Guide to the Stanford University, Department of Art and Art History, Honors Theses

Stanford University Archives staff
Stanford University Libraries. Dept. of Special Collections & University Archives.
Stanford, California
September 2012
Copyright © 2015 The Board of Trustees of the Leland Stanford Junior University. All rights reserved.


Overview

Call Number: SC4-3594
Creator: Stanford University. Department of Art and Art History.
Title: Stanford University, Department of Art and Art History, honors theses
Dates: 1997-2014
Physical Description: 1.25 Linear feet (13 volumes in 3 boxes)
Summary: Honors theses written by undergraduates in the Stanford University Department of Art and Art History.
Language(s): The materials are in English.
Repository: Dept. of Special Collections & University Archives.
Stanford University Libraries.
557 Escondido Mall
Stanford, CA 94305-6064
Email: speccollref@stanford.edu
Phone: (650) 725-1022
URL: http://library.stanford.edu/spc

Administrative Information

Provenance

Theses were transferred to the Stanford University Archives from the Hume Writing Center in 2011.

Information about Access

The collection is open for research use; materials must be requested at least 48 hours in advance of intended use. No photocopies may be made.

Ownership & Copyright

Copyright is retained by the creators for materials they have authored or otherwise produced. Transmission or reproduction of materials requires the written permission of the copyright owner.

Cite As

[Identification of item], Stanford University, Department of Art and Art History, Honors Theses (SC4-3594). Dept. of Special Collections and University Archives, Stanford University Libraries, Stanford, Calif.

Scope and Content

The collection consists of honors theses written by undergraduates in the Stanford University Dept. of Art and Art History.

Access Terms

Art--History--Study and teaching.
Art--Study and teaching.


Collection Contents

 

Accession 2011-152 Theses

Box 1

Blanchard, Emily S., Ambivalent anti-Semitism: the invocation and transformation of Jewish stereotypes in John Singer Sargent's portraits of the Wertheimer family . 2003

Box 1

Breeden, Jenny, Jean Dubuffet: on the question of Post-War creativity and criticism [2 volumes]. 2000

Box 1

Chiles, Alisa, Reason, iron, and the age: the significance of Hector Guimard's organic rationalist architecture. 2007

Box 1

Corn, Melanie, Feminist artists take to the streets: guerrilla tactics of the 1980s. 1997

Box 1

Eagleston, Alisa Rae, The Virgin, Child, and Saint John: conserving and attrributing a Renaissance panel painting. 2004

Box 1

Field, Allyson Nadia, Jean-Luc Godard and Guy Debord: revolutionary cinema and the cinema of the revolutionary. 1998

Box 1

Hertenstein, Tom, The shock of the real: modern monoliths and the aesthetics of plain power. 1997

Box 1

Richmond, Camilla Ann, The culture of color: Winslow Homer's watercolors as a prism of the social. 1999

Box 1

Kim, Jeaannie, Pulp fantasies: the amazing and weird imates of Virgil Finlay. 1999

Box 1

Tai, Ariella, Der West, a study of the East German Westerns. 2009

Box 2

Waggoner, Diane, Sounding the thread: the interlace of needlework and the feminine in Victorian painting and narrative. 1992

Box 2

Liu, Emily, Love, illness, aesthetics: responding to Eugene Richards' Exploding into life. 2007

 

Accession 2015-039 Theses

Box 1

Hart, Jordan Campbell, The Guggenheim effect, controvery, expansion, and finance within the Solomon R. Guggenheim Foundation. 2014 May 15