Africa, Series I.
1850-1920
Physical Description: 13.5 Linear Feet(4 boxes, 2 flatfile folders)
Scope and Contents
Countries represented are: Algeria, Chad, Egypt, and Madegascar.
Arrangement
Arranged alphabetically by country, and within each country, alphabetically by photographer. Works by unidentified photographers
are listed at the end of each country.
box 22, item 7-8
Beaucorps, Gustave de,
Oasis de Korah (Sahara),
1859
Scope and Contents
Albumen print (98.R.19-b22.07) and calotype negative (98.R.19-b22.08). Title written in pencil on recto of print mount. Photographer's
name and date from Bonnemaison. IX.16. Former box number: 20*.
Bougault, A. (publisher),
circa 1900-1920
Scope and Contents
Toned gelatin silver prints. Stamped on verso: Reproduction interdite, tous droits réservés, à l'éditeur A. Bougault à Toulon
s/Mer. Dated by Bonnemaison. A 23. Former box number: 3*.
box 12, item 6
Muslim Cemetery,
circa 1900-1920
box 12, item 10
Lake and Village,
circa 1920
box 8, item 1
Disdéri, André-Adolphe-Eugène,
Bougie, quai de la Marine et fort d'Abd-El-Kader,
circa 1875
Scope and Contents note
Albumen. Title and photographer's name printed on recto of mount. Dated by Bonnemaison. Name of city is Béjaïa, Algeria. A
19. Former box number: 7*.
Geiser, J.,
circa 1880
Scope and Contents
J. Geiser could be either Julie Geiser (d. 1874) or her son Jean-Théophile Geiser.
box 1, item 6
Panorama d'Alger album
Scope and Contents note
Four-part joined panorama, albumen. Title on cover. Photographer's name on slipcase. Dated by Bonnemaison. IX.47. Former box
number: 21.
box 1, item 7
Panorama d'Alger
Scope and Contents note
Six-part joined panorama, albumen. Title printed on recto of mount. 86. Former box number: 21.
Photo Félix,
1900-1920
Scope and Contents
Toned gelatin silver prints. Photographer's name stamped on versos: Photo Félix Fournitures-vues du pays Kodaks travaux en
48 heures Marrakech (Maroc).
box 12, item 1
Palms at a River and Men with Donkey,
1900-1920
Scope and Contents note
Dated by Bonnemaison. In Arles catalog dated 1930. C 107. Former box number: 3*.
box 12, item 2
Men with Donkey at a River with Fortifications in Background,
1900-1920
Scope and Contents note
Dated by Bonnemaison. In Arles catalog dated 1930. C 108. Former box number: 3*.
box 12, item 7
City with Mountains in the Background,
circa 1920
Scope and Contents note
Dated by Bonnemaison. A 24. Former box number: 3*.
box 12, item 11
Fortifications,
1900-1920
Prouho, René,
circa 1920
Scope and Contents
Gelatin silver prints. Photographer's name on recto. Dated by Bonnemaison. A 26. Former box number: 3*.
box 12, item 3
View through a Fortress Gate with People in the Street
box 12, item 4-5
Market
Scope and Contents note
Two prints. 98.R.19-b12.05 is numbered and stamped on verso: 420 Bou-Saada, Solde.
Photographer unidentified,
circa 1855-1920
Scope and Contents
Includes photographs by four different unidentified photographers.
Views of El Kantara,
circa 1910
Scope and Contents
Gelatin silver prints. Titles written in ink on versos. Dated by Bonnemaison. H 186. Former box number: 1.
box 1, item 2-3
El Kantara, Côté Sud
Scope and Contents
Two prints.
box 1, item 4-5
El Kantara, Sud
Scope and Contents
Two prints.
box 12, item 8
Market,
circa 1920
Scope and Contents note
Toned gelatin silver. Dated by Bonnemaison. A 24. Former box number: 3*.
Flatfile 1**, item 1-2
Roman Arch of Trajan, Timgad,
circa 1920
Scope and Contents
Two toned gelatin silver prints. Title and location derived by comparison with other images. Dated by Bonnemaison. A 11 and
A 11 bis. Former folder number: FF 22**.
Flatfile 2**, item 1
Algiers,
circa 1855
Scope and Contents note
Six-part joined panorama, salted paper prints. Title and date from Bonnemaison. IX.46. Former folder number: FF 11**.
box 1, item 8
Allégret, Marc, Goats and Goatherds in Chad
Scope and Contents
Gelatin silver. Photographer's name and date from Bonnemaison. Allégret was a French screenwriter and film director. A36.
Former box number: 7*.
box 8, item 3
Benecke, Ernest, Riverbank of the Nile,
circa 1850
Scope and Contents note
Salted paper print. Title, photographer's name and date from Bonnemaison. H 188. Former box number: 2*.
Du Camp, Maxime,
1850
Scope and Contents
Salted paper prints. Prints made by Alfred Nicholas Normand and Eugène Constant. Du Camp was assigned to an archaeological
mission by the Ministère de l'Instruction Publique lasting from 1849 to 1851. In 1851 on his return trip to France, he stopped
in Rome at the Villa Médicis, and with Alfred Nicolas Normand, architect and resident at the Villa, made 70 unique photographic
prints. These were the first views of Egypt printed on paper as well as the only photographic prints made by Du Camp.
box 8, item 2
Thèbes. Louqsor, vue générale des ruines,
circa 1850
Scope and Contents note
Title printed on recto of mount. Printed on recto of mount: Imprimerie photographique de Blanquard-Evrad à Lille, Pl. 24,
Maxime Du Camp, Gide et Baudry, éditeurs. On recto of mount: MacGill 7 Hanover Edinr. A 45. Former box number: 4*.
box 8, item 5
Vue prise à la seconde cataracte,
March 1850
Scope and Contents note
Title and numbers 64 and 71 written in pencil on recto of mount. IX.58. Former box number: 19.
box 8, item 3
Lekegian, G.,
Karnak, Avenue of Sphinxes Luxor,
circa 1880
Scope and Contents note
Gelatin silver, coated [?]. Title and photographer's name written in ink on recto of mount: G. Lekegian and Co., Cairo. Dated
by Bonnemaison. In Arles catalog. I 204. Former box number: 3*.
box 8, item 6
Charnay, Désiré,
Madagascar
Scope and Contents note
Albumen. Title, photographer's name and date written in pencil on recto of mount. In Arles catalog titled: Première image
de l'album de Madagascar. C 104. Former box number: 7*.
Asia, Series II.
1844-1916
Physical Description: 21.5 Linear Feet(5 boxes, 4 flatfile folders)
Scope and Contents
Countries and geographical units represented are: China, Hong Kong, India, Israel, Japan, Lebanon, Turkey, and Uzbekistan.
Arrangement
Arranged alphabetically by country, and within each country, alphabetically by photographer. Works by unidentified photographers
are listed at the end of each country.
Flatfile 3**, item 3
Tung Hing (attributed), Yen-Ping and the Min River
Scope and Contents note
Three-part joined panorama, albumen. Dated by Bonnemaison, who gives title as:
Tung Hing Tien Ping Foo, which is apparently the photographer's name and other information taken from another source. Exact location unknown. Frances
Terpak attributes the photograph to Tung Hing, a Chinese studio in Fuzhou. A 4. Former folder number: FF 17**.
Flatfile 3**, item 1-2
Photographer unidentified, Fuzhou with Harbor
Scope and Contents
Two three-part joined panoramas, albumen. Dated by Bonnemaison, who gives titles as:
Tung Hing Tien Ping Foo, which is apparently the photographer's name and other information taken from another source. Location identified by comparison
with another item in Jeffrey W. Cody and Frances Terpak,
Brush and Shutter: Early Photography in China, p. 170-171. A 4. Former folder number: FF 17**.
Flatfile 4**, item 1
Photographer unidentified, View of Hong Kong
Scope and Contents note
Toned gelatin silver print. Location and date by Bonnemaison. B 49. Former box number: ff27**.
Bourne, Samuel,
circa 1864-1916
box 2, item 2
Panoramic view of Calcutta from the Achterberg Monument,
1916
Scope and Contents note
Two-part panorama, albumen. Title written in pencil on versos of both prints. Photographer's name and date written in ink
on recto. The photographer is probably not John Cooke Bourne, who was not in India according to John Hannavy, v.1, p. 196,
but it could be the company of Samuel Bourne in Calcutta since he died in 1911. A 35. Former box number: 1.
box 8, item 7
Through the Trees from Lambsknowe, Ootacamund,
circa 1864-1877
Scope and Contents note
Circular albumen print. Title written in ink on recto of mount. Date and photographer's name from Bonnemaison. IX.71. Former
box number: 19.
box 12, item 13
Festival of Mahamakam,
1865 or 1886
Scope and Contents note
Four-part joined panorama, albumen. Title from Arles catalog which gives date as 1886. Bonnemaison titles as:
Vishnu Pud and Other Temples near the Burning Ghat near Banaras. Photographer's name and 1865 date from Bonnemaison. IX.52. Former box number: ff12**.
box 2, item 1
Photographer unidentified,
European and Native Veterans at the Delhi Dunbar,
1903
Scope and Contents note
Gelatin silver. Title and date written in pencil on mount. There is an untitled image on the reverse of a temple in India
with columns and prayers. H 185. Former box number: 1.
box 8, item 8
Graham, James, Mosque of Omar, Jerusalem,
1856
Scope and Contents note
Salted paper print. IX.66. Former box number: 19.
box 12, item 15
Nègre, Charles, View from Mar Saba,
between 1871 and 1875
Scope and Contents note
Photogravure made after a photo by Louis Vignes. Printed on recto of mount: Photogravure sur Acier par Ch. Nègre. Date is
from Honore d'Albert, duc de Luynes,
Voyage d'exploration a la mer Morte, a Petra et sur le rive gauche du Jourdain, Paris, 1875, with photogravures by Charles Nègre made after Vignes's photographs. H 194. Former flatfile number: FF. 63**.
Flatfile 5**, item 3
Petit, B., Jerusalem,
1844
Scope and Contents note
Three-part joined panorama, watercolor on paper. Photographer signed and dated on recto of paper. H 179. Former flatfile number:
FF 57**.
box 12, item 14
Vignes, Louis, View from Mar Saba,
1864
Scope and Contents note
Two-part joined panorama, albumen. The photographer and the date are determined by Vignes's trip to the Holy Land with the
Duc de Luynes in 1864. In 1875 some of his photos were published as photogravures by Charles Nègre in Honoré Paul Joseph d'Albert,
Duc de Luynes,
Voyage d´exploration à la mer Morte, à Petra, et sur la rive gauche du Jourdain. Vignes was known before this trip by photographs of Morocco, Sicily, Lebanon, and Palestine dating from 1859 to 1864. A
number of marks in pencil on the recto of the print indicate further treatment, especially to create clouds on the photogravure.
Mar Saba is a monastery near Bethlehem. H 194. Former box number: ff63**
Photographer unidentified,
circa 1865
Scope and Contents
Three-part joined panoramas, albumen. Dated by Bonnemaison. H 179. Former flatfile number: FF 55**.
Flatfile 5**, item 1
Panorama de Jerusalem
Scope and Contents
Title in negative on recto of print. Numbered and annotations or photographer's name (illegible) on lower edge.
Photographer unidentified,
1863-1900
Scope and Contents
Includes works by two different unidentified photographers.
box 2, item 3
Hakodate Harbor, Yeso Island,
circa 1863-1875
Scope and Contents note
Three-part panorama, albumen. Title written in pencil on verso. Date from Bonnemaison. Attributed to Felice Beato by Bonnemaison,
but according to Anne Lacoste, the Beato attribution is doubtful: none of Beato's other photographs are from this part of
Japan and there is a different tone to the prints. Yeso island is now Hakkaido. A 46. Former box number: 7*.
box 2, item 4
Garden at Okayama, Bizen,
after 1880
Scope and Contents note
Two-part panorama, colored albumen. Title on recto. Dated by Bonnemaison, who also identifies the photographer as Felice Beato.
Anne Lacoste feels this attribution is very unlikely due to the title appearing in the negative and the type of coloring.
The photograph could be the work of a local photographer. I 211. Former box number: 1.
box 12, item 16
Clercq, Louis de,
Tripoli
Scope and Contents note
Salted paper print, dilute albumen [?]. Title printed on recto of mount. Photographer's signet on recto of mount: L de C.
Dated by his journey to the nearby crusader castles with the historian Emmanuel Guillaume Rey. In Arles catalog. J 216. Former
box number: 20*.
Sebah and Joailler,
circa 1870
Scope and Contents
Ten-part joined panoramas, albumen. Titles written in pencil on cover of mount. Date from Plesssen and Giersch. Photographer's
name from Bonnemaison. IX.49. Former box number: 18.
box 11, item 1
Constantinople panorama, pris de la tour de Galata
box 11, item 2
Photographie du grand panorama de Constantinople et Sartari
box 10, item 17
Photographer unidentified,
Sainte Sophie,
1870-1900
Scope and Contents note
Albumen print from three negatives. Title written in pencil on recto of mount. Dated by techniques. Depicts Hagia Sophia in
Constantinople. F 153. Former box number: 4*.
Flatfile 6**, item 1
Photographer unidentified,, Samarkand, Uzbekistan
Scope and Contents note
Three-part joined panorama, albumen. Title and date from Bonnemaison. A 12. Former folder number: FF 23**.
Europe, Series III.
circa 1830-1998
Physical Description: 23.5 Linear Feet(21 boxes, 40 flatfiles)
Scope and Contents
Countries and geographic units represented are: Austria, Crimea (Ukraine), Belgium, Czechoslovakia, Denmark, France, Germany,
Great Britain, Greece, Italy, Malta, Norway, Poland, Portugal, Russia, Spain, and Switzerland.
Arrangement
Arranged alphabetically by country, and within each country, alphabetically by photographer. Works by unidentified photographers
are listed at the end of each country.
box 12, item 18
Braun, Adolphe,
La Haute Autriche (Le lac de Langbath),
circa 1870
Scope and Contents note
Albumen. Title written in pencil on recto of mount. Photographer's name and date from Bonnemaison. B 70. Former box number:
8*.
Photographer unidentified,
circa 1870- circa 1880
Scope and Contents
Includes works by two unidentified photographers.
box 2, box 2
Innsbruck vom Berg Isel,
circa 1880
Scope and Contents note
Albumen. Title and numbering on recto. Dated by Bonnemaison. B 76. Former box number: 10.
box 12, item 17
Salzbourg,
circa 1870
Scope and Contents note
Albumen. Title written in pencil on recto of mount. Dated by Bonnemaison. H 182. Former box number: 8*.
box 2, item 6
Guidalevitch, Victor, Building or Pavilion in Antwerp,
1931
Scope and Contents note
Gelatin silver. Photographer's name stamped on verso. Dated by Bonnemaison and in Arles catalog. Photograph taken at night.
C 111. Former box number: 10.
box 8, item 9
Kessels, Willy, Ball of a Floor Lamp,
circa 1926-1939
Scope and Contents note
Gelatin silver. Photographer's name printed on recto of mount. Dated by Bonnemaison. IX.20. Former box number: 20*.
Crimea (Ukraine),
1855- circa 1862
box 10, item 5
Robertson, James,
Picquet House Cathcarts Hill from General Bosquet's Quarters,
1855-1856
Scope and Contents note
Salted paper print. Title written in ink on recto of mount. Photographer's name written in ink on recto of mount: Photographed
by Robertson Manchester; published by T. Agnew & Sons, March 25th, 1856 London; P & D. Colnaghi Hl Paris, Moulin 23. Rue Richer;
New York Williams Hl. Bonnemaison attributes this image to Roger Fenton. Taken during the Crimean War. IX.59. Former box
number: 19.
box 22, item 10
Méhédin, Léon, Sevastopol, Crimean War,
circa 1862
Scope and Contents note
Two-part panorama, calotype negatives. Signed on recto of negative. Dated by Bonnemaison. E 140. Former box number: 10.
Czechoslovakia,
circa 1870
Flatfile 7**, item 1
Photographer unidentified, Prague
Scope and Contents note
Three-part joined panorama, albumen. Dated by Bonnemaison. A 7. Former flatfile number: FF 19**.
box 12, item 18
Critcherson, George and John Dunmore,
The View of the Sermitsialik Glacier...
Scope and Contents note
Two-part joined panorama, albumen. Complete title printed on recto of mount:
The View of the Sermitsialik Glacier, the Front Extending into the Middle of the Fiord, Showing over One Mile of its Front,
which Was over 275 Feet above the Water.
Photographers' names and date from Bonnemaison. Probably produced as a plate for William Bradford,
The Arctic Regions, illustrated with photographs taken on an art expedition to Greenland (London, 1873). A 41. Former box number: 8*.
Baldus, Edouard,
circa 1854- circa 1880
Views of the Louvre,
1855- circa 1857
Scope and Contents
Salted paper prints, albumenized [?]. Photographer also known as Edouard Denis Baldus. Techniques from Arles catalog. Dated
by Bonnemaison. IX.32. Former box number: 20*.
box 8, item 22
The Louvre from the Tuileries,
circa 1857
Scope and Contents note
Photographer's name from another item.
box 8, item 23
The Louvre from the Seine River,
1855
Scope and Contents note
Photographer's name written in pencil on verso.
box 8, item 24
Louvre Courtyard Looking towards the Tuileries,
1855
Scope and Contents note
Photographer's name from another item.
box 12, item 23
Louvre Courtyard, from the Tuileries,
1855
Flatfile 28**, item 1
Building Lot of the New Louvre,
circa 1854
Scope and Contents note
Albumen from collodion-on-glass negatives. Photographer's name and date from Bonnemaison, who notes that the photograph was
made with a mammoth-plate camera. IX.68. Former folder number: FF 13**.
box 12, item 24
Tuileries Palace, Paris,
circa 1860
Scope and Contents note
Salted paper print. Photographer's signature in ink on recto of mount: E. Baldus. The palace was destroyed in 1871. Dated
by Bonnemaison. D 130. Former box number: ff44**.
Flatfile 9**, item 1
Bridge in Front of the Chief of Police Building, Paris,
circa 1860
Scope and Contents note
Albumen. Photographer's name and date from Bonnemaison. B 69. Former folder number: FF 32**.
Flatfile 47**, item 1
Austerlitz Bridge and Building for the Bastille Panorama, Paris,
circa 1880
Scope and Contents note
Albumen. Photographer's name and date from Bonnemaison: Baldus [?]. The panorama building is probably the first in Paris on
Place d'Austerlitz; it opened in 1881 with the painting by Polpot and Jacob,
Storm over the Bastille. A 5. Former folder number: FF 18**
box 2, item 36
Bayard, Edmond,
Panorama du Valgodemar,
circa 1870
Scope and Contents note
Six-part joined panorama, albumen. Title and photographer's name printed on recto of mount. Dated by Bonnemaison. One of the
three mounts with two albumen prints is separated from the others. A 16. Former box number: 10.
box 3, item 49
Bertsch, Auguste-Adolphe,
Œil de mouche,
circa 1853
Scope and Contents note
Circular (tondo) albumen photomicrograph. Title written in pencil on recto of mount. Date and photographer's name from Bonnemaison.
Flies have the largest optical range of any known species, and were an object of fascination to both early physiologists and
microphotographers. IX.19. Former box number: 16.
Bisson Frères,
circa 1855-1862
box 12, item 37
Le Serac du Géant, Glaciers and Icefall near Mont-Blanc,
circa 1860
Scope and Contents note
Albumen. Title from Arles catalog. Photographer's name and date from Bonnemaison. E 135. Former box number: ff48**.
box 12, item 38
The Last Supper,
circa 1860
Scope and Contents note
Albumen. Photographic reproduction of Leonardo da Vinci's
The Last Supper. Photographer's name stamped on recto of mount: Bisson Frères photog. Publisher's name on recto of mount: Photographes de
S.M.L' Empereur. Dated by Bonnemaison. A 39. Former box number: 8*.
Flatfile 10**, item 1
Paris, Pont Neuf,
circa 1855
Scope and Contents note
Two-part joined panorama, albumen. Photographer's name and date from Bonnemaison. J 213. Former folder number: FF 65**.
Flatfile 22**, item 1
La crevasse,
1862
Scope and Contents note
Albumen. Title written in pencil on recto of mount: Janvie 44. La Crevasse depart. Date from item at Bibliothèque nationale
de France. Photographer's name printed on recto of mount. J 214. Former folder number: FF 66**.
box 2, item 35
Boissonnas, Frédéric,
Massif du Mont-Blanc depuis le Mont Joly,
circa 1870
Scope and Contents note
Seven-part panorama, albumen. Title, numbering, and photographer's name on recto: Boissonnas phot. Genève. Dated by Bonnemaison.
A 47. Former box number: 10.
Bonnemaison, Joachim,
circa 1990-1998
Scope and Contents
Anamorphosis circular color prints on Alu Dibond. Photographer's name from other items at the Musée Gorsline, France. Bonnemaison
experimented in the 1990s with replicas of historic panorama cameras such as Mangin's Périgraphe Instantané and combined the
images with digital image processing. To create 360 degree panoramas with the Périgraphe Instantané one works with a drop
of water and a mirror and the black hole in the center which is probably replaced digitally. Former box number: 14*.
box 20
Seashore
Scope and Contents note
Five framed color prints, vertical. Attributed by catalogers to Bonnemaison.
box 20A
Seashore at Different Moments of Sunset
Scope and Contents note
Five framed color prints, horizontal. Attributed by catalogers to Bonnemaison.
box 21**, item 1
Wheatfield with Sky in the Center
box 21**, item 2
Wheatfield with Ground in the Center
box 21**, item 3
Tree Blossom with Ground in the Center
box 21**, item 4
Tree Blossom with Sky in the Center
box 21**, item 5a
Poppy Field with Ground in the Center
box 21**, item 5b
Poppy Field with Sky in the Center
box 3, item 50
Bourgoin,
Exposition de Niort,
1865
Scope and Contents note
Albumen stereograph. Date, title, and photographer's name printed on recto of mount. The exhibits are reflected in a mercury-coated
garden globe. The aim of the photograph is to capture the natural shapes of the reflected objects without distortion. IX.22.
Former box number: 16.
Braun, Adolphe,
circa 1860-1866
box 12, item 31
Socíeté industrielle de Mulhouse,
1866
Scope and Contents note
Albumen. Title and date written in pencil on verso. Photographer's name printed on recto of mount. In Arles catalog titled:
Conseil d'administration, and undated. IX.34. Former box number: 20*.
box 12, item 32
Vallée de Chamonix,
circa 1860
Scope and Contents note
Albumen. Printed on recto of mount: A. Braun à Dornach Haut Rhin / Vues panoramiques brevetées S.G.D.C. Title printed on sheet
pasted on recto of mount. Dated by Bonnemaison. A 3. Former folder number: FF 16**.
box 12, item 33
Chamonix,
circa 1860
Scope and Contents note
Albumen. Photographer's name and date written in pencil on recto of mount. A 3. Former folder number: FF 16**.
Flatfile 21**, item 1
Mer de glace et châine du Mont-Blanc (depuis le jardin),
1866
Scope and Contents note
Albumen. Title written in ink on recto of mount. Location is possibly Chamonix as Bonnemaison indicates. Printed on recto
of mount: Appareil panoramique breveté de Johnson Brandon & Braun; A. Braun à Dornach (Haut Rhin) France. Dated by Bonnemaison.
ENC 81. Former folder number: FF 1**.
Charnaux Frères & Co.,
circa 1865
Scope and Contents
Two-part panoramas, albumen. Title and numbering written in pencil on verso of both prints. Date and photographer's name from
Bonnemaison. H174. Former box number: 1.
Flatfile 17**, item 1
Colin,
Onival, France,
circa 1910
Scope and Contents note
Hand-colored gelatin silver. Title and photographer's name written in ink on recto of print. Voignier 1993 lists three photographers
with that name: Colin (first name unknown) with a studio in Paris about 1874; Léon Colin in Equeurdreville (Manche); and Pierre
Collin. Dated by Bonnemaison. The actual photograph is hardly visible under the layers of color. B 64. Former folder number:
FF 31**
box 3, item 48
Corot, Jean-Baptiste-Camille, La carte-de-visite au cavalier,
1853 May
Scope and Contents note
Salted paper cliché-verre. Title and date from Bonnemaison and in Arles catalog. IX.2. Former box number: 16.
box 2, item 46
Doisneau, Robert, Portrait of Seven Persons in a Cartwheel Reflection,
circa 1950
Scope and Contents note
Gelatin silver. Photographer's name stamped on verso. Dated by Bonnemaison. E 142. Former box number: 10.
box 2, item 31
Dubois de Nehaut, L. P. T. (Louis-Pierre-Théophile),
Revue de la garde du Bois de Boulogne en presence de SM le Roi de Bavière,
1857 June
Scope and Contents note
Coated salted paper; oval print. Photographer's name, title and date written in pencil on verso. Written in pencil on recto
of mount: Revue à Paris. IX.70. Former box number: 20*.
box 2, item 14
Duchesne, Versailles, Trianon,
circa 1880
Scope and Contents note
Albumen. Title, date and photographer's name from Bonnemaison. F 152. Former box number: 1.
box 9, item 6
Faucigny-Lucinge, Jean-Louis de (?, Pleasure Ride,
circa 1900-1920
Scope and Contents note
Silver print. Photographer's name written in pencil on verso: Prince de Faucigny-Lucinge. Dated by Bonnemaison. A 44. Former
box number: 2*.
Frith, Frances,
circa 1870
box 2, item 9
Champs Élysées, Paris
Scope and Contents note
Albumen. Title and numbering on recto of print. Photographer's name on print. Dated by Bonnemaison. I 205. Former box number:
1.
box 2, item 10, 12
Paris
Scope and Contents note
Two albumen prints. Title and numbering on recto of print. 98.R.19-b02.10 bears photographer's name on print. 98.R.19-b02.12
is blindstamped with photographer's name. Dated by Bonnemaison. I 205. Former box number: 1.
box 2, item 11
Pont Neuf, Paris
Scope and Contents note
Albumen. Title and numbering on recto. Photographer's name blindstamped. Dated by Bonnemaison. I 205. Former box number: 1.
Garcin, Auguste,
circa 1860-1870
Scope and Contents
Albumen prints. Photographer's name on recto of mounts: Garcin Phot. à Genève. Titles printed on recto of mount.
box 12, item 25
Chemin de la corniche - Le port d'Endoume,
circa 1870
Scope and Contents note
Title written in pencil on recto of mount. ENC 79. Former box number: 20*.
box 12, item 26
Marseille Port de la Joliette,
circa 1860-1870
Scope and Contents note
C 118. Former box number: ff38**.
box 12, item 27
Port de la Joliette: entrée du port - Le Fort St. Jean,
circa 1860-1870
Scope and Contents note
Title written in pencil on recto of mount. C 118. Former box number: ff38**.
box 12, item 34a-34b
Grados, A., Château de Lunéville,
circa 1870
Scope and Contents
Two albumen prints on one mount. 98.R.19-b12.34a has photographer's name in negative and A. Grados on recto. Voignier lists
A. Grados fils as having a studio in Troyes (Aube) from 1867 until the early 1870s. Dated by Bonnemaison. E 134. Former folder
number: FF 47**.
Gueuvin, Paul-Augustin,
circa 1868
Scope and Contents
Three-part joined panoramas, albumen. Photographer's name printed on recto of mounts: Photographie par A. Gueuvin Paris, Publié
A. Gueuvin, Photog. 20, rue Cassette. Date derived from similar photographs. MONT 84. Former folder number: FF 3**.
Flatfile 8**, item 1
Panorama de Paris, pris de la tour St. Jacques, côté du Levant
Scope and Contents note
Title printed on recto of mount.
Flatfile 8**, item 2-3
Paris, pris de la tour St. Jacques, côté du Conchant
Scope and Contents note
Two panoramas. Titles printed on recto of mounts. Both panoramas are made with the same exposures, but the prints are cut
slightly differently on the edges.
Flatfile 19**, item 1
Guizol, Victor, Trenches in WWI,
1914-1918
Scope and Contents note
Five-part joined panorama, gelatin silver. Signed in negative on recto. Bonnemaison identifies photographer as Victor Guizol.
A 14. No former folder number.
box 8, item 10
Jeanrenaud, Alphonse-François, Bois de Boulogne, Paris,
circa 1870
Scope and Contents note
Albumen. Photographer's signature in ink on recto of print. Photographer listed in Voignier as a marine officer with a studio
in Paris from 1856. Bonnemaison indicates the photograher as being Jean Renaud. Location is a park, west of Paris. Date from
Bonnemaison; dated 1860 in Arles catalog . D 122. Former folder number: FF 40**.
box 9, item 4
Joguet,
Notre-Dame-de-l'Épine-de-Marne,
circa 1863
Scope and Contents note
Albumen. Photographer's signature on recto of mount. Photographer's first name not known. Voignier 1993 indicates a studio
in Lyon with that name from 1855 on. At a certain point there was a partner named Muzet, continuing with his sons until the
beginning of the 20th century. The image is probably of one person with a hat who appears three times. Dated by condition
of the basilica; its second tower was re-erected in 1868. IX.93. Former box number: 19.
Koch and Wilz,
1865-1875
Scope and Contents
Voignier notes a photographer named Georges Laurent Koch in Paris in partnership with a man named Wilz in the 1850s and 1860s
in Paris.
box 12, item 19
Église Saint-Germain l'Auxerrois, Paris,
1865
Scope and Contents note
Albumen. Photographer's name and date from Bonnemaison. Printed on recto of mount: Appareil panoramique de Koch and Wilz.
Phot / 8 Impasse Guéménée. Paris. Bonnemaison identifies photographer as Paul Augustin Gueuvin. ENC 15. Former box number:
20*.
box 12, item 20
Conciergerie at the Palais de la Cité, Paris,
1875
Scope and Contents note
Albumen. Printed on recto of mount: Appareil panoramique de Koch & Wilz. Phot / 8 Impasse Guéménée. Paris. Bonnemaison identifies
the photographer as Koch and Wilz. D 128. Former folder number: FF 43**.
box 12, item 21
Louvre, Paris,
1875
Scope and Contents note
Albumen. Photographers' name and date by Bonnemaison. See other items by Koch and Wilz. D 131. Former folder number: FF 45**.
Flatfile 11**, item 1
Panorama de Paris,
1868
Scope and Contents note
Albumen. Title printed on recto of mount with: Appareil panoramique de Koch & Wilz Phot / 8. Impasse Guéménée, Paris. Photographer's
name from print and mount on similar items. Bonnemaison identifies photographer as Paul Augustin Gueuvin. Dated by Bonnemaison.
J 220. Former folder number: FF 68**.
Flatfile 11**, item 2
Panorama of Paris,
circa 1870
Scope and Contents note
Albumen. Printed on recto of mount: Appareil panoramique de Koch & Wilz Phot.; 8. Impasse Guemenee, Paris. Dated by Bonnemaison,
who identifies photographer as Wiltz. H 191. Former folder number: FF 62**.
Flatfile 11**, item 3
Paris,
1867
Scope and Contents note
Albumen. Photographer's name from item H 191. Dated by Bonnemaison based on the inclusion of the Exposition Universelle de
1867 exhibition hall. Bonnemaison indentifies Wiltz as the photographer. H 192. Former folder number: FF 62**.
Le Gray, Gustave,
1857 September
Scope and Contents
Albumen prints from collodion negatives. Dated by other photographs in this series. See Sylvie Aubenas,
Gustave Le Gray, 1820-1884, p. 367 and ff., and
Une visite au camp de Châlons sous le Second Empire: photographies de Messieurs Le Gray, Prévot..., 1996. Emperor Napoleon III commissioned Le Gray to document the inauguration of a summer training camp for the army at Châlons.
The photographs were intended to celebrate French military might and to be included in albums to be given to the generals.
See also other items dealing with Châlons. IX.69. Former box number: 19.
box 8, item 25
Le drapeau, camp de Châlons
Scope and Contents note
Title written in ink on recto of mount. Photographer's name stamped in red on recto.
box 8, item 26
Camp de Châlons
Scope and Contents note
Two-part panorama. Photographer's name, title and date from Celluloid photographic medallions and other items. A 1. Former
box number: ff14**.
box 8, item 27
Host at Châlons camp
Scope and Contents note
Title, date and photographer's name from other photographs in this group.
box 18, item 1
Lumière, Auguste and Louis, China Dish,
1898
Scope and Contents note
Trichrome (i.e. autochrome) glass stereograph. Photograpers' names on stereograph: Photographie des couleurs procédé de MM.
Auguste et Louis Lumière. Dated by Plessen and Giersch. IX.77. Former box number 26.
box 17**, item 1
Louis Lumière, Portrait of Auguste Lumière,
1920
Scope and Contents note
Photostereosynthesis on seven glass slides, framed. The seven different glass slides are made with different depths of focus
to give a spatial impression. This is the predecessor of the hologram. It is an elaborate procedure, only ten examples of
this technique are known in the world. IX.80. Former box number: 24**.
box 2, item 7
Mangin, Alphonse,
Vue panoramique prise de la terrasse du bâtiment Nord-Est de l'Hôtel des Invalides (Paris),
1878
Scope and Contents note
Albumen anamorphosis print. Title and photographer's name written in ink on recto of mount: Lieutenant-Colonel du Génie Mangin.
Dated by Bonnemaison. The Périgraphe Instantané camera, which produces instantaneous photographs of an encircling 360 degree
horizon, was invented by Mangin for military purposes, specifically to locate the enemy's position. IX.24. Former box number:
17.
Martens, Friedrich von,
circa 1840-1885
box 12, item 22
Le nouveau Louvre et les Tuileries,
1870-1885
Scope and Contents note
Two-part joined panorama, albumen. Title, photographer's and editor's names printed on recto of mount: Goupil & Cie (Editors).
Photographer also known as Frédéric Martens. Dated by size and Martens' death in 1885. C93. Former box number: 7*.
Flatfile 12**, item 1
Louvre and passerelle des arts,
circa 1865
Scope and Contents note
Albumen. Photographer's name and date from Bonnemaison and items in the Louvre. A9. Former folder number: FF 20**.
Flatfile 12**, item 2
Louvre, View from the Observatory, towards the Jardin de Luxembourg,
circa 1865
Scope and Contents note
Albumen. Photographer's name and date from Bonnemaison. IX.31. Former folder number: FF 7**.
Flatfile 13**, item 1
Palais-Royal, Paris,
1855-1860
Scope and Contents note
Albumen. Photographer's name and date from Bonnemaison and also from other photographs of Paris. A 21. Former folder number:
FF 25**.
Flatfile 14**, item 1
Paris,
1863-1865
Scope and Contents note
Albumen. Photographer's name and date from Bonnemaison. IX.30. Former folder number: FF 6**.
Flatfile 15**, item 1
Île de la Cité, Paris,
circa 1860
Scope and Contents note
Albumen. Photographer's name and date from Bonnemaison. A 2. Former folder number: FF 15**.
Flatfile 16**, item 1
Panorama de Paris, pris des hauteurs de Chaillot,
circa 1840
Scope and Contents note
Two-part joined panorama, aquatint prints. Title printed on recto of mount along with: Dessíné par Schmidt, gravé par F. Martens
/ Paris, Chez Rittner 12 Boulevard Montmátre. Dated by Bonnemaison. Names of sights are listed below image. I L3. Former folder
number: FF 70**.
Marville, Charles,
circa 1850-1853
box 8, item 13
La passerelle des Arts et le Vert Galant,
1853
Scope and Contents note
Salted paper print. Title and date from Arles catalog. Photographer's name indicated by Bonnemaison with title:
Passerelle des Arts. Bonnemaison indicates the date as circa 1850. In negative on recto lower right corner title or photographer's name (not
legible). D 133. Former folder number: FF 46**.
box 9, item 3
Rouen, Church of St. Ouen,
circa 1850
Scope and Contents note
Two-part panorama, salted paper prints. Photographer's name and date from Bonnemaison. Numbering 461 and 462 on recto of print.
B 50. Former box number: 4*.
Nègre, Charles,
1858-1862
Views of Cannes,
1860-1862
box 2, item 17, 19
Cannes with Sea,
circa 1860
Scope and Contents note
Two albumen prints. Photographer's name and date from Bonnemaison, other items, and Arles catalog. E 136. Former box number:
ff49**.
box 2, item 18
Harbor of Cannes,
circa 1860
Scope and Contents note
Albumen. See note for 98.R.19-b02.17. E 136. Former box number: ff49**.
box 2, item 20, 24
Cannes with Shore,
circa 1860
Scope and Contents
Two prints.
box 2, item 21
Cannes with Mountains and Sea,
circa 1860
box 2, item 22
Réservoir de Cannes,
circa 1862
box 2, item 23
Cannes with Boats and Shore,
circa 1862
box 2, item 47
Trail in the Mountains,
circa 1860
Scope and Contents note
Circular (tondo) albumen print. Photographer's name and date from Bonnemaison and other items. Taken in the countryside near
Grasse. See also Box 8.*. IX.12. Former box number: 19.
Hospital Asile impérial de Vincennes, Paris,
1858
Scope and Contents
Circular (tondo) albumen prints. Photographer's signature in red ink on recto of mounts. Part of a larger series of photographs
which provides the date. Former box number: 19.
box 8, item 17
Inauguration of the Asile impérial de Vincennes hospital
Scope and Contents
M. Billaut, Minister of the Interior stands in the center delivering a speech.
box 8, item 18-19
Hospital Asile impérial de Vincennes
Scope and Contents
Two prints.
box 9, item 2
Neurdein, E.,
Nice, le Pont des Angres et la Promenade du Midi,
circa 1880
Scope and Contents note
Albumen. Photographer's name and title printed on recto of mount: Vues panoramiques, Nice, N 129, Le Pont des Anges et la
Promenade du Midi, E. Neurdein Phot. Paris. Dated by Bonnemaison, who attributes the picture to Gourret (not listed in Hannavy).
Voignier 1993 lists a photographer named Gouriet with a studio in Paris around 1874. H 176. Former box number: 4*.
Panoramic Photo C, H.,
circa 1910-1920
Scope and Contents
Gelatin silver prints. In negative on recto of prints: Panoramic Photo C. H. Rue du Marché, Levallois-Perret. Dated by Bonnemaison.
G 162. Former box number: ff53**.
Flatfile 20**, item 1
Soldiers Playing Sports at Barracks or Hospital in Levallois-Perret
Scope and Contents note
Written in pencil on verso: 8 Tromet.
Flatfile 20**, item 2
École militaire
Scope and Contents note
Title written in pencil on verso.
box 2, item 8
Poitevin, Alphonse-Louis, Paris,
1855
Scope and Contents note
Cyanotype. Photographer's name written in pencil on verso. Title from Bonnemaison. Date from Arles catalog. C 114. Former
box number: 10.
Puyo, Émile Joachim Constant,
1920
Scope and Contents
Gelatin printing-out paper. Titles and date from Bonnemaison. Photographer's blind stamp in the lower right corners. In Arles
catalog. IX.37. Former box number: 3*.
box 2, item 48, 50
Passage to Italy
Scope and Contents
Two prints. Annotation written in pencil on verso of 98.R.19-b02.50: Via mala.
box 2, item 49
Laundresses in the Bretagne
Scope and Contents note
Annotation written in pencil on verso: Méandie.
R.P.
1890-1900
Scope and Contents
Albumen prints. Titles and dates written in ink on recto of mount. Photographer's name from Bonnemaison. In some of the prints
persons appear twice. Bonnemaison notes that they are panoptique and that the views are over 360 degrees. I206. Former folder:
FF 72**.
Flatfile 23**, item 1b
Carrefour du bois (Forêt de Compiègne),
1894
Flatfile 23**, item 2a
Murat-le-Caire près de la Bourboule,
1894
Flatfile 23**, item 3a
Une partie de Colin-Maillard, Vert-le-Grand,
1895
Flatfile 23**, item 3b
Cascade de Vernières (La Bourboule),
1894
Flatfile 23**, item 3c
Une conférence sur la bicyclette,
1895
Flatfile 23**, item 4a, 4d
Sur la pelouse après le déjeuner, la Pentecôte de 1894 à Vert-le-Grand,
1894
Flatfile 23**, item 4b-4c
Le café dans le jardin, La pentecôte de 1894 à Vert-le-Grand,
1894
Flatfile 24**, item 1a
Hôtel des Voyageurs à Gavarnie (Pyrénées) Voyage de 1896,
1896
Flatfile 24**, item 2a
Castres (Voyage 1896),
1896
Flatfile 24**, item 2b
St. Savin (Pyrénées) voyage 1896,
1896
Flatfile 24**, item 2c
Les bains de Diane à Nîmes (Voy. 1896),
1896
Flatfile 24**, item 2
Les Arènes à Nîmes (Voy.1896),
1896
Flatfile 24**, item 2e
Maison Carrée, Nîmes,
1896
Flatfile 24**, item 3
La Tour Magne à Nîmes,
1896
Flatfile 25**, item 1a
Grand panorama de Vert-le-Grand,
1893
Flatfile 25**, item 1b
Première leçon,
1890-1900
Flatfile 25**, item 1c
Une brouille en ménage,
1890-1900
Flatfile 25**, item 1e
Devant de la maison, Vert-le-Grand,
1890-1900
Flatfile 25**, item 1
Une heure-soixante sur la pelouse,
1890-1900
Flatfile 25**, item 1g
Étude de la carte des environs,
1890-1900
Flatfile 25**, item 1h
Attente, repos,
1890-1900
Flatfile 25**, item 2a
La rue de Presles,
1890-1900
1890-1900
Flatfile 25**, item 2b
Maison de Madame Perrotte à Presles,
1894
Flatfile 25**, item 2c
Chasse d'Arpajon-Chenil et retraite de Stop [?],
1890-1900
Flatfile 25**, item 2d-2f
Le resultat d'une désobéissance,
1890-1900
Scope and Contents
Three prints.
Flatfile 25**, item 2g-2i
À Presles, portraits,
1894
Scope and Contents
Three prints.
Flatfile 25**, item 3a
Vue de la vallée de Brides-les-Bains,
1890-1900
Flatfile 25**, item 3b
Grand-Sous-Montagne au dessus de la Grande-Chartreuse,
1890-1900
Flatfile 25**, item 3c
Vue de la vallée de Montiers,
1890-1900
Flatfile 25**, item 3
Route de Salins à Montiers, voyage en Savoie,
1893
Flatfile 25**, item 3e
La Grande-Chartreuse,
1890-1900
Flatfile 25**, item 4a
Vallée entre Montiers et Aigueblanche, voyage en Savoie,
1893
Flatfile 25**, item 4b
Bois et cascade de Cythère, voyage en Savoie,
1893
Flatfile 25**, item 4c
Salins-Montiers, voyage en Savoie,
1893
Flatfile 25**, item 4
Pont sur la cascade de Cythère, voyage en Savoie,
1893
Flatfile 25**, item 4e
Vue de la vallée de l´Isère, voyage en Savoie,
1893
Flatfile 25**, item 4
Cascade de Cythère, voyage en Savoie,
1893
Flatfile 25**, item 5a
Baptême de Jacques Dufan 24 juillet 1894 (sortie de l´église),
1894
Flatfile 25**, item 5b
Feisson-sur-Salins-Village situé à 1500 m d´altitude,
1890-1900
Flatfile 25**, item 5c
Baptême de Jacques Dufan - le déjeuner,
1894
Flatfile 25**, item 5
Aimé-Vilage sur la frontière d´Italie,
1890-1900
Flatfile 25**, item 6a-6b, 6d-6f
Portraits à Presles,
1894
Flatfile 25**, item 6g
Panorama de la vallée de Presles,
1890-1900
Flatfile 25**, item 7a-7b
Flatfile 25**, item 7c-7d
Le plus gros chêne de la forêt de Compiègne,
1890-1900
Scope and Contents
Two prints.
Flatfile 25**, item 7e
Hôtel de ville de Compiègne et l´hôtel de la Cloche et de la Bouteille,
1890-1900
Flatfile 25**, item 7
Château de Pierrefonds,
1890-1900
Flatfile 25**, item 8c
Le tour du parc,
1890-1900
Flatfile 25**, item 8
En route mauvaise troupe,
1890-1900
Flatfile 25**, item 8
Siana prise au lasso,
1890-1900
Flatfile 25**, item 8g
Souvenir de la Bourboule,
1894
Flatfile 25**, item 8h
Château de Bourbon-Busset (Vichy 1894),
1894
Flatfile 25**, item 8i
Palmyre et ses filles,
1890-1900
Flatfile 25**, item 8j
...Ces gens sont fous! Le Baudet n'en peut plus; il mourra sous leurs coupes,
1890-1900
Flatfile 25**, item 8k
Vue de derrière,
1890-1900
Flatfile 26**, item 1a
Tour de Murols (Auvergne),
1890-1900
Flatfile 26**, item 1b
Vue prise des ruines de Murols,
1894
Flatfile 26**, item 1c
Vue du lac Chambon,
1890-1900
Flatfile 26**, item 2a
Hôtel de Genève,
1890-1900
Flatfile 26**, item 2b
Hôtel de Genève (La Bourboule 1894),
1894
Flatfile 26**, item 2e
La grande rue de la Bourboule,
1890-1900
Flatfile 26**, item 2
Route des Cascades,
1890-1900
Flatfile 26**, item 2g
Tennis de la Bourboule,
1890-1900
Flatfile 26**, item 3b
Tour d'Auvergne (Puy de Dôme),
1890-1900
Flatfile 26**, item 3
La partie de boules après déjeuner (Vert-le-Grand 1894),
1894
Flatfile 26**, item 3e-3g
Black Plichon,
1890-1900
Scope and Contents
Three prints.
Flatfile 26**, item 3h
À Vert-le-Grand,
1890-1900
Flatfile 26**, item 3i
Route des Cascades (La Bourboule 1894),
1894
Flatfile 26**, item 4b
La porte du parc à Vert-le-Grand,
1895
Flatfile 26**, item 4c
Fond du parc de Vert-le-Grand,
1890-1900
Flatfile 26**, item 4
M. et Mme. Lefèbvre,
1890-1900
Flatfile 26**, item 4
Potager de Vert-le-Grand,
1890-1900
Flatfile 26**, item 5a
La maison de Madame Porte à Chiais,
1895
Flatfile 26**, item 5
La maison de Madame Porte à Chiais,
1895
Flatfile 26**, item 6a
Un discours du sage Athos,
1890-1900
Flatfile 26**, item 6b-6d
Une solidarité bien comprise,
1890-1900
Scope and Contents
Three prints.
Flatfile 26**, item 6e
Porthos après son (P+Q) verre,
1890-1900
Flatfile 26**, item 6
Le triumvirat Vert-le-Grand,
1895
Flatfile 26**, item 6g
La ferme d'Eu [?],
1890-1900
Flatfile 26**, item 6h-6k
Flatfile 26**, item 7a-7e
Sur la plage de Mers,
1895
Scope and Contents
Five prints.
Flatfile 26**, item 8b
Vue de la vallée de Presles,
1895
Flatfile 26**, item 8
Fôret de Carnelles (Presles 1895),
1895
Richebourg, Pierre Ambroise,
circa 1860
Scope and Contents
Albumen prints. Photographer's name written in pencil on versos. Titles and dates from Bonnemaison. H 193. Former box number:
4*.
box 8, item 20
Reproduction of a drawing showing the Louvre building and a parade on the square
box 8, item 21
Reproduction of a drawing showing the Louvre building
Marquis de Rostaing,
1854-circa 1856
box 8, item 15
Hôtel de Crillon, Place de la Concorde, Paris,
1854
Scope and Contents note
Salted paper print. Photographer's name and date written in pencil on recto of mount: Marquis de Rostaing, aout 1854. I 210.
Former box number: 4*.
box 12, item 29
Nice,
circa 1856
Scope and Contents note
Two-part joined panorama, albumen. Title written in pencil on recto of mount. Photographer's name and date from Bonnemaison.
Attibution to Rostaing is tentative. H 196. Former box number: 8*.
box 12, item 30
Rothschild, J. (editor),
Vue du port et de la rade de Toulon,
circa 1880
Scope and Contents note
Two-part joined panorama, albumen. Title on recto of mount with: Les travaux publics de la France / J. Rothschild, Editeur,
Paris / Tous droits réservés. I 202. Former box number: 3*.
box 15**, item 1
Salathé, Friedrich,
Panorama de Paris près de la Tour Carée de St. Gervais,
circa 1830
Scope and Contents note
Ten-part joined panorama, etching, retouched with ink. Title printed on recto with: Salathe sculp. / Imprimé par Lesauvage
/ Nepveu, Libraire, Passage des Panoramas, Galerie Montmartre, No 9 / Rittner and Goupil M d'estampes / Boulevard Montmartre
No 15. Friedrich Salathé was in Paris from 1823 to 1858 working for the publisher Jean Frederic Osterwald as an aquatint etcher.
Below the print on recto of mount are names of sights printed. Dated by Bonnemaison. I L10. Former box number: 23** [rolled
?]
Schahl, Théodore,
circa 1860-1880
Scope and Contents
Photographer's name and address printed on versos: Th. Schahl, 29 rue Chabot-Charny, Dijon. Dated by Bonnemaison. See Voignier
1993: Schahl was in Dijon from 1873 to 1889.
box 2, item 16
Dijon, Palais des Ducs,
circa 1860
Scope and Contents note
Albumen carte-de-visite. B59 Former box number: 1.
box 2, item 27
Village at the Riverfront,
circa 1860
Scope and Contents note
Three-part panorama, albumen. Dated by Bonnemaison. A 48. Former box number: 10.
box 2, item 37
Rocky Coast with Seagulls,
circa 1880
Scope and Contents note
Gelatin printing-out paper. Bonnemaison attributes this photograph to the Prince d'Orleans. H 168. Former box number: 1.
box 2, item 30
Zola, Émile, Médan,
circa 1900
Scope and Contents note
Gelatin silver. Photographer's name and date from Bonnemaison. Could be either a photograph of a photograph, or a contact
print from an original negative. Zola's house in the village is pictured on the far right. Zola was a passionate amateur photographer
and there are some modern prints by Jean Dieuzaide made with the original negatives showing similar scenes in Médan. IX.35.
Former box number: 19.
Photographer unidentified,
1860-1944
Scope and Contents
Includes work by as many as 24 different unidentified photographers.
box 2, item 13
Versailles, Trianon,
circa 1870
Scope and Contents note
Albumen. Date and title from Bonnemaison. B 55. Former box number: 10.
box 2, item 15
Bordeaux Harbor,
circa 1870
Scope and Contents note
Albumen. Date and title from Bonnemaison. C 115. Former box number: 10.
box 2, item 28
Tain-l'Hermitage (Rhône),
circa 1870
Scope and Contents note
Four-part panorama, albumen. Title and numbering written in pencil on verso. Dated by Bonnemaison. H 171. Former box number:
1.
box 2, item 29
Pardon au Quiberon,
circa 1900
Scope and Contents note
Gelatin silver. Title and date from Bonnemaison. Pardon is a penitential ceremony in Brittany. IX.38. Former box number: 19.
box 2, item 32
Bicycle Race in Sologne,
1900
Scope and Contents note
Gelatin silver. Dated by Arles catalog and by Bonnemaison: early 20th century. C 105. Former box number: 7*.
Views of the Bretagne,
circa 1900
Scope and Contents
Gelatin silver. Titles written in pencil on versos, unless otherwise noted. Dated by Bonnemaison. IX.36. Former box number:
ff8**.
box 2, item 38
L'apothicairerie, la grotte
Scope and Contents note
Location is a grotto in the Bretagne.
box 2, item 39
Quiberon, le long de la Côte Sauvage
box 2, item 40, 43
Coast of the Bretagne
Scope and Contents note
Two prints. Title was written in pencil on verso of 98.R.19-b02.43, but obliterated. Note distortion in image.
box 2, item 41
L'apothicairerie, sur la [?] du Benayhan [?]
Scope and Contents note
Note distortion in image.
box 2, item 42
L'apothicairerie, à l'éntrée de la grotte
Scope and Contents note
Note distortion in image.
box 2, item 44-45
Biarritz Shore,
circa 1900-1910
Scope and Contents
Two gelatin silver prints. Title and dated from Bonnemaison and other items. In Arles catalog. D 123. Former box number: ff41**.
box 3, item 1
Garden Scenery with People and Buildings (L'Eden de banlieue),
circa 1865
Scope and Contents note
Eight-part joined panorama, collodion. Title and date from Bonnemaison. This is not a true panorama as there is no continuity
between the pieces. IX.55. Former box number: 21.
Images of people in gardens and other settings,
circa 1890
Scope and Contents
Gelatin silver prints. Photographer unknown. Written in pencil on envelope: Panoramiques de l´officier de tir de la 26e Compagnie
1901-1919. Dated by Bonnemaison and in Arles catalog. B 56. Former box number: 17.
box 3, item 2-5
Woman and Two Boys in a Garden
Scope and Contents
Four prints.
box 3, item 8-9
Couple in a Garden
Scope and Contents
Two prints.
box 3, item 10
Profile Portrait of a Woman Sitting on a Sofa
box 3, item 11
Portrait of a Woman Sitting on a Sofa
box 3, item 12
Men Sitting at a Table and Drinking Beer
box 3, item 13
Two Woman Playing with a Dog
box 3, item 16
Three Woman, a Man, and a Baby Sitting in a Garden
box 3, item 20-21
Woman on a Rocky Coast
Scope and Contents
Two prints.
box 3, item 24-25, 46
Woman in a Gorge
Scope and Contents
Three prints.
box 3, item 27-30
>Church Parade through a Town
Scope and Contents
Four prints.
box 3, item 31
Men Photographing a Soldier with a Bicycle and Taking Aim
box 3, item 32
Group of Soldiers with Rifles
box 3, item 34
Group of Soldiers, Horses, and a Woman
box 3, item 35
Children Watching Soldiers Taking Aim on a Riverbank
box 3, item 36
Soldier Taking Aim Behind a Wayside Cross
box 3, item 38, 42
Soldier Lying in a Field with Tripwire
Scope and Contents
Two prints.
box 3, item 39
Soldier with a Bicycle Folded on his Back
box 3, item 40
Soldier with Two Bicycles and a Dog
box 3, item 41
Woman Reading in a Living Room
box 3, item 43
Soldiers Crossing a Improvised Bridge
box 3, item 47
Cessey sur Tille,
circa 1900
Scope and Contents note
Gelatin silver postcard. Title written in pencil on recto. Dated by Bonnemaison. F 157. Former box number: 12.
box 8, item 11
Exposition internationale des arts et techniques dans la vie moderne, German and Russian pavillion, Paris,
1937
Scope and Contents note
Three-part joined panorama, gelatin silver prints. See items from Poland and Russia from same series. I 203. Former box number:
2*.
box 8, item 12
Paris,
1937
Scope and Contents note
Three-part joined panorama, gelatin silver prints. Dated by another Paris photograph of the same series. See items from Poland
and Russia from same series. I 203. Former box number: 2*.
box 8, item 14
Paris Panorama,
circa 1870
Scope and Contents note
Albumen. Dated by Bonnemaison. D 125. Former box number: 7*.
box 8, item 16
Panorama of Paris,
circa 1871
Scope and Contents note
Five-part joined panorama, albumen. Title from slipcase. Date from Bonnemaison. F 155. Former box number: 2*.
box 9, item 1
Spiral Staircase in Lyon,
circa 1900
Scope and Contents note
Gelatin silver, circular (tondo) print. Title and date from Bonnemaison. Written in pencil on recto of mount: Vieux Lyon ca
1900, uw. 251. IX.13. Former box number: 19.
box 9, item 5
Rose Garden Panorama,
circa 1910
Scope and Contents note
Platinum print. Title written in pencil on verso with: Plat point. Dated by Arles catalog. The Arles catalog entry indicates
technique as gelatin silver. Dated by Bonnemaison: circa 1920. Location from Bonnemaison. C 99. Former box number: 7*.
Biarritz and other locations,
circa 1900
Scope and Contents
This group of albumen photographs mounted on cardboard are likely by the same unidentified photographer. Dated by Bonnemaison.
box 9, item 7a-7d
Biarritz Harbor and Other Views
Scope and Contents note
Mount with four prints (two on each side). 98.R.19-b09.07a and 98.R.19-b09.07d show the harbor; 98.R.19-b09.07b is of a rock
arch at the beach (grande plage); 98.R.19-b09.07c depicts men and a dog in a snowy landscape. H 184. Former box number: 2*.
box 9, item 8a-8d
Biarritz, Rocks at the Beach
Scope and Contents note
Mounted with four photographs (two on the reverse). All show rocks at the beach; 98.R.19-b09.08c includes the wharf. H 184.
Former box number: 2*.
box 9, item 9a-9c
Biarritz, Rocks and City
Scope and Contents note
Mount with three photographs; (originally contained two on each side, but the fourth photograph was destroyed). H 184. Former
box number: 2*.
box 9, item 10a-10d
Village with Vineyards
Scope and Contents note
Mounted with four photographs (two on each side). H 184. Former box number: 2*.
box 9, item 11a-11b
Lake with Fortification
Scope and Contents note
Mounted with two photographs. H 184. Former box number: 2*.
box 9, item 12
Aunay-sur-Odon, deux enfants au milieu d'un panorama de désolation sur fond d'église,
1944
Scope and Contents note
Four-part joined panorama, gelatin silver. Title, numbering and paper manufacturer written in pencil on verso: Agfa Brovira,
Aunay sur Odon, Normandy. The site was completely destroyed in the summer of 1944. C 109. Former box number: 19.
box 12, item 28
Entrance of Le Havre Harbor,
1915
Scope and Contents note
Six-part joined panorama, gelatin silver. Dated by Bonnemaison. In Arles catalog: chronopanorama [?]. Bonnemaison gives medium
as platino prints. Teresa Mesquit identifies medium as gelatin silver. C 117. Former box number: ff37**.
box 12, item 35
Viaduc d'Argenteuil,
circa 1870
Scope and Contents note
Albumen. Title on recto of mount followed by: Cie des Chemins de Fer de l'ouest; Ligne de Paris à Dieppe. Par Pontoise. Dated
by Bonnemaison. B 71. Former folder number: FF 33**.
box 12, item 36
Village,
circa 1860
Scope and Contents note
Two-part joined panorama, salted paper prints. Photographer's name written on recto (illegible). Dated by Bonnemaison. 80.
Former box number: 3*.
box 18, item 2
Woman Posing in a Greek Costume,
1908
Scope and Contents note
Autochrome stereograph. Dated by Bonnemaison. IX.78. Former box number: 26.
box 22, item 6
Vue du château d'eau prise du boulevard St. Martin,
circa 1820
Scope and Contents note
Color etching. Title printed on recto of mount. Dated by Bonnemaison. Image shows a diorama building on the square. On reverse
is another color etching titled: Vue du château de St. Cloud près de Paris. I L11. Former box number: 7* temp. box.
Flatfile 18**, item 1
Blois,
circa 1870
Scope and Contents note
Four-part joined panorama, albumen. Dated by Bonnemaison. Location identified by other images of the city. Bonnemaison identifies
as Orleans. 85 ENC. No former box number.
Flatfile 27**, item 1
Brest, Metal Bridge and Harbor,
circa 1870
Scope and Contents note
Three-part joined panorama, albumen. Dated by Bonnemaison. Includes an usual montage of prints on the edges. ENC 83. Former
box number: ff2**.
Reichsparteitag der Arbeit (RAD),
1937
Scope and Contents
Title and date from leaflet
Reichsparteitag der Arbeit and photo with RAD Insignia, September 1937.
box 4, item 1
Labour Service (RAD) Rollcall at Nuremberg Rally of Labour
Scope and Contents note
Three-part joined panorama, gelatin silver. Title and date from leaflet
Reichsparteitag der Arbeit. The photographs bears the insignia: RAD. Bonnemaison's title and date in the Arles catalog:
La jeunesse hitlérienne, Nuremberg, 1936. J 222. Former folder number: FF 69**.
box 4, item 2
Reichsparteitag der Arbeit
Scope and Contents note
Leaflet; ink on paper. Bonnemaison's title and date in the Arles catalog:
La jeunesse hitlérienne, Nuremberg, 1936. J 222. Former folder number: FF 69**.
box 9, item 13
Photographer unidentified, Medical Figure of an Arm,
circa 1860
Scope and Contents note
Two-part joined panorama, albumen. Dated by Bonnemaison, who locates the subject in Munich, Germany. A 32. Former box number:
4*.
Great Britain,
circa 1840-1880
Disdéri, André-Adolphe-Eugène,
circa 1860-1865
Scope and Contents
Albumen prints. On recto of mounts: Disdéri Phot. London, Paris; Vues panoramiques brèvetées S.G.D.G.
box 2, item 33
Mansion of Louis-Philippe in Claremont
circa 1860
Scope and Contents note
Date and title from Bonnemaison: Maison de Louis Philippe dans un parc. Location identified as Claremont Surrey where Louis
Philippe was exiled. A 34. Former box number: 4*.
box 2, item 34
View of a Chateau,
circa 1860
Scope and Contents note
Date and title from Bonnemaison:
Chateau et parc. Location could be Claremont. Former box number: 4*.
box 9, item 14
Demeure anglaise de Louis-Philippe en exil,
circa 1865
Scope and Contents note
Title written in pencil on verso of mount. Location probably Claremont, Surrey. IX.40. Former box number: 19.
box 4, item 6
Eaton, Thomas Damant (attributed),
Castle Acre Priory, Norfolk, from the North,
circa 1845
Scope and Contents note
Salted paper print, tondo. Title written in pencil on verso. Dated by Bonnemaison. IX.9. Former box number: 17.
box 7, item 5
Glaisher, James, Hailstones,
1857
Scope and Contents note
Salted paper print photomicrograph. Title, photographer's name, and date by Bonnemaison. IX.81. Former box number: 16. Glaisher
was an English meteorologist and a pioneering balloonist.
box 4, item 7
Hill, David Octavius and Robert Adamson, Edinburgh,
circa 1850
Scope and Contents note
Salted paper print. Photographer's name and date from Bonnemaison and in Arles catalog dated 1859. C 112. Former box number:
10.
box 4, item 3
Story-Maskelyne, Nevil, Study of Lace,
between 1840 and 1842
Scope and Contents note
Salted paper cliché verre. Title and date from Bonnemaison and in Arles catalog. IX.3. Former box number: 16.
box 4, item 5
Story-Maskelyne, Nevil, William Henry Fox Talbot, John Dillwyn Llewelyn (circle of), Ferns
between 1840 and 1845
Scope and Contents note
Salted paper cliché verre. Dated by Bonnemaison. IX.7. Former box number: 17.
box 4, item 4
Talbot, William Henry Fox, Lace,
circa 1845
Scope and Contents note
Photogenic drawing. Title and date from Bonnemaison. IX.4. Former box number: 17.
Photographer unidentified,
circa 1860-1880
Scope and Contents
Includes the work of two different unidentified photographers.
box 9, item 15
Extinct Volcano, between Shothama [?] Spring and George [?] Hill W Malbek [?],
circa 1880
Scope and Contents note
Two-part joined panorama, gelatin printing-out paper. Title partly legible in pencil on back. Dated by Bonnemaison, who identifies
these as albumen prints. F 147. Former box number: 2*.
English Views,
circa 1860
Scope and Contents
Albumen prints. Titles written in pencil on verso. Dated by Bonnemaison. B 65. Former box number: 3*.
box 12, item 39a
Landscape with River,
Scope and Contents note
Three-part joined panorama.
box 12, item 39b
Kirkstone Pass Looking towards Brothers Water,
box 12, item 39c
Kirkstone Inn, the Highest Inhabited House in England,
Scope and Contents note
Circular albumen print of a drawing.
box 12, item 39
Secret Summer Tunes [?] Yewdale near Coniston,
box 19, item 1
Adelphoi Zangaki (attributed), Athens,
1879
Scope and Contents note
Six-part joined panorama, albumen, mounted on wood. Probably studio of the Brothers Zangaki. Bonnemaison indicates name as:
Zangali. Written in ink on paper mounted on verso [partially illegible]: Athens 1879, pour mon fils Georges ou Dedi au Jeudi
4 Jun 1958. 89. Former box number: 27**.
box 12, item 40
Boissonnas, Frédéric,
Le Parnasse et le Golfe de Corinthe, vue de Yemenon,
circa 1900
Scope and Contents note
Gelatin silver. Photographer signed in ink on recto: Fred Boissonnas, Genève. Title written in pencil on verso. Stamped and
numbered on verso. Dated by Bonnemaison. A 13. Former box number: 13*.
box 4, item 8
Schahl, Théodore, Athens,
circa 1860
Scope and Contents note
Six-part panorama, albumen. Dated by Bonnemaison. Photographer's name and address printed on verso: Th. Schahl, 29 rue Chabot-Charny,
Dijon. See: Voignier 1993. He was in Dijon from 1873 to 1889. 90 ENC. Former box number: 17.
box 4, item 10
Basile, Renzo,
Riflessi sopra una goccia d'acqua,
1936 November
Scope and Contents note
Gelatin silver anamorphosis print. Title, photographer's name, date and other notes written in ink on verso. Probably published
in the scientific Italian magazine
Sapere. IX.21. Former box number: 20*.
box 22, item 9
Beaucorps, Gustave de,
Castle on the Amalfi Coast,
1859
Scope and Contents note
Calotype negative, tondo. Title, photographer's name and date by Bonnemaison. Number 1832 in center of negative. Location
is probably Procida. IX.8. Former box number: 19.
Flatfile 34**, item 1
Berthier, Paul Marcellin, French Ruins after an Earthquake in Sicily,
circa 1870
Scope and Contents note
Two-part joined panorama, albumen. Title and date from Bonnemaison. Photographer's name written in pencil on recto of mount:
Berthier. Photographer mentioned in Voignier 1993. He was a painter and photographer, lived from 1822 to 1912, active from
1848, had a studio in Paris. B 63. Former folder number: FF 30**.
Braun, Adolphe,
circa 1868-1870
Scope and Contents
Photographer's name and dates from Bonnemaison.
box 13, item 2
Roman Forum,
circa 1868
Scope and Contents note
Two-part panorama, carbon prints. IX.44. Former box number: 20*.
Flatfile 31**, item 1
Forum Romanum,
circa 1870
Scope and Contents note
Two-part panorama, carbon prints. See FF 29**, item 1 for a similar view by another photographer. G 158. Former folder number:
FF 51**.
Caneva, Giacomo,
1848-1850
Scope and Contents
Salted paper prints. The known Caneva prints are salt prints from calotype negatives; later (circa 1854-1855) varnished salt
prints or dilute albumen exist.
box 9, item 16
Rome,
1848
Scope and Contents note
Written in ink on recto of mount: 12 Tavole per 8 Scudi / Romani Ogni Tavola Separata Otto Paolil / G. Caneva / Via del Babbuino
N 68.69. Photographer's name and dates from Bonnemaison.. A 42. Former box number: 4*.
box 10, item 3
Roman Fortification,
1850
Scope and Contents note
Photographer's name and date from Bonnemaison. E 138. Former box number: 7*.
Cuccioni, Tommaso,
1850s
Scope and Contents note
Two three-part joined panoramas, toned gelatin silver. Photographer's name from Photographer's name and dates from Bonnemaison.
Cuccioni (1790-1864) was trained as an engraver and had a shop in Rome. He was active in the early 1850s, and died in 1864.
Photographer's name and dates from Bonnemaison's dating of original exposure to circa 1870 is thus incorrect. Items are not
contact prints; they were made with an enlarger. Dated by Teresa Mesquit based upon appearance of prints. B 78. Former folder
number: FF 35**.
Flatfile 29**, item 1
Panorama of the Forum Romanum
box 4, item 9
Jones,Calvert Richard,
Santa Lucia, Naples,
1846
Scope and Contents note
Two-part panorama, salted paper. Title on recto. Photographer's name and dates from Bonnemaison. This is the second known
photographic panorama on paper. IX.43. Former box number: 17.
Macpherson, Robert,
circa 1860-1861
Scope and Contents
Albumen prints. Photographer's name and dates from Bonnemaison. His name is also spelled MacPherson; he was a Scottish physican.
box 9, item 17
Rome, St. Peter's Basilica and Vatican,
circa 1860
Scope and Contents note
B 51. Former box number: 2*.
box 9, item 18
St. Peter's Basilica and Vatican,
circa 1860
Scope and Contents note
B 51. Former box number: 2*.
box 13, item 1
Rome,
circa 1860
Scope and Contents note
Two-part joined panorama. H 178. Former box number: 8*.
box 13, item 5
Town in Italy,
circa 1861
Scope and Contents note
Attributed to Macpherson and location identificated as Florence by Bonnemaison. Date on recto. Number on recto of mount: 392.
H 197. Former box number: 8*.
Flatfile 36**, item 1
Cascade de Tivoli,
circa 1860
Scope and Contents note
MacPherson took other photos in Tivoli in the early 1860s. Title from Arles catalog and date of photograph given as 1865.
C 119. Former folder number: FF 39**.
Noack, Alfredo,
circa 1860-1870
box 13, item 3
Genoa,
circa 1860
Scope and Contents note
Two-part joined panorama, albumen. Title, photographer's name and date from Bonnemaison. A 6. Former box number: 3*.
box 13, item 4
Gênes,
circa 1870
Scope and Contents note
Oval albumen print. Photographer's name and date from Bonnemaison. Title written in pencil on recto of mount. Location is
Genoa, Italy. B 74. Former folder number: FF 34**.
Flatfile 33**, item 1
Pineider, Francesco, Inner Courtyard of the National Museum of Bargello, Florence,
circa 1860-1870
Scope and Contents note
Gelatin silver. Stamped in blue on verso: F. Pineider, Firenze. Hannavy does not list this photographer. Internet searches
indicate a postcard edition and photographer named Francesco Pineider. Print probably made with a modern enlarger around 1900.
92. Former folder number: FF 71**.
box 10, item 1-2
Sommer, Giorgio, Naples,
circa 1860
Scope and Contents note
Two seven-part joined panoramas, albumen. One part is missing from each panorama (each was originally comprised of eight parts).
Photographer's name and date from Bonnemaison. 91. Former box number: 19.
box 13, item 6
Topographic Brigade of the Italian Army,
Panorama del M. Bianco visto del M. Nir,
1880
Scope and Contents note
Six-part joined panorama, toned gelatin silver. Title written in ink on recto of mount. Written in pencil on recto of mount:
Presented to W. Lloyd Griserm by Major Moris, Italian Army Monte Mario May 6th 1908. Photographer's name on recto of mount:
Brigata specialisti 3o Genio Sezione Fotografica. Dated by Bonnemaison. In Arles catalog. IX.51. Former box number: 7*.
Photographer unidentified,
circa 1890-1910
Scope and Contents
Includes the work of two unidentified photographers.
Flatfile 32**, item 1
Rome,
circa 1910
Scope and Contents note
Toned gelatin silver on baryta paper. Dated by Bonnemaison. Surface fairly damaged. A 17. Former folder number: FF 24**.
Flatfile 35**, item 1
Chasse à courre,
circa 1890
Scope and Contents note
Gelatin silver, coated [?]. Title from Arles catalog. Bonnemaison's title:
Italian Alps. Date from Bonnemaison. Technique identified by Teresa Mesquit (Bonnemaison identifies technique as gelatino bromure d´argent).
C 95. Former folder number: FF 36**.
Flatfile 37**
Agius, Horatio,
La Valette,
1858
Scope and Contents note
Four-part joined panorama, albumen. Title and photographer's name written in pencil on verso. Valletta harbor, Malta. Dated
by Bonnemaison. J 217. Former folder number: FF 67**.
box 4, item 11
Robertson and Beato, Fort St. Elmo, Dockyard Creek, Malta,
circa 1856
Scope and Contents note
Two-part panorama, albumen. Titled and signed in negative of both prints: Robertson, Beato & Co. Dated by Anne Lacoste and
Bonnemaison dated circa 1860. H 199. Former box number: 1.
Launay, Louis de,
Scope and Contents
Three-part joined panoramas, albumen. Titles written in ink on recto of mount. Photographer's name from another item: L. de
Launay, probably the geologist Louis Auguste Alphonse de Launay 1860-1938, son of Alphonse de Launay who was a student of
Gustave Le Gray. Dated by Bonnemaison. A 28. Former box number: 7*.
box 13, item 7
Panorama de Lyngenfjord vu de la mer au soleil de minuit,
box 13, item 8
Panorama de Lyngenfjord à minuit,
Scope and Contents note
Stamped on verso of mount: Bibliothèque L. de Launay.
box 10, item 4
Photographer unidentified, Railroad Bridge over a River in Poland,
Scope and Contents note
Two-part joined panorama, gelatin silver. Dated by Bonnemaison. Sign reads: Wodny klub motorowy [motorboat club]. River might
be the Vistula because of type of bridge and size. I 203. Former box number: 2*.
box 13, item 10
Fillon, Alfred, Porto
Scope and Contents note
Six-part joined panorama, albumen. Photographer's name and date from Bonnemaison. Photographer is French, had a studio in
Porto until 1867. In Arles catalog dated 1863. C 110. Former box number: 8*.
Boyer, Paul,
1897
Scope and Contents
Gelatin silver prints. Titles and photographer's name written in ink on rectos of mounts: Phot. Paul Boyer. Voignier 1993
indicates a studio in Paris. Location is St. Petersburg, Trinity Bridge, built as the third permanent bridge across the Neva
between 1897 and 1903 by the French firm Batignolles. Former names of the bridge are Equality Bridge and Kirovsky Bridge.
Technique identified by Teresa Mesquit. B 62. Former folder number: FF 29**.
Flatfile 40**, item 1
Sur la place du Sénat, le pavillon impérial, la statue de Pierre le Grand et la cathédrale Isaac
Flatfile 40**, item 2
Sur la place du Sénat, le défilé de la Garde
Flatfile 40**, item 3
Inauguration du Pont Trotsky, le pavillon impérial
Flatfile 40**, item 4
Sur la Néva, (un des bras de la Néva à son embouchure) où furent courues les régates. La moyenne Nevka
Flatfile 40**, item 5
Sur la place du Sénat, avant le défilé
Flatfile 40**, item 6
Sur la Néva, le vieux pont de bâteau suprimé dans la nuit du 1/28 mai 1903
Scope and Contents note
Written in ink on recto of mount: Pont de fer 12/24 aout 1897, en présence de M. Felix Faure, Président de la République Francaise,
Le Tzar et la Tzarine et Le Grand-Duc heritier Michel Alexandrowitch, recus par le maire de Saint-Petersbourg (L'Empeur Nicholas
II).
Flatfile 40**, item 7
Inauguration du Pont Trotsky, le cortège impérial traversant le pont
Flatfile 40**, item 8
Sur la Néva, le Pont Trotsky
Scope and Contents note
Written in pencil on recto of mount: Pont de Jen 12/ 24 aout.
Flatfile 39**, item 1
Richebourg, Pierre Ambroise,
Saint-Isaac, grande coupole,
between 1858 and 1859
Scope and Contents note
Circular (tondo) albumen print. Title printed on recto of mount along with photographer's name and seller: Pl. 10/ Richebourg
Photogr. / Gide, editeur, Paris. The location of the cupola is Saint Petersburg, Russia. Date from Bonnemaison. IX.18. Former
folder number: FF 4**.
Scherer, Nabholz & Co.,
1870-1890
Scope and Contents
Bound panoramas. Photographer's name printed on sheet mounted on recto of mount, lower left corner of panoramas. The cover
and a paper mounted on frontispiece indicates that it belonged to the library of the Duchy of Sachsen Coburg (Germany). Scherer
and Nabholz were a German and a Russian photographer respectively, little known, and at the Russian court's order. Dated by
Bonnemaison. IX.50. Former box number: 9*.
box 14, item 1a
Panorama de Moscou,
1870-1890
Scope and Contents note
Bound sixteen-part joined panorama, salted paper prints with an unidentified partial coating. Title on cover.
box 14, item 1b
Cathedral of Christ the Saviour, Moscow,
1870
Photographer unidentified,
1920-1930
Scope and Contents
Dated by other 1st of May photos, by Bonnemaison, and other items in this group (I 203) from Paris and Poland. I 203. Former
box number: 2*.
box 10, item 6
Bolschoi Theater at Theatralnaja Square in Moscow Decorated for 1st of May Festivities,
circa 1925
Scope and Contents note
Two-part joined panorama, gelatin silver.
box 10, item 7
St. Petersburg Decorated for 1st of May Festivities,
circa 1925
Scope and Contents note
Two-part joined panorama, gelatin silver. Dated by Trotzky picture (second from left). Tower in the background belongs to
Church of the Savior on Spilled Blood.
box 10, item 8
GUM Shopping Mall on Red Square, Moscow, Decorated for 1st of May Festivities,
circa 1925
Scope and Contents note
Two-part joined panorama, gelatin silver. Dated by other 1st of May photos.
box 10, item 9
Palace Square with Alexander Column, St. Petersburg,
circa 1925
Scope and Contents note
Three-part joined panorama, gelatin silver. Dated by other 1st of May photos. Photo shows same lamps as the one with the Trotzky
picture.
box 10, item 10
Saint Isaacs Cathedral, St. Petersburg,
1920-1930
Scope and Contents note
Two-part joined panorama, gelatin silver.
box 10, item 11-12
Summer Residence of Czarina Catherine the Great in Puschkin,
1920-1930
Scope and Contents
One two-part joined panorama and one three-part joined panorama, gelatin silver.
Flatfile 38**, item 1
Moscow, GUM Shopping Mall on Red Square Decorated for 1st of May Festivities,
circa 1920-1930
Scope and Contents note
Five-part joined panorama, gelatin silver. Former folder number: FF 26**.
Laurent, Jean,
circa 1860-1870
Scope and Contents
Albumen prints. Dated by Bonnemaison.
box 4, item 12
Toledo, vista general panorámica desde la Virgen del Val,
circa 1860
Scope and Contents note
Two-part joined panorama. Title and photographer's name on recto. A 22. Former box number: 7*.
box 10, item 13a
Vista general de Córdoba,
circa 1865
Scope and Contents note
Photographer's name from Bonnemaison. Title on recto of print. Numbered on mount. Another photograph of Cordoba is mounted
on the reverse. A 40. Former box number: 7*.
box 10, item 13b
Córdoba, el puente romano,
circa 1865
Scope and Contents note
Photographer's name from Bonnemaison. Title on recto of print. Numbered on mount. Another photograph of Cordoba is mounted
on the reverse. A 40. Former box number: 7*.
box 10, item 14a
Barcelona, Vista panoramica del puerto, desde la plaza del Comércio,
circa 1865
Scope and Contents note
Title, photographer's name and numbering on recto of print. Second part of image mounted on reverse. D 121. Former box number:
2*.
box 10, item 14b
Barcelona, Vista panoramica del puerto, 2" trozo,
circa 1865
Scope and Contents note
Title and numbering on recto of print. First part of image mounted on reverse. D 121. Former box number: 2*.
box 13, item 11
Vista panoramica de Sevilla,
between 1867 and 1870
Scope and Contents note
Seven-part panorama. Title on recto along with photographer's name: J. Laurent, Madrid. IX.48. Former box number: 3*.
box 4, item 13
Opisso, Ricard, Study of Three Trumpet Players in Two Mirrors,
between 1892 and 1920
Scope and Contents note
Albumen. Photographer's name written in pencil on verso. Also named is Opisso y Sala, draftsman and assistent to Antonio Gaudí
(y Cornet). The study is of the trumpeting angel statues on the Sagrada Familia church in Barcelona. Dated by Opisso's work
with Gaudí (Bonnemaison's date of 1865 is before Opisso was born). The simultaneous exposure of the trumpet players was made
using two mirrors; such photographs are known as a multigraphs. Another item appeared in the magazine
Antigone, Revue littéraire de photographie, 21-L'Hésitation, page 110, captioned: Photographie Antonio Gaudi avec Ricardo Opisso. Étude synthétique de modèle avec dispositif
de miroirs, pour les sculptures de la porte Rosaire du clôitre ou de la porte de la Nativité, Sagrada Familia, Barcelone.
1892-1920. IX.54. Former box number: 20*.
R.P.,
1896
Scope and Contents
Albumen prints. Titles and dates written in ink on recto of mount. Photographer's name from Bonnemaison, who notes panoptique
and that the views are over 360 degrees. I 206. Former folder number: FF 73**.
Flatfile 26**, item 8a
Plage de San Sébastian, Espagne. Voyage en 1896
Flatfile 26**, item 8c
Un rocher à San Sebastian
box 10, item 15
Rafael Señán y González (attr.), Ceiling at the Alhambra, Granada,
circa 1860
Scope and Contents note
Albumen. Photographer's name and date from Bonnemaison. Written in pencil on recto of mount: En haut à droite, oben und recht.
IX.17. Former box number: 19.
Flatfile 41**, item 1
Photographer unidentified, Palma, Mallorca,
circa 1920
Scope and Contents note
Gelatin silver. Dated by Bonnemaison. Location identified as the La Seu Cathedral of Palma on the Spanish island of Mallorca.
G 160. Former box number: ff52**.
Flatfile 44**, item 1
Bisson Frères,
Chute du Giesbach,
circa 1860
Scope and Contents note
Albumen. Title written in pencil on recto of mount. Photographer's name stamped on recto of mount. Dated by Bonnemaison. See
H 190 in Box 8* for a Giessbach image by Braun. H 189. Former folder number: FF 61**.
Braun, Adolphe,
1860-1868
Scope and Contents
Albumen prints, except as noted. Titles written in ink on recto of mounts, except as noted.
box 4, item 18a-18e
Lausanne and Other Locales,
circa 1865
Scope and Contents
Mount with a photograph of Lausanne (98.R.19-b04.18a) on one side and four photographs on the other side (98.R.19-b04.18b
- 98.R.19-b04.18e). Locales are indicated in ink on mount: two views of Thun, and views of the Château Chillon and the Château
de Rufemont. Photographer's name indicated on another photograph: A. Braun à Dornach (Haut Rhin) France. Dated by Bonnemaison.
H 198. Former folder number: FF 64**.
box 4, item 19a-19e
Le petite Scheideck à la Weyern, Alp,
1867
Scope and Contents note
Location could be either Switzerland or France. Date written on mount. Four smaller prints on verso:
Thoune (19b);
Cascade de Pissoache, pres de Martiguy (19c);
Lausanne (19d);
Le beau rivage Bochy (19e) B 54. Former box number: 10.
box 4, item 20a-20b
Glacier inférieur de Grindelwald source de la Lutschnie,
1867
Scope and Contents note
Date written in ink on recto of mount. Location could be either Switzerland or France.
Le Staubbach fries de Lauterbrunnen (20b) on verso. B 54. Former box number: 10.
box 4, item 21a-21e
Glacier inférieur de Grindelwald source de la Lutschnie bis,
1867
Scope and Contents note
Date written in ink on recto of mount. Location could be either Switzerland or France. Four smaller prints on the reverse:
Le Briethorn prés du Gärner Grat(21b);
Le Monck ou de la Weyern Alp (21c);
Le Jungfrau pris de la Weyern Alp (21d);
Castor et Pollusc (21e). B 54. Former box number: 10.
box 10, item 16
Village in a Valley,
circa 1865
Scope and Contents note
Carbon print. Photographer's name and date from Bonnemaison. Embossed on verso of print: Lacroix. Location probably Switzerland.
IX.33. Former box number: 19.
box 13, item 17
Sion (Valais),
1868
Scope and Contents note
Title written in pencil on recto of mount. Photographer's name on recto of mount. Dated by Bonnemaison. In Arles catalog.
J 219. Former box number: 20*.
box 13, item 18
Sion,
1868
Scope and Contents note
Photographer's name written in pencil on verso of mount. Printed note mounted on verso: 29. Berne Panorama de la ville; Vue
prise de l'Aargauerstalden. Dated by Bonnemaison. In Arles catalog. J 219. Former box number: 20*.
box 13, item 19
Le Giessbach,
circa 1860
Scope and Contents note
Title written in pencil on recto of mount. Photographer's name printed on recto of mount: A. Braun à Dornach (Haut-Rhin).
Date from Bonnemaison. Sticker on verso: No 555. Oberland Bernois, Le Giesbach à Brienz. See item 98.R.19-ff44.01 from Bisson
freres. H 190. Former box number: 8*.
box 13, item 20, 22
Giessbach Fall,
circa 1860
Scope and Contents note
Two prints: 98.R.19-b13.20 is an albumen print; 98.R.19-b13.22 is a carbon print. Untitled; photographer's name and date from
Bonnemaison. H 190. Former box number: 8*.
box 13, item 22
Panorama from the Scheinigge Platte,
circa 1860
Scope and Contents note
I.e. Schynige Platte. Photographer's name and date from Bonnemaison. A 31. Former box number: 8*.
box 13, item 23
Jungfrau Mountain,
1865
Scope and Contents note
Two-part joined panorama, carbon prints. Title, photographer's name and date from Bonnemaison. In Arles catalog. J 218. Former
box number: 20*.
box 13, item 24
Mürren, beyond Almendhubel Mountain,
circa 1866
Scope and Contents note
Three-part panorama, carbon prints. Title, photographer's name and date from Bonnemaison. The two little boys appear in the
panorama three times . IX.45. Former folder number: FF 10**.
Flatfile 42**, item 1
Zürich,
circa 1865
Scope and Contents note
Printed on recto of mount: Appareil panoramique breveté de Johnson Brandon and Braun; A. Braun à Dornach (Haut Rhin) France.
Dated by Bonnemaison. Studio advertisment on a waterfront house: Photographie J. Schneebeli. H 180. Former folder number:
FF 58**.
Flatfile 43**, item 1
Fribourg,
circa 1866
Scope and Contents note
Photographer's name printed on recto of mount: A. Braun à Dornach (Haut Rhin) France; Appareil panoramique breveté de Johnson
Brandon and Braun. Numbering in ink on recto of mount. Dated by Bonnemaison. A 10 b. Former folder number: FF 21**.
Flatfile 42**, item 2
Lausanne,
circa 1865
Scope and Contents note
Printed on recto of mount: Appareil panoramique breveté de Johnson Brandon and Braun; A. Braun à Dornach (Haut Rhin) France.
Dated by Bonnemaison. See 98.R.19-b04.18a for variant item. H 198. Former folder number: FF 64**.
Flatfile 43**, item 2
Thoune,
circa 1866
Scope and Contents note
Photographer's name printed on recto of mount: A. Braun à Dornach (Haut Rhin) France; Appareil panoramique breveté de Johnson
Brandon and Braun. Numbering in ink on recto of mount. Dated by Bonnemaison. A 10. Former folder number: FF 21**.
Flatfile 43**, item 3
Fribourg (G d Fey),
1865
Scope and Contents note
Photographer's name printed on recto of mount: A. Braun à Dornach (Haut Rhin) France; Appareil panoramique breveté de Johnson
Brandon and Braun. Dated by Bonnemaison. Location is probably the Viaduct Grandfey on the railroad from Berne to Fribourg.
IX.41. Former folder number: FF 9**.
box 13, item 25
Lake in the Mountains,
circa 1865
Scope and Contents note
Printed on recto of mount: Appareil panoramique breveté de Johnson Brandon and Braun; A. Braun à Dornach (Haut Rhin) France.
Date and title from Bonnemaison. Exact location unknown, probably Swiss or French Alps. H 181. Former folder number: FF 59**.
box 13, item 26
Alps,
1865
Scope and Contents note
Carbon print. Untitled; photographer's name and date from Bonnemaison. D 126. Former folder number: 8*.
Charnaux Frères & Co.,
circa 1860-1870
box 4, item 15
Geneva,
circa 1860-1870
Scope and Contents note
Three-part panorama, albumen. Photographer's name in negative, left print. Dated by Bonnemaison. B 75. Former box number:
10.
box 4, item 16
Lake Geneva/Lake Léman,
circa 1865
Scope and Contents note
Six-part panorama, albumen. Photographer's name in negative, left print. Date and title from Bonnemaison. H 173. Former box
number: 1.
box 13, item 12
Jaeger, Genève,
Panorama de la Rade et le Mont Blanc,
circa 1930
Scope and Contents note
Gelatin silver. Photographer's name on recto. Title printed on recto of mount. Dated by Bonnemaison. Jaeger is probably G.
Jaeger, a Geneva postcard publisher active during the early 20th century. Written in pencil verso: Malange. A 30. Former box
number: 13*.
Neurdein Frères,
circa 1890
Scope and Contents
Albumen prints. B 60. Former box number: 13*.
box 13, item 13-14
Geneva
Scope and Contents note
Two prints. Photographer's name and date from other items in group.
box 13, item 15
Genève et le Mt. Blanc
Scope and Contents note
Photographer's name and date from other items in group. Title written in pencil on verso.
box 13, item 16
Panorama de Lucerne
Scope and Contents note
Title, photographer's name and numbering on recto: ND. Phot. Dated by the Bourbaki panorama building on the far left of print
which was constructed in 1881.
box 4, item 14
Photographer unidentified, Lausanne,
circa 1880
Scope and Contents note
Five-part panorama, albumen. Title and date from Bonnemaison. Numbered on verso. B 61. Former box number: 1.
Unidentified European locations,
1865-1937
Scope and Contents
Includes the work of nine different unidentified photographers.
box 4, item 17
The Alps with Matterhorn Mountain,
circa 1865
Scope and Contents note
Eight-part panorama, albumen. Title and date from Bonnemaison. Numbered in pencil on verso. H 172. Former box number: 1.
box 4, item 22-27
Landscape Views from a Ship,
circa 1890
Scope and Contents note
Six prints on gelatin printing-out paper. Dated by Bonnemaison. Ship might be Italian because of the flag in one of the pictures.
Region might be Scandinavia because of the architecture. F 148. Former box number: 4*.
box 7, item 7
Portrait of a Man with Hat in Five Different Angles,
1924
Scope and Contents note
Gelatin silver postcard, mirror imaging. Date and greetings written in pencil on verso: herzl. Grüße Gebr. Engel i/a. Schorsch
15/9.24. The five simultaneous exposures of the man were made using two mirrors. The back of the man is the real person. Such
photographs are known as a multigraphs, and postcards such as this were often a fun fair attraction. IX.53. Former box number:
16.
box 7, item 11
Landscape with Lake and Mountains,
circa 1910
Scope and Contents note
Gelatin silver. Dated by Bonnemaison. A 18. Former box number: 12.
box 10, item 18
Landscape with Horse,
circa 1920-1937
Scope and Contents note
Two-part joined panorama, gelatin silver. See other items from Soviet Union, Poland, and Paris in this series. I 203. Former
box number: 2*.
box 10, item 19
City on a River,
1920-1930
Scope and Contents note
Three-part joined panorama, gelatin silver. I 203. Former box number: 2*.
box 10, item 20
Pond and Village,
circa 1890
Scope and Contents note
Four-part joined panorama, cyanotype. Dated by Bonnemaison. Location unknown. D 120. Former box number: 19.
box 13, item 27
Mediterranean City in a Bay,
circa 1860
Scope and Contents note
Two-part joined panorama, albumen. Dated by Bonnemaison. B 66. Former box number: 3*.
Flatfile 45**, item 1
Snow-covered Alps,
circa 1910
Scope and Contents note
Gelatin silver. Title and date from Bonnemaison. E 137. Former folder number: FF 50**.
North America, Series IV.
1858-1944
Physical Description: 8 Linear Feet(2 boxes, 1 flatfile)
Arrangement
Arranged alphabetically by country, and within each country, alphabetically by photographer. Works by unidentified photographers
are listed at the end of each country.
Scope and Contents
Countries represented include Canada, Mexico, and the United States.
box 10, item 21
Hime, H. L. (Humphrey Lloyd),
The Prairie on the Banks of Red River Looking South,
Scope and Contents note
Albumen. Title written in pencil on recto of mount. Photographer's name and date from Bonnemaison. IX.60. Former box number:
19.
Photographer unidentified,
Scope and Contents
Includes the work of three different unidentified photographers.
Views of Mexico,
1909
Scope and Contents
Gelatin silver prints unless otherwise noted. Date derived from similar photographs. F 150. Former box numbers: 5 and 6.
box 5, item 1
Man and Two Women Playing Badminton in front of a Manor House
box 5, item 2
Four Men on Horseback Crossing a Bridge
box 5, item 3
Group of Construction Workers Moving a Pipe
box 5, item 4, 6-7
Lake with Mountains
Scope and Contents note
Three prints.
box 5, item 5
Lake with Mountains and Men with a Boat
box 5, item 8-9
Tank a Oaxaca
Scope and Contents note
Two prints. Title written in ink on recto of mount of 98.R.19-b05.08. F 150.
box 5, item 14-15
Plaza de la Concordia, Orizaba
Scope and Contents note
Two prints.
box 5, item 16-17
House with Mountains in Background
Scope and Contents note
Two prints.
box 5, item 19-20
City with Landscape
Scope and Contents note
Two prints.
box 5, item 21
Street with Buildings, Tram, and a Road Sweeper
box 5, item 22-23
Parade with Porfirio Díaz [?]
Scope and Contents note
Two prints.
box 5, item 25
Ship on the Sea
Scope and Contents note
Title and date from another print with same motif.
box 5, item 26
Crossroads with a Bicycle Shop
box 5, item 27
Men with Dog on a Railroad Bridge
box 5, item 28
Railroad Line with Train and Building
Scope and Contents note
Title and date written in ink on recto.
box 5, item 29-30
Orizaba
Scope and Contents note
Two prints. Title and date written in ink on recto of 98.R.19-b05.29.
box 5, item 31
Men on Horseback in a Valley
box 5, item 33
Two Men and a Horse in a Landscape
box 5, item 35
Mananciales Escaleras, Estdo Vera-Cruz [Estado Veracruz]
Scope and Contents note
Title and date written in ink on recto.
box 5, item 36
Four Men on Horseback Crossing a River
box 5, item 38
Rio de Chicola, Uberbrückungsstelle
Scope and Contents note
Title and date written in ink on recto.
box 5, item 39
Landscape with a Mountain
box 5, item 40
Men and Horses at a Mountain Lake
box 5, item 42-43
Men in a Valley
Scope and Contents note
Two prints.
box 5, item 47
Men in a Landscape with a Mountain
box 6, item 1
Four Riders Crossing a River
Scope and Contents note
Cyanotype.
box 6, item 2
Men in a Landscape at a Laundry Spot
Scope and Contents note
Cyanotype.
box 6, item 3
Orizaba, Plaza de la Concordia
Scope and Contents note
Cyanotype. Title and date from another print with same motif.
box 6, item 4
City View
Scope and Contents note
Cyanotype.
box 6, item 5
Crossroads in Orizaba
Scope and Contents note
Location and date written in ink on recto.
box 6, item 6
Plaza de la Concordia, Orizaba
Scope and Contents note
Title and date written in ink on recto.
box 6, item 7
Two Men in a Gorge
Scope and Contents note
Written in pencil on verso: Muestra de papel para las copias de las vistas panoramicas.
box 6, item 9
Street with Buildings and a Man
box 6, item 10
Two Men on a Trail in a Village
box 6, item 11-12
Rocky River
Scope and Contents note
Two prints.
box 6, item 13
Railroad Line and Buildings
box 6, item 14
Nacimiento de los Manamiales de Aleojuer [?]
Scope and Contents
Title and date written in in on verso.
box 6, item 15-16
Railroad Station at El Hule
Scope and Contents
Two prints.
box 6, item 17-19
Mountains in the Landscape
Scope and Contents note
Three prints.
box 6, item 24
Men on Horseback near a Bridge
box 6, item 25
Ende des Zuführungskanals
Scope and Contents note
Title written in ink on recto.
box 6, item 26
Men on Horseback close to a Bridge
box 6, item 28-31
Rocks in River
Scope and Contents note
Four prints.
box 6, item 32
Escaleras
Scope and Contents note
Title and date written in ink on recto.
box 6, item 33
Group of Men in a Landscape
box 6, item 34
Group of Men and Women in a Landscape
box 6, item 35
Men on Horseback at a Riverside
box 6, item 36
Landscape with Mountains in Mexico
box 6, item 37
Men with Horses at a Mountain Lake
box 6, item 38-39
Mountian Lake
Scope and Contents
Two prints.
box 6, item 43-44
Valley with Men
Scope and Contents note
Two prints.
box 5, item 49-50
Construction of a Water Depot,
circa 1910
Scope and Contents note
Two gelatin silver prints. Dated by Bonnemaison. A 20. Former box number: 10.
box 16, item 1
Zocalo, Mexico City,
circa 1910
Scope and Contents note
Gelatin silver. The Zocalo (main square) of Mexico City with Cathedral (middle) and National Palace (right). Dated by Bonnemaison.
Item is unusually large for being only one piece. G 159. Former box number: 22** rolled.
box 7, item 4
Abbott, Berenice, Small Train,
between 1935 and 1940
Scope and Contents note
Gelatin silver, multiple exposures. Signed in pencil on verso of mount. Date from Arles catalog. F 149. Former box number:
16.
Flatfile 46**, item 1
Donaldson Photo,
Panama Pacific International Exposition,
1915
Scope and Contents note
Two gelatin silver panoramas on one mount. Title, photographer's name, and date in negative on recto of print: Panama Pacific
International Exposition 1915, Donaldson Photo Co. S.F. The upper image is a bird's-eye view of the exposition. The lower
image is a large group portrait taken in a San Francisco [?] street. G 165. Former folder number: FF 54**.
box 10, item 23
Feininger, Andreas,
Night Baseball, Polo Grounds,
circa 1940
Scope and Contents note
Two-part panorama, gelatin silver. Title printed on paper pasted on verso. Photographer's name stamped on verso of both prints:
Foto: Andreas Feininger. Date from Bonnemaison. Notation on recto of both prints: 10 ½ wide let light come. B 52. Former folder
number: FF 28**.
box 7, item 2
Keiley, Joseph Turner,
Niagara Falls,
1916
Scope and Contents note
Gelatin silver. Title written in ink on verso. Photographer's name from Bonnemaison. Date from Plessen and Giersch. Attributed
to George Seeley in the Arles catalog and as a heliogravure of the photograph. IX.64. Former box number: 16.
box 10, item 22
Man Ray,
Windbag,
1944
Scope and Contents note
Gelatin silver. Photographer's name and date from attached certificate of Lucien Treillard. Title and caption typed on recto
of paper mounted below print: Windbag. In the category of silent musical instruments, this is completely sealed up - even
a percussion instrument depends on air. In Arles catalog. Location probably Los Angeles per Man Ray's biography. C 98. Former
box number: 7*.
box 7, item 1
Photographer unidentified,
Honolulu "Algerobus",
1908
Scope and Contents note
Cyanotype. Title and date written in ink on recto of mount. H 169. Former box number: 1.
South America, Series V.
1860-1891
Physical Description: 0.5 Linear Feet(2 boxes)
Scope and Contents
Countries represented are Argentina and Brazil.
Arrangement
Arranged alphabetically by country.
box 7, item 3
Poulet, Georges (attributed),
Panorama du Santa Fe, vue prise de campanile du la gare
Scope and Contents note
Three-part joined panorama, cyanotypes. Title and date written in pencil on cover. Compare to other cyanotypes in
Aurora Argentina. The amateur photographer, Georges Poulet, was a French engineer and director of the Santa Fe Railway Society in Argentina
between 1890 and 1894. Attribution by location, techniques, use of French and type of handwriting on item. B 53. Former box
number: 1.
box 10, item 24
Mulock, Benjamin Robert,
Rio Johannes [?], Temporary Bridge, South End
Scope and Contents
Albumen print. Title and date written in ink on verso. Photographer's name from Bonnemaison. D124. Former box number: 7*.
Unidentified locations, Series VI.
circa 1850-1920
Physical Description: 3 Linear Feet(1 box)
Arrangement
Arranged alphabetically by photographer.
Scope and Contents
The locations where these photographs were taken is ambiguous, even at the continent level.
Horatio,
1895
Scope and Contents
Gelatin silver. Date and photographer's name from Bonnemaison. Name not known according to John Hannavy. J 221. Former box
number: 16.
box 7, item 9
Coach Horses Viewed from the Coachmens' Seat
box 7, item 12
Koya, Th. de [?], Hunt,
circa 1910
Scope and Contents note
Gelatin silver. Date and title from Bonnemaison. Photographer's name at left corner: Phot Th. de Koya [?]. E 144. Former box
number: 1.
Photographer unidentified,
Scope and Contents
Includes the work of seven different unidentified photographers.
box 12, item 12
Fortifications,
circa 1860
Scope and Contents note
Two-part joined panorama, albumen. Dated by Bonnemaison. Location is probably North Africa or Middle East. H 195. Former box
number: 8*.
box 7, item 6
Horses and Riders and Guards,
after 1886
Scope and Contents note
Circular (tondo) cyanotype with six circular vignettes. Dated by Bonnemaison. Camera used is a Plastron from Stirn, which
was invented in 1886. IX.14. Former box number: 16.
box 7, item 8
Coiled Snake,
circa 1860
Scope and Contents note
Albumen, tondo format. Dated by Bonnemaison. IX.10. Former box number: 16.
box 7, item 13-14
Mountaineering,
circa 1900
Scope and Contents note
Two gelatin printing-out paper prints. Dated by Bonnemaison. F 151. Former box number: 4*.
box 7, item 15
Part of the Campus,
circa 1900-1920
Scope and Contents note
Cyanotype. Title written in ink on verso. Dated by Bonnemaison. H 170. Former box number: 1.
box 13, item 28
Family in the Ruins of a City
circa 1850
Scope and Contents note
Salted paper print. Title from Bonnemaison:
Pique-nique en ruines. Dated by Bonnemaison, who identifies the technique as gelatino bromure d´argent. IX.6. Former box number: 20*.
box 18, item 3
Lady with Servant beside a Mirror,
circa 1890
Scope and Contents note
Anaglyphe, two colored glass slides. Date in Plessen and Giersch is 1993. To see the green and red glass slides as a spatial
effect, the observer must wear glasses of the same colors. IX.79. Former box number: 26.
Panorama paintings, Series VII.
1803-1900, undated
Physical Description: 2.5 Linear Feet(1 box)
Scope and Contents
Materials relating to painted panoramas and the buildings in which they were shown. For panorama buildings set within a larger
cityscape see also
Austerlitz Bridge and Building for the Bastille Panorama, Paris (FF 47) and
Panorama de Lucern (Box 13).
Arrangement
Arranged alphabetically by photographer or artist.
box 22, item 12
Anonymous,
Rapport sur le panorama,
circa 1805
Scope and Contents note
12 page printed booklet. Title written in ink on cover and printed on first page. I L8. Former box number: 1.
box 22, item 5
Barker, Robert (attributed),
Panorama Leicester-Square, Two Views of Paris,
1803
Scope and Contents note
Woodcut. Title, names, and date printed on recto. Artist's name, possibly unknown or possibly Robert Barker, an Irish painter,
known as the inventor of the cylindrical panorama painting. He opened the first panorama building at Leicester-Square in 1793.
James Adlard, printer. This was probably an advertisement poster for the panorama. It contains images of two panoramas of
Paris and notes regarding the opening hours and entrance fees. In Arles catalog. I L9. Former box number: 7* temp. box.
Marquet, L., Panorama of Madagascar,
circa 1900
Scope and Contents
Gelatin silver. Photographer's name not known by Hannavy. Voignier lists two photographers named Marquet in Paris, first names,
unknown, as well as one in Sens, and one Eugéne Marquet in Nancy. The panorama building was probably built for the 1900 Paris
World's Fair. The panorama painting was by Louis Tinayre. I 207. Former box number: 8*.
box 22, item 1
Construction of the Panorama of Madagascar Building
box 22, item 2
Hanging the Panorama of Madagascar Canvas
box 22, item 11
Poilpot, Theóphile MM and Jacob,
Panorama Prise de la Bastille et vue du Vieux Paris,
undated
Scope and Contents note
Four-part joined panorama of prints, lithographs [?]. Title printed on cover. Artist's name printed on cover. Probably used
as souvenir and entrance ticket for a panorama building in Paris. I L2. Former box number: 1.
box 22, item 13
Reichert, C. (draftsman), M. Kurz (engraver),
Panorama von Gratz, aufgenommen vom Schlossberg,
circa 1830
Scope and Contents note
Engraving [?]. Title and artist's and engraver's names printed in the middle. Dated by Bonnemaison. Circular print; could
be used for orientation in an actual panorama building. I L7. Former box number: 1.
Photographer unidentified, Cineorama at the 1900 Paris exposition universelle internationale,
circa 1899
Scope and Contents
Gelatin silver. Dated by construction of the cineorama for the 1900 Paris exposition universelle. Stamp on recto of mount:
La "Photographie" Societe Ouvriere F. Thuillier. Directeur 279. Rue St. Honore. Paris. I 208. Former box number: 3*.
box 22, item 3
Construction of the Cineorama Building, Interior
box 22, item 4
Construction of the Cineorama Building, Exterior