Jump to Content

Collection Guide
Collection Title:
Collection Number:
Get Items:
Finding Aid for the Al Gilks papers, 1920s-1970s (Collection LSC.1324)
LSC.1324  
View entire collection guide What's This?
PDF (80.64 Kb) HTML
Search this collection
Collection Overview
 
Table of contents What's This?
Description
Cameraman and cinematographer Al Gilks is credited with over sixty films. The collection consists of photographs, clippings, scripts, and printed trade publications related to Gilks?s career from the 1920s to the 1950s. Additionally there are mounted photographs related to his involvement with William K. Vanderbilt film, Over the Seven Seas.
Background
Al Gilks was born ca. 1892. He served in the U.S. Navy during World War I. He started his career as a cameraman in 1918. During World War II, Gilks served as a member of the Field Photographic Unit of the Office of Strategic Services under John Ford and was involved in the filming of the Canal Report. Gilks worked at Paramount Studios for many years but was also involved in productions for other studios including MGM, RKO Radio Pictures, and C.V. Whitney Pictures. During his career, Gilks worked with the likes of Dorothy Arzner and Sam Wood, among others. His motion picture credits includes over sixty films such as An American in Paris, North of 36, Old Ironsides, Ruggles of Red Gap and Dr. Kildare features. In 1922, Gilks became a member of the American Society of Cinematographers. While filming Old Ironsides in 1926, Gilks's Navy background was useful for capturing the natural sailing conditions and operation of one of the first "nautical" cameras. In 1932, Gilks was involved in Over the Seven Seas, a production documenting William K. Vanderbilt?s round-the-world cruise for the Marine Museum. In 1951, Gilks shared the Academy Award in cinematography for his work on the MGM production, An American in Paris. Gilks retired in 1960. He died in 1970 from a heart attack in Hollywood, California.
Extent
1.0 linear ft. (2 flat boxes)
Restrictions
Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
Availability
Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information.