Manny Farber and Patricia Patterson Collection
Special Collections & Archives, UC San Diego Library
Special Collections & Archives, UC San Diego
Copyright 2024
9500 Gilman Drive
La Jolla 92093-0175
Business Number: 858-534-2533
Fax Number: 858-534-5950
spcoll@ucsd.edu
Descriptive Summary
Contributing Institution:
Special Collections & Archives, UC San Diego
9500 Gilman Drive
La Jolla 92093-0175
Title: Manny Farber and Patricia Patterson Collection
Creator:
Farber, Manny
Creator:
Patterson, Patricia, 1941-
Identifier/Call Number: MSS 0791
Physical Description:
25 Linear feet
(44 archives boxes, 1 shoe box of photographs, 17 flat boxes of artwork, 23 map case folders, 5 rolled drawings in tube storage
and 5 art bin artworks)
Physical Description:
.5 GB
of digital files
Date (inclusive): 1942-2016
Abstract: The collection of UC San Diego's Visual Arts Department faculty Manny Farber and Patricia Patterson. Manny Farber was an American
painter and writer, best known for his film criticism. Patricia Patterson is an American painter and writer, whose work was
greatly inspired by her time in Inishmore, Aran Islands, Ireland. The collection documents their artwork, teaching and writings,
as well as their life and collaboration.
Languages:
English
.
Scope and Content of Collection
The collection of UC San Diego's Visual Arts Department faculty members Manny Farber and Patricia Patterson. The materials
document Farber and Patterson's professional careers and include biographical information, writings, course lecture notes,
notebooks, sketchbooks, preparation for exhibits, photographic material, correspondence with friends and colleagues, and art
works such as drawings, sketches, and some oversized sketches and some small paintings.
This content is organized in three groupings: Manny Farber's material, Patricia Patterson's material, and oversized artwork
by both artists arranged by size and type.
Farber's collection is arranged in seven series: 1) BIOGRAPHICAL, 2) CALENDARS, NOTEBOOKS AND SKETCHBOOKS, 3) CORRESPONDENCE,
4) FILM SUBJECT FILES, 5) WRITINGS BY AND ABOUT FARBER, 6) EXHIBITS, INSTALLATIONS AND MISCELLANEOUS, and 7) PHOTOGRAPHIC
MATERIALS.
Patterson's collection is arranged in six series: 8) BIOGRAPHICAL, 9) CORRESPONDENCE, 10) NOTEBOOKS AND SKETCHBOOKS, 11) EXHIBITS,
INSTALLATIONS AND WRITINGS, 12) PHOTOGRAPHIC MATERIAL, and 13) PROJECTS AND SMALL ARTWORKS.
OVERSIZED ARTWORK is arranged in four series by size/housing type and includes: 14) MAP CASES, 15) TUBE STORAGE, 16) ART BINS
and 17) FLAT BOXES. This collection makes up the bulk of Farber and Patterson's art material and includes sketches, drawings,
exhibition and installation plans, oversized calendars, posters, some archival prints of their work, and a selection of their
paintings. The material spans the breadth of their respective artistic careers from early work in 1960s through 2000s, however
many drawings, sketches and artworks are undated.
Biography
Biographical Note: Manny Farber
Emanuel "Manny" Farber was born in Douglas, Arizona in 1917. He was educated at UC Berkeley, Stanford University, California
School of Fine Arts, and the Rudolph Schaeffer School of Design in San Francisco.
His journalistic career began in New York City where he wrote on films and art for The New Republic, replacing Otis Ferguson
in 1942, until 1946; in 1949 he became Time's film critic. He also wrote about film for The Nation, from 1949-1954; The New
Leader, 1957-59; Cavalier, in 1966; and Artforum, from 1967 through 1971, among other publications. A collection of Farber's
writings on film, Negative Space, was published in 1971, with a Da Capo Press Expanded Edition, Negative Space: Manny Farber
on the Movies, edited by Robert Walsh released in 1998, and Farber on Film: The Complete Film Writings of Manny Farber (Library
of America), edited by Robert Polito was published in 2009.
Farber's film criticism is often described as iconoclastic. He coined the term "underground film" and his essay, "White Elephant
Art vs. Termite Art", published in
Film Culture in 1962, influenced a generation of film critics. In Roger Ebert's "Manny Farber: In Memory," for the
Chicago Sun Times, he recalled their first meeting at the Venice Film Festival in 1972, where Ebert called Farber "…the most important film
critic in America."
Farber met artist Patricia Patterson, whom he later married, in New York City in 1962. They often collaborated on articles
and frequently attended film festivals.
He joined UC San Diego's Visual Arts Department in 1970 where he taught art and film studies and criticism until his retirement
in 1987. Concurrent to his art and film criticism and teaching, Farber began painting. When asked about the connection between
his paintings and film criticism, Farber is quoted as saying, "The brutal fact is that they're exactly the same thing." In
Farber's "Auteur Series" he paints a collection of work as homages to the films and filmmakers he admired – R.W. Fassbinder,
Howard Hawks, Anthony Mann, Sam Peckinpaw, Jean Renoir, and Wim Wenders among other auteurs.
Farber exhibited his artwork in several galleries, in group exhibitions as well as many solo shows. Some highlights of his
one-person exhibitions include: La Jolla Museum of Contemporary Art (now MCASD) A retrospective exhibition of 20 years of
his work, in 1978; Manny Farber, the Museum of Contemporary Art, Los Angeles in 1985; About Looking: Manny Farber Paintings
1984-1993 at Brandeis University; the first exhibition of his black and white paintings at the Mandeville Gallery, University
of California, San Diego in 1992; and new work at the Carnegie Museum in Pittsburgh in 1994. Several posthumous exhibits include:
One Day at a Time: Manny Farber and Termite Art, MOCA; Distant Light, at the Quint Gallery, in 2018; and Manny Farber Works
on Paper, 1968-1980, also at the Quint Gallery, in 2022.
Farber won several awards and fellowships throughout his career, including Guggenheim Fellowships and National Endowment for
the Humanities fellowships from 1976-1979, the Los Angeles Critics Association award in 1982, the Telluride Film Festival
Award for Contribution to Film in 1990, a Pen Center Literary Award in 1995, a National Society of Film Critics, Special Award
for the reprinting of an expanded edition of
Negative Space in 1999, a special 65th Annual New York Film Critics Circle Award in 2000, and the San Francisco International Film Festival,
Mel Novikoff Award in 2002.
He continued painting and drawing the remainder of his life. Farber died at age 91 in 2008. He has a daughter Amanda Farber,
also an artist, from his first marriage.
A good chronology and retrospective of his life and work is published in
Manny Farber, About Face by the Museum of Contemporary Art San Diego, 2003, with foreword by Hugh M. Davies, and essays by Jonathan Crary, Stephanie
Hanor, Sheldon Nodelman, Robert Polito and Robert Walsh.
Biographical Note: Patricia Patterson
Patricia Patterson was born in Jersey City, New Jersey in 1941. In 1958, Patterson began a three-year program in studio design
at the Parsons School of Design, in New York City. She met Farber in New York and began a writing collaboration with him in
1966. Their writings appeared in Artforum, Film Comment, and San Francisco's City magazine in 1975, during Francis Ford Coppola's
reign as publisher.
Prior to joining the faculty in UC San Diego's Visual Arts Department in 1975, Patterson taught art in Catholic grammar schools
in the Bronx and Lower East Side of Manhattan, and at the New School for Social Research, and for six months taught drawing
classes for UC San Diego's Extension program.
Patterson first visited the Aran Islands, off the west coast of Ireland in 1960, and returned several times throughout her
painting career. Her experience living in the Aran Islands, its people, farm life and scenery greatly influenced her painting.
In addition to teaching, Patterson took part in various public art projects in the 1990s, including installations with InSite,
a collaborative contemporary art organization that produced public art in the San Diego-Tijuana region. Her first project
was Union Market Island Front for InSite94. Highlighting her love of color, Patterson reimagined, renovated, and oversaw the
painting of four city blocks, including The New Children's Museum of San Diego. Patterson also collaborated with graphic designer
Leah Roschke on the redesign of the museum's logo. In 1997, Patterson's designed the La Casita project "La Casita en la Colonia
Altamira Calle Río de Janeiro No. 6757" for InSite97. Patterson's La Casita project transformed a small home in Tijuana into
a vibrant space for the surrounding community.
She retired from teaching at UC San Diego in 1999 to focus on travel and other large installation projects. Patterson's An
Enclosed Garden which she designed and planned from the ground up, was chosen for The Color Project in Carlsbad Ranch's Flower
Fields in 2000, which became a permanent garden space.
In 2003, the Atheneum Music & Arts Library in La Jolla, California celebrated the works of Manny Farber and Patricia Patterson
with their first exhibition together called Two for the Road: Sketchbooks of Patricia Patterson & Manny Farber. A keepsake
book was produced for the event.
A good chronology of Patterson's work is published in
Patricia Patterson: Here and There, Back and Forth, organized by the Center for Performing Arts, in Escondido, California in 2011, which celebrated Patterson's work with an
exhibit, and includes a collection of essays by Patterson, Kent Jones, Carol Mavor, Robert Polito, and Sally Yard, as well
as two interviews conducted by Robert Walsh in 1989 and 2010.
Two video interviews with Patterson were produced by UCTV. "Robert Polito and Patricia Patterson: Farber on Film" in 2010,
and "Patricia Patterson: Aran Canvas" in 2019. Link here: https://www.uctv.tv/speakers/Patricia-Patterson-87926
Preferred Citation
Manny Farber and Patricia Patterson Collection. MSS 791. Special Collections & Archives, UC San Diego Library.
Acquisition Information
Acquired 2016, 2022
Publication Rights
Publication rights are held by the creator of the collection.
Digital Content
This collection includes a small number of born-digital files, described in the finding aid.
Restrictions
Containers MC-198-08, Box 49 (folders 1-4), and FB-574 contain fragile materials damaged by fire, as noted in the finding
aid. Researcher use requires permission of the Director of Special Collections.
Related Materials
InSite Archives. MSS 707. Special Collections & Archives, UC San Diego Library.
UC San Diego. University Art Gallery records. RSS 1255. Special Collections & Archives, UC San Diego Library.
Subjects and Indexing Terms
Farber, Manny -- Archives
Patterson, Patricia, 1941- -- Archives
BIOGRAPHICAL
Scope and Content of Series
Series 1) BIOGRAPHICAL: Includes Farber's awards and fellowships, copies of his curriculum vitae and resume, obituaries, a
numbered inventory of his paintings, and his UC San Diego faculty administrative file. Materials range in date from the 1970s
through 2008. UC San Diego's Visual Arts program dedicated their 2008 festival to Farber.
Box 1, Folder 1
Award - 65th Annual New York Film Critics Circle Award
2000
Box 1, Folder 2
Award - Guggenheim Fellowship
1976-1979
General note
Includes correspondence with Standish D. Lauder, Chair of Visual Arts Department, UC San Diego.
Oversize FB-567, Folder 8
Awards - Los Angeles Critics Association; New York Critics
1982, 1999
Box 1, Folder 3
Award - National Endowment for the Humanities
1976-1978
Box 1, Folder 4
Award - National Society of Film Critics, Special Award for the reprinting of an expanded edition of
Negative Space
1999
Box 1, Folder 5
Award - Pen Center Literary Award
1995
Box 1, Folder 6
Award - UC San Diego Fifth Annual Undergraduate Arts Festival, dedication to Farber
1987
Box 1, Folder 7
Award - San Francisco International Film Festival, Mel Novikoff Award
2002
Box 1, Folder 8
Obituaries from the
New York Times, Wall Street Journal, San Diego Union Tribune and other publications.
2008
Box 1, Folder 9
Paintings - Numbered inventory
undated
Box 1, Folder 10-11
Resume and biographical summary
1977-1999
Box 1, Folder 12
UC San Diego faculty materials
1977-1980
CALENDARS, NOTEBOOKS AND SKETCHBOOKS
Scope and Content of Series
Series 2) CALENDARS, NOTEBOOKS AND SKETCHBOOKS: Arranged in three subseries. Calendars are arranged in chronological order,
ranging in date from approximately 1987 through 2002 and include notes on various professional activities such as film festivals
and exhibitions. Notebooks are organized in numbered order, are primarily undated, and include course lecture and film notes,
exhibit preparation and sketches. Unnumbered notebooks are located at the end of this subseries. The timeframe for this material
is approximately 1970s through 2000. Sketchbooks include Farber's rough sketches, drawings, paintings on paper as well as
notes.
Box 8, Folder 1-10
Unnumbered art and film class notebooks and notes
ca. 1974-1991
Box 8, Folder 11
Figures, drawings, and notes
Box 9, Folder 1-10
Figures, drawings, and notes
Box 10, Folder 1-4
Figures, drawings, and notes
Box 11, Folder 1-2
Figures, drawings, and notes
Box 11, Folder 3
Copies of sketches from travel sketchbooks
ca. 2002
CORRESPONDENCE
Scope and Content of Series
Series 3) CORRESPONDENCE: Arranged alphabetically by correspondent. Includes letters and cards from professional and personal
correspondents. Some letters and cards may be addressed to both Manny Farber and Patricia Patterson, and range in date from
approximately 1967 until his death in 2008. Correspondence addressed to Patricia Patterson alone, as well as letters of condolence
are located in Patterson's correspondence series.
Box 12, Folder 1
Almereyda, Michael (Larry Shapiro)
ca. 1977-2005
Box 12, Folder 2
The American Film Institute (Rick Thompson)
1970
Box 12, Folder 3
American Zoetrope production company
undated
Box 12, Folder 5
Armstrong, Richard (The Carnegie Museum of Art)
1993-2013
Box 12, Folder 6
Art Center, College of Design, Los Angeles
1975-1984
Box 12, Folder 7
Art Forum (Philip Leider)
1967-1972
Box 12, Folder 8
Baker, Kenneth and Tonia Aminoff
1998, 2006
Box 12, Folder 9
Bellamy, Dick (Oil and Steel Gallery)
ca. 1998
Box 12, Folder 10
Book publication correspondence
1971-1978
Box 12, Folder 11
Cahiers du Cinema, Editions de l'Etoile (Patrice Rollet)
1982-1989
Box 12, Folder 12
Chanel, lawsuit correspondence
1990
Box 12, Folder 18
Danoff, I. Michael (Michener Collection, University of Texas - Austin)
1973-1974
Box 12, Folder 19
DeCapo Press, Inc. (Re:
Negative Space)
1996-1997
Box 12, Folder 20
Durgnat, Raymond (Dartmouth College)
1977-1984
Box 12, Folder 21
Ebert, Roger, card and In Memoriam
1986. 2008
Box 12, Folder 22
Farber, Amanda, and Mathieu Albert Gregoire (wedding announcement)
1992
Box 12, Folder 23
Farber, Manny - Draft letters
undated
Box 12, Folder 24
Farber, Manny - Fan mail
1972-1993
Box 12, Folder 25
Film Comment correspondence
1971-1983
Box 12, Folder 27-28
Film festivals. Includes passes from Telluride Film Festival
1971-1990
Box 12, Folder 31
Freilicher, Melvyn (Mel)
1982
Box 12, Folder 32
Frumkin/Adams Gallery
1994
Box 12, Folder 33
Galleries - Miscellaneous correspondence
1982
Box 12, Folder 34
Gehr, Ernie (The Film Makers' Coop)
1972-1976
Box 12, Folder 35
Glenn, Jack (Jack Glenn Gallery)
1974-1975
Box 12, Folder 36
Goethe Center, San Francisco
1974-1975
Box 12, Folder 38-39
Gorin, Jean-Pierre. Includes screenplay - copy of "Tout va Bien"
1972-1997
Box 13, Folder 1
Harkus-Krakow Gallery
1973, 1975
Box 13, Folder 4
Kozloff, Joyce and Max
1977
Box 13, Folder 6
Kushner, Robert (Bob)
1972
Box 13, Folder 8
Lectures and talks
1976-1978
Box 13, Folder 10
Los Angeles County Museum of Art (LACMA)
1968
Box 13, Folder 11
Luddy, Tom (Pacific Film Archive)
1974, 1976
Box 13, Folder 12
MacConnel, Kim and Nina
undated
Box 13, Folder 14
Michaelson, Annette
1973, 1977
Box 13, Folder 17
Museum of Contemporary Art Los Angeles
1985
Box 13, Folder 18
Museum of Contemporary Art San Diego
1991-2001
Box 13, Folder 19
The Museum of Modern Art, New York
1967-1974
Box 13, Folder 20
National Endowment of the Arts, National Council on the Arts
1968
Box 13, Folder 21
The National Film Preserve Ltd., Re: Telluride Film Festival
1986
Box 13, Folder 22
New York University, Institute of Film and Television
1968, 1972
Box 13, Folder 27
Petit, Chris and Emma
1998
Box 13, Folder 28
Plagens, Peter (University of North Carolina)
1972-1980
Box 13, Folder 29
Praeger Publishers
1969-1972
Box 13, Folder 31
Quint Gallery (Marc and Anna Quint)
1994-2009
Box 13, Folder 33
Rolling Stone, (Jim Bickhart, Editor, Los Angeles Flyer supplement)
1971
Box 13, Folder 34
Rosenbaum, Jonathan (
Chicago Reader)
1969-2001
Box 14, Folder 1
San Diego Museum of Art
1991, 1993
Box 14, Folder 4
Scanga, Italo and Stephanie
1978
Box 14, Folder 6
Shepherd, Duncan
1971-2008
Box 14, Folder 7
Sharpe, Sheila and Michael
2006
Box 14, Folder 8
Silva, Ernest, and Cora Boyo
1991
Box 14, Folder 10
Simon & Schuster, Inc. (Charlotte Seitlin, Senior Editor)
1968
Box 14, Folder 11
St. Andrews School, Tennessee (Father Franklin Martin)
1972
Box 14, Folder 12
St. John's University, New York
1969
Box 14, Folder 16
Temple University Press (Maurice English)
1969-1972
Box 14, Folder 17
Texas Gallery, Re: exhibition
1991
Box 14, Folder 18
Towndrow, Jennifer (Studio Vista Limited Publishers)
1970
Box 14, Folder 19
University of California, San Diego - General departmental and administrative correspondence
1968-1974
Box 14, Folder 20
University of California, San Diego - Student correspondence
1972-1993
Box 14, Folder 21
Walker, Beverly
1972, 1991
Box 14, Folder 22
Walsh, Robert (Legal Affairs Editor,
Vanity Fair)
1989-2008
Box 14, Folder 23
Waters, Alice (Chez Panisse)
1989-2008
Box 14, Folder 25
Wenner, Jann (
Rolling Stone)
1972
Box 14, Folder 27
Wilson, Robert (Bob)
1968-1970
Box 14, Folder 28
Miscellaneous correspondence
1965-2008
FILM SUBJECT FILES
Scope and Content of Series
Series 4) FILM SUBJECT FILES: Arranged in alphabetical order primarily by filmmaker or film period/genre. Includes Farber's
handwritten notes, and some typed course materials such as syllabi, exams, and notes for his film and art classes in the Visual
Arts Department, UC San Diego. Most material is undated but spans the course of Farber's teaching career from 1970 to 1987.
Box 15, Folder 18
Fassbinder, Rainer Werner
Box 15, Folder 20
Forties and Fifties films
Box 15, Folder 23
Godard, Jean-Luc. Includes articles on Gorin/Godard
Box 15, Folder 24
Gorin, Jean-Pierre. Visual Arts 187 Genre Series class - 1983
Box 16, Folder 11
"Mouchette" by Robert Bresson, and "Broken Blossoms" by D. W. Griffith
Box 16, Folder 19
Radical Form - "A Hard Look at the Movies." Farber's class notes for Visual Arts 188
Box 16, Folder 29
dos Santos, Nelson Pereira
Box 17, Folder 4
Thirties and Seventies films
Box 17, Folder 6
Venice Film Festival - 1972
Box 17, Folder 16
UC San Diego Visual Arts 185, Farber's class notes for David Antin
1974
Box 17, Folder 17
UC San Diego Visual Arts 187 Genre Series - Third World Cinema notes
1978
Box 17, Folder 18-19
UC San Diego Visual Arts 189 Reserve Reading and notes
1979
WRITINGS BY AND ABOUT FARBER
Scope and Content of Series
Series 5) WRITINGS BY AND ABOUT FARBER. Arranged in three subseries: A) Film and Art Criticism by Farber and Patterson, B)
Interviews and Talks, and C) Articles and Essays about Farber.
A) Film and Art Criticism by Farber and Patterson includes primarily copies of articles and film criticism written by Farber
and Patterson. Farber's solo writings and well as his collaborations with Patterson are noted in this writing series. Farber's
reviews appeared in
Artforum,
City Magazine,
Film Comment,
The Nation,
The New Republic, among other journals. Some drafts and notes are also included in this series.
B) Interviews and Talks. Highlights include Manny Farber and Patricia Patterson interviewed by Richard Thompson,
Film Comment, and "Voices Merging" an interview with Farber and Patterson conducted by Robert Walsh.
C) Articles and Essays about Farber. Highlights include "Manny Farber Critique et Peintre Du Cinema," by Jean-Pierre Gorin
and O. Assayas, in
Cahiers du Cinema, a draft of the forward to Farber's
Negative Space, by Robert Walsh, and a draft of "Manny Farber: The Garden of Earthly Routines," by Jonathan Crary, a draft chapter for
Manny Farber: About Face.
Film and Art Criticism by Farber and Patterson
Box 18, Folder 1
Artforum articles by Farber
ca. 1970
Box 18, Folder 2
City Magazine articles by Farber and Patterson
1975
General note
Includes Gothic Lives! Rainer Fassbinder: Deep in Munich's Counter-Mainstream, and other writings.
Box 18, Folder 3
Film Comment articles by Farber and Patterson
1975-1977
General note
Includes Beyond the New Wave: I. Kitsch Without the Kitchen, The Power and the Gory, and other writings.
Box 18, Folder 4
The Nation articles by Farber
1949-1954
Box 18, Folder 5
The New Republic articles by Farber
1942-1946
Box 18, Folder 6
"Nashville: Good Ole Country Porn," in
City of San Francisco, by Farber
1975 August 3
Box 18, Folder 7
"Preston Sturges: Success in the Movies" in
Film Comment by Farber
1954
Box 18, Folder 8
"White Elephant Art vs. Termite Art", in
Film Culture, copy of article by Farber. Includes articles on Termite Art influence.
1962
Box 18, Folder 9-10
Miscellaneous articles and writings
ca. 1980-2005
Box 18, Folder 11
Manny Farber and Patricia Patterson interviewed by Richard Thompson,
Film Comment
1977
Box 18, Folder 12
Voices Merging - Interview with Farber and Patterson conducted by Robert Walsh, draft with edits
undated
Box 18, Folder 13
Lecture - Farber on Fassbinder and the New German Cinema, Katzelmacher, event poster
1978 September
Box 18, Folder 14
Lecture - The Film Watch, Orange Coast College, event poster
1979
Articles and Essays about Farber
Box 18, Folder 15
Articles and reviews on Farber's art and writings
1973-2005
Box 18, Folder 16-17
"Manny Farber Critique et Peintre Du Cinema," by Jean-Pierre Gorin and O. Assayas, in
Cahiers du Cinema
General note
Includes draft of English translation.
Box 18, Folder 18
Manny Farber, article by Carrie Rickey
Box 18, Folder 19
Negative Space, draft of forward by Robert Walsh
1997-1998
General note
Negative Space later expanded title
Negative Space: Manny Farber on the Movies.
Box 18, Folder 20
Robert Walsh draft speech on Farber
undated
Box 18, Folder 21
Manny Farber: The Garden of Earthly Routines, by Jonathan Crary. Draft chapter for
Manny Farber: About Face
ca. 2003
Box 18, Folder 22
Article - Farber's influence on UC San Diego film students
2000-2005
Box 19, Folder 1-2
Art reviews - About Farber's paintings
1976-1997
Box 19, Folder 3-5
Collected articles and reviews about Farber
1971-2019
Box 19, Folder 6
Articles and reviews about
Negative Space
ca. 1971-1998
Box 19, Folder 7
Manny Farber: About Face, article and exhibit, Museum of Contemporary Art, San Diego
2003-2004
Box 19, Folder 8
Farber profile in
The New Yorker, by Mark Singer
1990
Box 19, Folder 9
Manny Farber and the Landscape, draft essay by Kevin Parker in
Artforum
1985 February
Box 19, Folder 10
For Stewart, Mann was Man to See, by Roger Ebert, Chicago Sun Times. Article on Manny Farber interview of James Stewart at
Telluride Film Festival
1986
Box 19, Folder 11
Lectures and film festival appearances
EXHIBITS, INSTALLATIONS AND MISCELLANEOUS
Scope and Content of Series
Series 6) EXHIBITS, INSTALLATIONS AND MISCELLANEOUS: Includes flyers, booklets, announcements and publicity about Farber's
major exhibits and other installation material.
Box 20, Folder 1
Exhibition announcements
1970-1978
General note
Includes O.K. Harris Gallery show, Aztec Center show, "Recent Paintings" at David Stuart Galleries, "Critic's Choice - Four
Films and Discussions", and exhibit organized by La Jolla Museum of Contemporary Art.
Box 20, Folder 2
Exhibition announcements
1981-1987
General note
Includes Mira Costa College show, Diane Brown Gallery show, Hanes Art Center show, "Explore: UCSD Extension," Texas Gallery
show, and "Selected Painting" at Krygier/Landau Contemporary Art.
Box 20, Folder 3
Exhibition announcements
1984-2008
General note
Quint Gallery. Includes exhibition lists.
Box 20, Folder 4
Exhibition announcements
1992-1997
General note
"Quint/Krichman Projects", "Recent Work" at Rosa Esman Gallery, "New Paintings" at Frumkin/Adams Gallery, Charles Cowles Gallery
show, "Manny Farber at the Movies", "Six Solo Exhibitions", and "SummerFest La Jolla."
Box 20, Folder 5
Exhibition announcements
2003-2010
General note
Includes "About Face", "View", "Four Americans", "[Revues - Parlees/Forums de Societe]", "On Flowers", "Film Museum", "Manny
Farber - Four Decades of Paintings and Drawings", and San Diego Convention and Visitors Bureau pamphlet.
Box 20, Folder 6
Paintings and price lists
Box 20, Folder 9
Exhibit layout notes
1978
Box 20, Folder 10
"Messages"- Notes and ideas
Box 20, Folder 12
Museum of Contemporary Art, San Diego, licensing agreements
2001
Box 20, Folder 13
"Two for the Road" - Sketchbooks of Patterson and Farber, with essay by Sally Yard
2003
Box 20, Folder 14
UCSD 25th Anniversary Celebration - Arts Festival, calendar (Farber and Patterson)
1985-1986
Box 20, Folder 15
Exhibition/presentation at Neuberger Museum
1984 June 24
Box 20, Folder 17
Abstract paintings exhibition, La Jolla Museum of Contemporary Art - Exhibit plans, notes, measurements
1986
PHOTOGRAPHIC MATERIALS
Scope and Content of Series
Series 7) PHOTOGRAPHIC MATERIALS. Organized in five subseries: A) Miscellaneous Prints and Photographs of Paintings, B) American
Candy Series, C) Auteur Series (Painted Homages to Great Filmmakers) and Film Themed Artwork, D) American Stationery Series
and E) Slides and Negatives. Photographs are grouped by Farber's major painting series - American Candy Series, Auteur Series,
and American Stationary Series.
Other photographic materials include various prints of backgrounds for his paintings, and some portraits and informal photographs
of Farber and Patterson.
Miscellaneous Prints and Photographs of Paintings
Box 20, Folder 18
Amanda's Dream. Photograph of artwork
Box 20, Folder 19
Black and white movies stills. Films of Fassbinder, Laurel and Hardy, Fred Astaire
Box 20, Folder 20
Portraits, headshots, photograph with Patricia and Robert Walsh
Box 21, Folder 1-2
Photographic prints (b/w). Includes abstract expressionist cardboard series
ca. 1960s
Box 21, Folder 3
Farber portrait from Union-Tribune
Box 21, Folder 4-5
Farber in studio with artwork, includes images with film director, in Leucadia, CA, and studio, upstairs bedroom, garden and
kitchen
ca. 1990s
Box 21, Folder 6
Jack Glenn Gallery, b/w photographs
Box 21, Folder 7
Abstractions, glossy b/w photographs
Box 21, Folder 8
Farber paintings b/w photographs by John Reed
Box 21, Folder 9
Circle paintings: Photographs, notes, and xeroxes
Box 21, Folder 10
Across the Tracks, b/w photographs
Box 21, Folder 11
Miscellaneous prints of Farber painting
American Candy Series (1973-1975)
Box 21, Folder 12
American Candy Series, index/list - Ten in series, misc. photographs and notes
Box 21, Folder 13
American Candy Series (pre-titled American Candy) photographic prints (b/w)
Box 21, Folder 14
American Candy Series - photographs, notes of paintings, oil on paper
Box 21, Folder 19
Pictures You can Eat, photograph (b/w)
Box 21, Folder 21
Cracker Jack, preliminary drawing and negatives
Box 21, Folder 23
Black Crows, photograph (b/w)
Box 21, Folder 24
Fresca, photographs (b/w)
Box 21, Folder 25
Striped Candy, photographs (b/w)
Box 21, Folder 26
Big Buddy, photograph (b/w)
Box 21, Folder 27
School Boy Taffy, preliminary sketch, negatives, and slide
Box 21, Folder 28
Milk Duds, photographs (b/w)
Auteur Series (Painted Homages to Great Filmmakers) and Film Themed Work
Box 21, Folder 29
Auteur series - Notes
1976-1978
Box 21, Folder 30
McCabe and Mrs. Miller, photographs
1976
Box 21, Folder 31
The Lady Eve, photographs
1976-1977
Box 21, Folder 32
Jean Renoir's La Bete Humaine, photographs
1977
Box 21, Folder 33
The Films of R.W. Fassbinder, photographs
1977
Box 21, Folder 34
Mann of the West, photographs
1978
Box 21, Folder 35
Howard Hawks: A Dandy's Gesture, photographs
1977
Box 21, Folder 36
Sam Peckinpah's Western I, "Flying Cars", photographs
1978
Box 21, Folder 37
Sam Peckinpah's Western II, photographs
1978
Box 21, Folder 38
Peckinpah's Convoy, photographs
1978
Box 21, Folder 39
Wim Wender's "Kings on the Road", photographs
1978
Box 21, Folder 40
Point Blank, photographs
1978
Box 21, Folder 41
Bud Boetticher's Westerns, photographs
1978
Box 22, Folder 1
Mostly The Wild Bunch, photographs
1978
Box 22, Folder 2
Honeymoon Killers, photographs
1979
Box 22, Folder 3
"Thinking About History Lessons", "Birthplace: Douglas, Arizona", and "Have a Chew on Me", photographs
1979-1983
Box 22, Folder 4
It isn't the coffee, it's the bunk, photographs
1982
Box 22, Folder 5
Other Men's Women, etc., photographs
1979
Box 22, Folder 6
"Between the Straubs and Muybridge", photographs
1980
Box 22, Folder 7
Taking Off from a Road Picture, photographs
1980
Box 22, Folder 8
"Marguerite Duras, Possibly", Sherlock Jr.", "Skirmishes", and "Shadow World", photographs
1980-1983
Box 22, Folder 9
Roads and Tracks, photographs
1981
Box 22, Folder 10
"Thank God I'm Still an Atheist" and "Tuy was great", photographs
1981, 1984
Box 22, Folder 11
A Real Bad Boy, photographs
1982
Box 22, Folder 12
Rohmer's Knee, photographs
1982
Box 22, Folder 14
For Fontane Fox, photographs
1983
Box 22, Folder 15
Don't Worry It, photographs
1983
Box 22, Folder 17
"The Joyces felt humiliated" and "Keep blaming everyone" photographs
1983-1984
Box 22, Folder 18
"Under the Hammer", "Victor", and "Why Bill, Bill Wiley", photographs
1984
Box 22, Folder 19
Apple, Nadir Street, photographs
1984
Box 22, Folder 20
Check the Leader, photographs
1984
Box 22, Folder 22
Go for tricks, photographs
1984
Box 22, Folder 24
Oh, Brother!, photographs
1984
Box 22, Folder 25
"Duty, Ritual, Art Moves", photographs
1984
Box 22, Folder 26
From Bunuel, photographs
1985
Box 22, Folder 27
"Passive is the Ticket", "Story of the Eye", and "Get it finished", photographs
1984-1985
Box 22, Folder 28
"Earth, Fire, Air, Water" and "Change of Direction", photographs
1984-1985
American Stationery Series
Box 22, Folder 29-40
American Stationery -Photographs (b/w)
1978
General note
Includes: "The Eraser, the Ruler and the Ad Sheet," "Four Filing Cards and A Ruler", "Five File Cards and Five Liquid Paper
Bottles", "Razor and Two Tobacco Boxes", "Ad sheet with Yellow Thayer Box", "Eight Liquid Paper Bottles", "The Eraser, the
Ruler, and the Ad Sheet", and "Two Red Snuff Cans and Three Little Typewriters".
Box 22, Folder 41-42
Cut outs and notes
1976-1978
Box 23, Folder 1-8
Slide catalog of artwork, exhibitions - Manny Farber
1973-1999
Box 23, Folder 9
Kornblee installation, negatives and transparencies
1962
Box 23, Folder 10
Negatives of Farber minimalist paintings on paper (b/w and color)
ca. 1970s
General note
Photographs by Grant Taylor.
Box 23, Folder 11
Artwork negatives
ca. 1983
Box 23, Folder 12
Color negatives
ca. 1990s
BIOGRAPHICAL
Scope and Content of Series
Series 8) BIOGRAPHICAL: Includes copies of Patterson's curriculum vitae and resume, the American Academy of Arts and Letters
Gwendolyn Knight Lawrence Award materials, artist's statements, and UC San Diego faculty file materials. Materials range in
date from approximately 1982 through 2016.
Box 24, Folder 1
Award - American Academy of Arts and Letters - the Gwendolyn Knight Lawrence Award
2016
Box 24, Folder 2
Application to teach at UC San Diego
Box 24, Folder 3
Articles, report and photograph - Patterson's studio fire
1982-1983
Box 24, Folder 4
Artist statement and description of "In the Kitchen"
1995
Box 24, Folder 5
Biographical file
1990-1997
Box 24, Folder 6
National Endowment of the Arts, Visual Artist Fellowships/Painting
1989
Box 24, Folder 8
UC San Diego materials
1984-1987
CORRESPONDENCE
Scope and Content of Series
Series 9) CORRESPONDENCE: Includes copies of personal correspondence from Aran Islands friends, Patterson's gallery and exhibit
correspondence, and letters of condolence regarding Manny Farber's death in 2008. Correspondence ranges in date from the early
1970s through 2012.
Box 24, Folder 9
Aran Islands, Ireland friends
1979-1981
Box 24, Folder 11
Gallery correspondence, miscellaneous
1977-2006
Box 24, Folder 15
LACMA - Los Angeles County Museum of Art
1999
Box 24, Folder 16-18
Letters of condolence re: Manny's death
2008
Box 24, Folder 19
The Museum of Contemporary Art San Diego
2008
Box 24, Folder 21
Shapiro, Joan. Includes negatives
1970-2008
Box 24, Folder 22
Talbot, Toby (New York Films)
2008
Box 24, Folder 23
Torri, Erika, Executive Director, The Atheneum Music & Arts Library, La Jolla
2006-2012
NOTEBOOKS AND SKETCHBOOKS
Scope and Content of Series
Series 10) NOTEBOOKS, NOTES AND SKETCHBOOKS: Arranged chronologically and include Patterson's notes and plans for classes,
exhibits, and installations and as well as early studies and sketches, some which formed the basis of larger projects. Materials
are dated from 1960 through 2016.
Box 25, Folder 1-16
Notebooks and sketchbooks, small sized
1960-2017
Box 26, Folder 1-11
Notebooks and sketchbooks
1962-1980
General note
Includes writings and drawings for "An Irish Story."
Box 27, Folder 1-12
Notebooks and sketchbooks
1980-1984
General note
Includes materials from 3-ring binder, exhibition prep for "The Rabbit and the Kiss", and San Jose State University exhibit.
Box 28, Folder 1-10
Notebooks and sketchbooks
1984-1989
Box 29, Folder 1-3
Sketchbooks
1990-1993
General note
Includes journaling, watercolor drawings, pastels, plans and calendar.
Box 38, Folder 9
Early class notes/planner for Introductory art class
undated
Box 38, Folder 10
Notebook pages on the Shakers
undated
Box 39, Folder 1-7
Notebooks and sketchbooks
undated
EXHIBITS, INSTALLATIONS AND WRITINGS
Scope and Content of Series
Series 11) EXHIBITS, INSTALLATIONS AND WRITINGS. Includes exhibit announcements and publicity for Patterson's exhibits from
approximately 1975-2012.
Box 40, Folder 2
Articles on Patterson's art and exhibits
ca. 1980-2007
Box 40, Folder 3-4
Art reviews - Collected clippings
1984-2006
Box 40, Folder 5
Exhibition announcements
1978-1980
General note
Includes "Proscenium: The staged works of Applebroog, Farber, and Patterson", "Big San Diego Show", "Everyone in Kilmurvey
is called Hernon", "Review and Preview", "The Animal Show", "Five Views of Cill Mhuirbigh (Kilmurvey)", Patterson and Feldman
at Nancy Luri Gallery, UCSD Faculty Art Exhibition, and "information: a continuing series of contemporary exhibitions."
Box 40, Folder 6
Exhibition announcements
1981-1985
General note
Includes "This is Where I Live", "Domestic Relation", "Drawings by Painters", "The Rabbit and the Kiss", San Diego Museum
of Art (SDMA) Calendar clippings, The VAD "World Wide", "Newscapes - Land and City/States of Mind", "The Rabbit and the Kiss
- An installation Piece with Paintings", "There is no finish line", "Artscene", and "Irish Landscapes."
Box 40, Folder 7
Exhibition announcements
1986-1990
General note
Includes "Setting the Stage", "New Work", "Explore: UCSD Extension" clipping, "The Biennial - The Inaugural Exhibition", "Artists
for AIDS Assistance II: A Benefit for the AIDS Assistance Fund", "Daily Life", Reception for the artists at Dietrich Jenny
Gallery, "Landscapes and Interiors of Ireland", exhibition at Newspace, and exhibitions at Nancy Lurie Gallery.
Box 40, Folder 8
Exhibition announcements
1991-1995
General note
Includes "Bed Ground Dog Table", UCSD Faculty Exhibition, Group Show at Nancy Lurie Gallery, "In/Site 92", "Private Notations",
UCSD Visual Arts Faculty Exhibition, "Reconstructing Kilmurvey", and "happening!"
Box 40, Folder 9
Exhibition announcements
1997-2012
General note
Includes UC San Diego Visual Arts 30th Anniversary Faculty Exhibition, Group Show at Quint Gallery, "An Enclosed Garden",
"The Woman's Room", "Scenes from a Receding Past", "Here and There", "The Very Large Array."
Box 40, Folder 10
Writings and sketches - O Outtakes, Dark Rosaleen drawings, Peter A Cait, draft writing
Box 40, Folder 11
Writings and drawings published in Crawl Out Your Window #2
1976
Box 40, Folder 12
Late Autumn, for Manny Farber book, draft
Box 40, Folder 13
Miscellaneous draft writing
PHOTOGRAPHIC MATERIALS
Scope and Content of Series
Series 12) PHOTOGRAPHIC MATERIALS: Includes photographs, prints, slides and negatives of many of Patterson's artwork, as well
as informal shots from her and Farber's travels which served as the background for Patterson's paintings and installations.
Box 41, Folder 1
Patterson - Photographic prints of paintings (b/w)
ca. 1980s
Box 41, Folder 2
Patterson - Photographic prints and exhibit announcement for "The Rabbit and the Kiss." Photographic print by Byron Pepper
Box 41, Folder 3
Patterson - Photographic prints, slides, negatives Los Angeles exhibit for "Here, There, Back and Forth"
1985-1986
Box 41, Folder 4
Patterson - Photographic prints and negatives of small drawings for Quint Gallery show
1986-1987
Box 41, Folder 5
Patterson - Photographic print (b/w), "Mantle"
Box 41, Folder 6-13
Patterson - Leucadia house and garden
1997-2003
Box 42, Folder 1
Patterson - Photographic prints (b/w) Aran landscapes. Photographs by Richard Tobias
Box 42, Folder 2
Patterson - Carlsbad Flower Fields photographs
ca. 2000-2002
Box 42, Folder 3
Patterson - Photograph of Pat and Nan, Inishmore
Box 42, Folder 4-6
Patterson - Photographs, Aran Islands landscape panorama composite photographs
Box 42, Folder 7
Patterson - Kilmurvey photographs, Aran Islands, background for paintings
Box 42, Folder 8
Patterson - Patterson in Aran Islands, test sheet by Alan MacWeeney
1962 and undated
Box 42, Folder 9
Patterson - Patterson and Farber at UC San Diego studio
Box 42, Folder 10
Patterson - Camargue horses, panorama
Box 42, Folder 11
Patterson - Paintings in her studio
Oversize FB-566, Folder 1
Alan MacWeeney, signed photograph of child and self portrait
1965, 2011
Box 45, Folder 1-25
Patterson - Miscellaneous
General note
Shoebox of informal photographic prints. Aran Islands interiors and exteriors; Camargue horses and rural scenery (background
for paintings and sketches); The Color Project, Carlsbad Flower fields; Farber paintings, includes negatives; Leucadia house
and garden; Shetland sheepdogs; family photos, Aran Islands postcards collected by Patterson.
Personal photographs - Black & white images of Farber in his studio, black & white portraits of Farber and Patterson, black
& white and color images of Farber & Patterson's garden
ca. 1930-2003
Box 42, Folder 12
Patterson - Slide catalog of artwork, exhibitions
1962-1991
Box 42, Folder 13
Patterson - Slides of Bed, Ground, Dog, Table by Becky Cohen. Exhibition at the Boehm Gallery, Palomar College
1991
Box 42, Folder 14-24
Patterson - Negatives of paintings and scenery/background for paintings
General note
Includes art exhibits and installations, Tofino Gardens B. C., Aran Islands, Artist Garden - The Color Project, and Tormine,
Italy.
Box 43, Folder 1-10
Patterson - Negatives of paintings and scenery/background for paintings
PROJECTS AND SMALL ART WORKS
Scope and Content of Series
Series 13) PROJECTS AND SMALL ARTWORKS: Includes sketches, prints, drawings, some project plans for La Casita Tijuana Project
and The Color Project, Carlsbad Flower Fields Garden materials, as well as some smaller paintings on paper such as Patterson's
Aran Islands sketches, small drawings and gouache studies. The majority of Patterson's artwork is housed by size in the oversized
grouping of materials.
Box 43, Folder 11-13
An Enclosed Garden, The Color Project, Carlsbad Flower Gardens
2000
Box 43, Folder 14-15
La Casita Tijuana Project
ca. 1997-2011
Box 44, Folder 1-2
Tracings for murals, prep drawings, black line drawings, sketches
Box 44, Folder 3
Aran sketches in gouache on paper. Couple and single man
ca. 1970s
Box 44, Folder 4
Aran small drawings and gouache studies on grey and white paper, exhibit prep
Box 44, Folder 5
Aran paintings and tableaux installations, photocopies of drawings and exhibit prep
Box 44, Folder 6
Day of the Dead and Sweeney Todd, small paintings and sketches, gouache on paper
Box 44, Folder 7
Bed/Sleeper series. Small paintings, sketches
Sketch/plan of garden, colored marker on paper (scan)
1999
Box 44, Folder 9
Small painting of hens on paper
Oversize MC-196, Folder 01
Patterson - Paintings and sketches
Oversize MC-196, Folder 02
Patterson - Drawings, includes some paintings on paper vellum
Oversize MC-196, Folder 03
Patterson - Archival prints. Copies of Aran interiors and exteriors on long archival paper
Oversize MC-196, Folder 04
Patterson - Large studies
Oversize MC-196, Folder 05
Patterson - Newsprint drawings
Oversize MC-196, Folder 06
Patterson - Installation studies
Oversize MC-196, Folder 07
Patterson - Large Aran interiors
Oversize MC-196, Folder 08
Patterson - Large studies and drawings
Oversize MC-196, Folder 09
Patterson - Long composite photographs, for paintings
Oversize MC-197, Folder 01
Patterson - Sketches, drawings, vellum paper cutouts
Oversize MC-197, Folder 02
Farber - La Jolla Museum plan
Oversize MC-197, Folder 03
Farber - Exhibition posters
Oversize MC-197, Folder 04
Farber - Long horizontal studies
Oversize MC-198, Folder 01
Patterson - Indian erotica paintings
Oversize MC-198, Folder 02
Patterson - Various large florals
Oversize MC-198, Folder 03
Patterson - Exhibition planning
Oversize MC-198, Folder 04
Patterson - Medium studies
Oversize MC-198, Folder 05
Farber - Final two drawings
2008
Oversize MC-198, Folder 06
Patterson - Long horizontal studies - Aran interiors; Aran exteriors on shiny paper
Oversize MC-198, Folder 07
Patterson - Aran sketches, painting on brown paper, sketches of dogs, farm animals
Oversize MC-198, Folder 08
Patterson - Drawings and paintings (fire damaged)
ca. 1970
General note
Restrict due to fragility, fire damaged.
Conditions Governing Access note
Restrictions Apply
Oversize MC-198, Folder 09
Patterson - Exhibit and installation prep sketches, Aran interiors
Oversize MC-198, Folder 10
Patterson - Paintings on vellum paper, untitled
Oversize TS-95
Patterson - Calendar
General note
Rolled oversized handmade calendar.
Oversize TS-96
Patterson - Painting on canvas "Annie" (dog)
General note
Rolled painting.
Oversize TS-96
Patterson - Aran kitchen interior, painting on paper
General note
Rolled drawing.
Oversize TS-97
Patterson - Calendar
ca. 1980
Oversize TS-97
Patterson - Here and There, lyrics on paper for exhibition
2011
Oversize AB-08-D03
Farber - Untitled painting on wooden board
ca. 2003
Oversize AB-08-D04
Patterson - Painting from exhibit on painted cardboard frame, "Coleen [Coilin] Tom in His Kitchen"
1981
Oversize AB-08-D05
Patterson - Painting on cardboard frame, "Pat Leaving the Kitchen", casein and gouache on paper
1981
Oversize AB-08-D06
Patterson - Painting on cardboard frame, "Pat and Mary at the Table", casein and gouache on paper
1981
Oversize AB-08-D07
Patterson - "Neighbors", framed painting, watercolor on paper
1977
Box 46, Folder 1-2
Patterson - Long horizontal studies; long prints on archival paper
Box 47, Folder 1
Patterson - Pencil and ink early drawings, Aran Islands
ca. 1960s
Box 48, Folder 1
Patterson - Pencil and ink early drawings, Aran Islands; still lifes, figures, exterior studies
ca. 1960-1970s
Box 49, Folder 1-4
Patterson - Early notebook; Aran interiors, early drawings (fire damaged)
General note
Restrict due to fragility, fire damaged.
Conditions Governing Access note
Restrictions Apply
Box 50, Folder 1
Patterson - Framed painting "Jigs" the dog
1985
Box 50, Folder 2
Patterson - Framed painting - Coilin Smoking, Pat Reading the Newspaper
1983
Box 51, Folder 1
Farber - Untitled painting on board
ca. 2001-2003
Box 51, Folder 2
Farber - Color portrait (photograph), photographer unknown
undated
Box 51, Folder 3
Farber - Cardboard cutouts used in paintings
Box 52, Folder 1
Patterson - Churning Butter, framed watercolor on paper
1986
Box 52, Folder 2
Patterson - "P. S. Anyways They Don't Put Any Photo..." framed watercolor on paper
1986-1987
Box 52, Folder 3
Patterson - Untitled framed painting on brown paper, Aran abstract of two figures in kitchen
undated
Box 52, Folder 4
Patterson - The Color Project, Carlsbad Garden. Scrapbook and plans
2000
Box 53, Folder 1
Patterson - Early oil paintings on paper. Pigs, rabbits
ca. 1960-1970s
Box 53, Folder 2
Patterson - Black ink sketches
undated
Box 53, Folder 3
Patterson - Installation prep. Includes Aran paintings prep, divers, letters and lyrics
Box 53, Folder 4
Patterson - Sleep series - Project notes, sketches and composite photographs of bedroom
Box 53, Folder 5
Patterson - Sleep series - Man and Dog #1
Box 53, Folder 6
Patterson - Sleep Series - Couple in bed
Box 53, Folder 7
Patterson - Day of the Dead Series - We are having most awful weather
Box 53, Folder 8
Patterson - Day of the Dead Series - Devil
Oversize FB-566, Folder 2
Patterson - Acknowledgement for her exhibition "The Rabbit and The Kiss"
Oversize FB-566, Folder 3
Patterson - Paintings - Two divers, and ducks
Oversize FB-566, Folder 4
Patterson - La Casita Tijuana Project. Photographs, drawings, plans and color schemes
1997
Oversize FB-566, Folder 5
Patterson - Early animal sketches, sheep, rabbits. Jim and Jack (dogs). Aran neighbors
ca. 1970s
Oversize FB-566, Folder 6
Patterson - Aran paintings and sketches, small works
ca. 1970s
Oversize FB-566, Folder 7
Patterson - Photo composites and montage studies for paintings, Aran photograph series, black and white prints of paintings
Oversize FB-566, Folder 8
Patterson - Correspondence with artwork - Becky Cohen, Ellen van Fleet, Michael Todd and others
Oversize FB-566, Folder 9-11
Patterson - Oil on paper. Portraits, still lifes, food (mushrooms and fish)
Oversize FB-567, Folder 1
Patterson - Waste Water Treatment Facility Project, San Diego. Composite photographs and prints of buildings
Oversize FB-567, Folder 2
Patterson - Waste Water Treatment Facility Project, San Diego. Color schematics
Oversize FB-567, Folder 3
Patterson - Children's Museum, Color Block Project, sketches and plans
1994
Oversize FB-567, Folder 4
Patterson - Prints for watercolor sketches of Tofino, British Columbia
Oversize FB-567, Folder 5
Patterson - Oversized calendars of projects, sunflowers and NewSpace installation
1995-1998
Oversize FB-567, Folder 6
Patterson - The Color Project, Carlsbad Gardens, plans and photographs; Leucadia garden and house. Composite photographs
ca. 2000
Oversize FB-567, Folder 7
Farber - Sketches and paintings, untitled; Farber and Camargue horse, copy of photograph
undated
Oversize FB-568, Folder 1
Farber - Untitled, unsigned painting on wooden board
ca. 2001-2003
Oversize FB-568, Folder 2
Farber - Untitled, unsigned painting on wooden board
ca. 2001-2003
Oversize FB-569, Folder 1
Farber - Untitled, unsigned painting on wooden board
ca. 2001
Oversize FB-569, Folder 2
Farber - Untitled, unsigned painting on wooden board
ca. 2003
Oversize FB-570, Folder 1-3
Patterson - Early oil painting on paper - Aran people, animals, interiors
1960s-1970s
Oversize FB-570, Folder 4
Exhibit posters. Patterson - The Color Project; Farber - The Carnegie Museum of Art, Mira Costa College, The Cannon Art Gallery
1994-2008
Oversize FB-570, Folder 5
Patterson - Large sewn pieces, paper
undated
Oversize FB-570, Folder 6
Patterson - Archival prints. Copies of Aran interiors and exteriors, landscapes
undated
Oversize FB-570, Folder 7
Patterson - Untitled watercolors
Oversize FB-570, Folder 8
Patterson - An Enclosed Garden, The Color Project, Carlsbad Gardens. gouache sketches, plans, composite photographs
2000
Oversize FB-570, Folder 9
Patterson - Brown paint on paper cut outs, gouache paintings, pig sketches
Oversize FB-570, Folder 10
Patterson - Aran landscapes. gouache, watercolor, pencil on vellum paper; studies on tracing paper, notes for installations
and tableaux paintings, Aran interiors
Oversize FB-570, Folder 11
Patterson - Early animal sketch/watercolor - Sheep
ca. 1960s-1970s
Oversize FB-571, Folder 1
Patterson - Early work, notes, plans and drawings, life drawings and nudes
1970s
Oversize FB-571, Folder 2
Patterson - Early animal drawings, landscapes, watercolors, casein and graphite sketches
ca. 1960s-1970s
Oversize FB-571, Folder 3
Patterson - Early sketchbook, oversized
Oversize FB-571, Folder 4
Farber - Archival prints of his drawings. Includes painting detail
Oversize FB-571, Folder 5
Farber - Early figurative drawings. Ink, pastels. First figurative work and precursor to Stationery Series
Oversize FB-571, Folder 6
Oversize FB-571, Folder 7
Farber - Unfinished last garden series, unexhibited. Pastel sketches, late work
ca. 2000s
Oversize FB-572, Folder 1
Patterson - Composite photographs and mounted drawings on cardboard, background for paintings
Oversize FB-572, Folder 2
Patterson - La Casita en La Colonia, Tijuana Project
Oversize FB-573, Folder 1
Patterson - Composite photographs on cardboard, background for paintings
Oversize FB-574, Folder 1-6
Patterson - Aran sketches - Early drawings: Animals, carts, children, watercolor sketch of Manny Farber, pencil and ink drawings,
ledger art, (some fire damaged)
ca. 1960-1970s
General note
Restrict due to fragility, fire damaged.
Conditions Governing Access note
Restrictions Apply
