112, Folder 15

Mexico undated

Scope and Content Note

Notes, copies of images, and draft of "Masonic Influence on Nineteenth-Century Mexican History Painting" with edits.
Box 112, Folder 16

Asian bias 1995

Scope and Content Note

Catalog of works by Xu Bing, clippings, and copy of "No Questions, No Answers: 'China' and a Book from the Sky" by Stanley K. Abe.
Box 113, Folder 1

Asian American art ca. 1997, 2000

Scope and Content Note

Slide list, notes, and brochure for Arts of Pacific Asia show.
Box 113, Folder 2

Japanism II ca. 1992

Scope and Content Note

Notes, student paper on "Japanism in Japan" by Wil (Yih-Liang) Lin, papers on imperialism, and photocopies.
Box 113, Folder 3

Pilipino 1994

Scope and Content Note

Notes, postcard, and announcements for UCLA Pilipino Cultural Events.
Box 113, Folder 4

India undated

Scope and Content Note

Notes, possibly for a lecture.
Box 113, Folder 5

Africa 1995-1996

Scope and Content Note

Clippings, gallery catalog of works by Joseph Bertiers at the Santa Monica Museum of Art, and notes.
Box 113, Folder 6

Race and ethnicity notes undated

Scope and Content Note

Notes.
Box 113, Folder 7

Worlds fairs undated

Scope and Content Note

Photocopies.
Box 113, Folder 8

Kienholz 1996, 1998

Scope and Content Note

Correspondence.
Box 113, Folder 9

"Body Around" exhibition, Kienholz 1998, 2004

Scope and Content Note

Correspondence related to student Cheol-Woong Sim, draft of "Taking Seoul to Heart" by Albert and Myra Boime, and "Body Around" exhibition press release.
Box 144, Folder 6

Japonisme 1991, 1994

Scope and Content Note

Annotated photocopies, guide to uses of tradition in Japanese art published by the Met, notes, bibliographies, correspondence, exhibition brochures, and articles. Some materials in French.
 

John James Audubon 1994-1998

Scope and Content Note

Boime's research for publication "John James Audubon's Fanciful Flights." Materials arranged by type.
Box 113, Folder 10

Audubon ca. 1994

Scope and Content Note

Notes, photocopies, and invoice.
Box 113, Folder 11

Audubon undated

Scope and Content Note

Business cards, clipping, and draft of "John James Audubon's Fanciful Flights" with edits. Folder originally titled Audie.
Box 113, Folder 12

Audubon undated

Scope and Content Note

Draft of "John James Audubon's Fanciful Flights" with edits.
Box 113, Folder 13

Audubon 1998

Scope and Content Note

Correspondence, abstract, and several drafts of "John James Audubon's Fanciful Flights." Folder originally titled Audie-Bon.
 

Belshazzar 1999-2006

Scope and Content Note

Boime's research for paper "Forecasting Belshazzar's Fall." Arranged by topic.
Box 113, Folder 14

Belshazzar undated

Scope and Content Note

Draft of "Forecasting Belshazzar's Fall."
Box 113, Folder 15

Belshazzar bulk 1999, 2005

Scope and Content Note

Notes, correspondence, and draft of "Forecasting Belshazzar's Fall" with edits. Folder originally titled Shazam.
Box 113, Folder 16

Belshazzar photos 1999, 2004-2006

Scope and Content Note

Correspondence, invoices and photo permissions, and copies of artwork (likely a piece entitled Belshazzar's Feast, by John Martin). Folder originally titled shazam photos.
Box 113, Folder 17

Belshazzar's fall undated

Scope and Content Note

Outline for lecture or paper "Belshazzar's Feast: Anglo-American Visions of the Apocalypse."
 

Olympics 1984, 1986

Scope and Content Note

The subseries is arranged by date.
Box 114, Folder 1

Los Angeles Olympics 1984

Scope and Content Note

Notes regarding the 1984 Los Angeles Olympic Games, annotated photocopies and correspondence regarding Olympic games, and copy of "Official 1984 Olympic Fine Art posters Catalog." Folder also includes "Olympic Arts Festival Catalog," copy of paper by Robert Kaplan "From Pre-Industrial to Industrial Worker," notes regarding Art History 125, press releases, and slides.
Box 114, Folder 2

Olympics bibliographies 1984

Scope and Content Note

Photocopied articles, Italian 105 syllabus, and bibliographies on Olympics.
Box 114, Folder 3

Olympics 1996 1996

Scope and Content Note

Clipping from the Christian Science Monitor regarding the 1996 Olympic Games and art.
 

Pre-Raphaelite Brotherhood bulk 1984-1990, 1972

Scope and Content Note

Arranged by topic. Research on this subject can also be found in box 42.
Box 114, Folder 4

Pre-Raphaelite Brotherhood ca. 1972, 1984-1988

Scope and Content Note

Notes, student papers and dissertation prospectus, correspondence, annotated photocopies, and bibliographies.
Box 114, Folder 5

Pre-Raphaelite Brotherhood undated

Scope and Content Note

Notes.
Box 114, Folder 6

Victorian art 1987, 1990

Scope and Content Note

Correspondence, notes, and photocopies.
 

Barbizon School 2000

Scope and Content Note

This subseries is filed by date.
Box 114, Folder 7

Barbizon 2000

Scope and Content Note

Photocopies, notes, correspondence, and catalog of Barbizon works. Some materials in French.
Box 114, Folder 8

Barbizon guys undated

Scope and Content Note

Copies of photos. Folder originally titled Barbie Guys.
Box 114, Folder 9

Barbizon School - vol. 3 undated

Scope and Content Note

Notes and annotated photocopies about Barbizon school and Courbet. Folder originally titled Barbie Inc. - vol. 3. Some materials in French.
 

Lectures and Conferences 1972, 1983-2005

Scope and Content Note

Materials in this series were gathered by Boime through his participation in a variety of conferences, symposia, and lecture series. This series also contains drafts of lectures given by Boime. Materials are arranged alphabetically by file title.
 

None

Box 115, Folder 1

Anecdote 2005

Scope and Content Note

Correspondence regarding plans to coordinate a conference on the anecdote. Folder also includes an informational sheet with definitions and interpretations of the anecdote.
Box 115, Folder 2

Astroflash: Psychological portrait 1992

Scope and Content Note

Publication regarding Astrology. Materials in French.
Box 115, Folder 3

Authentication symposia (1 of 5) 1995-1999, 2002

Scope and Content Note

Correspondence and descriptive materials regarding Art Authentication Symposia, conference brochures, articles related to art appraisal, and informational materials regarding Smithsonian Professional Institutes and Retreats. Folder also includes correspondence with Andrew Brainerd, McCrone Research Institute, and American Institute for Conservation of Historic and Artistic Works.
Box 115, Folder 4

Authentication symposia (2 of 5) 1995-1999, 2002

Scope and Content Note

Correspondence and descriptive materials regarding Art Authentication Symposia, conference brochures, articles related to art appraisal, and informational materials regarding Smithsonian Professional Institutes and Retreats. Folder also includes correspondence with Andrew Brainerd, McCrone Research Institute, and American Institute for Conservation of Historic and Artistic Works.
Box 115, Folder 5

Authentication symposia (3 of 5) 1995-1999, 2002

Scope and Content Note

Correspondence and descriptive materials regarding Art Authentication Symposia, conference brochures, articles related to art appraisal, and informational materials regarding Smithsonian Professional Institutes and Retreats. Folder also includes correspondence with Andrew Brainerd, McCrone Research Institute, and American Institute for Conservation of Historic and Artistic Works.
Box 115, Folder 6

Authentication symposia (4 of 5) 1995-1999, 2002

Scope and Content Note

Correspondence and descriptive materials regarding Art Authentication Symposia, conference brochures, articles related to art appraisal, and informational materials regarding Smithsonian Professional Institutes and Retreats. Folder also includes correspondence with Andrew Brainerd, McCrone Research Institute, and American Institute for Conservation of Historic and Artistic Works.
Box 115, Folder 7

Authentication symposia (5 of 5) 1995-1999, 2002

Scope and Content Note

Correspondence and descriptive materials regarding Art Authentication Symposia, conference brochures, articles related to art appraisal, and informational materials regarding Smithsonian Professional Institutes and Retreats. Folder also includes correspondence with Andrew Brainerd, McCrone Research Institute, and American Institute for Conservation of Historic and Artistic Works.
Box 115, Folder 8

Bielefeld symposium 1985-1986

Scope and Content Note

Draft of "Thomas Couture and the Privileging of Decadence," correspondence, notes and maps relating to Colloquium on 'Late Antiquity' sponsored by the Universitat Bielefeld (from Dr. Andre Stoll and Dr. Reinhart Herzog), and note cards on Romans of the Decadence for Boime's presentation at the symposium.
Box 115, Folder 9

Civil rights symposium ca. 1995

Scope and Content Note

Symposium program and outline, notes, and photocopies.
Box 115, Folder 10

Conferences 1989, 1993

Scope and Content Note

Conference and symposium information, application for conference travel funds, and correspondence.
Box 115, Folder 11

Conference materials 1985

Scope and Content Note

Materials for UCLA Conference on Undergraduate Education. Folder also includes correspondence and an annotated photocopy "Involvement in Learning: Realizing the Potential of American Higher Education."
Box 115, Folder 12

Duke lectures 1996

Scope and Content Note

Flyers for various lectures and correspondence regarding Duke's Edward H. Benenson Lecture Series.
Box 115, Folder 13

Friedrich talk undated

Scope and Content Note

Copy of "Caspar David Friedrich: The Monk on the Seashore."
Box 115, Folder 14

Grand Central symposium bulk 1983, 1988

Scope and Content Note

Itinerary, correspondence, and notes.
Box 115, Folder 15

Guggenheim 2002

Scope and Content Note

E-mail correspondence, notes, and copies of unidentified image.
Box 116, Folder 1

History of Ideas colloquium 1987-1979

Scope and Content Note

Notes, photocopies, pages from draft "Art Around 1900," paper by Ruth M. Capelle "The Meaning of the Pergamon Altar, Guernica, Liberty Leading the People, and the Raft of the Medusa in Aesthetik des Widerstands by Peter Weiss," and correspondence.
Box 116, Folder 2

Hunter disembodied 1990

Scope and Content Note

Correspondence from Hunter College and project description for "The Disembodied Spectacle."
Box 116, Folder 3

Iconotropism conference 1998

Scope and Content Note

Notes, newsletter, and program for conference "Iconotropism: Turning Towards Pictures" at Bar-Ilan University.
Box 116, Folder 4

International Congress for the History of Art 1985-1986

Scope and Content Note

Correspondence, itinerary and abstract for the 36th International Congress held on August 11-18, 1986. Boime's lecture for the Congress was titled "Caspar David Friedrich: the Monk at the Seaside."
Box 116, Folder 5

Lois' symposium 1990-1991

Scope and Content Note

Correspondence and transcripts of a symposium about the future of art scholarship.
Box 116, Folder 6

Mosler talk undated

Scope and Content Note

Draft of "Henry Mosler's 'Jewish' Bretons and His Quest for Collective Identity" with edits.
Box 116, Folder 7

New scholars symposium 2000-2001

Scope and Content Note

Abstracts for New Scholars/New Ideas Symposium with notes by Boime.
Box 116, Folder 8

Nochlin - Why? ca. 2005

Scope and Content Note

CD, draft of lecture responding to Nochlin's article, and photocopy of "Why Have there Been No Great Women Artists?" by Linda Nochlin.
Box 116, Folder 9

Oil sketch symposium 1986

Scope and Content Note

Correspondence, chapter 4 (The Counter-Revolution of the July Monarchy: An Umbrella Organization…actually chapter 6 in volume 3 of modern art series), and dinner party guest list.
Box 116, Folder 10

Oregon 1986

Scope and Content Note

Book catalogs and letter regarding speaking engagement at University of Oregon.
Box 116, Folder 11

Power in America 2000

Scope and Content Note

Paper "Power in Museums and Art" and collection of papers from "Power in America" conference.
Box 116, Folder 12

Princess Cruises ca. 1995-1996, 1998

Scope and Content Note

Correspondence, lecture outline, and notes for Princess Cruises. Catalogs on Munch and Mondrian. Folder originally titled "PC (The Other One)."
Box 116, Folder 13

Princess Cruises 1972, 1996

Scope and Content Note

Princess Cruises informational materials, notes, and correspondence.
Box 116, Folder 14

Princess cruises undated

Scope and Content Note

Lecture outlines and notes.
Box 116, Folder 15

Princess Cruises Viking lecture undated

Scope and Content Note

Lecture outline and notes on Vikings.
Box 116, Folder 16

Lecture - Princess Cruises 1995

Scope and Content Note

Documentation for lecture aboard Princess Cruises, correspondence, and brochures.
Box 117, Folder 1

Prophets and losses conference ca. 1984, 1995

Scope and Content Note

Draft of "Henry Mosler's 'Jewish' Bretons and His Quest for Collective Identity" with edits, slide list, correspondence, and pages from unidentified draft.
Box 117, Folder 2

Statue undated

Scope and Content Note

Notes, correspondence, and photos regarding a Probst sculpture.
Box 117, Folder 3

Skirball symposia ca. 1999

Scope and Content Note

Brochure and publication for "Larry Rivers' History of the Matzah: The Story of the Jews," notes, draft of "History of History Painting," and exhibition brochure for Micaela Amato's "Tijuana Tavolettas." Folder originally titled Screwball symposia.
Box 117, Folder 4

Textual intersections conference undated

Scope and Content Note

Correspondence and informational materials regarding conference "Textual Intersections in the Nineteenth Century: European Literatures, Histories, Arts," and copy of "Disorienting Orientalism."
Box 117, Folder 5

Todd lecture 1981

Scope and Content Note

Slide list and lecture notes for lecture by James Todd.
Box 144, Folder 7

Conference papers 1987

Scope and Content Note

Papers sent to Boime.
 

Publication Drafts 1970-1981, 1988-2004

Scope and Content Note

This series includes drafts of articles, books, and other types of publications prepared by Boime. Materials in this series may relate to items in the Research Materials series. However their themes and/or provenance are not directly associated with any research topic, resulting in their arrangement in this series. Publication drafts that clearly relate to a specific research topic are included with that topic in the Research Materials series. Materials are filed alphabetically by topic with general and untitled drafts at the end of the series.
 

None

Box 117, Folder 6

1848 Contest undated

Scope and Content Note

Draft of "The 1848 Contest for the Symbolic Figure of the Republic as a Vent for Domestic and Foreign Reaction," with edits.
Box 117, Folder 7

Art bulletin miscellaneous (1 of 2) 2001-2002

Scope and Content Note

Correspondence and readers reports on "William Holman Hunt's The Scapegoat: Rite of Forgiveness/Transference of Blame."
Box 117, Folder 8

Art bulletin miscellaneous (2 of 2) 2001-2002

Scope and Content Note

Correspondence and readers reports on "William Holman Hunt's The Scapegoat: Rite of Forgiveness/Transference of Blame."
Box 117, Folder 9

Art in an Age of Counterrevolution undated

Scope and Content Note

Stream of pages with draft of Boime's third volume in Modern Art series.
Box 118, Folder 1

Art of exclusion 1988-1990

Scope and Content Note

Correspondence, proofs notes, and photo of Boime for book.
Box 118, Folder 2

Book notes and captions 1990

Scope and Content Note

Copies of notes and captions for inclusion in one of Boime's texts (likely on monuments or Mount Rushmore), correspondence regarding Art in an Age of Genocide, and brochure on exhibition of Copley's "Watson and the Shark."
Box 118, Folder 3

Caspar David Friedrich draft undated

Scope and Content Note

Draft of "Caspar David Friedrich: The Monk on a Seashore" with edits.
Box 118, Folder 4

Chapter IV draft undated

Scope and Content Note

Draft of "Chapter IV: The French Revolution (1789-1799)" with edits.
Box 118, Folder 5

Charles Bouleau undated

Scope and Content Note

Draft of "Charles Bouleau and the Painter's Geometry" with edits and prints.
Box 118, Folder 6

The Chocolate Venus 1989

Scope and Content Note

Original draft for publication "The Chocolate Venus" and correspondence.
Box 118, Folder 7

Copying in 19th century France ca. 1989, 1993-1994

Scope and Content Note

Draft of "Copying in Nineteenth Century France," correspondence, photos, and lecture notes.
Box 118, Folder 8

Cosmos and Chaos (1 of 2) 2003

Scope and Content Note

Materials associated with exhibition essay for "Cosmos & Chaos: A Cultural Paradox" at the Roberson Museum & Science Center. Photocopies of artist interviews by Jerome Witkin, article photocopies, e-mail correspondence, pages from untitled draft, agreement for Boime's writings on Cosmos & Chaos exhibit, and prints of various works for exhibition by Daniel Mosner, Don Demauro, Ronald Gonzalez, Lucien Freud, Hall Groat, and Ib Benoh.
Box 118, Folder 9

Cosmos and Chaos (2 of 2) 2003

Scope and Content Note

Materials associated with exhibition essay for "Cosmos & Chaos: A Cultural Paradox" at the Roberson Museum & Science Center. Photocopies of artist interviews by Jerome Witkin, article photocopies, e-mail correspondence, pages from untitled draft, agreement for Boime's writings on Cosmos & Chaos exhibit, and prints of various works for exhibition by Daniel Mosner, Don Demauro, Ronald Gonzalez, Lucien Freud, Hall Groat, and Ib Benoh.
Box 118, Folder 10

Roberson Museum and Science Center 2004

Scope and Content Note

E-mail correspondence regarding Cosmos and Chaos exhibition, notes, article photocopies, and student responses to Cosmos & Chaos show (e-mailed to Boime).
Box 119, Folder 1

Daubigny ca. 1970

Scope and Content Note

Notes and galley proofs for "Notes on Daubigny's Early Chronology."
Box 119, Folder 2

Illustrations and photocopies 1970

Scope and Content Note

Photocopies of illustrations and correspondence regarding Jewish art (referents include Shica Greenberg).
Box 119, Folder 3

Images undated

Scope and Content Note

4x5 negatives and proof sheet.
Box 119, Folder 4

Kenneth Lindsay Festschrift 1985-1989

Scope and Content Note

Correspondence regarding Boime's involvement and image permissions for publication of the Lindsay Festschrift. Other materials include a brochure for the Daniel Chester French Papers.
Box 119, Folder 5

Lindsay Festschrift proof 1989

Scope and Content Note

Proof of Kenneth C. Lindsay Festschrift and correspondence from editor.
Box 119, Folder 6

L'histoire publication 1981

Scope and Content Note

Correspondence, payment paperwork, and guidelines for article published by Boime in issue of L'histoire. Folder also includes correspondence with Charles Rhyne and Claus Grimm. Materials in French.
Box 119, Folder 7

Manifest Destiny draft ca. 1991

Scope and Content Note

Draft of "Manifest Destiny and the Magisterial Gaze."
Box 119, Folder 8

Manifest Destiny undated

Scope and Content Note

Complete draft of "Manifest Destiny and the Magisterial Gaze in 19th Century American Landscape Painting."
Box 119, Folder 9

Manuscript to edit undated

Scope and Content Note

Note and draft of paper "Delaroche's and Gleyre's Teaching Ateliers and Their Group Portraits" for Boime's edit.
Box 119, Folder 10

Miscellaneous images 2000

Scope and Content Note

Card with photo and slides, Spring 2000 Exhibition Catalog of "Nineteenth Century European Paintings, Drawings and Sculpture", and Catalogue Raisonne of the Victoria Dailey Publisher.
Box 119, Folder 11

Publishers undated

Scope and Content Note

Photocopied articles, image of "Tattoo" by M. Tenzer, and exhibition announcement from Irsa Verlag.
Box 119, Folder 12

Rouault drafts undated

Scope and Content Note

Pages from drafts of papers on Georges Rouault and notes.
Box 120, Folder 1

Taste undated

Scope and Content Note

Manuscript of Boime's article "There is Some Accounting for Taste."
Box 120, Folder 2

Taste 1977

Scope and Content Note

Notes, photocopies, draft of "There is Some Accounting for Taste" with edits, letter from Benedict Nicholson, and paper "Class systems and the Arts" by Adolph Tomars.
Box 120, Folder 3

Travel and grant 1980

Scope and Content Note

Correspondence with the American Philosophical Society for a grant and travel brochures for Grand Canyon, Haleakala National Park, campgrounds, and other Maui tourist attractions. Folder also includes a draft of "Maurice Prendergast: La Belle Epoque and Progressive Era" with edits.
Box 120, Folder 4

With Liberty and Justice for All 1986

Scope and Content Note

Correspondence, order confirmations, and photocopies of Statue of Liberty. Folder also includes draft of "With liberty and justice for all…".
Box 120, Folder 5

World Book undated

Scope and Content Note

Summaries on Paul Gauguin, Georges Seurat, Vincent Van Gogh, and Paul Cezanne. Some materials in Italian.
Box 120, Folder 6

Unidentified draft undated

Scope and Content Note

Pages from an unidentified draft with edits.
Box 120, Folder 7

Untitled undated

Scope and Content Note

Pages from an untitled draft on Courbet.
Box 120, Folder 8

Drafts ca. 1998

Scope and Content Note

Drafts of articles (likely not by Boime) and photocopy of article.
Box 120, Folder 9

Draft undated

Scope and Content Note

Draft of "The Teaching of Fine Arts and the Avant-Garde in France During the Second Half of the Nineteenth Century" with edits.
Box 120, Folder 10

Draft undated

Scope and Content Note

Draft of "Political Signification and Ambiguity in the Oil Sketch."
Box 120, Folder 11

Draft undated

Scope and Content Note

Draft of "Rubin" speech on African Art.
Box 120, Folder 12

Draft undated

Scope and Content Note

Draft of "Persistence of the French Academic Tradition." Photocopied pages replaced with identical typed pages for sake of legibility.
Box 120, Folder 13

Draft ca. 1979

Scope and Content Note

Draft of World Book entry for Francois Millet and correspondence.
Box 120, Folder 14

Draft undated

Scope and Content Note

Draft of "Frank Reilly and the Persistence of the Academic Vision" and notes.
Box 120, Folder 15

Drafts undated

Scope and Content Note

Draft of response to review of "Thomas Couture and the Eclectic Vision" with edits. Folder also includes a list of photos for a book and copies of images.
Box 145, Folder 1

Chapter III undated

Scope and Content Note

Notes and pages from unidentified drafts.
Box 145, Folder 2

Draft ca. 1973-1979

Scope and Content Note

Draft of "America's Purchasing Power and the Evolution of European Art in the Late Nineteenth Century" and correspondence. This paper was given at the 1979 International Congress of Art History in Bologna. Folder also contains annotated photocopies. Some materials in French and Italian.
 

Correspondence 1963-2007

Scope and Content Note

This series includes correspondence between Boime and colleagues, museums, students, publishers, and personal contacts from his graduate studies until his death. The series is divided into three subseries based on the type of correspondence.
 

Publication Correspondence 1979-2007

Scope and Content Note

Materials relating to Boime's interaction with publishers. A large portion of this subseries includes correspondence with museums, individuals, and private collections regarding permission to reproduce images of artwork in Boime's publications. Other materials include galley proofs of publications. A significant body of material also relates to issues with University of Chicago Press regarding publication of Boime's Social History of Modern Art series. Materials are arranged by subject with respect to the publication or publisher.
Box 121, Folder 1

Modern art series correspondence 2001

Scope and Content Note

Correspondence regarding unpublished volumes of Modern Art Series.
Box 121, Folder 2

Modern art series letter undated

Box 121, Folder 3

Volume 1 correspondence 1985-1986

Scope and Content Note

Correspondence regarding photo permissions and acquisitions for Art in an Age of Revolution. Folder also includes a caption list.
Box 121, Folder 4

Volume 1 correspondence 1979-1981

Scope and Content Note

In 1979 Boime pitched Art in the Age of Revolution to Harcourt Brace Jovanavich and was rejected. Enclosed is the correspondence regarding this initial effort.
Box 121, Folder 5

Volume 1 permissions undated

Scope and Content Note

Draft of untitled manuscript regarding Starry Night and Van Gogh and astronomy.
Box 121, Folder 6

Volume 2 permissions (1 of 3) 1981-1985

Scope and Content Note

Permissions for Art in the Age of Bonapartism, bills, and invoices. Some materials in German, Spanish, Italian, French, and Russian.
Box 121, Folder 7

Volume 2 permissions (2 of 3) 1986-1987

Scope and Content Note

Permissions for Art in the Age of Bonapartism, bills, and invoices. Some materials in German, Spanish, Italian, French, and Russian.
Box 121, Folder 8

Volume 2 permissions (3 of 3) 1988-1989

Scope and Content Note

Permissions for Art in the Age of Bonapartism, bills, and invoices. Some materials in German, Spanish, Italian, French, and Russian.
Box 121, Folder 9

Volume 2 pending permissions (1 of 3) 1981-1985

Scope and Content Note

Permission requests that have yet to be granted. Some materials in Italian and Spanish.
Box 121, Folder 10

Volume 2 pending permissions (2 of 3) 1981-1985

Scope and Content Note

Permission requests that have yet to be granted. Some materials in Italian and Spanish.
Box 121, Folder 11

Volume 2 pending permissions (3 of 3) 1986-1987

Scope and Content Note

Permission requests that have yet to be granted. Some materials in Italian and Spanish.
Box 121, Folder 12

Volume 2 photo permissions 1988-1992

Scope and Content Note

Photos, 4x5 negatives, correspondence, drafts of jacket notes and catalog copy for Art in an Age of Bonapartism. Some materials in French and German.
Box 121, Folder 13

Napoleon permissions 1986-1989

Scope and Content Note

Correspondence regarding permissions for use of photos in Art in an Age of Bonapartism. Folder also includes notes. Some materials in German, French, and Russian.
Box 121, Folder 14

Volume 2 proofs undated

Scope and Content Note

Photocopies of Boime's "Art in an Age of Bonapartism."
Box 122, Folder 1

Volume 3 correspondence (1 of 2) 1997-1998, 2000, 2002

Scope and Content Note

Correspondence regarding photo permissions. Some materials in French and German.
Box 122, Folder 2

Volume 3 correspondence (2 of 2) 1997-1998, 2000, 2002

Scope and Content Note

Correspondence regarding photo permissions. Some materials in French and German.
Box 122, Folder 3

Volume 3 permissions bulk 1994-1997, 2000, 2002

Scope and Content Note

Correspondence regarding image reproduction and invoices. Some materials in French and German.
Box 122, Folder 4

Permissions summary 2002

Scope and Content Note

Permissions summary for image reproduction in Art in an Age of Counter Revolution (furnished by publisher).
Box 122, Folder 5

Permissions 1997-1998

Scope and Content Note

Correspondence regarding image reproduction for Art in an Age of Counter Revolution. Some materials in French and German.
Box 122, Folder 6

New permissions 2002

Scope and Content Note

Correspondence regarding image reproduction and invoices. Some materials in French and German.
Box 122, Folder 7

Volume IV permissions bulk 1997, 2004-2005

Scope and Content Note

Correspondence regarding photo permissions for Volume IV, complete illustration list for Volume IV, and CD.
Box 123, Folder 1

Volume IV new permissions 2004-2006

Scope and Content Note

Correspondence regarding image reproduction and invoices for Volume IV.
Box 123, Folder 2

Volume V and VI correspondence 2006

Scope and Content Note

Correspondence regarding photo permissions.
Box 123, Folder 3

Volume V and VI permissions 2006

Scope and Content Note

Correspondence regarding photo permissions. Some materials in Spanish and German.
Box 123, Folder 4

Volume VI correspondence 2003

Scope and Content Note

Correspondence regarding photo permissions. Some materials in German.
Box 123, Folder 5

University of Chicago Press correspondence 1984-1985

Scope and Content Note

Correspondence regarding Boime's modern art series. Correspondents include Karen Wilson.
Box 123, Folder 6

University of Chicago Press correspondence 1986-1990

Scope and Content Note

Correspondence regarding Boime's modern art series. Correspondents include Karen Wilson, Julie McCarthy, and Lila Weinberg.
Box 123, Folder 7

University of Chicago Press correspondence (1 of 2) 1991-2007

Scope and Content Note

Correspondence, copy of curriculum vitae. Correspondents include Karen Wilson, Julie McCarthy, Andrew Brainerd, and Susan Bielstein. Folder also includes reviews and a contract for Art in an Age of Civil Struggle (1848-1871).
Box 123, Folder 8

University of Chicago Press correspondence (2 of 2) 1991-2007

Scope and Content Note

Correspondence, copy of curriculum vitae. Correspondents include Karen Wilson, Julie McCarthy, Andrew Brainerd, and Susan Bielstein. Folder also includes reviews and a contract for Art in an Age of Civil Struggle (1848-1871).
Box 123, Folder 9

University of Chicago Press correspondence and contracts 1985-1991

Scope and Content Note

Letters and detailed chronology of all correspondence between Boime and the University of Chicago Press from 1984-1998. Folder also includes contracts with U of C Press for The Art of the Macchia and the Risorgimento, Art in an Age of Imperialism, 1855-1914, Art in an Age of Counter-Revolution, 1800-1855, and Art in an Age of Revolution, 1750-1800.
Box 123, Folder 10

University of Chicago Press correspondence regarding volume III 1998-2001

Scope and Content Note

Correspondence and contracts for Art in an Age of Counter-Revolution. Correspondents include Mark Heinecke and Susan Bielstein.
Box 123, Folder 11

University of Chicago Press correspondence 2001

Scope and Content Note

Correspondence regarding Boime's modern art series and legal issues. Correspondents include Sandra Dijkstra. Folder includes lists of relevant correspondence between Boime and U of C Press.
Box 123, Folder 12

University of Chicago Press correspondence 1986-1991, 2001

Scope and Content Note

Correspondence; correspondents include Julie McCarthy, Karen Wilson; photocopies, invoices related to modern art series. Some materials in French, Italian, and Spanish.
Box 123, Folder 13

University of Chicago Press correspondence 2000-2002

Scope and Content Note

Correspondence with University of Chicago Press and legal counsel. Correspondents include Susan Bielstein and Andrew Brainerd.
Box 123, Folder 14

University of Chicago Press miscellaneous 1995

Scope and Content Note

Photocopies of correspondence chronology with U of C Press. Other materials include a letter from the Guggenheim Foundation.
Box 124, Folder 1

Fischer correspondence bulk 1986-1987, 1989, 1995

Scope and Content Note

Correspondence with Universitat Hamburg and Fischer Taschenbuch Verlag. Some materials in German.
Box 124, Folder 2

Voyager bulk 1996-1999, 1991

Scope and Content Note

Correspondence, brochure, and notes regarding Boime's partnership with Voyager for a Van Gogh CD-rom.
Box 124, Folder 3

Sculpture permissions 1986-1987

Scope and Content Note

Correspondence regarding Boime's requests to use reprints of sculpture images in his book, invoices for photo reprints, selected photographs and photo reprints, and image lists. Some materials in French.
Box 124, Folder 4

Revelation - publisher's correspondence 2007

Scope and Content Note

Correspondence and proof of bibliography for Revelation of Modernism.
Box 124, Folder 5

Correspondence for Hollow Icons 1985-1988

Scope and Content Note

Correspondence regarding "Hollow Icons: The Politics of French Sculpture in the Nineteenth Century," published by Kent State University Press. Folder also includes notes, photocopies, draft of catalog blurb, and confidential peer review of book.
Box 124, Folder 6

Publisher correspondence 2007

Scope and Content Note

Correspondence, reader's reports, and bibliography regarding Revelation of Modernism.
Box 124, Folder 7

Publication correspondence 1979

Scope and Content Note

Correspondence with Harcourt Brace Jovanovich regarding Boime's Modern Art Series. Folder also includes photo reproductions of artworks.
Box 124, Folder 8

Publications - legal matters 2001

Scope and Content Note

Photocopies and a letter from Boime's legal counsel Andrew Brainerd regarding legal practices in Illinois.
Box 124, Folder 9

Cambridge Press correspondence 2004

Scope and Content Note

Correspondence from Cambridge University Press regarding royalties.
Box 124, Folder 10

Copy, rights, etc. ca. 1998

Scope and Content Note

Miscellaneous publication agreements and UCLA Faculty Association Newsletter.
Box 124, Folder 11

New Text 2000

Scope and Content Note

Book proposal by Boime for "Nineteenth-Century Art from a Twenty-First Century Perspective" with image list. Folder also includes a review of book proposal by Lee Ripley Greenfield.
Box 124, Folder 12

Publishers 1997, 1999

Scope and Content Note

Correspondence, book proposal (including outline and suggested images) by Boime entitled "Nineteenth- Century Art From a Twenty-First Century Perspective," and book proposals from several colleagues (likely models for Boime's own proposal).
Box 124, Folder 13

Editors ca. 1993

Scope and Content Note

Notes on unidentified endnotes and draft.
Box 124, Folder 14

Reviews ca. 1993

Scope and Content Note

List of reviews on works by Boime and draft of a review.
Box 124, Folder 15

List of publications ca. 1999

Box 124, Folder 16

Publication and award correspondence 1989-1993

Scope and Content Note

Recognition and awards from student groups, recommendations, and correspondence regarding publications, lectures, and campus activities. Some materials in Korean.
Box 124, Folder 17

Event correspondence and publications 2001-2004

Scope and Content Note

Correspondence and materials for events Boime attended and honors received.
Box 124, Folder 18

Image permissions 2003

Scope and Content Note

Correspondence, invoice, and copy of image. Some materials in Spanish.
Box 124, Folder 19

Last batch 2003

Scope and Content Note

Correspondence regarding photo permissions. Some materials in French.
Box 124, Folder 20

Image reproductions 1990-1991

Scope and Content Note

Correspondence and notes.
Box 125, Folder 1

Permissions 1985-1986

Scope and Content Note

Correspondence regarding photo permissions for Boime publications.
Box 125, Folder 2

1830 and photos 1993

Scope and Content Note

Notes and correspondence. Some materials in German.
Box 125, Folder 3

Phila-MOMA lists 2001

Scope and Content Note

Correspondence and painting lists, likely from the Philadelphia Museum of Art and the Museum of Modern Art.
Box 125, Folder 4

Reimbursements 1998 1998

Scope and Content Note

Receipts.
Box 145, Folder 3

Volume 1 permissions 1985-1986

Scope and Content Note

Correspondence regarding photo permissions and invoices.
Box 145, Folder 4

Volume 4 permissions 1997

Scope and Content Note

Correspondence and invoices regarding photo permissions for Volume IV.
Box 145, Folder 5

Response to New York Review of Books 1982

Scope and Content Note

Correspondence, draft of letter, and proof of letter.
 

Specific Correspondence 1963-2002

Scope and Content Note

These materials encompass Boime's correspondence with specific individuals or regarding specific topics. The subseries is filed by subject.
Box 125, Folder 5

Personal correspondence - early career 1963-1966

Scope and Content Note

Photos, cards, and correspondence from Myra Boime and friends.
Box 125, Folder 6

Couture correspondence 1976

Scope and Content Note

Correspondence with Jerry (likely Gerald Ackermann) regarding Thomas Couture and the Eclectic Vision. See boxes 9-17 for additional materials on this topic.
Box 125, Folder 7

Burlington correspondence 1977

Scope and Content Note

General correspondence, art newsletter, Boime's curriculum vitae, correspondence with Benedict Nicholson regarding an article by Boime for The Burlington Magazine, and photos.
Box 125, Folder 8

Skirball Cultural Center correspondence 1996

Scope and Content Note

Notes, articles, and correspondence.
Box 125, Folder 9

Correspondence from museums and businesses 1989-1990

Box 125, Folder 10

Correspondence - National Geographic 1997-1998

Scope and Content Note

Correspondence and invoices for consulting Boime performed in relation to a Van Gogh article.
Box 125, Folder 11

Cornelia Harrison Stranahan 1975-1976

Scope and Content Note

Correspondence and photocopy regarding Cornelia Harrison Stranahan. Correspondents include Charles Scribner.
Box 125, Folder 12

Alex Seltzer 1977

Scope and Content Note

Correspondence from Alex Seltzer, a graduate student.
Box 125, Folder 13

Colleague correspondence 1986, 1992-1996, 2000-2002

Box 125, Folder 14

Correspondence - 19th century undated

Scope and Content Note

Some materials in French.
Box 125, Folder 15

Maler Gerard (1 of 2)

Scope and Content Note

Correspondence with Maler Gerard und Frau Susanne, images, and clippings. All materials in French and German.
Box 126, Folder 1

Maler Gerard (2 of 2) 1988-1998

Scope and Content Note

Correspondence with Maler Gerard und Frau Susanne, images, and clippings. All materials in French and German.
Box 126, Folder 2

Wayne Andersen (1 of 3) 1990-1992

Scope and Content Note

Correspondence with Boime and correspondence regarding U.S. fellowships and teaching appointments. Other materials include drafts "Cezanne as Amorous Shepherd," "The Nightmare of Fuseli's Nightmare," "California Funk and the American Express," "Cezanne's L'Eternel Feminin and the Miracle of her Restored Vision," "The Extramundane Cezanne," "Relics of Paul Cezanne," "Solo Notes for the Chorus," and "Barthes, Krauss, Water, Glass, Ice and Windowpanes." Folder also includes a catalog of Andersen paintings and draft of Andersen's manuscript "Cezanne's Choice of Paris: Schapiro's Amorous Shepherd: An Essay on a Psychoanalytical Interpretation of Still-life" and a manuscript on Roman statuary for Boime to review.
Box 126, Folder 3

Wayne Andersen (2 of 3) 1990-1992

Scope and Content Note

Correspondence with Boime and correspondence regarding U.S. fellowships and teaching appointments. Other materials include drafts "Cezanne as Amorous Shepherd," "The Nightmare of Fuseli's Nightmare," "California Funk and the American Express," "Cezanne's L'Eternel Feminin and the Miracle of her Restored Vision," "The Extramundane Cezanne," "Relics of Paul Cezanne," "Solo Notes for the Chorus," and "Barthes, Krauss, Water, Glass, Ice and Windowpanes." Folder also includes a catalog of Andersen paintings and draft of Andersen's manuscript "Cezanne's Choice of Paris: Schapiro's Amorous Shepherd: An Essay on a Psychoanalytical Interpretation of Still-life" and a manuscript on Roman statuary for Boime to review.
Box 126, Folder 4

Correspondence to be reviewed bulk 1995-1999, 1970-1980

Box 126, Folder 5

To answer immediately 1980

Box 145, Folder 6

Wayne Andersen (3 of 3) 1990-1992

Scope and Content Note

Correspondence with Boime and correspondence regarding U.S. fellowships and teaching appointments. Other materials include drafts "Cezanne as Amorous Shepherd," "The Nightmare of Fuseli's Nightmare," "California Funk and the American Express," "Cezanne's L'Eternel Feminin and the Miracle of her Restored Vision," "The Extramundane Cezanne," "Relics of Paul Cezanne," "Solo Notes for the Chorus," and "Barthes, Krauss, Water, Glass, Ice and Windowpanes." Folder also includes a catalog of Andersen paintings and draft of Andersen's manuscript "Cezanne's Choice of Paris: Schapiro's Amorous Shepherd: An Essay on a Psychoanalytical Interpretation of Still-life" and a manuscript on Roman statuary for Boime to review.
 

General Correspondence 1964-2008

Scope and Content Note

Materials include typed and handwritten correspondence that Boime compiled by date. Materials relate to a wide range of topics. Folder contents and categories are strictly based on Boime's filing system. The subseries is arranged by date, beginning with the earliest materials.
Box 126, Folder 6

Correspondence 1964-1967

Scope and Content Note

Correspondence regarding article submissions and image requests, applications for research grants, notes, postcards, and Arizona Highways catalog.
Box 127, Folder 1

Correspondence 1965-1966

Scope and Content Note

Some materials in French and German.
Box 127, Folder 2

Correspondence 1966-1967

Box 127, Folder 3

Correspondence 1965-1968

Box 127, Folder 4

Correspondence 1968-1969

Scope and Content Note

Correspondence and invoices. Some materials in French.
Box 127, Folder 5

Correspondence 1969-1970

Box 127, Folder 6

Correspondence 1972-1979

Scope and Content Note

Correspondence with colleagues during Boime's time at SUNY Binghamton, Williams College, and early years at UCLA. Materials include correspondence and notes on research pursuits, photos, letters from colleagues requesting letters of support, and some publishing correspondence with arete.
Box 127, Folder 7

Correspondence 1970

Scope and Content Note

Correspondents include Susan Perry, Mary Milton, Alain de Leiris, and Mort Grant. Folder also includes miscellaneous artist biographies, likely composed by Boime.
Box 127, Folder 8

Correspondence bulk 1971-1972, 1969

Scope and Content Note

Correspondents include Madeleine Fidell Beaufort and Shica Greenberg. Other materials include notes and postcards. Some materials in French.
Box 127, Folder 9

Correspondence 1972-1973

Scope and Content Note

Notes and correspondence regarding issues such as the artist's role as an entrepreneur.
Box 127, Folder 10

Correspondence 1972-1978, 1982, 1991

Scope and Content Note

Correspondence about lectures, articles, and research by Boime.
Box 127, Folder 11

Correspondence 1972-1974

Scope and Content Note

Correspondents include Gerald M. Ackermann, Madeleine Beaufort Fidell, and Carl Goldstein.
Box 127, Folder 12

Correspondence bulk 1974, 1972-1973

Scope and Content Note

Correspondents include James Welch, Jacques Foucart, John Maass, Gustav Stresow, and Marchal Landgren. Some materials in French.
Box 127, Folder 13

Correspondence 1974-1975

Box 127, Folder 14

Miscellaneous correspondence bulk 1975-1978, 1972-1973

Scope and Content Note

Photographic reprints and correspondence. Some materials in French.
Box 127, Folder 15

Correspondence 1977

Scope and Content Note

Draft of "Poetic Technique and Meaning in La Fontaine's Fables" by Carrol F. Coates, correspondence, and draft of "One Gem of a Parable: Lessing's Ring Re-Examined" by M. Nirenberg.
Box 128, Folder 1

Correspondence 1979

Scope and Content Note

Correspondence, photos, and slides. Correspondents include Rosemary Polito of the Century City Cultural Commission.
Box 128, Folder 2

Correspondence 1982, 1988

Scope and Content Note

Correspondence from North Carolina Museum of Art about records for paintings. Some materials in Italian.
Box 128, Folder 3

Correspondence 1982-1985

Box 128, Folder 4

Correspondence 1982-1983

Scope and Content Note

Correspondence regarding lectures, research inquiries, and recommendations for students and colleagues. Invoice moved to redacted materials.
Box 128, Folder 5

Correspondence 1984-1985

Scope and Content Note

Correspondents include Maler Gerard, H.D. (Buzz) Burrows, Lawrence Fane, and Jerry Howe. Folder contains some slides.
Box 128, Folder 6

Correspondence 1986

Scope and Content Note

Correspondence regarding Macchiaioli show.
Box 128, Folder 7

Correspondence 1986

Scope and Content Note

Postcards and correspondence.
Box 128, Folder 8

Correspondence bulk 1986-1988, 1984

Box 128, Folder 9

Correspondence 1987

Scope and Content Note

Correspondence and pottery brochure. Materials in German.
Box 128, Folder 10

Correspondence (1 of 2) 1988

Scope and Content Note

Correspondence regarding the Wittkower Symposium, French Bicentennial celebration, and Gerard Maler.
Box 128, Folder 11

Correspondence (2 of 2) 1988

Scope and Content Note

Correspondence regarding the Wittkower Symposium, French Bicentennial celebration, and Gerard Maler.
Box 128, Folder 12

Correspondence 1989

Scope and Content Note

Notes, draft of paper for review, postcards, brochures, draft of "Leaves of Grass and Real Allegory," correspondence regarding manuscripts, and Graham Modern exhibition announcements. Materials in French.
Box 129, Folder 1

Correspondence (1 of 2) 1989

Scope and Content Note

Correspondence from Maler Gerard, letters of recommendation for students, letters from colleagues, correspondence regarding Smithsonian Regents Fellowship, and evaluation of Boime and Art History 54.
Box 129, Folder 2

Correspondence (2 of 2) 1989

Scope and Content Note

Correspondence from Maler Gerard, letters of recommendation for students, letters from colleagues, correspondence regarding Smithsonian Regents Fellowship, and evaluation of Boime and Art History 54.
Box 129, Folder 3

Correspondence 1991

Scope and Content Note

Correspondence with colleagues and friends and photographic permissions. Correspondents include Andrew Brainerd.
Box 129, Folder 4

Correspondence 1992

Scope and Content Note

Correspondence regarding Tanner Symposium and art museums. Some materials in French.
Box 129, Folder 5

Correspondence 1993

Scope and Content Note

Correspondence regarding publications. Some materials in German.
Box 130, Folder 1

Correspondence 1994

Scope and Content Note

Correspondence and student recommendations (some from colleagues), and conference correspondence.
Box 130, Folder 2

Correspondence bulk 1995, 1994

Scope and Content Note

Correspondence with colleagues, letters of recommendation for students and colleagues, and informational/research inquiries. Correspondents include Radu Bogdan. Some materials in French and Hebrew.
Box 130, Folder 3

Correspondence 1996

Scope and Content Note

Correspondence regarding student recommendations & letters of recommendation for Boime. Some materials in French.
Box 130, Folder 4

Correspondence 1996-2002

Box 130, Folder 5

Correspondence 1997

Scope and Content Note

Correspondents include John Adler and Paul Weinberg. Some materials in French.
Box 130, Folder 6

Correspondence 1997-1998

Scope and Content Note

Correspondence regarding the promotion of Oscar Vasquez.
Box 130, Folder 7

Correspondence 1998

Scope and Content Note

Correspondents include Ken Aptekar and Joel Swerdlow. Materials include cards, postcards, and notes. Some materials in French.
Box 130, Folder 8

Clippings and correspondence 1998

Scope and Content Note

Clippings regarding the work of Randall Lake and correspondence from Vivien Fryd regarding teaching positions.
Box 130, Folder 9

Correspondence 1998-1999

Scope and Content Note

Thank you letters.
Box 130, Folder 10

Correspondence 1999

Scope and Content Note

Correspondence regarding students and images for books. Other materials include cards & postcards.
Box 130, Folder 11

Correspondence 2000

Scope and Content Note

Correspondence from Catherine Schaller and copy of an article by Schaller. Some materials in French.
Box 131, Folder 1

Correspondence 2000

Scope and Content Note

Correspondence regarding publications. Correspondents include Wayne Andersen, colleagues, and students.
Box 131, Folder 2

Correspondence 2001

Scope and Content Note

Notes, cards, and letters regarding publications. Correspondents include Ernst Reusch.
Box 131, Folder 3

Correspondence 2002

Scope and Content Note

Notes, cards, and letters regarding publications. Correspondents include Andrew Brainerd.
Box 131, Folder 4

Correspondence 2003

Scope and Content Note

Notes, cards, and letters regarding publications. Correspondents include colleagues and students. Some materials in French.
Box 131, Folder 5

Correspondence 2003

Scope and Content Note

Thank you notes from student groups.
Box 131, Folder 6

Correspondence 2004

Scope and Content Note

Notes, cards, and letters regarding publications. Correspondents include colleagues and students.
Box 131, Folder 7

Correspondence 2005

Scope and Content Note

Notes, cards, and letters regarding publications. Correspondents include colleagues and students.
Box 131, Folder 8

Correspondence 2006

Scope and Content Note

Notes, cards, and letters regarding publications. Correspondents include colleagues and students. Folder also includes a catalog of works by Ib Benoh.
Box 131, Folder 9

Correspondence 2007

Scope and Content Note

Notes, cards, and letters regarding publications. Correspondents include colleagues and students.
Box 131, Folder 10

Correspondence 2008

Scope and Content Note

E-mail and letter from Princeton University Press.
Box 131, Folder 11

Redacted materials - confidential undated

Scope and Content Note

Folder includes redacted pages with confidential information. The bulk of materials are pages from student papers with grades.
Box 145, Folder 7

Correspondence 1969-1970

Scope and Content Note

Correspondents include Gerald M. Ackermann (Jerry), Shica Greenberg, Francis Haskell, Alfred Neumeyer, and Bob Rosenbloom. Other materials include a contract for "The Academy and French Painting in the 19th Century." Some materials in French.
Box 145, Folder 8

Correspondence 1970

Box 145, Folder 9

Correspondence 1970-1971

Scope and Content Note

Correspondents include Gerald M. Ackermann (Jerry), Francis Haskell, and Shica Greenberg. Materials pertain to "Art and the Academy" and "Couture and the Eclectic Vision." Some materials in French and German.
Box 145, Folder 10

Correspondence bulk 1979, 1974

Scope and Content Note

Correspondence regarding Gabriele Sprigath and her political affiliations. Correspondents include Madeleine Fidell Beaufort and Susan Sontag. Folder also includes notes. Some materials in French.
Box 146, Folder 1

Correspondence (1 of 3) 1979-1981

Box 146, Folder 2

Correspondence (2 of 3) 1979-1981

Box 146, Folder 3

Correspondence (3 of 3) 1979-1981

Box 146, Folder 4

Correspondence bulk 1982, 1981-1984

Scope and Content Note

Correspondents include Gabriel Weisberg, Beverly Twitchell, Richard Schiff, and Andrew Brainerd. Folder also includes sabbatical leave paperwork. Some materials in French.
Box 146, Folder 5

Correspondence (1 of 2) 1985-1987

Scope and Content Note

Correspondents include Madeleine Fidell Beaufort, Joseph Anthony, Gabriel Weisberg, and Krzysztof Pomian. Folder also includes photos. Some materials in French.
Box 146, Folder 6

Correspondence (2 of 2) 1985-1987

Scope and Content Note

Correspondents include Madeleine Fidell Beaufort, Joseph Anthony, Gabriel Weisberg, and Krzysztof Pomian. Folder also includes photos. Some materials in French.
2 of 2 pages
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