INVENTORY OF THE JOACHIM BONNEMAISON COLLECTION OF PANORAMA PHOTOGRAPHS, 1803-1998, bulk 1846-1944

Series I. Africa, 1850-1920

Physical Description: 13.5 linear feet (4 boxes, 2 flatfile folders)

Scope and Content Note

Countries represented are: Algeria, Chad, Egypt, and Madegascar.

Arrangement

Arranged alphabetically by country, and within each country, alphabetically by photographer. Works by unidentified photographers are listed at the end of each country.

Algeria, 1859-circa 1920

Box 22, Item 7-8

Gustave de Beaucorps, Oasis de Korah (Sahara), 1859

Scope and Content Note

Albumen print (98.R.19-b22.07) and calotype negative (98.R.19-b22.08). Title written in pencil on recto of print mount. Photographer's name and date from Bonnemaison. IX.16. Former box number: 20*.

A. Bougault [editor], circa 1900-1920

Scope and Content Note

Toned gelatin silver prints. Editor's name on recto. Stamped on verso: Reproduction interdite, tous droits réservés, à l'éditeur A. Bougault à Toulon s/Mer. Dated by Bonnemaison. A 23. Former box number: 3*.

Box 12, Item 6

Muslim Cemetery, circa 1900-1920

Box 12, Item 9

Dry Valley, circa 1920

Box 12, Item 10

Lake and Village, circa 1920

Box 8, Item 1

André-Adolphe-Eugène Disdéri, Bougie, quai de la Marine et fort d'Abd-El-Kader, circa 1875

Scope and Content Note

Albumen. Title and photographer's name printed on recto of mount. Dated by Bonnemaison. Name of city is Béjaïa, Algeria. A 19. Former box number: 7*.

J. Geiser, circa 1880

Scope and Content Note

J. Geiser could be either Julie Geiser (d. 1874) or her son Jean-Théophile Geiser.

Box 1, Item 6

Panorama d'Alger Album

Scope and Content Note

Four-part joined panorama, albumen. Title on cover. Photographer's name on slipcase. Dated by Bonnemaison. IX.47. Former box number: 21.

Box 1, Item 7

Panorama d'Alger

Scope and Content Note

Six-part joined panorama, albumen. Title printed on recto of mount. 86. Former box number: 21.

Photo Félix, 1900-1920

Scope and Content Note

Toned gelatin silver prints. Photographer's name stamped on versos: Photo Félix Fournitures-vues du pays Kodaks travaux en 48 heures Marrakech (Maroc).

Box 12, Item 1

Palms at a River and Men with Donkey, 1900-1920

Scope and Content Note

Dated by Bonnemaison. In Arles catalog dated 1930. C 107. Former box number: 3*.

Box 12, Item 2

Men with Donkey at a River with Fortifications in Background, 1900-1920

Scope and Content Note

Dated by Bonnemaison. In Arles catalog dated 1930. C 108. Former box number: 3*.

Box 12, Item 7

City with Mountains in the Background, circa 1920

Scope and Content Note

Dated by Bonnemaison. A 24. Former box number: 3*.

Box 12, Item 11

Fortifications, 1900-1920

René Prouho, circa 1920

Scope and Content Note

Gelatin silver prints. Photographer's name on recto. Dated by Bonnemaison. A 26. Former box number: 3*.

Box 12, Item 3

View through a Fortress Gate with People in the Street

Box 12, Item 4-5

Market

Scope and Content Note

Two prints. 98.R.19-b12.05 is numbered and stamped on verso: 420 Bou-Saada, Solde.

Unidentified photographers, circa 1855-1920

Scope and Content Note

Includes photographs by four different unidentified photographers.

Views of El Kantara, circa 1910

Scope and Content Note

Gelatin silver prints. Titles written in ink on versos. Dated by Bonnemaison. H 186. Former box number: 1.

Box 1, Item 1

El Kantara

Box 1, Item 2-3

El Kantara, Côté Sud

Scope and Content Note

Two prints.

Box 1, Item 4-5

El Kantara, Sud

Scope and Content Note

Two prints.

Box 12, Item 8

Market, circa 1920

Scope and Content Note

Toned gelatin silver. Dated by Bonnemaison. A 24. Former box number: 3*.

Flatfile 1, Item 1-2

Roman Arch of Trajan, Timgad, circa 1920

Scope and Content Note

Two toned gelatin silver prints. Title and location derived by comparison with other images. Dated by Bonnemaison. A 11 and A 11 bis. Former folder number: FF 22**.

Flatfile 2, Item 1

Algiers, circa 1855

Scope and Content Note

Six-part joined panorama, salted paper prints. Title and date from Bonnemaison. IX.46. Former folder number: FF 11**.

Chad, circa 1930

Box 1, Item 8

Marc Allégret, Goats and Goatherds in Chad

Scope and Content Note

Gelatin silver. Photographer's name and date from Bonnemaison. Allégret was a French screenwriter and film director. A36. Former box number: 7*.

Egypt, 1850-circa 1880

Box 8, Item 3

Ernest Benecke, Riverbank of the Nile, circa 1850

Scope and Content Note

Salted paper print. Title, photographer's name and date from Bonnemaison. H 188. Former box number: 2*.

Maxime Du Camp, 1850

Scope and Content Note

Salted paper prints. Prints made by Alfred Nicholas Normand and Eugène Constant. Du Camp was assigned to an archaeological mission by the Ministère de l'Instruction Publique lasting from 1849 to 1851. In 1851 on his return trip to France, he stopped in Rome at the Villa Médicis, and with Alfred Nicolas Normand, architect and resident at the Villa, made 70 unique photographic prints. These were the first views of Egypt printed on paper as well as the only photographic prints made by Du Camp.

Box 8, Item 2

Thèbes. Louqsor, vue générale des ruines, circa 1850

Scope and Content Note

Title printed on recto of mount. Printed on recto of mount: Imprimerie photographique de Blanquard-Evrad à Lille, Pl. 24, Maxime Du Camp, Gide et Baudry, éditeurs. On recto of mount: MacGill 7 Hanover Edinr. A 45. Former box number: 4*.

Box 8, Item 5

Vue prise à la seconde cataracte, March 1850

Scope and Content Note

Title and numbers 64 and 71 written in pencil on recto of mount. IX.58. Former box number: 19.

Box 8, Item 3

G. Lekegian and Co., Karnak, Avenue of Sphinxes Luxor, circa 1880

Scope and Content Note

Gelatin silver, coated [?]. Title and photographer's name written in ink on recto of mount: G. Lekegian and Co., Cairo. Dated by Bonnemaison. In Arles catalog. I 204. Former box number: 3*.

Madagascar, 1863

Box 8, Item 6

Désiré Charnay, Madagascar

Scope and Content Note

Albumen. Title, photographer's name and date written in pencil on recto of mount. In Arles catalog titled: Première image de l'album de Madagascar. C 104. Former box number: 7*.

Series II. Asia, 1844-1916

Physical Description: 21.5 linear feet (5 boxes, 4 flatfile folders)

Scope and Content Note

Countries and geographical units represented are: China, Hong Kong, India, Israel, Japan, Lebanon, Turkey, and Uzbekistan.

Arrangement

Arranged alphabetically by country, and within each country, alphabetically by photographer. Works by unidentified photographers are listed at the end of each country.

China, circa 1860-1865

Flatfile 3, Item 3

Tung Hing (attributed), Yen-Ping and the Min River

Scope and Content Note

Three-part joined panorama, albumen. Dated by Bonnemaison, who gives title as: Tung Hing Tien Ping Foo, which is apparently the photographer's name and other information taken from another source. Exact location unknown. Frances Terpak attributes the photograph to Tung Hing, a Chinese studio in Fuzhou. A 4. Former folder number: FF 17**.

Flatfile 3, Item 1-2

Unidentified photographer, Fuzhou with Harbor

Scope and Content Note

Two three-part joined panoramas, albumen. Dated by Bonnemaison, who gives titles as: Tung Hing Tien Ping Foo, which is apparently the photographer's name and other information taken from another source. Location identified by comparison with another item in Jeffrey W. Cody and Frances Terpak, Brush and Shutter: Early Photography in China, p. 170-171. A 4. Former folder number: FF 17**.

Hong Kong, circa 1910

Flatfile 4, Item 1

Unidentified photographer, View of Hong Kong

Scope and Content Note

Toned gelatin silver print. Location and date by Bonnemaison. B 49. Former box number: ff27**.

India, 1864-1916

Samuel Bourne, circa 1864-1916

Box 2, Item 2

Panoramic view of Calcutta from the Achterberg Monument, 1916

Scope and Content Note

Two-part panorama, albumen. Title written in pencil on versos of both prints. Photographer's name and date written in ink on recto. The photographer is probably not John Cooke Bourne, who was not in India according to John Hannavy, v.1, p. 196, but it could be the company of Samuel Bourne in Calcutta since he died in 1911. A 35. Former box number: 1.

Box 8, Item 7

Through the Trees from Lambsknowe, Ootacamund, circa 1864-1877

Scope and Content Note

Circular albumen print. Title written in ink on recto of mount. Date and photographer's name from Bonnemaison. IX.71. Former box number: 19.

Box 12, Item 13

Festival of Mahamakam, 1865 or 1886

Scope and Content Note

Four-part joined panorama, albumen. Title from Arles catalog which gives date as 1886. Bonnemaison titles as: Vishnu Pud and Other Temples near the Burning Ghat near Banaras. Photographer's name and 1865 date from Bonnemaison. IX.52. Former box number: ff12**.

Box 2, Item 1

Unidentified photographer, European and Native Veterans at the Delhi Dunbar, 1903

Scope and Content Note

Gelatin silver. Title and date written in pencil on mount. There is an untitled image on the reverse of a temple in India with columns and prayers. H 185. Former box number: 1.

Israel, 1844-1875

Box 8, Item 8

James Graham, Mosque of Omar, Jerusalem, 1856

Scope and Content Note

Salted paper print. IX.66. Former box number: 19.

Box 12, Item 15

Charles Nègre, View from Mar Saba, between 1871 and 1875

Scope and Content Note

Photogravure made after a photo by Louis Vignes. Printed on recto of mount: Photogravure sur Acier par Ch. Nègre. Date is from Honore d'Albert, duc de Luynes, Voyage d'exploration a la mer Morte, a Petra et sur le rive gauche du Jourdain, Paris, 1875, with photogravures by Charles Nègre made after Vignes's photographs. H 194. Former flatfile number: FF. 63**.

Flatfile 5, Item 3

B. Petit, Jerusalem, 1844

Scope and Content Note

Three-part joined panorama, watercolor on paper. Photographer signed and dated on recto of paper. H 179. Former flatfile number: FF 57**.

Box 12, Item 14

Louis Vignes, View from Mar Saba, 1864

Scope and Content Note

Two-part joined panorama, albumen. The photographer and the date are determined by Vignes's trip to the Holy Land with the Duc de Luynes in 1864. In 1875 some of his photos were published as photogravures by Charles Nègre in Honoré Paul Joseph d'Albert, Duc de Luynes, Voyage d´exploration à la mer Morte, à Petra, et sur la rive gauche du Jourdain. Vignes was known before this trip by photographs of Morocco, Sicily, Lebanon, and Palestine dating from 1859 to 1864. A number of marks in pencil on the recto of the print indicate further treatment, especially to create clouds on the photogravure. Mar Saba is a monastery near Bethlehem. H 194. Former box number: ff63**

Unidentified photographer, circa 1865

Scope and Content Note

Three-part joined panoramas, albumen. Dated by Bonnemaison. H 179. Former flatfile number: FF 55**.

Flatfile 5, Item 1

Panorama de Jerusalem

Scope and Content Note

Title in negative on recto of print. Numbered and annotations or photographer's name (illegible) on lower edge.

Flatfile 5, Item 2

Jerusalem

Japan, circa 1863-1880s

Unidentified photographers, 1863-1900

Scope and Content Note

Includes works by two different unidentified photographers.

Box 2, Item 3

Hakodate Harbor, Yeso Island, circa 1863-1875

Scope and Content Note

Three-part panorama, albumen. Title written in pencil on verso. Date from Bonnemaison. Attributed to Felice Beato by Bonnemaison, but according to Anne Lacoste, the Beato attribution is doubtful: none of Beato's other photographs are from this part of Japan and there is a different tone to the prints. Yeso island is now Hakkaido. A 46. Former box number: 7*.

Box 2, Item 4

Garden at Okayama, Bizen, after 1880

Scope and Content Note

Two-part panorama, colored albumen. Title on recto. Dated by Bonnemaison, who also identifies the photographer as Felice Beato. Anne Lacoste feels this attribution is very unlikely due to the title appearing in the negative and the type of coloring. The photograph could be the work of a local photographer. I 211. Former box number: 1.

Lebanon, 1859

Box 12, Item 16

Louis de Clercq, Tripoli

Scope and Content Note

Salted paper print, dilute albumen [?]. Title printed on recto of mount. Photographer's signet on recto of mount: L de C. Dated by his journey to the nearby crusader castles with the historian Emmanuel Guillaume Rey. In Arles catalog. J 216. Former box number: 20*.

Turkey, 1870-1900

Sebah and Joailler, circa 1870

Scope and Content Note

Ten-part joined panoramas, albumen. Titles written in pencil on cover of mount. Date from Plesssen and Giersch. Photographer's name from Bonnemaison. IX.49. Former box number: 18.

Box 11, Item 1

Constantinople panorama, pris de la tour de Galata

Box 11, Item 2

Photographie du grand panorama de Constantinople et Sartari

Box 10, Item 17

Unidentified photographer, Sainte Sophie, 1870-1900

Scope and Content Note

Albumen print from three negatives. Title written in pencil on recto of mount. Dated by techniques. Depicts Hagia Sophia in Constantinople. F 153. Former box number: 4*.

Uzbekistan, circa 1860

Flatfile 6, Item 1

Unidentified photographer, Samarkand, Uzbekistan

Scope and Content Note

Three-part joined panorama, albumen. Title and date from Bonnemaison. A 12. Former folder number: FF 23**.

Series III. Europe, circa 1830-1998

Physical Description: 23.5 linear feet (21 boxes, 40 flatfiles)

Scope and Content Note

Countries and geographic units represented are: Austria, Crimea (Ukraine), Belgium, Czechoslovakia, Denmark, France, Germany, Great Britain, Greece, Italy, Malta, Norway, Poland, Portugal, Russia, Spain, and Switzerland.

Arrangement

Arranged alphabetically by country, and within each country, alphabetically by photographer. Works by unidentified photographers are listed at the end of each country.

Austria, circa 1870-1880

Box 12, Item 18

Adolphe Braun, La Haute Autriche (Le lac de Langbath), circa 1870

Scope and Content Note

Albumen. Title written in pencil on recto of mount. Photographer's name and date from Bonnemaison. B 70. Former box number: 8*.

Unidentified photographers, circa 1870- circa 1880

Scope and Content Note

Includes works by two unidentified photographers.

Box 2, Box 2

Innsbruck vom Berg Isel, circa 1880

Scope and Content Note

Albumen. Title and numbering on recto. Dated by Bonnemaison. B 76. Former box number: 10.

Box 12, Item 17

Salzbourg, circa 1870

Scope and Content Note

Albumen. Title written in pencil on recto of mount. Dated by Bonnemaison. H 182. Former box number: 8*.

Belgium, circa 1926-1939

Box 2, Item 6

Victor Guidalevitch, Building or Pavilion in Antwerp, 1931

Scope and Content Note

Gelatin silver. Photographer's name stamped on verso. Dated by Bonnemaison and in Arles catalog. Photograph taken at night. C 111. Former box number: 10.

Box 8, Item 9

Willy Kessels, Ball of a Floor Lamp, circa 1926-1939

Scope and Content Note

Gelatin silver. Photographer's name printed on recto of mount. Dated by Bonnemaison. IX.20. Former box number: 20*.

Crimea (Ukraine), 1855- circa 1862

Box 10, Item 5

James Robertson, Picquet House Cathcarts Hill from General Bosquet's Quarters, 1855-1856

Scope and Content Note

Salted paper print. Title written in ink on recto of mount. Photographer's name written in ink on recto of mount: Photographed by Robertson Manchester; published by T. Agnew & Sons, March 25th, 1856 London; P & D. Colnaghi Hl Paris, Moulin 23. Rue Richer; New York Williams Hl. Bonnemaison attributes this image to Roger Fenton. Taken during the Crimean War. IX.59. Former box number: 19.

Box 22, Item 10

Léon Méhédin, Sevastopol, Crimean War, circa 1862

Scope and Content Note

Two-part panorama, calotype negatives. Signed on recto of negative. Dated by Bonnemaison. E 140. Former box number: 10.

Czechoslovakia, circa 1870

Flatfile 7, Item 1

Unidentified photographer, Prague

Scope and Content Note

Three-part joined panorama, albumen. Dated by Bonnemaison. A 7. Former flatfile number: FF 19**.

Denmark, 1869

Box 12, Item 18

George Critcherson and John Dunmore, The View of the Sermitsialik Glacier...

Scope and Content Note

Two-part joined panorama, albumen. Complete title printed on recto of mount: The View of the Sermitsialik Glacier, the Front Extending into the Middle of the Fiord, Showing over One Mile of its Front, which Was over 275 Feet above the Water. Photographers' names and date from Bonnemaison. Probably produced as a plate for William Bradford, The Arctic Regions, illustrated with photographs taken on an art expedition to Greenland (London, 1873). A 41. Former box number: 8*.

France, circa 1830-1998

Edouard Baldus, circa 1854- circa 1880

Views of the Louvre, 1855- circa 1857

Scope and Content Note

Salted paper prints, albumenized [?]. Photographer also known as Edouard Denis Baldus. Techniques from Arles catalog. Dated by Bonnemaison. IX.32. Former box number: 20*.

Box 8, Item 22

The Louvre from the Tuileries, circa 1857

Scope and Content Note

Photographer's name from another item.

Box 8, Item 23

The Louvre from the Seine River, 1855

Scope and Content Note

Photographer's name written in pencil on verso.

Box 8, Item 24

Louvre Courtyard Looking towards the Tuileries, 1855

Scope and Content Note

Photographer's name from another item.

Box 12, Item 23

Louvre Courtyard, from the Tuileries, 1855

Flatfile 28, Item 1

Building Lot of the New Louvre, circa 1854

Scope and Content Note

Albumen from collodion-on-glass negatives. Photographer's name and date from Bonnemaison, who notes that the photgraph was made with a Mammoth camera. IX.68. Former folder number: FF 13**.

Box 12, Item 24

Tuileries Palace, Paris, circa 1860

Scope and Content Note

Salted paper print. Photographer's signature in ink on recto of mount: E. Baldus. The palace was destroyed in 1871. Dated by Bonnemaison. D 130. Former box number: ff44**.

Flatfile 9, Item 1

Bridge in Front of the Chief of Police Building, Paris, circa 1860

Scope and Content Note

Albumen. Photographer's name and date from Bonnemaison. B 69. Former folder number: FF 32**.

Flatfile 47, Item 1

Austerlitz Bridge and Building for the Bastille Panorama, Paris, circa 1880

Scope and Content Note

Albumen. Photographer's name and date from Bonnemaison: Baldus [?]. The panorama building is probably the first in Paris on Place d'Austerlitz; it opened 1881 with the painting by Polpot and Jacob, Storm over the Bastille. A 5. Former folder number: FF 18**

Box 2, Item 36

Edmond Bayard, Panorama du Valgodemar, circa 1870

Scope and Content Note

Six-part joined panorama, albumen. Title and photographer's name printed on recto of mount. Dated by Bonnemaison. One of the three mounts with two albumen prints is separated from the others. A 16. Former box number: 10.

Box 3, Item 49

Auguste-Adolphe Bertsch, Œil de mouche, circa 1853

Scope and Content Note

Circular (tondo) albumen photomicrograph. Title written in pencil on recto of mount. Date and photographer's name from Bonnemaison. Flies have the largest optical range of any known species, and were an object of fascination to both early physiologists and microphotographers. IX.19. Former box number: 16.

Bisson Frères, circa 1855-1862

Box 12, Item 37

Le Serac du Géant, Glaciers and Icefall near Mont-Blanc, circa 1860

Scope and Content Note

Albumen. Title from Arles catalog. Photographer's name and date from Bonnemaison. E 135. Former box number: ff48**.

Box 12, Item 38

The Last Supper, circa 1860

Scope and Content Note

Albumen. Photographic reproduction of Leonardo da Vinci's The Last Supper. Photographer's name stamped on recto of mount: Bisson Frères photog. Publisher's name on recto of mount: Photographes de S.M.L' Empereur. Dated by Bonnemaison. A 39. Former box number: 8*.

Flatfile 10, Item 1

Paris, Pont Neuf, circa 1855

Scope and Content Note

Two-part joined panorama, albumen. Photographer's name and date from Bonnemaison. J 213. Former folder number: FF 65**.

Flatfile 22, Item 1

La crevasse, 1862

Scope and Content Note

Albumen. Title written in pencil on recto of mount: Janvie 44. La Crevasse depart. Date from item at Bibliothèque nationale de France. Photographer's name printed on recto of mount. J 214. Former folder number: FF 66**.

Box 2, Item 35

Frédéric [?] Boissonnas, Massif du Mont-Blanc depuis le Mont Joly, circa 1870

Scope and Content Note

Seven-part panorama, albumen. Title, numbering, and photographer's name on recto: Boissonnas phot. Genève. Dated by Bonnemaison. A 47. Former box number: 10.

Joachim Bonnemaison, circa 1990-1998

Scope and Content Note

Anamorphosis circular color prints on Alu Dibond. Photographer's name from other items at the Musée Gorsline, France. Bonnemaison experimented in the 1990s with replicas of historic panorama cameras such as Mangin's Périgraphe Instantané and combined the images with digital image processing. To create 360 degree panoramas with the Périgraphe Instantané one works with a drop of water and a mirror and the black hole in the center which is probably replaced digitally. Former box number: 14*.

Box 20, Item 1

Seashore

Scope and Content Note

Five framed color prints, vertical. Attributed by catalogers to Bonnemaison.

Box 20, Item 2

Seashore at Different Moments of Sunset

Scope and Content Note

Five framed color prints, horizontal. Attributed by catalogers to Bonnemaison.

Box 21, Item 1

Wheatfield with Sky in the Center

Box 21, Item 2

Wheatfield with Ground in the Center

Box 21, Item 3

Tree Blossom with Ground in the Center

Box 21, Item 4

Tree Blossom with Sky in the Center

Box 21, Item 5a

Poppy Field with Ground in the Center

Box 21, Item 5b

Poppy Field with Sky in the Center

Box 3, Item 50

Bourgoin, Exposition de Niort, 1865

Scope and Content Note

Albumen stereograph. Date, title, and photographer's name printed on recto of mount. The exhibits are reflected in a mercury-coated garden globe. The aim of the photograph is to capture the natural shapes of the reflected objects without distortion. IX.22. Former box number: 16.

Adolphe Braun, circa 1860-1866

Box 12, Item 31

Socíeté industrielle de Mulhouse, 1866

Scope and Content Note

Albumen. Title and date written in pencil on verso. Photographer's name printed on recto of mount. In Arles catalog titled: Conseil d'administration, and undated. IX.34. Former box number: 20*.

Box 12, Item 32

Vallée de Chamonix, circa 1860

Scope and Content Note

Albumen. Printed on recto of mount: A. Braun à Dornach Haut Rhin / Vues panoramiques brevetées S.G.D.C. Title printed on sheet pasted on recto of mount. Dated by Bonnemaison. A 3. Former folder number: FF 16**.

Box 12, Item 33

Chamonix, circa 1860

Scope and Content Note

Albumen. Photographer's name and date written in pencil on recto of mount. A 3. Former folder number: FF 16**.

Flatfile 21, Item 1

Mer de glace et châine du Mont-Blanc (depuis le jardin), 1866

Scope and Content Note

Albumen. Title written in ink on recto of mount. Location is possibly Chamonix as Bonnemaison indicates. Printed on recto of mount: Appareil panoramique breveté de Johnson Brandon & Braun; A. Braun à Dornach (Haut Rhin) France. Dated by Bonnemaison. ENC 81. Former folder number: FF 1**.

Charnaux Frères & Co., circa 1865

Scope and Content Note

Two-part panoramas, albumen. Title and numbering written in pencil on verso of both prints. Date and photographer's name from Bonnemaison. H174. Former box number: 1.

Box 2, Item 25

Panorama d'Annecy

Box 2, Item 26

Panorama de Talloires

Flatfile 17, Item 1

Colin, Onival, France, circa 1910

Scope and Content Note

Hand-colored gelatin silver. Title and photographer's name written in ink on recto of print. Voignier 1993 lists three photographers with that name: Colin (first name unknown) with a studio in Paris about 1874; Léon Colin in Equeurdreville (Manche); and Pierre Collin. Dated by Bonnemaison. The actual print is hardly visible under the layers of color. B 64. Former folder number: FF 31**

Box 3, Item 48

Jean-Baptiste-Camille Corot, La carte-de-visite au cavalier, 1853 May

Scope and Content Note

Salted paper cliché-verre. Title and date from Bonnemaison and in Arles catalog. IX.2. Former box number: 16.

Box 2, Item 46

Robert Doisneau, Portrait of Seven Persons in a Cartwheel Reflection, circa 1950

Scope and Content Note

Gelatin silver. Photographer's name stamped on verso. Dated by Bonnemaison. E 142. Former box number: 10.

Box 2, Item 31

L. P. T. (Louis-Pierre-Théophile) Dubois de Nehaut, Revue de la garde du Bois de Boulogne en presence de SM le Roi de Bavière, 1857 June

Scope and Content Note

Coated salted paper; oval print. Photographer's name, title and date written in pencil on verso. Written in pencil on recto of mount: Revue à Paris. IX.70. Former box number: 20*.

Box 2, Item 14

Duchesne, Versailles, Trianon, circa 1880

Scope and Content Note

Albumen. Title, date and photographer's name from Bonnemaison. F 152. Former box number: 1.

Box 9, Item 6

Prince de Faucigny-Lucinge, Pleasure Ride, circa 1900-1920

Scope and Content Note

Silver print. Photographer's name written in pencil on back. Dated by Bonnemaison. A 44. Former box number: 2*.

Frances Frith, circa 1870

Box 2, Item 9

Champs Élysées, Paris

Scope and Content Note

Albumen. Title and numbering on recto of print. Photographer's name on print. Dated by Bonnemaison. I 205. Former box number: 1.

Box 2, Item 10, 12

Paris

Scope and Content Note

Two albumen prints. Title and numbering on recto of print. 98.R.19-b02.10 bears photographer's name on print. 98.R.19-b02.12 is blindstamped with photographer's name. Dated by Bonnemaison. I 205. Former box number: 1.

Box 2, Item 11

Pont Neuf, Paris

Scope and Content Note

Albumen. Title and numbering on recto. Photographer's name blindstamped. Dated by Bonnemaison. I 205. Former box number: 1.

Auguste Garcin, circa 1860-1870

Scope and Content Note

Albumen prints. Photographer's name on recto of mounts: Garcin Phot. à Genève. Titles printed on recto of mount.

Box 12, Item 25

Chemin de la corniche - Le port d'Endoume, circa 1870

Scope and Content Note

Title written in pencil on recto of mount. ENC 79. Former box number: 20*.

Box 12, Item 26

Marseille Port de la Joliette, circa 1860-1870

Scope and Content Note

C 118. Former box number: ff38**.

Box 12, Item 27

Port de la Joliette: entrée du port - Le Fort St. Jean, circa 1860-1870

Scope and Content Note

Title written in pencil on recto of mount. C 118. Former box number: ff38**.

Box 12, Item 34a-34b

A. Grados, Château de Lunéville, circa 1870

Scope and Content Note

Two albumen prints on one mount. 98.R.19-b12.34a has photographer's name in negative and A. Grados on recto. Voignier lists A. Grados fils as having a studio in Troyes (Aube) from 1867 until the early 1870s. Dated by Bonnemaison. E 134. Former folder number: FF 47**.

Paul Augustin Gueuvin, Panoramas of Paris, circa 1868

Scope and Content Note

Three-part joined panoramas, albumen. Photographer's name printed on recto of mount: Photographie par A. Gueuvin Paris, Publié A. Gueuvin, Photog. 20, rue Cassette. Date derived from similar photographs. MONT 84. Former folder number: FF 3**.

Flatfile 8, Item 1

Panorama de Paris, pris de la tour St. Jacques, côté du Levant

Scope and Content Note

Title printed on recto of mount.

Flatfile 8, Item 2-3

Paris, pris de la tour St. Jacques, côté du Conchant

Scope and Content Note

Two panoramas. Titles printed on recto of mounts. Both panoramas are made with the same exposures, but the prints are cut slightly differently on the edges.

Flatfile 19, Item 1

Victor Guizol, Trenches in WWI, 1914-1918

Scope and Content Note

Five-part joined panorama, gelatin silver. Signed in negative on recto. Bonnemaison identifes photographer as Victor Guizol. A 14. No former folder number.

Box 8, Item 10

Alphonse-François Jeanrenaud, Bois de Boulogne, Paris, circa 1870

Scope and Content Note

Albumen. Photographer's signature in ink on recto of print. Photographer listed in Voignier as a marine officer with a studio in Paris from 1856. Bonnemaison indicates the photograher as being Jean Renaud. Location is a park, west of Paris. Date from Bonnemaison; dated 1860 in Arles catalog . D 122. Former folder number: FF 40**.

Box 9, Item 4

Joguet, Notre-Dame-de-l'Épine-de-Marne, circa 1863

Scope and Content Note

Albumen. Photographer's signature on recto of mount. Photographer's first name not known. Voignier 1993 indicates a studio in Lyon with that name from 1855 on. At a certain point there was a partner named Muzet, continuing with his sons until the beginning of the 20th century. The image is probably of one person with a hat who appears three times. Dated by condition of the basilica; its second tower was re-erected in 1868. IX.93. Former box number: 19.

Koch and Wilz, 1865-1875

Scope and Content Note

Voignier notes a photographer named Georges Laurent Koch in Paris in partnership with a man named Wilz in the 1850s and 1860s in Paris.

Box 12, Item 19

Église Saint-Germain l'Auxerrois, Paris, 1865

Scope and Content Note

Albumen. Photographer's name and date from Bonnemaison. Printed on recto of mount: Appareil panoramique de Koch and Wilz. Phot / 8 Impasse Guéménée. Paris. Bonnemaison identifies photographer as Paul Augustin Gueuvin. ENC 15. Former box number: 20*.

Box 12, Item 20

Conciergerie at the Palais de la Cité, Paris, 1875

Scope and Content Note

Albumen. Printed on recto of mount: Appareil panoramique de Koch & Wilz. Phot / 8 Impasse Guéménée. Paris. Bonnemaison identifies the photographer as Koch and Wilz. D 128. Former folder number: FF 43**.

Box 12, Item 21

Louvre, Paris, 1875

Scope and Content Note

Albumen. Photographers' name and date by Bonnemaison. See other items by Koch and Wilz. D 131. Former folder number: FF 45**.

Flatfile 11, Item 1

Panorama de Paris, 1868

Scope and Content Note

Albumen. Title printed on recto of mount with: Appareil panoramique de Koch & Wilz Phot / 8. Impasse Guéménée, Paris. Photographer's name from print and mount on similar items. Bonnemaison identifies photographer as Paul Augustin Gueuvin. Dated by Bonnemaison. J 220. Former folder number: FF 68**.

Flatfile 11, Item 2

Panorama of Paris, circa 1870

Scope and Content Note

Albumen. Printed on recto of mount: Appareil panoramique de Koch & Wilz Phot.; 8. Impasse Guemenee, Paris. Dated by Bonnemaison, who identifies photographer as Wiltz. H 191. Former folder number: FF 62**.

Flatfile 11, Item 3

Paris, 1867

Scope and Content Note

Albumen. Photographer's name from item H 191. Dated by Bonnemaison based on the inclusion of the Exposition Universelle de 1867 exhibition hall. Bonnemaison indentifies Wiltz as the photographer. H 192. Former folder number: FF 62**.

Gustave Le Gray, 1857 September

Scope and Content Note

Albumen prints from collodion negatives. Dated by other photographs in this series. See Sylvie Aubenas, Gustave Le Gray, 1820-1884, p. 367 and ff., and Une visite au camp de Châlons sous le Second Empire: photographies de Messieurs Le Gray, Prévot..., 1996. Emperor Napoleon III commissioned Le Gray to document the inauguration of a summer training camp for the army at Châlons. The photographs were intended to celebrate French military might and to be included in albums to be given to the generals. See also other items dealing with Châlons. IX.69. Former box number: 19.

Box 8, Item 25

Le drapeau, camp de Châlons

Scope and Content Note

Title written in ink on recto of mount. Photographer's name stamped in red on recto.

Box 8, Item 26

Camp de Châlons

Scope and Content Note

Two-part panorama. Photographer's name, title and date from Celluloid photographic medallions and other items. A 1. Former box number: ff14**.

Box 8, Item 27

Host at Châlons camp

Scope and Content Note

Title, date and photographer's name from other photographs in this group.

Box 18, Item 1

Auguste and Louis Lumière, China Dish, 1898

Scope and Content Note

Trichrome glass stereograph. Photograpers' names on stereograph: Photographie des couleurs procédé de MM. Auguste et Louis Lumière. Dated by Plessen and Giersch. IX.77. Former box number 26.

Box 17, Item 1

Louis Lumière, Portrait of Auguste Lumière, 1920

Scope and Content Note

Photostereosynthesis on seven glass slides, framed. The seven different glass slides are made with different depths of focus to give a spatial impression. This is the predecessor of the hologram. It is an elaborate procedure, only ten examples of this technique are known in the world. IX.80. Former box number: 24**.

Box 2, Item 7

Alphonse Mangin, Vue panoramique prise de la terrasse du bâtiment Nord-Est de l'Hôtel des Invalides (Paris), 1878

Scope and Content Note

Albumen anamorphosis print. Title and photographer's name written in ink on recto of mount: Lieutenant-Colonel du Génie Mangin. Dated by Bonnemaison. The Périgraphe Instantané camera, which produces instantaneous photographs of an encircling 360 degree horizon, was invented by Mangin for military purposes, specifically to locate the enemy's position. IX.24. Former box number: 17.

Friedrich von Martens, circa 1840-1885

Box 12, Item 22

Le nouveau Louvre et les Tuileries, 1870-1885

Scope and Content Note

Two-part joined panorama, albumen. Title, photographer's and editor's names printed on recto of mount: Goupil & Cie (Editors). Photographer also known as Frédéric Martens. Dated by size and Martens' death in 1885. C93. Former box number: 7*.

Flatfile 12, Item 1

Louvre and passerelle des arts, circa 1865

Scope and Content Note

Albumen. Photographer's name and date from Bonnemaison and items in the Louvre. A9. Former folder number: FF 20**.

Flatfile 12, Item 2

Louvre, view from the observatory, towards the Jardin de Luxembourg, circa 1865

Scope and Content Note

Albumen. Photographer's name and date from Bonnemaison. IX.31. Former folder number: FF 7**.

Flatfile 13, Item 1

Palais-Royal, Paris, 1855-1860

Scope and Content Note

Albumen. Photographer's name and date from Bonnemaison and also from other photographs of Paris. A 21. Former folder number: FF 25**.

Flatfile 14, Item 1

Paris, 1863-1865

Scope and Content Note

Albumen. Photographer's name and date from Bonnemaison. IX.30. Former folder number: FF 6**.

Flatfile 15, Item 1

Île de la Cité, Paris, circa 1860

Scope and Content Note

Albumen. Photographer's name and date from Bonnemaison. A 2. Former folder number: FF 15**.

Flatfile 16, Item 1

Panorama de Paris, pris des hauteurs de Chaillot, circa 1840

Scope and Content Note

Two-part joined panorama, aquatint prints. Title printed on recto of mount along with: Dessíné par Schmidt, gravé par F. Martens / Paris, Chez Rittner 12 Boulevard Montmátre. Dated by Bonnemaison. Names of sights are listed below image. I L3. Former folder number: FF 70**.

Charles Marville, circa 1850-1853

Box 8, Item 13

La passerelle des Arts et le Vert Galant, 1853

Scope and Content Note

Salted paper print. Title and date from Arles catalog. Photographer's name indicated by Bonnemaison with title: Passerelle des Arts. Bonnemaison indicates the date as circa 1850. In negative on recto lower right corner title or photographer's name (not legible). D 133. Former folder number: FF 46**.

Box 9, Item 3

Rouen, Church of St. Ouen, circa 1850

Scope and Content Note

Two-part panorama, salted paper prints. Photographer's name and date from Bonnemaison. Numbering 461 and 462 on recto of print. B 50. Former box number: 4*.

Charles Nègre, 1858-1862

Views of Cannes, 1860-1862

Box 2, Item 17, 19

Cannes with Sea, circa 1860

Scope and Content Note

Two albumen prints. Photographer's name and date from Bonnemaison, other items, and Arles catalog. E 136. Former box number: ff49**.

Box 2, Item 18

Harbor of Cannes, circa 1860

Scope and Content Note

Albumen. See note for 98.R.19-b02.17. E 136. Former box number: ff49**.

Box 2, Item 20, 24

Cannes with Shore, circa 1860

Scope and Content Note

Two prints.

Box 2, Item 21

Cannes with Mountains and Sea, circa 1860

Box 2, Item 22

Réservoir de Cannes, circa 1862

Box 2, Item 23

Cannes with Boats and Shore, circa 1862

Box 2, Item 47

Trail in the Mountains, circa 1860

Scope and Content Note

Circular (tondo) albumen print. Photographer's name and date from Bonnemaison and other items. Taken in the countryside near Grasse. See also Box 8.*. IX.12. Former box number: 19.

Hospital Asile impérial de Vincennes, Paris, 1858

Scope and Content Note

Circular (tondo) albumen prints. Photographer's signature in red ink on recto of mounts. Part of a larger series of photographs which provides the date. Former box number: 19.

Box 8, Item 17

Inauguration of the Asile impérial de Vincennes hospital

Scope and Content Note

M. Billaut, Minister of the Interior stands in the center delivering a speech.

Box 8, Item 18-19

Hospital Asile impérial de Vincennes

Scope and Content Note

Two prints.

Box 9, Item 2

E. Neurdein, Nice, Le Pont des Angres et la Promenade du Midi, circa 1880

Scope and Content Note

Albumen. Photographer's name and title printed on recto of mount: Vues panoramiques, Nice, N 129, Le Pont des Anges et la Promenade du Midi, E. Neurdein Phot. Paris. Dated by Bonnemaison, who attributes the picture to Gourret (not listed in Hannavy). Voignier 1993 lists a photographer named Gouriet with a studio in Paris around 1874. H 176. Former box number: 4*.

Panoramic Photo C, H., circa 1910-1920

Scope and Content Note

Gelatin silver prints. In negative on recto of prints: Panoramic Photo C, H. Rue du Marché, Levallois-Perret. Dated by Bonnemaison. G 162. Former box number: ff53**.

Flatfile 20, Item 1

Soldiers Playing Sports at Barracks or Hospital in Levallois-Perret

Scope and Content Note

Written in pencil on verso: 8 Tromet.

Flatfile 20, Item 2

École militaire

Scope and Content Note

Title written in pencil on verso.

Box 2, Item 8

Alphonse-Louis Poitevin, Paris, 1855

Scope and Content Note

Cyanotype. Photographer's name written in pencil on verso. Title from Bonnemaison. Date from Arles catalog. C 114. Former box number: 10.

Émile Joachim Constant Puyo, 1920

Scope and Content Note

Gelatin printing-out paper. Titles and date from Bonnemaison. Photographer's blindstamp in the lower right corners. In Arles catalog. IX.37. Former box number: 3*.

Box 2, Item 48, 50

Passage to Italy

Scope and Content Note

Two prints. Annotation written in pencil on verso of 98.R.19-b02.50: Via mala.

Box 2, Item 49

Laundresses in the Bretagne

Scope and Content Note

Annotation written in pencil on verso: Méandie.

R.P. 1890-1900

Scope and Content Note

Albumen prints. Titles and dates written in ink on recto of mount. Photographer's name from Bonnemaison. In some of the prints persons appear twice. Bonnemaison notes that they are panoptique and that the views are over 360 degrees. I206. Former folder: FF 72**.

Flatfile 23, Item 1a

Forêt de Compiègne, 1894

Flatfile 23, Item 1b

Carrefour du bois (Forêt de Compiègne), 1894

Flatfile 23, Item 2a

Murat-le-Caire près de la Bourboule, 1894

Flatfile 23, Item 2b

Murat-le-Caire, 1894

Flatfile 23, Item 3a

Une partie de Colin-Maillard, Vert-le-Grand, 1895

Flatfile 23, Item 3b

Cascade de Vernières (La Bourboule), 1894

Flatfile 23, Item 3c

Une conférence sur la bicyclette, 1895

Flatfile 23, Item 3

La Bourboule, 1894

Flatfile 23, Item 4a, 4d

Sur la pelouse après le déjeuner, la Pentecôte de 1894 à Vert-le-Grand, 1894

Flatfile 23, Item 4b-4c

Le café dans le jardin, La pentecôte de 1894 à Vert-le-Grand, 1894

Flatfile 24, Item 1a

Hôtel des Voyageurs à Gavarnie (Pyrénées) Voyage de 1896, 1896

Flatfile 24, Item 1b

Lac de Gaube (Pyrénées) Voyage de 1896, 1896

Flatfile 24, Item 1c

Gavarnie, 1896

Flatfile 24, Item 1

Lac de Gaube, 1896

Flatfile 24, Item 2a

Castres (Voyage 1896), 1896

Flatfile 24, Item 2b

St. Savin (Pyrénées) voyage 1896, 1896

Flatfile 24, Item 2c

Les bains de Diane à Nîmes (Voy. 1896), 1896

Flatfile 24, Item 2

Les Arènes à Nîmes (Voy.1896), 1896

Flatfile 24, Item 2e

Maison Carrée, Nîmes, 1896

Flatfile 24, Item 3

La Tour Magne à Nîmes, 1896

Flatfile 25, Item 1a

Grand panorama de Vert-le-Grand, 1893

Flatfile 25, Item 1b

Première leçon, 1890-1900

Flatfile 25, Item 1c

Une brouille en ménage, 1890-1900

Flatfile 25, Item 1

En bicyclette, 1890-1900

Flatfile 25, Item 1e

Devant de la maison, Vert-le-Grand, 1890-1900

Flatfile 25, Item 1

Une heure-soixante sur la pelouse, 1890-1900

Flatfile 25, Item 1g

Étude de la carte des environs, 1890-1900

Flatfile 25, Item 1h

Attente, repos, 1890-1900

Flatfile 25, Item 2a

La rue de Presles, Bulk, 1890-1900 1890-1900

Flatfile 25, Item 2b

Maison de Madame Perrotte à Presles, 1894

Flatfile 25, Item 2c

Chasse d'Arpajon-Chenil et retraite de Stop [?], 1890-1900

Flatfile 25, Item 2d-2f

Le resultat d'une désobéissance, 1890-1900

Scope and Content Note

Three prints.

Flatfile 25, Item 2g-2i

À Presles, portraits, 1894

Scope and Content Note

Three prints.

Flatfile 25, Item 3a

Vue de la vallée de Brides-les-Bains, 1890-1900

Flatfile 25, Item 3b

Grand-Sous-Montagne au dessus de la Grande-Chartreuse, 1890-1900

Flatfile 25, Item 3c

Vue de la vallée de Montiers, 1890-1900

Flatfile 25, Item 3

Route de Salins à Montiers, voyage en Savoie, 1893

Flatfile 25, Item 3e

La Grande-Chartreuse, 1890-1900

Flatfile 25, Item 4a

Vallée entre Montiers et Aigueblanche, voyage en Savoie, 1893

Flatfile 25, Item 4b

Bois et cascade de Cythère, voyage en Savoie, 1893

Flatfile 25, Item 4c

Salins-Montiers, voyage en Savoie, 1893

Flatfile 25, Item 4

Pont sur la cascade de Cythère, voyage en Savoie, 1893

Flatfile 25, Item 4e

Vue de la vallée de l´Isère, voyage en Savoie, 1893

Flatfile 25, Item 4

Cascade de Cythère, voyage en Savoie, 1893

Flatfile 25, Item 5a

Baptême de Jacques Dufan 24 juillet 1894 (sortie de l´église), 1894

Flatfile 25, Item 5b

Feisson-sur-Salins-Village situé à 1500 m d´altitude, 1890-1900

Flatfile 25, Item 5c

Baptême de Jacques Dufan - le déjeuner, 1894

Flatfile 25, Item 5

Aimé-Vilage sur la frontière d´Italie, 1890-1900

Flatfile 25, Item 6a-6b, 6d-6f

Portraits à Presles, 1894

Flatfile 25, Item 6c

La rue de Presles, 1894

Flatfile 25, Item 6g

Panorama de la vallée de Presles, 1890-1900

Flatfile 25, Item 7a-7b

Pierrefonds, 1894

Flatfile 25, Item 7c-7d

Le plus gros chêne de la forêt de Compiègne, 1890-1900

Scope and Content Note

Two prints.

Flatfile 25, Item 7e

Hôtel de ville de Compiègne et l´hôtel de la Cloche et de la Bouteille, 1890-1900

Flatfile 25, Item 7

Château de Pierrefonds, 1890-1900

Flatfile 25, Item 8a

Vue de face, 1890-1900

Flatfile 25, Item 8b

Vue de profil, 1890-1900

Flatfile 25, Item 8c

Le tour du parc, 1890-1900

Flatfile 25, Item 8

En route mauvaise troupe, 1890-1900

Flatfile 25, Item 8e

Le pansage, 1890-1900

Flatfile 25, Item 8

Siana prise au lasso, 1890-1900

Flatfile 25, Item 8g

Souvenir de la Bourboule, 1894

Flatfile 25, Item 8h

Château de Bourbon-Busset (Vichy 1894), 1894

Flatfile 25, Item 8i

Palmyre et ses filles, 1890-1900

Flatfile 25, Item 8j

...Ces gens sont fous! Le Baudet n'en peut plus; il mourra sous leurs coupes, 1890-1900

Flatfile 25, Item 8k

Vue de derrière, 1890-1900

Flatfile 26, Item 1a

Tour de Murols (Auvergne), 1890-1900

Flatfile 26, Item 1b

Vue prise des ruines de Murols, 1894

Flatfile 26, Item 1c

Vue du lac Chambon, 1890-1900

Flatfile 26, Item 2a

Hôtel de Genève, 1890-1900

Flatfile 26, Item 2b

Hôtel de Genève (La Bourboule 1894), 1894

Flatfile 26, Item 2c

Pic du Sancy, 1890-1900

Flatfile 26, Item 2

L' homme fort, 1890-1900

Flatfile 26, Item 2e

La grande rue de la Bourboule, 1890-1900

Flatfile 26, Item 2

Route des Cascades, 1890-1900

Flatfile 26, Item 2g

Tennis de la Bourboule, 1890-1900

Flatfile 26, Item 3a

Vert-le-Grand, 1890-1900

Flatfile 26, Item 3b

Tour d'Auvergne (Puy de Dôme), 1890-1900

Flatfile 26, Item 3c

La discussion, 1890-1900

Flatfile 26, Item 3

La partie de boules après déjeuner (Vert-le-Grand 1894), 1894

Flatfile 26, Item 3e-3g

Black Plichon, 1890-1900

Scope and Content Note

Three prints.

Flatfile 26, Item 3h

À Vert-le-Grand, 1890-1900

Flatfile 26, Item 3i

Route des Cascades (La Bourboule 1894), 1894

Flatfile 26, Item 4a

Laurence, 1895

Flatfile 26, Item 4b

La porte du parc à Vert-le-Grand, 1895

Flatfile 26, Item 4c

Fond du parc de Vert-le-Grand, 1890-1900

Flatfile 26, Item 4

M. et Mme. Lefèbvre, 1890-1900

Flatfile 26, Item 4e

Allée des roses, 1895

Flatfile 26, Item 4

Potager de Vert-le-Grand, 1890-1900

Flatfile 26, Item 5a

La maison de Madame Porte à Chiais, 1895

Flatfile 26, Item 5b

Le tennis, 1890-1900

Flatfile 26, Item 5c

Le jardin, 1890-1900

Flatfile 26, Item 5

La maison de Madame Porte à Chiais, 1895

Flatfile 26, Item 6a

Un discours du sage Athos, 1890-1900

Flatfile 26, Item 6b-6d

Une solidarité bien comprise, 1890-1900

Scope and Content Note

Three prints.

Flatfile 26, Item 6e

Porthos après son (P+Q) verre, 1890-1900

Flatfile 26, Item 6

Le triumvirat Vert-le-Grand, 1895

Flatfile 26, Item 6g

La ferme d'Eu [?], 1890-1900

Flatfile 26, Item 6h-6k

Tréport-Mers, 1895

Flatfile 26, Item 6l

Presles, 1895

Flatfile 26, Item 7a-7e

Sur la plage de Mers, 1895

Scope and Content Note

Five prints.

Flatfile 26, Item 8b

Vue de la vallée de Presles, 1895

Flatfile 26, Item 8

Fôret de Carnelles (Presles 1895), 1895

Pierre Ambroise Richebourg, circa 1860

Scope and Content Note

Albumen prints. Photographer's name written in pencil on versos. Titles and dates from Bonnemaison. H 193. Former box number: 4*.

Box 8, Item 20

Reproduction of a drawing showing the Louvre building and a parade on the square

Box 8, Item 21

Reproduction of a drawing showing the Louvre building

Marquis de Rostaing, 1854-circa 1856

Box 8, Item 15

Hôtel de Crillon, Place de la Concorde, Paris, 1854

Scope and Content Note

Salted paper print. Photographer's name and date written in pencil on recto of mount: Marquis de Rostaing, aout 1854. I 210. Former box number: 4*.

Box 12, Item 29

Nice, circa 1856

Scope and Content Note

Two-part joined panorama, albumen. Title written in pencil on recto of mount. Photographer's name and date from Bonnemaison. Attibution to Rostaing is tentative. H 196. Former box number: 8*.

Box 12, Item 30

J. Rothschild (editor), Vue du port et de la rade de Toulon, circa 1880

Scope and Content Note

Box 15, Item 1

Friedrich Salathé, Panorama de Paris près de la Tour Carée de St. Gervais, circa 1830

Scope and Content Note

Ten-part joined panorama, etching, retouched with ink. Title printed on recto with: Salathe sculp. / Imprimé par Lesauvage / Nepveu, Libraire, Passage des Panoramas, Galerie Montmartre, No 9 / Rittner and Goupil M d'estampes / Boulevard Montmartre No 15. Friedrich Salathé was in Paris from 1823 to 1858 working for the publisher Jean Frederic Osterwald as an aquatint etcher. Below the print on recto of mount are names of sights printed. Dated by Bonnemaison. I L10. Former box number: 23** [rolled ?]

Théodore Schahl, circa 1860-1880

Scope and Content Note

Photographer's name and address printed on versos: Th. Schahl, 29 rue Chabot-Charny, Dijon. Dated by Bonnemaison. See Voignier 1993: Schahl was in Dijon from 1873 to 1889.

Box 2, Item 16

Dijon, Palais des Ducs, circa 1860

Scope and Content Note

Albumen carte-de-visite. B59 Former box number: 1.

Box 2, Item 27

Village at the Riverfront, circa 1860

Scope and Content Note

Three-part panorama, albumen. Dated by Bonnemaison. A 48. Former box number: 10.

Box 2, Item 37

Rocky Coast with Seagulls, circa 1880

Scope and Content Note

Gelatin printing-out paper. Bonnemaison attributes this photograph to the Prince d'Orleans. H 168. Former box number: 1.

Box 2, Item 30

Émile Zola, Médan, circa 1900

Scope and Content Note

Gelatin silver. Photographer's name and date from Bonnemaison. Could be either a photograph of a photograph, or a contact print from an original negative. Zola's house in the village is pictured on the far right. Zola was a passionate amateur photographer and there are some modern prints by Jean Dieuzaide made with the original negatives showing similar scenes in Médan. IX.35. Former box number: 19.

Unidentified photographers, 1860-1944

Scope and Content Note

Includes work by as many as 24 different unidentified photographers.

Box 2, Item 13

Versailles, Trianon, circa 1870

Scope and Content Note

Albumen. Date and title from Bonnemaison. B 55. Former box number: 10.

Box 2, Item 15

Bordeaux Harbor, circa 1870

Scope and Content Note

Albumen. Date and title from Bonnemaison. C 115. Former box number: 10.

Box 2, Item 28

Tain-l'Hermitage (Rhône), circa 1870

Scope and Content Note

Four-part panorama, albumen. Title and numbering written in pencil on verso. Dated by Bonnemaison. H 171. Former box number: 1.

Box 2, Item 29

Pardon au Quiberon, circa 1900

Scope and Content Note

Gelatin silver. Title and date from Bonnemaison. Pardon is a penitential ceremony in Brittany. IX.38. Former box number: 19.

Box 2, Item 32

Bicycle Race in Sologne, 1900

Scope and Content Note

Gelatin silver. Dated by Arles catalog and by Bonnemaison: early 20th century. C 105. Former box number: 7*.

Views of the Bretagne, circa 1900

Scope and Content Note

Gelatin silver. Titles written in pencil on versos, unless otherwise noted. Dated by Bonnemaison. IX.36. Former box number: ff8**.

Box 2, Item 38

L'apothicairerie, la grotte

Scope and Content Note

Location is a grotto in the Bretagne.

Box 2, Item 39

Quiberon, le long de la Côte Sauvage

Box 2, Item 40, 43

Coast of the Bretagne

Scope and Content Note

Two prints. Title was written in pencil on verso of 98.R.19-b02.43, but obliterated. Note distortion in image.

Box 2, Item 41

L'apothicairerie, sur la [?] du Benayhan [?]

Scope and Content Note

Note distortion in image.

Box 2, Item 42

L'apothicairerie, à l'éntrée de la grotte

Scope and Content Note

Note distortion in image.

Box 2, Item 44-45

Biarritz Shore, circa 1900-1910

Scope and Content Note

Two gelatin silver prints. Title and dated from Bonnemaison and other items. In Arles catalog. D 123. Former box number: ff41**.

Box 3, Item 1

Garden Scenery with People and Buildings (L'Eden de banlieue), circa 1865

Scope and Content Note

Eight-part joined panorama, collodion. Title and date from Bonnemaison. This is not a true panorama as there is no continuity between the pieces. IX.55. Former box number: 21.

Images of people in gardens and other settings, circa 1890

Scope and Content Note

Gelatin silver prints. Photographer unknown. Written in pencil on envelope: Panoramiques de l´officier de tir de la 26e Compagnie 1901-1919. Dated by Bonnemaison and in Arles catalog. B 56. Former box number: 17.

Box 3, Item 2-5

Woman and Two Boys in a Garden

Scope and Content Note

Four prints.

Box 3, Item 6

Two Children in a Garden

Box 3, Item 7

Boy in a Garden

Box 3, Item 8-9

Couple in a Garden

Scope and Content Note

Two prints.

Box 3, Item 10

Profile Portrait of a Woman Sitting on a Sofa

Box 3, Item 11

Portrait of a Woman Sitting on a Sofa

Box 3, Item 12

Men Sitting at a Table and Drinking Beer

Box 3, Item 13

Two Woman Playing with a Dog

Box 3, Item 14

Woman Playing with a Dog

Box 3, Item 15

Portrait of a Woman

Box 3, Item 16

Three Woman, a Man, and a Baby Sitting in a Garden

Box 3, Item 17

Two Women in a Field

Box 3, Item 18

Woman Sitting on a Ship

Box 3, Item 19

Soldier under a Bridge

Box 3, Item 20-21

Woman on a Rocky Coast

Scope and Content Note

Two prints.

Box 3, Item 22

Woman on a Coast

Box 3, Item 23

Couple in a Gorge

Box 3, Item 24-25, 46

Woman in a Gorge

Scope and Content Note

Three prints.

Box 3, Item 26

Couple at a Rocky Creek

Box 3, Item 27-30

>Church Parade through a Town

Scope and Content Note

Four prints.

Box 3, Item 31

Men Photographing a Soldier with a Bicycle and Taking Aim

Box 3, Item 32

Group of Soldiers with Rifles

Box 3, Item 33

Two Soldiers with Rifle

Box 3, Item 34

Group of Soldiers, Horses, and a Woman

Box 3, Item 35

Children Watching Soldiers Taking Aim on a Riverbank

Box 3, Item 36

Soldier Taking Aim Behind a Wayside Cross

Box 3, Item 37

Portrait of a Soldier

Box 3, Item 38, 42

Soldier Lying in a Field with Tripwire

Scope and Content Note

Two prints.

Box 3, Item 39

Soldier with a Bicycle Folded on his Back

Box 3, Item 40

Soldier with Two Bicycles and a Dog

Box 3, Item 41

Woman Reading in a Living Room

Box 3, Item 43

Soldiers Crossing a Improvised Bridge

Box 3, Item 44

Couple at a Gorge

Box 3, Item 45

Couple on a Ladder

Box 3, Item 47

Cessey sur Tille, circa 1900

Scope and Content Note

Gelatin silver postcard. Title written in pencil on recto. Dated by Bonnemaison. F 157. Former box number: 12.

Box 8, Item 11

Exposition internationale des arts et techniques dans la vie moderne, German and Russian pavillion, Paris, 1937

Scope and Content Note

Three-part joined panorama, gelatin silver prints. See items from Poland and Russia from same series. I 203. Former box number: 2*.

Box 8, Item 12

Paris, 1937

Scope and Content Note

Three-part joined panorama, gelatin silver prints. Dated by another Paris photograph of the same series. See items from Poland and Russia from same series. I 203. Former box number: 2*.

Box 8, Item 14

Paris Panorama, circa 1870

Scope and Content Note

Albumen. Dated by Bonnemaison. D 125. Former box number: 7*.

Box 8, Item 16

Panorama of Paris, circa 1871

Scope and Content Note

Five-part joined panorama, albumen. Title from slipcase. Date from Bonnemaison. F 155. Former box number: 2*.

Box 9, Item 1

Spiral Staircase in Lyon, circa 1900

Scope and Content Note

Gelatin silver, circular (tondo) print. Title and date from Bonnemaison. Written in pencil on recto of mount: Vieux Lyon ca 1900, uw. 251. IX.13. Former box number: 19.

Box 9, Item 5

Rose Garden Panorama, circa 1910

Scope and Content Note

Platinum print. Title written in pencil on verso with: Plat point. Dated by Arles catalog. The Arles catalog entry indicates technique as gelatin silver. Dated by Bonnemaison: circa 1920. Location from Bonnemaison. C 99. Former box number: 7*.

Biarritz and other locations, circa 1900

Scope and Content Note

This group of albumen photographs mounted on cardboard are likely by the same unidentified photographer. Dated by Bonnemaison.

Box 9, Item 7a-7d

Biarritz Harbor and Other Views

Scope and Content Note

Mount with four prints (two on each side). 98.R.19-b09.07a and 98.R.19-b09.07d show the harbor; 98.R.19-b09.07b is of a rock arch at the beach (grande plage); 98.R.19-b09.07c depicts men and a dog in a snowy landscape. H 184. Former box number: 2*.

Box 9, Item 8a-8d

Biarritz, Rocks at the Beach

Scope and Content Note

Mounted with four photographs (two on the reverse). All show rocks at the beach; 98.R.19-b09.08c includes the wharf. H 184. Former box number: 2*.

Box 9, Item 9a-9c

Biarritz, Rocks and City

Scope and Content Note

Mount with three photographs; (originally contained two on each side, but the fourth photograph was destroyed). H 184. Former box number: 2*.

Box 9, Item 10a-10d

Village with Vineyards

Scope and Content Note

Mounted with four photographs (two on each side). H 184. Former box number: 2*.

Box 9, Item 11a-11b

Lake with Fortification

Scope and Content Note

Mounted with two photographs. H 184. Former box number: 2*.

Box 9, Item 12

Aunay-sur-Odon, deux enfants au milieu d'un panorama de désolation sur fond d'église, 1944

Scope and Content Note

Four-part joined panorama, gelatin silver. Title, numbering and paper manufacturer written in pencil on verso: Agfa Brovira, Aunay sur Odon, Normandy. The site was completely destroyed in the summer of 1944. C 109. Former box number: 19.

Box 12, Item 28

Entrance of Le Havre Harbor, 1915

Scope and Content Note

Six-part joined panorama, gelatin silver. Dated by Bonnemaison. In Arles catalog: chronopanorama [?]. Bonnemaison gives medium as platino prints. Teresa Mesquit identifies medium as gelatin silver. C 117. Former box number: ff37**.

Box 12, Item 35

Viaduc d'Argenteuil, circa 1870

Scope and Content Note

Albumen. Title on recto of mount followed by: Cie des Chemins de Fer de l'ouest; Ligne de Paris à Dieppe. Par Pontoise. Dated by Bonnemaison. B 71. Former folder number: FF 33**.

Box 12, Item 36

Village, circa 1860

Scope and Content Note

Two-part joined panorama, salted paper prints. Photographer's name written on recto (illegible). Dated by Bonnemaison. 80. Former box number: 3*.

Box 18, Item 2

Woman Posing in a Greek Costume, 1908

Scope and Content Note

Autochrome stereograph. Dated by Bonnemaison. IX.78. Former box number: 26.

Box 22, Item 6

Vue du château d'eau prise du boulevard St. Martin, circa 1820

Scope and Content Note

Color etching. Title printed on recto of mount. Dated by Bonnemaison. Image shows a diorama building on the square. On reverse is another color etching titled: Vue du château de St. Cloud près de Paris. I L11. Former box number: 7* temp. box.

Flatfile 18, Item 1

Blois, circa 1870

Scope and Content Note

Four-part joined panorama, albumen. Dated by Bonnemaison. Location identified by other images of the city. Bonnemaison identifies as Orleans. 85 ENC. No former box number.

Flatfile 27, Item 1

Brest, Metal Bridge and Harbor, circa 1870

Scope and Content Note

Three-part joined panorama, albumen. Dated by Bonnemaison. Includes an usual montage of prints on the edges. ENC 83. Former box number: ff2**.

Germany, circa 1860-1937

Reichsparteitag der Arbeit (RAD), 1937

Scope and Content Note

Title and date from leaflet Reichsparteitag der Arbeit and photo with RAD Insignia, September 1937.

Box 4, Item 1

Labour Service (RAD) Rollcall at Nuremberg Rally of Labour

Scope and Content Note

Three-part joined panorama, gelatin silver. Title and date from leaflet Reichsparteitag der Arbeit. The photographs bears the insignia: RAD. Bonnemaison's title and date in the Arles catalog: La jeunesse hitlérienne, Nuremberg, 1936. J 222. Former folder number: FF 69**.

Box 4, Item 2

Reichsparteitag der Arbeit

Scope and Content Note

Leaflet; ink on paper. Bonnemaison's title and date in the Arles catalog: La jeunesse hitlérienne, Nuremberg, 1936. J 222. Former folder number: FF 69**.

Box 9, Item 13

Unidentified photographer, Medical Figure of an Arm, circa 1860

Scope and Content Note

Two-part joined panorama, albumen. Dated by Bonnemaison, who locates the subject in Munich, Germany. A 32. Former box number: 4*.

Great Britain, circa 1840-1880

André-Adolphe-Eugène Disdéri, circa 1860-1865

Scope and Content Note

Albumen prints. On recto of mounts: Disdéri Phot. London, Paris; Vues panoramiques brèvetées S.G.D.G.

Box 2, Item 33

Mansion of Louis-Philippe in Claremont circa 1860

Scope and Content Note

Date and title from Bonnemaison: Maison de Louis Philippe dans un parc. Location identified as Claremont Surrey where Louis Philippe was exiled. A 34. Former box number: 4*.

Box 2, Item 34

View of a Chateau, circa 1860

Scope and Content Note

Date and title from Bonnemaison: Chateau et parc. Location could be Claremont. Former box number: 4*.

Box 9, Item 14

Demeure anglaise de Louis-Philippe en exil, circa 1865

Scope and Content Note

Title written in pencil on verso of mount. Location probably Claremont, Surrey. IX.40. Former box number: 19.

Box 4, Item 6

Thomas Damant Eaton (attributed), Castle Acre Priory, Norfolk, from the North, circa 1845

Scope and Content Note

Salted paper print, tondo. Title written in pencil on verso. Dated by Bonnemaison. IX.9. Former box number: 17.

Box 7, Item 5

James Glaisher, Hailstones, 1857

Scope and Content Note

Salted paper print photomicrograph. Title, photographer's name, and date by Bonnemaison. IX.81. Former box number: 16. Glaisher was an English meteorologist and a pioneering balloonist.

Box 4, Item 7

David Octavius Hill and Robert Adamson,Edinburgh, circa 1850

Scope and Content Note

Salted paper print. Photographer's name and date from Bonnemaison and in Arles catalog dated 1859. C 112. Former box number: 10.

Box 4, Item 3

Nevil Story-Maskelyne, Study of Lace, between 1840 and 1842

Scope and Content Note

Salted paper cliché verre. Title and date from Bonnemaison and in Arles catalog. IX.3. Former box number: 16.

Box 4, Item 5

Nevil Story-Maskelyne, William Henry Fox Talbot, John Dillwyn Llewelyn (circle of), Ferns between 1840 and 1845

Scope and Content Note

Salted paper cliché verre. Dated by Bonnemaison. IX.7. Former box number: 17.

Box 4, Item 4

William Henry Fox Talbot, Lace, circa 1845

Scope and Content Note

Photogenic drawing. Title and date from Bonnemaison. IX.4. Former box number: 17.

Unidentified photographers, circa 1860-1880

Scope and Content Note

Includes the work of two different unidentified photographers.

Box 9, Item 15

Extinct Volcano, between Shothama [?] Spring and George [?] Hill W Malbek [?], circa 1880

Scope and Content Note

Two-part joined panorama, gelatin printing-out paper. Title partly legible in pencil on back. Dated by Bonnemaison, who identifies these as albumen prints. F 147. Former box number: 2*.

Unidentified photographer, circa 1860

Scope and Content Note

Albumen prints. Titles written in pencil on verso. Dated by Bonnemaison. B 65. Former box number: 3*.

Box 12, Item 39a

Landscape with River,

Scope and Content Note

Three-part joined panorama.

Box 12, Item 39b

Kirkstone Pass Looking towards Brothers Water,

Box 12, Item 39c

Kirkstone Inn, the Highest Inhabited House in England,

Scope and Content Note

Circular albumen print of a drawing.

Box 12, Item 39

Secret Summer Tunes [?] Yewdale near Coniston,

Greece, circa 1860-1900

Box 19, Item 1

Adelphoi Zangaki (attributed), Athens, 1879

Scope and Content Note

Six-part joined panorama, albumen, mounted on wood. Probably studio of the Brothers Zangaki. Bonnemaison indicates name as: Zangali. Written in ink on paper mounted on verso [partially illegible]: Athens 1879, pour mon fils Georges ou Dedi au Jeudi 4 Jun 1958. 89. Former box number: 27**.

Box 12, Item 40

Frédéric Boissonnas, Le Parnasse et le Golfe de Corinthe, vue de Yemenon, circa 1900

Scope and Content Note

Gelatin silver. Photographer signed in ink on recto: Fred Boissonnas, Genève. Title written in pencil on verso. Stamped and numbered on verso. Dated by Bonnemaison. A 13. Former box number: 13*.

Box 4, Item 8

Théodore Schahl, Athens, circa 1860

Scope and Content Note

Six-part panorama, albumen. Dated by Bonnemaison. Photographer's name and address printed on verso: Th. Schahl, 29 rue Chabot-Charny, Dijon. See: Voignier 1993. He was in Dijon from 1873 to 1889. 90 ENC. Former box number: 17.

Italy, 1846-1936

Box 4, Item 10

Renzo Basile, Riflessi sopra una goccia d'acqua, 1936 November

Scope and Content Note

Gelatin silver anamorphosis print. Title, photographer's name, date and other notes written in ink on verso. Probably published in the scientific Italian magazine Sapere. IX.21. Former box number: 20*.

Box 22, Item 9

Gustave de Beaucorps, Castle on the Amalfi Coast, 1859

Scope and Content Note

Calotype negative, tondo. Title, photographer's name and date by Bonnemaison. Number 1832 in center of negative. Location is probably Procida. IX.8. Former box number: 19.

Flatfile 34, Item 1

Paul Marcellin Berthier, French Ruins after an Earthquake in Sicily, circa 1870

Scope and Content Note

Two-part joined panorama, albumen. Title and date from Bonnemaison. Photographer's name written in pencil on recto of mount: Berthier. Photographer mentioned in Voignier 1993. He was a painter and photographer, lived from 1822 to 1912, active from 1848, had a studio in Paris. B 63. Former folder number: FF 30**.

Adolphe Braun, circa 1868-1870

Scope and Content Note

Photographer's name and dates from Bonnemaison.

Box 13, Item 2

Roman Forum, circa 1868

Scope and Content Note

Two-part panorama, carbon prints. IX.44. Former box number: 20*.

Flatfile 31, Item 1

Forum Romanum, circa 1870

Scope and Content Note

Two-part panorama, carbon prints. See FF 29**, item 1 for a similar view by another photographer. G 158. Former folder number: FF 51**.

Giacomo Caneva, 1848-1850

Scope and Content Note

Salted paper prints. The known Caneva prints are salt prints from calotype negatives; later (circa 1854-1855) varnished salt prints or dilute albumen exist.

Box 9, Item 16

Rome, 1848

Scope and Content Note

Written in ink on recto of mount: 12 Tavole per 8 Scudi / Romani Ogni Tavola Separata Otto Paolil / G. Caneva / Via del Babbuino N 68.69. Photographer's name and dates from Bonnemaison.. A 42. Former box number: 4*.

Box 10, Item 3

Roman Fortification, 1850

Scope and Content Note

Photographer's name and date from Bonnemaison. E 138. Former box number: 7*.

Tommaso Cuccioni, 1850s

Scope and Content Note

Two three-part joined panoramas, toned gelatin silver. Photographer's name from Photographer's name and dates from Bonnemaison. Cuccioni (1790-1864) was trained as an engraver and had a shop in Rome. He was active in the early 1850s, and died in 1864. Photographer's name and dates from Bonnemaison's dating of original exposure to circa 1870 is thus incorrect. Items are not contact prints; they were made with an enlarger. Dated by Teresa Mesquit based upon appearance of prints. B 78. Former folder number: FF 35**.

Flatfile 29, Item 1

Panorama of the Forum Romanum

Flatfile 30, Item 2

Forum Romanum Panorama

Box 4, Item 9

Calvert Richard Jones, Santa Lucia, Naples, 1846

Scope and Content Note

Two-part panorama, salted paper. Title on recto. Dated by Photographer's name and dates from Bonnemaison. This is the second known photographic panorama on paper. IX.43. Former box number: 17.

Robert Macpherson, circa 1860-1861

Scope and Content Note

Albumen prints. Photographer's name and dates from Bonnemaison. His name is also spelled MacPherson; he was a Scottish physican.

Box 9, Item 17

Rome, St. Peter's Basilica and Vatican, circa 1860

Scope and Content Note

B 51. Former box number: 2*.

Box 9, Item 18

St. Peter's Basilica and Vatican, circa 1860

Scope and Content Note

B 51. Former box number: 2*.

Box 13, Item 1

Rome, circa 1860

Scope and Content Note

Two-part joined panorama. H 178. Former box number: 8*.

Box 13, Item 5

Town in Italy, circa 1861

Scope and Content Note

Attributed to Macpherson and location identificated as Florence by Bonnemaison. Date on recto. Number on recto of mount: 392. H 197. Former box number: 8*.

Flatfile 36, Item 1

Cascade de Tivoli, circa 1860

Scope and Content Note

MacPherson took other photos in Tivoli in the early 1860s. Title from Arles catalog and date of photograph given as 1865. C 119. Former folder number: FF 39**.

Alfredo Noack, circa 1860-1870

Box 13, Item 3

Genoa, circa 1860

Scope and Content Note

Two-part joined panorama, albumen. Title, photographer's name and date from Bonnemaison. A 6. Former box number: 3*.

Box 13, Item 4

Gênes, circa 1870

Scope and Content Note

Oval albumen print. Photographer's name and date from Bonnemaison. Title written in pencil on recto of mount. Location is Genoa, Italy. B 74. Former folder number: FF 34**.

Flatfile 33, Item 1

Francesco Pineider, Inner Courtyard of the National Museum of Bargello, Florence, circa 1860-1870

Scope and Content Note

Gelatin silver. Stamped in blue on verso: F. Pineider, Firenze. Hannavy does not list this photographer. Internet searches indicate a postcard edition and photographer named Francesco Pineider. Print probably made with a modern enlarger around 1900. 92. Former folder number: FF 71**.

Box 10, Item 1-2

Giorgio Sommer, Naples, circa 1860

Scope and Content Note

Two seven-part joined panoramas, albumen. One part is missing from each panorama (each was originally comprised of eight parts). Photographer's name and date from Bonnemaison. 91. Former box number: 19.

Box 13, Item 6

Topographic Brigade of the Italian army, Panorama del M. Bianco visto del M. Nir, 1880

Scope and Content Note

Six-part joined panorama, toned gelatin silver. Title written in ink on recto of mount. Written in pencil on recto of mount: Presented to W. Lloyd Griserm by Major Moris, Italian Army Monte Mario May 6th 1908. Photographer's name on recto of mount: Brigata specialisti 3o Genio Sezione Fotografica. Dated by Bonnemaison. In Arles catalog. IX.51. Former box number: 7*.

Unidentified photographers, circa 1890-1910

Scope and Content Note

Includes the work of two unidentified photographers.

Flatfile 32, Item 1

Rome, circa 1910

Scope and Content Note

Toned gelatin silver on baryta paper. Dated by Bonnemaison. Surface fairly damaged. A 17. Former folder number: FF 24**.

Flatfile 35, Item 1

Chasse à courre, circa 1890

Scope and Content Note

Gelatin silver, coated [?]. Title from Arles catalog. Bonnemaison's title: Italian Alps. Date from Bonnemaison. Technique identified by Teresa Mesquit (Bonnemaison identifies technique as gelatino bromure d´argent). C 95. Former folder number: FF 36**.

Malta, circa 1856-1858

Box 4, Item 11

Robertson and Beato, Fort St. Elmo, Dockyard Creek, Malta, circa 1856

Scope and Content Note

Two-part panorama, albumen. Titled and signed in negative of both prints: Robertson, Beato & Co. Dated by Anne Lacoste and Bonnemaison dated circa 1860. H 199. Former box number: 1.

Flatfile 37

Horatio Agius, La Valette, 1858

Scope and Content Note

Four-part joined panorama, albumen. Title and photographer's name written in pencil on verso. Valletta harbor, Malta. Dated by Bonnemaison. J 217. Former folder number: FF 67**.

Norway, circa 1880

Louis de Launay

Scope and Content Note

Three-part joined panoramas, albumen. Titles written in ink on recto of mount. Photographer's name from another item: L. de Launay, probably the geologist Louis Auguste Alphonse de Launay 1860-1938, son of Alphonse de Launay who was a student of Gustave Le Gray. Dated by Bonnemaison. A 28. Former box number: 7*.

Box 13, Item 7

Panorama de Lyngenfjord vu de la mer au soleil de minuit,

Box 13, Item 8

Panorama de Lyngenfjord à minuit,

Scope and Content Note

Stamped on verso of mount: Bibliothèque L. de Launay.

Box 13, Item 9

Le Lyngenfjord (Norwg),

Poland, circa 1920-1937

Box 10, Item 4

Unidentified photographer, Railroad Bridge over a River in Poland,

Scope and Content Note

Two-part joined panorama, gelatin silver. Dated by Bonnemaison. Sign reads: Wodny klub motorowy [motorboat club]. River might be the Vistula because of type of bridge and size. I 203. Former box number: 2*.

Portugal, circa 1860

Box 13, Item 10

Alfred Fillon, Porto

Scope and Content Note

Six-part joined panorama, albumen. Photographer's name and date from Bonnemaison. Photographer is French, had a studio in Porto until 1867. In Arles catalog dated 1863. C 110. Former box number: 8*.

Russia, circa 1858-1930

Martin Scherer, Georgy Nabholz (Scherer, Nabholz & Co.), 1870-1890

Scope and Content Note

Bound panoramas. Photographer's name printed on sheet mounted on recto of mount, lower left corner of panoramas. The cover and a paper mounted on frontispiece indicates that it belonged to the library of the Duchy of Sachsen Coburg (Germany). Scherer and Nabholz were a German and a Russian photographer respectively, little known, and at the Russian court's order. Dated by Bonnemaison. IX.50. Former box number: 9*.

Box 14, Item 1a

Panorama de Moscou, 1870-1890

Scope and Content Note

Bound sixteen-part joined panorama, salted paper prints with an unidentified partial coating. Title on cover.

Box 14, Item 1b

Cathedral of Christ the Saviour, Moscow, 1870

Paul Boyer, 1897

Scope and Content Note

Gelatin silver prints. Titles and photographer's name written in ink on rectos of mounts: Phot. Paul Boyer. Voignier 1993 indicates a studio in Paris. Location is St. Petersburg, Trinity Bridge, built as the third permanent bridge across the Neva between 1897 and 1903 by the French firm Batignolles. Former names of the bridge are Equality Bridge and Kirovsky Bridge. Technique identified by Teresa Mesquit. B 62. Former folder number: FF 29**.

Flatfile 40, Item 1

Sur la place du Sénat, le pavillon impérial, la statue de Pierre le Grand et la cathédrale Isaac

Flatfile 40, Item 2

Sur la place du Sénat, le défilé de la Garde

Flatfile 40, Item 3

Inauguration du Pont Trotsky, le pavillon impérial

Flatfile 40, Item 4

Sur la Néva, (un des bras de la Néva à son embouchure) où furent courues les régates. La moyenne Nevka

Flatfile 40, Item 5

Sur la place du Sénat, avant le défilé

Flatfile 40, Item 6

Sur la Néva, le vieux pont de bâteau suprimé dans la nuit du 1/28 mai 1903

Scope and Content Note

Written in ink on recto of mount: Pont de fer 12/24 aout 1897, en présence de M. Felix Faure, Président de la République Francaise, Le Tzar et la Tzarine et Le Grand-Duc heritier Michel Alexandrowitch, recus par le maire de Saint-Petersbourg (L'Empeur Nicholas II).

Flatfile 40, Item 7

Inauguration du Pont Trotsky, le cortège impérial traversant le pont

Flatfile 40, Item 8

Sur la Néva, le Pont Trotsky

Scope and Content Note

Written in pencil on recto of mount: Pont de Jen 12/ 24 aout.

Flatfile 39, Item 1

Pierre Ambroise Richebourg, Saint-Isaac, grande coupole, between 1858 and 1859

Scope and Content Note

Circular (tondo) albumen print. Title printed on recto of mount along with photographer's name and seller: Pl. 10/ Richebourg Photogr. / Gide, editeur, Paris. The location of the cupola is Saint Petersburg, Russia. Date from Bonnemaison. IX.18. Former folder number: FF 4**.

Unidentified photographer, 1920-1930

Scope and Content Note

Dated by other 1st of May photos, by Bonnemaison, and other items in this group (I 203) from Paris and Poland. I 203. Former box number: 2*.

Box 10, Item 6

Bolschoi Theater at Theatralnaja Square in Moscow Decorated for 1st of May Festivities, circa 1925

Scope and Content Note

Two-part joined panorama, gelatin silver.

Box 10, Item 7

St. Petersburg Decorated for 1st of May Festivities, circa 1925

Scope and Content Note

Two-part joined panorama, gelatin silver. Dated by Trotzky picture (second from left). Tower in the background belongs to Church of the Savior on Spilled Blood.

Box 10, Item 8

GUM Shopping Mall on Red Square, Moscow, Decorated for 1st of May Festivities, circa 1925

Scope and Content Note

Two-part joined panorama, gelatin silver. Dated by other 1st of May photos.

Box 10, Item 9

Palace Square with Alexander Column, St. Petersburg, circa 1925

Scope and Content Note

Three-part joined panorama, gelatin silver. Dated by other 1st of May photos. Photo shows same lamps as the one with the Trotzky picture.

Box 10, Item 10

Saint Isaacs Cathedral, St. Petersburg, 1920-1930

Scope and Content Note

Two-part joined panorama, gelatin silver.

Box 10, Item 11-12

Summer Residence of Czarina Catherine the Great in Puschkin, 1920-1930

Scope and Content Note

One two-part joined panorama and one three-part joined panorama, gelatin silver.

Flatfile 38, Item 1

Moscow, GUM Shopping Mall on Red Square Decorated for 1st of May Festivities, circa 1920-1930

Scope and Content Note

Five-part joined panorama, gelatin silver. Former folder number: FF 26**.

Spain, circa 1860-1920

Jean Laurent, circa 1860-1870

Scope and Content Note

Albumen prints. Dated by Bonnemaison.

Box 4, Item 12

Toledo, vista general panorámica desde la Virgen del Val, circa 1860

Scope and Content Note

Two-part joined panorama. Title and photographer's name on recto. A 22. Former box number: 7*.

Box 10, Item 13a

Vista general de Córdoba, circa 1865

Scope and Content Note

Photographer's name from Bonnemaison. Title on recto of print. Numbered on mount. Another photograph of Cordoba is mounted on the reverse. A 40. Former box number: 7*.

Box 10, Item 13b

Córdoba, el puente romano, circa 1865

Scope and Content Note

Photographer's name from Bonnemaison. Title on recto of print. Numbered on mount. Another photograph of Cordoba is mounted on the reverse. A 40. Former box number: 7*.

Box 10, Item 14a

Barcelona, Vista panoramica del puerto, desde la plaza del Comércio, circa 1865

Scope and Content Note

Title, photographer's name and numbering on recto of print. Second part of image mounted on reverse. D 121. Former box number: 2*.

Box 10, Item 14b

Barcelona, Vista panoramica del puerto, 2" trozo, circa 1865

Scope and Content Note

Title and numbering on recto of print. First part of image mounted on reverse. D 121. Former box number: 2*.

Box 13, Item 11

Vista panoramica de Sevilla, between 1867 and 1870

Scope and Content Note

Seven-part panorama. Title on recto along with photographer's name: J. Laurent, Madrid. IX.48. Former box number: 3*.

Box 4, Item 13

Ricard Opisso, Study of Three Trumpet Players in Two Mirrors, between 1892 and 1920

Scope and Content Note

Albumen. Photographer's name written in pencil on verso. Also named is Opisso y Sala, draftsman and assistent to Antonio Gaudí (y Cornet). The study is of the trumpeting angel statues on the Sagrada Familia church in Barcelona. Dated by Opisso's work with Gaudí (Bonnemaison's date of 1865 is before Opisso was born). The simultaneous exposure of the trumpet players was made using two mirrors; such photographs are known as a multigraphs. Another item appeared in the magazine Antigone, Revue littéraire de photographie, 21-L'Hésitation, page 110, captioned: Photographie Antonio Gaudi avec Ricardo Opisso. Étude synthétique de modèle avec dispositif de miroirs, pour les sculptures de la porte Rosaire du clôitre ou de la porte de la Nativité, Sagrada Familia, Barcelone. 1892-1920. IX.54. Former box number: 20*.

R.P., 1896

Scope and Content Note

Albumen prints. Titles and dates written in ink on recto of mount. Photographer's name from Bonnemaison, who notes panoptique and that the views are over 360 degrees. I 206. Former folder number: FF 73**.

Flatfile 26, Item 8a

Plage de San Sébastian, Espagne. Voyage en 1896

Flatfile 26, Item 8c

Un rocher à San Sebastian

Box 10, Item 15

Rafael Señán y González (attr.), Ceiling at the Alhambra, Granada, circa 1860

Scope and Content Note

Albumen. Photographer's name and date from Bonnemaison. Written in pencil on recto of mount: En haut à droite, oben und recht. IX.17. Former box number: 19.

Flatfile ff41, Item 1

Unidentified photographer, Palma, Mallorca, circa 1920

Scope and Content Note

Gelatin silver. Dated by Bonnemaison. Location identified as the La Seu Cathedral of Palma on the Spanish island of Mallorca. G 160. Former box number: ff52**.

Switzerland, 1860-1930

Flatfile 44, Item 1

Bisson Frères, Chute du Giesbach, circa 1860

Scope and Content Note

Albumen. Title written in pencil on recto of mount. Photographer's name stamped on recto of mount. Dated by Bonnemaison. See H 190 in Box 8* for a Giessbach image by Braun. H 189. Former folder number: FF 61**.

Adolphe Braun, 1860-1868

Scope and Content Note

Albumen prints, except as noted. Titles written in ink on recto of mounts, except as noted.

Box 4, Item 18a-18e

Lausanne and Other Locales, circa 1865

Scope and Content Note

Mount with a photograph of Lausanne (98.R.19-b04.18a) on one side and four photographs on the other side (98.R.19-b04.18b - 98.R.19-b04.18e). Locales are indicated in ink on mount: two views of Thun, and views of the Château Chillon and the Château de Rufemont. Photographer's name indicated on another photograph: A. Braun à Dornach (Haut Rhin) France. Dated by Bonnemaison. H 198. Former folder number: FF 64**.

Box 4, Item 19a-19e

Le petite Scheideck à la Weyern, Alp, 1867

Scope and Content Note

Location could be either Switzerland or France. Date written on mount. Four smaller prints on verso: Thoune (19b); Cascade de Pissoache, pres de Martiguy (19c); Lausanne (19d); Le beau rivage Bochy (19e) B 54. Former box number: 10.

Box 4, Item 20a-20b

Glacier inférieur de Grindelwald source de la Lutschnie, 1867

Scope and Content Note

Date written in ink on recto of mount. Location could be either Switzerland or France. Le Staubbach fries de Lauterbrunnen (20b) on verso. B 54. Former box number: 10.

Box 4, Item 21a-21e

Glacier inférieur de Grindelwald source de la Lutschnie bis, 1867

Scope and Content Note

Date written in ink on recto of mount. Location could be either Switzerland or France. Four smaller prints on the reverse: Le Briethorn prés du Gärner Grat(21b); Le Monck ou de la Weyern Alp (21c); Le Jungfrau pris de la Weyern Alp (21d); Castor et Pollusc (21e). B 54. Former box number: 10.

Box 10, Item 16

Village in a Valley, circa 1865

Scope and Content Note

Carbon print. Photographer's name and date from Bonnemaison. Embossed on verso of print: Lacroix. Location probably Switzerland. IX.33. Former box number: 19.

Box 13, Item 17

Sion (Valais), 1868

Scope and Content Note

Title written in pencil on recto of mount. Photographer's name on recto of mount. Dated by Bonnemaison. In Arles catalog. J 219. Former box number: 20*.

Box 13, Item 18

Sion, 1868

Scope and Content Note

Photographer's name written in pencil on verso of mount. Printed note mounted on verso: 29. Berne Panorama de la ville; Vue prise de l'Aargauerstalden. Dated by Bonnemaison. In Arles catalog. J 219. Former box number: 20*.

Box 13, Item 19

Le Giessbach, circa 1860

Scope and Content Note

Title written in pencil on recto of mount. Photographer's name printed on recto of mount: A. Braun à Dornach (Haut-Rhin). Date from Bonnemaison. Sticker on verso: No 555. Oberland Bernois, Le Giesbach à Brienz. See item 98.R.19-ff44.01 from Bisson freres. H 190. Former box number: 8*.

Box 13, Item 20, 22

Giessbach Fall, circa 1860

Scope and Content Note

Two prints: 98.R.19-b13.20 is an albumen print; 98.R.19-b13.22 is a carbon print. Untitled; photographer's name and date from Bonnemaison. H 190. Former box number: 8*.

Box 13, Item 22

Panorama from the Scheinigge Platte, circa 1860

Scope and Content Note

I.e. Schynige Platte. Photographer's name and date from Bonnemaison. A 31. Former box number: 8*.

Box 13, Item 23

Jungfrau Mountain, 1865

Scope and Content Note

Two-part joined panorama, carbon prints. Title, photographer's name and date from Bonnemaison. In Arles catalog. J 218. Former box number: 20*.

Box 13, Item 24

Mürren, beyond Almendhubel Mountain, circa 1866

Scope and Content Note

Three-part panorama, carbon prints. Title, photographer's name and date from Bonnemaison. The two little boys appear in the panorama three times . IX.45. Former folder number: FF 10**.

Flatfile 42, Item 1

Zürich, circa 1865

Scope and Content Note

Printed on recto of mount: Appareil panoramique breveté de Johnson Brandon and Braun; A. Braun à Dornach (Haut Rhin) France. Dated by Bonnemaison. Studio advertisment on a waterfront house: Photographie J. Schneebeli. H 180. Former folder number: FF 58**.

Flatfile 43, Item 1

Fribourg, circa 1866

Scope and Content Note

Photographer's name printed on recto of mount: A. Braun à Dornach (Haut Rhin) France; Appareil panoramique breveté de Johnson Brandon and Braun. Numbering in ink on recto of mount. Dated by Bonnemaison. A 10 b. Former folder number: FF 21**.

Flatfile 42, Item 2

Lausanne, circa 1865

Scope and Content Note

Printed on recto of mount: Appareil panoramique breveté de Johnson Brandon and Braun; A. Braun à Dornach (Haut Rhin) France. Dated by Bonnemaison. See 98.R.19-b04.18a for variant item. H 198. Former folder number: FF 64**.

Flatfile 43, Item 2

Thoune, circa 1866

Scope and Content Note

Photographer's name printed on recto of mount: A. Braun à Dornach (Haut Rhin) France; Appareil panoramique breveté de Johnson Brandon and Braun. Numbering in ink on recto of mount. Dated by Bonnemaison. A 10. Former folder number: FF 21**.

Flatfile 43, Item 3

Fribourg (G d Fey), 1865

Scope and Content Note

Photographer's name printed on recto of mount: A. Braun à Dornach (Haut Rhin) France; Appareil panoramique breveté de Johnson Brandon and Braun. Dated by Bonnemaison. Location is probably the Viaduct Grandfey on the railroad from Berne to Fribourg. IX.41. Former folder number: FF 9**.

Box 13, Item 25

Lake in the Mountains, circa 1865

Scope and Content Note

Printed on recto of mount: Appareil panoramique breveté de Johnson Brandon and Braun; A. Braun à Dornach (Haut Rhin) France. Date and title from Bonnemaison. Exact location unknown, probably Swiss or French Alps. H 181. Former folder number: FF 59**.

Box 13, Item 26

Alps, 1865

Scope and Content Note

Carbon print. Untitled; photographer's name and date from Bonnemaison. D 126. Former folder number: 8*.

Charnaux Frères & Co., circa 1860-1870

Box 4, Item 15

Geneva, circa 1860-1870

Scope and Content Note

Three-part panorama, albumen. Photographer's name in negative, left print. Dated by Bonnemaison. B 75. Former box number: 10.

Box 4, Item 16

Lake Geneva/Lake Léman, circa 1865

Scope and Content Note

Six-part panorama, albumen. Photographer's name in negative, left print. Date and title from Bonnemaison. H 173. Former box number: 1.

Box 13, Item 12

Jaeger, Genève, Panorama de la Rade et le Mont Blanc, circa 1930

Scope and Content Note

Gelatin silver. Photographer's name on recto. Title printed on recto of mount. Dated by Bonnemaison. Jaeger is probably G. Jaeger, a Geneva postcard publisher active during the early 20th century. Written in pencil verso: Malange. A 30. Former box number: 13*.

Neurdein Frères, circa 1890

Scope and Content Note

Albumen prints. B 60. Former box number: 13*.

Box 13, Item 13-14

Geneva

Scope and Content Note

Two prints. Photographer's name and date from other items in group.

Box 13, Item 15

Genève et le Mt. Blanc

Scope and Content Note

Photographer's name and date from other items in group. Title written in pencil on verso.

Box 13, Item 16

Panorama de Lucerne

Scope and Content Note

Title, photographer's name and numbering on recto: ND. Phot. Dated by the Bourbaki panorama building on the far left of print which was constructed in 1881.

Box 4, Item 14

Unidentified photographer, Lausanne, circa 1880

Scope and Content Note

Five-part panorama, albumen. Title and date from Bonnemaison. Numbered on verso. B 61. Former box number: 1.

Unidentified European locations, 1865-1937

Scope and Content Note

Includes the work of nine different unidentified photographers.

Box 4, Item 17

The Alps with Matterhorn Mountain, circa 1865

Scope and Content Note

Eight-part panorama, albumen. Title and date from Bonnemaison. Numbered in pencil on verso. H 172. Former box number: 1.

Box 4, Item 22-27

Landscape Views from a Ship, circa 1890

Scope and Content Note

Six prints on gelatin printing-out paper. Dated by Bonnemaison. Ship might be Italian because of the flag in one of the pictures. Region might be Scandinavia because of the architecture. F 148. Former box number: 4*.

Box 7, Item 7

Portrait of a Man with Hat in Five Different Angles, 1924

Scope and Content Note

Gelatin silver postcard, mirror imaging. Date and greetings written in pencil on verso: herzl. Grüße Gebr. Engel i/a. Schorsch 15/9.24. The five simultaneous exposures of the man were made using two mirrors. The back of the man is the real person. Such photographs are known as a multigraphs, and postcards such as this were often a fun fair attraction. IX.53. Former box number: 16.

Box 7, Item 11

Landscape with Lake and Mountains, circa 1910

Scope and Content Note

Gelatin silver. Dated by Bonnemaison. A 18. Former box number: 12.

Box 10, Item 18

Landscape with Horse, circa 1920-1937

Scope and Content Note

Two-part joined panorama, gelatin silver. See other items from Soviet Union, Poland, and Paris in this series. I 203. Former box number: 2*.

Box 10, Item 19

City on a River, 1920-1930

Scope and Content Note

Three-part joined panorama, gelatin silver. I 203. Former box number: 2*.

Box 10, Item 20

Pond and Village, circa 1890

Scope and Content Note

Four-part joined panorama, cyanotype. Dated by Bonnemaison. Location unknown. D 120. Former box number: 19.

Box 13, Item 27

Mediterranean City in a Bay, circa 1860

Scope and Content Note

Two-part joined panorama, albumen. Dated by Bonnemaison. B 66. Former box number: 3*.

Flatfile 45, Item 1

Snow-covered Alps, circa 1910

Scope and Content Note

Gelatin silver. Title and date from Bonnemaison. E 137. Former folder number: FF 50**.

Series IV. North America, 1858-1944

Physical Description: 8.0 linear feet (2 boxes, 1 flatfile)

Scope and Content Note

Countries represented include Canada, Mexico, and the United States.

Arrangement

Arranged alphabetically by country, and within each country, alphabetically by photographer. Works by unidentified photographers are listed at the end of each country.

Canada, 1858

Box 10, Item 21

Hime, H. L. (Humphrey Lloyd), The Prairie on the Banks of Red River Looking South,

Scope and Content Note

Albumen. Title written in pencil on recto of mount. Photographer's name and date from Bonnemaison. IX.60. Former box number: 19.

Mexico, 1909- circa 1910

Unidentified photgraphers

Scope and Content Note

Includes the work of three different unidentified photographers.

Views of Mexico, 1909

Scope and Content Note

Gelatin silver prints unless otherwise noted. Date derived from similar photographs. F 150. Former box numbers: 5 and 6.

Box 5, Item 1

Man and Two Women Playing Badminton in front of a Manor House

Box 5, Item 2

Four Men on Horseback Crossing a Bridge

Box 5, Item 3

Group of Construction Workers Moving a Pipe

Box 5, Item 4, 6-7

Lake with Mountains

Scope and Content Note

Three prints.

Box 5, Item 5

Lake with Mountains and Men with a Boat

Box 5, Item 8-9

Tank a Oaxaca

Scope and Content Note

Two prints. Title written in ink on recto of mount of 98.R.19-b05.08. F 150.

Box 5, Item 10

Landscape and Mountains

Box 5, Item 11

Village

Box 5, Item 12

Church in a City

Box 5, Item 13

Railroad Line and Train

Box 5, Item 14-15

Plaza de la Concordia, Orizaba

Scope and Content Note

Two prints.

Box 5, Item 16-17

House with Mountains in Background

Scope and Content Note

Two prints.

Box 5, Item 18

City

Box 5, Item 19-20

City with Landscape

Scope and Content Note

Two prints.

Box 5, Item 21

Street with Buildings, Tram, and a Road Sweeper

Box 5, Item 22-23

Parade with Porfirio Díaz [?]

Scope and Content Note

Two prints.

Box 5, Item 24

Three Huts with Men

Box 5, Item 25

Ship on the Sea

Scope and Content Note

Title and date from another print with same motif.

Box 5, Item 26

Crossroads with a Bicycle Shop

Box 5, Item 27

Men with Dog on a Railroad Bridge

Box 5, Item 28

Railroad Line with Train and Building

Scope and Content Note

Title and date written in ink on recto.

Box 5, Item 29-30

Orizaba

Scope and Content Note

Two prints. Title and date written in ink on recto of 98.R.19-b05.29.

Box 5, Item 31

Men on Horseback in a Valley

Box 5, Item 32

Two Men in a Landscape

Box 5, Item 33

Two Men and a Horse in a Landscape

Box 5, Item 34

Landscape with Men

Box 5, Item 35

Mananciales Escaleras, Estdo Vera-Cruz [Estado Veracruz]

Scope and Content Note

Title and date written in ink on recto.

Box 5, Item 36

Four Men on Horseback Crossing a River

Box 5, Item 37

Laundry at a River

Box 5, Item 38

Rio de Chicola, Uberbrückungsstelle

Scope and Content Note

Title and date written in ink on recto.

Box 5, Item 39

>Landscape with a Mountain

Box 5, Item 40

>Men and Horses at a Mountain Lake

Box 5, Item 41

Four Men in a Boat

Box 5, Item 42-43

Men in a Valley

Scope and Content Note

Two prints.

Box 5, Item 44

Pipes in a Field

Box 5, Item 45

Landscape with Mountains

Box 5, Item 46

Men in a Landscape

Box 5, Item 47

Men in a Landscape with a Mountain

Box 5, Item 48

Village in Mexico

Box 6, Item 1

Four Riders Crossing a River

Scope and Content Note

Cyanotype.

Box 6, Item 2

Men in a Landscape at a Laundry Spot

Scope and Content Note

Cyanotype.

Box 6, Item 3

Orizaba, Plaza de la Concordia

Scope and Content Note

Cyanotype. Title and date from another print with same motif.

Box 6, Item 4

City View

Scope and Content Note

Cyanotype.

Box 6, Item 5

Crossroads in Orizaba

Scope and Content Note

Location and date written in ink on recto.

Box 6, Item 6

Plaza de la Concordia, Orizaba

Scope and Content Note

Title and date written in ink on recto.

Box 6, Item 7

Two Men in a Gorge

Scope and Content Note

Written in pencil on verso: Muestra de papel para las copias de las vistas panoramicas.

Box 6, Item 8

Two Men in a Field

Box 6, Item 9

Street with Buildings and a Man

Box 6, Item 10

Two Men on a Trail in a Village

Box 6, Item 11-12

Rocky River

Scope and Content Note

Two prints.

Box 6, Item 13

Railroad Line and Buildings

Box 6, Item 14

Nacimiento de los Manamiales de Aleojuer [?]

Scope and Content Note

Title and date written in in on verso.

Box 6, Item 15-16

>Railroad Station at El Hule

Scope and Content Note

Two prints.

Box 6, Item 17-19

Mountains in the Landscape

Scope and Content Note

Three prints.

Box 6, Item 20

Valley

Box 6, Item 21

City with Landscape

Box 6, Item 22

Landscape with Horses

Box 6, Item 23

Landscape

Box 6, Item 24

Men on Horseback near a Bridge

Box 6, Item 25

Ende des Zuführungskanals

Scope and Content Note

Title written in ink on recto.

Box 6, Item 26

Men on Horseback close to a Bridge

Box 6, Item 27

Three Men in a Boat

Box 6, Item 28-31

Rocks in River

Scope and Content Note

Four prints.

Box 6, Item 32

Escaleras

Scope and Content Note

Title and date written in ink on recto.

Box 6, Item 33

Group of Men in a Landscape

Box 6, Item 34

Group of Men and Women in a Landscape

Box 6, Item 35

Men on Horseback at a Riverside

Box 6, Item 36

Landscape with Mountains in Mexico

Box 6, Item 37

Men with Horses at a Mountain Lake

Box 6, Item 38-39

Mountian Lake

Scope and Content Note

Two prints.

Box 6, Item 40

Landscape in Mexico

Box 6, Item 41

Plants in the Landscape

Box 6, Item 42

Rocks and Waterfall

Box 6, Item 43-44

Valley with Men

Scope and Content Note

Two prints.

Box 5, Item 49-50

Construction of a Water Depot, circa 1910

Scope and Content Note

Two gelatin silver prints. Dated by Bonnemaison. A 20. Former box number: 10.

Box 16, Item 1

Zocalo, Mexico City, circa 1910

Scope and Content Note

Gelatin silver. The Zocalo (main square) of Mexico City with Cathedral (middle) and National Palace (right). Dated by Bonnemaison. Item is unusually large for being only one piece. G 159. Former box number: 22** rolled.

United States, 1908-1944

Box 7, Item 4

Berenice Abbott,Small Train, between 1935 and 1940

Scope and Content Note

Gelatin silver, multiple exposures. Signed in pencil on verso of mount. Date from Arles catalog. F 149. Former box number: 16.

Flatfile 46, Item 1

Donaldson Photo, Panama Pacific International Exposition, 1915

Scope and Content Note

Two gelatin silver panoramas on one mount. Title, photographer's name, and date in negative on recto of print: Panama Pacific International Exposition 1915, Donaldson Photo Co. S.F. The upper image is a bird's-eye view of the exposition. The lower image is a large group portrait taken in a San Francisco [?] street. G 165. Former folder number: FF 54**.

Box 10, Item 23

Andreas Feininger, Night Baseball, Polo Grounds, circa 1940

Scope and Content Note

Two-part panorama, gelatin silver. Title printed on paper pasted on verso. Photographer's name stamped on verso of both prints: Foto: Andreas Feininger. Date from Bonnemaison. Notation on recto of both prints: 10 ½ wide let light come. B 52. Former folder number: FF 28**.

Box 7, Item 2

Joseph Turner Keiley, Niagara Falls, 1916

Scope and Content Note

Gelatin silver. Title written in ink on verso. Photographer's name from Bonnemaison. Date from Plessen and Giersch. Attributed to George Seeley in the Arles catalog and as a heliogravure of the photograph. IX.64. Former box number: 16.

Box 10, Item 22

Man Ray, Windbag, 1944

Scope and Content Note

Gelatin silver. Photographer's name and date from attached certificate of Lucien Treillard. Title and caption typed on recto of paper mounted below print: Windbag. In the category of silent musical instruments, this is completely sealed up - even a percussion instrument depends on air. In Arles catalog. Location probably Los Angeles per Man Ray's biography. C 98. Former box number: 7*.

Box 7, Item 1

Unidentified photographer, Honolulu "Algerobus", 1908

Scope and Content Note

Cyanotype. Title and date written in ink on recto of mount. H 169. Former box number: 1.

Series V. South America, 1860-1891

Physical Description: 0.5 linear feet (2 boxes)

Scope and Content Note

Countries represented are Argentina and Brazil.

Arrangement

Arranged alphabetically by country.

Argentina, 1891

Box 7, Item 3

Georges Poulet (attributed), Panorama du Santa Fe, vue prise de campanile du la gare

Scope and Content Note

Three-part joined panorama, cyanotypes. Title and date written in pencil on cover. Compare to other cyanotypes in Aurora Argentina. The amateur photographer, Georges Poulet, was a French engineer and director of the Santa Fe Railway Society in Argentina between 1890 and 1894. Attribution by location, techniques, use of French and type of handwriting on item. B 53. Former box number: 1.

Brazil, 1860 December

Box 10, Item 24

Benjamin Robert Mulock, Rio Johannes [?], Temporary Bridge, South End

Scope and Content Note

Albumen print. Title and date written in ink on verso. Photographer's name from Bonnemaison. D124. Former box number: 7*.

Series VI. Unidentified locations, circa 1850-1920

Physical Description: 3.0 linear feet (1 box)

Scope and Content Note

The locations where these photographs were taken is ambiguous, even at the continent level.

Arrangement

Arranged alphabetically by photographer.

Horatio, 1895

Scope and Content Note

Gelatin silver. Date and photographer's name from Bonnemaison. Name not known according to John Hannavy. J 221. Former box number: 16.

Box 7, Item 9

Coach Horses Viewed from the Coachmens' Seat

Box 7, Item 10

Stage Coach 1895

Box 7, Item 12

Th. de Koya [?], Hunt, circa 1910

Scope and Content Note

Gelatin silver. Date and title from Bonnemaison. Photographer's name at left corner: Phot Th. de Koya [?]. E 144. Former box number: 1.

Unidentified photographers,

Scope and Content Note

Includes the work of seven different unidentified photographers.

Box 12, Item 12

Fortifications, circa 1860

Scope and Content Note

Two-part joined panorama, albumen. Dated by Bonnemaison. Location is probably North Africa or Middle East. H 195. Former box number: 8*.

Box 7, Item 6

Horses and Riders and Guards, after 1886

Scope and Content Note

Circular (tondo) cyanotype with six circular vignettes. Dated by Bonnemaison. Camera used is a Plastron from Stirn, which was invented in 1886. IX.14. Former box number: 16.

Box 7, Item 8

Coiled Snake, circa 1860

Scope and Content Note

Albumen, tondo format. Dated by Bonnemaison. IX.10. Former box number: 16.

Box 7, Item 13-14

Mountaineering, circa 1900

Scope and Content Note

Two gelatin printing-out paper prints. Dated by Bonnemaison. F 151. Former box number: 4*.

Box 7, Item 15

Part of the Campus, circa 1900-1920

Scope and Content Note

Cyanotype. Title written in ink on verso. Dated by Bonnemaison. H 170. Former box number: 1.

Box 13, Item 28

Family in the Ruins of a City circa 1850

Scope and Content Note

Salted paper print. Title from Bonnemaison: Pique-nique en ruines. Dated by Bonnemaison, who identifies the technique as gelatino bromure d´argent. IX.6. Former box number: 20*.

Box 18, Item 3

Lady with Servant beside a Mirror, circa 1890

Scope and Content Note

Anaglyphe, two colored glass slides. Date in Plessen and Giersch is 1993. To see the green and red glass slides as a spatial effect, the observer must wear glasses of the same colors. IX.79. Former box number: 26.

Series VII. Panorama paintings, 1803-1900, undated

Physical Description: 2.5 linear feet (1 box)

Scope and Content Note

Materials relating to painted panoramas and the buildings in which they were shown. For panorama buildings set within a larger cityscape see also Austerlitz Bridge and Building for the Bastille Panorama, Paris (FF 47) and Panorama de Lucern (Box 13).

Arrangement

Arranged alphabetically by photographer or artist.

Box 22, Item 5

Robert Barker [?], James Adlard (printer), Panorama Leicester-Square, Two Views of Paris, 1803

Scope and Content Note

Woodcut. Title, names, and date printed on recto. Artist's name, possibly unknown or possibly Robert Barker, an Irish painter, known as the inventor of the cylindrical panorama painting. He opened the first panorama building at Leicester-Square in 1793. This was probably an advertisement poster for the panorama. It contains images of two panoramas of Paris and notes regarding the opening hours and entrance fees. In Arles catalog. I L9. Former box number: 7* temp. box.

L. Marquet, Panorama of Madagascar, circa 1900

Scope and Content Note

Gelatin silver. Photographer's name not known by Hannavy. Voignier lists two photographers named Marquet in Paris, first names, unknown, as well as one in Sens, and one Eugéne Marquet in Nancy. The panorama building was probably built for the 1900 Paris World's Fair. The panorama painting was by Louis Tinayre. I 207. Former box number: 8*.

Box 22, Item 1

Construction of the Panorama of Madagascar Building

Box 22, Item 2

Hanging the Panorama of Madagascar Canvas

Box 22, Item 11

Theóphile MM Poilpot and Jacob, Panorama Prise de la Bastille et vue du Vieux Paris, undated

Scope and Content Note

Four-part joined panorama of prints, lithographs [?]. Title printed on cover. Artist's name printed on cover. Probably used as souvenir and entrance ticket for a panorama building in Paris. I L2. Former box number: 1.

Box 22, Item 13

C. Reichert (draftsman), M. Kurz (engraver), Panorama von Gratz, aufgenommen vom Schlossberg, circa 1830

Scope and Content Note

Engraving [?]. Title and artist's and engraver's names printed in the middle. Dated by Bonnemaison. Circular print; could be used for orientation in an actual panorama building. I L7. Former box number: 1.

Unidentified photographer, Cineorama at the 1900 Paris exposition universelle internationale, circa 1899

Scope and Content Note

Gelatin silver. Dated by construction of the cineorama for the 1900 Paris exposition universelle. Stamp on recto of mount: La "Photographie" Societe Ouvriere F. Thuillier. Directeur 279. Rue St. Honore. Paris. I 208. Former box number: 3*.

Box 22, Item 3

Construction of the Cineorama Building, Interior

Box 22, Item 4

Construction of the Cineorama Building, Exterior

Box 22, Item 12

Anonymous, Rapport sur le panorama, circa 1805

Scope and Content Note

12 page printed booklet. Title written in ink on cover and printed on first page. I L8. Former box number: 1.

Container List