Finding Aid for the University of California, Los Angeles. Department of Dance Master's theses UARC.0666

Aston, Judith Lynn. Dance as directed communication. 1965.

Bender, Mary Miller. Choreographic thesis: four original dances. 1965.

Brock, Georgia Louise. Form concepts in contemporary dance. 1967.

Bromwich, Rose. Some correlates of stimulus-bound versus stimulus free verbal responses to pictures of young negro boys. 1967.

Dunin, Elsie Ann. Silent dances of Dinaric Mountain area: analysis of purpose, form, and style of selected dances. 1966.

Eby, June. Feeling as a determinant of motor characteristics. 1964.

Giglio, Santo Joseph. Choreography for the arena and proscenium theater. 1966.

Greenhut, Elizabeth Ince. Time and rhythm in choreography. 1964.

Grenzeback, Jeanne. Individual differences in movement: a critical survey of research. 1958.

Hutchings, Billie Louise. Residual neuromuscular hypertension and flexibility. 1966.

Kagawa, Sachiye. Choreographic thesis: the use of theater elements in dance. 1966.

Leavitt, Penelope Bess. Spatial design and perception in dance. 1964.

Leventhal, Marcia Binnie. A dance-movement experience as therapy with psychotic children. 1965.

Lind, Betty. The phenomenon of choreography by chance. 1966.

Lovell, Susan Meredith. Creativity and body image: a movement study. 1966.

McIntyre, Audrey. Modern dance choreography for television medium. 1958.

Nicholson, Joan Kay. Expanding self-awareness through structured movement experiences. 1966.

Schofer, Marcia Ellen. Illusion in dance. 1964.

Smith, Carol Anne Fisher. A study of men in dance. 1959.

Bloom, Carolyn. An approach to choreography. 1968.

Bond, Mary Llewellyn. Discovery of aesthetic content through the process of choreography. 1968.

Cashion, Susan Valerie. The Son and Jarabe: Mestizo dance form of Jalisco, Mexico. 1967.

Cerny, Sandra Lee. Analysis of movement resulting from experiences structured to produce involvement. 1967.

Crawford, Virginia Storie. Choreographic thesis: four original works. 1968.

Fletcher, Diane Cotton. The shape-quality configuration of dance: a choreographic approach. 1968.

Goodman, Gayle. Original choreography: exploration of music relationships to dance. 1967.

Hunter, Brooke Brazier. Motion-flow: an expressive element in dance. 1968.

Kvasnicka, Jerry Walter. Mass remembered: a choreographer oratorio. 1967.

Lewis, Caroline. Dramatic imagery in dance. 1967.

McCormick, Malcolm John. Costume for modern dance. 1968.

Ozanich, Marc Charles Dee. Four programmatic dances. 1968.

Schneider, Gretchen Adel. Dance as an expressive response to frontier life in the mining camps of California. 1968.

Sharp, Melinda Williams. Guiding concepts for perceptual and creative development in young children through dance experience. 1968.

Snyder, Allegra Fuller. A filmic approach to dance: a theoretical exploration. 1967.

Teten, Carol Davis. A choreographic thesis: the virtuous woman. 1967.

Bagnold, Lisbeth Charles. Choreographic thesis: forms in contrast. 1971.

Bloch, Alice. Legend: a dramatic dance. 1970.

Brown, Greta Griffith. Negro dances in America: a revelation. 1971.

Davis, Doris W. A study of the influence of structural integration (postural release) upon selected measures of body image in nine subjects. 1969.

Because I could not stop for death: a dramatic portrait of Emily Dickinson 1970.

Ditson, Les. Four dances. 1970.

Evans, Donna Lee. Levels of abstraction in dance. 1970.

Fainstadt, Marianne Elizabeth Jirgal. Dance of India in U.S.A., 1906-1970. 1970.

Kucen, Peggy Ruth. Encounters: a concert of dance. 1971.

Millsap, Ruby Jeanne. Black ethos: source of dance. 1969.

Peterson, Daniel Adolph. The art of song-dance: a lecture-concert. 1969.

Reid, Patricia Ann. A fantasy of now: Overexposure 4. AKS. 1970.

Reisch, Maria Francesca. Scottish dance, past and present. 1971.

Sare, Dawn Steadman. Changes in body image and self concept: a modern dance experience. 1969.

Singer, Elaine Judith Levinson. A dance for people and puppets. 1970.

Slama, Linda Ann. The foundation of a body image: a theoretical model. 1968.

Thomas, Stephanie Moore. Going: labanotated score. 1970.

Trostle, Lois Myer. Choreographic thesis: one major original work. 1970.

Warren, Lawrence. Lester Horton: California dance pioneer. 1968.

White, Susanne Margaret. Requirere. 1971.

Woodsmall, Betty Magee. Round and round the merry-go, a choreographic thesis. 1969.

Bailey, Annie Elizabeth. Innings and other outings. 1971.

Boutte, Sherill James. Eidolon. Bouleversees. Exorcise: a choreographic thesis. 1972.

Bowman, Cecelia-Marie. Body talk. All of eight. Street suite: A choreographic thesis. 1972.

Brittain, Laura Jeanette. Medieval suite: three choreographic studies. 1971.

Cunningham, Diane Elaine. Aesthetics for dance. 1971.

Hawley, Renee Dunia. Los Angeles and the dance, 1850-1950. 1971.

Herrman, Kathryn Mildred. Approaches to choreography. 1971.

Holt, Chifra. Two on view: Icicles of light, Awakening desert. 1972.

Jansen, Janice Ruth. The sacred and the profane: a choreographic thesis. 1971.

Leeds, Sharonjean Moser. Cycles. 1971.

LeVeque, Judy Ann. Space-tensions/time-flow. 1972.

Lober, Kyra Rosalind. Cut glass; Reflections of a lady. 1972.

Miner, Judy Ann. Dance of India: an annotated list of source materials. 1971.

Morton, Susan Ann. Episode in time. 1971.

Oberstein, Elizabeth. The Merveilleux: an aesthetic approach to the Baroque dance spectacle. 1972.

Papageorge, Cheryl Jade. Three dances: The magic box, It had to be, and Untitled. 1972.

Pursel, Marsha Lou. Lighting design for modern dance: an aesthetic concept. 1971.

Rudolph, Beth Chanin. Dance in San Francisco: a study focusing on theatrical dance, 1849-1959. 1971.

Schwartz, Jane Diana. The role of the male dancer in the era of the Romantic ballet. 1972.

Spraker, Lana Grace. Movement and mental health: the value of movement as a therapeutic tool. 1972.

Temaner, Terry Nancy. Fragments and overlappings; or access to an aftermath. 1971.

Walton, Doris Gail. Mansions. 1972.

Weisbrod, Jo Anne. Rubella and aphasic children: experimental movement analysis and therapeutic techniques. 1971.

Ball, Barbara Joyce. Figments: a chair odyssey in three parts. 1972.

Bandem, I Made. Pandji characterization in the gambuh dance drama. 1972.

Brosterman, Ronalee Huppeler. Mind image: a choreographic thesis. 1972.

Brown, James Ory. Choreographic thesis: Unimportant secrets. 1973.

Copperman, Katherine Elizabeth. The working process: a performance thesis. 1973.

Golbert, Jane Paula. An approach to directing from a labanotation score: Doris Humphrey's Partita V. 1974.

Goodman, Karen Bluma. Roles and responsibilities of a dancer: an approach to performance. 1972.

Hachten, Lynn Lorraine. One original major work: Euroclydon. 1972.

Halsey, Pamela Beth. Kinetic counterparts: the choreographer and performer. 1973.

Hughes, Susan Andrea. Costume designs for Jazz Suite and Dances to Klee: inspiration, construction, and realization. 1973.

Hunt, Susan Lorraine. Tones and migrations, and Polyragmic. 1973.

Luboviski, Marilyn Walk. A study of the use of movement psychotherapy to assist runaway and incorrigible female juveniles achieve self-directed behavior. 1973.

Marion, Sheila Janet. Sevenfold: the labanotated score. 1973.

McHugh, Barbara Elaine. A choreographic thesis. 1973.

Meyer, Joanna Catherine. Three Hispanic American dance-styles in Los Angeles. 1973.

Schwab, Patricia Williams. Being and appearing: the psychology of performance. 1973.

Scinocca, Antoinette Marie. Vitam celebrare: a study of modern dances as a means of worship in Christian liturgy; a choreographic thesis. 1972.

Shim, Kum Ok. A creative approach to dance teaching. 1973.

Snowden, Marianne Enright. The significance of total sensory involvement in the space concept with implications for body image interpersonal relating, and movement psychotherapy. 1973.

Steinberg, Jermone. Recycled illusions. 1973.

Stiles, Barbara Carol. Illusions: an integration of film and dance. 1972.

Taylor, Joyhope Pena. The function of real joy in affective-cognitive learning, and development through creative movement curriculum; a basic concept in primary prevention of mental health crises. 1972.

Weinberg, Elizabeth Benedict Roe. Dances to Klee. 1972.

Angelakos, Erica. Elements of lighting design for modern dance. 1974.

Bachle, Jean Clare. Focus on feeling: a theory of creative education with implication for the teaching of dance. 1974.

Codman, Karen Rhoda. The mental template in ethnic dance research and education. 1974.

DeMarco, Lenna Jayne. Energy/creation/dance: a choreographic process. 1974.

Foster, Susan Leigh. A holistic model of human energy systems, with focus upon neuromuscular utilization. 1974.

Gold, Linda Elizabeth. Developing and clarifying the theme of a dance: one process. 1974.

Hairston, Andrea Eveline. Developing an art of dance performance. 1974.

Kares, Gladys Maria. Versatility and consistency in performance. 1974.

Kogan, Ellen Deborah. The relationship of tension control to optimal functioning in the human organism. 1974.

Loken, Christine Joy. An exploratory study of breath as an aesthetic consideration in Asian dance, using the Japanese bugaku dance, Kitogu, as a model for study. 1974.

McKinnie, Lynnea Marguerite. Enigma: a choreographic thesis. 1974.

Metzgar, Penelope Sue Willens. An ethnographic film script for the dance of Los Angeles Gypsies. 1974.

Padilla, Peggy Stinson. Survey of body image literature, with specific focus on the role of movement. 1974.

Pally, Marcia Deborah. Fragmented sequences as a form of choreography. 1974.

Ralston, Jane Lynn. Movement in ensemble theater choreography of The Devils with the Burbage Theater Ensemble. 1974.

Risner, Vicky Jo. Dance ethnography data inventory: the development of a descriptive dance model and its application to secondary data. 1974.

Saleh, Magda Ahmed Abdel Ghaffar. An exploration, in modern idiom, of Egyptian themes. 1974.

Scott, Nancy Ann. The relative effects of progressive and suggestive relaxation on depression in alcoholics. 1974.

Silver, Harold. Creating the choreographic cosmology. 1974.

Therkelsen, Marlene Marie. Process and product: three dances. 1974.

Thomas, Samantha. Roles and relationships: a choreographic thesis. 1974.

Tracy, Martin James. A computer-aided movement notation system. 1974.

Weber, Susan Lee. Elements of performance. 1974.

Babuscio, Elizabeth Whitfield. Energy and tension as factors in individual growth and awareness. 1975.

Bates, Gary Kenneth. John Martin: developing an aesthetic for dance. 1975.

Brooks, Katharine Gordon. Act I, scene III, and monologue: An exploration of the fantastical, integrating elements of sound, voice, movement and design. 1975.

Cushman, Shelley. Eight cycles per second. 1975.

Engler, Becky Egle. Growth through movement related to emotional health. 1975.

Goodwin, John Douglas. Scrablings: a dance in many parts. 1975.

Hatcher, Judith Rebecca. Principles of alignment and their application to dance. 1975.

Kivinen, Soili Anneli. Dance in higher education in the United States and its adaption to Finland. 1975.

Knight, Mary Jean. Expressionism and the dance in Germany, 1900-1933. 1974.

McBean, Phyllis Ann. Movement therapy: a psychotherapeutic treatment for the schizogenic family. 1975.

Morris, Marlene Berger. Short term movement therapy in a hospital setting: goals and expectancies. 1975.

Panush, Melanie Jean. What a piece of work is man: a choreographic thesis. 1974.

Pauze, Lloyd Joseph. Temporal and spacial [sic] aspects of group choreography. 1975.

Schuette, Margaret Anne. Performance and choreography: the forming of energy. 1975.

Scott, Madeleine Denise. The investigative and personalizing processes: an approach to dance performance. 1975.

Snyder, Melanie Jean. The performer and isolation. 1975.

Sobel, Caryn Marcia. A movement study to determine the relationship between movement, creativity, and growth. 1975.

Squires, Pamela Wanda Clare. Dance and dance music of Iraqui Kurdish Jews in Israel. 1975.

Susilo, Judith Mitoma. Expressive movement: a cultural approach to its understanding. 1975.

Berkey, David Michael. Triptych: an exploration of imagery and its relationship to dance. 1976.

Caldwell, Christine Marie. Personality characteristics and movement behavior. 1976.

Chaplin, Linda Phyllis. Embryonessence: symbolism as a source for choreography. 1976.

Cheszek, Andrea Joyce. An Inquiry into the effectiveness of the videotape recorder as a visual aid in the learning process of modern dance technique based on self-evaluation and improvement for the individual. 1976.

Cowlin, Ann Hale Fischer. Developing a humanistic aesthetic of dance. 1976.

Fitt, Sally. The assessment of the inter-rater agreement and validity of observation techniques for the identification of neuromuscular excitation patterns. 1975.

Goodman, Linda Soghor. Motility and immobility in perception and experience: essays for movement therapy. 1976.

Kaufman, Kimberly Susan. A biographical-bibliographical study of Jack Cole. 1976.

Kees, Richard Douglas. An investigation of creative growth and development processes used with problem solving techniques to facilitate self-actualizing in movement therapy. 1976.

Keilson, Alice Kathy. The significance of touch in the development of the child. 1976.

Kramer, Barbara. A choreographer speaks (to herself). 1975.

Lack, Linda. Toward functional fantasies: masking and characterization in dance. 1976.

Lapiga, Kathryn Ann. Nimbus: a videotape documentary. 1976.

Metropole, Desdemona Morris. The process of change in body/movement psychotherapy: an exploration of inner-directed and outer-directed approaches to change. 1975.

Moredock, Pamella and Snyder, Vera Ella. The quantitative effects of movement therapy. 1976.

Nestingen, Barbara Nancy. The relation of information processing systems and reticular formation function to movement therapy. 1976.

Parrish, Linda Suzanne. Fred Astaire: a study in style. 1975.

Rochlin, Rolinda Janice. Movement therapy with the learning disabled: a child-centered approach. 1976.

Ronson, Nadine. Portrait of one by three: a choreographic thesis. 1976.

Russell, Mary Helen. The effectiveness of the videotape recorder as a visual tool in the learning process of advanced modern dance technique in a classroom situation. 1976.

Wolff, Mary Katherine. Monoecia: an experiment in two media. 1975.

Abrams, Marty. Improvisation as an environment for learning. 1977.

Butler, Aaria Lauren. Dance, Chassidic chai. 1977.

Cooley, Eileen Marie. Lightfoot and company: an experiment in theatrical reality. 1977.

Cootz, Yvonne Marie. Dance and dress as a reflector of cultural change among the Christian Lebanese in Los Angeles. 1977.

Daly, Jill Virginia Dorothy. Rooms and moments between: choreographic thesis. 1977.

Delany, Maureen Eileen. Space as an aspect of form and its application to choreography. 1975.

Griffiths, Carolyn Marie. Gesture from silence. 1977.

Hendrick, Sandra M. Transcendence. 1976.

Kramer, Nancy L. Movement style, perception and personality: an investigation testing one aspect of the relationship between movement and perception. 1976.

Loring, Wendy Rona. A farewell to Lincoln Square: a choreographic thesis based on the paintings of Raphael Soyer. 1977.

Lucas, Warren Raymond. Ensemble performance, a synergism. 1977.

Lynch, Barbara Jeanne. Anger and movement therapy. 1976.

Oshiro, Beryl Asako. Differences between corona patterns taken before and after sessions of Jacobson's relaxation 1977.

Sand, Terry Ellen. Reflections of Ishka. 1977.

Satyendra, Leela Suh. Chaos and control: exploring the creative experience of dance performance and choreography. 1977.

Schomburg, Paula Jeanne. The French courante: 1589, 1623, 1700. 1977.

Schwartz, Gail Perrish. The role of dance therapy within special education: the therapeutic implications of dance therapy with hyperactive children. 1977.

Sierra, Susan Joyce. Video-feedback: a tool for altering self-perception among dancers. 1977.

Smith, Joan Anne. The surreal within the real: a source for choreography. 1977.

Stabolepszy, Ann. Baris and Vermillion: observations on the choreographic process and the influence of music on dance. 1977.

Stabolepszy, Eve. Meridian: the use of visual and dynamic design in choreography. 1977.

Werbel, Lee. Ain't misbehavin': spontaneity and energy for choreography. 1977.

Willey, Christine Gail. Movement as an adjunct to the treatment of stuttering: a pilot study measuring change through verbalization. 1977.

Block, Katherine McGinnis. The 1950's as a period of transition in american modern dance. 1977.

Cole, Andrea Taylor. Natural movement and enlightened dance. 1977.

Daval, Mary Kathryn. A performer's approach to learning choreographic skills. 1977.

Deetz, Nanette Carolyn. Expressive gesture and its relation to choreography. 1977.

Giese-Papadopoulos, Bonnie Lea. The human aura during movement. 1978.

Gillespie, Jennifer Holman. Ponape: a study of the integration of the movement patterns of traditional dances and contemporary activities. 1977.

Lavery, Joan Fowles. Application of John Cage's paths of musical thought to choreography. 1977.

Levine, Joan Marion. Dance as ritual and inner process: an ethnological study of Continuum. 1978.

Lichtman, Nancy Rae. Isadora Duncan: her philosophy of dance and its relationship to the creative and therapeutic process in movement. 1977.

McLaughlin-Deyden, Joan Alma. Formulations of desire and the solitary crowd in change: the forming of two choreographic dances. 1977.

McNelly, Robin Joan. Movement therapy related to the perceptual process and the dysfunctioning individual. 1977.

Morishita, Diane Chiyoko. Creative movement experience and children's spatial construct. 1977.

Morrison, Martha Ann. Choreographic absolute: a discussion of three works Inner shades, Eight cycles per second, Duet. 1977.

Newlon, Molly Patricia. A study of a theoretical model of movement therapy: its application to neurotic depression. 1977.

Pitkow, Marlene Beth. Shifting: a choreographic thesis: Sculptural forms in space. 1977.

Raevuori, Maria. Transformation in performance. 1978.

Reiner, Laurene Gail. Integrating the creative process. 1978.

Rose, Bonita Louise. Royce Hall dances: a choreographic concert for architecture and dance. 1977.

Schliestett, Georgia Lynn. Developing a model for movement therapy. 1977.

Shaver, Deon Kay. American suite: a choreographic thesis. 1977.

Tokioka, Pamela Lei Naomi. Movement abstraction of Japanese art, literature and mythology. 1978.

Bennet, Barbara. A design for dance on the extended stage. 1978.

Bindig, Susan. Early eighteen century English court dance: an interpretation of the three choreographies of Mr. Isaac for Queen Anne. 1978.

Busfield, Helen Joy. A choreographic thesis. 1978.

Chima, Sheila. Hijare: the function of their dance and ritual in North Indian Society. 1978.

Dickinson, Michael Jerome. A path to knowledge: a methaphysical exploration into the creative process. 1978.

Findlay, Debra Sue. A dance curriculum designed to enhance self-discipline in the adolescent with discipline problems. 1978.

Franklin, Sheila. Movement therapy and selected measures of body image in the trainable mentally retarded. 1978.

Greenstein, Mindy. Towards optimal functioning: a study of imagery and movement behavior. 1979.

Hamada, Geoffrey Mark. Dance and Islam: the Bojnurdi Kurds of Northeastern Iran. 1978.

Hoffman, Carol. A comparative study of the effects of movement sessions and exercise as an adult female population at a community center. 1978.

Kazdan, Cynthia Paige. Performance approaches to different environments. 1978.

Maloney, Pamela (Pamela Kay). The possible use of acupressure to facilitate flexibility of the hamstring muscle group in dancers. 1978.

Nicholas, Heidi Anne. Choreography and design for different theater spaces. 1978.

Nodell, Diane Sue. Altitudes: transforming an outside environment for dance. 1978.

Roeder, Jane. A dancer prepares. 1978.

Rosenthal, Rhonda. Introducing movement therapy into a treatment environment based on the medical model. 1978.

Rothwell, Juliet. The use of theatrical device in dance. 1978.

Rutkin, Jan. The use of dance in developing cardiovascular fitness. 1978.

Salazar, Patricia Ann. The rushes: a filmed thesis. 1976.

Schaffer, Heidi Rorick. A movement study to determine the value of dance therapy as an adjunctive therapy. 1978.

Sohl-Donnell, Linda. The reciprocal relationship between choreography and performance. 1978.

Soo Hoo, Selina. A choreographic thesis: glimmers. 1978.

Wyman, Wendy. Merging and differentiating: a concept basic to growth and the therapeutic process. 1978.

Baños-Milton, Margarita. Creative nurturing for the elementary school child through dance. 1979.

Coghlan, Mary Elizabeth. A study of theatricality and character in dance choreography. 1979.

Combs, Jo Anne. The Japanese O-Bon festival and Bon Odori: symbols in flux. 1979.

Debenham, H. Patrick. A kinesthetic approach to choreography. 1979.

Kupka, Nancy. The effects of movement therapy on body-self and social-self acceptance. 1979.

Leach, Leena. Music for dance: three compositional approaches to choreography. 1979.

Lewis, Rebecca. Club choreo… 1979.

Marshall, John. Emma. 1979.

Munich, Evelyn (Evelyn Ann). Laced vanities and At dusk: a choreographic thesis. 1978.

Mundt, Margo. Sourcing: a philosophical approach to teaching modern dance. 1978.

Musicant, Shira. Movement and mental imagery. 1979.

Nakano, Jeanne. The interrelationship of creativity and play in movement therapy with children. 1979.

Pittman, Stacie. The development of a model dance training program. 1979.

Snyder, Megan Louise. Movement therapy as a creative process: its basis in altered states of consciousness with reference to the complementary functioning of two hemispheres of the brain. 1979.

Stigleman, Sue Ellen. Conditioning for dance. 1979.

Thomas, Denise (Denise Ann). Energy as a creative focus in dance. 1979.

Allen, Marilyn. Un sueno en cuatro partes: a synthesis of images manifested in dance inspired by the mythic heritage of Spain. 1980.

Angell, Ferolyn. Reflections and lesson, practical considerations in choreography. 1980.

Bertossa, Nancy. The application of acting techniques to dance performance. 1980.

Boomer, Jacqueline. Sipapu: a choreographic thesis in dance ritual and performance. 1980.

Bramhall, Pamela. Three choreographies: investigation and theorization. 1980.

Coros, Mary. Phenomenology and methodology of an experimental class in dance of ancient Greece. 1979.

Dendinger, Rose Anne. Movement and dance in Ghana: a model for movement therapy. 1980.

Green, Barbara French. Discovery problem solving for creative growth and development: applications for experience in dance/movement therapy. 1980.

Helm, Janet. The integration of dance/movement and art in psychotherapy. 1980.

Hills, Laurie Ellen. Choreography and design for syncopated musings: a ragtime suite. 1980.

Inman, Susan. Images of the body in the choreography of Ruth St. Denis, Martha Graham and Alvin Nikolais. 1979.

Isaacs, Jan. The impact of movement therapy as a treatment approach for auditory hallucinations in the chronic schizophrenic. 1979.

King, Sheree Lynn. Self-directed learning in creative dance: an application of Carl Roger's theory of self-initiated learning. 1980.

Levy, Susan Ann. Self-concept of the developing child as viewed through movement and play. 1980.

Levy, Susan Beth. Kinesthetic intent in choreography. 1980.

Londres, Crystal. The immediate experience: spiritual, physical, and emotional energies. 1979.

Norvell, Maureen Helena. Oneness in performance. 1980.

Sasaki, Louise. The Tenrikyo sacred dance: the symbolic use of movement. 1980.

Tosun, Christine. Annotated bibliography of major dance articles in Tu¨rk Folklor Arastirmalari (Turkish Folklore Research) August 1949-March 1977. 1980.

Weltman, Marsha. The child/the therapist: in the metaphor of movement. 1979.

Winter, Cynthia. The dancer's relationship with the audience: an approach to dance performance. 1980.

Aiken, Constance Louisa. Labanotated score of the second movement of Orbits. 1981.

Badejo, Peter Adegboyega. Bori spirit possession, religion as a dance event: a pre-Islamic Hausa phenomenon. 1980.

Berger, Nancy Jane. Nutrition and weight control for dancers. 1980.

Breindel, Priscilla. A choreographic thesis: On the way. 1979.

Bukofsky, Mary Shone. An application of movement therapy to a clinical adolescent population. 1981.

Christie, Nancy Holland. Defensiveness and movement therapy. 1980.

Eichenbaum, Rose. A comparative study of the liturgical practices and accompany and ritualized movement behavior of the Ashkenazic and Sephardic Jews living in Los Angeles. 1980.

Farwell, Laura. The effectiveness of movement therapy in a special education facility with focus on spatial development. 1981.

Lo, Alice Muklan. Entering the stream. 1980.

Prohosky, Caroline. Voices from the dust. 1980.

Redich, Tobi Ann. Techniques of integrating choreography and musical composition. 1981.

Rups, Annette. Mia Slavenska's ballet technique: an analysis. 1981.

Shapiro, Bella. The play element in movement therapy. 1981.

Shaw, Andrea. Self-confrontation, creative action and dance: a choreographic thesis. 1981.

Spurr, Sarah Elizabeth. Insights into the creative process and the choreographic growth process of three dances. 1981.

Tomko, Linda. An analysis of the dance criticism of Carl van Vechten. 1980.

Wright, Marsha Gates. Rhythm in intercultural communication. 1981.

Anderson, Christine. The spiraling nature of creative learning through the dance experience. 1981.

Black, Daren Ellis. The use of energy to convey intention. 1981.

Borger, Irene Marian. Photographs of dance as sources of world view. 1981.

Breit, Marcia. Dance through life: a personal experience in dance, philosophy, and education with Hanya Holm. 1981.

Cohen, Rachel Andrea. In the wood. 1981.

Cunningham, Karen Elaine. Designs in dance. 1982.

Kalman, Martha Rose. Improvisational techniques designed to achieve a high level of performance. 1981.

Lasichack, Dianne Lynne. Dance therapy with geropsychiatric outpatients: issues of loss/separation anxiety. 1982.

Le Mieux, Susan Stark. Cognition and movement: remembered experiences and gestural beginnings. 1982.

Lloyd, Janine Denise. A lecture demonstration promoting modern dance in El Paso, Texas. 1982.

Loughrie, Martha Corinne. The dancer as a performing artist. 1981.

Nishiguchi, Ann Kikuyo. Korean dance in Hawaii: a study of the Halla Pai Huhm Korean dance studio. 1982.

Nussbaum, Debra Jean. A dance/movement therapy approach to crisis intervention. 1981.

Olsin-Windecker, Hilary. A study in transition: Jaya Budaya, Javanese dance in Jakarta. 1981.

Relin, Toni. The energy potential of a still image. 1981.

Sander, Ruth Alison. Dance from field to stage: the life and work of Anatol Joukowsky. 1981.

Scoren, Leslie Ann. Legong kranton of Bali: an analysis of style and structure in relation to the social environment. 1981.

Snyder, Spencer Lanny. Face values. 1981.

Wager, Leslie Anna. The use of movement therapy in substance abuse rehabilitation. 1982.

Wolf, Cindy Lee. When art becomes a job. 1982.

Abilogu, Peter Merica. Igbe Izimize: traditional dance of the Urhobo of Nigeria. 1982.

Chang, Chung-Yoon. Inward journey. 1983.

Cortez, Barbara Janet. Kinesthetic empathy within the dance/movement therapy process. 1982.

Dayton, Patricia Hunt. Making and performing modern dance: a belief pattern. 1982.

Eisler, Laurie Ann. The integration of experiential movement psychotherapy and massage: an inner-directed approach applied to pregnant women. 1982.

Fowler, Linda. Treclau. 1983.

Gantz, Judithe Irene. The application of Laban Movement Analysis to dance education: a study of two dance artists/educators. 1982.

Gilbert, Tamara Beth. American Indian Powwow dance in Los Angeles: dancers' perspectives. 1982.

Heekin-Walczyk, Elaine. How media affect perception. 1982.

Heifetz, Dvorah. Country-western dance within the context of popular culture in the Los Angeles area. 1982.

Kennedy, Susan Lynn. Primary vision: towards the filmic expansion of dance. 1982.

Kum, Johng-son. Realistic ballets of Alexander Gorsky. 1982.

Lee, Hae-Kyung. Three different sources of dances: the spiritual, the emotional, and the physiological: a choreographic thesis. 1982.

Mehler, Ingrid Ulrike. Touch in dance/movement therapy. 1982.

Reynolds, Leslie Ann. A film manual for the filmmaker/dancer. 1982.

Walczyk, Bruce Gerhardt. Improvisation in performance. 1982.

Wegher, Barbara Carol. Directing methods in modern dance. 1982.

Witucki, Jane. Visions: creating dance through an inner dialogue. 1982.

Yewell, Rebecca Ellen. The use of dance/movement therapy in the analysis of dreams. 1982.

Ahrens, Victoria E. The 1983 Ailey residency: an overview and analysis. 1984.

Galal, Fatma. A new dance approach in Egypt by introducing creative dance for children as a basic study. 1983.

Hunter, Amelie. The Golek dance of Java. 1983.

Jones, Samuel Lee. Stage management and dance production. 1983.

Kligerman, Amy Sue. Dance as an instructional aid: rationale for the incorporation of movement experiences into the junior high school curriculum. 1983.

Kurtz, Peggy. Modern dance injuries. 1983.

Lendra, I Wayan. Kebyar dance genre: continuity and further development of Balinese dance. 1983.

Meunier, Gilberte. The poetry and the dance: reading Jacques Prevert. 1983.

Moore, Roslyn. The dreamtime. 1983.

Mori, May. The role of the folding fan in kabuki: Buyo. 1983.

Newman, Anita. The rise of English Country Longways dancing and five dances from Richard Wellington's choice collection (1700). 1983.

Palmer, Harlan Guyant. Songs to enhance the movement vocabulary of young children. 1983.

Parmalee, Jo Ann. Dance improvisation and the blind adult. 1983.

Shomade, Adeyemisi. Improvisation as creative source for choreography--marriage of a spirit: a modern dance interpretation of a Yoruba theme. 1983.

Sklar, Deidre. Decroux and Prometheus: applying the dance ethnology model to a contemporary artist. 1984.

Taylor-French, Deborah. A creative movement model for stress management in the primary school classroom. 1983.

Vaillancourt, Arlene Joan. Spanish dance in Los Angeles: a study of twentieth-century Spanish dance productions. 1983.

Woodcock, Laura. Labanotation thesis: two historical dances from 1919 and 1920. 1983.

Bacela, Anthony Galindo. Literature into dance: the aesthetics of Yukio Mishima. 1984.

Barryte, Marcia Aron. Dance among the Sephardic Jews from Rhodes living in Los Angeles. 1984.

Busch, Carolann. The dances of Battistino: five Italian Renaissance duets from the sixteenth century. 1984.

Carson, Karen Anita. Spiritual and creative fulfillment within choreography. 1984.

Cicierska, Peggy. Intuitive uses of imagery in the choreographic process. 1984.

Dibia, I Wayan. Toward modern Balinese dance. 1984.

Feldman, Joan D.(Joan Deborah) Characters developed from a dramatic dialogue. 1984.

Goeglein, Janette Elizabeth. The effects of dance movement therapy on the body image of Down's syndrome children. 1984.

Horrell-Kahn, Jean Ann. Bridging the gap between ethnic folk and modern dance. 1984.

Johnson, Marilyn. Choreography for the performer. 1984.

Liljenquist, Jennet. Dance/movement therapy with physically ill children in a pediatric setting. 1984.

Liou, Tsuyin L. Using traditional Chinese sources in creating contemporary dance. 1984.

McKay, Caryl. Suggested categories for dance criticism. 1984.

Morris, Caroline. Self-concept and learning in the classroom. 1984.

Ocasio, Rosemarie. Efficacy of experiential movement psychotherapy with osteoarthritis. 1984.

Press, Carol M. Encounter, craft, and form: the intradynamics of the creative process. 1984.

Quirke, Mary Ann. The effect of cast changes in the evolution of a choreographic work. 1984.

Roston, Janet Leslie. The use of dance in the instruction of science to science to elementary school students. 1984.

Symington, Carol. The psyche and truthful choreography. 1984.

Washington, Lula Mae. Creating dance outside the university. 1984.

Zuberer, Jean Arlinda. A self reflection in three parts. 1984.

Ballnik, Denise K. The use of dance/movement therapy as an intervention in the treatment of eating disorders. 1985.

Blum-Sepos, Denise A. Dance/movement therapy in conjunction with sensory motor integration as a method for treating learning-disabled children. 1985.

Crain, Llewellyn M. Dance inspired by the arts. 1985.

Fekete, Gayle Marie. The extended choreography: approaching composition on a linear perspective. 1985.

Hemauer, Bonnie Jane. The case study of a schizophrenic patient emphasizing transference in a movement therapy relationship. 1985.

Kerr, Sharon Lee. The re-creation of a dance role: a performer's relation to the choreographer, to the work, to the previous performers. 1985.

Klein, Karyn Dale. The application of dance movement therapy to the autistic population. 1984.

Lawson, Anne Marie. A college education: its relationship to the aspiring professional modern dancer. 1985.

Lorien, Gail. Transformation of energy and consciousness through dance. 1984.

Mahaffay, Marni. The development of a basic movement laboratory class. 1985.

Ostroska, Beverly. The relationship of dance/movement therapy and psychosythesis. 1985.

Rosenfeld, Nina Sue. Two physical approaches of coping with vulnerability: self-defense and dance/movement therapy. 1985.

Shields, Katina. Dance as worship: a case study of congregational response. 1985.

Shindo, Evelyn. Anthropology and philosophy: a bimodal approach to aesthetics. 1985.

Snodgrass, Laurie. Effects of dance/movement therapy on interactional patterns between preschool age children and their mothers. 1985.

Sobel, Idrienne D. Learning to move, moving to learn. 1985.

Turner, John Donald. One man dancing: a retrospective process. 1985.

Verge, Sophie. Experiencing and change in dance movement therapy. 1985.

Wan, Aaron Yuk-Kwan. Effort: an attribute of rhythm. 1985.

Abravanel, Noga. Dynamic stability. 1986.

Armstrong, Gayle Elizabeth. Danza Axteca: contemporary manifestation of Danza de Los Concheros in the United States. 1985.

Barnett-Marks, Rita. Dance: an integrative approach. 1985.

Buel, Terri Lynn. Nutritional knowledge: its relationship to eating patterns of university dancers. 1985.

Clayton, Melanie Gail. The power of the still image. 1985.

Coleman, Patricia Lynn. Seeing the dance. 1985.

Dron, Deanna Jean. Directing choreography. 1985.

Ganado, Kai. Between doing and being: dance as self in performance, practice, and process. 1985.

Gorman, Christine. Movement therapy as a treatment approach for emotionally disturbed minimal brain dysfunction children. 1985.

Johnson, Celisse Greer. Popular dance styles of the 1920's in Harlem, New York. 1986.

Lubow, Carla Sue. The choreographic process within an educational environment: Marlborough school, a case study. 1985.

Morales, Lydia Elizabeth. Sarasijaksudu: the study of a Padavarnam in the Bharata Natyam recital. 1985.

Reid, Mary Virginia. Fall thesis concert 1983: a collaborative work. 1985.

Roberts, Donna Mary. Choreography: the art and the science of communicating energy through dance. 1985.

Scott, Barbara Shayne. Movement therapy: an approach to the depersonalization syndrome. 1985.

Storm, William Alan. Inversion injury in collegiate dance: the link between conditioning and incidence of injury. 1985.

Tobias, Leigh B. Cornelison. Analysis of the choreographic marketplace. 1985.

Wada, Agnes Reiko. Creative expression in dance/movement therapy in educational therapy with developmentally disabled individuals. 1986.

De Spain, Kent Stuart. The choreographic use of gesture. 1986.

Frizzell, Gail Lynn. Countertransference in dance therapy: a case study of an obsessive-compulsive patient. 1986.

Reineck, Janet Susan. Wedding dances from Kosovo, Yugoslavia: a structural and contextual analysis. 1986.

Austin, Susan. Skating dances: a treatise on dance and its application to figure skating. 1986.

Beau, Elizabeth. Application of theoretical principles to form a practical strength training program for university dancers. 1986.

Gibbs, Adleen. Relaxation within a movement therapy context as a modality in stress management. 1986.

Kaplan, Allison. Dancing through the stacks: a dance ethnologist's guide to using library resources. 1986.

Kilbourne, John. Dance for athletes: the development of a dance conditioning program for the UCLA basketball team. 1986.

Madrigal, Frances. Empathy in dance/movement therapy. 1986.

Morrow, Scott. Mythical voyages: a choreographic thesis. 1986.

Purdum, Carmel. Mia Slavenska: a portrait. 1986.

Saper, Arlene. The learning and teaching of flamenco dance in Los Angeles and Madrid, 1983-1985. 1986.

Simpson, Maureen. Afro-American cultural consciousness: dance perspective in Milwaukee, 1965-1975. 1986.

Spencer, Marilyn. Reciprocal influences of film and dance. 1986.

Taylor, Mary Lou. The effect of plyometric training on dancers' vertical jump height. 1986.

Whidbee, Robert. The use of design within the creative process of dance. 1986.

Fairweather, Pamela Diane. The dance/movement therapy process: an analysis of the involvement stages. 1987.

Goodman, Anne. Selected preparation techniques for performance. 1987.

Marton, Yves. The dancing of the Orishas in Los Angeles and the Pan-Yoruba spiritual tradition. 1986.

Newman, Deena. The Ethiopian Iskista dance in Israel, 1983-1985. 1986.

Rogers-Aguiniga, Pamela. Topeng Cirebon: the masked dance theater of West Java as performed in the village of Slangit. 1986.

Wolin, Roberta. Focus in dance: approaching choreography through improvisation. 1987.

Yoneyama, Lynne. Performance Growth through International Touring. 1988.

Junco, Maria Louise. Generatus: A Struggle for Transformation Within the Choreographic Process. 1988.

Small, Holly Fawcett. The Sound of Dance. 1988.

Williams, Florence Renee. The Nineteenth Century Afro-American Ring-Shout and Twentieth Century Boogaloo: An Historical and Comprehensive Study. 1988.

Keller, Beverly Anne. Living, Talking, Moving Gods: The Experience of the Audience at the Ramnagar Ramlila. 1988.

Duckler, Heidi. Choreography as a Collaborative Process. 1988.

Livesey, Deanna Lynn. The Application of Design Elements in Dance and Costume. 1988.

Fahmy, Farida (Melda). The Creative Development of Mahmoud Reda, a Contemporary Egyptian Choreographer. 1987.

Taylor, Mady. A Festival in North-Western Greece. 1987.

Siegel, Marc Barry. Four Studies in Choreography and Sound. 1987.

Castagna, John Michael. Use of Visual Art for Choreographic Inspiration. 1987.

Bracamonte-Bontemps, Laura. Dance in Social Context: The Peruvian Vals. 1987.

Von Bibra, Anne Louise. Continuity and Change in the Dance Events of Two Lower Franconian Villages During the Twentieth Century. 1987.

Christensen, Sandra Lee. Thesis: Altered States of Consciousness and the Creative Process. 1989.

Doherty, Trish. Authentic Movement in Modern Dance. 1989.

Nowell-Zagelbaum, Valorie. The Use of Art, Dance/Movement and Music Therapy With a Severely Disabled Patient Who Also Has a Dual Diagnosis. 1989.

Soh, Sung Sook. Reproducing the Past Through Choreography. 1988.

Banchero, Barbara Fraser. Preverbal Experience and the Beginnings of the Body Self. 1988.

Leong, Tracy Ann. The Process of Developing a Self-Evaluation System for the Modern Dance Technique Teacher. 1988.

Olson, Constance Lea. The Use of Christian Themes in Choreography. 1988.

Perry, Katherine Kimberly. Movement Therapy as a Means to Facilitate Change and Growth in Adolescents. 1988.

Lu, Yuh-Jen. Organic Sense. 1988.

Krueger, Carolyn Page. Imagery to Choreography: The Synthesis of Experience. 1988.

Bice, Patricia L. Space, Structure and Perception int he Choreographic Approach. 1988.

Adair, Charlotte. American Indian Imagery in Some Court Spectacles of Renaissance Europe. 1988.

Petty, Dianna Leslie. Dance Influenced by Computers and the Technological Environment. 1988.

Ferrara, Eugenie G. Exploring the Dance/Movement Therapy Relationship with Two Autistic Boys. 1988.

Jimerson, Daniel B. Creating Relationships in Dance. 1988.

Fiedler, Imke A. Kinesthetic Empathy and Somatic Countertransference: Effective Tools of Dance Movement Psychotherapists. 1988.

Ray, Donna Ruth-Anandha. Emotional Expressiveness of Movement - A Choreographic Exploration. 1988.

Arbon, Lisa. The Process of Choreographing for a Specific Performer. 1988.

Lucchi, Beth A. Case Study: Dance/Movement Therapy with a Chronic Paranoid Schizophrenic Patient. 1989.

Akiyama, Linda Cummings. Reverend Yoshio Iwanaga and the Early History of Doyo Buyo and Bon Odori in California. 1989.

Gubernick, Rene Arturo. Ancient Traditions and Modern Expressions. 1989.

Iwotor, Raphael Chukweumeka. A Humanistic Dance Program in the Department of Music, University of Nigeria: a Theoretical Framework. 1989.

Real, Jane Kimberly. The Choreographic Process: An Exploration of the Kinesthetic and Visual Modes. 1989.

Lee, Nancy Jean. Meaning in Dance. 1989.

Stanton, Roberta Carol Lee. The Effects of Dance/Movement Therapy on the Nonverbal Social Interactive Behaviors of Profoundly Mentally Retarded Adults. 1989.

Theriot, Margaret Elizabeth. Dance and Theater: Making Everyday Movements and Gestures into Performance. 1989.

Uchida, Junko. Integration of Modern Dance with Japanese Traditional Dance. 1989.

Albeyta, Debra Anne. Internal Landscaping: A Method of Performance Coaching Using Laban Movement Analysis. 1989.

Leong, Page A. The Dance in Performance - an Energy Channel. 1989.

Bisignano, Mary Catherine. The Role of Design as a Means to Expression Through Dance. 1989.

Sprague, Katharine Bosman. A Portrait of Erick Hawkins. 1989.

Trudeau, Helene. "Today I Learned to Dance With My Wings:" Children's Perspective on Dance Through the Medium of Video Documentation. 1989.

A Dance in 4 Movements: The Production and Process of a Choreographic Work. 1989.

De Mattos, Sheyla Coutinho. Dance in Higher Education in Brazil: Understanding the Context and Projections for the Future. 1989.

Chandler, Kimberley Ann. A Preliminary Investigation Into the Effects of Teaching Style on Creative Movement Behaviors of Fourth Grade Children. 1989.

Yang, Kuei-Chuan. An Adventure of Dancing in Ink - Chinese Calligraphy Images in Modern Dance. 1989.

Tseng, Ming-Sheng. Laban Movement Analysis Effort Motion Factors as an Additional Tool in a Choreographic Process. 1990.

Matakovich, Margaret Ann. Comparing Teaching Methods in the Jazz Exercise Class. 1990.

Adams, Cynthia. Two Versions of Field of Motion: a Multimedia Dance for the Stage and for Video. 1990.

Person, Lorraine E. Degas Dancing: Aspects of Berthe Bernay's Ballet Barre, a Technique of the Paris Opera Ballet, 1871-1890. 1989.

Suharto, Benedictus. Dance Power: the Concept of Mataya in Yogyakarta Dance. 1990.

Park, Hi-Ah Chai. Initiation: the Primal Spirit Take of a Shaman Artist. 1990.

Weinmann, Malia Psyche. Student Perceptions of Dance on MTV. 1990.

Putterman, Mary Elizabeth. In Response to Music: a Way to Choreograph. 1991.

Phillips, Miriam Sarada. Both Sides of the Veil: a Comparative Analysis of Kathak and Flamenco Dance. 1991.

Burkley. Carl. The Inner Experience of Projecting and Performing Dance in the Context of Group Works, Duets and Solo Works. 1991.

Wiratini, Ni Made. Condong and its Roles in Balinese Dance-Drama. 1991.

Mayne, Emily Nancy. Dance Fusion: Influences From a Small World. 1991.

Kashino, Chikako. Continuity in Discontinuity in Nihon Byuo: Analysis of a Japanese Classical Dance. 1991.

Schiller, Gretchen. Dance Making With an Intercultural Sensibility. 1991.

Todd, Rebecca Mary Ruth. Fragmented Narratives: the Use of Video Techniques in Structuring Dances. 1991.

Gehrke, Lauralee Charlotte. Formal and Intuitive Modes in the Creative Process. 1991.

Wu, Sufen Wang. Life as a Creative Seed. 1991.

Freeman, Denyce. Investigation of the Concept of a Perfect Body for the Female Ballet Dancer. 1994.

Kovach-Sansonese, Judith. Contemplation in Movement: the Significance of Walking in Zen Meditative Practice. 1990.

Brochu, Camille. Processes of Cultural Expression and Self-Definition in Quebecois Dance. 1991.

Berliner, Terry Lyn. The Integration of Movement, Text, Music and Life Into Art. 1991.

Stone, Rebecca. Salome, Scheherazade, and Hollywood: the Oriental Dance in American Feature Film. 1991.

Anttila, Eeva Helena. Children's Dance in Focus: Theoretical, Philosophical, and Methodological Considerations in the Study of Children's Dance. 1992.

Santiago, Miguel F. Dancing with the Saints - the Dance Experience in Santeria. 1992.

Suseck, Mary Lynne. A Collaboration Between Modern Dance and Jazz Music Based on Improvisation. 1991.

Goldschein, Lisa Marie. The Place of Jazz Dance in Two Los Angeles Area Universities: A Case Study. 1992.

Minott, Danielle Yvonne. Dance/Movement Therapy in a School Setting in Jamaica: Consideration on the Cross-Cultural Application of an American-Based Model. 1992.

Lorenz, Coleen H. The Application of Dance/Movement Therapy in the Treatment of Head Injured Patients. 1992.

Marvin, Melissa S. Systematic Analysis of Tap Dance Styles. 1992.

Shah, Purnima. Innovation in Contemporary Kathak. 1992.

Cornwall, Rebecca Patricia. Facilitating Positive Social Experiences with Internalizing and Externalizing Special Needs Children Through Group Dance/Movement Therapy: A Pilot Study. 1992.

Lester, Gloria Gene. The United States Scandanavian-Dance-Community and Norsk Bygdedans. 1992.

Kearns, Lauren Winslow. Evaluation of the Hamilton High School Academy of Music Dance Program: An Educational and Dance Theoretical Analysis. 1994.

Tsunemine, Yasuyo. Overlapping Approaches of Play and Dance/Movement Therapies for a Severely, Parentally Neglected Child in the Therapeutic-Educational Setting. 1994.

Welgrich, Eileen A. The Use of Dance/Movement Therapy with an Attention Deficit Hyperactive Disorder Child. 1993.

Lin, Chun-Ying. Mandelbrot. 1993.

Greenblatt, Edith Lilian. Recreational Israeli Dance as a Modern Participatory Art Form: A Computer-Aided Study of Rikudai-Am Yisraeli, 1987. 1993.

Sutherland, Sonja Helen. The Application of Effort-Shape to Choreography: Attaining Verbal, Visual and Kinetic Clarity. 1994.

Zhong, Xin Yuan. "Red: The Color of the People" A Choreographic Piece on the Chinese Cultural Revolution. 1993.

Elliott, Janine. The Relationship Between Music and Dance in Cotswold Morris Performance. 1993.

Dougan-Krstic, Nadine M. Creative Expression in Contemporary Carnival: Rural and Urban Traditions in Lovranstina, Croatia, Yugoslavia 1985-1988. 1991.

Clauer, Melanie. The Application of Dance/Movement Therapy with TJ - a Suicidal Eight Year Old Boy. 1993.

Morales, Cynthia Diana. Music, Movement and Media Arts Project: The Development of an Interinstirutional Arts Education Outreach Program with a Multicultural Focus Based in the Latino Community in the West Los Angeles/Santa Monica Area. 1993.

Witzer, Barbara Raymer. Dance/Movement Therapy with Alcohol and Substance Abuse Patients: Moving Through Resistance. 1992.

Malone, Marjorie. Self-Empowerment and Communal Transformation in the Genisaro Comanche House Blessing. 1993.

Ray, Sohini. Meeti Revitalism and Manipuri Dance. 1995.

Harris, Joyce. A Descriptive/Comparative Analysis of the "Steam Heat" Trio by Bob Fosse. 1995.

Lee, Hung-Fu. The Mlsin Dance in Amis Makutaai Village of Eastern Taiwan. 1995.

Rider, Malaya L. The Prospective Role of Movement Therapy in Holistic Mind/Body Medicine: As Exemplified by its Application with the Cancer Population. 1995.

Hentschel, Beate Maria. Harald Kreutzberg: Reconstruction of His Career. 1994.

Mitchell, Kate. Videotaping Dance: A Comparative Project. 1994.

Thomas, Katherine Ann. Theatrical Flamenco Dance and Music Legacy of Federico Garcia Lorca and La Argentinita. 1994.

Dinerman, Margaux Eve. Saint Lazarus: Myth, Song and Dance. 1994.

Eshelman, Donna Lee. Motor-Learning Research Applied to Modern Dance Technique Instruction. 1994.

Butvich, Angela Diane. Creative Movement Classes for Young Children Offered in Studios in Three Counties in Southern California: How "Creative" Are They? 1994.

Carrano, Maria Christina Marinho. The Effects of a Balanced Resistance Training Program on the Dance Technique of Female Modern Dancers. 1994.

Thomas, Stephanie Moore. Going - Labanotated Score. 1970.