Finding Aid for the Van Bogert Papers PASC.0153

Finding aid prepared by UCLA Performing Arts Library Special Collections staff, pre-1999; machine-readable finding aid created by Julie Graham and Caroline Cubé.
UCLA Library Special Collections
Online finding aid last updated 2014.
Room A1713, Charles E. Young Research Library
Box 951575
Los Angeles, CA 90095-1575
Business Number: 310-825-4988
Fax Number: 310-206-1864
spec-coll@library.ucla.edu


Contributing Institution: UCLA Library Special Collections
Title: Van Bogert papers
Creator: Bogert, Van
Identifier/Call Number: PASC.0153
Physical Description: 8.0 Linear Feet (20 boxes)
Date (inclusive): 1955-1956
Abstract: At the time the finding aid was created, there was no biographical information available about Van BogertThe collection consists of various drafts of scripts, production material, photographs, art work, and music from several television and motion picture productions.
Physical Location: Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page.
Language of Material: Materials are in English.

Conditions Governing Access note

Open for research. All requests to access special collections materials must be made in advance using the request button located on this page.

Restrictions on Use and Reproduction

Property rights to the physical objects belong to UCLA Library Special Collections. All other rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.

Provenance/Source of Acquisition

Gift of Connie McGuigan, 1981.

Preferred Citation

[Identification of item], Van Bogert Papers (Collection PASC 153). UCLA Library Special Collections, Charles E. Young Research Library, University of California, Los Angeles.

Processing Information

Processed by UCLA Performing Arts Library Special Collections staff, pre-1999.
Collections are processed to a variety of levels depending on the work necessary to make them usable, their perceived user interest and research value, availability of staff and resources, and competing priorities. Library Special Collections provides a standard level of preservation and access for all collections and, when time and resources permit, conducts more intensive processing. These materials have been arranged and described according to national and local standards and best practices.
We are committed to providing ethical, inclusive, and anti-racist description of the materials we steward, and to remediating existing description of our materials that contains language that may be offensive or cause harm. We invite you to submit feedback about how our collections are described, and how they could be described more accurately, by filling out the form located on our website: Report Potentially Offensive Description in Library Special Collections.  

UCLA Catalog Record ID

UCLA Catalog Record ID: 997094163606533 

Biography

At the time the finding aid was created, there was no biographical information available about Van Bogert.

Scope and Content

The collection consists of material related to the career of Van Bogert. The bulk of the collection includes drafts of scripts for several television and motion picture productions. Includes televison scripts representing the series The Affairs of China Smith, Broken Arrow, My Friend Flicka, The 20th Century-Fox Hour, and You Are There. The motion pictures projects represent the films Carousel , Can, Can, Daddy Long Legs, The King and I , and The Man in the Gray Flannel Suit, among others. Additionally there is a small amount of production material, black and white photographs, art work, and music.

Organization and Arrangement

Arranged in the following series:
  1. Motion Picture Projects
  2. Television Projects

Subjects and Indexing Terms

Television production and direction -- Archives.
Motion picture producers and directors -- Archives.
Television writers -- Archives.
Bogert, Van--Archives.

 

Motion Picture Projects

 

x

box 17, folder 7

D-DAY, THE SIXTH OF JUNE (1956)

General note

Black and white photograph of hair styles and make-up of Robert Taylor, Dana Wynter, George Pelling, Jennifer Raine, Louise Arthur, Marie Brown and Marie Todd, with one negative of Richard Todd.
box 12, folder 1

D-DAY, THE SIXTH OF JUNE (1956)

General note

Written by Harry Brown. First draft 8/17/55, Revised draft continuity by Harry Brown and Ivan Moffat 10/6/55.
box 11, folder 1

D-DAY, THE SIXTH OF JUNE (1956)

General note

Revised final script 12/16/55.
box 17, folder 5

D-DAY, THE SIXTH OF JUNE (1956)

General note

Black and white photographs (122) and negative (1) of wardrobe, hair styles and make-up of Robert Taylor, Dana Wynter, George Pelling, Jennifer Raine, Louise Arthur, Marie Brown, Richard Todd, and minor character
box 17, folder 6

EGYPTIAN, THE (1954)

General note

Photocopies of artist renderings of costumes for the Egyptian. Characters: Merit, Denmut, Baketamon, Nefer, Kipa, Horemheb, Eie, Akhnaton, and Sinhue, with 5 sheets of storyboards, pencil drawn.
box 5, folder 1

GIRL CAN'T HELP IT (1956)

General note

Written by Frank Tashlin. First draft 8/10/56.
box 4, folder 4

GIRL IN THE RED VELVET SWING, THE (1955)

General note

Written by Charles Brackett and Walter Reisch. Working script 2/4/55, First draft continuity 2/25/55, includes, break down list of actors and dancers for dance sequences.
box 18, folder 1

GIRL IN THE RED VELVET SWING, THE (1955)

General note

Cast list.
box 18, folder 1

GOOD MORNING MISS DOVE (1955)

General note

Staff list.
box 4, folder 2

GOODMORNING MISS DOVE (1955)

General note

Written by Eleanore Griffin. First draft continuity 5/13/55, Temporary script 6/27/55 bound with breakdown.
box 4, folder 3

HILDA CRANE (1956)

General note

Written by Philip Dunne. Working script 11/10/55, Final script 12/20/55.
box 18, folder 1

HOW TO BE VERY, VERY POPULAR (1955)

General note

Staff list.
box 5, folder 2

HOW TO BE VERY, VERY POPULAR (1955)

General note

Written by Nunnally Johnson. Final script 1/11/55.
box 19, folder 4

KING AND I, THE (1956)

General note

Black and white photographs (5).
box 5, folder 7

KING AND I, THE (1956)

General note

Written by Ernest Lehamn. First draft 11/30/54, Revised final 10/04/55.
box 5, folder 3

LAST WAGON, THE (1956)

General note

Written by James Edward Grant. Revised final 1/27/56.
box 5, folder 4

LEFT HAND OF GOD, THE (1955)

General note

Written by Alfred Hayes. 2/22/55.
box 6, folder 2

LIEUTENANT WORE SKIRTS, THE (1956)

General note

Entitled The Camp Follower written by Albert Beich. First draft written 7/2/53, Working script, written by Frank Tashlin 6/1/55.
box 6, folder 1

LIEUTENANT WORE SKIRTS, THE (1956)

General note

Entitled The Retread written by Frank Tashlin. Revised first draft continuity (incomplete through page 30, sequence 34), n.d., Temporary 7/18/55.
box 6, folder 3

LIEUTENANT WORE SKIRTS, THE (1956)

General note

Entitled I Lost my Wife to the Army written by Frank Tashlin. Final script 8/12/55.
box 19, folder 2

LORD VANITY (UNPRODUCED)

General note

Art department layouts of sets, revised final script 8/26/64.
box 18, folder 1

LOVE IS A MANY SPLENDORED THING (1955)

General note

Cast and staff list, publicity personnel addresses.
box 17, folder 5

LOVE IS A MANY SPLENDORED THING (1955)

General note

Black and white photographs and negatives (5) of Chungking sequence.
box 17, folder 2

LOVE IS A MANY SPLENDORED THING (1955)

General note

Black and white photographs (15) of hair styles, wardrobe shots, includes Leonard Strong, Richard Loo, Murray Matheson, Bill Holder, Torin Thatcher and Kam Tong.
box 17, folder 4

LOVE IS A MANY SPLENDORED THING (1955)

General note

Black and white photographs (14) and negatives (6) of interior Queen Elizabeth Hospital, Hong Kong.
box 17, folder 1

LOVE IS A MANY SPLENDORED THING (1955)

General note

Black and white photographs (27) and negs.(3) of restaurant boat, research department photocopies of Tai Pak Floating Restaurant in Hong Kong.
box 17, folder 3

LOVE IS A MANY SPLENDORED THING (1955)

General note

Black and white photographs (37) of hair styles, wardrobe includes Donna Martall, Jorja Courtright, Candice Lee, Sue Young, Isubel Elsom, and Virginia Gregg, with 7 wardrobe photographs.
box 5, folder 5

MAN IN THE GRAY FLANNEL SUIT, THE (1956)

General note

Written by Nunnally Johnson. Incomplete script 9/22/55.
box 5, folder 6

MAN WHO NEVER WAS, THE (1956)

General note

Written by Simon Wincelberg. Temporary script 1/3/55, Final script 1/14/55.
box 4, folder 5

OH, MEN! OH, WOMEN! (1957)

General note

Written by Nunnally Johnson. First draft script 4/30/56.
box 18, folder 1

ON THE THERESHOLD OF SPACE (1956)

General note

Staff list.
box 6, folder 6

ON THE THRESHOLD OF SPACE (1956)

General note

Written by Simon Wincelberg. Final script 08/29/55, Revised final 08/05/55.
box 6, folder 5

ON THE THRESHOLD OF SPACE (1956)

General note

Entitled Windblast written by Simon Wincelberg. Final Script 7/5/55, Revised final 8/5/55.
box 6, folder 4

ON THE THRESHOLD OF SPACE (1956)

General note

Entitled Space Medicine written by Simon Wincelberg. Revised first draft 6/8/55.
box 18, folder 1

OX-BOW INCIDENT, THE (1943)

General note

Staff and crew list.
box 7, folder 1

PROUD ONES, THE (1956)

General note

Written by Joseph Petracca & Edmund H. North. First draft n.d., final draft 7/14/55, Revised final 09/19/55, Shooting final 10/25/55, Revised shooting final 12/5/55.
box 7, folder 2

RAINS CAME, THE (1959)

General note

Written by Merle Miller. 2/24/55
box 8, folder 4

REVOLT OF MAMIE STOVER,THE (1956)

General note

Written by Sydney Boehm. Revised Final 1/20/55, Shooting final 10/31/55.
box 5, folder 8

RUN OF THE ARROW (1952)

General note

Written by Samuel Fuller, Treatment 12/31/52.
box 4, folder 6

SEVEN CITIES OF GOLD (1956)

General note

Written by Richard L. Breen & Joseph Petracca. Revised shooting final script 2/21/55.
box 18, folder 1

SHE-DEVIL, THE (1956)

General note

Staff and crew list.
box 18, folder 1

TALL MEN, THE (1955)

General note

Staff and crew list, Mexico location, total expenditures.
box 2, folder 5

TALL MEN, THE (1955)

General note

Written by Frank Nugent and Sydney Boehm. Final Script 02/25/55.
box 8, folder 1

TEENAGE REBEL (1956)

General note

Written by Charles Brackett and Walter Reisch. First draft continuity 4/18/56.
box 8, folder 5

TEENAGE REBEL (1956)

General note

Entitled A Roomful of Roses written by Charles Brackett and Walter Reisch. Working script 3/8/56.
box 7, folder 4

THERE'S NO BUSINESS LIKE SHOW BUSINESS

General note

Written by Phoebe and Henry Ephron. Shooting final script 4/26/54, Revised shooting script 5/12/54.
box 7, folder 3

THREE BRAVE MEN (1957)

General note

Written by Philip Dunne. Revised final script 8/25/56.
box 8, folder 2

TRUE STORY OF JESSE JAMES (1957)

General note

Written by Walter Newman. Temporary script 09/04/56.
box 19, folder 1

UNIDENTIFIED PROJECT(S)

General note

Includes wardrobe, hair styles, Chicquita the champanzee. Group shots of unidentifed cowboy on horse back, man out doors, one mounted photograph of women 1930's.
box 18, folder 1

VIEW FROM POMPEY'S HEAD, THE (1955)

General note

Studio staff, crew, and cast list.
box 8, folder 3

VIRGIN QUEEN, THE (1956)

General note

Entitled Sir Walter Raleigh, The Hawk and the Vulture written by Harry Brown. Rev. shooting final 2/17/54, 4th Rev. shooting final 1/27/55, 5th Rev. shooting final 2/21/55.
box 8, folder 7

WAYWARD BUS, THE (1957)

General note

Written by Ivan Moffat. First draft continuity 6/6/56.
box 8, folder 6

23 PACES TO BAKER STREET (1956)

General note

Written by Nigel Balchin. Final script 8/24/55.
box 2, folder 1

BERNARDINE (1957)

General note

Written by Theodore Reeves. Working script 3/21/56.
box 16, folder 1

BEST THINGS IN LIFE ARE FREE, THE (1956)

General note

Black and white photographs (233) and negatives (18) of wardrobe and hair styles for Sheree North, Julie Van Zandt, Mary Rodman, and minor female roles.
box 16, folder 4

BEST THINGS IN LIFE ARE FREE, THE (1956)

General note

Production material: casting vouchers, group payroll records, employee closing notices, lists of production numbers, requistitions for extra talent, with script, dated April 23, 1956.
box 16, folder 3

BEST THINGS IN LIFE ARE FREE, THE (1956)

General note

Black and white photographs (126) of wardrobe and hair styles of Phillis Avery and minor characters.
box 16, folder 2

BEST THINGS IN LIFE ARE FREE, THE (1956)

General note

Black and white photographs (110) and negatives (64) of wardrobe and headshots of Gordon MacRae, Ernest Borgnine, Dan Dailey and minor male roles.
box 1, folder 1

BEST THINGS IN LIFE ARE FREE, THE (1956)

General note

Written by William Bowers & John Monks Jr. Revised first draft continuity 11/29/55. Revised final script 4/18/56.
box 3, folder 1

BETWEEN HEAVEN AND HELL (1956)

General note

Entitled The Day the Century Ended written by Harry Brown. First draft 9/1/55, Revised Final 10/6/55, Revised shooting final 11/25/55.
box 3, folder 2

BIGGER THAN LIFE (1956)

General note

Entitled One in a Million written by Cyril Hume & Richard Maibaum. Final script 4/3/56.
box 3, folder 3

BIGGER THAN LIFE (1956)

General note

Entitled Ten Feet Tall written Cyril Hume and Richard Maibaum. First draft 12/23/55, Temporary script 1/17/56, Revised temporary script 2/13/56.
box 1, folder 2

BOTTOM OF THE BOTTLE, THE (1956)

General note

Written by Sydney Boehm. Writers working script 6/16/55, Revised first draft continuity 7/5/55.
box 1, folder 3

BOY ON A DOLPHIN (1957)

General note

Written by Alec Coppel. Working script 8/8/55, Temporary script 9/26/55, Revised script by Richard L. Breen and Walter Reisch 8/21/56.
box 1, folder 4

BUS STOP (1956)

General note

Written by George Axelrod. First draft 1/9/56.
box 2, folder 1

CAN-CAN (1960)

General note

Written by Claude Binyon. First draft continunity 3/27/56.
box 20, folder 1

CAROUSEL (1956)

General note

Scores for musical numbers: Blow High, Blow Low, If I Loved You, You'll never Walk Alone, Mister Snow, June is Bustin' out all Over, When the Children are Asleep, and 4 spirituals.
box 2, folder 3

CAROUSEL (1956)

General note

Written by Phoebe and Henry Ephron. Final shooting script 7/14/55 includes production material, cast list, weather outlook, inter-office memos.
box 18, folder 4

CAROUSEL (1956)

General note

Production material: staff,cast, studio and location lists.
box 2, folder 4

CAROUSEL (1956)

General note

Entitled R-H Project written by Phoebe and Henry Ephron, Final script 06/13/55.
box 4, folder 1

DADDY LONG LEGS (1955)

General note

Written by Phoebe and Henry Ephron. Shooting final script 9/29/54.
box 18, folder 1

D-DAY, THE SIXTH OF JUNE (1956)

General note

Production material: requistitions for artists, employee closing notices, cast requirements schedule, stunt persons, cast list,staff and crew list, list of arsenal requirements, military props, Navy.
 

Television Projects

 

20th Century-Fox Hour

box 15, folder 12

Anastasia

General note

Written by Bob Eisenbach. Segment only with call sheets and productin report 8/10/55.
box 15, folder 11

Between Heaven and Hell

General note

Written by Bob Eisenbach. First script covers seq. 1-13, 7/6/56, Second script covers seq.32-53, 10/17/56, contains call sheets and daily production reports.
box 12, folder 1

Broken Arrow

General note

Written by Clark E. Reynolds. Final script 2/15/56, bound with narration script, stock shot list, rev. breakdown call sheets, casting voucher requistion for extras, cast list dressing.
box 12, folder 2

Bull Whip

General note

Written by Clark E. Reynolds. First draft Continuity 11/16/56.
box 12, folder 3

Calvalcade

General note

Written by Noel Coward. Adapted by Alistair Cooke, television play by Peter Packer. First draft 8/29/55, Final draft 9/1/55.
box 19, folder 3

Cavalcade photographs of Lord and Taylor's Shoe department, caricature from Haprer's Weekly 1866

box 12, folder 4

Child of the Regiment

General note

Written by Dewitt Bodeen. Shooting final 7/6/56, bound with revised pages.
box 12, folder 5

Christopher Bean

General note

Written by Mel Dinelli. Final script 10/13/55, Revised final 10/17/55.
box 12, folder 6

Courageous Coward (The)

General note

Written by William Spier. First draft 1/9/56. Final script 1/14/56.
box 13, folder 1

Crack Up

General note

Written by Peter Packer. Final script 12/27/55.
box 13, folder 2

Deep Water

General note

Written by Oscar Millard. Unrevised final 12/5/56.
box 15, folder 18

Empty Room

General note

Written by Dale and Katherine Eunson. Final draft 12/12/55, Shooting final 12/14/55.
box 13, folder 4

False Witness

General note

Written by Ben Feiner. Revised final 7/23/56, breakdowns for stock shots, inserts, narration, and continuity.
box 13, folder 5

Gun in his Hand

General note

Written by Steven Fisher. First draft continuity 1/13/56.
box 13, folder 6

In Times like These

General note

Written by Harry Segall. Revised first draft continuity 1/4/56, Bound with continuity breakdown.
box 13, folder 4

Late George Apley (The)

General note

Adaption by Edward Hope. Revised shooting final 10/4/55.
box 13, folder 8

Laura

General note

Adapted by Mel Dinelli. First draft 9/8/55.
box 13, folder 9

Mama's Boarding House

General note

Written by Dorothy Cooper. First draft continuity 4/12/56.
box 13, folder 10

Man of the Law

General note

Written by Daivd Lang. Final draft 12/10/56.
box 13, folder 11

Man on the Ledge

General note

Written by Steve Fisher. Final draft 11/7/55.
box 13, folder 12

Men Against Speed

General note

Written by John Robinson. First draft 7/26/56.
box 13, folder 13

Miracle on 34th Street

General note

Adaption by John Monks Jr. Second draft 9/16/55, with wardrobe breakdown.
box 19, folder 2

Money Maker (The)

General note

Shooting final,advance shooting schedule, staff, crew, cast lists, call sheets, production list, extra talent, requisition for extras.
box 19, folder 2

Money Maker (The)

General note

Production materials, shooting final script, revised advanced shooting schedule, staff and crew list, casting vouchers, call sheets, extra talent, atmosphere budget, req. for extras
box 14, folder 1

Money Maker (The)

General note

Adapted by Charles O'Neal. First draft Continuity, 6/12/56, Final shooting script 06/1/8/56.
box 14, folder 2

Operation Cicero

General note

Written by Ben Feiner Jr. Unrevised final 8/3/56, Shooting final 8/10/56.
box 14, folder 3

Overnight Haul

General note

Written by Leonard Freeman. Final draft 3/15/56, Shooting final 3/20/56.
box 14, folder 4

Ox-Bow Incident (The)

General note

Written by David Dortort. Final script 6/28/55, with shooting schedule, cast list, staff list, casting vouchers for extra talent, daily production reports, call sheets.
box 15, folder 10

Program #1

General note

Written by Joe Parker and Henry Taylor. First draft 7/30/55.
box 14, folder 5

Seven Steps

General note

Written by Kitty Buhler. Second draft 9/20/56.
box 14, folder 6

Smoke Jumpers

General note

Written by Clark E. Reynolds. First draft Continuity 7/9/56, Final draft 7/17/56 with revised pages insertions.
box 14, folder 7

Top Gun

General note

Written by Sam Peckinpah. First draft 7/27/56.
box 14, folder 8

Window on the Sea

General note

Written by DeWitt Bodeen. First draft continuity 5/28/56, bound with production reports.
box 14, folder 9

World of Emil Markeim (The)

General note

Written by Maurice Zimm. Shooting final 7/31/56, Revised shooting final 8/3/56.
box 15, folder 17

Yacht on the High Sea

General note

Written by Whitfield Cook. Final draft 11/24/55.
box 18, folder 3

Young Mr. Lincoln

General note

Staff, crew and cast list.
box 13, folder 3

Young Mr. Lincoln

General note

Written by Maurice Zimm. First draft 9/7/56.
 

Affairs of China Smith (The)

box 9, folder 1

Bible of Mr. Quaile (The)

General note

Written by Herb Purdum, with breakdown.
box 9, folder 2

Devil Chaser (The)

General note

Written by Robert C. Dennis.
box 9, folder 3

Escort to Saigon

General note

Written by Robert C. Dennis.
box 9, folder 4

Manchu (The)

General note

Written by Geoffrey Homes.
box 9, folder 5

Night the Dragon Walked

General note

Written by Robert C. Dennis, with cast list.
box 9, folder 6

Plane to Tainan

General note

Written by Frank Burt. Second copy revised by Wilton Schiller, and Jack Laird.
box 9, folder 7

Proverb of Shen-tze

General note

Written by Robert C. Dennis, with breakdown.
box 9, folder 8

Sign of the Scorpion

General note

Written by Robert C. Dennis.
box 9, folder 9

Talons of Tonking (The)

General note

Written by Lawrence Goldman, Wilton Schiller and Jack Laird.
box 9, folder 10

Tidewalker (The)

General note

Written by Robert C. Dennis, with list with pencil revisions.
box 9, folder 11

Traveller from Tsingtao

General note

Written by Robert C. Dennis, with Cast list.
box 9, folder 12

Yellow Jade Lion

General note

Written by Rik Vollaerts and Lawrence Goldman, with cast list.
 

Best of the Post

box 9, folder 13

Marriage that Couldn't Succeed

General note

Written by George Lefferts. Final shooting script, 12/5/56.
 

Broken Arrow

box 10, folder 1

Apache Dowry

General note

Written by David T. Chantler. Final draft 10/26/56, with casting voucher, call sheets, shooting schedule, staff and crew list.
box 10, folder 2

Attack on Fort Grant

General note

Written by Kay Lenard and Jess Carneol. First draft continuity 11/15/56.
box 10, folder 3

Caged written by Warren Wilson

General note

Written by Warren Wilson. Final draft, 8/21/56, First draft 8/17/56.
box 10, folder 4

Challenge written by Wallace Bosco (The)

General note

Written by Wallace Bosco. First draft, 8/21/56, Final draft 10/18/56, with cast list, salary scales, call sheets, staff and crew list.
box 10, folder 5

Doctor (The)

General note

Written by Kay Lenard and Jess Carneol. Final draft 10/25/56, with staff and crew list, casting list call sheets, casting vouchers.
box 10, folder 6

Ghostface

General note

Final draft 11/26/56, with cast lists, salary scale, revised shooting schedule, call sheets, staff and crew list.
box 10, folder 7

Hermano

General note

Written by John Dunkel. Final draft 8/30/56, with combined master shooting schedule and one-line breakdown, call sheets, cast list.
box 10, folder 8

Johnny Flagstaff

General note

Written by Warren Wilson. First draft continuity 11/29/56.
box 11, folder 1

Legacy of a Hero

General note

Written by Wilton Schiller. Final draft 11/12/56, Incl. crew and cast list, call sheets, shooting schedule, list of added shots.
box 11, folder 2

Mail Riders (The)

General note

Written by Clark E. Reynolds. First draft continuity 8/6/56, Final script 8/13/56, Final master shooting schedule, with cast list, days-out-of-days cast schedule, one page re- write.
box 11, folder 4

Mirage

General note

Written by Warren Wilson. Final draft 9/7/56, with cast lists, call sheets. (new title Cry Wolf).
box 11, folder 5

Missionaries (The)

General note

Written by Dave Victor and Herbert Little. Final script 10/23/56, with cast lists call sheets, casting voucher.
box 11, folder 6

Passage Deferred

General note

Written by Jan Leman and Ted Thomas. Final script 8/3/56, with music clearance, cast lists, day-out-of-days cast schedule, extra talent and stuntmen budget, horses and wranglers.
box 11, folder 7

Powder Keg

General note

Written by Arthur Orloff. Final script 10/18/56.Incl. cast lists, staff and crew list, combined shooting schedule and one line breakdown, call sheets.
box 11, folder 8

Pursued

General note

Written by Rik Vollaerts. Final draft 10/1/56, Revised final 10/15/56.
box 11, folder 9

Raiders (The)

General note

Written by William Leicester. First Draft 8/17/56, Final script 8/20/56, Incl. cast lists, day-out-of-days cast schedule, master shooting schedule, call sheets.
box 11, folder 10

Rebellion

General note

Written by DeVallon Scott. Final draft, 11/20/56, with cast lists, staff and crew list call sheets.
box 10, folder 11

Return from the Shadows

General note

Written by William R. Cox. First draft 9/14/56, with cast lists, staff and crew list, call sheets.
box 11, folder 12

San Francisco

General note

Written by Harold Swanton. New title Indian Bureau Scandal, First draft continuity 8/28/56, Final script 9/10/56, Master shooting schedule, with cast lists, call sheets.
 

Millionaire

box 9, folder 14

Luke Fortune

General note

Written by Mary C. McCall, Jr. Revised script 2/24/56.
 

My Friend Flicka

box 15, folder 1

Camera Man (The)

General note

Written by Jan Lehman, Ted Thomas and Lowell S. Hawley, Shooting final 3/13/56.
box 15, folder 2

Lock, Stock and Barrel

General note

Written by Warren Wilson. Shooting final 5/25/56.
box 15, folder 3

Lost River (The)

General note

Written by Jerry Sackheim. Final draft 12/5/55.
box 15, folder 4

Old Danny

General note

Shooting final 3/15/56.
box 15, folder 5

Phantome Herd (The)

General note

Written by Peter Packer. Shooting final 5/9/55.
box 15, folder 6

Rouge Stallion

General note

Final script 8/1/55.
box 15, folder 7

Runaways (The)

General note

Written by Kay Lenard. Shooting final 3/9/56.
box 15, folder 8

Unmasking (The)

General note

Written by David Lang. Shooting final 6/11/56.
box 15, folder 9

Wind from Heaven

General note

Written by George Asness. Final script 12/2/55.
 

Sheriff of Cochise

box 9, folder 15

Medal of Honor

General note

Written by David Robinson.
 

You Are There

box 18, folder 3

Courage of Stephen Decatur (The)

General note

Staff and crew list.
box 18, folder 3

Cut Charlie In

General note

Cast sheet.
box 18, folder 3

Daniel Webster's Sacrifice to Save the Union

General note

Staff and crew list.
box 15, folder 14

End of the Dalton Gang (The)

General note

Written by Jack Bennett. 6/18/56.
box 18, folder 3

Fall of Fort Sumter (The)

General note

Staff and crew list.
box 19, folder 1

Fall Of Fort Sumter (The)

General note

Production materials: script, call sheet, breakdown, cast list with salary, staff and crew list, extra cost schedule, casting voucher and production reports.
box 18, folder 3

First Moscow Purge Trial (The)

General note

Staff and crew list.
box 19, folder 1

First Moscow Purge Trial (The)

General note

Production materials: scripts, call sheets, breakdown, bit and cast lists, extras cost schedule, cast list with salary, staff and crew list.
box 18, folder 3

Great Diamond Fraud (The)

General note

Staff and crew list.
box 19, folder 1

Great Diamond Fraud (The)

General note

Production materials: script, call sheets, breakdown, bit and cast list, extras cost schedule, production reports.
box 18, folder 3

Mr. Christian seizes the Bounty

General note

Staff and crew list.
box 18, folder 3

One Man Horse

General note

Cast and staff list.
box 15, folder 15

Salem Witch Trials

General note

Written by Milton Geiger. 7/30/56.
box 18, folder 3

Salem Witch Trials

General note

Production report.