Original media formats are restricted. Viewing/listening copies may be available for researchers.
Acquired 1981-1996.
Pauline Oliveros Papers, MSS 102. Special Collections & Archives, UC San Diego.
Papers of Pauline Oliveros, composer, accordionist and former music professor at UCSD. Materials include correspondence, works
and writings by Pauline Oliveros and others, manuscripts of Oliveros' compositions, subject files, reel-to-reel audio tapes
and ephemera. These materials were originally located at UCSD's Music Library.
Arranged in eleven series: 1) WORKS BY PAULINE OLIVEROS, 2) WRITINGS, 3) PROJECTS, 4) INTERVIEWS AND CRITICISMS, 5) PROGRAMS
AND REVIEWS, 6) UNIVERSITY MATERIALS, 7) WORKS BY OTHERS, 8) WRITINGS BY OTHERS, 9) CORRESPONDENCE, 10) BIOGRAPHICAL and 11)
ELECTRONIC MUSIC SYSTEMS.
Pauline Oliveros was born in Houston, Texas in 1932. An accomplished accordionist, composer and teacher, she is an instrumental
figure in the world of electronic music. Oliveros was a founding member of the San Francisco Tape Music Center, a resource
for electronic music in the 1960s. Later, the Center moved to Mills College and became the Center for Contemporary Music where
Oliveros was the Center's first director.
Oliveros' teaching career spans several decades. She left Mills College in 1967 when she accepted a faculty position at the
University of California, San Diego. From 1976-1979 Oliveros served as the director of the Center for Music Experiment (CME),
later renamed The Center for Research in Computing and the Arts (CRCA) at UCSD.
In 1981 she moved to upstate New York to work as an independent composer and performer. She then became the Distinguished
Research Professor of Music at Rensselaer Polytechnic Institute, in Troy, New York and the Darius Milhaud Artist-in-Residence
at Mills College.
Oliveros is the founder of The Deep Listening Institute, formerly the Pauline Oliveros Foundation. In 1991 she coined the
term "Deep Listening". The Institute explains Deep Listening philosophy , stating that it "distinguishes the difference between
the involuntary nature of hearing and the voluntary selective nature of listening. The result of the practice cultivates appreciation
of sounds on a heightened level, expanding the potential for connection and interaction with one's environment, technology
and performance with others in music and related arts." Out of this philosophy, Oliveros formed the Deep Listening Band with
fellow musicians David Gamper and Stuart Dempster.
Oliveros has been a great influence on American electronic and experimental music. In 2009, she won the William Schuman Award
for lifetime achievement from Columbia University and in 2010, a retrospective of her work from 1960 to 2010 was performed
in honor of the award.
On March 19th, 2012, Oliveros became the recipient of the John Cage Award from the Foundation of Contemporary Arts. Also
in 2012, Pauline Oliveros celebrated her 80th birthday with year long celebration performances, Deep Listening activities
and residencies.
Most of the Pauline Oliveros Papers have been digitized, with the exception of oversize (material with "FB" or "MC" container
designations) and some published content. Many folders in the collection, such as writings and correspondence, may be viewed
without restriction by clicking directly on the blue title links. Musical works and compositions, and related materials in
shared folders with musical works and compositions, may only be viewed by registered users through the Library's Virtual Reading
Room service. Please request all musical works directly from the finding aid for access facilitated through the Library's
virtual reading room service.
University of California, San Diego. Center for Research in Computing and the Arts
University of California, San Diego. Center for Music Experiment
WORKS BY PAULINE OLIVEROS
Scope and Content of Series
Series 1) WORKS BY PAULINE OLIVEROS: Arranged in two subseries: A) Compositions and B) Sketches.
A) Compositions: Oliveros' catalog of musical compositions from 1951-1980, manuscript scores, drafts, sketches and related
programs, correspondence and photographs. Notable works include
Sonic Meditations,
Sound Patterns, and
Theater of Substitution series.
B) Sketches: Interpretive artwork and composition notes from 1957-1960. Some unidentified and oversized sketches are also
included.
Box 1, Folder 1-3
Complete catalog of the compositions
1951-1980
Complete catalog of the compositions
General
Aranged in approximate alphabetical order, A-Z. Includes details of instrumentation, programs and ephemera, first and subsequent
performances, commissions, etc.
Box 1, Folder 4
Aok. Includes manuscript score, draft, sketches, and correspondence
1969
Box 1, Folder 5
Accordion. Includes diagram and tentative program
1966
Box 1, Folder 6, Oversize FB-402-01
Adagio for woodwinds. For flute, oboe, clarinet, horn, and bassoon. Includes holograph score in multiple drafts
1957
Box 1, Folder 7
For flute, clarinet, violin, cello, and piano. Published score (1970)
1969
Box 1, Folder 8
Includes manuscript score, draft and publication materials, slide, programs, and correspondence
1969
Box 1, Folder 9
Anarchy Waltz. Includes manuscript score, annotated photocopy, programs, and review
1980
Box 1, Folder 10
Angels and Demons. Includes manuscript score, mimeograph and programs
1980
Box 1, Folder 11
Apple Box Orchestra. Sketch
Box 1, Folder 12
Arrangement. By Douglas Leedy, with further arrangements by Pauline Oliveros and Roger Davis. Includes typescript score and
program
1972
Box 1, Folder 13
Art of the Woodcut. Music for the film "The Art of the Woodcut." Includes holograph score, instructions and photograph
Box 1, Folder 14
Autobiography of Lady Steinway. Manuscript score
1978
Box 1, Folder 15
Bath. Includes holograph score and sketches
1966
Box 1, Folder 16
Big Mother Meets the Wolfman. Includes a photocopy of letter to Robert Ashley
1969
Box 1, Folder 17
Bio-Theatre. Includes notes for Mandeville Center opening ceremony, festivals and courses. Also includes correspondence and
Trainability of Listening Comprehension of Speed Discourse
1975
Box 1, Folder 18
Birthday Tune for Laurel. Includes holograph score
Box 1, Folder 19
Includes published score, notes, letters, newspaper clipping, slides, color photocopies of photographs, notebook
General
Original chromes located in ASC2/M102/006-076 (no 028, 044-048) and two unnumbered sleeves.
Box 1, Folder 22
Bye Bye Butterfly. Includes program and recording contract
1975
Box 1, Folder 24
Includes holograph score and published version in
Focus on Musicology, with annotations and notes
1966
Box 1, Folder 25
Cat O Nine Tails. Includes instructions, graph and miscellaneous notes
1965
Box 2, Folder 1, Oversize FB-402-02
Cats. Holograph sketch and text
Box 2, Folder 2
Ceremony of Sounds. For Tamar Read. Includes manuscript score, drafts and correspondence
1974
Box 2, Folder 3
Cheap Commissions. Includes requests for commissions, payment and responses. Also includes photographs
1976 - 1980
Cheap Commissions
Box 2, Folder 4
Chronicles of Hell. Music for the San Francisco Mime Troupe. Includes scripts and partial holograph score
1965
Box 2, Folder 5
Circuitry. Includes holograph score and notes
1967
Box 2, Folder 6
Cock-A-Doodle Dandy. Music for the Actor's Workshop Production of Sean O'Casey's "Cock-A-Doodle Dandy," directed by Herbert
Blau. Includes holograph score, drafts and program
1959
Box 2, Folder 7
Concert Piece for Accordion. Holograph score
1956
Box 2, Folder 8
Covenant. Description of preparations for music for
The Covenant, a film by Ronald Chase
1965
Covenant - Description of preparations for music for The Covenant, a film by Ronald Chase
Box 2, Folder 9
Includes photocopy of score and notes
1974
Box 2, Folder 10
Photographs by Ellen van Fleet. Includes correspondence
1975
Box 2, Folder 11
Reviews. Includes correspondence
1974 - 1975
Box 2, Folder 12
Includes correspondence, draft, manuscript score, and annotated typescripts
1975
Box 2, Folder 13
Includes typescripts and transcription of Oliveros' talk at the Ethnopoetics Symposium. Also includes correspondence
1975
Box 2, Folder 14
Dialogue with Basho. Includes manuscript score, typescript and correspondence
1972
Box 2, Folder 15
Double Basses at Twenty Paces - Multiple drafts of the score
1968
Box 2, Folder 16-17
Double Basses at Twenty Paces - Revisions and correspondence
1973
Box 2, Folder 18
Double X. Includes manuscript score and notes
1979
Duo for Accordion and Bandoneon, with possible Mynah Bird Obliggato
Box 2, Folder 20
See Saw Version. Sketches
1964
Box 2, Folder 21, Oversize FB-402-03
See Saw Version. Holograph score
1964
Box 2, Folder 22
Duo for Pianist and Pedal Pusher. Includes draft of score and sketches
1964
Box 2, Folder 23
Dying Alchemist. Includes correspondence, source material and drafts. Text by N. P. Willis
1968 - 1974
Box 3, Folder 1
Eighteen Accordion Pieces for Children. Holograph score
1957
Box 3, Folder 2-3
El Relicario de los Animales
1979
General
Includes drafts of score, instructions, program and miscellaneous correspondence.
Box 3, Folder 4
El Relicario de los Animales - Photographs
1979
Box 3, Folder 5
Electronic Mantra -
Experiments in Art and Technology (EAT). Includes articles published in
Techne
1970
Box 3, Folder 6
Electronic Mantra - Notes. Includes diagrams
1970
Box 3, Folder 7, Oversize FB-402-04
Electronic Mantra - Pavilion, Expo '70. Osaka, Japan. Plans in Japanese
1970
Box 3, Folder 8
Electronic Mantra - Pepsi-Cola Pavilion. Press kit
1970
Box 3, Folder 9
Elephant Call. Ritual for Trumpeter Jack Logan. Includes manuscript score, draft and correspondence
1975
Box 3, Folder 10
Engineer's Delight for Piccolo and Seven Conductors. Includes diagram and tentative program
1966
Box 3, Folder 11, Oversize FB-402-05
Box 3, Folder 12, Oversize FB-402-06
Box 3, Folder 13
Evidence for Competing Bimolecular and Termolecular Mechanisms in the Hydrochlorination of Cyclohexene. Includes diagram,
photocopies and excerpt from article with the same title
Box 3, Folder 14
Exception and the Rule. Holograph score
Box 3, Folder 15
Festival House. For orchestra, chorus, mimes, and lights. Includes manuscript score and program notes
1968
Box 3, Folder 16, Oversize FB-402-07
Few Phrases for Accordion, Trumpet and String Bass. Holograph sketch
Box 3, Folder 17
Five for Trumpet and Dancer. Includes holograph score and slides
1964
Box 3, Folder 18, Oversize FB-402-08
For Budding Hall-O Ween Peace. Holograph score included in Harold Budd's portfolio, "California 99"
Box 3, Folder 19
Four-H Leader. Includes holographs, source materials, license, and notes
1958
Box 3, Folder 20
French Horn - Minor Scale and Mixed Mode Studies. Includes mimeographs and notes. Also includes
Ear-Training In Absolute Intervals for Music A, 1951
Box 3, Folder 21, Oversize FB-402-09
French Horn - Music notebook. Includes holograph scores related to the French Horn Interval Studies
Box 3, Folder 22
French Horn Etudes. Includes mimeograph and holograph scores
Box 3, Folder 23
French Horn Interval Studies. Includes mimeographs
Box 3, Folder 24
Fugue for Piano
1954 August 27
Oversize FB-402, Folder 10
Fugue in A Minor. Holograph score
1951
Box 3, Folder 25
Fwyynghn: A Stage Piece with Music and a Ballet Dance. Collaboration with Gordon Mumma, Christian Sinding, Louise Frazer,
Beatrice Manley, and others. Includes scripts and drafts
1979 - 1980
Box 3, Folder 26
Fwyynghn: Lament for a Princess Enchanted into Death. Includes holograph sketch and score
1980
Box 4, Folder 1
Genuine Cheap Commission. Includes instructions and note
1981
Box 4, Folder 2
George Washington Slept Here. Includes sketch and correspondence
1965
Box 4, Folder 3
George Washington Slept Here Too. Includes manuscript score and photocopy. Published in
Soundings I, 1972
1965
Box 4, Folder 4
Hallo. With Anthony Martin. Includes annotated scores and drafts
Box 4, Folder 5
I Heard a Boy Singing Long Long Ago. Includes manuscript, typescript and a photocopy of score. Text by Robert Duncan
1968
Box 4, Folder 6
In Memoriam, Nikola Tesla, Comic Engineer. Music for the dance
Canfield by Merce Cunnigham. Includes drafts, typescript of score and miscellaneous correspondence
1969
Box 4, Folder 7
Indefinite Integral of Psi Star Psi D Tau Equals One. Includes manuscript score and drafts
1969
Box 4, Folder 8
I've Got You Under My Skin. For solo percussionist and batman. Collage on strip of paper board
Box 4, Folder 9
Light Piece for David Tudor...
1974
Box 4, Folder 10
Link. Includes manuscript score, drafts and source materials. Published in
Womens Work, 1971
Box 4, Folder 11
Lullaby for Daisy Pauline. Includes manuscript score and correspondence
1980
Box 4, Folder 12
Lulu: A Semi-operetta. Includes annotated typescripts with holograph scores
1962
Box 4, Folder 13
Mandala. Includes score, program, notes, and correspondence
1978
Meditation on the Points of the Compass
Box 4, Folder 14
For David Nott and The Illinois Wesleyan Choir. Includes manuscript score, drafts and correspondence
1970
Box 4, Folder 15, Oversize FB-402-11
Box 4, Folder 16
Music for Mother's Day. Recording agreement
1981
Recording agreement for Music for Mother's Day
Box 4, Folder 17
Music for Stacked Deck. Scripts by Dick Higgins. Includes manuscript score and notes
1973 - 1980
Box 4, Folder 18
Night Jar. Includes typescript of score, drafts and correspondence
Box 4, Folder 19
Oh Ha Ah. For chorus, conductor and two percussions. Includes holograph score
Box 4, Folder 20
One of Four. Includes holograph score by Jim Stone
Box 4, Folder 21
Outline for Septet. Includes draft of score
Box 4, Folder 23
Phantom Fathom. Includes score, correspondence, invitation, and guest lists for 1973 performance
1972
Box 4, Folder 24, Oversize FB-402-12
Passages for Harp, Trumpet and Accordion. Includes holograph score and draft
Box 4, Folder 25
Patchwork Girl of Oz
1981
Box 4, Folder 26
Pathways of the Grandmothers
1978
Box 4, Folder 27, Oversize FB-402-13
Piano Piece. Includes holograph score
1956
Box 4, Folder 28, Oversize FB-402-14
Piano Piece I - III. Three pieces with the same title, plus one additional untitled composition. Includes holograph score
1951
Box 4, Folder 29, Oversize FB-402-15
Piece for Cello and Piano. Includes holograph score
1951
Box 4, Folder 30-32
Pieces of Eight
General
Includes masters, prints, drafts, transparancies, and photocopy of score.
Box 5, Folder 2, Oversize FB-402-16
Pieces of Eight - Graphic for projection, positive and negative image
Box 5, Folder 1
Pieces of Eight - Revision with manuscript score
1973
Box 5, Folder 3
Pieces of Eight - Miscellaneous programs, correspondence and notes
Box 5, Folder 4
Pieces of Eight - Photographs
1965 - 1972
Box 5, Folder 5
Please Be Silent - The Performance Has Begun. Printed score
Box 5, Folder 6
Please Don't Shoot the Piano Player, He is Doing His Best. Includes typed score and annotated drafts
Box 5, Folder 8, Oversize FB-402-17
Prelude and Fugue, for Staring Quartet. Includes holograph score and drafts
1953 - 1954
Box 5, Folder 9
Prelude and Schuzo. Includes holograph score
Box 5, Folder 10
Program Notes for Tape and Orchestra. Includes manuscript score
1972
Box 5, Folder 11, Oversize FB-402-18
Quartet for Winds. Includes holograph score and draft
1951
Box 5, Folder 12
A Realization of Compose by Keith Humble, "Are You Really Doing What You Think You Are Doing?"
Box 5, Folder 13
Rock Piece. Includes photocopy of manuscript score
1979
Box 5, Folder 14
Rock Symphony. Includes outline and sketch
1965
Box 5, Folder 15
Correspondence
1976 - 1978
Box 5, Folder 16
Miscellaneous
General
Includes programs, clippings and biographical information from Sylvia D'Arcangelo and Julia Lebentritt.
Box 5, Folder 17-18
Photographs and contact prints
Box 5, Folder 19
Responses from performances
Box 6, Folder 1
San Francisco Burning. Includes holograph score and correspondence
1960
Box 6, Folder 2, Oversize FB-402-19
Serenade for Viola and Bassoon
1957
Box 6, Folder 3
Seven Passages. Includes outlines and notes
1964
Box 6, Folder 4
Single Stroke Roll Meditation. Includes photocopy of manuscript score
Box 6, Folder 5
Sonata for Flute and Piano. Includes holograph score
Box 6, Folder 6
Song for Horn. Includes holograph score
Box 6, Folder 7, Oversize FB-402-20
Song for Horn and Piano. Includes holograph score
Box 6, Folder 8
Sonic Images. Includes manuscript score photocopy, typescript, draft, and responses
1972
Box 6, Folder 9
Sonic Meditations instructions
1971
Box 6, Folder 10
Published article on Sonic Meditations
Box 6, Folder 11
Biofeedback - Instructions by Bruce Rittenbach
Box 6, Folder 18
Correspondence
1962 - 1981
Box 6, Folder 19
Includes draft and published version
1961
Box 6, Folder 20, Oversize FB-402-21
Box 6, Folder 21
Unattributed program notes
1961
Sound Patterns - Unattributed program notes
Box 6, Folder 22, Oversize FB-402-22
Suite for Piano. Includes holograph score and draft
Box 6, Folder 23
Theater of Substitution. Includes photographs, contracts and newspaper clipping
1976
Box 6, Folder 25
Theater Piece for John Baldessari. Includes "15 Musical Projects, an Exchange (for Pauline Oliveros)"
1970 April
Box 6, Folder 26
Sonic Meditations, Phantom Fathom, and Theater Piece for Trombone Player (commissioned by Stuart Dempster)
General
Includes manuscript score, notes, correspondence, and photographs.
Box 7, Folder 1
Three Part Song, and Three Part Period. Includes holograph score and sketch
Box 7, Folder 2, Oversize FB-403-01
Three Songs for Soprano and Horn. Includes "O You Whom I Often and Silently Come," "Noctum" and "That Shadow My Likeness."
Texts by Walt Whitman and Carl Sanburg. Includes holograph sketch, transparencies and ozalid print
1957
Box 7, Folder 3, Oversize FB-403-02
Three Songs for Soprano and Piano. Includes "An Interlude of Rare Beauty," "Spider Song" and "Song No. Six (from
Maximus)." Texts by Robert Duncan and Charles Olson. Includes sketch, holograph score and ozalid print
1957
Box 7, Folder 4
Three Songs for Soprano and Piano. Includes manuscript score, published score and program
1957
Box 7, Folder 5
Three Songs for Soprano and Horn. Includes "O You Whom I Often and Silently Come," and "That Shadow My Likeness"
1957
To Valerie Solanis and Marilyn Monroe in Recognition of Their Desperation
Box 7, Folder 6
Correspondence
To Valerie Solanis and Marilyn Monroe in Recognition of Their Desperation - Correspondence
Box 7, Folder 7
Includes various versions in multiple drafts and published score
1970
Oversize MC-021, Folder 03
The Arch Ensemble for Experimental Music poster
1980
Box 7, Folder 8
Traveling Companions. Includes photocopy of manuscript score, draft, drawings, and correspondence
1980
Box 7, Folder 9, Oversize FB-403-03
Trio for Accordion, Trumpet and String Bass (1961). Ozalid print
1961
Box 7, Folder 10, Oversize FB-403-04
Trio for Clarinet, Horn and Bassoon. Includes holograph scores, transparencies and ozalid print
1955 - 1957
Trio for Flute, Percussion and String Bass
Box 7, Folder 11, Oversize FB-403-05
Includes transparencies, ozalid print and holograph sketch
1963
Box 7, Folder 12, Oversize FB-403-06
Trio for Flute, Piano and Page Turner (1961)
Box 7, Folder 13
Includes holograph score, draft and correspondence
1961
Box 7, Folder 14, Oversize FB-403-07
Box 7, Folder 15
Turning Meditation. Includes correspondence and notes for performance. Used for Elaine Summers' "Crow's Nest"
1979-1980
General note
See also: WORKS BY OTHERS, 1979-1980
Box 7, Folder 16
Twenty Five for Light and Four Players. Includes manuscript score
1964
Box 7, Folder 17, Oversize FB-403-08
Two Pieces for Trumpet, Accordion and String Bass, 1959. Includes holograph score and three additional pieces from 1960-1961
Box 7, Folder 18
Two Solo Pieces for Flute. Includes holograph score
Box 7, Folder 19
Undertone for Violin and Piano. Includes holograph score and fragment
1951
Box 7, Folder 20
Valentine. Includes notes for the piece, a text that describes the piece and correspondence
1968
Variations for Sextet (1960)
Box 7, Folder 21, Oversize FB-403-09
Includes sketch of "Two Phrases for Trumpet, Accordion and String Bass"
November 17, 1959
Box 7, Folder 22, Oversize FB-403-10
Box 7, Folder 23, Oversize FB-403-11
Flute, B-flat Clarinet, Cello, Horn in F, and B-flat Trumpet. Transparencies
1960
Box 7, Folder 24
Variation on a Theme. For University of Illinois - Composer's Forum
1977
Box 7, Folder 25
Includes holograph score, copyright registration and lists of works in progress
1959
Box 7, Folder 26, Oversize FB-404-01
Overture to View from the Bridge. Manuscript score
1958
Box 7, Folder 27, Oversize FB-404-02
Overture to View from the Bridge. Ozalid prints with extensive revisions
1958
Box 7, Folder 28, Oversize FB-404-03
Overture to View from the Bridge. Includes transparencies and unrevised ozalid prints
1958
Box 7, Folder 29
Water Event. Postcard reproduced in
Break Glass in Case of Fire: The Anthology from the Center for Contemporary Music
1976
Box 7, Folder 30
What's Cooking? - Photographs
1977
What's Cooking? - Photographs
Box 7, Folder 32
Includes manuscript score, which incorporates collage and playing cards
Box 7, Folder 33
Includes score, drafts and correspondence
Box 7, Folder 34
Why Don't You Write a Short Piece? Includes manuscript score and correspondence
1970
Box 7, Folder 35
Willowbrook Generation and Reflections (1976?). Includes published score, manuscript score, drafts, and correspondence
1976
Box 8, Folder 1, Oversize FB-404-04
Wistaria. Holograph score
1953
Box 8, Folder 2
Witness. Includes manuscript score, draft and correspondence
1979
Box 8, Folder 3
Yellow River Map. Includes manuscripts of score, notes, film editing typescript, and correspondence
1977 October
Box 8, Folder 4, Oversize FB-408-02
Music V Program. Printout of program coded in Fortran for musical score
1972
Oversize MC-021, Folder 04
Unidentified score, handwritten on graph paper, undated
Box 8, Folder 6, Oversize FB-404-05
Assorted sketches. Includes transparencies and a drawing
Box 8, Folder 7
Composition notes. Includes sketches of "Sonata (Unaccompanied Flute)," "Accordion Piece," and "Solo Piece for Flute"
1957-1960
Box 8, Folder 8
Graph of numerical values of notes
Box 8, Folder 9
Notepad - Scales, triads, intervals and exercises
General
Circa 20 pages of exercises including major scales, intervals, augmented intervals, triads, and inversions handwritten in
ink by Oliveros (no compositions).
Box 8, Folder 10, Oversize FB-404-06
Untitled sketches for ensemble. For flute, clarinet, double bass, bassoon, bass clarinet, trumpet, horn, trombone, percussion,
harp, piano, and strings
Oversize FB-404, Folder 7
WRITINGS
Scope and Content of Series
Series 2) WRITINGS: Manuscript drafts, typescripts and some supporting correspondence and notes. Included is material for
Oliveros' book,
Software for People: Collected Writings 1963-80, published in 1984. Arranged alphabetically.
Box 8, Folder 14
And Don't Call Them 'Lady' Composers. Published in
The New York Times
September 13, 1970
And Don't Call Them 'Lady' Composers
Box 8, Folder 15
Being Jackson: A Coin Derived Poem of Substitution. Published in
Paper Air, vol. 2, no. 3
1980
Being Jackson: A Coin Derived Poem of Substitution
Box 8, Folder 16
Choreography Through Meditation. Includes manuscript text of lecture and draft
1981
Choreography Through Meditation
Box 8, Folder 17
Communication Gap
Communication Gap
Box 8, Folder 18
Contribution of Women as Composers. Includes proposal for Faculty Fellowship Program for research on the role of Women in
Society
1973
Contribution of Women as Composers
Box 8, Folder 19
Contribution to
Vort - John Cage special issue
1976
Contribution to Vort, for John Cage special issue
Box 8, Folder 20, Oversize FB-404-08
Every Instant of Life is an Opportunity for Concentration
1980
Box 8, Folder 21
Few Words on the Center for New Music Research and Documentation
1970
Few Words on the Center for New Music Research and Documentation
Box 8, Folder 23
Initiation Dream, typescript of dream and manuscript commentary
1978
Initiation Dream
Box 8, Folder 24
Karl Kohn: Concerto Mutabile
1964
Karl Kohn: Concerto Mutabile
Box 8, Folder 25-26
Meditation, Mandala and Music (MMM)
1980
Meditation, Mandala and Music (MMM)
General
Manuscript text of lecture, and conference packet.
Box 8, Folder 27
Many Strands
1973
Many Strands
Box 8, Folder 28
Memory as Dreams. Includes manuscript, typescript, galleys, and printed version in
Dreamworks
1980
Memory as Dreams
Box 8, Folder 29
Model (Tool) of Advice to Young Women Artists and Anybody Else Who Wants It
Model (Tool) of Advice to Young Women Artists and Anybody Else Who Wants It
Box 8, Folder 30
Modes of Attention and Awareness in the Teaching of Basic Musicianship
1975
Modes of Attention and Awareness in the Teaching of Basic Musicianship
Box 8, Folder 31
Music of the Environment and Holistic Analysis
1978
Music of the Environment and Holistic Analysis
Box 8, Folder 32
Musical Attention Exercises
Musical Attention Exercises
Box 9, Folder 1
Noetics of Music. Includes correspondence, manuscripts and typescripts
1973
Noetics of Music
Box 9, Folder 2
On Sonic Meditation
1973
On Sonic Meditation
Box 9, Folder 3
On the Need for Research Facilities for New Music and Related Arts
1979
On the Need for Research Facilities for New Music and Related Arts
Box 9, Folder 4
Outline for Flute, Percussion and String Bass. Index cards
Outline for Flute, Percussion and String Bass - Index cards
Box 9, Folder 6
Pauline's Proverbs Book Two
1981
Pauline's Proverbs Book Two
Box 9, Folder 7
Poetics of Environmental Sound. Published in
Software for People
1968
Poetics of Environmental Sound
Box 9, Folder 8-12
Poetics of Environmental Sound - Student responses
1968-1969
Poetics of Environmental Sound - Student responses
General
Includes responses exercise assigned by Pauline Oliveros, Alvin Lucier and Allan Strange.
Box 9, Folder 13
Poetry
Poetry - Drafts and fragments
Box 9, Folder 14
Preliminary Proposals for an Inter Arts Program. For Center for Meditation Arts (CCMA) and Meditation Arts Program (MAP)
1980
Preliminary Proposals for an Inter Arts Program, for Center for Meditation Arts (CCMA) and Meditation Arts Program (MAP)
Box 9, Folder 15
Program notes
1968
Program notes
Box 9, Folder 16
Rags and Patches. Includes manuscripts, typescripts and correspondence
1974
Rags and Patches
Box 9, Folder 17
Research Center of New Music for Performers and Composers. For Musical America. Includes manuscript of draft and annotated
typescript
1977
Research Center of New Music for Performers and Composers, for Musical America
Box 9, Folder 18
Rose Mountain Slow Runner. Includes manuscript, typescript and correspondence with Los Angeles Institute of Contemporary Arts
(LAICA)
1978
Rose Mountain Slow Runner
Box 9, Folder 19
Shape of Things to Come in Modern Music
1980
Shape of Things to Come in Modern Music
Box 10, Folder 1-4
Software for People: Collected Writings
1963-1980
Software for People: Collected Writings
General
Includes original presentation at the International Studies on Musical Creation and the Future in Mexico City on December
5, 1978; prepatory materials, and computer printouts.
Box 10, Folder 5
Some Sound Observations
1968
Some Sound Observations
Box 10, Folder 6
Tape Delay Techniques for Electronic Music Composition
1969
Tape Delay Techniques for Electronic Music Composition
Box 10, Folder 7
Tarot Reading on the Life and Work of Xenakis
1979
Tarot Reading on the Life and Work of Xenakis
Box 10, Folder 8
Theater Piece Book. Includes manuscripts and typescripts of a long, autobiographic reflection
1968
Theater Piece Book
Box 10, Folder 9
Three Themes
1972
Three Themes
Box 10, Folder 10
To Make a Universe of Sounds: From Visions
1978
To Make a Universe of Sounds: From Visions
Box 10, Folder 11
To NMCE
1972 October 24
To NMCE
Box 10, Folder 12
To the American Society of University Composers
1981
To the American Society of University Composers
Box 10, Folder 13
Voltage Control
1970
Voltage Control
Box 10, Folder 14
Welcoming address, International Computer Music Conference
1977
Welcoming address, International Computer Music Conference
Box 10, Folder 15
Untitled essay. Published in
Merce Cunningham
1971
Untitled essay
Box 10, Folder 16
Miscellaneous writings
undated
Miscellaneous writings
PROJECTS
Scope and Content of Series
Series 3) PROJECTS: Various documents on some of the early projects Pauline Oliveros was involved with. Arranged in three
subseries: A) San Francisco Tape Music Center at Mills College, B) Meditation Projects, and C) The Woman's Ensemble.
A) San Francisco Tape Music Center: Oliveros was one of the original members of the San Francisco Tape Music Center, which
was an important resource for electronic music during the 1960s. The Center later moved to Mills College. This subseries includes
typescript articles and miscellaneous materials relating to the Center's proposal for an environmental exhibit, Summer Tour
1964 information, concert reviews, publicity information and other documents.
B) Meditation Projects: Outlines and reports, journals, questionnaires and meditation materials relating to Oliveros' work
exploring mental and physical exercises in concentration and how that affects techniques for rehearsal and performance of
music. Materials include Oliveros' notes, reports on the Meditation Project, and other materials on awareness and meditation.
Materials date from 1972-1975.
C) Women's Ensemble: The Women's Ensemble was a group formed by Oliveros to explore sonic meditations. The materials in this
subseries include texts and brochures of the ensemble, group meeting notes, Oliveros' diary, photographs, reviews and some
related correspondence.
San Francisco Tape Music Center at Mills College
Box 11, Folder 1, Oversize FB-404-09
New Audio-Visual Music: A Mixture of Madness, Men and Machines
1965
General
Article published in
The San Francisco Sunday Chronicle, Bonanza, June 6, 1965.
Box 11, Folder 2
Report by Ramón Sender
ca. 1965
San Francisco Tape Music Center - "A Report"
Box 11, Folder 3
Proposal for exhibit, reviews and publicity
1964 and undated
San Francisco Tape Music Center - Proposal for exhibit, reviews and publicity
Box 11, Folder 4
Outlines and reports on work accomplished
Meditation projects - Outlines and reports
Box 11, Folder 5
Introduction and reports
Meditation projects - Introduction and reports
Box 11, Folder 14
Memos
1973
Meditation projects - Memos
Box 11, Folder 15
Questionnaires
Meditation projects - Questionnaires
Box 11, Folder 16-17
Signature meditation and performance notes
1973
Signature meditation and performance notes
Box 12, Folder 1
Writings by Kathy Acker and Bonnie Mara Barnette, with programs and brochures
1971-1972
The Women's Ensemble - Writings by Kathy Acker and Bonnie Mara Barnette, with programs and brochures
Box 12, Folder 2
California Institution for Women correspondence
1972
The Women's Ensemble - California Institution for Women correspondence
Box 12, Folder 3
Group meeting notes
1971-1972
The Women's Ensemble - Group meeting notes
Box 12, Folder 4
Long Beach Museum of Art correspondence
1972
The Women's Ensemble - Long Beach Museum of Art correspondence
Box 12, Folder 5
Mary Lucier's "Maps of Space #1 and #2"
1972
The Women's Ensemble - Mary Lucier's "Maps of Space #1 and #2"
Box 12, Folder 6
Diary excerpts, notes, programs and photographs
1971-1972
The Women's Ensemble - Diary excerpts, notes, programs and photographs
Box 12, Folder 7
Walker Art Center correspondence
1971
The Women's Ensemble - Walker Art Center correspondence
Box 12, Folder 8
Miscellaneous correspondence
The Women's Ensemble - Correspondence
INTERVIEWS AND CRITICISMS
Scope and Content of Series
Series 4) INTERVIEWS AND CRITICISM: Arranged in three subseries: A) Interviews with Pauline Oliveros, B) Interviews by Pauline
Oliveros, and C) Writings about Pauline Oliveros. The date range for these materials is 1963-1981.
A) Interviews with Pauline Oliveros: Arranged in alphabetical order by author and includes published interviews with Oliveros
relating to her career and electronic music. The date range for these materials is 1976-1981.
B) Interviews by Pauline Oliveros: Interview typescripts arranged in alphabetical order by interviewee and include interviews
of colleagues and musicians involved in electronic and experimental music such as fellow Deep Listening Band member Stuart
Dempster. These interviews are from 1978-1979.
C) Writings about Pauline Oliveros: Published articles and criticisms about Oliveros and her work and are arranged alphabetically
by author. These materials date from 1963-1980.
Interviews with Pauline Oliveros
Box 12, Folder 9
Anderson, Beth
1980
Interview with Pauline Oliveros, by Beth Anderson
Box 12, Folder 10
Cleigh, Zenia - "All Sounds are Music"
1979
Interview with Pauline Oliveros, by Zenia Cleigh - "All sounds are music"
Box 12, Folder 11
Colgan, C. - "CME Director Oliveros Says Center's Facilities and Projects are Unique"
1977
Box 12, Folder 12
Everett, Thomas - "Five Questions, Forty Answers"
1971
Interview with Pauline Oliveros, by Thomas Everett - "Five questions, forty answers"
Box 12, Folder 13
Hays, Doris - "Women and Music Festival Bonn 1980"
1981
Box 12, Folder 14
Roth, Moira
1977
Interview with Pauline Oliveros, by Moira Roth
Box 12, Folder 15
Tanner, Marcia - "Pauline Oliveros and the Grand Composition"
1979
Interview with Pauline Oliveros, by Marcia Tanner - "Pauline Oliveros and the grand composition"
Box 12, Folder 16
Timar, Andrew - "Talk with Pauline Oliveros"
1979
Box 12, Folder 17
Zimmermann, Walter - "Pauline Oliveros"
1977
Box 12, Folder 18
"Pauline Oliveros," in UCSD General Catalog
1979-1980
"Pauline Oliveros," in UCSD General Catalog
Box 12, Folder 19
Unknown interviewer - "Pauline Oliveros"
Interview with Pauline Oliveros, by unidentified interviewer
Interviews by Pauline Oliveros
Box 12, Folder 20
Celli, Joe
1979 February 1
Pauline Oliveros interviews Joe Celli
Box 12, Folder 21
Dempster, Stu
1978 November 11
Pauline Oliveros interviews Stu Dempster
Box 12, Folder 22
Erickson, Bob
1979 May 28
Pauline Oliveros interviews Robert Erickson
Box 12, Folder 23
Gutierrez, Edith
1978 October 15
Pauline Oliveros interviews Edith Gutierrez
Box 12, Folder 24
Ingber, Lester
1978 October 13
Pauline Oliveros interviews Lester Ingber
Box 12, Folder 25
Johnston, Ben
1979 January 12
Pauline Oliveros interviews Ben Johnston
Box 12, Folder 26
Matthias, Bernt
1979 April
Pauline Oliveros interviews Bernt Matthias
Box 12, Folder 27
Mumma, Gordon
1978 November 19
Pauline Oliveros interviews Gordon Mumma
Box 12, Folder 28
Nee, Tom
1978 November 2
Pauline Oliveros interviews Tom Nee
Box 12, Folder 29
Rands, Bernard
1978 December 27
Pauline Oliveros interviews Bernard Rands
Box 12, Folder 30
Rosenbloom, David
1978 December 4
Pauline Oliveros interviews David Rosenbloom
Box 12, Folder 31
Rush, Loren
1978 November 17
Pauline Oliveros interviews Loren Rush
Box 12, Folder 32
Schwartz, Elliot
1979 January 15
Pauline Oliveros interviews Elliott Schwartz
Box 12, Folder 33
Smith, Howie
1979 May 8
Pauline Oliveros interviews Howie Smith
Box 12, Folder 34
Zepada, Antonio
1979 May 18
Pauline Oliveros interviews Antonio Zepada
Writings about Pauline Oliveros
Box 13, Folder 1
Ahrens, Peg - "Music with Roots in the Aether"
Ahrens, Peg - "Music with roots in the aether"
General
Includes many examples of Oliveros' music and "Sonic Meditations."
Box 13, Folder 2
Anderson, Beth - "Pauline Oliveros was Here." Published in
The Soho Weekly News
1980 February 20
Anderson, Beth - "Pauline Oliveros was here"
Box 13, Folder 3
Childs, Barney - "Direction in American Composition Since the Second World War, Part II. Published in
Music Educators Journal
1960-1975
Box 13, Folder 4
Composers of Concert Music Born in the Twentieth Century
1978
Box 13, Folder 5
Directory of Contemporary Music
Box 13, Folder 6
Drummond, Ron - "To Move the Rolling Sky: An Appreciation of Pauline Oliveros"
Box 13, Folder 7
Goode, Daniel - "Research and Pauline Oliveros"
1976
Goode, Daniel - "Research and Pauline Oliveros"
Box 13, Folder 8
Kefalas, Elinor - "Pauline Oliveros: An Interview." Published in
Musical America
1975 June
Kefalas, Elinor - "Pauline Oliveros: An Interview"
Box 13, Folder 9
Lepagem, Jane Weiner - "Pauline Oliveros: Composer, Professor of Music and Director of the Center for..."
1980
General
Published in
Women Composers, Conductors, and Musicians of the Century: Selected Biographies.
Box 13, Folder 10
Mac Low, Jackson - "Being Pauline Narrative of a Substitution." Published in
Big Deal 4
1976
Box 13, Folder 11
Palmer, Craig - "The Magic Garden of Pauline Oliveros." Published in
Coast FM and Fine Arts
1970 July
Box 13, Folder 12
Parks, Gary Lee - "Percussion Music in Contemporary Music"
1968
Parks, Gary Lee - "Percussion music in contemporary music"
Box 13, Folder 13
Rasky, Deena - "Pauline Oliveros: Two-Legged Composer." Published in
Broadside, Vol. 1, no. 3
1979 December
Rasky, Deena - "Pauline Oliveros: Two-legged composer"
Box 13, Folder 14
Reynolds, Roger - "John Cage and Roger Reynolds: A Conversation." Published in
The Musical Quarterly, vol. 65
1979
Box 13, Folder 15
Schwartz, Elliot - "Directions in American Composition Since the Second World War, Part I, 1945 - 1960." Published in
Music Educators Journal
1975 February
Box 13, Folder 16
Spizizen, Louise - "The Composer of Area Code 714." Published in
Applause: San Diego Magazine of the Arts
1978 September-October
Box 13, Folder 17
Springer, P. Gregory - "The Nonpareils of Pauline Oliveros." Published in
The Advocate
1979 February 22
Box 13, Folder 18
Subotnick, Morton - "Pauline Oliveros: Trio." Published in
Perspectives of New Music, vol. 2, no. 1
1963
PROGRAMS AND REVIEWS
Scope and Content of Series
Series 5) PROGRAMS AND REVIEWS: Arranged in two subseries: A) Programs and B) Reviews. Each subseries is arranged chronologically.
A) Programs: The subseries ranges from 1949-1982 and includes programs of Oliveros' concerts, performances, recitals and workshops.
B) Reviews: Primarily newspaper clippings of reviews of Oliveros' musical performances. Materials are arranged chronologically
and range in date from 1945-1981.
Box 13, Folder 19-31
1949-1968
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Box 14, Folder 1-10
1969-1978
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Box 15, Folder 1-6
1979-1982
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Programs featuring Pauline Oliveros
Box 15, Folder 7
American Society of University Composers - Concerts of contemporary music
1966 - 1979
Programs - American Society of University Composers, concerts of contemporary music
Box 15, Folder 8
American Society of University Composers - 16th annual conference
1981
Programs - American Society of University Composers, 16th annual conference
Center for Creative and Performing Arts, State University of New York at Buffalo
Box 15, Folder 9
Works performed between 1964 and 1975
Center for Creative and Performing Arts, State University of New York at Buffalo - Works performed, 1964-1975
Box 15, Folder 10
Programs
1966 - 1975
Center for Creative and Performing Arts, State University of New York at Buffalo - Programs
Box 15, Folder 11
Photocopies of programs and reviews
1966 - 1975
Box 16, Folder 1
Compania Musical de Repertorio Nuevo
1979 - 1980
Programs - Compania Musical de Repertorio Nuevo
Box 16, Folder 2
Contemporary Chamber Ensemble
1969 - 1970
Programs - The Contemporary Chamber Ensemble
Box 16, Folder 3
University of Illinois, Experimental Music Studio electronic music
1970
Programs - University of Illinois, Experimental Music Studio electronic music
Box 16, Folder 4
Theater programs
ca. 1975
Theater programs
General
Includes programs from The New Theatre Festival, Baltimore, 1976.
Box 16, Folder 5, Oversize FB-404-10
Box 16, Folder 6
Miscellaneous programs
1960-1979
Miscellaneous programs
Box 16, Folder 7
Clipping featuring photo of Pauline Oliveros
1945
Clipping featuring photo of Pauline Oliveros
Box 16, Folder 8
Clipping - Review of "Dark of the Moon"
1949
Clipping - Review of "Dark of the Moon"
Box 16, Folder 9
Early reviews and mentions of Pauline Oliveros
1951-1952
Clippings - Early reviews and mentions of Pauline Oliveros
Box 16, Folder 11
Clipping - Mills College Performing Group
1965
Clipping - Mills College Performing Group
Box 16, Folder 12
Clipping - The Dakota Student, "Female aesthetic topic of chat"
1973
Clipping - The Dakota Student, "Female aesthetic topic of chat"
Box 16, Folder 13
WBFO program guide, Buffalo, NY
1974
WBFO program guide, Buffalo, NY
Box 16, Folder 14-18
Clippings - Reviews and mentions of Pauline Oliveros
1977-1980
Clippings - Reviews and mentions of Pauline Oliveros
Clippings - Reviews and mentions of Pauline Oliveros
Clippings - Reviews and mentions of Pauline Oliveros
Clippings - Reviews and mentions of Pauline Oliveros
Clippings - Reviews and mentions of Pauline Oliveros
Box 17, Folder 1
Clippings - Reviews and mentions of Pauline Oliveros
1981
Clippings - Reviews and mentions of Pauline Oliveros
Box 17, Folder 2
Metamusik Festival, Berlin '74
Box 17, Folder 3
Reagan Statesman
1948 - 1949
Box 17, Folder 4
Clippings - Reviews and mentions of Pauline Oliveros
ca. 1975
Clippings - Reviews and mentions of Pauline Oliveros
UNIVERSITY MATERIALS
Scope and Content of Series
Series 6) UNIVERSITY MATERIALS: Documents that illustrate part of Oliveros' teaching career. The bulk of the materials are
from Oliveros' tenure as a faculty member at UCSD and include course materials, reports, and grants/teaching proposals which
range from 1964-1981. Arranged in five subseries which include: A) Teaching Materials, B) Teaching by Others, C) Administrative
Materials, D) Center for Music Experiment (CME), E) Committees and F) Other.
A) Teaching Materials: Class materials, course plans and exercises primarily from Oliveros' classes at UCSD and are arranged
chronologically from 1964-1981.
B) Teachings by Others: Includes bibliographies, course materials and some teaching exercises from Oliveros' colleagues.
C) Administrative Materials: Include proposals, resources for research and development, guidelines and questions for the Graduate
Entrance Exam.
D) Center for Music Experiment (CME): Materials span from 1975-1979 and include Advisory Committee notes, CME proposals, reports
and other administrative documents relating to the establishment of the Center.
E) Committees: Includes Electronics Committee materials, of which Oliveros was a member, and document her involvement from
1968-1979; material relating to the Committee on Space from 1976-1977; and materials relating to Electronics Environment research
project, 1969-1971.
F) Other Materials: Other Oliveros' teaching projects and workshop materials, as well as conference and festival materials,
miscellaneous student projects, leave forms and other UCSD related correspondence.
Box 17, Folder 5
Sound for Dancers. Spring. Includes course plans and student writing
1964
Teaching materials - Sound for Dancers
Box 17, Folder 6
Seminars in Electronic Music, University of Toronto
1966
Teaching materials - Seminars in Electronic Music, University of Toronto
Box 17, Folder 7
Music 202C - Electronics Performance
1968
Teaching materials - Music 202C, Electronics Performance
Box 17, Folder 8
Unidentified UC San Diego course, with Oliveros' "What am I Doing Here?"
1968
Teaching materials - Unknown course, UC San Diego
Box 17, Folder 9, Oversize FB-404-11
Class enrollment reports, University of California, San Diego
1971 - 1981
Box 17, Folder 10
Music 1A
1969
Teaching materials - Music 1A
Box 17, Folder 11
Music 105A - Electronics in Music
1969
Teaching materials - Music 105A, Electronics in Music
Box 17, Folder 12
Music 105B - Electronics in Music
1969
Teaching materials - Music 105B, Electronics in Music
Box 17, Folder 13
Music 120
1970
Teaching materials - Music 120
Box 17, Folder 14
Music 105A - Electronics in Music
1970
Teaching materials - Music 105A, Electronics in Music
Box 17, Folder 15
Music 202B
1970
Teaching materials - Music 202B
Box 17, Folder 16
Music 105B - Electronics in Music
1970
Teaching materials - Music 105B, Electronics in Music
Box 17, Folder 17
Music 1A
1971
Teaching materials - Music 1A
Box 17, Folder 18
Music 105 and 205 course descriptions
1971
Teaching materials - Music 105 and 205 course descriptions
Box 17, Folder 19
Music 114B - A Survey of Electronic Music Literature
1971
Teaching materials - Music 114B - A Survey of Electronic Music Literature
General
Course materials and notes.
Box 18, Folder 1-5
Music 114B - A Survey of Electronic Music Literature
1970-1971
Teaching materials - Music 114B - A Survey of Electronic Music Literature
General
Course materials and notes, bibliographies and recording lists (including bibliographies by Lowell M. Cross and Otto W. Henry
and a tape inventory by Jon Phetteplace), and elecronic music catalogs and studio research.
Box 18, Folder 6
Music 105A
1972
Teaching materials - Music 105A
Box 18, Folder 7
Music 105A - Electronic Music
1972
Teaching materials - Music 105A, Electronic Music
Box 18, Folder 8
Music 100 - York University, Toronto
1973
Teaching materials - Music 100, York University, Toronto
Box 18, Folder 9
Workshop in
Sonic Meditation
1973
Box 18, Folder 10
Modes of Attention and Awareness in the Teaching of Basic Musicianship - Proposal for an Innovative Teaching Grant
1975
Teaching materials - Modes of Attention and Awareness in the Teaching of Basic Musicianship
Box 18, Folder 11
Music 2A - Basic Musicianship
1975
Teaching materials - Music 2A, Basic Musicianship
Box 18, Folder 12
Music 111 - Non Western Music
1975
Teaching materials - Music 111, Non Western Music
General
Includes Elinor Barron's a course proposal, "The Art of South Indian Drumming."
Box 18, Folder 13
Sonic Meditation (cancelled)
1975
Teaching materials - Sonic Meditation (cancelled)
Box 18, Folder 14
Women's Composer's Workshop
1975
Teaching materials - Women's Composer's Workshop
Box 18, Folder 15
Music 2B - Basic Musicianship
1975
Teaching materials - Music 2B, Basic Musicianship
Box 18, Folder 16
Music 203B - Composition Seminar
1975
Teaching materials - Music 203B, Composition Seminar
Box 19, Folder 1
Sabbatical leave
1976
Teaching materials - Sabbatical leave
Box 19, Folder 2
Music 2B - Basic Musicianship
1976
Teaching materials - Music 2B, Basic Musicianship
Box 19, Folder 3
Music 205
1978
Teaching materials - Music 205
Box 19, Folder 4-7
Music 202 - Electronic Performance. Readings and student work
1978
Teaching materials - Music 202, Electronic Performance
Box 19, Folder 8
Music 111 - World Music
1979
Teaching materials - Music 111, World Music
Box 19, Folder 9
Music 144 - Innovations in Twentieth Century Music, Stanford University
1979
Teaching materials - Music 144, Innovations in Twentieth Century Music, Stanford University
Box 19, Folder 10-11
Music 206 - Holistic Analysis
1979
Teaching materials - Music 206, Holistic Analysis
Box 19, Folder 12
Music 206 - Holistic Analysis
Box 20, Folder 1
Sabbatical leave
1980
Teaching materials - Sabbatical leave
Box 20, Folder 2
Music 1B - The Nature of Music
1980
Teaching materials - Music 1B, The Nature of Music
Box 20, Folder 3-5
Music 206 - Experimental Studies: Theater Pieces and Mixed Media
1980
Teaching materials - Music 206, Experimental Studies: Theater Pieces and Mixed Media
Box 20, Folder 6
New Music Workshop
1980
Teaching materials - New Music Workshop
Box 20, Folder 7
Music 111 - World Music readings
1981
Teaching materials - Music 111 - World Music readings
Box 20, Folder 8
Course evaluations for Music 105A
Teaching materials - Course evaluations for Music 105A
Box 20, Folder 9
Index to retrieve materials for Music 105A and Music 298
Teaching materials - Index to retrieve materials for Music 105A and Music 298
Box 20, Folder 10
Miscellaneous teaching materials
Teaching materials - Miscellaneous
Box 20, Folder 11
Anderson, R. and David Rosenboom - Bibliographies on Biofeedback
1974 - 1975
Teaching materials of R. Anderson and David Rosenboom - Bibliographies on Biofeedback
Box 20, Folder 12
Balzano, J. - Music 106
1978
Teaching materials of J. Balzano - Music 106
Box 20, Folder 13
Burt, Warren - Music 1
Teaching materials of Warren Burt - "Music 1 at UCSD, a brief examination"
Box 20, Folder 14
Erickson, Robert - Music 102 ABC. Includes syllabus and "How to Make a Tape Composition"
1974 - 1975
Teaching materials of Robert Erickson - Music 102 ABC
Box 20, Folder 15
Erickson, Robert - Timbre Seminar reading list
Teaching materials of Robert Erickson - Timbre Seminar reading list
Box 20, Folder 16
Gold, Judith - Electronic Music Studio: An Introduction
1977
Teaching materials of Judith Gold - Electronic Music Studio: An Introduction
Box 20, Folder 17
Julian, Joseph - Music 105A - Electronics in Music
1974
Teaching materials of Joseph Julian - Music 105A, Electronics in Music
General
Includes reel-to-reel recording.
Box 20, Folder 18
Nee, Tom - Conducting exercise
Teaching materials of Tom Nee - Conducting exercise
Box 20, Folder 19
Memo from Will Ogden, student assignments for Music 100C
Memo from Will Ogden, student assignments for Music 100C
Box 20, Folder 20
Course proposal by Jeffrey F. Raskin, "Computer Programming for the Arts and the Humanities"
1967
Course proposal by Jeffrey F. Raskin, "Computer programming for the arts and the humanities"
Box 20, Folder 21
Rittenbach, Bruce - Music 200 - Music Technology
1978
Teaching materials of Bruce Rittenbach - Music 200, Music Technology
Box 20, Folder 22
Miscellaneous teaching materials
Miscellaneous teaching materials
General
Moog exercises, Claes Oldenburg (Store Days I), Fluxpiece.
Box 20, Folder 23
Studio proposals by Warren Burt
1973
Studio proposals by Warren Burt
Box 20, Folder 24
Pauline Oliveros and Ron George - Project proposal, "Resources for acoustic instrument research and development"
1978
Pauline Oliveros and Ron George - Project proposal, "Resources for acoustic instrument research and development"
Box 20, Folder 25
Creative uses of the computer and computer aided learning for the undergraduate music curriculum - Draft proposal by Pauline
Oliveros
ca. 1979
Creative uses of the computer and computer aided learning for the undergraduate music curriculum - Draft proposal by Pauline
Oliveros
Box 20, Folder 26
Multi-Channel Voltage Controlled Directional Audio Mixer (DAM) project
1969 - 1970
Multi-Channel Voltage Controlled Directional Audio Mixer (DAM) project
Box 20, Folder 27
Questions for graduate entrance exam about electronic music, prepared by Pauline Oliveros
1971
Questions for graduate entrance exam about electronic music, prepared by Pauline Oliveros
Box 20, Folder 28
Memo from Pauline Oliveros to the faculty, "Some suggested guidelines for Music 1-10 papers"
1971
Memo from Pauline Oliveros to the faculty, "Some suggested guidelines for Music 1-10 papers"
Center for Music Experiment (CME)
Box 21, Folder 1
Advisory Committee
1975 June
Center for Music Experiment (CME) - Advisory Committee
Box 21, Folder 2
Colloquia, events and lectures
1974 - 1976
Center for Music Experiment (CME) - Colloquia, events and lectures
Box 21, Folder 3
A Manual for the Use of CME Facilities
1975 January
A Manual for the Use of Center for Music Experiment (CME) Facilities
Box 21, Folder 4
Proposals on behalf of the Center for Music Experiment (CME) for UNESCO Project on Cultural Innovation in Advanced Technological
Societies
1977
Proposals on behalf of the Center for Music Experiment (CME) for UNESCO Project on Cultural Innovation in Advanced Technological
Societies, TACT grant
Box 21, Folder 5
Proposal to establish a Center for Music Experiment and Related Research at the University of California, San Diego
1971
Proposal to establish a Center for Music Experiment and Related Research at the University of California, San Diego
Box 21, Folder 6
Reports and other publications
Center for Music Experiment (CME) - Reports and other publications
Box 21, Folder 7
Rittenbach, Bruce - CME research proposal
1978
Center for Music Experiment (CME) research proposal by Bruce Rittenbach
Box 21, Folder 8
Center for Music Experiment (CME) - TACT grant meeting notes
Center for Music Experiment (CME) - TACT grant meeting notes
Box 21, Folder 9
Miscellaneous
1975 - 1979
Center for Music Experiment (CME) - Miscellaneous papers
General
Includes correspondence, proposals, newspaper clippings, and administrative papers.
Box 21, Folder 10
Space Committee
1976 - 1977
Space Committee
Box 21, Folder 11-15
Electronics Committee
1968-1979
Electronics Committee
Box 22, Folder 1-2
Electronics Environment project
1969-1972
Electronics Environment Project
General
Related to the formation of the
Sonic Meditation performance group.
Box 22, Folder 3
Campuswide Micro-Computer Based Learning Center
1977
Campuswide Micro-Computer Based Learning Center
Box 22, Folder 4
Computer Aided Learning of Basic Music Skills. Includes notes, plans and reports
1976
Computer Aided Learning of Basic Music Skills
Box 22, Folder 5
Long Range Instructional Improvement Program Plan (draft)
1977
Long Range Instructional Improvement Program Plan (draft)
Box 22, Folder 6
Innovation in Undergraduate Teaching in the Humanities - Proposal by Alden Mosshammer and Jonathan Saville
1974
Innovation in Undergraduate Teaching in the Humanities - Proposal by Alden Mosshammer and Jonathan Saville
Box 22, Folder 7
International Computer Music Conference
1977
International Computer Music Conference
Box 22, Folder 8
International Computer Music Conference - Reviews
1977
International Computer Music Conference - Reviews
General
Includes letter to the provost of Muir College, University of California, San Diego.
Box 22, Folder 9
Sabbatical planning
1973 - 1974
Sabbatical planning
Box 22, Folder 10
Mandeville Concert Hall Society: A Proposal
1975
Mandeville Concert Hall Society: A Proposal
Box 22, Folder 11-12
Mandeville Festival
1975
Mandeville Festival
Box 22, Folder 13
Miscellaneous notes and teaching materials
Miscellaneous notes and teaching materials
Box 22, Folder 14
Miscellaneous notes
1970
Miscellaneous notes
General
Includes letter from Betty Wong and notes for performance of "Sonic Environment," "Sweet Alice" and "Bye Bye Butterfly."
Box 22, Folder 15
Miscellaneous student performances and projects
Miscellaneous student performances and projects
Box 22, Folder 16
Organizational Consulting Group - Feedback report to the faculty of Department of Music
1978
Organizational Consulting Group - Feedback report to the faculty of Department of Music
Box 22, Folder 17-18
Music programs, including Livingston College
Music programs
Box 22, Folder 19
Teacher Effectiveness Training: Where are You? Game, 1977
Box 22, Folder 20
Music Department liaison role to Third College, UC San Diego
1972
Music Department liaison role to Third College, UC San Diego
Box 22, Folder 21
UC San Diego correspondence
UC San Diego correspondence
WORKS BY OTHERS
Scope and Content of Series
Series 7) WORKS BY OTHERS: This series is arranged alphabetically and includes works by fellow composers and musicians involved
in experimental electronic music. Some notable works by Robert Erickson and Jackson Mac Low are included. A good portion of
this series are oversize holograph scores. This series ranges from 1966-1981 and includes some unidentified scores.
Box 23, Folder 1
Abraham, Raimund. "Hyperspaces" press release
ca. 1970
Abraham, Raimund. "Hyperspaces" press release
Box 23, Folder 2
Ahlstrom, David -
The Bluebonnets Ballet
1967
Box 23, Folder 3
Aranda, Dino and Ernesto Cardenal -
Exhibition Catalog: Everson Museum of Art, Syracuse, New York
1973
Box 23, Folder 4
Ashley, Robert -
Music with Roots in the Aether
1976
Ashley, Robert - Music with Roots in the Aether
Box 23, Folder 5
Band, Ellen - "Auralia"
1977 - 1978
Band, Ellen - "Auralia"
Box 23, Folder 6, Oversize FB-405-01
Bark, Jan and Folke Rabe - "Bolos." Printed score
1962
Box 23, Folder 7
Barron, Lin - "Sweet Alice"
Barron, Lin - "Sweet Alice"
Box 23, Folder 8
"Cite Libre"
1966
Bartlett, Martin - "Cite Libre"
Box 23, Folder 9
"Five Directions"
1972
Bartlett, Martin - "Five Directions"
Box 23, Folder 10
"Gertrude Stein Songs"
1975
Bartlett, Martin - "Gertrude Stein Songs"
Box 23, Folder 11, Oversize FB-405-02
Bates, David S. - "Suena". Printed score
1975
Box 23, Folder 12
"Players with Circuits"
Behrman, David - "Players with Circuits"
Box 23, Folder 13, Oversize FB-405-03
"Players with Circuits". Four-performer version. Ozalid print
Box 23, Folder 14
"Wave Train"
Behrman, David - "Wave Train"
Box 23, Folder 15, Oversize FB-405-04
Berry, Wallace - "Composition for Piano and Electronic Sounds". Ozalid print
1966 - 1967
Box 23, Folder 16
Bischoff, W. H. - "Winter; At Mii's Gate". Includes holograph score
Bischoff, W. H. - "Winter; At Mii's Gate"
Box 23, Folder 17, Oversize FB-405-05
Bodin, Lars-Gunnar - "Semikdon; Dag Knutson in Memoriam". Ozalid print
Box 23, Folder 18
Bozzi, Robert - "Whereness"
Bozzi, Robert - "Whereness"
Box 23, Folder 19
Bresnick, Martin - "Conspiracies"
1981
Bresnick, Martin - "Conspiracies"
Box 23, Folder 20
Bristow, Stephen - "They are Leaving... A Preservation Rite"
1975
Bristow, Stephen - "They are Leaving... A Preservation Rite"
Box 23, Folder 21
"Lecture Plan"
Budd, Harold - "Lecture Plan"
Box 23, Folder 22, Oversize FB-405-06
"Lovely Thing." Manuscript score and a collage
1969
Box 23, Folder 23
"One Sound, String Quartet"
1968
Budd, Harold - "One Sound, String Quartet"
Box 23, Folder 24
"Vittorio." Includes holograph score
1969
Budd, Harold - "Vittorio"
Box 23, Folder 25
"Coyote Crossing"
1970
Buel, Charles - "Coyote Crossing"
Box 23, Folder 26
"The Sphinx." Ozalid print
1976
Buel, Charles - "The Sphinx"
Box 23, Folder 27, Oversize FB-405-07
"Transformation for Orchestra." Ozalid print
1971
Box 23, Folder 28, Oversize FB-405-08
"My Name is Country and Western: Oatmeal, Boys and Girls! For Accordions." Photocopy of score
1972
Box 23, Folder 29
"The Bill Burroughs Orange County Memorial Desert Song Mix Piece"
1972
Burt, Warren - "The Bill Burroughs Orange County Memorial Desert Song Mix Piece"
Box 23, Folder 30
Byrd, Joseph - "Polka Time." Includes holograph score
Byrd, Joseph - "Polka Time"
Box 23, Folder 31
"Music of Every Night"
1974
Byron, Michael - "Music of Every Night"
Box 23, Folder 32
"Starfields"
Byron, Michael - "Starfields"
Box 23, Folder 33, Oversize FB-405-09
Chase, Ronald - Exhibition announcement with inscription
1968
Box 23, Folder 34
"Attuale"
1965
Chiari, Giuseppe - "Attuale"
Box 23, Folder 35
"Fuori"
1964
Chiari, Giuseppe - "Fuori"
Box 23, Folder 36
"Lavoro"
1965
Chiari, Giuseppe - "Lavoro"
Box 23, Folder 37
"Whisky"
Chiari, Giuseppe - "Whisky"
Box 23, Folder 38, Oversize FB-405-10
Cope, David - "Towers"
1969
Box 23, Folder 39
Connell, Emma - "Airplane Music," "The Attack of the Puppet People," "Cocktail Party,"...
Connell, Emma - Compositions
Box 23, Folder 40
Cunningham, Merce -
Merce Cunningham and Dance Company
1968
Cunningham, Merce - Merce Cunningham and Dance Company
Box 23, Folder 41
"Mimisis and Methexis." Includes reel-to-reel audiorecording
1977
Dunn, David - "Mimisis and Methexis"
Box 23, Folder 43, Oversize FB-405-11
"Chamber Concerto." Ozalid print
1960
Box 23, Folder 44-45
"Do It"
1968
Erickson, Robert - "Do It"
Box 23, Folder 46, Oversize FB-405-12
"Duo for Violin and Piano." Ozalid print
1959
Box 23, Folder 47, Oversize FB-405-13
"Quartet for Strings." Ozalid print
1956
Box 23, Folder 48, Oversize FB-405-14
"Variation for Orchestra." Part 1. Ozalid print
1957
Box 23, Folder 49
"Variation for Orchestra." Part 2. Incomplete transcription of opening measures
Erickson, Robert - "Variation for Orchestra," part 2, incomplete transcription of opening measures
Box 23, Folder 50, Oversize FB-405-15
"Christos." Ozalid print
1963
Box 23, Folder 51, Oversize FB-405-16
"Differences, Group 2." Ozalid print
1963
Box 23, Folder 52
Estrada, Julio - "Memorias, Para Teclado"
1971
Estrada, Julio - "Memorias, Para Teclado"
Box 23, Folder 53, Oversize FB-406-01
Fine, Vivian - "Divertimento for Violin, Cello and Percussion." Ozalid print
1952
Box 23, Folder 54
Foy, Barry - "Tops in Luxury and Just Loaded with Style!" Ozalid print
Foy, Barry - "Tops in Luxury and Just Loaded with Style!"
Box 23, Folder 55
Gibson, Jon. - "Rhythm Study for Voice, Hands, Feet"
1974
Box 23, Folder 56
Gnazzo, Anthony J.
1967 - 1969
Gnazzo, Anthony J. - Compositions
Box 23, Folder 57
Gobler, Dolores - "Mousse"
Gobler, Dolores - "Mousse"
Box 23, Folder 58
Gold, Heliose - "Movings etc. for Outside"
Gold, Heliose - "Movings etc. for Outside"
Box 24, Folder 1
Goldstein, Malcolm - "Frog Pond at Dusk," "Marin's Song of Origin" and "Illuminations"
Goldstein, Malcolm - Compositions
Box 24, Folder 2
Goode, Daniel -
Circular Thoughts for Solo Clarinet
1974
Goode, Daniel - Circular Thoughts for Solo Clarinet
Box 24, Folder 3
Halprin, Anna - "Male and Female Dance Rituals"
Box 24, Folder 4
Harkins, Ed - "Coup de Ville"
Harkins, Ed - "Coup de Ville"
Box 24, Folder 5
"Tarot Symphony #1"
1970
Hawley, Carolyn - "Tarot Symphony #1"
Box 24, Folder 6
Various works
Hawley, Carolyn - Various works
Box 24, Folder 7
Hill, Jackson - "Tantra I - III"
Hill, Jackson - "Tantra I - III"
Box 24, Folder 8, Oversize FB-406-02
Humble, Keith - "Material for Monuments." Photocopy of score
1965 - 1967
Box 24, Folder 9, Oversize FB-406-03
Ichiyanagi, Toshi - "Appearance." Ozalid print
1966 - 1967
Box 24, Folder 10
Ireland, Patrick - "Vowel Grid: A Restoration of Language." Includes photograph
1970
Ireland, Patrick - "Vowel Grid: A Restoration of Language"
Box 24, Folder 11
James, Phil - "Singing with Power"
James, Phil - "Singing with Power"
Box 24, Folder 12
Jefferson, Ron - "Missa Concrete." Includes reel-to-reel recording of "Sanctus"
1975
Jefferson, Ron - "Missa Concrete"
Box 24, Folder 13
Johnston, Ben - "Vigil." Includes inscribed and annotated printed score
Johnston, Ben - "Vigil"
Box 24, Folder 14
Kagel, Mauricio - "Acustica for Experimental Sound - Producers and Loud Speakers"
Kagel, Mauricio - "Acustica for Experimental Sound - Producers and Loud Speakers"
Box 24, Folder 15
Kasemets, Udo
Kasemets, Udo - Compositions
Box 24, Folder 16
Kenney, Annson
Kenney, Annson - Compositions
Box 24, Folder 17
Klucevsek, Guy
1972 - 1973
Klucevsek, Guy - Compositions
Box 24, Folder 18
Kupferberg, Tuli -
Listen to the Mockingbird: Satiric Songs to Tunes You Know
1973
Kupferberg, Tuli - Listen to the Mockingbird: Satiric Songs to Tunes You Know
Box 24, Folder 19
La Barbara, Joan - "Hear What I Feel"
1974 - 1975
Box 24, Folder 20
"Entropical Paradise with Bird Call"
1969
Leedy, Douglas - "Entropical Paradise with Bird Call"
Box 24, Folder 21
"Perspectives for Solo Horn." Ozalid print
1965
Leedy, Douglas - "Perspectives for Solo Horn"
Box 24, Folder 22, Oversize FB-406-04
"Usable Music I." Ozalid print
1967
Box 24, Folder 23
Lentz, Daniel -
Pastime
1969
Lentz, Daniel - Pastime
Box 24, Folder 24, Oversize FB-406-05
Levey, Lauren - "Dissolves." Ozalid print
1972
Box 24, Folder 25, Oversize FB-406-06
Lieblich, Russell W. - "Vortices." For symphony orchestra, four channel tape and electronic delay systems. Ozalid print
1977
Box 24, Folder 26
Lockwood, Annea
Lockwood, Annea - Compositions
Box 24, Folder 27
Lonidier, Lynn - "Waltz in Slow Motion (an experiment in delayed motion)"
Lonidier, Lynn - "Waltz in Slow Motion (an experiment in delayed motion)"
Box 24, Folder 28, Oversize FB-406-07
Lowrey, Norman - "Trumantra." Ozalid print. Includes correspondence
1978
Box 24, Folder 29
"Chambers"
Lucier, Alvin - "Chambers"
Box 24, Folder 30
"Gentle Fire"
Lucier, Alvin - "Gentle Fire"
Box 24, Folder 31
"Vespers"
1968
Lucier, Alvin - "Vespers"
Box 24, Folder 32
"Homage to Leona Bleiweiss." Includes printed score and concert announcements
1976
Mac Low, Jackson - "Homage to Leona Bleiweiss"
Box 24, Folder 33, Oversize FB-406-08
Box 24, Folder 34
Mahler, David - Various works
Mahler, David - Various works
Box 24, Folder 35
Mann, Chris - Various works
Box 24, Folder 36
Martin, Richard - "Sounds from the Inside"
1970
Martin, Richard - "Sounds from the Inside"
Box 25, Folder 1, Oversize FB-406-09
Martirano, Salvatore - "Ballad." Ozalid print
1966
Box 25, Folder 2
"Tafel Musik"
1972
McCarty, Frank - "Tafel Musik"
Box 25, Folder 3, Oversize FB-406-10
"Variation Duo in B-Flat Clarinet and Marimba." Ozalid print
1979
Box 25, Folder 5
"Dance Experience"
1978
McKenzie, Gary - "Dance Experience"
Box 25, Folder 4
"Communion"
1978
McKenzie, Gary - "Communion"
Box 25, Folder 6
"Dance Meditation"
1978
McKenzie, Gary - "Dance Meditation"
Box 25, Folder 7
"Evolving Meditation"
1979
McKenzie, Gary - "Evolving Meditation"
Box 25, Folder 8
"Experience I." Includes two versions
1976
McKenzie, Gary - "Experience I," two versions
Box 25, Folder 9
"Experience II"
1976
McKenzie, Gary - "Experience II"
Box 25, Folder 10
"Experiential"
1977
McKenzie, Gary - "Experiential"
Box 25, Folder 11
"Mandala"
1978
McKenzie, Gary - "Mandala"
Box 25, Folder 12
"Mantra I and II"
1977
McKenzie, Gary - "Mantra I and II"
Box 25, Folder 13
"Solitude Meditation"
1978
McKenzie, Gary - "Solitude Meditation"
Box 25, Folder 14, Oversize FB-406-11
"Gestes Sonores." Ozalid print. Also includes correspondence
1964
Box 25, Folder 15, Oversize FB-406-12
"Sick Transit." Ozalid print
1964
Box 25, Folder 16, Oversize FB-406-13
"Tombola." Ozalid print
1963
Box 25, Folder 17
Miller, Thomas P. - Various works
1972
Miller, Thomas P. - Various works
Box 25, Folder 18
Moore, Honor - Various works
1978
Moore, Honor - Various works
Box 25, Folder 19
Moore, Robert - "Soprano Aria: Gibt es Wirklich Die Zeit"
Moore, Robert - "Soprano Aria: Gibt es Wirklich Die Zeit"
Box 25, Folder 20
Moore, Thomas - "Love's Young Dream"
Box 25, Folder 21
Moran, Robert - "Four Visions"
Moran, Robert - "Four Visions"
Box 25, Folder 22
Morgan, Ernie - "Character Reference"
Morgan, Ernie - "Character Reference"
Box 25, Folder 23
Morningstar, Ramon Sender - "Oh Blessing Be"
1978
Morningstar, Ramon Sender - "Oh Blessing Be"
Box 25, Folder 24
Moses-Tobani, Theodore -
Hearts and Flowers. Published by Carl Fischer, New York
1899
Box 25, Folder 25
"Eleven Note Pieces and Decimal Passacaglia"
1979
Box 25, Folder 26
"Meanwhile, A Twopiece." Includes hand-colored reproduction of score
1961
Mumma, Gordon - "Meanwhile, A Twopiece"
Box 25, Folder 27
"Mind Forged Manacles"
1976
Pepe, Carmine - "Mind Forged Manacles"
Box 25, Folder 28
"Plastic Containers"
1968
Pepe, Carmine - "Plastic Containers"
Box 25, Folder 29
Persson, Bo Anders - "Love is Here to Stay"
Persson, Bo Anders - "Love is Here to Stay"
Box 25, Folder 30
Petersson, Bertil - "Voicepiece for Small Chorus"
Petersson, Bertil - "Voicepiece for Small Chorus"
Box 25, Folder 31, Oversize FB-406-14
Pfeil, Clifford - "Ruth Ann's House." Ozalid print. Also includes correspondence
1973
Box 25, Folder 32
Phetteplace, Jon - "Free Lecture." Annotated by Phetteplace
1968
Phetteplace, Jon - "Free Lecture." Annotated by Phetteplace
Box 25, Folder 33
Phillips, Ardison and John Forkner - "Distance - Zero"
Phillips, Ardison and John Forkner - "Distance - Zero"
Box 25, Folder 34
Punskovesky, Batshena - "Sunday Bust"
1973
Punskovesky, Batshena - "Sunday Bust"
Box 25, Folder 35, Oversize FB-406-15
Rabe, Folke - "Impromptu." Includes multiple ozalid copies with annotations
1962
Box 25, Folder 36
Rabe, Folke and Lasse O'Mansson - "Piece"
Rabe, Folke and Lasse O'Mansson - "Piece"
Box 25, Folder 37
Rhoads, William E. -
Latin Elegy. Published by Southern Music Company, San Antonio
1973
Rhoads, William E. - Latin Elegy
Box 25, Folder 38
Richardson, Robert - "Soundpiece for Men's Glee Club"
Richardson, Robert - "Soundpiece for Men's Glee Club"
Box 25, Folder 39
"In C"
Riley, Terry - "In C"
Box 25, Folder 40, Oversize FB-406-16
"String Quartet." Ozalid print
1960
Box 25, Folder 41
Rosenboom, David - "A Model for Detection and Analysis of Information Processing Modalities in the..."
1975 - 1976
Box 25, Folder 42, Oversize FB-407-01
"Five Japanese Poems." Ozalid print
1959
Box 25, Folder 43, Oversize FB-407-02
"Mandala Music." Ozalid print
Box 25, Folder 44
"Oh, Susanna." For piano
1970
Rush, Loren - "Oh, Susanna," for piano
Box 25, Folder 45, Oversize FB-407-03
"Six Variations for Viola, Horn and Bassoon"
1956
Box 25, Folder 46, Oversize FB-407-04
"Soft Music, Hand Music." For two or three amplified pianos. Includes printed score
1970
Box 25, Folder 47, Oversize FB-407-05
"String Quartet." Ozalid print
1961
Box 25, Folder 48, Oversize FB-407-06
"Three Piano Pieces." Ozalid print
1954
Box 26, Folder 1
Satie, Erik - "Vexations". Includes a score and a program for performance at Suny Buffalo
1974
Satie, Erik - "Vexations"
Box 26, Folder 2
Schwartz, Elliott
Schwartz, Elliott - Compositions
Box 26, Folder 3
Shapiro, Gerald
Shapiro, Gerald - Compositions
Box 26, Folder 4
Silber, J
Silber, J. - Compositions
Box 26, Folder 5
Smith, Stuart - "Tit for Tat"
Smith, Stuart - "Tit for Tat"
Box 26, Folder 6
Smith, William O. - "Lines"
Smith, William O. - "Lines"
Box 26, Folder 7
"Both"
1970
Strange, Allen - "Both"
Box 26, Folder 8
"Son of Wolfman"
Strange, Allen - "Son of Wolfman"
Box 26, Folder 9, Oversize FB-407-07
"Sound Beams and Screamer's Last Witness"
1974
Box 26, Folder 10, Oversize FB-407-08
"Star Salon Strikeness and Slider's Last Orbit"
1973
Box 26, Folder 11, Oversize FB-407-09
"Switchcraft, for Flutist, Bassist and Engineer." Ozalid print
1970
Box 26, Folder 12
Subotnick, Morton - "Music Cues"
Subotnick, Morton - "Music Cues"
Box 26, Folder 13
Summers, Elaine - "Crow's Nest." Includes photographs
1980
Summers, Elaine - "Crow's Nest"
Box 26, Folder 14, Oversize FB-407-10
"Dan's Place." Ozalid print
Box 26, Folder 15, Oversize FB-407-11
"In Silence Also." Ozalid print
Box 26, Folder 16
Tenney, James
Tenney, James - Compositions
Box 26, Folder 17, Oversize FB-407-12
Valkare, Gunnar - "Kardiogram." Ozalid print
1965 - 1966
Box 26, Folder 18
Vooss, Vladimir
Vooss, Vladimir - Compositions
Box 26, Folder 19
Weber, Carol. Includes "Song" by Roberta Gould
Weber, Carol - Compositions
Box 26, Folder 20
"Cindy 633: Loya Called is Waiting for the Plummer." Includes two versions
1979
Winsor, Phil - "Cindy 633: Loya Called is Waiting for the Plummer"
Box 26, Folder 21, Oversize FB-407-13
"Flos Harmonicus I." For string quartet. Ozalid print
1971
Box 26, Folder 22, Oversize FB-407-14
"Flos Harmonicus II." For string quartet. Ozalid print
1971
Box 26, Folder 23
"Gumbo for Julia." Ozalid print
1967
Winsor, Phil - "Gumbo for Julia"
Box 26, Folder 24
"Kyrie Eleison"
1969 - 1977
Winsor, Phil - "Kyrie Eleison"
Box 26, Folder 25
"Quartet for Piano and Percussion." Ozalid print
Box 26, Folder 27
Various works
Wolff, Christian - Various works
Box 26, Folder 28
Wong, Betty
1971
Wong, Betty - Compositions
Box 26, Folder 29
Yapkowitz - "Harold"
Yapkowitz - "Harold"
Box 26, Folder 30
Yip, Wai-lim - "Death Charms and Songs"
Yip, Wai-lim - "Death Charms and Songs"
Box 26, Folder 31
"Composition 1960 #2." Signed, annotated and printed score
1960
Young, La Monte - "Composition 1960 #2"
Box 26, Folder 32
"Composition 1960 #3"
1960
Young, La Monte - "Composition 1960 #3"
Box 26, Folder 33
"Composition 1960 #4"
1960
Young, La Monte - "Composition 1960 #4"
Box 26, Folder 34
"Composition 1960 #5"
1960
Young, La Monte - "Composition 1960 #5"
Box 26, Folder 35
"Poem." Includes mimeographed score
1960
Young, La Monte - "Poem"
Box 26, Folder 36
"Study I, for Piano." Ozalid print
1959
Young, La Monte - "Study I, for Piano"
Box 26, Folder 37
"Study II, for Piano." Unfinished. Ozalid print
Young, La Monte - "Study II, for Piano," unfinished
Box 26, Folder 38
"Study III, for Piano." Ozalid print
1959
Young, La Monte - "Study III, for Piano"
Box 26, Folder 39
Miscellaneous examples from
Source
Miscellaneous examples from Source
Box 26, Folder 40, Oversize FB-407-15
Miscellaneous unidentified scores
Box 26, Folder 41
Miscellaneous unidentified scores and other works
Miscellaneous unidentified scores and other works
WRITINGS BY OTHERS
Scope and Content of Series
Series 8) WRITINGS BY OTHERS: This series is arranged in alphabetical order and includes articles, essays and interviews relating
to electronic and experimental music by Oliveros' colleagues, fellow composers and musicians from 1961-1981.
Box 26, Folder 42
Anderson, Ruth and Annea Lockwood - "Hearing Studies." For Music 5
Spring 1981
Anderson, Ruth and Annea Lockwood - "Hearing Studies"
Box 26, Folder 43
Behrman, David - Curriculum vitae
1971
Behrman, David - Curriculum vitae
Box 26, Folder 44
Brown, Earle - Untitled excerpt
Brown, Earle - Untitled excerpt
Box 26, Folder 45
Evarts, John - "The New Musical Notation - A Graphic Art?" Published in
Leonardo, vol. 1, 1968
Box 26, Folder 46
Grayson, John - "New Materials and Methods for the Musical Instrument Designer, the Audio-Kinetic Sculptor... Published in
Leonardo, vol. 3, 1970
Box 26, Folder 47
Higgins, Dick - "Towards an Allusive Referential." From
A Dialectic of Centuries
1977
Box 26, Folder 48
Hiller, L. A., Jr. - "Report on Contemporary Experimental Music"
1961
Hiller, L. A., Jr. - "Report on Contemporary Experimental Music"
Box 26, Folder 49
Lentz, Daniel - "Music Lib"
Lentz, Daniel - "Music Lib"
Box 27, Folder 1-2
Chambers - Page proofs. Includes drafts of essay by Oliveros
Lucier, Alvin - "Chambers" page proofs
Box 27, Folder 3-4
Writings and Interviews
Lucier, Alvin - Writings and interview transcripts
Box 27, Folder 5
Marshall, Ingram - "The Mellowing of the Avant-Garde"
1977
Marshall, Ingram - "The Mellowing of the Avant-Garde"
Box 27, Folder 6
"Curriculum Vitae." Includes list of compositions
Pepe, Carmine - Curriculum Vitae
Box 27, Folder 7
"Workshop Outline"
Pepe, Carmine - Music Theater Improvisation Workshop Outline
Box 27, Folder 8
"Liberation Through Sound. Lesson 1-6"
ca. 1931
Rudhyar, Dane - "Liberation Through Sound. Lesson 1-6"
Box 27, Folder 9
"Liberation Through Sound. Lesson 7-12"
ca. 1931
Rudhyar, Dane - "Liberation Through Sound. Lesson 7-12"
Box 27, Folder 10
Schafer, R. Murray - "The Music of the Environment"
Schafer, R. Murray - "The Music of the Environment"
Box 27, Folder 11
Strange, Allen - Music Tradition is Alive and Well (and hiding in the avante-garde)
1969
Strange, Allen - "Music Tradition is Alive and Well (and hiding in the avante-garde)"
Box 27, Folder 12
Von Gunden, Heidi - "The Teachings of Don Juan: A Lesson in Shamanistic Use of Songs" and other works
Von Gunden, Heidi - "The Teachings of Don Juan: A Lesson in Shamanistic Use of Songs" and other works
Box 27, Folder 13
Xenakis, Iannis - "Towards a Metamusic." Published in
Tempo, Summer 1970
Box 27, Folder 14
Unidentified writings by others
Unidentified writings by others
CORRESPONDENCE
Scope and Content of Series
Series 9) CORRESPONDENCE: This series is arranged in alphabetical order by correspondent and includes letters to Oliveros
and also some correspondence between Oliveros and fellow musicians, university departments and colleagues, and other entities
such as Bell Telephone Laboratories,
Electronic Music Review, and League of Women Composers. This series includes materials from 1968-1979.
Box 28, Folder 1
Art Disposal Service
1968
Art Disposal Service - Correspondence
Box 28, Folder 2
Baker's Biographical Dictionary (Ken Stuart, editor-in-chief)
1980
Baker's Biographical Dictionary (Ken Stuart, editor-in-chief) - Correspondence
Box 28, Folder 3
Barnett, Bonnie
1973 - 1975
Barnett, Bonnie - Correspondence
Box 28, Folder 4
Bell Telephone Laboratories. Includes several attached reprints by various writers
1970
Bell Telephone Laboratories - Correspondence
Box 28, Folder 5
Boone, Charles
1979
Boone, Charles - Correspondence
Box 28, Folder 6
Budd, Harold
Budd, Harold - Correspondence
Box 28, Folder 7
Confluence
Confluence - Correspondence
Box 28, Folder 8
Corner, Philip. Includes materials related to teaching and the development of a theory program
1973
Corner, Philip - Correspondence
Box 28, Folder 9
Dresher, Paul
1977
Dresher, Paul - Correspondence
Box 28, Folder 10
Duckworth, William
1979
Duckworth, William - Correspondence
Box 28, Folder 11
Electronic Music Review
1967
Electronic Music Review - Correspondence
Box 28, Folder 12
Galas, Diamanda
1979
Galas, Diamanda - Correspondence
Box 28, Folder 13
Gowan, John C.
1976
Gowan, John C. - Correspondence
Box 28, Folder 14
Hanson, Sten
Hanson, Sten - Correspondence
Box 28, Folder 15
Hayman, Richard
Hayman, Richard - Correspondence
General
Includes
A Gathering of Healers, a compilation of works edited by Mary Nell Hawk.
Box 28, Folder 16
Ingber, Lester
Ingber, Lester - Correspondence
Box 28, Folder 17
League of Women Composers
1975
League of Women Composers - Correspondence
Box 28, Folder 18, Oversize FB-408-01
Lockwood, Anna. Photo prints with dedication on the back
Box 28, Folder 19
Louie, Alexina
Louie, Alexina - Correspondence
Box 28, Folder 20
Lowrey, Norman
1974
Lowrey, Norman - Correspondence
Box 28, Folder 21
Martin, Richard
1971 - 1972
Martin, Richard - Correspondence
Box 28, Folder 22
McKenzie, Gary. Also see Series: WORKS BY OTHERS
1977 - 1979
McKenzie, Gary - Correspondence
Box 28, Folder 23
Meyer-Denkmann, Gertrud
1977
Meyer-Denkmann, Gertrud - Correspondence
Box 28, Folder 24
Moorman, Charlotte. Includes programs from the 11th Annual Avant Gande Festival of New York, 1974
1975
Moorman, Charlotte - Correspondence
Box 28, Folder 25
Numus West
1973
Numus West - Correspondence
Box 28, Folder 26
Neuhaus, Max
1970
Neuhaus, Max - Correspondence
Box 28, Folder 27
Pnumbral Raincoast
1975
Pnumbral Raincoast - Correspondence
Box 28, Folder 28
Source (Larry Austin, editor)
Source (Larry Austin, editor) - Correspondence
Box 28, Folder 29
Strange, Allen
Strange, Allen - Correspondence
Box 28, Folder 30
Miscellaneous
Miscellaneous correspondence
BIOGRAPHICAL
Scope and Content of Series
Series 10) BIOGRAPHICAL: Arranged in two subseries: A) General and B) Grants and Awards.
A) General: Includes Oliveros' early childhood scrapbook from 1946, high school and college memorabilia, her career narrative
and curriculum vitae from 1957-1980, as well as miscellaneous drawings, oversize artwork, and Oliveros' sketchbook.
B) Grants and Awards: Various documents relating to grants, awards and panels which Oliveros participated in, including the
National Endowment for the Arts - Composers, Librettists and Translators Panel and Music Advisory Panel. These materials date
from 1961-1981.
Box 29, Folder 1
Appointment calendar
1977-1978
Appointment calendar
Box 29, Folder 2-5
Attachments to file
1980 February-April
Attachments to file
Box 29, Folder 6-7
Academic biographies and other biographical information
ca. 1960-1978
Academic biographies and other biographical information
Box 29, Folder 8
Career narrative
1972-1977
Career narrative
Box 29, Folder 9
Career narrative and academic biography
1971-1974
Career narrative and academic biography
Box 29, Folder 10
College records
1952-1960
College records
Box 29, Folder 11-12
Curriculum vitae
circa 1972
Curriculum vitae
Box 30, Folder 1-2
Curriculum vitae
1975-1980
Curriculum vitae
Box 30, Folder 3
Employment records
1955-1980
Employment records
Box 30, Folder 4
John F. Reagan High School directory, Houston, Texas
1947 - 1948
John F. Reagan High School directory, Houston, Texas
Box 30, Folder 5
High school volleyball varsity letter
1948
High school volleyball varsity letter
Box 30, Folder 6
John F. Reagan High School yearbook, Houston, Texas
1949
John F. Reagan High School yearbook, Houston, Texas
Box 30, Folder 7
Miscellaneous memberships, mentions, etc.
Miscellaneous memberships, mentions, etc.
Box 30, Folder 9
Sounding the Margins: A Forty-Year Retrospective of the Works of Pauline Oliveros - Program
2002 May 3-June 2
Sounding the Margins: A Forty-Year Retrospective of the Works of Pauline Oliveros - Program
Box 30, Folder 10
University of Houston student directory
1950-1951
University of Houston student directory
Box 30, Folder 11
Biographical materials
1956-1980
Biographical materials
Box 30, Folder 12, Oversize FB-408-07
Miscellaneous - Oliveros brown belt in karate
Box 31, Folder 1
Notes and sketches, with list of tape pieces
Notes and sketches, with list of tape pieces
Box 31, Folder 2, Oversize FB-408-04
Box 31, Folder 3, Oversize FB-408-05
Box 31, Folder 4, Oversize FB-408-03
Box 31, Folder 5, Oversize FB-408-06
Box 31, Folder 6
Creative Artists Public Service Program (CAPS). Includes correspondence related to Oliveros' participation in the music panel
1976
Creative Artists Public Service Program (CAPS)
Box 31, Folder 7
Gaudeamus Foundation
1961
Gaudeamus Foundation
Box 31, Folder 8
NEA Composers Program grant application
1981
National Endowment for the Arts - Composers Program grant application
Box 31, Folder 9
John Simon Guggenheim Memorial Foundation
1979
John Simon Guggenheim Memorial Foundation
Box 31, Folder 10-11
National Endowment for the Arts - Composers, Librettists and Translators Panel
1947 - 1976
National Endowment for the Arts - Composers, Librettists and Translators Panel
Box 31, Folder 12-13
National Endowment for the Arts - Music Advisory Panel
1976 - 1979
National Endowment for the Arts - Music Advisory Panel
Box 31, Folder 14
Response of the National Endowment for the Arts to the March 22, 1979 Report of the Surveys and Investigations Staff, House
Appropriations Committee
1979
Response of the National Endowment for the Arts to the March 22, 1979 Report of the Surveys and Investigations Staff, House
Appropriations Committee
Box 31, Folder 15
Pacifica Foundation
1961
Pacifica Foundation
Box 31, Folder 16
UC San Diego Committee on Research grants
1980
UC San Diego Committee on Research grants
ELECTRONIC MUSIC SYSTEMS
Scope and Content of Series
Series 11) ELECTRONIC MUSIC SYSTEMS: This series holds materials on the Buchla Electronic Music System, 1969 and the Ionic
Industries, Inc. electronic music synthesis system, 1972. Files include user manuals, correspondence and other information
annotated by Oliveros on these electronic systems.
Box 31, Folder 17
Buchla Electronic Music System - User manual, circuit diagrams and sales brochure with Oliveros' annotations
ca. 1969
Buchla Electronic Music System - User manual, circuit diagrams and sales brochure with Oliveros' annotations
Box 31, Folder 18
Ionic Industries, Inc., electronic music synthesis system. Includes correspondence
1972
Ionic Industries, Inc., electronic music synthesis system