Collection Contents
Correspondence
Abbott, Curtis
Alonso, Sydney
Acoustical Society of America
American Academy of Arts and Sciences
Appleton - Pacific Rimbombo
Appleton
Appleton - Duobatone
Appleton - Tres Canciones Cubanas - 1991
Arfib
Austin, Larry
Audio Eng Society
Babbitt, Milton
Babbitt, Milton - Phonemeua
Bauman, Marcia
Barriere, Francoise
Barierre, Jean-B.
Beethoven Piano Concerto #2
Beauchamp, James
Bennett, Gerald and Vrena
Beranek, Leo
Bharncha, Jamshed
Bodin, Lars-Gunnar
Boesch, Rainer
Bohlen, Heinz
Bosch, Josefina
Boie, Bob, Patric
Boulanger, Richard
Boulanger - Solemn Song for Evening - Master Copy
Boulanger - Shadows - Master Copy of Score
Boulanger - Radio Sonata
Boulanger - Solemn Song 3
Boulanger - Maptime etc. - winter 1999 - Interval
Boulanger - Shadows
Bourges Academy
Bregman, Albert
Brooks, Jim
Brophy, J.
Burtner
Buxton, William
Cadoz, Claude
Caipirinha Productions
Cage, John
Cal Tech Distinguished Alumni Award
Carey - Aqui
CBS
Chadabe
Chowning, Marianne
Chowning, John
Chrysler Corp.
Ciamaga, Gustav
Ciane, Suzanne
Cohen, Elizabeth
Computer Music - Scientific American Paper
Cook, Perry
CSIRAC 1951 Computer Music
CS+E Board, National Academy of Sciences
Davies, Hugh
Dannenberg, Roger
Dieuer, Glen
Dodge, Charles
Dutry
Einaudi, Andrew
Errante, F. Gerald
Fant, Gunnar
Flaunagan, Jim
Freed, Adrian
Fujimura, Osamu
Gabaro, Kenneth
Garrard, Mimi
Gershenfeld
Ghent - Valery
Gurevich, Michael
Gibiau
Guttman, Newman
Hamilton, Robert
Haynes, Stanley
Hewlett, Walter
Hiller, Lejaren
Hogg, David
Horowitz, Israel
Hutchins, Carleen
Hutter, Marissa
IEEE
Ishii, Kenichiro
Jaffe, David
Julesz, Bela
Kahrs, Mark
Kimura, Mari
Kobrin, Ed
Kropfl, Francisco
Krumhausl, Carol
Kulowski, Andrzej
Lansky, Paul
Laske, Otto
Leslie, Grace
Levitin, Dan
Logemann, George
Le Caine, Hugh
Lewin, David
Machover, Tod
Majors, Art (Peru Achievement Foundation)
Mac Innis, Donald
Mak, Clarence
Martin, D. W.
McDermott, Suzanne
McGill, William
Metzner, Jim
Milenkovic, Paul
Miller, G. L. (Laurie)
Miller, Joan
Molava, Pamela
Moles, Abraham A.
Moog, R. A.
Moore, F. R.
Morrill, Dexter
Morrison, Julia
Musical Styles - Pref Space - Ideal Points
Music Compositions by Max Mathews
Music from Math record
Music V
Marrin, Teresa Nakra
NASA Talk, 11/87
National Academy of Engineering
National Academy of Sciences
Negyesy, Janos
Nichols, Charles
Noll, A. M.
Nelson, Robert
Oliveros, Pauline
O'Donnel, Martin
Olson, Harry
Oppenheim, Daniel
Paik, June N.
Palmer, Caroline
Paradiso, Joseph
Perkins, Leeman
Peterzell, Paul
Pierce, John
Pickering, Norman
Pioneers
Plantinga, Leon
Plomp
Prestia, Chrysa
Puckette, Miller
Pulfer, J. K.
Qwartz Award, 2008
Quate, Calvin
Radio Baton CD
Radunskaya, Ame
RCA Synthesizer
Redfern, Nancy
Reeves, Alyson
Rhea, Thomas
Risset, Jean-Claude
Risset Violin Concerto - Schemes
Reynolds, Roger
Robb, Donald
Roberts, Arthur
Roberts, Lynda
Roederer, Juan G.
Rossing, Thomas
Rudow, Vivian
Rhee, Tom
Schaeffer, Pierre
Scavone, Gary
Schroeder, Marconi nomination
Smith, Julius
Smith, Leland
Society for Electro-Acoustic Music
Soley, David
Spiegel, Laurie
Stanford
Stibitz, George
Stokowski, Leopold
Sapp, Craig
Sarnoff Award
Scavone, Gary
Schwartz, Elliott
Scientific American
Seawright, Andrew
Seawright, James
Scherchen, Hermann
Schloss, Andy
Schroeder, Manfred
Schwarz, Gerald
Shadle, Chris
Shapiro, Gerald
Shinoda, Haruko
Shyu, Ruth
Slawson, A. W.
Slepian, Don
Strang, Gerald
Strong, William J.
Strasser, Bruce
Sundberg, Johan
System Development Foundation
Taylor, Charles A.
Technology, Telephones, and Art
Tenney, Jim
Theremin Center, Moscow
Thompson, Ken
Thompson, Molly
Thompson, Tim
Tubbesing, Victor
Turetsky, Burt
Ussachevsky, V.
Vanderbeek, Stan
Varesze, Edgard
Verco, Scott
Vercoe, Barry
Waisvicz, Michel
Warzyuek, John
Wessel, David
West, Jim
Wilson, R. S.
Winckel, Fritz
Winkler, Tod
Xenakis, Iannis
York, Carl (SDF)
Young, Gayle
Zinovieff, Peter
Zeta
Zukofsky, Paul
Patents
Bender Violin Pickup circa 1988-1991
Boie Drum
Lectures, Performances, and Articles
Groove
Hugh Le Caine Paper
Cage Piece for Philharmonic
Mirages
Poles and Zeroes of Vocal Tract
Violin Resources
AAAS, Philadelphia 1971
Dumb Ways to Play Smart Instruments 1985
Real Time Performance, Stockholm 1985 Sep
Lincoln Labs talk 1988
Rutgers Talk, Small Computers in Arts 1988 Nov
Japan Trip 1989 Apr
ICMC, Ohio 1989
AAAS, New Orleans 1990 Feb
AAAS, Washington 1991
ASA 1990 May
Brown University 1991 Apr
Stanford Library Visiting Committee 1991 Feb
CCRMA Associates 1991 May
Cuba 1991
AIX Concert 1991 Jun
Bourges 1991 Jun
ICRAM 1991 Jun
AES 1991 Jun
Thermin Concert, Frost 1991 Sep 27
ICMC 1991 Oct
SEAMUS 1991 Oct
ASA 1991 Nov
Boston and Dartmouth 1991 Nov 17-18
Alea Pierce 1991 Dec 3
Santa Catalina Demo 1991 Dec 5
Music Representation, Stanford 1991 Jan
L.A. Musical Psychoacoustics 1991 Feb
Columbus and Bowling Green 1992 Mar 13-16
Newcomp, Boston 1992 Feb 15
CCRMA Associates Talk 1992
Buenos Aires 1992 Jun
Woods Hole 1992 Jul 26
ICMC, Computers and Performance 1992 Oct 16
College Music Society, San Diego 1992 Oct 29
University of Virginia 1992 Nov 2
ASA, New Orleans 1992 Nov 4
Arizina State University, Boulanger Concert 1992 Nov 9
University of Victoria 1993 Jan 13
Music Library Meeting 1993 Feb 5
San Diego 1993 Apr 22
Affiliates Meeting 1993 May
Hong Kong 1993 Oct
Scream Concert 1993 Nov 13
San Jose Children's Museum 1993 Nov 17
Bell Labs Research Colloqium 1993 Dec 10
Santa Catalina 1994 Jan 5
Technology and Society 1994 Mar 8
IBM, GE, RPI, Skidmore 1994 Mar 18-25
SEAMUS and Bennington 1994 Apr 5 and 8
Media Lab Talk 1994 Oct 20
Boston ASA Chapter 1994 Oct 25
Pomona Lecture and Concert 1995 Feb 4
San Jose Chamber Music Society 1995 Mar 12
Wellesley 1995 Apr 10
CCRMA Affiliates 1995 May 10
Colgate Gigs 1995 Oct 11-19
Moscow / Bourges 1995 Jun
Bourges, IRCAM, Marsaille 1996 Jun
CCRMA Concert 1996 Oct 24
Indiana 1997 Mar 8 and 9
3-Symphonic States - Stanford Symphony and Baton 1997 May 30
Bourges 1997
Woods Hole Concert 1997 Jul
Brasilia Lectures 1997 Aug
NTT Symposium and Concert 1997 Nov 13
LIPM 1998 Mar 18
Creating Intellectual Property 1998 Sep 26
Old Bell Labs Art Talk 1998 Nov 8
University of Missouri, Computer Music History 1999 Mar 10
Media Lab 1999 May 21
Bourges 1999 Jun
ZKM History Talk 2000 Sep 11
Dartmouth 2001 Oct 19
McGill and University of Montreal 2001 Mar 23
CHI Workshop, Seattle 2001 Apr 1-2
Zurich Lectures 2001 Apr 23-May 4
Japan Trip, NTT and eAT 2002 Feb
Transparent Tape Festival 2002 Aug 16-18
Computer Music History Talk, transparencies
Music V Overheads (from Technology of Computer Music book)
Radio - Baton, transparencies
Improv Program, transparencies
Computer Typesetting, transparencies
Playboy Violin, transparencies
Conductor Program, transparencies
Sequential Drum, transparencies
Pierce - Scale, transparencies
Miscellaneous transparencies
Index to Articles
Articles, #1, #3-10
Articles, #11-15
Articles, #16-22
Articles, #23-25
Articles, #26-30
Articles, #31-33
Articles, #34-37
Articles, #38-39
Articles, #39a-43
Articles, #44-50
Articles, #51-55
Articles, #56-60
Articles, #61-65
Articles, #66-70
Articles, #71-75
Articles, #76-80
Articles, #81-84
Articles, #85
New Musical Scale - Bohlen-Pierce 1988
Percussive sensor paper
"The Digital Computer as a Musical Instrument," Scientific American 1986-1987
Harmony and new musical scales, Royal Swedish Academy of Music 1987
Recollections of James Tenney 1987
"The Conductor Program and Mechanical Baton" 1987
"The International Digital ElectroAcoustic Music Archive" 1991
Future of Electronic Music, Bit Magazine (Japan) 1998 Aug
Scanned Synthesis, ICMC, Berlin 2000
Parametric filters, SMAC 03, Stockholm 2003
Seasongs analysis
Research
Filter design 1989, undated
Radio baton wiring diagrams
Analog devices, ADuC702x ARM chip
Catalog data, equipment, integrated circuit data, printed circuit information
Circuit diagrams
Cordless baton, radio baton, TI MSP-T5430M64 microprocessor
Bell Labs
Bell Labs notebook 1968 Jul-Nov
Bell Labs notebook 1968 Nov - 1969 Apr
Bell Labs notebook 1969 Mar-Jul
Bell Labs notebook 1969 Aug-Oct
Bell Labs notebook 1969 Nov - 1970 Feb
Bell Labs notebook 1970 Feb-Jun
Bell Labs notebook 1970 Jul-Oct
Bell Labs notebook 1970 Nov - 1971 Jan
Bell Labs notebook 1971 Jan-May
Bell Labs notebook 1971 May-Oct
Bell Labs notebook 1971 Sep - 1972 Jan
Bell Labs notebook 1972 Mar-Nov
Bell Labs notebook 1972 Nov - 1973 Sep
Bell Labs notebook 1973 Sep - 1974 May
Bell Labs notebook 1974 May 13 - 1976 Aug
Bell Labs notebook 1976 Oct 7 - 1980 Feb
Bell Labs notebook 1980 Mar - 1983 Nov
Bell Labs notebook 1983 Nov - 1986 Jun
Bell Labs Center 1122 (Acoustical and Behavioral Research), private correspondence 1963-1985
IRCAM
IRCAM 1976 Aug
IRCAM 1976 Dec
IRCAM 1977 May
IRCAM 1977 Jul
IRCAM 1977 Dec
IRCAM 1978 May
IRCAM 1978 Dec
IRCAM 1980 May
IRCAM, Boulez correspondence
Correspondence and reports
Scores and Arrangements
Henry Cowell, Rhythmicana
Conductor program scores: Offenback, Rimsky-Korsakow, Schutz, Babbitt, Webern, Stravinsky, Amy Radunskaya
Conductor program scores: Jaffe, Appleton, Getty, Schubert
Scores: Mozart K453, Zurich pieces
Scores: Brahms, Smith
Conductor program scores: Bach, Benedict, Chopin, Schoenberg
Conductor program scores: Vivaldi, Rachmaninoff
Conductor program scores: Handel, Hayden, Purcell, Schumann, Josefina
Conductor program scores: Mihran, Wold, Ussachevsku, Rossine, Saint-Saens
Scores: Mozart
Conductor program scores: Theremin, Morrill, Molly Thompson
Scores: Maureen - Camelot, Gershwin, Loewe, Saint-Saens
Scores: Beethoven
Scores: Boulanger
Biographical and Personal Materials
CVs, bibliographies, and photographs
Literary efforts
Clippings
Audiovisual Materials
Photographic negatives
7094 computer
Mathews and computer chess game in California 1968 May
Music V
Shepard's tones
Music IV
Computers--general
Computer composing
Graphic comp.
Computer drawing
Computer art
Computer editing
Conductor program
Conversation study
Fase
[unlabeled]
Int. lullaby
Groove
Neckhook, Mike
Nonharmonic overtones
Prog. inst.
Remote access
Scaling
Small computers
Speech syn.
Timbre studies
Violin
Electronic violin, violin pitch detection
Audiorecordings
9.01 Swansong 1967 Dec 17
9.02 Webern Bagatellen - Paris String Quartet
9.03 Improvising Machines master 1971 Feb
9.04 Resonators and Brass Violin - demo tape - master
9.05 Working tape: Improvising Machines - Imp for Running Man 1971 Feb
9.06 Emmanual Ghent - Innerness
9.07 Ravel experiments 1976 Aug 22
9.09 Elephants Can Graze 1972 Mar 1
9.10 Elephants Can Graze 1972 Mar 12
9.11 Masquerades and Pergolesi master recordings 1964 Sep 19
9.12 Conductor Program Demo, S.W. German Radio, master 1976 Aug 10
9.13 Slider, two copies 1967 Nov 5
9.14 Pierce's tape - demonstration - some aspects of sound quality
9.15 Swansong - tape A 1967 Dec 12
9.16 Emmanuel Ghent -- Fission, Our Daily Bread, Supernova, L'Apres Midi d'un Summit Meeting
9.17 Shepard's Tones, master tape
9.18 Gerald Strang 1969 Aug 28
9.19 Gerald Strang, Baroque Variations, Synclavion #4 1982
9.20 Gerald Strang, Compusitions Synthons 1969
9.21 Swansong, tape B 1967 Dec 16
9.22 Mathews - Graphic I 1966 Aug 29 - Sep 5
9.23 Mathews - Graphic I 1966 Jun 28 - Jul 30
9.24 Mathews - Graphic I 1966 Aug 3-20
9.25 Mathews - Graphic I 1966 Aug 20-29
9.26 8 Tone Cannon - Pierce - master recording
9.27 Slider - working tape #1 1967 Nov 5
9.28 Mathews PB 250 runs 1965 May 11 - Jun 30
9.29 Gerald Strang - Compusitions #9 and #10 1972-1973
9.30 Improvising Machines, master 1971 Mar
9.31 4-Master Dubbings - M.V. Mathews 1968 Jan 4
9.32 M.V. Mathews, PB 250 1966 Mar 26 - Jun 25
9.33 Running Man, Elephants, Scales, Mistakes - 1st dub 1973 Mar
9.34 Scales master 1973 Jan 21
9.35 3-master dubbings - M.V. Mathews 1968 Jan 4
9.36 Stockholm tape - copy
9.37 Pictures / Daisy / Speech Sings / Elephants / Shepard's Tones Risset
9.38 Illustrations for graphic compositions paper, master copy; Grenadier-Johnny, International Lullaby 1967 Mar
9.39 Graphic composition demonstration tape
10.01 Jon Appleton, The Sydsing Camklang 1976
10.02 Swansong and Scale and Melody Study, master 1966 Oct 5
10.03 Groove Sounds and Moore's layered demo
10.04 Transition timbre studies, Pavis master 1977
10.05 Slider 1967 Nov 11
10.06 Risset computer music
10.07 Gabriel - Ravel - Webern - Ward, master 1976 Mar 27
10.08 Sampling 1964
10.09 Emmanuel Ghent, Brazen
10.10 Music I - Silver Scale 1957 May
10.11 Groove Orchestra, 1st dub 1973 Oct 28
10.12 Emmanuel Ghent, Entelechy 1972 Apr 29
10.13 Emmanuel Ghent - Dualities, Brass, Phosphones
10.14 Emmanuel Ghent: Entelechy, viola and computer generated tape (DBx encoded)
10.15 Emmanuel Ghent: Program Music 19, No. 3 ("Little Changes")
10.16 Ussochevsky - Colloquy
10.17 Emmanuel Ghent: Battery Park, Danger: High Voltage, etc.
10.18 Slider master 1965 Mar 7
10.19 1 - Master Dubbings - M.V. Mathews 1967 Dec 29
10.20 Schubert - Japanese transition, master 1966 Oct 5
10.21 New scales 1984 Jan 23
10.22 Pierce scales, Alyson Reeves 1984 Aug 2
10.23 International lullaby, master 1966 Aug 24
10.24 European master tape 1963 Jun
10.25 Berkeley lecture, M.V. Mathews, Bell Labs 1968 Mar 30
10.26 ACM lecture - tape B 1969 Jan 25
10.27 ACM lecture, tape A
10.28 Tenney -Stochastic Quartet, master
10.29 Ampex test tape
10.30 Annotated Stockholm tape 1981 Sep 11
10.31 Stockholm demo 1985 Sep
10.32 PB 250, Tenney, Mathews 1965 Oct 1
10.33 [Monaurl?] Graphic Scores demonstration
10.34 Slider - working tape #2 1967 Nov 5
10.36 Missa Brevis, Vladimir Ussachevsky, Kyrie/Sanctus/Benedictus
10.37 2 - master dubbings - M.V. Mathews 1967 Dec 29
11.01 Ravel F Quartet, 3rd movement, master 1975 Mar 1
11.02 Boodleheimer Variations -- Pierce
11.03 Violin resonance demo tape
11.04 Birthday improvisation, master 1970 Apr 2
11.05 Pierce and Matthews, non-harmonic sounds 1979 May
11.07 Groove - M.V. Mathews; Improvising Machines; master 1971 Jan
11.08 Mathews, PB 250 studies 1965 Jul 13-17
11.09 Horizons demo
11.10 30 tone samples, master 1971 Jul
11.11 Groove Orchestra, 100 Hz, master 1973 Oct 28
11.12 Groove Orchestra, 50 Hz, master 1973 Oct 28
11.13 Stretched octaves 1978 Dec
11.14 Master - Gabriella, Ward, Ravel, Weber, 1975 Dec - 1976 Jan
11.15 Gabriela, Ward, Ravel, Webern - master 1976 Feb 8
11.16 Webern, 6 Bagatellen, master 1977 Jun 19
11.17 Ravel, F Quart.; Bach, Fuga I 1975 Mar 5 and 8
11.18 Ravel F Quartet, 3rd m 1975 Mar 3
11.19 Ravel, F Quartet 1975 Feb 22
11.20 Bach, Fuga I, master 1974 Nov 12
11.21 Resonated speech
11.22 Speech tape library copy with voice annotation
11.23 Electronic violin and resonators
11.24 Bach Fuga I, master 1974 Nov 24
11.25 Bach, Fuga I, master 1975 Feb 23 and Mar 8
11.26 Middle sections, Guttman-Mathews, master recording, long periods 1961 Jan 10
11.27 Risset pieces 1968
11.28 Mathews, Graphic I 1966 Sep 6 and 8
11.29 Best dubbing of dialogues and phases -- Tenney 1964 Apr 17
11.30 Violin tone samples 1970 Jan 28
11.31 Gabrile - test slurs 1975 Jun
11.32 Appleton - synclavier
11.33 Slider - M.V. Mathews
11.34 Electronic violin samples, and brasses and strings
11.35 Risset - Mutations, Little Boy, Scheenbergiana
11.36 Risset, Gift Study 1974
11.37 Master Tapes - Elephants Can Graze February 1972
11.38 Bach - Fuga I - Master November 23 1974
11.39 Musical Styles Examples December 1977
12.01 Ravel for Film, DBX
12.02 Olson synthesizer demo
12.03 Baden demo, DBX
12.04 Gerald Strang, synclavions
12.05 Stretched timbre demo
12.06 Speech synthesis comp, master 1977-1979
12.07 Tests of 4B Machine
12.08 Transition timbre studies
12.09 Appleton-Pierce scale, Duo for Oscar
12.10 Risset paradoxes
12.11 Dumb ways to play intelligent machines
12.12 Pictures at an Exposition, Groove, F.R. Moore
12.13 Molly Thompson, Knife Songs, concert recording, master 1996 Oct 24
12.14 Buenos Aires History I, Mathews 1992 Jun 9
12.15 Wild and Reckless Place, digital copies of master and mixed 1992 Oct 12
12.16 A Wild and Reckless Place 1992 Jun 5
12.17 Max Mathews 2000 Dec 9
12.18 Max Mathews, scanned synthesis 2000 Nov 9
12.19 Paradoxes, sound catalog, concerto, Mathews 1992 Jun 9
12.20 Bells of Hell, Wild and Reckless 1993 May-Jun and Oct 10
12.21 Buenos Aires concert
12.22 Material for history CD of computer music
12.24 3 symphonic states copy, orchestra only, Boulanger 1997 May 23
12.25 Pacific Rimbombo master tape 1993 Nov 20
12.26 Bauman history cassette 1992 Jun 9
12.27 Unknown performance
12.37 Risset lecture tape 1983 Oct 13
13.01 J. C. Risset Sound Examples I, tracks 1-55 1998 Feb
13.02 Rogersnd 1994 Dec 12
13.03 J. C. Risset, Sound Examples II, tracks 1-48 1998 February
13.04 J. C. Risset, Illusions 1999
13.05 J. C. Risset, Sound Examples I, tracks 56-81 1998 Feb
13.06 J. C. Risset, Sound Examples II, tracks 49-61 1998 Feb
13.07 Computer Music Currents 13, disc and booklet [2 copies]
Moving Images
12.28 Papillons by Lillian F. Schwartz 1973
12.29 Googolplex by Lillian F. Schwartz 1972
12.30 Original - cello string film
12.31 Copy - cello string film
12.32 Mutations (video: Lillian Schwartz; Audio: Jean-Claude Risset) 1972
12.42 Mutations. Video: Lilian Schwartz. Audio: Jean-Claude Risset. (16mm film-to-tape transfer, 1/10/2006) 1972
12.33 Pixiliation by Lillian Schwartz and Ken Knowlton, music by Gershon Kingsley 1970
12.34 Metamorphosis by Lillian Schwartz and Ken Knowlton 1974
12.35 Apotheosis by Lillian Schwartz, music by F. Richard Moore; Affinities by Lillian Schwartz, music by F. Richard Moore; Enigma by Lillian Schwartz and Ken Knowlton, music by F. Richard Moore 1972
12.36 AT&T Bell Labs, Shepard and Zajac, "Two Paradoxes" 1986 Feb 21
12.38 A Musical Demonstration of the Mathews Conductor Program
12.39 Current Directions in Computer Music Research, Mathews
12.41 Olympiad: a film by Lillian Scwartz, composer Max Matthews [sic] (16mm film to tape transfer, 8/21/2006] 1973
12.40 Olympiad (16mm film-to-tape transfer at Monaco for Pacific Film Archive, 4/26/2006) 1973
Oversize Items
Muscial score, Philippe Manoury: "En Echo pour sorano & station temps-reel, d'apres des textes d'Emmanuel Hocquard."
Poster for seminar and concert featuring Max Mathews, Jean Claude Risset, and John Chowning (2 copies)
Computer Files circa 1979-2011