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Table of contents What's This?
  • Restrictions on Access
  • Restrictions on Use and Reproduction
  • Preferred Citation
  • Processing Information
  • UCLA Catalog Record ID
  • Biography/History
  • Scope and Content

  • Contributing Institution: UCLA Library Special Collections
    Title: Al Gilks papers
    Creator: Gilks, Alfred
    Identifier/Call Number: LSC.1324
    Physical Description: 1.0 Linear Feet (2 flat boxes)
    Date (inclusive): 1920s-1970s
    Date (bulk): 1920s-1950s
    Abstract: Cameraman and cinematographer Al Gilks is credited with over sixty films. The collection consists of photographs, clippings, scripts, and printed trade publications related to Gilks?s career from the 1920s to the 1950s. Additionally there are mounted photographs related to his involvement with William K. Vanderbilt film, Over the Seven Seas.
    Physical Location: Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page.
    Language of Material: Materials are in English.

    Restrictions on Access

    Open for research. All requests to access special collections materials must be made in advance using the request button located on this page.

    Restrictions on Use and Reproduction

    Property rights to the physical objects belong to UCLA Library Special Collections. All other rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.

    Preferred Citation

    [Identification of item], Al Gilks papers (Collection 1324). UCLA Library Special Collections, Charles E. Young Research Library, University of California, Los Angeles.

    Processing Information

    Processed by Vanessa Villavicencio with assistance from Julie Graham.
    Collections are processed to a variety of levels depending on the work necessary to make them usable, their perceived user interest and research value, availability of staff and resources, and competing priorities. Library Special Collections provides a standard level of preservation and access for all collections and, when time and resources permit, conducts more intensive processing. These materials have been arranged and described according to national and local standards and best practices.
    We are committed to providing ethical, inclusive, and anti-racist description of the materials we steward, and to remediating existing description of our materials that contains language that may be offensive or cause harm. We invite you to submit feedback about how our collections are described, and how they could be described more accurately, by filling out the form located on our website: Report Potentially Offensive Description in Library Special Collections.  

    UCLA Catalog Record ID

    UCLA Catalog Record ID: 9969820173606533 

    Biography/History

    Al Gilks was born ca. 1892. He served in the U.S. Navy during World War I. He started his career as a cameraman in 1918. During World War II, Gilks served as a member of the Field Photographic Unit of the Office of Strategic Services under John Ford and was involved in the filming of the ?Canal Report?. Gilks worked at Paramount Studios for many years but was also involved in productions for other studios including MGM, RKO Radio Pictures, and C.V. Whitney Pictures. During his career, Gilks worked with the likes of Dorothy Arzner and Sam Wood, among others. His motion picture credits includes over sixty films such as An American in Paris, North of 36, Old Ironsides, Ruggles of Red Gap and Dr. Kildare features. In 1922, Gilks became a member of the American Society of Cinematographers. While filming Old Ironsides in 1926, Gilks's Navy background was useful for capturing the natural sailing conditions and operation of one of the first "nautical" cameras. In 1932, Gilks was involved in Over the Seven Seas, a production documenting William K. Vanderbilt?s round-the-world cruise for the Marine Museum. In 1951, Gilks shared the Academy Award in cinematography for his work on the MGM production, An American in Paris. Gilks retired in 1960. He died in 1970 from a heart attack in Hollywood, California.

    Scope and Content

    The collection consists of material related to the career of cinematographer Al Gilks. Included are photographs, clippings, scripts, and printed trade publications. Among the photographs are 67 mounted images representing Gilks?s involvement with the William K. Vanderbilt film, Over the Seven Seas, a small number of publicity photographs from Old Ironsides, and a small number of stills and photographs from unidentified film projects. Scripts include Rius the Widower, Ruggles of Red Gap sequence B pages, and the television series Halls of Ivy. Clippings represent writings about Gilks and/or projects in which he was involved, such as Old Ironsides. A small number of trade publications publicize the 24th Academy Award winners, which included Gilks. Materials in this collection represent only a small portion of Gilks?s career.

    Subjects and Indexing Terms

    Cinematographers -- United States -- Archives.
    Photographs.
    Gilks, Alfred--Archive.