Finding Aid for the Van Bogert Papers PASC.0153
Finding aid prepared by UCLA Performing Arts Library Special Collections staff, pre-1999; machine-readable finding aid created
by Julie Graham and Caroline Cubé.
UCLA Library Special Collections
Online finding aid last updated 2014.
Room A1713, Charles E. Young Research Library
Box 951575
Los Angeles, CA 90095-1575
Business Number: 310-825-4988
Fax Number: 310-206-1864
spec-coll@library.ucla.edu
Contributing Institution:
UCLA Library Special Collections
Title: Van Bogert papers
Creator:
Bogert, Van
Identifier/Call Number: PASC.0153
Physical Description:
8.0 Linear Feet
(20 boxes)
Date (inclusive): 1955-1956
Abstract: At the time the finding aid was created, there was no biographical information available about Van BogertThe collection consists
of various drafts of scripts, production material, photographs, art work, and music from several television and motion picture
productions.
Physical Location: Stored off-site. All requests to access special collections material must be made in advance using the request button located
on this page.
Language of Material: Materials are in English.
Conditions Governing Access note
Open for research. All requests to access special collections materials must be made in advance using the request button located
on this page.
Restrictions on Use and Reproduction
Property rights to the physical objects belong to UCLA Library Special Collections. All other rights, including copyright,
are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright
and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
Provenance/Source of Acquisition
Gift of Connie McGuigan, 1981.
Preferred Citation
[Identification of item], Van Bogert Papers (Collection PASC 153). UCLA Library Special Collections, Charles E. Young Research
Library, University of California, Los Angeles.
Processing Information
Processed by UCLA Performing Arts Library Special Collections staff, pre-1999.
Collections are processed to a variety of levels depending on the work necessary to make them usable, their perceived user
interest and research value, availability of staff and resources, and competing priorities. Library Special Collections provides
a standard level of preservation and access for all collections and, when time and resources permit, conducts more intensive
processing. These materials have been arranged and described according to national and local standards and best practices.
We are committed to providing ethical, inclusive, and anti-racist description of the materials we steward, and to remediating
existing description of our materials that contains language
that may be offensive or cause harm. We invite you to submit feedback about how our collections are described, and how they
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UCLA Catalog Record ID
Biography
At the time the finding aid was created, there was no biographical information available about Van Bogert.
Scope and Content
The collection consists of material related to the career of Van Bogert. The bulk of the collection includes drafts of scripts
for several television and motion picture productions. Includes televison scripts representing the series
The Affairs of China Smith,
Broken Arrow,
My Friend Flicka,
The 20th Century-Fox Hour, and
You Are There. The motion pictures projects represent the films
Carousel ,
Can, Can,
Daddy Long Legs,
The King and I , and
The Man in the Gray Flannel Suit, among others. Additionally there is a small amount of production material, black and white photographs, art work, and music.
Organization and Arrangement
Arranged in the following series:
- Motion Picture Projects
- Television Projects
Subjects and Indexing Terms
Television production and direction -- Archives.
Motion picture producers and directors -- Archives.
Television writers -- Archives.
Bogert, Van--Archives.
box 17, folder 7
D-DAY, THE SIXTH OF JUNE (1956)
General note
Black and white photograph of hair styles and make-up of Robert Taylor, Dana Wynter, George Pelling, Jennifer Raine, Louise
Arthur, Marie Brown and Marie Todd, with one negative of Richard Todd.
box 12, folder 1
D-DAY, THE SIXTH OF JUNE (1956)
General note
Written by Harry Brown. First draft 8/17/55, Revised draft continuity by Harry Brown and Ivan Moffat 10/6/55.
box 11, folder 1
D-DAY, THE SIXTH OF JUNE (1956)
General note
Revised final script 12/16/55.
box 17, folder 5
D-DAY, THE SIXTH OF JUNE (1956)
General note
Black and white photographs (122) and negative (1) of wardrobe, hair styles and make-up of Robert Taylor, Dana Wynter, George
Pelling, Jennifer Raine, Louise Arthur, Marie Brown, Richard Todd, and minor character
box 17, folder 6
EGYPTIAN, THE (1954)
General note
Photocopies of artist renderings of costumes for the Egyptian. Characters: Merit, Denmut, Baketamon, Nefer, Kipa, Horemheb,
Eie, Akhnaton, and Sinhue, with 5 sheets of storyboards, pencil drawn.
box 5, folder 1
GIRL CAN'T HELP IT (1956)
General note
Written by Frank Tashlin. First draft 8/10/56.
box 4, folder 4
GIRL IN THE RED VELVET SWING, THE (1955)
General note
Written by Charles Brackett and Walter Reisch. Working script 2/4/55, First draft continuity 2/25/55, includes, break down
list of actors and dancers for dance sequences.
box 18, folder 1
GIRL IN THE RED VELVET SWING, THE (1955)
box 18, folder 1
GOOD MORNING MISS DOVE (1955)
box 4, folder 2
GOODMORNING MISS DOVE (1955)
General note
Written by Eleanore Griffin. First draft continuity 5/13/55, Temporary script 6/27/55 bound with breakdown.
box 4, folder 3
HILDA CRANE (1956)
General note
Written by Philip Dunne. Working script 11/10/55, Final script 12/20/55.
box 18, folder 1
HOW TO BE VERY, VERY POPULAR (1955)
box 5, folder 2
HOW TO BE VERY, VERY POPULAR (1955)
General note
Written by Nunnally Johnson. Final script 1/11/55.
box 19, folder 4
KING AND I, THE (1956)
General note
Black and white photographs (5).
box 5, folder 7
KING AND I, THE (1956)
General note
Written by Ernest Lehamn. First draft 11/30/54, Revised final 10/04/55.
box 5, folder 3
LAST WAGON, THE (1956)
General note
Written by James Edward Grant. Revised final 1/27/56.
box 5, folder 4
LEFT HAND OF GOD, THE (1955)
General note
Written by Alfred Hayes. 2/22/55.
box 6, folder 2
LIEUTENANT WORE SKIRTS, THE (1956)
General note
Entitled The Camp Follower written by Albert Beich. First draft written 7/2/53, Working script, written by Frank Tashlin 6/1/55.
box 6, folder 1
LIEUTENANT WORE SKIRTS, THE (1956)
General note
Entitled The Retread written by Frank Tashlin. Revised first draft continuity (incomplete through page 30, sequence 34), n.d.,
Temporary 7/18/55.
box 6, folder 3
LIEUTENANT WORE SKIRTS, THE (1956)
General note
Entitled I Lost my Wife to the Army written by Frank Tashlin. Final script 8/12/55.
box 19, folder 2
LORD VANITY (UNPRODUCED)
General note
Art department layouts of sets, revised final script 8/26/64.
box 18, folder 1
LOVE IS A MANY SPLENDORED THING (1955)
General note
Cast and staff list, publicity personnel addresses.
box 17, folder 5
LOVE IS A MANY SPLENDORED THING (1955)
General note
Black and white photographs and negatives (5) of Chungking sequence.
box 17, folder 2
LOVE IS A MANY SPLENDORED THING (1955)
General note
Black and white photographs (15) of hair styles, wardrobe shots, includes Leonard Strong, Richard Loo, Murray Matheson, Bill
Holder, Torin Thatcher and Kam Tong.
box 17, folder 4
LOVE IS A MANY SPLENDORED THING (1955)
General note
Black and white photographs (14) and negatives (6) of interior Queen Elizabeth Hospital, Hong Kong.
box 17, folder 1
LOVE IS A MANY SPLENDORED THING (1955)
General note
Black and white photographs (27) and negs.(3) of restaurant boat, research department photocopies of Tai Pak Floating Restaurant
in Hong Kong.
box 17, folder 3
LOVE IS A MANY SPLENDORED THING (1955)
General note
Black and white photographs (37) of hair styles, wardrobe includes Donna Martall, Jorja Courtright, Candice Lee, Sue Young,
Isubel Elsom, and Virginia Gregg, with 7 wardrobe photographs.
box 5, folder 5
MAN IN THE GRAY FLANNEL SUIT, THE (1956)
General note
Written by Nunnally Johnson. Incomplete script 9/22/55.
box 5, folder 6
MAN WHO NEVER WAS, THE (1956)
General note
Written by Simon Wincelberg. Temporary script 1/3/55, Final script 1/14/55.
box 4, folder 5
OH, MEN! OH, WOMEN! (1957)
General note
Written by Nunnally Johnson. First draft script 4/30/56.
box 18, folder 1
ON THE THERESHOLD OF SPACE (1956)
box 6, folder 6
ON THE THRESHOLD OF SPACE (1956)
General note
Written by Simon Wincelberg. Final script 08/29/55, Revised final 08/05/55.
box 6, folder 5
ON THE THRESHOLD OF SPACE (1956)
General note
Entitled Windblast written by Simon Wincelberg. Final Script 7/5/55, Revised final 8/5/55.
box 6, folder 4
ON THE THRESHOLD OF SPACE (1956)
General note
Entitled Space Medicine written by Simon Wincelberg. Revised first draft 6/8/55.
box 18, folder 1
OX-BOW INCIDENT, THE (1943)
General note
Staff and crew list.
box 7, folder 1
PROUD ONES, THE (1956)
General note
Written by Joseph Petracca & Edmund H. North. First draft n.d., final draft 7/14/55, Revised final 09/19/55, Shooting final
10/25/55, Revised shooting final 12/5/55.
box 7, folder 2
RAINS CAME, THE (1959)
General note
Written by Merle Miller. 2/24/55
box 8, folder 4
REVOLT OF MAMIE STOVER,THE (1956)
General note
Written by Sydney Boehm. Revised Final 1/20/55, Shooting final 10/31/55.
box 5, folder 8
RUN OF THE ARROW (1952)
General note
Written by Samuel Fuller, Treatment 12/31/52.
box 4, folder 6
SEVEN CITIES OF GOLD (1956)
General note
Written by Richard L. Breen & Joseph Petracca. Revised shooting final script 2/21/55.
box 18, folder 1
SHE-DEVIL, THE (1956)
General note
Staff and crew list.
box 18, folder 1
TALL MEN, THE (1955)
General note
Staff and crew list, Mexico location, total expenditures.
box 2, folder 5
TALL MEN, THE (1955)
General note
Written by Frank Nugent and Sydney Boehm. Final Script 02/25/55.
box 8, folder 1
TEENAGE REBEL (1956)
General note
Written by Charles Brackett and Walter Reisch. First draft continuity 4/18/56.
box 8, folder 5
TEENAGE REBEL (1956)
General note
Entitled A Roomful of Roses written by Charles Brackett and Walter Reisch. Working script 3/8/56.
box 7, folder 4
THERE'S NO BUSINESS LIKE SHOW BUSINESS
General note
Written by Phoebe and Henry Ephron. Shooting final script 4/26/54, Revised shooting script 5/12/54.
box 7, folder 3
THREE BRAVE MEN (1957)
General note
Written by Philip Dunne. Revised final script 8/25/56.
box 8, folder 2
TRUE STORY OF JESSE JAMES (1957)
General note
Written by Walter Newman. Temporary script 09/04/56.
box 19, folder 1
UNIDENTIFIED PROJECT(S)
General note
Includes wardrobe, hair styles, Chicquita the champanzee. Group shots of unidentifed cowboy on horse back, man out doors,
one mounted photograph of women 1930's.
box 18, folder 1
VIEW FROM POMPEY'S HEAD, THE (1955)
General note
Studio staff, crew, and cast list.
box 8, folder 3
VIRGIN QUEEN, THE (1956)
General note
Entitled Sir Walter Raleigh, The Hawk and the Vulture written by Harry Brown. Rev. shooting final 2/17/54, 4th Rev. shooting
final 1/27/55, 5th Rev. shooting final 2/21/55.
box 8, folder 7
WAYWARD BUS, THE (1957)
General note
Written by Ivan Moffat. First draft continuity 6/6/56.
box 8, folder 6
23 PACES TO BAKER STREET (1956)
General note
Written by Nigel Balchin. Final script 8/24/55.
box 2, folder 1
BERNARDINE (1957)
General note
Written by Theodore Reeves. Working script 3/21/56.
box 16, folder 1
BEST THINGS IN LIFE ARE FREE, THE (1956)
General note
Black and white photographs (233) and negatives (18) of wardrobe and hair styles for Sheree North, Julie Van Zandt, Mary Rodman,
and minor female roles.
box 16, folder 4
BEST THINGS IN LIFE ARE FREE, THE (1956)
General note
Production material: casting vouchers, group payroll records, employee closing notices, lists of production numbers, requistitions
for extra talent, with script, dated April 23, 1956.
box 16, folder 3
BEST THINGS IN LIFE ARE FREE, THE (1956)
General note
Black and white photographs (126) of wardrobe and hair styles of Phillis Avery and minor characters.
box 16, folder 2
BEST THINGS IN LIFE ARE FREE, THE (1956)
General note
Black and white photographs (110) and negatives (64) of wardrobe and headshots of Gordon MacRae, Ernest Borgnine, Dan Dailey
and minor male roles.
box 1, folder 1
BEST THINGS IN LIFE ARE FREE, THE (1956)
General note
Written by William Bowers & John Monks Jr. Revised first draft continuity 11/29/55. Revised final script 4/18/56.
box 3, folder 1
BETWEEN HEAVEN AND HELL (1956)
General note
Entitled The Day the Century Ended written by Harry Brown. First draft 9/1/55, Revised Final 10/6/55, Revised shooting final
11/25/55.
box 3, folder 2
BIGGER THAN LIFE (1956)
General note
Entitled One in a Million written by Cyril Hume & Richard Maibaum. Final script 4/3/56.
box 3, folder 3
BIGGER THAN LIFE (1956)
General note
Entitled Ten Feet Tall written Cyril Hume and Richard Maibaum. First draft 12/23/55, Temporary script 1/17/56, Revised temporary
script 2/13/56.
box 1, folder 2
BOTTOM OF THE BOTTLE, THE (1956)
General note
Written by Sydney Boehm. Writers working script 6/16/55, Revised first draft continuity 7/5/55.
box 1, folder 3
BOY ON A DOLPHIN (1957)
General note
Written by Alec Coppel. Working script 8/8/55, Temporary script 9/26/55, Revised script by Richard L. Breen and Walter Reisch
8/21/56.
box 1, folder 4
BUS STOP (1956)
General note
Written by George Axelrod. First draft 1/9/56.
box 2, folder 1
CAN-CAN (1960)
General note
Written by Claude Binyon. First draft continunity 3/27/56.
box 20, folder 1
CAROUSEL (1956)
General note
Scores for musical numbers: Blow High, Blow Low, If I Loved You, You'll never Walk Alone, Mister Snow, June is Bustin' out
all Over, When the Children are Asleep, and 4 spirituals.
box 2, folder 3
CAROUSEL (1956)
General note
Written by Phoebe and Henry Ephron. Final shooting script 7/14/55 includes production material, cast list, weather outlook,
inter-office memos.
box 18, folder 4
CAROUSEL (1956)
General note
Production material: staff,cast, studio and location lists.
box 2, folder 4
CAROUSEL (1956)
General note
Entitled R-H Project written by Phoebe and Henry Ephron, Final script 06/13/55.
box 4, folder 1
DADDY LONG LEGS (1955)
General note
Written by Phoebe and Henry Ephron. Shooting final script 9/29/54.
box 18, folder 1
D-DAY, THE SIXTH OF JUNE (1956)
General note
Production material: requistitions for artists, employee closing notices, cast requirements schedule, stunt persons, cast
list,staff and crew list, list of arsenal requirements, military props, Navy.
box 15, folder 12
Anastasia
General note
Written by Bob Eisenbach. Segment only with call sheets and productin report 8/10/55.
box 15, folder 11
Between Heaven and Hell
General note
Written by Bob Eisenbach. First script covers seq. 1-13, 7/6/56, Second script covers seq.32-53, 10/17/56, contains call sheets
and daily production reports.
box 12, folder 1
Broken Arrow
General note
Written by Clark E. Reynolds. Final script 2/15/56, bound with narration script, stock shot list, rev. breakdown call sheets,
casting voucher requistion for extras, cast list dressing.
box 12, folder 2
Bull Whip
General note
Written by Clark E. Reynolds. First draft Continuity 11/16/56.
box 12, folder 3
Calvalcade
General note
Written by Noel Coward. Adapted by Alistair Cooke, television play by Peter Packer. First draft 8/29/55, Final draft 9/1/55.
box 19, folder 3
Cavalcade photographs of Lord and Taylor's Shoe department, caricature from Haprer's Weekly 1866
box 12, folder 4
Child of the Regiment
General note
Written by Dewitt Bodeen. Shooting final 7/6/56, bound with revised pages.
box 12, folder 5
Christopher Bean
General note
Written by Mel Dinelli. Final script 10/13/55, Revised final 10/17/55.
box 12, folder 6
Courageous Coward (The)
General note
Written by William Spier. First draft 1/9/56. Final script 1/14/56.
box 13, folder 1
Crack Up
General note
Written by Peter Packer. Final script 12/27/55.
box 13, folder 2
Deep Water
General note
Written by Oscar Millard. Unrevised final 12/5/56.
box 15, folder 18
Empty Room
General note
Written by Dale and Katherine Eunson. Final draft 12/12/55, Shooting final 12/14/55.
box 13, folder 4
False Witness
General note
Written by Ben Feiner. Revised final 7/23/56, breakdowns for stock shots, inserts, narration, and continuity.
box 13, folder 5
Gun in his Hand
General note
Written by Steven Fisher. First draft continuity 1/13/56.
box 13, folder 6
In Times like These
General note
Written by Harry Segall. Revised first draft continuity 1/4/56, Bound with continuity breakdown.
box 13, folder 4
Late George Apley (The)
General note
Adaption by Edward Hope. Revised shooting final 10/4/55.
box 13, folder 8
Laura
General note
Adapted by Mel Dinelli. First draft 9/8/55.
box 13, folder 9
Mama's Boarding House
General note
Written by Dorothy Cooper. First draft continuity 4/12/56.
box 13, folder 10
Man of the Law
General note
Written by Daivd Lang. Final draft 12/10/56.
box 13, folder 11
Man on the Ledge
General note
Written by Steve Fisher. Final draft 11/7/55.
box 13, folder 12
Men Against Speed
General note
Written by John Robinson. First draft 7/26/56.
box 13, folder 13
Miracle on 34th Street
General note
Adaption by John Monks Jr. Second draft 9/16/55, with wardrobe breakdown.
box 19, folder 2
Money Maker (The)
General note
Shooting final,advance shooting schedule, staff, crew, cast lists, call sheets, production list, extra talent, requisition
for extras.
box 19, folder 2
Money Maker (The)
General note
Production materials, shooting final script, revised advanced shooting schedule, staff and crew list, casting vouchers, call
sheets, extra talent, atmosphere budget, req. for extras
box 14, folder 1
Money Maker (The)
General note
Adapted by Charles O'Neal. First draft Continuity, 6/12/56, Final shooting script 06/1/8/56.
box 14, folder 2
Operation Cicero
General note
Written by Ben Feiner Jr. Unrevised final 8/3/56, Shooting final 8/10/56.
box 14, folder 3
Overnight Haul
General note
Written by Leonard Freeman. Final draft 3/15/56, Shooting final 3/20/56.
box 14, folder 4
Ox-Bow Incident (The)
General note
Written by David Dortort. Final script 6/28/55, with shooting schedule, cast list, staff list, casting vouchers for extra
talent, daily production reports, call sheets.
box 15, folder 10
Program #1
General note
Written by Joe Parker and Henry Taylor. First draft 7/30/55.
box 14, folder 5
Seven Steps
General note
Written by Kitty Buhler. Second draft 9/20/56.
box 14, folder 6
Smoke Jumpers
General note
Written by Clark E. Reynolds. First draft Continuity 7/9/56, Final draft 7/17/56 with revised pages insertions.
box 14, folder 7
Top Gun
General note
Written by Sam Peckinpah. First draft 7/27/56.
box 14, folder 8
Window on the Sea
General note
Written by DeWitt Bodeen. First draft continuity 5/28/56, bound with production reports.
box 14, folder 9
World of Emil Markeim (The)
General note
Written by Maurice Zimm. Shooting final 7/31/56, Revised shooting final 8/3/56.
box 15, folder 17
Yacht on the High Sea
General note
Written by Whitfield Cook. Final draft 11/24/55.
box 18, folder 3
Young Mr. Lincoln
General note
Staff, crew and cast list.
box 13, folder 3
Young Mr. Lincoln
General note
Written by Maurice Zimm. First draft 9/7/56.
Affairs of China Smith (The)
box 9, folder 1
Bible of Mr. Quaile (The)
General note
Written by Herb Purdum, with breakdown.
box 9, folder 2
Devil Chaser (The)
General note
Written by Robert C. Dennis.
box 9, folder 3
Escort to Saigon
General note
Written by Robert C. Dennis.
box 9, folder 4
Manchu (The)
General note
Written by Geoffrey Homes.
box 9, folder 5
Night the Dragon Walked
General note
Written by Robert C. Dennis, with cast list.
box 9, folder 6
Plane to Tainan
General note
Written by Frank Burt. Second copy revised by Wilton Schiller, and Jack Laird.
box 9, folder 7
Proverb of Shen-tze
General note
Written by Robert C. Dennis, with breakdown.
box 9, folder 8
Sign of the Scorpion
General note
Written by Robert C. Dennis.
box 9, folder 9
Talons of Tonking (The)
General note
Written by Lawrence Goldman, Wilton Schiller and Jack Laird.
box 9, folder 10
Tidewalker (The)
General note
Written by Robert C. Dennis, with list with pencil revisions.
box 9, folder 11
Traveller from Tsingtao
General note
Written by Robert C. Dennis, with Cast list.
box 9, folder 12
Yellow Jade Lion
General note
Written by Rik Vollaerts and Lawrence Goldman, with cast list.
box 9, folder 13
Marriage that Couldn't Succeed
General note
Written by George Lefferts. Final shooting script, 12/5/56.
box 10, folder 1
Apache Dowry
General note
Written by David T. Chantler. Final draft 10/26/56, with casting voucher, call sheets, shooting schedule, staff and crew list.
box 10, folder 2
Attack on Fort Grant
General note
Written by Kay Lenard and Jess Carneol. First draft continuity 11/15/56.
box 10, folder 3
Caged written by Warren Wilson
General note
Written by Warren Wilson. Final draft, 8/21/56, First draft 8/17/56.
box 10, folder 4
Challenge written by Wallace Bosco (The)
General note
Written by Wallace Bosco. First draft, 8/21/56, Final draft 10/18/56, with cast list, salary scales, call sheets, staff and
crew list.
box 10, folder 5
Doctor (The)
General note
Written by Kay Lenard and Jess Carneol. Final draft 10/25/56, with staff and crew list, casting list call sheets, casting
vouchers.
box 10, folder 6
Ghostface
General note
Final draft 11/26/56, with cast lists, salary scale, revised shooting schedule, call sheets, staff and crew list.
box 10, folder 7
Hermano
General note
Written by John Dunkel. Final draft 8/30/56, with combined master shooting schedule and one-line breakdown, call sheets, cast
list.
box 10, folder 8
Johnny Flagstaff
General note
Written by Warren Wilson. First draft continuity 11/29/56.
box 11, folder 1
Legacy of a Hero
General note
Written by Wilton Schiller. Final draft 11/12/56, Incl. crew and cast list, call sheets, shooting schedule, list of added
shots.
box 11, folder 2
Mail Riders (The)
General note
Written by Clark E. Reynolds. First draft continuity 8/6/56, Final script 8/13/56, Final master shooting schedule, with cast
list, days-out-of-days cast schedule, one page re- write.
box 11, folder 4
Mirage
General note
Written by Warren Wilson. Final draft 9/7/56, with cast lists, call sheets. (new title Cry Wolf).
box 11, folder 5
Missionaries (The)
General note
Written by Dave Victor and Herbert Little. Final script 10/23/56, with cast lists call sheets, casting voucher.
box 11, folder 6
Passage Deferred
General note
Written by Jan Leman and Ted Thomas. Final script 8/3/56, with music clearance, cast lists, day-out-of-days cast schedule,
extra talent and stuntmen budget, horses and wranglers.
box 11, folder 7
Powder Keg
General note
Written by Arthur Orloff. Final script 10/18/56.Incl. cast lists, staff and crew list, combined shooting schedule and one
line breakdown, call sheets.
box 11, folder 8
Pursued
General note
Written by Rik Vollaerts. Final draft 10/1/56, Revised final 10/15/56.
box 11, folder 9
Raiders (The)
General note
Written by William Leicester. First Draft 8/17/56, Final script 8/20/56, Incl. cast lists, day-out-of-days cast schedule,
master shooting schedule, call sheets.
box 11, folder 10
Rebellion
General note
Written by DeVallon Scott. Final draft, 11/20/56, with cast lists, staff and crew list call sheets.
box 10, folder 11
Return from the Shadows
General note
Written by William R. Cox. First draft 9/14/56, with cast lists, staff and crew list, call sheets.
box 11, folder 12
San Francisco
General note
Written by Harold Swanton. New title Indian Bureau Scandal, First draft continuity 8/28/56, Final script 9/10/56, Master shooting
schedule, with cast lists, call sheets.
box 9, folder 14
Luke Fortune
General note
Written by Mary C. McCall, Jr. Revised script 2/24/56.
box 15, folder 1
Camera Man (The)
General note
Written by Jan Lehman, Ted Thomas and Lowell S. Hawley, Shooting final 3/13/56.
box 15, folder 2
Lock, Stock and Barrel
General note
Written by Warren Wilson. Shooting final 5/25/56.
box 15, folder 3
Lost River (The)
General note
Written by Jerry Sackheim. Final draft 12/5/55.
box 15, folder 4
Old Danny
General note
Shooting final 3/15/56.
box 15, folder 5
Phantome Herd (The)
General note
Written by Peter Packer. Shooting final 5/9/55.
box 15, folder 6
Rouge Stallion
General note
Final script 8/1/55.
box 15, folder 7
Runaways (The)
General note
Written by Kay Lenard. Shooting final 3/9/56.
box 15, folder 8
Unmasking (The)
General note
Written by David Lang. Shooting final 6/11/56.
box 15, folder 9
Wind from Heaven
General note
Written by George Asness. Final script 12/2/55.
box 9, folder 15
Medal of Honor
General note
Written by David Robinson.
box 18, folder 3
Courage of Stephen Decatur (The)
General note
Staff and crew list.
box 18, folder 3
Daniel Webster's Sacrifice to Save the Union
General note
Staff and crew list.
box 15, folder 14
End of the Dalton Gang (The)
General note
Written by Jack Bennett. 6/18/56.
box 18, folder 3
Fall of Fort Sumter (The)
General note
Staff and crew list.
box 19, folder 1
Fall Of Fort Sumter (The)
General note
Production materials: script, call sheet, breakdown, cast list with salary, staff and crew list, extra cost schedule, casting
voucher and production reports.
box 18, folder 3
First Moscow Purge Trial (The)
General note
Staff and crew list.
box 19, folder 1
First Moscow Purge Trial (The)
General note
Production materials: scripts, call sheets, breakdown, bit and cast lists, extras cost schedule, cast list with salary, staff
and crew list.
box 18, folder 3
Great Diamond Fraud (The)
General note
Staff and crew list.
box 19, folder 1
Great Diamond Fraud (The)
General note
Production materials: script, call sheets, breakdown, bit and cast list, extras cost schedule, production reports.
box 18, folder 3
Mr. Christian seizes the Bounty
General note
Staff and crew list.
box 18, folder 3
One Man Horse
General note
Cast and staff list.
box 15, folder 15
Salem Witch Trials
General note
Written by Milton Geiger. 7/30/56.
box 18, folder 3
Salem Witch Trials
General note
Production report.