Guide to the Stanford University, Department of Art and Art History, Honors Theses
Stanford University Archives staff
Stanford University Libraries.
Dept. of Special Collections & University Archives.
September 2012
Copyright © 2015 The Board of Trustees of the Leland Stanford Junior University. All rights reserved.
Overview
Call Number: SC4-3594
Creator:
Stanford University. Department of Art and Art History.
Title: Stanford University, Department of Art and Art History, honors theses
Dates: 1997-2014
Physical Description:
1.25 Linear feet (13 volumes in 3 boxes)
Summary: Honors theses written by undergraduates in the Stanford University Department of Art and Art History.
Language(s): The materials are in English.
Repository:
Dept. of Special Collections & University Archives.
Stanford University Libraries.
557 Escondido Mall
Stanford, CA 94305-6064
Email: speccollref@stanford.edu
Phone: (650) 725-1022
URL: http://library.stanford.edu/spc
Administrative Information
Provenance
Theses were transferred to the Stanford University Archives from the Hume Writing Center in 2011.
Information about Access
The collection is open for research use; materials must be requested at least 48 hours in advance of intended use. No photocopies
may be made.
Ownership & Copyright
Copyright is retained by the creators for materials they have authored or otherwise produced. Transmission or reproduction
of materials requires the written permission of the copyright owner.
Cite As
[Identification of item], Stanford University, Department of Art and Art History, Honors Theses (SC4-3594). Dept. of Special
Collections and University Archives, Stanford University Libraries, Stanford, Calif.
Scope and Content
The collection consists of honors theses written by undergraduates in the Stanford University Dept. of Art and Art History.
Access Terms
Art--History--Study and teaching.
Art--Study and teaching.
Accession 2011-152
Theses
Box 1
Blanchard, Emily S.,
Ambivalent anti-Semitism: the invocation and transformation of Jewish stereotypes in John Singer Sargent's portraits of the
Wertheimer family
.
2003
Box 1
Breeden, Jenny,
Jean Dubuffet: on the question of Post-War creativity and criticism [2 volumes].
2000
Box 1
Chiles, Alisa,
Reason, iron, and the age: the significance of Hector Guimard's organic rationalist architecture.
2007
Box 1
Corn, Melanie,
Feminist artists take to the streets: guerrilla tactics of the 1980s.
1997
Box 1
Eagleston, Alisa Rae,
The Virgin, Child, and Saint John: conserving and attrributing a Renaissance panel painting.
2004
Box 1
Field, Allyson Nadia,
Jean-Luc Godard and Guy Debord: revolutionary cinema and the cinema of the revolutionary.
1998
Box 1
Hertenstein, Tom,
The shock of the real: modern monoliths and the aesthetics of plain power.
1997
Box 1
Richmond, Camilla Ann,
The culture of color: Winslow Homer's watercolors as a prism of the social.
1999
Box 1
Kim, Jeaannie,
Pulp fantasies: the amazing and weird imates of Virgil Finlay.
1999
Box 1
Tai, Ariella,
Der West, a study of the East German Westerns.
2009
Box 2
Waggoner, Diane,
Sounding the thread: the interlace of needlework and the feminine in Victorian painting and narrative.
1992
Box 2
Liu, Emily,
Love, illness, aesthetics: responding to Eugene Richards' Exploding into life.
2007
Accession 2015-039
Theses
Box 1
Hart, Jordan Campbell,
The Guggenheim effect, controvery, expansion, and finance within the Solomon R. Guggenheim Foundation.
2014 May 15
