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Eugene Rodney papers, 1949-ca.1963
PASC 163  
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RADIO PROJECTS

Scope and Content

The Radio Project series documents Rodney’s involvement with the radio version of Father Knows Best, which started as a radio sitcom in 1949 on NBC.
Box 26, Folder 4

FATHER KNOWS BEST SCRIPTS

Additional Note

Numbers 6 through 10.
Box 25, Folder 3

FATHER KNOWS BEST SCRIPTS

Additional Note

1949, number 2
Box 30, Folder 4

FATHER KNOWS BEST SCRIPTS

Additional Note

1949, numbers 3, 4, 7, 9, 10.
Box 30, Folder 5

FATHER KNOWS BEST SCRIPTS

Additional Note

1949, numbers 11 through 19.
Box 17, Folder 3

FATHER KNOWS BEST SCRIPTS

Additional Note

1949, number 19.
Box 24, Folder 9

FATHER KNOWS BEST SCRIPTS

Additional Note

1950, numbers 1 through 10.
Box 26, Folder 1

FATHER KNOWS BEST SCRIPTS

Additional Note

1950, numbers 11, 13, 14, 15, 16, 17.
Box 25, Folder 3

FATHER KNOWS BEST SCRIPTS

Additional Note

1950, numbers 20, 24, 25, 26.
Box 16, Folder 7

FATHER KNOWS BEST SCRIPTS

Additional Note

1950, numbers 20, 21, 22, 25, 26.
Box 25, Folder 1

FATHER KNOWS BEST SCRIPTS

Additional Note

1950, numbers 21 through 28.
Box 25, Folder 2

FATHER KNOWS BEST SCRIPTS

Additional Note

1950, numbers 29 through 36.
Box 26, Folder 2

FATHER KNOWS BEST SCRIPTS

Additional Note

1950, numbers 37 through 46.
Box 17, Folder 3

FATHER KNOWS BEST SCRIPTS

Additional Note

1950, number 37.
Box 17, Folder 2

FATHER KNOWS BEST SCRIPTS

Additional Note

1950, numbers 6, 7, 23, 24, 28, 29, 30.
Box 25, Folder 4

FATHER KNOWS BEST SCRIPTS

Additional Note

1950, numbers 6, 7, 9, 27, 28, 29, 30.
Box 27, Folder 3

FATHER KNOWS BEST SCRIPTS

Additional Note

1951, numbers 21 through 25.
Box 28, Folder 1

FATHER KNOWS BEST SCRIPTS

Additional Note

1951, numbers 41 through 44.
Box 26, Folder 3

FATHER KNOWS BEST SCRIPTS

Additional Note

1951, numbers 1 through 5.
Box 27, Folder 2

FATHER KNOWS BEST SCRIPTS

Additional Note

1951, numbers 16 through 20.
Box 27, Folder 4

FATHER KNOWS BEST SCRIPTS

Additional Note

1951, numbers 26, 27, 28, 30.
Box 27, Folder 5

FATHER KNOWS BEST SCRIPTS

Additional Note

1951, numbers 31 through 35.
Box 27, Folder 6

FATHER KNOWS BEST SCRIPTS

Additional Note

1951, numbers 36 through 40.
Box 27, Folder 1

FATHER KNOWS BEST SCRIPTS

Additional Note

1951, numbers 11 through 15.
Box 17, Folder 1

FATHER KNOWS BEST SCRIPTS

Additional Note

1952, numbers A1 through A6.
Box 28, Folder 2

FATHER KNOWS BEST SCRIPTS

Additional Note

1952, numbers A1 through A8.
Box 17, Folder 4

FATHER KNOWS BEST SCRIPTS

Additional Note

1952, numbers A7, A8.
Box 28, Folder 3

FATHER KNOWS BEST SCRIPTS

Additional Note

1952, numbers B9 through B12.
Box 28, Folder 4

FATHER KNOWS BEST SCRIPTS

Additional Note

1952, numbers B13 through B17.
Box 16, Folder 9

FATHER KNOWS BEST SCRIPTS

Additional Note

1952, numbers 33, 34, 38, 39.
Box 16, Folder 8

FATHER KNOWS BEST SCRIPTS

Additional Note

1952, numbers 39, 40, 41, 42, 43, 44.
Box 29, Folder 1

FATHER KNOWS BEST SCRIPTS

Additional Note

1953, numbers 1 through 5.
Box 29, Folder 2

FATHER KNOWS BEST SCRIPTS

Additional Note

1953, numbers 6 through 10.
Box 29, Folder 3

FATHER KNOWS BEST SCRIPTS

Additional Note

1953, numbers 11 through 15.
Box 29, Folder 4

FATHER KNOWS BEST SCRIPTS

Additional Note

1953, numbers 16 through 20.
Box 29, Folder 5

FATHER KNOWS BEST SCRIPTS

Additional Note

1953, numbers 21, 22, 23, 24, 26.
Box 30, Folder 3

FATHER KNOWS BEST SCRIPTS

Additional Note

1953, numbers 16, 17, 18 (Summer Series).
Box 30, Folder 1

FATHER KNOWS BEST SCRIPTS

Additional Note

1953, numbers C27 through C30.
Box 29, Folder 6

FATHER KNOWS BEST SCRIPTS

Additional Note

1953, numbers C18 through C25.
Box 28, Folder 6

FATHER KNOWS BEST SCRIPTS

Additional Note

1953, numbers C23 through C30.
Box 28, Folder 5

FATHER KNOWS BEST SCRIPTS

Additional Note

1953, numbers C18 through C22.
Box 30, Folder 2

FATHER KNOWS BEST SCRIPTS

Additional Note

1953, numbers D31 through D39.
Box 30, Folder 6

FATHER KNOWS BEST SCRIPTS

Additional Note

1954, numbers 22 through 26.
 

TELEVISION PROJECTS

 

Story Ideas

Box 41

Ideas

Additional Note

Assorted undated outlines, drafts, treatments, and other material regarding story ideas for half-hour television shows.
Box 37, Folder 1

INFLUENTIAL MAN, AN

Additional Note

First and second drafts by Dorothy Cooper, dated January 3, 1960 and January 12, 1960. Possibly for new television series.
 

FATHER KNOWS BEST

Box 45

AWARDS

Additional Note

Set of two polished marble and brass placques awarded to Father Knows Best for Best Situation Comedy Series from 1958 to 1959.
Box 45, Folder 2

AWARDS

Additional Note

Three certificates awarded to Father Knows Best from 1958-1959 as Best Situation Comedy Series. Robert Young and Jane Wyatt are also noted as Outstanding Actor and Actress. Signed by the director.
Box 31

PRE-PRODUCTION MATERIAL

Additional Note

Various contracts, agreements, financial statements, screenwriter correspondence, company information, and other material.
Box 24, Folder 10

PRE-PRODUCTION MATERIAL

Additional Note

Income schedules and budget statements from Bisgeier, Breslauer & Co. for Eugene Rodney.
Box 5, Folder 9

$10.00 QUESTION (THE)

Additional Note

Final draft by Barbara Hammer and Dorothy Cooper, dated January 13, 1956. With various drafts and re-writes.
Box 5, Folder 10

$10.00 QUESTION (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 23, Folder 5

ADOPTED DAUGHTER

Additional Note

Final draft by Roswell Rogers, dated November 21, 1955. With various drafts and re-writes.
Box 23, Folder 6

ADOPTED DAUGHTER

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 23, Folder 3

ADVANTAGE TO BETTY

Additional Note

Final draft by Roswell Rogers, dated March 28, 1955. With various drafts and re-writes.
Box 23, Folder 4

ADVANTAGE TO BETTY

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 18, Folder 4

ADVICE TO THE LOVELORN

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 18, Folder 3

ADVICE TO THE LOVELORN

Additional Note

Final draft by Paul West, dated January 8, 1957. With additional revised script pages.
Box 6, Folder 1

ALWAYS PLAN AHEAD

Additional Note

Final draft by Roswell Rogers, dated June 17, 1958. With various drafts and re- writes.
Box 6, Folder 2

ALWAYS PLAN AHEAD

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 19, Folder 15

ANGEL'S SWEATER (THE)

Additional Note

Final draft by Roswell Rogers, dated October 1, 1956. With additional revised script pages.
Box 19, Folder 16

ANGEL'S SWEATER (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other materials.
Box 18, Folder 2

ART OF ROMANCE (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 18, Folder 1

ART OF ROMANCE (THE)

Additional Note

Rerun Flashback dated March 4, 1959, author unknown.
Box 23, Folder 2

ART OF SALESMANSHIP

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 23, Folder 1

ART OF SALESMANSHIP

Additional Note

Final draft by Roswell Rogers, dated March 21, 1955. With various drafts and re-writes.
Box 19, Folder 11

AWKWARD HERO (THE)

Additional Note

Final draft by Paul West, dated May 3, 1957. With additionalrevised script pages.
Box 19, Folder 12

AWKWARD HERO (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 18, Folder 6

BABY IN THE HOUSE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 18, Folder 5

BABY IN THE HOUSE

Additional Note

Final draft by Paul West, dated January 15, 1957.
Box 4, Folder 5

BAD INFLUENCE

Additional Note

Final draft by Roswell Rogers, dated June 22, 1955. With various drafts and re- writes.
Box 4, Folder 6

BAD INFLUENCE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 6, Folder 3

BASKETBALL COACH (THE)

Additional Note

Final draft by Roswell Rogers, dated August 6, 1958. With various drafts and re- writes.
Box 6, Folder 4

BASKETBALL COACH (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other materials.
Box 6, Folder 6

BE KIND TO BUD WEEK

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 6, Folder 5

BE KIND TO BUD WEEK

Additional Note

Final draft by Roswell Rogers, dated March 28, 1958. With revised and added script pages.
Box 21, Folder 5

BED OF ROSES

Additional Note

Final draft by Andy White, dated June 11, 1957. With additional revised script pages.
Box 15, Folder 4

BETTY AND THE JET PILOT

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 15, Folder 3

BETTY AND THE JET PILOT

Additional Note

Final draft by Paul West, dated August 29, 1956. With various drafts and re- writes.
Box 5, Folder 8

BETTY EARNS A FORMAL

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 5, Folder 7

BETTY EARNS A FORMAL

Additional Note

Final draft by Paul West, dated July 27, 1955. Also includes additional pages.
Box 18, Folder 11

BETTY FINDS A CAUSE

Additional Note

Final draft by Paul West, dated April 16, 1958. With additional revised script pages.
Box 18, Folder 12

BETTY FINDS A CAUSE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other materials.
Box 15, Folder 6

BETTY GOES STEADY

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 15, Folder 5

BETTY GOES STEADY

Additional Note

Final draft by Roswell Rogers, dated March 16, 1956. With additional revised script pages.
Box 15, Folder 12

BETTY GOES TO COLLEGE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 15, Folder 11

BETTY GOES TO COLLEGE

Additional Note

Final draft by Roswell Rogers, dated April 19, 1956. With various drafts and re- writes.
Box 16, Folder 1

BETTY HATES CARTER

Additional Note

Final draft by Roswell Rogers, dated June 23, 1955. With various drafts and re- writes.
Box 16, Folder 2

BETTY HATES CARTER

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 6, Folder 7

BETTY MAKES A CHOICE

Additional Note

Final draft by Peter Tewksbury, dated August 13, 1958. With additional revised script pages.
Box 6, Folder 8

BETTY MAKES A CHOICE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 17, Folder 5

BETTY WAS AN ACTRESS

Additional Note

Teleplay by Paul West and Roswell Rogers, no date.
Box 16, Folder 3

BETTY, GIRL ENGINEER

Additional Note

Final draft by Roswell Rogers, dated November 7, 1955. With various drafts and re-writes.
Box 16, Folder 4

BETTY, GIRL ENGINEER

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 6, Folder 9

BETTY, THE PIONEER WOMAN

Additional Note

Final draft by Ben Gershman, dated July 10, 1958. With additional revised script pages.
Box 6, Folder 10

BETTY, THE PIONEER WOMAN

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 18, Folder 14

BETTY, THE TRACK STAR

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 18, Folder 13

BETTY, THE TRACK STAR

Additional Note

Final draft by Paul West, dated December 5, 1956. With various drafts and re- writes.
Box 5, Folder 4

BETTY'S BIRTHDAY

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 5, Folder 3

BETTY'S BIRTHDAY

Additional Note

Final draft by Dorothy Cooper, dated January 27, 1956. With various drafts and re-writes.
Box 5, Folder 5

BETTY'S BROTHER

Additional Note

Final draft by Paul West, dated July 2, 1955. Also includes story outline and additional pages.
Box 5, Folder 6

BETTY'S BROTHER

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other materials.
Box 9, Folder 5

BETTY'S CAREER PROBLEM

Additional Note

Final draft by John Elliotte, dated February 15, 1960. With additional revised script pages.
Box 9, Folder 6

BETTY'S CAREER PROBLEM

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 18, Folder 10

BETTY'S CRUSADE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 18, Folder 9

BETTY'S CRUSADE

Additional Note

Final draft by Roswell Rogers, dated November 12, 1957. With additional revised script pages.
Box 12, Folder 15

BETTY'S DOUBLE LIFE

Additional Note

Revised final draft by Dorothy Cooper, dated April 15, 1958. With various drafts and re-writes.
Box 12, Folder 16

BETTY'S DOUBLE LIFE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 15, Folder 2

BETTY'S GRADUATION

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 15, Folder 1

BETTY'S GRADUATION

Additional Note

Final draft by Roswell Rogers, dated December 29, 1955. With additional revised script pages.
Box 12, Folder 13

BICYCLE TRIP FOR TWO

Additional Note

Final draft by Roswell Rogers, dated June 16, 1959. With additional revised script pages.
Box 12, Folder 14

BICYCLE TRIP FOR TWO

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 6, Folder 11

BIG SHOT BUD

Additional Note

Final draft by Ben Gershman, dated June 23, 1958. With various drafts and re- writes.
Box 6, Folder 12

BIG SHOT BUD

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 18, Folder 15

BIG SISTER

Additional Note

Final draft by Paul West, dated August 6, 1957.
Box 18, Folder 16

BIG SISTER

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 4, Folder 3

BIG TEST (THE)

Additional Note

Final draft by Roswell Rogers, dated April 11, 1955. With various drafts and re- writes.
Box 4, Folder 4

BIG TEST (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 9, Folder 8

BLIND DATE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 9, Folder 7

BLIND DATE

Additional Note

Final draft by Paul West, dated February 5, 1960. With additional revised script pages.
Box 23, Folder 9

BOYS' WEEK

Additional Note

Final draft by Dorothy Cooper, dated March 26, 1954. With various drafts and re-writes.
Box 23, Folder 10

BOYS' WEEK

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 18, Folder 18

BRIEF HOLIDAY

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other materials.
Box 18, Folder 17

BRIEF HOLIDAY

Additional Note

Final draft by Roswell Rogers, dated August 8, 1956. With additional revised script pages.
Box 6, Folder 18

BUD AND THE DEBUTANTE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other materials.
Box 6, Folder 17

BUD AND THE DEBUTANTE

Additional Note

Final draft by Paul West, dated December 8, 1958. With additional revised script pages.
Box 12, Folder 11

BUD BRANCHES OUT

Additional Note

Final draft by Roswell Rogers, dated June 8, 1959. With additional revised script pages.
Box 12, Folder 12

BUD BRANCHES OUT

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 18, Folder 19

BUD BUYS A CAR

Additional Note

Final draft by Paul West, dated October 16, 1956. Also includes added scenes and additional revised script pages.
Box 18, Folder 20

BUD BUYS A CAR

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 7, Folder 2

BUD HAS A PROBLEM

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 7, Folder 1

BUD HAS A PROBLEM

Additional Note

Final draft by Roswell Rogers, dated March 20, 1959. With additional revised script pages.
Box 9, Folder 9

BUD HIDES BEHIND A SKIRT

Additional Note

Revised final draft by John Elliotte, dated October 7, 1959.
Box 9, Folder 10

BUD HIDES BEHIND A SKIRT

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other information.
Box 9, Folder 12

BUD LIVES IT UP

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 9, Folder 11

BUD LIVES IT UP

Additional Note

Final draft by Tom August and Helen August, dated November 4, 1959. With various drafts and re-writes.
Box 12, Folder 9

BUD PLAYS IT SAFE

Additional Note

Final draft by John Elliotte, dated June 24, 1959. With Additional revised script pages.
Box 12, Folder 10

BUD PLAYS IT SAFE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 7, Folder 3

BUD QUITS SCHOOL

Additional Note

Revised final draft by Paul West, dated March 19, 1958. With additional script pages.
Box 7, Folder 4

BUD QUITS SCHOOL

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 23, Folder 13

BUD THE BRIDESMAID

Additional Note

Final draft by Dorothy Cooper and Barbara Hammer, dated September 22, 1954. With various drafts and re-writes.
Box 23, Folder 14

BUD THE BRIDESMAID

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 6, Folder 16

BUD THE CARETAKER

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 6, Folder 15

BUD THE CARETAKER

Additional Note

Final draft by Roswell Rogers, dated May 2, 1958. With additional revised script pages.
Box 20, Folder 9

BUD THE MIND READER

Additional Note

Final draft by Roswell Rogers, dated September 25, 1957. With additional revised script pages.
Box 20, Folder 10

BUD THE MIND READER

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 23, Folder 16

BUD THE SNOB

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 23, Folder 15

BUD THE SNOB

Additional Note

Final draft by Roswell Rogers, dated May 24, 1954. With various drafts and re- writes.
Box 16, Folder 5

BUD, THE BOXER

Additional Note

Final draft by Paul West, dated November 15, 1955.
Box 16, Folder 6

BUD, THE BOXER

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 6, Folder 14

BUD, THE CAMPUS ROMEO

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 6, Folder 13

BUD, THE CAMPUS ROMEO

Additional Note

Final draft by John Elliotte, dated September 29, 1958. With additional revised script pages.
Box 18, Folder 21

BUD, THE EXECUTIVE

Additional Note

Final draft by Paul West, dated June 12, 1957. With additional revised script pages.
Box 18, Folder 22

BUD, THE EXECUTIVE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 20, Folder 8

BUD, THE HERO

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 20, Folder 7

BUD, THE HERO

Additional Note

Final draft by Roswell Rogers, dated October 29, 1956. With added scenes and additional revised script pages.
Box 4, Folder 7

BUD, THE LADY KILLER

Additional Note

Final draft by Sumner Long and Dorothy Cooper, dated June 14, 1955. With various drafts and re-writes.
Box 4, Folder 8

BUD, THE LADY KILLER

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 4, Folder 9

BUD, THE MILLIONAIRE

Additional Note

Final draft by Paul West, dated February 29, 1956. With various drafts and rewrites.
Box 4, Folder 10

BUD, THE MILLIONAIRE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 20, Folder 12

BUD, THE PHILANTHROPIST

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 20, Folder 11

BUD, THE PHILANTHROPIST

Additional Note

Final draft by Roswell Rogers, dated January 17, 1957. With revised lead page.
Box 9, Folder 13

BUD, THE SPECULATOR

Additional Note

Final draft by Paul West, dated November 3, 1959. With additional revised script pages.
Box 9, Folder 14

BUD, THE SPECULATOR

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 4, Folder 11

BUD, THE WALLFLOWER

Additional Note

Final draft by Paul West, dated September 2, 1955. With various drafts and re- writes.
Box 4, Folder 12

BUD, THE WALLFLOWER

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 12, Folder 8

BUD, THE WILLING WORKER

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 12, Folder 7

BUD, THE WILLING WORKER

Additional Note

Final draft by Paul West, dated August 20, 1959. With additional revised script pages.
Box 23, Folder 11

BUD'S ENCOUNTER WITH THE LAW

Additional Note

First Draft by Roz Rogers, dated April 21, 1954.
Box 23, Folder 12

BUD'S ENCOUNTER WITH THE LAW

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 5, Folder 1

BUS TO NOWHERE (THE)

Additional Note

Final draft by Roswell Rogers, dated September 23, 1955. With various drafts and re-writes.
Box 5, Folder 2

BUS TO NOWHERE (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 20, Folder 14

CALYPSO BUD

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 20, Folder 13

CALYPSO BUD

Additional Note

Final draft by Roswell Rogers, dated September 16, 1957.
Box 20, Folder 16

CARNIVAL

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 20, Folder 15

CARNIVAL

Additional Note

Final draft by Paul West, dated May 3, 1956. With additionalrevised script pages.
Box 15, Folder 9

CHRISTMAS STORY (THE)

Additional Note

Second revised final draft by Roswell Rogers, dated September 20, 1954. With various drafts and re-writes.
Box 15, Folder 10

CHRISTMAS STORY (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 15, Folder 7

CLOSE DECISION

Additional Note

Final draft by Roswell Rogers, dated November 16, 1954. With various drafts and re-writes.
Box 15, Folder 8

CLOSE DECISION

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 20, Folder 18

COUNTRY COUSIN

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 20, Folder 17

COUNTRY COUSIN

Additional Note

Final draft by Paul West, dated November 14, 1957. With additional revised script pages.
Box 12, Folder 5

CRISIS OVER A KISS

Additional Note

Final draft by John Elliotte, dated December 12, 1958. With additional revised script pages.
Box 12, Folder 6

CRISIS OVER A KISS

Additional Note

Production information: call time sheets, daily schdule reports, script contract payments and other material.
Box 12, Folder 4

CUPID KNOWS BEST

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 12, Folder 3

CUPID KNOWS BEST

Additional Note

Final draft by Roswell Rogers, dated October 14, 1959.
Box 21, Folder 20

DAY IN THE COUNTRY (A)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 21, Folder 19

DAY IN THE COUNTRY (A)

Additional Note

Final draft by Roswell Rogers, dated November 12, 1958. With additional revised script pages.
Box 13, Folder 15

DILEMMA FOR MARGARET

Additional Note

Revised final draft by Kay Lenard, dated December 2, 1955. With various drafts and re-writes.
Box 13, Folder 16

DILEMMA FOR MARGARET

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 20, Folder 20

END OF A SALESMAN

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 20, Folder 19

END OF A SALESMAN

Additional Note

Final draft by Roswell Rogers, dated January 23, 1957. With additional revised script pages.
Box 19, Folder 13

EVENING TO REMEMBER (AN)

Additional Note

Final draft by Roswell Rogers, dated October 30, 1956. With various drafts and re-writes.
Box 19, Folder 14

EVENING TO REMEMBER (AN)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other materials.
Box 9, Folder 16

EXTRAORDINARY WOMAN (AN)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 9, Folder 15

EXTRAORDINARY WOMAN (AN)

Additional Note

Revised final draft by Dorothy Cooper, dated November 17, 1958. With additional revised script pages.
Box 10, Folder 1

FAIR EXCHANGE

Additional Note

Final draft by Roswell Rogers, dated June 18, 1957. Also includes additional scenes and revised script pages.
Box 10, Folder 2

FAIR EXCHANGE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 9, Folder 3

FAMILY AFFAIR (A)

Additional Note

Final draft by Roswell Rogers, dated January 13, 1960. With additional revised script pages.
Box 9, Folder 4

FAMILY AFFAIR (A)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other materials.
Box 1, Folder 2

FAMILY DINES OUT (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 1, Folder 1

FAMILY DINES OUT (THE)

Additional Note

Final draft by Dorothy Cooper, dated November 7, 1955. With various drafts and re-writes.
Box 1, Folder 3

FAMILY GOES TO NEW YORK

Additional Note

Second draft by Dorothy Cooper, dated April 17, 1956. With various drafts and re-writes.
Box 1, Folder 4

FAMILY GOES TO NEW YORK

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 14, Folder 14

FAMILY REUNION

Additional Note

Production information: call time sheets, daily schedule reports, script contract payment and other material.
Box 14, Folder 13

FAMILY REUNION

Additional Note

Final draft by Roswell Rogers, dated October 11, 1955. With prologue script and additional revised script pages.
Box 14, Folder 8

FATHER DELIVERS THE PAPER ROUTE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 14, Folder 7

FATHER DELIVERS THE PAPER ROUTE

Additional Note

Final draft by Roswell Rogers and Dane Lussier, dated September 8, 1954. With various drafts and re-writes.
Box 14, Folder 12

FATHER IS A DOPE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 14, Folder 11

FATHER IS A DOPE

Additional Note

Revised final draft by Roswell Rogers, dated March 29, 1955. With various drafts and re-writes.
Box 13, Folder 18

FATHER OF THE YEAR

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 13, Folder 17

FATHER OF THE YEAR

Additional Note

Final draft by Dorothy Cooper, dated April 12, 1954. With various drafts and re- writes.
Box 17, Folder 5

FATHER ON A BOOK BENDER

Additional Note

First Draft dated May 10, 1955, author unknown.
Box 1, Folder 6

FATHER, THE NATURALIST

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 1, Folder 5

FATHER, THE NATURALIST

Additional Note

Final draft by Roswell Rogers, dated December 7, 1955. With various drafts and re-writes.
Box 20, Folder 22

FATHER'S BIOGRAPHY

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 20, Folder 21

FATHER'S BIOGRAPHY

Additional Note

Final draft by Roswell Rogers, dated August 13, 1957. With additional revised script pages.
Box 14, Folder 9

FATHER'S PRIVATE LIFE

Additional Note

Revised final draft by Roswell Rogers, dated April 5, 1955. With various drafts and re-writes.
Box 14, Folder 10

FATHER'S PRIVATE LIFE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 14, Folder 1

FIRST DISILLUSIONMENT

Additional Note

Revised final draft by Roswell Rogers, dated March 30, 1955. With various drafts and re-writes.
Box 14, Folder 2

FIRST DISILLUSIONMENT

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 11, Folder 3

FIVE HUNDRED DOLLAR LETTER

Additional Note

Final draft by Roswell Rogers, dated December 21, 1959.
Box 11, Folder 4

FIVE HUNDRED DOLLAR LETTER

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 21, Folder 2

FOLLOW THE LEADER

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 21, Folder 1

FOLLOW THE LEADER

Additional Note

Final draft by Paul West, dated May 24, 1957. With additional revised script pages.
Box 14, Folder 4

FOOTBALL TICKETS

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 14, Folder 3

FOOTBALL TICKETS

Additional Note

Final draft by Phil Davis, dated April 5, 1954.
Box 21, Folder 22

FORMULA FOR HAPPINESS

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 21, Folder 21

FORMULA FOR HAPPINESS

Additional Note

Revised final draft by Dorothy Cooper, dated January 16, 1959. With various drafts and re-writes.
Box 17, Folder 5

FORWARD AND CENTER

Additional Note

First Draft by Irving Taylor and Alan Woods, dated April 8, 1955.
Box 21, Folder 4

FRIEND IN NEED (A)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 21, Folder 3

FRIEND IN NEED (A)

Additional Note

Final draft by Dorothy Cooper, dated January 21, 1958. With additional revised script pages.
Box 14, Folder 5

FRIEND OF OLD GEORGE'S (A)

Additional Note

Final draft by Dorothy Cooper, dated April 20, 1954. With various drafts and re- writes.
Box 14, Folder 6

FRIEND OF OLD GEORGE'S (A)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 10, Folder 4

FRONK'S FAMILY TREE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 10, Folder 3

FRONK'S FAMILY TREE

Additional Note

Final draft by Roswell Rogers, dated June 26, 1958. With additional revised script pages.
Box 22, Folder 1

GARDENER'S BIG DAY (THE)

Additional Note

Final draft by Roswell Rogers, dated June 10, 1959. With additional revised script pages.
Box 22, Folder 2

GARDENER'S BIG DAY (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 22, Folder 3

GOLD TURNIP (THE)

Additional Note

Final draft by Roswell Rogers, dated February 23, 1959. With additional revised script pages.
Box 22, Folder 4

GOLD TURNIP (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 11, Folder 1

GOOD JOKE ON MOM

Additional Note

Final draft by Roswell Rogers, dated July 22, 1959. With additional revised script pages.
Box 11, Folder 2

GOOD JOKE ON MOM

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 21, Folder 6

GOOD NEIGHBOR (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 21, Folder 7

GOOD PROSPECT (THE)

Additional Note

Final draft by Roswell Rogers, dated July 31, 1956. With additional revised script pages.
Box 21, Folder 8

GOOD PROSPECT (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 10, Folder 5

GOOD SAMARITAN (THE)

Additional Note

Final draft by Dorothy Cooper, dated June 20, 1958. With additional revised script pages.
Box 10, Folder 6

GOOD SAMARITAN (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 21, Folder 9

GRAMPA RETIRES

Additional Note

Final draft by Roswell Rogers, dated December 12, 1956. With additional revised script pages.
Box 21, Folder 10

GRAMPA RETIRES

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 1, Folder 8

GRANDPA JIM'S REJUVENATION

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 1, Folder 7

GRANDPA JIM'S REJUVENATION

Additional Note

Final draft by Phil Davis, dated March 26, 1954. With various drafts and re- writes.
Box 1, Folder 10

GRASS IS GREENER (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 1, Folder 9

GRASS IS GREENER (THE)

Additional Note

Final draft by Dorothy Cooper, dated October 4, 1955. With various drafts and re-writes.
Box 22, Folder 6

GREAT ANDERSON MYSTERY (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 22, Folder 5

GREAT ANDERSON MYSTERY (THE)

Additional Note

Final draft by Roswell Rogers, dated February 27, 1959. With additional revised script pages.
Box 10, Folder 8

GREAT EXPERIMENT (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 10, Folder 7

GREAT EXPERIMENT (THE)

Additional Note

Final draft by Dorothy Cooper, dated April 1, 1958. With additional revised script pages.
Box 2, Folder 1

GREAT GUY (THE)

Additional Note

Final draft by Roswell Rogers, dated April 2, 1956. With various drafts and re- writes.
Box 2, Folder 2

GREAT GUY (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other materials.
Box 10, Folder 10

HARD LUCK LEO

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 10, Folder 9

HARD LUCK LEO

Additional Note

Final draft by Roswell Rogers, dated July 21, 1958. With various drafts and re- writes.
Box 46, Folder 2

HERO FATHER

Additional Note

Scripts. Dated 11/22/55. Annotated. Includes production materials.
Box 2, Folder 4

HISTORICAL ANDERSONS (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 2, Folder 3

HISTORICAL ANDERSONS (THE)

Additional Note

Final Script by Roswell Rogers, dated August 11, 1955. With various scripts and re-writes.
Box 46, Folder 1

HOMING PIGEON (THE)

Additional Note

Script by Paul West. Dated 5/07/56. Includes production materials.
Box 2, Folder 5

HOUSE PAINTER (THE)

Additional Note

Final draft by Roswell Rogers, dated August 26, 1955. With various drafts and re-writes.
Box 2, Folder 6

HOUSE PAINTER (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 10, Folder 12

IDEAL FATHER (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 10, Folder 11

IDEAL FATHER (THE)

Additional Note

Final draft by Paul West, dated October 17, 1958. With additional revised script pages.
Box 22, Folder 11

IMPOSTOR (THE)

Additional Note

Final draft by Roswell Rogers, dated January 27, 1959.
Box 22, Folder 12

IMPOSTOR (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 21, Folder 11

INDISPENSABLE MAN (THE)

Additional Note

Final draft by John Elliotte, dated May 16, 1957. With additional revised script pages.
Box 21, Folder 12

INDISPENSABLE MAN (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 22, Folder 10

IT'S A SMALL WORLD

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 22, Folder 9

IT'S A SMALL WORLD

Additional Note

Final draft by Dorothy Cooper, dated October 9, 1958. With various drafts and re-writes.
Box 10, Folder 14

JIM THE ANSWER MAN

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 10, Folder 13

JIM THE ANSWER MAN

Additional Note

Final draft by Paul West, dated February 12, 1958. With additional revised script pages.
Box 54, Folder 6

JIM THE FARMER

Additional Note

Scripts by Roswell Rogers. Dated 10/09/54. Annotated.
Box 46, Folder 5

JIM THE FARMER

Additional Note

Contracts. Dated 10/27/54.
Box 47, Folder 8

JIM, THE TYRANT

Additional Note

Scripts by Roswell Rogers and Herman J. Epstein. Dated 07/01/55. Annotated.
Box 47, Folder 9

JIM, THE TYRANT

Additional Note

Production materials, callsheets. Dated 08/04/55.
Box 11, Folder 6

JIM'S BIG SURPRISE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 11, Folder 5

JIM'S BIG SURPRISE

Additional Note

Revised final draft by Dorothy Cooper, dated December 11, 1959. With additional revised script pages.
Box 22, Folder 8

KATHY BECOMES A GIRL

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 22, Folder 7

KATHY BECOMES A GIRL

Additional Note

Final draft by John Elliotte, dated July 23, 1959. With added scenes and additional revised script pages.
Box 10, Folder 17

KATHY GROWS UP

Additional Note

Final draft by Roswell Rogers, dated October 14, 1958. With additonal revised script pages.
Box 10, Folder 18

KATHY GROWS UP

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 47, Folder 10

KATHY MAKES A TRADE

Additional Note

Treatment by Kay Lenard. No date.
Box 21, Folder 15

KATHY MAKES A WISH

Additional Note

Final draft by Paul West, dated October 23, 1957.
Box 21, Folder 16

KATHY MAKES A WISH

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 47, Folder 2

KATHY MAKES MAGIC

Additional Note

Production materials, call sheets. Dated 07/07/55.
Box 47, Folder 1

KATHY MAKES MAGIC

Additional Note

Scripts dated 03/23/55.
Box 46, Folder 3

KATHY MAKES MAGIC

Additional Note

Also known as Kathy's Curse. Scripts by Herman J. Eptistein. Dated 02/07/55.
Box 10, Folder 15

KATHY, GIRL EXECUTIVE

Additional Note

Final draft by Roswell Rogers, dated April 10, 1958.
Box 10, Folder 16

KATHY, GIRL EXECUTIVE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 17, Folder 5

KATHY, THE BUSINESS WOMAN

Additional Note

First Draft by Joel Kane, dated May 16, 1955.
Box 47, Folder 6

KATHY, THE INDIAN GIVER

Additional Note

Scripts by Kay Lenard. Dated 09/21/55. Annotated.
Box 47, Folder 7

KATHY, THE INDIAN GIVER

Additional Note

Production materials. Dated 10/24/55.
Box 21, Folder 14

KATHY'S BIG CHANCE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 21, Folder 13

KATHY'S BIG CHANCE

Additional Note

Final draft by Roswell Rogers, dated May 3, 1957. With additional revised script pages.
Box 11, Folder 8

KATHY'S BIG DECEPTION

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 11, Folder 7

KATHY'S BIG DECEPTION

Additional Note

Final draft by Paul West, dated September 15, 1959. With various drafts and re- writes.
Box 10, Folder 20

KATHY'S ROMANCE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 10, Folder 19

KATHY'S ROMANCE

Additional Note

Final draft by Roswell Rogers, dated January 20, 1958. With additional revised script pages.
Box 21, Folder 17

LAWN PARTY (THE)

Additional Note

Final draft by Roswell Rogers, dated September 19, 1956. With additional revised draft pages.
Box 21, Folder 18

LAWN PARTY (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 47, Folder 5

LESSON IN CITIZENSHIP

Additional Note

Also known as Lesson in Civics. Script by Dorothy Cooper and revised by Roswell Rogers. Dated 08/10/54.
Box 47, Folder 4

LESSON IN CITIZENSHIP

Additional Note

Also known as Lesson in Civics. Production materials. Dated 05/11/54.
Box 47, Folder 3

LESSON IN CITIZENSHIP

Additional Note

Production materials, callsheets. Dated 06/19/54.
Box 2, Folder 7

LIVE MY OWN LIFE

Additional Note

Final draft by Roswell Rogers, dated March 12, 1954. With various drafts and re-writes.
Box 2, Folder 8

LIVE MY OWN LIFE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 11, Folder 9

LOVE AND LEARN

Additional Note

Final draft by Roswell Rogers, dated December 30, 1959. With additional revised script pages.
Box 11, Folder 10

LOVE AND LEARN

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 2, Folder 10

MAN ABOUT TOWN

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 2, Folder 9

MAN ABOUT TOWN

Additional Note

Revised final draft by Dorothy Cooper, dated April 25, 1956. With various drafts and re-writes.
Box 11, Folder 11

MAN OF INFLUENCE (A)

Additional Note

Script contract payments.
Box 10, Folder 22

MAN OF MERIT (A)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 10, Folder 21

MAN OF MERIT (A)

Additional Note

Final draft by Roswell Rogers, dated November 7, 1958.
Box 13, Folder 11

MAN WITH A PLAN

Additional Note

Final draft by Andy White, dated May 27, 1957. With additional revised script pages.
Box 13, Folder 12

MAN WITH A PLAN

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 12, Folder 19

MARGARET DISOWNS HER FAMILY

Additional Note

Final draft by Roswell Rogers, dated February 5, 1957. With additional revised script pages.
Box 12, Folder 20

MARGARET DISOWNS HER FAMILY

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 11, Folder 12

MARGARET GOES DANCING

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 2, Folder 11

MARGARET GOES DANCING

Additional Note

Second draft by Roswell Rogers, dated June 18, 1954. With various drafts and re-writes.
Box 2, Folder 12

MARGARET GOES DANCING

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 13, Folder 14

MARGARET HIRES A GARDENER

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 13, Folder 13

MARGARET HIRES A GARDENER

Additional Note

Final draft by Roswell Rogers, dated July 31, 1956. With various drafts and re- writes.
Box 13, Folder 1

MARGARET LEARNS TO DRIVE

Additional Note

Final draft by Paul West, dated June 5, 1957.
Box 13, Folder 2

MARGARET LEARNS TO DRIVE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 11, Folder 18

MARGARET WINS A CAR

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 11, Folder 17

MARGARET WINS A CAR

Additional Note

Final draft by John Elliotte, dated July 9, 1958.
Box 22, Folder 14

MARGARET'S OLD FLAME

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 22, Folder 13

MARGARET'S OLD FLAME

Additional Note

Final draft by Dorothy Cooper, dated June 29, 1959. With additional revised script pages.
Box 13, Folder 3

MARGARET'S OTHER FAMILY

Additional Note

Final draft by Roswell Rogers, dated September 10, 1957. With additional revised script pages.
Box 13, Folder 4

MARGARET'S OTHER FAMILY

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 3, Folder 8

MARGARET'S PREMONITION

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 3, Folder 7

MARGARET'S PREMONITION

Additional Note

Final draft by Roswell Rogers, dated June 1, 1955. With various drafts and re- writes.
Box 3, Folder 10

MARTINS AND THE COYS (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 3, Folder 9

MARTINS AND THE COYS (THE)

Additional Note

Final draft by Paul West, dated December 8, 1955.
Box 3, Folder 3

MATCHMAKER (THE)

Additional Note

Final draft by Dorothy Cooper, dated September 20, 1954. With various drafts and re-writes.
Box 3, Folder 4

MATCHMAKER (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 11, Folder 20

MEANEST PROFESSOR (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material
Box 11, Folder 19

MEANEST PROFESSOR (THE)

Additional Note

Final draft by Roswell Rogers, dated January 13, 1959. With additional revised script pages.
Box 13, Folder 6

MEDAL FOR MARGARET (A)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 13, Folder 5

MEDAL FOR MARGARET (A)

Additional Note

Final draft by Roswell Rogers, dated January 24, 1958. With additional revised script pages.
Box 3, Folder 6

MINK COAT (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 3, Folder 5

MINK COAT (THE)

Additional Note

Final draft by Roswell Rogers, dated October 13, 1954. With various drafts and re-writes.
Box 17, Folder 5

MIRACLE (THE)

Additional Note

Revised draft by Dorothy Cooper, dated October 22, 1954.
Box 13, Folder 8

MOTHER GOES TO SCHOOL

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 13, Folder 7

MOTHER GOES TO SCHOOL

Additional Note

Final draft by Roswell Rogers, dated April 30, 1957. With additional revised script pages.
Box 3, Folder 1

MOTOR SCOOTER (THE)

Additional Note

Final draft by Hary Clork and Sumner Long, dated March 29, 1954. With various drafts and re-writes.
Box 3, Folder 2

MOTOR SCOOTER (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 18, Folder 7

MR. BEAL MEETS HIS MATCH

Additional Note

Final draft by Roswell Rogers, dated May 13, 1957.
Box 18, Folder 8

MR. BEAL MEETS HIS MATCH

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 20, Folder 6

MY FAIR BUD

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 20, Folder 5

MY FAIR BUD

Additional Note

Final draft by Paul West, dated October 30, 1957.
Box 3, Folder 12

NEVER THE TWAIN

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 3, Folder 11

NEVER THE TWAIN

Additional Note

Final draft by Paul West, dated January 24, 1956. With various drafts and re- writes.
Box 4, Folder 2

NEW GIRL AT SCHOOL

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 4, Folder 1

NEW GIRL AT SCHOOL

Additional Note

Final draft by Roswell Rogers, dated May 12, 1955. With various scripts and re- writes.
Box 8, Folder 2

NO APRON STRINGS

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 8, Folder 1

NO APRON STRINGS

Additional Note

Final draft by Roswell Rogers, dated February 7, 1956. With various drafts and re-writes.
Box 9, Folder 2

NO PARTIALITY

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other materials.
Box 9, Folder 1

NO PARTIALITY

Additional Note

Revised final draft by Roswell Rogers, Allan Woods, and John Kohn, dated December 8, 1954. With various drafts and re-writes.
Box 11, Folder 13

NOT HIS TYPE

Additional Note

Final draft by Roswell Rogers, dated January 19, 1960. With additional revised script pages.
Box 11, Folder 14

NOT HIS TYPE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 8, Folder 11

OLD DAYS (THE)

Additional Note

Final draft by Dorothy Cooper, dated March 5, 1956. With various drafts and re- writes.
Box 8, Folder 12

OLD DAYS (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 17, Folder 5

OLD FOSSIL (THE)

Additional Note

Revised Teleplay by Charles Hoffman, dated May 22, 1957.
Box 23, Folder 7

ONE IN EVERY FAMILY

Additional Note

Final draft by Dorothy Cooper, dated January 8, 1954. With various drafts and re-writes.
Box 23, Folder 8

ONE IN EVERY FAMILY

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 8, Folder 9

PERSISTENT GUEST (THE)

Additional Note

Final draft by Paul West, dated October 17, 1955. With various drafts and re- writes.
Box 8, Folder 10

PERSISTENT GUEST (THE)

Additional Note

Production information: call time sheets, daily schedule records, script contract payments and other materials.
Box 13, Folder 9

POOR OLD DAD

Additional Note

Final draft by Roswell Rogers, dated November 21, 1957. With additional revised script pages.
Box 13, Folder 10

POOR OLD DAD

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 8, Folder 8

PROMISED PLAYHOUSE (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other materials.
Box 8, Folder 7

PROMISED PLAYHOUSE (THE)

Additional Note

Final draft by Roswell Rogers, dated September 13, 1954. With various drafts and re-writes.
Box 8, Folder 4

PROMISING YOUNG MAN (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 8, Folder 3

PROMISING YOUNG MAN (THE)

Additional Note

Final draft by Paul West, dated August 1, 1956. With various drafts and re- writes.
Box 8, Folder 6

PROUD FATHER

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other materials.
Box 8, Folder 5

PROUD FATHER

Additional Note

Final draft by Dorothy Cooper, dated November 15, 1954. With various drafts and re-writes.
Box 24, Folder 1

PURSUIT OF HAPPINESS

Additional Note

Final draft by Roswell Rogers, dated July 17, 1957.
Box 24, Folder 2

PURSUIT OF HAPPINESS

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 24, Folder 7

RIVALS (THE)

Additional Note

Final draft by Paul West, dated August 1, 1957. With additional revised script pages.
Box 24, Folder 8

RIVALS (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 24, Folder 5

SAFETY FIRST

Additional Note

Final draft by Paul West, dated November 12, 1956. With various drafts and re- writes.
Box 24, Folder 6

SAFETY FIRST

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 22, Folder 16

SECOND BEST

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 22, Folder 15

SECOND BEST

Additional Note

Final draft by Roswell Rogers, dated August 24, 1959.
Box 8, Folder 13

SECOND HONEYMOON

Additional Note

Final draft by Paul West, dated April 1, 1954. With various drafts and re-writes.
Box 8, Folder 14

SECOND HONEYMOON

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 24, Folder 3

SECOND WEDDING

Additional Note

Final draft by Paul West, dated May 9, 1958. With additional revised script pages.
Box 24, Folder 4

SECOND WEDDING

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 12, Folder 18

SHOOT FOR THE MOON

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 12, Folder 17

SHOOT FOR THE MOON

Additional Note

Final draft by Roswell Rogers, dated February 20, 1957. With additional revised script pages.
Box 20, Folder 4

SHORT WAVE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 20, Folder 3

SHORT WAVE

Additional Note

Final draft by Paul West, dated September 5, 1956. With various drafts and re- writes.
Box 7, Folder 6

SPAGHETTI FOR MARGARET

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 7, Folder 5

SPAGHETTI FOR MARGARET

Additional Note

Final draft by Roswell Rogers, dated March 8, 1956. With added scenes and revised script pages.
Box 7, Folder 10

SPARROW AT THE WINDOW

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 7, Folder 9

SPARROW AT THE WINDOW

Additional Note

Final draft by Sumner Long and Harry Clork, dated March 23, 1954. With replaced first draft pages.
Box 18, Folder 3

SPELLING BEE (THE)

Additional Note

Final draft by Roswell Rogers, dated November 30, 1956. With additional revised script pages.
Box 18, Folder 4

SPELLING BEE (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other materials.
Box 7, Folder 7

SPIRIT OF YOUTH

Additional Note

Final draft by Dorothy Cooper, dated March 28, 1955. With various drafts and re-writes.
Box 7, Folder 8

SPIRIT OF YOUTH

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 37, Folder 5

STAGE TO YUMA

Additional Note

Various undated draft and re-write script material, with hand-written notes, corrections, and angle set-ups.
Box 37, Folder 4

STAGE TO YUMA

Additional Note

Final draft by D.D. Beauchamp, dated July 19, 1955. With various drafts and re- writes, designed for an experimental screenplay version of the television series.
Box 37, Folder 6

STAGE TO YUMA

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments, studio correspondence and other material.
Box 7, Folder 12

SWISS FAMILY ANDERSON

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 7, Folder 11

SWISS FAMILY ANDERSON

Additional Note

Final draft by Paul West, dated May 7, 1956. With various drafts and re-writes.
Box 19, Folder 6

TELL IT TO MOM

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other materials.
Box 19, Folder 5

TELL IT TO MOM

Additional Note

Final draft by Roswell Rogers, dated December 12, 1957.
Box 7, Folder 14

THANKSGIVING DAY

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 7, Folder 13

THANKSGIVING DAY

Additional Note

Revised final draft by Dorothy Cooper, dated July 6, 1954. With various drafts and re-writes.
Box 20, Folder 2

TIGHT SHOES

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 20, Folder 1

TIGHT SHOES

Additional Note

Final draft by Roswell Rogers, dated February 13, 1958. With additional revised script pages.
Box 11, Folder 16

TIME TO RETIRE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 11, Folder 15

TIME TO RETIRE

Additional Note

Revised final draft by John Elliotte, dated October 27, 1959.
Box 22, Folder 20

TOGETHERNESS

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 22, Folder 19

TOGETHERNESS

Additional Note

Final draft by Roswell Rogers, dated September 14, 1959.
Box 19, Folder 1

TRIAL (THE)

Additional Note

Final draft by Roswell Rogers, dated October 3, 1957.
Box 19, Folder 2

TRIAL (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other materials.
Box 19, Folder 8

TRIP TO HILLSBOROUGH

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 19, Folder 7

TRIP TO HILLSBOROUGH

Additional Note

Final draft by Roswell Rogers, dated October 3, 1956. With various drafts and re-writes.
Box 22, Folder 17

TURN THE OTHER CHEEK

Additional Note

Final draft by Dorothy Cooper, dated July 28, 1959. With additional revised script pages.
Box 22, Folder 18

TURN THE OTHER CHEEK

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 13, Folder 19

TWENTY-FOUR HOURS IN TYRANTLAND

Additional Note

Final draft by Roswell Rogers, dated August 29, 1958. With additional revised script pages.
Box 13, Folder 20

TWENTY-FOUR HOURS IN TYRANTLAND

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 11, Folder 22

TWO LOVES HAS BUD

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 11, Folder 21

TWO LOVES HAS BUD

Additional Note

Final draft by Roswell Rogers, dated October 6, 1958. With additonal revised script pages.
Box 17, Folder 5

TYPICAL FATHER (THE)

Additional Note

Teleplay by Earl McEvoy, dated April 24, 1952.
Box 7, Folder 16

TYPICAL FATHER (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 7, Folder 15

TYPICAL FATHER (THE)

Additional Note

Final draft by Dorothy Cooper, dated March 23, 1954. With various drafts and re-writes.
Box 19, Folder 18

VINE COVERED COTTAGE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 19, Folder 17

VINE COVERED COTTAGE

Additional Note

Final draft by Roswell Rogers, dated March 10, 1958. With additional revised script pages.
Box 12, Folder 2

VOICE FROM THE PAST

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 12, Folder 1

VOICE FROM THE PAST

Additional Note

Final draft by Dorothy Cooper, dated July 8, 1958.
Box 19, Folder 9

WAY OF A DICTATOR (THE)

Additional Note

Final draft by Roswell Rogers, dated May 6, 1957.
Box 19, Folder 10

WAY OF A DICTATOR (THE)

Additional Note

Production information: call time sheets, daily schedule records, script contract payments and other material.
Box 19, Folder 19

WEAKER SEX (THE)

Additional Note

Final draft by Paul West, dated January 28, 1958. With additional revised script pages.
Box 19, Folder 20

WEAKER SEX (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 5, Folder 11

WHISTLE BAIT

Additional Note

Final draft by Paul West, dated April 11, 1956.
Box 5, Folder 12

WHISTLE BAIT

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 5, Folder 14

WOMAN IN THE HOUSE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 5, Folder 13

WOMAN IN THE HOUSE

Additional Note

Final draft by Roswell Rogers, dated April 4, 1955. With various drafts and re- writes.
Box 15, Folder 14

YOUNG LOVE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 15, Folder 13

YOUNG LOVE

Additional Note

Final draft by Paul West, dated December 4, 1957. With additional revised script pages.
 

FOR THE LOVE OF MIKE

Box 40

GIRL FOR MIKE (A)

Additional Note

Original draft by Maurice Richlin and Rik Vollaerts, no dates. Possibly submitted as a television series format.
 

KEEP IT IN THE FAMILY

Box 46, Folder 4

BETTY WAS AN ACTRESS

Additional Note

Scripts by Paul West and Roswell Rogers. Dated 03/29/96. Includes budget
 

MY ISLAND FAMILY

Box 40

PRE-PRODUCTION MATERIAL

Additional Note

Scripts, treatments, publicity articles, shooting schedules, budget and casting information, and other material for unaired television pilot.
 

WINDOW ON MAIN STREET

Box 34, Folder 15

ARNY'S REVOLT

Additional Note

Final draft by Andy White, dated September 18, 1961.
Box 34, Folder 16

ARNY'S REVOLT

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 34, Folder 19

BIG CHANCE (THE)

Additional Note

Final draft by Roswell Rogers, dated January 17, 1962.
Box 34, Folder 20

BIG CHANCE (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 34, Folder 18

BIG SPENDER (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 34, Folder 17

BIG SPENDER (THE)

Additional Note

Final draft by Joel Malone and Tommy Tomlinson, dated June 28, 1961.
Box 34, Folder 9

BOY WHO GOT TOO MANY LAUGHS (THE)

Additional Note

Revised final draft by Roswell Rogers, dated December 26, 1961.
Box 34, Folder 10

BOY WHO GOT TOO MANY LAUGHS (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 34, Folder 11

BOY WHO'S GOT IT MADE (THE)

Additional Note

Final draft by Roswell Rogers, dated May 25, 1961.
Box 34, Folder 12

BOY WHO'S GOT IT MADE (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 34, Folder 14

CASE FOR JUSTICE (A)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 34, Folder 13

CASE FOR JUSTICE (A)

Additional Note

Final draft by Roswell Rogers, dated May 19, 1961. Wtih additional revised script pages.
Box 34, Folder 1

CHAMBERMAID (THE)

Additional Note

Final draft by John McGreevey, dated April 27, 1961.
Box 34, Folder 2

CHAMBERMAID (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 34, Folder 3

CHRISTMAS MEMORY (A)

Additional Note

Final draft by Roswell Rogers, dated June 12, 1961.
Box 34, Folder 4

CHRISTMAS MEMORY (A)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 34, Folder 6

CLASSROOM ROMANCE (A)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 34, Folder 5

CLASSROOM ROMANCE (A)

Additional Note

Final draft by Roswell Rogers, dated February 28, 1962.
Box 33, Folder 27

DAY IN THE LIFE OF THE EDITOR (A)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 33, Folder 26

DAY IN THE LIFE OF THE EDITOR (A)

Additional Note

Final draft by Andy White, dated July 12, 1961.
Box 33, Folder 1

DOCTOR COMES TO TOWN (A)

Additional Note

Final draft by Theodore and Mathilde Ferro, dated June 22, 1961.
Box 33, Folder 2

DOCTOR COMES TO TOWN (A)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 34, Folder 8

DOLLAR NINETEEN CENT THIEF (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 34, Folder 7

DOLLAR NINETEEN CENT THIEF (THE)

Additional Note

Final draft by Roswell Rogers, dated August 23, 1961.
Box 33, Folder 3

DOUBLE LIFE OF JULIA COSGROVE

Additional Note

Final draft by Margaret Fitts, dated May 29, 1961.
Box 33, Folder 4

DOUBLE LIFE OF JULIA COSGROVE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 33, Folder 6

EDITOR'S DAUGHTER (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 33, Folder 5

EDITOR'S DAUGHTER (THE)

Additional Note

Final draft by Theodore and Mathilde Ferro, dated May 11, 1961.
Box 33, Folder 7

EXCLUSIVE STORY (THE)

Additional Note

Revised final draft by Andy White, dated January 17, 1962.
Box 33, Folder 8

EXCLUSIVE STORY (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 33, Folder 10

FAST SHUFFLE (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 33, Folder 9

FAST SHUFFLE (THE)

Additional Note

Final draft by Joel Malone, Tommy Tomlinson and Roswell Rogers, dated February 14, 1962.
Box 33, Folder 12

FREE SOUL (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 33, Folder 11

FREE SOUL (THE)

Additional Note

Revised final draft by Joel Malone and Tommy Tomlinson, dated January 25, 1962.
Box 32, Folder 3

FRONT PAGE HERO

Additional Note

Final draft by Andy White, dated September 28, 1961. Wtih additional revised script pages.
Box 32, Folder 4

FRONT PAGE HERO

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 32, Folder 6

GIRL WITH ROSE-COLORED EYES

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 32, Folder 5

GIRL WITH ROSE-COLORED EYES

Additional Note

Final draft by Roswell Rogers, dated July 27, 1961. Wtih additional revised script pages.
Box 32, Folder 7

HAUNTED HOUSE (THE)

Additional Note

Final draft by Roswell Rogers, dated May 18, 1961. Also includes transitional file and additional revised pages.
Box 32, Folder 8

HAUNTED HOUSE (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 32, Folder 9

IT'S BLESSED TO RECEIVE

Additional Note

Final draft by Henry Garson, dated February 9, 1962. Wtih additional revised script pages.
Box 32, Folder 10

IT'S BLESSED TO RECEIVE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 32, Folder 11

JOB FOR THE SUMMER (A)

Additional Note

Final draft by Henry Garson, dated March 28, 1962. Wtih additional revised script pages.
Box 32, Folder 12

JOB FOR THE SUMMER (A)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 32, Folder 14

JOINER (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 32, Folder 13

JOINER (THE)

Additional Note

Final draft by Andy White, dated May 1, 1961.
Box 32, Folder 18

MAGIC LAMP (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 32, Folder 17

MAGIC LAMP (THE)

Additional Note

Final draft by Roswell Rogers, dated March 14, 1962.
Box 32, Folder 19

MIXING BOWL (THE)

Additional Note

Final draft by Theodore and Mathilde Ferro, dated September 8, 1961.
Box 32, Folder 20

MIXING BOWL (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 32, Folder 15

OURS IS A NICE HOUSE

Additional Note

Final draft by Henry Garson, dated December 15, 1961. Wtih various drafts and re-writes.
Box 32, Folder 16

OURS IS A NICE HOUSE

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 32, Folder 21

PERSEVERING VILLAIN (THE)

Additional Note

Final draft by Roswell Rogers, dated August 31, 1961.
Box 32, Folder 22

PERSEVERING VILLAIN (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 35

PRE-PRODUCTION MATERIAL

Additional Note

Cast biographies, budget and contract information, musical cue sheets, Writers Guild Reports, legal presentation instructions, and other material.
Box 36

PRE-PRODUCTION MATERIAL

Additional Note

Accounting contracts from Bisgeier, Breslauer & Co., budget lists, information on Temopic Enterprises, and other material.
Box 32, Folder 23

RAINMAKER (THE)

Additional Note

Revised draft by Joel Malone and Tommy Tomlinson, dated January 2, 1962. With additional revised script pages.
Box 32, Folder 24

RAINMAKER (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 32, Folder 2

RETURN (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 32, Folder 1

RETURN (THE)

Additional Note

Final draft by Roswell Rogers, dated April 26, 1961.
Box 33, Folder 13

RUMOR ON THE CAMPUS

Additional Note

Revised final draft by Roswell Rogers, dated January 8, 1962. Wtih additional revised script pages.
Box 33, Folder 14

RUMOR ON THE CAMPUS

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 33, Folder 15

STRANGER ON MAIN STREET

Additional Note

First Draft by Andy White, dated August 7, 1961.
Box 33, Folder 16

STRANGER ON MAIN STREET

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 33, Folder 19

TEACHER (THE)

Additional Note

Final draft by Roswell Rogers, dated April 28, 1961.
Box 33, Folder 20

TEACHER (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 33, Folder 22

TIME RUNS BACK

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 33, Folder 21

TIME RUNS BACK

Additional Note

Final draft by Roswell Rogers, dated October 31, 1961. Wtih additional revised script pages.
Box 33, Folder 18

TO YOU FROM ME

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 33, Folder 17

TO YOU FROM ME

Additional Note

Final draft by Henry Garson, dated March 1, 1962.
Box 33, Folder 23

TOUCH OF UNDERSTANDING (A)

Additional Note

Production information: contract for writer Henry Garson, dated January 1962, and signed by Eugene Rodney.
Box 33, Folder 24

VOICE IN THE TREE (THE)

Additional Note

Final draft by Roswell Rogers, dated March 5, 1962.
Box 33, Folder 25

VOICE IN THE TREE (THE)

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 32, Folder 26

WHO IS TINA?

Additional Note

Production information: call time sheets, daily schedule reports, script contract payments and other material.
Box 32, Folder 25

WHO IS TINA?

Additional Note

Final draft by Roswell Rogers, dated April 28, 1961.
Box 45, Folder 3

WINDOW ON MAIN STREET title cards

Additional Note

Set of two black and white title cards for the television series.
 

PERSONAL BUSINESS PAPERS

Scope and Content

Included are Father Knows Best cast member stills, insurance company information, business and personal correspondence, and a small amount of correspondence and clippings regarding the Myasthenia Gravis Foundation. There is no specific arrangement to the series.
Box 44

EUGENE RODNEY

Additional Note

Box contains 42 various Father Knows Best cast member stills, insurance company information, Robert Young file, correspondence and other material.
Box 43

EUGENE RODNEY

Additional Note

Box contains Rodney Bel Air Property information, personal correspondence and business matters, lear jet contracts, Myasthenia Gravis Foundation correspondence, and other material.
Box 42

EUGENE RODNEY

Additional Note

Box contains publishing correspondence, legal matters, insurance contracts, Goldstone agreements, and other miscellaneous folders.
Box 24, Folder 12

ROBERT YOUNG

Additional Note

Correspondence and clippings, etc. from Robert Young regarding the Myasthenia Gravis Foundation.
Box 24, Folder 11

ROBERT YOUNG PHOTOGRAPHS (17 items)

 

UNIDENTIFIED PROJECTS

Scope and Content

The series includes files which are not identified with known projects and in which Rodney was involved in some capacity, and which may or may not have been produced. Mostly includes drafts of screenplays with occasional production information for projects such as The Fan Letter , The Happy Scoundrel , and 1600 Pennsylvania Avenue , among others. The series is arranged alphabetically by project title.
Box 39, Folder 2

1600 PENNSYLVANIA AVENUE

Additional Note

Screenplay by Berne Geler (based on story by Sidney Biddell and Frederic Frank), dated October 29, 1951. Includes various drafts and re-writes.
Box 39, Folder 3

1600 PENNSYLVANIA AVENUE

Additional Note

Various scripts and articles, including revised first draft step-outlines, treatments with notes, and artist renditions the White House used as research for the screenplay.
Box 39, Folder 1

1600 PENNSYLVANIA AVENUE

Additional Note

Screenplay by Sidney Biddell and Fredric Frank, dated November 1951. With various drafts, basic material and re-writes.
Box 39, Folder 4

1600 PENNSYLVANIA AVENUE

Additional Note

Incomplete draft revision, dated December 4, 1951.
Box 38, Folder 7

FAN LETTER, THE

Additional Note

Producer's Copy of screenplay by Roswell Rogers, no date.
Box 38, Folder 8

FAN LETTER, THE

Additional Note

Various letters, handwritten notes, and story outlines for screenplay to star Robert Young.
Box 38, Folder 9

FAN LETTER, THE

Additional Note

Production information: shooting schedule, story outlines, stills used for scene research, and other material.
Box 37, Folder 2

FAN LETTER, THE

Additional Note

Several screenplay drafts by Roswell Rogers, dated September 23, 1960 and November 21, 1960. Also includes detailed set designs and blueprint ideas.
Box 38, Folder 4

HAPPY SCOUNDREL, THE

Additional Note

Working screenplay by Ed James, dated November 21, 1952.
Box 45, Folder 1

MAGIC TIDE (THE)

Additional Note

Lobby card; featuring Debi Doyle, no date.
Box 38, Folder 2

MYSTERIOUS WAY, THE

Additional Note

First final draft by Eugene B. Rodney, dated September 26, 1947.
Box 38, Folder 5

PASSING OF THE THIRD FLOOR BACK (THE)

Additional Note

Written in three acts by Jerome K. Jerome, no date.
Box 38, Folder 3

STORM WITHIN A HEART

Additional Note

First draft Screenplay by Susan Ertz, no date.
Box 37, Folder 3

WHITE HOUSE, THE

Additional Note

Third draft by A.E. Hotchner, dated 1963.
Box 38, Folder 6

WHITE HOUSE, THE

Additional Note

Revised draft "A" by A.E. Hotchner, dated 1963.
Box 38, Folder 1

WORLD AND LITTLE WILLIE, THE

Additional Note

Screenplay by Stanley Roberts, no date.