Finding aid for the Tristan Tzara manuscripts from the collection of René Gaffé 2021.M.8
Karen Meyer-Roux
Special Collections
2021
1200 Getty Center Drive, Suite 1100
Los Angeles 90049-1688
Business Number: (310) 440-7390
Fax Number: (310) 440-7780
reference@getty.edu
Contributing Institution: Special Collections
Title: Tristan Tzara manuscripts from the collection of René Gaffé
Creator: Tzara, Tristan, 1896-1963
Identifier/Call Number: 2021.M.8
Physical Description: 1 volume(21 items)
Date (inclusive): 1921-1931, undated
Absract: The handwritten and typed manuscripts by Tristan Tzara from the collection of René Gaffé are gathered in a volume whose binding
was designed by Paul Bonet. The manuscripts consist of drafts of writings from
Le cinéma calendrier du cœur abstrait, maison,
La deuxième aventure céleste de monsieur Antipyrine,
De nos oiseaux,
Faites vos jeux and poems from
L'antitête. Tipped into the volume are also a card from Tzara to Paul Éluard and a notebook containing pen-and-ink drawings.
Physical Location: Request access to the physical materials described in this inventory through the
catalog record for this collection. Click here for the
access policy .
Language of Material: Collection material is in French with some German.
Biographical / Historical: Tristan Tzara
Romanian and French poet and artist, Tristan Tzara, was one of the founders of Dada. He was born Samuel Rosenstock into a
Jewish family from Moinesti in Romania in 1896, and spoke Yiddish as his first language. He moved to Zürich in Switzerland
during the First World War to study philosophy, a country which remained neutral throughout the war. There he met the German
author and poet, Hugo Ball, and the two together with Emmy Hennings, Marcel Janco, Richard Hülsenbeck, Hans Richter, Sophie
Taeuber-Arp and Jean Arp, initiated the Cabaret Voltaire, a literary and artistic café. It was during one of the soirees of
the Cabaret Voltaire, which often featured the reading of nonsensical poems to a background of cacophanous noise, that Ball
read the Dada Manifesto.
Tzara became editor of the movement's journal
Dada, which was characterized by a spirit of anarchic revolt against traditional values, as well of disillusionment from the horrors
of the war, and in the journal's third issue he wrote the essay "Dada manifeste 1918." He joined Francis Picabia in Paris
in January 1920 and was welcomed by the group
Littérature, which included Louis Aragon, André Breton, and Philippe Soupault. He drew close to the French Communist Party, becoming
friends with Picasso to whom he dedicated numerous essays.
References consulted:
Articles "Dada" and "Cabaret Voltaire" in
Dictionary of 20th Century Art. Oxford : Oxford University Press, 1998.
Henri Béhar, "Tristan Tzara" in
Oxford Art Online.
Œuvres complètes / Tristan Tzara ; texte établi, présenté et annoté par Henri Béhar. 6 volumes. Paris : Flammarion, 1975-1991.
Processing Information
The finding aid was prepared by Karen Meyer-Roux in September 2021.
Scope and Content of Collection
The handwritten and typed manuscripts by Tristan Tzara from the collection of René Gaffé are gathered in a volume whose binding
was designed by Paul Bonet (1889-1971). The manuscripts consist of drafts of writings for
Le cinéma calendrier du cœur abstrait, maison,
La deuxième aventure céleste de monsieur Antipyrine,
De nos oiseaux,
Faites vos jeux and poems from
L'antitête. Tipped into the volume are also a card from Tzara to Paul Éluard and a notebook containing pen-and-ink drawings.
The name of the binder, Paul Bonet, appears in gold letters inside the front cover. Bonet's mosaic binding is formed from
geometric elements of black and red leather with gilt lettering repeating the word "Dada" and a central band of marbled paper.
The volume is enclosed within a slipcase decorated with marbled paper.
The manuscript leaves are bound in the volume in a manner suggesting that they were acquired by René Gaffé from Paul Éluard
in 1931. The leaves are enclosed within an envelope addressed by Éluard to Gaffé and postmarked 1931. The envelope has been
cut into two halves so that the manuscript pages can be turned: the front panel of the envelope has been tipped into the front
of the volume and the back panel of the envelope closes the group of manuscript leaves.
The volume was in the collection of René Gaffé until it was sold at auction in 1956 ("Bibliothèque de M. René Gaffé," Drouot,
Paris, April 26-27, 1956, lot 237). Afterwards it entered the collection of Maurice Car (1908-1968) and was sold at auction
in 2019 ("Maurice Car Collection of Arts and Sciences Featuring Rare Books and Manuscripts," Heritage Auctions, New York,
September 4, 2019, lot 45091). It was later offered for sale by the Sims Reed Gallery, London.
Publication Rights
Immediate Source of Acquisition
Acquired with partial support of the GRI Council. Acquired in 2021.
Related Materials
Tristan Tzara correspondence, manuscripts, photographs and printed matter are held at the Bibliothèque Jacques Doucet, INHA,
Paris.
Biographical / Historical: René Gaffé
The Belgian collector and industrialist René Gaffé was born in Brussels in 1887. He first worked as a journalist in the Netherlands,
where he founded the daily newspaper
L'écho belge, and then worked in the perfume industry, which was the source of his wealth. During the First World War, he began collecting
African art and developed an interest in sculptures from the Belgian Congo. He later met Paul Éluard and André Breton who
helped him build his art collection, which focused on Cubist and Surrealist art. He befriended Joan Miró, Pablo Picasso, Max
Ernst, and René Magritte who painted his portrait in 1942. Gaffé acquired works by them, along with paintings by Georges
Braque, Giorgio de Chirico, and Fernand Léger. In 1956, he moved from Belgium to France, where he purchased a house in Cagnes-sur-Mer
near Nice, large enough to exhibit his vast collection that included monumental works. That year, he also sold his library
at the Hôtel Drouot in Paris, a sale that featured the Tristan Tzara manuscripts acquired from Paul Éluard. Gaffé lived in
Cagnes-sur-Mer with his second wife, Jeanne, until he passed away in 1968. Jeanne Gaffé arranged the sale of the art collection,
which took place in 2001 at Christie's in Paris and in New York shortly after her death.
References consulted:
Wohl, Hellmut. "Tristan Tzara, René Gaffé and the Cabaret Voltaire,"
Burlington Magazine, vol. 149, no. 1249, p. 262-267
"René Gaffé" in Index of collectors and dealers of Cubism, Metropolitan Museum of Art. Viewed online, 12/6/2021.
Bibliothèque de M. René Gaffé. Paris : Hôtel Drouot, 1956.
The collection of René Gaffé, tribal art, property from the estate of Madame René Gaffé, sold without reserve for the benefit
of L'Institut Curie.
Paris : Christie's, 2001.
The collection of René Gaffé, property from the estate of Madame René Gaffé, sold without reserve for the benefit of UNICEF,
the United Nations Children's Fund.
New York : Christie's, 2001.
Access
Restricted. Contact the repository for information regarding access.
Subjects and Indexing Terms
Authors -- History -- 20th century -- Archives
Dadaism
Decoration and ornament -- Art Deco
Éluard, Paul, 1895-1952
Bonet, Paul
Car, Maurice, 1908-1968
Gaffé, René
box 1
Front pastedown endpaper 2021.M.8-fpe
box 1
Front free endpaper 2021.M.8-fe
box 1
Auction tear sheet 2021.M.8-sh1
box 1
Sheet with stamp 2021.M.8-sh2
box 1
Envelope addressed to René Gaffé, 2021.M.8-item1
1931 February 23
Scope and Contents
Blue envelope postmarked and addressed to René Gaffé at 2bis rue Crespel, Bruxelles. The address listed for the sender, Paul
Éluard [i.e. Eugène Émile Paul Grindel], is 42 rue Fontaine in Paris, the building where André Breton had his apartment and
where the Éluards lived for a period. Breton and Éluard wrote
L'Immaculée Conception at 42 rue Fontaine.
box 1
Card from Tristan Tzara to Paul Éluard, 2021.M.8-item2
1921 September 22
Scope and Contents
Card with two photographs pasted on its recto, one of which is a portrait of Tzara. In the message addressed to Paul Éluard
on the verso of the card, Tzara mentions Max Ernst and sends greetings to Gola Éluard.
box 1
Letter, 2021.M.8-item3
undated
Scope and Contents
Letter in several hands by Tristan Tzara, Philippe Soupault, G. R. D. [i.e. Georges Ribemont-Dessaignes] and R. H. [i.e. Raoul
Haussman?]. With note "Breton refuse de signer / cette lettre. Il dit que c'est / une cochonnnnnnnnnerie." Letter addressed
to Paul Éluard?
box 1
Draft of
Les ciseaux des façons d'agir,
2021.M.8-item4
undated
Scope and Contents
No. XXX from
Monsieur AA l'antiphilosophe in
L'antitête. See
Œuvres complètes, II, 301.
box 1
Draft of
Filatures de jonques,
2021.M.8-item5
undated
Scope and Contents
No. XXXI from
Monsieur AA l'antiphilosophe in
L'antitête. See
Œuvres complètes, II, 302.
box 1
Draft of
Les battements de narines and
Le nain dans son cornet,
2021.M.8-item6
undated
Scope and Contents
No. XXXVII and XXIII from
Monsieur AA l'antiphilosophe in
L'antitête. See
Œuvres complètes, II, 310 and 292.
box 1
Manuscript "L'équilibriste minuscule au fond de ma chambre…," 2021.M.8-item7
undated
Scope and Contents
No. II from
Minuits pour géants in
L'antitête. See
Œuvres complètes, II, 327. On paper with letterhead of the Foreign Press Service Incorporated, New York.
box 1
Draft of
La deuxième aventure céleste de monsieur Antipyrine,
2021.M.8-item8
undated
Scope and Contents
See
Œuvres complètes, I, 143 - 147. "Monsieur Absorption" is given here as "Ouate." Text on tracing paper with drawings by Tzara on recto and
verso, including caricatures and portrait heads in the margins of the recto.
box 1
Draft of poems
Crimes,
2021.M.8-item9
undated
Scope and Contents
See
Œuvres complètes, I, 210-215. With section headings: Crime distingué; Crime long; Crime portatif (annotated in pencil as Crime sportif); Crime
garanti (instead of Crime solennel in the published version) and Crime Pilau (see text Crime à voir clair in the published
version).
box 1
Draft of
Je sors de mon appartement somptueux,
2021.M.8-item10
undated
Scope and Contents
From
De nos oiseaux. See
Œuvres complètes, I, 216.
box 1
Draft of
Longue vue fertile,
2021.M.8-item11
undated
Scope and Contents
Text of
Longue-vue in
De nos oiseaux. See
Œuvres complètes, I, 196.
box 1
Draft of
Sur une ride du soleil,
2021.M.8-item12
undated
Scope and Contents
From
De nos oiseaux. See
Œuvres complètes, I, 238-239. On paper with letterhead of the Foreign Press Service Incorporated, New York.
box 1
Draft of
Eau sauvage,
2021.M.8-item13
undated
Scope and Contents
From
De nos oiseaux (1923). See
Œuvres complètes, I, 200. In upper right, in pencil: La dernière strophe a été écrite chez la baronne d'Oettingen lors d'un concours de poèmes
érotiques où ont participé Éluard, Soupault et quelques autres. T. T.
box 1
Typescript "Le cyclone a mis le crochet dans l'œil du bossu…," 2021.M.8-item14
undated
Scope and Contents
No. III from
Minuits pour géants in
L'Antitête. See
Œuvres complètes, II, 328.
box 1
Typescript "Au dessus du nid de camphre...," 2021.M.8-item15
undated
box 1
Manuscript "L'opulence de quelques vacances…," 2021.M.8-item16
undated
Scope and Contents
Includes drafts from
Minuits pour géants in
L'Antitête See
Œuvres complètes, II, 329-331. Drafts on sixteen leaves of paper with letterhead of MoUvEmEnT DADA Berlin, Genève, Madrid, New York, Zürich,
Paris.
box 1
Manuscript "C'est la peur d'une rupture prématurée...," 2021.M.8-item17
undated
box 1
Draft of
Le cœur dans le cœur,
2021.M.8-item18
undated
Scope and Contents
First section of
Le cœur dans le cœur in
Faites vos jeux. See
Œuvres complètes, I, 244 - 245. On paper with letterhead of the Foreign Press Service Incorporated, New York.
box 1
Draft of
Le cœur sur la main,
2021.M.8-item19
undated
Scope and Contents
In
Faites vos jeux. See
Œuvres complètes, I, 253.
box 1
Notebook, 2021.M.8-item20
undated
Scope and Contents
1 notebook (20 leaves). Includes pen-and-ink drawings, pencil sketches, sections of text from
Le cinéma calendrier du cœur abstrait (see
Œuvres complètes, I, 125, 126, 133, 135) and sections from
De nos oiseaux. See
Œuvres complètes, I, 201.
box 1
Back of envelope, 2021.M.8-item21
undated
