Finding Aid for the Sam Erenberg papers, 1965-2012 2012.M.52
Sheila Prospero
Special Collections
2015
1200 Getty Center Drive, Suite 1100
Los Angeles 90049-1688
Business Number: (310) 440-7390
Fax Number: (310) 440-7780
reference@getty.edu
Contributing Institution: Special Collections
Title: Sam Erenberg papers
Creator: Erenberg, Sam
Identifier/Call Number: 2012.M.52
Physical Description: 17 Linear Feet(24 boxes, 2 flatfile folders) and computer media (676 GB [109 files])
Date (inclusive): 1965-2012
Physical Location: Request access to the physical materials described in this inventory through the
catalog record for this collection. Click here for the
access policy .
Abstract: The papers highlight Erenberg's career as a painter, bookmaker, filmmaker, and installation and performance artist. The archive
includes correspondence, photographs, and project files documenting Erenberg's exhibition history; relations with artists,
curators, and gallerists; and the development of various projects including experimental films, installations, and artists'
books.
Language of Material: Collection material is in English.
Processing History
Processed by Sheila Prospero under the supervision of Kit Messick in July 2014 and from January to June 2015.
One videotape was added to the collection in 2018; audiovisual materials are unavailable until reformatted.
Digital materials were processed by Laura Schroffel in 2017. Files require further processing and can be requested by contacting
reference.
Acquisition Information
Gift of Sam Erenberg. Acquired in 2012.
Access
Open for use by qualified researchers, except audiovisual materials, which are unavailable until reformatted, and materials
in Box 24, which are sealed until 2066.
Publication Rights
Preferred Citation
Sam Erenberg papers, 1965-2012, The Getty Research Institute, Los Angeles, Accession no. 2012.M.52.
http://hdl.handle.net/10020/cifa2012m52
Arrangement
Arranged in four series: Series I. Correspondence, 1965-2010; Series II. Project files, 1967-2009; Series III. Works by other
artists, 1977-2012, undated; Series IV. Miscellaneous, 1979-2007, undated.
Separated Materials
Fifty-three monographs and two serials were transferred to the library. These publications may be found by searching the library
catalog for the Sam Erenberg Collection.
Scope and Content of Collection
The Sam Erenberg papers highlight the artist's career as a painter, bookmaker, filmmaker, and installation and performance
artist. The collection includes correspondence and project files documenting Erenberg's exhibition history; relations with
artists, curators, and gallerists; and the development of several large-scale installation projects. Also featured are films
he created between 1967 and 1977, and works of art by other artists.
Series I contains both personal and business correspondence from 1965 to 2010. It includes personal letters from Erenberg's
family, as well as letters from artists such as Ciel Bergman and Stephen Westfall, and mail art from James Lee Byars. The
majority of the business correspondence relates to applications for fellowships, grants, residency programs, and teaching
positions, as well as art submissions and exhibition proposals. Also included are papers documenting gallery consignments,
artists' book projects, and other miscellaneous business papers.
The project files in Series II form the bulk of the archive and document Erenberg's artistic career. Included are papers related
to various projects such as exhibitions, installations, artists' books, performances, lectures, and fellowships. The papers
comprise correspondence, clippings, project notes, drafts, invoices, and ephemera. Some files include photographs and audiovisual
material. Additionally, this series contains original works by Erenberg including raw footage of his experimental films between
1967 and 1977. Photographic documentation of artworks and notebooks are filed at the end of the series.
The archive also contains Erenberg's collection of works and ephemera by artists in Series III. Works include prints, drawings,
and photographs by artists such as Byars and Karen Atkinson.
Series IV contains miscellaneous or unidentified papers, personal photographs, and audiovisual material. Of particular note
is an audio recording of Marcel Duchamp speaking at
The Art of Assemblage at the San Francisco Museum of Modern Art in 1961.
Biographical / Historical Note
American artist Sam Erenberg is a painter, bookmaker, filmmaker, and installation and performance artist. Born in 1943, he
grew up in the Baldwin Hills neighborhood of Los Angeles, California. His interest in art began after being inspired by exhibitions
of Salvador Dali and hard-edge painting during the early 1960s. He enrolled in the Chouinard Art Institute (now known as the
California Institute of the Arts) to study painting in 1965, and it was there that he met his wife, Elena Mary Siff. In 1969,
they moved to the artistic community of Topanga Canyon, where Erenberg socialized with musicians and artists including Wallace
Berman and George Herms. Inspired by a creative community, Erenberg worked on several films with local artist friends and
reinforced his interest in filmmaking.
Erenberg received his BA in Art from California State University, Northridge in 1974 and an MFA from the University of California
Santa Barbara two years later. In Santa Barbara, Erenberg became more involved with performance art and started making artists'
books for his first performance piece. After graduate school, Erenberg became part of the exhibition committee for the Santa
Barbara Contemporary Arts Forum and curated exhibitions for artists such as Chris Burden and Laurie Anderson. Erenberg was
actively involved in the art community in Santa Barbara, where he also had several solo and group exhibitions. He continued
to live in Santa Barbara with his family until 1993 and moved back to Los Angeles the following year.
Erenberg's films, installations, books, and paintings have been exhibited throughout the United States, Europe, Asia and Central
America and are included in collections worldwide including the Kunstmuseum Bern (Switzerland), Wexford Arts Centre (Ireland),
and the UCLA Armand Hammer Museum. He currently lives and works in Santa Monica.
Appraisal
Leopard test volume backup digital files were not retained in this collection according to the Library's digital preservation
and privacy policies.
Digitized material
Selected recordings were digitized and are available online: http://hdl.handle.net/10020/2012m52av
Subjects and Indexing Terms
Art, American -- California -- 20th century
Black-and-white negatives -- 20th century
Photographs, Original
Video art -- United States -- 20th century
Color photographs
Color negatives
Black-and-white photographs -- 20th century
Video recordings -- United States -- 20th century
Sound recordings -- United States -- 20th century
Performance art
Installations (Art)
Artists' books
Public art -- California
Gelatin silver prints -- 20th century
Chromogenic color prints -- United States -- 20th century
Dye difussion transfer prints -- United States -- 20th century
Printed ephemera
Correspondence, Series I.
1965-2010
Physical Description: 2.5 Linear Feet(6.5 boxes)
Arrangement
Personal correspondence arranged alphabetically. Business correspondence arranged by subject.
Scope and Contents
Series I contains both personal and business correspondence from 1965 to 2010. It includes personal letters from Erenberg's
family, as well as letters from artists such as Ciel Bergman and Stephen Westfall, and mail art from James Lee Byars. The
majority of the business correspondence relates to applications for fellowships, grants, residency programs, and teaching
positions, as well as art submissions and exhibition proposals. Also included are papers related to gallery consignments,
artists' book projects, and other miscellaneous business correspondence. Some files also contain invoices and ephemera.
Personal,
1965-2010
Scope and Contents
Some files contain personal photographs accompanying letters. Color materials have been separated for conservation purposes.
box 17, folder 1
Color slide,
undated
Scope and Contents
Image of work by Michael Graham.
box 17, folder 2
Color photograph,
1996
Scope and Contents
Photo of Stansbury Island, Utah. Part of letter from F. McIntyre.
box 3, folder 13-14
Various,
1979-2008
Scope and Contents
Unidentified correspondence.
box 1, folder 6
Armijo, Richard R.,
1978-1979
Bergman, Ciel,
1995-2002
Scope and Contents
Also known as Cheryl Bowers.
box 1, folder 7
Letters,
1995-2002
Scope and Contents
Contains black-and-white photographs.
box 17, folder 3
Color photographs,
1995-1996
box 1, folder 8
Bijvoet, Marga,
1982, 1984
Byars, James Lee,
1975, 1977
Scope and Contents
Contains mail art. For more works of art, see also Byars's file in "Works by other artists" (Series III).
Contreras, Susan,
1995-1996
box 1, folder 11
Coodley, Lauren,
2005, 2010
box 1, folder 13
Ekstrom, Linda,
1988-1995
box 1, folder 14
Erenberg family,
1979-1996
box 1, folder 15
Erenberg, Adele,
1965, 1988
box 1, folder 17
Erenberg, Noah,
1987-2008
box 1, folder 18
Erenberg, Revelle,
1999-2009, undated
box 2, folder 10
Klausner, Betty,
1981, 1987, 2004
box 2, folder 11
Lentz, Daniel,
1979, 2004-2006
Nathan, Miriam Morsel,
2001-2003
Petrunak, Karl,
1977-1996
box 3, folder 7-8
Siff, Elena Mary,
1981-2003
Scope and Contents
Also known as Elena Erenberg.
box 3, folder 10
Slawson, Dunnieghe,
2003, undated
Scope and Contents
See Bruce Wallin's file.
box 3, folder 10
Wallin, Bruce,
2003, undated
box 3, folder 12
Zimmerman, Jerome and Salli,
1979-1999
box 4, folder 1-5
Fellowships, grants, and residency programs,
1990-2003
box 24, folder 1
Adolph and Esther Gottlieb Foundation, Inc.,
1991
Scope and Contents
SEALED until 2066.
box 4, folder 6
Teaching positions,
1978-1999
Submissions and proposals,
1977-1999
Scope and Contents
Contains letters from museums and galleries in response to Erenberg's submissions for review of his artwork. Includes proposals
for exhibition and consignment requests. Also includes copies of Erenberg's letters.
Gallery consignments,
1975-2006
Scope and Contents
Includes invoices.
box 6, folder 2
Carol Craven Gallery,
2005-2006
box 6, folder 3
Richard Heller Gallery, Bergamot Station,
1995
box 6, folder 4
Slayter-Ralph, Anthony,
1993
Artists' books,
1984-2001
Scope and Contents
Includes sales invoices, ephemera, catalogs, and correspondence related to consignments and book fairs.
box 6, folder 9
Contemporary Hand Press Printing Bartkowiak,
1990-1995
box 6, folder 11-12
Miscellaneous,
1977-2006
Scope and Contents
Includes ephemera.
box 6, folder 13
Invoices,
1967-1984
Scope and Contents
Papers related to purchases and exhibitions.
Project files, Series II.
1967-2009
Physical Description: 9.3 Linear Feet(10 boxes, 2 flatfile folders)
Arrangement
Arranged by subject.
Scope and Contents
The project files in this series form the bulk of the archive and document Erenberg's artistic career. This includes papers
and photographs related to exhibitions, installations, artists' books, performances, lectures, and fellowships. The papers
comprise correspondence, clippings, project notes, drafts, invoices, and ephemera. Photographs include both black-and-white
and color prints (including Polaroid prints), contact sheets, and negatives. Some files also contain audiovisual materials
such as audiotape reels, audiocassettes, and videocassettes. Additionally, this series contains original work by Erenberg,
particularly raw footage of his experimental films between 1967 and 1977. Photographic documentation of artworks and notebooks
are filed at the end of the series.
Exhibitions and installations,
1979-2009
box 6, folder 14
Santa Barbara Artists Invitational: Part I, Santa Barbara Museum of Art,
1979
The Actual Symposium, Santa Barbara Museum of Natural History,
1981
Scope and Contents
Papers relating to the symposium, as well as an audio recording of Marcel Duchamp, Richard Huelsenbeck, Roger Shattuck, Lawrence
Alloway, and Robert Rauschenberg on a panel discussing the Museum of Modern Art New York's 1961 exhibition "The Art of Assemblage,"
which then traveled to San Francisco Museum of Modern Art in 1962. William Seitz introduces and moderates the panel.
box 20, folder 1
Papers
Scope and Contents
Papers related to audiovisual materials.
box 20, item C1
Michael Moerman
Scope and Contents
1 audiocassette : analog, 1 5/16 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
box 20, item C2
Gene Youngblood
Gene Youngblood (digitized version available on-site only)
Scope and Contents
1 audiocassette : analog, 1 5/16 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
box 20, item R1
#1
Scope and Contents
1 audiotape reel : analog, 7 1/2 ips, mono. ; 7 in., 1/2 in. tape.
box 20, item R2
#2
Scope and Contents
1 audiotape reel : analog, 7 1/2 ips, mono. ; 7 in., 1/2 in. tape.
Los Angeles Urban Renewal: 1982-1965, The American Dream: Mediated, LACE,
1982
box 6, folder 15-16
Papers
Scope and Contents
Contains material related to the death of Fred Hendricks.
box 6, folder 17
Black-and-white photographs and contact sheet
box 17, folder 8
Black-and-white negatives and color transparencies
box 7, folder 1
Of This Time, Of That Place, Open Space Gallery,
1983
box 7, folder 2
California Bookworks: The Last Five Years, The Otis Art Institute of Parsons School of Design,
1983-1984
box 7, folder 3
Masks, Masquerades, Megillot, Hebrew Union College Skirball Museum,
1983-1984
box 7, folder 4
Solo exhibition, Santa Barbara Contemporary Arts Forum,
1984
Tabernacle: A Contemporary Sukkah, Skirball Museum,
1985, 1996
flatfile 1**
Working drawings,
circa 1985
Focus: Systems, Los Angeles Municipal Art Gallery, Barsndall Art Park,
1988-1990
box 7, folder 7
Black-and-white photographs
1988-1990
box 17, folder 9
Black-and-white negatives
1988-1990
Currents, Santa Barbara Museum of Art,
1989
box 21, item V1
Videocassette
Scope and Contents
1 videocassette (VHS) : sd., col. ; 1/2 in. Group exhibition at Santa Barbara Museum of Art.
Competition Diomede, Institute of Contemporary Art (Long Island, New York),
1989
box 7, folder 10
Black-and-white photographs
box 7, folder 11
Solo exhibition, Toni Gerber Galerie,
1989
box 23*, folder 4
Window on AIDS, outdoor installation, Santa Barbara,
circa 1988-1989
Scope and Contents
Posters and artist's proofs.
box 7, folder 12
Solo exhibition, Roy Boyd Gallery,
1989-1990
A.M.D.G., Terrain Gallery, Grace Cathedral,
1989-1991
Southwest '90, Museum of New Mexico,
1990-1991
box 7, folder 16
Cross-Currents: Bookworks from the Edge of the Pacific, Pacific Rim Bookworks Show,
1990-1993
box 7, folder 17
Boundless Vision: Contemporary Bookworks, The San Antonio Art Institute,
1991
box 7, folder 18
Santa Barbara Artists I, Santa Barbara Museum of Art,
1991
box 7, folder 19
California Artists' Books, The Armory Center for the Arts,
1991-1992
Dreams and Shields: Spiritual Dimensions in Contemporary Art, Salt Lake Art Center,
1991-1992, 1995
box 8, folder 3
Typographie et Art du Livre, Association des Imprimeurs Typographes et des Métiers d'Art du Livre,
1991-1992
box 8, folder 4
Breaking Barriers, Santa Monica Museum of Art,
1992
box 8, folder 5
Just a White Show, 1529 Wellesley, Los Angeles,
1993
box 8, folder 6
Shaped Structures: Bookworks in Form, Palos Verdes Art Center,
1993
box 8, folder 7-8
Sawtelle, Domestic Setting, Los Angeles,
1993-1994
box 8, folder 9
The Book Unbound, Ormond Memorial Art Museum,
1993-1995
Scope and Contents
Co-curated by Mary Ellen Long.
A Living Tradition: Biblical Themes in Contemporary Art, The University of Oklahoma,
1993-1995
box 8, folder 11
California/2, Jerrold Burchman Contemporary Art,
1994
box 8, folder 12
Jewish Artists of Southern California III, Wilshire Boulevard Temple,
1994
box 8, folder 13
Eco Nation: Patriots of the Earth, Bedford Gallery,
1994-1995
box 8, folder 14
A Vital Matrix, Domestic Setting, Los Angeles,
1995
box 8, folder 15
A, Working Title, E-Space,
1995
box 8, folder 16
1st Wexford Artists' Book Exhibition, Wexford Arts Centre,
1995
box 8, folder 17
Books in the Living Room, The Living Room,
1996
box 8, folder 18
Detours '96, Side Street Projects,
1996
box 8, folder 19
Die Sammlung Toni Gerber, Museum of Fine Arts, Kunstmuseum Bern,
1992-1995
Scope and Contents
Includes personal letters to Erenberg from Toni Gerber.
box 8, folder 20
2nd Wexford Artists' Book Exhibition, Wexford Arts Centre,
1996
box 8, folder 21
Open Book, California State Polytechnic University, Pomona,
1996
box 9, folder 1
Drawings, Gallery LASCA (Los Angeles Seoul Contemporary Arts),
1996-1997
box 9, folder 2
The Millenium Project, Kingston Artists' Association Incorporated,
1996-1999
118W/34N, Kulturzentrum bei den Minoriten, Graz, Austria,
1997-1998
box 9, folder 4
Black-and-white photographs
box 17, folder 18
Slides
Scope and Contents
Includes images of works by artist Chris Finley.
Journeys to Freedom: Exodus and Israel, Bellevue Art Museum,
1998
box 9, folder 6
Boundless: Liberating the Book Form, The San Francisco Center for the Book,
1998-1999
Susret Art Workshop,
1998-2000
The Complete Works of Roland Barthes,
1999
box 9, folder 12
Projections: Intermission Images, Side Street Projects,
1999
Scope and Contents
See also Karen Atkinson file in Series III.
box 9, folder 13-14
The Changing Face of Portraiture, Chapman University,
2000
American Outpost, The Living Room,
2000-2005
box 9, folder 16
Black-and-white contact sheet,
circa 2000-2001
Scope and Contents
Also contains images of another Erenberg work.
box 17, folder 21
Black-and-white negatives,
circa 2000-2001
Scope and Contents
Also contains images of another Erenberg work.
box 17, folder 22
Color photographs and one negative,
2000-2001
Six Degrees: Art in the Libraries, Side Street Projects,
2001
box 17, folder 23
Color photographs and negatives
box 10, folder 3
The Chai Show, University of Judaism,
2002-2003
box 10, folder 4
Religion, Spirituality and the Object, Indianapolis Art Center,
2002-2003
box 10, folder 5
Oceans, Craig Krull Gallery,
2003
box 10, folder 6
Small Works and Short Films, Space Gallery,
2008
The Book as Sculpture, Brandstater Gallery,
2008-2009
Lectures and symposia,
1993, 1999, undated
box 10, folder 9
College at Purchase,
1993
box 25, item V4
Collège de France footage,
1999 February 8
Collège de France footage (digitized version available on-site only)
Scope and Contents
1 videocassette (VHS) (60 min.) : sd., col. ; 1/2 in. (From ADD4)
box 21, item V2-V3
Collège de France lecture,
1999 February 8
Scope and Contents
1 videocassette (VHS) (60 min.) : sd., col. ; 1/2 in. (2 copies)
box 10, folder 10
Evening Forums, Santa Barbara Museum of Art,
undated
Scope and Contents
Papers for Erenberg's presentation "Revelation in Santa Barbara: A Discourse."
Fellowships and residencies,
1991-1999
box 10, folder 11
Partners of the Americas (Buenos Aires),
1991
Scope and Contents
Artist-in-residency program.
box 10, folder 12
Dorland Mountain Arts Colony,
1992-1995
box 10, folder 13
1998-1999 Artist Fellowship, California Arts Council,
1998-1999
Other projects,
1990-1993, undated
The Legal Defense Center of Santa Barbara, Inc. postcard project,
1990-1992
box 17, folder 24
Black-and-white negatives
box 10, folder 15
Interactive Computer Kiosk project,
1992-1993
box 23*, folder 2-3
Art park,
undated
Scope and Contents
Proposal drawings for garden and sculpture. Drawings are possibly for different projects.
box 10, folder 16
Performances,
circa 1975-1985
Scope and Contents
Includes papers related to performances:
Inner-World Arrangement, Four Questions, and
WOLF IS DEAD: Performances and Videotapes of Wolfgang Stoerchle.
Artists' books,
1977-1997
Scope and Contents
Papers related to book projects including notes, invoices, and correspondence.
box 11, folder 2
The Killing of Nettie Love,
circa 1983
box 11, folder 3-4
The Spirit Tower,
1988-1989
box 11, folder 5
Seven Abstract Paintings: 1986-1996,
1996-1997
Artworks,
1990-2008, undated
box 11, folder 6
Freedom of Expression,
1990
Scope and Contents
Two copies. An American Civil Liberties Union postcard project sponsored by the Santa Barbara Chapter of ACLU. Contains a
series of postcards created by various artists including Erenberg.
Modernism: Paris, Mexico City, Los Angeles, Amsterdam,
circa 1961, 1997-2007, undated
box 11, folder 7
Papers,
circa 1997-2007
Scope and Contents
Photocopies of images.
flatfile 2**
Artist's proofs,
undated
Scope and Contents
Also includes proofs that are possibly for other projects.
box 11, folder 8
Passport project for
Your Documents, Please exhibition,
2008
Barthes's Tomb,
circa 1995-1997
Scope and Contents
Unrealized installation.
box 22*, folder 1
Working drawings
1995, 1997
box 17, folder 25-26
Photographs
circa 1995-1997
box 21, item F1
Elysian Park I,
1967
Elysian Park I (digital version available on-site only)
Scope and Contents
1 film reel : si., ; standard 8 mm. Raw footage.
box 21, item F2
Elysian Park II,
1967
Elysian Park II (digital version available on-site only)
Scope and Contents
1 film reel : si., ; standard 8 mm. Raw footage.
box 21, item F3
Marker,
1967
Marker (digital version available on-site only)
Scope and Contents
1 film reel : si., ; standard 8 mm. Raw footage.
box 21, item F4
Score,
1967
Score (digital version available on-site only)
Scope and Contents
1 film reel : si., ; standard 8 mm. Raw footage.
Time,
1968
Time (digital version available on-site only)
box 21, item F5
Raw footage
Scope and Contents
1 film reel : si., col. ; standard 8 mm.
box 21, item F6
Edited
Scope and Contents
1 film reel : si., col. ; standard 8 mm.
box 21, item F7
Willys,
1968
Willys (digital version available on-site only)
Scope and Contents
1 film reel : si., ; standard 8 mm. Raw footage.
box 21, item F8
The Last Statement of Painting I,
1970
The Last Statement of Painting I (digital version available on-site only)
Scope and Contents
1 film reel : si., col. ; standard 8 mm. Raw footage.
box 21, item F9
The Last Statement of Painting II,
1970
The Last Statement of Painting II (digital version available on-site only)
Scope and Contents
1 film reel : si., col. ; standard 8 mm. Raw footage.
box 21, item F10
The Silence,
1970
The Silence (digital version available on-site only)
Scope and Contents
1 film reel : si., ; standard 8 mm. Raw footage.
box 21, item F11
The Silence II,
1970
The Silence II (digital version available on-site only)
Scope and Contents
1 film reel : si., ; standard 8 mm. Raw footage.
Nivea Milk,
1972
Nivea Milk (digital version available on-site only)
box 21, item F12
Raw footage
Scope and Contents
1 film reel : si., col. ; standard 8 mm.
box 21, item F13
Outtakes
Scope and Contents
1 film reel : si., col. ; standard 8 mm.
box 21, item F14
Trajectory,
1977
Trajectory (digital version available on-site only)
Scope and Contents
1 film reel : si., ; standard 8 mm. Raw footage.
Photographs
1977-2000, undated
Works,
1977-2000
Scope and Contents
Contains images of Erenberg's artworks.
box 22*, folder 2
Painter's Dream,
1977
Scope and Contents
Photograph of glass box for
Painter's Dream installation.
box 17, folder 27-29
Color prints and transparency
box 17, folder 30
Black-and-white negatives
Untitled (Les Plasirs et Les Jours),
1993
box 11, folder 11
Black-and-white prints and contact sheet
box 17, folder 31
Black-and-white negatives
box 17, folder 32
Jewish images,
1996, 2000
Scope and Contents
Color prints. Includes images of
Untitled, Stars and
Big Kippah for LA.
Miscellaneous,
undated
Scope and Contents
Contains images of various works or projects by Erenberg.
box 11, folder 12-13
Black-and-white prints and contact sheets
box 17, folder 33-34
Black-and-white and color negatives
Works by other artists, Series III.
1977-2012, undated
Physical Description: 4.2 Linear Feet(5 boxes)
Arrangement
Organized alphabetically by artist.
Scope and Contents
This series contains Erenberg's collection of works and ephemera by other artists. Works include prints, drawings, and photographs
by artists such as Byars and Karen Atkinson.
box 19
Atkinson, Karen,
1996
Scope and Contents
View-Master and reels for
Projections: Intermission Images exhibition. See also exhibition file in box 9, folder 12.
box 13, folder 4-8
Various,
circa 1978-1990, undated
Scope and Contents
Also includes exhibition ephemera. See Series I for mail art correspondence.
box 15
"Holy Ghost,"
undated
Scope and Contents
Possibly a work by Erenberg.
box 13, folder 9
Holzer, Jenny,
undated
Scope and Contents
West of Rome Project.
box 13, folder 10-12
Mayerle, Manfred,
2001-2009
box 13, folder 13
McEntire, Frank,
undated
Scope and Contents
9/11 Project.
box 13, folder 14
Mudfoot, Judyl,
1984, undated
box 22*, folder 5
Orr, Eric,
2012
Scope and Contents
Signed poster of Orr's
Wall Shadow (1970) for Pacific Standard Time exhibition.
box 23*, folder 6
Perna, Luciano,
2007
Scope and Contents
Signed exhibition poster for
National Geographic, Norma Desmond Productions.
box 18
Raphael, Victor,
undated
Scope and Contents
Altered Polaroid.
box 13, folder 17
Strode, Thaddeus,
undated
Miscellaneous, Series IV.
circa 1961, 1979-2011, undated
Physical Description: 1 Linear Feet(2.5 boxes)
Scope and Contents
The last series is comprises miscellaneous or unidentified papers, personal photographs, and audiovisual material. It includes
ephemera, clippings, color portraits of Erenberg, and travel photographs in the form of black-and-white prints and negatives.
Of particular note is an audio recording of Marcel Duchamp speaking at
The Art of Assemblage at the San Francisco Museum of Modern Art in 1961.
Arrangement
Arranged by subject.
box 14, folder 1-2
Papers,
1979-2007
Scope and Contents
Contains ephemera, clippings, and other miscellaneous papers.
box 16, item CD2
Ann Edge interview,
undated
Scope and Contents
1 audio disc : digital ; 4 3/4 in. Contains an interview with, and reading by, author Anne Edge recorded by Erenberg. Edge
reads from her book,
A Slice of Wry (Turkey Press, 1981).
box 20, item R3
Marcel Duchamp Speaks,
circa 1961
Marcel Duchamp Speaks (digitized version available on-site only)
Scope and Contents
1 audiotape reel (37 min.) : analog. ; 7 in., 1/2 in. tape.Audio recording of Duchamp speaking at
The Art of Assemblage at the San Francisco Museum of Modern Art in 1961.
Travel
Scope and Contents
Some photographs are possibly exhibition-related.
box 14, folder 3-5
Black-and-white contact sheets
box 17, folder 36-37
Black-and-white negatives
box ADD3, item DR1
Hard drive,
2010-2011
Scope and Contents
Unavailable until reformatted. Contact reference for reformatting. Click here for the
access policy .
Dates taken from last modified dates. Contains .jpg, .mov, and .dv. files. See attached
directory .